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the-missann · 2 months

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I just remembered something I wanted to do.

Essentially, I grew up reading and watching yaoi (and also self-identify as a fujoshi) and it's always been a dream of mine to have a queer show go on for as long as something like Naruto or SpongeBob. You know, just longer than three seasons as is typical with shows that have queer main characters.

So, I'll share some of the stories of mine that either have MCs that are gay, have queer characters, or have a plot related around something LGBT.

Also, I wanna use this as a way to detail special cases in my stories as well.

! I am but a simple ally. So if something I say is wrong or there's a better way to phrase it, please kindly let me know. I truly mean no offense by anything here !

Stories with gay MCs

Tales That Were Told (Not written)

So, this is a story that's pretty much done but I haven't written one bit of it aside from a random scene I had to get out of my head. But, originally, this was just a story where two highschool kids were dealing with highschool shit. A slice of life story with two cuties. Then, it got turned into this new story (Tales That Were Told) that is a sequel to another story I'm still currently writing (Tales That Were Lived). It's hard to summarize, but essentially the main story is an adventure dealing with three characters and a fantasy world where they're all coming to terms with finding themselves and learning to love who they are despite where they may come from. In Tales Told, I intend for this story to have like relationship shit, but the relationship is two men *gasp*. It's not gonna be some weirdly specific thing; no, they're just two kids who have a crush on each other while other shit in the world is going on. Revolutionary concept I know.

Unnamed erotica (unedited, 40k wc with a planned sequel at 10k currently)

it has a name, but I don't really like it :(

I was a little iffy about writing this one at first because I'm the type of person who's extremely tired of queer media just being softcore porn. I just want a good story and the characters happen to be gay. But, I also know it's important to write stories like these as well to show all the different sides and to show people that there's not much different about anyone who happens to be lgbt. In this story, my MC Kit is a famous voice actor (like Johnny Young Bosch) and is a total asshole that everyone is scared shitless of. His soon to be boyfriend is a lovestruck puppy boy childhood friend who is desperate to be with him. He's so sweet it's almost sickening! They deal with normal relationship issues, societal problems, workplace harassment, as well as their own personal issues and some of their issues are even from each other. scandalous. Kit as the MC has a million and one issues within himself (including some from his family), but his loverboy is right there to help him! Also, here's another summary I wrote for this on my website that better explains the origin of the story.

Stories with queer characters

Orange Perfect (unfinished at 21k)

This is had a few mentions of queerness in it. A quick summary: this is a coming-of-age story where three kids (Cassie, Lucius, and Shay) are forced to become friends after all getting targeted by a gang. The MC named Shay is discovering himself. He doesn't know if he's gay, bi, non-binary, gender non-conforming, etc... and is conflicted about his various feelings as he wishes he had a simpler answer for how he feels. Another important character is a trans man (Gabe) who acts as a physical representation of Cassie's own realization of who she wants to be. It's tough for her to live as herself, so Gabe eventually reveals to her that he is a trans man. That his struggles to realize who he really was changed once he accepted himself. As well, he wants her to be different from himself as he's still living partially in the dark since very few people know he's trans.

Any story that has one character named Ren in it (too many to count)

Ren is my MCs twin brother (whenever I want her to have a twin brother) and he is always in a relationship with another character named Mari who I originally made as a trap (I was like twelve). Now a days, Mari is just best described as a twink, but I like his name too much to change it. So that part of the "trap" still exists. Ren is full on gay and screams it from the rooftops as he expresses his interest in men quite often. He's not a flamboyant gay, but he will openly tell people he has no romantic or sexual interest in women and isn't shy to kiss his boyfriend in public. Oh and bonus that women often like him and he has a ton of female friends.

The Entire Fourth Dimension Reality series (total wc of ~100k)

Aside from this story being one long shit post I thoroughly loved making. One of the secondary main characters is suppose to be pansexual. Why this is, is because she only interacts with the other three main characters because she finds them cute (one girl and two guys). Now, she's actually pan for a reason. It's mainly due to her family that made her desire to be loved by everyone around her. This manifested into her just liking anything that would show her affection. (dw Mandy, I love you💗) One of the villains I made to be feminine presenting because he was really pretty in my head when I first developed him. He was going to be genderless, but I decided to make him more feminine and most of that is just with his appearance, but he is defined as a man and acts as so, he just happens to have traditional female attire and mannerisms :)

All The Screams (unedited at 61k)

So, the main point of this story is about Cassie who ends up finding out that she's cursed, but she only does so after going on a mission to escort the prince of her kingdom to his lover. This mission is kept secret and why lies in who this lover is. It's a prince from another Kingdom. Kyo, the prince of Cassie's kingdom, is a little selfish brat who wants what he wants. He fell in love with another kingdom's prince and immediately chose him over his kingdom. With the other prince, his parents are actually gay as well and I made this story around the time I was heavily into yaoi and BL so that may have been an influence as to why tons of characters in this story are gay or why there's major plot points relating to it.

Characters that are iffy/I didn't plan to be queer

The State of Quandary (unfinished with ~60k)/ Before the Reignfall (finished with 45k)

Technically this involves two characters. One of the MCs (Fang) and the MCs friend (Dani) are in the same boat. Originally, Dani was suppose to have a crush on the other MC (Cassie), and that was suppose to explain why Dani even interacts with her in the first place and why they have such a close friendship. However, it felt queerbaity and I felt gross having that as a plot point when it's so obvious Cassie will never even get close to having romantic feelings for Dani. Then, I thought to have Dani be a lesbian because she has trauma with men and dislikes most, if not all, grown men in the world. Fang was the remedy with that as I thought to make them be in a relationship as Fang would be the first guy she ever met who isn't a total loser. However, Fang was originally going to be involved in a love triangle before I realized there's a bit to many conflicts in the story and got rid of it. So, I ended up in a gray area where Fang also doesn't show any interest in women (the result of the love triangle being removed) So, this was my fix. People can either think Fang and Dani are cute together and he manages to break through her trauma, people can think they're both gay and just show no romantic interest in the opposite sex, or their romantic feelings for anyone just isn't important to the story whatsoever. And tbh, I don't mind any one of those options. It's cool when there's different ways to interpret character relationships and it won't lead to fans fighting each other if even I don't really know what it is.

Tales That Were Told (Unfinished at ~90k words)

This villain is a doozy. Their name is Gage and when I first made this character, I pretty much was going to make a woman. However, when I started writing the story, she turned into a he and not even in a way like I intended to change the gender, but even now whenever I write Gage, they're a he. When I think of Gage, they're a she. I don't know what that's about, but even my mental image of Gage is that of both a woman and a man. (If anything, they're comparable to Leo from Tekken). So, to fix this in my head, out loud I refer to Gage as a he. I think of Gage as a she. In the story, the narrator doesn't use any pronoun and characters have conflicting usage as most characters refer to Gage as a he, but there are some who see Gage as a she or simply they/them. Oh, and no, just because Gage might be non-binary, that's not why they're evil. It's not even a plot point in the story. No vilifying personality traits over here lol

Unfinished/unplotted stories with queer plotlines

Unnamed romance (Pink and Brown)

I showcased a snipit of this story (also thanks for everyone who liked it 💕), but there's more to it than what I shared. Back when I actually had a friend, I used to tell him about ideas I had, then he would pretty much allow me to figure out what I wanted to do with it. I told him I wanted to make a story with these two girls I made in a picrew because they were so adorable and they ended up as a couple. I couldn't think of a name so they were named Pink and Brown based on their hair colors. I also couldn't think of the official story I wanted them to have. So, I simply came up with two of them. The first story is a slice of life where Brown and Pink are both in college (for IT and Art respectively) and Brown has a huge crush on two girls--one she knows through mutual friends and another being the artists of a webcomic she really loves. (I'm sure this isn't obvious at all). So, one day, Brown gets a call from Pink and she's really stressed out about something. Eventually, she explains she called her since an IT major could help her with someone hacking one of her social media accounts. Brown agrees and when she finds out what the account is, she's shocked to see that Pink is the artist of the webcomic she's been reading for years. I don't even have a damn conflict in this story so it is dead in the water. I'm sure I'll get some idea for it, but knowing me that'll be years from now, unfortunately. Oh, and the snipit I shared is suppose to be the comic Pink is drawing acted as an AU of the original story (if that makes any fucking sense)

Unnamed romance (Idol x non-idol)

This one feels like a fever dream because I don't even remember why I came up with it. Anyways, this is suppose to be a slight extension of the erotica. This is another famous person who ends up falling for an accountant after a random encounter he had with him after a concert. The accountant doesn't want to be involved with this celeb for several reasons, but mainly because he's known to sleep around. The celeb is determined and pretty much forces them to have a relationship by hiring him as his new money manager. He pretty much gets him fired from his old job and... that's all I thought of. It's suppose to end up being really cute as the celeb eventually reveals the kind of person he really is, but what that is, I'm not really sure.

Random Tangent

Now that I'm writing this, it does make me think about an abandoned story I wrote where a failing manager falls in love with a client who essentially saves him from losing his career. The erotica and it's extension are already related, and this other unnamed story (I'll call it The Client for now) had a connection as well. Real quick, all these stories are connected to Orange Perfect through Cassie and other relationships. Without giving away major spoilers (just in case) Cassie ends up as someone very influential in the media world by the end. As a college age girl, she's meeting with the Celeb and the Accountant; and, at some point in her journey, she meets and works with the Manager in The Client. Kit knows a ton of people in the industry and knows the Celeb, the Manager, and Cassie who he has a business relationship with. So, it's easy for me to add Pink. Pink could eventually be offered a contract to a major publication, and cross paths with Cassie through some means. There's even a chance for Kit to voice any character in her webcomic, the celeb to make music for it, and even the manager could help her somehow. Sometimes I get really good ideas for things that just are not possible. I would love to have these five stories apart of a collection in this "reality" I made up for them. Ugh. It sucks to not have this as my actual job. Anyways, I thought it would be kind of cool to have all these stories be related.

That might not be everyone, but I often use queer elements in my story so, who knows, maybe I'll update this in the future with more!

But, thanks for reading if you did~🍂

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speedygoateeconnoisseur · 8 months

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The identity problem

The idea of "gender affirmation" is wrong. Sounds absurd, right?

Well, it's not. To be affirmed means you must confirm that they CONFORM to the traits seen in said gender.

To be affirmed that you're now "passing" as a woman in society. That is gender-affirmation.

You must be affirmed that you're now conforming to "women" traits.

Women and men are different beings. There's billions of us. If that's the case, then how do you come to the idea of what a "woman" or "man" is? Why haven't we made the idea of not thinking about what a "man or woman" is? He's wearing a dress? Cool. It's possible that he doesn't make it work and is ugly in it. It's fine, it's the same fashion issue some women have. That's the idea of fashion, it's a harsh world.

The very idea of "trans" has been warped. You don't need dysphoria? Yes, you do. That's the thing. It started with rights. Rights to medicines. Specific procedures that aren't about surgeries, top or bottom.

Medicines for youths, things like HRT. We understand it to a science, not a social science but an actual physical science. Those bodies have defects that we can remedy. But we drew the attention to how we need to look in today's society.

Arguments even got made for things like ED pills being "affirmation" treatment. No, old guys with broken dicks are still old guys with broken dicks, it affirms nothing. Those that try to fight old age may feel like less of a man, but that's a personal issue. If you're trying to be above them, why attack them for a personal issue? Hypocrisy is what makes us human, so I guess that's okay.

What even is an identity? How many words do you need on an internet profile? Bi non-binary pansexual? How do you even know you're a pansexual? Why do people assume they know what it's like to feel a certain gender? To accept genderfluid means to accept gender norms. In fact, all of this shit is to accept gender norms. The very things you bitch about are the things you empower and promote.

A guy can be a guy that's into "feminine" things. So what? We can easily just draw the line there. Tomboys used to exist, but now they're going to be forced with labels like trans.

This leaks into their "sexuality". Why does your sexuality need to be stated on every fucking website? Are you defined that easily? Are you that shallow, with no depth?

Sexuality is just a fetish. Humans shouldn't be shallow enough to say they'd never go beyond their fetish. You never know who you'd encounter. That's the idea of life. We don't know anything, we exist to learn and try to find out what we don't know.

Then suddenly, you're now a -phobe. Your harmful rhetoric does your ideology no good.

The idea of changing your identity is an after-thought, it's not a prescription or a cure. You've gotten your drugs, but since that isn't enough, you're now going for your "identity". It's basic human greed, we can't be happy with what we've got; we need MORE.

But somehow, that's hate speech. Somehow, that's "you don't know what it's like to be in my shoes" even though they put their whole lives on formerly Twitter where you can read their entire being.

===================================

The same thing happened with BLM. Firstly, people actually are dumb enough to think George Floyd is a SAINT. They elevated him to sainthood. Secondly, the idea was for rights. The reason it did end up having the occasional violent protest isn't because of "bad actors", it's because those people are just inherently violent.

Conservatives are fucking horrible, yes, but do you think liberals aren't the same? How many of them have the same notion of violence? They operate off of a violent flashmob mentality. If someone is being a karen, guess what they'd say and do?

They're willing to attack themselves and create nonsensical discourse, for what? Internet points?

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back-to-louis · 2 years

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I’m an anti but also I just wanna know what would happen if the crazies are right and it is real💀there’s a .0000000000000000001% of that happening bc faking a child doesn’t exist,, but imagine how insane that would be. How do u think us(antis) would react if that happened? I’d honestly just say” k cool” and move on w my day cus I love Louis and don’t harass him bc of ships but like how would YOU react?

Oh, there's a lot going on here.

So first, let's please not call anyone "crazy" - conspiracy theorists are not crazy.

Now, you say "faking a child doesn't exist (- but what if it did?)" But that's not the question to start with. "Faking a child" is doing a lot of work to refer to a lot of individual actions, none of which exist.

So what part of ... anything... are you curious about what would happen if true?

What if Louis were actually gay? Well, if Louis were actually to come out as gay at some point in the future, by stating that he is gay, because that's how you come out as gay, it wouldn't actually make anything else that has been reported in his life a lie. Gay men who have come out have also had real girlfriends and wives prior to coming out (Elton John, Ricky Martin, Lance Bass, Vincente Minnelli, Bryan Lourd - if you haven't heard of those last two, look them up!), real sex with their girlfriends and wives, had real biological children with their girlfriends and wive, and still been gay. So, if Louis were to come out as gay at some point in the future, nothing changes for me as a fan because it doesn't imply anything about any other part of Louis' life other than that he would have come out as gay. Welcome to the family, well done, etc. And even if he were to come out, he could come out as bi, or pan, or otherwise part of the LGBTQ+ community, which would make it doubly reasonable that his stated relationships and his son were and are realistically part of his life.

This is what is meant when antis (meaning, people who live in the reality-based portion of this universe) say that "of course closeting exists! Of course sometimes artists and actors and performers and ordinary regular folks may be in the closet for years before coming out as gay or bi or pan or otherwise part of the LGBTQ+ community!"

Are you still with me?

So when you ask, "what if [larries] are right?" What exactly would they be right about that would change anything that Louis has said about his life, or that anyone who knows and loves Louis has said about his life, that I or other antis might have feelings about?

* What if they're right that Louis has been forced by some record label, management, or "other" contracts since 2010 to pretend to be in specific relationships with specific women who are similarly contracted to pretend to be in a relationship with him, including cohabiting, sharing pets, spending time with family members, sharing mutual friends who all vouch for these relationships, etc. despite having had different management and record labels to the ones he signed with in 2010?

* What if they're right that Harry has been forced to do so with similar contracts despite also having different management, agent, record label, etc. to the band AND to Louis over the course of these years?

* What if they're right that one or more of these contracted entities identified one woman and contractually compelled her to pretend to date Louis and pretend to be pregnant parallel to her parents having contracted... a surrogate... to carry THEIR baby... (are they simultaneously contracted to the multiple record labels, management agencies, etc. too?) ... and of course contractually forced Louis to go along with all of this, sign a birth certificate, have his family confirm for years that he has a child, have this child in his mother's obituary, continue to see this child even as the child is almost six years old, etc.?

Which part of any of the above, if any, are you wondering how I would respond if "Larries got right?" What exactly is the part you'd say "k cool" about "because you love Louis and don't harass him because of ships?" What do ships and love of Louis have to do with any of this?

If I have a better idea of what I'd be responding to, I'd have a better idea how I'd respond to it, if it's anything other than "Louis comes out as gay or otherwise LGBTQ+ (which doesn't remotely imply any of the rest of this stuff)," which I addressed here.

#'anti' means 'anti-conspiracy theorist'#'anti-larrie-conspiracy-theory'#not 'anti larry ship'

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sailorbadger · 3 years

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The Fandom’s Least Favorite Character - an analysis on Kate

Kate is probably the most hated character in the Robin Hood fandom. Not even probably, she is the one who consistently gets the most hate. So, what has she done? Did she commit several murders? Did she kill off a beloved character? Did she do something so problematic that she deserves to burn in hell? Did she do war crimes? No, her biggest sin is existing among unfair circumstances.

The title of this post is kind of a lie. This analysis is not really about Kate as a character, but about how she is written, how the narrative presents her and how this all affects the fandom’s treatment of her. I started writing this because I am sick of seeing so much unnecessary hate for Kate. This is just me commenting on larger trends I have witnessed and a decade’s worth of frustrations finally being written out. If you do recognize yourself from some of my descriptions, I hope that this post will give you something to think about, but just know that this is not meant for any one person in particular.

I’m not going to try to convince anyone to think of Kate as their favorite character. I’m not even trying to make anyone like her. I’m just trying to see why she is so hated within the fandom. So, let’s start off with how it all began. Grab some snacks, you’re going to need them; this is a long one.

Introduction: Is it all Merlin’s fault?

To understand the context in which Kate was introduced to the show, let’s first look at where we left off at the end of season 2. I’ll start with the in-universe changes first. The biggest change obviously is that Gisborne murdered Marian. This altered the whole course of the show. Marian was such a central part of not only the show but also the Robin Hood legends, that at that point it was obvious that things were going to change. Will and Djaq left the show as well. Them leaving is not as dramatic of a change for the show’s narrative since they were not as central as Marian, but they did make up one third of the gang. This meant that there was a need for new characters to be introduced in season 3.

In our world, things changed between seasons 2 and 3 as well. There was a larger gap in production than before (with seasons 1 and 2 coming out in consecutive years and there being a gap year between seasons 2 and 3), and some of the people working on the show left or were replaced. Robin Hood’s spot on the BBC schedule was taken over by Merlin for 2008 so I guess we could blame that show for everything that went wrong in season 3. (I’m obviously joking here but conspiracy theories are welcome.)

The most important change in my opinion – and I think this is even more important to how season 3 turned out than anything that happened in-universe in season 2 – is the fact that Dominic Minghella was no longer writing or producing the show. It’s surprising to me that the fandom as a whole doesn’t ever really talk about this, when in many other fandoms creators or showrunners leaving the show are usually a big deal and mark the end of an era. I myself only found out about Minghella’s departure from the show before season 3 this year, but it seems to explain a lot on why season 3 felt so different from seasons 1 and 2.

With all that out of the way, the stage is set, and it is time to look at how exactly Kate came into the show.

Six boots, two feet

Season 3 starts off with my least favorite episode of the whole show (see my episode ranking for more details). It tries its best to address the events of the season 2 finale, but in a way that will let it quickly get to the season 3 storylines. Unfortunately, the things that happened at the end of the previous season were so important that they would have needed several episodes to cover the full impact of the events.

Kate herself is introduced in episode 2. She is immediately given a reason to hate the villains and join the fight when her brother dies. She doesn’t join the outlaws right away, but when she does, she essentially has to take over three roles at once. I do not think it’s a coincidence that I think episode 4 is Kate’s best episode and that she’s at her best before she actually joins the gang. That is the point in the show when she is allowed to be her own character rather than someone who is trying to fill a void.

Like I said, Kate has three roles to take over; she gets Djaq’s spot in the gang as “the girl one”, Will’s role as “the peasant with personal connections to the people’s suffering” (and interestingly, since Kate’s family is around, her connection could have been even stronger than Will’s) and Marian’s as “the love interest”. Since the season 2 finale got rid of both of the only female characters in the show, it was inevitable that they would eventually be replaced if the show wanted to include any romantic storylines (it was, after all, 2009, so queer representation was out of the question). With three pairs of boots to fill, and only two feet, it should not come as a surprise to anyone that Kate can’t possibly do it all alone. The show does introduce Tuck and Isabella as well to help fill the gaps, but I think Kate gets labeled as “the replacement” far more often than the other two.

A triangle without a base is just an angle

Kate had all the potential for a good plotline. Her brother died, making her hungry for revenge, yet this part of her is only sprinkled in every now and then instead of being a part of her character arc. Instead, she is made a part of not one, not two, but three love triangles.

I’ll start with the Much/Kate/Allan one. Spoiler alert: it doesn’t actually exist. All sides of this “triangle” are… weird. The writers try to frame it as a legitimate love triangle, when only one person in it seems to have any real feelings for another character. Much is shown to be interested in Kate, but we as the audience are never given a reason for why he likes her or even how he fell for her. I guess we’ll just have to take his “I fall in love very easily” (from 2x4) quite literally. Kate does not seem to have any romantic feelings for Much, and she seems oblivious to his feelings as well.

To be honest, I don’t think Kate ever really saw Allan as an option either. At best I could admit that maybe she had a slight attraction to him, but I never got the impression that it was something she would seriously pursue. I don’t think Allan was seriously interested in Kate either. His flirting with her is quite similar to his joke-y flirting with Marian and Djaq. My friend and I talked at length about this, but Allan doesn’t seem like the type of person to flirt for real. This could be a whole analysis on its own, so I won’t go too deep into it here. But I don’t think Allan considers Kate a legitimate romantic option.

So, this “love triangle” only exists in Much’s head and in the narrative the writers try to force on the audience. The Kate/Allan side of it is practically dropped the minute Kate/Robin becomes a thing.

Then there is the Much/Kate/Robin/Isabella triangle that is not a triangle either. I already covered Much/Kate for the most part, so I won’t go into it. Since the Robin/Isabella relationship is not that central to Kate’s character, I won’t bore you and myself by going through it that deeply. The buildup for that relationship is practically nonexistent, and so is the end of it. The whole Robin/Isabella relationship feels forced, because the writers didn’t know how to properly replace Marian while coming up with something new.

Kate’s crush on Robin seems to develop out of nowhere as well. It looks like a pattern when it comes to romances this season. Robin himself doesn’t appear to have any romantic interest towards Kate until he and Isabella “break up”. After that point, their relationship progresses way too fast. It doesn’t help that they seem to have no chemistry between them, and Robin treats Kate like a child and then five seconds later proceeds to make out with her.

Honestly, if Kate had to have a romance with a character on the show (and with it being 2009 obviously they could not fulfil my dreams of Kate being bi but that’s beside the point), it should have been with Archer. The two of them had more chemistry in the 30 seconds they worked together in 3x12 than Robin and Kate had the entire season. It would have also made me far less uncomfortable, since the characters would have been closer in age. Which brings me to my next point.

“There is only one thing worse than a rapist – a child”

How old is Kate supposed to be? Seriously, this show can’t seem to make its mind about her. In general, I do not trust anyone’s age on this show unless it’s been stated somewhere. I know some people try to base the characters’ ages on the actors’ real ages, but to that I say, “fuck that”. Archer is the best example of the fact that this show did not even try to cast people who are the right age, or even look the part. (Seriously, he does not look even close to being 20.)

That being said, Kate is written like she is both 15 and 25 at the same time. I don’t know if the writers had a specific age in mind when they were writing her, but there is a huge difference between those ages. I think it’s the most reasonable thing to assume that she’s in her late teens, maybe at most in her very early twenties. She is still living with her family (I know that most women at the time married in their 20s but it’s not like this show is concerned with historical accuracy) and her behavior is a little immature at times. With all that said, I hope it doesn’t come as a surprise to anyone that I find it incredibly uncomfortable that all the men that are presented as possible love interests to her are fully grown men.

It is the most obvious in Robin and Kate’s scenes. Like I said earlier, Robin treats Kate like a child and speaks to her in a condescending way, only to then make out with her in the same scene. I must wonder why the writers didn’t just age up Kate. I think it would have been more interesting to make her someone who is already married, and instead of losing her brother, it would be her husband that dies. Of course, I would prefer it if Kate didn’t have to be a part of any of these love triangles to begin with but aging her up would have made the dynamics far less uncomfortable. (I do have to also point out the fact that Meg is also written like she is a teen girl. The show then tries to pair her off with Gisborne, who is even older than the men Kate is being forced into love triangles with. So… yikes.)

Let’s take a break, drink some water

Let’s take a moment to recap what we’ve learned here. First of all, Kate entered the show in unfair circumstances and with only two feet to fill three pairs of boots. She was only ever allowed to be a part romance plots, and she didn’t get a proper character arc of her own. In general, the women in this season were not written well (not that seasons 1 and 2 were the height of feminist television either), and they were reduced to being love interests or tools to further the male character’s plotlines. Without Dominic Minghella involved and with a full year between seasons 2 and 3, the show lost some of its charm. Unfortunately, this meant that Kate was not the best written character. But I do not think she deserves all the hate the fandom has given her over the years.

Interlude: Doctor Death

Before I get too much into how the fandom has reacted to Kate over the years, I feel like I should explain my own history with this show and the fandom surrounding it.

I started watching the show when it was first airing here on TV. It was some time during season 2, and once I had seen my very first episode, I watched all the following ones as well. With the finale, there was a problem. I had seen 2x12 and knew that the final episode of the season would air the next week. I was so excited for it, but then my mother decided that we would all go out and have dinner. I kept looking at the clock all day, hoping I would make it home in time. I got home just to see the credits rolling. I’m still a little bitter about it.

After this, I was desperate to see how the season ended. I’ll remind you that this was before it was common for shows to be put online officially. Streaming wasn’t really a thing yet. I did the only thing I knew what to do; I went to YouTube. The thing is, I did not know that what I had been watching was the second season of the show. So, you can imagine my confusion, when I find the very grainy version of 1x13 on YouTube and start watching it. Eventually I figured out my mistake and watched 2x13. At some point I watched season 1 as well, but I honestly don’t have that many memories of when I first watched this show. My clearest memory is being betrayed by my own mother when she forced me to go out for dinner.

Since I do not remember what year this all happened in, I did some googling and if I’m correct, season 2 aired here for the first time in the summer of 2009, with reruns in the summer of 2010. Because I have no other memories for context, I can’t say whether or not season 3 was even out in the UK at the time. Anyway, I did not watch season 3 for a few years. I also didn’t engage with the fandom until 2012, when I joined Tumblr. (A side note: while trying to find out when season 2 aired, I found the episode titles and descriptions. Apparently 2x4’s Finnish title was Doctor Death. There were some real gems on that list but this one was my favorite.)

Over the years, I had read bits and pieces about season 3 on the internet. I was still upset about the end of season 2, and the things I read did not make me want to watch season 3. Sometime in 2012-2013 I finally gave in and watched season 3. I was mostly disappointed by the season as a whole, and as for Kate specifically, I found her annoying. In the fandom, I went along with the Kate-hate that was popular in the fandom at the time.

I did a full rewatch of the show with my friend in 2016–2017. During that time, I didn’t hate Kate as much as I did before. Maybe it was that I had a fresh perspective, maybe it was that I had matured in those few years. Who knows? I was mostly disappointed by the bad writing. Even back then, I wished that Kate had been given a proper chance.

The next proper rewatch of the whole series I did was this past winter. I watched the show in a non-chronological order with someone who had never seen it before. This time, I was angry at the writers and found myself half-ironically becoming a Kate-stan. I also began to really pay attention to how the fandom has talked about her over the years and was unnerved by the hate has she gotten.

So, here we are. Time to take a look at how the fandom has treated Kate. Most of this will be based on my own experiences and memories, so if someone else has a different point of view to offer (especially from the early days of the fandom while the show was still ongoing), feel free to comment! I just wanted to give you my own history with the fandom to show that I have indeed been around for most of the fandom’s history.

The hate-train for Kate-town leaves from platform 4

It seems that from the very beginning, Kate was disliked. I remember reading negative comments about her way back in the early 2010s (I would try to look for examples, but I just spent 30 minutes trying to find out when season 2 first aired here and it’s currently 1am so I am not spending any more time googling right now). There are fics that make fun of her and how badly she was written, and most of the jokes and dislike about season 3 seem to always come back to her. This attitude has been present in the fandom in other contexts as well. Over the years, the hate towards Kate has come and gone along with the popularity of the fandom.

Every once in a while, someone has tried to either write Kate better or even see her as a character that was let down by the writers. Mostly this has not led to any significant change in the fandom’s attitudes. I feel like whenever some of the older fans outgrow their Kate-hate by either just maturing and realizing it’s pointless or just not wanting to waste their time making fun of her, new fans come in and start the whole thing all over again.

I am grateful, however, that the general consensus in the fandom seems to be (at least in the year 2021) that the actress is not to blame for Kate’s faults. It still does make me uncomfortable that people go so far as to cross out her face on pictured etc. just to show how much they hate the character. This hate that Kate gets feels very misogynistic at times and is at least partially the result of the show’s misogynistic writing, but the actress deserves no negativity for playing Kate.

What about Isabella?

One thing that is very interesting to note is that while both Kate and Isabella were newcomers in season 3 and were both replacements for Marian in the sense that they were love interests for Robin, only Kate has received a significant amount of hate over the years. So why does the fandom not hate Isabella?

I think that a big reason for why Isabella is tolerated – not necessarily liked, I haven’t seen too many people genuinely enjoying her character – better than Kate is the way the narrative treats them. Kate is essentially forced down our throats. The show is so desperate for us to like her that they end up making her unlikeable. Isabella, on the other hand, is eventually made into a villain, and thus we’re not meant to sympathize with her in the end anyway. (I could write a whole rant about how Isabella’s treatment in the narrative is bad but let’s not do it here.) Isabella also has the advantage of being Gisborne’s sister, so her backstory ties better into already existing characters. I think it’s reasonable to say that Gisborne being a fan-favorite in certain parts of the fandom doesn’t hurt Isabella’s case either.

Isabella is also only involved with Robin, while the show keeps pairing Kate off (unsuccessfully) with almost half the cast. I think she was written in a way that reminds people of Mary Sues, and considering how fandoms tend to not like characters like that, it’s no surprise that Kate got all the hate she did.

Murder and being annoying – they’re the same thing, right?

So why exactly does the fandom hate Kate so much? Obviously, the writing is a big reason. Season 3 is not written well, which means that Kate is not written well either. She doesn’t really get a storyline of her own, and instead her main purpose is to be someone else’s love interest. I would also add that Kate doesn’t really get hate for her personality. Most of the hate that she gets in terms of character traits revolves around her being annoying, but that’s not really a personality trait. So I think the issue is not her personality, but her role.

The next reason won’t surprise anyone who has spent as much time in fandoms as I have: Fandoms do not like female characters. Well, I should probably rephrase that. Fandoms tend to hate female characters more easily than male characters. I’m not going to analyze too deeply on why this is, as I’m sure someone has already done research on this with references to actual feminist theory. There is a lot of internalized misogyny in fandoms, and female characters get hate for even the slightest wrongdoing, while male characters who commit far worse crimes often have a strong fanbase that will defend them despite these flaws, especially if said male character is played by a conventionally attractive man.

Kate is also blamed for things such as breaking Much’s heart, even though she was never really aware of Much’s feelings in the first place, so it was definitely not intentional. She’s blamed for every small wrongdoing in a way other characters in the show are not. I’ve seen people criticize Kate for small things that she has not even done on purpose. Some of these people then also go on to ignore the fact that Gisborne has committed several murders, taken part in the oppression of the poor and done many many more atrocious things, and paint him as a more sympathetic character than Kate. I understand if you do not like Kate, but it feels misogynistic that the female characters are held to different standards than the male characters. I can already hear some of the Gisborne-fans saying “but I acknowledge his actions and think what he did was wrong! I just find him to be a misunderstood and/or interesting character”. To those people I will just say: Why are you not applying this same logic for Kate? Why are you making outright hateful comments about her? If you don’t like her, why not just ignore her? If you are a Gisborne-fan and have never made these comments about Kate, this obviously doesn’t apply to you. And even if you aren’t a Gisborne-fan, but you do recognize this way of thinking in yourself in regard to some other character, I encourage you to think about it critically. I just used Gisborne as an example since I know he’s perhaps the most popular male character in the fandom (at least if Ao3’s numbers are anything to go by). I’ve also seen a similar attitude from a lot of Allan-fans, though in their case the hypocrisy is often not as obvious, but I’ll return to Allan in a moment.

Many female characters end up getting hate because they get in the way of a popular (often m/m) ship. In this regard, Kate is kind of an outlier since she doesn’t exactly do that, since there isn’t really a ship to get in the way of. Sure, she’s eventually paired off with Robin, but Marian is already dead by the time she shows up, and if people were truly bothered by someone other than Marian trying to get Robin’s attention, they would also hate Isabella with the same intensity. I do think there is one “ship” Kate does come in the middle of, and here’s where we get back to Allan.

Now, the ship Kate does get in the middle of is not in fact canonical. I am of course talking about the popular Allan/OC trope. If you go on Ao3 or Fanfiction.net, you won’t have a hard time finding fics where Allan is paired with an OC. This is understandable, seeing that the show only has four main female characters to begin with, one of whom is already in a love triangle with other people, one of whom canonically ends up with someone else, one of whom is actively hated by the fandom and one of whom just does not interact with Allan.

I want to make it clear that I think it’s fine if people want to come up with their own OCs for the purpose of shipping them with existing characters, it’s just not my thing, especially when those OCs are any level of self-inserts. (I personally don’t feel the need to ship Allan romantically with anyone. I just tend to not like OCs in any fandom.) Since Kate is presented as a potential love-interest for Allan, I think many fans who would rather see Allan with their own character or even themselves view Kate as an obstacle or a threat.

As you may see, this fandom, like many others, unfortunately treats the women in the show differently from the men. Male characters like Gisborne are viewed as redeemable so long as they are attractive, but Kate is irredeemable for… breaking Much’s heart and/or getting in the way of Robin/Marian or Allan/OC? This is something that really bothers me. I don’t mind the fact that people don’t like Kate, it’s the extensive hate she gets that makes me uncomfortable.

Conclusion: Where do we go from here?

Like I said in the beginning, I am not asking anyone to say Kate is their favorite character or to even like her. I just wanted to provide some things for people to think about regarding how they treat female characters. I think it’s about time the fandom took a proper look at itself and critically thought about how it speaks about female characters. It’s 2021, let’s not hate on female characters just for being a little annoying or getting in the way of shipping.

I haven’t seen the fandom analyze that much why season 3 is the way it is. I would love to see some meta about how Dominic Minghella’s departure and other behind the scenes factors contributed to the story and aesthetics of season 3. I would also love to see some actual analysis on the season 3 characters that isn’t focused on tearing them down. If the fandom never made another post about how terrible Kate is without providing any actual reasons, I would be happy. I can sort of understand this immature hatred coming from 15-year-olds, but I’m disappointed to say that I have seen fully grown adults tearing down Kate in this quite misogynistic way. I know that many people do not intend for their dislike of Kate to come across as misogynistic, but it does not erase the fact that that is how many of those hateful comments appear.

I think Kate had a lot of potential. Season 3 had a lot of potential. It is quite a move to kill Marian in the middle of a Robin Hood story, so they had the chance to take the story to all kinds of places. Unfortunately, the season 3 we ended up with was not of the same quality as the previous seasons. Instead of just hating on the characters or story in general, I think we should focus on really analyzing the season, and even coming up with our own ways of improving it. Many people have already done this (though unfortunately many of these attempts also include thinly veiled hatred towards Kate. It’s your story, why are you not treating her any better than the actual writers of the show?), but there’s always room for more takes.

At this point I will shamelessly advertise my own “Kate should have been the new Nightwatchman” theory and my Nightwatchman-fic. I wrote the latter in a way that would let it be a part of canon if necessary. I think that by refocusing the story and shifting the way we read the text, we can find new aspects of season 3, and perhaps even enjoy it more. That is what happened to me during my latest rewatch, and all it took was watching it in a non-chronological order and talking about it with someone who had never seen the show.

I’m not trying to gatekeep the fandom and say that only thought-provoking analysis or fix-it fanfiction is allowed. I just feel like people should be more conscious of the message they are sending out when they write hateful comments about Kate, censor her name or even cross out her face from pictures. Is it actually funny? Are you contributing something to the conversation? Is it actual criticism or just hate for the sake of hate? You don’t have to start writing posts in the defense of Kate, but you can just start ignoring her. It’s not that difficult. It’s fine to make jokes, but let’s start thinking about what our jokes say about us.

I once more want to emphasize that this is not a callout post I wrote with any one person in mind. So, if you felt offended when I was talking about Gisborne-fans, Allan/OC-shippers or Kate-haters in general, I can assure you that this post was not about you personally. This is not about any individual person. I’m just commenting on trends in the fandom I have noticed over the years. I don’t think any of you have committed any sins or that you need to be cancelled. I just hope that if you did feel guilty reading this, you’ll realize that maybe this post was something you definitely needed to read. As a woman, I would love it if this fandom worked on getting rid of its internalized misogyny.

I’m not claiming to be right on all of this, in fact I have a lot of bad opinions as well. I hope this post has provided people with things to think about. Feel free to use this as a starting point for your own meta or analysis. I’ll end my rant here, and leave you with this thought:

Kate had a lot of potential to be a good character. She did not let us down. The writers did.

#robin hood bbc #bbc robin hood #I'm not gonna tag any characters just to be polite #this is less of an analysis and more like a rant #the second half really is something #90% of this was written at night so it shows #anyway I hope every kate-hater reads this

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touchstarvedsam · 3 years

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hi. i am sending this on anon because i want to talk and not to bring anon hate on myself immediately. i am literally from the other side of the fandom, i have no idea how your post ended up on my dash. but i am literally curious, so i want to ask you a couple of questions, you obviously don't have to answer at all, your choice. 1/

"they complain about misogyny and then go and refer to Sam’s wife as a walking uterus." isn't it an issue though? she is never introduced, we aren't even shown her face. this is a new character in a 15 year old show, introduced only for the purpose of being The Mother to the protagonist child. what they did is misogynistic enough, she has no name, no face - us laughing about it is not misogynistic because we are laughing about what they did which is insane. that is how i see it. they introduce2/

"Pay attention when Dean blatantly says “I don’t swing that way,”" and the rest of what you said in that paragraph ok i know i am on anon but are you. are you sure that when someone says this. this is always true. i know numerous peoplei, i am one of those people myself who were in such denial and told so many lies about themselves when it comes to sexuality and sorry but Dean makes an impression of some who would be in denial about many things but okay this is in headcanon territory 4/

this is in headcanon territory and everyone can have their own headcanon so why do you have such problem with people headcanoning him as bi "And besides that... the way they portray Dean in fics? They feminize the everliving fuck out of him, to the point that the character they’re writing isn’t even Dean. Like, in any way, shape, or form. "this is one of the things i can actually 100% agree with because Dean in fics is often feminized yes, it is usually ooc, yes, though if we are talking 5/

okay :* i know i didn't click anon on one of them because i am not used to sending anons but i did explain why i wanted them on anon in the first place - i have enough anon hate on the daily basis. i am counting on you to answer me or just leave it but still i think my asks weren't hateful. i am genuinely curious. and how did they ended up on my dash is a mystery for both of us

So, tumblr ate at least TWO of your asks, which tumblr does if you send too many sometimes. I’m just curious why it gave you a character limit? Tumblr lets me post long asks now and separate them by paragraphs, lol. But anyway. Ask number 3 and whatever is after ask number 5 is missing. But I’ll go with what I’ve got.

The one marked as number 5 is the one that bothered me first because I actually covered it in my post to which you’re referring.

Your question: this is in headcanon territory and everyone can have their own headcanon so why do you have such problem with people headcanoning him as bi

What my post said, a direct quote so you don’t think I’m cursing at you specifically: Like, whatever, you can headcanon a character whatever way you want. Write them however the fuck you want in fanfiction. But for the love of god, respect the actual fucking canon.

My point was Dean is straight in canon and people should respect that instead of forcing their headcanons down everyone’s throats. I headcanon Sam as demisexual. But is he in the show? No, he’s canonically straight. Does that sway my headcanons and keep me from enjoying the show the way I want? No. Do I shout that to anyone that will listen and try to get them to share my beliefs? No. That is the difference between canon and headcanon, and respectful fans and disrespectful fans. Too many people refuse to acknowledge that Dean is canonically straight because of the color of a flannel he wore, or strobe lights he’s standing in front of a bar, or the fact that a diner was out of pie and he had to eat a slice of cake instead. I am not kidding, those are reasons people have considered him bi. That is harmful to actual bisexual people like myself.

Now, in response to ask number 4: Dean is comfortable in his sexuality. If he was bi and was closeted, or hating himself for being bi, or in denial about it, do you think he would be so comfortable around gay people? He would most likely be repressing his sexuality so hard that he would come off as standoffish or lashing out at gay people because they are what he dislikes about himself. He wouldn’t be as comfortable as he was with the gay characters he did spend time with. He’s not hiding anything. He’s completely open. His dating profile says Interested In: Women, not Men and Women. If they wanted Dean to be bi, or give a nod to it, they would have said it in that tiny scene. Supernatural hasn’t queerbaited anyone, so the majority of the audience didn’t even see a possibility for Dean to be bisexual, because there wasn’t any subtext for it.

Ask number 2 (I don’t know why I’m going backwards, I’m a whole mess):

While I didn’t think the blurry wife was the best idea, I liked that Jared said that the intention was for Sam’s partner to be whoever we want them to be. They left it open because it wasn’t about Sam starting a family without Dean; it was about Sam’s half-life after he lost his most important person, and the buildup to when they would finally meet again. So they left the blurry person open to interpretation, just that they were not Eileen. You can laugh about it all you want, but calling the person a walking uterus is disgusting as fuck. Supernatural as a whole has been a pretty misogynistic show sometimes, not just to women, but to Sam who they have woman-coded throughout the show. So.

That’s my take. I hope I was respectful enough for you. Like I said, I don’t care what you headcanon, but when a character, the actor, and the creators specifically state that the character is straight, I suggest you pay attention to that. Don’t let it ruin your experience or your headcanons because that ruins all the fun, but also don’t disrespect the writers by denying what they have stated.

Have a nice night.

#anti destihellers #anti destiel #dean is straight #anon #kiri answers asks

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dameferre · 3 years

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can we see a snippet from the "penpals!" courferre one :0

of course! i will warn you this will. most likely never see the light of day BUT it’s based off of ‘the year of secret assignments’ by jaclyn moriarty, a... kind of ridiculous book i bought at a charity shop at like. age 10? or something

basically these three sets of teenagers are assigned pen pals at a neighboring school, and hijinks ensue, with one set of penpals giving each other secret assignments (hence the title), the other set of penpals being a girl who writes to a guy who uses a fake name (that plotline ends horribly, it would not have done so in my fic lmao)

one finally one set of penpals (a boy and a girl) decide to start having practice dates, so the guy can hone his skills and ask out a girl he likes, and the girl can critique his form, and... i mean i think we all know how this goes.

anyway, it’s half in letter format, half actual writing the story. here’s a snip! (under the cut because i. couldn’t help myself)

Official Assessment of the Second Meeting By Chance executed by The Lord of Flowers, Combeferre, henceforth referred to as the Subject, as reviewed by Courfeyrac the Ravishing, henceforth referred to as The Operative.

NOTES

When the Operative (and Guest) approached, the Subject smiled very nicely. It was a sort of surprised, warm smile that lit up his face. Did the Subject practice his ‘oh I was hoping to see you and I’m so glad I have’ smile in the mirror?

The Subject did a very good job of consoling the Guest, and as it turns out, the Subject’s height is not as offensive as previously thought, as he holds an umbrella perfectly.

The Subject was much more relaxed this time, and funny, and his hair fluffed a little in the humidity which was adorable. He had a great way of explaining things to the Operative without being patronising, and teased admirably. The Operative spent a good 80% of the walk laughing, but upon writing report can’t remember a specific instance of hilarity. The Subject should have more memorable jokes next time.

Overall, great work Combeferre. You’ll have Feuilly falling over himself to get to you in no time.

Yours,

Courfeyrac the Ravishing

Courfeyrac,

You seem to be losing your touch; that last review lacked the mildly insulting bluntness I’ve grown so accustomed to. Does this mean we’re becoming friends?

Anyway, I’m now, as you would say, ‘balls-deep in tech week’ and halfway through my descent into the deepest pit of hell. The entire production is an original script written by a friend of mine, named Jehan Prouvaire, who decided to rewrite the final scene this weekend. They’re my friend, have been for years, but even I wanted to murder them slowly. The cast is hard at work trying to learn the scene, while I had to stay late last night redoing all the cues.

The worst part of it is, the new ending is fucking fantastic, so we can’t even stay mad at them.

It’s exhausting. Literally exhausting; I got three hours of sleep last night.

Anyway, I’m writing this as a way of avoiding calculus homework. Not that I wouldn’t write to you if I didn’t have calculus homework, but it is harder to just ramble on about my life now that we’ve met in person. I don’t think I ever would have told you about Feuilly if we had met before we started writing. There was something in the anonymity that made it easier, like writing into a diary. I hope you don’t take this as an insult- what I mean to say is that now that I know you, I want you to like me. And by extension, I want you to know a lot less about exactly how lame I am.

Anyway, I wanted to say I won’t be able to make a meeting by chance this week, though I know telling you that ruins some of the fun. If I’m around next week, which is really looking less and less likely every time an actor misplaces a prop or mic pack and I am forced, once again, to weigh the pros and cons of murder, I’d be happy to accidentally run into you on my way home from school.

Side note- Avi(my brother) comes home next week, which lines up nicely with Mom’s birthday and means he’ll be able to see the show. It’ll be nice to have him back. I think you’d like him; he’s the attractive one in the family, and the extrovert. He’s also a mechanical engineer who medal-ed in track when he was my age. Basically, he got all the good genes, but he’s too nice to admit it.

Anyway, calculus beckons.

See you on the other side, Combeferre

p.s. Only you would practice a smile. Mine was genuine, I swear.

My Dearest Combeferre,

FIRST DAY OF PRACTICE STARTS TOMORROW HELL YEAH

I mean, yes, technically the other guys on my team have been practicing for two weeks but I have sadly been out of commission. BUT NOT ANYMORE BABY THE BITCH IS BACK

This will help distract me from the pain and yearning as I wait a whole week to see you again. I’ll be wistfully wandering the moors before Saturday, mark my words.

I’m also fascinated by the idea of a brother who’s you, but more attractive. Does it hurt to look at him directly? Do strangers fall in love on the spot? Is he officially considered a menace to society because he’s caused traffic accidents and ruined weddings by walking past at the wrong moment?

Someone should put a stop to him before things get out of control! No man should wield such power.

The idea that you, of gorgeous cheekbones, perfect hair, jawline, and eyes and face in general, notorious multi-tasker, valedictorian and walking encyclopedia, not to mention polyglot, could think someone else got the good genes means either you are humble to the point of actively lying to yourself or your brother is a minor deity.

Courfeyrac, I can hear you saying, flattery really isn’t necessary.

But it is! Enjolras, who I’ve mentioned before and is my best friend in the whole world, is gorgeous to the point of being inconvenient to look at. I’m a notorious flirt, I know this, and I’m good at it, but we’re not even in the same league when it comes to making people question their sexualities. He walks into a room and you can see half the people inside mentally decide they’re bi-curious. He’s also a raving lunatic and antagonistic asshole, which he openly accepts and takes pride in, but try to tell him he’s attractive and he looks at you like you’ve just suggested he’s got wings or a tail. So what I’m trying to say, I think, is that I’m used to people not realising how good looking they are. And bludgeoning them with compliments is my way of dealing with this.

Anyway. Getting sidetracked.

I’m flattered you use me as a method of procrastination! I’m gonna make myself a button that says ‘more interesting than calculus’ and wear it with pride. Also, is writing to pen pals not mandatory at the Academy? We’re given a half hour block during the study period. When we first started, Enjolras said the whole thing was “infantile and outdated and a waste of time”, but at this very moment he is on page six (6) of his latest aggressive correspondence to his mystery R, even though I saw what R sent him last time and it was, I shit you not, an envelope that was empty except for a tiny (approx. 3 centimeters long) rubber chicken. For context, the one before was a thorough analysis of wage inequality written entirely in pig latin.

I hope one day I meet this person, even if immediately afterwards they steal my kidney or turn me into a newt or whatever minor trickster gods do these days to pass the time when they’re not torturing my best friend.

Anyway, gotta go, stay sane, don’t kill anyone unless you really have to, and if so lemme know and I’ll help you get rid of the body. I know a guy.

Courfeyrac

p.s. I already like you, idiot.

#this little wip exercise is bad for me it makes me want to keep working on all of these lmao #elle writes things #elle answers your questions #anon #courferre

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inmyarmswrappedin · 4 years

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Now that Nora's season is coming to end, what are somethings that you want for amira's season

Hi 😁 I bet you thought I’d never reply to this ask! Well, after you sent this in MARCH, I am finally posting an answer.

Btw, I did the same for Nora’s season, and as a note, I’m a white European and an atheist. If any of this is offensive or not my place to say, I preemptively apologize.

1) I would like for Amira's arc not to be about being Muslim. That is, Cris' arc isn't about being bi, it's about learning (and accepting) that she's more than the fun friend. That she has and can offer more to the people in her life. Nora's arc isn't about being a feminist, it's about not being so set in your first impression of someone that you don't notice red flags or don't notice them trying to be better people. Same with Eva and not being defined by her mistakes, or about Viri and her financial situation. And I would like the same for Amira.

2) I think one common denominator of all Sana seasons so far is that they've shown the mains doing something that people assume hijabi can't do when it's more like they're systematically excluded from participating. For Sana, it was basketball. For Imane, it was dancing. For Amira M, it was boxing. I joked on twitter that Amira N's thing should be binging TV shows and eating junk, proving that hijabi are really like anyone else, but on a serious note, I'd like for Amira's thing to be photography (and maybe modeling? since Amira's friend was taking pics of her).

3) A scene where Amira explains how she can be a feminist and a hijabi both, just so we as a society have that scene to point to when the question inevitably comes up again. Seriously, I feel like that's one of the questions I most often see people asking Hajar.

4) I want the association girls to have their own youtube channel. Or at the very least, their own instagram and/or twitter account. I would love for them to post memes punching up about their experiences.

5) I feel like, much like with trans narratives, there's this "acceptable" narrative for hijabi in mainstream society, which is: the character made the decision to cover after coming up with solid reasons to do so. I.e. she made the decision early and can defend it with inarguable rebuttals. It's like women can't be trusted unless they know 150% what they're doing, be it covering, or dating a girl, or going vegan, or any number of things. I really appreciate that Amira started covering just because it felt right, and she's finding meaning in it after the fact. I would like for this to be a thing in her season, that she's still figuring herself out, that she's not already an Islamic scholar.

6) I also think that's what makes her stand apart from the other Sanas. I feel like (maybe with Zoya's exception), none of the other Sanas would entertain a crush on a white guy. They'd have never drunk or flirted (like we know Amira used to do). It's like they're not allowed to fuck up, or can only fuck up in acceptable ways, like engaging in a flirtation with a non Muslim only because they didn't know he wasn't a Muslim, or had booze at home, but it wasn't theirs, etc. I'm hoping that they've made Dani a love interest specifically to explore this idea (and not because they wanted to whitewash a character or give less time to an actor of color).

7) On that note, SKAM Hajar brought up an idea that, because the hijab makes them super visible, hijabi are perceived as ambassadors of Islam, expected to be able to answer any question about Islam, but also that people will judge all Muslims based on whatever mistake they individually make. I would like for a potential bench scene to allow Amira to say that it puts major pressure on her to feel like she can't make any mistake, because every Muslim will be judged based on her making a mistake, having a shitty day, being in a bad mood, not wanting to be Muslim wikipedia that day, etc. That sometimes she just wants to be Amira, not Islam personified.

8) I would like for Dani's character to represent not just white society, but also childhood, the safe choice, the choice her parents would love, and for Sofian's character to represent not just Moroccan culture, but also like... SEXY risk, independence, novelty... Because I feel like when I see Muslim girl/Muslim boy/white guy love triangles in fiction, the Muslim guy is positioned as the boring choice (but still incredibly wrong because he's abusive or maybe even secretly gay and forced to beard by his parents), the safety, the guy you'd bring home to your parents, whereas the white guy represents independence and carving your own path away from your parents.

9) Just once, I would like for a Muslim character to say, "what do you think of Catholic priests abusing kids?" to someone asking them what they think of such-and-such Muslim majority country doing such-and-such to its citizens. Bonus points if it's Sofian's character.

10) I would like for Dilan to get an insta and a storyline. And for that storyline to connect to Amira's.

11) In general, I would prefer that parents be kept to a minimum (not to get rid of them entirely, of course, but to be kept at the level they've been in other Sana seasons). I just have never thought the point of Skam was the parents. And I get why they have a larger presence in a second gen kid, but I, personally, am more interested in what they represent in the main's life, rather than in giving them a lot of face time.

12) And, on that note, if they do with Amira what I've outlined above, I don't think there's a necessity for Amira to have siblings. Particularly if eskam isn't going to continue after this season. I think it'd be far more interesting if Amira's character contained the elements of figuring her identity as a Muslim living in a Western country that Elias, Idriss and Essam had. (And maybe that way Dani is both Yousef and Elias, stealing not just one role for an actor of color, but two! lmao)

13) I really hope that the obligatory evak s4 side plot be kept at a minimum tbh. I'm really not interested in a) Eloy coming back to cause drama, b) Amira's friend causing croana drama because she's Joana ex or whatever, c) a physical fight breaking out because of (perceived) homophobia.

14) I want Amira to tell Cris that amiris es lo más real que hay. 😭 I would love it if, as a parallel to Cris' season, Amira doesn't tell Cris about her interest in Sofian's character at first because she's afraid of her reaction, only for Cris to be supportive of whatever she chooses to do.

15) I would be so fucking happy if eskam adapted the "is your faith stronger than your lust?" scene in this season. I have always wanted to love that scene, because how often do you get a scene where two girls get to talk that long and that much (even in Skam most of the iconic dialogue scenes between just two people aren't between two girls in the squad), but I just haaaated the purpose of the scene in Skam.

16) I would cry buckets if we got a scene like Det Beste fra Islam where Amira and Sofian's character both talk about what Islam means for them. Particularly if Sofian is introduced as not the Perfect Muslim Man, but it turns out he has THOUGHTS about religion.

17) And, finally, I would love for the unquestionable villain of the season to be a white guy. If the villain is going to be a woman, then I would want her to be Cris' mom, not a high school aged character. Not because of white feminism yayyy! but because I think the major issue Sana seasons have run into before is that the showrunners want to touch on white girls being the problem, but they also don't want to villainize white girls. So we have stuff like Sana inviting Sara and Ingrid (of all people!!) to Eid, Imane apologizing to Ingrid (of all people!!), random one clip white women attacking Amira M (and the Kiki/Amira friendship of course), etc. I'd just rather they didn't have girls doing shitty stuff to Amira N, if they're going to go back on it. Which they inevitably would, because eskam's overall message is sisterhood.

Bonus clips

18) I would love it if Skam España was like, "you thought we were dropping storylines left and right? Nope!" and resolved long standing mysteries like who was behind Eva's hate ig, who had the pills, who outed Cris to the school, who's the owner of the keys that were left behind at GSC, and so on. Will die if it turns out to be Ramón!

19) I want Joana to get that job she wanted so bad last season!

20) I would love for Emma to show up and come out as a lesbian, just as a last hurrah lol.

21) I don't feel strongly about which couples should be endgame and not (other than not Dani/Amira hghvvh please), BUT in my most embarrassing fantasies, I want Skam España to hire Alejandro Reina's irl boyfriend to play Lucas' boyfriend for the finale. Not because I can't separate fiction from reality or anything, but because when I thought Lucas would be getting a season, I wanted his boyfriend to be a poc, and I was highkey buttmad that they hired random white bread when they could just as easily have hired a poc.

22) I think it would be really cool if Inés got a clip on her POV, but I don't think we're going to get it. I think all bonus clips will be from the squad's POV, i.e. Eva, Cris, Nora and Viri. Not even Joana.

23) I want a Mallorca special or episode so bad, and I will be so FUCKING ANNOYED if we don't get it. Seriously, I can't imagine the team didn't feel betrayed when they watched Skam for writing purposes, and didn't get their russetide. So they should know how angry we would be if we didn't get even a little bit of Mallorca time.

#ask #skam españa #I am literally unable to be concise it's just not in my blood #long post #comicluke #I used to always say that I wanted them to feature the m-30 mosque in amira's season #and they're doing that!! so yay!

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platedgolds · 3 years

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𝐈𝐍𝐓𝐑𝐎𝐃𝐔𝐂𝐈𝐍𝐆: 𝐑𝐎𝐌𝐄𝐎.

hi, friends ! i’m admin fox ( 23. she/they. brt. ) and i’m so excited to get this going ! it’s been a wild journey to make this group happen but everyone seems so nice and all of your muses are so interesting it’s def all worth it ! this is romeo dubois, my himbo baby and all around hot mess. if you’d like to plot with him, please feel free to message me on discord at pedro pascal stan blog#9349 or send me your discord @ and i’ll message you there !

* SEBASTIAN STAN + CIS MALE + HE/HIM —— have you seen ROMEO DUBOIS around? they’re a THIRTY-SIX year old PHYSICAL EDUCATION TEACHER known around town as the LOOSE CANON. not only are they broke af, but they’ve been in town for SIX YEARS. they’re LOYAL + LAID-BACK, as well as CHILDISH + UNHINGED, but what else would you expect from an ARIES? low-hanging grey sweatpants. back muscles. a beer bottled tucked on the back pocket of a pair of jeans.

𝐁𝐀𝐂𝐊𝐒𝐓𝐎𝐑𝐘.

romeo was born in eldora to two very absent parents; they were one of the few middle class families in town, with his mother always traveling for work and his father at home, drowning himself in alcohol. from an early age, romeo was left to his own devices; he was the one who raised his brother even though he was still just a child himself when cain was born, with no skill or mental capacity to take care of himself let alone an infant.

his parents’ marriage was in shambles; the whole town often spoke about how unfaithful mrs. dubois was, and how her husband only stood by her side because of the money she made. romeo was too young to understand what ‘cheating’ meant when the rumors first started, but he still got into plenty of fights by the time he entered his teens and the infamy of his mother’s choices were echoed throughout high school bleachers

it didn’t take long before people started recognizing romeo as one of the trouble makers in town; his anger against his parents and the horrible situation they forced upon him made its way out of his chest with the blink of an eye, lashing out at everyone and anyone he could. in the height of his teenagehood, romeo knew the name of every single cop in eldora’s precinct. he got into so many fights it was hard to see romeo without a bruise on his face, got drunk and wrecked his car more times than anyone could ever count, and he even spent a few nights in a cell after a particular incident involving the break in of several homes around town. still, people pitied the kid, and many would leave him off the hook no matter what kind of bad trouble he got into.

despite his bad manners and constant anger, romeo excelled in sports. more specifically ice hockey, which he had to take a bus three towns over to be able to practice every week; he loved the freedom of the skates, and he was large and violent enough to be unstoppable in the rink. his prowess caught the eye of many, and by the time romeo was legal to drink he was shoved in an airplane and taken to canada where he could practice and properly excel in his craft.

by the age of twenty-three, romeo was back in the united states playing for the jersey devils, a team he wasn’t too proud of, but it paid the bills and it brought him the notoriety he felt like he truly deserved.

by the age of twenty-seven, romeo dubois was captain of the chicago blackhawks and making more money than he could ever know what to do with it. twenty-seven was also the year he got married to the victoria’s secret angel he’d met just eight months prior; anyone that has ever met romeo will say he peaked in his late 20s, though he would say they were the most miserable years he’s ever had.

it all came crumbling down on his 29th birthday, when romeo was arrested in chicago for a car accident that nearly took the life of a young mother; he had two male escorts and over a pound of cocaine in his car, and even though his lawyers managed to bribe his way into a short six months prison sentence, the media wasn’t so kind. romeo lost his job, lost his reputation and managed to lose every single penny he had once his wife divorced him.

once romeo was out of jail, he had no place to go other than eldora. he’s been back into town for six years, working as a p.e. teacher at the local high school solely because the principal was a family friend that pulled many strings to get him the position. he currently lives in the dingy motel in the outskirts of town, spending most of his time drunk and high--- and for a man who swore he’d never be like his father, romeo’s had never been more wrong.

𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘 𝐀𝐍𝐃 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄.

literal himbo. that’s it, that’s his personality. hot & stupid, absolutely joey tribbiani kinda guy-- you know, if joey was an asshole and not the absolute sweetheart he is.

v selfish, will do whatever it takes to make sure he comes out on top of every situation. still, if he thinks someone is worthy of his loyalty, he’ll stick by them no matter what.

big liar. seriously. has no qualms about making shit up on the spot so that his narrative is the one being told; damn good actor, too.

big hoe ( it runs in the family, the bad tongues would say. ), will sleep with anyone as long as they’re paying attention to him for long enough.

he was in the closet his entire career, and now that he’s been shoved out of it romeo has no intention of going back--- calls himself gay as hell way too much for someone who’s actually bi.

6′3, broad shoulders and still with an athletic build even if he doesn’t play anymore; romeo’s far too shallow to let himself go, even if working out nowadays kills a little bit of his soul every time.

covered in tattoos, with a well trimmed beard and hair styled perfectly so that it looks messy enough; romeo has the ‘i look like i just woke up and yet it took me three hours to get ready’ nonchalant look down to the t.

𝐖𝐀𝐍𝐓𝐄𝐃 𝐂𝐎𝐍𝐍𝐄𝐂𝐓𝐈𝐎𝐍𝐒.

a party friend --- romeo’s only likable when he’s drunk; thankfully, that seems to be the case most of the time. this person only comes around when they want to get drunk or high, and of course romeo’s always ready to take it up a notch.

a best friend --- they are always on each other’s corner; this is someone that sees romeo for who he really is instead of the bad guy façade he wears, and loves him despite his flaws; maybe they even lived together for a while when romeo first came back into town? could be a childhood friendship or something new.

a protege --- for one reason or another, romeo has deemed this person worthy of caring for and protecting with his life. like a momma bear, except you’re not a bear cub and he certainly doesn’t know how to care for anyone. could be funny if this was clearly someone that doesn’t need protecting.

a one night stand --- like a said, big hoe. maybe romeo and this person that a night together ( or more than one ) and he simply never called back ? probably doesn’t even remember about it, acts as if it never happened; could be fun if they had been friends beforehand.

an ex --- they were pretty serious at one point, maybe even lived together ? and then romeo fucked things up; it was definitely a self-sabotaging thing, where he felt like he was too close to happiness and subconsciously couldn’t allow himself such a thing. maybe he cheated, or maybe he started picking fights for every single small thing, or hell, maybe he even started ghosting them and spending the nights away from home. whatever he needed to do to get them to break up with him.

a hate fuck --- they hate each other, but they can’t keep their clothes on around each other either; every argument ends up in heated sex, and at this point they aren’t sure if they’re fighting because they can’t stand the other, or if they’re doing it because they know where it’ll end.

a fan --- someone that knew him from his time as a hockey player ! romeo def feels very uncomfortable around them, a constant reminder of the good life he’s lost.

friends of all kinds --- romeo’s a social butterfly on his good days, so give him all sorts of friends ! co-workers, old friends, some new. anything !

#eldora.intro

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aion-rsa · 3 years

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Mortal Kombat and the Man Who Gave Sub-Zero a Soul

https://ift.tt/3rEA11N

Mortal Kombat’s Joe Taslim (aka Sub-Zero) is one of the hottest martial artists on screen right now. It’s been a decade since his breakout film The Raid took the world by storm, and Taslim has consistently delivered high-octane action with dashing panache ever since. As movie martial arts masters go, few others are on Taslim’s level. While most action stars have some martial arts training in their bag of tricks, Taslim is more invested than most.

Prior to The Raid, Taslim was a professional Judo athlete and a member of Indonesia’s National Judo team from 1997 to 2009. He won gold medals at the Southeast Asia Judo Championships and the Indonesian National Games. No other actor can boast a competitive record like this. What’s more, Taslim is also trained in Wushu and Taekwondo, and he picked up Pencak Silat for The Raid, so his combative range goes far beyond Judo throws and falls.

The Raid was a game-changer for the martial arts genre. It placed Indonesia firmly on the map when it comes to action films, delivering relentlessly unflinching action and intensely complex fight choreography, held together with a threadbare plot. If martial arts movies are compared to porn films, The Raid was hardcore. The film spawned a sequel which picked up the action right where it left off in the original. In addition to Taslim, the franchise also introduced a stable of Indonesian action stars to Hollywood including Iko Uwais (Mile 22 and the upcoming Snake Eyes: G.I. Joe Origins) and Yayan Ruhian (Star Wars: The Force Awakens, John Wick: Chapter 3).

Taslim moved on to Hollywood too. Two years after The Raid, he landed the role of Jah in Fast & Furious 6, followed by an appearance in Star Trek Beyond. But he never abandoned his country and continued to deliver films made in Indonesia specifically for that market. Most notable was The Night Comes For Us, which reunited Taslim with Uwais. Although an Indonesian production, The Night Comes For Us gained worldwide exposure after it was picked up by Netflix. He also starred as the villain in the South Korean film, The Swordsman, and became more recognizable to Western audiences audiences by playing the conflicted Tong hitman Li Yong in the Bruce Lee inspired series, Warrior.

Now Taslim is at the forefront of another predominantly Asian cast for the new Hollywood feature film, Mortal Kombat. And he is donning yet another villain mask as Sub-Zero.

“Sub-Zero is just an amazingly powerful, iconic character,” says director Simon McQuoid. McQuoid’s film explores the inbuilt rivalry between Sub-Zero and Scorpion coming out of the original video games. The connection between Sub-Zero (real name: Bi-Han) and Scorpion delves deep into Mortal Kombat lore, and within the film, McQuoid says this is symbolized by a bloody kunai (ninja ring dagger) which plays a critical role throughout the film.

“Blood is such a [vital] ingredient in Mortal Kombat,” explains McQuoid, “but we wanted to make it feel more than just blood splurts. We wanted it to have a blood line and lineage meaning to blood as well. We liked the idea that we could tell an emotional version of that blood story.” Just like the fighting game, Mortal Kombat is evenly split between good guys and bad guys, but ultimately Sub-Zero becomes the standout villain in the film.

“Once we got Joe,” beams McQuoid, “then we knew he was going to be a pretty kick-ass character because Joe’s so fantastic.”

Den of Geek had a video chat with Joe Taslim while he was home in Indonesia.

Den of Geek: Was the Mortal Kombat video game popular in Indonesia?

Yeah, I think it was 1995 when the first one released. I was actually not in the capital. I was born on the small island in South Sumatra, in Palembang, that’s my home city. So, I remember when the game came out and people talked about the game because it’s unusual because it was so violent. And it’s still violent now. So it was popular until now. But unfortunately, MK11 got banned because Indonesia is very sensitive of the violence level in that game where it’s just like funny now. The censorship here is like, “Oh, this is too much for Indonesia, so probably not.” So a lot of people played the game by downloading it. They know how to do it.

Did you play?

I played MK11, MKXL, yeah.

What challenged you the most about taking on Sub-Zero?

Well, the fans know Sub-Zero is badass, kick-ass, so much swagger, and a lot of attitude. But as an actor, the challenge for me to be in his shoes is to give him more soul, to give more heart, to make this character live. The fight is a visual. People enjoy the fight. But to bring people to feel inside the fight is something else, it means that you got to give more. You got to give the intention. You got to give a story, without delivering any lines, that people can see. Is he losing? Or does he know he’s going to die? Or is he very confident?

Jet Li did an amazing job in his movies to deliver those attitudes��the story of the fight. So I learned from him and I learned from The Raid, The Night Comes for Us, and I just bring everything to Mortal Kombat. There’s a lot of stories in that final fight. You can see the character is just dynamic—what he’s feeling, the way he fights, he’s just getting slower and slower. He’s just catching his breath.

So that’s the most important thing in fights, in my opinion. Because a lot of people think a fight scene needs to be badass, kick-ass. That’s number two. But number one is you got to be inside the shoes and know what’s going on inside this character first. Then when you visualize the fight, it makes sense.

How was it working with the mask?

Ooh. Well, it took me a while to adapt because it’s a heavy costume. And the mask, kind of like, well I have the mask. [Taslim holds up his Sub-Zero mask]

Ooh.

Well, the awkward thing about the mask, because when you move, the mask doesn’t move because it was a solid mask. So it was quite technical. If I have to move really fast, sometimes my face moves with like a delay. You see the mask kind of follow in slow-mo. We did a lot with this—put a lot of straps here just to make when I move really fast, so the mask could follow. A lot of technical stuff happened in the process, but yeah, it was a fun journey to just discover the best look, the best fit for the mask, the costume for me to be able to fight the best.

How was your experience fighting with all those special effects?

I think this is my first [movie] that involved the supernatural. The superpower stuff in previous movies, it was like a man versus a man or a man versus five men. But in this one, a lot of imagination is involved for sure. I’m glad I’m a gamer myself. I played a lot. I’m used to being a daydreamer. I’m still daydreaming until now. I have this mind that I like to have fun with. So during the shooting [when] it’s involving something they’re going to add in post, they ask me just to imagine, which I love imagining things.

I had so much fun just imagining the sword and creating the icicle—the ice sword—because it wasn’t there. Everything is in post. So I was just like, “Sure, believe that it’s there. It’s there.” You don’t see it, but I know it’s there. When the camera captured that moment, and if I believe in it, then I think everybody’s going to believe in it as well.

Movies

Mortal Kombat: The Challenges of Making the Movie Reboot

By Gene Ching

Movies

Mortal Kombat: Why the Movie Created New Main Character Cole Young

By Gene Ching

I really loved your role in The Swordsman. And I got to be honest with you, because I’ve been following you, and I was surprised that I didn’t recognize you for quite a long time in this film.

Really?

It wasn’t until I recognized your eyebrows. You’re playing a lot of villains now. Do you like playing villains?

I was a good guy in The Raid and The Night Comes for Us, but yeah. Playing villains is interesting. Because as an actor, you know when you play a villain role, almost there’s no limitation because there’s no rules. [There’s no] you cannot do this, you cannot do that, because you’re the protagonist. “You have to speak this way because you cannot be evil when you speak—you’ve got to be polite.”

When you play a villain, there’s so much freedom. In The Swordsman, I remember I had so much freedom. And the director, he was just like, “What do you think about the role?” I say, “I don’t want to sound like this. I’m going to change my voice.” I’m going to do that because he’s a nomad and he’s from Qing dynasty. He’s Manchurian, and their language is like almost from the throat. I want to deliver that. I want people to see that genetically, when people speak through the throat, they’re going to sound different.

So all those freedoms that you have as an actor, and the director gave you the freedom to do those stuff, it’s a blessing. Because it’s just so easy for the director to just say “no,” and now you’re in trouble. And you’re just a puppet. “Do this, go there from there. And don’t smile. Don’t do anything.” That’s the nightmare for an actor to work in that condition.

How was it for Mortal Kombat? Were you given a lot of leeway with Sub-Zero?

A lot! Simon [McQuoid], he’s amazing. With almost everything, we’re on the same page. I came up to him almost every morning because we stayed in the same hotel, and he’s actually on the same floor with me. So before, I bothered him a lot. And I know he was busy. I need to ask something. I want to do this. I want to do that. I want to have this layer of him when he’s doing this, he’s doing that. So he was like, “Do that. I love it. It’s brilliant. We’re on the same page.” So it reached the point, I think half of the movie, he just looked at me, I just looked at him. Sometimes we just looked at each other, and we understand we’re on the same page. It was a beautiful relationship with him.

Do you feel that you captured Sub-Zero in a way that you wanted to represent him? Was he a character that you played when you played the game?

Probably different because in a game, people probably like more Kuai Liang, the brother. I think the Mortal Kombat 11, it’s more about Kuai Liang [the original Sub-Zero’s brother], and Bi-Han’s already a new cyborg. But I’m happy with what I saw. I’m happy that this anti-hero character, even though it’s a very thin layer here and there, but I gave it on screen. I gave [a lot to] Bi-Han/Sub-Zero. And probably people don’t know, but there are a lot of layers that I gave to this character. People need to see the pain of him. In the beginning of the fight, when he’s inside the house, for me, I look at this boy and it reminds me of my brother, Kuai Liang. That’s why I smile at him.

And then I just realized that my destiny for this family is to wipe them all. So those small thin layers here and there that I gave in this character, it’s there. They didn’t cut it. Everything is there. I’m so happy that I know when people watch it the second time, they will probably pick up a little bit of that here and there.

I remember Jax—Mehcad [Brooks]—said “You’re a bad guy. You killed a boy. But somehow I feel you. Somehow, I feel so weird, but I feel empathy for your character.” And then I was like, “Okay, that’s it. That’s the goal. That’s what I wanted to do.” Because Sub-Zero/Bi-Han is a dark character. But tragic things happened to him when he was a kid. He got abducted. It’s by force, to become an assassin, to be part of Lin Kuei assassins, because he didn’t choose that path.

It was destiny [that chose to put him on] that path. And then for him, well, while a lot of people probably look for the light, he is just the kind of person to say, “It’s too late. I’m just going to be who I am.”

Mortal Kombat premieres in theaters and on HBO Max on April 23, 2021

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jo2uke-himboshikata · 3 years

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Five of the worst movies I've seen

5. Ratatoing

Ratatoing is a well-known one but it really deserves a place in this list. People think of it as a so-bad-it's-good thing but it's really not. There's no story. It looks like a shitty ps2 game, at best. There's a gearing-up montage sequence, but they're in an empty white void and they're all t-posing. It's the laziest thing I've ever seen and it is so so so boring and annoying.

4. The Thinning (and sequel)

The Thinning starring Logan Paul featuring very special guest Stacey Dash. I got the youtube red free trial to watch this. I wasn't aware of this at first, but turns out that the analogy being made is anti-abortion. Overall it is very very fascist. There is actually a sequel called 'the thinning: new world order" which moves away from the pro life thing a bit, and towards making some vague hamfisted statement about political campaigns and corruption. It was insulting to watch.

3. In-app-propriate comedy

Ben mentioned this one to me recently as I had forgotten about it. Truly a spectacle to behold. A comedy sketch anthology created by Vince Offer, the shamwow guy, after he got arrested for beating up an escort. He wrote and directed along with his friend Ari Schaffir, who plays his character "the amazing racist" who does "on the street" bits where he does incredibly racist shit, offering black people "boat trips back to africa" as they walk by, accosting jewish people in the supermarket asking them to sign a petition to apologize for killing jesus, stuff like that. He almost got his ass beat for the boat trips thing. The crazy thing is that Vince Offer is israeli american and Ari Schaffir's dad is a holocaust survivor. But they're both Joe Rogan orbiters. Also, oscar winning actor adrian brodey is in it. Funnily enough, the movie he won best actor for, the pianist, was also about a holocaust survivor. Life works in mysterious ways huh.

2. Adam Sandler (non-specific)

I'm trying really hard to pick an adam sandler movie for this list because I've seen a lot of them, but they aren't really all as bad as you'd expect. Some are funny-bad and some are boring, lazy, shameless, and pathetic bad. The latter are what we're talking about here. Some have actual plots and redeeming qualities, and some are just totally soulless. Jack and Jill, Blended, and Grown Ups spring to mind. Grown ups is probably the worst of those for me because it's just him and the frat pack on vacation with their families with some KFC product placement. There is NOTHING going on in that movie, just some fat shaming, racist asian stereotypes (there's a lot of that specifically in sandler movies, dunno why)

Conversely, I now pronounce you chuck and larry was pretty bad but in a much more fun way. It was a rollercoaster of emotions for me. In between the horrible racist and homophobic shit, the whole movie I was thinking "if they just make them kiss at the end this would be a pretty good movie actually" but of course they can't force themselves to kiss their bro on the lips so their cover gets blown, but then for some reason everyone loves them anyway because they had become media darlings for pretending to be openly gay firefighters, and they did so much to stand up for gay rights. Absolutely insulting, but if you pretend they're actually closet bi and slowly falling in love and using the tax break thing as an excuse to sleep together then it's pretty entertaining so I'd have to say that grown ups is worse because the whole time I was watching grown ups I was just wishing I was dead.

1. Last ounce of freedom

This is the angriest I've ever been watching anything. It is by far the most fascist piece of film masquerading as simple family values that I've ever seen. It's about an old retired army general whose son gets killed in duty and he's fraught with conflict because he always encouraged his son to join the army and now his son is dead. He's also a total dick to everyone in his family. To deal with the conflict, he fights against the war on Christmas. Oh yeah he's also the mayor of the town they live in, that's important. He decides he isn't going to let the libs oppress him anymore so he puts up a cross or whatever on city hall and doesn't CARE if everyone attacks him for it. The villain is the ACLU lawyer who comes in and threatens legal action because christmas has to be secular now and good honest christians aren't allowed to speak out. But it isn't like he's just a lowly hardware store owner or something, he's literally THE MAYOR. He's the person in the position of power in the movie and he's whining the whole time about how christians are oppressed. I forget how it ends but I know it made me real angry so I assume he came to terms with getting his son killed and accepted that dying for your country is good actually and his son was brave to do it. And obviously he puts the christ back in Christmas because that was never actually in jeopardy in the first place. This was too real to be funny to me. Makes me think about all the shitheads who watch this and love it and how the things they do and the way they live their lives brings so much harm to those around them and this movie just affirms all of that. It disgusts me. I can't think of anything I'd rather watch less than this movie short of two hours of footage of actual violence.

#film #my stuff

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jadespeedster17 · 4 years

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Thomas Sanders Highschool AU Idea

Title is a working progress, but me and my sisters best friend sat in the kitchen and came up with this idea. Context with characters, ages, and roles. Got this idea from reading @fangirltothefullest idea.

CHARACTERS

Virgil Arachna-Crofters: Senior who is forced to take theater due to their being nothing else, that he hasn’t already taken for that time slot. Techy nerd guy, and godson of single, young dad Logan Crofters. He is seventeen (17), and wants to go into Computer Science for college and has already applied for a few. Reclusive, Geeky, Socially Awkward Emo Kid.

Roman Prince: Senior who is the popular theater kid, very handsome and very dramatic. He’s the president of the Drama Department, and is in Track. He is the youngest son of ‘Mom Deceit’ Prince. And younger twin brother of Remus Prince. He is eighteen (18), and comes from a well off family, and enjoys public school over Private School. He wants to go into the drama arts and his ‘mom’ has gotten him some deals. Outgoing, Loud Mouth, Drama Bitch Kid.

Thomas Sanders: Virgil’s best friend, he is a Junior who is a band kid. He plays the flute. He is sixteen (16) and has been friends with Virgil since they were only six (6) as Logan is best friends with Thomas’s parents. He is looking for scholarships currently and looks to go into animation or advertisement. He does on the side of band the Career Technical Center near the highschool and takes classes there in Advertisement. Nerdy, Quiet, Kind Kid.

Patton Heart: Romans best friend who is a Senior as well, he is seventeen (17) and will be by the end of the semester be eighteen (18). Guys a sweetheart and helps Roman out with costumes and play writing, he is looking to be a Seamstress with a minor in writing. He is vice president of the Drama Department and makes most of their play sets and costumes with Remus. Happy go lucky, Extroverted, Obviously Bi-sexual Kid

Remus Prince: Romans older brother, by ten minuets and is a Senior as well. He is eighteen (18) and drive a rainbow colored sports car. Remus loves theater as well, but he’s more into the darker aspects, loves to play the villain and enjoys making set pieces and is learning to make costumes with the help of Patton, his second best friend. His first is a guy in college who is year older than him, but he isn’t very important to the story. Remus is looking to go into theater also, but more so want to be in Art and looks to be a designer for sets for movies and such. Creepy, Weird, Loud and Proud, Hella Gay Kid.

Micheal ‘Deceit’ Prince: Roman and Remus’s ‘mom’, single and young parent with a business of his own making selling mostly jewelry, but along with other accessories, but mainly the deal in rings, earrings, necklaces, things like that. But will sell hats, scares, shoes, and smaller things like that. Deceit is twenty-seven (27), and likes the nickname ‘Deceit’ due to most of his partners saying he ‘lies’ to them on deals. Which actually he never has done but once or twice, shockingly he is a honest business man, (90% of the time) but he likes to mess with people. He and his wife divorced, when he was twenty-three (23) when it was found she was going hard drugs and cheating on him with another man. He adopted Roman and Remus at twenty (20), the two were eleven (11) at the time. He found his business going well, and his wife didn’t want to birth a child, so they adopted. He easily kept custody of them as he was well off and well influential to the kids. Smooth, Sly, Composed Man.

Logan Crofters: Science & Philosophy Professor as the University of Arts and Science in their area. This place is actually rather big and accepts only the best students in there art programs and their science programs, (Still working on a name for it though). He is a hardass professor to his students, but to his only son, Virgil, he is the sweetest man you’ll met. A devoted godfather and actually rather heartfelt to him, Logan tries to make his godson happy after the lose of his wife. Logan is only twenty-one (21) and is a very young professor/father, but don’t let that fool you. Guy is six foot two inches (6ft 2in) he is lanky but shockingly is very strong. He adopted Virgil when the other was sixteen (16), he was the boys Godfather, Logan was only nineteen (19), but already got a good job at a professor and was being paid rather well and his wife was doing well too. A year after that his wife died, he still kept Virgil, mainly because Virgil was happy with him. Smart, Sassy, Takes No Shit Man.

PLOT

Virgil has had it rough these past few years, having lost his mother to a car crash and taken in by his second godparent, as the first couldn’t take care of him. Logan Crofters. He took on Logan’s last name with a hypen of his own so that Logan could claim him on insurance. Life has been alright, Mr. Dad tries rather hard to make sure Virgil is coping well, even after three years, Logan knows the sting of losing someone can linger for a while. Things are looking up though, Virgil has applied to the University his dad works at to go into Computer Sciences there, and maybe look for a more specific filed of study. His godfather helped him make his portfolio and they hope he’ll get in.

Senior year comes, Virgil has a rather nice car, nothing fancy, but for used it was working well and in good condition. He signs up for classes only to find that there is no classes other than Theater/Drama open having taken all the other classes in that area, and the classes for core are all full, Virgil is forced/recommended by his adviser to take Drama. To say he’s having an anxiety attack inwardly would be in understatement. Virgil is PAINFULLY shy and dislikes being on stage. But, maybe he could convince the teacher to let him be the backstage techy guy?

First day of class, and Virgil is on edge, the class is somewhat full, only three seats are open in a class for twenty-six (26) students. Half are seniors, so about eleven (11) of them. There are five (5) juniors, four (4) sophomores, and three (3) freshmen. Most of the seniors Virgil doesn’t know that well, either because they were big bullies of his in the past or because they are WAY higher than his social standing. Being the reclusive emo kid who likes his black and enjoys not being the center of attention, he already feels out of place. And can actively hear people talking about him. Gods he hopes he can just disappear behind stage.

Then, enter in Roman Prince, popular kid, mostly because he does some sport, Track and Field, has won arts awards for the school. He is very handsome and to top it all off he’s rich. Girls and some guys swoon over this guy, who Virgil can’t even call a moron as he actually does well in school! However, the rumors about him also are dark, stating he’s rather emotionally controlling of anyone he dates. But, doesn’t stop some from trying. He has to spend his last year with this ego guy, just great.

Now, what Virgil doesn’t know is each year Roman chooses someone from the class to be is... left hand. As Patton is already his right, said ‘hand’ will do anything he asks in return he gives them lessons on being the best, often times it’s a Freshmen he likes. Rarely is it a Junior or Sophomore, once it was a senior in his Junior year. Roman sees it as he gets someone to help him and Patton with all the running they do, and helps mold a ‘new star’ out of someone. Which actually he has made some Freshmen open up more, even if later he dumps them for another next year. So win win.

And this year, he eyes up the out of place emo in the far back corner of the room. Was this guy even in here, did he show up to the wrong class. No, not many do that. So this kid clearly was in the right place. To Roman, the kid looked like he needed help, and clearly none of the others were going to do anything about it. So might as well being the ‘Prince’ he is and help the poor boy.

Thus, he offers to Virgil this, a contract he and his ‘Mom’ made. Virgil just has to do every little thing he says in the Drama Class and in return, Roman pays him twenty a week and offers him lessons on how to be a good actor. Virgil, too shocked for words and a little scared of what will happen if he doesn’t sign, signs the papers.

This spirals into Roman slowly pulling Virgil out of his shell and making the kid be more sociable. While lowkey looking like to Virgil’s friends that he is controlling his life. Then shenanigans happen all year, which include:

- Patton having a crush of Virgil’s dad Logan and lowkey they start to grow feelings for each other. - Thomas and friends of Virgil trying to ‘save’ their friend from Roman, who they think is seeking to use Virgil and hurt him feelings later. - Roman actually developing real feelings for Virgil, something that has never happened to him. And starts to try hard to get Virgil to like him. - Virgil coming to terms fully with his moms death with people who know what it’s like. And lowkey starts to fall in love with Roman. - Remus being a dick/sweet older brother who really Ships Virgil/Roman. - And general highschool shit.

SIDE CONTENT

- Logan and Deceit know each other, were going to have a partner ship until Logan left to marry his wife. Not great feelings there, Deceit is able to hold a grudge for a while. - Roman seems like a controlling person to Virgil to anyone out of his circle of friend. But Roman is actually a Bitch, he’s a bratty bottom and very much a submissive But he actually finds it funny how much more submissive Virgil is and finds it kind of fun to play dominate for once. - Virgil later though grows a spine and finds out just how submissive Roman is. lol - Virgil’s friends throw out some outlandish rumors about Roman and Virgil. Ranging from Roman has Virgil in a contract to be his slave, to Roman has brainwashed Virgil to be his wife and servant, to Roman is a vampire who is using Virgil as a Bloodbank. It gets rather funny after a while. - Remus is a conceiving Bastard who finds it hilarious that everyone thinks his brother is being emotionally controlling of Virgil and is being a abusive dominate. Like do these idiots even KNOW his brother - Remus also bets on how long it’ll take for Virgil to grow a spine and for Roman to cave, and bets on when Patton and Logan will get together. Remus knows ALL guys and sees EVERYTHING. - Thomas is the first to find out that Roman actually cares for Virgil and starts to help Remus plan to get them together half way through the year. - Legit there is a scene on Logan’s twenty-second (22) birthday where Patton comes over when Virgil is out shopping with Roman, and they come back to see the two kissing in the kitchen. All sorts of awkward man! NOTES

- To start the reason for young parents is explained at least, I try to get my story consistency and some realism. - I wanted a Logicality pairing, however I wanted Logan to be ‘Teacher’ in this, so that’s why I man Logan and young dad and Virgil’s Godfather. So that way it wasn’t weird or not age correct. As I know having some thirty-year-old (30) man with a teenager is all sorts of weird for some people. - Also I wanted some drama with Logan being unapproving of who Roman’s dad is and kind of dislikes that Virgil is friends with him due to this. But slowly comes to see that this Roman guy is making his godson happy. - Debating on a pairing with Remus and Thomas in this, comment if you want that. - I also wanted to name Deceit ‘Dominic’ but decided against it and instead when with Micheal, finding that it actually fits. - I might add more to this later, but I don’t have much time to type out a full story so this was a better thing. - Hell, might even do Headcannons for this if you guys want me too. - If you guys WANT me to write this as a story then please comment or PM me. - Also, if you guys want to write this yourself the PM me to let me know, and please don’t just steal my idea. I rather dislike people doing that. And dudes, it is illegal. - Speaking of which I used SOME small ideas from the creator I mentioned above, not along. Just that Logan is a teacher with the last name Crofters, and Remus being in an outlandish car. Small things. But it gave me this inspiration so yeah...

That’s about all I got, though lowkey would LOVE to see fanart on this idea.

#thomas sanders #roman x virgil #virgil anxiety #deciet sanders #remus sanders #patton morality sanders #patton sanders #roman creativity sanders #roman sanders #logan logic sanders #logan sanders #virgil sanders #alternate universe #fanfiction ideas #logan x patton #logicality #prinxiety #highschool au

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millenniumfae · 5 years

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Reyes Vidal Theories And Headcanons

To start off, we’ll begin with all the canon facts we know about our favorite Kadara King, almost all thanks to his writer’s twitter;

He’s in his late twenties

He’s from Chile (born and raised?)

His first language is Spanish, but speaks English (fluently?)

After arriving to Andromeda but before the Nexus Uprising, he was a shuttle pilot assigned to Initiative callsign ‘Anubis’

He’s a dog person

Fan of alcohol??

And that’s it. Everything else about him is all speculation and random headcanons. ME:A has no further single-player DLC upcoming. No new comics, either. It’s really sad to say, but it seems likely that the canon story of Reyes Vidal ended with Mass Effect: Andromeda.

But not if I have anything to say about it! Below are my various Reyes Vidal headcanons and theories. And more to come, along with other Mass Effect characters!

1) Reyes as a ‘Shuttle Pilot’

People in the game sometimes describe flying vehicles as a ‘shuttle’, but technically, a ‘shuttle’ isn’t a type of vehicle, it’s the name for a delivery service - short routes, higher frequency, simple fare. You can shuttle passengers or objects place to place. If Reyes was a ‘shuttle pilot’, that meant he was flying things to-and-fro the Nexus on the Initiative’s orders, delivering people and goods by standardized rates.

We’ve already known a shuttle pilot in the franchise before; Steve Cortez of Mass Effect 3 was the Normandy’s shuttle pilot, because he had to deliver the ground team to-and-fro the ship regularly. Those fugly box-like skycars you see in the ME franchise seem to be Alliance/Initiative standard vehicles, described as ‘UT-47′s by Steven in 3, or a ‘Kodiak’ for similar models. Steve also takes Shepard on a skycar ride in the Citadel DLC, and talks about his piloting passion as if they were indeed on a plane and not a car (”There’s a lot about this bird you don’t know/Pilots would wear G-suits”).

Plus, Steve also trained by flying fighter jets, not ‘cars’. So when we say a character is a shuttle pilot, we really do mean pilot and not ‘flying car driver’. Reyes is a pilot in all sense of the word. Even though those boxy cars can indeed use FTL drive to fly between systems and planets, Reyes worked under the call-sign ‘Anubis’ so we can assume he flew a plane specifically. Aviation call-signs are for aircrafts and not cars. The dock manager would ask for the pilot’s verification, and the pilot would respond with the aircraft’s verification name and number - N-503 call-sign ‘Anubis’.

We never see him flying in-game. On the mission we meet Reyes’ ex Zia, we do see his plane outside the house where the supposed cargo was to be. It’s a poopy-brown, double-turbine-winged helicopter thing, and it’s also the plane he escapes onto if you save Sloane. He’s never flying it, though, it’s always him hopping in/off.

I’ve seen some fics where that’s actually where he sleeps, which I don’t think would be realistic - that plane sees a modest amount of action, not just during fights but also during ambient Kadara Port skydrops - you see it flying by sometimes. Inside isn’t big, you see like three seats and nothing else, good for five people maximum. Reyes would have to have this plane flight-ready at a moment’s notice. He’s still smuggling, after all.

It’s a very different plane from all the others you see. It’s not a boring basic Initiative box car, it’s not a bubbly green Angaran car, it’s not a green mess like the Kett’s. The only time you see a plane like that is during the Meridian final battle, where there’s two-three of those same planes, no matter if it’s Sloane or Reyes. I think it’s a plane that was created after the Nexus Uprising, crafted specifically by exiles. You find guns unique to exiles, after all, why not planes? Kadara exiles have wind turbine engineers, doctors, and not to mention the Angara who must be involved. They gotta have some people who can design and produce good planes. It’d be poetic if Reyes’ plane was a hybrid of Angaran and Milky Way engineering.

2) Reyes being Chilean, Brown, and Bi

I’ve said this before, but I was never happy with how Reyes was handled as a Latino man. I’m not Latinx myself, I’m Asian, so I speak from a different perspective of color. Reyes is a token Latinx person in the game, and he (along with his ex Zia) have thick accents and a sexualized history/personality. His accent in particular is super grating, since it’s faked by a white British actor and you can definitely hear it. As an Asian person, I am NOT a fan of seeing faked accents pasted onto a stereotyped love interest.

So when we see a character like Reyes, we make the best of it. We make him ours, and not Bioware’s very spotty writing. Canonically, Reyes is a flirty spicy Latino bi man, but he’s more than that. Romanced or not, you get to see the man behind that mask. He’s silly, insecure, and very intelligent. He’s good with guns, explosives, and planes. He can play politics to the point where he can become the driving force behind an entire planet.

But all that canon stuff still doesn’t erase the spots on Bioware’s record when it comes to making Reyes. They wanted to create a shady morally grey love interest, and Reyes is the direction they took.

Us fans, on the other hand, can actually give Reyes as a bi Chilean man some weight. We can write his Spanish as actually being specific to Chile, we can explore his sexuality the way bi people do. The Mass Effect universe takes place about 160+ years from now. It’s been more than a century. We all know that progress isn’t linear, but for the sake of our liberation, we’ll say that humanity’s ideals of sexual/racial politics have improved.

So unlike us, maybe Reyes didn’t grow up in a world that attacks brown/queer people. Today, being brown means you’re ashamed of your skin color before kindergarten, and being bi means your sexual journey is hindered by marginalization. Reyes, on the other hand, might have not faced these things at all. Humans of the Mass Effect world might see queerphobia/racism as something incredibly archaic, like oppressing redheads.

Not like Bioware’s good at portraying this type of progress. Sure, we never see anti-lgbt rhetoric in-game, nor marginalization of brown humans, but we don’t see any true evidence that the Mass Effect world has gotten rid of these things. I don’t for a second believe that there would be so many straight humans 160+ years from now. Or so many aliens that fall squarely into the human gender binary.

Headcanon; Reyes, being raised on Earth, sees himself as brown and knows the bloody history behind it. His skin color matters to him much the same way my browness matters to me - its a connection to your family, your people, and the way you look at yourself in the mirror. And he doesn’t identify as bisexual as loudly as many of us do, but not because he doesn’t like lgbt culture. He’ll checkmark the ‘bi’ box if you asked him to write out a census survey, I just think he’s one of those people who’s kinda casual about it. Especially if he doesn’t face the marginalization we do.

But being a queer man means he’s got that flamboyant side a lot of us do. He’s romantically cheesy, he likes red wine over candlelit dinners, he finds flower arrangements beautiful, he’ll go to great lengths to make sure he looks and smells nice (even on Kadara’s nasty sulfer atmosphere), he think he looks amazing in a fitted suitdress. And if he could, he’d repaint his plane to be a nicer color other than that fugly brown, like a sweet duochrome blue-purple, but unfortunately its a color that blends in well with Kadara’s landscape.

3) Reyes as the Charlatan

What’s canon about the Collective? They work from the shadows, cultivate poison, steal supplies, have torture rooms where they keep captured Outlaws, and information between them can get muddled or compromised. They’re not a pretty bunch, and the Charlatan isn’t a pretty business.

Compared to the Outcasts, they’re definitely the more gentle organization. And perhaps with the Outcasts out of the picture, they drop a lot of the shadier stuff they do, what with no one left to torture and assassinate. But their business still runs on crime, opposing the Initiative and the Angara directly at times - such as stealing supplies, illegal mining and producing of resources, and drugs. And Reyes oversees all of that.

You can also compare Reyes’ crimes to Vetra, who’s also a smuggler, but a lot less shady. Vetra does a lot of things without bloodshed or violence, and doesn’t even seem to steal things. Instead, she makes business deals that slip underneath the red tape and break regulations. Reyes, however, had to work under Sloane’s violence for many a month, and adopted immoral methods to work around her.

I truly believe Reyes isn’t supposed to be a violent man who likes bloodshed and murder. He sees it as necessary, and his goals are worth getting his hands dirty. Reyes wasn’t just scared about Ryder finding out he lied, he’s worried about the whole, you know, Collectives being a violent mob gang thing. As Kadara improves, he lets up.

When he’s not hanging out in Tatarus, out smuggling, or doing various other shady things, I headcanon Reyes as actually having multiple places to sleep and hie away. Not the Collective Base, though. No one there has ever met the Charlatan, and even the leader, Crux, only gets orders as messages. Before the big reveal, Reyes doesn’t confess any connection to the Collective. He wouldn’t show up at the base. His living spaces are probably within Kadara Port’s various shitty apartments, and also hideouts in the badlands.

Always he’ll be on call for Charlatan business. Even at the Meridian party, he’s clicking away at his omni-tool while talking to Ryder. He keeps odd hours, probably only managing minimal sleep schedules. And when he’s not available, his most trustworthy representatives take up his mantle. And if Sloane’s killed, he only gets more busy.

With an outpost settled, there’s legitimate money to make and Reyes gets right on that. I assume that, at first, establishing the outpost costs a lot more money than it makes, but having an initiative settlement eventually draws in a lot of resources and commerce. Reyes isn’t just the leader of Kadara Port, he’s the King of Kadara the planet and the outpost is part of his jurisdiction. Ditaeon may have been Ryder’s doing, but it’s Reyes’ town now.

4) Reyes and Ryder - Love And Trust

“He already lied to you once. Guys like that don’t stop lying,” - Vetra.

A romanced Ryder is obviously a big deal to Reyes. He even confesses to his right-hand woman Keema that he worried about what Ryder might think about him, and that’s something pretty personal to exclaim. He’s in deep and his self-esteem is heavily affected by what Ryder says to him. If you don’t decide to kiss him on the rooftop, you can instead say that he’s more genuine than you thought, which actually seems to hurt him.

There’s an animation difference between Scott and Sara - Reyes will slide right up against Scott’s personal space during their first meeting at Kralla’s Song, while he’ll stay a modest distance away from Sara. To our eyes, seeing an unknown, shifty man being so close to a woman at a bar is pretty creepy and scary. You, as a man, do not touch a woman you don’t know. To us, being in a place like Kadara Port and alone at a pirate bar means violence against women is a fear at the forefront of our minds.

He’s so uncomfortably close to Scott, though, probably in an effort to intimidate him slightly. But he’s not gonna pull that shit on Sara, because that would mean something completely different.

Reyes makes a big deal about being the perfect gentleman, which is something of a rhetoric joke. Because he’s not a gentleman when it comes to honesty and honor; he steals, cheats, and lies, he brought a sniper to the duel. But he is a gentleman when it comes to compassion and sympathy. He set up a soup kitchen for the slums. He donates money to the clinic. He prioritizes the Angara native to Kadara. He lifts the ‘protection fee’ nonsense and doesn’t exile people to the badlands.

He said he came to Andromeda to ‘be someone’. I think that’s supposed to be a double-meaning. He wants to be important to people, but why rule from the shadows if that’s the case? Because he wants to make a difference. He actually does want to help people and set up an Initiative outpost and dispense justice. That’s the ‘someone’ Reyes wanted to be all his life, and it grew into a passion when he finally upped and abandoned the Nexus.

Being a ‘gentleman’ is kinda old-fashioned, but Reyes seems to have a special interest in old-fashioned stuff, playing Soft Jazz while dancing quietly with Ryder. I think it’s just something he enjoys, like having actual full-blown romantic dates. Too bad he rarely has the opportunity to explore them.

About Zia; his alleged ‘ex’ is a mystery. Umi, a bartender, pinpoints her as an ex-girlfriend, but Reyes will say they merely had a few drinks and things apparently never went far. And when Zia shows up, there’s no love lost between the two of them, even though Zia apparently knows Reyes well enough. Relationships with a tail-end like that were probably never serious, but still had enough time invested to become actual, significant history.

I don’t know why Bioware wanted to write, direct, code, and implant this mission, as if it adds something to Reyes’ characterization. Zia in particular is a unique character model, which is weird because very few characters have a special face and texture. What does Zia mean to Reyes? To us?

I think Zia was an old smuggling/piloting partner of Reyes, and the two of them might have struck a connection during the first hopeless months of the Andromeda Initiative. Zia grew to know Reyes as a selfish man with no friends, split off from him and ran a competitive smuggling shtick, and even says a romanced Ryder will soon know how wrong they were to place faith in him. Its a side of Reyes we don’t hear from anyone else, and I think it’s meant to shake our confidence in Reyes as the future leader of Kadara - or as Ryder’s love interest.

After all, why would Reyes ask the Pathfinder for help in finding some random lost cargo? Because it was probably something super important. Worth not just money, but morality too. Reyes wouldn’t tell someone as unsubtle as Ryder that they were about to look for some misplaced escaped ark survivors (or whatever’s also super important, I dunno), or everyone and their mother would know they were up to something big.

Zia lured Reyes with the promise of something very big, and tried to take him down because she wanted to make more money. Reyes, on the other hand, isn’t completely money-driven. Zia represents the Charlatan we were told to fear, while Reyes is the true face behind the shadows. And after all that business rivalry, Reyes still buries her.

But Zia still says Reyes is a selfish man, and she knows him much better than Ryder does. Why would a fellow amoral smuggler care if someone was selfish or not? Was Reyes selfish to her specifically? Like, in a bad lover way? That’d suck, but he probably didn’t feel that much affection towards Zia in the first place. Or did Zia have ulterior motives that Reyes didn’t agree with, and cut off contact because Zia wanted to cross lines Reyes didn’t feel comfortable with? That’d be a nicer way of looking at it. Reyes was ‘selfish’ because Zia wanted to, I dunno, hit civilians for extra cash and Reyes said no.

My headcanon; with Ryder, Reyes definitely doesn’t take things super casual like he probably did with Zia. He eventually dedicates himself to them, and invests a lot of his emotions into their relationship. It might even be something he never did before, but a hero’s love is worth so much to him. He can’t leave Kadara, and Ryder can’t stay with him (at least at first). And secrets will continue to bloom between them. But Reyes will continue to improve himself, ‘becoming someone’ to not just Kadara, but to Ryder.

5) Random and MISC

Being an exile-in-an-outlaw-town-during-a-cluster-wide-war-against-the-Kett-and-the-Scourge means shitty food. Which Reyes hates and he does his best to avoid the Jim Bakker bucket-esque MREs that the Initiative hands out. And Angaran nutrient paste doesn’t sit right with Milky Way species, so he doesn’t eat that either. Life on the frontier means adopting to local flora and fauna, which means old fashioned Angaran dishes like Adhi roast, Kaerkyn shell soup, Taurg flank steak, and Drall bits. But no, he doesn’t cook if he can help it - he’s not terrible, just not good, and he’ll instead buy food from vendors on Kadara Port, or order it from the bar. And he’ll get dessert when he can, too.

And he loves Kadara Port. It’s his own little cyberpunk neon noir city, even if it does smell vaguely of sulfur. He loves looking out the window and seeing the bright glowing signs overlapping each other, hearing the shady bustle of exiles 24/7, the patter of acidic rain. When he begins to get involved with Ryder, he begins to take extra time to gaze at the city’s horizon and be sentimental. That’s what falling in love does to a person.

He’s canonically a dog person, and by dog we do include Mass Effect’s alien dogs such as adhi. The Collective is trying to domesticate wild Adhi, which is a project Reyes started to make them into guards and weapons, but a side of him just loves the idea of having an adhi as a pet. If he could, he’d have five rescue pups of varying breeds (and species), posting those Sexy Dog Instagram Photos of all of them at the beach, or something.

Time as the Charlatan means less time to work out. So his muscles aren’t big, and he’s got enough fat to cover them, too. If he undressed, you’d see that he’s smaller than his clothing would imply, no Ripped Taint or Tight Glutes. Lotsa hair, though, all down his chest and pelvis and legs. He actually doesn’t really like it, but he only has resources to shave his jaw.

All his outfits are the typical humanwear that all colonists to Andromeda have access too, but with extra touches because he Cares about his appearance. Fancy gloves, a nifty belt with a shiny buckle. He uses the slighest amount of product to slick his hair up, gotta stretch it out until he can find an Andromeda replacement. Uses a nice deodorant, and will get expensive cologne when he has the chance.

He hates the cold, and Kadara has modest winters that won’t freeze the water but will spread a frost everywhere. That’s already too much for him, and throughout the whole season he’s more tired, grumpy, and seasonally depressed. When spring breaks through again, he gets a burst of energy and happiness from the relief.

If Ryder ever lives with him for an extended period, they’ll quickly learn the difference between a 22-year-old’s living space, and an almost-30′s living space. Perhaps with Sloane out of the picture, Reyes gets a legit place to live and invests in real furniture and interior decor, while Ryder’s still stuck in that college student trash stage. Reyes forbids scratches on the table, or bath towels crumbled up, or windows left open during the rain, etc. Ryder think its cute that Reyes is so domestic, Reyes is just trying to save his expensive couch from shoes on the cushions.

#Reyes Vidal #reyder #mass effect headcanons #mass effect #mass effect: andromeda #me:a

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spaceorphan18 · 4 years

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Marvel Movie Night: X-Men The Last Stand

So - when this came out, I worked at a theater. We got to see an early screening of it. When we walked my mom turned to me and said -- that wasn’t good, right? I had to agree.

So. Here we are. I feel like I have a very complicated relationship with this film, because I know a crap ton about X-Men and knowing more means this film feels like even more of a mess than maybe a general audience would know. It’s hard to really comment on whether or not this is a good film. It’s definitely far more watchable than the Fantastic Four, or the other Marvel related films coming out at the time that weren’t Spider-Man. However, it doesn’t hold together too well overall.

The biggest issue this film has is that it’s trying to shove too many story lines with too many mutants into one film, and it kind of fails at everything that it’s trying to do.

But first - a comment on production. It was kind of a mess (though, I’m super fascinated that there was an original draft of this that Emma Frost played by Sigourney Weaver. Damn, I’m sad we didn’t get that). Directors switched, writers switched, actors were no longer under contract -- and I mean, most productions have things change, but all of this resulted in this film getting pulled in fifteen different directions, and I do thing that did have an effect on the final result.

So - let’s talk about what this film is trying to do.

The Dark Phoenix saga. One of the most iconic X-Men stories ever told, and it is for a reason. Having just reread it last month, it’s egregious to me how much this movie misses the point. Look - I’m fine, in general, when other media changes original stories for adaptations. Film is not comics, but I do think you need to understand the essence of the story in order to do it well in an adaptation. And The Last Stand just doesn’t understand the Phoenix story.

See - in the comics, it’s a lot about manipulation, control, and power - and how Jean Grey is being manipulated, but breaks out of it with her extreme power. (There’s also a ton about crazy space forces, but I understand why they didn’t go there, it’s... uber complicated.) But, the point is that this ends up being an internal story -- how Jean deals with the power once she’s broken free from the manipulation, how how her relationships with various X-Men help her cope with split identity. At the end -- with her friends behind her, she decides to end her own life, and her sacrifice is make sure she doesn’t destroy the universe. And it’s very beautifully told.

There are three things (major) things I have issue with in this film -- 1. With the exception of Cyclops, in a limited role, and slightly Xavier, Jean’s relationships with other people are just not explored enough to have an emotional impact; 2. At no point is Jean ever back in control of her own agency. Xavier manipulates her, then Magneto, then she just stands around for a long time until Wolverine finally kills her. It cheapens everything about Jean Grey and agency the original story has, and I hate it. 3. The story in the movie seems to service the goddamn Logan/Jean Grey love story that I hate in the comics, and I hate it more here - but I’ll spare you the diatribe.

The other thing, though... The animated series got this right -- but it could because it had time to. See, the comics drew this whole story out for years, and it’s emotional pay off works better over a long period of time, which a two hour movie just doesn’t have. And it’s especially hurt when it’s truncated due to a whole other plot in the film. Which leads me to...

The Cure - the second plot of the film. Joss Whedon’s Astonishing X-Men at the time was a big hit, so they decided to use this story. It’s not a bad story -- it has to do with the big political element that the X-Men always are dealing with, and that’s fine. But, because it can’t be the full focus, it too feels overstuffed. (Really the film wants to be this plot, and should have never done Dark Phoenix in the first place.)

Unfortunately, because they need to shoehorn in Magneto, the brotherhood, the Morlocks, and every other mutant in the X-Universe (except Gambit for some reason) - this turns into a mess, where Magneto is his Silver Age, scenery chewing self, and a whole lot of people punch each other because that’s what these third acts usually devolve into. The Cure story line is and can be a much smaller story, too, and maybe works better as such, but this is a major blockbuster - which I’m sure studio mandates a certain amount of CGI nonsense. Ah well.

Other Thoughts (dear god, get ready for all the thoughts!):

The Danger Room scene at the beginning of the film is a goddamn delight -- that is how you use the X-Men working as a team, and that’s how you use Wolverine in a good capacity.

One thing I’ll credit this film - it does better with its action sequences, and specifically letting the X-Men actually work as a team.

I can’t help but feel, though, that I wish more of the classic X-Men teams had been together for their last stand. Something about Wolverine’s little pep talk felt hollow - maybe because these characters we’ve barely met and/or interacted with and the emotional resonance isn’t there.

FWIW - the special effects in this film are such an upgrade than all the crud had has come before it -- especially Fantastic Four, which was only a year or so earlier.

Hugh Jackman has finally really settled in his role as Wolverine, he’s great, yadda, yadda

Famke Janssen continues to be an excellent Jean Grey, and I’m sorry her story line stunk so badly. The scene with her and Wolverine, where she goes through the gamut of emotions, is really quite wonderful. It’s a shame she spends half the movie just standing (or sitting) there.

I understand that James Marsden kind of tapped out of the franchise to go do Superman, but I’m so sad that they really didn’t do Cyclops well in any of these films. He’s such a great character, and you wouldn’t know it at all by these films.

The Beast! Who’d have thought that Kelsey Grammer would have been a good choice for Beast -- but it works.

I think Halle Berry asked for more to do as Storm. Well -- she has more to do, but she still doesn’t feel like Storm. I want an X-Men film where she Ororo Monrue is given the proper chance to shine.

Oh - I should mention Storm vs Callisto is a thing here, as an easter egg to long time fans, but it’s not satisfying to me as a long time fan because, like, most everything in this film, they kind of fucked it up.

Meanwhile... oh Rogue, maybe we shouldn’t get me started on how my favorite X-Man is the utter worst in this film. Not only is she barely in this film but... this is such a complicated issue for this character -- to be given five minutes of screen time is just the utter worst. And no, Rogue would never do that. No, no, no.

Ellen Page as Kitty Pryde is amazing, and she should have had her own movie. I find it hilarious, though, that she and Iceman kinda flirt with each other here -- since Iceman is canonically gay, and Kitty is subtextually bi. It’s just... funny.

Iceman - in his ice form. Yes, more of this.

Angel is here! He literally does nothing, but he doesn’t do much in the comics either, so it kinda hilariously works. I like the actor, too, he’s a great match.

The dude playing Colossus is a delight - again, more screen time needed! I kinda love that he’s just carrying around a TV to show his strength.

Lord help me - the Juggernaut is the worst. I hated that meme. I hate that he looks like a literal dick head. I hate that he’s portrayed as a mutant when he’s not, etc, etc.

There’s so much more to comment on, but I’ll spare you the time -- I mean there’s Moira MacTaggart, and the Morlocks - who are also the Omega Gang?, and Leech, and Eric Dane playing Multiple Man, and really... they brought in Stacey X (you guys ask me about Stacey X...), and apparently Psylocke is supposed to be in here somewhere, and sentinel camoes, and Trask, and Mystique... But, this review is long enough.

I do need to point out - the President is played by Josef Somer, who played Ducksworth in The Mighty Ducks, and I can only think of ‘quacking’ whenever I look at him.

Final Thoughts: It’s probably more enjoyable for a non-fan than a hardcore X-Man fan. It’s not as bad as people make it out to seem, but it’s not good either. Overall, there’s a lot of potential that gets squandered and exploded. Ah well.

#marvel movie nights

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jj-lynn21 · 4 years

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The Calling ch 5

Warnings: SMUT, drinking, outcome is readers preference.

ch 1, ch 2, ch 3, ch 4

The email for your next day of filming calls for an 80s look. Somehow you found just the look and a few other outfits just in case. They also sent a message looking for sports cars from 1984 and before that could be used in a street race scene. Your car isn’t brand new but its not that old.

You go through the usual process checking in when you get to holding. You even help some others that are there for the first time. It is a huge seen. One hundred people in an auditorium to get clothing checked. Some are going to play other street gang members in this street race. You are there to be a spectator to the whole thing. None of the usual suspects you hang with are there so other than Dan, the P.A. and Shelly who signed you in, you don’t recognize anyone. You sit in the auditorium and chat with some people that ask you questions about your other experiences.

After everyone is checked in and they have on what they need to be wearing for the scene everyone goes to the regular holding area where breakfast burritos are waiting. There is also pastries, donuts, bagels, fruit, juice, milk, pop, tea and coffee with creamers. You sit with the few people you started talking to in the auditorium. Hours pass with no word of when your scene will be shot. Lunch burritos are severed with French fries for lunch. The people around you start asking about when you think filming will start.

“They will come get us when they are ready,” You tell them. “We get paid for sitting here chatting and playing games on our phones so it’s probably the easiest ten dollars an hour you will ever make.”

You see dusk fall out the window. Dan walks in with a clip board and goes over to Shelly and talks to her for a few minutes. A few people walk up to them to ask about filming. Dan gets a call on the walkie.

“Ok everyone please follow me outside.” Dan said. “It’s a warm evening so no jackets. We want to see those 80s looks.”

He leads everyone down the stairs. Through the back of the building. And outside to wear several cars sit. A buzz comes over the crowd as you see Robert Pattinson leaning again a red Toyota Supra.

“Those here with there to be gang members go talk to Harry holding the white flag.” Dan said. “The rest of you follow me. Remember you have to stay quiet during shooting.”

He lines everyone up three people deep on either side of the race path.

“All you do is cheer as loud as you can when you here action,” Dan said.

“Action,” you here.

You scream and holler as the cars get pulled down the race path through the street by contraptions that hold cameras that capture the actors inside. They aren’t going fast by any stretch of the imagination, but it is interesting to watch and react to. That is filmed a dozen times or more. Before Robert switches places with his body double stunt man. The contraption is taken off the car. The real race begins as the stunt drivers spreed around the area. Screeching tires and smoke fill your senses.

Your eyes are red and watery as the director and others scream, “IT’S A WRAP!”

Everyone is escorted back to holding to sign out. You sign out, grab your bag and head to the bathroom to freshen up for the wrap party if you can find it at twelve-thirty in the morning. You put on one of the less over the top 80s outfits you brought. A form fitted pair of dark blue jegging with a hot pink baby doll style top that shows just a bit of cleavage.

You put the address in your gps to find your way. Its easy to spot right as you make the last turn. The sign says, closed for private party. A DJ is playing some top forty hit as you walk inside and look around. There is a guy a few steps inside making sure no random people get in.

“Sorry Miss,” he said stopping you with his hand. “Private event tonight.”

“I worked on the movie,” You said.

He smirks, “Got some proof of that darlin’?”

“I can show you my…” you look through your small purse that was in your overnight bag with your cloths for the day to find your pay slip.

“Hey Charlie, she’s cool,” You look up to see your favorite actor with their favorite drink in hand. “Let me buy you a drink.”

You gather yourself upright as you walk over to them. “Thanks,” You smile. Your person smiles back at you.

“Anything she wants Tony,” they tell the bar tender.

You order your favorite drink. You see mostly crew people chatting at tables. Drinking the workday away. Your favorite actor puts their hand on your back.

“Come on, we are all over on the couches.” They say and you walk along.

“Hey,” They all say in unison as you walk over. They hold their drinks in the air. All smiling with that little bit of tipsiness already gleaming in their eyes.

“Hi,” You say as your favorite person pulls you down to sit with them.

“Has anyone figured out what this bloody movie is truly about yet?” Tom asked the group. “They never sent me a full script or told me more than my specific part. I had a good time filming with you though.” He looks to you and winks. You blush and take a drink.

“Of course, they aren’t going to tell you anything, Tom.” Sebastian laughed. “The only one worse than you at keeping movie secrets is Mark. How about shots all around?”

He snaps his fingers. A bouncy red head in a black dress comes over to ask what we all need. He orders a round of Jägermeister shots for everyone which includes you, Tom Holland, Sebastian Stan, Bill Skarsgard, Alex Skarsgard, Anna Paquin, Stephen Moyer and Robert Pattinson.

You are sitting, chatting, drinking, doing shots with all these people because you must have own some lottery you have no clue you even entered you think to yourself as you listen to them chat about traveling here and other more interesting things about life and past acting experiences. Your head spins as you get more intoxicated along with everyone else. How the Hell did you even get to this point you think to yourself but then you decide to add to the conversation about work history when someone bring up the vampire topic.

“Other than four vampires here. There are also five superheroes.” You laugh.

Bill said, “Pattinson doesn’t count as a Vampire and I was an umpire. Completely different species.”

“It does count,” He looks to you for confirmation. “Just ask her.”

Maybe you completely agree with him that his version of a vampire in current society was indeed a perfectly sexy depiction.

Maybe you don’t agree with him. Instead going towards a thought of a more brutal, crazed, bi-sexual, sensual monster.

Bill said, “Roman wasn’t bi-sexual not that there would have been anything wrong with that.”

“Roman totally wanted to fuck Peter,” You blurted out. “Check the on-line fanbase Bill.”

He chuckles, “Are those the same people that want to bang the clown?”

“No, that’s a completely different group but there is probably a group within both those fan groups that think Peter and Roman were in love and also want to bang Pennywise.” You laugh. “If you only knew.”

“Oh, I know.” He grins.

“Ok, fangbangers, clownfuckers aside, I only count three superheroes here,” Anna said.

Tom said, “And I only count two. So, how is your count five, love? Maybe you had one to many shots?”

“I’m great.” You slightly slurred your words which everyone else was doing. “Not sure about takin an Uber all the way home and getting back to pick my car up but that’s future me’s problem.” You laughed “Anyway, Tom and Sebastian are avengers. Anna is part of the X-Men. Bill was part of X-force. And Rob is filming Batman shortly, correct?”

“That’s correct,” Robert said. “Because the world needs more batman movies” He chuckles.

Everyone laughs.

Your person whispers to you, “No need to take an uber all the way home Sweetie. You can spend the night with me(us). I’ll have someone get your car to hotel. If you really want to that is?”

You just nod yes. The sun is coming up by the time you stumble out of the club with your favorite person(s). You make out like crazy in the back of the car as soon as the door shuts. Its sweaty messy slobbery kisses and groping, heavy breathing since you were holding back so much inside the club and you are both drunk. But you would be doing this with this person(s) sober.

The morning is a blur of body parts slapping, multiple orgasms and pure enjoyment from what you could remember when you woke to an empty hotel room. There were flowers, breakfast and a note on a table in the room. You read the note.

Sorry, I had to catch a flight (home or) to my next production before you woke. I’m so glad I (we) met you love. I hope to get back here again. Feel free to text me. 555-657-5544 talk to you soon. You have the room the rest of the day so no need to rush yourself.

Forever always,

Your lover

You just smile to yourself. Eat the breakfast on the table and get ready to go home.

#robert pattinson #tom holland #sebastian stan #bill skarsgard #alex skarsgard #anna paquin #stephen moyer #fanfic #fan fiction #au #extra #x reader #smut #lust #drinking #fantasy

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whindsor · 4 years

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So at the start of 2019, I made the resolution to read more books! I used to be a voracious reader as a kid, but between college and grad school I kind of...forgot how to do that? So I got myself a library card (clutch, tbh) and spent the year enjoying free books and audiobooks!

Below the cut are the books that I read with short reviews about them. They aren’t the only books I started, but the cool thing about a library card is that since the books are free, you don’t feel bad about not finishing them if you don’t like them!

Take a gander, maybe you’ll find your next favorite read!

Brief summary, meaning my favorite books of the year: An Ember in the Ashes by Sabaa Tahir, Outlander by Diana Gabaldon, and An Absolutely Remarkable Thing by Hank Green!

As You Wish: Inconceivable Tales from the Making of the Princess Bride by Cary Elwes 7/10 IDK if I enjoyed this because of nostalgia or because it was the first book I borrowed with my fancy dancy library card but either way it was nice to read a first hand account of one of my favorite movies, written by an actor that obviously feels a lot of affection towards it. Snaps to you, Cary Elwes.

Wonder Woman: Warbringer by Leigh Bardugo 7/10 I read it because it was Wonder Woman! She saves a girl who washes up on the shores of Themyscira and goes on an adventure to save her from ancient magic forces. TBH it wasn’t anything earth shattering but it was a fun, adventurous read and an entertaining story. Minus two points because Leigh Bardugo got paid to write fanfiction and I haven’t achieved that yet.

The Selection by Keira Cass 6/10 It was interesting enough to finish the audiobook, and I continued it because I was curious as to what would happen. It’s almost like a medieval AU of The Bachelor. But then the dreaded love triangle came up and I didn’t like where it was going so I didn’t finish the sequel. Entertaining enough, but not one I would go back to.

Wicked Appetite / Wicked Business / Wicked Charms by Janet Evanovich 6/10 Again, juuuuuuuust interesting enough for me to finish the audiobooks. It was the first audiobooks I got with ye olde librarie carde so that’s probably why I was so attached to finishing them. Also it’s about a girl that has magic baking powers, which is also probably why I wanted to finish it. She has to track down dragon balls or something I can’t really remember but it wasn’t bad.

Outlander / Dragonfly in Amber / Voyager by Diana Gabaldon 8/10 I LOVED Outlander, loved Dragonfly in Amber slightly less, and could barely finish Voyager. The series is about a British WWII nurse who gets sent back in time to 1793 Scotland and has to navigate all that mess. Jamie Fraser and eventually Fergus are the crown jewels of this story. Outlander was fantastic to me, it was interesting and funny and saucy and all in all a good story about time travel and the repercussions. There’s like, five more books in the series but again, I lost interest. I’ll probably go back and see what happens though cause I think Gabaldon brings in new characters.

The Lost Girls of Paris by Pam Jenoff 8/10 A book about women spies in WWII France?? Fighting the Nazis and falling in love and being heroes?? Loved it. The characters were real and the fear palpable. Minus two points cause the love subplot was a touch underdeveloped but who knows man war changes things.

A Conjuring of Light by VE Schwab 9/10 The third in the series starting with A Darker Shade of Magic. I loooooooved the characters in this story, the plot twists were exciting instead of annoying, and the way that she uses magic and secrets and reveals were perfection. And I actually really enjoyed the ending, which is surprising. Would read again.

An Absolutely Remarkable Thing by Hank Green 9/10 A super interesting story about a mysterious sculpture that appears in New York and the subsequent fallout of crazy things that happen. I listened to the audiobook and the narrators were perfect, the story is fast paced and has good twists and the characters are super real and relatable and fallible. TBH I read it cause it’s John Green’s brother (I assume, I didn’t fact check) and he did NOT disappoint. Minus one point just cause I can’t bring myself to give out 10′s a lot.

Cinder by Marissa Meyer 8/10 Honestly? People shit on this book but I really enjoyed it. It’s fun and heart wrenching and an interesting take on the Cinderella story. One of these days I’ll finish Scarlet which is the sequel.

The Time Traveler’s Wife by Audrey Niffenegger 6/10 Holy shit this was way more intense than I anticipated it being. It was a really good take on time travel and the way it affects people. Truth be told I never saw the movie, but this book was crazy and saucy and super interesting. I didn’t give it a higher rating just cause the time traveler knew his wife since she was six and that doesn’t sit well with me.

Simon Vs. The Homo Sapiens Agenda by Becky Albertalli 7/10 Both the movie and the book were good, with all the drama and heartache of 1) being a teenager and 2) coming out to the people around him. Very poignant and emotional. Didn’t give it a higher rating just cause it wasn’t super memorable to me? But then again, that’s cause I’m a twenty-something woman and not a teenage gay boy so while it was beautifully written and definitely a very important book, it just wasn’t one of my faves.

Lilac Girls by Martha Hall Kelly 7/10 More women in WWII! Now with all this boss historical fiction coming out I can definitely see why guys are so obsessed with WWII. Then again, I think I would be obsessed with any stories detailing how badass women are during the war. It covers stories from all sides of the war - including the Nazis - and makes it seem so much more real. I started reading the sequel but it wasn’t quite as interesting.

The Diviners by Libba Bray 8/10 A fun fantasy mystery set in 1920′s New York! With ghosts and demons and magic powers and flappers! I really enjoyed it and am currently working on the sequel. The jargon is what really gets me like it’s so Great Gatsby but better. Would recommend.

Shatter Me by Tahereh Mafi 7/10 A patient recommended this to me. It’s about a girl imprisoned because she has powers and that is Dangerous. It’s of course a post-apocalyptic military state situation, and she’s trying to escape and low key start an uprising. A really good story with a really interesting voice to the main character. Like, this writing style was SO DIFFERENT and amazing, I’ve never read anything like it. I didn’t continue the series just because the voice was SO good and in tune that it kinda stressed me out.

Time After Time by Lisa Grunwald 6/10 An A+ concept about a ghost in the New York subway and the man who loves her. It’s an interesting take on a lil paranormal romance. I loved the lore and the historical setting (it takes place in like, the 40′s) and really paints a fantastic scene!

Berserker by Emmy Laybourne 8/10 Listen, this book was not something historians will be talking about for years to come. But it’s about a family of siblings who have magic Nordic powers and have to escape Norway and come to the US (which is in prime Old West time) to find their uncle. And they meet a COWBOY. It’s a story about family and love and also occasionally killing people because you have the blood of Odin or some shit and honestly? Catered directly to me.

Truly Devious by Maureen Johnson 8/10 A fun and cool murder mystery set in a special fancy boarding school. Maureen Johnson has been one of my faves for a long time and she did not disappoint with this! It’s about a girl obsessed with a murder at the school, and she transfers in so she can solve it. And the TWIST at the END? Great!

An Ember in the Ashes / A Torch Against the Night / A Reaper at the Gates by Sabaa Tahir 9/10 Another 9 because I can’t bring myself to give a 10, though if anything this series would get it. The voices that Tahir writes with are INCREDIBLE and the story is nuanced and compelling and so good. It’s about a teenager trying to save her brother from prison, as well as a guy graduating from assassin school. I don’t wanna say too much cause I don’t want to spoil if anyone reads it but tbh if you only pick one series PICK THIS ONE. If you like fantasy and stuff of course.

The Huntress by Kate Quinn 8/10 Listen. Mystery solving New York girl, post war. Men hunting former Nazis. Bicon Russian girl who was in the Russian Air force. Do I really need to say more? A phenomenal story that takes place before, during, and after WWII, and the wide variety of stories happening during that time. Great if you love historical fiction!

Sourdough by Robin Sloan 8/10 Just like Berserker this book probably isn’t something they’re gonna teach in English classes. But it’s about a girl who works in robotics on proprioception (!!!) and then?? Starts baking bread??? AKA everything I love in life so, you know, once again a book catering specifically to me.

Magnus Chase and the Sword of Summer by Rick Riorden 7/10 As always, Riorden delivers a phenomenal story with phenomenal characters. And it includes populations that aren’t often the main characters in literature - a homeless teen and a Muslim teen, to name two. I haven’t continued the series just cause I got distracted with other things, but I totally want to.

I’m Not Dying with You Tonight by Kimberly Jones 7/10 A grand adventure that takes place over the course of one night in Atlanta. When a riot breaks out, two girls who haven’t spoken or really know each other are pushed together and spend the rest of the night trying to survive and make it home. It demonstrates two sides of life, and how they’re the same and how they’re different. I listened to the audiobook, which had phenomenal readers.

The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee 8/10 A story about a spoiled rich bi boy who’s going on one final tour of Europe before he has to settle down and run his family’s estate. His best friend and his sister are with him, and of course everything goes to hell in a handbasket. But it’s a crazy journey and an excellent coming of age story.

In The Woods / The Likeness by Tana French 8/10 AMAZING murder mysteries! The first is about the murder of a kid in Ireland, and the toll it takes on the investigators and people around them. It has an amazing twist at the end, and even though it takes a while for them to solve the murder, it never gets boring. Same with the second one! It’s a crazy situation that would never happen in real life, but she writes it SO WELL that i don’t even care! I will probably skip the third one cause it’s about a character I don’t really like and also takes place in the past before all of this, but I do want to continue reading these!

Stay Sexy and Don’t Get Murdered by Karen Kilgariff and Georgia Hardstark 8/10 A great book of essays written by the voices behind “My Favorite Murder,” which is a hilarious and semi-informative true crime podcast. But they talk about more than just true crime in the book - in fact, it’s more about things that they’ve learned throughout their crazy lives. Super eye opening and also really entertaining, and I actually listened to it before I even listened to the podcast, so I feel like that’s saying something!

#whindsors reviews #book reviews #2k19 books #reading recs #book recs #let me know if you read any of these!!!!#(also does anyone wanna be in a book club)

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