we need to talk about the fact that for many of the posters in season one, they are literally on opposite sides and/or have a dividing line between them
and now they're literally crossed over in some way for the season 2 posters
Installing Treasure House 2022 for the Love and Hope~2022 World Women's Art Confluence Art Festival // We/Women's Boundary Narrative ~ Continuity, Flow and Convergence.
Therefore, at this moment, we gather the female artistic power of Taiwan & the world on the east coast of Taiwan, to view the roles & creations of contemporary female artists from different perspectives. A contemporary context of boundary dialogue & extension in contemporary Taiwanese women's creations, and provides a medium for viewers to think about the relationship between themselves, others, & the societies we live in. On the one hand, it is a metaphor for the brewing of new things from existing things, & at the same time, it is exploring the connected to extend, evolve, & to grow meaning.
Exhibition Venue: Taitung Art MuseumExhibition Date: 25 Jun to 4 Sep 2022
Instructor: Ministry of Culture|Organizer: Taitung County Government,
|Sponsors: Taishin Bank, Itayuan Hostel Taitung County Aboriginal Culture Association, Norden Ruder Hostel - Taitung Branch, Qu Tao Man Hotel - Taitung Hotel Cham Cham Taitung, Women's Bookstore, National Women's House
Been a couple of years, but I still think fondly of Grace Monroe from Infinity Train for achieving that very rare redemption arc narrative of "the people you hurt are allowed to sever all ties, and you can still become a better, happier person."
Laudna asks an extremely important question, now that they're back on Ruidus... How far will they go in this information-gathering mission ?
I feel like the second time is kind of a bonus time, to find out more. They did much already - and yes, it would be frustrating to know there's a capital city and not go there, but also the capital will be FOR SURE the most dangerous place. So it's extremely important to establish a frontier, a situation where they bamf out... Boundaries.
I almost question if most of the "errors" people with disrupted or prominent Neptune placements experience is second-hand and not individually stemmed, as if we were taught to ignore our intuition because, socially, it seemed misplaced.
People with tense Neptune-Mars aspects are not weak within their drive and ambitions, but are confined to the expectations to act like so; etc.
i’m having thoughts about batman vs green arrow, and how the central characters shape the stories their supporting casts are allowed
like, in batman comics, bruce’s story is about being permanently shaped by a grief he can never move on from (his parent’s deaths, and later jason’s death). the premise of batman, bruce’s unyielding dedication to his mission, requires that bruce always be living in the shadow of his formative trauma, always responding to it. structurally, he can never be allowed to heal (because a happy bruce wayne isn’t batman), which means he can’t really grow. his supporting cast can develop and grow in their own right, but they can’t leave (bc they’re batman characters), so they stay stuck in the same unhealthy dynamics with bruce. this creates a narrative paradigm where positive change rarely sticks, cycles aren’t broken, and the easiest story to tell is a tragedy. bruce isn’t allowed a happy ending, so nobody who loves him gets one either.
now compare this with green arrow, where ollie’s stories are so often about having the humility, courage, and determination to take accountability for your mistakes and change for the better. transformative change is his whole deal! it’s the point of the island! and his relationships with his supporting cast reflect this. ollie messes up, he learns from it, and his relationships with other characters develop and improve accordingly. the point of the story is that ollie changes, making change possible for everyone. and so green arrow books present a paradigm where characters are allowed to grow in ways that stick, where harm can be learned from instead of brushed aside, and where happy endings aren’t guaranteed but do largely feel possible. yk?
ok so apparently i can just never articulate my Deep Thoughts on purpose and can only do it by accident whilst rambling in the notes of a bookmark where the veneer of anonymity feels like a false-protective coat to hide behind, or somesuch-something like that. idk. anyways. anyways. i don't like how fucking mean-spirited across the spider-verse as a film seemingly is for literally no reason at all other than just bcuz it Could Be. y/k.
both ad lib lovers and the summer hikaru died to something really interesting wherein they take typical genre conventions and set-ups of BL and place them into a genre other than romance, while still portraying the romantic undertones. where the summer hikaru died does this with horror, ad lib lovers does this with comedy.
as opposed to hikaru's focus on horror, in ad lib lovers, jealousy, desire, and a fear of inadequacy and loving someone more than they love you is portrayed through the lens of improv. this accurately depicts that having a crush on someone as an adult is humiliating.
Convos about whether AI art is "art" are not only boring, but also tend to blur the line between a human interacting with AI to make art, vs an AI "making art by itself", which necessarily implies the AI having Agency & a Sense of Actuality outside of its training data
Oh? You like [popular ship]? Which one is always making "unecessary boundaries" and is "emotionally incompetent" and which one is always stomping over those boundaries in the name of "emotional competence"?
It's interesting to me that (unless I really missed something) after the point where Hannibal sends Dolarhyde after Will's family, Will stops framing his work on the Red Dragon case as something altruistic.
Prior to that, Will talks about saving people. He even, immediately before the attack on his family, tries to convince Hannibal to help him via an appeal to his better nature (!!!)
WILL GRAHAM
Do you know who they [the family that Dolarhyde is going to target] are?
HANNIBAL
Yes.
WILL GRAHAM
You're willing to let them die.
HANNIBAL
They're not my family, Will. And I'm not letting them die. You are.
(Which, just, listen. Hannibal is maybe the single least likely person, ever, to be swayed by the argument "maybe it would be better if fewer people died." Honestly.)
I just think it's interesting that after the attack on Will's family, that whole motivation (or pretense-at-motivation) is quietly dropped. It's not about saving the next family and it's not even really about the fear that Dolarhyde will try to finish the job. ("I can't go home until the Red Dragon is out of the way" reads more psychological to me than a statement of actual physical danger, although the viewer does also have more direct insight into Dolarhyde than Will does, and we know that he doesn't really seem interested in trying again...)
Will starts drifting further into Dolarhyde's mindset right at the end of the season, and by the time the final fight at the cliff house happens, it doesn't really feel about anything other than self-actualization. Will enacts his own becoming upon Dolarhyde. It's not about who Dolarhyde is or what he might do in the future so much as it is about Will, and what Will wants.
Anyway. The whole point of this is that it's a fun alternative (and, yes, compatible) motivation for Hannibal to direct Dolarhyde at Will's family in the first place. Will came back to the FBI and he came back to Hannibal, but he wrapped himself in a shroud of morality that doesn't align with Hannibal's view of Will's underlying self. Beyond the jealousy angle, Hannibal is making Dolarhyde bad in a way that is immensely personal to Will, so that Will can't deny that how good it would feel to hurt him.
"Maybe I drink too much for a singer. Maybe I smoke too much for a singer. But it can be quite demanding, this life. So, for me to have those little vices, it's important." - Louis for The Telegraph
He even acknowledges himself that he smokes and drinks A LOT. but he sees it as his little pleasures in life. He says he needs it because he finds the life he lives demanding. He also once said that he needs a drink before the show to calm his nerves. So that sounds very much like he uses alcohol and cigarettes as a coping mechanism. That is NOT healthy. Wherever the memory loss comes from, he still has a problem with drugs and alcohol. He admits it in almost every interview! He just doesn’t see that it is a problem. Just like you :) instead of making fun of people who are concerned about Louis, you should at least acknowledge the fact that these concerns are very reasonable to have at this point. You don’t have to agree but making fun of it makes you look like a fool who is deeply in denial about reality.
Metatron told Cas to cut out the heart of an innocent, and he did it. Then I see takes where people position Metatron as trustworthy and Cas as a shrinking violet.
No. Cutting open an innocent was the very first task. Let my man be flawed.