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#I know some things like his arc w/ Hook and he’s friends with some guy w/ Orange Cassidy
ur-fav-alien · 1 year
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Question:
Would anyone be willing to tell me Danhausen’s lore? Like from his debut to AEW to now? Or at least send me some videos to know more about him?
He’s super cool looking and I’d like to get to know more stuff about him. I’m not into wrestling at all so I’m new to all of this stuff lol
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mrsbsmooth · 2 years
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Season 5 - Summary
Hi Folks,
What it says above. I do not have a copy of the leaks nor did I rip them myself so please stop asking me how.
Spoilers under the cut obviously
💎Episode 3
Private chat with Eddie
Alfie tells you he's not putting all his eggs in one basket, but hooks up with Kat. No details yet, but it results in her dropping her pyjamas off the side of their bed. Skeaze.
Suresh sleeps on the daybeds so you don’t feel uncomfortable
💎Episode 4
Suresh is telling the other boys you’re getting back together.
You get a chat with Alfie where you decide whether you want to pursue him (later, not now) or if you want him in the friendzone
Finn gets a text saying he’s got a date with each of the girls, and he has to go in the order of preference starting with the girl he likes most
💎Episode 5
He picks MC first.
He cracks on fuckin hard. You can kiss Finn on the date. Twice.
Finn’s had a foursome with three girls
Once you’re back in the villa, Alfie and Eddie arc up a little bit cause they think Suresh is playing games with you.
Finn used pretty much the same lines on you as he did on Kat.
Finn and Suresh get in a bit of an argument.
💎Episode 6
Finn chooses Kat, and yes, you can choose to be salty about it
Dana says she’s taking it slow with Eddie
Guilty Secrets Challenge
Finn - Had a fling with their best friend’s sister Alfie - Got a tattoo of a camel on his big toe (got it removed tho) Kat - Has a secret fetish for sex on boats Eddie - Had to be rescued naked form a hotel rooftop MC - Got paid to strip (no you don’t get a choice in the matter). You were dancing on a podium and one of your mates slipped you some cash as a joke and then a whole heap of guys started throwing money at you. Finn - Had a foursome Suresh - Hid a long-term relationship from a person they were flirting with
Turns out Suresh never told the girl he slept with that he had a gf. He was flirting with her for months before they finally slept together after you guys had a huge fight. She’s a waitress and has a turtle tattoo. Alfie sticks up for MC a bit and Suresh calls him out for hooking up with Kat.
Kat’s a fucking annoying cow but she has some amazing lines. Iconic Kat Moment (IKM)™️
EDDIE: Come on, boys. Cool, calm, collected yeah?
KAT: I’m feeling cool, calm, neglected... Haven’t been centre of attention for at least four minutes.
Alfie comes and gives you a cuddle and tells you about his ex. He has the same thing as you, got cheated on by his first serious relationship. You bond. Kat interrupts and calls him out for hooking up with her and then immediately cracking on to you.
💎Episode 7
Alfie confesses to hooking up with Kat, and in the moment said he only had eyes for her. He said it just kinda came out and he regretted it immediately. Kat backs him up after saying he's genuinely into MC and tells you not to pie him off.
Chat with Suresh and he confesses more about the waitress, tells you Dana’s been flirting with him.
Chat with Finn where you get to call him out for kissing you (if you kissed)
Dana asks if its ok if she gets to know Suresh
💎Episode 8
Tell Dana whether or not its fine for her to crack on w/ Suresh
You're asleep on the daybeds and Alfie and Finn are talking. Kat wakes you up so you can eavesdrop with her. Alfie’s telling Finn he likes you a lot, and they concoct operation MC to get Suresh distracted so Alfie can crack on with you.
Alfie cracks on with you, you can kiss him (yay!)
Kissing Challenge - You can choose to Reject, Peck, or Snog any of the people who kiss you.
Kiss the Islander who:
Has the best chat: Finn kisses Kat Has the best abs: Kat kisses Suresh Is the funniest: Suresh kisses Dana 🐍🐍🐍 Has the best body: Eddie kisses MC You fancy the most: Dana kisses MC Is the nicest: Alfie kisses MC Has the best hair: MC kisses whoever the f she wants, including Kat and Dana. Kat will kiss you back even though she's straight AF. You'd take home to your family: Suresh kisses MC obviously. You can swerve him. (Do it)
Regardless of what you do, Suresh gives a heaps sappy speech about how much his family loved/adored you etc.
Alfie gets annoyed at it and starts a fight with Suresh. They almost get in a punch up.
Dana checks to see if it was ok that Suresh kissed her and that she kissed him back etc.
Kat tries to calm everything down, but ends up asking Suresh if he wouldn’t just be happier if he forgot about mc. And he's like maybe I would be.
💎Episode 9
Dana asks about you and her hooking up
For some fucking reason, Eddie’s name switches to Charlie. NO ONE KNOWS WHY. Henceforth he is called ChEddy
Alfie pulls you aside and apologises for arcing up at Suresh
He tells you more about being cheated on. He tells you his fam would love you.
YOU GET TO KISS HIM YAY
You also get to call Kat out for hooking up wit Suresh if you want.
Suresh decides he's sleeping inside tonight. For some reason we don’t get to go sleep on the daybeds??? Grrr
Can kiss dana YAY
Can also give Alfie a little goodnight kiss and a cuddle yay
While you’re in bed, Suresh wants to reminisce about your first kiss and its really horny. ChEddy told Suresh he saw you hook up with Alfie if ya did
Suresh wants to know if he should leave the villa. He hugs you goodnight and either dana or Alfie gets upset and leaves the bedroom. (Assuming whichever one you like better)
💎Episode 10
They’re going to the beach hut so you cant really follow them. Then you can kiss Suresh if you have no self-respect.
ChEddy tries to stir shit up and throw you under the bus? I don’t get him.
The girls try and get deets out of you and there's lots of sex puns and that’s what she said's.
Kat’s falling for Finn. (girl its been like two days, chill out, this is not queen behaviour)
Go hang out with Alfie yay
He tells you about a story that’s meant to be embarrassing where he accidentally kissed a girl on the nose but its actually just extremely boring
You can reassure or not reassure him that you like him.
Excess baggage challenge text
ChEddy’s like like ooooooo I need to tell you something and is all cagey and sounds like he's gonna fuckin blackmail you or something (NOT SERIOUS HE JUST SAYS HE MIGHT TELL ALFIE)
💎Episode 11
ChEddy chat. He tells you not to trust Suresh and that he’ll spill the tea about everything you got up to the night before (which is, in my case, being as rude to him as possible)
And ChEddy says he's gonna tell Alfie/Dana everything. (I literally HUGGED the guy you weirdo lol)
Oh and then he flirts with you (??? literally why, sir you are blackmailing me) and you can tell him you’re into it yay (god he's hot)
Excess baggage challenge
Girl's turn
This Islander:
❌Once dated a Grandma Dana kisses ChEddy (Correct Answer: Finn) ✔️Had a regular hookup in the mile high club Kat kisses Suresh, and is correct ✔️Once attended a naked party at an ex's mansion MC Kisses any of the boys. ---If you pick Finn - He swerves you and only wants a cheek kiss ---If you pick ChEddy, and snog him, he whispers in your ear afterwards 'I knew there was a spark there' ---If you pick Alfie, and snog him, ChEddy looks on jealously. (Note: Both Alfie and ChEddy are disappointed if you do anything other than snog them. ) (Correct answer: ChEddy) ❌Once performed a trumpet solo on a romantic picnic Dana kisses Suresh regardless of who you tell her to kiss (Correct answer: Alfie)
Boy's turn
This Islander:
❌Once spent a night with twins Suresh kisses Dana (Correct Answer: Kat) ❌Once pretended to be an estate agent on a viewing Finn kisses Kat (Correct Answer: Dana) ❌Split up with their ex the day after she bought an engagement ring to propose to them with It's you, obviously. Alfie kisses Dana.
Suresh is like, jaw on the floor, obviously.
Another Iconic Kat Moment (IKM)™️ 
KAT: What self-respecting girl proposes to her man? She should have the dignity to sneak around leaving desperate hints and dropping manipulative clues until he gets the idea.
💎Episode 12
Everyone's like wtf you were gonna propose to him? And you can be like ‘yeah. I was all in with you’ which makes it heaps awkward with Alfie and he gets a bit weird about it. So please don't say that. Pick literally any other option.
ChEddy is like "well you both hid things from each other then, so its ok" (which, oh my god, just no?!?!. A surprise proposal is not the same as FUCKING SOMEONE ELSE, why are all these men trash?)
Finn says he never wants to get married and Kat has a bit of a tantrum about it
Kat gets self conscious that Finn likes older women, but confesses that she fucked him in the shower already
Go talk to Alfie and he's all sad. He says he's gonna back off you a bit cause he's a bit spooked by how serious you were. 
Then Dana asks if you want her to back off too
💎Episode 13
Yet another chat with fucking Suresh, oh goody.
He’s all ‘if I'd admitted to cheating straight away could you have forgiven me?” (Literally it is still a no, I don't know how many times I have to tell you we're done)
And then he’s all  “I didn't even see the proposal coming” and “maybe we’re not as compatible as I thought we were, maybe we were never right for each other.” (Omfg finally)
Why is everyone breaking up with us right now though what in the fuck
Kat thinks Suresh is going to crack on now.
Dana brings you a drink. You can tell her ChEddy cracked on to you. 
Finn pulls you for a chat, asks about Kat and where her heads at. He also cracks on to you. You can ask him if he’s fucked Kat and he tells you no (lol so much for falling for him girl, you can do better, this man is trash.)
New girls arrive
Stunningly athletic and sexy Arlo strides down the steps - fearless, cool, confident, loving all eyes on her. (She's from Sheffield)
Linked in her arm is classy and cute girl-next-door Meera, who beams at everyone in excitement. (From Leicester) (She models)
Arlo is into girls and says shed go for both Dana and MC (if MC likes girls) otherwise just Dana
Get a text about a boys choice recoupling the following night. GRRRRRR
Oh also Suresh is super interested in Arlo
Another Iconic Kat Moment (IKM)™️ 
ARLO: You’re not into girls are you, Kat?
KAT (Sad): Always nice to be fancied though, ain’t it?
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twistedtavern · 1 year
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You said in your scrapped content post that Leona used to be the only love interest in the self aware au (besides Rook apparently? 😳 what's the story with that??) Care to elaborate?
Ah yes, finally time to introduce The Simp Squad!! And with them, their respective arcs in the afterstory ^w^ (IN-DEPTH SPOILERS UNDER THE CUT)
Your romantic options for endings include:
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These boys (at the moment)!! If someone can somehow determine that I have some kind of type based on these I am horrified to see what this reveals about me
Starting with the (relatively small) elephant in the room: Rook was mentioned in the scrapped post as a love interest, but he's not present in the simp squad picture. This is relatively easy to explain, he is canonically the player's ex! They hooked up around the time of the VDC, ended up not working out because of a variety of reasons, had a non-toxic breakup, and remained good friends even though they were exes all before spring. This is just part of the story. I swear if you look up the phrase "no hard feelings" you will see a picture of Rook throughout this entire au, what a champ. Maybe he could have an ending where he gets back with them and they do end up working... God dammit guys
Now onto the ones pictured above!
Leona: Ah, yes. The OG lover boy. If nobody got me, I know Leona Kingscholar got me. Can I get an amen? Yes, this is just "aha! the grumpy character has fallen in love with the sunshine character!" but it does have more depth than that. He starts off not paying the player any mind, but when Halloween hits and everyone is dragged down to the Spectral Realm, and he sees his ghost fighting to protect them with his (after)life, he definitely starts getting curious. After the events of Halloween, he starts approaching them, and since they're just a sunshine-flavored enigma, Leona just ends up getting dragged in more and more until he's realizing that he calls out to them whenever he sees them, and oh shit they've been snuggling together since noon and now it's 3 PM. Player honestly just thinks he's the sweetest ever and every other character is staring at them like 👁️👄👁️. The soft ship.
Octatrio: Yes, you are reading that right. All three. I just think the dynamic is frankly hilarious, because they can bounce off each other about their simultaneous crush on the player and form devious plots to get cheek kisses and snuggles together. Their dynamic is not competing for the player's hand, it's more like a full blown sprint toward the door whenever they come in to see who can get headpats first. There's a difference. They also apparently think the player is the funniest thing in Wonderland. If you ever catch Jade doing anything other than Polite Butler Chuckle #3, chances are the player probably suddenly remembered a meme they could recite from memory entirely out of context in the middle of a conversation. They definitely get hit the hardest by the "oh!! yeah, I'll kiss the homies goodnight" attitude when it comes to platonic affection, Floyd especially. He enjoys it when he gets it, but if he is blatantly flirting with them and it flies over their head, catch him looking deadpan into the nearest camera like it's The Office. Jade just gets shy and soft, he's scrunkly. Azul gets really flustered and tries to hide it, but he's absolutely touch starved and Needs It. All in all, Snuggle Pile Supreme.
Sebek: GOD HELP ME I AM ABOUT TO BE SO OBNOXIOUS ABOUT THIS. WE STAN. Definitely the most plot-reliant out of ALL of them. The hyper specific conditions of the afterstory have created the perfect habitat for this ship in particular. Malleus being missing was the key starting point for this ship to thrive, because Sebek suddenly had a wide open vacancy in the "liege to protect" position. It's really his devotion to the player and determination to be a proper guard for them that drives this ship forward. After all, if he can't protect a mere human, how can he protect the Young Master? Once he starts getting attached, though, that's when THE ANGST kicks in >:Dc. You see, there is one MAJOR point of angst that sticks with Sebek and largely defines his arc in the afterstory, and it's the player's memory. Throughout the entire afterstory, their memories have proven to be the main conflict of the afterstory, either because of what memory they have or lack. Sebek's conflict in relation to their memories is firmly in the 'lack thereof' zone, and it's the fact that they only remember him from the game, and not the kidnapping night. He is more than aware of the atrocities that were committed against them in that time frame, and that there were those who attacked and those who helped, but he's also aware of the fact that he is not remembered amongst their protectors, and because he loves and reveres them so much he's HORRIFIED of what that could mean for his past actions. But no flashbacks of him ever come. Never attacking, never protecting, nothing. And so the question weighs on his mind, what the hell could he have possibly been doing that night? It's when he starts getting answers that the angst REALLY kicks up (for both the fake answer and the real answer). And don't get me STARTED on how the return of Malleus/Tsunotarou throws a wrench into the works. Don't get me wrong, this ship certainly has its fair share of fluff and hurt/comfort, but by GOD this is the angst ship 100%. I will go into even further detail if asked.
Malleus: Was not included in the image because he does not deserve to be for a NUMBER of reasons. First off, he doesn't even love the player, like REMOTELY. Second, the only reason he's listed here is by the technicality of a VERY fucked up thing he did. Thirdly, CRIMES AGAINST DIASOMNIA. HE EMOTIONALLY ABUSED THAT POOR CROCODILE TO HELL AND BACK DAMN WELL WILLINGLY KNOWING FULL WELL WHAT HIS WORDS WOULD DO TO HIM ALL FOR A BITCH HE DON8 EVEN WANT!!!!!! LILIA RAISED HIM AS HIS OWN SON AND FOUGHT FOR HIM AND BELIEVED IN HIM UNTIL THE ABSOLUTE LAST AND WHAT DOES THAT MOTHER FUCKER DO TO THIS POOR OLD MAN?? HE JUST TOSSES HIM ASIDE. JUST LIKE THAT. HE TRIES TO KILL HIM!! AGAIN!!!!!!!! I HAVE NEVER WANTED TO BASH A MOTHERFUCKER UPSIDE THE HEAD WITH A CHAIR SO BAD!! I WANT TO BEAT HIM TO DEATH!!! AAAAAAAAAAAAAAAAA
Anyways there's also platonic endings so lemme know if you want those too because I will get equally as obnoxious
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firein-thesky · 3 years
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COIN TOSS– PART III
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(18+ MINORS DNI)
PART I ��� PART II
PAIRINGS: Tomura Shigaraki x Reader, a little Shouta Aizawa x Reader
SUMMARY: As you fall asleep, you wonder faintly, almost sadly, if you’re the first thing he’s fully touched without losing in a long time.
You are Eraserhead’s troubled protege with a Quirk that cancels out others the moment they touch you. Tomura Shigaraki takes great interest in you.
(Enemies to lovers, a lot of angst, some hurt/comfort)
WARNINGS: Unhealthy/complicated relationships, age gap/power struggle, violence, gore, Tomura’s trauma specifically, (in later chapters) murder, smut, some blurred lines, rough sex, a smidge of a spit kink, a smidge of somnophilia (let me know if I’ve missed anything!)
If you are under the age of 18, you should not be reading or interacting with this!
↳ A playlist I made for this fic, if you're interested!
A/N: here is your final part to this series! again, thank you @randomrosewrites for beta-ing this!! and thank you guys so so much for your support and comments, they mean so so much to me!! i had a lot of trouble with this last part, there was a lot of scenes i cut out and alternative endings before i settled on what is there now and i'm not even fully happy with it still lol. i have a lot of Thoughts about this, so feel free to reach out if you want to know more or just chat!! i hope you guys enjoy this!!
Read on Ao3
***
Shouta apologizes to you soon after. You sheepishly get out your own apology, even though you’d planned on holding a grudge a little while longer.
Still, Shouta confides that he also had his doubts and worries as a young hero and that he shouldn’t have dismissed yours. He talks in a soft, low voice for you, sits beside you on the edge of the couch.
You hate it because it’s easier to be at odds with Shouta lately, easier for your conscience. He put distance between the two of you, but you forced it apart further– if only to keep him in the dark. Maybe if only to spare yourself all the lying, all the pretending you’d have to do.
He says, “You know, you can always come to me. Whenever you need me.”
You have to swallow hard around the lump in your throat.
“I’ll always be here for you, despite everything.” he promises gently, trying to catch your eyes. Your gaze ducks away, out of his line of site.
Still, you hug him, tuck your face into his shoulder so he can’t see the guilt written across your face. Your secrets will constrict around you if you’re not careful. You know Truth is tricky and likes to reveal itself with Time’s help.
Once more, you become acutely aware of the clock ticking away on your relationship with Tomura.
But this time, you also realize how much trouble you could get in. You realize that you’re endangering Shouta now, too. You swallow hard, try to keep all of that down inside of you, but you feel nauseous suddenly. Bloated with guilt.
You wonder if you would’ve confessed to him then, if you would’ve spilled your guts the way you’d wanted to, if it would’ve saved you the heartache of it all.
Instead, you’d just clung to him, little fingers twisting in the back of his shirt, praying that you’d never need to make good on his promise. Praying you’d never need to test how far he’d go for you.
(It’s far– you’ll realize, further than it ever should’ve been. And you’re all the worse for it.)
***
Tomura thinks one of the troubles with heroes is their willingness to sacrifice anything for their greater good. He doesn’t think there’s anything noble in it, there’s nothing glorious or good in leaving their friend behind because they think it will save more. Nothing honorable in facing down a threat you know you can’t win against alone. What good is their world if they’re willing to sacrifice all that’s good to them in the process?
Everytime he watches you patrol, go up against other villains, maybe yakuza members, throw yourself in harm’s way needlessly, he realizes the Hero Commission uses heroes’ bodies as collateral damage. You are nothing to them. Even to other heroes; your sacrifice is expected. He knows it isn’t wanted, per se, but it isn’t surprising.
It doesn’t help that you have a streak of recklessness in you. You are quick to danger, just as quick to flash teeth and stand your ground, to fight mercilessly.
You struggle against large, powerhouse types. He watches you nearly get crushed or strangled some nights. Your Quirk doesn’t do much for you when your opponent has strength and weight to defeat you with a singular blow.
Your mentor is often pulling you out of danger with his capture weapon, yanking you away from a massive swinging arm or a curled fist about to smash you into the ground. But if it came down to you or the greater good, he knows what your mentor and your heroes would pick.
He thinks it’s strangely unfair, for you to give them your loyalty over him. He’s more loyal to you, isn’t he? There is very, very little he wouldn’t destroy for you. They would sooner let you be destroyed for the sake of their world.
Destroying the hero society that is so careless with you now feels, in part, like his gift to you. Freedom from the world that only cared about you when they realized you could be useful–
There is a night you become not just useful to your heroes but imperative.
It starts with your sacrifice, just as you were trained to do. You shove a civilian out of the way of a villain’s Quirk– it’s something with tusks and teeth that jut out from his body, sharp and ready to gut you.
Your mentor is busy with this villain’s accomplice.
Tomura watches when he shouldn’t. He was supposed to meet with Kurogiri, but he knows you patrol in this area and when there’d been commotion, he couldn’t help but watch from the shadows.
He watches one of those tusks jut towards you, your hand reaching out in hopes of disengaging the Quirk. But it’s a physical Quirk, not something like Dabi’s fire or his disintegration. And he doesn’t know if this Quirk disengages with it’s user or if it’s just his body.
Tomura feels his heart drop, the trapdoor given way to all icy fear as he watches one of those tusks pierce into your stomach.
Tomura stops breathing.
You grab hold of it, a scream getting caught behind your clenched teeth. Your fingers are tight, near frantic as you press into them– hope with everything in you, in him, that his Quirk disengages with yours.
Your broken off scream is wretched from your struggling body when another tusk rushes to crash into your shoulder.
You’re the only thing between the civilians behind you and this villain.
Your other hand reaches for the tusk at your shoulder, digging fingers and nails into it desperately.
Your eyes are bright and feverish with the hot pink of your Quirk.
Tomura stutters towards you, before the villain let’s out a pained groan. Your teeth are bared, blood bubbling up in your mouth, but you’re still standing, vicious and undeterred.
The tusks begin to crack where you grip them, splintering apart–
A sudden fission of light through those crevices, same fire pink as your eyes, arcs throughout the villain. A flare of it that makes the villain almost see-through, the lines of his bones burned by light, an x-ray flash, as if you’d struck him with lightning for a moment.
Eraserhead shouts for you.
When the flare dies, there is a scream of pain and it’s not yours.
The tusks shatter, splinter apart into gleaming bone that flies through the air.
You’re left standing, blood oozing from your stomach, your shoulder, but still standing, your eyes crackling and too bright.
The villain, tuskless, crumples at your feet, smoking. A normal, Quirkless looking man.
Did you–?
“What happened?” he hears the distant voice of your mentor, laced with worry, whose already reaching to staunch blood, blood that seeps so dark out of you. Tomura’s stomach rolls, twists suddenly, but you’re still standing. You’re okay– you’re okay–
“I-I don’t know.” you manage, but you sway into your mentor’s arms and Tomura has to look away, jaw clenched tight, swallowing around the sudden lump in his throat.
He hears, “I need an ambulance– there’s a hero and villain down–”
But he’s already turning away, his mind churning, trying to keep the nauseousness from overcoming him. He feels suddenly furious, that it can’t be him at your side, that he has to watch, pushed to the outskirts. His fingers rush to scratch at his neck, his throat, desperate for relief from the pressure that has built in his chest.
He will try to call you– later, much later– the only time you’ll answer him. He is certain you will be okay with your healers and–
He thinks of the flare of light, the breaking of those tusks, the sudden heap of that man on the ground. If Tomura is correct about what you’d done, about what your Quirk actually is, the heroes won’t let you die now.
No, now you’re imperative. Now you’re trapped.
And the destruction of hero society will be his gift to you, an end to all the strings in place, the hands holding you both back.
***
“You destroyed his Quirk.”
“W-what?” you manage to get out, wobbly. You’re bandaged up, your torso and shoulder wrapped in fresh gauze after Recovery Girl healed the worst of your wounds. You’d been sleeping, hooked up to an IV to aid you in recovering. “That’s not possible, my Quirk only cancels–”
The doctor that has entered to give you this news shakes his head, “No, we’ve done scans, tests, the works on this guy. His Quirk is gone from his DNA. No trace of it.”
Shouta, who's sitting beside your hospital bed, speaks up, “Is it possible that it will eventually return?”
“I suppose, but we think it’s unlikely. It’s gone from him. There’s nothing left. She destroyed it cleanly. It’s like it was never there at all.” The doctor answers.
“I don’t understand–” you manage to get out, your head beginning to swim, giving a painful throb at your temples.
“It seems your Quirk isn’t so simple as cancelling out another’s. It’s likely that subduing other’s Quirks was just the surface of yours.”
“Is the man okay otherwise?” Shouta asks now, fidgeting in his seat when he senses your sudden distress. He leans towards your bed more and you have the sudden urge to latch onto him and not let go.
“Physically, yes. He’s fine.” the doctor answers, “However, mentally...he’s inconsolable at the moment. As you know, Quirks are incredibly– well, they’re a part of who we are, aren’t they?”
You swallow hard around the lump in your throat.
You think Shouta says something else, finishes speaking to the doctor for you. The moment the door clicks shut, the tears that you stubbornly had been holding back rush forward.
“I didn’t mean to do that,” you get out on just a hissed breath. “I-I didn’t know I could.”
Shouta shushes you gently, “It’s okay, this happens. Sometimes people don’t know the full extent of their Quirk.”
“I destroyed his Quirk, it’s not okay!” you respond, guilt thickening inside of you, dragging you down heavy, clogging your throat and chest. “I didn’t mean to do that– what if I do it again?”
“You were under distress,” he soothes, reaching out to brush a tear away from your cheek, “Really, you were fighting for your life.” And when he says it, something gets caught in his throat. Something hitches in yours, too.
His eyes rove over your face slowly, taking you in carefully, as if he hasn’t been by your side the entire time. As if it wasn’t him in the ambulance, or him kneeling beside your bed when Recovery Girl put you back together.
“I should’ve been there. It shouldn’t have happened.” Shouta admits, the confession filling the small space between you two.
You take him in now, too, tired and worried, his face finally displaying the fear and care he has for you. It softens out his features, turns his eyes gentle and dark.
You realize suddenly that you miss him. You miss quiet nights on his couch as he graded papers. You miss his clothes and his cats and the tenderness that blossomed in all your silent spaces to fill you both out.
You wonder if he misses you as bad as you’re realizing you miss him.
You think of him cooking for one again, eating alone, and it does something horrible to your heart– mangles it, twists it up horribly.
It’s made all the worse because you’re lying to him. And here he is, at your bedside.
“S’okay, Shouta,” you get out, reaching up to touch his cheek with a trembling hand. He leans into the touch, letting his eyes flutter shut for a moment. He savors your touch in a way that he hasn’t ever allowed himself to before.
But after a moment, he shakes his head fractionally, and he murmurs “I’m supposed to protect you.”
You don’t know why, but your bottom lip wobbles. Big, fat tears well up in your eyes, burn hot and put pressure on your already foggy head. You feel like you’re unraveling, your chest all swollen and tender, too, aching horribly.
You can’t decide if it’s because you’re lying and disobeying him so badly or because no one has ever bothered to say something like that to you, let alone mean it.
And you’re betraying him, your mind hisses.
When he notices, his face falls, his thumb moving to try and brush away your tears. “Don’t cry,” he hushes, “I’m sorry, don’t cry.”
You lean into his large and warm palm at your cheek, let him cradle and coddle you.
“I-I’m sorry–” you barely manage to choke out, for reasons far beyond him.
“No,” he coos, “No, sweetheart, don’t apologize.”
You choke on a sob and he grows more worried, leans over you more, brings his other hand up to stroke at your hairline, too.
He says your name softly, trying to soothe you, “Why are you crying, huh? What are you apologizing for?”
You shake your head, more tears loosening, your small fingers twisting themselves in the shoulders of his shirt. You think you’ll drown in all this guilt, it’ll fill your lungs with pressure, choke you out slowly as you struggle and thrash.
But for now, all you get out is a warbled, slurred, “Please don’t hate me–”
Shouta moves then, shifts to sit beside you on the bed. He’s painfully careful with you as he slides strong and sturdy arms beneath you, lifts you slightly into his lap, mindful of your IV, and cradles you to him.
You bury your face into his chest and try to hold back another sob as he murmurs, “Why would I hate you? I could never hate you.”
He strokes your hair, he hushes your cries, rocking you gently. Rocking you until you can stop crying, until you’re exhausted and aching and tender.
“I’ll help you with your Quirk,” he promises gently, holding you tight to him, “We’ll be okay, huh?” he murmurs, and it just forces another cry out of you, swallowed up by his chest that he cradles you to, “We’ll be okay, sweetheart.”
It’s the we’ll in that sentence that makes you squeeze him tighter. You wonder how willing he’d be to use it if he knew where you were every other night, who you filled your time with.
If he knew who called you late that night, when you’re alone in your room, aching and sore and alone. If he knew who you answered to, your voice hushed in the inky darkness;
“Tomura,” you exhale his name through the receiver.
“I saw what happened,” he answers instead, “I saw what happened today.”
You can feel the sudden jump of your heart, your nerves wringing themselves tight. “Oh,” you respond lamely.
To your surprise, Tomura rasps, “Are you okay?”
You don’t know why, but you cradle the phone to your cheek tighter, your eyes slipping shut for a moment.
“Yeah, I’m alright. Sore and tired, but I’m okay.”
“Good,” he responds, his voice softer than it usually is, just a breath when he asks, “What happened? What’d you do to him?”
You’re silent for a long moment. You can’t decide if you should tell him or not. You think of Shouta earlier and his voice like a hearth and the tender way he holds you, you think of his we’ll be okay.
But you can hear Tomura’s soft breath on the other line. You can see Ryuji in the patch of sun that splays out against the corner of the couch in the evenings. You think of him curled tight around you, like you’re the last good thing left on earth.
“I destroyed his Quirk,” you say, voice barely above a whisper, “With mine.”
“That’s new,” Tomura almost hums, but it nearly seems like he was expecting the answer.
“I didn’t mean to.”
A quiet snort from him, “What are you trying to prove to me?” he asks, “I’m not your heroes. I won’t look at you differently whether you intended to or not.”
The thought strikes like an arrow between the ribs, sharp, sudden. It stings, when you realize it’s truth. How hard have you tried to prove yourself to Shouta? How hard are you trying to prove your goodness to yourself?
“You could’ve killed him,” Tomura says, “And I wouldn’t think differently.”
You wince for some reason when he says that, “Don’t–”
“What would your heroes think then?”
“Tomura–” you snap, voice gaining some bite, a warning.
But for some reason he presses, “How badly does the Hero Commission want you now? With a Quirk like that?”
“What?” you ask, suddenly shocked.
“Don’t be naive,” Tomura says and there’s an edge to his voice. He sucks in a breath, “That’s a big Quirk. Destroying someone else’s? You don’t think they’ll be interested in that?”
You feel the pressure of tears work their way through your head, your throat. Your fingers clutch so hard at the phone that your knuckles are turning white and before you can think, you hiss out, “And how interested are you now?”
“As interested as I was before.” he returns, sharp and quick, and then with a vitriol he hasn’t directed at you in months, he says, “Don’t compare me to them.”
You bare your teeth, tears stinging sharp at your eyes, prepared to fight back when he hisses, “Mark my words, they won’t let you go now.”
“Stop it,” you spit, “You don’t know anything–”
And he laughs at that, caustic, harsh, a grating sound. Villainous. It slithers through the phone, down your spine. Your stomach twists. You hate this– your head is throbbing. You don’t want to fight. You want to stop crying, God, you wish you could just stop crying–
“I’ll be here when you realize it.” he says and there is too much heat behind his voice, simmering and venomous. You can feel the end of this conversation, the bitter goodbye in his words.
Your bottom lip trembles, and for some foolish, lovesick reason, you gasp, “Wait– don’t hang up–”
But you hear the click of the other line and he’s fallen away from you, leaving you with an empty, static silence that buzzes around in your head. In your heart.
You throw your phone across the room. You hear it clatter somewhere in the darkness. You turn to press your face into your pillow and let out a sudden, childish scream. It tears at your throat, before tapering off into this pathetic little sob.
It’s worse because he ends up being right.
And it’s ironic because it’s another string tethering you to him, the ability to destroy something with a touch.
It’s like some part of him knew all along, or maybe some part of you.
You scream into your pillow again, louder, kicking at your covers before it breaks off into a bitter cry.
***
The Hero Commission is very interested in the new discovery of your Quirk. They run tests and scans on you, over and over again, trying to find something interesting. They want you to practice with it, but there’s no way for you to practice without potentially destroying other people’s Quirks.
They offer up criminals to practice on.
It turns your stomach.
“I don’t want to do this,” you tell Shouta one night after another long series of poking and prodding at you by white coats from the Hero Commission.
Shouta is silent for a moment, “No one is making you.”
“But they want me to. It’s expected of me.” you tell him.
“They want to make sure you can control it,” Shouta answers, “And the only way to do that is practice, unfortunately.”
Or do they just want to be sure they can control me? The question bubbles up unbridled inside of you. It sounds suspiciously like Tomura’s voice.
You frown, “I can control it. I don’t go around destroying Quirks with every touch. I just mute Quirks still.”
“Under distress, too? Can you summon it completely calmly? Or stop it in an instant?” Shouta asks.
“I don’t know– no, I don’t think so.”
“Then you can’t fully control it.” he answers, which makes you ball your hands into fists.
“It doesn’t feel right taking people’s Quirks– practice or not. And it’s controlled enough.” you respond, gaining a sudden edge to your voice.
“Then don’t do it.” Shouta responds, almost impassively.
You try not to grow upset or so frustrated that you say something you might regret. You swallow tightly. “Will you be disappointed? If I don’t?”
Shouta tilts his head and in the quietness you fear he will be, but he eventually answers, “No. You’re right; you have it controlled enough that it doesn’t hinder your day-to-day life.”
You let go of a breath you hadn’t realized you were holding.
“Besides, if you’re under that amount of distress again, it probably flares for a good reason. It’ll probably save you if you ever need it again.” Shouta then says, “And if what they want you to do doesn’t feel right to you, then you shouldn’t do it.”
You stare up at him, a little surprised but–
Relief sweeps through you, sweet and cool.
“I trust your instincts,” Shouta says, the curl of his lips small but promising, as he reaches out to nudge your chin with his knuckle.
The guilt blindsides you later, so hard that it makes you lock yourself in your bathroom and keep a sob trapped behind the palm of your hands.
But for now, you smile up at him, the curve of your smirk playful, something he hasn’t seen from you in what feels like forever that you give to him again freely.
“Can I get that one in writing?” you ask and his answering laugh strikes you so suddenly it almost makes you dizzy and it’s like hearing the notes to one of your favorite songs that you hadn’t heard in a long time.
Like you couldn’t ever imagine forgetting it, now that you’ve heard it again.
***
Tomura wonders what it will take to make you leave your heroes.
Specifically, your precious mentor.
When he sees you again, you look like you did before nearly bleeding out in front of him and destroying the Quirk of another. It’s almost as if it never happened at all, almost like your argument never happened at all, either. In this little apartment where the rest of the world doesn’t exist, just you and him and sometimes Ryuji.
Except when he lifts your shirt there is a twisted, ugly scar from where they patched you up. Another at your shoulder. He doesn’t kiss it or run his fingers over it gently, he doesn’t make any sort of comment. He just thumbs at your waist and glares at it, wishes he could make it disappear like the villain who gave it to you.
(Not because he finds it ugly or unacceptable, only that it is now a permanent reminder of what he’d seen. Only that it reminds him that you are not guaranteed to him, not in life nor in loyalty).
You’re a little hesitant with him now. You feel more fragile to him now, too, like you’re holding something back, waiting for everything to finally fall.
The inevitable crash and break.
Tomura is gentler with you– he knows he needs to play his cards right now. It’s crucial. Something is building, even for the League of Villains. There’s more on the horizons.
And despite everything, he wants you there, when the sun is bloody and falling on a dismembered, new world.
He thinks he shouldn’t have pushed you now, when you’re so delicate, barely stitched together. But he had– he’d started another argument. He’d tried to convince you of the heroes’ lack of care for you, their greediness upon discovering the depth of your Quirk.
You throw it back in his face; isn’t that what All For One does to him? Isn’t that what he does for the League of Villains? Aren’t they all just pawns for him? Is that what he wants of you?
He seethes, digging into the skin of his neck desperately. You don’t stop him. He can feel the facade of this little apartment beginning to crumble, fall away into dust and he–
He knows he destroys everything he touches.
But you were supposed to be different.
(You are, his mind hisses, you are, you are, and that’s the worst part of it all).
You storm out that night. You leave him, no doubt to return to your precious mentor.
He thinks about destroying the entire apartment complex. He could now– he knows what’s coming. He won’t be staying here any longer. He has plans, so many plans.
You come back to him a week later, though. You’re bound to him in some way, returning again and again when you know you shouldn’t.
The make-up part is nice, with him buried so deep inside you that he’s trying to turn your stomach. Make you sick with him, the way he is with you. Your gasping moans, with the arch of your body far too pretty for hands like his.
And still, you lay on his chest afterwards, you let him run his fingers over the planes of your shoulders, the line of your pretty neck. He drags his knuckles against your soft skin, enamored with the feeling, with the way you soothe the haunting, sunken part of him. His Quirk submits to yours easily, dimmed inside of him. Maybe he should be frightened of your new potential.
But you’ve never been frightened of him, so he’s not of you, either.
You’re very bold, though, he thinks, for you to say, “Your parents were cruel.” After the argument you both had last time.
He tenses beneath you, grits his teeth. He’d thought you’d both learned your lesson, getting too personal in a place as sacred as here.
“You don’t know anything,” he says and it’s just a breath. Surprisingly toothless. He’d said it to you last time, in your argument. You’d said it to him before that. It feels almost ironic now.
You shake your head against his chest, your nose nudging into him, lips soft against his skin. You remain calm. “I know your name is Tomura. They were very cruel to give you that name.”
You say this as if it’s a fact, something as simple as the sky being blue. But it’s dark out now and the stars are dull, the moon just a scythe in the sky, caught in the window’s glare.
“What?” he demands quietly.
At least you have the guts to tilt your head up to find his eyes now. You look up at him through dark lashes.
“Your name–” you say again, gentle, “It means ‘to mourn.’ I don’t know why anyone would give their child such a sad name.”
He knows what his name means.
But this takes him by surprise, for some reason. Only because it’s not the name his parents gave him. You don’t know that, though. You don’t know anything about him, technically. He has the urge to tell you suddenly, that’s not my name.
He doesn’t, though. He stays silent. It’s his name now. And he likes the way you say it, the syllabus softened by whatever it is you feel for him.
(He won’t give it a name, he’s realizing now that names can be very powerful.)
Your fingers are gentle on him, rubbing strange patterns against a scar near his collar bone.
You have rendered him silent.
And eventually, as you begin to drift off to sleep, you murmur, “You were just a kid, you know?”
He doesn’t really know what you’re getting at, only that it does something strange to the tempo of his heart. He swallows hard, tries to keep his fingers gentle on you. Your breathing has slowed, the rise and fall of your back measured and even, but his has gotten tight.
He squeezes you against him, glaring at nothing, at darkness.
You were just a kid, you know?
It’s this part of you, the one that sees the human in him, that makes him think maybe you will be at his side until the bitter end of it all. Your compassion, the sympathy you have for the child he was, for the person he somehow became. Your unending ability to understand the worst of people.
He doesn’t dwell on the child he was, just has buried it in the cemetery of his chest– a part of him that only you have been able to reach through Quirk, through something too massive to name. You’ve soothed it, put it to rest like the dead, lit your incense in the spaces of his heart. Said your prayers along the notches of his ribs. Tried to appease that restless spirit that possesses him.
He doesn’t know why, but he starts to shake. He can hardly breathe.
And in the dark, when he thinks you’re asleep, and his secrets will be lost to your dreams, he admits for the first time in years what has always trembled inside him. He speaks the tragedy that has made a home of his body, the mourning that he was given name to;
“I wanted to be a hero– when I was a kid.”
***
Tomura thinks, for a moment, when you’re splattered in blood, that this will be your great turning point.
Your fall, the tearing and burning of your wings from your holy back. It will hurt, but he will be there on the ground with you, a hand extended to guide you. He will be there to cradle you into his chest, to hold you close when your world falls apart.
The way All For One was there for him.
The beginning of the end starts with you being a hero.
But you save the wrong person.
Toga’s been following him around as she does every so often, dogging in his shadow, skipping along beside him. You’ve become accustomed to her, too. She likes having you around. Something about not being the only girl. You’re kind to her in the same way he thinks you probably wanted kindness at her age.
The sky is mottled purple, bruised as the day sets into night. The sun looks like an open wound, violent and red.
When he thinks about it, he figures he should’ve been more careful, but then there’s a petty villain Tomura knows vaguely, someone they’ve clashed with before, who he’s pretty sure Dabi and Toga pissed off. He spots Toga first. Your back is turned to him.
“Uh oh,” Toga says, peering over your shoulder.
Tomura grabs your wrist, “Hide,” he hisses, and when you try to peer over your shoulder at what Toga is looking at, he forces you back around so the villain doesn’t see your face.
He doesn’t know why he saves you like that. Only that he doesn’t want you to get in trouble, doesn’t want you taken from him like that. He is not an idiot; if the villain recognizes you, if it somehow got around that you were seen with two of the most notorious villains, the Hero Commission would eat you alive.
And here’s the part that really gets him. You listen to him. You trust him.
You dart away, swift and fast like a fox, disappearing into the shadows the way you were trained to.
“Hey!” the villain shouts and he’s large, Tomura remembers now.
Stupid, too, he thinks, as he barrels towards them.
The glint of Toga’s knife in the sun makes him pause.
Better to not engage, Tomura thinks, not yet, not now. Too much on the horizon for something foolish to happen tonight. The apartment isn’t far from here. He hopes you’ll retreat there. He just needs to get Toga away safely now.
“Oh, I’ve missed fighting!” she sings.
“No,” Tomura rasps, “Don’t engage. We need to go, too.”
She whines a long and drawn out, “Why?” just as the hulking mass of a person swings at her. She ducks away easily, quickly.
However, then his Quirk bursts to life and it’s far worse than what Tomura had hoped for. He doubles in size, his arms in particular growing longer, and fill out with what seems to be rushing water.
“Dammit, Toga,” he hisses, shoving her out of the way as the villain blasts a large cannon of water at her.
Tomura takes the hit hard, black coloring his vision when he hits the ground.
In truth, he thinks he is out for at least a full minute, because when he’s come to, you’re shouting at the villain. You’re tugging desperately at his massive shoulder, clawing and screaming. You’ve canceled his Quirk, but he’s still too big, even without it.
Toga is pinned beneath that arm, choking and spluttering, drenched. It actually looks like she’s choking on water. She can’t even scream, too garbled, too water-logged. She looks like a doll, she looks horribly small. Her face is turning a deep shade of red as she struggles for breath. Her little hands claw at his wrist, too.
Tomura tries to stand, his vision swimming, swaying so bad that for a minute everything goes sideways.
Fuck, he curses, just as he watches you get tossed away by that villain’s other hand like you’re nothing. His Quirk suddenly ripples back to life and he blasts Toga with another bout of water, plastering her to the gravel, the onslaught of it unending.
You’re up in an instant, throwing yourself onto his neck, trying to wrench him off. His Quirk disengages again, and Toga heaves and gasps for breath, coughing up large amounts of water.
“You’re going to kill her!” Tomura finally can catch onto what you’re saying, what you’re desperately screaming. His ears ring.
You get thrown off again. More water. Toga is being blasted so hard that she can’t even choke or struggle.
Tomura thinks you’re trying to rationalize with them, you’re trying to explain you’re a hero. And to disengage. Stop, please stop, please stop–
He’s not listening, though, of course.
And he’s too big. You tried knocking him out, tried putting him to sleep with the grip of your elbow. You’re trying everything, even to crush his Quirk beneath yours. Tomura catches the flutters of pink, your inability to summon your destruction when you need it.
It wouldn’t matter anyways, not with how big he is. You struggle against powerhouses.
Tomura stumbles.
But you’ve always been gritty and sharp and determined, if nothing else. You have always fought so desperately for your life, never mind law or honor or glory.
He thinks he catches the glint of your knife, the desperate threat to let her go, leave her alone!
The villain grabs you with a massive hand around the throat, lifts you clear off the ground.
Toga has gone slack against the pavement in a puddle of water, face colored a strange shade of red and blue. A little like the way the sky blurs before his eyes.
You kick and thrash, a horrible growl wretched from your throat. You don’t think, just lash out.
And then there is blood. So much blood. It’s all over Toga now, seeping into the water– did she cut him? She managed to cut his throat? Because that’s where the blood is pouring out of–
Tomura sways.
You’re dropped.
You stumble away.
Your blade– the one you used to threaten him with, is bloody.
“Fuck!” you shout, raw and so sudden that it jars him a little. He forces himself over to the scene. So much blood. His stomach rolls.
He looks at you, your shell-shocked face. You’re looking at the knife, at the blood. At Toga, who's still not moving.
He goes to her first, tries to shake her a little, fingers held away from her shoulders carefully. For a moment, she doesn’t respond, limp and lifeless and something inside of him threatens to overwhelm him. No, no–
Her eyes flutter, though, and she wheezes for a breath, suddenly turning over to vomit up far too much water.
“I-Is she-?” your voice, so small and lost, cuts through his thoughts.
He looks at you again, blood splattered and terror caught in your eyes. Pale and slack faced and half-mad. You look like a ghost, standing there in the aftermath, in your gruesomeness.
“She’s fine,” he says, just as she wretches up more water, “You saved her.”
Toga falls limp again. He checks frantically for a pulse at her wrist with two careful fingers. Still there. She needs a doctor, though. He stands to face you.
You make a noise, high pitched, trembling. You cover your mouth to keep it in, it’s something like a sob, an animalistic noise.
“I didn’t mean to– I didn’t, I didn’t– she was just–” you’re trying to get out, almost doubled over now.
Tomura doesn’t bother to check if you killed the villain. He knows the dead when he sees it. And he won’t lie to you now, he won’t soften this blow or shield you from it.
But he also knows what he needs to do.
You keel over, about to scream more and– no, that won’t do you any good.
He grabs for you, hauls you back up and you’re shaking so hard that he fears you’re going to split apart. You’re about to lose it.
“Listen to me,” Tomura hisses and you choke on a cry. He shakes you a little, tries to force you to look at him and not the body behind him. Your eyes, feverish pink, meet the wildfire of his, “Listen to me.”
“I– I don’t–”
“Sshh,” Tomura hisses, palm going to your cheek, a little too rough, forcing you to look at only him. “Sshh, listen.”
You try to swallow and he continues, “You’re going to call reinforcements. You’re going to tell them there’s a villain down.”
“W-what?! I’m going to– they’re going to–”
He shakes you again, harder, your teeth click together with the force of it. He needs you to understand this– needs you to hear this if he wants to keep you safe and out of jail.
“Tell them I decayed him. And before that, tell them Toga cut him, and it splattered onto you. Say you heard commotion and like the good hero you are, you ran to help.”
“Tomura–” you sob.
“Do you understand me?” he snaps instead, grabbing you harder, his fingers curling against your cheek to press desperately into you. “Answer me!”
“Yes–” you gasp, wide-eyed and terrified. “Yes!”
“Good,” he hushes, wiping blood from your cheek, “Good. You saved her,” he tells you, “You saved her, do you understand?”
You nod, jerky, and he continues, hand petting your cheek, messily pushing your hair from your face, “You did everything right.”
Your breathing is still labored, but you’re quieting with the praise. When he thinks you can handle it, he breathes, “Now, are you ready? I’m going to decay him and the knife, then I’m going to leave with Toga. You’re going to call for help.”
You glance at the villain, lying lifeless, in his own pool of blood and Tomura ducks his head to force you to look at him. “Okay?” he asks, “Answer me.”
“Okay,” you exhale slowly.
“Good,” he murmurs, “Good. Now give me the knife.”
You press it, trembling, into his hands. It’s slick with blood. He forces himself to stay calm for you.
He steps away, let’s go of you. The knife turns to dust.
“Look away,” he commands then, his voice a rasp.
And you– you listen to him. You trust him. You turn away. He sets his hands on the villain. And just like that, his body breaks down, gore at first, until it is nothing but dust. It blows away easily.
And then he goes to Toga and he lifts her carefully. She’s like a ragdoll in his arms, soaked and cold. He’s certain to keep his hands away from her, fingers lifted away, but she lolls into his chest.
When you turn around, Tomura says, “Thank you for saving her.” And he means it.
You swallow hard. You look to where the villain was. He’s gone now.
“Now call your heroes, just like I said.”
You nod, eyes filling up with tears. That’s fine. They’ll have more sympathy for you, for what you’ve witnessed. They’ll believe you more. Your mentor will protect you, with those tears in your eyes.
Tomura’s eyes burn crimson as you pull out your phone, “Do what I said and you’ll be okay.”
And you do, just like that. You lift the phone to your ear. That semblance of calm that he had coaxed you into shatters the moment someone picks up on the other end.
Your voice goes high, near hysterical, “T-There’s a villain down–”
He turns away from you as you stutter and cry into the phone about what happened. You give them the lie he told you to feed them. You make Tomura out to be the villain, you make yourself out to be innocent. He holds Toga close to him.
He tries not to smile, a dizzy slip of a thing, as you do exactly as he told you to– as you lie and lie and lie through your teeth.
Toga stirs in his arms. Police sirens are heard in the distance. An ambulance for a pile of dust. The sun sets, darkness blanketing the world, shielding it from the light.
And as he stalks away, with Toga alive and in his arms, he thinks maybe he’ll make a villain of you yet.
***
The police believe you. It’s hard not to, when there is so little evidence otherwise. Tomura destroyed it all for you. It’s hard not to believe you, when you’re crying and terrified, as you should be for witnessing the death of another person at the hands of Himiko Toga and Shigaraki Tomura.
Shouta, however, is not as easily convinced.
Not after so many strange occurrences with Tomura.
When he brings you back to his apartment, when the door is shut tight, and you still stand in bloodied clothes with your teeth chattering, Shouta eyes you warily.
You want to shower, burn yourself beneath the spray of water, like you could wash away what you’d done. You squeeze your eyes shut.
You saved her.
You swallow down the lump in your throat.
“What really happened?” Shouta asks, almost tentatively, standing in the middle of his living room.
You turn and you don’t– you don’t know how you should react. Should you be offended that he’d doubt you? React in outrage after all that’s happened? Should you act confused? Play dumb?
You can’t stomach any of it. Not when someone’s dead at your hands. But someone is alive because of them, too.
Your eyes well up with fresh tears.
“I-I told you.” you choke out.
Shouta’s jaw ticks. He draws in a slow breath, “Something isn’t adding up. You have had more contact with Shigaraki Tomura than anyone has been able to have.”
Your stomach drops. Your tears fall harder.
“What’s going on?” he asks and the distance between you two feels massive. It feels continental in the small space of his living room. He seems suspicious.
The lie comes out on a sob, “I–I think he’s been stalking me.”
“What?” Shouta asks and any uncertainty he has in you evaporates as he watches your face crumple.
You let your guilt overwhelm you into choking on another cry, cover your mouth as if you could catch it in the palm of your hand. Shouta doesn’t know the truth of it, so he believes it.
He crosses that distance like it’s nothing now. He stands tall in front of you, reaches to try and brush tears away from your cheek.
“I don’t know–” you gasp, filling out your lie, “I think he's interested in me because of my Quirk. Because he can’t– I can’t decay, when he touches me.”
Shouta tips your face up towards his but you can’t look him in the eyes, let your eyes squeeze shut when he asks, “Why wouldn’t you tell me that?”
“I don’t know–” you choke out, “I wasn’t sure.”
“Did something else happen?” Shouta prods gently and you grit your teeth to keep back another sob. More tears cut tracks down your face, right into Shouta’s waiting, gentle hands.
There is a long moment where you think of giving everything up. You think of telling Shouta everything, if only to lift the weight that has settled onto your chest. Surely, it will crush through your sternum, surely your heart will burst with it’s pressure.
“It’s my fault,” you whisper, “It’s my fault he’s dead.”
“No,” Shouta says then, gentle but firm, shaking his head, “I know it may feel like it–”
“He was going to kill her.”
This stops Shouta. He goes very, very still.
“What?” he rasps softly.
“He was drowning her– he wouldn’t stop. I tried to get him to stop and he started choking me–and she saved me by–” It’s a fabrication to save yourself. That’s not how it went! Your mind screeches, that’s not how it went– you saved her by killing–
Toga was turning blue, she didn’t help you. She didn’t save you. She was drowning. She didn’t kill him. You did.
“You saved Toga Himiko, a notorious villain, one of the most wanted–”
“He was killing her!” you hiss, “She was turning blue–”
“She’s a powerful villain, too, you should’ve tried–”
Something inside of you fractures, bursts apart the way glass does when thrown against a wall. You think there are a million, shining pieces of you now lying on the floor.
“She’s Shinsou’s age!” you snap, hoping one of your shards cuts him, suddenly half-furious through all your tears. “She’s Shinsou’s age, do you know that?!”
You break now, wrenching away from Shouta’s touch and rushing to double over the sink to dry heave again, body squeezing painfully. You threw up everything in your stomach already at the scene, when recounting the story to the police, to Shouta. You claw at your stomach, trying to stop it, to keep it all down inside of you. You curl your fingers into the divots of your ribs, try to force them to give you air, but they won’t– betrayers that they are, they squeeze and squeeze until there’s nothing of you left.
Your knees buckle, head spinning when you turn away from the sink and crumple into a heap on the floor,“She’s just a kid,” you wail desperately, “That’s all I saw when I tried– when I–”
Your head bows forward, body folded in on itself, forehead digging into the ground as you cry, “I didn’t mean for him to die, I didn’t mean it– I didn’t, I swear I didn’t mean for it to happen.”
Shouta moves again finally, drops to his knees down beside you. He cradles your skull in his large hand, pushes your head into the crook of his neck to hold you, “It’s alright,” he breathes, curling his other arm tight around you, “It’s not your fault,” he hushes, “It’s not your fault.” You sob hard into his chest, fingernails digging into him, clawing at his biceps, “Sshh, it’s okay. It’s okay.”
And he holds you, buries you in the bulk of him, like he always has when you need him. Your constant, the love you never once deserved. Especially not now. Especially not here, with blood stained on your clothes, sunk to the floor with nothing but the anchor of your guilt.
He strokes your hairline, gentle, cooing softly to try and calm you.
He murmurs, his voice so deep and soft and earnest, “You’re a good hero.” When you make a strangled noise against him, he presses on, “You are. You’re compassionate. You see everyone’s humanity and that’s a good thing.”
He hushes more of your cries, fingers gentle in your hair, and you try not to throw up again when he tells you;
“You’re a good hero, I promise. I promise.”
The beginning of the end starts with you being a hero for a villain.
***
The next time you see Tomura, he questions you about what happened, if you pulled it off. You tell him you managed it, somehow. You don’t tell him anything else. You don’t tell him you haven’t been sleeping, that you can hardly keep food down. You don’t tell him that you take too many showers, trying to wash away the phantom blood.
You remember when it was Tomura’s blood on you, so long ago. A beginning that now seems so hazy. You hadn’t minded blood, then. You had never been particularly squeamish but now–
Now it could make you sick on your best days, downright hysterical on your worst.
Your guilt tears chunks out of you, bites down and shakes the meaty, soft parts of you until you’re all torn up.
It is easier to be with Tomura than Shouta now.
We have more in common, you think, and it makes you want to laugh, empty and wobbly.
You look in mirrors and hardly recognize yourself, wonder if this is really your body. If this is really your life, or if it’s someone else’s. Maybe you are possessed, maybe that explains how you got here.
You don’t tell him any of this. You stay silent.
And that’s okay because Tomura seems strangely quiet after that, pulling you to lay on his chest. He doesn’t let you put the TV on. You can tell he needs to think. You let your eyes drift close as he runs his fingers through your hair with a surprising amount of gentleness, compared to his usual petting.
But eventually he says, so soft that you fear you almost imagined it, “A yakuza head visited the League recently.”
Your eyes flutter open and in your surprise, you sit up a little, looking down at him. “Tomura–” you start, almost a warning.
He knows he isn’t supposed to talk like this here, in this little slice of another world.
But he continues anyways, his voice just a rough scratch, “He killed Magne.” And then, “And Compress no longer has an arm.”
Now you really pull away to look at him. You can feel your eyes widen out, your shock, then the stomach-turning sadness. His face is unreadable, but his jaw is tight. His eyes are simmering, so red, even in the low light like this.
“It was a set up.” he hisses, “I failed them.”
He doesn’t cry, but you can feel the slightest tremble in his body.
You hurt for him, you realize, your heart falling into the pit of your stomach. Those are two of his closest, some of his inner circle.
He looks shaken.
He looks young, with the weight of his world on his shoulders, with the crown of thorns placed on his head. Heir to a monstrous throne. All For One’s successor, boy prince to inherit an underground empire.
You just see him, though, just Tomura who's twenty, who likes sour candy and video games.
He swallows hard. He looks angry and hurt.
“Nobody mourns us,” he says eventually, looking away from you, somewhere in the darkness of the apartment.
Except you, you want to say, with a name like Tomura.
You lurch forward, throwing your arms around his neck, hugging him tight to you. “I’m sorry,” you tell him, soft, the way Shouta speaks to you, “I’m sorry.”
And then you think, I’d mourn you, and you squeeze him tighter, I’d mourn you, oh God, I’d mourn you–
He doesn’t hug you back, but you can feel the shaky breath he exhales, and the way his fingers tighten in the fabric of your shirt.
***
Tomura thinks it should be you, at his side, when he takes Overhaul’s arm. You are everything Overhaul wants. Your Quirk is what he has tried to bottle.
Tomura thinks you could’ve been useful, to switch off his Quirk, to destroy it in an incredible twist of irony. It would’ve been the ultimate power move, to have you at his side by the end of all of this.
But you’re not there, no, not with him.
You’re with your heroes, Toga had told him.
It shouldn’t, but it feels like a betrayal. It stings hard and sharp inside of him, like a livid bee that jabs at his heart.
He seethes about it. Hadn’t he done everything right with you? He’d played this game slow, knew that the rewards would be worth it.
You’re still walking away from him, though. You’re still not his.
And you’ve still got one of his ribs, left a gaping wound inside of him.
He wants it back. He wants it back.
***
Eri looks up at you with watery, red eyes when you first introduce yourself to her. You crouch to be on her level. She has silver hair. She’s timid, wobbly bottom lip and flushed cheeks.
You almost start crying, looking at her now. You wonder if this is what Tomura was like as a child– small and terrified of his Quirk, round red eyes pleading with the world. All you see in her is every other forgotten child.
“Hi, Eri,” you hush, half for her, half because you’re scared your voice might break.
“H-hello,” she trembles.
You try to keep your smile in place, but it’s a weak, sad thing.
Still, you say, “I’d like to be your friend, if you’ll have me.” And you extend your hand to her, palm up and offering. “I have a Quirk like Mr. Aizawa’s.” you tell her gently, “If you touch me while using your Quirk, it’ll stop.”
She brightens at this, not smiling but, surprised, “Really?” she asks, just a breath.
You nod, swallowing around the lump in your throat, “Really.”
She takes your hand then, eager, tightening with her small fingers, despite her Quirk still being off.
Then she looks up into your face and offers you a tentative smile. Small, just the corner of her lips lifting up.
“I’d like to be your friend, too.” she murmurs bashfully and you close your hand around hers. It’s small, almost fragile. She’s all bandaged up, arms wrapped in gauze.
You look at Eri and her red eyes and silver hair and see a coin toss, see it up in the air, spinning and spinning, catching in the light. A twist of fate like the flip of a coin.
But you think you could call it now, with her hand in yours, and the heroes that hover protectively around her.
***
There is a morning shared in blush light that isn’t the ending but feels like it could be one. In truth, you’d prefer to remember this as the ending, more of a whimper and less of a bang. The night before had been one of your better ones, too– you’d only woken once with a nightmare. Tomura had already been awake and he’d soothed you with a careful hand that drew patterns across the bare skin of your back.
That night, that morning, was gentle in the wake of all that violence, love taken root, finally bursting through your veins to make a mess of your insides.
Dawn is too mellow a place for the two of you.
(You have come to the conclusion that Tomura looks best in dusk, saturated, sharp and rich in color. Bold and vivid. You didn’t know it, but he thought the same of you.)
You never told him you loved him.
You think about that a lot, wonder if it would’ve made a difference in anything. You wonder who was the last person to tell him that, if anyone at all.
He’s still half hoping that you’ll follow him, but you think he knows he’s losing you. You are not content in fuming misery, cannot stomach to leave the mentor that has loved and cared for you with such perseverance and softness. You cannot stomach to turn away from the boy with violet hair, or now the girl that reminds you of him.
You wish you could keep him, too, despite it all, but all you see in the future with him is rubble.
In the least, you’ve always had a sense of preservations, survivor that you are, scavenger that you are. You know when to move on, can’t linger too much longer now or you won’t live through it.
You sleep better with Tomura, though, and that’s the cruel part. You wake with less nightmares. You sleep more soundly, wound up in him, so tight that you two might just grow together. Palm to palm, your Quirk quieting his, lulled and softened.
And that morning, you wake slowly, twisting around fitfully with the warmth that has blossomed gently inside of you.
Consciousness creeps to you, fighting against the pull of sleep, being coaxed awake by the fluttering of your heart, the slow roll in your core.
Your eyes lift, heavy with sleep, finally awake. You blink blearily before a sudden, sleep soft cry escapes past your lips.
You glance down the line of your body to find Tomura nestled between your legs, tongue tracing messy patterns into where you’re most sensitive. Your stomach swoops sweetly, flares into a spark of heat.
The light is soft on him. He cracks a ruby eye open to gaze at you, to open his mouth so you can watch the flash of glistening pink as his tongue laves against you slowly.
“About time you woke up,” he gets out, voice still morning-rough, a little grating. His fingers squeeze your thigh, pulling you apart further to be at his mercy, spread open all for him.
“Tomura–” you gasp, your hands finding their way into his hair, fingers gentle and weak with sleep.
He sets his mouth to you, sucks on the bundle of nerves in a way that makes you keen, almost arching away from him. He fixes his eyes on your face, watches as your expression twists up.
You can see the way his hips are twitching into the mattress. Sometimes you think he does this more for himself than you, takes pleasure in rendering you down to your most basic, most desperate.
Pleasure coils warm, simmers on the inside of you. Your fingers flex, tighten in his hair until he groans against you. When he pulls away for another moment to admire you, his lips are spit slick, a string of translucent spit and slick bridging between the two of you.
It makes you flush darkly, makes you throw your head back and whimper.
He takes you apart with the savagery and viciousness that he has always carried. Dawn spills over the bed sheets in rays of peach and honeysuckle, lovely for the impending destruction. You shatter like glass, pretty and ringing beneath his hands.
And then he’s flipping you onto your stomach, letting you claw at your pillow as he sinks deep inside of you. He hisses when he fucks into the crux of your sweet, supple thighs. Your hair is messy with sleep. He presses his chest to your back, presses you into the mattress.
You fist at your pillow, whining at the burn and stretch, and you can feel the sickle cut of his smile against the arch of your shoulder blades. He leaves sloppy kisses, scattering them, sucking at your skin until he has claimed and marked and branded you.
He nudges his nose against your cheek until you tilt your head back to his, to rub back affectionately, nudge into him like a cat. He hums in satisfaction, in pleasure, the sound of it rumbling against your back.
You feel like he’s trying to savor this. He doesn’t pull your hair, or speed up his hips. No, he waits until you arch your back for him, until you’re near begging.
He likes you weakened, maybe delirious, maybe like he’s giving you a dose of your own medicine. He’s trying to make you as addicted as he is, but there’s no need.
No need when he covers your hand with his, slots his fingers between yours. All five of them, squeezing at your hand.
“You were made for me,” he gets out, giving you a rougher thrust, his eyes flashing to your hands, “See?” he groans, fingers digging into your wrist, your knuckles, “Made for me.”
You moan, too, all wobbly and pitched, with all the pressure, with the squeeze of his hand. With the stretch of him inside where you’re vulnerable and soft and slick.
He drags everything out that morning, fucks you both into oversensitivity, until you’re both shuddering and gasping. He breaks you down, until there are tears streaming down your face, until he’s gripping you so tightly that he’ll leave a bruise in the shape of his hand.
He fits his hand against your throat at one point and your eyes roll into the back of your head. You end where you began, with the violet petal bruise of his fingertips into your skin.
You linger in bed with him that morning, letting him pet and stroke and touch you. You stay gentle, even when he gets rough.
You make cheap, bad coffee for the both of you.
You feel twenty something with a boy and his tiny apartment. A cat chirps at the window and you’re smiling when you let him in. The breeze is cool. You don’t put on clothes because you feel like an adult, with a lover.
You feel normal for a fraction of a moment after everything that’s happened.
You feel sated and tender and saddened. Your chest fills with aching as you watch Tomura drift in and out of sleep in the sunbeams.
You were made for me, he’d said and you reach out to brush a strand of hair from his face. You were made for me.
You swallow around the lump in your throat, the one that feels like needle pricks and the hard truth. You don’t have the heart to tell him that he may need you, but you don’t need him.
You want him, though, your fingers trailing down the lines of his face, you want him so badly that it hurts. Your fingers travel over the hitch of his scars, his body as familiar as a home.
You want him, but you don’t need him, you try to tell yourself in this moment. You want him, but you don’t need him. You will survive this.
Still, it’s going to hurt. You’re bracing for impact, can feel the free fall rush up to the ground, can feel your stomach swimming up where your heart is.
You’ll survive it, you think, breathing hard, trying to keep back your tears as you look at him. But it’s going to hurt, it might tear out something very precious inside of you.
You’d rather he just break your arm again. At the thought of it, you try not to choke on the bitter, furious laugh that splits from your aching ribs.
***
You get to know Eri, try to spend more time with her and Shouta and Shinsou like you’re trying to fix something you broke. The pieces aren’t quite matching up right, though. It can’t be fixed, not really, not fully.
You can’t close your eyes without seeing that villain in a pool of their own blood. Or Toga’s face made blue. Sometimes in these dreams, it’s Shinsou who is drowning. Sometimes the villain in blood is Shouta. Tomura is always the one who saves you.
You can’t look at yourself anymore. You can’t stomach to. Your lies explode out of you when you catch a glance of yourself, haggard and exhausted and beaten down.
Shouta takes you to a hospital after your fist collides with the mirror in your bathroom. Glass shatters into hundreds of reflections of your warped and terrible image. They’re not as pretty, when the sun isn’t setting in a warehouse with a boy that you think you love.
Your hand bleeds the way that man’s necks did–
Your world spins as you lean over the bowl of the toilet to throw up your lunch. You’d made it with Eri earlier, before Shouta had gotten home from class.
Shouta finds you on the floor, sitting in all that glass, with your hand clutched tightly to your chest. He must’ve heard the commotion next door.
“What happened?” he asks, voice flooding with concern. He doesn’t hesitate to step carefully over the glass to you.
The question feels too large for you.
I did something horrible, you think, that’s what happened.
“I’m sorry,” you mutter weakly, lifting your chin from its place on your chest. “I didn’t mean to.”
(That isn’t true and you know it.
(But you’re always trying to prove you’re good. Especially now. Especially to Shouta– trying to prove you’re worthy of his love.
You suddenly crave Tomura. You didn’t have to prove anything to him.)
Shouta lifts you carefully, cradles you to his body to carry you out to his car to bring you to the hospital. He treats you like you’re fragile, made of glass yourself. “What’s going on with you?” Shouta murmurs gently, but there's almost a plea in it, concern that is so transparent it hurts, “You’re scaring me– I’m worried about you.” he confesses, almost desperate, “You know you can talk to me, don’t you?”
The laugh that sputters out of you is hollow, a grating noise that gets choked off. Shouta looks at you warily, uncertain and fearful.
The hospital keeps you for three days. Eri asks Shouta about you, apparently. She misses you. Shinsou helps her decorate a card for you.
Get well soon! Is written in her poor handwriting with far too many colors, and in Shinsou’s messy scrawl at the bottom;
Miss getting my ass kicked by you.
The doctors tell Shouta you’re struggling with a lot of survivor’s guilt and you have to fight back another absurd, off-kilter laugh.
Part of you thinks you’d be better off with Tomura at this point (your coin uncertain, hanging suspended in the air), if only to relieve you of this guilt, when Shouta tends to you and cares for you and loves you so steadfastly that it makes you feel rotten and horrible and monstrous. He has no idea who he’s loving. And you don’t deserve any of it–
But you think of Eri and the way she clings to your sleeves. And how you and Shinsou share granola bars during training.
And mostly, you are terrified to be without them.
None of it’s the same, though, and you think it’ll eat away at you until you’re nothing at all but the empty lies you kept feeding them.
You want to be better, you realize, when Eri draws you in pictures, holding her hand. You want to be better, you realize, for kids like you, like her–
(Like Tomura–)
So you decide one night, with your hand still bandaged, with Eri sleeping peacefully on the couch in the crux of your arms, and Shouta at the opposite end of the couch, that you will stay with them. The easy thing to do would be to leave, to not look back. But you have always been nothing if not determined, if not a fighter.
You will become who they want you to be, who they believe you to be, even if it tears you apart from the inside out.
Which means giving up Tomura, which feels like giving up a rib.
***
You had hoped you’d be able to slip away from Tomura and leave your secrets in a rundown apartment in a part of the city you grew up in. You had hoped that you could get away unscathed, without Shouta ever knowing more.
But Dabi mentions you to Hawks.
Offhand. Something about another traitor hero. Something about Shigaraki’s bitch.
Tomura also mentions Hawks to you.
And here is your trouble, what you were hoping to avoid by never allowing him to speak about his plans; you now know that the Number Two Pro-Hero is a traitor. However, the only reason you know that, is because of your secret relationship with the leader of the League of Villains that you have been slowly, painstakingly trying to sever yourself from.
(It doesn’t help that he’s latched on tighter–)
So, if you go to Shouta to warn him that the Number Two Pro-Hero is a traitor, you have to also conveniently come forward with your own truth. And what if he thinks you’re a traitor, too?
Surely, it looks that way.
Truthfully, you might as well be– you killed someone.
You killed someone.
Your stomach squeezes tight.
You think of Shouta and Shinsou and Eri and the loss of their love, when you’ve been trying to earn it back.
You don’t get much time to mull this over, though, because while walking back to your own apartment at U.A., a shadowy span of wings fall over your form.
Your heart falls into the pits of you, the drop of it sharp, horrible.
You think running will make it look all the worse.
Besides, he’s fast.
You can’t decide how this will go. Maybe he’ll only want to speak with you, traitor to traitor. But then you will be confronted with the undeniable truth that you now need to share with Shouta, with the Hero Commission, for the sake of people’s safety. You will have to come clean. Maybe it will be worse. Maybe he’s not after you at all, but just in your neck of the woods because–
All other thoughts are cut short when he lands in front of you.
You try to think of a proper reaction. Should you be expecting him? On guard? Should you act surprised?
His wings flare and you realize quickly how massive they are. They throw you into their towering shadow, make you feel like a mouse.
His eyes glint when he pushes up his visor, the gold of them sharp, his pupils a pinprick. The eyes of a predator.
You try not to cower. You stand your ground, lift your lips a little like you might bare teeth in warning, your hackles raising. Backed into the corner, you feel half wild, too.
But Hawks beats you to any form of a greeting, his smile a menacing twist of his lips, like he’s trying to be pleasant but he wants you to see all of those sharp, white teeth of his. You think he doesn’t look like much of a hero in this darkness, with the way his wings look thorny and maroon. His voice is barbed wire, the drawl of it stinging.
You know you’re in deep trouble now;
“You and I need to have a little talk.”
***
You are kept in a steel room that the Hero Commission tells you is not a holding cell, but you definitely think is a holding cell.
Your mind has not slowed since you got here.
You scramble for a story to tell– for lies to sew.
Hawks is not a traitor. Not to the heroes’ at least. He is a traitor to the villains and you know, logically, that this is for the greater good, but something about it bothers you. Villains aren’t people to the Hero Commission. You feel strangely protective of Tomura’s league of outcasts, even if you know you shouldn’t.
But they’re young, with feelings and thoughts and lives and pasts.
Nobody ever mourns us.
No, they don’t, you think, trying to keep away bitter tears from springing to your eyes. They don’t bother trying to see the big picture, they don’t bother to try and figure out why villains are on the rise.
They can’t stomach the idea that maybe their precious hero system has given birth to their villains.
Or maybe they can and they just don’t care.
They need heroes for their charts and money and power, don’t they? So they need villains. A never ending cycle, forever going around on this carousel. You’re dizzy with it, you’re sick of it, caught up in it’s riptide.
You don’t look at Tomura Shigaraki and see the most dangerous, wanted criminal in the country. You see a twenty-year-old pawn, a chip in a bigger game. You see someone as starving and desperate as you were.
You see a coin flip.
(You see the person you fell in love with–)
Shouta enters silently and the moment you see him, you have to try to keep from bursting into tears. Your lip wobbles.
He approaches slowly, cooly, but when he gets near you, his eyes are livid and searching your face, like maybe he could finally find the lies you’d kept buried so deep inside of you. They’ve finally blossomed, you think, all of them sprouting from your body, creeping through your lungs and up your throat to choke you out.
“Tell me the truth finally.” Shouta says, sharp and icy. He speaks like he’s speaking to a criminal, “Now.”
You suck in a shaky breath, try not to flinch when he leans across the metal table and snarls, “And if you are a traitor, at least have the decency to tell me now, before they come in here and interrogate both of us.”
Tears catch in your lashes.
Through the throbbing of your head, you realize you have jeopardized Shouta in the way you never wanted.
“I’m not a traitor.” you get out, voice quiet but firm, barely above a whisper.
“No?” Shouta clips and you can see it now, the hurt in his eyes. He feels betrayed, deeply so, and you can’t even blame him. “Hawks says differently. Says you’ve been working with Shigaraki.”
You rub furiously at your cheek to try and keep the tears from falling, shaking your head quickly, “No–”
“Then what happened?” he snaps and through the blur of your own tears, you catch the way his own eyes glisten.
“I didn’t tell you everything, when I said I thought Shigaraki was stalking me.” you say, having readied this lie the moment that Hawks brought you to the Hero Commission’s doors. You give them the story they want to hear of you, not the one where you fell in love, but the one where you jeopardize yourself for them. You are careful to peer up at him through damp lashes, “I–I got close to him, because he let me, because he was interested in me.”
Shouta goes very, very still. All you can see is his chest rising and falling, quick, as he slowly begins to walk the path you’re leading him down.
“And I thought he might tell me his plans, I thought that I could help–”
“No,” Shouta says in disbelief as it all begins to connect, leaning away from you in shock, “Please tell me you didn’t–”
You lurch towards him slightly, naturally, your hands coming up to the table like you’re reaching for him. “I wanted to prove I could do this–” you choke out, voice breaking, “I wanted to prove I could do undercover work like you wanted– like they wanted!”
“What were you thinking?” he hisses in return.
“You never would’ve let me do this!” you snap, almost plead with him, and it must strike true because he looks away from you momentarily, “I-I saw an opening so I tried to take it– I was perfect for it. Shigaraki was interested in me. I used to be a thief. I would’ve fit in.”
The moment you say it, you realize how true it rings. It startles you, maybe, with how close you were. Almost, but didn’t, your coin doing an extra rotation in air. And why didn’t you? Why not be with Tomura now? Why not be where you fit in most? Where hero society wanted and expected you to be?
“I’m not a traitor,” you cry, tears tracking down your cheeks freely now– you think you’re trying to convince yourself as much as Shouta now, “I promise I’m not a traitor– I couldn’t do that to you. O-or Shinsou. Or Eri–”
And there is your reason. The truth to disguise your lies. You look at him, across from you, his face almost unreadable, with his furrowed brows and tense jaw. His eyes shine, though, gleam with unshed tears as he listens to you. The man who gave you everything, who has cared for you since the moment he found you– perhaps the sole reason your coin has flipped in their favor. All because he did more than what was asked of him, because maybe he just saw someone starving, too, like the way you did with Tomura.
Believe me, you plead, believe this.
There is a long stretch of silence after that, where all you can get in is hiccuping breaths.
Finally, Shouta asks, “Did you find anything out about him? Or the League of Villains?”
You exhale hard with relief, your shoulders finally falling. You collapse somewhat, exhausted, folding in on yourself.
You hang your head, then shake it slowly, “No,” you sniffle, wipe at your drippy nose, “He didn’t tell me anything. He didn’t trust me.”
Shouta eyes you warily.
“So that’s why you encountered him so much. That’s why you were there with Toga Himiko when–” Shouta cuts himself off when he sees your wince, the shuddering of your features at the mention of that incident. But he finally put all of the pieces together. All the pieces you’ve given him, at least.
You nod, stray tears falling quick, dripping off your chin, “I’m sorry for lying,” you get out, “I hated it— I hated lying to you.”
Truth.
Shouta throws you a hard look, “You shouldn’t have. It was dangerous and irresponsible. And now look at what you’ve done–”
Your stomach knots up tightly.
“I thought I could handle it.” You breathe and there is another truth, sprinkled throughout your lies.
But you were so horribly wrong–
Shouta is about to open his mouth again, but the door swings open and a man in a suit enters slowly. His gaze is cool as it falls on you and Shouta. You know this isn’t the end of your conversation with him, you know he wants to know more. But now, he focuses on the higher up that encourages him to sit, too.
He says, because Shouta has been such an upstanding hero and teacher, they are allowing him the courtesy of explaining everything now.
And then you watch as Shouta opens his mouth and lies and lies and lies for you.
He tells them that it was his idea to allow you to get close to Shigaraki. He knew, every step of the way. He tells them he bypassed speaking with a committee at the Hero Commission’s because it would’ve taken too much time. He says that they needed to act quickly and accordingly.
He takes the brunt of it, saves you from far more trouble. He’s a trusted hero. You’re an ex-thief in the eyes of the Hero Commission with a too-big Quirk. They won’t believe you and truthfully, if they did more digging, if they pried more, there is a chance that the truth might leak out of you, open like a wound.
Shouta protects you, the way he always has. You don’t deserve it and you can feel your heart tearing itself to shreds.
You know you can’t go back to Tomura, not after all this.
You watch Shouta lie for you, speak for you, get you out of the grave you have dug yourself. For the second time in your life, Shouta saves you. You try to hold back more tears, you try to hold back from throwing yourself onto him, clinging to him.
And finally, they ask, “Did you learn anything, then? About Shigaraki Tomura?”
He likes sour candy. He has trouble sleeping. He drinks too many energy drinks. There is a scar at the corner of his lip. He has a beauty mark on his chin. He is desperate and starved of love. He let’s a kitten sleep in the sunlight of his apartment. He tries to take care of the League to the best of his ability– he cares about them more than he will admit. He is not heartless. His hands are often cold but seeking, longing for what he can’t have.
Your eyes well up with tears but you take a slow, steadying breath. They don’t want those pieces of him, the human, messy ones. No, they want to know how evil he is, how diabolical his next plan is going to be. But you don’t know any of that, just that he holds you as if he never wants to let you go when you fall asleep at night.
So you’re not lying when you say;
“I don’t know anything about Shigaraki Tomura.”
Only that he wanted to be a hero– when he was a kid.
***
The days following are the worst between you and Shouta.
He doesn’t trust you anymore. You can’t fight him. You have nothing to say, which is perhaps worse than if you tried to fight with him.
There’s no defending you, especially if Shouta even knew half of the truth. He barely speaks with you some days.
He wedges the distance between you two wide, forces it apart further.
He does not comfort you, he does not hold you when you cry this time. He’s not there with soothing, hushed words or the gentle touch of his hand to your cheek.
A piece of his trust is broken, now so severely that it’s just a jagged edge, something you don’t think can ever be soothed.
(And you’re right, in some way– there’s a deep shift in your relationship with him, changed and scarred. It never returns to what you once had, when your life was very simple and all you knew was him.)
He doesn’t ever say, I forgive you. I will trust you again, in time.
But he eventually will make dinner for you again and you will sit beside him, shoulder to shoulder at his table with a respectable, lonesome distance between his heart and yours.
Nothing is ever the same again.
You think about running– from Shouta, from Tomura, from all of it. It would be the easiest option, where you never have to look either in the face again.
But the Hero Commission looks at Eri the same way they looked at you when they discovered you could destroy Quirks and you can’t stomach the idea of leaving her to them.
(Tomura was right in a lot of ways.
And when there’s a war on the horizon and the Hero Commission seeks to use you as a weapon, you will think of him again.
I’ll teach you, if that’s what you want, he’d said to you once. And he did.
You hate the system, the endless cycle, Prometheus chained to his rock, the need of villains to have heroes, the creation of heroes to make villains. The endless bodies, the using and discarding of real, human lives for a greater good. You wish you could destroy it.
But there is more than only destruction, too. What good is rubble and ruin and death?)
You stay so you can do what you can, so you can protect a child with red eyes, with silver hair, and a Quirk too big for their own body.
And you think maybe if you stay with her, it makes up for leaving Tomura.
***
You go to Tomura one last time, walk the distance to his apartment with your hands shoved into your pockets. It’s a familiar walk now. The pavement is wet from rain. It’s cold out. You don’t know what you’re going to tell him. You wonder how he’ll react– for a moment, you’re fearful. Will he lash out? For a moment you wonder if he’ll try to kill you.
But you know, deep down, he wouldn’t. Won’t.
And you won’t pretend you’re scared of him now. You won’t play the innocent hero, not in front of him.
The moment Tomura sees you, he knows something has changed. You are too expressive and now you look at him with a sense of foreboding. With a sadness that he feels uncomfortable gazing at.
You tell him, “I got in trouble with the Hero Commission.”
For a moment, he lets his hope grow and stretch inside of him. Maybe this is finally your turning point, your fall from grace that he will catch you on. But no, your lip wobbles and your eyes dart away.
“I can’t see you anymore,” you whisper.
At first, he wants to snap at you, hiss out something cruel between his bared teeth. Maybe if you had done this a few years ago, a few months ago, he would lash out, try to tear into his neck or you or the world. He thinks about hurting you, slamming you against a wall or–
The thought is unfortunately repulsive to him. He doesn’t want to hurt you, not like that.
His anger and resentment wells inside of him, swarms his chest viciously. He wants to argue, to point out every way your heroes have failed you. The world feels so absurdly unfair suddenly, to give him you– you who quiets his Quirk and touches him gently and winds your arms around him in the way he likes so much– only to then take you away, too. You who destroys with a touch, too. Who is perfect at his side.
But for all his work and care and strategy, he can’t get you to stay.
You will run back to your heroes.
You don’t need him, he realizes now. But you have his rib, tucked away inside of you. He wants to dig into you, pry it out, rip it from your body and take it back for himself.
But you’re crying.
And you’re pretty in the dark, like you’ve always been. This time, though, you’re not looking for a fight, there is no viciousness in you now. Maybe you’re too tired to fight.
So instead of erupting, instead of lashing out, Tomura steels himself. He’ll play the longer game, then. You don’t want to go, but you will. You’ll go back to your heroes and they will disappoint you. As they always do, at some point, eventually.
You will come back to him again, he tells himself.
And he will be forgiving, the way All For One has been with him. He sees it now; you, needing his hand, needing him to take you back. He will welcome you back into his arms, as if you hadn’t even left, and you will know then that you were right to leave.
He gazes at you, red eyes smoldering, “Then don’t.” he rasps and he’s trying to remain dispassionate, but his voice has a trembling note in it, the hidden fear underneath the harsh coolness.
Your eyes flicker back to him, your lips parting in surprise. You wipe at your eyes.
“So that’s it?”
And this makes him angry, the sharp tug of it like a dog at the end of it’s leash. He lurches forward threateningly, like he might hurt you.
(You don’t flinch. And he stops himself before he gets too close.)
“What?” he snaps, “Did you want me to beg for you to stay?”
He wants to, he realizes, he wants to howl and scream and tear apart everything in sight. He wants to say don’t go, don’t go, don’t slip from me, too.
He wants to bargain with you– what is it he can’t give you that they can?
Your heroes only love you because they don’t know you, they don’t know what you’ve done. Your heroes only love you as far as truth and justice go. A hero would sacrifice you for the greater good and you would agree with them, even if you were shaking and crying, even if you burned with all that liveliness.
But he’d sooner sacrifice the world for you.
You have his rib, he wants to scream, of course he wants to beg.
You shake your head, though, more tears falling free, “No,” you say, voice surprisingly strong, “No, I never made you beg.”
The truth of it burrows beneath his skin. He knows. The itch squirms beneath his skin. His hand reaches up, digs into the crook of his neck to scratch at it.
It’s Dabi’s voice in his head that says something about getting too distracted with this braindead hero. He has bigger plans than hiding in an abandoned apartment with you. More to do. You were nothing but a side quest.
His pause screen.
Besides, what’s there to be upset about? You’ll come back.
He won’t even punish you for leaving, he promises. He promises.
“Then that’s it.” Tomura tells you, a bitter curl to his lips.
There’s no goodbye, just the breeze between the two of you, the empty space that he always hated. The nothingness between that he always sought to destroy.
Eventually, he just turns away from you. He can’t stomach looking at you any longer. He can feel your eyes pressing into his retreating form– he imagines you rushing for him, crashing into his back to throw your arms around his middle. You can’t do it, you’ll cry, burying your face between his shoulder blades. And he’ll freeze, but eventually he’ll wrap his arms around yours and bow his head with the strength of your feelings for him.
Or he imagines later, when it’s the end of the world, and you emerge from the rubble to reach for him. It’ll be like his dreams, when the sky is falling, and you only want to hold his hand in yours.
He imagines you shouting to him, changing your mind, saying his name like it’s a song to sing, not mourning bells, not a curse or an affliction.
But none of it happens.
And when he turns around, you are gone.
You leave his life as viciously as you entered it, suddenly there, all furious and beautiful, and now gone, like a lightning strike, like a lifetime.
***
You tell yourself you’re going to be fine, but you spend random days weeping over a villain. You spend long nights awake, missing him, replaying it all in your mind. You cover all your mirrors. You try to be different. You wish you could say you regret ever getting involved with him, but it would be one more lie. You wish for the time before the worst of it, the strange honeymoon you never should’ve had.
You wish you’d remembered to slow down, to savor it all a little more. You try to remember what your first kiss was like and the shade of his eyes through the evening light of an abandoned warehouse.
You try to remember when you didn’t feel so heavy, so corrosive and lost.
It doesn’t help that you’re suspended from heroing; a choice made by both the Hero Commission and Shouta. There’s nothing for you to do some evenings.
Shouta lets you train with him and Shinsou still. Shinsou tries to cheer you up, though he doesn’t know what’s wrong with you. Still, it hurts because he’s trying. It hurts because he cares so much, even about you.
You don’t deserve it, after everything.
You take care of Eri more, too, now that she is nearly in Shouta’s care. You babysit her while he’s away. You grow close with her, fiercely protective of the young girl, careful to keep the Hero Commission at a distance from her. She settles in your lap on the couch in Shouta’s apartment most evenings, watching TV and movies, while he grades papers at the opposite end.
Sometimes she falls asleep tucked into your side. You stroke her silver hair and try to bite back tears.
She catches you, sometimes, perceptive as she is, and asks very gently, “Why are you sad?” even if a tear hasn’t slipped free yet.
And you always shake your head, trying to dispel the thought of Tomura and the parents that gave him such a tragic name as a child. You force a smile for her and you tell her something silly to distract her, “I’m not,” you promise, “I just think there’s an onion nearby.”
She wrinkles her nose at this, “No, there isn’t!” but she’s easily distracted with tickles or the promise of painting her nails or having a tea party with Shouta.
Miraculously, your relationship with Shouta begins to heal, despite your betrayal. You think he can tell something worse happened to you during your time with Tomura, you think he can tell that you’re hurting, so he ends up gentler with you. He doesn’t trust you, though, keeps you on a tight leash. He looks at you some days like he isn’t quite sure he knows you.
Nothing is the same. Part of you wants to regret it. The part of you that loves Tomura can’t stomach the idea of regretting it. Someone is dead because of you. Someone is alive because of you, too.
But Shouta doesn’t ask and you don’t tell, can’t seem to speak the words.
You can’t even say, I fell in love, can’t speak the truth because it is so horrible.
And you know what everyone would ask; who could love the likes of him?
Me, you think, vehement and grief-stricken, me, you think defiantly. Why couldn’t you? He was a child once–
Shouta lets you burrow into his chest, wraps his arms around you. He sways with you in the kitchen until you can keep back your tears, until your heart has slowed to the tempo of his. He kisses the top of your head.
And it’s Shouta who is with you, when you return from training, and open the door to your apartment to reveal a scruffy, mangy looking grey kitten that wasn’t there when you left.
Ryuji chirps happily at you, rushing to the open door.
For a moment, you’re so shocked that all you can do is stand, startled, as he rubs himself against your legs.
“Don’t tell me you found another stray–” Shouta starts, but all you get out is a small, choked noise.
And here is the impact from the fall, you think, looking at that little cat that is excitedly winding itself around your legs. You can feel the shattering of your heart, like he’d lobbed it against the wall. You wonder if it catches light the same way glass does, all stained with color and broken into shards.
You drop to the floor with the weight of it all, with the clean splitting of your heart.
The moment Ryuji climbs into your lap, a sob finally ruptures out of you.
Shouta is fast, coming down beside you, you think he’s asking what’s wrong, why you’re crying, but you’ve already gathered the kitten into your arms, cradling him to your chest as the tears come quick and furious down your cheeks.
You think maybe you should be more concerned as to how he got Ryuji here, in U.A. dorms, you should be worried about security and safety but all you’re thinking about is that little apartment that you hid from the world with him in.
No, all you’re thinking about is the way light fell through the lone window to turn him hazy and soft in your memory. You’re thinking about how he never denied you affection, so long as you gave it tenfold in turn. The drawl of his voice. The pressing of his fingers into your skin like you were a miracle.
To him, you were.
Another sob spills out of you, from somewhere deep inside you.
What a lonely life, to only be able to touch one person in certainty. You wonder who will be the next person that will lay their hands gently on a body that has known too much pain. You wonder if you will be the last person to do it.
The thought hurts, opens up a part of you that is tender and shaking and desperately furious.
When Shouta can’t figure out what’s wrong with you or why you’re crying, he gives up, and sits on the floor with you. He gathers you into his lap so your back is pressed to his chest, pushing your head beneath his chin, Ryuji still cradled in your arms.
You cry harder when Shouta tries to comfort you, when he hushes softly, so sweetly, only because you don’t think there’s anyone to comfort Tomura like this.
You think of Tomura alone, even without Ryuji and it just–
Crushes you.
You squeeze the kitten tighter to your chest as you cry and cry and cry. You let Shouta hold you against him, but there’s no comfort in the aching hollowness that is growing in the pit of your chest.
You want to scream at the world that tossed the coin.
But all that comes out is a garbled, misery struck, cry.
You never told him you loved him, never gave word to what consumed you. And you realize, sitting on the floor with a kitten in your arms, that you won’t ever be able to tell him now.
It will live and die inside of you, never spoken into existence.
And even though it’s too late and Tomura Shigaraki is readying for a battle with a giant without you at his side, you still whisper the words you never got to speak into the top of Ryuji’s head.
Your lips barely move with it, the quietest, most desperate, “I love you– I loved you.” that escapes you with a trembling breath.
Shouta doesn’t even hear the confession.
Ryuji nudges your cheek with his, though, purring softly, keeping your secret safe.
And in the least, you are able to twist into Shouta’s arms and bury your face in his chest to cry as hard as you need. There’s no distance between the two of you now, like you always wanted.
Always here when you need him, even now, when it’s not him you want.
The irony isn’t lost on you.
You mumble incoherent apologies into his shoulder, try to hide in him, like he might be able to shield you from all the hurt and ache of your first love. He doesn’t ask, but he tells you very gently, his voice like the hearth of your home, “If you ever want to talk, I’ll always be there for you.”
You keep Ryuji, clean him up, fit him with a new collar, a new life. Shouta helps you care for him.
Eri adores the kitten, hugging him to her smiling face every time she sees him. Thankfully Ryuji is even-tempered, eager for affection. Almost desperate for it.
Ryuji is like proof of another world, proof that it all happened.
Sometimes you rub between his ears and ask, “Do you miss it, too?” but all he does is peer at you inquisitively, eyes large and fixed on you.
You sleep with him, though, let the kitten curl up in your lonesome arms, hold tight to him the way you used to hold tight to Tomura.
***
In the middle of the night, your phone wakes you with its insistent chime and buzzing. You blink awake sleepily, slowly and blindly paw for your phone.
You turn the screen towards you and squint at the bright light, making out the word that flashes on it;
Unknown Caller.
You grimace, rubbing at your eyes. You debate putting your phone down, letting it ring and go to voicemail. Why should you answer for an unknown caller in the middle of the night?
And yet, something in you squirms, urges you to pick up. You have no idea who it might be— maybe someone needs your help. Is it possible it’s Shouta? Shinsou? What if it’s—
You answer finally, groggy voice slurring out, “Hello?”
You’re met with static.
“Hello?” you say again, voice hushed with sleep.
Still nothing.
Tomura sits on the other side, with the phone pressed desperately to his ear. He holds everything inside of him, barely allows himself to breathe on the other end.
He doesn’t know why he’s done this, only that he is on his way to proving himself with the League and he wishes you were still at his side.
He swallows, hears you call again, “Hello? Anyone there?”
He tightens his four-finger grip on the phone, squeezing his eyes shut at the sound of your voice, sleepy and soft in his ear, wrapping around the jagged parts of his heart.
He exhales and you must hear it because you say, “Is someone there?”
He bites back an answer, feels his lip tremble slightly.
He hears you huff, indignant little thing that you are and his lips pull into a shaky, painful smile. “I’m going to hang up now,” you say, all prickly, the way you’d get if he woke you too soon.
He used to soothe you with lips and teeth and tongue, run diligent fingers over you until you were sighing and arching into his touch. Until all your hard, vicious edges softened with the flattening of his palm on your body.
And for some reason you try, one last time into coaxing him to answer, “C’mon,” you say, almost like you know, “Nothing?”
Nothing, he wants to echo, but doesn’t.
His heart pounds an uneasy rhythm, a haunted tempo. He feels himself shaking again.
“Okay,” you exhale, slow, like you’re giving him a chance to stop you, “Goodbye.”
A beat passes, before he feels his heart lurch painfully in the hollow place of his chest at the thought of not hearing your voice again like this, so near. He doesn’t want you to go, wants to listen to you until it coaxes him to sleep.
“Wait– don’t hang up–“ Tomura hisses into the phone at the last moment, unable to decide if he wants you to hear him or not.
He gets his answer in the buzzing silence, long and drawn out, that fills his head. His heart.
And he sits there with his phone still in hand and his heart still on the line.
***
Tomura shouldn’t be here. He shouldn’t be watching you from afar, in the park that he thought you’d looked like a painting in. You’re beautiful.
But what does someone like him know about beauty, anyways?
The fireburst leaves are nearly gone, barely clinging to lone and stark branches. They claw up into the sky now, but the sun is shining. It’s mid-morning. You’re in the park with your mentor, with the violet haired boy he’d seen you with before, and the little girl with silver hair. The one that was in Overhaul’s care, with the devastating Quirk.
She tugs excitedly at your sleeve now and you give her your undivided attention, your face lighting up with whatever it is she tells you.
You scoop her into your arms and her echoing giggle is like wind chimes, melodic and childish and care-free.
You look happy, he thinks, with your mentor’s hand on the small of your back, looking down at you and the girl fondly. The violet-haired boy says something that makes the girl laugh, it makes you smile as you watch her.
You look back at your mentor with a look that Tomura has come to know; one that begs of attention and approval and affection. He can see the desperate glint to your eyes, hungry for his love.
He swallows around the sharp bitterness he feels. Jealousy floods him in a way he has never fully known. But it’s more than just jealousy for you and your attention, for the way you’re looking at your mentor.
No, it’s something greater, far worse.
He’s jealous of your mentor, with the easy way he gets to touch and look at you out in public. But he’s also jealous of you and your life.
He doesn’t realize it at first, but he’s begun to shake.
Because you were saved– isn’t that it? You were saved. And he wasn’t.
Maybe he’s jealous of the boy with you, too, with the possibility of his life so much brighter already. He has more of a chance than Tomura ever had.
Or maybe it’s the girl in your arms, with eyes like his, who he is most jealous of now. He has never allowed himself to ask;
Why couldn’t it be me?
But now he does and he can feel the pit in his chest grow with a livid sort of despair. Grief for a life never lived. Didn’t he deserve to be saved, too? Like the girl in your arms? Like you? Didn’t he deserve a life like this, too? What’s the difference? He wants to demand it, what’s the difference?
You were just a kid, you know?
His fingers dig into his neck. There is no one to stop him from breaking skin, for drawing blood on his own body. His chest festers, angry, like a blister. His stomach turns, his body trembling harder, like he’s a child, like he’s going to shake apart.
He looks at your smiling face, the curve of your lips, and wants you so bad it hurts. He wonders if you ever dreamt of him as a hero, the way he dreams of you as a villain. He wonders why it feels so unfair suddenly, the turning of your lives, the coming together and falling apart.
He shudders, feels the sudden lump in his throat. He tried not to mourn you, when you left him. He told himself that there was nothing to mourn; either you would be back or you weren’t worth it. He feels the pressure of tears now, though, much to his frustration. He feels his lungs burn for breath as he watches you hand the little girl off to your mentor, who props her onto his hip easily.
He watches you throw your head back and laugh, the sound of it distant, but he catches it, the outskirts of it. He used to feel that laugh against his throat, against his lips.
But now he watches you live a life he apparently never deserved.
His bottom lip trembles, a furious scowl marring his face.
He could scream or shout at a world that wouldn’t listen. The fact of it all, the helplessness of it all, burns beneath his skin like wildfire, like acid.
Tomura takes one last look at you; the expressive glimmer of your eyes, the flash of your teeth. He lingers on you, commits you to memory as if he could ever forget you. Maybe someday he will. Maybe he won’t have to, if you come back to him.
But he won’t wait on it, in an apartment that still has traces of you in it’s corners and crevices. No, he has more to do, bigger than him. Bigger than you.
Even if the horrible tempo of his heart begs differently, even if the shaking in his shoulders is an indication otherwise.
One last look of you– you’re talking, saying something with your hands. The little girl laughs again, her red eyes crinkling up happily.
Tomura turns away.
He walks a familiar path to the apartment, the wind tries to slice through his jacket, kicks up leaves and litter in shadowed alleyways.
He enters and there is no one trailing behind him, your hands twisted into the back of his hoodie, or his sleeves. It’s quiet. Empty. He surveys it once, the bed with unmade sheets. The window that let in beams of colored light, that Ryuji would sit at.
And then he sets his hands on the wall, all ten of his fingers down, the way he used to touch you.
The wall begins to decay, cracks and crumbles beneath his hands. It spreads, and spreads, and spreads like a disease filling out the body of the apartment. Dust begins to fall like early snow.
His heart squeezes painfully, his eyes suddenly flooding with pressure, with tears he tries to keep back. His head throbs, feels like it’s going to cleave apart. His ribs ache– hurt so bad it’s like he can feel the one you took from him, the gaping part of his chest.
His Quirk flares hard and hot and fast. It burns through him, floods his veins in a way that makes him cry out, suddenly shaking, suddenly pained.
He destroys the apartment, disintegrates the tiny world he created with you that existed outside of the real one. He unpauses the game. He takes apart what the world should’ve been, when he was here, with you. He sees now that a world like this cannot exist.
The peace, the ideal, the way you had understood him. Your unending compassion. It’s rare. Not enough to save the rest of them.
So he tears it all apart, pushes at his Quirk in a way he hasn’t been able to before, nudges at its strength to test it. It flares outward, eating away at the entire space, at the furniture, at the floor. Everywhere.
He seethes, blooming, finally allowing that livid and vicious thing inside of him to burst forward. It’s explosive, wrenching out of him in the form of terrible destruction.
He’ll grow into what he was supposed to–
I wanted to be a hero– when I was a kid.
The only option he ever really had, the hand extended to him a villain’s, gentle when he’d taken it.
He destroys the boy inside him, the one that was naive and hopeful and weak. He let’s that boy inside of him fall apart, split open and leaks gore before turning to dust, too. He kills the part of him that he had only ever shared with you, in the blue-dark of night, when you were lulled to sleep with just the sound of his heart.
He swallows down his anguish and his jealousy and his bitterness, keeps it safe inside him, like All For One always said to do. He’ll nourish it, let it grow, fester inside of him until the only thing it can do is explode out of him to tear the world apart, too.
When he’s standing in the rubble of the tiny world you’d made with him, the apartment complex demolished, the people inside gone, he knows what he has to do.
And he has so much work to do in order to achieve it.
He tries to forget you, to destroy your memory, too. He will not carry the weight of you around inside him.
(But in his dreams, you sit cross-legged in front of him, serene and beautiful, like a painting he knows nothing about.
In his dreams, you ask for his hands to have, and he gives you them to hold.)
414 notes · View notes
bakugohoex · 3 years
Note
you asked for horseface reqs? 😼😼 n e ways let’s spice it up w some angst okay reader and jean have had feelings for each other for a reaaallyy long time but they won’t admit it (especially the reader because she’s scared she’ll get hurt if he loses him one day) but the time when she finally admits her feelings it’s when she gets killed trying to protect jean from an attack during the marley arc
“this might be the end for me, but jean, oh god, jean you meant everything to me”
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pairing: jean kirschtein x female reader
cw: angst, language, last kiss, violence and some season four stuff but i haven’t read the manga so this is from the information of wikia, go cry please 
word count: 2200+
a/n: someone sent a similar request so i incorporated this one with that one as well, if you guys want to see the request here it is, it is quiet similar, i dislike writing angst but i was sad so i thought it was a good time to write it
summary: in which you and jean have had crushes on each other since the first day you met, instead of admitting your feelings, you both waited till you knew you’d have a secure future, and the invasion of liberio, in your final minutes you confess it all
↞ back to attack on titan masterlist
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Wildflowers bloomed from the soil, the sun peaked through the fog and the birds chirped loudly at the sound of shouting. The first time you met Jean Kirschtein, the sound of Shadis headbutting the brunette, he held his face after his cocky remark of joining the military police. You stood firm lazily gazing at him, there was something to him, you didn’t know what it was, but he had something to him. You thought you two would never become friends, but instantly becoming friends with Armin and Marco you seemed to be surrounded by those who would be in the top ten.
You never wanted to join the military police, they were all scared little freaks who only cared about money and living a secure life. There was no fun it, you had been with Jean, when Marco had been found dead. He collapsed right on top of you and instantly knew that you two were bound together, the feelings of hurt seeing Marco dead in front of you.
It wasn’t something you ever wanted to see, and you never wanted to see one of your comrades die ever again.
He looked at you after the body count of Trost had been announced, “I’m joining you in the survey corps.”
You were shocked to say the least, the man who had been adamant on joining the military police had switched sides out of vengeance from what you could assume. You went up to him, your hand cupping his face, “I know you want to avenge Marco, but make sure you’re doing this for yourself.”
“I know.” He spoke quietly, his face nuzzling into your palm, you stood there feeling fresh tears come out of his eyes. Tears fell out of your own, as you both stayed there crying and holding each other, needing the comfort after your friends death.
The four months went by quickly, with Eren turning into a titan, finding out about Annie, Berthold and Reiner. It was a traitorous act and you wanted to kill them all, it was the only thing that filled your mind once you had found out about it. But there was something more you had now, you spent more and more time partnered with Jean and every day you seemed to fall more and more in love.
You were aware that you had prominent feelings from the boy, the first time these feelings erupting the second day of training when you got partnered up. He had helped you with a technique that you had seen Annie do. Not only were you surprised by his help but also how he engaged in your life when you talked about your past. He wasn’t the cocky bastard he had been the night before and you fell for him instantly, the way even though he seemed selfish he still cared and especially after being a leader in Trost you began to admire him even more.
You both grew closer and closer and evidently; the rest of the survey corps had noticed your feelings. Often teasing you both any possibility they could get, you both acknowledged something was there but never acted upon it. Feelings and emotions, it got in the way of fighting Titans, and the risk of losing one another in a relationship hurt more than it would if you two remained friends. There would be nothing holding the two of you back when going to fight Titans. But even then, you both still pined and worried for one another when you got separated.
It remained both your thought process for the next four years until the raid on Liberio occurred, the day that you regretted not confessing it all. The corps had all arrived in Marley and the raid had begun, both you and Jean had grown into warriors, with no mercy and a mission to get on with. The two of you were on separate sides, you prayed he would be fine, remembering a conversation that had had hours prior.
“Y/n, can we talk?” Jean spoke away from the group, he was so much taller than you now, his brunette hair a lot longer and the rugged look he had made you fall even more in love. Even after six years everything about him made your heart melt.
“Sure.” You were wearing the new black gear, it fitted you perfectly and Jean tried to not admire you.
“I just want to say good luck, I know we’re on opposite sides which never occurs with us but stay safe.”
You laughed at his consistent hesitance to speak, “come on Jean, you know me, I wouldn’t die without you by my side.”
You spoke light hearted but he looked at you tense, “don’t die at all without me.”
“I pinkie promise I won’t die without you.” You put your pinkie out, he rolled his eyes taking the pinkie.
You let go first walking back, “I love you Y/n.” He whispered, it wasn’t audible, and you would’ve never heard it.
You were alongside Mikasa, both of you fighting the Marleyans together, you noticed the Cart Titan, its jaws wide to eat any of you guys up. You were shocked having not seen it in years now, that wasn’t the only shock you got hearing a rumble at the sound of the Beast titan appearing, it looked even taller than the first time you had seen it. It came even more closer and closer towards you both, you saw its arm come closer and closer to you and Mikasa.
You both barely missed his arm swing, before you felt it again, your stomach churned as those around you went full throttle at the Titan, you attached your ODM gear onto its arm that had kept swinging. You thought you had somewhat of chance, but you didn’t expect to see him grab onto the gear with his other hand.
Holding you in mid-air, you could feel the air being squeezed out of you. “P…please.” You tried pleading, kicking and screaming, all you could think about was the promise you made to Jean. “I’m not going to die.” You shouted, feeling your bones being crushed, you grabbed one of the blades, dragging it down his hand, you slid down, out of his grip. You choked needing air, Mikasa grabbing you to help you up.
“Y/n, we need to get to the other side.” You nodded, moving to the other side you tried to stay out of the Beast titans way, seeing as your comrades got shot down.
You finally saw Eren in titan form, knowing you were close to where you were supposed to meet. You saw Jean swing past a smirk on his face, but as he saw you a worried look at how damaged and disbelieved you looked. You knew you’d have to explain later, the way he looked at you melted your insides. Even after the many years he still saw you as the prettiest girl alive and would do anything for you.
You stared at the boy, but what you hadn’t realised whilst being in the air was how the Beat titan had charged towards you. Jean noticed shouting your name, but you heard nothing, feeling the Beast titan, grab onto you, this time you had nothing. You were vulnerable, you saw Jean come up trying to rescue, instead of crushing you, it instead threw you into a building.
Tears filled your eyes whilst in the air, you felt like you had been punched in the gut, before hitting the building, your insides bleeding and the way your side and legs were met with slits from the building that conveniently had sharp spikes in it. You slid down from the roof your body limp as you felt nothing. Just as you were about to reach the bottom, Jean swung past grabbing you before you were out.
“Y/n, Y/n, come on wake up.” You heard Jean speak as he took you into an alleyway. “Y/n, come on.”
The pleading nature of him being heard but you were unconscious and unable to move, everything hurt, and you refused to open your eyes and move. Your body was deteriorating, and you could feel every bit of it. “Y/n, come on, our promise, you said you wouldn’t die without me, don’t die on me.”
You heard it all, you wanted to say you were okay. But you weren’t, you were dying in front of him, he had tried to help stop the bleeding, but being crushed and thrown around, your body was failing on you.
You woke up, everything hurting, still in the alleyway, Jean looked at you, his hand in yours. “Y/n, don’t move, it might hurt.”
You started to cough, he was about to let go of your hand to get some water from his side, but you grabbed his hand softly, “Jean, i...I’m going to die.”
He looked at you shock on his face, “Y/n, you…you’re fine, don’t say that.”
“Jean, the beast…” You stated to cough again, but you kept a hold of his hands preventing him from leaving, if these were your last moments then you knew you’d want it to be with Jean. “…the beast titan, he crushed all my bones, I’ve lost too much blood and this.”
You gestured to your now exposed side seething in blood and your legs that had been attacked by the hooks, the pain engulphed you and you needed something to preoccupy your emotions.
“Y/n, we’ll get to the walls, and they’ll…they’ll save you.”
“Jean.” You spoke softly, he saw how you looked more frailer and weaker every time you spoke. “Promise me, you’ll win and…and you’ll continue on with your life”
“Y/n, we’ll win.” Tears had formed in his eyes at how weak you had gotten. “and we’ll live a life together, you won’t die.”
A single tear went down your face, “Jean, I love you and I regret not telling you.”
He looked down at you, trying to wipe the tears that had formed on his own face before wiping the tears that had erupting from your face, “I love you too.”
“Fuck, it hurts.” You muttered. 
“Y/n, how can i…I help?” He didn’t want to admit you were about to die but if you were going to die, then he would make sure he remained by your side.
“Can you kiss me?” You asked, he tried to stop the tears, your hand had gotten colder, and the blood had seeped through the cloth that he had used to stop the consistent blood pouring from your body.
He helped you sit up right, sitting on his body, as you lazily looked up to his face, you spoke softly at the boy. “this might be the end for me, but jean, oh god, jean you meant everything to me”
“You were my world.” He whispered before the pain was becoming even more unbearable and you knew you had minutes at most.
His hands went to cup your face as he kissed you softly, bringing your mouth to his own it was everything you had ever dreamt of and so much more.
Memories filled your head, your first meeting with the boy, the countless times you were partnered up and then the time that would remain with you forever. The day when you had reached the ocean, you were glad you had experienced the sea, having played in the water with the boy. You remembered how you both had gotten soaked and how you continued to mess about, all the years of memories filled you in one single kiss.
Your hand rested on his cheek as you kissed back, your body dying on you ever so quickly, rubble poured from above, he let go softly looking at you, love and hope filled his eyes. He needed you to be okay, ideas in his head of how to help you, but as you spoke again, “I love…”
Nothing. No more words came from you and they never would. He would never hear your laugh, your voice, your scolding. He’d never feel you kick or hit him, never feel your soft touch on his. You  slouched onto his neck and a shout erupted from the man’s voice and even more tears flooded his face. Everybody had heard the screaming he held your dead body in his arms, the blood on his gear and body. He didn’t care, you had died in front of him and as he kept a hold of you, he could see the Eldian air craft, grabbing your body in his arms, he held you using his gear to get onto the ship.
You were gone forever, and he never got to ask you on a date, never got to kiss and show his love for you every day. He regretted never telling you, and as he brought you on the ship, he was met with every single person who had stuck by his side. You were in his arms limp and cold, they stared as his knees fell through, your body on the ground, eyes closed and face cold. He mourned the loss of the only person who he truly loved, he hadn’t protected you and now he had nobody.
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i’d really appreciate if you guys could leave a like, reblog or comment, thanks x
if you guys want to be a part of a tag list, just reply to any post and i’ll add you xx
@samusimp @alaina-rose13 @crispychannie @underratedmage @jennammaee @cathy8taffy @sugacious @moonlightaangel @kat-su-ki @effmigentlywithachainsaw @swankiifiied @susceptible-but-siriusexual
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sambergscott · 3 years
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notes from the palm springs commentary !! 🏝
i know not everyone has access to hulu and i know i'd be gutted if i couldn’t watch it too so bc i'm lucky enough to have an american friend who let me use her hulu account i thought i'd share the commentary with you all on here <3 
- their first bit of commentary is “there’s a title” (cristin) and “there’s a goat” (andy)... 10/10 anaylsis thanks guys
- andy joked that they talked about waiting for an earthquake but decided they didn’t have the budget to wait that long (he said the glowing lights at the end were real tho 🙄)
- andy: “we’re gonna start off pretty racy” djfdjfkdjgh
- “for all those kids out there, the b99 fans, you probably don’t wanna watch this”.... but andy,, we absolutely Do
- andy was cristin’s least favourite person in the movie
- nyles spread eagle on the bed was in the script not an acting choice
- according to andy there were 700,000 bugs just hatched where they filmed the wedding scenes that they had to edit out in post (also it was suuuuuper cold and cristin was shivering)
- ANDY CALLED HIMSELF A BUTT UGLY WEIRDO. NO SIR. U ARE THE FURTHEST THING FROM THAT.
- the dance move when he clapped his hands over his head “lightly hurt his schlong”
- they had 20-30 options for orchid explosion by fournier, cristin pitched some too that she “does not remember!” (she said that very cute)
- they talk about how great june squibb is and how andy is impressed that she wasn’t complaining about the cold/shooting at 5am/the fact that they improved a lil bit.  “she doesn’t not give a what”
- during the make out scene on the rock cristin goes “ohhh ~spicy~”
- they also had to have a snake wrangler come out before they shot that scene and he was like “uhh i think it’s good?”
- andy was excited about having to get shot by an arrow when he was reading the script (it was also the moment they realised this movie was zanier than first thought)
- the cave was the same place they shot the old batman movies
- they started working on palm springs on november 9th 2016…. hence the wedding date
- cristin said they did about 30 takes (at least) of her opening her eyes/sitting up.. basically the entire first half of the first day shooting she spent doing the same thing
- “i just think you’re the coolest cristin, way to go man!” “you too andy!”
- the beer is fictional and has a meaning behind it.. the tortoise is to do with a myth about the universe or smth
- andy wants someone to make the beer fr
- “so here is cristin in the desert pretending to be hot” “he means physically” “TEMPERATURE HOT… i have no opinions on her appearance”
- they wanted to skip past the set-up-y parts to avoid it being too groundhog day and add diff dynamics and comedic elements that come from that
- according to andy, nyles has been in the loop an “insanely long time” (cristin and andy like that you don’t know the exact number of years bc however many years it’s been nothing has changed for nyles)
- cristin’s fondest memories were spending days in that dusty ass car together (i too would like to be that girl in his car)
- “i like your hat” “of course you do” was improved by andy and jk
- andy said jk is a “national treash”
- andy loved shooting the montage w jk (and he thinks that montage + the scene at the end is why jk signed up to do ps)
- “i went full butt” - andy samberg, 2021
- HE HAS A STUNT DOUBLE CALLED SETH WHO HAS A SIGNIFICANTLY BETTER BUTT THAN HIM (but andy’s butt was funnier so they went with his)
- the very last shot of the movie was nyles getting the handjob in the car
- max or other andy i can’t remember who talked for a while about how talented our andy is. can’t wait for that oscar nom!!!!!
- if andy were in a time loop he’d try to catch up on shows for a few years (and then try and leave)
- cristin is horrified that he’d choose to watch all of MASH to get him through a time loop
- cristin LOVED filming all the deaths
- andy said that their dance scene in the denim jacket replaces every iconic dance scene ever like fame/dirty dancing/etc etc and he’s right
- he dropped her in that scene bc his arms are “weak and floppy like a baby calf”
- the tattoo moment was the only fully improved scene
- they REALLY wanted it in the movie
- cristin insisted on the hook hand and eye patch and they obliged and she said she kept the hook hand and put it on her mantle and andy was like “prove it prove it prove it prove it prooooooove it”
- she did Indeed prove it
- orange in the movie significies intimacy and that whole montage is coloured orange to show them falling in love
- they loved shooting the tent scene
- the first night they filmed it there was a sandstorm and rain and they had to hide under a tarp and they came back the next night and they were able to get looser with it bc it was the last day of shooting and they’d basically done the whole thing the night before
- the dinosaurs bit was a “symbolic moment between the characters - they are 2 people who don’t believe they can be loved so they’re feeling something impossible and therefore they should see something impossible”
- the wake-ups were like an acting exercise in a way bc each wake up was diff emotionally based on where they were in the loop
- nyles finally cares about something (her) for the first time in maybe hundreds of years and he immediately gets slapped down :(((
- “suck my dick officer bitch” was cristin’s ad lib!!! (if anyone makes a montage of her life’s work she would like it to either begin or end w suck my dick officer bitch, andy said why not both)
- “for some reason i rolled up one of my sleeves [after nyles woke up after their fight] and then we couldn’t get out of it so that was a lesson! it was a terrible choice”
- andy loves the overhead pool shot
- everytime andy watches the confrontation at the wedding he feels terrible for tala, we love an empathetic king
- re: roy’s arc andy talks about how important it is to relish what you’ve got and it was v v v v sweet
- everyone laughed so hard in the arrow/garbage bin scene
- apparently tyler’s shirtlessness in the shower was distracting for people in early tests and they had to tone it back w colour correction 💀
- cristin was like “did that happen when i had to take my shirt off?” and andy was like “uh huh yeah”
- the goat was on set for a couple of days + apparently cristin would talk to it in between takes 🥺🥺🥺 can she get any cuter
- max talked about how they lucky they were to get andy and cristin and how the movie wouldn’t have worked without them, they were so on the same wavelength and there was an early meeting where nobody else could get a word in bc they were talking so much
- nobody was in it for the paycheck, “it was for the love, and dare i say it, for the art” <3
- they took 3-4 nights to shoot the entire wedding, andy can Not stress enough how much they were rushing
- they haven’t busted out any bloopers yet bc they used pretty much every frame they could/reused them in different places
- cristin doesn’t want to know if nana knows bc the mystery of it is what makes the movie so great!
- andy said there’s no definitive answer to a lot of stuff bc a lot of the people working on the movie had diff opinions
- the french song w the slo mo bit of sarah in the bar was cristin’s choice
- andy is v confused why people think spuds is nyles’ dad,, he’s just tricking him into getting a ride and andy’s sorry to everyone who thought it was real
- cristin liked that the payoff at the end felt like payoff while still staying true to who nyles and sarah are and not just super romantic bc “it’s a romcom!” [andy said throwing his arms in the air]
- cloudbursting was andy’s idea from the very first meeting about the movie but we been knew
- andy: “here’s the ending! nobody knows what it means!”
- the family at the end was the producer’s family, they drove a very long way to do that 2 second scene lol
- andy and cristin were swaying to when the morning comes at the end 🥺
- andy clapped and shouted “WELL PRODUCED” when his/tli’s credit came up hahaha
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emachinescat · 3 years
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I've decided to watch MacGyver from the beginning (again), and I'm live tweeting the experience with every tweet tagged with #savemacgyver. I thought it would be fun to share my collected thoughts from the episodes on here as well.
My Thoughts on S1E1, "The Rising"
Good old Lake Como.
"How do I look?" Always amazing, Mac, though here you are so bebby. Gosh, tiny Lucas is tiny.
Ugggh, Nikki. My least favorite story arc in the show. Even with her redemption arc, even her face makes me mad.
I am soooo glad this awkward flirting is only in this episode. Mac and Nikki have never vibed with me.
JACK DALTON
"Who loves ya, baby?" We all do, Jack.
I always wished they would have played more into the original Mac's reason for not carrying a weapon - not just so he doesn't get caught but because he doesn't like them. That was actually one reason I used to be so upset at the reboot when it first came out. I still feel like Mac's character was off for this first episode - a little too cocky, not super developed. But still lovable, and with so much potential!
It's so cool to see how much Lucas has grown into this character over the years, really making it his own while still holding on to its essence.
Lol "serious bad-assery" - Nikki thinks she's so cool. (Spoiler: she's not.)
Lololol Nikki is the Walmart brand of Riley.
Mac in glasses. Adorbs.
Man, I'm already so ready for Matty. Patti is the off brand version of her.
I always love watching Mac rifle through stuff to find his improvisation supplies!
First MacSplaining session! Electromagnets!
"Is this George Clooney's house?" I miss Jack so freaking much.
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Mac kind of looks like a penguin with that waiter outfit on and I'm living for it.
The second Mac hack is so Hardy Boys/Nancy Drew.
"Why don't you ever flirt with me like that?" Um, Jack, do you want your partner's girlfriend flirting with you, daddy fixation or not?
There are two kinds of oops, accordng to Jack Dalton: Oops - I just stubbed my toe / Ooooooops - Zombie apocalypse initiated.
Mac's hair is so shaggy.
"START THE DAMN BOAT!" Classic.
"Hold this and get out of my way." Dang, Mac.
The bad guy is the dude from Galavant hahaha. I know this guy has been in so many things, but he will always be Gareth to me. (That's his name, right? Gareth?)
W H U M P
I actually love the consistency of Mac always having that scar even seasons into the series (except for the last time, in the river). Overall great attention to detail!
That is a LOT of blood in the water.
Lol I'm pretty sure Grandpa Harry didn't say that in so many words, Mac.
Poor traumatized bebby. What am I saying? I live for this stuff.
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Awww, lil Bozer. So smol. So pure. And now I want waffles.
"Eat your waffles." Three words I will never say no to.
"Give me Wang." -Bozer, 2016
Am I the only one who finds these intimate scenes between Mac and Nikki hella awkward?
QUARANTINE, sounds familiar.
Lol "cyberteam." Once Riley Davis comes along, they will be obsolete.
Jack just wants a hug.
I always hated the clinical white room in the pilot. Can't wait for the War Room.
I love the interactions between Jack and Riley.
Mac and Riley EYE CONTACT.
"You two are on timeout from now on." 😂😂😂
THE MOMENT WHERE HE GRABS HER HANDS
Lol, thanks for telling me that's a paperclip. I was so confused.
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"Riley has so much hair!!! ❤️❤️❤️❤️
I love how Riley takes charge. Her confidence is 🔥🔥🔥
"You know what, never mind, I'd be pissed at you too." 🤣
Jack's so proud of his daughter. 💕
"Is that real?" Bless Jack's heart. He's such an old man.
Patti is a square. Pretty, competent, but boring. I miss Matty.
"My man never jokes about tin foil."
Ooooo Nikki is alive. Poor Mac. His whole world keeps getting turned on its head.
Jack can be scary when he wants to be.
Poor, poor, Mac. When he faces Nikki, he looks like a kicked golden retriever. (Also, NEVER kick a dog.)
I'm just eating up all this angst.
Mr. Wizard lololol
Mac hanging from a plane is soooo iconic.
"Don't get cocky. You're the only other one here." Haha, the SASS on this girl.
"Go ahead, you aready had me killed once." Also, oof. Undercover or not, Nikki is cold. I can't stand her.
Excuse me, Patricia, but I would consider running over your neighbor's dog (or any dog) a damn catastrophe, too.
"Sometimes a purge is necessary to fix what's broken." Codex, anyone?
Love this whole chase/fight sequence so much. The music, action, everything... perfect.
The sweat on Mac's forehead when dangling out of the 🚁 - such a great detail!
"YOU GO KABOOM, I GO KABOOM"
Kind of weird to me that Mac seems to be using so much guesswork with this bomb, especially when we know that he's one of the best specialists out there.
That fight scene in the back of the vehicle is one of my all time favorites. The whump is excellent.
Okay, but when does MacGyver ever do anything the way Jack has in mind?
DIY or die. Still so lame, lol. The parachute is awesome, though.
Oof. That landing looks painful and the whumper in me loves it. Even more, I can't get over how worried Jack is as he rushes to Mac's side. ❤️❤️❤️
That break in his voice when he asks if Mac's okay is just... AYSKTUFYIFUYliIIGUOG
Mac burning Nikki's pics like that old Taylor Swift song.
Bozer calling Jack his bestie is so weird and funny to me.
I am so ready for Bozer to get over Riley. They are so much better as friends.
Lol "Those fries won't cook themselves." The crack of a whip, man.
Jack calling Riley a little rascal and then gently asking Mac if he's doing all right there, pal ... taking care of his kids, and I am DYING.
The Three Amigos... come on, Jack. You can do better than that.
Is it bad that I'm actually a little surprised that Jack knows what a Phoenix is? Just seems like something he wouldn't care to learn, especially since he's a sci fi junkie but I never really hear him talk about fantasy.
Oooooooo Nikki's on the loose. Gotta end with suspense, to hook those viewers and make them want more. Well, I want more of this show, but not because of her.
Well, awesome re-watch of episode 1. Definitely not my favorite by a long shot, but so iconic and with some amazing moments! It just makes me that much more excited to get to see the show and the characters grow!
If anyone wants to join me in my re-watching and tweeting adventure, please do! It's my way to take about an hour a day in my busy, busy life to commit to the #savemacgyver movement. (And to enjoy my favorite show yet again!) If you do tweet as you watch, make sure to tag EVERY tweet with ONLY #savemacgyver so we can keep that hashtag trending! :)
Thanks for letting me share my (numerous) thoughts on this episode. This was really fun, and I hope it's something you all enjoy, too. I'll probably go ahead and post episode 2 tonight since I just watched it. I'd love to know what you all think of the episode in the comments! ❤️
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If you guys are ever confused about something I'm into, reading, or watching, and have questions, please hecking ask. I know you might feel awkward about it, but please. I would love to answer your questions about my fandoms, no matter how weird
What's the plot of dsmp? I have no clue what happens in there
You're going to wish you hadn't asked but ok
It's kind of a lot but I'll do my best. Also it's still in the works, so technically any of this could change on a dime but
/rp (black font from here on out so I don't absolutely destroy your eyes)
Season 1:
So it starts off relatively normal for an SMP, with the Dream Team and some of their cohorts messing around. Then Tommyinnit and Wilbur Soot show up and start making drugs (potions) in a van.
Drug van -> drug empire. Drug empire -> country.
Dream doesn't like this, and the members of the newly formed L'Manburg (Tommy, Wilbur, Eret, and Fundy) go to war against those who are still technically with Dream or haven't split off and made their own faction (also known as the Greater Dream SMP). At the end, Eret betrays them. ("It was never meant to be" #1) They lose, but reparations are made and L'Manburg gets independence. Wilbur becomes president of L'Manburg, Tommy his vice. Eret becomes king of the Greater Dream SMP. Niki joins L'Manburg, completing its major members.
Commence Election Arc.
Wilbur decides to hold an election to make his government look more legitimate considering he kind of just claimed leadership. Naturally he tries to rig it and become the only candidate. Wilbur takes on Tommy as his running mate, forming the campaign POG2020.
(Note: MatPat made a Game Theory video on this section. While it misses about 75% of the plot and side characters, it's a good overview of this arc and the mechanics of the server in general. The theory is also wrong.)
Quackity challenges Wilbur, and runs another campaign with GeorgeNotFound as his partner, making SWAG2020. COCONUT2020 (Niki and Fundy) is also a thing that exists. No one votes for them.
JSchlatt joins the server under the guise of a political endorsement for POG2020, but promptly decides to make his own campaign (SCHLATT2020).
There's some drama afterwards, but the gist is that Quackity and Schlatt team up and combine their votes in the final election. (George was sleeping.) With their combined votes, SCHLATT2020 wins, making Schlatt the president, Tubbo (Tommy's best friend and Secretary of State under the Soot Administration) the new vice president. Quackity becomes the Secretary of State.
At his inauguration, Schlatt exiles Wilbur and Tommy (the "My first decree" speech). The two create a secret base outside the border (Pogtopia), Tubbo spies for them on the inside, and Technoblade, a violent anarchist, joins the server and sides with them. This is also the opening of Wilbur's insanity arc (aka the Vilbur arc).
Schlatt holds a festival, and Tubbo plans it. Wilbur puts TNT (TNT he got from Dream, I might add) under the podium and hooks it up to a button in the mountain, planning to press it and detonate about half the country after Tubbo gives his speech. Of course, things go south.
Techno is invited to the festival, while Wilbur and Tommy are not. After Tubbo's speech, Schlatt exposes Tubbo as a spy and orders Techno to execute him. Techno does so (the death system is weird here, and every character has 3 canon, or plot-important, deaths before they die die). And Techno being Techno, he kills everyone else attending as well. Wilbur can't actually find the button so no boom.
There's more tea and arguing but the next big event is 11/16/2020. By now quite a few people have sided with Pogtopia because no one really likes Schlatt as leader, and they decide to go to war, all in, everybody. (These are the events of SAD-ist's Dawn of 16th animation if you're curious)
Chaos ensues, lots of pvp, Schlatt dies of a heart attack for good (yes that's what happens) and Tubbo is inaugurated as the new president.
But wait. You just inaugurated a new president in front of an exceptionally violent anarchist. An anarchist who just so happens to have been the major supplier for the war you just won. Maybe that wasn't a good idea.
Anyways Wilbur finds the button, has a great monologue ("It was never meant to be" #2, and I do recommend checking this one out because the guy knows how to act.) (There's also another animatic by The Channel Without A Name that shows this scene, called Never Meant to Be) Philza Minecraft shows up for it. Wilbur presses the button, big boom, and asks, nay, begs Phil to kill him. Phil does. So now Wilbur's dead for good too. Phil is also Wilbur's dad in SMP canon.
Wow
Indeed. The timing on this bit is a little fuzzy, and most animators take some liberty with it considering there's only about 5 minutes difference between the button press and the following events.
L'Manburg blows, and Techno begins the Theseus/So You Want to Be a Hero monologue. He finishes and spawns two withers into the ruins, completing the major events of Season 1.
Afterwards, Techno leaves to retire with Phil (his old friend), Pogtopia is annexed, and Tommy goes back to L'Manburg.
Season 1 is the most concise and cinematic in my opinion. I skipped the opening of The Disc Saga, which doesn't become super important to the core plot until Season 2, but just know that it was happening in the background, and influenced some of the events (one of the main factors in the revolution, the reason Tubbo became the 3rd president instead of Tommy)
Do you actually want to hear about Season 2 or will I just be tacking on more to a very long post
I'mma be real w ya my brain is fried
That's fair
Another time
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norgestan · 3 years
Note
crisana, norandro, jorgeva and amira x dani
ha, anon just wanted all the canon couples. fair enough!
CRISANA:
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see, skam s3 is my favorite season of all time, but it has never been because of the love story. isak's story hits in a lot of sensitive places for me, and isak was also the first main character i encountered that was my age. i have a really special connection to him for that reason. on the other hand... i enjoy evak for what it is, but i never saw a future for their relationship after the season ended. in a lot of ways, isak's season ended just as their relationship started, a trope that i've never liked because how am i supposed to think that they will last? how am i supposed to know how they will work as a couple? it's just, ugh.
i had similar thoughts about crisana when i watched s2, except that the love confession scene and cris as a character made it even harder to get into the couple. moreover, the way people brush other characters' roles and presence on other seasons because they're so caught up on cris and joana is like... blegh. like it makes me forget that they're actually a well-written couple at times. because imo, og they never did anything really interesting with evak once they got together. but eskam........ oh, dear eskam.
there's something so beautiful about thinking of all the girls, the teenagers that will grow up watching a relationship like theirs on popular media. their entire subplot (??? can i even call it that) in s4 is proof of how GREAT of a relationship they turned out to be. like, i just wanna SCREAM thinking about it because, how is it possible that eskam saw evak and said "we're gonna make this SO good and we'll take our time and then tie it up in an incredibly satisfying and emotional way" and then did exactly that!!!!!! the way they respect each other, communicate, genuinely try to get to each other without dumb miscommunication. the way they understand each other and lift each other up! the way joana knew how to recognize cris' intelligence when everyone was telling her she's dumb, the way cris knows how to make joana feel worth it and show her affection in such a selfless, loving way. their last scene on joana's pov in s4 was the first time i cried during that season, just because it was all wrapped up so beautifully. because eskam understood that although the appeal of their relationship comes from the soulmate status of every evak couple, they had to also put in serious work to make it all work and they also managed to get that across with grounded drama, and also a hopeful message for people struggling with mental disorders. like AAAAAAAAAAAAA god what a great couple they are. maybe i'm too much of an eskam bootlicker but they're genuinely the best evak there is. i'll die on this hill. i'm so happy young wlw get to watch them as a guideline of what they should expect of a relationship.
NORANDRO: already done :)
JORGEVA:
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i mean... it's eskam's fault, without a doubt. i love what eskam did with them in s1: the change of pacing, the way they created jorge, the little story changes to make it more nuanced, i think come together in a pretty satisfying way to show a teenage romance with no real support to last for more than a while. i don’t think eskam fully got the gist of what jonas was supposed to be, but it’s for the better if we think of the message in season 1. for that reason, jorge is like the one jonas who i really wouldn’t mind coming back to his eva. so why don’t i like them?
the answer is simply that i don’t enjoy their trope and i don’t think eskam made a real case of eva and jorge getting back together. they work well as friends, sure, and it’s clear as day that jorge still has feelings for eva, sure. but like, what tells me that they’re just ready to go all in again? eva goes through a really great arc and i would definitely agree she’s in a good place to be in a relationship again, but we know NOTHING about jorge’s journey. he’s just, silently pining on eva and that’s it. i do think it’s sweet and the hints of their lost romance throughout the show are wholesome, but there’s just nothing more to it. jorge and eva work AMAZINGLY as friends! i don’t see why they should push a romantic endgame for them. in my head, eva kissing jorge at that party was just a mesh of the excitement of a new era, the nostalgia of ending highschool, the high of being on this place with someone she really cares about, stuff like that, but it just ends there, and it’s great that way. nothing about eva’s character really led to her aching to be in a relationship again, and for me it feels right to end things with her being single and surrounded by great friends.
MAYBE if eskam had devoted some time showing us their progress and romantic potential instead of trying to convince us that kasim was a real, compelling character. maybe. lol.
DAMIRA:
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(god, i don’t know how long this will be LOL)
i have. so many thought about this fucking pairing. let’s see what we can do LOL. the thing about damira is that i don’t think it’s a pairing that eskam had in mind when they laid out the first two seasons. the little hints of a friendship/childhood crush that happened during cris’ season really got the fandom and they quickly became the most popular non-canon ship in the show, so that’s where i think eskam said “okay, let’s run with this”. but it’s just...... meh. like i can tell that relationships like crisana were carefully crafted (well implemented in nora’s season, greatly wrapped up in amira’s season) but i cannot say the same for dani and amira. it’s almost like virihugo, where they just started giving each other Eyes on the middle of season 3, out of NOWHERE. it just feels forced to me and so i never really felt anything for the couple in question... like, for starters, i think nora and miquel were WAY more shippable than those two, strictly talking about their setup.
if you ever saw any of my posts during s4 then you should know how i actually feel about how they developed their romance (check my anti damira tag for more?) and i don’t wanna go through all those specific points again... but damira is not only an infuriating romance, but also a bad pairing in a narrative setting. like, damira clearly exists to answer amira’s questions about how would the future of a romance with a white guy would be, right? does she get an answer? no she fucking doesn’t, their final clip is like “after all these weeks, we still have no idea so we’re gonna cut things short, go back to our initial dynamic, and wait to see if amira any of us change our minds <3″. so like, even in that sense damira is a HUGE waste of time, and just like everything that happens to amira during her season it has no lasting impacts on her character or her settings.
and personally, i love couples where they’re both equal, and communicate at last, and both make great efforts to change so the relationship can flourish. this is why i offer so much praise to norandro and crisana, where in the first couple both character go through tremendous character growth and work through their problems individually before getting together, and in the second couple they show them clashing and fighting just to display their resolutions and show how willing they are to actually talk to each other and keep their relationship stable. dani and amira, on the other hand.... blegh. eskam wants me to think dani is a knight in shining armor for liking amira but that’s all he ever does. he doesn’t defend her in front of his friends, he doesn’t make efforts to get to know her and her world, he doesn’t communicate his real feelings to her, and the one time he did he humiliated her in public. like, idk, like, even MIQUEL explicitly defended nora when his roommates berated her for not drinking alcohol LOL.
at the end of the day the problem with damira is that it completely misses the point of yousana and its target audience. making yousef a white guy is not necessarily a bad choice if you implement it well (which eskam didn’t do btw), but you have to take into account that sana’s season exists to make a primarily white christian-raised audience relate and stand up for the muslim characters in the show. when the lazier partner of the main couple who makes zero efforts to work on the relationship happens to be white, it just means people will be sympathetic of him, and nor amira - and that’s exactly what happened in the show. people either thought amira was being too harsh by laying conditions for dani before they even began dating and making sure he respected her boundaries, or just wanted all the drama to go away soon so amira could kiss dani by the end of the season. so like, yeah. terrible stuff.
i would’ve liked damira’s impact on the season and amira’s journey a lot more if it had been about a one sided childhood crush from amira’s part. i thought their friendship was charming up to s3, and i simply hate that dani is literally in no way an older brother figure for the girl squad, since it’s a dynamic that’s lacking in the show and it would be a nice way to make dani be some sort of non-creepy eskild for the girl squad (but noooo, his only interactions w the gs are hooking up with eva and dating amira. smh). it would’ve been fun to have amira intimately dealing with those feelings just to learn a lesson by the end of it, at the time that she also falls for her muslim love interest - which is actually the isak/jonas/even dynamic when you think about it, also something that eskam didn’t really do with cris’ season. but also, all of this would mean that eskam had to do the good writing thing for s4, which they kinda forgot to do throughout the entirety of the season so, yeah.
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howlingday · 4 years
Text
Setting: After an unfortunate dust accident, as all things start, Jaune becomes feral and violent, hiding out in the wilderness. He's been gone for months, but has been spotted near a remote location in Vale: the Emerald Forest. He's been spotted killing Grimm, attacking Huntsman that get too close, and throwing rude hand gestures at Bullheads flying overhead. Team RWBY and ORPN are now setting up camp outside what is determined to be his "territory." Once set up, the team begins making plans for capturing their fiendishly feral friend.
---------------------------------------------------
Oscar: The tents are pitched!
Weiss: The fire-pit has been made!
Blake: Are we missing anything?
Nora: Ren just came back with a bunch of twigs, while I brought the REAL firewood!
Blake: I guess we can start planning, then.
Yang: Sounds good to me! Anyone got anything?
Penny: I could set the forest on fire to flush him out. He would escape the blaze towards us, where we will capture him.
Yang: Or he beats the tar out of us for burning his home down.
Blake: We could track him down, see where in this forest he calls home.
Oscar: That could take days, or even weeks. The sooner we find him, the sooner we can use Weiss' dust antidote.
Nora: Even though it was her dust that turned him into this the first place?
Weiss: Hey!
Ren: What if he baited him? (Everyone looks at him) Jaune might be our friend, but he's more or less an animal right now, and animals just need traps and the right bait.
Blake: That could work, but we'd need the right bait first.
Ruby: It should be something he can't say no to. I'd say dinosaur chicken nuggets, but we didn't pack any. (Chuckles) Does anyone have any ideas on what to use as bait? (Everyone stares at her) What?
Yang: W-Well, you and Jaune are pretty close.
Weiss: You both attended leadership seminars together at Beacon.
Nora: You both stayed pretty close together when we traveled to Haven.
Ren: And you have a crush on him. (Everyone looks at him) Was it not obvious?
Ruby: W-What?! No! W-We're just really good friends! Like Blake and Yang! (The two look at each other, then deadpan at Ruby) What?
Nora: So it's decided!
Ruby: What's decided?!
Nora: We use you as bait, and Jaune comes for you, we'll jump out and hit him with a tranquilizer round!
Ruby: B-But wouldn't it be better to have Weiss bait him, slow him down with her glyphs, and then I shoot him with the round?
Weiss: (Shakes her head) It's too risky. With so many Grimm, plus the possibility of Jaune remembering my semblance, he wouldn't try to attack me out in the open where you could be distracted by a rogue Beowolf.
Ruby: But-
Nora: Plus, we already bought your outfit.
Ruby: What?!
THE NEXT DAY, AT DAWN
Yang: (Into her earpiece) Is everyone in position?
Ren: Ren, in position at the north exit.
Nora: I'm at the south exit, over!
Blake: I'm at the east exit with Weiss.
Yang: And I'm at the west exit with Oscar. Does everyone see Ruby?
Ruby: This is bull!
Yang: Ruby, don't shout, or you'll scare away Jaune!
Ruby: Okay, then, let me say it like this. (Clears her throat) THIS IS SUCH A LOAD OF BULL! (Nevermore scatter away)
Oscar: This might actually bring him closer.
Yang: (Whispering) I know.
Blake: We see him! He's entering from east!
Blake and Weiss watch from their position, high in the trees, as Jaune passes underneath. He's dirty, covered in mud and grime, and growing a small goatee. His shirt and armor is gone, leaving only his torn and cut up jeans covering himself. He scans the area and finds Ruby in what appears to be her normal attire, except her collar is cut a little lower, revealing more skin, and the thighs of her pants have been cut out. He approaches her and Ruby takes a step back, causing Jaune to approach more quickly. He stands over her as she shivers, then he walks past her.
Ruby: Phew! He passed me! Maybe I can get out of this.
Yang: (Over comms) Where are you going?! Chase after him!
Ruby: He's not bothering me, so I say let him go and get him from behind!
Blake: Uh, guys-
Yang: Ruby, we can't tranquilize him from here. He's out of range!
Blake: Guys-
Ruby: Out of range?! He should have been in range when he was right in front of me! If I had Crescent Rose, I could have shot him from here!
Blake: Guys, Jaune is-
Yang: I told you why you couldn't bring her! As soon as he saw her, he would have ran!
Ruby: Yeah, I could have got him right in his-!
Weiss: RUBY! WATCH YOUR BACK!
Ruby: Huh? (Turns around, Sees Jaune right behind her) Meep!
Jaune raises his hand up to her, his fingers calloused and fingernails dirty from what she hoped was dirt, and Ruby jumped away. This spooked Jaune and he got defensive. Ruby raised her hands slowly to show she was unarmed. Jaune cautiously approached after a few moments.
Ruby: Easy, big guy! It's just me! It's me, Ruby. (Jaune got closer and put his hand up to hers, then his other hand to hers) See? It's okay. I'm not going to-
Yang: NOW!
Yang leaps from her tree as Nora and Blake do the same from theirs, while Ren, Weiss, and Oscar stay behind to guard their exits. Weiss summons a glyph beneath Jaune and Ruby, but Jaune leaps away, trapping Ruby inside.
Ruby: Dammit, Weiss!
Weiss: You should have jumped out of the way! The animal did!
Jaune turns to run, but is cut off by Nora, who swings Magnhild at him. He steps back, dodging every swing, but is sideswiped by a hook from Yang. He falls to the ground, and Blake wraps his legs in her ribbon. He struggles, but is otherwise immobilized.
Ruby: (Free from her glyph) Tranquilize him now!
Yang: On it! (Reaches into her back pouch) Just gotta... Um, just gotta... Uh, I don't have it.
Nora: I don't have it, either.
Blake: N-Neither do I, but I'm, rgh, also kinda busy here!
Ren: (Into his earpiece) I have it, but I can't shoot it from here. Should I go over there?
Yang: Yes, get over here now before- (Jaune yanks on the ribbon, pulling Blake off balance and freeing himself) that happens.
Ren leaps down, loading Storm Flower with the tranquilizer. Jaune and Yang crash, but Jaune uses his momentum to push her at an angle, then pull in the opposite direction, and swing her into Nora. Nora catches Yang, but falls backwards. Ruby runs out of the way, but Jaune gets behind her, grabs her and uses her as a human shield as Ren fires at him from behind.
Ruby: (Is hit, Slurs before passing out) Oh, you sonova-
Jaune runs away, holding Ruby over his shoulder. He turns and sees Ren pointing at him again, so he turns around and holds Ruby in front of him. He then darts right into the treeline before returning to a beeline for deeper into the forest.
Yang: (Watches as Ruby's carried off) Damn it! (Rips off her pouch and throws it to the ground) Oh, there are the tranquilizers! Everyone group up! This capture mission just became a rescue mission, specifically rescuing our team leader and friend. Everybody split up and find out where Wild Child took my sister! If we don't find her, we go with Penny's plan, and burn this forest to the ground! But until she's found, nobody is going back to camp!
BACK AT CAMP
Penny: Campsite is secure, Patrol number 347 is complete! Now performing campsite Patrol number 348! (Walks around the campsite, Sees rustling in a tent) Unusual activity in Ruby's tent. Investigating.
Penny opens the tent and finds Ruby and Jaune currently fighting each other. She assumed their clothes were removed to make it an even fight between the unarmed combatants. Jaune has Ruby pinned, but it quickly shifts to Ruby somehow pinning him with her smaller form. Due to constant shift, Penny can't intervene, and shuts the tent as she exits.
Penny: Oh, I know! I will cheer on Ruby with some intense music for battle! Now searching data library for fitting battle music. Hmm, since we are in a forest, I will filter for songs with forest-like biomes. It should also feature fierce animals in the lyrics. But it should also be sentimental, since Jaune Arc is Ruby's "cru-friend," as she puts it. Ooh! I think this song fits perfectly!
Penny's speaker extends from her mouth, blasting a yodeling howl that alerts the Grimm to veer away from interrupting this contest of strength, agility, and stamina. It worked, as all Grimm with a hundred kilometers move in the opposite direction.
Penny: (Speaker) Yee-dee-dee-dee, Yee-dee-dee-dee, A-wee-bum-buh-weh~!
Suddenly, the tent starts shaking more wildly, and two combatants grunt and pant louder than before.
Penny: (Thinking) It's working! Ruby is really putting up a fight, if her activity increase by 33 percent is a trusted indication.
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divine-motion · 4 years
Text
my rewrite of tmnt 2012 is turning more into “my fan iteration within the story of 2012 which i change a bit to suit my self-indulgence” (which it pretty much was from the start but hey) so i’m just gonna write down some General Stuff abt it like arcs and stuff
Tang Shen is alive but did get sliced by Shredder like when she dies in canon, so she has scars and Shredder believes her to be dead. Tang Shen also believes that Yoshi went and disappeared on her when he went to buy those turtles so, you know, rough couple of years for her w/ regards to thinking her infant daughter is dead, moving away from japan w/ her husband, and then her husband mutates into a rat and doesn’t tell her abt it. now she works as a robotics engineer at Stockman labs and while she’s still depressed she’s getting better, she likes her work, and she’s working on a certain nanobot project which is going good
(Nano is in this version but they instead are in an arcade cabinet that the turtles then bring to the Lair so that Nano has a family and they get to play with the turtles often. Happy end for Nano!)
Raph is the one who first meets Shen and Shen starts signing the adoption papers for the turtles
Splinter is pretty much the same as in 2012 but like, he gets confronted abt his shit instead of just being Flawless Wise Mentor, mainly by Michelangelo and then Shen when she meets him again. think he’s still gonna die but only once instead of. what. three times?
the turtles have known April for about three years since they went to the surface in secret and met a curious human girl. April quickly decided she has four brothers now and they agreed whole-heartedly
April’s parents are both alive btw and very good parents, though since “the Kraang want to kidnap April” isn’t a thing here they are both unaware of her mutant friends
April isn’t trained as a kunoichi and instead relies on her telepathic powers, which would grow at the same rate as the turtles become better fighters. i have a whole list of her powers and their limits - for example, tinfoil hats do work to keep your head protected from telepathy, much to everyone’s surprise. a metal pot also works, or a metal helmet. Shredder is unknowingly immune to it with his helmet always being on...
the brain worms serve a slightly bigger role, but they are instead creatures from Dimension X, a weak, telepathic parasite that crawls into people’s brains and controls them to keep the worm safe while it feeds on the person. they are what Kraang Prime mutated himself with to create the Kraang hivemind. they are also called “mind maggots” in Dimension X, “brain worms” is just what Stockman and Donnie started calling them when first discovered. removing a brain worm from a person without using telepathic powers can result in the person’s death or severe brain damage
also the Kraang are a more literal hivemind. if one of them sees you, they all see you. the turtles have to use all their ninja stealth to deal with them, and it’s always a risk because the Kraang can easily overwhelm them with how many of them there are
Kraang Prime is probably gonna be offed at the end of the “season 1 finale”, probably by Leatherhead. he deserves it. offing Prime also frees the Kraang hivemind from his control and the Utrom have their autonomy back. either that, or they manage to release the hivemind from his control another way, and it leaves Prime like weak and useless somehow. maybe by plucking off those weird crystals on his head, i dunno, still thinking abt it
oh Leatherhead! Leatherhead is a doctor for mutants, being a bit of a mix between his 2003 and 2012 self. he wants to help other mutants since he knows they’re victims of the Kraang too, however indirectly, and that they can’t exactly get medical help. mutants do have greater regenerative properties, but that’s only going to help you so far, and your bones might grow back wrong quicker. so, Leatherhead spent his years of freedom studying medicine and mutant biology, using stuff he stole from the Kraang during his first escape.
it would be a lot more focused on helping mutants in general. like, there would still be mutant villains that would be fought when needed, but Mikey and Donnie would put their feet down and try to offer the mutants help in settling into their new life. the turtles would also not be disgusted with mutants like they are in 2012 like jeez, dumbdotcomm really put it into words
anyways the Kraang would cease being a threat after “season 1″ and the truce Karai suggests between Foot and Hamato does happen. Splinter hates it and doesn’t trust it at all
Baxter Stockman has his own lab which is pretty successful, and he is an incredibly smart and eccentric guy with a bubbly personality - until you threaten him or talk down to him, at which point he shows himself to be calculating and ruthless, still with a smile on his face. he doesn’t pick up on sarcasm very well, though, and if you ask him to explain something, he will happily do so in great detail, whether you’re friend or foe. also, he doesn’t get mutated into a fly, and he doesn’t get turned into just a brain, either. he’s just a funky regular human guy
Timothy becomes The Badger in this version. he’s also treated better by the turtles, especially Mikey who takes it upon himself to train Timothy, partially bc Mikey wants to be a superhero but knows he can’t show his face. in fact, Timothy was inspired by Mikey specifically as he saw Mikey trying to be a costumed superhero at one point. when Timothy mutates, he becomes a human mutant like Hun and Ravenwood from IDW, so he can become like an actual superhero with powers
more female characters. like just in general more girls please. i beg of you.
Angel is Casey’s older sister who’s off at college as a STEM student, and she is also Nobody here bc i absolutely love that for her, IDW was galaxy brained when they did that. Alopex is her partner here too same as in IDW, and they jokingly call themselves “Batteries, the Double-A Crime Fighting Duo”. Angel is very much against Casey being a vigilante despite being one herself, but she’s an adult so it’s different, obviously
the turtles ask Alopex to be their teacher, too, especially since Raph notices that she fights using anger in a controlled way, and she is a bit surprised and slightly awkward about it but she accepts. Alopex is an arctic fox instead of a red fox here btw, though she has a summer coat most of the time and only gets white fur during winter.
April would also have an arc where she strives to understand her mutant side and powers better, so she would venture into Dimension X alone to find the Utrom, and learns about their society before and after Kraang. Rook and Queen (named Quin here bc Bishop isn’t a Utrom in this version, and Utrom don’t have a concept of queens and kings) would have bigger roles, as they would help April out with her powers and figuring out what being part Utrom/Kraang means for her identity.
Rook is also an alchemist/scientist who created mutagen in the first place, and Kraang was her assistant. this isn’t super important to April’s arc but i just thought it’d throw it out there
the brain worms/mind maggots would result in a City Fall arc i’ve decided. but it would be the only time mind control/brainwashing becomes a plot point in this series bc i think 2012 really overused that trope. like it was there with Splinter and the Rat King, with the parasite wasp mutant episode, and then again with the brain worms but like, several times over.
this also means that Karai doesn’t get the brain worms pumped into her brain. remember that scene where she’s hooked up to the machine and Shredder’s like “damn that shit sucks i’m sorry Hamato Yoshi’s doing this to you”?? that scene was pretty fucked up. anyways Karai has like. agency in her own arc this time
in the City Fall arc Splinter would die and at the end Karai kills Shredder, and Leo and Karai as new leaders of the clans would be like “alright this stupid fucking ancestral cycle of vengeance” ends here
Northampton time after that because it would be a Lot
after that i think it would be space arc time? it would start with the turtles being separated across dimensions and planets a bit like when SAINW happened, but without SAINW. like, Donnie would get to Neutrino (elves with crazy hair version), Leo would get to Usagi’s dimension, etc. etc.
also in case it wasn’t obvious Tang Shen will play a big role as the turtles’ Better parent and she’d have her own stuff to work through, like meeting her daughter she thought was dead and finding out her boss, Stockman, is evil, that her husband got turned into a rat, and that her new kids get into all kinds of dangerous trouble constantly
anyways that’s um. already quite the wall of text so i’ll shut up now ‘til i have more art to post, digital art this time so you can like. actually see what things look like.
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daisychvins · 3 years
Text
。・゚゚・ — introduction.
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introducing ... violet’s demise ! aka grayson aka her big brother she’s been wiring money to stay away in europe <33333
name: grayson swag money jeon  age: 22 turning 23 (don’t ask me about his sign that’s for liza to figure out someday <3) gender: cis male; he/him hometown: baltimore, maryland sexuality: bisexual & biromantic
listen i was feeling rlly committed to completing his stats but i’m already over it so don’t ask dont tell xx anYWAYS let’s get on to the juicy stuff hehe
i tend to ramble a lot so this intro is gonna be probably a mixture of paragraphs and bullet points and everything in between but let’s start simple. also i rlly wanna emphasize a massive DRUGS TW bc his character largely revolves around his interest in and addiction to drugs
blackmails
grayson is claiming that he's been in a rehab program for the last year and is now completely sober and reformed when he really was just using the money to party and travel throughout europe.
without his parents paying to support him now, he's had to start dealing to make ends meet and keep up appearances. it’s mostly coke, but he dabbles in harder substances depending on what his connections can get him. 
grayson dabbles with calligraphy and was notorious for forging excuse notes and parent signatures all throughout high school and even now sells forgeries for a quick buck. the most notable of these was xavi’s letter of recommendation that helped him get into yale. 
background
grayson is violet’s older brother!!1 yes, that’s right, THE big brother who’s been out of the country getting LIT (and by lit i mean he’s been traveling europe on a series of solo trips w his parents’ money and doin lots of recreational drugs)
i haven’t fully fleshed out the dynamic he has w his parents but just know it’s ,, bad ASDHFJNK basically the jeons treated their children like accessories and expected them to be their little trophies and grayson just was not having that as a kid!!! so he acted out a lot and obviously got himself into a pretty bad scene (thank u goosie) and is basically the bane of his parents existence at this point <3 yet they still try to appease him to keep him under control but that’s for the family task to work out hehehehe
despite hating his parents, he adores both of his siblings. before the drug use started, he was always a big nurturer and would have done anything for either of them......now he wouldn’t be caught dead praising violet but he loves her in secret from afar HSJDFKG
yeah basically he met goose when he was around 15 i think????? and got introduced to drugs around 16 or 17 i wanna say and by the time he graduated high school he was just....a much different person than the soft big brother he used to be. his parents sent him off to europe pretty much as soon as he turned 18 under the guise of going to school internationally, but grayson obviously knew the truth and understood that he was being sent away so he wouldn’t be his parents problem anymore. 
he basically spent the last four years galavanting europe and just....trying to enjoy it???? but it’s hard to enjoy an extended vacation when u have no family or friends on ur side anymore </3 he basically used the money to stay in hostels and worked odd jobs here and there to stay afloat and keep supplied w the...special goods....but yeah lots of drugs, alcohol, sex, and recklessness but he DID learn a couple languages??? or at least enough to get through some pretty basic conversations in most european countries so <3 guess it’s all okay then!!!! 
anyways idk what else to put here that u won’t just find out in the family task so uhhhhhh idk lmk if u need anything else i guess
present/personality
so now grayson is just vibing at yale obviously ummm he actually got super into writing after high school, especially poetry. he used to carry journals full of just random prose about his addiction and his deepest thoughts, as well as probably some lighter stuff about his love escapades or maybe goose idk...basically he used poetry as an outlet and it allowed him to really ground himself and find his place in the world even if it didnt include who he thought it would SO with that being said, grayson got into yale due to a poetry competition he was a part of. he saw some big fancy competition being advertised and on a whim decided to submit some poem about his struggles with addiction and losing his family (a v raw piece that he didn’t expect to ever see the light of day) and he actually ended up winning! it caught yale’s attention and they invited him to apply and, knowing how much it would probably disturb his little sister, grayson very smugly applied and was pretty stoked to see he got in 
because that poem gained such publicity, it was assumed that he was a survivor of addiction and was writing from a sober perspective. he didn’t want to correct anyone, so he just went with it and has basically crafted this story about his massive success and has become an advocate for addiction treatment and rehabilitation. of course, none of the companies that sponsor him or the events that host him as a motivational speaker know that he’s snorting lines in the bathroom beforehand or dealing to half the elites, but that’s between grayson, god, and the blackmailer !
basically grayson showed back up because of violet’s blackmail being exposed. he was off in europe, unable to defend himself, and with a massive vendetta against his family so he decided what better way to reenter society than by publicly outing himself as a martyr <3333 his plan is basically to bash the family name to fulfill whatever angsty coming of age arc he has in store for him to make up for the pain of being sent away .... really angsty yeah </3 rip grayson 
anyways yeah he’s a total fake. he’s been using his status as a martyr to his advantage a lot, the best example being his recruitment into the elites. he guilted them into accepting him by discussing the PR benefits of recruiting a member that struggles with addiction and how supporting addiction treatment and second chances would be such a good look for them. like he basically threatened to publicly expose them for denying him due to his troubled past and accuse them of being exclusionary so they said boop ! ur in. now the elites are proud advocates for second chances <3333
i would describe grayson as fearless, overconfident, infamous due to his condition being exposed recently, a little gloomy, he’s kind of just got this chip on his shoulder and feels like he has something to prove....he’s gotta be better than his parents, gotta stick it to them and to violet and to everyone who doubts him. he’s a grumpy guy with a massive vendetta and a need for some kind of justice. he just doesn’t know what that is yet. despite all of the bad, however, he’s genuinely a pretty good guy. he’s really goofy and a genuine person, pretty friendly with literally everyone until they give him a reason not to be. basically, unless you are a member of the jeon family he probably likes you or is at least cordial to you (unless we plot differently ofc but u know). he’s just a big lovable dummy with some sweet drug connects and a knack for poetry. he also knows calligraphy but that’s beside the point . 
idk if this is enough to describe him but yeah if u have any questions just let me know hehe
this is probably gonna make things hard but considering violet was just exposed i think that he’s pretty new to yale ???? like probably just transferred in/started this spring semester rather than being here for the entire year/a prolonged amount of time so most of our plots will likely have to be newer/center on him first showing up OR we can establish their connections from pre-europe which is also fine w me....idk i didnt rlly think this timeline through so let’s just plot and see what happens aghbfjnd anyways i included some connection ideas to help us all just in case
wanted connections
i’d say he’s the honorary dealer of the elites aghbdfjn so literally anyone who needs a plug could be a potential connection. we can obviously tweak this and customize it to each character <3
maybe someone who met grayson in europe. they could have travelled together for an extended period of time or even just a brief encounter. he was over there for four years, so the possibilities are endless. 
building off the last one, this same connection could work with a romantic interest. maybe they were romantically involved for a time in europe and fell out of touch or maybe grayson/your muse just left in the middle of the night and they never saw each other again until now and maybe there’s some unresolved feelings/one-sided longing or need for closure. it could also be that they just hooked up whenever this person was in the area and that was that, no strings attached. 
maybe someone who genuinely believes that grayson is actually sober and really admires his strength and idk maybe they’re struggling w their own issues and seek advice from him or maybe they just make it harder for him to actually do his thing bc they’re constantly around and it’s not like they can catch him strung out and acting up 
someone in the literature department or with a background in english or writing. someone he could read poetry to, or share his favorite lines with. someone who’s taken the same professors and can tell him who to watch out for or what to expect. idk i just want him to have someone to share his passions with. maybe a little crush is forming? maybe they’re just friends who share a love of fiction? idk i’m open to literally anything 
he’s sort of a motivational speaker now bc he advocates for rehabilitation resources and stuff so like maybe ur muse saw him give a presentation or participate in some kind of seminar and they called bullshit on him after the show bc they were like,,, bro i literally saw u partying w max and avery last weekend what the fuck are u on about and now they could potentially hold that blackmail over his head hehe......
exes plots are always fun we love angst in this house 
fuck it let’s bring another family member BHJFNGKM no but grayson rlly is a nurturing guy and like....definitely develops unhealthy attachments to cope w his loss of family so he’d love all the sibling-like bonds he can get to kinda numb the pain of “””””losing””””” violet 
if none of these interest you i’m literally so down for anything pls just let me know and i’m happy to brainstorm always <333333 
thank u for reading this....smooch . 
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brw · 3 years
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Simon Williams
first impression - well, at first i only rlly knew him as the guy who has vision's brainwaves who also dated wanda! so i didn't rlly like him much, because obviously there are. those panels of him hurting her and beyond being a bad actor and also not rlly being great to vision those were. the only personality traits he had. but i got interested one day and decided to search him up and? discovered he had an Interesting Relationship with a certain hank mccoy and this didn't rlly add up to what i knew abt him previously so i was inspired to read some stuff and. then i was hooked hsjsjeje
impression now - honestly he is SO underrated. like he. gets written weirdly... a lot and its very obvious that a lot of writers dont know how to write him outside his relationship w/ wanda but he's honestly cool! he makes a lot of mistakes but he genuinely wants to do good for people and he also sees the best in everyone. like he was vocally in support of wanda, and seemed completely understanding & accepting of hank when he told him all the bad he'd done over the years. he's also canonically a victim of abuse at the hands of his father & elder brother, which still seems to effect him and his relationships even now. and that abuse makes his decision to be a pacifist all the more potent and meaningful. he's also been implied to have suffered from an anxiety disorder & an eating disorder so like. he is genuinely an interesting and compelling character, it's just a shame he so often gets reduced to "guy wanda sometimes dates who doesn't like vision and doesn't know how to act" smh :/
favourite moment - ooo boy... its hard to say. but. probably his arc where he calls the avengers out on their bullshit in what i think was avengers vol 4. and it's a shame they kinda fucked it over and chalked it up to him being unstable because he genuinely had points. he wasn't wrong. like sure i think. threatening to chuck the avengers tower or whatever into the sea was a little extreme but he did genuinely have a point. and also then straight up told hank he loved him so I'm. hsjsjhjehjjrje. this was a good arc anyway and it's a shame they ruined it. special mention though to his talk w/ hank in uncanny avengers vol 2 #28 (i think it was 28 but it could also have been 25 i. can't remember jsjsjej) because that was genuinely also super sweet and shows how he's willing to grow <3 another special mention to his scenes in vision and the scarlet witch because i think we deserve more content of simon and vision being good family members
idea for a story - with our current understanding of child abuse i would LOVE to see him explore his past and actually get help for it. because it did genuinely affect him for some time and while i think him becoming a pacifist did help i also know that. isn't enough to make years of repressed trauma go away lol. i also think were he to meaningfully think about what he went thru w/ his brother eric, he'd be better able to build a stronger and less strained relationship with vision. and i also think it would be helpful if simon, with our current understanding of eating disorders, had that be a canonical part of him. because he doesn't look like someone w/ an ED. and i think it would be important to see a man who looks muscular and healthy struggle w/ that. just generally. character development. i think it would also be good to bring up his issues w/ amora the enchantress (who was implied to have r*ped him) because while his 90s solo series did bring it up it was also. the 90s jajsjsjsjs. i just basically think something similar to his other series but with better writing and a better understanding of what we're talking about.
unpopular opinion - probably that his relationship w/ wanda is um very unhealthy, on both sides. on one hand, when simon was unstable he violently attacked her and tried to kill her. and that is... not good in the slightest, and him being in emotional distress and physically being unstable due to his ions doesn't excuse that in the slightest. simon also had an issue of putting wanda on an unattainable pedestal, which as someone who did that exact thing with a past partner is not healthy at all. you should be able to admit your partner has flaws and is human, and he did not and could not. but also, wanda hasn't been awfully good to simon either. like for a while she refused to be upfront about her feelings to him, and she slept with him while he was still in incredible emotional distress and upset. and imo because of that he. wasn't rlly in a position to meaningfully consent. so yeah. his and wanda's relationship, even without the relation to vision (which makes it worse) has never rlly been healthy.
favourite relationship - his and hank's! tbh it's probably the best one he has. those two. really love each other it is very sweet. they've both obviously grown a lot but i still think they're good/best friends and their relationship, romantic or platonic is obviously very important to the both of them. they're. very close together and i hope that at some point we can. see them be avengers together again because they were so funny sjshwnsnejen. but i also really like his relationship w/ vision when it's written well, because the two of them have. obviously been thru a lot in their own familial relationships so seeing the two of them have some semblance of "normal" with each other is very sweet. i also like the mental relationship of him being viv's uncle a lot. its not canon yet but i have hopes 🤞 he was a good uncle to tommy and billy growing up so by logic he should be a good uncle to viv too!
favourite headcanon - hmmm, probably the one i have now that he is jewish. idk it just. works with him! he is after all a kirby creation. but there's also one i have where he played the violin when he was younger, which also works with him. like idk. it's seems like a thing rich ppl make their kids do and it fits with him 😊
send me a character!
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starrysamu · 4 years
Note
QUEENS GAMBIT,,, spare thoughts on beth and benny ? 🥺
YEAAAH i got thoughts and all i’ll hand them to u at any moment!!!! queen’s gambit spoilers ahead ->
BUT. okay when i first saw benny, i was like what the hell did they do to newt from maze runner bc 16 year old me was soooo in love w that skinny white boy. i cannot get down w whatever p/rnstache thing he’s got going on
anyways i think when we first saw the prospect of them hooking up, i was like i knew this was coming and THEN he totally played it cautious w her. and like truth be told, i don’t know if it’s because he cares that much more for the game or for her (i think it’s both) or if he just didn’t like her at the moment. i thought this whole thing with cleo was a little stilted and like i can see why adding her would maybe put ... a block in the way of benny and beth getting together, but when you’ve got benny sort of closed off and beth sort of still holding onto feelings for someone else, you’re bound to only get so far
that being said, them hooking up was NOT a surprise. i think it’s very radical of the writers to introduce the idea of an unmarried woman and man living together in that time period and honestly for them to go that long without hooking up is not shocking but ... just interesting. i can appreciate that she had a first good time with him too, instead of that other guy
i did find myself getting a little like shocked at the pacing of them though. because the hook up was coming we know that, she’s sort of already established that sort of pattern w the men in that show leading up to it, but benny’s “i miss you” also feels a little stilted just because i don’t think we were given 1) enough build up for that to be justified and 2) enough time to adjust to them as a pair. again, it did not come to a shock when she didn’t respond to that statement
despite that, i do like his redemption arc. he needed one - his character was grody and bitter and with the extra maybe i-love-yous, he needed one. so to see him call her at the end as perhaps the main point of contact in putting all of her friends together probably indicates some sort of hope for them to either stay friends to get back together.
i’m a romantic person. the whole time i watched this i was really craving romance for her just to spice things up a bit. so i’m not gonna say i’ll be upset if benny and beth do end up getting together, bc unlike her relationship w beltik, benny shares an equal love for her passion (u can literally see it when they talk about it after HAVING S/X). and especially with how recurring he was after he “left her life” and told her not to call him again, it’s very very likely. plus, with a little redemption on his side, i don’t think he’s all too bad for her anyways :)
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thescribblerqueen · 4 years
Text
Fanfiction Project List Pt. 2
(Because I have no control over my brain)
A continuation of my Flash/Glee/Agents of Shield fic ideas. Click Here for Part 1!
Flash Age Reversal Fic
Status: Not Written
Tags: Gen Fic, Barry Allen & Joe West, Father/Son Relationship, age reversal, not a crack fic, sort of a character study on their relationship, tags tbd
Summary: Joe deals with his feels of resentment towards Henry Allen as Barry’s Biological Father and all the things he missed out on with Barry. Barry comes into contact with a meta that reverses peoples ages and has to wait several months for the effects to wear off.
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Flash/Agents of Shield Foster Fic
Status: Not Written
Tags: Gen Fic, probably a one-shot?, Joe West & Iris West & Barry Allen & Skye/Daisy Johnson, Foster Family AU, Pre-winter soldier, Coma Barry, Tags TBD
Summary: One of Skye’s last foster families was the West family, Team Coulson looks into events after the particle accelerator explosion and she reconnects.
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For the Hell of It
Fandom: Glee
Status: Chapter 2
Tags: KurtBastian, Former Klaine, Ugly klaine breakup, it’s not bashing but might not for klaine fans, enemies to friends to lovers speedrun,one-night stand, and they were roommates, Post-Season 5, Fake Marriage AU, Fake Marriage with Benefits, denial which might count it as slowburn, trust fund Sebastian, character illness, mentions of homophobia, Tags TBD
Summary: After breaking up with Blaine and calling off the wedding, Kurt is avoiding going back to his apartment after work because they still live together. While stressing over finding a new apartment with everyone moving out he runs into Sebastian and they catch up and hook up. Sebastian offers for him to be roommates afterwards to solve his problems. Turns out when they aren’t fighting over a guy they’re pretty compatible. Things get more complicated with they decide it would benefit them to get married legally for financial and other benefits.
AO3 Link: https://archiveofourown.org/works/29502675
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Flash Westhallen Friends w/Benefits Fic
Status: Not Written
Tags: Westhallen, HalBarry,Westhawne, fake dating au, FWB, of course there’s smut it’s a FWB AU, angst, pining, jealousy, “unrequited love”
Summary: Barry made the stupid mistake of starting a “Friends with Benefits” pact with Iris and Eddie, who wanted to try somethings in the bedroom that Barry has experience with. He needs to get out of it before he gets hurt. His solution, fake date his old friend Hal Jordan who is also trying to avoid unrequited feelings. 
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Glee/Flash KurtBastian Fake Dating AU
Status: Not Written
Tags: KurtBastian, Westhawne, Blaine/?, former Klaine, unrequited feelings, Sebastian is Barry Allen, Bisexual Barry Allen, fake dating au, future fic, tags TBD
Summary: Kurt moved to Central City after Blaine starts dating someone else, and runs into an old face. Unfortunately, Blaine ends up in Central and to avoid ending back up together he asks Barry to fake date him. Barry uses this quell any suspicions that he still has feelings for Iris.
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Glee/Flash KurtBastian Coffee Shop AU
Status: Not Written
Tags: KurtBastian, starts as Klaine, Sebastian is Barry, technically a coffee shop AU, Post Season 3, canon divergence, mentions of assault/injuries, homophobia, Finn lives
Summary: Barry regrets choosing to work at Jitters during the summer instead of at the grocery store like Iris when Kurt Hummel, attending a theatre program in Central City, walks in and asks “Why does your name tag say Barry?”
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Glee/Flash Time Travel AU
Status: Not Fully Plotted
Tags: Probably going to FlashVibe, Time Travel, Sebastian is Barry,???
Summary: Barry inexplicably ends up back in the past without his powers and attending Dalton Academy once again. 
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Glee/Flash Young Flash
Status: Not Fully Plotted
Tags: Teen Barry, Everyone else is older, Barry and Wally are the same age, Sebastian is Barry, realistic coma, season 6 of Glee, Eobard burns down Dalton,???
Summary: Before his Senior Year ends, Barry is struck by lightning and is in a coma for nine months. When he returns to Dalton all of his friends have graduated but the New Directions are still around saving their old glee club.
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Glee/Flash Sebklaine A/B/O Fic
Status: Revived, On Chapter 2, Not Published
Tags: Sebklaine,Klaine, Sebastian is Barry (as usual), a/b/o dynamic, slight freeform, and they were roommates, Alpha Blaine, Omega Kurt, Omega Barry, secret identity, insecurities, smut, heats, & ruts, unplanned pregnancy, summer fling with breakup, drama and angst, Tags TBD 
Summary: Barry ends up in Lima for his forensic internship and doesn’t expect to be renting the same house as Kurt and Blaine. And they only know him as Sebastian Smythe, so he has to pretend to be Sebastian again for the summer. It all goes down hill with an unexpected heat.
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Glee/Flash Thallen 
Status: N/A
Summary: After Eddie’s death and then his dad’s, Barry takes a leave of absence from work and goes to his High School Reunion and spends time reconnecting with old friends. The team promised to call him if they needed him back, but they are completely unaware that at the same time, the time line is being altered in Central and leaving everyone outside of it unaffected.
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Flash/Agents of Shield Daughter AU
Status: N/A
Tags: FitzSimmons, Multiverse, slight time travel, parents being the same age as their children, Deke is an alternate timeline son of Caitlin, slightly inspired by another fic but also I just think Caitlin and Jemma look alike 
Summary: FitzSimmons Daughter is taken from them as an infant and she ends up on Earth-1 as Caitlin Snow. When they finally track where she went Caitlin is already full grown despite that it’s only been a few months for them.
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Flash/Agents of Shield Ward AU
Status: N/A
Tags: Multiverse, Redemption Arc, Post Hive, I might make this a Flash/Ward (Just as Warning), the speed force revived and fixed him then spit him out on Earth-1
Summary: After dying as Hive, Ward some how finds himself alive on another Earth rescued by Team Flash. He knows that whatever happened to changed him, because he can honestly feel emotions he’s never felt before including grief, regret, and disgust over his past actions. A brain scan shows him that he no longer has the chemical imbalance that made him a psychopath. Can he work towards redemption for himself?
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Flash FlashVibe A/B/O
Status: N/A
Tags: FlashVibe, A/B/O, Flashpoint w/o Savitar, Miscarriage, mpreg, Hurt & Comfort
Summary: After the Flashpoint is set in stone, Barry experiences an unexpected miscarriage from a pregnancy he didn’t know about. Cisco isn’t speaking to him over Dante, so he can’t bear to tell him and makes Caitlin keep it a secret and he moves out of Cisco’s apartment. Eventually he finds out and they have to figure out how to move forward.
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All my prompts that aren’t fully worked out enough for summaries:
Five Reasons Barry Allen Needs a Dog
Thallen A/B/O
Allenbert Harry Potter AU
SinghAllen (One-shot?)
Uncle Coulson AU (He’s Barry’s Uncle)
Glee/Flash Twin AU
One-Shots of Pre-Canon Joe West/Cecile Horton Dating/Being Married
Some sort of Nerd Polyamory FitzSimmons & Barry Allen
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c0ffeebee · 4 years
Note
Uma or Carlos from Descendants
ok so my first attempt at this died because of tumblr app but let's try this again
i will answer both because i love there two so much 💛
first uma 💙
OTP for them: umvie, my blue queens 
BROTP for them: huma (they are the ultimate brotp of all time), sea 3, vk 7, uma x carlos, audruma, uma x celia, umal
Other ships: huma MY GOD I LOVE THEM SO MUCH, uma x gil, sea 3, umal, audruma
What kind of fic I’d write about them: well i actually have an idea crafted for a sequel to my accidental love spells harlos fic, this time about uma and evie, but to talk about it would spoil the plot of the harlos fic so yeah, then also first summer uma spends in auradon, vk7 are living in evie's castle but since jay and gil left for their vacation and mal moved into the castle with ben, it leaves only harlos and umvie and of course the romances are starting to bloom, then also i had this au idea with no isle and the evil queen is ruling in her own kingdom and evie is an heir to the throne and so the queen arranges a marriage for her, but evie falls in love madly with the pirate captain uma and in the end uma is basically stealing her away right in the middle of the wedding and they run away on uma's ship (and if evie's best friend runs away with them and uma's best friend is her first mate well then it's a whole other story) 
A favorite canon moment: "what's my name", that high note in "it's going down" you know the one, every time she is a giant octopus, her SMILE when she saw the bridge at the end of d3, "i'm right here girl" i cried, her reading audrey's diary in audrey's bed, that tender hug with harry in d3 when they all meet at evie's, i just love her and now i want to re-watch these silly movies 
Color that reminds me of them: teal (wow, what a surprise xD) 
Song that reminds me of them: WHAT'S MY NAME WHAT'S MY NAME SAY IT LAUDER (this and "chilling" are my two favorite songs from all three movies), every other song from descendants she sings in 
A headcanon about them: harry is the only person (until evie) that she is comfortable enough with to let her guard down, she can't even allow it to herself with gil because he has this image of her that he admires and to show him she's not exactly that image is like tell a kid that santa doesn't exist, she can't bring herself to do it, but what she doesn't realize is that gil is a lot smarter than she thinks when it comes to feelings and he already knows when she's not fine, he can read it, he sees her vulnerability anyway and she is still the strongest and the most magical thing he ever seen in his life, she calls evie "blueberry" in the sweetest way possible, when harry is starting to date carlos she gives carlos a whole lecture of "break his heart and i'll break your face" (yeah haha but really she knows harry enough to realize he's not used to being in love or feeling emotionally vulnerable and she doesn't trust that carlos has intentions serious enough, so she's actually ready to kick carlos's ass if he hurt her platonic soulmate), water heals her and gives her strength, she is a waterbender but she knew nothing about it until she left the isle that was blocking her powers, now she's trying to learn how to control it and sometimes fails, and it's really dangerous because she can control all the substances that have water in them, blood included, one time harry is injured and he's feverish and so carlos just asks like "why don't you cool him off with your powers" and uma ABSOLUTELY REFUSES because she is terrified of freezing harry to death on accident, she lets evie play with her hair but no one else (except for harry of course) is allowed to touch it, evie helps uma with developing her powers and discovers her own magic in the process 
A random AU I think up on the spot for them: no magic au where uma and harry work as lifeguards at the local pool, evie and carlos can't swim to save their lives but come to the pool every day FOR REASONS (insert w|w & m|m solidarity here) 
Anything else: uma was never a villain, end of discussion 
and carlos ♥️
OTP for them: harlos (painfully obvious at this point) 
BROTP for them: CARVIE OH MY GOD I LIVE FOR THEM, jaylos, core 4, carlos x uma, vk7, carlos x jane 
Other ships: benlos (they own my whole ass heart), ben x carlos x harry, uma x harry x carlos, carlos x sea3
What kind of fic I’d write about them: 32k words of story about accidental love spells apparently (see i actually finished this one in may 2019, but my beta still has it, she's having some health issues), then also a fic where harry gets injured (see that scene with uma i've talked about) and he's feverish and in that state he calls out carlos's name, mind you they are not even friends at that point, more like forced roommates (AND THEY WERE ROOMMATES!) so carlos gets scared because he never wanted harry to catch feelings for him or vise versa, so he's distancing himself and it all goes to hell, but believe it or not the fic is more of a comedy and nsfw than angst xD, also again lazy long summer at evie's with just carlos, harry, uma and evie around, it starts with jay sending carlos a massage, it's a photo from a vacation, him and gil and a lot of snow and an actual penguin, on the picture gil is kissing jay's cheek and the caption says "wish you were here, except not really" which is a joke and carlos is laughing and it's ok but he does miss jay a lot, and the fic ends with jay receiving a message from uma of all people and it's a photo of carlos and harry sleeping in a hammock with dude and beelzebub and the caption says "he wishes you were here, except… well you know" and then also the next message with "p.s. except you and gil won't fit in there with them i mean, we need a bigger hammock, when are you back?" 
A favorite canon moment: HEAR HER VOICE IN MY HEAD, "chillin like a villain", him saving core4's asses in the museum, his and ben's first meeting "is that chocolate?", him going off when cruella threatened dude GOD I LOVE MY BRAVE SON, him trying to fight the guy who was aggressive to ben on the isle and jay literally DRAGGING him away, GIRL TALK I REPEAT GIRL TALK, him taming the beast ben, him being ready to kick harry's ass as soon as harry steps on that bridge, him and harry dancing together in "break this down", THAT JAYLOS DANCE IN GOOD TO BE BAD OH MY GOD, actually every time carlos is dancing, i just love him a lot 
Color that reminds me of them: red, white and black (to the surprise of no one) 
Song that reminds me of them: "chilling like a villain", every song in descendants that he's a part of, and also "hooked" by why don't we just because it's such a harlos song 
A headcanon about them: ok so… i don't believe it's even a headcanon but he can kick some serious ass, he's not a coward and in fact it's the opposite he's always ready to fight and the others have to stop him (like jay did in the situation i've talked about above), evie is his first and best friend, he's the only non-magical person in his friend group (evie and jay are both magical ok? I SAID WHAT I SAID), he can't swim at all but learns eventually to prove to harry he can, he sometimes is a mom-friend to jay and mal if evie isn't around to do the job, he can't cook but keeps trying and failing, HARRY IS THE ONLY ONE TO EVER CALL HIM "PUP" (it doesn't even make any sense for anyone else to call him that, if you have a phobia no good friend would ever call you by the name of the thing you're scared of, if my friends would call me spidey i would be like… excuse me bitch what?), harry is the one who's sometimes scared of HIM and not the other way around because carlos can be really REALLY mean without even opening his mouth, his passive-aggressiveness is the worst and harry can't stand it, he hates when carlos looks at him the way he did back at the bridge, carlos is very enthusiastic in bed and he knows almost everything there is to know in theory but lacks practice so harry sometimes feels like a lab rat or something because carlos treats sex like he treats scientific research, he just needs to try a bunch of stuff to know what works best, harry is not against it, carlos pranked chad more than a few times and it wasn't kind at all, maybe carlos isn't gay, maybe he's on the spectrum but he still prefers guys, him and jane break up eventually but stay good friends, HE STARTS TO WEAR EYELINER AGAIN AND STOPS STRAIGHTENING HIS HAIR because previously he just adopted to auradon beauty standards but then he sees harry rocking that eyeliner and goes like "ok if he can do it then so can i!" and it's glorious, carlos knows a bunch of seemingly useless scientific facts, he's good at sports but only the ones that interest him enough, and i should probably stop because it's getting too long 
A random AU I think up on the spot for them: werewolf carlos and vampire harry (witch uma and fairy evie is also welcomed to join), i desperately need this in my life, ok? ok
Anything else: i really wish dude never talked because this dog stole carlos's entire story arc and all the interactions he could have had with anyone but jane the moment it opened it's mouth 
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