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#I have more thoughts but these are the only coherent ones
shipmansflannels · 3 days
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"who asked first" with the yellowjackets
yay! I'm back! the decision to open a new blog just for yellowjackets wasn't easy at all, but since it's been a year since this obsession has barely gone away and I already had an extremely confusing blog with layouts and the like, I wanted to start over with this one. hope you like it. I'll make a very simple and small prompt first, and then I'll make the masterlist and the oneshots/fanfics. stay tuned! sorry for any grammatical or coherence errors, english is not my first language and I'm trying to improve!
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who asked first with the yellowjackets girls...
jackie taylor.
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well, if we're going to be honest here, you definitely asked first.
of course, jackie had already been rehearsing for weeks how he would ask you out. but she's obviously a girlfaillure, so you definitely asked first.
it was probably when she least expected it. it could be at soccer practice, or when you were coming home from school together and you had the audacity to ask her to go out with her to some hypothetical and boring place in the middle of the street… whatever.
all I know is that this little loser was eager for you to ask, and she definitely rolled out the classic, "took you too long…"
shauna shipman.
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again, you asked first.
shauna doesn't have the social tact to ask you out (she's just like me), and drunk is even worse, so you actually had to make the first move most of the time.
just like jackie, it could have been when she was at soccer practice, or when she was alone enough to vent to her journal and you were able to get close to her without scaring her. anyway, the thing is, shauna was already secretly expecting this to happen (a lot of her journal pages were about you btw), so it wasn't a surprise either when you asked her out.
despite everything, you didn't have any difficulties on your first date. she's pleasant company, I suppose.
natalie scatorccio.
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one of the rare exceptions where she asked first.
okay, don't be fooled, either. natalie is very cocky from time to time, but asking to go out with you is definitely one of the times she tends to weaken. so, kevyn probably dared her to do it and she just took advantage of her cooler personality to use it on you.
but that doesn't mean it's a bad thing. in fact, it's kind of a good thing (and probably depressing for her) because she only felt like herself when she asked you. I see in nat a huge tendency to ignore some of her feelings, especially when it comes to people she likes.
the invitation was probably also full of teasing on her part, from body language to the words used for it. and somehow she made it look cool and convinced you to accept it.
things that only natalie scatorccio could do.
lottie matthews.
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for some reason, I'm 100% sure you asked first.
I know many of us think of lottie as a completely carefree, liberal and often bitchy enough person to ask someone out on a date. but, if we count the pre-crash, I think she was a very insecure person and uncertain of her feelings, more due to the influence of the pills.
so, as incredible as it sounds, you asked first. it was in an extremely relaxed conversation between you that the invitation ended up unintentionally, and she was visibly panicked when she agreed.
lottie is probably the type of person who has a rehearsed speech in front of the mirror while getting ready, and with her enviable style and expensive clothes (some stolen), she would do anything to make your date the perfect date.
taissa turner.
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she asked first.
taissa is confident enough to ask you out, I have no doubt about that. but she definitely spent weeks planning the perfect invitation, just in case everything went wrong and she needed to run (just like what happened when she thought about breaking allie's leg before nationals).
anyway, taissa would certainly ask first and it would be quite a surprise for you. taking into account that, from the moment you accepted, you would discover that van also knew about her friend's ideas, and later that half of the team also knew. it would be a shock because you wouldn't understand tai's intentions at first.
but none of them are necessarily bad. one, is that tai was really excited if you accepted, and her anxiety couldn't stop her from wanting to tell the world. two, because she was overly excited that you had agreed to go out with her, and wanted the world to know it as well.
van palmer.
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as much as I would really like to prove otherwise, you asked first.
van has the same problem as lottie, but in her case, it's excessively because of the sarcasm jokes and high charisma. she thinks she's being too much for you and that asking for something like that on this level would end up scaring you away.
in the end, it's totally the opposite, but it's going to take van a long time to figure that out, specifically. the invitation would happen when she least expected it, probably when you were feeling confident enough to pass notes to her during classes.
it's a cute invitation, and one that van would hold in question for a long, long time.
misty quigley.
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there would be no other answer. she asked first.
misty has no shame in admitting that she has a crush on you. and of course, to ask you out on a date, this shame decreases even more. she doesn't even care if she will be made fun of by her colleagues, what really matters is that she planned everything for you to accept.
and when I say everything, it really means everything.
from the moment she will slide up to your table and quietly ask if you accept, to the tone of voice she will use to persuade your brain to accept, to the place she will take you hand in hand and then let it slide. … she literally thought of every detail.
and, well, knowing misty quigley's ability to create plans, the whole thing worked out… until you figured it all out and admitted that you liked it even more, much to her surprise.
laura lee.
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you asked first, of course. there would be no other answer either.
of course, not ruling out the possibility of laura lee asking first, given her hidden impulsive personality, but, in this case, taking the obviousness into account, you asked, and had to be careful with every line said in the invitation.
of course, it needed to be at a time when you were alone, because you were afraid that pressure from other people would make you feel suffocated. this, of course, did not happen. she thought it was a classic weekend outing, like you guys usually did, until she realized your real intentions.
and, truly, at no point did it make her feel restrained or scared. she was ready to be vulnerable and be herself around you, no matter what.
(but, if you casually ask lottie at some point, she will definitely claim that she saw laura lee rehearsing some speeches and compliments for you in the locker room mirror…)
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lis-likes-fics · 5 hours
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Perfection
Pairings: Spencer Reid x bau!adhd!Reader Word Count: 2.6k words Warnings: Mentions of rape, mentions of murder, dead body, crime scene, descriptions of gore, typical Criminals Minds stuff, character with ADHD, mentions of medication... A/N: This is a little more self-indulgent than I meant for it to be, but I do want to point out that this is some of my experience with ADHD, so I'm not just writing random stuff. It is slightly exaggerated, but I also say that about everything I do and it is pointed out that this is based off an off day.
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The long alleyway makes for a nice crime scene, specifically because, despite the busy streets of this city, it's secluded and easy to overlook. It's not too small that the police team cannot fit, but it's small enough that you couldn't cram a really small building into the space. You don’t know how that’s relevant, but somehow it is.
The scene is relatively fresh, the latest of three that brought the BAU to the case. The police handling the scene had it cleared off for you, Spencer, and Derek to examine, via Hotch’s orders.
Spencer's watching you because he loves watching you, and because you're a little off today. There's something about the way you shuffle on your feet or the way you chew on the dead skin of your lip that he finds peculiar. To be fair, you're like this a lot, but today your symptoms are more obvious than usual.
Your eyes scan over the scene with a million different thoughts rushing through your head, less than fifty percent of them actually coherent and fit for conversation.
The three of you spitball ideas back and forth as you look at the man laying cold on the concrete. He's white, lean with light hair and a relatively thin frame. He's nothing like the other two victims, who's physical profiles were all over the place. The only thing they have in common with one another is a single occupation—male prostitution. While this and the first worked on the streets, the second’s job actually took place within a gay strip club a few blocks away from here.
He's got a starting blow to the back of the head, like the other two, and a number of bad bruising and heavy brutality to the rest with overkill to the chest, hands, and genitals. The message feels clear, but there's something a little off.
“Judging by the position of the body,” you speak, your hands restless, “and the way the weapon is discarded, I think our unsub snuck up on our victim in a blitz attack, hit him with the lead pipe, and ran that way.”
You don't point in any particular direction. Spencer glances up from his spot crouched next to the body. Your eyes are stuck on the bloody pipe several feet away from the body toward the secluded area around the back of the building that leads to more secluded walkways through more alleyways.
There is a long pause where they wait for you to explain, but you never do. Spencer thinks you look far off as he examines your face. Derek looks at you, his brow furrowed as he glances around. “Which way?”
“What?” you hum, looking up at him.
Derek elaborates, “Which way did the unsub go?”
It’s your turn to furrow your brow, turning the thin ring on your middle finger. “Did I say something about the unsub?”
Spencer stands, moving over to your side without spending too much time looking at your face. He doesn't want you to feel dumb or awkward, because he loves you and you're just a little forgetful sometimes.
“Yes,” he says in no particular way. “You said the unsub blitzed the victim and ran. Which way did he run?”
He achieves his goal, because you seem to make an “Oh, duh!” face before pointing in the direction of the street. “That way.”
He follows your finger, his brows knitting together. “That way toward the street?” He looks at the pipe, sitting in the exact opposite direction, like they ran and dropped it. “The pipe looks like he'd run the other way to avoid the street. Why do you think he ran toward?” It's a genuine question.
“To throw us off,” you shrug. “It's riskier to go toward the street, but it's also less suspicious than walking alone in the opposite direction where someone could see you and the victim and assume fault.”
He hums. You add on, speaking as quickly as Spencer usually does, “It also means he looks normal enough that he blends in with the crowd. Someone would see a strange figure coming out of a dark alley, no one would really notice a passerby turning a corner. And if this is a popular spot, it's too loud to hear anything going on all the way back here anyway, or no one thinks much of grunting noises when they do hear it.”
You trail off at the end, tight brows staring at the corpse. Derek shrugs, “But what was our victim doing all the way over here in the first pla–”
“There's something in his mouth,” you interrupt accidentally.
“What?”
You kneel down, taking the offered gloves from Spencer and putting them on. You open his mouth just a slight, spotting the white sticking out from under his tongue. Upon seeing it, both of the boys furrow their brows and tilt their heads. Spencer hands you some tweezers he'd borrowed from forensics for this reason.
Carefully, without disturbing the body as much as possible, you remove the strange object from under the tongue. It's a tiny slip of paper, folded up very small and still a little damp from saliva and any other bodily fluids it may have come in contact with. You unfold it.
“‘Unclean’,” Spencer reads from over your shoulder.
“That makes sense for the victimology mixed with the profile. He's a male prostitute,” Derek points out.
“Which explains the locale,” you say, rocking back and forth on your heels.
“What?”
“The locale,” you look up. “You asked why he was here. He must have been working, lured down here by the unsub, who waited for him to turn his back before he struck.”
Spencer agrees, taking a picture of the slip to send to Hotch. “He was killed at night. The streets are crowded, easy to slip into and not be seen. It's more risky to stray by yourself. What you said makes sense.”
You look up at him, standing to your full height again. “What did I say?” There you go again.
Morgan speaks up, “What you said about him runnin’ toward the street.”
Confusion passes your mind momentarily. “He ran toward the street.” You don't say it like a question, you say it like you're trying to back yourself up on it.
“That's what you said,” he insists.
You remember thinking that, but you don't remember saying that out loud.
Spencer swoops in like your hero, brushing his knuckles against the side of your arm. “Remember? You said,” he licks his lips, “ ‘it's riskier to go toward the street, but it's also less suspicious than walking alone in the opposite direction where someone could see you and the victim and assume fault.’ ”
You nod, remembering his word-by-word recitation as you watch him. “Yeah. I did say that.” You flag down one of the forensics workers to bag the evidence. She does so, taking your contaminated gloves with her as she leaves. You squirt a hefty amount of hand sanitizer on your hands from its place on your belt loop. “This is the first victim who's been left behind with a note, right?”
“Yes, autopsy results found nothing like this on the other victims.”
“If the victim was working when he was attacked, it’s possible that, paired with the brutality of the assault and the note left behind, our unsub may be experiencing some kind of internalized homophobia.” You trail off at the end.
Derek shrugs, looking down at the body. “There’s no evidence of sexual assault. Not on the other victims, at least.”
“How old do you think this building is?”
Spencer looks at you, your eyes scanning the wall of one of the buildings you’re between. Your bottom lip is pulled between your teeth, picking at the dead skin again. He thinks you’re cute.
“Focus, honeybun,” Derek reminds you, pulling your attention again.
“Sorry.”
“Judging by the faded color and uneven edges of the brick, and the decay in the mortar,” Spencer says, “I’d say this building is at least 50 years old. Well kept at one point and then let go not long after its production.”
You nod along slowly, taking in the information with a hum. “That’s cool…” Now that that’s out of your mind, you think for a moment. What were you saying again? Spencer watches your eyes light up. “Oh!” You turn to Derek. “He’s obviously confrontational, but he may still be very insecure in his ability and, thus, have to make up for his pent up energy with an excess of violence. Homophobia would explain the obliteration of the chest, hands, and especially the genitalia.”
Derek raises a brow. “What?”
“You asked about sexual assault,” you shrug. “If he continues to escalate above the note, we may see these words carved into the skin as a substitute for sexual violence, or even just blatant rape activity.”
Derek thinks about that, considering your analysis with a nodding head. He sighs and hums, “Alright, I’ll talk to Hotch.” He begins to turn away, grabbing his phone.
Spencer thinks you may have gotten distracted again because you ask, “Did I do something wrong?”
Derek looks back at you, shaking his head and flashing you one of his charming smiles. “No, honeybun, you’re perfect.”
“Oh.”
He leaves to take that call. You start to walk after him and Spencer gently takes your hand. You turn to face him, confused at first but giving him a sweet smile only a second later. “Are you okay?” he asks gently, his voice soft.
You tilt your head, “What do you mean?”
Spencer shrugs, taking your other hand just to rub his thumbs over your knuckles. “You’re hyper today, a little more distracted.”
As if proving his point, you begin shifting back and forth on your feet, shrugging and then shaking your head at the same time. “I’m okay,” you assure him, squeezing his hands gently. “I haven’t taken my medication in a couple days.”
He furrows his brow, suddenly a little worried. “Why not?”
“Didn’t feel like it. Also, I forgot it.” That makes sense. Spencer makes a mental note to remind you to take them as soon as you get back home. “But I’m okay, prommy.”
He smiles. “Prommy?”
“Promise,” you clarify, letting both your hands down so you can swing his from side to side. He lets you.
“I know what you mean,” he says. Though he knows he should probably be more professional because you’re both in public and leaving a crime scene (and Hotch might reprimand the both of you for it if he saw) he raises a hand to cradle your cheek because he doesn’t care. He just wants you to feel safe and loved. “Are you sure you’re okay?”
You nod definitely. “I’m good.”
“Okay,” The way he says it is soft, as soft as a kiss to your forehead or a brush of his knuckles on your skin. “You know, I love you, right?”
You nod, smiling at him like he’s the world—because he is. “Yeah. I love you, too, honey.” You kiss his cheek quickly and pat it. You probably shouldn’t have done it right then, but you did, and you don’t regret it for even a moment.
Spencer’s just happy you know he loves you. “Okay,” he says. “Let’s go before Morgan leaves us.” He takes your hand as you both begin walking. He swings your joined hands, just as he knows you like it.
“He wouldn’t leave me,” you shake your head. “He likes me too much.”
Spencer chuckles. “Everyone likes you.”
“Not everyone.”
He looks at you, furrowing his brow. “Who doesn’t like you?”
“I don’t know,” you shrug. And then immediately after, “Why does the sun look yellow? Isn’t it supposed to be white or something? I heard that somewhere.”
Spencer is happy to answer your questions as he opens the car door for you. Derek is already sitting in the front, his hands on the wheel. The passenger’s seat is empty, but Spencer sits in the back with you. You both speak gently so you’re not disturbing Derek. “The Earth’s atmosphere scatters blue light more efficiently than red light, so the slight deficit in blue light means the eye perceives the color of the sun as yellow. But, yes, the sun is actually white.”
“That’s cool,” you mumble. “I think sharks would look cool as hell with piercings. Do you?”
“I do,” Spencer chuckles. In the front seat, Derek shakes his head and smiles to himself, amused by your conversation.
“Did you know that sharks don’t have bones, so when they die, the saltwater dissolves their bodies so the only thing that’s left is their teeth?” You begin ranting, absent-mindedly picking at dirty under your nails. “And also, their bodies are primarily made of cartilage and connective tissue. It’s lighter than bone and keeps them flamboyant. Also, their skin has a similar feel to sandpaper.”
When you ramble, you sound like Spencer. You spend so much time with him and endorse his info dumps so much that you take on his speech style when you go on info dumps of your own. Spencer loves this because he knows that people tend to mimic the people they love as a sign of affection, and you mimic him a lot more than you think.
He also knew about all your shark facts, but he’s happy to listen. He smiles, “Is that what you were doing up late last night?”
You smile a little, turning away from him. “I got distracted.”
“What’s your thought process behind getting from the sun to sharks?” he wonders. “I’m curious.”
You shrug. “Well, you said your thing and I said it was cool. And then I remembered a post I saw that sharks would be cool with piercings. Then I remembered my shark things.” You glance down at your fingers, bringing them to your lips as you notice a tiny part at the very edge of the nail where it would probably tear off. “I just think sharks are cool,” you mumble around your finger.
“They are cool,” he says. He doesn’t want you to accidentally hurt yourself so he adds on, “Will you hold my hand? It’s a little cold.”
You look down at them, “Yeah.” With a nod, you take his hand between both of yours and let them warm his back up. They’re a bit chilly but they don’t feel that cold to you. You hold them anyway, because you love holding his hand. You intertwine your fingers with his and then cover what’s left.
“Thank you, sweetheart,” he says. He thinks for a moment. “Did you eat today?”
You nod, still watching his hand as you turn it to look at his palm. You gently trace the lines of it, forgetting for the moment that he’d wanted you to warm his hand up for him. But, as usual, he doesn’t mind. “I had a cereal bar this morning. One of those Coco Puff ones. They’re like Rice Krispy Treats.” He doesn’t think that’s sustainable. “And, before you ask, I did have water.”
He smiles. “I know. I told you to drink some before we left. You hungry?”
You shake your head, “Not really.”
“You want a snack?” he compromises, hoping—and knowing—you’ll say yes.
“Yes, please.”
“Okay,” he hums. “We’ll grab one on the way back.” Derek nods gently, remembering to do just that. It will only take a moment.
“Thank you.”
“Thank you,” Spencer says, his voice lowering to a whisper. He knows Derek can still hear him, but he always just wants to whisper to you.
You look up at him, “For what?”
“Being so perfect.”
You scoff, rolling your eyes but ultimately smiling at the warmth in your chest. “You’re so cheesy, Spencer Reid.”
He’ll gladly be cheesy for you.
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Criminal Minds taglist: @queermaxwooo @mdanon027 @lilianhallee @hpstuff244444 @thegr8estpuff @niktwazny303 @bubbles2300 Tag yourself here...
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AITA for not texting my friend?
To be clear I have no intention of cutting off this person, I will not block or ghost them, and if they text me I WILL answer and not be dry or lame about it.
I just won't be the one to start any conversations.
Moving on:
The story is super complicated but I'll try to keep it coherent.
Three people in the story (fake names):
Me (20)
Alex (16) - friend
Luck (16) - younger sibling We are all the same gender.
Something to keep in mind about me: I have always been very sheltered, naive and distracted, people have told me so and the more I learn the more I realize how ignorant I am. So I have very little experience, perception and knowledge of worldly things. This makes it difficult for me to keep up with people my age and I spend most of my focus on stories I like to write. It's not an excuse for anything and I'm actively working to be better.
Something that doesn't contribute much to the story but may be nice to know: Pretty much everything happens online, I've only met Alex in person like 4 times for birthday parties and stuff.
Now the story: I met Alex three years ago during covid when I was doing school online (I was 17 and Alex and Luck were 13). I was introduced to Alex through my younger sibling. Luck added me to a group chat with a bunch of their classmates, and I got popular really fast. Alex took a particular liking to me, because they thought i was funny and we had many of the same hobbies. So Alex was the first of Luck's friends to start a chat with me directly. Alex was always online and so was I, so we ended up talking alot, like all the time. I noticed Luck got kind of jealous, and that was when I began to wonder if the friendship was right, but I did nothing about it.
Eventually Alex and I started writing a story together, it's something I try to do with all of my close friends and we got really into it. A big rule that I have is that the real world and fiction are separate, under no circumstances are they to entertwine, especially emotionally (ex. I have never and will never insert myself in a story or daydream, not even if reality sucks for me at that time) Alex was different, they got attached to the characters. So there I am, obsessed with progressing the story's plot, and I kill off one of my characters. Alex expresses discontent, but not much. It's through Luck that I find out later that Alex had been crying about it for days. I felt bad and brought the character back, and life went on.
A year and a half into our friendship and Luck seems to have gotten over her jealousy, while Alex and I spend more time writing and focusing on the story than anything else. There are some signs in the rare times that Alex and I talk about life that it become apparent that Alex is going through a rough time, but I don't think too much about it since the story is all that's on my mind. On top of this there's school and whatever.
One day Alex starts asking for breaks from story writing and plotting, and I agree without a fuss. It gets me thinking a bit more, and after a couple more days during a conversation about the real world Alex sends a long paragraph about how horrible things are. (I won't explain what exactly these horrible things were for privacy reasons) Now I realize how inconsiderate I've been so far and I tell Alex that I'm there to support them in whatever they need. I spend pretty much all of the next year texting them every hour of every day and this is what happens:
At the beginning of our friendship our conversations flowed wonderfully, we shared our achievements and showed genuine interest in each other's lives. But things changed and by this point In the story our conversations go like so:
Me: (asks a question) Alex: (responds) Me: (reacts to response) Alex: (dry response) -Repeat infinitely-
Aside from that we would always say goodnight and Goodmorning to each other.
One time. Only one. Alex texted me asking for help and I didn't see the message until hours later. I never really forgave myself for that.
At this point I'm 19 and Alex is 15, and it suddenly crosses my mind how our friendship might be perceived by others. I considered Alex another younger sibling, but with all the crazy things happening in the world I wondered what others would think. In the end I concluded that Alex needed me and it didn't matter. So life goes on. My entire life revolves around helping Alex, when I'm not texting them I am worrying, my own problems come second. My whole family thinks I'm addicted to my phone. I'm always tired and stressed. The stories were put on pause.
Time passes and soon I'm turning twenty. I'm starting to think I can't do it anymore, our friendship has turned kind of codependent (I didn't even know what that was until a month ago). I consider ghosting many times, changing my number, blocking, but only for a couple minutes at a time and I always hate myself for thinking it afterwards. I keep talking to Alex, but sometimes I'll answer a bit slower. Let them wait 3-5 minutes instead of 1-2, if I really steel myself I can hold back for 7 minutes.
One day without warning Alex doesn't text me at all. They've dissapeared before but never without sending a quick message to let me know about it, not until this day. Their status also worries me, only one word: "gone". There I am internally freaking out, losing it, trying to come up with reasons for which everything is fine. I don't ask Luck if they know anything because I know they'll get annoyed. It's not until late the next day that Alex lets me know they went a roadtrip. I tell them "I was worried lol" and immediately they ask why. I wasn't expecting an apology but the question struck me as weird, so I was reluctant to answer. Alex pushes for an answer, they haven't been this interested in what I've had to say for years. I with horror I realize that they liked that i was worried, they wanted to milk it as much as they could. I understand that people need validation, but I was already constantly complementing Alex and telling them how important they were. The fact that they preferred my panic (though in Alex's defense I never told them I was panicking) hit me hard. I didn't elaborate on why I was worried. Alex got upset. And i spent the next hour sobbing over my phone, realizing i needed some distance.
I started slow. I wouldn't say goodnight somedays, others I would forgo a Goodmorning, but I always answered (I swore to myself never to leave Alex on read). I went on a trip and I decided I would enjoy it for once, so I let Alex know i couldn't text much. Nevertheless this lack of contact didn't keep me from worrying and wondering endlessly.
After the trip we kept texting less, we expressed missing each other but neither of us did too much to keep things going. I tried to focus on my in-person relationships, and friendships with people my age. I went back to stories and published a novella.
Nowadays Alex and I talk maybe once every week and a half. The conversations are excruciating. Alex tells me how things still suck, my usual words of comfort seem to mean nothing to either of us anymore. Alex leaves me on read as soon as the conversation goes dry, usually after ten minutes worth of conversation, sometimes over the span of many hours. We don't talk again until I cave in and say hello. Then a couple days later Alex says hello. And then it's up to me again, and every time I tell myself I won't do it.
Luck has told me their opinion of Alex, they saw way before I did how self-centered Alex is. The thing is Alex doesn't do it on purpose, I am entirely sure of that and so is Luck. Luck treats Alex nicely but they're out of touch, more than I am. I am not mad at Alex. I still care deeply for them, but I feel like there's nothing I can do andour old dynamic just hurts both of us. Cutting them off is not an option, they're just a kid and I'm better than that. So I just don't start a conversation.
A couple days ago Alex texted me (even though it was my unspoken turn to text first) and we talked, and the conversation wasn't dry at all, and it wasn't that painful to deal with. They showed interest in my life and shared some sad stuff but also happy stuff about theirs, and it felt like old times. We texted the entire day. At one point the they mentioned that I could text them whenever I wanted, and I felt an underlying petition that I do. The conversation went on and eventually they left me on read the next morning when I answered a message from the night before.
Ever since then I've been actively holding back from texting them but I can't help but wonder if I'm a jerk for it.
These aren't even all the factors but this post has gotten too long lol.
So AITA?
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circusinthewalls · 13 hours
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SFW Price Ramblings - MDNI, AGELESS BLOGS DNI
(CW: Vomiting) [Masterlist]
You're sick again. Awake at some ungodly hour, heaving into the toilet for what feels like the thousandth time all because your coworker couldn't be bothered to stay home when he felt ill. Now half your office has whatever debilitating stomach virus it was that'd been torturing him.
What an absolute idiot. You all get paid sick leave, so you don't understand why he couldn't have ju.. just...
Another wave of nausea washes over you, and any and all coherent thoughts are lost.
Caught up in the feeling, you don't notice John entering the bathroom, nor sinking down to the floor to sit with you moments later. Only when your body has finally given up on expelling the contents of your empty stomach do you realize he's behind you.
But when you do, it's from the way he pulls you back, cradling you in his lap. One of his hands comes up with a damp washcloth to ever so gently wipe at your mouth. The other keeps your head in place against his chest.
You don't fight it. Couldn't if you wanted to, anyway. Everything aches, and now your throat is burning from the bile to top it all off. You're exhausted beyond belief.
Stupid Richard and his stupid.. self and this stupid fucking sickness. You just want to feel better already.
"It's not fair," you mumble, tears pricking along your bottom lashes.
John sets the washcloth aside and scoots back a ways, settling against the wall. He let's it support his weight while he supports you in turn. Those thick arms envelope you as he ducks his head down, planting kisses across your forehead.
"I know, honey. I know."
"M'so tired and.. a-and-"
The fluctuation in your voice tugs at his heartstrings more than he'd anticipated. All he wants is for you to feel better, too.
"Shhh, shh," he soothes. "I hear you, sweetheart. It's okay."
He begins to rock you, and that slow motion seems to finally calm the turmoil in your weary frame. He can still hear your sniffles and feel the way your chest stutters with them, but the way you gradually quiet down tells him he's doing right. That's more than enough for him.
"There you go... Just breathe. You're alright, yeah?"
Yours tears are kissed away. Although you barely notice now that your eyelids feel heavier than they had before.
"Safe and warm. Here with me." He hums with content, watching you nod off and presses a few more lingering kisses atop your mussed hair. "You're alright."
Hours pass before you awake again, but you find that you're back in your bed. John sleeps soundly beside you. Each intake of air is slow and even, entirely peaceful. Groggy, but still conscious enough to crack a smile, you inch closer.
You're glad he was able to fall back asleep easily, at least, after caring for you. Now it's time you got some proper rest together. Fitting yourself back in against him, you closed your eyes yet again. This sickness could go to hell, but you'd endure it for several lifetimes if it meant you got to keep soaking up his warmth.
Copyright © circusinthewalls on Tumblr. 2024. All Rights Reserved. Writing not permitted for reposting, transcription, translation or to use with AI technologies.
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heyclickadee · 1 year
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Some Tipping Point Thoughts about Crosshair (mostly):
1. There is a small part of me that is a little suspicious that Crosshair was allowed to partially escape on purpose, buuuuuut Emerie wasn’t the one who put that blaster within Crosshair’s reach, and she looked genuinely frightened when she realized that Crosshair really was going to stun her. It was one of the stormtroopers who put that blaster there, and, yes, it was a stupid move, but no one ever accused stormtroopers of being smart.
2. “Pushed to the limits of his extreme in the most heartbreaking way,” didn’t just apply to “The Outpost,” I see.
3. Speaking of blasters, these early stormtrooper blasters are the cheapest looking blasters I’ve ever seen in a star war—and I mean that as a compliment to the show. Those things look and feel like something that would be mass produced without much concern for quality or durability, which is exactly the Empire’s approach to the stormtroopers themselves.
4. Sooooo…this might sound counterintuitive, but this episode really put the final kibosh in any lingering worries I had that they’re killing Crosshair this season. You don’t do something like this (gestures broadly at Crosshair’s whole thing) and then kill them off. Especially not in some kind of redemptive self-sacrificial death. Especially when what we watched him do in this episode is so pointedly self-sacrificial. Crosshair might try to die for his family in the next two episodes, but there’s no way the narrative is going to let that happen. There’s no way to kill him off right now that isn’t empty, no way to have him die for anyone that doesn’t make the other person look careless by comparison (if only because viewers react to stories emotionally as much as they do otherwise), and no way to end his story in a way that isn’t just an ocean of untouched possibilities. The writers are sitting on a narrative gold mine with this character and I think they know that, otherwise they could have just let him die on that platform. And I’m stoked, because this means that we’re going to get to watch these characters deal with the difficult mess that’s going to be rebuilding their relationships.
5. Crosshair loves his family SO DAMN MUCH.
6. Evil thought: What if the batch gets to him, and he doesn’t realize they’re really there at first? I mean…he’s going to live, and he’s not getting brainwashed, but he is almost definitely going to be in a lot of pain and potentially pretty disoriented. I could see him taking a few minutes to realize that they’re really there and they finally came for him (but OH NO they weren’t supposed to come for him this time WHAT ARE THEY DOING THEY WERE SUPPOSED TO HIDE).
7. Eviler thought: Man, I really hope Dr. Hemlock doesn’t clock the fact that Crosshair will take any and all abuse that’s thrown at him without complaint but will absolutely lose his shit if that same abuse is thrown at another clone.
8. The look on Crosshair’s face when Omega says, “You’re still their brother, Crosshair. You’re my brother too,” back in Kamino Lost is going to kill me ten times over after this episode.
9. I’m looking forward to the absolute murder we’ll get to see in Echo’s eyes once he sees what Hemlock’s been doing.
10. You know…I’m not sure Crosshair couldn’t have made it outside if he hadn’t stopped to send that warning—if sending the warning wasn’t his only goal in the first place. He could barely stand up straight and he still went through about eight people like they were tissue paper.
11. I don’t know what is up with Emerie besides definitely something, but I sort of like the idea that Crosshair stunned her instead of killing her because he maybe got the sense that she’s a prisoner, too.
12. You know, there sure are a lot of clones in Mount Tantiss. In the cells, being commandos. Sure would be a shame for Hemlock if they all revolted at the same time somehow (I feel like this is wishful thinking, but I can dream).
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moongothic · 2 months
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You know we all meme about how Luffy doesn't give a shit about his parents/Dragon, how he seemingly has no interest in learning about the man or meeting him at all, and like yeah that is a Luffyism
And for a long time I figured Baby Luffy would be the same too; that Luffy in his naïvete just accepted he must've spawned from the ocean itself into Garp's care or something, not realizing he should in fact have parents, thus Luffy's seeming disinterest in them
But you know what
Luffy did spend most of his early childhood alone
Sure, he had Garp, but it seems like Garp wasn't always there to look after him every day, he had his duties as a Marine too. Had Garp been there 24/7 all year then Garp would never have allowed Luffy to interact with Shanks (a filthy pirate) to begin with. So yes, Luffy had his grandpa, but not all the time. And sure, Luffy also had Shanks, but Shanks didn't spend all his time in Fuusha Village either, he came and went whenever he pleased too until his final departure when Luffy was just six years old. And yes, there was everyone else in the village too, people who cared about Luffy and were helping look after him. But Luffy's early childhood was one without a stable family.
It wasn't until Garp yeeted the child into Dadan's care that Luffy actually gained a proper family, where after months and months of trying Luffy managed to win Ace's trust and gained Sabo as a brother too. But as we know, by that point Luffy already hated being alone
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All of this to say; Luffy growing up essentially orphaned would explain why he's so afraid to be alone, the way he clings onto people
In some ways Luffy's POV is meant to be the reader's POV, to some degree Luffy's feelings and thoughts are meant to be how we the readers feel and think about whaveter is happening in the story. Not a 100% by any means, but somewhat at the very least.
Perhaps Luffy's lack of interest in Dragon isn't just "Luffy not giving a damn about blood family because chosen families are better" nor "Luffy is too stupid to understand where babies come from". Perhaps Luffy, who may have assumed he didn't have parents at all (as in "might've assumed they were dead or had intentionally abandoned him"), doesn't know what to think about the fact that he does have a father out there, one whom he has never as much as met. Because yeah, Luffy doesn't know why Dragon left him with Garp, why he never got to be with his dad. Should he be angry at Dragon, hate him for being left alone? Or did Dragon have a good reason for it, does Dragon wish things could've been different?
Perhaps Luffy's seeming disinterest in Dragon isn't because he doesn't care about blood family, but because much like us the readers, Luffy doesn't quite know what to make of Dragon, and figuring those feelings out hasn't been relevant to the plot yet.
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snixx · 17 days
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every so often I pause for a moment instead of barrelling through blindly following all my impulses so I have a new distraction to keep me occupied 24/7 so I don't have time to think and then I realize how fucking INSANE I act on an every day basis how the fuck do yall put up with me lmao
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eccentricmoonlight · 2 months
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I know everyone likes to joke about Shu’s restricted access to social media and how he would be a menace about Valkyrie’s online presence but I also like to imagine him having an alt just to be incredibly defensive of Ra*bits. And specifically ibara finding out about it due to a suspicious number of French death threats sent to Ra*bits haters. Like the whole account is painfully obviously his but the only posts are replies to people saying mean things about Ra*bits. The conspiracy scene for fans in the Enstars universe must be insane.
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In Defense of Wuthering Heights
This is not an “I can make him worse” book. It’s a “we can make each other better in the face of tremendous pressure to do otherwise” book. I promise. 
I’ve already written extensively about my love for Charlotte Brontë’s Villette and while I love lots of other Brontë books with all my heart, what I really want to do tonight is try to make you fall in love with Emily’s Wuthering Heights (generally the most divisive Brontë novel among modern readers) the way that I did.
The thing that a lot of people don’t know which I really think ought to be printed on all the dust jackets is that the Brontë sisters were the daughters of a revered. They were PKs and it totally shows.  
So Wuthering Heights is not a romance; it’s a family tragedy. Specifically, it’s an astonishingly hopeful book about generational trauma. 
Heathcliff is Mr. Earnshaw’s bastard son. This is never explicitly stated, but it is implied so heavily that it might as well be. To boot, Mr. Earnshaw favors Heathcliff over his legitimate son, Hindley. When Mr. Earnshaw dies, Heathcliff is immediately and violently cast out of the family and forced into servitude. Mr. Earnshaw’s hidden infidelity is Wuthering Heights’s original sin.
Of course, Cathy and Heathcliff love each other, but it’s a violent and destructive like-recognizes-like kind of love between two people who, on the one hand, absolutely should not be together and, on the other, totally deserve each other. They’re capital T Tragic and capital R romantic: co-dependent, sharp-toothed sibling-lovers who don’t understand their own relationship as kids because their father lied to them. That lack of understanding follows them into adulthood; they don’t really know how to make sense of what they feel for one another, but boy do they feel it. 
Cathy tells Nellie “I am Heathcliff” and “He’s more myself than I am” and “whatever souls are made of, his and mine are the same,” and it’s half a reaction to the fact that one of her brothers (Hindley) has cast her other brother (Heathcliff) out of the family with a vengeance and half a statement of the fact that although she doesn’t know what Heathcliff is to her, she doesn’t know how to live without him. And while Cathy’s love for Heathcliff definitely fills romantic roles once they’re adults, it’s doesn’t really read as sexual. To use Lewis’s parlance: it’s not eros/gift-love, but rather need-love in the most emphatic sense. It’s storge. Actually, it’s really posessive storge that thinks it’s eros. Hence the problem. 
From the other side, Heathcliff is an outsider from the moment he enters the story. He’s an intruder and a presumed bastard. He’s coded as non-white, maybe Romani or similar. (Probably not actually African-black, but kudos to that one movie for at least making the attempt.) He’s… probably kind of a psychopath in that he displays cruelty to animals and then later on becomes a charismatic, manipulative monster. You can make a nature vs. nurture argument—Heathcliff is definitely on the receiving end of a lot of cruelty—but there’s also something Off about him and that too is othering. And after Mr. Earnshaw dies, Cathy is the one person who still loves him.
But of course, they can’t actually marry. On and off the page, that simply cannot be. Heathcliff runs away, Cathy marries Edgar Linton. They hurt each other badly in the process. Neither Heathcliff nor Cathy can escape the harm that Mr. Earnshaw began and Hindley perpetuated. Cathy dies, Heathcliff marries Isabella, and then things get really interesting.
Because the beating heart of Wuthering Heights, the place where you can profoundly see the fingerprints of the reverend’s daughter, is in the third generation. Cathy and Heathcliff devour each other in life and in death, but the children survive. They forgive. The patriarch died without knowing what he had wrought on his children, the second generation died in anguish, but the third makes it out. Or at least Hareton and Cathy II do.
Cathy’s daughter is named for her mother. Heathcliff’s son by Isabella Linton is named Linton Heathcliff. Heathcliff forces Hareton, Hindley’s son and the only one among the third generation not named for his parents, to live in the same debasement that Hindley once forced on him: he denies Hareton any education and forces him into servitude while simultaneously courting his admiration. In essence, Cathy and Heathcliff implore the next generation to go on living their parents’ tragedy and it. Doesn’t. Work.
Heathcliff tries to force them both into awful situations in which they must act out his trauma, his revenge, to go on perpetuating the pain and bitterness. And at first, it looks like they’re going to play their parts. For a time, they’re as awful to each other as everyone else is.
But then they change. Hareton tries to stand up for Cathy II while she’s essentially being held captive as part of Heathcliff’s 12-Step Revenge Plot. Cathy teaches Hareton to read. She laughs at him, but when she realizes that she’s hurting his pride she apologizes and learns to be patient.  
“I didn’t know you took my part,” she answered, drying her eyes; “and I was miserable and bitter at everybody; but now I thank you, and beg you to forgive me: what can I do besides?”
And after this, they both stand up to Heathcliff. They say, “This ends here. This far and no farther.” Heathcliff is their dragon and they face him together. And when everyone else is dead in grand, tragic fashion, Cathy II and Hareton are left living.
But it’s not just that Hareton and Cathy II survive. They specifically un-do the failings of the previous generations. There’s a kind of atonement to it. They’re honest with each other, unlike Mr. Earnshaw. Cathy recognizes Hareton’s humanity, something Hindley never did for Heathcliff. Hareton lets go of his bitterness and resentment, while Heathcliff let his fester into cruelty and Elaborate Revenge. Cathy II is willful, like her mother, but she is also kind. Hareton is proud, like his father, but he is also compassionate. They forgive each other, while Cathy and Heathcliff only ever held grudges.
At the beginning of the book, Cathy is dead and has explicitly not gone to heaven; with the Brontës, you’ve gotta take these things seriously. Cathy is not in heaven and Heathcliff is a monster and they both seem to be damned, but they do not succeed in damning their children. And in that (I would say because of that), even Cathy and Heathcliff find peace after death.
I also do think that the fact that the story is narrated by Lockwood (weirded out by all of this) and Nellie (unreliable, cares deeply about everyone involved) can make it difficult to see the redemptive arc in the story as clearly as we might if it had an omniscient narrator, or if, say Cathy II was narrating. We're presented the Cathy and Heathcliff love story as this great, horrible, compelling saga (and it absolutely is), but then the following generation can almost seem like a footnote. They're adapted out of most of the film adaptations. But they're the whole point!
I do get why Wuthering Heights just isn’t to some people’s taste. Really. Some people just don’t go for Big Romantic Family Tragedy and that’s fine. But too many people come to the Brontës looking for Jane Austen or Elizabeth Gaskell and that’s just. Wrong. You’ve gotta at least read Wuthering Heights on its own terms before deciding that you hate it (not directed at anyone specific on here, but I do know people irl...). And you really ought to read it with an eye towards Emily’s faith. It makes a world of difference.
TL;DR- There’s a beautiful, very Christian center to Wuthering Heights and it’s one of forgiveness instead of revenge and kindness instead of cruelty. It’s a book about people who are destroyed by the sins of their fathers and those that manage not to be. In a way, it’s almost a fairytale.
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alright but hear me out:
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loosiap · 4 months
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hi! I tried so hard to make hair defaults like you or rudhira method but i'm dying in a few steps lol just want to say that i'm utterly frustrated
Hi! Oh sorry to hear that :c I totally understand your frustration tho learning how to default was a wild ride
edit: the last entry on this tag has an old tutorial for adding ages to hair replacements using decustomization method, maybe that would be easier at first if adding ages is what you struggle?
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misclogarts · 2 months
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asian parents will literally do everything except get their kid therapy (devotion 2019)
#this is a half joke btw i have an even more coherent analysis on i'm just. processing because HOLY SHIT.#RED CANDLE GAMES. first off like with detention the visuals are one of (if not) THE strongest point of the game#in how it gets you immersed into the setting and story especially. it does an amazing job of telling a story without using too much words a#as a fan of horror this honest to god broke my heart because it not only is so tragic but it hits close to home 😭#i have so much more to say but i can't get my thoughts together atm. it's a shame that this was taken down from steam because it's SO GOOD.#honestly i kind if cried a little (a lot) at some parts and especially at the end.. having cultural context just does that to you huh anywa#itlogthoughts#edit: yellow tulips in the context of the game's setting means hope and cheer. it is planted to bring good luck; fortune; or better times#in this essay i will-#okay but it's the fact that mei folded tulips to manage her anxiety and in the end also loved her yellow tulip plant dearly#(*and the yellow tulip referred to in the hallway scene during the ritual; the man speaking may be referring to the protagonist rather than#-his daughter. and how he sacrificed his body money and blood to keep hope that his daughter could “be rid” of her illness)#and how in one scene her room is covered from floor to ceiling in yellow tulips. i might fall ill#it's the way she even hoped to the end that she would be alright; that she would recover and her parents would watch her on tv together?#as a family? i might cry again sorry guys
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genspiel · 4 months
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.....................well now i'm just thinking about how echo and noise could've provided a really interesting exploration of mental illness and trauma and stigmatization but canon kinda missed the mark on that one huh
#pandora hearts spoilers#tre reads#pandora hearts#echo#noise#i'm currently not coherent(?) enough to type out Actual Thoughts about this at the moment but i do think it's worth keeping in mind........#something something noise being isolated as “different” and desperately clinging to the one person who kind of understood#but then being used by that person and still losing herself anyways and. and. and#hell even vincent's shit didn't get fully unpacked in ph#dude 1000000% had ptsd. you literally cannot convince me otherwise lmao#but his “redemption”(???) happened so fast you could blink and miss it#can't even call it an “arc” lmao it's more like an immediate 180 degree turn#like no dude go back and unpack that shit. your flashbacks and scissorly compulsions aren't gonna magically go away just because-#-some pretty girl forgave you lmao. that's not how this works |D#(also we need justice for ada btw?? she deserved so much more than just being oz's cute little sister and vincent's target-turned-salvation#(like. why is her only genuine hobby shown from vincent's pov and turned into comic relief. like literally wtf)#i actually feel really bad for noise. like. can you honestly look me in the eye and tell me that you wouldn't have turned out like her-#-if you were in her situation#i never really liked her but i also don't think she's an inherently bad character or anything#(or at the very least she's really no worse than vincent. and god only knows how many people are lining up to forgive HIM)#she's just a very very traumatized and lonely one who never got a chance to heal until right before she LITERALLY FUCKING DIED#she and vincent both make sooooo much more sense as characters once you've learned their backstories#i just wish we could've seen more of the actual healing process for both of them instead of just. glossing over it. god fucking damn it
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perilegs · 4 months
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i miss the era of internet where all we got were anime fansubs made by people who had the time to do what they enjoyed
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fryknave · 6 months
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driving all the hot singles in my area away by refusing to stop talking abt an ai antagonist who is honestly not all that complex and frankly pretty corny but who i love so much that i treat her like shes neither of those things
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moongothic · 3 months
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Do wanna say, I am actually really curious how Iva-chan would feel if the Dragodile Divorce went REAL BAD
'Cause they didn't know the two were in a relationship at all, right. (Otherwise, like, if Iva-chan knows about Crocodile having a kid then surely they'd realize that would've also been Dragon's kid and like. Understands that's Luffy etc) So as far as Iva-chan understands the situation, Crocodile may have been secretly slightly involved with the Revolutionaries for a period of time, had a kid out of the blue, transitioned, and either immidiately broke ties with the Revs entirely and fucked off to Alabasta, or kept on assisting the Revs in secret (possibly monetarily, being a sugar daddy and all 💰🐊💰) for however long in secret, only to pretty much betray them out of nowhere by attempting to take over Alabasta 17 years later Either way, surely Ivankov would've been deeply confused by this turn of events, right? Like what happened to him, why would Crocodile do any of this?
But if the straw that broke the camel's back and shattered Crocodile's psyche was the Dragodile Divorce going really bad, either from Dragon not being that accepting OR due to things going violent over a miscommunication... How would Ivankov feel about that?
Keep in mind, we've only ever heard Iva-chan talk about Dragon with nothing but adoration and respect. They sincerely hold Dragon in such high regard, can you imagine how badly either revelation could change how Iva-chan's views Dragon? 'Cause like, sure if Dragon's straight then that's one thing, but lashing out at his loved one? When he came out? At what might've been the most emotionally vunerable time of Crocodile's life (between the transing and the baby and having to leave his son forever. Y'know. Heavy shit)? Yeah, frankly speaking, Iva-chan would be completely justified in slapping the shit out of Dragon and giving him some choise words. Perhaps even some 💉 Karmic Punishment 💉 to teach a lesson Feeling disappointed in Dragon would be an understatement. But even if The Divorce happened due to a tragic accident (of Dragon attacking the strange man he has never seen before out of instinct when going to see his wife and child), it's been nearly two whole decades. Have the two even spoken since then? Like presumably not considdering Crocodile didn't even know who Luffy was. So if they haven't spoken at all-- did Dragon ever apologize? Or was he that much of a coward he couldn't face Croc and take responsibility for what he did? If so, that is absolutely pathetic and frankly irresponsible considdering the feelings he would've left Crocodile festering with.
Like either way, I'm deeply facinated how Iva-chan would take the news. How that could impact their relationship with Dragon, as well as how they've viewed Crocoboy for the past few years as well.
Because suddenly Crocoboy didn't just go bonkers out of nowhere, abandon and betray the Revolutionaries to try to do something monstrous for selfish gain. Suddenly, it was Dragon who abandoned Crocodile and left him all alone for nearly two decades, believing obtaining an Ancient Weapon was the only way to take down the World Government. Countless innocent lives that perhaps could've been spared in Alabasta had Dragon just fucking talked to his ex--
Yeah. I'm curious how Iva-chan would feel
#Moon posting#OP Meta#Sorry my brain is soup I can't form a coherent thought rn#Something about the mental image of Iva-chan getting fucking furious at Dragon on Crocodile's behalf#Just#I'm not crying shut up#Like if there is a scenario where Dragon genuinely needs to apologize to Crocodile for however the hell he fucked up#I think Iva-chan taking Crocodile's side and telling Dragon that he fucked up and needs to take responsibility would be like. Important#'Cause I think Iva-chan might be the only person in the world who could get Dragon to apologize (considdering how long they've been friends#Especially because Iva-chan might be the person who genuinely understands Crocodile's feelings the best#(Depending on how his egg got cracked and whether or not Iva-chan needed to help with that etc etc)#All of this to say; the Dragodile Divorce really would be more interesting if it went Real Bad. It would impact so many more characters#Another familiar question: What would Kuma have thought of it? How about Sabo and Koala?#But yes Iva-chan's reaction is the one I'd be the most interested in. Especially considdering like. IDK I kind of thought they'd have...#...a bigger role in Kuma's backstory but they actually kind of didn't. Like their friendship was not that important in the end#And a part of me deeply feels like Iva-chan should have a bigger role somehow in the story. Like they should impact things more#And yes if Crocodad Real then that alone would add to Iva-chan's role a whole bunch. But that would be like in past tense.#How about how things are going to go down from here on out? Yeah
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