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#tolkien and the great war
arda-marred · 7 months
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Is there truly no one else in the Tolkien fandom who is interested in Tolkien and the Great War by John Garth? I’ve been running this blog for over five years in the hope of connecting with others on this topic…with very limited success.
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autailome · 6 months
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tolkien and the great war is a fantastic read so far and i never knew this about the origin of the two trees but it makes me really emotional that edith is really in the fabric of everything about the legendarium
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bibliophilecats · 2 years
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Currently reading: Tolkien and the Great War by John Garth
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There are many grand and awe-inspiring sights [in war]. Guns firing at night are beautiful--if they were not so terrible. They have the grandeur of thunderstorms."
Rob Gilson, taken from John Garth’s Tolkien and the Great War: The Threshold of Middle-earth
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erynalasse · 3 months
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I wonder when the Noldor looked around at their dwindling numbers and realized that they were dying faster than they could ever keep up with.
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A the start of the journey:
Gimli: your father locked up my father and his group in the dungeon for no reason! He would have kept them there for years if it wasn’t for bilbo!
Legolas: trust me, gimli. If my father truly had wanted to keep your father and his locked up, they would have disappeared into the deepest, darkest corners of the T&I unite and never seen the light of day again.
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silvergifting · 1 year
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you can all say what you want about shadow of mordor and shadow of war, but at least they had the courage to make annatar and celebrimbor's character designs appealing, unlike the cowards at am*zon. like, yeah, give celebrimbor a fancy little circlet and lovely hair jewelry!! give annatar the sculpted cheekbones and long, flowing locks that are befitting of a shampoo commercial...
don't make them old white men who wouldn't look out of place in every generic 'historical' film of the last decade; give them some style! make them recognizable and interesting to look at! and also make celebrimbor a twink, please and thank you!
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outlawssweetheart · 6 months
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The elves of Mirkwood are basically seen as the White Trash™ Hillbillies of the elf community, and that is precisely why they are my favorites.
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shrikeseams · 5 months
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I just. The heart, the core, of the feanor-finwe-fingolfin situation is that finwe was willing and able to make feanor and miriel pay the bill for fingolfin's existence. and that is not fingolfin's fault, but only an idiot would expect feanor to 1) get along with a perpetual reminder of his grief and 2) ever be able to actually trust finwe not to make feanor pay the price again somehow, if the opportunity arose.
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noweakergirl · 1 year
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It's me. It's your Sam. Don't you know your Sam?
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vakarians-babe · 5 months
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i go insane every time i see people talk about tolkien, gender, and sexism from a 21st century lens when that's not just ahistorical but also fundamentally misunderstands the state of gender at the end of the great war in britain.
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arda-marred · 7 months
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According to letters and previously unpublished manuscripts, J.R.R. Tolkien began writing stories about Middle-earth as far back as 1917 when he was deployed in the First World War. During this time of time of senseless destruction and tragedy, Tolkien created a hero that embodied these fears; Turin Turambar, the self-proclaimed “Master of Doom.”  There is no shortage of heroes in Middle-earth; the diverse cast of characters is a primary reason readers are attracted to Tolkien’s books. From the highest order of Elves and Gods to the smallest Hobbit in the Shire, anyone can be a hero. Manwe, Gandalf, Beren and Luthien, Eowyn, Frodo, Sam, and so on. These heroes of Middle-earth are generally positive figures, they show compassion for others, take council in wisdom, and put the needs of the helpless ahead of themselves; standard qualities for an archetypal fantasy protagonist by today’s standards.  Turin is different. He is disturbed, melancholic, and vainglorious, though he is capable of compassion and accomplishes much in the name of good; of Turin’s many exploits, the most remarkable is single-handedly slaying Glaurung the dragon, a scene reminiscent of Sigurd and Fafnir from the “Volsunga Saga.” Despite all of Turin’s achievements though, despair follows. His sister Lalaith dies from plague as a child and Turin never recovers emotionally; Turin’s father Hurin is captured in battle, believed to be dead, tortured for decades, and cursed to watch his family suffer from afar through dark magic; Turin’s homeland is overtaken by bandits and subjected to thralldom; Turin is forced to abandon his pregnant mother at the age of nine and the two never meet again; he is exiled from his foster home after murdering an advisor to the king, refusing to return on the one condition that he ask for forgiveness; he kills his best friend Beleg after mistaking him for an orc in the dark; most disturbing of all, he discovers that his pregnant wife, is actually his long lost sister Nienor. Upon realizing their act of incest, Nienor casts herself into the ocean and Turin falls upon his sword, thus ending his miserable life.  Turin, a complicated anti-hero that isn’t quite sympathetic, but pitiable, is a jarring departure from the other heroes of Middle-earth. There is never a triumph for Turin; the weight of the world just keeps packing on. While Tolkien was certainly in the headspace to create such a character during the turmoil of World War One, the genesis of Turin and his family is derived from “The Kalevala,” a collection of ancient songs, poems, and folk stories from Finland. Turin’s life was inspired by the rune songs of Kullervo, a deeply troubled youth who experiences many hardships and goes through life inflicting disaster upon himself and his people; sometimes by accident, other times in a fit of rage. Kullervo is a national icon in Finland, not just for his appearance in “The Kalevala,” but as the subject for Finnish composer Jean Sibelius’ first major symphony, “Kullervo. Op. 7.” Through this creation, Sibelius raised the international awareness of this tragic character, as well as the literary and cultural merit of “The Kalevala.”   Read more
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autailome · 6 months
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TOLKIEN MOTOMAMI REAL?
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anghraine · 1 year
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I understand why people often say things along the lines of "academic folk who admire Tolkien do so for his ideas/themes and work with setting and ambition, not for the style or quality of his prose." But also ... lmao, speak for yourself. LOTR would be 1000x poorer without Tolkien's personal prose style as well as the (frequently complex) interplay between the language and style of epic poetry and emphatically novelistic prose.
I think Tolkien is (at least in English) a better prose writer than a poet, but his prose is also very poetic when it's not deliberately anti-poetic. A lot of the language just seems very beautiful and effective to me in a way that doesn't diminish verisimilitude or immersion or the ultimate purpose of the novel, and IMO that's something very few people are good at.
He's not alone in it by any means. But there's a committed, unembarrassed richness to his default style that I just don't encounter that often in English of that kind, and which I think is very impressive. It doesn't always work, but I think it usually does, and both can illuminate character in really intriguing ways (take a look at which characters can shift between these registers and which mostly don't or can't—it's interesting!) and can just linger with you as powerful, effective language.
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It has become unfashionable to give credit to Oxford and Cambridge, and to social elites in general; but it remains true that the Great War cut a deeper swathe through Tolkien's peers than among any other social group in Britain. Contemporaries spoke of the Lost Generation. 'By 1918,' Tolkien wrote half a century later in his preface to the second edition of The Lord of the Rings, 'all but one of my close friends were dead.'"
John Garth, Tolkien and the Great War: The Threshold of Middle Earth
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steve-needs-a-hug · 6 months
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My World War I movie recommendations for Remembrance Day
1. Testament of Youth
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Starring: Alicia Vikander, Kit Harington, Taron Egerton, Colin Morgan
Don't be fooled by the cover - this is less of a romance film and more of a powerful treatise on the mental and emotional consequences of war. Heartbreaking, haunting, and beautiful, this film is based on the true life experiences of Vera Brittain, a university student who postponed her studies to volunteer as a nurse during WWI. She later became a renowned pacifist and feminist writer.
2. Goodbye Christopher Robin
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Starring: Domhnall Gleeson, Margot Robbie, Kelly Macdonald
A sad and sweet story based on the life of A.A. Milne, author of Winnie the Pooh. Alan struggles with PTSD upon returning home from serving in the Great War, but eventually finds joy and happiness inventing stories with his imaginative young son. This film sticks out to me in the way it highlights the intergenerational pain of the two World Wars, fathers who fought in one having to watch their sons go fight another. It also sheds light on how the beloved character of Winnie the Pooh came to be.
3. Tolkien
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Starring: Nicolas Hoult, Lily Collins, Patrick Gibson
Based on the life of (you guessed it) J.R.R. Tolkien, this film showcases the beauty of a writer's imagination and the dearness of close male friendship (hooray!). When Tolkien and his group of fellow creatives go off to war, they are affected by their experiences in ways they did not expect, and sadly not all of them make it back. This is not a war movie per se, but the war is certainly a pivotal part of the story and you can see how Tolkien's war experiences found their way into his writing.
4. War Horse
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Starring: Jeremy Irvine, Emily Watson, Tom Hiddleston, Benedict Cumberbatch, David Thewlis
This is a story of a boy, Albert, and his horse, Joey, separated during events of the war. We follow Joey as he is used by the British Army and eventually reunites with Albert (yay!), though both Albert and Joey encounter many dangers and tragedies along the way. A poignant look at war, and a sentimental tale of a boy and his horse.
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