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#to her herself <- Another interesting concept!! & understandable. What's the logic (one might ask) of following Starfleet protocol
bumblingbabooshka · 6 months
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Chakotay being a person who (while of course being willing to follow orders to a point) ultimately puts what's morally right and wrong in his eyes over Starfleet protocol while Tuvok is shown to be a person who will follow Starfleet protocol (and more accurately Janeway's word) over what he personally thinks is right is something that could have been so interesting if the three of them were actually shown as a triumvirate instead of it usually being Janeway-Chakotay and even then mostly just Janeway.
It would be an opportunity to explore more about the Maquis v Starfleet dynamic, about how Chakotay & Janeway's different leadership styles work and don't work with this new crew and with different people, to interrogate what exactly Voyager should look like - to incorporate more leniency and Maquis tactics into its operation so that they really do become a blended ship instead of the Maquis simply becoming subsumed into Starfleet. It'd also give more opportunities to let all three characters shine and introduce more moral quandaries that they can have differing ideas about and how does that affect them? At one point Tuvok is willing to go against Janeway's orders because she wants to do something but can't due to Starfleet protocol. In another episode he also follows Janeway's orders to assist in killing an entire ship of people despite that being against both Starfleet protocol and certain moral standards because she feels strongly that they should. He protests this but once she rebukes him he doesn't object again or attempt to stop her (like Chakotay - though they both know at that point that she's crossing lines). This sort of implies to me that he's much more loyal to Janeway herself than he is to Starfleet as a concept. Meanwhile Janeway is shown to be staunchly and strictly Starfleet - adopting the code AS her moral compass a lot of the time. She sometimes has to go off-script due to the nature of their situation but most of her decisions are made depending on how Starfleet would feel about it. If she wants to do something but Starfleet would disagree, she rarely if ever questions Starfleet protocol and instead will go with what it says is best even if it's painful on a personal level. She also tells Tuvok in the episode aforementioned that he is "Her advisor, her moral compass" and having a moral compass/advisor that's either a bunch of rules written by the space government or a person who is mostly just going to agree with you no matter what they actually think and not challenge you if you rebuke them isn't the best idea. Enter Chakotay. Chakotay's willingness to disagree with Janeway and not back down is something I wish had been shown more. When he says "I don't care about logs or reports or whatever - I care about person to person shit. I care about what's right and what you're doing is wrong." it's something that could be so interesting and so necessary when contrasted with the other two. A good example is of course 'Equinox' but also 'Manuevers' where he goes off against literally everyone's orders and friendly advice because he feels responsible. And that's important - he's doing it because he feels responsible. That's different from Tuvok (who doesn't feel) and Janeway (who would most likely try to find comfort in protocol) - because Chakotay feels he's responsible and that he needs to protect the crew since he (in his eyes) is the one who put them in danger. He's a person who's shown to be willing to go against everything anyone says in order to do what he feels is right if the wrong is too great to allow. Voyager if these three were actually allowed to argue and be equals and figure out how to work together as sort of a microcosm of how this new blended crew is going to be able to fight and work and band together.
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writerbuddha · 3 years
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Hey
Your blog is interesting. I do see where you're coming from in regards to Buddhism attachment and the Jedi and stuff. I do agree about them having no choice but to enter the war because of the implications. Although the Clones are legally slaves as they are considered possessions of the State. The Jedi might have respected them and not persoanlly enslaved them, but neither fact changes their status. However, I can see the other side as well. I understand why people have an issue with the whole "attachment" thing and how its applied. I mean the Jedi are in the right for joining the Clone Wars, despite the status of Clones, yet Anakin is bad and wicked and selfish and greedy for wanting to help his enslaved mom. The implication that leaving her to rot in slavery or die alone, scared and in agony at the hands of the Tuskens was the more "moral" or Jedi thing to do is very problematic for a lot of people. Or, the idea that he should have left his 14 year old Padawan to suffocate under rubble because rescuing her means he's "selfish and greedy" is similarly problematic. I think that both run contrary to the ethical code that many of us are raised with. The idea that you should help people, especially children, no matter what and never turn your back on a friend.
Sorry if this is a long ask and I don't mean to offend anyone.
Hey!
You said nothing offensive. I hear you.
That’s run contrary to my ethical code as well.
Anakin wasn’t bad, wicked or selfish or greedy for wanting to help his mom, leaving her in slavery wasn’t a moral or a Jedi thing to do at all. Nor that he should have left Ahsoka to die, wanting to rescue he wasn’t made him selfish. What you described is, at full extent, falls into the category of compassion, non-attached love. And that is genuine love, wanting others to be happy and free from suffering, covering what you described, helping people, especially children, no matter what and never turn your back on a friend.
I firmly believe the “attachment” thing is problematic because the majority of fans are not fully aware of the meaning of the concept. Attachment as George Lucas described it is inability to let go, possession, owning, having, getting, grasping, holding on. This is identical to the Buddhist use of the term. Because reality is temporary, things will come, things will go, everything is temporary. People, beauty, youth, money, everything will slide, at one time, they are in your life, and in the other time they move away from you. While they are in your life, love them. But you can’t attach to them in the other meaning of the word: “fastening” and an “external part attached to perform a particular function.” You must learn to let go, because if you can’t do it, you and your loved one both going to suffer. And the problem with attachment is that it’s always about you, it’s more the love of the self than the love of the beloved. You want to keep people around, because they make you happy. You won’t lose them because then you will suffer from you not having them. And this is why it is selfish and greedy. And because we all want everlasting joy, if you are attached, you will become afraid of losing your attachments, and it will lead you on a very dark path, ending in hate. And you will suffer, because you will spend your life being afraid, being angry, hateful. And that’s what Yoda was talking about, and that’s what they sensed in him about Shmi: “You afraid of losing her.” And that’s what Luminara said to him in that Clone Wars episode: “It’s not that I gave up, Skywalker, but unlike you, when the time comes, I am prepared to let my student go. Can you say the same?”
Listen to how Lars and Anakin say their final goodbye to Shmi: Lars last words to her: “Thank you.” Anakin’s last words to her: “I miss you so much.”
Whereas Shmi had non-attached love: her love for Anakin wasn’t how happy he makes her, but how happy Anakin is. And that’s why she was able to let him go. I’m always saying, Shmi is a “lay Jedi”.
Luminara is “at ease” when Barriss life is in danger, but I think it’s very important to notice that she always saying, she didn’t want Barriss to die, or she doesn’t care or she gave up. That’s why I don’t like Dave Filioni’s take on that episode, but he said it’s his personal reading, so I respect it. But I disagree. The problem is that many of us were almost encouraged to panic or fall to atoms in times like this, and the majority of movies and tv shows are outright glorifying hysteria as a measure of love. Ahsoka and Barriss wasn’t saved because Anakin started to run around in full panic mode, but because Ahsoka was able to come up with a plan. Luminara wasn’t giving up, nor she didn’t care that much about Barriss, but she accepted the fact that they might be too late, so she started to prepare herself for the worst. “If my Padawan has perished, I will mourn her, but I will celebrate her as well through her memory.”
The Jedi are trained to love people, but not to get attached to them, which is non-attachment – compassion. When you are compassionate, your love for your loved one, their happiness, their freedom from suffering gives you the feeling of being complete, gives you joy. And this is everlasting, because death can interrupt having, but not love. So it’s saying, I love you, so I want you to be free from suffering and I want you to be happy.” It’s genuine concern for others, manifesting itself in active engagement. But there is no fear of you losing, because you don’t have. When you love people, you won’t be afraid. You will be concerned for them, but that’s entirely focused on them, not on yourself. You can’t fear of the pain you will experience when you losing them. That’s a selfish desire for you keeping things and people who bring you joy. Attachment will make you afraid, what will make you hate and suffer.
And this kind of love can extend to all beings, even to their enemies. "don't lose a thousand lives just to save one" however, doesn't mean you must sacrifice your loved ones for the sake of others. The key is always that you should act out of compassion. Not out of fear of losing, the fear of not having.
Why the Jedi didn’t go to Tatooine to liberate slaves, that’s another question, but not because Anakin wasn’t allowed to care about his mother. A Jedi is a negotiator, ambassador, who is not going to war. They were not going to war until Attack of the Clones, as Lucas said, because they are not aggressive force. I always saw that their logic is that If they would go to Tatooine and liberate all slaves, they would have to fight a war against Jabba, pirates, the hutts, the crime empires etc. That’s not what they do. They did it once with Zygerria, but back then they weren’t alone, the Republic actually wanted to uphold its values, they made Zygerria to comply. But with the Republic corrupted, the Jedi wasn’t enough at all to uphold peace and justice. If the Republic would have function properly, they would enforce their laws on Tatooine, but the Republic didn’t care about them, so they didn’t have the support to function, too. They were overwhelmed, and they are not super people. Without the Republic, they go to Tatooine, defeat Jabba, then leave to help others. When they come back, there is a new Jabba, because free people on Tatooine didn’t really care and the Republic didn’t really care. All what happens is that they lose lives. But with the Clone Wars, all the galaxy caught fire, so they had to go to war anyway.
I am more than willing to accept that the Jedi wasn’t perfect, and I have to admit, I am glad to see that when people believe they advocated abandoning friends or family, they reject them so fiercely. But I can't help but think, their morals, choices and situations are often misunderstood. For example, I can't find any good reason why the Jedi wouldn't want to pursue the Senate to give the clones citizenship when the war was over. On the contrary. Their portrayal requires them to do so. Like Lucas said, they had good intentions, and they are going to war to save as many as they can. In the Clone Wars, you can see they care about clones as much as they care for non-clones.
Sorry for the even longer reply! XD I hope it's useful.
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judyhopps934-mt-zd · 3 years
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Thoughts on Miraculous Shanghai: The Legend of Lady Dragon
Warning: Spoilers! Other than that, have fun!
Also, if you want to watch the full English Dub, click here!
I love how we saw Fei's backstory as to how she became guardian of the Prodigious and how it was actually stolen because there are people who want money from her adoptive father's studio. It was also sad to see that the values her father implemented into her fade due to the circumstances they found themselves in. I speak for all of us to say that this girl needs a hug.
The intro as always is beautiful! Since it was not the first thing we saw, I was confused when looking through the episodes on YT.
I always enjoy Marinette's monologues, and this one was over how she looked forward to her holiday (it was like a vacation type thing). And how she looked forward to spend time with Adrien since his father was going to let him out. It was all perfect...
...until she went to deliver Uncle Wang's package and found out Adrien left for Shanghai at the last minute. But all is good though because she could go to Shanghai, deliver the gift personally, and see Adrien.
It hurts me to see that the writers made Marinette's purpose to go to Shanghai is to see Adrien when she can do that in Paris! It frustrates me that her character development goes back to square one, even as the protagonist of the show. People might point out this was before season 3, but I have a few points that say otherwise or that the writers are mixing things up. But first, the plot points and thoughts of everything else.
Also, I get that Marinette is 14/15/16 at the time of this episode, but how likely is it to send your child on their own halfway across the world??? On SHORT NOTICE??? I swear Sabine and Tom are too chill with this, but then again, there would be no story.
Also, I love how Ladybug and Chat Noir took the opportunity of their patrols without akumas to bond more. The Ladynoir in this episode I stan!
Gabriel you piece of trash! If you did not plan to spend time with your son, why take him to Shanghai when he was hoping to spend time with you?! And do not say "for business purposes" because even though Adrien is a face in the brand, at least don't give him false hope and that bs!
Nooro, thank you for trying to talk Gabriel out of it, but he is literally a wall (talking to Gabriel=talking to a wall)
I will say, the waiting for 15 years thing is very concerning.
Uncle Wang has been looking forward to see Marinette in person in Shanghai to learn more about her roots. He is ecstatic and its just heartwarming and heartbreaking when you think that part of Marinette's stay will be related to Adrien.
At least we see one thing that makes Marinette's stay not all about Adrien though: she is genuinely interested in her origins! Like when she asks about her family's traditional songs and about her mom, even learning her real name!
Speaking of which, Sabine's name is Xia Ping and only called herself Sabine when she started living in France. Also, I love her photo!
Bastille the bird that was around since forever is an icon!
Also, I can't believe Uncle Wang has not taken a break since Sabine moved to France, like what the hell??? Give this guy a break for goodness sake.
Thank you Gabriel for having one brain cell and allowing your son to leave the hotel! We still hate you for everything else though.
Its cool that Kwamis speak all of the languages. It is also the most logical thing because their wielder could be from anywhere. My question is are they taught the languages, does it form when a concept forms in the universe and they start existing, or like everything else is it magic?
Gorilla is iconic for two reasons: he is still a self care king, and he was willing to give Adrien some space to get action figures.
And now as I wrote that, this is where I am getting confused and start to believe this is post season 3: 1) Gorilla seems less anxious about being in a new place (unlike NY where he stayed in the hotel room the entire time), and 2) His obsession for action figures was shown in Party Crasher (season 3), which makes me wonder if the explanation is during season 3 or this episode hints at season 3. For the first point, it could be because Gabriel was not in NY to his knowledge.
Fei appears again and explains how she views the world and how she also uses that to help and take advantage of others.
She almost steals Adrien's phone and miraculous until Gorilla steps in. It hurts me because she is a good person but had to resort to stealing for a reason that we will explore soon.
Plagg, we always say your stomach causes trouble, but this time, you brought Adrien to Marinette's uncle...
...but also that ironically separated them as Marinette found them just as they climbed into the taxi.
This is also where Fei (wearing a disguise) crosses paths with Marinette and steals her purse. Then she went for the kwagatama and miraculous.
Things get worse for Fei as these boys that took a photo with Adrien earlier started chasing her. Then Marinette started going after them.
That is when she realized she was robbed and understandably, she was more horrified of losing her Miraculous.
Adrien shows up to Uncle Wang's home/restaurant. So many iconic moments happen.
1) Bastille says something about love between Marinette and Adrien. And Adrien responds with the line that makes us want to jump into the TV and talk some sense into him.
2) You say that "she's JuST a fRIenD" yet you stay over with her mom's uncle so you can surprise her lol. Adrien, you kill me and every other Adrienette fan with this contradicting statements.
Speaking of Marinette, she gets lost and has trouble communicating with others because she does not speak Chinese. And at some point says that she regrets not taking lessons?! Uh, what does this imply, that she refused lessons or that she did not have the opportunity for lessons??????? I NEED ANSWERS!
Can we say once again how talented and artistic Marinette is? Bad time? Moving on!
Uncle Wang is unaware of Marinette's tardiness, and Adrien just jokes about it. Considering that she is technically missing (reality is that she's lost), I don't think its time to joke about it.
The lady that gave Marinette some earrings that look like the Miraculous is so nice and bless her soul
The person from the pawn shop is the bad guy that we see at the very end of the NY special! And he knows about what happened to Fei's father! I am grateful that he sees no value in Marinette's stuff so he won't sell it for a lot, but I hate how he's greedy for money and was willing to exploit Fei's hunger for answers and Marinette needing her miraculous for personal gains.
Meanwhile, the boys from the photo with Adrien that chased Fei were trying to get Marinette's attention (they found her kwagatama when Fei dropped it running away and fighting them), but she thought they were gonna attack her. And then she bumps into Fei, who helps her escape.
Marinette finds comfort in Fei for being willing to "help" her (remember that she was gonna bring her to the pawn shop). She also finds Fei as a helpful, kind person who is brave: something that Fei does not see in herself, but does not have the heart to tell Marinette the truth.
Meanwhile, Chat has transformed to find Marinette and its the most endearing thing I've seen! Adrien, you blind oblivious fool! You care about her more than you think!
They arrive in the pawn shop, Tikki escaped the claw machine, and Marinette finds the earrings...for 100000 Yuan.
Fei, understanding what its like to have something entrusted to you be stolen, gets in a spat with the pawn shop owner in Chinese, accusing the owner for greed and accusing Fei for theft, while Marinette just stands her.
Also, when did Marinette become naive???????? I get that she's in another country and they are speaking in a different language that she does not understand, but based on the tone of their voices and shouting, I feel like she should have sensed something was off.
Fei swaps the earrings the lady gave Marinette and took the miraculous back. To the lady, this is why your soul is blessed. So bless your soul!!!
Apparently, Marinette realized what happened and said that Fei stole her earrings and feels bad for the man. Girl, you do not have to feel guilty for the man! He was about to destroy them before he thought about sentimental value! Also, he did not pay Fei anything for them! (Felt that this should be brought up because even though Fei was wrong in stealing her stuff, she was also robbed from potential cash and answers, therefore the man was owed nothing.)
The boys from Adrien's photo are actually vigilantes of Shanghai (and will be referred as such from now on), wanting to bring Fei to justice for stealing, which catches Marinette's attention, but not enough to ask any questions.
Also Marinette is not wanted as a criminal. She is missing as Uncle Wang called the police.
Fei still lives in the school, which has been in ruins. Despite not having much, she still offers Marinette a cup of what I believe is water (or tea?). See peoples, Fei is a good person at heart (if y'all aren't aware of it by now)
Gabriel saw and recognized Marinette. This is horrifying and if it is prior to season 3, we see why he tries so hard to target her. Or reasons why he targets her in season 4 along with everything else we know from "Truth".
Fei should have been given the chance to explain why she stole Marinette's things, but the pawn shop owner was like "you know, I might as well expose Fei myself"...
...and it really broke Marinette, who heavily trusted her. But she can't dwell on it for long...
...because AKUMA COMES FOR THE PAWN SHOP OWNER! AND HIS FAN SHOOTS KNIVES! AND HAS GREEDY MOTIVES! AND HELPED HAWKMOTH GET INTI THE CAVE WITH THE PRODIGIOUS!!!
Also, Nathalie was involved in obtaining the bracelet years ago. Again, the 15 years thing is concerning.
Marinette flees to transform, but not without telling Fei how she broke her trust and how she feels that Feinwas not genuinely helping her. It hurt me so much!
Ladybug transforms, hears Chat's voice-mail (to which she is swooned by the fact her kitty cares for her civilian self), and calls him. The best Ladynoir scene so far!
So the prodigious is like a jewel with powers, there is only one prodigious from what we see, and that one prodigious has multiple renlings that only the wielder can see. Oh, and the bracelet is like a key. Cool.
I don't like how Fei's Lady Dragon outfit looks whitewashed, but at least her hair is red instead of blonde (which still does not make this okay)
Epic Showdown between the akuma, Hawkmoth, Ladybug, and Lady Dragon. Hawkmoth corners Ladybug and Lady Dragon gets caught in some rocks.. All hope seemed lost...
...until Chat shows up and frees the akuma with the help of a basketball.
We learn something new folks: the same butterfly can create a different akuma. This is very frightening because...
The statue that determines who is worthy of the prodigious gets akumatized! The horror!
Also, if the statue says Fei cannot become the dragon because her intention to seek vengeance for her father is not noble and worthy, then what makes Hawkmoth think he will be successful in becoming the dragon??? Because it seems that his intentions are not pure or noble. Just saying.
Hawkmoth notices the akumatized statue heading to the city and all of a sudden remembers about Adrien. Confronting the statue, he gets turned into ashes(?).
CHAT, HAWKMOTH IN ASHES WOULD HAVE BEEN FOR THE BETTER IF THE STATUE DID NOT DESTROY SHANGHAI AND YOU WOULD NOT THINK AS SUCH IF YOU KNEW HE WAS YOUR FATHER! But I am not mad at you, just wanted to point out your irony.
ML WRITERS, WHY DO YOU KEEP KILLING OFF CHAT????? LADYBUG DOES NOT NEED ANY MORE TRAUMA AND THAT WAS COMPLETELY UNNECESSARY!!!! I AM SCREAMING INSIDE!!!!!
Fei is understandably upset and blames herself for what happen. I want to hug her so badly.
Marinette reassures Fei and forgives her, even though Fei felt that she could not be forgiven.
The structure they were standing on collapses and it was Fei as the Dragon who saved her, not Chat. Honestly, I love how it turned out as it strengthens their friendship, but I still prefer a Marichat alternative. WHERE IS THE MARICHAT PEOPLES???
Final showdown!
Poor statue guard was upset about the damage they caused as an akuma, but Miraculous Ladybiug fixes everything.
Fei learned an important lesson: let justice take its course, not enact revenge. But it was quite funny to have the pawn shop owner be flown away to court in a literal sense.
The bracelet has a renling-like creature, who is just so adorable, especially since they missed Fei and was waiting for the day they would be reunited. Aww!
Ladynoir version of the Moon scene from NYC! Except no dancing, just them challenging each other over who will get to Paris first if they traveled in opposite directions. No one shall ever know we were in Shanghai as civilians lol (Reminds me of my best friend when eating grapes during choral rehearsals)
Marinette, Adrien, Fei, and Uncle Wang enjoying a birthday (?) dinner was wholesome.
I love how Uncle Wang calls them boyfriend and girlfriend because of how they act around each other, yet Marinette and Adrien both deny it. Bruh, these children need to open their fricking eyes! I really wanted to jump through my phone screen!
The Shanghai Vigilantes came to return Marinette's kwagatama necklace. They are so precious even though we thought they were enemies in the trailer.
Even though they were at odds at first, love how the Vigilantes blushed when Fei played the accordion and she's just like "whatever". I stan an asexual queen.
Do I even want to know what Marinette accidentally said when she mispronounced "sister" in Chinese? Based on what Fei said, probably not.
Uh...NOW I WANT TO SEE MORE OF ADRIEN TEACHING MARINETTE CHINESE! While I do take some issue of Adrien (a white French boy) teaching Marinette her culture like most of us had issue with in "Kung Food", I also want to see them interact outside of school and hopefully bond. ML writers need to keep their word otherwise Adrienette stans will riot!
Love how the final scene turned out! Its just *chef's kisses*
Also, the hell with the business trip?? It was mentioned once again IN THE ENDCARD! It might not be as interesting, but I want to think that there was more truth to it.
Also, wifi troubles kept interrupting the show at crucial moments, but okay.
Overall, I live for the Shanghai episode! The animation is just as incredible as the NY special (which I also live for) and I love how this episode has a great focus on Fei and the prodigious. I mean, before the intro, she tells her story. And she has her monologues alongside Marinette's. In many ways, it's refreshing. Also, Ladynoir and Adrienette stans will be satiated with the scenes associated with each ship. Also, I love Fei's character development! And the final scene is wholesome!
I won't lie though: there are a few issues regarding whitewashing Fei's transformation and such. It is important to see these things and as a good friend of mine always says: you can enjoy something while also being critical of it. And that is very important no matter how devotive to something you actually are.
Anyways, we are being well fed with all the Miraculous content and I will see you all very soon! Also, get some sleep peoples! I know some of you aren't sleeping!
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miraculouscontent · 3 years
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Didn’t Need Burrow (September 14th-September 27th)
Anonymous asked:
Don't Need a Burrow: Oblivio Sentimonster
tbh at this point, we might as well just go, “more akuma-turned-sentimonster.”
Anonymous asked:
Don't Need a Burrow: Alya don't learn anything from her experience as Scarabella
*sees “Simpleman” trailer*
Welp, we have a DNB before the episode is out (two technically because I’ve predicted Marinette with all four kids for like--ever).
Anonymous asked:
Didn't Need Burrow:
Marinette will at some point get akumatised and become even more OP than Chat Blanc and create a whole universe with life and diversity and desires to live in there with no crushing responsibilities, but it will be portrayed as a bad, bad thing and we will have to torment ourselves by seeing Adrien and the other heroes ignoring the fact that their "most beloved friend/romantic interest" is mentally broken and they will keep telling her to go to "sweet baby Adrien" to have a family with.
Naturally, Luka will act either OOC or will be "miraculous"-ly absent, if not disappear from the show altogether at that point so Marinette won't even have a chance to be comforted by an actually good friend.
I call dibs on this ending.
The way they’d spin is probably that Marinette is being selfish wanting to live in her “own little world” and she’s not thinking about everyone else.
This would also probably be another case of the whole “it wasn’t your fault you were akumatized, it was Hawk Moth” thing being through completely out the window because it’s Marinette’s fault, you guys.
Anonymous asked:
DNB: Adrien learns his father is Hawk/Shadowmoth and justifies not telling Ladybug because 'She's keeping secrets from me, too!'  This is presented as perfectly valid and understandable reasoning.  Bonus if there is no acknowledgement of the fact he is keeping this information from everybody else beyond blaming Ladybug for THAT, too.
I hate that this makes sense because he WOULD be that petty.
Anonymous asked:
DNB: Adrien/Chat Noir will continue down the path of unnecessary roughness and violence.  By the time he switches sides and joins the villains for whatever bullshit reason they try to blame on Marinette/Ladybug, his behavior will have degraded so far that he was already acting overtly villainous while he was ostensibly still on the heroes' side.  This is never acknowledged beyond some oblique comments about how Ladybug should have noticed how unhappy he was and bent over backwards to fix it.
That’s what she gets for nOt aPpReCiAtInG hIm eNouGh.
Anonymous asked:
DNB: Adrien's spitefulness and/or screwing around as a nominal superhero explicitly causes civilian casualties that are only reversed by Ladybug's cure.  Marinette blames herself for their deaths; so does the narrative.  Tikki, Alya, and others act as the writers' mouthpieces to berate and blame Mari for her failures, despite her being the only reason that Adrien's victims aren't STILL dead.  (Bonus if the same 'logic' is applied to Shadowmoth's victims.)
Well SHE’S the one with Miraculous Cure, so clearly--
Anonymous asked:
DNB: It's eventually revealed that Adrien is directly responsible for the heroes having to continue fighting Hawkmoth/his implied successor well into their adult lives; while Gabriel is ultimately dealt with during the series' run, Adrien isn't willing to give up his 'heroic' lifestyle, and ensures that the Butterfly Brooch ends up in Lila/somebody else's hands.  Bonus if their reasoning for blaming Marinette is that a Reveal hadn't happened yet and Adrien 'didn't want to lose her, waaaah...'
And of course they’ll make him look sympathetic because he didn’t want to rat out of his father (if he’d been the one to see the reveal and no one else)!! Can you blame him???
Anonymous asked:
DNB: The concept of getting therapy/psychological help and support is mocked through an akuma lampooning the concept.  This stems from the writers getting spiteful/annoyed by so many observations from the fandom about how badly most of the cast needs some form of psychological aid, with the episode supposedly 'proving' that it's not needed/would only hamper the heroes more than help them.
Because a therapist would’ve told Marinette to dropkick Chat into the void.
Anonymous asked:
DNB: If SentiAdrien is a thing, Felix winds up as a body backup drive so the series can have the Angstrese of SentiAdrien being destroyed without permakilling their golden boy.  The horrifying implications of Felix's fate are completely glossed over; who cares what happened to his mind/personality/soul so long as Adrien's okay?
oh my god what if Astruc brags that this is why Felix’s model is a copy of Adrien’s and that this is a reference to how Adrien replaced Felix during the making of Miraculous
Anonymous asked:
Don't Need a Burrow: "Simpleman" will be basically "Reverser" 2.0 (very cringe scenes of Ladybug and Chat Noir being rendered useless by Akuma of the Week will be depicted as hilarious)
ugggggggh
Anonymous asked:
DNB: Now that Kagami is on the Adrienette train she'll drag Luka on board with her. Then they'll think of schemes to get them together and meanwhile fall in love with each other and O Fortuna, I need some Pepto now. *GAG*
Single people aren’t allowed to exist unless Astruc can claim they’re aro/ace.
Anonymous asked:
DNB: Post-Reveal, Adrien will reject Marinette while accusing her of only being interested because he's Adrien.  The fact that he only wanted her because she was LADYBUG is never addressed, retconned, or denied outright, expecting the viewers to ignore all evidence of his obsessive/controlling behavior.  Marinette must then pursue and 'prove herself worthy' of his love in a semi-reversal, with Adrien remaining a manipulative douchenozzle the whole time.
*flashbacks to comics that existed all the way back in Season 1 about Adrien rejecting Marinette because he “””loved both sides of her””” but she didn’t love Chat Noir*
Anonymous asked:
DNB: Marinette will be given little to no heads up that Alya was dropping off her and Ninos siblings.
I imagine we won’t get confirmation on that.
(though also “Rocketear” seems to confirm that Nino is just impulsive about asking Alya on dates sooooo)
Anonymous asked:
For simpleman, we don’t need burrow to know Marinette will regress into season 1 tendencies.
Okay but Season 1 would be better than this.
Anonymous asked:
Don’t need burrow to know the kids will either not be scolded for how they acted or not be changed by any scoldings in their next appearance (bonus if they’re even praised for something along the lines of “saving paris”)
*”The Puppeteer” and “Christmaster” flashbacks*
Anonymous asked:
I just realized another episode comes out in like an hour so I think my DNB is that rolands charm will look very similar to the mayors. Sorry if it’s lame but that’s all I know rn from his late costume
There’s a joke in here somewhere about “all old man charms look the same!!”
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Gnostic inspirations in Przybyszewska’s works
At the highest point of her intellectual life, Stanisława Przybyszewska spent over 12 hours each day simply on writing her own works, continously, and with maniacal care, educating herself on absolutely everything (she was constantly looking for fields in which she might be a natural genius) and she rarely did anything else at all, which included things like earning a wage or sweeping her own floors. The effect of such existence was of course that she was severely depressed, but also thoroughly educated. It means that traces of whatever matter from history or philosophy can be spotted in her works, are most likely intentional and put there exactly with the hopes of showing her erudice.
One of such matters was gnosticism. Gnosticism is a set of beliefs which put emphasis on obtaining liberation from this life through gnosis (knowledge) and cast aside all that is not of the mind – so not only the flesh, but also the spirit. Without going into details of some specific gnostic rite it is simpler to say that gnostics value gnosis higher than any of their base beliefs and teachings (in Europe gnostics are mostly mentioned in relation to early christianity, Cathars are an example of this). Then the contrast one can find within religion (for example sin and liberation from it) is replaced with earthly illusion and gnosis, which frees one from the illusion and guarantees a higher level of life, of sorts (in gnostic beliefs, our presence on Earth is not linear, leading from birth, through life and death to afterlife, but resembles more of a ladder, with each rung leading closer to obtaining total knowledge, and simultenously losing all that tethers one to earthly illusions.
In literature, strong contrasts are a good indication we can look into it to spot gnostic inspirations or at the very least make a strong case they could be there, even if unintentional. In Przybyszewska's case, however,  they are all the more probable, for I vaguely recall she was well aware of the presence of these beliefs and everything she wrote on the nature of genius points in the same direction, too. She held these beliefs in her own, private set of core values, and there isn't any better place for her to show them to us but through her works. She presented us with an utopian vision of mental progress in her plays, while in her prose works, she focused on the darker side of the same things.
The axis of conflict in gnosticism is between the mind and the spirit. Robespierre is without a doubt a man of the mind much more so than of the spirit, and all the important figures surrouding him are more on the spiritual side of things (with Camille being the most prominent in this regard). Maxime has achieved the gnosis, the crown that will burn [his] brains right through.Before it happens, though, he is elevated onto another plane of understanding, a place where no other person can reach him, or even understand him:
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Danton, of course, is lying.
(There is, sadly, no French translation of Thermidor; on another note, it took me this long to realize the French decided to change the person's tag from Camille to Desmoulines, which is suprising in the best sense of the word).
Robspierre is clearly constructed to be a genius, standing above everybody else and thus bearing greater responsibility, something which demands of him more than it does of others.  Madness which he suspects within himself at the end  is only a threat because it potentially leads to commiting mistakes, and a mistake is an unforgivable offence when it is committed by the one who ought to know better. Mistakes by a hand of another – for example Camille – are a different story altogether, for the majority of people not only don't achieve gnosis, but even cannot achieve it, their mental state isn't developed enough for them to grasp at the higher concepts. I think this is one of the reasons why Saint-Just's words: It is not madness, it's despair, are actually calming Robespierre down. Despair is simply a sign of being weary, something to be expected.
Maxime's knowledge and better judgement of everything is of course still a curse, leading to his death. In gnosticism, death isn't meant in a macabre sense, since it leads to yet another, higher rung of the metaphorical ladder we're standing on, but the gnosis obtained beforehand makes a death a good one instead of a waste. When Robespierre is going through his moment of despair at the end of The Danton Case, he betrays the gnosis he has in favour of admiting that the future will turn out differently than what could be expected: his death won't be a natural progression, but a failure, his depaire sets him back into the crowd of the sad, grey mass of the people who are not – like him – predestined to understand more.
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From the linguistic point of view, I find it interesting that in the original and in the French version, he is using somewhat esoteric language (the future is under the sign of Danton – to my eyes, it is a clear refereance to the Zodiac signs, something which is supposed to predestine our futures, and which is also esoteric and ritualistic; given all the hints that she was abused by her satanist father, it makes a really sad, hopeless final note on the grand scheme of things for the humanity, that we, as humans, are incapable of running away from the brute forces which will continue to rule us simply because the world is built like this – not to mention the inability to change the future or even just the fate of one's life is a staple of gnostic beliefs).
No matter what he says about it, the inability to escape from one's fate is something which we rarely associate with Robespierre, because – as much as Przybyszewska makes it clear, thet he is a genius and thus everything he does he is not only allowed to do, but must do it for the greater good – he seems a bit like a self-made man, perhaps because we see him all the time in situations which are hard and difficult, but not impossible. A much more tragic situtation of the lack of escape from his own poor choices is being presented to us through Camille.
Camille has had a chance to be continously tethered to Maxime, securing for himself relevant safety in the public life, and calmess or even happiness in his private one. Yet he breaks with Robespierre over and over again, starting even before the plot of the play. Maxime reaches out to him against his better judgement, and Camille – also against his better judgement – decides to stay loyal to Danton. He is as if glued to his leader, even though he sees him clearly for what he is. Camille is an apotheosis of a spiritual being, someone ruled by impulses, perhaps even with the best of intentions, but whose mind will never achieve gnosis, the clear vision of what is right and true. When Robespierre argues with the Committee by demanding they leave Danton (and Camille by proxy) alone, he plots against Maxime in his newspaper; when Robespierre goes to him under the cover of night, he doesn't want to see him and then throws him out; when Robespierre tries to either break him free from the prison or at the very least console him by admitting his love (I never actually knew what was his plan here), he follows the advice of his bad influences and doesn't admit him. It's as if a strange force kept him by Danton's side, and I don't think it was any normal feeling (of shame or guilt) keeping him away from Maxime. In The Last Nights of Ventose he makes it quite clear being a stronger person's lap dog would never bring him shame, but honour, thus I don't think he'd have any problem with returning to Robespierre after a long while of abuse and slander.
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The relationship Camille has with Danton is another aspect of gnosticism, namely its duality. Danton is a stand-in for Maxime, which doesn't work because Danton is anti-Robespierre, his negative double (much like in some gnostic beliefs world was created and being conducted by two gods, one good and one evil). It is unclear whether Camille had any real, true potential to serve "good" Robespierre, but  even if he didn't, if his friableness kept him from serving a greater purpose (which I don't know if I believe, in The Last Nights of Ventose we are presented with a very different portrayal of Camille, one who could achieve something much greater than he did if only he was by Robespierre's side at all times), serving the "evil" Danton couldn't possibly have a good outcome.
He even does return to Robespierre, for a short while, steered by emotions rather than anything else. But in this dualistic, gnostic reality, emotions have little to do, they aren't worth very much. What's more, if we focus solely on Camille, we have to admit that – as in every story, revolving around a single character – a person is in a way stuck in time. He can go about in the space his life takes, but time is more like a deity, untouchable and something you cannot pact with. For Camille, it doesn't matter how many times and at what point in time (before their fallout, during the crisis or at the last hour) Maxime asks him to break with Danton and go back to him, because time and predestined fate hold all the power of what is happening, while individuals hold none (and the aforementioned last statement of Robespierre explains right away that it is so even for the "great" individuals, who in other aspects are being held to different standards, but against time and fate they are just as powerless).
I like to think, though, that Przybyszewska has left a small postern for Camille to achieve gnosis or its more humane equivalent by drawing a symbolic parallel between two scenes, which are only made significat by their possible relating to each other, but mean next to nothing on heir own:
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In the first scene, the key could have been a completely incidental choice of words/tools, after all it's a logical conclusion of the scene. There is, however, a more symbolic reading of it, as a key is of course a symbol, and a pretty easy one at that. If Camille gave Robespierre the key himself, this could be read as an end to their relationship, Camille returning the power  that Maxime holds over him to Maxime's own hands. But since we only see Lucille relay the key, and we know that Lucille is also capable of influencing her husband and directing his steps (even if she says she can't; Robespierre's words, seeing as he's the genius here, are the final judgement of this), this could mean she is giving her portion of power to Maxime, whom she trusts to save her husband. And Maxime uses this one more time, when he tries to visit Camille in prison. That he fails miserably is against Camille's wishes, because Camille even in his demise only succumbs to wishes of others.
But we know he regrets this step mightily and we know it precisely because he dreams (or rather has a nightmare) about the very key he was supposed to convey to Robespierre earlier. He regrets the desire to give Maxime his power back, he regrets that by doing so in any way, shape or form he has finally given up his life. Choosing a beautiful death over an ugly, humiliating life only sounded good in his head, but in truth, he is beyond terrified and would love nothing more but to Maxime to come in again and if not save him, then at the very least – forgive him. But for that, they'd have to meet again, and he couldn't throw Maxime out. I also don't understand why both the English and French translation added the word "effortlessly" when describing his last moment with Robespierre, because make no mistake, it is very much an unnecessary addition, going against everything that he has been portrayed like so far. Their last conversation is just as much a tragic one for Camille as it is for Maxime.
Przybyszewska took great pains to paint Camille in front of our eyes as someone so weak that we find him as more of a comic relief than anything else, but in reality he is just a differing portrayal of powerlessness when faced with fate. Camille is not a comical character, but a tragic one, he is just the same as Robespierre, his other half: they both believe in their own agency, they both believe they are the ones making choices and pushing their lives forward, but it is not a coincidence that they both end up in he very same place, in a span of mere weeks.
This post would not have been born if it weren't for @patricidefan​.
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moonbeambucky · 4 years
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Hey Neighbor (Part 18)
Pairing: Bucky Barnes x Reader Word Count: 5308 Warnings: fluff
Summary: You had a plan and then life came along with one of its own. With your future almost derailed you worked hard to get yourself back on track and finally everything seemed to be going right… that is, until your new neighbor moved in.
A/N: Wedding weekend starts now and I know you’re all very excited! Feedback is always appreciated!
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HEY NEIGHBOR PART 17 | HEY NEIGHBOR MASTERLIST
Sweat trickles down your temple as you climb up the stairs from the subway, inhaling a deep breath of fresh air. It was a little thick but a thousand times better than the overwhelming stench of sweat and other odors from those that didn’t understand the concept of deodorant. The sun was pounding on you for the rest of the walk home, as your heart and mind raced, calculating if there was enough time to pack and eat something before you had to leave. This weekend may not bring a reprieve from the heat but at least things would be able to slow down.
In preparation for the wedding this weekend you had been working as much as possible, spending most of Memorial Day at the hospital to get a jump on making up for some hours, and getting to Stark Industries a bit early each day in order to get your proposals for an upcoming project completed. You weren’t drowning yourself in work to avoid Bucky, nope, that definitely wasn’t it.
Technically you weren’t avoiding him, he kept in touch during the week through messages, making sure you were all set for this weekend. When he asked if you wanted to grab food you told him the truth, that you couldn’t because you were too exhausted. If he asked last week you would have gone out with him despite your exhaustion but ever since you witnessed one of Bucky’s thousand hookups in your face this past weekend you weren’t in any mood to see him.
It was better to keep the distance, allowing the time you spent apart to let the logical side of your brain take the reins from your heart and stop it from falling for someone you know you shouldn’t. None of this was new. You knew exactly who Bucky was before you even met him, hearing the revolving door of women screaming out every night. He was a nice person, a good friend, but someone to date? Never.
Bucky: hey.. the trains @ 4:19 so you wanna head out a quarter to?
Somehow he always texts when you’re thinking about him… or maybe you just think about him too much.
You responded quickly, taking advantage of the time you didn’t think you had to make something quickly. In between bites of a sandwich you ran around your apartment, gathering together the things you would need through Sunday.
“Fuck!” you barked in response to the knock at your door. It wasn’t even three o’clock, did you read Bucky’s text wrong?
With worry settling on your brow you opened the door, relieved to find Wanda standing there instead.
“How’d you get in?” you asked curiously, letting her inside your apartment.
“Hello Wanda. How was moving, Wanda?” she said, mocking with sarcasm.
Your hands came up in playful defense, “Sorry, sorry.” You laughed, giving Wanda a real greeting as you pulled her in for a hug. “I’m sorry I haven’t checked in. How was moving? Are you all settled in at Sam’s?”
“Hell no,” she laughed, making herself comfortable on your couch. “Unpacking is like fighting a hydra, empty one box and two more take its place.”
You offered her something to drink along with your services to help unpack her never ending boxes when you get back.
“That would be great!” she said, taking the glass from your hand. “Anyway, Clint let me in because you didn’t respond to my texts. I thought maybe Bucky was here and you might have been… busy.”
The smirk her mouth pulled into made you roll your eyes. “Wanda, no… just no. There is nothing between me and Bucky, okay? You saw that girl last weekend. That’s what he wants. One and done, nothing more.”
Her lips pressed together as her head shook ever so slightly. “Mmmhmm.” With a hand digging in her bag she spoke, “Well, all I’m saying is you should be prepared, just in case.”
Wanda threw whatever she pulled out of her bag towards you. Catching the small box in your hands your eyes widened at the logo. “Condoms? Really?” you huffed, throwing them back at her.
“What? I want you to be safe!”
You turned away from her, taking a moment to compose yourself. Wanda didn’t know how bad you were feeling this week, you really were too exhausted to reach out to anyone. Maybe if you had a chance to speak she would have known not to joke about you and Bucky.
It’s not completely unreasonable, the idea that you could have sex with him but you didn’t want to be another girl on his mile long list. You wanted something he could never give, and the fact that your hopes were up and subsequently crushed in front of you didn’t make any of this easier.
“Take those back Wan, I promise you I won’t be needing them.”
“Fine,” she huffed.
Wanda helped you go over what you packed to make sure you hadn’t forgotten anything.
“Toothbrush, toothpaste, deodorant, razor…”
“Oh shit, yes. Gotta shave my legs tomorrow.” You grabbed the bag that held your toiletries, taking it to the bathroom with you to pack your razor and anything else you might have forgotten.
Wanda looked over your bag pulling out the clutch you packed, staring at the glittery reflection of sunlight on your walls. “You should wrap this in something,” she called out, waiting for you to return towards the bed. “If not, the glitter will get everywhere.”
She made a good point. You searched through your closet for something you could place in it and handed it to her, thankful that your dress was still hanging up and unaffected by the ubiquitous glimmering speckles.
“Oh shit I almost forgot!” Wanda went back into her bag to dig out something you actually wanted.
She handed you a beautiful gold necklace meant to wear down the open back of your dress, with four diamonds spaced out evenly along the dainty chain. “You’re going to look incredible. Bucky won’t be able to keep his– ”
“Wanda! Nothing is going to happen between me and Bucky!” you shouted, cringing at the fact that he probably heard you through the walls. With a groan you squeezed your fists tightly, releasing them with a heavy breath. “Those condoms better be in your bag, okay? I’m serious.”
She pulled the box from her bag, scrunching her face with her tongue slightly sticking out at you. A smile broke the hardened look on your face, you could never stay mad at her. Before she left Wanda hugged you, wishing you a nice weekend and thankfully she didn’t mention Bucky anymore.
Everything but your dress was packed so you texted Bucky to let him know you were ready. He was bringing a garment bag for his suit so he offered to put your dress in there as well. A few minutes later you heard the knock at your door and remembering you locked it after Wanda left you had to open it up for him.
“Oh my god!” you gasped, staring wide-eyed at Bucky who sported a new look– short hair!
His head hung down, scrunching his eyes shut to avoid any more of your reaction. He hadn’t cut his hair in years and honestly he never really planned on it but something changed over the week and Bucky knew exactly what it was.
Last weekend surrounded by all of his friends who were happily coupled up really showed Bucky what he was missing and the run in with Whitney reinforced everything about how he’s been living his life and what he wants to change. Bucky wanted a relationship and he was desperate to start one with you.
He couldn’t believe that after all these years of screwing around and closing off his heart that he was able to find someone he could trust with his heart. It’s a crazy thought, for Bucky Barnes, the man who thought he’d live life as a bachelor to have these desires but he couldn’t deny the truth any longer. His revelation came with a need for change.
If Bucky wanted a fresh start he needed to let go of the past, cutting away the dead ends in more than one way. He deleted all the numbers from his phone from the girls he has no interest in sleeping with any more. He deleted the apps from his phone because he didn’t want to meet anyone else, he already found the perfect person and he was sure he had seen sparks in your eyes, the same ones that set off fireworks inside of him anytime you were together.
But this weekend wasn’t going to be about convincing you to date him. He was genuinely happy to have you as a companion to his cousin’s wedding but if there is something between you (and Bucky really hopes his suspicions are true) he would let things happen naturally. And if it’s not meant to be he’ll be there like he always was, as your friend that wants to see you happy, no matter how badly it hurts.
“You cut your hair!”
He grimaced, clenching his teeth together with worry. “You hate it right?” He ran his hand through the short crop, what used to be long strands now a fluff of brown on top of his head.
“No, no, I think it looks great. It’s just… you look so different!” His anxious smile made you clarify your words. “You look great Bucky, honestly. I really like it, I just have to get used to it.”
The soft smile on your face reassured Bucky that his haircut wasn’t a mistake. Deleting apps is one thing but he couldn’t reattach his hair.
You placed your dress in his garment bag, still a mystery to Bucky as it was wrapped in white plastic and then you were off to Penn Station. A large crowd rushed down to the platform of the Long Island Railroad when the train was announced and you had to walk fast down to a further train car to get seats.
Bucky hung the garment bag on the rack above before settling down beside you. He was all prepared with tickets on his phone, declining your offer to pay him. He insisted everything was on him this weekend since you were his guest so you didn’t argue much.
During the long train ride Bucky began to tell you about the people whose wedding you were attending. His cousin Scott was marrying Hope Van Dyne, the daughter of his new employer.
“This is Scott’s second marriage actually. He got divorced after he went to prison.” Your eyebrow quirked at Bucky’s remark. “Scott found out his company was stealing from customers so he hacked their system to pay ‘em back. He did a good thing, shouldn’t have gone to jail in my opinion but anyway, it didn’t help his marriage, ‘specially since he couldn’t see much of his little girl.”
Scott had a daughter named Cassie who he was now able to see regularly since he and his ex Maggie had reconciled and according to Scott she’s going to be the cutest flower girl ever. Bucky isn’t sure how many people would be at the wedding, only that it was taking place on the North Shore of Long Island in a beautiful venue off the water. The hotel Bucky found was about twenty minutes away, something moderate and comfortable for the weekend.
“So, my parents offered to drive us to the wedding, if that’s okay, but I’m assuming they’ll leave early so we’ll probably have to Uber it on the way back.”
“Yeah that’s fine,” you replied. “I was going to meet them at the wedding anyway so we might as well get the awkward introductions out of the way first.”
“About that…” Bucky rubbed the back of his neck, feeling goosebumps prick at his skin. “They actually wanted to pick us up from the train and go for dinner.” He turned to face you, biting his lip as he tried to sense how you were feeling about it. “I can tell them no if you don’t want to.”
Bucky appeared to be more nervous than you’ve ever seen him before and it finally hit you why, he’s never had his parents meet anyone before. Do they know about his lifestyle? Running through women like fire through a haystack. Your curiosity took the lead, wanting to see Bucky sweat a little under the heat of his parents' possible interrogation.
“No, I’d love to!” you answered, trying to hide the sly smile that started to creep its way on your face.
“Cool, yeah…” Bucky responded with failing confidence at trying to hide the fact that he wished you would have declined.. “I’ll text them now.”
More people filed into the train at the next stop, sharply dressed white collar workers looking to get a jump on the weekend even if it was just before rush hour. A man squeezed into the seat beside Bucky, making him encroach on your space a little.
You could tell he was uncomfortable in the middle seat, his muscles stiffening to keep his legs as close together as possible and also not play accidental footsie with the woman in front of him. By shifting your body you were able to give Bucky a little more space at the cost of getting closer, leaning into his shoulder.
With a few more adjustments you both found a comfortable position though Bucky can’t say his nerves had gotten any better. You spent most of the ride that way leaving Bucky’s brain to imagine several scenarios of you snuggling close to him; his arm tucked around you, his lips leaving a trail of soft kisses from your temple, down your cheek until he reached those perfect lips.
“Is that our stop?” you asked, breaking him from the trance where he was indulged in fantasies.
“Uh yeah, comin’ up.”
Grabbing your bags you made your way towards the doors waiting to exit. Bucky checked his phone, finding a message from his parents that were already there. He sucked his bottom lip into his mouth, his stomach sinking like an anchor as he realized what was about to happen, and worse he hadn’t told you something important.
You began walking ahead of him down the stairs from the platform and Bucky rushed behind. With his hand on your shoulder you turned around to find worry written all over his face. “I have a confession to make. He sighed, “My– ”
“James!” A soft bubbly voice called out and Bucky turned his head to find a woman on the next block waving both arms in the air and calling him over.
“James?” you questioned under your breath as you walked over to the woman who was clearly his mom.
She was half a foot shorter than him, with shoulder length hair that reminded you of Bucky’s but with a slightly brighter color. Her eyes crinkled with her mouth opening to a huge grin.
“Your hair!” she exclaimed, cupping both sides of his face to examine his new look up close. “You look so handsome.”
She lifted her heels to bring herself closer to him and Bucky met her halfway for the distance so she could give him a kiss on the cheek. You stood there smiling as you watched the cute exchange.
When they pulled apart her gaze came to you, another smile stretching across her face. “James, aren’t you going to introduce us?”
Bucky cleared his throat nervously, “Uh, yeah sorry Mom, this is Y/N. Y/N, this is my mom Winifred.”
“Call me Winnie dear. It’s a pleasure to meet you, James told us all about you.”
“Oh really?” you replied, cocking your head towards James who clearly had some explaining to do.
Bucky swiftly changed the topic as he saw his father’s SUV approaching the curb. As he opened the passenger door for his mother you wondered if he was showing off or not. Then again Bucky had no reason to try and impress you. Your friendship from the start has been completely platonic, except for a shared kiss on New Years.
Considering the first encounter you had, where you awkwardly told him his “guests” were always so loud, Bucky had probably figured there was no point in barking up that tree with you. And he was right, there wasn’t. You’re not interested in becoming another notch on his belt.
Bucky’s father George turned around to greet you after you settled in and he bore a striking resemblance to Bucky, sharp jawline, cleft chin and piercing blue eyes. His smile was different though, still a very warm and friendly one but there was always something about the way Bucky smiled that makes your heart skip a beat. Made. It used to do that but not anymore.
In no time you were at a diner, being seated next to Bucky in a booth across from his parents. Right away they began asking about The September Foundation; apparently Bucky really has told them a lot about you.
“That sounds like a wonderful opportunity to enrich so many young lives,” Winnie said.
“And speaking from the social work field, it’s a great alternative to keep kids active and away from harmful situations. A lot of the programs are STEM based but since that doesn’t appeal to everyone I’ve also worked out a homework help program, where kids can connect with a teacher on-site or through video conferences for extra help.”
Lost in the joy of discussing your work you completely missed the way Bucky was staring at you, seeing your face shine brighter than the sun. Winnie didn’t miss it though, as her eyes flitted over towards Bucky’s, catching him in the act which caused him to look away as an embarrassing shade of pink dusted his cheeks.
“October is our official opening even though we were aiming for September, not because of the name but to coincide with the start of the school year. Though we plan on keeping it open all year round, if we can get the donations of course.”
A proud smile spread across George’s face, as if he was listening to the accomplishments of his own child, “I have no doubt that you will.”
Bucky’s blush deepened knowing you had his parents' approval, not that he meant for this. He told them you were just friends, neighbors, that’s all, nothing more. Despite the details of your life he couldn’t help but tell them; how incredibly devoted you were to helping people, how smart, talented and funny you are… how beautiful. Yeah, he may have let that one slip out but it didn’t matter, you were only friends, sadly.
His thoughts were interrupted by a server coming around to take everyone’s order and thankfully the conversation had changed to his sibling Rebecca, giving his cheeks time to return to their normal shade.
“They’re coming tomorrow, right?” Bucky asked.
“Flying out in the morning and has to be back for work Monday,” Winnie began, “Rebecca was just promoted to Director of Avian Care.”
“That’s great ma.”
“It is, but it means they’ll be even busier than before, so next time when they’re in town James you better stop what you’re doing and come over. It’s bad enough you didn’t come over for Thanks– ”
Bucky interrupted with a vomit of sounds to stop his mom from completing her sentence, revealing the lies he had told everyone about his plans for Thanksgiving. “I promise from now on when Bex is in town I will always make time to see them, okay?”
Nervous inflection took over and he cleared his throat, taking a sip of water to clear it away. An opportunity to change the subject had come up as his mom took out her phone.
“You got a new one?” he asked, nudging his chin towards the device in her hands.
“She didn’t need it,” George added, ranting about the high price. “Your mom thinks she’s a photographer now.”
Winnie playfully nudged his arm, cracking a smile as she told him to knock it off. “I can become one if I want to. The camera has a lot of new features... if only I can figure out how to use them.”
You and Bucky shared a smile, an unspoken look that remembered previous conversations about your parents and technology.
“Hang on, let me try something,” Winnie whispered quietly under her breath and before you realized it she had taken a picture. “Look how good that came out!” she beamed, showing off her phone to George who smirked.
She revealed the image to you and Bucky, the moment you just shared, gazing at each other with a smile that shined all the way through your eyes. A lump settled in the back of your throat as you stared at the picture; somehow seeing it from an outside perspective opened your eyes to the truth. The feelings you had for Bucky were written all over your face, no matter how much you tried to hide them and the fact that his expression mirrored yours made you feel conflicted.
His parents knew things about your life that you never expected him to share with them. Does he do that with all his friends? Probably, right? Because you were just his friend. Bucky doesn’t date, you repeat in your mind over and over. But friends don’t look at each other like that.
The jarring thoughts battled in your mind as you stood silently, an innocent bystander in the war for truth with your heart on the line. Looking back at George and Winnie didn’t help at all, not when he leaned in to peck a kiss on his wife’s lips, crinkles surrounding his eyes as he looked at Winnie in a similar manner, the way lovers see each other.
As dinner finished his parents insisted on picking up the check, and after another short drive they dropped you off at the hotel, with plans to speak tomorrow before picking you up. Walking into a hotel with Bucky was something you never expected to be doing but you tried to keep the awkwardness inside.
“Uh, hi,” Bucky said to the man behind the counter, placing his bag on the ground, still holding the garment bag over his shoulder. “Checking in, James Barnes.”
How can you even think Bucky likes you if he wasn’t even telling you his real name? Your thoughts were interrupted seeing Bucky struggle to take out his wallet with only one hand. You offered to hold the garment bag as he handled the check in process.
“Alright Mr. Barnes, we have you staying for two nights. Check out is eleven, breakfast is available in our lobby from six to nine-thirty. Your room is number 342. If you need anything please don’t hesitate to call the front desk.”
He thanked the man and took back the garment bag from your hand as you walked towards the elevators, stepping inside as the doors opened with a ding. He pressed the button for the third floor, looking around everywhere but to you. The silence was quickly broken as you spoke.
“So… James is it?” You turned towards him as a smirk pulled at your lips.
He sighed, smiling as he shook his head. “I knew this was coming.” He swiped at his chin, chuckling under his breath before he began. “My name is James but no one calls me that. Well, except for my parents.”
“So where did Bucky come from? Is that your stage name?” you teased.
“Ha ha,” he said dryly. “I grew up with a friend named James and since my middle name is Buchanan I sorta became Bucky.” A boyish smile crossed his face.
The door opened and Bucky followed your lead to find the room. The card unlocked the door and you stepped inside happily surprised that there were in fact two beds. You didn’t think Bucky lied when he said he was booking this but the scenario did play in your mind. There must have been a mistake and now there’s only one bed, I guess we’ll have to share. At least Bucky didn’t pull anything scummy like that.
The garment bag was hung in the closet and then you threw your bags onto the bed closest to the window, laying back on the moderately soft blanket that was meticulously tucked in.
“You up for a walk?” Bucky’s question prompted you to lean back on your elbows. “There’s a CVS down the block, I wanted to grab some drinks and stuff.”
“Yeah, sure.”
You popped up from the bed, ready to go, taking the extra room key to place in your bag just in case. The white and red illuminated sign was visible from when you stepped out onto the street, and beyond it was a beautiful sunset, the fiery orange sky licked at the clouds above, with blue trickling through like a stream of water.
“I’m in the mood for chips, you want some?” Bucky asked, as you entered the store.
“Yeah, chips sound good and maybe cookies?”
The exaggerated batting of your eyelashes combined with the innocent smile that stretched along your face made Bucky let out a chuckle of laughter.
“Fine, but you’re eating the cookies in your bed. I don’t want crumbs in mine.”
“Oh and chips don’t make crumbs? I guarantee you’ll get tiny flecks of potato chips all over that bed.”
“No, you’re wrong Y/N,” he said, placing his hand on your shoulder, “‘Cause I’m getting Doritos.”
You laughed along with him, browsing the aisles until you found what you needed. Doritos, chewy chocolate chip cookies, a few protein bars and a small package of almonds (to stay healthy of course), along with some Gatorade and flavored water, split between a few bags, with Bucky carrying the heavier items.
“My water’s going to explode if you keep swinging the bag like that Bucky.”
With a mischievous gleam in his eye he said, “Oh, like this?” He shook the bag that held the carbonated water as you pleaded for him to stop.
“I’m gonna make you open it!” you said through laughter.
You didn’t, insisting that it would be fine if you let it sit until tomorrow, but it did mean Bucky would have to share his Gatorade tonight. He poured two cups, placing them on the nightstand in between the beds and tossed the package of cookies onto your bed.
Opening up your bag you pulled out pajamas, along with a bag of toiletries you took to the bathroom to set out. While you were in the bathroom Bucky got comfortable, toeing off his sneakers, and changing out of jeans into loose basketball shorts. He kept his t-shirt on even though he felt a little hot.
He saw your reflection in the mirrored closet opposite the bathroom door, smiling as he noticed your pajamas, a plain shirt, not too loose worn with pink cropped bottoms decorated with happy smiling faces on all types of breakfast foods; a smiling stack of pancakes with a syrup spilling over the edge, a happy frosted donut, bacon and eggs holding hands with beaming smiles.
“You have to wear those when we get breakfast,” he said, a smile pulling even wider across his face the closer you got.
“No way!” you laughed. “You wear ‘em.”
“I think I will,” Bucky grinned.
Propping up the pillows on your bed, you sat back, pulling back the foil of the package to take out a cookie. The remote was on your side so you flipped through the channels to find anything that might keep you both entertained.
The bag of Bucky’s chips crinkled as he opened them, digging his hand in the bag. It wasn’t long after that he craved something sweet. “Cookie?” he asked, sucking the orange powder off his fingers.
“I thought you didn’t want crumbs in your bed.” You raised an eyebrow.
“Yeah yeah… well I like cookies more than I hate crumbs.”
A smile tugged at your lips. “Fine, but only if I can have some Doritos.”
Bucky scooted over from the center of the bed. “Fine, c’mere. Might as well have just one bed covered in crumbs.”
You smiled, tossing the remote to him as you climbed out of your bed and into his. Only when you were sitting so close did you realize how weird this felt. It shouldn’t though, you’ve been close to Bucky before, closer even, but since you’ve acknowledged your feelings you’ve become more aware of how being near him makes goosebumps prickle across your skin.
But this was nothing, just an easier way to share snacks. Nothing more.
“Go back!” you said, as Bucky was flipping through channels. “Look! It’s you!”
The Music Man was on, Bucky’s namesake for when he first moved in. Bucky looked past your finger that was pointing towards the screen towards the main character “Professor” Harold Hill.
“You think I’m a con man?” he questioned, his brows furrowing as his lips pulled down into a sad pout.
Though he looked concerned you saw the smallest twitch in the corner of his lips and decided to tease him some more.
“You didn’t even tell me your real name so…”
His frown broke out into admitted laughter. As Bucky stared at the way your smile reached your eyes he felt his own lips form a soft one, letting out a sigh that made his heart skip a beat. “You know it now.”
The gaze between you was held for longer than you should have let it, your heart urging you to lean in and press your lips to his again, to feel the sweet relief of the way his soft lips caressed your own. Against your wishes you felt your eyes break contact with his for a brief moment, glancing at his lips, your tongue delicately sneaking out to wet your lips… that is until your mind took control of the reins again.
Clearing your throat you dug your hand into the Doritos, keeping your mouth busy in a different way and Bucky shrugged off whatever was about to happen. He grabbed a few chips for himself, knowing he was not going to push you into something you didn’t want.
A hint of tension lingered in the air but Bucky diffused it quickly, joking, “And anyway, Harold Hill can’t even read music so that was a pretty poor choice of a name to call me.”
A smile eased its way onto your face again. “Well I didn’t call you Harold Hill, I called you the Music Man, which was a shorter way of saying ‘my annoying new neighbor that plays every instrument known to man through our thin walls every night.’”
“Not every instrument.”
You chuckled. “Right, right. You don’t do horns.”
Bucky laughed back, the boyish smile on his face retreating slowly as he asked, “Am I still annoying?”
Your answer was halted as you appraised him, eyes narrowed, lips pursed tightly in an attempt to make him nervous, but you couldn’t hold a straight face for very long.
Breaking out into a smile you couldn’t hide the truth, “No, definitely not.”
It’s amazing how far you’ve come with Bucky, from silently cursing him out in your mind everyday to forming a friendship, one close enough that brought you to this situation that has your heart and mind dueling in a battle for the path you should take.
Sleep didn’t come easy that night, when all you wanted to do was hop into Bucky’s bed, lay your head on his chest and cuddle. Instead you wrapped the blanket around yourself and rolled over, knowing that no matter what side won a part of you would still lose.
PART 19
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bellamioneotp · 4 years
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Bellamione Fic Master List
Making a list of Bellamione fics to guide the poor innocent souls into temptation organize stories based on AU type. 
DARK AU’s
Bellatrix isn’t a bright ball of sunshine, but rather than have a story where she becomes a better person, Hermione becomes like her, or even joins her side. This AU type isn’t limited to only that, but also to general dark themes in the story such as violence, war and ‘wtf this is so wrong but yet I can’t stop reading’. 
Reign Down Like wow. A whole world built around what if Voldemort survived and used Hermione in his evil schemes and had Bellatrix engaged to her. Very detailed and the author doesn’t hold back on aspects of the new world that can be somewhat unsettling. 25/10 this will leave you wondering just how sexy dark magic can truly feel. 
The Dark Corners of the Earth This one is dark in an entirely different sense. Bellatrix and Snape are pitted in an ancient war against one another and Hermione is caught in the middle. The romance moves a bit too fast paced for me but the lore and detail in this will have you really thinking this story over the next few days, trying to figure out just wtf is going on. 45/10 will have you hoping your nightlight can keep Cthulhu away. 
Haunted This story won’t leave you haunted, but it is pretty good even with it’s short chapters and all. It tells the story of Hermione sort of losing her marbles but I won’t get into too much detail. Just read it for yourself; it’s a quick easy read. 10/10 is poetic as fuck. 
I Dream of Sin Takes place in a sort of canon world in which Hermione is an American teen being bullied. You can imagine how well that goes for the bullies especially when she learns she has magic and is taught by Bellatrix herself on how to use it. It gets progressively darker each chapter. 16/10 don’t want to mess with magical nerds ever. 
For whom the Bell Tolls is an interesting look into how Hermione’s actually a death eater and Bellatrix is not. While Hermione is not bat shit insane, she is a murderer and Bellatrix is the sane one. Nice to see things switched up. This story is not necessarily as dark as the others but it gets brownie points for making the usually good Hermione evil right off the bat. 9/10 come to the dark side, we have cookies. 
Staring at Nothing is just...wow.  A very powerful one shot about Hermione’s descent into darkness as told by Harry’s perspective. 10/10 for who needs friends anyways, when you’ve got black leather. 
Visions of You in which Hermione is a depressed youth after the war and has to deal with hallucinations of Bellatrix. Hermione isn’t dark here so much as she is gray type, and the story has a permeating tinge of sadness to it, given the circumstances. 8/10 for maybe Bellatrix isn’t a hallucination? 
Deep Below what’s more awful than being accused of Harry’s death? Being falsely accused of it, and having to deal with trying to prove your innocent. This is a situation Hermione ends up in. But will she get out of it? 8/10 for this gets deep. 
How to Love Bellatrix captures Hermione and sort of indoctrinates her into the world of darkness. Hermione is mad at first, but then she realizes how sexy Bellatrix is and is like, ‘alright fam, sign me up’ and boom Bellamione. 8/10 you love this story but not it’s update schedule. 
TIME TRAVELER AU’s
Basically, what it says on the tin. Someway or another, Hermione goes back into time to stop Bellatrix from ever becoming evil. Drama and romance ensue. 
Future Shocks A good time turner fic with a more modern take on war. It’s pretty long and it is the slowburn of all slowburns. But it’s a very interesting story and the ending will have you definitely shook. 8/10 will shock you awake from that boring lecture you’re reading fanfic in. 
Time Heals all Wounds Hermione gets sent back in time to ‘redeem’ Bellatrix but not in the gift card way, more like saving the future type way. They end up, you guessed it, falling in love and changing the future somewhat. 6/10 is a young teen romance that will have you reliving your adventures as a young sapphic witch. 
Mirror, Mirror Not exactly a time turner fic, more like a parallel world, I suppose. Hard to explain but has good amounts of mystery and trying to understand what is happening. Focuses more on Bellatrix’s POV which is a nice change of pace. 8/10 will have you looking in the mirror and summoning Bellatrix like she was Bloody Mary. 
Let the Light Come and Take me A time turner fic that ends up with Bellatrix time traveling but to the future and the chaos her arrival there causes for those who are acquainted with her devious ways. Looks at the growth of our two ladies relationship into something more. 5/10 if it’s not slowburn romance is it really Bellamione?
The One Within the Other this story is about, you guessed it, time travel! Hermione goes back on purpose to stop Bellatrix from achieving her evil potential and in the process love blossoms. 7/10 for never enough time to read Bellamione in peace!
Caught in the Time series this is a series of three full length stories about Bellamione stuck in different times and universes. So much happens in them it’s kind of hard to summarize so the best thing to do is read them. 8, 8.5, 7/10 I’ll let you figure out which score goes for which series.
Just say When started off as a time turner story but then it ended up becoming something more of an espionage tale. It’s a good read and interesting to see how Bellatrix aims to save Hermione from a dementor’s kiss (spoilers!) in order to save their future together. A good mix of romance and action. 8/10 The name’s Black. Bellatrix, Black. 
The Broken Wand It all starts with a wand and then before you know it, boom, time travel happens. Featuring Loki and adventure all around, this fic has interesting plot points to keep you engaged despite the slower update times. 7/10, will break your wand too. 
Hourglass basically, a young Bellatrix is brought into the future and consequences abound from that mishap. The plot is a bit wonky and there are some logic mistakes, but if you can get over it, it’s a decent time travel story. 5/10 for it must be canon that Bellatrix has a lovely hourglass figure. 
Times they are a Changing where Bellatrix travels back in time to save her wife, Hermione. Nice to see a story where Hermione isn’t the one doing all the saving. Unfortunately there’s only six chapters to this story and it’s unlikely it’ll ever get finished but it’s a nice fresh concept. 6/10 for that’s how many chapters there are. 
Destined in this one, Hermione experiences some wonky times after the battle at the department of mysteries. Hermione has to find a way back home, but perhaps she might find love along the way? 10/10 for this is destined to be an interesting read. 
HEALER AU’s 
Let’s be real, Bellatrix has got a lot of problems and these authors try to solve them, with sex. And you know, medical help. But sex definitely helps a lot. 
Portrait of a Tragic Woman Not a typical healer type au, because Hermione is a therapist whose helping Bellatrix with her mental disorders. Focuses a lot on the relationship between the two and really makes you try to figure out what exactly is up with Bellatrix and what is her past, etc. The ending chapters will leave you shooketh and wondering what even is real anymore. 50/10 because it feels like an acid trip, man. 
The Healer is only one chapter but still worth a read. Hopefully the author will have some time to get back to it because it has a huge potential. 6/10 because I need some healing. 
1k is a one shot, featuring Hermione as a therapist and Bellatrix as her patient. Can’t say too much without spoiling it, but despite it’s short length, the author paints a vivid look into Bellatrix’s mind if she was just an insane muggle. 1k/10 because that’s one patient I would never like to meet.
Darkness Underneath I mean, Hermione runs a team of healers, so technically it’s kinda a healer au fic, right? This story looks more in depth at the Death Eaters and dark magic surrounding them. 9/10 is that a dark mark or are you just happy to see me?
TEACHER AU
We all know this is the holy grail au of this fandom and yet there’s only a couple of long stories for this. Someone, write some more!
Fractures A long fic, that has a sequel. Basically, Bellatrix is Hermione’s teacher during a very trying time for Hermione when a competition goes very wrong and dark truths are revealed. Lot’s of action, Bellamione interactions, and overall interesting plot. 8/10 will leave your heart in fractures when you find out the sequel is unfinished. 
In the Dead of Night Hermione asks Bellatrix if she can teach her some.....magic and things end up becoming very magical indeed. Bellatrix is the teacher in this story (because who wouldn’t want her as a teacher). It’s a WIP with only a couple of chapters out. 7/10 time to learn some real lessons, Granger ;)
Just a Brand features not only Bellatrix as a professor, but a magical soul mate bond between Bellatrix and Hermione that leads to much deliciousness. There’s a lot of chapters to this story but they’re pretty short. An updated and revised version can be found on a03 for those who like longer chapters. 7/10 Bellamione is branded on my soul. 
It Just Felt Right is another fic with Bellatrix as the professor. Hermione starts off hating her and then it evolves into liking Bellatrix. The fic leaves off before any real progress can be made so if anyone is up for reading an unfinished fic from 2012 then go for it. 6/10 for this story feels right but not write because it’s abandoned :(
CRIME AU 
Because there is never enough crime involved even with Bellatrix, these authors amp up the trouble and make it double. And gay. So very gay. 
Two Sides of the Same Coin where Bellatrix is basically an auror. It’s only five chapters and it hasn’t been updated in a long time but it’s an interesting concept worth checking out. 9/10 wish there were more sides to the coin. 
Murder Most Horrid A crime story, where Bellatrix is a magical cop and Hermione is a murder suspect. Bellatrix interrogates Hermione by banging her and then the two of them proceed to basically get married the day after. A bit ooc for Bellatrix but very in character if you consider this world not from the canon. -89/10 for how badly your vision will deteriorate if you try to read this all in one night. 
The Mysterious Department Technically Bellatrix and Hermione are both magical detectives and they go and solve crimes and shit while also possibly trying to prevent the world from ending. You know, just casual stuff. 10/10 for the perfect crime, would commit again. 
Darkness is Falling A story that has Hermione as an auror who replaces Bellatrix’s old partner. They butt heads, they solve cases, and naturally, begin to fall in love. 7/10 for this case is closed. 
Some Things Aren’t Seen Hermione investigates Bellatrix’s crimes and past and ends up over her head. There are two follow ups to this finished work, all in the same vein. It’s all a good bit of fun watching Hermione try to take on the criminal Lestrange. 7/10, no, this has no relation to the musical Wicked. 
SOUL MATE BOND 
In one way or another Bellatrix and Hermione have a special bond in between them that destines them to be together. Angst, love, friendship, all abound in this au type. Features a combination of other factors thrown in, but the stories put in here are largely advertised in the blurb as more focused on the bond. 
Lotus Flower Hermione finds out after Bellatrix’s death that they are bound together and that because Bellatrix is dead, Hermione is dying as a result too. This begs the question, will Hermione go back in time and save Bellatrix, or will she willingly submit to the bond’s curse? 8/10 I think we all know what Hermione chooses.
Our Mercurial Selves ever wonder what it would be like to have a murderer share your mind? In this one, Hermione and Bellatrix can communicate telepathically with each other, creating a bond that draws them together. Features evil schemes by Voldemort, a flying horse, and Narcissa beating the ever loving shit out of Bellatrix for even daring to breathe in Hermione’s direction. 9/10 will leave you with warm fuzzies for the Malfoy family before the ending crushes you. 
The House Ring Bellatrix sends Hermione a magical ring that engages them and basically makes them wives. Prophecies abound about how Bellamione is meant to be the one and only true pairing. 7/10 for that ring better come with diamonds.
Demons AU
As if Voldemort isn’t scary enough, there are demons and scary things in this au type that will leave you and Voldemort both calling for mommy. 
Unsteady Precipice technically also a time traveling fic, except Hermione ends up in an alternative universe. where she tries to change things from happening in the canon world like they did. But will it work? Who knows! Only a few chapters are out so it’s hard to tell where this story will go, but one things for sure, it’ll be good. 9/10 if you don’t pray after reading this the demons will get you. 
A Demon in the Mist is also about, gasp, demons! Dangerous things are afoot in this story and Hermione is caught in the middle of it all. It takes part in the same universe as the caught in time series by the same author, but with slight alterations. Unsure if the story will be finished as the author has contemplated leaving fanfic writing. 7/10 can you find the demon in the mist?
MAGICAL CREATURES AU
Technically a category, right? Let’s pretend it is, because there are some stories out there that pit our two ladies as other than human and it’s fun to read about it. 
As we Chase the Sun Very Black family centric and features Bellatrix as a big fluffy wolf. What’s not to love? Cuddles, and hair balls, and good times all around. 9/10 would tame that wolf. 
Sing to me Your Insanity in which Hermione and Bellatrix are both sirens and will basically die if they don’t do the ol’ frickity frack. This is a long story and the slowburn feels like hellburn but it’s worth the read. 56/10 but you will need earplugs so those sirens don’t seduce you too. 
Metamorphosis in which Bellatrix is also a wolf and doesn’t like being stuck with Hermione but gets used to it and basically they’re house wives of London and don’t know it. 8/10 for your mind with undergo metamorphosis from slightly obsessed with Bellamione to even more obsessed. 
This Poisoned Blood of Ours vampires, vampires everywhere! Two parts to this series and features a confused Bellatrix and a changing Hermione. 7/10 do you think vampires like steak rare?
Cursed Doll Pretty self explanatory title. Someone ends up as a doll and shenanigans ensue. Won’t say more because it’s only two chapters, but it’s well written and worth a read. 10/10 Chucky? Is that your sister? 
Liquid Measure these chapters are thicc boy. Only two chapters but such a good set up and everything. I hope the author is able to update at some point. 10/10 makes me thirsty for more!
My Demons in the Dark Hermione is a ghost. That’s it, that’s the plot. Boo/10 for this not so spooky spirit. 
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twoidiotwriters1 · 3 years
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Déjà Vu (Or are we losing our minds?) XIV -Modern!Shirbert
A/N: I haven’t written the epilogue yet, so it might not come out next week, I do hope I get the time to do it though, hang in there! -Danny
Words: 1,178
Series’ Masterlist
Previous Chapter // Epilogue
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'I hope that if alternate universes exist, it will still be you and me in the end. I hope that there will always be an us. 
In every world,  in every story' — Tina Tran
New Year's passed without any strange occurrences as well, Anne had made up her mind and decided that those dreams had been the result of a very shitty week in which she'd had to deal with her ex's engagement, but now she was fine!
If fine meant being unable to not daydream about the handsome stranger with the pretty eyes.
Either way, her trip back to Toronto had gone well, next day they would attend the Orchard's party (Diana had told her she'd contacted Gilbert and he'd reserved a whole table for them) and she couldn't wait to get rid of this false illusion, she decided that the only way she'd be able to get over this man would be by meeting him. Usually, that's all it takes to stop liking a man.
"Anne?" Diana peered through the door. "It's almost three in the morning, you should go to bed..."
"I'm sorry Di, did I wake you?"
"Yeah, what are you doing anyway? School hasn't started, you can't be doing homework?"
"Oh, no," Anne smiled. "I started a new project. It's... It's a romance."
"Oh?" Diana's brow raised. "Are we back to being hopeless romantics, then?"
"I don't know," She looked back at her laptop. "I haven't decided yet. Which is perfect for the book, you know? I think I can give an interesting perspective, don't you think? More objective?"
"What's the main plot?"
"I don't know yet," Anne laughed. "It's about this boy, he's met a girl once in his life and only talked to her for like, five seconds, but it's enough for him to fall in love completely. After that, he starts to compare every woman to the stranger even though all is mere speculation— I haven't decided whether if it should have a happy ending or a realistic one."
"Happy endings can be realistic too, you know?"
"Well, you know what I mean," She shrugged. "It's just a concept, and it could suck— I could end up abandoning the story if it doesn't feel right, but it's the first time I feel inspired enough to do something longer than three pages and I thought I should try it."
"I think you should," Diana walked up to her and kissed the top of her head. "I know it's hard to go to bed when you're inspired and all, but do try to sleep? I don't want you leaving the party early..."
Anne's stomach twisted in anticipation, she doesn't know if she'll want to stay after meeting Gilbert, but she can't say that to her friend.
"Of course," She smiles. "Don't worry."
———————————————
It wasn't a fact, but the possibility of Anne coming to the party caused Gilbert to pour all his energy into making sure everything was perfect.
Gilbert had always been a bit of a control freak, but this was the last opportunity to actually meet the real Anne, and he didn't want to waste it.
He looked at the decorations around him feeling satisfied, Gilbert checked the time and realized it was almost 3 am, he swore under his breath and quickly made his way out, making sure everything was in place and safely secured.
He didn't know why, but something about the next day felt final, it was a now or never kind of situation.
***
The train's incessant rumbling woke him up. He realized he'd fallen asleep while reading the newspaper, Gilbert carefully folded it and fixed his posture as well as his clothes. He realized he was wearing some kind of old-fashioned suit, which he didn't consider strange at all, it felt right, actually, he felt more at home than ever.
Someone sat down in front of him, a dark-haired girl with intense brown eyes and flushed cheeks, he knew who it was immediately.
"Diana," He smiled. "To what do I owe the ple—"
"What is wrong with you?" She interrupted. "First you make us all believe you're marrying an older lady, then you show up at the last minute and announce to my father that you're no longer marrying and you're moving to Toronto instead?"
"I— What?" Gilbert blinked. "Marrying?"
"Yes!" Diana leaned forward. "You told my father you were planning to propose to Winnifred Rose and that you were moving out to Paris, then you change your plans completely! You have no idea how's Anne suffered because of you!"
The name immediately stirred something in him, Gilbert smiled.
"This is a dream, isn't it?" He asked. "She's here—"
"So you simply never bothered to speak to Anne about any of this?" She demanded, clearly not listening to him.
Gilbert's mind came up with a reply on its own, much like any regular dream, it was as if he knew there was a script he had to follow for the story to continue its course.
"Had I had the opportunity to I would have, in fact, I went over—"
"You had every opportunity, for years! Admit it— You've been smitten with Anne ever since she first came to Avonlea and smashed that slate over your head!"
The sentence brought back clear memories: Anne looking extremely pissed, holding a small slate and then hitting him with it. Him being so drunk he'd insulted her without really meaning to.
'Oh... crap', He thought.
"I need to talk to her," Gilbert stood up abruptly.
Part of him knew this wasn't real and talking to Anne here would do nothing to fix the reality that he'd screwed up the first impression already. But his dream-self had no sense of logic, so he ran to the nearest exit just when the train was reaching the station.
He rushed past the crowd and quickly found himself in the middle of a town with no idea of where he was going. The streets looked familiar, but where was Anne?
He ran across alleys, wide streets and unknown houses until he saw a big, greenish building ahead, and his heart jolted in excitement, he knew this was it, he sped forward, he was reaching the entrance—
***
The loud beeping of his alarm woke him up abruptly. Gilbert's eyes opened at once and he looked for the device frantically.
"No no no," He said anxiously. "I was so close!"
But it was all a dream, even if he'd found Anne, it wouldn't change the fact that he'd already ruined his chances with her since the start, and maybe his dreams were all a constant reminder of how it didn't matter how many times he could rewrite the story in his dreams, what's done it's done.
Gilbert fell back on the mattress with a groan. He'd been planning this party for weeks and now it all felt useless, now all he could do was wait for the party and hope Anne didn't remember him.
———————————————
Anne stood gracefully in the corner of the room, looking around at the attendants of that evening's ball without much interest, she was looking for those familiar dark-brown curls, but there was no sign of them yet.
"Oh, Anne!" Phil approached her. "Isn't this dance beautiful? Although it saddens me that the only reason why we get to enjoy it it's because we've finished our studies for good! I shall miss the classroom very much, won't you miss me?"
"Yes, I believe my heart will feel like a part of it has been stolen as soon as you part from my side," Anne replied, only the tiniest hint of teasing in her voice.
"Oh, you're lying!" Phil sniffed dramatically. "I know I won't be you most missed old chum, that's a place Gilbert Blythe has occupied ever since you rejected his proposal."
"Phil!" Anne exclaimed. "Don't speak like that! It wouldn't be proper of me to miss a man while courting another and you know it!"
"Oh, but the heart is such a funny thing," Phil sighed. "And I know you love him, therefore I should deliver the news before it's too late. Gilbert is expected to be engaged very soon."
Anne felt like her heart was getting squeezed and shattered, but she managed to control her voice.
"Oh?"
"Yes," Phil continued calmly. "I thought you ought to know, even if you insist you don't love him. I tell you so you don't do anything foolish... you should tell him the truth."
"What truth?"
"That you and Roy won't get married, of course!"
"Dear me, Phil, where did you get that from?" Anne gasped. "He hasn't even proposed!"
"It doesn't matter, I know you regret deeply the way you treated Gilbert that dreadful day, I know you would answer differently now, wouldn't you?"
What dreadful day?
Rejected his proposal? What proposal?
A muffled voice echoed in her mind, one she knew too well already.
'You would have sex with me?'
Anne shook her head in incredulity. Well, of course she was going to reject him! That offer had been positively scandalous!
And what had she done? She had... she had...
The memory came to her fresh in a flash. She had seized the slate and slapped him with it.
"Oh my..." Anne's hand covered her lips in horror. "Well, I did what I had to, Phil, he was incredibly rude!"
"Rude? He was just asking a question!" Phil blinked in confusion. "How's that rude?"
"Because he... he..." Anne blinked several times, then her gaze gained a bit of clarity. "He called me carrots! Yes, he did!"
"Oh, Anne, that was so long ago!" Phil laughed. "Haven't you gone through enough together to know he didn't mean to offend you?"
Anne was growing anxious. She fixed her skirt even though it didn't need any fixing, and stood up.
"It's getting late, I think I'll go now."
Without waiting for a reply she left, in the blink of an eye, she found herself inside the Green Gables' kitchen, Marilla was seated in front of her, and she had a very pitiful expression.
"I understand if you don't want to visit him, Anne, but I think you should, this may be the last chance you get to speak to him."
"I... Visit him?" Anne blinked. "Last chance?"
"I don't want to scare you, dear, but his mother told me his condition is quite grave," Marilla sighed. "Gilbert might not be with us next week."
"Gilbert?" Anne's voice trembled. "He's sick?"
"I understand your shock, but please do consider going to pay him a visit, whatever he did to offend you... it's better if you let him go with a clean conscience, he was such a good man..."
Marilla was talking of him as if he were already dead! He couldn't be! Anne had seen him in the picture—
But how long had it been since that? How long since she'd stopped dreaming about him? What if this was the reason?
Anne stood up and ran upstairs, she got to her room and locked herself away so she could be miserable in peace.
It was true that he had disrespected her, and she'd defended her honour with that slate... but he was really sweet and generous... or was he?
Ugh, she was so confused! How could she know what was real and what had been her imaginings entirely?
***
"Good morning, Princess Cordelia!" Cole stormed into the room and let himself fall on top of her. Anne groaned and pushed him away. "Are you ready for tonight? I'm planning to get you so drunk you start talking about shifting realities!"
"No!" She whined.
"What?" Cole looked at her.
"I'm not ready to—" She caught herself before she could say 'meet him', "...to get drunk! I think I should take a break from parties..."
She knew that meeting him would help her get over her infatuation, and maybe even stop her dreams... but she didn't want them to stop; it was so nice to have someone treating her the way Gilbert would in her imagination... what if he was just as awful as Roy? She wasn't ready to have her heart broken again...
"Anne, but you've only gone to one party since the holidays started," Cole visibly deflated, "please don't tell me this is about your ex? Diana told me you were writing again, I thought you were making progress..."
Anne shook her head. "I'm not feeling well, Cole."
Cole stood up, Anne pulled the blankets over her head.
———————————————
When the first group of people arrived, Gilbert's anxiety skyrocketed. He was expecting to see Diana's face any moment now, and that would end up confirming whether he would be reuniting with Anne that night or not.
Thirty minutes... an hour...
"Gilbert!" The young woman and her group of friends (including Cole) made a beeline towards him. "Oh my goodness, you're so tall!"
He smiled, for a moment his thoughts focused on his old friends, and how different yet similar they all look from their younger versions. Then he realized Anne wasn't there, and his hopes and expectations both crashed.
Of course she wasn't going to come! Even if she did live here, Diana had probably told her it was a reunion for old friends only, and she didn't know him, not the real him, and if he was really honest, he didn't know her either.
———————————————
If she were to stay and miss the party, she'd end up frustrated. If she did meet him and didn't like him, she would move on faster— a bit hurt, but knowing she was making the right choice.
However, if she were to attend the party, meet him, and realize he was all she'd been expecting him to be and more... well, she could only hope for him to be single.
Anne had been pacing up and down her apartment pretending to be cleaning when in reality she was only making a bigger mess. Her phone buzzed and Diana's name appeared on the screen. She picked it up with shaky hands and unlocked it.
'We miss u :c'
Under the text, there was a selfie of Diana, over her shoulder was Cole, and he was talking animatedly with... Dear God, he was taller than expected.
She stared at Cole and some strange resentment filled her.
"That should be me," She stated, and somehow she knew she was right. It should be Anne talking to Gilbert, taking a risk for the first time in years. She'd only dated one guy, for heaven's sake! She had to let herself live!
"FINE!" Anne groaned. "I'm going!"
***
Gilbert hadn't announced he was leaving, he knew they would all ask him to stay but he couldn't, he was disappointed, all he wanted was to stay home watching shitty romcoms and crying his eyes out.
It was all his fault, Anne had nothing to do with this, he had let his mind run wild and these were the consequences he was forced to face.
Unknown to him, Anne was in her apartment frantically changing her clothes and brushing her hair. She grabbed a bag and hastily put all her stuff in it. She'd already wasted two hours, she had to leave the house NOW.
Gilbert searched his pockets for change, he was planning to buy a few beers and get slightly tipsy so he could be sad properly. He found a dollar but the wind snatched it out of his hand abruptly. The young man let out a short groan as he ran after it. A door opened across the street and a woman's voice reached him.
"C'mon!" Anne closed the door roughly, she lifted her gaze and...
Gilbert didn't breathe, he didn't move. In front of him Anne stopped as well, her arms fell to her sides and she stood there wondering if she was dreaming.
"Hi."
That was his voice! His voice!
She shook her head lightly and walked down the few steps that separated her from the sidewalk. Gilbert's feet moved on their own until he was standing right in front of her.
Anne's hand reached blindly and pinched her arm, she hissed. He looked down at her wrist and frowned.
"I-I just had to check," She laughed nervously. "I have... a very good imagination— so... I just had to be sure this... is real."
Gilbert spoke in the softest of voices.
"Anne? With an E?"
"H-How..?"
"I'm Gilbert," He continued. "I don't know if you remember but... I think... I think we've met before?"
"My god— You won't believe this, but I've been having the strangest—"
"Dreams?" He finished for her. "Me too."
She laughed again, her hands were shaking.
"There... there was a coffee shop—"
"And a cat—"
"You were dying—"
"You were a pirate!"
They looked at each other in disbelief, their smiles growing.
"I... was it real?" She questioned.
Gilbert's brow furrowed as he spoke. "Which part?"
"I don't know... everything... us?"
"Anne," He repeated, this time a bit more urgently. "I have to know... does this mean... you know who I am?"
She beamed, then stretched out her hand.
"Gilbert Blythe, I'm Anne Shirley-Cuthbert. I broke a slate on your head the first time we spoke, and I've been sorry ever since, I just didn't remember it."
He let out an incredulous laugh and held her hand eagerly.
"Anne Shirley-Cuthbert, I think we're going to be the best of friends," He gazed down at her adoringly. "We're meant to be. You've thwarted destiny long enough."
"It was you who moved out before we could meet!"
"You left the bathroom before I could apologize!"
There was a moment of silence before Anne spoke again.
"You know what this means?"
"Yeah, we have around ten years of conversations we need to catch up to," He joked.
"Ten years and a month," She realized he hadn't let go of her hand, but she wasn't going to move any time soon. "But I'd say the night's still young. I was on my way to your party..."
"Can I walk you there?" He asked expectantly.
"Lead the way."
***
"Anne! You came!" Diana froze and stared at Gilbert. "Oh, hi. Did you guys know each other?"
Anne and Gilbert exchanged a look and smiled.
"I ran into him a moment ago," She explained. "He's nice."
"Thanks," He chuckled. "Anne was telling me she's been your best friend ever since she moved to Avonlea— is it true that she's the Cuthbert's daughter?"
"Yes!" Diana beamed. "Isn't she great?"
"Is it true you got drunk on accident when you were thirteen?"
Diana laughed.
"You're already sharing stories? Hang on, I have a great one of that one time she dyed her hair green—"
"Diana, don't you dare!"
***
"You lucky bastard," Bash slapped the back of his head as Gilbert walked into the kitchen.
"Ouch! What was that for?"
"You've been whining about your dream girl for weeks and just when you tell me you gave up, this breathtaking redhead steps into the diner and wastes the whole night flirting with you!" Bash said in disbelief. "How did you do that? What the hell did you sell your soul to?"
Gilbert laughed lightheartedly.
"Honestly, Bash, I have no clue... Was she really flirting with me, though? Do you think she likes me?"
Bash rolled his eyes.
"I swear, Blythe, if you don't ask her on a date I'll kill you."
"You don't have to tell me twice," Gilbert grinned.
***
"So, Gilbert," Cole nudged her arm as soon as the boy went into the kitchen. "You know he has a crush on you, right? It's so obvious, I'd be shocked if he doesn't get in one knee by the end of the night and asks you to marry him—"
"Don't scare her, Cole!" Josie slapped his arm lightly. "But Gilbert definitely likes you. He hasn't seen any of us in years and yet he's acting as if we were the strangers!"
Anne squirmed in her place giddily.
"I like him."
"That's our girl!" Jane exclaimed, finishing her drink in one large gulp. "I swear to god, Anne, if you don't take him home I'll run you over with my car..."
"Wow, that's a bit too drastic, don't you think?" Diana said. "They just met, and Anne's just recovering from her breakup with Roy!"
"Fuck Roy, honestly," Anne replied carelessly. "Gilbert's gorgeous..."
"Thanks," a voice said behind her.
Anne winced, the table fell silent and she covered her face with both hands.
"Oh my god... please tell me this isn't happening..."
The group burst out laughing, Gilbert sat down practically glowing with joy.
"Just so you know, I was about to ask you on a date, but I understand if you need time—"
"She'd be delighted!" Cole interrupted. "Please, help us, our friend desperately needs to get laid—"
"Are you talking about Gilbert?" Moody sat down next to Ruby and placed a drink in front of her. "Because the others told him that already and—"
"Okay!" Gilbert replied loudly. "Can we please not talk about sex?"
"Oh, pity, I was about to offer you a hand..." Anne teased.
Gilbert choked on his beer.
"W-What?"
"Smooth, doctor," Josie mumbled.
"Wait, is this actually happening?" Ruby asked with excitement. "Are you two going on a date for real?"
Gilbert stared at Anne with his mouth half-open, unable to get the words out. Anne simply smiled at him and nodded.
"Yes Gil, I'd love to."
The table went wild afterwards. Cole, Diana and Josie rambled about how they should've introduced them sooner, the rest simply were in for the teasing, but no one in the place apart from Anne and Gilbert knew exactly how long both had been waiting for this moment. No one was more relieved than them.
No one was happier than Gilbert as he reached for her hand and held it in front of everyone. No one felt giddier and excited than Anne when he asked for her phone number.
Life had turned into their best dream.
Taglist.
@ninizkd @http-itsrebecca @fuckthisshitimoutyall @just-here-to-escape-from-reality @little-boats-on-a-lake @i-am-scared-and-useless-bisexual @skarlygonzalez
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banshee-in-velvet · 3 years
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Bland-ass Marvel does something interesting/provocative for once with one of its greatest characters, and fans are complaining? I undestand ship hate (though posting about it on main where shippers can see is mean and self-indulgent), but I've seen people talking about biphobia to justify it, which is hysterical. For the record, I ship Loki with Mobius but have no issue with the self-love/crypto-inc*st storyline. New to the Marvel fandom and the fans sound like toddlers.
Hi nonnie,
Well, it's like you said. You are new to the fandom. So this leads me to wonder about how much you understand about the characters in question. (This is a rhetorical question). And regardless, you are obviously free to have your own opinion. I just hope that all of us form opinions genuinely and with as much legit information and logic as possible.
Now, if you are sending me an ask, then I imagine you have at least SOME idea of how I feel about the show. I am not quiet about it and I have been extensively posting/reblogging recently. But regardless, here's some highlights: (sidenote: I will use she and he to refer to Sylvie and Loki respectively because as far as we know, they are presenting that way in the show, but I am fully aware that at least Loki if not both of them are genderfluid)
The titular character is shown VERY ooc. And these 'provocative' concepts being shown are being twisted and arguably mocked. Are there biphobes, TERFs and etc on the internet and within the fandom who want to find any excuse to mock and spew their hate? Well yeah, obviously. And I am firmly against that. I was beyond excited and felt validated when Loki was announced and shown to be bisexual and genderfluid. And I would really enjoy seeing Loki be portrayed in this way i.e. referring to himself in this way and etc.
In regards to the biphobes and all the haters, we can call them out and ensure they don't creep into our circles and cause harm and drama and move on. And yeah of course there's gonna be fans who can be seen as childish or dramatic. But hey, if you don't like something, just walk away and find some fans with whom you share some views or thoughts. For example, whilst I often interact with the fandom, I only build mutual/friend relationships within the fandom with those who share similar views or from those whom I can learn and collaborate with. Might be a good idea to consider that sort of frame of thought.
But the show is mocking all this, imo. And this goes into my view of the ships.
I myself am bothered by the ships. Shipping Loki with Mobius is dangerous because he is Loki's jailor, captor and torturer (look up psychological torture, human rights and etc). The trust and banter there is out of annoyance and the tension within the power dynamic between cop and prisoner. Mobius acts harmfully and disrespectfully toward Loki. And imo, if the fandom doesn't see that, then I am concerned for their perceptions of their irl relationships. If Loki were to enter a romantic dynamic with someone of any gender, on a more fair power dynamic built on respect and honesty, I would be all for it.
Shipping Loki with Sylvie bothers me because they are one being! It's selfcest. They are trying to force the view that Loki is so narcissistic, that he can only romantically love himself. And so far, while Sylvie is warming up to Loki, she seems to only see him as a survival mission partner atm. And it's creepy, imo. Loki is not narcissistic. Or at least he wasn't up until this ridiculous show. Do I think that as a standalone character Sylvie is interesting and exciting to watch? Yeah I do! Should Loki learn about her and therefore himself and learn to appreciate her for all she is? Yes! But why does she need to be wrapped into a romance storyline with Loki who is literally just another facet of herself? Both Sylvie and Loki have so much potential as characters for other journeys and adventures separately and even together without needing to enter a romance together. Even Tom has said Loki is not ready for a romance because of all his personal struggles. And regardless of what Tom thinks on anything, I do agree with him on that point.
Personally therefore, I was not hoping for a romance in the show because Loki has so much growing as an individual and HEALING to do. He KNOWS he is being abused (see Loki's words to Mobius in episode 4) and yet he still is willing to call him a friend? Preposterous. But if that's what's meant to be for him, then at least he could be offered the chance to enter a romance with someone who isn't him and who respects him as an individual and doesn't treat him as a foolish pawn!
Now I have seen the take where Loki feeling some form of love or appreciation for Sylvie is more of a familial or self-love where he is learning to love and care for parts of himself and her and finally see that he has value and doesn't deserve abuse, and will lead to some healing and self-esteem building for Loki, then I will be their damn cheerleader. Because throughout the films AND this show, we are shown that he is insecure, lonely, scared and puts up walls and masks to protect himself. And Loki fans know and wish he knew as well, that he deserves so much more and he IS worthy of love and respect.
We were promised a show where Loki would shine and have his own adventures and not be mocked, and have a chance to grow. Where the fans would be vindicated. But all I see is him getting pushed aside, ridiculed and abused. Just like he has been with every film so far. Just like the Loki fandom has been from the beginning.
So in a nutshell, that's why I am bothered, disappointed and upset by the show. You probably didn't mean to ask for my view and I certainly didn't mean for this to be so long. But I am riled up, had the day off so I have the spoons for once and wanted to give you a clear response, so here it is.
If you would like to see someone more articulate than I express similar but more coherent thought, I highly suggest you check out @nikkoliferous
Thanks for the ask
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scoundrels-in-love · 3 years
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Almost 300 years a week later, here are some of my thoughts on Dan Ah and her actions through ep 11 and 12. I will try not to repeat too much of the points I made here, or elsewhere in my rambles, but if it happens, it happens. + I won’t operate on mindset that you’ve read it.
First, I think her saying ‘apologies are meaningless, I can’t take back things I said, only make up for it’ is incredibly telling of her as person and the kind of environment she grew up in - the high society and family where apologies are dished out hollowly and never followed through with intention of changing something for the better or your behavior. Time and how you spend it is very important to her. She even says as much in her confession and I think it only outlines how much her time is the one thing she tries to have control of, and exert it (over herself as well). Considering the concept of possibly terminal illness that she suffers from, it makes sense. She doesn’t have time to be patient, no one will wait for her, including her own health. Yeong Hwa is the one immovable object that forces her to slow down and readjust her whole approach to life and it’s been... Not comfortable, necessarily, but it’s been functional, so she struggles to redefine it, especially without real example.
Second, there’s lot of parallels to be drawn between her and Mi Joo. And I ended up writing this all backwards, so I am not sure if I’ll manage to include it, but in some ways, Mi Joo’s line about ‘I value myself more than anyone else’ both in the sense that she’s the most important to herself and that no one else values her truly highly is very reminiscent of Dan Ah’s attitude and the way she admitted she isn’t in control of her life entirely o Mi Joo.
And there’s. of course, that moment when Mi Joo responded sarcastically to Seun Gyeom, later to apologize for it, which he took in a stride (much as he had said that he had never felt Dan Ah walked over him unjustly), because he does understand where they come from and how they work, on a certain level (even if he underestimated just how his father would strike and manage to hurt Mi Joo). I think Dan Ah isn’t at place where she cay say that yet, but I do believe sentiment is within her.
If someone asked what motivates Dan Ah, her answer could be similar to Mi Joo’s - fear and obsession, rather than Seun Gyeom’s regret. Fear of being controlled, of being weak and sick, obsession of having and exerting certain power and keeping yourself safe. Now, this point altogether is purely speculation on my part, of course, but that’s my read on the character, but also her anxiety has been mentioned several times and anxiety is basically that - fear, especially of things going wrong/being out of control, if we wish to trivialize it.
And although Dan Ah merely adds that whatever she had, got taken away from her, she basically used same method as Mi Joo - set her goals and opted for the best ‘fake’ that she could get, in this case her company, rather than being football player or the gallery. Both, in the same way, would rather put up walls to not lose what little they have but the men in their lives just... Bypassed them.
It’s interesting to note that similarly as Mi Joo is currently trying to sort ouf what is real and to go for, instead of relying on having a ‘fake’, so does Dan Ah - it’s likely she is planning to expose the illegitimate status of both her brothers to gain what is technically rightfully hers (hence asking her younger brother to side with her even when it will not be comfortable for him).
Third, I think the way she’s seeking out Mi Joo and her opinion is very interesting. And it does loop back to Yeong Hwa as well!
From the very start, we see that Dan Ah actually cares to listen to other people to an extent (she asks her secretary what she did wrong to upset Seun Gyeom, even if she ends the conversation how much simpler it’d be if all of us thought were similar, which is strongly undermined by all of her interactions with Mi Joo and even Yeong Hwa essentially). She is interested in experiencing being opposed and challenged in a way that is not downright demeaning as she does in her family. She finds their view on world interesting, if somewhat incomprehensible, and listens to it, processes it inwardly, even if her initial reaction might be defensive. (Also, it shows from start she’s willing to admit she doesn’t have all answers, same as she does with Yeong Hwa telling him that she doesn’t know what answer he wants - as she would need to know in business deal which is what most of her world consists of.)
But in some ways, I also think she is interested in what Seun Gyeom and Mi Joo have created and how. She basically instantly could tell Seun Gyeom is interested in Mi Joo which is implied as rare occurrence (or perhaps even the only time since she says she’s the last woman he liked and he debunks the theory), she asks several times what Mi Joo sees in Seun Gyeom that makes her so protective of him (which I think is both a way to see how deeply Mi Joo cares for him and to see more of Seun Gyeom). But also in some way, although it is her own act to let Seun Gyeom, she “loses” him to his own path and Mi Joo both. Because I do think she cares for him as a friend, perhaps only one she has.
Although she puts Seun Gyeom’s picture by the trash, it’s actually not taken out for several days and it’s definitely not because the secretary or the cleaner are neglecting their duties. Rather, same way as he didn’t throw away the honey but handed it back to Yeong Hwa, the secretary is aware she’s not really emotionally throwing him away. Because once she likes something, she never really stops, as per her own admission.
So there’s this certain feeling of loss that she can’t quite admit to herself and want to know both what Mi Joo saw and supported in Seun Gyeom and how and a yearning for something similar, because this is basically the first friendship/not work based relationship of the kind that she sees. (The same way she marvels is this how full-blood siblings are supposed to be when Eun Bi is upset about Seun Gyeom’s picture and how she defends her brother and then, Dan Ah actually ‘tattles’ on her so he can protect her, which can be covered up with excuse it was over the schedule, but was it really?)
In fact, she seems to be somewhat envious of relationship her brother has with her secretary, saying he still cares for her brother more and also the way she wanted to be included in the whole cat talk. She is upset when he doesn’t say he’s her person, but employed by the company, she protects him the way she knows how to (regarding revenge kick) and generally cares for him. She just wants someone truly and personally on her side, even though she probably has a hard time admitting it to herself which results in these odd and halfway there and nowhere attempts, especially paired with  the fact she doesn’t really know how to establish not-work-related connection on a deeper level.
I will add point fourth here, although it’s still technically third. It’s safer, far more practical and logical to stay detached. But the heart wants what it wants and it’s friendship, connection, being liked for who she is and being challenged but not seen as lesser, with someone who won’t smile because she’s his boss, although that sort of control is precious and hard fought to be had in part of her life.
Caring for something or someone is relinquishing this control, basically inviting the same result Seun Gyeom got taste of at ep of 12, the result she already experienced with her dreams of being football player crushed. Except if it involves another person, it increases the chances of being hurt by them exponentially. And it’s also worth considering that if her relationship with mother was close, she’s also already experienced abandonment and grief of losing someone dear and close. (Which, of the leads, only Mi Joo knows and even then it’s more the absence of reflection what other people around her have which hurts, but in a different way, as per my experience.)
Concept of Mi Joo’s friendship, and Yeong Hwa as a whole, become very images of these unsaid wish fulfillment because they’re not trying to be.
They’re themselves, argumentative and challenging, and teasing, despite her being ‘above them’ in power hierarchy, leveling the field by merely ignoring it, and, initially, she doesn’t even try to get Yeong Hwa sign a contract, it’s only when her own yearning for his work (and for him), and him denying her any of it becomes a problem that she ‘admits’ it was her own fault for not drawing the sort of lines she’s used to with everyone else, and even then she’s not really thrilled about him agreeing to it, because it’s not really what she wants from him, although it’s what would be the safest and make the most actual sense within her world.
Even then, as her employee, he refuses to follow her orders and tells her plainly - if she wants something, she is to be vulnerable and invest herself into it (she actually tries, by smiling because he had said it was cute) and she has to admit to herself and to him, that he has grown onto her, not as a ‘vending machine’ or ‘employee’, but person whose opinion and feelings toward her are very important to her.
Also, it’s very telling how she tells him she belongs to herself, of course, and that he, too, can still belong to himself. She wants him as individual separate from herself, but the thought that he is firmly on her side obviously makes her very happy. In some ways, it’s also upgrade from ‘my person’ claim she makes toward her secretary, a learning curve.
Fifth, I suppose. While I rewatched some scenes to make sure I wasn’t actually misremembering, I started to think of another motif that repeats through her conversations.
Dan Ah repeatedly tells him not to have expectations, sentiments, disappointments toward her. From one side, it’s to draw a clear line of employee/employer and view each other in a detached way (that she tries again and again herself, but fails to), but from other, is it that simple?
She is almost crying when she asks him if he’s really stopped liking her and from preview, we learn that no one has asked her out before, seemingly? Probably because she was too much of a boss ass bitch, but still possibly left with a certain sense of inadequacy and that ‘when I am being apologetically me and I will always be that, I am not likeable although I do not entirely understand why’, as per her wondering why people always think she’s mean when by most of her society’s standards, she is rather thoughtful.
Her want of gallery has been brought up several times, her older half brother often says her pick of artist will never be good enough, her father still sees her as a tool to marry off. She as person with her goals and dreams and what she has achieved, just isn’t good enough for people around her at large.
The moment he cares for her, the moment she inherently becomes capable of disappointing him. The moment she cares for him, the moment she becomes capable of disappointing him. And that thought, of doing that and not enough to Yeong Hwa who has sneakily smiled his way into her heart, the growing awareness she truly doesn’t know how to be in some aspects, is overwhelming and painful and she tries to shut the door to it.
Also, he tells her he likes her no matter what he does, but he hates it, which I imagine is double the punch and she tries to find a solution that would make him happy and stop hating it - the perfect answer, as she would in a business deal, but she can’t, until she commits to the truly mortifying ordeal of being known (as suggested by Mi Joo).
Sixth, I really liked that she (or the narrative) didn’t make fun of Yeong Hwa crying. In fact, she’s eyerolled about her younger brother’s temper, but not really in the present made fun of him for apparently being a ‘crybaby’ in the past. I think that in a sense shows her actual streak of empathy and maybe the fact that she’s familiar with need to cry herself and doesn’t find it ‘weak’ as most ‘tougher’ characters would. Also perhaps that she cares for her younger brother more than she has admitted to herself, similarly as she kept denying she cared for Yeong Hwa and went rather far to hurt him.
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pi-cat000 · 3 years
Text
Girl who made the night sky: p5
NOTE: so I started writing this again this year but didn’t get very far. Here’s what I wrote if anyone was interested. I might post it on ao3 as well, not sure.
Summery: To return home Shikako splits herself infinitely across dimensions. A fault in one of the splits results in a discorporated Shikako stranded in the Naruto canon-verse.
Part 3, Part 4
Her alarm goes off just as the sun begins to peak between the buildings opposite her apartment block.  Sakura roles over to glare at the thin beam of light filtering through her window, catching in floating dust particles. Somewhere in the dark of her mind Kako shifts with amusement, prodding at her sluggish thoughts, pushing them into a state of awareness.
/Morning./ The word is said slowly, echoing with a lazy laughter. Sakura scowls, flopping over to hit the snooze on her alarm, yawning. She is still getting used to waking up at dawn and is thus completely reliant on her alarm to shake her from her sleep. A real shinobi would have enough control to wake up whenever they desired.
/Practise makes perfect,/ Kako says as if guessing the direction of her thoughts.
“Easy for you to say,” Sakura mutters, dragging herself up and yawning again. There is more idle amusement from Kako.
/Have a good day./
Slowly, the impression of Kako fades into the neutral baseline of just-Sakura, signalling that the other was asleep.
“I will,” Sakura comments in her renewed alone-ness.
Kako now slept during the day, leaving Sakura to her own devices. Whatever that not-dream had been, it had disturbed Kako enough that she now spent most of her ‘awake’ time watching over Sakura while she slept. This left only a few scant hours in the evening for discussion, conversation and hanging out together. Despite only having Kako around for a few months, Sakura already misses the other’s presence. Though their interactions had always been limited, reduced to scattered sentences and the occasional emotion, just having Kako listen to her ramblings or watch as she walked to and from the academy, studied or completed whatever other task she had set herself. Funny how much of a difference just having someone around and interested made even the most mundane parts of life. 
Discouraged by her own solitary thoughts, Sakura contemplates returning to bed and sleeping an extra hour. Not like Kako would know if she did. The notion passes quickly. Kako would be disappointed and the thought of disappointing Kako make her sad. Also, she was pretty sure it was dangerous for her and Kako to sleep at the same time. Sakura’s not an idiot. Even if Kako had yet to outright say it, she could put two and two together. Something bad had happened during the nightmare other than just giving them a fright. 
...
The rest of the morning progresses according to her new schedule. She dresses and packs her bag. With her collection of notebooks steadily increasing, it was starting bulge in the middle. The sooner she figured out how to properly make storage scrolls the better.
Next, she shuffles down to the kitchen, pulling together a meal with the correct amount of nutrients. Now Sakura is waking up before her mom, she has been forced to plan her own meals. Kako had been very helpful in that department, pushing her towards the type of diet she would need to help with muscle growth and keep her energy levels high throughout the day. It didn’t taste particularly nice, but it was functional, and she couldn’t help but wonder if the other non-clan kids knew about this sort of stuff. Meal planning was something they’d touched on in class but not something Sakura had bothered applying to her day-to-day life. Sure, she’d always tried to eat healthy but, like most things ninja related, there was a lot more to physical conditioning than just that being healthy.  It had only been a week but she has already noticed a marked improvement in her daily energy levels.
...
Sakura closes the door her apartment just as she begins to hear her parents start to shuffle around, preparing for their own workday. She takes a second to breath in the cool morning air before heading towards the old academy training grounds.
When she arrives the training area is empty like it usually is. Not a lot of academy students bothered coming out so early, especially not to this training spot which was in an awkward location. She hadn’t even known it existed till Kako pointed it out.
Another yawn.
A long sigh.
Sakura begins her warmup stretches, trying not to let the silence of her own mind bother her too much.
She is maybe halfway through the revised exorcize routine that Kako put together for her, when movement at the edge of the training field catches her attention.
It startles her enough that she almost trips through the final set. If Kako were awake Sakura might have had some warning as Kako was usually the one to sense and alert her to people approaching unexpectedly. Maybe she should work on her spatial awareness or lack thereof. She’ll add it to the list.
As it is, she thankfully doesn’t trip and embarrass herself because the person approaching is very familiar.
“Sasuke-kun!” She can’t help but call an enthusiastic greeting, waving. Sasuke freezes on approach, staring his usual blank stare. He blinks, expression shifting ever so slightly to surprise. Well, as surprised as someone as cool as Sasuke can be.
“Hello!” What were the chances of running into Sasuke outside of school hours? Practically zero. Ino would have a fit.
Saskue about-faces and walks in the opposite direction.
“Wait!” She starts to follow as the other quickly disappears into the trees encircling the training grounds.
“Do you want to train…” She hesitates, slowing, “with me…?”
Does she want Sasuke to see her huffing and puffing as she tries to make it past her tenth lap of the field? Her stamina is less than impressive and Sasuke always placed in her class’s top three when it came to combat and physical ability. She stops following. No way was she letting Sasuke see her like this.
If Kako was right, and she usually was, she would start seeing a physical improvement in another weeks time.
She pouts, trying not to feel too unmotivated.  Maybe…hopefully, she’ll see Sasuke out here again and ask to train then? Then she wouldn’t be a total embarrassment. Yes, a prefect plan. She resumes her exercises. Before Kako had come along, catching up to Sasuke would have seemed like an insurmountable task. Now Sakura’s seen what a real shinobi is capable of and said shinobi believes she is capable of the same things, it doesn’t seem as impossible. Goal reaffirmed, she tackles the rest of the morning with renewed energy.
...
Her day progresses as per usual. Sakura sits in class, takes notes, and revises on past topics when Iruka deviates between teaching and crowd control. When lunch break starts, she takes it as an opportunity to sit around the side of the building and examine her sealing notes. Away from her noisy peers, she has a chance to sort through all the stuff she’s been learning and figure out what questions she wants to ask Kako in those few hours they have together in the afternoon.
“Why do these seals use a bunch of descriptive kanji while this one is just a collection of stylistic lines?”
She mutters to herself, scanning the copies of Kako’s seal and her copies of Iruka’s notes on storage scrolls. The storage scrolls are easy enough to understand. The symbols and lines follow a logical progression, building on the basics she’d learnt while studying explosive tags. Kako’s seal is different…very different. Instead of easy to follow connections between the function and kanji, Kako’s seal is a simple circle, spiral and tomoki. Nothing else…No hint at what the lines might mean.
….
...
/Seal is collapsed…simplified. Needs expanding./
Is Kako’s somewhat confusing answer. After spending most of her lunch, then the following lesson mulling the question over, this is less than satisfying.
“What do you mean by needs expanding?” There is a long pause and Sakura waits for Kako to find the right words and energy to talk. Kako could almost communicate in full sentences now but it was still somewhat stilted.
/Not the full seal…simplified…smaller./
Sakura frowns, staring at her desk. Strewn across it are piles of notes, several bottles of ink she’s been infusing with charkha, and blank sealing paper. She had been half asleep at the time but she vaguely recalls how, on the night of Kako’s arrival, the seal had been a lot bigger, stretching across almost all her visible skin. 
“You mean this is only a small part of the seal and there’s more that I can’t see.” A wave of warm encouragement has Sakura continuing, “No, it’s more than that…all the seal is here it’s just…. just smaller…symbolic of the larger seal.”
/Compressed./ There’s a warm swell of pride like she’s just understood some tricky concept Kako’s been trying to impart
“Well …then how do I study it? How do I un-compress it?”
/An expansion seal./
She groans, “So…I need another seal to look at this seal.”
/Hmmm./
“Let me guess: That’s complicated as well.”
/Basics first./
Sakura rests her head on the desk, sighing.
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moiraineswife · 3 years
Text
Drawn In - A Witsnah Fic
IT’S TIME FOR NEW CONTENT. 
Title: Drawn In
Summary:  Pre Rhythm of War: Jasnah and Wit's first kiss. Canon compliant. It's soft and it's fluffy and a little dramatic in places (bc Wit) but it's what they deserved!!!
Teaser:   'Counter to the vicious rumours and harsh jibes, Jasnah was still human. She did not experience lust the same as others that she knew. But she was also not a frozen husk of a woman, devoid of need, or want for companionship and comfort.
A part of her longed for this connection with another person, this intimacy, this want that she increasingly found only with him.
He was dangerous, yes, but he made her feel safe. He made mock of everyone around him, but for her he made sense, and certainty, of things she’d never thought to understand. He was a roamer, a drifter, a wanderer, untethered and bound. But he was hers.'
Link: ao3
Commission Link: Have me write other cosmere characters
“So Investiture will be found on planets with one Shard or more?” Jasnah said, speaking the words aloud as she wrote them shorthand in her notebook. 
Conversing with Wit was always a stimulating process. He seemed to view each conversation as something of a duel. The chance to spar, to test his opponent, feel them out, offer them new challenges, new quips that required responses, new information that needed to be processed, new barbs to return in kind. It was invigorating. 
Lately, they had been spending more and more time together. He was the Queen’s Wit, and as such he accompanied her to most public gatherings she attended, as was proper. 
Something that was decidedly less proper, by Alethi standards, was the amount of time they were now spending together alone behind closed doors. 
Nothing untoward had happened between them. Not yet. At times she wondered if she had fabricated the impression that it could. Then she would catch a glint in his eye, the edge of a smile curving across his clever mouth, the way his eyes sometimes darted to her lips as they spoke. 
There was flirtation, too. Gentle, for the most part. He was not from this world, but he knew the Alethi well enough never to push too hard or too far. Even if she was not, strictly speaking, Vorin, the society they played within was, and there were rules that had to be abided to. 
Outside of that, she had never been one for flowery compliments, or overt, blunt attempts at seduction. They felt hollow and insincere to her, not to mention distastefully brusque. It reminded her of Amaram’s entitled insistence in his pursuit of her. She did not like being made to feel she was a hog bound at the end of a rope to lure the waiting chasmfiend. 
She preferred something altogether more subtle and cerebral than the usual Alethi courting methods. Someone who would dare to draw close to her, to tease at implications of what might, to pique her mental curiosity, stimulate her mind, who worked to connect with her, truly, on the most important levels. 
Wit...Wit was dangerously skilled at that. And he seemed to know it was what she wanted, seemed to read the eagerness, and the intent, in her responses. 
Indeed, she had considered courting him. Truly courting him, and allowing him to court her. 
So much so that she had discussed it with Ivory. He was the only person whose view on the matter she considered worth taking. Had he protested, she would have heeded him, and regardless of how invigorating she found Wit, it would have gone no further. 
However, Ivory, like her, was intrigued. He felt it would be a ‘good new avenue to explore for her personal growth’. She didn’t view it quite as logically as that. There was some feeling behind her own interest. More than some, if she was honest. 
It was late, now. They were tucked away together, deep in her chambers of Urithiru. If anyone heard of it there would be a great scandal. She was, as far as Vorin society was concerned, a single woman. She would be expected to be chaperoned, to ensure Wit didn’t try anything inappropriate with her.  
Wit seemed to consider the very definition of what each people he visited ‘inappropriate’ to be his own personal playground. He liked to establish himself within the boundaries of propriety, then slowly test, and push, and pry at them. And occasionally set them on fire and watch them burn with barely restrained glee. 
He had revealed much to her in the time he’d spent as her Wit. She’d met him before, of course, and guessed at his nature and origins, but she had coaxed more concrete answers from him now. 
He was an ancient creature, unlike anything she, or anyone else upon Roshar, had met before. He had visited other worlds, had witnessed their destruction, as well as the birth of the Shards that now held sway in the Cosmere at large.
The knowledge he held within his mind was incredible, incomparable.
The Heralds had been a revelation to her, as a dedicated historian. They were history come alive, walking, talking, sharing their truth with her. 
Wit was the same. Yet so much more. For he was the living history of not only her planet, but many more besides. 
Jasnah relished this time they spent alone together. Speaking with him, learning the secrets he carried, the keys to understanding her powers, and the powers of Roshar and beyond. 
He seemed to thrive upon her questions, as much as she thrived upon asking them. He was a showman, she knew, a performer. He liked to have an audience to play to. He had stories in his soul, and his purpose was to give them to others, as he felt was appropriate. 
“Quite correct,” he replied, absently, not looking at her but making some note on the papers he had propped on his legs. 
He was lounging back in his chair, boots up on her desk, which she permitted when they were alone together. If that was his comfort, she would not complain. She was not Dalinar, with military discipline drilled into her. She would not chide a man for sitting as he would in a moment of private companionship. 
There was a stack of parchment balanced on his raised thighs. She suspected he was taking his own notes on their conversation. He had done so before, after she had made some observation he’d actually found original and interesting enough to write down. 
She hadn’t thought, after all his years of life, that she would be able to provide him with anything he had not already experienced from someone else. It seemed that she had been wrong, and that he found her as intoxicating and stimulating as she found him.
She didn’t object to him writing, either. She found the tradition of forbidding a person from their potential passions or interests based upon some arbitrary concept like gender a foolish prohibition.
Although, not having to deal with men in the hallowed spaces of her research had been refreshing, at times. Excluding a rough half of a population's minds from any topic was ridiculous, she felt. 
Besides, Wit had learned to read and write long before Rosharans had even thought it unseemly. He was beyond such things. Indeed, some days he’d confessed to her he was beyond such things as gender.  
“And it can exist in multiple states?” she continued, pushing her thoughts back to the topic of Investiture, stopping them wandering down avenues far darker, and more mysterious, in regards to her and her Wit, “As a gas, such as the mists you described upon Scadriel,” she had to glance at another notebook to check the name of the planet. Wit nodded vaguely, “As a metal,” she said, “Like our Shardblades,” another nod, “Or as a liquid, like that gathered at the Well of Ascension.” 
“Indeed,” he said, making another few marks with his pen, still not looking at her. 
She didn’t mind that, either, but she did lean over to peer at his paper to see just what he was so engrossed in. 
She was surprised to see that he wasn’t writing at all. Instead, he was sketching, with delicate movements of a charcoal pencil he must have filched from her desk drawers while she’d been occupied. It was a rather impressive, and rather detailed, rendition of her.  
Jasnah as he saw her. Her eyes alive, focused on her work, hair unbound, cascading around her shoulders and down her back. Fingers deftly making some notation. Her face beautifully sculpted by sweeping lines of black against the tan parchment.
It was a very different style from Shallan’s, reminiscent of the drawings he had given her to help identify the Heralds. It was less focused on realism, imprinting every aspect of a moment captured in time, and more stylistic. Obviously his work.
There was...A care to his movements, and such an intimacy to his creation that, absurdly, she found herself having to fight down a blush. 
“That’s beautiful,” he murmured, glancing up at her, making swifter, surer strokes with his pencil, “If you’d just hold that pose for a moment more, my dear,” he said, as if this was the purpose of their meetings together. 
“I’m not supposed to be posing, Wit,” she said, composing herself, forcing herself to sound queenly and proper. And perhaps overcompensating, by the flicker of the smirk that he gave her. “I’m supposed to be learning. From you, I might add.” 
“We’re both old enough and ugly enough to do more than one thing at once, I think,” he replied blandly. 
Then he stopped and looked up at her, a faint glint in his eyes. 
“I do apologise,” he said, putting a hand to his chest and giving her a slight bow, without removing his feet from her desk, “I forgot to whom I was speaking for a moment.” 
He reached out and deftly slid a knuckle under her chin, angling her face more towards the pool of light that shone from the goblet of spheres on her desk.
“You’re not quite what I should define ‘old’ just yet,” he said, the smile pulling apparently irresistibly at his lips. 
“Wit,” she said, rolling her eyes, using the motion of turning back to her notes to cover the slight shiver that had pulsed through her at the intensity of his attention upon her a moment before. 
“No, please,” he said, cupping her chin gently between his fingers and turning her back to face him once more. “I’m almost finished,” he said, almost breathless, intent, “You can spare me a moment, surely? For the sake of art, Jasnah.” 
“You know I don’t care over much for art, Wit,” she said, though she did not pull away from him this time, drawn in to the faint glimmer in his eyes, the plea in his tone. 
His touch was strangely electrifying. As if there was Stormlight in his fingertips, sparking between them where his body met hers. The smallest of connections, yet the broadest of implications contained within such a simple gesture. 
“I know,” he said, with a dramatic sigh, “One of your very few failings, Brightness. We all must have at least one, I’m told. Except me of course.” 
“Of course,” she returned, rolling her eyes again, even as she found herself suddenly, dangerously, drawn in to those bright, sharp blue eyes of his.
“There’s just...Something wrong,” he said, cocking his head to one side, studying every line of her face. 
“Oh?” she said, feeling a spike of alertness breaking through the fog of her intoxication. 
“Yes,” he said, frowning, “Something not quite right. I think it’s your mouth.” 
“My mouth?” she repeated, confused, until she followed his gaze down to his sketch of her. 
“Mm,” he agreed vaguely, nodding, “Your lips have such a precise, sculpted quality to them,” he murmured, his thumb rising from her chin and tracing ever so tenderly over them. 
She had to restrain herself from closing her eyes and leaning in to him. It had been a long time since she had allowed anyone to touch her as intimately as this. It had been a long time since she had wanted anyone to touch her as intimately as this.
“I don’t think I’ve managed to capture it correctly,” he said, mirroring the motions he was making against her skin on the parchment, shaping her mouth more precisely. 
Lines of flesh and lines of charcoal, and breathless daring held together in the stillness between his words, neither of them moving, neither so much as breathing through them. Held. Captivated. Connected.
“That is a shame,” she said, finally, forcing herself to get some words out. 
She should draw away. She should put a stop to this. Should direct them back to their studies. This was more than he had ever dared with her before, further than he had ever pushed his teasing flirtation and gentle courting. She should not allow it. He was dangerous. The pull she felt to him was dangerous. The smart, the logical, thing to do was to walk away. To halt this before it began. 
She didn’t.
She didn’t want to, Storm it. Her world had ended, and she now struggled in the muck, and blood, and ash that remained to see what she could salvage. It was cold, hard, lonely work. As it had been for all those years she’d worked alone, in shadows, unseen, unwanted, untouched. 
Counter to the vicious rumours and harsh jibes, Jasnah was still human. She did not experience lust the same as others that she knew. But she was also not a frozen husk of a woman, devoid of need, or want for companionship and comfort.
A part of her longed for this connection with another person, this intimacy, this want that she increasingly found only with him. 
He was dangerous, yes, but he made her feel safe. He made mock of everyone around him, but for her he made sense, and certainty, of things she’d never thought to understand. He was a roamer, a drifter, a wanderer, untethered and bound. But he was hers. 
“Perhaps,” he said, then paused, licking his lips, almost as though he was nervous. Do it a part of her willed him, say it. Please. “Perhaps a closer look?” he murmured. 
She nodded, expectant. But when he slid from his chair and cradled her face in his hands, kneeling in front of her, he only traced the shape of her mouth with a tip of his finger, leaving her disappointed.
Yet she could see the want in his deep eyes, the gentle intrigue, the spark of daring that had led him to reach out and put his hands on her as he had tonight. With far more intimacy and familiarity than he’d ever risked before. 
“Wit,” she said quietly, dislodging one of his fingers. 
His eyes flicked to hers, and she felt her heart fluttering in her chest, as if she were an awkward teenager, fumbling into her first exploration of romance. 
She forced herself under control, and made sure her voice was level when she said, “Do you want to kiss me?” 
He blinked once, startled, then a smile spread across his lips, tentative, still, as if a part of him wondered she might be asking so she could put an end to those thoughts. 
But he nodded, “I do, Your Majesty. Most improper thoughts for a Wit to harbour for his queen, I admit.” 
“More improper still if they are reciprocated,” she said very quietly, watching his smile flare in his eyes at that. 
“Indeed,” he said, now sounding almost breathless, as if he could not quite believe what was happening. 
This feeling was likewise mutual. 
“If you want to kiss me, Wit,” she said, “Perhaps you should stop dancing around it, and just do it.” 
He held himself, suspended by shock, for a single heartbeat. Then he moved, surging towards her like a highstorm’s flood. One hand cupping her cheek, guiding her, the other sliding deft fingers deep into her thick hair. 
Then his mouth was on hers, finally, and she was closing her eyes and sinking into him, and he was moving gently against her. Drawing away for a beat, heavy lidded eyes meeting hers, seeking approval, which she gave. Then again, his lips against hers, heat pulsing between them like a freshly infused gemstone. 
“Ah. Yes. That helped,” he said, smiling softly at her, making to turn back to his sketch, as if that had been the only purpose of their embrace. 
“Yes,” she agreed quietly, “I think that it did.” 
Her tone held him in place and he bit his lip, giving her a small half-smile, no longer keeping up the joke of his sketch. Indeed, he let it slip from his lap, the pencil dropped from uncaring fingers, his attention focused entirely on her now.
“I’ve been wondering if you were ever going to allow me to do that,” he said, still sounding a little breathless, though Stormlight should have dealt with any purely physical exertion.
“I’ve been wondering if you were ever going to try,” she admitted, her fingers stroking absently at an out of place curl of black hair at his forehead. 
Wit smiled more broadly at that, taking her hand and gently brushing the knuckles against his lips, “I did promise you that I would never leave your questions answered.” 
He leaned in for a second kiss but she pulled back, frowning, “You leave my questions unanswered all the time, Wit.” 
“I do not!” he said, affronted, placing a hand over his chest. 
She gave him a flat look, “You disappeared for three weeks last month. Upon your return I asked you where you had been and you told me that you had ‘gone fishin’,” she said, badly mimicking the accent he’d used. 
He smiled and rubbed noses with her, which was the last thing she’d expected, and startled her so much she almost missed his reply.
“Technically, my dear, that was an answer," he said, smiling innocently up at her.
She just stared at him, unimpressed. 
Wit raised a finger, “I promised you I would give you answers. I said absolutely nothing about those answers being of any use to you.” 
Jasnah sighed, then kissed him again. That seemed to take him by surprise, which was pleasing. She found herself smiling against his mouth, and he against hers, and they broke apart, both laughing softly, unable to maintain the kiss. 
“So” Wit said quietly, his eyes flickering up from her lips to meet her gaze, “This is something we do now, is it?”
“I assumed when you said that you wanted to kiss me, that implied more than once,” she replied with a small sniff. 
Wit smirked at her, “Rather presumptuous of you, isn’t that, Your Majesty?” he said, waggling his eyebrows at her in a way only he could get away with doing. 
“Not if I’m right,” she said evenly, “And I am, aren’t I?” 
Wit grinned at her, “This is one of things about you I’m so inordinately fond of, Jasnah.”  
“My ‘unfettered, unyielding, and quite boundless arrogance’?” she asked, smirking slightly at the memory. 
Wit paused, then cocked his head and said, “Ruthar?” 
She inclined her head, confirming that suspicion. His grin broadened. 
“If you’re right, I don’t think that’s arrogance. I think it’s justified confidence in oneself in that circumstance,” he said, musing.
“So I am right, then?” she said, feeling a ridiculous flutter of nervousness as she asked the question, as if he might now turn around and reject her, after everything. 
Wit stroked her cheek with his knuckles and said quietly, “Given that I’ve been thinking about nothing but kissing you again since last we stopped I’d say that yes, your hypothesis has some merit.” 
“I thought I already told you what you should do if you want to kiss me,” she replied, “I am not fond of repeating myself, Wit, you know this.”
“I do apologise, my Queen,” Wit breathed, already leaning in, the words pressed against her lips a moment before his mouth met hers again.
When he drew back again, Wit cupped her face between both hands, gazing up at her, intent, and said quietly, “This is what you want? I am what you want?” 
“Yes, I believe so,” she replied composedly, “I have already come to the conclusion that this is a mostly appropriate course of action to pursue.” 
Wit raised an eyebrow at her and she actually blushed, turning away from him, feeling ridiculous. She had taken charge earlier, had all but commanded him to kiss her, but now she was stumbling around him like a teenager who had never so much as had another person hold her safehand?
“I am not accustomed to this kind of conversation,” she admitted, trying to reassert herself, though feeling horribly awkward at the same time, “It has never been my forte.”
He just shuffled in a little closer, and she realised that he was still kneeling on the floor in front of her while she sat primly at her desk. Storms. What a ridiculous man. 
She stood up then said, “Come, let’s sit somewhere more comfortable, if we’re to have this talk now.” 
Wit stood up as well, but put a gentle hand on her arm, “We don’t have to talk about anything right now,” he said, “It was a kiss. Which may turn into more kisses. Or it may not. We don’t have to define anything just yet, if you aren’t ready for that.” 
She stared at him incredulously.
“Did you hit your head on something as you were standing?” she demanded. 
He blinked, confused. 
“Have you forgotten entirely who I am?" She went on, "I can’t think why else you would say something so ridiculous to me.” 
He snorted with laughter at that. 
“Of course, of course,” he said, waving a hand, “How foolish of me, to attempt to put a woman at ease and remind her she’s under no obligation to me because of a single kiss we shared in the heat of a moment.” 
Jasnah sighed again and rubbed her forehead, wincing. 
It had been some time since she’d had to navigate a romantic relationship and she...Well she hadn’t been exactly good at this to begin with. 
She opened her mouth, but Wit just put a finger to her lips and spared her the trouble of making an even larger storming fool of herself.
“It’s quite alright, my dear,” he said, eyes twinkling in a way that she found, frustratingly, both irritating and enticing all at once, “In fact it’s rather refreshing. It’s the apocalypse, after all, we haven’t time to waste with pointless pleasantries and empty reassurances. Lead on, your Majesty.”
Still grinning, he slid his hand into hers and allowed her to draw him over to the reclining couch she had set up on the opposite side of the room to her study desk. A place for more relaxed reading or meditation. 
They both settled themselves, Wit still smirking at her, and she withdrew her hand from his and clasped it in her lap, not looking at him.
 “So,” Wit said, leaning in, and raising his eyebrows suggestively, “You’ve, let me make sure I get this correct,” he cleared his throat, and his already deep voice lowered even further as he said in a breathy, exaggerated, voice, “‘Come to the conclusion that I am a mostly appropriate course of action to pursue’ have you?” 
She stared at him flatly, and in direct counter to his hyperbolic seduction, which had intensified to the point that he was now fluttering his eyelashes at her, replied as matter-of-factly as she could, “Indeed. Ivory and I have already discussed it together at some length.” 
That made him sit up, suddenly dropping the act, which surprised her, as she’d expected him to drag at least a few more minutes of torment out of it. 
“You spoke to Ivory about us?” he said, in normal tones again. 
“Of course,” she said, frowning slightly, unsure why he thought this so worthy of remarking upon, “Any relationship I am involved in will directly impact upon him. It was only right that he be allowed a say in it.” 
“You wish to embark upon a relationship with me?” Wit repeated, a little dazed, as though she’d just swung a heavy weight into the side of his head. 
“Yes, Wit,” she said, then narrowed her eyes and drew away from him, “Unless you are only interested in a physical distraction with me,” she added, feeling suddenly cold at the prospect, “In which case this ends here, with no further conversation required on the matter.” 
“No,” Wit said, quickly, his voice gentle and reassuring. 
He reached out and took her hand to stop her retreating from him. When she hesitantly allowed this, he squeezed it and scooted closer, bumping his shoulder against hers in a manner that he apparently saw as affectionate.
"Not at all, Jasnah,” he said, shaking his head. Then he paused and added, “The kissing was very pleasant, I must admit. But there is more here, Jasnah, much more.”
 He met her eyes, and there was a depth to him he had rarely allowed her to see there. Knowledge, and history, and life and all of it focusing entirely upon her and this moment. It was almost overwhelming. 
She nodded slowly, running her thumb absently back and forth on the top of his hand, “It has been some time since I have connected with someone the way I have with you these past months,” she confessed quietly. 
Despite the fact that she had kissed him mere minutes before, despite admitting she had spoken with Ivory about him, despite the fact she’d all but told him that she wished to embark on a relationship with him...That revelation made her feel suddenly vulnerable. Almost to the point that she instinctively withdrew, before he saw, before he could use it as a weak point to hurt her. 
But something in him held her there. Like a Windrunner balanced on a surge, suspended above a chasm, unable to fall, to retreat to the ground where it was safe, and familiar, while the thrill of the flight kept them airborne, free, unwillingly to remember what life had felt like before this intensity, this rush of feeling and joy.
Wit nodded to her, squeezing her hand again, stopping her from falling, as she had so many times before, “I feel the same way,” he admitted, “You are a truly extraordinary woman, Jasnah Kholin,” he breathed, huffing a soft laugh and shaking his head. “And I would be lying if I tried to claim that I had seen this coming. I doubt even Cultivation-” he broke off, shaking his head. 
Taking a breath he composed himself, and met her eyes once more, tenderly cupping her cheek in his hand. She allowed him, once again feeling as though something in his touch was electrified, as though something sparked between them at the merest brush of his skin against hers. 
“You took me utterly by surprise, Jasnah,” he said, his voice now soft and sincere, “I knew you were a woman of uncommon beauty, of unsurpassing intelligence, and wit, even before I joined your court,” he added, seemingly unable to stop himself. Then he sobered, his voice gentler, more serious, “But I could never have predicted the effect that you would have on me. How stimulating your companionship could be, how addictive spending time with you could become.” 
She nodded, barely conscious of the gesture, then she cleared her throat and said, “Is this your long winded, Wit way of telling me that you want to be in a relationship with me as well?” 
Wit laughed at that, but it was a fond laugh, not meant to mock or hurt. He stroked his fingers through her hair and said, “Would it be more direct and obvious if I just kissed you again?” he asked. 
“I certainly don’t think it could hurt,” she replied flatly, even as something in her chest fluttered in excitement at the prospect. 
He did just that, but broke away before she was ready for it to end and said, “Jasnah Kholin.” She didn’t have a chance to reply before he was kissing her again. “I am telling you now,” Another kiss. “In no uncertain terms whatsoever,” He kissed her once more. “That I absolutely,” Another kiss. “Without a doubt,” She was smiling now. “Or a shred of hesitation,” he kissed her once more. “That I, your Wit,” he leaned in for another kiss but met only her finger, pressed against his lips and blocking him. 
He raised his eyes to meet hers without drawing back from and said, the words mangled by the press of her finger against him, “Am asking you if you would-” 
“Wit,” she groaned, shaking her head, even if she was still smiling at his antics. 
He straightened up, also grinning, and said, “I want to be in a relationship with you, Jasnah. A romantic relationship. With you as my partner. If that is something you think would please you?” 
In answer, to be quite sure he understood her completely, she kissed him again. 
***
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prompt-master · 3 years
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Would you be willing to share how you might rewrite Yukizome, Sakakura, and Munakata to make them likable characters (if not ppl Bc there’s a big difference)???
ahhhhhhh this ask got me so stupidly excited that I was like wavin my hands around. I think about how to rewrite their characters OFTEN. very often. I’m gonna go with likeable character over likeable people because I think they work better where they’re actually not that likeable people. 
The one I think about the MOST is Munakata. He was SUCH wasted potential and I partially blame the medium for that (a single season anime is too constrained for future, it needed more time and care to be a proper story). But Munakata is actually so close to being a compelling character but they made some MAJOR mistakes with him. This ended up getting really long and more like a 3 page ADHD ramble essay. SO IM VERY SORRY to anyone who cannot read this but TYTYTY if you did because these ideas make me very happy! Oh it’s only about Munakata btw because of how long it got
The thing about Munakata is that he is designed to be a foil to Naegi. In fact a majority of dr3 future FOCUSES on this foil dynamic. It is Naegi’s hope vs Munakata’s hope. The World’s hope vs The FF’s hope. And more importantly it is True Hope vs Corrupted Hope.
This is a fantastic concept...so why didn’t it work in canon? I think that the biggest most glaring issue with Munakata’s hope is his logic. Munakata is meant to be a logical man, although with corrupted morals that lead him astray. Yet in canon his logic is laughably infallible. For example as a major figure in the FF and someone who wants to spread hope....why would he tell Naegi to kill himself? More importantly why does he continue to try and slaughter Naegi? The issue here isn’t from the fact that he wants him dead but from the fact that he is under the IMPRESSION that this entire game is being broadcast to the world.
Think about this for a second. In Munakata’s eyes he is going to kill the Ultimate Hope, an international symbol of a better life, live on TV. He doesn’t just want to kill the Ultimate Hope..he wants to do it BRUTALLY as a MAJOR FIGURE OF THE FF. IMO this should have happened later on as the game furthers the emotional turmoil in Munakata’s head and he eventually snaps and gives in to the desire to kill Naegi despite the fact that this is live. And then there should be CONSEQUENCES for that. I wanted so badly a realization where Munakata realizes that he is hurting the Ultimate Hope in front of what he believes is the entire world. 
Another issue with Munakata’s logic is saying things such as...implying that the HPA KG was...just a game. I mean...people DIED. it's not hard to see how wrong that logic is. you can't say “this is the real world now” when what Naegi experienced WAS the real world. I think that this could be fixed through a bit of world building. DR3 Future is rather isolated from its world. We don’t really know much about the world and its dynamics. I think it would make perfect sense if the general public viewed the HPA KG as a tv show, they got numb to the sight and even those untouched by despair had a hard time connecting that these are REAL people suffering. With this previously established Munakata expressing that the KG was not real would make a lot more sense and play into his corrupted idea of hope. 
There is also Munakata’s connection to his other friends. Now I’ve talked about this before but the game was clearly designed to BREAK Munakata and Naegi. This way the FF would die, both the FF and World’s hope would be broken, and upon seeing this Mitarai would have no choice but to deploy his own forced hope. So it makes perfect sense that Yukizome’s death would break him (in fact if she hadn’t died in that way, her NG code was designed to be Munakata’s fault). But something about it felt...superficial. Again I think this is the mediums fault but it almost feels as though Munakata just forgets about Yukizome until later. I think they should spend more time establishing his pain and what he has lost and why this pushes him to kill. In his eyes if she can die then nothing else matters. It should be THE breaking point, not the first push. I do like the betrayal he feels towards realizing she had despair but it needed more time to fester. 
And his relationship with Sakakura also felt weak. In all honesty it was hard for me to feel as though they were ever friends. Sakakura is written as though he just follows Munakata like a loyal dog and Munakata just orders him around. Establish their relationship more! Why are they such good friends? Why is Sakakura important to him? And more importantly why did Munakata decide to cruelly gut Sakakura knowing he was about to confess? This is because he believed that Sakaura was despair and that his confession was more manipulation, but they didn’t show this well at ALL. Munakata just comes across as a major a-sshole who does not care. I also personally found it distasteful that when changing his heart Munakata only seemed to cry for Yukizome. I understand that was his love interest but Yukizome at the end of the day killed herself. Sakakura however was an unnecessary betrayal he took into his own hands AS HE HIMSELF KILLED HIM. He should have more guilt over that! Not just in that moment where he runs to Sakakura, but ahead of time as well! Maybe even DURING his rampage they could have shown him having moments of guilt but he is so absorbed in the idea that all despairs have to die that he doesn’t even realize he has become despair in the name of hope.
A BIG weakness on Munakata’s part comes with interacting with other characters. He is a man who should know how to take charge, lead, and doesn't know what to do when things are getting too crazy even though he THINKS he does. Munakata is heavily flawed, OBVIOUSLY flawed, but many of the interactions with him are as tho his rampage isnt a big deal. There should be reasons for this! Why do people trust Munakatas guidance so much? I dont know! All ive seen from him is that hes insane! Maybe even pieces where around others hes a lot nicer so you can understand why they follow him, even though hes ready to gut Naegi alive with a flaming katana. His interactions with others feel like the writers just wanted to see the next big evil thing they could think of, but for Munakata’s character this doesn't make sense because he was appointed a high status in the foundation for a reason. Maybe even have people say they disagree with some of his methods but at the end of the day he gets the job done!
There is another major missed opportunity here and it's why Muanakata wants Naegi dead so badly in the first place. The remnants. Hiding terrorists in the apocalypse is a PERFECTLY valid reason to want someone dead and think they're a bad guy! But I think since Naegis initial arrest was already so hostile and violent we get the sense that the FF is simply just...crazy. 
And let’s think about what Munakata WANTS from Naegi. He does not just want Naegi dead he wants something worse. He wants Naegi to suffer first. He thinks that Naegi doesnt understand his own personal pain. He thinks that because Naegi protected the remnants he must also not care about the suffering the remnants caused. He wants Naegi to feel despair and then die. This is important to his corrupted hope. He thinks the suffering must be shared in order to understand who must die, but he is creating a cycle of pain. Tie this back to the broadcasting issue. He wants Naegi to break for everyone to see. I think..and this is just a concept..I think it would have been a great idea for Munkata to force Naegi to watch the despair video so that he has no choice but to understand. 
AND themes are majorly important to Danganronpa. And I don’t think its a stretch to say that there are parallels between Munakata and Naegi. In fact I would say that there are aspects of the og trio in this new trio. I think it would have been really cool if they showed how our favorite trio could have ended up if they had been corrupted as well. But the parrellels dont stick strongly. I think it would have been cool to show a past where Munakata’s idealism lies more strongly than Naegis. As the student council president there was a time where he himself had to use his words to solve problems. Perhaps he learned that sometimes his words made things worse. Munakata does not have Naegi’s talent of emotional intelligence. He is a man of action over words. So he interprets this as WORDS being the problem rather than understanding he does not have these skills. Especially when the apocalypse breaks out, it becomes all action over words. So he sees Naegi who is all talk as a genuine threat who will let everyone die through his “weak ineffective” idea of hope. 
Another parallel could be drawn from the fact that they both have hope based careers. Their job is too keep things hopeful. Maybe Naegi stays safe doing public broadcasted speeches, while Munakata is on the field weeding out despairs. This would cause Munakata to feel as though Naegi is doing no real work yet getting all the credit for being a savior.
Munakata constantly complains that Naegi does not know true pain. But he and we as an audience have followed Naegi through his entire process of trauma. We know he is in the wrong. But what do we as an audience know about Munakata’s suffering? We are shown almost nothing! There are some implications, but for how intense he is implications are not enough. We need to see his suffering. We should see how he has witnessed death. Yukizomes death is not nearly enough for this because he talks as though he has suffered for years. How can we as an audience understand that when we have never seen it? How can we understand Munakata when he is outright denying Naegi’s trauma that we KNOW existed with no proper justification for his reasoning?
I also believe that Munakata should have died. It actually upsets me a bit that he was PLANNED to die but didn't. He should have died protecting Naegi after all that suffering and relentless brutality he offered him. Munakata again is a man of action over word, and protecting Naegi with his last breath is the perfect way to show how in the end he changed. Especially when all he wanted initially was for Naegi to die. I find that much more satisfying than just…...walking off to who knows where.
So lets recap some changes. Munakata needs a proper display of his past traumas and his relationship with Sakakura and Yukizome. Munakata needs a proper display of his work relationships and the respect he has earned. Munakata needs to fall into corruption at a better pace, and have geniune reasons for his illogical attacks on Naegi. Munakata needs to care more for his friends. Munakata needs to deal with the turmoil of wanting to hurt Naegi while he believes the world is watching. Munakata needs to die for Naegi
This has gotten long...and I still have things to say. There is so much to make Munakata a good character. Future had a lot of potential and is amazing for a rewrite concept. As for Sakakura and Yukizome since this has gotten long feel free to ask for another round of this individually when asks are open again! If you read all of this somehow….TYSM
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cheuwing · 3 years
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First of all: Thank you very much for your metas! I have a question about the role of Greg in tjlc. What exactly is he doing? Is he a good one or a baddy? Any space for Mystrade in tjlc?
Hello dear,
Thank you so much for your message! I was surprised to receive a question after such a long absence (a very nice surprise!). I don’t know if you’ll read my answer; hopefully it will find you well. :)
It is a very interesting question... I haven’t rewatched every single episode with a focus on Greg (I might do it later!), so feel free to take my view with a pinch of salt.
First of all: I adore Gavin Greg Lestrade! He is such an amazing, complex character in the series. I believe it is clear that Greg is on the good side. Actually, I think each character mentioned on the rooftop scene as targeted by Moriarty is explicitly good: John Watson, Mrs Hudson, Greg Lestrade. (Every other speculation is fair game, but these three are unquestionably good) The show never questions their loyalty either. Greg might be disgrunted sometimes, but he’s always there to help and support Sherlock (the “maximum back up” scene at the beginning of TSOT comes to mind). Furthermore, he is the very first one who talks about Sherlock’s side: “Sherlock Holmes is a great man, and I think one day, if we're very, very lucky, he might even be a good one.” To me, these elements prove without the shadow of a doubt that Greg is, in fact, good.
Also, according to Sherlock:
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That’s all the proof I need! x)
Now, regarding Greg’s role in TJLC... My personal opinion is that he serves as a mirror. Typically, a mirror for Sherlock:
detective, keen on solving cases,
clever,
good coat, and similar clothes in general,
quits cigarettes at the same time as Sherlock (showing their matching patches in ASIP), both are seen with - unlit - cigarettes in their mouth in s3,
willing to bend the rules a little bit to solve his cases - namely by calling a “consulting detective”,
blunt and a bit ruthless (his introduction scene in which he is uncomfortable, possibly annoyed, in front of the media and deadpans “Don’t commit suicide” while Sally plays Watson’s role as social facilitator)
solving a case or saving a friend is more important than taking credit,
a bit of a drama queen (... that “maximum back up” scene comes to mind again xD),
lovely interactions with John in which they tend to be very honest and a bit arseholy (”NOT REALLY”)... (also: taking care of him and bringing Sherlock memorabilia in Many Happy Returns), a few moments of them working perfectly in sync (that action walk shot in HLV)
... among other things!
Interestingly, I think it’s fair to say that Greg is associated to John in some aspects (public servants, caring arseholes, both of them striving to guide Sherlock on the side of the angels, mindful of Sherlock’s emotions & thoughts process... Betrayed by their wives. Even on a visual level: action walk in HLV, shooting scene in THOB, in which, hilariously, even though John shoots second, he manages to catch his target => metaphors!!!)
I personally believe that Greg serves to show how a real, uncomplicated friendship with Sherlock (or John, for that matter) would work. He has no problem hugging him when he comes back (something John is unable to do, because he is overwhelmed with too many conflicting emotions... also, they’re not alone). Talking about emotions and such is easier between them too (Greg doesn’t hesitate to ask about John when Sherlock brings Molly for the case). They still bicker, argue and even play jokes on one another like John & Sherlock do (Lestrade never hesitates to film Sherlock on his phone, or to force him to wear a security blanket). Same goes between John & Lestrade: the friendship is much smoother/more wholesome than with Sherlock, because no one has to rein desire/unspoken emotions in. I mean, as @just-sort-of-happened highlighted it in this post: Greg provides a contrast to John's attraction to Sherlock.
So there you go: to me, Greg is a mirror for Sherlock and his interactions with both John & Sherlock serve as a contrast between the wholesome friendship that could be and the complicated relationship with lots of hidden desires, unspoken things and general sense of constrinct that these two have.
I also believe that Greg is a sort of mentor to them? He is the one who guides onto the right path, the one who is concerned, who is proud (his proud daddy expressions give me life), and I guess, who experiences things first (he has already worked on the cases before he presents them to Sherlock - and usually has failed -, he shoots the hound first - and fails -, he was married before John - and... you get the jist). I feel like Greg will start his grand relationship before Johnlock and in a sense, will show them the way.
As for the grand relationship in question... I love Mystrade. I really do. If it becomes canon, I’d be very happy. (Also, I could totally see Mark Gatiss thrilled to pose with Rupert Graves, his crush from Maurice, as his fictional lover ^^). Greg has been associated with John enough that I could see their relationship as a mirror for Johnlock. (and I certainly love this trope in fanfics!) I would be more than satisfied with Mystrade (also... if it happened after years of queerbaiting issues? two gay couples? with Gatiss, creator of the show, playing a character in a homosexual relationship? That could be pretty cool).
However, I have to say that I’m not really convinced it will happen in the show? It seems to me Mycroft is very much presented as an asexual character, or, at the very least, someone who doesn’t understand sex at all (the allusions with Lady Smallwood show how uncomprehending he is on the subject, and not just in a ‘gay man approached by a woman’ kind of way. Contrast with Sherlock in ASIP, being able to say ‘women are not my area’, ‘I know it’s fine’ and ‘while I’m flattered by your interest....’). In Sherlock’s mind palace, Mycroft serves as “the mind”, cold, logical, rational, in contrast to John “the heart”, emotion-focused, soft. In the Mayfly Man deduction, Mycroft insists on intricate planning, intent... whereas John focuses on sex right away. Thus, I personally see Mycroft as very remote from the concept of sexuality.
I personally see another likelier (in the context of the show) love interest for Greg: Molly Hooper. If Greg is an obvious mirror for Sherlock, Molly is an obvious mirror for John (I mean, very explicitly... And also at the wedding). There is already a history of interest between the two, at least from Greg’s part. Remember the gaping mouth at Molly’s dress at Christmas? How the camera framed them as a couple at the wedding, while Tom was obviously discarded as a serious lasting boyfriend for her? To be fully honest, I would probably be slightly annoyed at Molly’s character development if she goes out with another Sherlock mirror, but... It would make sense. She said it herself: she has a type. And I’d argue that Greg is a much more wholesome mirror for Sherlock, and he’s obviously interested in her. I think the writers already paved the road for this romance, so it seems likelier to me. I guess we will wait and see :)
To sum up => I ADORE Greg Lestrade. I hadn’t explored my thoughts on him for a long time before I received your message and had the perfect opportunity to do so. It is a joy to study his character and role in the story. To me, he is unquestionably good (like Mrs H & John). He is a fascinating mirror for Sherlock, and a great friend who shows what an uncomplicated friendship with John & Sherlock would look like. I’d definitely be happy to see Mystrade on screen (and these versions of Mycroft and Greg would certainly work well together! I think Greg would love to tease Mycroft like John does sometimes -> cue to hilarious expressions). I personally don’t think the writers would go there, but who knows? That could be very satisfying. I think a likelier mirror for Johnlock will be provided with Molly/Lestrade. Either way, Lestrade might very well be the one to show John & Sherlock the way to love. I’m curious to see how they will show it :)
Hopefully this will be a satisfying answer. Take care, dear! (And feel free to share your thoughts with me on the matter :) )
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echodrops · 4 years
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Home and a Half Pidge Headcanons
An ask I got yesterday reminded me that I never posted the HaaH headcanons for Pidge like I promised, so here they are! (I’ll answer the actual ask as soon as I can with some new material instead of headcanons I already had written... oops...)
Anyway, without further ado, some headcanons for Pidge related to my fic Home and a Half!
Pidge:
- Grew up in the picture of the nuclear family: mom, dad, two kids, dog, nice upper-middle-class house in a quiet neighborhood, dinner on the table at 7:30pm on the dot… Of all the paladins, Pidge had the most stable and “average” childhood… at least on paper.
 - In reality, there is not a single person in the Holt family who isn’t eccentric as fuck. Grandma Holt? May or may not still be an active intelligence agent for MI6. The dog? Woofs in Morse code. Auntie Ariana? Has actually seen the Jersey Devil. Colleen Holt? Has killed a man. If you ask Pidge, she’ll say that her upbringing was perfectly normal and she’ll genuinely mean it, but this is a consequence Pidge having no idea what “normal” even means.
 Rest under the read more to save your dash:
- Not actually a girly-girl when she was young. Although they’re eight years apart and thus unlikely to be mistaken for one another, very early on Pidge got frustrated by how similar she and Matt look, and she definitely did not want to wear his tacky hand-me-down clothes, so she pitched a royal fit and insisted on wearing dresses and hairbands so that her family would have to buy Pidge all her own things. (They probably would have bought them anyway if she’d just asked calmly, but Pidge was three at the time, and they were all very impressed by her grasp of cause and effect.)
 - Of course, when Matt disappeared on the ill-fated Kerberos trip, those tacky hand-me-downs ended up being some of the most important items in Pidge’s life. Even outside of infiltrating Garrison, wearing Matt’s old clothes was one of the few comforts Pidge would allow herself—when she cut her hair and put on his baggy shirts, for a second, looking in a mirror, she could almost convince herself he was still there—
 - Pidge has no intention of changing the way she dresses or styles her appearance until she’s reunited with Matt and her father. After that? Well, they may not be the coolest looking things ever, but Matt does have a point that baggy t-shirts are very comfy…
 - And okay, because I’m sure everyone expected this headcanon first: Pidge and gender is a surprisingly uncomplicated subject. Side note before I go further: I’m sure everyone has their own headcanons for this and none of what I say here should be taken as rejecting or invalidating any other fan’s views on Pidge. The only thing invalid in the Voltron fandom is canon. Anyway, I personally like to imagine that Pidge is very ambivalent on gender. There is so much else going on—the war, Sam and Matt being missing, freaking giant robot space cats—that sitting down and sorting out the question of “Do I identify as male, female, nonbinary, or anything else?” is just really, really low on Pidge’s to do list. Pidge thinks of Pidge as “Pidge” and even that’s rare because Pidge doesn’t sit around thinking about herself or what other people think of her.
 - In fact, what strangers think is, in general, extremely low on Pidge’s radar. Although she used to be more self-conscious due to bullying from both classmates and her teachers, the combination of her parents’ consistent support and Matt’s… extreme tactics (“I’m telling you Pigeon, nanobots in their lunches will solve all your problems.” “That’s illegal, Matt.” “Nothing is illegal until you get caught.”) Pidge (mostly) overcame the phase of being affected by other people’s opinions. Who cares what strangers think? Absolutely none of them will ever be even close to as smart and talented as her family anyway. (My IQ is three times yours, your argument about my gender is literally invalid.)
 - By the way, I’m using “her” simply because that’s what I’m used to seeing in the fandom and to keep the fic and headcanons consistent, but in the functional world of HaaH, Pidge answers to any pronouns and doesn’t have a preference for any set in particular over others. In fact, Pidge is used to going by different sets of pronouns coming from different people, and might be “he” to one person, “she” to another, and “they” to yet someone else. Pidge is just… Pidge.
 - Again, with the war and Voltron and missing family and literally everything else going on--and the fact Pidge is far more practical than all of the rest of her fellow Team Voltron members combined--she isn’t wasting time and energy doing something as troublesome as falling in love with an alien. (“Keith, can’t your melodrama wait until after we win the war?” “My drama waits for no man.” “Then please explain how you and Lance manage to engage in synchronized dumb-fuckery at least three times a week.”) Eventually, after life has settled down and Pidge has had some time to think about it, she’ll realize that the reason she somehow managed to avoid any romantic entanglements in space isn’t because she’s just much more mature than her teammates (although this might be true)—it’s that she’s just not really interested in romantic engagements with anybody, period. 
 - Pidge’s one true love is discovery; she feels far more passionate about knowledge and learning new things, encountering new puzzles, and grasping new concepts than she does about anything else. In between all her creations and codes and experiments and observations, it just doesn’t feel like there’s room—or that there needs to be room—for a romantic relationship with a real person.
 - Pidge will make room for friends though, if and when they insist on worming their ways into her life. She tends to be a fairly private person who has never really had a large friend group (back on Earth, before Garrison, there wasn’t anyone but Matt and her parents who really understood her, and she didn’t have much in common to discuss with children her own age), but once someone earns Pidge’s trust, she does open up and form close bonds and she will give her all to help and be there for her few, but close, friends.
 - Meeting Hunk at Garrison was a huge revelation. Up to that point in Pidge’s life she had never really met any young person outside her own family with a soaring genius-level IQ that was a match for her own. Although she and Hunk bicker frequently because their approaches to science are extremely different, she’s still over-the-moon to have someone who doesn’t stare at her like she’s talking gibberish whenever she goes off on one of her tangents.
 - If you ask Pidge, she will violently swear up and down that Lance never and in. no. way. reminds her of Matt, fills in for Matt in the lame-older-brother role, or helps her miss her brother just a little bit less. That did not happen, never had a chance of happening, what are you even talking about—
 - But if you ask about Shiro, she will be flat-out honest and admit she totally thinks of him as Space Dad. It’s not her fault. Shiro literally hero worships Sam Holt (still to this day!!) and may or may not have taken on more of his mentor’s mannerisms in order to fill the leadership role for Team Voltron. Sometimes Shiro will say or do something and Pidge will be absolutely dumb-struck because he got that from my dad is an actual thing she has to deal with.
- “Pidge” is actually a derivative of “Pigeon.” Everyone in the Holt family has a bird-based code name. Mr. Holt is Eagle Two.
 - People often get the impression that Pidge is scatterbrained because she can talk about ten different things at once and pounces on leaps in her own logic that other people just can’t follow, but her thoughts and speech are very organized. It’s not her fault you couldn’t understand her system of organization if you tried.
 - Put Pidge on the spot on a subject she doesn’t know, though, and watch the awkward jump right out. (“Oh, you meant the pop band Galileo, not the person. You know, that’s really an easy mistake to make. You can hardly blame me when you stop to consider all the similarities between modern chord progression and the trajectory of supermassive objects like—”)
 - And if it’s not awkward, it’s defensive. Pidge may be hyper-intelligent, but she’s still very, very young, and it’s hard not to get snappish when challenged by people whose opinions she really does care about. She has a far quicker temper than Matt (who is a “revenge is a dish best served cold” champion), a trait she shares with their mother. Colleen, in turn, blames it on her having been born in New Jersey. Pidge has flipped so many tables on the Castleship that Coran and Lance eventually went around and bolted them all down.
 - Do not even so much as hint that Sam and Matt Holt might be dead instead of just missing in space. Keith is still scared after his last attempt at reasoning with Pidge about her family’s fate.
 - Has a bad hoarding habit. Back on Earth she had her parents there to insist she clean her room at least once a week, but in space, things are getting a bit crazy. The Castleship closets and cabinets can hyper-condense their contents and she’s STILL running out of room for all the neat doodads and parts and scientific wonders she finds on their adventures across the galaxy. Is definitely in the “Look, there’s still a mostly clear path to the door; it’s fineee” category. It’s not like she finds it hard to let things go once she’s gotten attached to them or anything. Nope. Definitely not.
 - Pidge’s mess is absolutely of the “everything has a proper place” type though. Move anything with her name on it and you will feel her wrath.
- As the only one of the Earth paladins to have technology on her when they were unexpectedly swept off to war, everyone on the ship relies on Pidge’s laptop for their monthly dose of Earth nostalgia. Good thing for them Pidge and Matt’s pirating skills put Pirate Bay to shame, and she’s got basically every Earth movie from 1980 to the present. She even has every episode of the timeless classic F.R.I.E.N.D.S. (Keith hates that show with a burning passion that even he cannot explain.)
 - Speaking of technology Pidge had on Earth—every single person in the Holt family is (and has been for decades) aware of the existence of aliens. Pidge’s family tree has been involved in communications, radio wave technology, and interpreting space observations since those fields were first invented. When Earth first identified patterns of waves that obviously corresponded to alien communications going on outside Earth’s galaxy, Pidge’s great- great- grandfather was there. When world governments covered up the discovery, he was the loudest voice of dissent. Since then, the Holt family has been deeply involved in military and space operations across several countries, operating from within an oppressive system they fundamentally disagree with, using their positions of authority to monitor the Milky Way and beyond, keeping tabs on what the aliens might be saying—and what messages Earth might be inadvertently sending back.
 - Of course this is top secret work—secret even from the Garrison and government where the Holts were employed. Other kids learn how to play piano and soccer; Pidge and Matt learned how to hack virtually impenetrable military databases and hide their data behind uncrackable ciphers instead.
 - But the Kerberos Mission was supposed to be safe. They’d all monitored the chatter so closely—there hadn’t been anything hostile anywhere even near Earth’s galaxy, no sign at all of any technologically advanced race like the Galra in years and nothing about one little Earth mission that would disturb any other intergalactic travelers anyway… Why would they...
 - Pidge is surprisingly athletic for a self-professed nerd. With youthful energy to burn and a family to save, Pidge took to Allura and Coran’s intense Altean training like a duck to water, and while she’s not quite Shiro or Keith when it comes to hand-to-hand combat, she can definitely holds up better than Hunk or Lance.
 - Favorite color is actually yellow, and if Green wasn’t totally The Coolest™ lion, she’d be sort of salty about Hunk getting the Yellow Lion instead.
 - Absolutely capable of cursing up a blue storm, and hasn’t been friends with Hunk quite long enough yet to remember to censor herself around him all the time like Lance does with his “Holy crow!”s. She’s trying, dammit!
 - Big on pets. Gets attached to pet-shaped creatures (whether living or robotic) very easily. 110% kept the space caterpillars, who live happily free-roaming the piles of space junk in her bedroom. The space caterpillars and the space mice do not get along, however, as the space mice do not take well to having their status as the favored fuzzy team mascot squad threatened. In their micro-Cold War, which is occurring without any of the ship’s humanoid occupants being aware, the space caterpillars are currently winning.
 - The caterpillars’ names are Copernicus, Kepler, and Newton.
 - Remember that one post about Lance drawing angry brows on the space caterpillar and siccing it on Keith? I very much accept that as canon. Pidge was Not Happy™ when she found out what Lance had done and she is NOT letting anyone else near her caterpillars again any time soon. Is very, very careful not to let Niresh see the space caterpillars so that they don’t end up stolen right from under her nose.
 - Speaking of the kids, Pidge is super awkward with them and skedaddles at the first sign of tears. Next to Allura, there is probably not any member of the team worse suited to babysitting duty. That said, as someone who has lost members of her family in the war, Pidge is probably the member of the team who most directly understands Dulsara’s anger and the children’s loss. That doesn’t mean she’s really ready to let herself sympathize with the Galra though, at least not until she finds her own family first.
- Pulls all the most bullshit moves in Monsters and Mana. Whenever the team reminiscences on the truly legendary moments from their campaigns, somehow Pidge is the star in all of them.
And that’s all I’ve got for now!
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a-duck-with-a-book · 3 years
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REVIEW // Seven Blades in Black (The Grave of Empires #1) by Sam Sykes
★☆☆☆☆
Disclaimer: while I was reading this book, I found out that Sam Sykes has been accused by numerous women of sexual harassment. You can find more information about it below: - a post listing several accusations of misconduct - twitter post responding to the situation - one of the accusations against Sam Sykes - his quickly-deleted apology Suffice to say, I have no intention of continuing this series or reading any more of his books.
I have a lot to say about this novel, so I’ll begin by making a quick bullet point list outlining what I liked and disliked:
Liked:
Cavric <3
Lisette deserved better
Some interesting concepts in the world building
Disliked:
Sal as a narrator
Sal as an antihero
Sal as a person in general
Writing style
Constant interruptions
Meandering narrative
The “narrator knows something but the writer avoids revealing it until the end for the drama” trope
This is a Big Tough World and Nobody Gets To Be Happy
Lesbians written by a man who harasses women
Unnecessarily long
// image: official cover art Jeremy Wilson //
Let’s begin with the full review by starting with the (few) positives, shall we?
First and foremost, I genuinely enjoyed Cavric and Lisette. It is unfortunate that they had to deal with Sal for the entirety of the novel, but we’ll get to her later. If this book had been a buddy adventure with these two, in which Cavric slowly shows Lisette that she is in a toxic relationships and deserves to move on and find someone better for herself, I probably would have enjoyed it a lot more. Secondly (and finally), Sykes introduced some genuinely interesting world building. The background of the Empire and the Scar was fascinating to read, but unfortunately did not save the rest of this mess.
Alright now let’s rant.
I have 35 notes and 52 highlights from this book, so this might get block quote heavy. (Go check out my notes if you want to see me slowly lose my sanity)
Sal is awful. I know she’s meant to be awful, but she’s not flawed in the way that I think Sykes was trying to write her. I believe she was intended to be a scruffy, lovable antihero who fought her way through a dangerous landscape with her sharp blade and even sharper tongue. A girl who had wrongs committed against her in the past, who did terrible things but is now on the road to an epic redemption arc. She shoots bad guys, she says f*ck and a*s a lot, and she is morally complex. That’s the character that Sykes was trying to make. The one he created, however, is a genuinely terrible person who I had no desire to see come out on top. I have a myriad of issues with her, but let’s outline a couple below: (1) She is incredibly toxic for Lisette. Am I getting a bit too heated about a fictional relationship? Sure. Was I happy to read a toxic lesbian romance written by a man who sexually harasses women? Nope. It kind of grossed me out, actually. Anyway, let me give you a run down of their relationship. Sal arrives. Sal and Lisette sleep together. Sal asks Lisette to give her weapons and or fix things for her. Sal sneaks away, telling herself no good will come of this relationship and they will only cause each other pain. Sal needs something. Sal comes back. Repeat over and over. She constantly says, throughout the book, that it would be better if they just left each other, but then again Sal is the one who goes back to Lisette over and over, causing her renewed heartbreak. I don’t know if Sykes thought that simply making Sal aware of how terrible this behavior was was enough, but it just made me incredibly frustrated. At one point Sal says:
”Intellect like hers is a curse. The more you understand of the world, the less of it you trust.”
Yes, Sal, that’s what’s giving her trust issues. Her intelligence. Nice. By the end of the book, it seems that they are on the mend-I’m getting end-game vibes from these two. But honestly, I spent the entire time thinking that Lisette deserved so much better than Sal. Like literally a chicken would have provided healthier companionship. I’ll end with this quote, in which Lisette outlines perfectly why Sal does not deserve her:
“What am I doing wrong that you’d choose this over me?”
(2) Sal is annoying. Really, really annoying. I kid you not, half of this book is made up of Sal’s snarky comments. She is badass. She has a gun. She is an outlaw. And she will never, EVER shut up about it. Imagine a quirky line after an otherwise dark or action-packed sequence. Funny, right? Might break the tension, make the narrator more endearing, etc. Now imagine one such line after every. Single. Paragraph. Picture a violent battle scene where the protagonist is fighting for their lives against a ruthless opponent. Now insert a snarky comment after every other paragraph and watch the entire flow of the scene fall apart with constant interruptions. That’s what this book is-which brings me to my next point.
The writing isn’t great. There are constant interruptions, meandering narratives, and the trope that haunts me in nearly every dark fantasy novel I read-This is a Big Tough World and Nobody Gets To Be Happy-is shoved repeatedly in your face. Let’s start with the interruptions, returning to my previous point (ie. Sal never shuts up), by looking at this sequence:
I  followed the shrieking wind. I had come here prepared for something bad. But I wasn’t prepared for just how bad it was. I rounded the corner of the hall, came out atop a battlement. The wind struck me with a screaming gale, forcing me to shield my face and cling to the stone for purchase. My eyes squinted against the harshness of the light, the kind of offensive pale you only see in your nightmares. And through them, I could see the bowed shapes of towers sagging, the flayed flesh of banners whipping in a wind that wouldn’t cease, the shadows of figures frozen in a death that had brought no peace. And I knew where I was. There was nothing that had ever made Fort Dogsjaw special. It had never been crucial for defense, never a hub for trade, it hadn’t even been named for anything special—the commander just liked the sound of it. It lived its whole life a regular, boring Imperial fort on the edge of the Husks. It only got important at the time of its death. Over three hundred mages and a few thousand regulars had assembled here in one day—some to receive assignments, some to man the garrison, some to head back to Cathama on leave. They had been laughing, cursing, drinking when the news came that the new Emperor of Cathama was a nul, born with no magic. And then there had been a moment of silence.
I’ve bolded for emphasis, but do you see what I’m talking about? The paragraph-line-paragraph-line format is so annoying to read, I had to put the book down at certain points because of how frustrated I got. It interrupted the forward movement of the story, making the novel drag on and on.
You know what else makes this feel like the nightmare version of the Never-ending Story? The page count. I don’t mind long books-The Priory of the Orange Tree is one of my favorite reads so far this year, and it’s longer than this one-but they have to have a reason for being so hefty. As I mentioned earlier, a considerable chunk of Seven Blades of Black is Sal making her awful, awful, AWFUL asides. I literally cannot express how much I despise those comments. Okay, let’s move on before I get hung up on THOSE STUPID COM-*cough*
This novel is marred by unnecessary lines and a meandering plot that drag out the story. One instance is the amount of times that Sal is a second away from killing someone and, for some reason (usually not a good one), fails in her goal. She places a gun at someone’s head and goes through a whole monologue in her head until the person miraculously escapes. This type of subversion of expectations is fine every once in a while, but if you are going to build up to a crucial moment and then take away the satisfaction of the defeat of some villain (or mini-boss, as many of the antagonists in this book feel like), then you need to have a good reason for doing it upwards of twenty times in ONE BOOK. Secondly, if you spend almost the entire novel setting up more and more villains and stressing how hard they are to kill and how dangerous their powers are (and presenting them separately and isolated), then when you have them all in one place at the end, at which point the protagonists starts going through them like a plate of french fries at a seagull convention, then you’re kind of taking away the satisfaction of the death. Somehow, this book manages to do both. We are constantly teased with almost-kills, then at the end Sal just blows through everyone in five seconds, easy-peasy.
I’m almost done, I swear-just two more gripes.
So much of the tension of this book rests on the fact that Sal, our narrator and our main viewpoint into the story, knows something that we don’t. I’ll be upfront with you-I hate this trope. If our POV character, the one whose mind we are in constantly, is entirely aware of something that happened before the beginning of the novel, and the author keeps from revealing that something for the entirety of the story solely to add drama, then I will not be a happy reader. Where is the logic. We are in this person’s mind. Just show us already and add tension ELSEWHERE.
And FINALLY (as painful as it was for you to read this, it was worse for me to write it), another issue I have with a lot of dark fantasy (see my review of Nevernight) is that the author really, really wants us to know that this is an incredibly dangerous and dark world by filling it to the brim with edge lord narrators, Big Guns, and, usually, women being harrased-because why not force all your female readers to constantly have to read about women getting assaulted? Apart from Sal’s 300,000 comments explaining to us that she is an asshole, that the Scar is Dangerous, and that she has Killed A Lot of People, we as readers must sit through hundreds of lines of dialogue and exposition that beat us over the head with the fact that this is DARK fantasy. This isn’t your nice little fairy adventure-no sir. Here we have Swear Words and Violence and Men writing Queer Women. To emphasize just how blatant Sykes is with the dark part of dark fantasy, let me tell you about an exchange Sal has with three old ladies who run a criminal empire. In the 2-3 pages that these women appear in, we are told, in some form or other, that they are grandmas who kill people, a grand total of, I kid you not, ELEVEN TIMES. Here are some excerpts from that whole situation:
”“Now, now.” Yoc, old and white haired and sweet as a grandmother—if that grandmother also had people killed on the regular—smiled at me. “I’m sure she has a good reason for being here.” She raised the hand that had signed the contracts that had killed a thousand men and women and took up her whiskey glass. “After all, I’m sure she knows how much we don’t like having our game interrupted.”” *I counted this as one since it’s in the same exchange but technically he mentions it TWICE
”…one didn’t waste the Three’s time if one didn’t want to end up with their teeth pried out.”
”How often do you meet the three old ladies who have people killed for money?”
”I said we should kill her on principle.”
”“But you know how many orphans I’ve made, don’t you, dear?””
”“He’s not so unlike us, is he? A murderer, yes. A monster to some. But, at his heart, a businessman.”
”Theirs were the hands that signed a thousand death contracts a year.”
”When they could be bothered to look up from their game, they decided who lived and died with a stroke of their pen.”
”At a word, they could have me stripped, tied, tortured, and cut up…”
”the Three don’t lie. Their assassins do. Their thieves do. But they don’t.”
”I had already wasted their time and I knew the Three were being generous just letting me fuck off instead of having me killed for the effort.”
TL;DR - Sal is annoying, Sykes is a bad writer, and Someone should have stopped me from reading this book
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