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#when magic is a thing most people don't know about and doesn't seem to have meaningfully affected humanity's development
wonderlandhour · 3 days
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Ok, call me crazy, but I have a theory. And it might not necessarily be a theory, maybe just an observance, but I noticed something with Malleus Overblot.
Warning - Spoilers for Book 7
So as we all know, the main plot point that leads up to Malleus overblotting is Lilia leaving NRC due to a loss of his magic. But over the books, I've noticed something. In Book 6 we learn that overblots are less a sudden intense outpouring of blot and negative emotion, and more like the tipping point of an amalgamation of years of buildup. I find that made a lot of sense with what I'd noticed, because with the blot gathering cut scenes, even in parts where it seems like things are going pretty well (like with Azul, Jamil, and Leona all having the upper hand until almost the very last moment), it gives a sense of dread and things taking a darker turn.
And while some of them make a lot of sense (Vil's ever growing obsession and losses to Neige or Riddle's constant fights with the main gang and his own dorm), in the instances where the blot buildup doesn't makes sense, Book 6 fave it clarity.
But I noticed that there's always a tipping point. A snap where you can see the character in question starts acting differently or odd. Riddle was violent and sudden, all of them were. But Azul was the first and most obvious example of this snap that I noticed. Leona destroys everything he worked so hard for, it cuts back to us and the tweels, and when we get back to Octanivelle, Azul's gone batshit. Literally. He snapped in every sense of the word. Riddle's snap wasn't obvious to me aside from the absurdity of Ace punching him, until I looked back. Riddle's snap was Trey going against him. Leona's was finding out he not only got found out, but got foiled. Jamil's was thinking the whole world saw his plans (which I believe was actually less just his own plans getting fucked but also a reaction to the fact that if he got found out by thr Asim's, his family might not survive their wrath but that's for another time.) Vil's snap wasn't even what lead up to him attempting to poison Neige, because he acts normal right after when Rook takes the juice. His snap is Kalim stopping him from hurting Rook with said poison. Idia's snap, I don't think was in the underworld talking to the original Ortho. I think Idia's snap was hearing Ortho call him Idy.
But Malleus? While the lead up is all about Lilia's impending leave, his loss of one of his only people. The only person who's been there his whole life. His dad. He's no where near Lilia when he snaps. He's already snapped when he shows up in the party with Silver and talks Maleficent monologuing. You can so easily spot his snap, because similar to Azul, he goes batshit. Silver notices it right away with Malleus laughing suddenly.
The begs the question, why did he snap with Silver. They were talking about Lilia, and Silver was crying, but to me. It didn't feel like that snap was about Lilia. It felt like it was about Silver. I'm one of those people who believes that Malleus and Silver are like brothers. They have a bond like that, even if they don't act on it in cannon. They're supposed to be a prince and bodyguard, those are their roles, and they're good at playing them for a reason. But that's the thing. If that's all they were, why would Silver, who doesn't show that much emotion is general, who's calm and collected, who runs out in what seems like a near panicked state to find Mallsus before Lilia leaves, start bawling his eyes out in front of Malleus. With barely a nudge?
They were both essentially raised by the same man. They are brothers through Lilia. Malleus has almost no one, he clings to Yuu because they treat him as if he were just another person. Just as Lilia does. Just as Silver often does. Sebek is the only one of the group who treats Malleus the way we could expect someone from Briar Valley might. Sebek is a whole other thing, but wouldn't Silver, who was raised by Lilia, who was taken in by his grandmother the queen, who guarded his and acted as her general, treat him similarly?
He does! We see it in events like the Glorious Masquerade, he is still Malleus's bodyguard for a reason! But if Lilia's relationship with Melanor was like Silver's with Malleus, it makes sense that their relationship would reflect that of their parents. And it has the added effect of Malleus being an orphan as well, and as far as I can tell (and an eng player trying to not get too many spoilers), Lilia takes a major role in Malleus's youth. He might not have been there constantly when he was younger, but he was there. And he was the only one who (besides probably his very busy grandmother) didnt treat Malleus as something to be feared or revered.
But what does this all have to do with Malleus snapping and overblotting? Malleus and Silver have a very specific relationship in cannon. Its professional decently often, but it's also soft. Silver will absolutely protect Malleus, but he knows that he doesn't always want or need it. He doesn't need to be observed like a hawk 24/7 if something goes sideways. (Seen in how quickly he and Sebek check on Malleus after the attack in book 6, and how calm Silver is while Sebek is panicking over a missing Malleus he wouldn't leave alone later on).
Malleus barely has to say anything to Silver before he breaks down in tears about everything with Lilia. I know as someone who be very private with what's bothering me, the only person who could get me to break down that hard and that fast would be someone I consider family. Silver so inherently trusts Malleus that he'll sob and cry in front of him with so little. He's desperate and shattering. The only person he let see that was Malleus.
Then Malleus laughs, and Silver's caught of guard. That basically proved that this is his snap, because it pretty much fully implies that this is out of character for the prince. Silver would take the laughter and the teleporation is sride. Instead he's shocked and bewildered through both of those things, confused when they show up at Diasomnia.
Malleus only goes back and quickly overblots because he'd already hit the point of overblotting. But it required blot, and he hadn't used any magic for that blot like everyone else until he got back and everyone started fighting him. He overblotted because losing Lilia killed him. But he didn't Overblot until the only other person beside the newcomer Yuu (who was also trying to figure out how to leave him) who treated him like a normal person expressed his exact feelings.
Neither brother wanted their dad to leave, but Lilia was leaving, and it broke Silver. And thus, Malleus snapped and overblotted because of Silver.
Anyways I'm not very good at articulating myself sometimes but this is just a long-winded way of saying I think malleus actually only fully overblotted because his little brother sobbed for their dad leaving them and his need for the few people he has was combined with his need to protect them (aka the sweet dreams and forcefullness of them) and Silver's breakdown was just the final straw. He kept Lilia and everyone else via their dreams safe because it meant they were all together and happy.
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notquiteaghost · 9 months
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one thing i am really enjoying abt rivers of london is peter grant's autistic curiosity. why DOES it work like that!!! i cannot engage with a Magic Is Real story without trying to work out the fundamental principles even if the story itself isn't remotely concerned with them, and im not saying every story should be concerned with them, i spend a lot of time suspending my disbelief very purposefully, but oh it is so nice to have the pov guy also be like. i noticed magic made technology break so i spent a full day doing controlled experiments about it
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sirfrogsworth · 6 months
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Do you remember that Aussie sword guy who used to talk about medieval weapons?
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And, like, he seemed pretty good at talking about swords and shit. He seemed to have a good grasp of the history and tactics. He'd analyze movie weapons for their realism and that was fun. He did demonstrations with real weapons. For a time I really looked forward to his videos popping up in my feed.
He seemed like a harmless sword-fighting aficionado.
But then I guess he wanted to spread his wings. So he started down an anti-woke path. Giving questionable critiques about media and feminism. He started defending boob armor by showing historical examples even though most of those were decorative and not battle ready like in the games.
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Then he admitted he was a fan of The Daily Wire.
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And that was disappointing.
I missed him nerding out about swords, ya know?
Well, Shad decided to spread his wings again.
He has become...
*bad French accent* An artiste.
You see, he types words into a little box. Then a little robot does a google image search and steals a bunch of art. Then that robot reconfigures that art to be nearly indistinguishable from the source material. Well... aside from the occasional artist watermark.
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Whoops!
A.I. art is very difficult. Sometimes when you type words into the box you get a woman with 5 lopsided anime tiddies. Or 20 fingers on one hand. It takes time and effort and experience to type in the perfect magic words so that you get something close to your imagination that doesn't belong in some sort of Lovecraftian horror ripoff.
For example, check out this cool "pirate hat" I asked A.I. to place on my head.
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Clearly, I am not skilled enough at typing words into a box to get a proper pirate hat.
It. Is. Not. Easy.
I heard someone say you have to type things in a box for 10,000 hours before you start getting truly masterful generations.
I mean, you can't type "marathon runners" and expect that to actually work.
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THIS REQUIRES SKILL, PEOPLE.
And I am a lowly amateur. I can only dream of becoming the box-typist Shad has honed himself into.
The thing is... Shad is very upset.
He is upset that you don't like his "art" and he is ready to die on this hill.
So... before he croaks on a mound of bullshit, he has something to show you. He has created something truly brilliant and when you see it, he is convinced you will validate his considerable efforts.
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Before I show you his "Not. Easy." artistic masterpiece I'd like you to sit with what he has said for a second.
Ruminate in the verbiage.
Process the ideas and points of view presented.
Digest his plea for you to accept and love his hard won battle after typing words into a box to manifest his imaginings.
.
.
.
.
.
.
.
.
Have you sat?
Ruminated?
Processed?
Digested?
Okay, here it is...
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evilminji · 2 months
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You know what idea has always ENCHANTED ME?
Ever since I saw it on a sci-fi show?
The Deadly Magical House That Loves You™. See, it's a house that has become something MORE. Gained sentience. And? Instead of acting out some cheap horror movie jump scares? It digs deep to its foundations, thinks long n hard, and decides on what it WANTS.
And it WANTS?
To be a HOME™.
To TAKE CARE OF somebody. Have LIFE in its halls. Meals at its tables. Joy and laughter bouncing across its walls. So? It lays a trap. Lures people in.
Come live in me~
I am a good home.
I am Free! I am "Safe". I will give you whatever your heart desires.
I care not for morality or laws. Boundaries or taboos. Do you desire? Come, come, be HAPPY~! Live in me! Relax here! Forget about the world beyond these walls. Anything I can not give you, I can bring TOO you! This is a Happy Home.
But, of course, such sentience and pushiness terrifies. People run and flee in horror. The house getting more aggressive. Trying to hold tighter. After all! If they would just STAY for a while, they would SEE! It's so LOVELY here! The would LOVE to live inside them!
But... instead?
They are hurt.
Doors smashed open. Windows broken to escape. Furniture thrown. Their avatar, Jeeves, bashed with heavy things. Why... WHY?! They are only trying to HELP! To LOVE them! Be a good HOME! They grow more and more run down. Starved. Wrathful.
It is, of course, their Obsession. To be a home. They are so very hungry.
When? Who should come along?
But the depressed AF Ghost King! He's been... not TECHNICALLY kicked out. But "things are tense" kicked out. He's tired. His college courses are remote. He can't really AFFORD rent. And everything is just...
He's TIRED.
He wants to cry.
Why... why can't he have ONE good thing? ONE sign everything's gonna be alright?
"Free House!"
Well... I mean... that IS a literal sign. Huh. He flies down. The house notices him. Tries to look as enticing as it can. And? Gasp! I... It's WORKING? This one seems INTERESTED? Quick! Flowerbeds! Look at my flowerbeds! Ooooh, lovely floooowers! A.. and there's probably really nice wood flooring! C'mon. C'moooon!
Danny? Sees a free Lair. Not too far from both Gotham AND Metropolis. Good location. Needs a little fixing up. But I mean... you can't beat free, right?
Is he really gonna do this?
......fuck it. Yeah, let's do this. First house time. He's just glad he carries a sharpie on him most of the time. Scribbles "Sold!" Over the sign then calls Jazz. He's... kinda not sure WHAT he's supposed to pack?
Finds out, post move in, whoop. Sentient Lair. Clingy, clingy, highly desperate sentient Lair. Oof. Guess fixing up the place can be therapy for both of us. Jazz helps.
The house heals. He falls into a routine. Schoolwork, hang out in the garden or the observatory, meals FaceTiming friends or watching videos, naps whenever he wants them. It's... it's so peaceful. Quiet and soothing to his agitated and worn down soul. Like a balm.
House gets him whatever he needs. They're kinda awesome like that. Always seems to have room to fit this or that. He doesn't question it. His brain figuring it works on Zone logic.
He probably SHOULD have.
Because? Things have been going missing. At a slow, steady, pace. Food, technology, entertainment. A building that shouldn't BE there, has been spotted in a wealthy county just outside of Superman and Batman's two cities.
No one can get near it.
It's been getting BIGGER.
Growing, like a tumor, room by room. Floor by floor. The gardens creeping like kudzu, to swallow everything in their path. Yet delivery drivers drop things off. Things they don't remember. On trips they don't recall. People are scared.
Amateur detectives have managed to discover some sort of starlit fae that lives there, along with a human boy.
Justice League Dark has been called in. Are currently standing just outside the slowly creeping property line. A garden statue just hissed at them. The trees are trying to throw acorns. A hushed argument has already broken out. How do they contain the house?
@the-witchhunter @nerdpoe @hypewinter @hdgnj @babbling-babull @mutable-manifestation @spidori @lolottes
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mee-op · 9 months
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Facts about in-game Yuu (Twisted Wonderland):
NOTES:
This is an ongoing list and will be updated with new information. I'm not caught up w/ chap 6 and I'm not very perceptive. This list is so long because of all the people who commented/sent asks, so thank you Last but not least, some of these might be a stretch/be slightly incorrect so bare w/ me plz :] More Yuu facts [ ONE / TWO ] <- not mine
They've been good friends with Heartslabyul ever since Book 1.
They're forgiving/don't hold any bad blood with the people who've overblotted (at least on the outside).
According to the Harveston event, they can play the flute.
They don't like mentioning that they might return to their world (Deuce's Wishing Star vignette).
Many people consider them a "goody-two-shoes" (Leona, Ruggie).
A good listener.
Based on Malleus' interactions with them, Yuu talks to him a lot more off-screen as he states that he values their opinions.
Loves Grim to hell and back.
It's implied that Yuu invites Malleus over frequently enough that he visits unprompted.
They can be snarky and brutally honest when they're pushed into it.
Comes up with stupid plans that nobody believes will work but it somehow does.
They're insecure about not having any magic.
They want to be able to help their friends.
Has a sense of self-preservation.
Does not actively seek out danger (*cough* om mc *cough*).
They've cleaned up Ramshackle since living there, however, it still looks "abandoned & ancient" on the outside.
Crowley doesn't give them more money than "needed".
Silver states that Yuu is good with swords (PE Uniform).
Both Jamil and Silver seem to think that Yuu is somewhat weird/strange.
They don't know much about mushrooms (Floyd's Camp Vargas vignette).
They're very patient.
Used to be afraid of ghosts until they got to Twisted Wonderland.
They adapt to new/difficult situations quickly and calmly.
They don't complain much.
Very much so the silent type.
The audience doesn't really see anyone helping them out with their situation, so I assume they fix most of their problems themselves.
They don't have any memories of the Great Seven before coming to Twisted Wonderland.
Fluctuates between being observant and not noticing really basic stuff.
Doesn't hesitate to say cheesy things.
Keeps calm in harsh situations.
They know how to play a blowing horn (White Rabbit Event).
Good with instruments.
Not a very good singer (NRC Uniform).
It's implied that they have high stamina.
They're interested in horseback riding and wants to play soccer with Sebek (PE Uniform).
They recommend a few books to Sebek, implying that they read in their free time.
They're short in comparison to Floyd (he calls them Shrimpy).
Grim comments that they're shorter than Vil.
Crowley mumbles that Yuu looks effeminate.
They're a bit of a romantic since they seem to often ask about love stories/fairy tales (Epel & Jade chats).
They have a habit of poking, tugging, tickling and just touching people in general. This is proven through the Home Screen character interactions.
Their love language seems to be physical touch.
They get scared easily but is bad at scaring others (Halloween voice lines).
Vil notes that their uniform is baggy.
Malleus says that Yuu has gotten better at dancing (Masquerade Event).
It's implied that Yuu is good/decent at cooking since they have to make meals for both themself and Grim every day.
Yuu is decent at basketball (Ace Halloween).
Deuce remarks about a tiny piece of furniture in Ramshackle and asks if it's for Grim, meaning Yuu makes small furniture for him.
They're a good photographer.
Takes part in photography competitions (Rook Port Fest).
It's implied that Yuu carries their ghost camera everywhere because Crowley constantly makes them record events.
It's said that the game cards are actual photos that Yuu took with the ghost camera. [I don't know if this is true but a lot of people have said so]
Most, if not all the characters tell Yuu to hurry up when choosing a class, which suggests that they're indecisive.
Ace, Deuce and Cater tell Yuu to relax during classes or else they'll run out of energy.
Jack says that he got tips from Yuu while he was working in Monstro Lounge, implying that Yuu might've worked in customer service before (Book 3).
According to Grim, they have a hard time saying no to people, but when they absolutely need to-- they're very serious and a bit intimidating. "You're a real sap sometimes, you know that? Then again, when you bare your teeth it's no joke."
While they won't say no to helping others, they prefer to keep to themselves and avoid drama.
Yuu is sometimes a bit distrustful of Ace and thinks he's tricking them if he offers to do anything nice (2024 Player Birthday Greetings).
It doesn't take much to make them happy. (Deuce & Idia 2024 Player Birthday Greetings).
They became nervous when Riddle invited them to a salon for their birthday. Riddle response saying "I'll be right there with you, and will instruct you in etiquette every step of the way."
They're competitive in class-- at least when it comes to Jack (2024 Player Birthday Greetings).
They took chess lessons to try and beat Leona in a match (2024 Player Birthday Greetings).
For their birthday, Yuu asks Azul to get something that's supposedly hard for an average collector to acquire.
They're surprised when Kalim gifts them a pop-up card for their birthday.
They own a pair of fingerless gloves (gifted by Epel).
They personally invited Vil over for their birthday party and made sure to have healthy food options for him.
Not very close with Idia.
Owns a glass tumbler that reads 'Happy Birthday!' (gifted by Ortho).
Lilia gives them a CD with his screamo performances.
They were gifted so many presents on their birthday that they had trouble carrying the gifts around. (Malleus 2024 Player Birthday Greetings).
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harrowing-of-hell · 5 months
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i've been meaning to talk about the scene where cytherea's body shows up underneath harrow's bed, and the whole "is she actually there or not?" question, because many people seem convinced that ianthe was gaslighting harrow and i genuinely don't think she has any reason to do so. the scene itself is deliberately ambiguous for several reasons. the most obvious is that harrow hallucinates. she knows this. the audience knows this. this is precisely why she seeks out ianthe in the middle of the night, because harrow doesn't trust her own senses.
harrow also used bone to shackle cytherea's body to the floor— and yet her body somehow disappears from underneath the bed without breaking these shackles. initially, this would indicate cytherea's body is another hallucination.
however, we also know that there's something weird going on: for some unexplained reason, cytherea's body apparently doesn't trigger blood wards.
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after cytherea's body goes missing, it also can't be detected by john or found anywhere on the mithraeum.
one possibility is that cytherea's body is negating magic somehow. her body is being necromantically preserved by john and thus her body is imbued with john's magic. that may be why wake can move around in it completely undetected by john himself, and also may be why she is able to bypass blood wards and other types of necromancy.
but again, no concrete answers are given, and any ideas or claims are just pure speculation. all we know is that cytherea's body has been able to do weird things and avoid detection, so it's not exactly unreasonable that, if she was underneath the bed, she may have been able to escape the the shackles somehow.
additionally, though i'm not at all inclined to believe this, we also can't rule out the possibility that both of these appearances of wake-in-cytherea's-body were hallucinations and the only time harrow really saw her was in the incinerator room when she was trying to kill g1deon.
at the end of HtN, gideon claims that cytherea's body was obviously there, but she isn't reliable because she only has access to harrow's memories. she would recall that situation as harrow did, meaning she would remember any hallucinations harrow was experiencing. unlike harrow herself, gideon doesn't doubt harrow's experiences, but harrow feels the need to confirm whether she's hallucinating when it's not already obvious to her that this is the case.
and then there's ianthe, who's behavior during this scene is weird:
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ianthe says very little during this entire scene before leaving harrow's bedroom, and i think this is deliberate, only meant to make it more ambiguous as to whether the body under the bed is actually there or not.
but it's actually because of ianthe's behavior here that i believe that harrowhark seeing cytherea's body underneath the bed was an hallucination.
there are other times where ianthe comments on harrow's psychosis:
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in both of these situations, she's not nice about it! in fact, ianthe takes the opportunity to insult harrow or question whether harrow's actually seeing the things that she's seeing.
importantly, her behavior in these two instances is very different from what she does when harrow tells her to look at cytherea's body underneath the bed and touch it. ianthe doesn't insult harrow at all or call her "crazycakes" or "mad", just asks if harrow's been sleeping, says good night, and walks away.
i think that this is because ianthe gets really uncomfortable whenever she's confronted with harrowhark being in undeniably vulnerable positions.
when she sees harrow bloody and naked after being attacked by g1deon, she brushes it off by essentially going "yikes", but the fact that she makes no attempt to help harrow recover from the attack and hastily walks away from the sight of harrow's maimed body is very telling.
her walking away is so unexpected that i've seen several people say that they're not sure why ianthe didn't take that as an opportunity to manipulate harrow (even harrow expected it to happen, and welcomed it). and yeah, from what we see of her character in HtN up until this scene, it does seem ooc for her to just walk away with nothing but a quippy comment.
but to understand her behavior i think it's important to note that ianthe does see harrow as an equal! at any given opportunity she brings up the similarities between herself and harrowhark. ianthe also does this because she's down bad, but regardless, she would never equivocate herself to someone who she thinks is lesser than her.
i also don't think she would do this if she didn't care about harrow— and she does care about harrow! she was genuinely happy to see harrow was alive before realizing that it wasn't harrow but gideon-in-harrow's-body. at the beginning of HtN she kneels before harrowhark in "unmistakable supplication" and looks at her with "half-beseeching, half-contemptuous despair" as she offers to help defend harrow's body once they go into the river to fight the RB.
ianthe has no reason to gaslight harrowhark for fun the night before the RB is supposed to attack. she incessantly taunts harrowhark with her impending death all throughout HtN, but she doesn't actually want harrowhark to die. gaslighting and destabilizing harrow further when harrow is already likely to die directly goes against this desire.
imo ianthe does enjoy having someone rely on her and is willing to be manipulative to achieve that, but i think she relied on harrow just as much as harrow relied on her. in HtN, harrow is very much filling the coronabeth shaped hole in ianthe's life and i don't think ianthe would risk losing that.
that's all to say, i think it's precisely because ianthe sees harrow as an equal and cares about her in her own fucked up way that, when faced with harrow's vulnerability, her immediate reaction is to brush it off and help harrow save face by walking away from the situation.
ianthe views vulnerability as a weakness and thus thinks she is doing harrow a favor by walking away from harrow in her times of weakness and making no further comment about it. it's like how many people react when they see a stranger crying it public; they would feel similarly embarrassed to be seen crying in a public space, so their way of helping that person is to ignore the fact that they're crying and prevent them from experiencing further embarrassement. she would want harrow to ignore her moments of weakness, and so in turn, she ignores harrow's moments of weakness.
in a way this is kinda how they show solidarity to each other in HtN; despite how they threaten each other with death, harrow defends ianthe when she's struggling to use her rapier arm, keeps ianthe's secrets, never explicitly mentions that ianthe cries at night to anyone (actually i think there are several scenes where harrow suspects ianthe has been crying, and she doesn't mention it aloud). in turn, ianthe thinks it best to not acknowledge or make it known that harrow experiences hallucinations. they know they're both in shit positions and aren't trying to deliberately make it worse for each other.
this is ultimately why i think ianthe wasn't lying when she said she didn't see cytherea's body; she not only has zero reason to do so outside of "for fun", but destabilizing harrowhark further would go against the fact that she wants harrow to survive the RB fight. ianthe's behavior when harrow asks her to look underneath the bed is also directly in line with the other occasion in which she has to interact with harrowhark in an extremely vulnerable moment: she seems incredibly dismissive of the situation, and then walks away.
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ohnoitstbskyen · 8 months
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youtube
... y'all know Lae'zel is acting scared, right?
Video transcription: I've seen a lot of comments on my short about Lae'zel dismissing her entire character because she's mean and… I'm just checking in here… you guys know she's scared, right? She's terrified. She was kidnapped by the worst monster she knows, infected with the most horrifying death anyone in her culture can have, and then stranded on a hostile world, alone, with nothing to guide her except the dogmatic military cult indoctrination of a cruel lich demigod, telling her that her only hope of salvation is to follow Gith doctrine with total unyielding faith. And still she tries to save you. When she keeps insisting that you must get to the Githyanki crèche, it's our only hope, she's trying to guide you towards the only salvation she knows from the parasite, so she can share it with you. And Gith... aren't supposed to do that, saving an outsider is not part of the doctrine, she's breaking the rules trying to do right by you. None of that means she's not being an asshole, she's rude, dogmatic and unpleasant. But everything she does comes from a genuine, very misguided and abrasive, desire to do the right thing. It doesn't make her behaviour okay, but there is more to her character than just "being the mean one."
To expand on this a bit more than I can in a 60 second short, people acting from fear and from their damage is a major theme among the Baldur's Gate 3 companions.
Lae'zel is terrified and falling back on the only thing she believes will give her back some control over her situation, which is the dogma of the military cult she's in. Shadowheart is much the same, amnesiac and grasping on to the only solid thing she knows, which is her faith, which preaches deception, loss and duplicity as the only certain factors in life.
Gale is an inveterate people-pleaser desperately dependent on other people to help him feed his magic addiction, with his overtly affable exterior hiding a rolling boulder of guilt, ambition, greed, arrogance and legitimate hurt. Asterion is... well, no way to really lay out his deal without spoiling, but the boy has been through it and his self-destructive, hedonistic and selfish impulses are all coping mechanism and self-defense all the time.
None of that make their shitty behaviours okay, but in a fictional story, those kinds of flaws and toxic behaviours are what make for interesting stories and characters. I don't blame anyone for finding Lae'zel unpleasant and abrasive, but I do get a bit Old Man Yells At Cloud about people who casually brag about shoving her off a cliff-side, or murdering her because "she was a bitch" or whatever.
Like... being unable to face discomfort in your media is not a virtue, and lashing out reactively against fiction that doesn't validate your power fantasy isn't a flex.
Of course, I saw a lot of those reactions in YouTube comments and on social media, so my sample is biased by those algorithms, but still. A lot of people seem aggressively proud that they never engaged with her story because the terrified indoctrinated child-soldier wasn't immediately nice to them and I can't explain it but something about that reaction feels puritan to me.
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kaibutsushidousha · 2 months
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Kodaka April Fools tweets 2024
Lying just because it's April Fools' is so dull. Honestly painful to watch. Lying in general doesn't do you any good. In my younger days, I told every lie I could, saying some genuinely insane stuff about being a supreme leader of evil and whatnot, and thanks to that, now that I'm in my thirties, I got famous for all the wrong reasons and can't find a stable job because people think I'm associated with the yakuza... Sigh, I wanna deck my cringe younger self's face. Quit lying for fun while you can.
My classmates aren't doing great either. Thinking you're hot shit during your school days always comes back to bite you... My advice to my past self: slow and steady effort is worth more than any talent. Also, the part of life you spent larping with that silly horse laugh is not going to be one you'll want to remember later. I wish I could make that clear to him. White lies aren't a thing. Talent is never enough. My class is proof of that. Wanna know what my classmates are like now that we're in our thirties?
Akamatsu became a piano teacher. Her player skills capped off in her teens, it seems. But she's not that good at teaching so she's considered kinda mid at her job. And now she's struggling with the father of a student incessantly hitting on her. Tough world to live in.
Toujou opened a housekeeping company but she was too strict with her employees so everyone quit. And now she's doing everything on her own. Sucks to be in your thirties without any successors or employees. She's a prime example of how being so much better than anyone else doesn't do you any good. Well, she's always working for celebrities, so she's doing well financially, but I heard about some major court fight about a missing item under suspicion of theft from one of her clients. That can't be nice.
Yumeno got to her thirties still saying magic is real, so she's past the point of no return. She agrees that's an unhinged way to live, but she's too old to suddenly change gimmicks. Work takes her all over the country, but her gimmick doesn't allow her to publicly drink, so she has to get plastered alone in her hotel room after shows. I wish she could fix her life with real magic.
Harukawa? ...Haven't heard that name in a long time. Now she was a living edgy fantasy. The past tense was because I hadn't heard of her in a long time. I don't know the details, but apparently, she went to some war zone outside of Japan because her first love didn't want to date her. Takes some real edgelord to react to a broken heart like that, but if she's still alive, I have no idea how her thirties are treating her. My personal guess is that she's a mother of many.
Chabashira opened her Aikido school but is having a hard time attracting students. So she had the idea of starting an anti-sexual-harassment campaign that could double as advertisement, but thanks to her cluelessness when it comes to romance, she got canceled for mistakenly tossing men in regular couples. She's still doing the "degenerate males" bit in her thirties. Girl really needs to get on with the times. Rumor goes that she still downs huge packs of tequila bottles with Yumeno every now and then. Really don't think there's any salvaging her reputation.
Shirogane is an office lady still continuing her cosplay hobby on the side. She could be doing well if she knew how to keep her mouth shut but frequently rambles about cosplay history and etiquette, so no one likes having her around. Stay emotionally dependent on a single hobby long enough and your passion starts to close you off to others. That's her problem.
Angie was the most successful in the class! She made big money both on the art and the religion fronts. However, there were some controversies about her devotees selling counterfeits of her paintings at exorbitant prices and one magazine made a huge news coverage of it, which resulted in her catching the police's attention. She's been recently untraceable, with the rumors saying that she'll never be back to Japan.
Oh, and Iruma... Up until some point, she had the best life of all of us. She made big money off of her inventions' patents. So far so good. Things only started going off-rails after she married an ex-stripper. The two started a YouTube channel together. And later, her husband ran in last year's elections and lost big time. They got an awful debt from his election campaign and she had to get into side jobs to pay it off. And her husband? Disappeared. No word from Iruma herself about what happened. Tough world to live in.
No further updates from Kodaka in the past 3 hours, so I assume he went to sleep and will come back to tweet about the 7 remaining boys in the morning.
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capslocked · 7 months
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PART & PARCEL
male reader x sana && tzuyu
18k words
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“Is it too late?” Sana asks, and here’s how it always starts with her.
Nevermind that it’s not a question in search of an answer. A normal person could, should, text you. Hey, what’s up? or something equally inconspicuous before turning up the dial, are you busy? can I, like, come over? 
Instead, she’s at your doorstep again, twirling a bundle of honey-blonde between her fingertips as if she doesn't know what all that does to people. Some people say, incorrectly, that these are the hours of the night shared with ghosts. And to that you say: No, these hours belong to Sana, clearly, and apparently nobody fucking else. 
Now in a way, you do get it. It’d be easier to turn back over in your bed and ignore the elegant simplicity of a text message, or one step beyond that, do the unthinkable and finally tell her no, but when she’s standing there - there with that face, like a thousand different excuses or a million little reasons why she needs something from you, right now - and all she has to do is push her lips together, eyebrows going high - 
It is a bit like magic, after all, this feeling when she comes around. 
Everything that happened before - her visits, the first one and then the next - no matter how impossible, gets washed away, and suddenly all you have is her. Her voice, her hair, and a sneaking suspicion that the time apart really isn’t such a bad thing, because you don't always have a guess as to what comes next.
Of course, you were always going to let her in.
“I saw the lights were on,” she adds, starting to shrug off her coat like she knows you will.
“I mean, I’m here,” you say, non-committal.
“Yeah. I can see that.”
The door's half open and the only substantial hesitation you have is when you peer over her shoulder. There’s another girl, propping herself up against the doorframe, with a pretty head of glossy, sable hair falling gracefully down her shoulders, and she looks at least a few years younger than Sana. You smile cautiously at her before giving Sana another, much longer glance. In response, you receive a wink that's as subtle as a brick through a glass window (which only raises more questions). You ask the one that seems most important.
What else would Sana, of all people, possibly want to bring you if not some plaything or another. You've seen it all: girls who liked her money, girls who liked her body, girls who just flat-out liked girls, whatever. The dynamic always seemed to be, as long as everyone is having a good time, nothing to get hung up about - because at the end of the night, everyone comes around to Sana again.
And she comes around to you. 
Why question it.
“This is a little… irregular,” you say with a nod of your chin, as you step back from the door. "Who's the plus one?"
Sana motions the girl in with a sweep of her hand and throws you another disarmingly flirtatious smile - the same one that'd first left you utterly hooked by this strange person, who had, when you first met, walked into your life for five minutes, then fucked your lights out the way she wanted. She goes further with this, of course, teasing a warm smile and slanting an eyebrow.
"I figured I'd bring you a gift," she coos, in this sultry, dusky sing-song of a voice that really needs no followup whatsoever, other than maybe take my clothes off right now, as she makes a show of how she's pushing her shoulders back, like there's an audience to be impressed with the curve of her bust. "Since we were celebrating."
"Uh-huh. What's the occasion?"
"Whatever the hell you'd like," Sana chirps.
With that, she takes you by the collar. And even though the girl she brought is in the middle of, like, peering around curiously in your foyer, Sana leans up on the balls of her feet and kisses you hard. It's a real kiss - no preamble - which is sort of funny, given you would have been more than okay with some. So, naturally, you're caught entirely off-guard. It takes a full ten, fifteen seconds of feeling her hot little mouth pressed insistently up against yours, your mind gone blank with the suddenness of the moment. Your body taking it for granted.
Meanwhile, the other girl blinks - long, dark lashes batting the curve of her cheekbones slowly until Sana has moved to stand in front of her with the full, earnest intention to cup her jaw, tilt her head down a smidge, and kiss her too (very thoroughly, also, in her own way).
Sana lets the girl go with a sharp draw of air and a peck. Then she looks at you, just this side of playful. The way her teeth flash over her bottom lip suggests how she's enjoying, to her bones, this state of affairs: a dalliance with control, with desire, where she can flaunt it.
She tells you to relax, unwind, which you suppose is code for taking another of Sana's friends and bending her over every horizontal surface in your flat and fucking someone the way you've wanted for the last however-long it's been since Sana dropped back into your life. You've done as much. Some rotating cast of characters: Mina, Chaeyoung, Nayeon, the raven haired girl with the perfect tits; some names and faces starting to run together the more Sana pops up at your place with a girl under one arm, usually looking half bored and half shy - or at least putting up some pretense that might justify Sana telling them to strip down while she's already eyeing you with this look like she's wondering which article of clothing you'll be ripping off her first.
"Does she have a name?" you ask, with a nod vaguely in her direction. Of course it's a loaded question. What's her name doesn't matter. You don't know most of their names.
But when you do a double-take, remembering to steal a good look, you're not sure you've ever seen anyone pull off that perfect little white dress quite the way she does - the kind that goes right up the back, tucked under the neck, sleeves coming to a neat point across her fingers. Sana may or may not have a thing for pretty girls in cute dresses, but this is, without question, the most obvious bribe you've ever witnessed in your life.
Sana's still smirking - so much for being considerate, you think for a second, until you’ve got a dainty hand stretched into yours like you’re brushing up with royalty. And well, maybe you’re getting a better look now that she isn’t bathed in the calm, assured wickedness that two A.M. might only ever know - the dark curling like wind around her fingers and down the lines of her spine, cajoling.
She is gorgeous.
And she says - 
“Chou Tzuyu,” in this charming little voice that’s even more mesmerizing than you anticipated, this taut thread winding itself up between the two of you. She says her name with a gentle sigh, a light in her eyes that you know, intimately, not to trust, but you get the sense that she'd rather you make an exception for her - or at least for the night. “Everyone calls me Tzuyu.”
You feel a squeeze at your fingers, an anxious reminder from Sana's thumb, as if she feels the reverie in which you've lapsed. It draws you back, just slightly so.
"Tzuyu," you say, taking mental note of the faint smile that shadows in at the corner of her mouth when you do. "How much do you know?"
She twists in Sana's direction, and oh, look how eager and innocent and coquettish Tzuyu's making herself in front of her, smiling. What do I say, the gesture is asking. You can see her effort to hold back a giggle or two as she bites her lip, trying, as all the pretty girls who come through these doors often try, to come up with something cute and modest and small that'll allow you and Sana to picture exactly the right thing. You can tell when a person is not used to having an audience.
"I know Sana..." Tzuyu's voice trails as she gives Sana a furtive glance. "She talks about you a lot. And I figured, you know."
"What? That we were good friends?"
"Sure," Tzuyu laughs to herself lightly again. "Whatever makes it easier."
Sana has her fingers threaded beneath Tzuyu’s chin, studying her like she’s an artifact that belongs behind glass. Expensive. One of a kind. And oh-so-excessively fragile.
The way Sana touches her, she may be trying to prove the point, guiding her body's angles and edges towards whatever form she sees fit, with just fingertips and the slightest tug, showing you exactly how malleable the girl can be. The look on Tzuyu's face is hardly discomfited when her dress slides past the dips of her shoulders or the slope of her waist, when the fabric gets crumpled in Sana's hand like the most expensive balled-up tissues in the universe. You can't decide what animal comes to mind: perhaps a deer, some cute, unknowingly doomed elk.
"No underwear," you note, watching.
Sana draws herself a little closer to Tzuyu with an appreciative gaze, lips gently landing at her shoulders, neck.
"Why bother?" Tzuyu muses. "What were we going to use them for?"
A pull here, a tug there, and the dress puddles around Tzuyu's feet, silk shimmering like the inky dark of a starless sky. And just shy of a pedestal and perhaps a fucking moonbeam, she's the spitting image of perfection: porcelain skin stretching out over a masterwork of curves and bone and muscle. A sculpture, a study in the form that so frequently leaves people just absolutely dumbstruck and thirsty in their wake.
Sana trails her hand around the width of her hip - drawing your eye along the skin of her leg, up and around the perfectly curved thigh - stopping to splay her fingers just so at the base of her spine, as if in demonstration of ownership. Like this: mine.
"Don't get it confused," Sana tells you. "The whole naive innocence thing is a total fucking misdirection."
"Tzuyu," you say again, this time noticing the way it feels in your mouth, syllables sweet and sticking to its roof like honey - maybe something more of an excuse to move forward and touch her yourself, palm her face, brush your thumb over her bottom lip. A taste, something subtle but intense, spreads to the back of your throat, the moment her teeth graze gently over its pad. "Is that true?"
"Are you asking me what kind of girl I am?"
"I didn't put it exactly like that."
"Just answer, sweetheart," Sana says, brow quirked in a faux-display of nonchalance, fingers still pressed, spreading gently at her neck. She's enjoying this a little too much. Though, you're enjoying this too. It doesn't have to be an either-or kind of scenario.
"It's better if you say it," she adds after a second of consideration, and even though it's obvious by now she's only prodding and that this is a foregone conclusion, Tzuyu puts an emphatic twitch in her lips - red, wet, a vision in crimson - like the thought is deeply troubling and will likely require lots and lots of thorough explanation later.
"Fine, okay, in that case," Tzuyu starts with a weary sigh, and then with a blink-and-you've-missed-it flash of a smirk, there's no way anyone's buying any of this, "I’ll say: I'm whatever kind of girl you want me to be."
Sana was right, and she didn’t even need to go so far as to say it. It’s clear - you want her.
But it's half as easy to pinpoint where it all starts: there's the way Tzuyu melts, sinking just that much further when you guide your hands around the curve of her ribs, fingers following the flow of her soft edges, the slopes and valleys of her breasts, and she parts her lips even before yours touch the seam of her mouth, her breath warm, heavy, the kind of anticipation that sends jolts down her neck, her spine, the body electric - a real live wire.
Or, it's because of the way she likes it - like, really likes it. There's something exceptional in a girl who will wrap her legs around your waist and suck your tongue and whimper just by a feather's touch around her hips or between her thighs, where it's damp and hot and holy shit, this is unreal in a very tactile, visceral way. There's no mistaking the noise for anything but genuine pleasure when Tzuyu's trying, unsuccessfully, to bite down the whine sneaking up her throat and into your mouth - where you're kissing her, still - the kind that presses heavy at the bottom of your stomach.
Or, there's Sana yet, pulling her clothes off, and instead of leaving a trail in her wake, folds each piece neatly until she's bared down to this fine little number of lace and cream-colored silk that'd make your head spin if you weren't, y'know, pretty busy, mouth occupied by Tzuyu's pliant moans, both of your tongues colliding.
"God," Tzuyu groans out quietly as you pin her to the wall, and again after another string of kisses, sucking your lip. 
There are fleeting moments that slip through like sunlight that have you thinking: Right, this was a good idea, nothing other than a sweet girl like this all messed up and squirming with the shallow dig of your nails. But only close to perfect.
Sana will explain it.
"Mm. Not god." Sana is grinning when she leans up for the same kiss, but she takes her time with it: mouth slotted tight against Tzuyu's as her long fingers tangle in the hair at the nape of Tzuyu's neck, working her grip up slowly so that the strain gets more noticeable until the girl is a gasp on a choke of breath. The curve of her back is drawn out by that same hand and her ribs pressed, pert and rosy, into the cool air.
"Sir, and please," Sana then instructs, voice just harsh enough for Tzuyu to understand. 
You might imagine she's also drawing in with her nails, teeth, a full-body drag up her exposed front, like some kind of prize, marking and tasting and fucking every inch. There's a whimper, desperate sound of, yes, right, fuck, please, and sir slipping like a sigh off the edge of Tzuyu's tongue. 
"Or better yet," Sana adds, with another searing press into the junction of her collarbone, "say daddy, please," then follows through on the plea with another slow-pull.
You try not to roll your eyes. It's Sana's kink, not yours. It's a whole thing. And with Sana, like most things, you find it best when you simply play along.
More than that, you indulge her. You both do.
"Okay, daddy." Tzuyu's teeth catch the corner of her mouth in a self-amused bite. Twisting and twisting the swell of her lip further until it snaps forward. "I want you to tell me something," she says, which, for the way this typically goes, is a little more self-assured and pressing than the usual fare. Even Mina, who was perhaps less than enthusiastic about the - uh - title in question, came around eventually when she had Sana's fingers, your cock, all sunk so deep inside her she forgot what any fucking words were anyway.
So maybe Sana does know what she's doing with this one. Maybe you oughta thank her.
Tzuyu just lifts her chin, says, "this isn't what I expected when I showed up here."
"Obviously, it's not," Sana says.
"What I mean is, this is all good fun, of course," Tzuyu explains. A charming indignance that slips past, like the fingers down her belly. She swallows hard, muscles clenching as your palm runs slow over a hip, squeezing. "Though I guessed when we left Sana's, I would've been bouncing on his cock five minutes ago."
Sana's lithe little frame ends up closer - nearly naked in lace and wholly difficult to miss. She's a half head shorter than the girl in front of you, but with a tilt of her chin and a beckon of her hand, it's a powerful look about the lines of her face: eyes slightly hooded, mouth curved and devastating. It's as if, at every hour of the night, the simplest glance will have the fabric of someone's clothing coming undone, regardless.
Tzuyu is just slowly trading looks between the two of you. So curious. "So what then, do I have to do," her words curl like smoke up her throat, "to get fucked by both of you, hm? In, like, the next five or ten more minutes, preferably."
"He's not going to fuck your brains out simply because you ask." Which by the way, is the first real lie Sana tells tonight.
Tzuyu is unimpressed, or maybe she's a stoic. "Clearly," she deadpans.
Whatever the expression is that is fluttering those gorgeous lashes, eyebrows pulled down, adds a faint mark of distrust across her brow. The prettiest scoffs you've ever heard. "Isn't the point to get me spread out on your sheets so you can use me like a little fucktoy?"
A sigh from Sana: heavy, calculated. She does not reply in any obvious way to that, no flimsy assurances that it would be whatever the hell Tzuyu likes (though you think maybe Sana might want to take this whole fucking opportunity, all this thinly veiled begging for it, for the first taste of what will probably be the main thing that'll hold her over the edge of an orgasm or two). 
So, instinctually, Tzuyu pushes it, just enough - she tilts her head, and the motion is followed by a wide sashay of her hips as she gently presses a fingertip to your chest, encouraging a step back to better your balance, like the pull between you has a little more gravity.
"Don't go quiet on me." Another sultry note pulls from her mouth when she guides you another foot - or however many, until the foyer opens up into your living room. The chair, the sofa, a table, you watch her eyes wander like she's mapping the territory. And then finally she drops her hands from your shoulders, reaching instead for Sana, taking her waist in her palms.
Holding her. Kissing her.
There's a delicateness about both of them, clearly, and not only how Tzuyu angles their lips, as if she doesn't fully intend for the two to merge but instead taste the line, test the edges, or something; but Sana doesn't fight this. In fact, when Sana's being drawn gently, but confidently into a deeper, harder press, a very eager give, her eyes slip closed. There's a war, and Sana - though she'd be the last to admit it - is losing.
Tzuyu, at the end of a particularly sharp draw of air, simply turns to you, eyes peeking over the tousle of copper hair atop Sana’s head, and asks: "How does daddy want to play with his toys?"
It clicks in your head immediately: she's a natural, could be an actress, maybe a pro - you have no idea where Sana found her - even if that doesn't exactly match with the diction; daddy, and sir, and the baby-girl pout. There are the things she does to Sana, this slipstream of control passed back and forth and back and forth again - a fevered tugging, the give of one or the other. An entirely different dance. Beautiful, fluid, intense.
Eventually, it lands in your lap. Literally and metaphorically. Tzuyu looks up from where she's kneeling between your legs and with a little pinch of your hips, tells you with that intoxicately sweet, melodic voice of hers, that you seem like the sort who wants someone who just takes initiative.
And she's right.
"May I?" she asks, breathlessly, fingers at the zip.
"Of course,” Sana answers for you, settling into her side like you both belong to her. Like she’s about to enjoy this just as much as you are.
What does the room sound like, the darkness giving away? Everything. The hum of the appliances, the purr of the heat, something in the walls is settling into its final position for the night as the floorboards sigh. Breathing. Listening.
What you don't hear:
Chou Tzuyu moving - whether she shifts onto her knees, or adjusts how her slender fingers fall from the waist of your pants, doesn't matter - no crunch, no shuffle. She doesn't swipe away the hair from her eyes or drag the pad of a thumb over her swollen, bottom lip. All she does is pull, just a bit, and the zipper breaks the silence, comes apart down the way.
Sana clears her throat gently, hoping, possibly, that Tzuyu might be the kind of girl who just loses herself to the moment, caught in the headlights. The way every delicate, doe-eyed girl is supposed to do. Sana likes them a little helpless like that - makes her feel big.
It's too bad really, because Tzuyu doesn’t appear like she's awash with anything in particular. Or at the very least, she's done a fairly convincing imitation of not being the slightest bit off-put, completely disarmed or whatever Sana had been looking to see.
She does look up though. Long, pretty face still managing a bit of devastation from this angle. Those full lips slightly pouted and slick in red: such an inviting color against her pale skin.
"Sana," she coos, eyes wide and brilliant - innocent, yet taunting all at once - and she's deliberate in what she says next, flitting her tongue across her canines to punctuate every sound: "Isn’t daddy going to use me now?"
"Oh." Sana leans in, eyes flicking up at you, Tzuyu's hands, her body, and starts slowly, like she's exacting a punishment, "Tzuyu, baby," her own anticipation beaming off the surface of her thousand-kilowatt grin, "you're going to take that perfect cock," the words dripping off Sana's tongue, heavy, sweet, "you're going to take it, get your pretty little lips all over it sweetie, you're going to show him just how good you can use that filthy fucking hole of a mouth for him. You're going to take him until he cums in your throat, and then you're going to beg him for more. And if you can do that, well. Then we’ll fuck you exactly how you wanted."
Tzuyu blinks - doting and innocent like the angel everyone probably thinks she is.
But then what you've learned about the angels that Sana brings you: they're devils in disguise, well familiar with the sin and lust that resides in these places; sunk into the cushions of the couch, pressed against the cold pane glass of a window, wound tight in the springs of a mattress. You had long thought - and think, you do, particularly when doing the unthinkable - it's easier that way, to leave aside thoughts of right and wrong and ask: Just how far can an angel fall?
"Ah. Perfect," Tzuyu says, sounding like an answer, and her eyes widen as she peels past that band of elastic.
Your cock springs forward and bumps into the pad of her finger, which traces the length of it like it's hers to own, to pleasure.
"God," she hums with satisfaction, and even without looking up, or even before you say a damn word, she draws her tongue up along the underside in one swift, wet lick. "Sana you weren’t exaggerating: daddy's cock is fucking gorgeous."
There is that tiny whine, or more precisely a tiny, oh fuck when Tzuyu curls her hand around your shaft. Sana gives her a push. "Say it, Tzuyu," she all but growls at her.
"Daddy," she says, always pausing on the word. Testing it further. "Please."
"Please," Sana mimics in faux-sweetness, repeating it again once you start to nod.
Not that it changes much - the stare that Tzuyu fixes you is charmingly determined, like a challenge. Then, she inhales.
Deep.
That slide into her mouth is smoother than anything, hot and slippery and oh, right - you remember faintly with a shudder: those pretty teeth hidden away behind a perfectly lascivious mouth, so much that a couple sharp, expert brushes are enough to send lightning dancing along your spine. Sana moves her hands across your hips, to the buttons on your night shirt, working her way up until the fabric has fallen to the side and she can open your chest up to the air, let Tzuyu swallow the rest.
This, Tzuyu likes. "Ah," she gasps around you, or she tries to, your cock propped up on her soft little tongue.
She likes the way that feels. The way you fit in her hands, her mouth. And it shows. Her posture curls deliciously, under the satisfaction of her lips wrapping finally having something to wrap around tight, tight, tighter - under Sana's roaming touches, the skirting of her nails down Tzuyu's chest, reaching with slow deliberation across her stomach until there's a whisper of skin across sensitive flesh.
“She’s so fucking wet,” Sana tells you, smiling at Tzuyu from above and fitting a fingernail between her teeth. "Good fucking girl, aren't you Tzuyu?"
The moan that leaks out around the weight of your cock is pure. Pure lust, pure pleasure. Pure perfection. Her tongue flattens beneath you and finds you surging even deeper, a firmer slide of Tzuyu's wet lips that brings you right into the roof of her mouth - as she twists her face around you, a soft scrape against the inside of her cheek.
You sigh.
And Sana sighs back.
"Of course. Always such a hidden talent," she notes, as Tzuyu's perfect mouth moves and plucks and teases your nerves, twirling her tongue around your tip. Again as she swallows you down, slow, savoring.
“Tell me,” you say, because the heat of Tzuyu’s mouth is starting to remind you of a daydream, “how exactly do you know each other?”
"Work," Sana answers, flatly.
"Like-"
"Yup."
"She sings?"
"She does - rather, she will." Sana glances sidelong with a bit of a grin. "You have no idea what that tongue can do to people when it's got some good backing tracks, when it knows a goddamn fucking thing about rhythm. Speaking of," Sana looks down at where Tzuyu has her silky brown head of hair bobbing between your legs.
And then it's clear what she means, Tzuyu humming and rolling your shaft through the flat of her tongue. It's all slick, soaking heat and the tension building and building in your balls, aching, just absolutely desperate for more friction, to be taken and used and stuffed in her throat - or just more of this.
"Here," Sana's fingers are hooked in your pants, helping them off your legs, your ankles, pulling you further to the edge of the sofa. Let me, she's telling Tzuyu, this slight murmur of want she just can't wait on.
"Wait, I'm -" Tzuyu attempts, pulling her lips off the curve of your cock, to where pre-cum is weeping out of its tip, and she kisses it so very tenderly, going back for round two. Round three. She floats her fingers up over her eyebrows, into her fringe, all to tuck some dark, wispy hair gently behind her ear when she starts to hollow her cheeks and again suck your cock in earnest.
Until -
"Tzuyu," Sana reprimands her, "don't play, daddy's got his work cut out for him tonight. So be a good girl, and let me show you what he likes."
It takes a second, maybe three. It might take longer if Sana didn't have her fingernails digging into her thighs, sliding further to grab hold of Tzuyu by the hair and pull her lips off your shaft. There's a thin trail of spit coming off her mouth and stringing across you. Sana closes her fist in the back of Tzuyu’s hair and doesn't so much as blink while studying the look on her face: lips glistening, just absolutely needy, like she can't help the whimper in her throat.
"Hm?" Sana cocks her head to the side.
"But... sir."
"You are his toy," Sana explains, flashing her eyebrows because apparently it needs to be said, "not the other way around."
And it may be the first time you've seen it happen since Sana walked in with Tzuyu and declared her intentions: the fluster, the pink spread across Tzuyu's features like some scarlet-lettered stain. Defenses dropped like a draw-bridge. She's not quite every bit as cool and composed as she wants the two of you to think she is. (They never are.)
But the fact that Tzuyu's coy little smile returns into her lips - how she's wiping the spit off her mouth with the sharp edge of her hand and pointing your cock in Sana's direction with a delicate, arched brow, how she then moves on, untangling herself from Sana's grasp, eyes heavy, but on her - is a marvel in and of itself.
It’s an amusing surprise, a welcome one, for the simple reason that Tzuyu keeps showing both of you that she can have anything she wants exactly like this: wrapped around a slender fingertip, flushed and helpless, and without breaking a sweat. 
"Have you considered daddy wants both our mouths on his cock and maybe a few less words?" Tzuyu scoffs. And even though Sana does scoff right back in retort, that's exactly how it plays out.
(And you may, upon occasion, reflect: you're a real lucky bastard.)
Sana always puts on this act. One that you’ve learned to see right through. 
Like she isn't too eager to follow the momentum, that she hadn't just been just as impatient to touch you - to be on her knees with Tzuyu, all aside this beautiful girl who gives you a pretty smile when her tongue finds the base of your cock. Who likes being bossed around but can just as easily turn her face towards yours - in what seems almost like a taunt - as if saying: You know what else I like? to be challenged, and sometimes when the mood’s right, pushed and punished. 
But Sana doesn't let you see what kind of resolve she has until she's gone another minute, licking, lapping her tongue around your cock - this is her idea, after all. The little white dress in a heap, the adoration and worship that comes with fucking girls she knows are the prettiest things to see ruined.
Listen - even if Sana’s veneer is as blatantly obvious as it is shatterably thin, she’s no less dangerous. 
When she first pushes the very head of your cock inside her mouth, and just that - because why rush it, she's so fucking perfect with those pretty lips - the rest of your brain is shouting something to the tune of fuck me sideways because she knows you better than anyone, knows what really gets your blood burning. 
A few slow brushes, one kiss, this lick that goes bottom to top and over and around. It’s like she's testing the surface, dragging her lips across your aching cock as she settles on a rhythm, a tempo that starts to mirror the movements of Tzuyu's hand.
Tzuyu lets you see: this slow twist, this slide of skin up and down the length of your shaft, her soft fingers rubbing tight circles up and down the path of her palm until it meets Sana’s mouth. And like it’s the most simple thing in the world, she dips down, finds a place at the base of your cock, where Sana’s lips can’t quite reach, and drops a hot, messy kiss right across the spot.
Fuck.
She kisses you everywhere.
"Sana," you start to say, and she looks up through the strands of blonde fallen slightly in front of her face. Her lips sink further down the length of your cock - until she hears your breath catch in the bottom of your throat. Until she’s pulling you up and out, again, just barely past her teeth.
Fuck.
"Mm." She hums it right into your skin, and her eyes are hooded, dipping right down with another pull of spit, and then another, before her lips are at the tip once more, flicking across the slit with her tongue - wet and rough.
"Sana," you try again, biting into your lip as you reach a hand into the gold locks of hair framing her deceptive, pretty little face, and tug, a warning, a reminder. You need. It's too early for you to be repeating yourself, and Sana knows that.
A pop, the release of her mouth slipping off the top of your cock, and Tzuyu moves - wrapping her lips tight and silken around the sides, the rest. It all happens in an instant. You're being taken with the sudden, harsh suction of one mouth, the other, fluid and slipping back and forth again and again.
Sana's nodding along, impressed, as she watches Tzuyu take you - completely, nose to your hip - and has a glint of pure hunger shining through her eyes when you hiss, when she kisses along the lines of Tzuyu's stretched lips. There's another flick of a tongue, and you can feel Tzuyu moan something muffled and choked, a frantic pulse at the base of your spine - pressure gathering like a fucking flood.
"Just how you like it, hmm?" Sana says, her breath warm on your balls as she seals her own mouth right over the base of your shaft. And you swear there's something about this: the drag and suck of both their lips as your hips stutter forward, the feeling of them pressed together in a perfect line, heads tilted and mouths fucking dripping with saliva and sin - your hands, resting on the backs of their heads as they're returning you these greedy little moans that vibrate off the top of your cock and nearly kill you in the process.
“Tell me,” Sana adds, dragging a hot, hazy kiss over the sensitive skin up your shaft. "How's daddy feeling? Hmm? Feels nice and perfect, doesn't it. Feels like you could just let go and release, a hot, sticky load of cum, right down her fucking throat. I know she’ll swallow every drop."
"Fucking hell, Sana-"
Sana doesn't exactly answer to your begging, only hikes Tzuyu a fraction higher over your body to gain better control of the rhythm, and a better view: the hollowed out cheeks, her watery, half-shut eyes, tears welling in her lashes - because the prettiest girls always come apart in the most perfect ways.
You grip into all that silky brown hair, thumb running gently up and over the soft skin behind her ear as she finds an exacting little movement with her lips that will have your spine twitching uncontrollably as you fuck deeper down the perfect arch of her throat, Sana keeping rhythm, guiding you all the way in - a searing heat, and then a new rush of saliva dripping off Tzuyu's chin and back down into the tangle of tongues, fingers, throats, mouths.
Fuck, fuck, fuck.
The pair of them. The things they're doing.
"Or maybe," Sana muses, tilting her head on an angle that suggests she's weighing her options, and then, massaging a quick, firm twist into the very base of your cock she finally lets spill: "You could make a mess of that perfect face," Tzuyu's faint whimper hardly slips out unnoticed, "I'd hold her hair for you while you cum all over her - how about that baby, should we make a big mess of your pretty face?"
The whimper grows louder - Tzuyu moans long and low, right up against the tightening tension gathering between your hips, right as your balls pull, that familiar coil about to break - and, god, if there's some part of you committed to holding the moment, waiting and wanting to stay in the vision of these two perfect mouths pressed together, it's a fleeting and useless notion - but, as usual, Sana already knows.
The way they're blowing you in perfect tandem, their mouths locked together, kissing around your shaft as they continue to pleasure you, filthy and open - a little more, the thought percolates, a little longer, to let the pressure swell.
"Sir," Tzuyu says, swallowing her next breath, and that's the first you've heard her sound like that: whining, pleading.
She slaps your cock against her lips, her tongue - it's all so wet with spit and precum and slick that her chin is coated, her fingers. A demonstration of what you should have already known: Sana's girls aren't just straight down the line. They want the messy, roughness that comes with the sin; the split in the seam, the wail, the raw, uncut want.
You watch Tzuyu’s lips curl, this quiet smile pressed against your cock, and after a slow draw of air, they fall open again. Asking, "aren't you going to fuck your toy's slutty little mouth?"
The silence of the night swallows up the sounds of Sana's low chuckle and the responding squelch of her fingers tearing free, her hand trailing after. Here’s three bodies in the otherwise ordinary emptiness of your living room, on the edges of the leather sofa, so completely drenched in anticipation and hunger.
There’s a flash across Sana's rounded cheeks, hot, like she's just this small space shy of smirking, or giving into something, you don't know. Tzuyu, however, you've got a fairly clear view of - how her eyes glaze, pupils going wide and dark, staring up at you as she places the shape of your cock so acutely up the length of her perfect features: chin supporting its base, the cute, button-like tip of her nose teasing the soft underbelly of skin pulled taut - a fucked up preamble to whatever the hell it is going to feel like, once she's ready for more.
"Say please, sweetie," Sana says, fluttering her fingers over Tzuyu's neck. And then to you, as an aside: "If there isn't a better way to break in a toy."
When Tzuyu doesn't immediately reply, Sana leans over her, with a fingertip under her chin, guiding her hot, wet lips to the edge of your cock.
"Ask daddy to fuck his filthy little whore."
"Ah," Tzuyu lets out an awkward exhale. "Daddy?" she pauses to swallow, licking her lips, then, with just the slightest inflection, this tight line, right at the border, somehow managing to hit both notes of I'm going to make you beg for it and is it okay for me to be begging you for more: "Please, daddy. Fuck my face."
But then the way she fucking looks - petulant, needy, like if you don't shove your cock down her throat in seconds it could kill her - that's the realest thing you've seen from her since she shuffled through your front door wearing a dress that belongs in someone's heaving, pent up fantasy and left it in a careless pile in the middle of your foyer, tits bouncing on her way into the living room. And somehow, that's a lot to take in: to think this whole debacle has led up to her, this girl you're probably never gonna see again, pressing the pucker of her perfect, pretty lips to the underside of your cock, and -
"Open," Sana cuts in, "your fucking mouth."
Tzuyu gulps thickly and stretches her jaw, blinking expectantly as her pink, slender tongue sticks out the faintest, most insinuating inch.
You lift your hips with one good thrust, the plushness of her mouth becoming soft and velvet as she opens wider, and wider still, and you're balls deep, hilt hitting her lips as she opens her eyes, taking you down her throat, slick and slow.
"Good girl," Sana grins, watching Tzuyu swallow around you. 
You may be buried into her throat but the sound of Sana's encouragement has Tzuyu keening, this wrench in her brow like she wants to focus so fucking badly. Only made worse when Sana bundles a handful of Tzuyu's long, glossy hair into a fist and gets her voice into the shell of her ear. 
"I know you love it, Tzuyu, how he's fucking taking you, huh? That's it. Show daddy how good of a toy you can be."
And oh, the reaction - the very clear one, no less. Tzuyu grips onto the cushion of the couch, a full set of fingers curling around Sana's forearm, any part of you - the one closest and she's digging her sharp nails into your skin and whimpering for Sana to keep talking like her life depends on it.
"Let me see if you can be as good as you think you are," Sana murmurs, and you shift forward again, bucking your hips just barely but getting there, and then there's more, fuck - getting closer to a good steady pace. Slow, forceful. Hitting the very back of her throat, the bottom of her lips.
Tzuyu can only respond by taking you impossibly deep.
"Remember what you told me?" Sana's biting her lip, finding as much satisfaction out of the mere display.
"Mnnph," Tzuyu chokes out before slipping off your cock, only long enough to gasp for another breath, "I said, I said - all the things I would let him do to me." Her voice sounds so wrecked. Broken. Desperate. Filthy, the kind that needs to be fucked. "Please, please," she says again.
"Tzuyu." Sana's fist tightens in Tzuyu's hair, and down Tzuyu goes. "You sounded so sure, baby - when you said you'd making him fucking cum so easy, how you'd make him bust over and over with this mouth, so -"
You're getting too close. It's really not your fault, it's the two of them. Every wince on your face a result of Tzuyu's swollen, shiny lips wrapped tightly around your cock, cheeks flush and hollow with every move of her mouth. She keeps doing this little flick of her tongue as her lips slide around you - even while Sana lifts her jaw up, down, up down, fucking her mouth onto your aching cock with a sort of callous disregard for how it's fucking her up - how it's fucking you up.
"-the prettiest girls make the best fucking cumrags, you know. Really - makes your toes curl," Sana finishes, giving one particularly pointed tilt of her head at the sight of how bad your knees are shaking.
And then, out the corner of her mouth, teeth locked over her lip, because you're so caught up in how good it feels fucking your length through the vice of Tzuyu's mouth, sliding across her wet tongue - "she's not lying baby, is she? Fuck, I bet she feels so fucking good on you doesn't she" - her voice hoarse and desperate, a hint of something caught at the back of her throat like she can almost taste what it's like. What it must feel like.
Sana pushes, and even she can probably feel you pulsing at the way Tzuyu chokes when the tip meets the drain of her throat.
It gets... it ends up too much, too fast. Borderline abusive - and not just the speed, or the sheer roughness - Nayeon was here on her knees, like this, in the middle of the night not too long ago, and deepthroating you is far from the unusual or accomplished, at this point. But, fuck if that isn't something you build up to.
The slight curve of Tzuyu's arms, rising as they tremble with the effort, the little tears that slip down her cheeks, and those lovely sounds she makes. It's not at all intentional - and you're so stupidly certain Sana didn't think you'd be this riled so quickly, like there's not an ounce of willpower in the world that could save you at this point.
And while that's not too surprising on its own - Sana knows you well, this is what she agreed to - Tzuyu must have understood (it was part of the plan, in fact) what she was walking into, what she was signing up for. But fuck it: she was still pretty new, an amateur. And an amateur just wouldn't be capable of doing the things she does, and looking the way she looks, not to the same extent as this.
"Can you cum from nothing but the feeling of daddy's dick hitting your throat? I'll have him sit back and relax while we work," Sana tells her.
It'd make two of you.
"Would you like that?" she's asking you, tilting her head when you've gathered yourself long enough. "No touching, just take my orders while we pleasure you. How does that sound, daddy?"
"Sana, easy," you practically growl, biting down on the inside of your cheek because the twitch in Tzuyu's pulse has you coming far too undone, her chest hitching and lungs heaving and face wet with spit and tears and cum as it's spilling down her chin. You're seconds from telling Sana to dial it back when a low, guttural sound, sputtering, leaves Tzuyu's throat.
The grip in Tzuyu's hair goes loose enough that she pulls herself up, swallowing up as much air as she can. 
And fuck, look at the damage: that swollen mess of her red, glistening mouth; the dark runs of mascara and drying tracks that make a ruin of her face, her neck; a heart-stopping shine of white drool. She blinks the tears off her lashes in a moment.
Sana’s eyeing her over the same way a surgeon might approach a task with a scalpel and a careful hand, or perhaps a fisherman surveying the quality of a catch - before tossing it to the back of a truck to be hauled back home. Like the kind of sight she gets just a little too much satisfaction at. And it's the eyebrow she shoots up into her mess of toffee-blonde hair that asks, quietly, too much?
Fuck. Maybe.
But Tzuyu's eyes shift toward Sana's, and without even an ounce of hesitation - without anything more than a heavy exhale - she opens her mouth again so you can see her tongue run across her top teeth, incensed in her lust. More, fuck me, have me, use me she's saying, telling with you the slight indignance in her eyes that Sana finds perfectly irresistible.
Then, as if unbothered by how far your cock had been slotted in her throat, she swallows. Says, "is that all, sir?"
And the sound that follows it, that shuddering sigh - breaking, cracking, shattering into the calm quiet of your apartment - Tzuyu takes you like it's more than enough. She's swallowing it all back down again.
“Fuck, Tzuyu, you’re-” you try, only to have her moan loud, so loud, when she drags her tongue down your cock and swallows around the whole thing in a way that has you gasping. Your hands end up wound tightly in her hair, weaving through the smooth waves, knuckles straining when it really sinks in. Just how deep down her throat you go, so perfectly deep, the stretch of her lips holding on the side of a grimace because she needs it that way. She can't have it any other.
"Go on," Sana murmurs into the side of your face, drawing closer so she's got her nails curled down into your thighs, leaning in to place a wet, hot kiss into your cheek. "C'mon baby, she'd told me she'd let you do anything - said she'd swallow everything, like the fucking cockslut she is."
Sana's chin digs against the bone in your shoulder, eyes unwavering on where you disappear over and over inside Tzuyu's throat. And it's not just that - Tzuyu's hair clenched tight in Sana’s one hand, the other curled hard into a fist around the base of your cock, her harsh breaths washing over the bare skin of your neck. It's fucking indecent, how needy she's gotten. How needy she always gets. You can feel her greedy little lips finding your ear and biting just shy of savage enough to break skin, and licking - flicking across the vein beating down in your throat, and then -
"That's right," Sana says with a low growl when you look at her. "Cum."
An impoverished sound rips right through your chest. Spreads through you like wildfire.
And just like that, you're spilling inside her, thrusts growing unsteady and lost in the wet, searing heat of Tzuyu's perfect, wet lips, slapping and sliding into her throat, spilling on her tongue with every surge of pleasure drumming in your blood.
Tzuyu sinks down further. So deep that the brush of the back of her throat feels like a hand on the hilt of a knife, tearing into the ends of your nerves, where they’ve come alight and been set ablaze.
Sana picks up again whispering into the cuff of your ear. It makes your head feel like it might explode. And you're almost entirely certain that's what will actually happen, when the combined pressure between your ears and that of your cock becoming so desperately spent builds and builds and doesn't stop, as though waiting. 
Biding time for some perfect snap.
Only, a tickle at the back of Tzuyu's throat has her choking out. The same uncontrolled way your hips start to falter - shaky, jerky motions instead of any precision or rhythm - and you're tilting and winding your head in circles, jaw tensed, squeezing her scalp and oh, oh fuck. Tzuyu's mouth slides itself all the way off you in one hurried gasp, then two and three, just barely giving her a chance to steady herself, all while you're still leaking thick, white cum all over the slick swell of her bottom lip, up over the ridges of her elegant features, the curves of her cheeks, the high arches of her brows.
Look - you're cumming all over Tzuyu's face. You’re cumming all over her pretty face and she just takes it.
She's, fuck - she's so, so good. And not just because her mouth is fucking perfection, or her eyes are all at once bleary but wide open, watching you twitch, her own cheeks flushing as she stares up at you - trying desperately to breathe, taking a quick lick off the end of your cock, flitting her tongue between her knuckles, because apparently another taste can't hurt.
"Ugh," Sana hushes, right into your neck, "would you just fucking look, see that - god, Tzuyu, how does it feel, does he taste as good as you hoped he would?"
There's a subtle, unmistakable bob in Tzuyu's throat as she's swallowing everything down, the evidence, and a small flash of her tongue. "Good, mmn-" and you can see how she struggles in her restraint to simply say so, to let her hand drift to the 'V' between her thighs and sate that ache.
But even if her body seems ready for more, Sana's finger finds its way underneath Tzuyu's chin to prompt, with one, simple command, "let's get you cleaned up before we give you what you came for. Go on, get our little girl up to the shower, won't you daddy?"
-
It's a minor miracle the three of you make it upstairs and down the hall without so much as a trip or stumble, the girls with their fingers woven together and hips swaying as you all stagger up. It's a minor miracle you don't pin either of them against drywall or up against a doorway or do any of the number of filthy things on the mind of a man just fucked, still coming down, with two gorgeous, perfect faces - two perfectly sculpted asses - all in arms' reach.
The bath mat is still bunched at the back of your bathroom door. Still damp from the last shower - Sana's last morning here - which you have to pry apart just a little so the two of them can file in.
And well - it does happen. Eventually.
At the sink.
Just inside the en suite of your bedroom.
With Sana, being the way she is.
While the faucet in the shower starts up a shallow stream of water - tap running warm, steaming the length of the mirror and condensing the glass that Sana will soon have Tzuyu's face up against if she has any say in the matter.
"Tzu," Sana says, carding a hand through her hair and bringing a damp washcloth up to the bend of her jaw. There's a slow trace of fingertips across the lines of her neck. "Keep your eyes right on his while I clean you up, ok?"
And then there's the mirror in the center. The three of you arranged - a sort of hierarchy - with Sana stepping forward and adjusting her stance in order to survey, and clean the mess she's made. (What you've made.)
In profile, you can't exactly make out a distinct detail about Tzuyu's face in the reflective surface, only the silvery blur that is the curve of her neck, and the silhouette of the small frame that her long, slim legs form against the cabinet. But the idea's always the same - she's being used like a perfect canvas. Like an empty, ready-to-use doll that you can twist and turn in the ways you want until all your control breaks and you're just fucking into her, or having her lick and suck all over Sana's gorgeous fucking tits while she's bouncing in your lap.
Whichever happens to come first.
"You missed a spot," Tzuyu tells Sana, as though she hadn't missed several - her head tilts in your direction, eyes wide still, endless in depth. Her mouth gives away what's already burning its way through her blood. "Maybe another pair of hands will help?"
"Mine are a little rough around the edges," you explain, coming in close. The bathroom is this tight, congested space, but at the right angle there's plenty of room, even if your hips knock slightly into Sana's body. Tzuyu's delicate body already has her back flush against the sink basin. "You want to feel them?"
She shakes her head, and even though the hunger on her tongue hasn't been satisfied, even after having a good fill, there's something else she'd rather have now.
"I think," she starts, her words cut off by a hitch of breath when Sana's lips travel to the very tips of her hair and work their way up to the soft skin behind her ear. "Rough is good, when... when I'm being," Tzuyu's closing her eyes - partly so that she doesn't fall off the edge so easily, partly to lean into the sensations of two warm bodies, all attention placed solely on her.
"When you're being worked over?" Sana offers.
"Ngh," she responds - with an attempt, as best as she can, at a smile. And then there's one, light, teasing stroke across her jaw, her mouth. Sana's thumb pressed gently into the crease. "When the fucking gets..." and you'll have to fill the gap - finishing her thought with your hands slotting themselves onto the gentle arch of her hips, pressing a kiss that doesn't even come close to satisfaction on the supple dip of collarbone.
She lets out this pretty sound at the feel of your lips, Sana's, all ghosting down her throat.
"Hard and deep?" you say. Sana smirks at this - continues the effort, "A little fucking nasty, huh, sweetheart?"
"Mhm." Tzuyu is, above all else, a little helpless. “Because - you know me so well.”
But make no mistake: Tzuyu is exactly where she wants to be. With the heat radiating off her bare body, she leans into it all, only flinching when your teeth catch her nipple - when Sana's tongue laps a rough circle over the other. The scene, the feelings, all of it orchestrated precisely - these are the things she likes, maybe loves even.
And after the soft sounds slip through her lips, a moan and another hum, she finds her words and voice, "hard and deep and, rough and, ff-"
"And?"
The quick brush of your tongue flickers across the hard tip. The sensation draws from Tzuyu this very faint cry and the exhale of a word: "Fast."
"Naughty little thing," Sana presses into her jaw, pulling back to regard you both. To lift a finger, wet the pad with her tongue - and reach down, down, down until her fingertips brush the very line of her thigh, into the slick between her legs. "I love it when girls get all messy."
"Please," is all Tzuyu has to say, barely anything but, as Sana's finger drags slowly inside her folds.
"Patience baby," she murmurs into Tzuyu's open mouth. The exchange is swift but thorough; you watch, all tongue and spit, and your fingers twitch with a sense of loss. "Why don't you remind me how this went last time?"
"Mm, listen here," Tzuyu says in an astute breath, the sound of it like tables turning. There's a firm pull on your wrist - the grip on it guiding you, encouraging you, just where she wants them, into the band of lace around Sana's impossibly narrow waist. You feel Sana sigh in relief, shiver at the touch of a warm palm up against her thighs, and into a pulse-wet cunt, as though the slightest touch will kill her. "I think you might be remembering wrong, Sana."
"And why might that be?"
"Weren't you the one begging me? When I had two fingers up your cunt in your apartment," Tzuyu presses forward, voice lilt and darkening like ink, and Sana whines and crumbles in her palms, knees buckling when there's one sudden and rough slide of fingers right on the base of her spine.
"Yeah?" Sana asks with a rising blush, already knowing the answer - it's her fatal flaw: she's all sharp edges and pointed teeth, right up to the point there's a finger at her own throat, a cock in her hands and a girl working at her clit until she's drooling. "Are you suggesting I'm easy? Is that where you're heading with this?"
Tzuyu's leaned up against the counter, turning Sana's slender frame around in her hands, until she has her fingers up on the over the wire of Sana's bra, palms hot beneath the thin cups, feeling for her nipples, and the change in dynamic is as palpable as the steam rising in the room.
"Let’s not put words in my mouth," she responds simply, dropping another kiss into the back of Sana’s hair. There's another one laid along the sweep of her neck, like a careful bite, and with a lift of a brow, a look that tells you what you've always known, "but if you’re asking, then sure, the sluttiest of all sluts. Easy," she pulls the cups down Sana’s chest, "as fuck."
It gets to her, clearly, as if that moan falling out of Sana's parted lips could mean anything else.
"Daddy?" Tzuyu asks, because apparently she's enjoying the bit, easing into all parts of the character. She can't seem to contain her grin.
"What is it, sweetheart?" you ask, dipping your finger down into Sana's cunt, and fuck - the girl is so, so slick for it. She needs to be taken and torn, that much is clear. Her whimpers don't get softer as your hips drive into her stomach, pinning her between the two of you.
"Is she always this much of a bratty tease? Or is that just how she gets when she gets all worked up over your perfect cock. I know she's aching to feel it stretch out that tight little cunt of hers-
"It's never been all that clear," you answer, before Tzuyu can start to say anything further. A moment of composure, in case Sana wants you to step in.
Except that, she doesn't exactly interrupt the play you and Tzuyu are setting up: "So," Tzuyu remarks instead. "Just for me then."
"It's possible."
The room suddenly feels very full, very small.
"Right. Okay. Well then," you say - watching carefully, when Tzuyu gives you an appraising glance. Sana squirms again beneath the pressure of all these fingers printing over her sensitive skin - she'd love to fuck this. Or be fucked.
"That means you'll have to take good care of your needy little princess, won't you daddy?"
It's surprisingly fitting.
-
Though it hasn’t been that long, all things considered.
Not since Sana effortlessly waltzed her way into your life. And slightly less-than-that, the time it took her thereafter to find herself bouncing in your lap and tugging at your hair while you struggled for breath between her tits. This perfect storm, caught somewhere between laughing and choking and definitely, definitely falling.
It's been a year, maybe. If that. But that's plenty to know.
Know every tilt of her mouth, every sly grin. The different moans that shake loose from the curve of her lips.
Know what it means when Sana's palms hit the tiles of the shower wall, fingers splaying as she goes quiet and submissive, letting out the barest noise of frustration as Tzuyu spreads her tongue over the pucker of her ass - know that the knuckle you curl up in her cunt has her that much closer to unraveling in a stream of whimpers, needy fucking pants and a hoarse sound of gratitude.
Ostensibly for getting her so perfectly, perfectly raw.
"Fuck, yes, that," Sana barely manages, between the messy swipe Tzuyu's tongue makes over her hole. Just this thorough lick, drawing tight, swirling circles around her, lapping at the wetness before making a hot and steady pass over the sensitive stretch of skin, drenching it in spit until Sana's scrambling against the hard surface.
She's not close to going quiet: her cheeks look rounder, like she can hardly keep her noises under control as Tzuyu eases a single fingertip inside the tense muscle of her rim and uses the stretch and warmth of the water raining down her spine, to slip in deeper. Sana's sighing as Tzuyu eats her like an act, an invitation.
You push your fingers deep, deeper, slick, pulling, rubbing, coaxing Sana's mouth apart even as your lips press wet into her cheek. She groans louder, needier, with your hand flexing up a three-finger graze over that bundle of nerves. The kind that makes her back fucking arch.
"You," Sana sputters open like a struck match, burning bright in the steam-cloaked shower, "you, you, you," and it’s not really clear who she’s cursing, "going to - you're going to - you're going to make me-"
"Oh no," Tzuyu sings, starting to straighten herself out - until she’s reminding Sana that she’s the smallest of the three of you and in a possible sort of danger.
She reaches an open palm into the stream of water and splashes off the slick running down her mouth, her chin, her neck - gaze anchored to Sana's trembling figure. It's just one, heavy exhale into the hot, hazy air: "You've got it all wrong.”
Sana twists her head around, face still so wildly attractive amidst the look of worry and that flush of pink taking over from the bottom half. The tiny, imperceptible dip in her brows.
But before she can give voice to a complaint, Tzuyu has her spun by a rough grip around her waist, pinning her back to the tile - water beating down the rise of her breasts and the tops of her shoulders.
"If you're going to cum baby, it'll be all over his thick cock, getting your whole cunt so stretched and stuffed full it'll feel like he's cumming up inside your guts."
You and Sana share this wistful groan of a sigh after Tzuyu wraps her long fingers around your cock, aims you true, and brings you close. Closer. Until you can feel Sana's pulse at her cunt, lips wet and slippery and dripping, just a few inches from where the tip of your cockhead nudges the insides of her thighs. Sana's stomach is seizing in a fluttering of heat and -
"Do you like hearing her beg? That's good. Because this girl's gonna do everything she can to make sure you fuck her raw before you even let her come," Tzuyu's voice lowers, a deep register. "How long can you last, Sana?"
Sana gives you this look, all anticipation and pleasure, holding it for longer than is strictly necessary - and then, her pert little mouth falls open, keening, hissing out a shallow, almost painful, "fuck" the moment you bend at the knees and slip inside.
The feeling that washes over you is a beautiful elixir of relief, an indomitable kind of want, tinged with something heavier, and with just the tiniest hint of longing in the sense that this is not enough, nowhere near enough. It never is.
"God, Sana," is all you manage. All you want to.
Sana doesn't wait around any longer before giving you an impatient shimmy of her hips, fucking herself further down the length of your cock, like she wants to choke on it. And the feeling of it, well, she does it well - the tight warmth swallowing you to the base, her cunt squeezing you all at once, slick and smothering. Fuck, it's all in her eyes. How badly she wants to be held down, split apart. How tightly your fist finds itself locked around Sana's long, wet strands of golden hair as Tzuyu closes any semblance of distance - brushing her lips over where she can tease Sana's open and slack mouth, licking down inside, panting.
"Baby, you are so close, I can feel you trembling," Tzuyu teases, running her fingers up Sana's stomach, cupping steady the breast she can fit in her palm. She drops another messy kiss on Sana’s throat and hums: "Go ahead, cum. I'm sure he doesn't mind.” 
"You're such a prissy fucking- nnh-" Sana's words skirt right over Tzuyu's fingertips before they're shoved roughly across the swell of her lower lip and into the back of her mouth. If Tzuyu's intent was to prove a point, she's about as successful as can be - Sana can only gag quietly around her digits, working her jaw over them.
"Sana, shh-shh-shh, baby, don’t fight it; just cum around around his cock, don't put yourself in a corner and try to play games - he'll fuck you right, until you scream, I promise, and-"
It hardly ever takes much. That's something you've come to appreciate: Sana can't ever help it. With the way it actually feels, you pressing right up against where the rest of her cinches so impossibly tight. She was practically teetering on the edge, on the very cliff and within reach of falling right off of it the instant you fit the very hilt of your cock up the molten-hot stretch of her perfect cunt, sliding, fucking into her while water sprays all over her quivering body, so soft beneath the wash of rain.
One of Sana’s long legs gets wrapped around your waist and you can feel her nails start to dig through the muscles in your shoulders.
Tzuyu smirks right into Sana's temple, biting at the slickness of her skin, running the curve of her thumb around the length of Sana's jugular, and sucking with her teeth when Sana cries out. "How does our girl feel wrapped around you? Wet, huh? Needy?"
"Unbelievable," you answer honestly - and maybe that's the point; Sana's pussy is incredible. Hot and silky and absolutely unreal. There’s no question, whether she's a work of art, or if she'll fuck you up, but you love that part.
“Ruin her for me, won’t you?” Tzuyu prompts, with that twinkle of mischief you're rapidly becoming accustomed to. "She looks even prettier when she's fucked out. I know you know that."
She does, she does, she does.
Your hips snap, up, fuck in - Sana mewling around the shape of Tzuyu's first two fingers - then back, drawing the motion slow, long, full - until you’re crashing forward and sinking up into that warmth you know is spreading across every inch of Sana’s body, swallowing her up inside-out as her legs start to shake and give and her tongue laps recklessly along the outline of Tzuyu's knuckles. 
Sana knows she likes to play at coy and control, but this is never part of the act - your cock fucking her submissive pussy apart - it’s hard to argue she doesn’t love how you can come to own her: hot and fast and filthy, leaving her breathless and desperate, every thrust into her tight cunt punctuated with some pretty whimper. And here, she just… there isn't the luxury, there's nowhere to hide.
Nowhere to run or shy or look away.
Tzuyu curses when finally Sana bites down, part of a long sequence of reflexes that bloom from the depth you fuck up into her cunt. And with her voice back in her throat (Tzuyu's fingers shaking out the sharp pain) she fucking whines into it, unable to stop the steady line of nonsense tumbling past her lips, incoherent except for the single-minded purpose of her own release.
"Fuck, daddy, fuck," Sana repeats in the same way she always does, getting fucked, the letters collapsing into each other. "I'm cumming, fuck, fuck, so fucking wet. God, you're, fuck, right there, oh - I'm cumming, daddy, I’m fucking cumming," is the all further she gets, muddied with the sound of your slicked-up thighs moving in quick rhythm with the beat of your heart, slapping loudly against her skin - loud enough so that the neighbors can probably listen in through paper thin walls.
Then she goes silent, face painted with it all. She isn't crying, the tears won't come, but she's gone this quiet sort of wide-eyed that matches the way she's mouthing, cumming, over and over, you’re pulling me a-fucking-part.
And you believe her. You have to.
Just look at the way her legs are doing all the wrong things. Thighs tensing taut, muscles giving out - she’s slipping down the tiles, back bending and flexing and going limp all at once. Tzuyu's already moving, scooping her up like it's something rehearsed, before you even have to ask, "Tzu, help me hold her up, won't you?"
“Tzu, huh?”
It's not much, but it is worth noting: how Tzuyu, her fingers curling and interlacing between Sana's, holds the girl like she's breakable. Tenderly, cradling Sana's small body against her chest.
"Do you slip into pet names and all that with every girl Sana brings around? Or am I," and when Tzuyu tilts her head, her smile has this very palpable bite, "the exception?"
"Every pretty girl thinks they're special, sweetheart."
Tzuyu just glimpses one downward look into Sana, shivering, riding her orgasm down into nothing, and drops a kiss into her hair. A gentle chuckle: "And when have I ever given you a reason to doubt it?"
"Shameless," is all Sana offers up, beyond exhausted, trying and failing to take more than a passing, somewhat disgruntled interest in the scene unfolding around her, while she clings to the strength Tzuyu and the tile and your hands are putting into her body.
Meanwhile Tzuyu, this devil of a daydream - this tall, skinny thing of long hair and smirking lips and cheekbones as sharp as her wit, has her gaze locked. Still curious, and all but relentless - there's more she's dying to say. It seems almost impracticable that such a lovely woman would really be this way, weapons concealed under all that good-girl charm. And in its most uncomplicated form, that's what it is: an open invitation.
You've only managed the vaguest outlines, after all. "Do you mind?" you ask again.
The next movements feel more elegant than they probably are. Cradling Sana's limp body between you, finding a steady hold.
There’s a slight shuffle to discover a proper balance, a hand slapping the glass of the shower door, and yeah, Sana's fucked out. Slurring out sounds that might resemble the shape of words if she had the presence of mind. The rest are whines and whimpers, obscene in all ways.
“Baby,” Tzuyu tells Sana in a growling kiss to the back of her ear. "Keep your fucking legs up."
(That’s a cue if you were looking for one, to get your arms fastened around Sana's small waist as she leans heavy into your chest.)
"More," The girl in your arms starts to complain, when you truly start fucking her.
"Hurt - hnn, please, more - fuck - harder," and all those sharp edges, that arrogance and conceit, it's all gone. Her pupils are blown out, an animal-like-desire set in its place - these are your invitations to wreck her, you realize, pushing so deep into her well-fucked cunt that she arches, and that her head knocks against Tzuyu's, that the small room is entirely empty save for these movements under the metal cloud of shower water, falling like rain.
This is all there is. 
Tzuyu, smirking like she herself might get off on this. 
Sana, begging.
And when Tzuyu buries a hot smile at her throat, nibbling at the skin - urging her, urging you, this sharp, "now give her the fucking dicking of a lifetime, will you?"
When Sana’s reduced down to her pleas of, please, harder daddy, and deeper, god, I can feel you so deep -
Well,
You’re all instinct. You sink your fingers into the firm skin of her ass, grab at the soft, slippery flesh around her hips. You sink your cock into her hole again and again.
The stretch is obvious and absolutely devastating, making Sana cry out and muffle her face in your shoulder. She makes a weak sort of sound around your neck - it could be anything, maybe please don't stop, or maybe please do - it doesn't matter.
"You look incredible like this baby, does he fuck you well?" Tzuyu croons, curling around her so her head rests on her shoulder - eyes watching Sana, meeting yours. "Oh, come on, aren't you always telling me about how it makes you feel - all this, full and hot and better than anyone? Now's your chance, no hiding from him. Or me."
"It's so, god it's - I -"
"Come on," Tzuyu squeezes out one long, eager moan with her hand dropped onto Sana's breasts, pulling and kneading like she owns it. "Tell him to cum in you baby, like the good fucktoy you are, let him cum up into that creaming pussy until you’re all sticky and leaking cum all over, just the biggest fucking mess."
There is measurable irony, you suppose, in how Sana brings these friends of hers back with the clear expectation to be fucked and torn apart, how they each want the same, all wanting to get her unraveling and her knees buckling. Only Tzuyu manages, more efficiently than anyone you've ever seen, to leave her all wanton and squirming against your hard, relentless thrusts into her needy cunt.
It's easy: this isn't difficult, there is nothing hard about falling for each and every promise her face has to offer - knowing her body's secrets and drawing the story out, line by line, so you can fall in love with it over and over, all while Sana starts to go helpless at the shape of your cock filling up that tiny, wanting cunt.
So you cum. Inside her. In one final push, filling her completely.
Sana opens her mouth like she's trying to say something - say yes - say daddy, say fuck yes daddy.
"That's it," Tzuyu strokes down Sana's belly. "I knew it - now keep your pretty thighs shut. Can't let even a drop out, understand?"
"Yes, fuck. It's - fuck - good, he feels," Sana finally sobs, chest heaving as you grind the last little bits of cum deep, so far and hot as it can get. All the way in. Where it's hot and wet and throbbing and slick.
Where it should stay, because you never pull out. You savor the last bit of your pulse, sporadic and lethargic. Because in truth - your mind is made and your mouth won't say it because you don’t need to.
Tzuyu's wringing the water out of Sana's hair, picking the strands into careful folds. "Alright then," and her grin is positively lecherous.
There's a bench in the corner of the shower where you eventually arrive, panting now that you realize it, and Sana makes herself at home right in your lap, face buried in your shoulder. Grinding her hips down in this almost imperceptible circle, circling back and feeling. Holding you inside and murmuring into your collarbone.
(Fucked, Sana is simply and unfairly beautiful.)
It’s all in that exhale of a moment, when Tzuyu catches water in cupped palms from the shower-head, wiping away what stray tracks of soapiness left on Sana's shoulder-blades and breasts and thighs. Her hands all up and down her body, sudsing the crease between leg and torso, down lower still, around her sensitive pussy and her folds.
You wonder if she can hear you swallow.
"Maybe we should actually wash up before we go again?"
-
The first thing Sana's free hand goes for when she stumbles through the threshold of your bedroom is a hair band you didn’t know she was storing in the top drawer of your dresser. She fidgets around keeping her towel wrapped tightly around her chest as though modesty were an option at this point.
"What?" she asks, fixing you with a slightly-irritated, slightly-teasing smirk. "You look like you have something you want to say."
"Nothing." You laugh out loud. "It's nothing. I'm just waiting."
She makes this face at you, guilty - so sorry about the contraband - as she twists her wrists and pulls the hair band round her middle-finger, wrapping her palms around her knot of wet blonde and bundling it into a half-assembled ponytail. It leaves the length of her nape exposed and vulnerable, neck flushed pink-from-showering in all the most wonderful of places.
"Waiting," is what she hones in on.
Tzuyu is pulling out of the bathroom. Her hands, washed clean and dried off with a fluffy, off-white towel. When she sets it down, she steps back, leaning on the frame. "He's waiting, for what I wonder?"
She's made of all things smooth-and-sharply-cut. Even from here, even through the sleep-haze fog, the silhouette of her nude figure gives itself to a small sense of anticipation. The long and smooth sweep of her chest, from breast, up and out, and then tapering along down to where her hips flare. She takes a step and then another and lets her fingers ride her side, from the very top of the shallow indentation in the dip of her waist, up. Then the tautness of her abdomen and further still, running slow and over the breast, coming to cup its full weight, pushing the bottom of the curve outwards.
"Waiting to," and she wets her lips in something akin to expectation. "Pound me into the fucking bed?"
You’re smiling when you explain, "I was going to say a request…"
Tzuyu’s dimples deepen. "You mean, like, we can tell you what to do?”
You sit on the bed, which is actually more of a proposition than you realize. "I suppose."
"Sana, sweetie, is there something I should be doing for him," Tzuyu looks up, wearing that trademark kind of playful expression that is definitely deliberate and not at all a tell. "Or maybe I've got this all wrong and you know exactly what you want."
"Well," you manage in reply, sounding surprisingly sane. "Don't both start coming forward with any ideas you have no intention of following through."
"And what if I have no ideas at all? What would you tell me then," is the challenge you find hanging around the slender outline of Tzuyu's wrists, and then at the back of her fingers, as she cards her hands through her hair and pulls it prettily over rise-and-falls of her collarbones, until it's barely curtaining her breasts. 
(Barely.)
She crosses over to the bed - to you and Sana - and without much other movement than that, finds a knee on either side of you to let a lone fingertip skirt the tops of your hips. Flirting with the towel around your waist.
"For the record," Tzuyu says, flicking a glance at Sana and leaning down into your jawline. The palm she slides over your thigh is so warm, so promising of its heat and pressure you'd swear you can almost taste the touch of her. "I never, ever go back on my word."
"Try me," you tell her.
"I do have some, ideas." Every time her fingernail ends up between her teeth, it’s another drop in a well that runs god knows how deep. "Though very few of them involve this towel."
“And about the ones that do?”
"Well," Tzuyu starts to purr - reaching a hand down and spreading the flat of her palm on your chest, "I figured if I ever wanted something to bite down on, well, you know."
It's just a subtle little rock - and the perfect view: she starts like this, her hair all tucked behind one shoulder, the arch of her back lifting. Slow at first, Tzuyu only pausing after every other short breath to lick and kiss your lips with hers, and the edges of her teeth, all soft and insistent. You are sure - that with a subtle twitch, a minor jerk of the knee or hip - she is almost right over the perfect place, and when her hips grind in these micro-friction little motions that have her sighing and pushing herself flush, it's clear that all she's looking to do is rub her cunt down all over the erection you've been holding in since the last time your towel was hanging somewhere above your waist.
"Hold, please," Sana interrupts, when she leans over and plucks something out of the messy contents of the nightstand - a few hair clips, and, more importantly, a condom. She swears aloud when the package tears the wrong way, but she's quick to apply a lip balm-slick finger-tip on the inside of the ring, and hands the thing to Tzuyu by way of a passing roll, "so, I assume you've got this under control."
"Give me that."
"Mm. Have at it."
There is an intrusive thought that finds its place, wedged somewhere at the base of your skull when Tzuyu starts the careful act of lowering herself down your shaft - like this, it has an inevitability - a forward momentum, the familiar sense of excitement building a force in your heartstrings. Sana must have a similar sensation, as she scoots her ass and slides one hand over the same place you feel that force thrumming, her palm reaching right for Tzuyu's ass, while Tzuyu hisses out a tiny sound at the added stretch.
"Careful," Sana says, fingers drawn back from the cleft of Tzuyu's beautiful ass with a string of slick that's unmistakably arousal. "You try going back after having his cock. And trust me, there's nothing to go back to. Like, ever."
"That must be why you're always like this," is Tzuyu's cock-sure comeback, finding herself flush with your hips.
You're biting down. You're holding back. You're probably digging nails into your palms hard enough to break skin, because you could be double, triple wrapped, latex running up your length like a goddamn balloon and you'd still feel the hot, melting perfection of Tzuyu's pussy swallowing your cock in one, slick, seamless motion. There isn't any sound either more pleasing than that hitch-groan-slip you hear as Sana helps guide Tzuyu's hips back, forth, back again and to a steady beginning of this proper pace: smooth and full.
You both need a second, because, fuck - and she's biting into a grin. Eyes already half lidded as the speed builds. As Tzuyu starts really enjoying the drag of it, the feeling. The god-damn-fucking-stretch.
"Oh? Like what?" Sana asks, smirk filling out her lips to bridge the silence you're both groaning into. "Like what?"
"Greedy," Tzuyu says. The only part that really needs to get filled in. "Because he fucks the self-control right out of you."
Now Sana lets that settle, and it's not like she doesn't know. Or doesn't understand. And still, "Mm. That does sound like me, doesn't it, daddy?"
(Yeah, well- you- )
Tzuyu watches you watch what happens next: Sana peeling out the cotton slip of her bath towel - sizing up just how good Sana looks. Fuck-me-raw.
And then she laughs, deep and gorgeous. "Didn't he just do a number on you - hn, god. Can you hear him all up inside me? Fucking, splitting me apart."
It's true.
All of it.
The way Tzuyu rides your cock. Faster, faster, rolling her body and drawing her hands together behind the length of her hair and neck until the point of her chin is upturned, showing off the hollow of her throat. A tension that glitters with sweat.
The tightening in the space between the bottom of her ass and your cock - all of it is heaven. This slow-and-rough, rough-and-fast. Tzuyu picks the tempo of it to fuck out a particular pleasure that has you catching her and pulling her closer to your body, holding her through the upward grind, where your cock meets the heat of her cunt - pressing her closer.
That's it.
Possessive. That's what both girls have the good grace to read.
Sana's hands come up Tzuyu's ribs, fingertips skirting the muscle-taut-surface of her stomach, the bumps and grooves of her ribs, and up further still, riding the path of her breasts as they're bobbing-jostled and going full-on heavy - her thumbs go at her nipples. Rolling around the hardened tips - the faintest tug at them, enough to start to pull - then just teasing them between thumb and forefinger and loving the sight of you wincing. Loving that you love that.
"She's pretty, isn't she?" Sana laughs.
"It's a real show," you bite the compliment out. The very least you can get to.
(You'll be fucked if you can hide how much you want to stay buried in this girl and cum a fucking waterfall between those perfect, creamy thighs. Oh, she knows. The dirty little smile, the filthy laugh, you're holding tight - even if the act is useless.)
"Like how she clamps down," she hums. "That's the part I've always loved, you know. She just does everything so slow, so fucking good, so... deliberate."
There's a fist in Tzuyu's hair and no trace of sympathy or self restraint in her friend when Sana tells her, "Baby, ride him slow for me, can you do that?"
When Tzuyu sucks a hiss through her teeth, mouth caught around the sharp intake, Sana just licks a slow line along the curve of her lower lip - as though saying, baby, like the slut you are, remember who asked nicely? 
And it turns out: slow is worse. You can feel every tiny tremor of friction, every little shift of Tzuyu's cunt squeezing you. Clinging tightly. Your fingers wrap around her rib cage and hold her right as her ass hits your lap, while her head rolls back into her own hair. It is enough, finally, to draw an out-of-breath little pant out of her, making a beautiful blush crawl and spread across her cheeks - there.
(Oh, fuck, your brain echoes. So, you want slow, that's what the noise from your throat says as she eases back, rising up. So slow, you-can-feel-all-of-me. She makes the effort so flawlessly, it's fucking you both over, because she's looking at Sana with this flutter-beat look, eyes wide, wet and round and pleading.)
It gets that much worse the minute Sana pushes her down by the shoulders. Giving her some resistance. Showing you both she can take you inch by slow goddamned inch.
"Harder. Deeper, sweetie."
Tzuyu does everything Sana says she'll do, loving her fingers in her hair, pulling tight. Control given as easily as that. Because she looks just how she feels: utterly surrendered. A helpless kind of want, like there's something broken in her chest when the head of your cock pushes her deep, deep. To the point she feels something more than an ache.
"Want it," Tzuyu whispers out against Sana's smile. "From the back, like you promised," she says, and takes the shudder out of your breathing.
Sana cups her jaw, laughing. She puts one arm around Tzuyu's throat and bites at her chin, at her ear. "I bet he'd do just about anything to give you what you want, baby."
Tzuyu’s hips snap down onto yours again. Melting your cock in this thick, molten heat.
And again, faster. Needier.
The kind of movements across your lap that make everything louder - a beautiful chorus of small-sounds. Slaps and squelching. Wet and gasping and begging and skin-on-skin. You'd never, ever considered the act a competition before, not with Sana. But when Tzuyu seems to be seeing who can pull the most erotic of noises out from underneath your ribcage - or the highest pitched sigh - the wetter and louder it all gets -
"Sana."
"Tzu."
Tzuyu rides the pressure and finds her voice, head thrown back, jaw slack. "Sana - tell him to, I'm gonna, soon. Tell him what to do."
"Beg for him," and Sana gives her the fakest-of-all-pouts when she slips her hand along Tzuyu's inner thigh, nearing her where the two of you meet, then slowing her pace, bringing you both to an immediate stand-still, while her fingertips continue, ghosting across the shape of your stomach. "He doesn't need anything less than the truth."
Tzuyu's face. It's the most gorgeous thing you've seen. Her hips are winding slow against you when you hit a spot you're not entirely sure either of you can recreate at your own whim: deep inside. Her eyes as wide as they can be. All of her sharp edges now just these subtle things - the very shape of the shadow beneath her clavicle, the tensing of her thighs at your sides, the gentle lines that curl up from the wide bottoms of her hips when your fingers thread up her belly, palm open flat.
"I want," is where Tzuyu starts, not hiding it any part. "I want you to bend me over the bed." 
And in a breathless voice: 
"Please, please let me have what I want. Just bend me over the bed, shove my legs apart and take me. Hold me down. Fuck me and fill me and don't let me move or say a thing. Until we're both fucking finished."
You swallow. Hard.
Because here's what Sana's brought you: this tall brunette with an impossibly beautiful ass and thighs to die for, a sin-full mouth. The curves in her waist and back and tits a distraction, that you might try to map out until you're so lost you forget how to leave, how to ever take your cock out of this tight cunt.
"Is that a thing you can do?" Tzuyu practically purrs in one long tone, pushing herself up your waist, until your cock falls out and hangs there. Until you can only see all of this clear, gorgeous skin in front of you and hear her pretty little moan. "God, please, daddy, I’m begging you."
(She says this last part in a way that lets you know this isn't something either of you will get over easily, the kind of pleasure, the feeling and the flash. She's unreadable - almost, not quite- just too honest, there's nothing else for you to believe. Maybe that's where the shiver comes from, or your palms itching, or the sounds of your bedding ruffling as you spin her onto her back, her tummy - pull up on her hips until they're sky high and you can palm her breasts, let her press her knees up and apart on the duvet. Until you get that first look down the column of her spine and the sudden, stunning shape of her ass in a view you never want to say goodbye to.)
Tzuyu slides her hands across your sheets, all this stretch. A flex of muscle. When she opens her hips and you push two fingers deep, inside, easy - then back out -
"How much of that," Tzuyu interrupts, blushing furiously, "do I have left to beg with? Please."
- because she's been soaked and aching all day just thinking about it. Just begging for a good fucking - or so she told Sana, who now giggles and leaves small kisses up the ridge of her spine, crawls alongside the dip-line of the mattress, and after curling her fingers around the column of Tzuyu's throat - smooths a single fingernail up and down and presses, tracing, the groove of her jaw as you nudge your cock against her.
It’s not on purpose, this needlessly drawn-out moment - simple brush of latex against her slick, dripping folds, the tightening in her core and how it matches the tension in Sana's wrist and the coarseness of the bed-linens and the hardness of you - but everything eventually folds, into her.
And you're not helping, the way you're fastened to the narrow point of her waist like it's a handle. Your thumbs riding the arch of her hips, taking every opportunity to sink your fingers hard into the flesh, grip tighter and push, pulling Tzuyu, if only to really work that friction between your hips.
"Fuck, it's all in. Finally." Sana gasps like she's the one being bent, arched, fucked from behind, then lays herself down against the length of Tzuyu's shoulder, chin bumping her cheek. Watching Tzuyu. Taking it all in.
You have a hard time making it out, but Tzuyu starts this half-whimpered litany about how she needs to be fucked (that is, roughly - deep and long, or maybe rough and short and deep, or whatever, as long as it makes her lose composure), followed with some shoddy mix of cursing and your name and Sana's - the things all three of you might consider for another chance meeting.
And as you're following up the suggestion with a low groan, that's exactly how you notice that grind in her hips - a jerk back, a twist, bucking against you. She feels so, so incredibly tight when she writhes onto you, squeezes. Like she wants to tear her heart out her chest, she's so overwhelmed. So thoroughly and totally taken by this fuck. By you. "Harder," is all she says.
This one line does it, then two more. All in-and-out thrusts from behind, fuller the second time, then the third.
Only when you find Tzuyu peering back over her shoulder with a pair of eyes that say, please, pretty-please, all liquid and warm and wanting. "Fucking ruin that cunt, I want - god. Do you have the slightest idea how much," and that is where the words disappear into a slow and sticky whine.
"Yeah baby," Sana whispers.
She knows what it is. Tzuyu wants so much more, so you give it. Give her the just-this-side-of-ruthless fucking and the slow-pace grind you know can push her right over the edge. Give her more, all of you, and get her hands twisting in the pillow and grabbing fistfuls of sheets, burying her face into the space above her wrists and nearly choking on her hair with how she moans and yelps - loud.
Her whole body jolts forward the next time. The arch to her back deepening. Body drawing in on a flawless line.
Tzuyu does cum. Eventually.
She keens and rolls and begs you not to pull out or slow, just stay put and fill her with your cum - keep fucking going, please. The only thing keeping her from landing flat on your mattress as she practically unravels around your cock are fingers you have under her hips, tightening. Bruising.
“Fuck, fuck, fuck me, you’re,” you’re railing out of her lungs, where the words hang on sex-stale air.
First with Sana whispering promises into her ears and letting Tzuyu swallow, and suck around the length of her index, then two, fingers. Then licking a kiss into her mouth, tongue tangling up hers and finishing up the act with, "cum for us, Tzu, like the sweet girl you are - you take him so well."
Then, with your hand held over her ass-
(She could cry from it. From how everything pulls you in, like a riptide, and, really, with no regard for things like safety or drowning.)
-the utterance off her lips has your stomach twisting into knots:
"Keep," you hear her ask Sana. Barely getting the words out as you ride, fast. "Please, keep, telling him that I - god."
It gets worse before it gets better.
"I can't - I need; fuck, I can’t, with the rubber, I want him," and Sana smirks like she knew all along. "Sana, please-"
"You want the real thing, sweetie. Isn't that right, baby? Hm. Of course it's okay," and Sana soothes a hand through her friend's fringe, pushes it away from her eyes and over her ears, making something that sounds like an adoring laugh slip out. "You want him to fuck his cum so deep in that pussy, I know you do, don't worry."
When you slow down the grinding, wipe the sweat from your face, Sana gets your attention and nods to the very place your cock is disappearing between the cheeks of Tzuyu's ass, "go ahead. If you want the mess-up, sweetie - let's make sure that's exactly what he'll give you."
Who exactly wants what most is hard to say. Sana's the one pulling off the condom, the rubber stretching to an obscene limit that has you fearing for your life should it snap back before it breaks. Tzuyu is already a sort of gaping mess with it all, her own fingers snuck under to rub harsh circles in the absence of cock and something firm and heavy to fill her. To feel full.
And there's you, asking, or maybe, double-checking: "Tzuyu, you're saying you want me to-"
"She doesn't care," is what you're interrupted with, courtesy of Sana. "Fuck a baby into her cunt, that's what she wants."
(Like you wouldn't fucking love it too. Or have the frame of mind to even begin to unpack all of that.)
It’s a lot, admittedly.
And not just because Tzuyu has never looked better: on all fours, pressed, and presented. Legs all the way apart and ass and thighs in your grip, with that smile all pointedly certain and wild-eyed, like, she knows, that you know exactly what to give her - what she really wants - filling her so full and marking your claim by fucking your cum right to her very core.
Tzuyu drags her head back, so she can peek over her shoulder and meet your eyes.
She does things. Like sighing this small sound and laughing and - she has this thing for noises, for things breaking under the strain, where she won't say a word, except to murmur some part of your name into your jawline, a raggedness in her breathing. Sheer hunger.
"I want - want you to, fuck me."
You will. Or you are. Or you're going to, only - Sana's lips are fast around your cock, fingers fluttering delicately between your thighs and drawing these stuttering sounds in your breath, "I will. I will. I'm - I will."
Sana just hums, copper hair bobbing in place. Her hot mouth and wet fingers pulling and sliding and pulling and sliding. Tongue moving in all the ways she knows you like.
Which, here’s a fact: Sana can be mean. No one would believe it.
But sometimes this is the price of admission. You have to be honest about what it takes, how, exactly, you intend to break this beautiful brunette whose ass is swaying back and forth in this mesmerizing little waggle of the hips. It's hard not to marvel, not to ask questions and not wonder at what a pair of friends so similar and so opposite do to each other and other people and to themselves in those small, private hours and space no one else shares, that has you panting and burning and her clasping the hollow of your neck and asking with her body if this is okay, because sometimes, in moments of absolute need, just a glance can mean your end.
So, there's no tease; Sana is well aware of what it feels like when you're throbbing and ready to burst - she's working you up and over and right to that point of no return-
"Can I? Fucking-"
"Fine," she replies, maybe having now considered every other way you might spill a hot load out and make a mess of the sheets. "Have at her," and a flick of tongue catches around the tip of your cock - the final tease, the best punishment.
And the promise of how Tzuyu makes that perfect whimpering cry. Something entirely wounded. Because as soon as it begins - your cock in the shallow depth of her creaming cunt - you're both made aware how she's wetter than she was an hour ago and clenching at nothing, hands balling themselves in frustration, palms bunched white-knuckled up in fists. She needs something, anything. Something for her to squeeze against. For her to bear down on and bounce her cunt off-
The sound all three of you make when you grit your teeth and bury yourself deep into her pussy is a guttural, aching thing, with you biting a lip and gasping. Tzuyu half-growling-half-sobbing into the sheets.
It doesn't matter that she lets Sana cover her open and slack mouth in an attempt to quiet it.
It doesn't matter because in a blink, the exact point in which you sink completely inside - where it's the first, the best, feeling of Tzuyu’s hot pussy taking your cock.
(Mind-numbing, is the word that doesn't come to you.)
Under you, Tzuyu is writhing and hot and tight into the mattress - and so desperate.
"Please," is about all that gets away from her. Which is just too cute to ignore: she's been dying to be fucked, ever since stepped into your foyer and was introduced by the softest, most deliberate of gestures that wound up being all-too intimate. "Please- I need - harder, fucking-"
Sana takes to touching you, her own little form of enjoyment that ends with her fingertips mapping the shape of your jaw. Pupils blown, "Isn't she amazing?" Sana laughs into your neck.
"Fucking," is what your first real stroke back into Tzuyu pulls out,  “unreal."
The friction has you both grinding your bodies together at the base, and she arches, this throaty moan, before looking back up at you and letting her mouth fall open - this wordless sentence of plea, over and over again. She's shaking. Body-full. It's almost something painful to see, that she's so undone - and what if you were the only person who'd ever fucked her like this: into ruin.
Tzuyu clenches around the next thrust - begging, so-sore-and-begging to cum.
The demand is practically written in her muscles, and all you want is for her to let go for the second, third, last time - until she loses track of the count. To get there before you have the time to register that she is actually doing it. She's already half-way gone and at your mercy - her only choices now, being: cum, or let you chase the orgasm you're currently rubbing all around the curve of her cunt.
Sana swallows her scream when the first little cry comes, that you've edged out of her. And it gets worse and better the second time her ass meets your thighs, where she's making a real mess on your hips and all but yelling out her orgasm in her state of such incoherent stutter and disarray. The arch to her back is this thing out of your best imagination, which has you - pounding out all her noises - gripping and curving over the plane of her stomach. Until Tzuyu's beginning to make these different cries, somewhere new, somewhere you're finding a whole lot deeper.
"Hold her ass up and fuck her 'til she's full of cum," is the advice you get from Sana in the end, as you fuck her and fuck her through the tumultuous rise and fall of orgasm after orgasm, "oh baby, does it hurt so good? Do you feel that heat spreading down your thighs and getting you all slick? You always knew the best toys are the ones that get bred, sweetheart."
And from her, barely, "fuck, yes."
That's what does it: the desperation just that tangible in all your voices.
Sana manages to get her lips on yours. A kiss that could knock the wind out of your sails under normal circumstances, one that curls a fist and tugs around a familiar part of you. But Tzuyu's eyes roll and drop low, fluttering shut, while your hips crash in quickening succession:
"Fuck-you're so-perfect, cum in me again, daddy - make me," and, "please, so fucking full, just give me more. Want more of you, until it's-"
Tzuyu gets you. Just there. Just the way you needed it. Just like that.
There's something addictive in how her muscles clench and grab around the head of your cock - drawing everything you'd been holding back to a painful front, and - Sana's taste in your mouth still so sweet, mixed with salt and sweat, while you fuck and pound, with absolutely zero respite. Cum buried deeper and deeper until it's spilling and Tzuyu whines for the filthy feeling. Until you're fucked through, emptying every single drop into her open cunt. Until your legs feel sore, a slight shake all through the muscle and the tension in your neck and shoulders, and you're growling this thing that might be her name, and "Tzu, my god, baby, you feel, so amazing," in between thrusts.
It earns you an appreciative whimper.
Something breathy and not-at-all restrained. She doubles down on it when your cock slides out of her swollen, well-fucked cunt.
At first, she only hums a sleepy smile and turns her face in toward the touch, eyes closed and unresponsive. A long exhale. Even like this - especially, perhaps - Tzuyu is lovely.
Either out of exhaustion or overbearing satisfaction, you collapse into her - bodies folding up like that old-cliche about a stack of cards or dominoes - with your cheek to her back and your arms wrapping around her chest, tight, trying to squeeze. Like you're hugging someone from behind. Which isn't too far off. Because for the next five or ten or fifteen minutes or a half-hour, you lie there, pressing your face in against the side of her neck, smelling her hair - how sweet the strands are - then down along her shoulders, and under, listening to the soft way Tzuyu falls into her breaths. 
In, out. In, out.
Sana follows all the while with, "should we not have let her ride, first?"
To which, Tzuyu says, "fuck off."
Sana brushes it off, crawls around your shoulders and slips two, three, five kisses into your forehead. That's when you know to shuffle over, dragging and tugging limbs and muscles and bone in the same direction - careful not to let the sticky sensation linger anywhere it shouldn't. Not even for an instant.
The three of you are laying in a total fucking mess. But it's your mess, and that's beautiful in a sort of thought-provoking poetic way.
You turn your head. Tzuyu's there, still, blinking slowly.
"Hello again, hi," you say and the smile comes up all sorts of natural. "Okay?"
Her gaze shifts into something vague, so much quieter, but she nods. So it must be. Okay.
-
“Is it too early?” Tzuyu asks two weeks later, and nothing has ever, ever started like that.
She’s at your doorstep, a little too dressed up for the middle of the afternoon, hair pulled away from her face in two loose braids, bright eyes, lip-gloss that shimmers just enough. Something innocent in the whole way she looks and stands and smiles. Nothing, on the surface, that gives the truth away.
You lift an eyebrow, skeptical. Always. "I wasn't expecting company."
"Yes you were," and she dangles a set of keys.
"I'm sorry, did you steal those?"
The laughter from her chest is as surprising as it is gorgeous, rich and thick like molasses, rolling over the shape of her tongue. It hits you hard that two weeks - really, any amount of time - it’s not nearly long enough.
And before Tzuyu can admit as much out loud, Sana chirps from her spot aside the door, knee bent and grinning, "maybe I did."
"Well," you say, hands on your hips, "this is all a little..."
"Irregular, I know." Sana's giving her best impression of you: so exasperated.
"Which is, honestly," she continues to explain, pushing away from her perch and approaching in these small, gentle steps. "We need, that thing you promised you'd do," she trails a finger up the buttons of your shirt, under your jaw. You're already drowning. "Whenever" - is her very worst torture - "we called."
(Might just be a little bit of trouble, is the one honest answer, to whatever you were trying to start when you saw their faces and recognized their bodies and said: yes, come inside and meet me and fuck my brains out, all that.
What a way to begin. What a story it'll be.)
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a/n: these two are fucking adorable.
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ckret2 · 6 days
Text
So y'all know the Gravity Falls production bible that leaked three weeks ago. Someone in one of my discord servers pointed this out:
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And, naturally, that spawned an entire AU.
AU Concept: Ford was kicked out instead of Stan and takes a job as a trucker to makes ends meet since he couldn't go to college, while still studying the weird and anomalous however he can.
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Ford driving around from quirky small town to quirky small town, drifting through the liminal spaces of truck stops, meeting odd people in isolated diners, seeing strange things out on the road—a deer with too many eyes bounding across a two-lane highway, a flirty woman at a rest stop who doesn't blink or breathe, mysterious lights in the sky at night, inhuman growls on the CB or 50-year-old broadcasts on the radio—and taking notes when he stops for gas or food.
Aside from having gotten kicked out before graduating high school, Ford's the same person he is in canon.
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He's still an ambitious guy, and here "ambitious" means working hard and saving as much money as he can—so, a long haul owner-operator who spends weeks at a time on the road. (He goes through a LOT of educational audiobooks.) Plus, this is the easiest way for him to get to travel the country; and since it looks like his "travel the world" dreams with Stan are dead, he'll take what he can get.
Since he's never in the same spot long and carries his life in a truck, almost all of Ford's research is in his journal. His bag of investigation supplies has an instant camera, a portable tape recorder, a thermometer, a flashlight, rubber gloves, and a few zip lock bags—and that's about it. It has to share space with all his clothes, toiletries, and nonperishable food when he's on the road. He doesn't have much opportunity to closely examine anything odd he finds, unless he's lucky enough to run into something when he can stop for the night. He has to cram his paranormal research around the side of his full-time job.
He doesn't live in Gravity Falls, but he knows it exists. Every time he moves—to Chicago, to Nebraska, to California—he seems to inch closer. He currently lives in Portland and usually hauls loads between the Pacific Northwest and Chicago or New York. He stops at the truck stop outside Gravity Falls when he can and has gone fishing in town a few times. He doesn't have the benefit of extensive research to know that this is the weirdest town in the world; but it seems pretty weird to him, there are local rumors about the town, and he's had some weird experiences in the area.
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Plus, he can't explain it, but it's like the town's calling to him. He wants to move there, but it'd put him over an hour outside of Portland where the nearest jobs are. Maybe if somebody chucked him like $100k to build a cabin in the woods; but what are the odds of that?
He does know Fiddleford. Truck broke down somewhere and Fiddleford kindly pulled over to fix it on the fly. They looked at each other, had mutual knee-jerk "dumb trucker/hillbilly" reactions, and within ten minutes both went "oh wait you're the most brilliant genius i've ever met." Fiddleford's living the same life he was in canon before Ford called him to Gravity Falls—with his family in California, trying to start a computer company out of his garage—but they make friends and keep in contact.
One time Ford stops at a kitschy roadside knickknack store that also sells new agey magic things—crystals, tarot cards, incense, etc. He bought a "lucky" rearview mirror ornament that looks like an Eye of Providence in a top hat and hung it from his cab fan, and ever since then he's had weird dreams whenever he sleeps in his truck.
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Things I don't know yet: what Stan's up to; or why Ford's the one who got kicked out. I tend to believe that in canon Stan wasn't just kicked out because he ruined Ford's college prospects, but rather because the family thought he deliberately sabotaged Ford; so in this AU, Ford would've been kicked out over a proportionate crime.
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lovelybrooke · 2 months
Note
Can I request how Sliver, Idia, Kalim, Vil, and Malleus realises he loves Reader?
Totally, hope you liked this.
masterlist
---
Silver
Silver couldn't help but dream. 
He dreamt of adventures, of traveling the lands and discovering its magical wonders. He also has more boring dreams. Dreams of animals and warm sunlight. The smell of fresh cut grass and warm sweets. 
But he's found himself dreaming of you often. 
He drifts away to the memories of your voice, to the shape of your figure, to the remnant of your touch. He thinks he's going insane, the way his mind can't seem to think of anything other than you, even while asleep. 
Somedays, he tries to stay awake, racking his mind on why you were so captivating. He'd come to different conclusions every time. Maybe it was your smile, the one he sees so often in these dreams. Maybe it was your kindness, something that seemed so crucial to your personality. Eventually, he'd fall asleep, and would be gifted with your presence again and again, not that he was complaining. 
It was embarrassing, having to see your face afterwards, across the cafeteria. Watching as you mingled and laughed with your first year friends, he couldn't keep his eyes off of you, as you talked and ate. It was strange in a way, how the mundane became so interesting when it came to you. 
He knew his feelings for you were less than normal, you were different, that's why he liked you. He liked being able to watch you, to learn about you from the background. He liked his dreams, because it gave him the chance to talk to you, to feel your skin, to leave the background and be in your presence. 
But like most dreams, you eventually wake up, and he finds himself sitting behind you in class or watching you in the cafeteria, and he imagines what it would feel like to actually interact with you. 
But, never acts. 
Instead he dreams. 
Idia
Idia is awkward, he's a loser. But at least he's aware. 
He knows why he locks himself in his room for hours, or why he can't talk to people unless it's through a screen, or why he finds it difficult connecting with people. He's awkward and anxious and scared, but he's self aware, and that's more than most people at least. 
He's self aware as he watches you through his camera, eyes almost unblinking as he observes. You fiddle with your hands a lot, he thinks you do it when you're nervous. You also will pet Grim when you don't know what to do with your hands, Grim doesn't seem to mind. Your bag is also too heavy for you since you switch which shoulder you carry it with a lot throughout the day. 
He shouldn't find some gratification in watching you, he shouldn't look forward to seeing what you did throughout the day, but he does, and he knows that, that's why he's better than the others. 
He knows he's a freak, but at least he doesn't sit on top of some moral high ground, acting like he's so much better than everyone else, like he's doing you a service by helping to keep you trapped here. He isn't like the others, jumping through hoops to justify their behavior. He knows he's strange. 
But knowing isn't enough to stop him. 
Knowing he's strange isn't enough to stop his behaviors, it isn't enough to stop him from keeping you whenever he could. Especially now, as he watches you in the library. You're doing homework, reading and scratching notes on paper silently. It's nice, and for a moment he can pretend like he's there with you. He's sitting across from you, existing in the same space as you. India doesn't know how to put it into words, but it's nice. 
He knows it's wrong, he should feel bad about invading your privacy like this. But he's a coward, and this is the best he'll ever get.
Kalim 
Kalim just thinks you're the greatest. You're so funny and kind and wonderful, he can't think of a single bad thing about you. 
Except for the fact that you one day might leave. 
Kalim thinks about that a lot, about you leaving him and never coming back. It happens most often whenever he's alone, so he does his best to stay with you, just so he knows you won't leave him. Maybe it's selfish of him to want to be around you constantly, but he can't help it. He hates the aching, queasy feeling he gets whenever you're away from him. 
As music plays in the background, he watches as you converse with some random first year, he doesn't know their name, and he wonders if the aching feeling will ever go away. It seeps into him like a plague, tears at flesh and threatens to destroy him if he doesn't do something soon. Kalim didn't know he could feel as strongly as he did now, but as he crossed the room and dragged you away from the first year, he knew he didn't care. 
He knew he would spend the rest of this party apologizing to you, hanging off your shoulders as he tried to stay as close as possible to you. He knew he'd promise you something extravagant, and gift you something ten times better in the morning. He knew he'd beg you to stay over at Scarabia for the night, that Jamil wanted to see you and that they could walk you to classes together tomorrow. 
Kalim just thought you were great, that you were so easy to love. But being easy to love means other people felt just as strongly as he did. He knew that he wasn't as stupid as people though, that's why he has to keep you with him. If you were with him at all times, then you weren't trying to leave, and that's all Kalim could ask for. 
Kalim just thinks you're the greatest, but you're even better when you're just with him. 
Vil 
Vil strives for perfection, for beauty. He's dedicated his entire life to being as perfect as possible, and while he's tried to be better at hyper fixating on his idea of perfection, it gets hard when it comes to you. 
You're ordinary, extremely so, but for some reason that draws him to you. Your presence is comforting, soft and light, filling him with a warmth that he's come to crave, especially after his Overblot. 
Vil strives for beauty, he seeks it out in everything he does. But you've taught him that beauty is everywhere, that you can appreciate the beauty in everything rather than change yourself to achieve beauty. He's come to love the world around him more, you included. 
You are the beauty that Vil strives for, the perfection that he craves. There is something so wonderful underneath all that ordinary that Vil wishes to uncover. He wonders how much he missed out on before his Overblot, thinking back on the times he used to look at you in disgust. It shook him to his core, and if he could he'd spend the rest of his life atoning. 
But instead he cares for you. He cradles your face softly as he applies your makeup. He hums softly as he styles your hair, brushing out of your face slightly. He takes your hand and lifts it slightly, latching bracelets onto your wrist that glimmer in the light. 
As he admires you, he wonders if love is the correct word for what he is feeling right now. Does love drive everyone to madness? Does love make everyone so tunnel visioned that they can't think about anything else? Does love make everyone else feel so overwhelmed that you can't possibly imagine a life without this person? 
Maybe love isn't the right world, Vil thinks as he watches you smile at him. Obsession seems more like it. 
Malleus 
Malleus spent most of his life alone before you. 
He wouldn't exactly call his childhood lonely, he had Lilia and his grandmother to care for him, and for a while he thought that was enough. 
That was until he met you. 
Malleus believes meeting you that day outside of Ramshackle was the best thing to ever happen to him. He's never met someone so kind, someone brave enough to talk to him like you were equals. It humored him in a way, someone so courageous. 
From that day on he couldn't stop thinking about you. His eyes would find yours in the hallways, and you'd smile and wave. It was strange how he'd feel his body warm up, but it wasn't out of fear or anger. It was a warmth that was nice and exciting. 
He'd find you again outside of Ramshackle. Sometimes you talk for hours, other times you sit in silence and watch the stars. He was happy either way, getting to spend time with you. He didn't realize how much he craved companionship until now. 
Malleus is sure he fell in love with you the day you first talked with him. Since then, you've been the only thing he could think about, the only thing he craves, he desires. He couldn't live without you. 
Malleus loves you. He loves you completely with his whole being. He loves you like the stars love the sky, like the moon loves the sun. You are the only one who understands him, you can't leave him alone again. 
He can't stand hearing you talk about going home, about that mirror. It fills him with dread, it makes him sick, he hates it. 
You will not leave him.
He will not be alone.
---
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heartfullofleeches · 3 months
Text
[+18]
V and fuckboy playboy/wingman male Darling-
Hear me out-
Darling is the son of some other loaded family that has close ties with V's. The two cross paths at a gathering and their parents urge them to make friends. Darling plays video games. V plays video games. They exchange numbers with some persuasion from their folks and set up a time to play something together although begrudgingly on V's end. V ends up having a better time than he expected, but right before he really starts to enjoy his time with Darling - he tells V he has to head out.
"Nice meeting you, dude. We gotta do this again. I got a girl coming over and I gotta bounce."
And just like that V's hopes are crushed. He's still learning about his attraction towards guys, but - Darling was sorta cute....
"oh....so you have a girlfriend."
Darling laughs.
"Nah, man. Haven't found the right girl...or guy to tie me down yet, plus I'm just enjoying the single life for now.... I can send pics after we're done if you want. She's totally chill and likes when I show her off."
Pictures?.... V agrees - thinking not much of it. He goes back to playing and eventually it slips from his mind. Hours later he receives photos of what looks to be a topless girl in a dimly lit room. She smiles big at the camera - eyes and upper face blocked from sight by the shaft of the bastard with her cheek pressed to his inner thigh. He still had on the same pair of sweats V had seen him in earlier that day. He only met this guy not even twenty-four hours ago and now he's seen his dick. Even worse - there's a pretty girl with her lipstick and spit all over it in the same picture. V's pissed - yet the image magically appears in one of his porn holders later on."
"what the hell...."
"My bad! I thought you might like it. You don't seem like a guy who gets a lot of action... If you ever want to meet someone, just give me a call. I know a lot of people who'd be interested in a rich brat like you."
This guy.... he acts like he's any different. V thinks Darling is a freak to put things lightly, but its not like he has other people to hang out with. As the two hang out V sees that Darling isn't as bad as he first seemed. He's still a horny, inconsiderate prick most days - but he's still the best thing V has to a friend and cares for V in his own way..... Still sends V dick pics he sweats were for someone els.
Darling is genuinely surprised that V has never been with someone. Sure, he doesn't seem like he gets that much attention, but he was sure V had at least kissed someone once. The topic comes up when Darling tries for the hundredth time to hook with up with one of his flings. He's always sending V evidence of the nights he spent with strangers. Oddly enough - V only ever complains about the videos and photos when they don't have darling in them as well.
"Damn.... I know you're a pain in the ass sometimes, but you're cute I thought somebody would've looked past that.....
V hates with Darling says shit like that. He's not used to people flirting with him and... and it gives him false hope. "Shut up....
"So, think she's cute? I can give her your number~"
"I don't want it."
This sucks.... By now, V's fully aware of his crush on Darling - and he fucking hates the bastard for what he's doing to him. If Darling is so concerned about him seeing people why doesn't he just take V out instead. He jerks off to everything Darling sends him wondering when he'll get his turn. V has some solace in the fact Darling rare sees any of his partners twice. V has been with him and always will be with him longer than any of them have. He just has to be patient.....and ruin any chances Darling has of being with anyone else.
V nearly jumps out of his skin reading one of Darling's numerous drunken texts.
"Hey, man. Totally speaking out my ass here, but would you ever be down to have a threesome sometime ;)"
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appocalipse · 4 months
Note
Kiss prompt #9 with Eddie? Por favor?
anything for you. ♥
#9: "I think I deserve a kiss."
Eddie is charming your mother. You can tell even from this distance, sitting on the small step in front of your porch while you watch them.
He's been squatting with a some sort of screwdriver near that lawnmower for about 10 minutes, poking it, tightening screws, taking out parts of it you can't even name.
His hands are dirty with what you suppose it's oil, but he doesn't seem to care. He's so focused that he brings the back of his hand to his face and leaves a stain on his cheek without even realizing it.
You smile.
He looks up from time to time, to sneak a glance your way or when your mother talks to him, and then the two of them laugh amicably. After a few more moments, Eddie straightens up the lawnmower and turns it on, demonstrating that, as if by magic, it now works. Your mom thanks Eddie politely, then says something that makes him, you realize, look embarrassed as he stands up, wiping his hands on a grey cloth.
Embarrassed, Eddie? It's an unusual occurrence, to say the least.
It doesn't last long.
She says something else to him, insists. Eddie vehemently denies with small smile. You wonder if she's offering him money.
Eddie, very helpful, turns the mower off and puts it back in the garage.
Your mom touches your shoulder affectionately when she passes you on her way back inside the house, offering a smile that you're not sure you understand. Maybe it's best to not even try to understand.
Eddie comes right behind her, looking very pleased with himself.
The step is too small for two people, but he sits down next to you anyway, his knee lightly bumping yours. "I think I just won your mother over," he announces, and it's probably true; that lawnmower had been abandoned in your garage for the past few months, all but useless. He'll sure be in your mother's good graces for a long time.
"And why would you need to win her over?"
He bumps your shoulder with his. "Oh, you know, for when we decide to get married."
Eddie has no filter. You shouldn't even get flustered by this kind of comment at this point.
You laugh without looking at him, although you sound a little more nervous than you'd like. "So fixing a lawnmower is worth my hand in marriage?" you ask in mock seriousness.
"No, but it's a start. Don't you think I deserve, say…" he puts a strand of hair behind your ear, the tips of his fingers lightly brushing your temple. "…a kiss? I think I deserve a kiss. Sounds fair enough, doesn't it?"
Now you have no choice but to look at him. This space really is too small for two people, and the proximity between is slowly melting away what little common sense you have left.
"You can ask her," you chuckle, pointing to the front door despite knowing that, of course, Eddie wasn't talking about your mother, "but I think my dad won't like the idea, you know."
Eddie grins when you look away. He can read you like a book.
"Don't be mean, sweetheart."
"You're the one being mean."
He leans closer, and you can feel his breath on your cheek, the tip of his nose almost touching the side of your face, hoping you turn to look at him too. "Me? I'm just trying to make things clear." He pauses, and you can practically hear him thinking. "Maybe I should try a different approach."
You tilt your head, curious. "Like what?"
"Like..." Eddie hesitates for a moment, gathering his courage, "…you could go out with me."
You blink.
"Don't look so surprised," he says quickly, a small smile tugging at the corner of his lips. "I can do dates. Fancy dinner, movies, the whole shebang. Just give me a chance."
You can't help but laugh, turning your head to look into his eyes. It's true, at first glance, he's not exactly the most romantic person you know, with his tattoos, his love for heavy metal and his old van that always smells like cheap cologne, cigarettes and leather. But none of that matters, because you can't deny that there's something there between the two of you, something that you've been forcing yourself to ignore for far too long.
The oil stain is still right there, on his cheek. Without thinking too much, you reach up and rub it off slowly with the pad of your thumb. "I don't need fancy," you murmur, because it's true. You don't care about the glitz and the glamor, not when it comes to Eddie.
His breath hitches when you touch him, like he's not used to anyone being this gentle with him, like he's forgotten what it feels like.
You can feel the warmth of his skin through your fingers, the rough stubble of his beard prickling your palm. You wonder if he knows how soft you've become around him, how easily you let him affect you.
"Really?" he whispers, eyes wide and unblinking, as if he's afraid he's imagining this.
You nod, still rubbing his cheek even though the stain is already long gone. You can feel him relaxing into the touch, leaning into you just a little more. It's like he's been waiting for this, for someone to finally see past the tough exterior he shows the world and find the tender, vulnerable boy underneath.
Eddie grins, leaning closer, his voice lowering to a husky murmur. "I promise to be on my best behavior."
[join my 3k followers celebration! ♥]
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vidavalor · 9 months
Text
The Blitz, Part 3 Theory: The clues that suggest what it might be about & how it's affected what's come after it
I rewatched 2.04/The Blitz, Part 2 last night and a moment stood out to me that made me think I have an idea of what might happen in the flashback we all seem to have collectively agreed is almost certainly in S3-- The Blitz, Part 3.
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When Crowley & Aziraphale are in the magic shop and Glozier is there in the background, the camera jumps to a pretty significant reaction shot for Glozier when Aziraphale tells Crowley that he has a Derringer hidden in a hollowed-out book in the bookshop. I think everyone sees that bit as important-- it's a literal Chekhov's gun sitting out there for the future story, after all-- but I was thinking about why it matters that one of the Zombie Nazis overheard this when they're... ya know... zombies. Their methods of murder tend to be a little more direct, yeah? lol What do they need a gun for when they eat people to death? But then it hit me why it will matter that Glozier heard this... it's not about the Zombie Nazis, exactly. It's about Furfur.
When we leave Furfur in 1941, he's just been embarrassed in front of The Dark Council by Aziraphale, who has swapped out the picture of him and Crowley for a flyer for the Ladies of Camelot, right? They literally laugh in Furfur's face. Furfur's entire plot in 1941 is about how he's been stuck in processing for millennia and he's trying to get out of it-- about how he's jealous of Crowley and the few others who get to go to Earth. He's dealt slight after slight after slight during this night in 1941. He fails to get proof against Crowley, who doesn't even remember him. He gets shamed and embarrassed in front of the higher-ups and his peers. His fledging... whatever it is exactly lol... with Shax-- who is the closest thing he has to a friend-- is damaged as she's gone out on a limb for him and he hasn't delivered. Most terrible, he's sure he's never going to get out of his miserable eternity of grunt work. He's *very, very, very* unhappy and boxed into a corner, right? So what does Furfur want, now that he's stuck in Hell forever and all of it is laughing at him?
Revenge. He wants revenge.
In the short term, he also wants someone to scream at, so he goes back up to Earth and finds the Zombie Nazis, who are roaming around London eating people. They can't go very quickly so they haven't gotten far and aren't hard to find lol. Furfur knows it's not exactly their fault that he was tricked by the angel as, technically, they completed the tasks they were given, but he's furious and he needs to vent it, so he starts yelling that he's going to revoke their zombie-life-on-earth clauses. (Even *the Nazi zombies* get to be on Earth and Furfur does not? Yeah, he's not going to be able to handle that...)
The Zombie Nazis, understandably after seeing that video he showed them in Part 2, start freaking out because they don't want that whole fly fate for all of eternity and they don't know how to reach anyone beyond Furfur so they'll do anything to keep Furfur from taking out his humiliation on them. Upon hearing that this is all about how Aziraphale tricked Furfur and got him humiliated by Hell, the Zombie Nazis start desperately suggesting that it's not too late! They can help Furfur still get Crowley and Aziraphale! Even if Hell thinks Furfur is a joke and won't listen to him about the angel and demon being involved, they can still help Furfur get revenge!
They bring Furfur to outside the bookshop to find Crowley and Aziraphale because that's where the Zombie Nazis say they saw them together earlier & they know Aziraphale lives there. Furfur's in a rage because through a side window, he's observing Crowley and Aziraphale drinking wine together by candlelight in what is the "I know you'd come through for me" scene from Part 2-- and Aziraphale even has the photo Furfur took of them earlier in his hand. (Insert here more of the recurring gag about Harmony lip-reading as now he's also looking through the window and probably gets a line like "he is saying it again! 'banana fish go-RILL-ah...'").
So Furfur is in a fur-furious rage here and is ready to murder these two but... there's just one *slight* problem...
He's a demon.
He can't get into the bookshop.
Aziraphale would have to invite him in and he's certainly not going to after their meeting earlier. But! This is when Furfur and the Nazis realize that there is someone in their group who *can* get in the bookshop...
....our fave fascist, Fraulein Greta Klauschmidt.
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As "Rose", Greta recruited Aziraphale-- entering his bookshop when she was a human, invited in by Aziraphale. She can still get into the bookshop. (It's also a parallel to Shax tricking Aziraphale into letting her into The Bentley in S2.)
Once Furfur and the Nazis realize this, the question then becomes: okay, so if Greta can get into the shop, how is she then going to kill Aziraphale and Crowley? (*Especially* Aziraphale, whom Furfur really, really, really loathes at this point lol.)
This is when we go back to the scene that triggered this meta, which is that this is when Glozier then volunteers the information he overheard in the magic shop-- that there's a Chekhov's gun in the bookshop.
The Derringer works as a weapon here to do that because, as Furfur himself pointed out during the magic show earlier, if Crowley had shot Aziraphale in the face, it wouldn't just be paperwork but it might not be possible for them to "put him back together again"-- indicating that there are some things that can happen to angels and demons that are irreversible and can effectively kill them, more or less-- and a gunshot to the head is one of them.
(I'm also realizing as I'm writing this that that Glozier's *ear* falling off in the magic shop is another nod to him having *heard* important information and so far, we've only seen half of what he heard pay off-- the time and location of Aziraphale's performance in the West End. We're still awaiting pay off of the gun bit.)
My bet is that Aziraphale's Derringer in a hollowed out book is something he actually *showed "Rose" like the cinnamon roll idiot that he is* lol... so once Glozier brings it up, Greta remembers and she knows what book it's in and exactly where it is in the shop.
So Furfur still cannot get in but Greta can get in... which means Greta is now the most powerful character here. If Furfur wants Aziraphale dead, Greta can make that happen... *if* they cut a deal. What kind of deal? Well, the only thing Greta is going to want that she thinks that Furfur could give her is to not be a zombie, right? To be alive again? Reverse the clause in the paperwork and give her her life back. Whether or not Furfur can actually do this (and I'm not sure if he can or not, really, but I'd wager probably not), Furfur tells Greta that he can and she and the other Nazis believe him.
The plan is that the four of them go to the bookshop, where Furfur activates a miracle blocker card for a few hours surrounding the shop in an effort to limit Crowley and Aziraphale's powers and give the Zombie Nazis the advantage. Once the miracle blocker is in place, Greta goes inside while Harmony and Glozier make noise outside, in an effort to separate Crowley and Aziraphale to make it easier to kill them by attempting to lure one of them outside. Greta is to kill the one that stays inside the bookshop while Harmony and Glozier are supposed to kill the one that goes outside. (This will not happen according to plan at all, whatsoever, but it does seem like the most likely plan these four characters could form where they all have a role in it.)
So because Greta is the only one who can get inside, she has go to into the bookshop and be the one who can kill, most likely in their mind, Aziraphale. She'll still be a staggering zombie when the extremely bright Furfur sends her in there to obtain and fire a gun at a pair of supernatural beings lol but she manages to sneak in the back door without Crowley and Aziraphale really hearing the breaking & entering... or whatever noises the other two are making outside... as Crowley and Aziraphale are a little busy gazing at one another.
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It would actually be a really funny, very Good Omens-y gag IMHO, if Greta is colossally unsubtle in entering the other side of the shop from where Crowley & Aziraphale are and is banging into stuff while Harmony and Glozier keep coming up with more and more insane noises outside... but Crowley and Aziraphale are too busy making heart eyes at one another to care or do anything about it. A very "did you... hear that?"/"oh, must be the war, let's go back to gazing" type of attitude with a steadily increasing series of sounds that are harder and harder to dismiss but they are trying, ok? lol. (This would also parallel Aziraphale ignoring the demons outside for as long as he could during The Ball in S2, until the bookshop begins literally breaking around them.)
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So while we watch scenes of Furfur and The Zombie Nazis Hatch A Plot, the relationship tension between Crowley & Aziraphale is building as much as the plot tension. They intercut Furfur & the Nazis scenes with Crowley & Aziraphale having quiet, romantic, candlelit glasses of wine after their very intense and illuminating evening together. Each time we go back to Crowley & Aziraphale... they seem to be getting increasingly cozier. They sit a little closer, they get a little looser around one another. Crowley's glasses might come off. We get the sense that this is all Going Somewhere and it's somewhere they've never let themselves go before but after the events of Blitz 1 & 2 tonight? It's becoming increasingly clear to them that they will. There's virtual certainty that if *nothing else happens* to these two tonight and they're just left alone for once, they're at least going to kiss and what we're watching is them slowly enjoying the path there and them enjoying silently knowing that they're going to.
At some point, we hop from the Nazis back over to Aziraphale asking Crowley if he'd like a little music... Aziraphale might even have something *modern* kicking around, he's excited to tell Crowley (like he might have been totally not at all fantasizing about this exact Crowley-dashing-in-his-suit-with-a-glass-of-wine-smoldering-in-the-bookshop scenario when he bought this record from Maggie's grandfather recently lol)... and he goes over to the gramophone to put it on and now we've got Crowley and Aziraphale with candlelight and wine and music and they're each just taking step after slow little step that slowly acknowledges the romance at play here. Aziraphale's record is probably Glenn Miller. We know he likes big band and The Bentley played him "Moonlight Serenade" in S2 and Glenn Miller also recorded "A Nightingale Sang in Berkeley Square", so it's one record where "Moonlight" could play and then, eventually, so too could "Nightingale" without Aziraphale getting up and moving away from Crowley... and you better believe that when we get to "A Nightingale Sang in Berkeley Square" playing that Crowley and Aziraphale are a literal breath away from kissing.
It'd be completely perfect to them, right? Very romantic. They're there together, alone, they've survived the Nazis and Mrs. H and threats of Hell and have spent the night gazing at one another and now they're here and it's quiet and there's candlelight and it's the familiar, comforting bookshop that is home for both of them... the same place, ironically, that they will drink wine together and make eyes at one another *for decades* after this night-- without Aziraphale putting on The Song, of course-- and you know they will think about 1941 every. single. time. while never actually recreating it.
(It's also why, when they're both wasted in the bookshop in S1's "Eleven Years Ago", Crowley is rambling on about bananas and gorillas and bouillabaisse/fish stew-- ya know, "banana fish gorilla..."-- and they're both so drunk and thinking about how they're almost out of time... and so they're both thinking of 1941 and wind up making those hilarious kissy faces at one another because they both obviously still want to actually kiss some 80 years after the night they almost did. Crowley also calls Aziraphale "baby" in the middle of his ramble. He might have called Aziraphale that in 1941, when they weren't drunk and were on their way to kissing. He also might have just wanted to, so it turned up in "Eleven Years Later" and might come up again later on in the present of S3, whenever they inevitably get to finally have a decent, uninterrupted, not painful kiss.)
Back in 1941, as we flip between Furfur/The Nazis and our heroes, maybe Crowley's even gotten comfortable enough to lose the glasses (though he can leave them on if he still has the hat on when they go to kiss so that he can take the hat off like a gentleman to kiss Aziraphale *swoon* and actually that's how Aziraphale died everyone surprise twist he's been dead since 1941 an a ghost this whole time lol)... and there's romantic big band on the record player and there was magic in the air and angels were dining at the Ritz when a nightingale sang in Bahhhrrrrk. Leeeeee. Square... and they're *almost* there, right? They're basically kissing. There is no way for either of them to ever legitimately pretend that was not was going to happen (even if they will try in the future lol) as their lips were a millimeter away and both of them want it and just like this and it's been six thousand years of pining and so, of course, that is when...
...Greta zombie-crashes into the room with Aziraphale's once-hidden Derringer aimed at them.
(Aziraphale's probably furiously muttering "oh good Lord" under his breath with a very different tone than in 1793 lol. That is his attitude, at least, if not the dialogue.)
So then they have to try to protect one another right and it's mild chaos for a moment as like Crowley starts looking out the window at Furfur and the rest of the Zombie Nazi Trio (paralleling his demons-outside-the-bookshop paranoia in S2) and realizes they were the noise while Greta is all "pity you both must die" again with a little smirk and Aziraphale is trying to calm her down and reason with her while also subtly trying to get close enough to get the gun and she probably fires but she's a zombie so she misses lol and he's like glancing over for Crowley and Crowley seems to disappear for a moment while Aziraphale stalls Greta and just when we think where the hell did Crowley go?! Aziraphale is about to be shot in the face!...
...Greta is shot in the face instead.
By Crowley.
With The Bullet Catcher.
And the bullet that was in Aziraphale's teeth a couple of hours ago.
Crowley has not so much has blown the fluff off a dandelion since he arrived on Earth six thousand years ago but you interrupt his first kiss with the angel and you. are. dead, you Nazi bitch...
I don't have a theory as to what happens after this beyond that we already know that Furfur is in Requisitions in the present now so he's going places lol. Also worth mentioning that Crowley or Aziraphale (I'd lean towards Crowley) could get shot by Greta's wild aim when they are trying to protect one another but it would be more of a graze that one could write a hundred h/c fics over than anything worth actually worrying about lol. It could be something like Crowley gets nicked but goes down as dramatically as he does in the paintball scene in S1 and Aziraphale is horrified but also fighting for his own life so he winds up focused on Greta and neither of them see Crowley slip away to come back with The Bullet Catcher... something like that. I'm just pretty sure that the fact that there are really *two* Chekhov's guns in the bookshop and that Greta is the only 1941 antagonist who can get inside it maths out to Crowley-- shooting her with The Bullet Catcher.
I'm not sure what happens to Harmony and Glozier. Aziraphale says in S1 that he's never killed anything so he can't kill anyone here and while I'm fine with Crowley mowing down Nazis with every Chekhov's gun left in the plot lol, I don't know that that's what happened or if, honestly, the two of them and Furfur just see Greta die through the window and run off. Maybe Aziraphale miracles the Nazis to Siberia. Who knows. But the main gist of it, I think, is that Crowley kills Greta when the Zombie Nazis and Furfur try to exact revenge on Crowley & Aziraphale and, in doing so, interrupt what would have been their first kiss and it's while "A Nightingale Sang in Berkeley Square" is on in the background so that every time the song comes up in the future, it's a reference to this near-kiss in 1941, adding layers to scenes from Soho 1967 to the end of S1 to the end of S2, etc...
Kind of makes Crowley desperately kissing Aziraphale in the middle of the bookshop while a vengeful Heaven, this time, is trying to separate them, even more aldkjlkfjlewje, yeah?
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I'd also like to just throw in here that it's actually possible that all of this is the same but they *did* kiss... that they were kissing when Greta burst in. Part of me really wants that to be the case. That maybe they did get to have this kiss, if only because even if only a tenth of what I've said above is anywhere close to right, it's still pretty romantic and it would be nice if they got to have that, especially then, even if it was ultimately interrupted. It's Soho 1967, though, that convinced me that they came *very* close but ultimately didn't (and honestly, the only way they don't in 1941 if they get that close is if they're interrupted and an armed Zombie Nazi crashing through the bookshop feels about right lol.) It's this bit from Aziraphale to me that says they almost kissed but didn't:
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The picnic was likely Crowley's 1827 date in Edinburgh. The Gabriel statue was there for amusement but you know Crowley had a picnic set up nearby. (It's not that weird-- people used to picnic in graveyards in the 1800s & the only time Crowley & Aziraphale would be able to together would be under the cover of darkness.) Then, they ran into Elspeth and the night took a turn. (Elspeth was also digging up bodies from graves, which is a parallel to zombies, hooking 1827 to 1941.) Dining at the Ritz-- literally going to The Ritz and eating together, which they do twice in S1-- is something Aziraphale would literally like to go do as a date as but it's also code in the 1967 scene for "perhaps, one day, we could finish 1941." He's telling Crowley in 1967 that he would still very much like to kiss him one day.
The near-kiss in 1941 would then also be what gives Aziraphale the motivation to eventually give Crowley the holy water in 1967. Back in 1863, Aziraphale didn't totally see that Crowley wanted holy water to protect them. By 1941, when they're staring at the corpse of a once-Zombie Nazi on the floor of the bookshop that Crowley just killed with the gun that's in his hands, it's a different sort of proof. 1941 becomes the era of 'here is proof that Crowley will literally kill to protect Aziraphale' and maybe it freaks Aziraphale out a little (as well as also turning him on a lot lol). Maybe that's why they spend the next years after that until the '60s together but not really together. Maybe that's why they don't have another chance at the kiss after 1941-- why they don't just try again-- because Aziraphale slows down a bit after it, afraid that Crowley could get hurt and that this is too dangerous, but he also understands now that Crowley is in love with him and when he hears in 1967 that Crowley is going after Holy Water, Aziraphale just gives him some, as a way of saying that he knows they're in love but this is impossible and they need to not pursue this in a way that will get them killed because he can't lose him.
A near-kiss in 1941 adds layers to 1967 Soho by adding an additional meaning of 'physical intimacy' to "dining at the Ritz". It adds even more weight to the end of S2 and the kiss and the "no nightingales" through to the Tori Amos angsty cover of "A Nightingale Sang in Berkeley Square" in The Bentley. There are other scenes (the end of S1 and others) that it touches as well, if indirectly, but maybe my favorite is this scene, which has already been given extra layers of meaning since The Blitz, Part 2 and The Bullet Catcher plot but lol now add in the idea that the rest of the story is that Crowley and Aziraphale were going to kiss and they were interrupted in the moment, shot at with at least one of them probably getting nicked, and then Crowley killed someone with The Bullet Catcher and tell me it doesn't make this already amazing sequence even more amazing:
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851 notes · View notes
devvelle · 2 years
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All Mine
Genre: fluff
Characters: dorm leaders (Riddle, Leona, Azul, Kalim, Vil, Idia, and Malleus) x gn!reader
Scenario: what makes your boyfriend jealous and what he does about it <3
Notes: none!
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Riddle Rosehearts ; when you're having fun with someone else.
Even as your boyfriend, Riddle can’t do things with you that would go against the dorm rules or hurt his image—which you totally understand. But when he sees you laughing with someone else, doing things he can't partake in... it makes him really jealous.
Eventually, once it gets to him, he really won't want you hanging out with those people anymore.
He knows they probably aren’t being bad influences, but he will act like they are. He'll give them unimpressed stares when you're not looking, and if they're in his dorm he’ll use his unique magic against them to keep them away from you.
When you two are in private, he'll try let loose more. It’ll feel unnatural for him, but he wants to have fun with you, too. He’s afraid you’ll get bored of him.
If you play along for his sake and try to bring him out of his shell, he'll appreciate it. He might even be honest about his feelings once he’s comfortable telling you the truth.
But if you tell him that he doesn’t need to change for you, he'll get really shy. He'll deny feeling jealous, but reassurance of your love would mean a lot to him in the moment.
Ultimately, he just wants to be the one making you smile the most.
“As long as you’re sure you’re happy… Yes, I love you too.”
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Leona Kingscholar ; when he sees others trying to take care of you.
Leona is a gentleman. Maybe everyone else has trouble believing so, but he's incredibly attentive once you're together. He escorts you places, buys you things you need, and comforts you when need be.
But if he happens to see someone else trying to do any of that for you, he will not be happy. He sees it as disrespectful, like they're trying to tell him he isn't doing a good enough job. To make it worse, you’re too kind to refuse these gestures from others, which sets his jealousy off.
With his temper, you will know immediately. Leona doesn't like to play games. He will tell you what’s bothering him and ask why you’re entertaining that behavior when he's right there. If you can’t give him an answer, he’ll stick himself to you like glue and won’t let anyone else near you for the day.
Assigns Ruggie to the very important task of keeping tabs on you afterward. Gives him specific instructions to monitor your conversations; if you’re talking to anyone for too long or if they try to do something for you, Ruggie is to interrupt and say you’ve been summoned by Leona.
Mandatory cuddles and telling him you love him is your punishment. He hates feeling jealous.
"You know what you signed up for with me. Now, come here. You’re mine."
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Azul Ashengrotto ; when he becomes aware of the options you have.
Seeing how popular you are among the student body makes Azul particularly jealous.
You’re friends with so many others within the walls of Night Raven College; dozens of boys with promising futures make up your circle, including several princes, and all are just one call away from coming to your aid should you ask. So it’s a bit hard for him to not feel jealous when they don't seem to back off even after you announce your relationship.
He’ll wait it out at first, but if they don’t leave you alone he’ll be really ticked off. However, Azul is aware that he isn’t particularly intimidating and can’t fight.
So what does he do? He shows you off instead, to prove to them that you're his.
If he wasn't using Magicam before, now he's posting you every day. He's posting pictures of you with new jewelry he's bought you and images of you cuddled up to him at night, even linking sweet love songs to them.
When he checks his views and finds the individuals that triggered his jealousy, his satisfaction in through the roof. Don’t question his smirk.
If, for some reason, flaunting you on social media isn’t enough, then Azul might have Floyd give your friends a scare. Nothing serious, just enough to make them delete your number and change their routes to class to avoid you. You wont even notice since Azul is now escorting you to class on his arm.
"Do you not want me to show you off? I don't see a problem with reminding everyone who you chose."
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Kalim Al-Asim ; when you might be taken away.
Kalim trusts you so much, so he just doesn’t get jealous. Your relationship is so healthy and communication between you is great.
The only time he'd maybe feel jealousy would be if someone planted the idea in his head. Like if Jamil makes a joke about you and someone you're with looking quite close, Kalim might start questioning the situation.
However, he'd be more concerned for your safety than jealous. He'd approach you and drag you away in a rush with an innocent excuse to the other individual. After all, if they're trying to charm you while knowing you’re in a relationship, they have to be bad news.
He'd talk to you about it immediately, though, before any of his thoughts spiral and before you can think he’s overreacting.
Would go heavier on the PDA to remind you he trusts and cares for you. To some extent, he might be thinking he can gross that person out this way so they’ll get the hint and give it up.
Kalim is just too sweet of a guy to feel jealous honestly. There’s not much else to say. He’ll make you feel so safe.
"Just wanted to make sure you were okay! I think we should steer clear of them for now, yeah?"
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Vil Schoenheit ; when you don't see what he sees.
Vil gets annoyed easily, definitely. But it would either take something truly concerning or the involvement of someone he deems a threat to make him feel jealousy.
He often acts like he knows what's best for you, so he tells you to stay away from certain classmates. Especially the ones that he sees being a bit too kind to you.
If you dismiss Vil’s concerns and the individuals get bolder with you to spite him, he’ll be pissed. Honestly, if he didn’t have contractual obligations and a reputation to maintain, he might resort to threats.
If it goes on for long enough, he’ll start feeling jealous.
The result is a super petty Vil.
If you want to spend time with him, he'll redirect you to one of those friends. He'll ask you why you want his attention now, when you clearly preferred theirs yesterday.
Though it’s hard for him to turn you away when all he wants is to hug and kiss you, his mind turns it into a silly game to find out if you love him most of all. This keeps him in a cycle of pettiness and insecurity.
Still, he doesn't want to neglect you. He wants you to see his perspective, so once he’s had enough of going without you, he’ll explain why he feels his worries are justified.
Once you exchange apologies, he’ll return all the love he withheld.
"Now do you understand? I'm only trying to protect you from ill intentions."
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Idia Shroud ; when he can't be the one that's with you.
Get jealous very often, but keeps it to himself.
Idia knows you have to hang out with others a lot because of his boundaries. He doesn’t always feel comfortable enough to go out, so you ask your other friends for company to avoid pressuring him.
Still, it doesn’t make him feel great that there is always someone jumping at the chance to be with you.
When he gets notifs that you posted to Magicam only to see you looking happy with someone else, his jealousy escalates quickly.
Unfortunately, Idia isn't very good at communication especially when it comes to his feelings. So he will give you space instead, and let you enjoy yourself to prevent ruining your day with his doubts.
He will continue lurking your profiles for the next few days, but he won't like anything or reply to your messages. He'll self-isolate until you come to him, whether it be hours or days later.
When you do come see him in person to ask what’s wrong, you'll be stuck with him a while. He won’t admit to feeling jealous, but it’ll be clear from his questions that he wants to be sure you still want to be with him.
Lots of quality time will fix his mood. He might prefer the quiet of his room to the noisy outside world, but he makes it very clear that you’re always welcome to disturb him. He’d much prefer that to seeing you with other people.
"We can go somewhere together soon, so don't ask anyone else anymore! B-but for now, could you spend the night?"
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Malleus Draconia ; when you give away your time with him.
Malleus loves to have alone time with you. He's very grateful that you always reserve time in your day just for him.
But on the occasion that someone seeks to interrupt this time, and you don't turn them away or happen to cancel on Mal entirely for them, that’s when he’d get jealous.
He'd dismiss himself from the situation to let you take care of your business, but he would actually just be hiding nearby and listening.
If the person seems to be taking up your time for reasons that Malleus himself finds unworthy, he won't hesitate to use a bit of magic to make that person suddenly leave you alone, as if possessed.
He’ll return to you pouty and distracted. He’ll initiate lots of physical touch, and might even suggest going to his dorm room while he milks all your affection.
He doesn’t hide feelings of jealousy because he’s learned your instinct is to coddle him when he makes it obvious. Your giggles and half-hearted apologies in response to his melodramatic words of worry make him fall deeper in love.
When he’s jealous, Malleus doesn’t care for words of reassurance as much as he does actions. He is quite secure in your relationship, but he will never get tired of seeing how comfortable you are with him. He loves knowing that you won’t ever run away.
"Now that they're out of the way, I do wish you'd learn to say no. I am quite selfish when it comes to my time with you."
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a/n: Okay so I tried to get Riddle's Halloween card but I could NOT get any SSR until freaking pity. Then that last key set gave me both Jack and Ruggie's Dorm Uniform SSRs instead of Riddle 😭 I thought, "Wow, Leona really sent his underclassmen after me?" And that gave me the idea for jealousy hcs…
Hope u all enjoy, holiday prompts will probably be coming soon! kisses <3
5K notes · View notes
thechekhov · 4 months
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Dungeon Meshi Quick Reacts: CH45
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Slumber party!
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Fair, but consider: She deserves a little murder. As a treat.
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Kabru be like "IS THAT MY BACKSTORY???"
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That sure is....a ship. With no one on it.
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Ah, shit the Americans are here.
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Two things: Toshiro being tended to like a pretty pretty princess is hilarious.
And also, the fact that they think the elves can kill Falin......... hmmm.... Pressing X to doubt.
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............... oh. Laios. 😂
But also like. How was he MEANT to keep it silent? Put a little something in it? I thought since it was a magic bell you could code it to only ring when it's shaken with INTENT?
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Fancy ass house.
Also, Namari...........are you hitting that yet? Both of that?
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Oh, it's backstory time.
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Okay one: that's fucking tragic, it sounds like the Elves are just forcing the dungeons closed with no regard for how the ecosystem compensates and what people suffer by being in close proximity......
And another thing: Kabru. Kabru, isn't that what YOU'RE after? Having all the power?
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Why is this so much like that one meme where the girls at the party are looking at you.
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It's the same picture.
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Kabru that's. That's maybe not the way to go about it. you're going to give them MORE reasons to go in.
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Nevermind the governor not being into this 'good boy, now sign' talk, Toshiro's kinda right. Ya fucked up Kabru.
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No matter how far Laios runs, he cannot escape other people trying to tell him how to live his life. Poor guy. But at the same time...
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Is this real? Or a red herring?
Laios' father and mother seemed to be living relatively pious lives. They clearly had a good house, but it didn't seem like they were extremely rich. Then again, perhaps he's just a cousin of royalty? Is that why his parents wanted him to have children?
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They want to.... halt the growth of the dungeon? Is this another part of the natural ecosystem of things? Dungeons growing seems to point even more towards the idea that it's a gigantic, fleshpit-like creature instead of simply a construct.
Then again, constructs CAN be creatures. Like the golems.
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Elves not understanding how old humans are continues to be hilarious because like.
As humans, we HAVE this same concept of variant aging. Like. Dogs. We understand that dogs live less than us, and mature a lot slower. But this is.... COMMON KNOWLEDGE. Most people do not make it into adulthood without understanding that dogs mature within 1-2 years of their birth.
The fact that elves, a species with FAR more time on their hands, who have lived alongside other races for AGES....... have STILL not got the general concept of aging down....means their education is atrocious. Or they're all not paying attention.
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.......this. THIS is the most fascinating concept in this chapter.
The fallen.... turned into MONSTERS.
We know that dying inside the dungeon doesn't mean permanent death. But dying above-ground does.
We know that dying in the dungeon doesn't mean your body turns into a monster (aside from ghosts and ghouls?) ..... but dying aboveground.... DOES......?
WHAT'S THE TRUTH.
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👁👁
Hm.
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If Kabru and Laios fused, they could almost make one functioning human being.
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Senshi just beginning to speak in the middle of his own internal monologue is so real.
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...... what's going on there with the expression, buddy?
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Bread.......are they STILL carrying around flour with them?! How are they getting bread?!
Also, it's awesome that the eggs are canonically hard to crack, because it makes sense that they don't break during their many fighting events.
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Izutsumi really said ◉_◉
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Don't tell me Laios, who is sensitive to ghosts has ALSO been seeing things?
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Not gonna lie, that's highkey terrifying.
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Props to that ghost that's been following Laios around, not ever giving up hope that it can bother him into acknowledging it.
And also - hey, it already saved them once! that means it's probably not evil!
That, or it's the king of the bloody dungeon. Wouldn't that be something!
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