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porcelainseashore · 3 months

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Heavenly Creatures

Pairing: Altar Boy! Leon Kennedy x Catholic School Girl! Reader

Summary: Growing up in a conservative, Catholic community, you and Leon were kept apart as kids for your own good. However, a fateful encounter at church many years later causes you to question those boundaries.

Content & Warnings: 18+ Smut, porn with plot, unprotected p in v, oral (m & f receiving), rimming (f receiving), semi-public sex (church), Catholicism, religious imagery & symbolism, temptation, guilt, shaming, name-calling, growing up, smoking, swearing, romance, fluff, secret relationship.

Authors' Note: Leon and Reader are in senior high and 18 when smut happens. No guarantee that you won’t burn in hell after reading this 🔥😂

Special thanks to AliBelleRosetta for being my sounding board + shadesoflsk & Cameron for your helpful feedback.

AO3 Link

Snake. Devil. Satan’s spawn.

Those were the names you had grown accustomed to as a child. You didn’t know why you were called them, instead of the one your parents had given you. You were too little to understand. All you knew was that you were made to feel different. Maybe you were really an anomaly from the rest after all.

Instead of being quiet and shy, you were loud and boisterous. It was natural for you, seeing as you were going through your tomboy phase, which was the exact reason your parents had stuck to when they received complaints about your behavior. They laughed it off, while others reigned their daughters in, forcing them into perfect Sunday dresses, braided hair adorned with pastel ribbons and clean, black Mary Jane shoes. Good enough to fit into a pretty gift box with wrapping paper. But you would tear it all down, before anyone could lay a finger on you.

Growing up in a place where other children were told to shun you was difficult at first. But then, you learnt to play by yourself and relish in the power of make believe. You climbed trees, rolled in the mud and ran through the forest fending off imaginary monsters. Sometimes, when you bumped into other groups of boys who threw stones and made fun of you, you fought back, further earning the title of crazy witch! Who needed these idiots anyway? You were your own best company.

One day, you sat in your disheveled, cream cotton dress, swinging your legs from a tree in your front lawn as usual. It overlooked the suburban neighborhood street, giving you a bird’s eye view of your surroundings. You noticed a family of three strolling along the sidewalk, though the couple gave you a disapproving look as they walked past, and whispered to their little, adolescent boy. They thought they were being so discreet, but you could hear every single word they were saying.

“Don’t pay attention to her. She’s bad news.”

Regardless of this remark, the boy gave in to his curiosity and as he peered up, you held his wide-eyed gaze. His irises were azure in color, glowing as it caught the early dusk light from different angles, shifting across a stunning spectrum of bluish, iridescent hues. You were captivated by them, and as you continued staring, his cheeks turned rosy red, though it seemed like he could not break away from you either. That moment was abruptly cut short, as his father smacked the back of his head, chiding his son for disobeying him.

“Come along now, Leon.” The older man wrapped an arm around the boy’s shoulders, turning him away from your direction.

Leon. So, that was his name. As you watched them turn the corner at the end of the street and head off, you wondered if and when you’d see him again.

━━━━━━━━━━━

Leon had heard the stories passed around about you. His parents had often commented about your family as being one of those ‘weird, hippy types’. Frankly, this didn’t scare him, but rather, it fascinated him. They made you appear like something he had read in a book about myths and legends, and he wanted to see if it was real.

The next time he went out to play in the field, he walked by your place again on purpose, even though it would have been the longer route. As he had predicted, you were up in the tree again, lounging across its branches with your eyes closed, like a slithery snake basking in the sun. Your dress was stained with grass and dirt, and your feet were soiled and filthy. Twigs poked out haphazardly from your knotted, messy hair.

You looked like a creature of sorts, alright, he thought.

He inched towards the base of the tree trunk gingerly, trying not to stir the sleeping beast. But as he got closer, he accidentally stepped into a pile of dead leaves, which crunched underfoot.

You roused from your slumber then, rubbing your eyes as you stretched your arms out with a lazy yawn. He flinched when you looked downwards at him, as if you might strike out, but you just smiled and said, “Hi.”

He was confused then. From the descriptions of you, he had expected you to breathe fire and gnash your teeth at him fiercely, but you were just a normal girl. He gave you a puzzled look, nodding as he greeted you with a stutter, “Hi… I-I’m, uh, Leon.”

“I know.” You grinned.

“You do?” He looked astounded, as if you’d conducted some dark ritual to find out.

You picked up on this and teased him, wiggling your fingers as you mouthed, “Magic…”

He laughed, relaxing his stiff shoulders and asking you for your name. He’d only known you until now as that girl, or one of those nicknames people gave you out of spite.

You introduced yourself and offered him a half-eaten apple you had munched on before napping on the tree. He hesitated at first, regarding it as if it were a forbidden fruit, but eventually he reached out for it. Gratefully, he bit in, savoring the flavorful burst of its juicy flesh.

“Do you go to church?” He asked suddenly, out of the blue.

Shielding your eyes from the afternoon sun with your hand, you squinted at him. “Yeah, why?”

“Oh.” He paused, considering his next words, though he blurted out with unfiltered honesty, “Well, my dad said that demons can’t enter hallowed ground.”

“I’m not a demon,” you huffed indignantly.

“No, you aren’t,” he agreed, waving his hands in the air apologetically, trying to salvage the situation. “I think you’re nice, actually.” His face was warm and pink again.

“I think you’re nice too.”

And it continued on like this. Some days, he’d pop over to visit and speak with you from below the tree, when he was sure no one was watching. Until a day came where he wasn’t as careful, and was spotted by a concerned neighbor, who ratted him out to his parents.

You were sad that he wasn’t allowed to see you again, but you’d grown used to being alone for most of your childhood, so you tried to put it behind you and move on, unaware that he’d often look out for you at each week’s Sunday Mass.

━━━━━━━━━━━

A number of years passed, and you filled out into your own body. You were in your senior year of an all-girls Catholic high school, and had recently turned 18. Reaching womanhood also meant that you became acutely aware of the changes in the way society treated you now, as compared to the opposite sex. Heads turned as you stalked around with one of the more unruly cliques in your school. Instead of being name-called after otherworldly creatures, you were reduced to bitch, slut, or whore.

People hated what they couldn’t understand or control. You’d been giving the nuns a hard time by asking controversial questions about the biblical text you were meant to study and recite blindly. Detention was nothing new to you and your friends, whom you’d been caught smoking cigarettes together with on school grounds. You were a rebel at heart, and the rest of the law-abiding community wanted to crush that and make you conform.

Leon, on the other hand, had been going to the all-boys school next door, which shared a brother school relationship with yours. He was in the same year and age as you, though being a man meant he had the privilege of getting away with certain things you couldn’t. Even there, your name wasn’t safe from being circulated around the rumor mill. You were the subject of boys’ locker room talk. They associated you with the ‘bad girl’ crowd, highlighting your love for reading banned books and boasting about supposed sexual escapades with you.

“She’ll do favors,” they said, making vulgar gestures by moving their fist back and forth in front of their mouth, while poking their tongue against their cheek.

Leon slammed his locker door shut and stormed off. It made him uncomfortable that they gossiped about you that way, but he was even more ashamed of the fact that he made no effort to stand up for you. He hardly knew you, but it didn’t take a genius to figure out that what they were doing was finding a scapegoat to blame. That, unfortunately, time and time again, happened to be you.

Most of the students there were sexually active anyway, but no one had complained about them. As long as one kept things on the down-low and upheld a certain moralistic façade, they were considered as ‘innocent’, ‘pure’, or ‘normal’ even. For one, he was pretty sure that his father was having an affair with the church choir mistress, but that seemed to go overlooked.

Everyone’s such hypocrites, he pondered, frowning in distaste. Including himself. Although he liked to think that he was brave and courageous, in actuality, he was afraid of rocking the boat. Fitting in was more important, just as his parents had taught him from a young age. It was the side of him that he hated the most, but could not get rid of.

Gathering his belongings, he left school and hurried off. He’d been requested last-minute to serve at Mass that evening, as one of the other altar boys had fallen ill. At church, he exchanged his school uniform for the standard black cassock and white surplice, before starting with the Introductory Rites.

You, on the other hand, had been singled out along with a bunch of other troublesome girls to attend Evening Mass with the Mother Superior that day. It was just your luck that you had to devote an hour of your time to a set of outdated rituals and prayers, with the aim of reflecting upon your sins. The most frustrating part of this exercise was that all of you were placed in the front row pews, so there was no chance of daydreaming or dozing off in front of the priest. You’d never been much of a believer, but sometimes you did speculate if God was watching your every move from above.

As you stood up for the entrance procession, which signaled the start of Mass, a familiar mop of dirty blonde hair and dazzling blue eyes passed by. You’d recognize that anywhere, but it was a wonder how you hadn’t realized that he was serving as an altar boy all this while. Maybe your Mass timings hadn’t aligned? Or maybe you just never paid much attention in church. You’d only seen him here and there when he attended Mass with his family as part of the congregation, but you ignored him back then, because you didn’t want to remember the feeling of losing the closest thing you had to a friend in your pre-teen days.

When Leon turned around to face the congregation for the greeting, he gulped as he saw you, standing almost directly in front of him as both of you made the Sign of the Cross. Speak of the devil, he muttered internally, before chastising himself for unintentionally insulting you and shook that thought away.

You gave him a coy smile as he scampered off to where he was meant to be stationed. For the first time in a while, you took the chance to admire his chiseled features and how much he had grown. He had always been attractive, but he was no longer the little boy you used to know, and instead now a fine, young man, in an even finer religious attire. Puberty did him good, you mused.

All at once, a mischievous plan flashed across your mind as you plotted how to win his attention. It would be an entertaining way to pass the time in this mundane institution. Viewing the school uniform as yet another means for the authorities to curb people’s freedom and creative expression, you had a habit of violating the dress code by making minor adjustments to it. Whether it was shortening the hem of your skirt or wearing below the ankle socks, you went for it. And today was no exception.

You waited until it was time to be seated before attempting to catch his gaze. Within a few minutes, he sneaked a peek your way and you stifled a laugh. Bingo. As you continued looking straight at him, you stretched your legs out cautiously, so as not to alert the Mother Superior, who sat beside you, to your antics. His eyes widened and flickered, as you showed off their length, rotating your ankles in small circles languidly. The other altar boys started to take note and whispered in hushed tones amongst themselves. But you only had eyes for Leon, scrutinizing him like a hawk, as you bared your teeth with a sly grin plastered across your face.

It was only a matter of time before the Mother Superior rapped you on the legs with a thin, wooden cane she carried around for doling out such punishments. The other girls in your row giggled as you returned your legs to a respectable position, disregarding the smarting pain that had accompanied the blow.

It was worth it, you reasoned, spotting Leon’s lopsided smile, as he turned away to hide his blush.

This soon carried on like an unspoken game between you and Leon. You’d attend Mass whenever he was serving as an altar boy, and he’d look out for you, exchanging glances like a secret code shared between the two of you. A sense of thrill arose within him each time, as to what you’d try next. If only he knew what you were capable of.

At some point, you grew bolder. During the Holy Communion, where Leon had been helping the priest to hold the patina under the chins of those who received the Sacred host, you made sure once again to make eye contact with him the whole way through. Your mouth was slightly agape, as you extended your tongue, clasping your hands together in a pious prayer position. When the priest placed the host in your mouth, you swallowed it suggestively, licking your upper lip for a finishing touch. Leon nearly stumbled over backwards as his face turned bright red like a tomato. The last thing he heard was your silvery laughter, and you returned to your seat as if nothing had happened. You had ensnared him now.

When Mass ended, you slipped him a note, asking him to meet you at the confessional when everyone else had been ushered out. You knelt in the penitent compartment, waiting for him to arrive, confident that he would show up. A few minutes later, you heard someone enter the booth where the priest usually sat.

“Bless me, Father, for I have sinned,” you began. Through the latticed screen, you could just about make out Leon’s face as he chuckled.

“What are you playing at?”

“You tell me,” you challenged, testing the waters. “I haven’t received any complaints.”

“Well, I have a question,” he mentioned quietly. “Do you still remember when we hung out back then? At the tree.”

There was pang in your heart, as you recalled your childhood memories. “Of course, you were the only one who bothered to speak to me.”

You pursed your lips before taking the plunge. “I really appreciated that.”

There was a momentary pause, as he took your words in. “I wish they didn’t separate us.”

“It isn’t too late to start over.” It was humiliating how eager you sounded. No matter how much you tried to repress it, you yearned to rekindle that connection you had with him once.

“Listen, I like you,” he admitted, sighing heavily. “But, I can’t go public with this. My parents-”

“Who says it has to be public?” You retorted defensively.

His heartfelt confession emboldened you, yet a part of you felt dejected that this was the best option he could offer. However, you didn’t want to concede without giving it a shot.

He made a noise which sounded like he was in disbelief. “You mean-”

“Shall I come over and show you?” You interrupted, already getting up before he could answer.

“Y-yeah,” he stammered. “I-I’d like that, I guess.”

Exiting your compartment, you stepped out and swiftly went over to where he was, closing the door behind you. It was crammed and stuffy in this tiny box with two people, but beggars couldn’t be choosers. Giving him a once-over, it struck you that he was still in his altar boy attire and perhaps what you were about to do was wrong on so many levels, but you brushed those thoughts aside.

“Um-”

Before he could speak any further, you ran your hands up along his chest and planted your lips onto his, soft and pillowy in texture. He let out a low moan, easing into your embrace as he kissed back, holding onto the back of your head for better leverage. His tongue grazed across your lips and you parted them in response, allowing it to slip inside as you tasted each other. Grabbing the collar of his cassock, you pressed your bodies together heatedly. You sucked on his tongue, eliciting another moan from his throat, as you shuffled him around, pushing his back against the wooden wall with a loud thud. Both of you had lost yourselves in a whirlwind of kisses, oblivious to the outside world and the ruckus you were making.

However, it was hard to ignore the hymn that was being sung when the next Mass started. Leon froze, before pulling away hastily. His mouth was red and swollen, and a pearly string of saliva connected it with yours.

“Shit, we lost track of time,” he panted.

If you didn’t want to be seen, you’d need to remain where you were until the Mass ended. In other words, both of you were trapped here for at least another hour.

Not being one to let such matters ruin the vibe, you responded, “That’s not a problem for me.” Trailing a lone finger down Leon’s body seductively, you let it come to rest above the growing bulge in his cassock.

“Are you serious?” He breathed, as you cupped your hand around it, palming him through his clothes.

“You got a better idea?” You murmured in his ear, squeezing his erection a little as you continued rubbing against it.

“Don’t get me wrong, it feels amazing.” His voice was strained as he spoke. “But, it’s just…”

“Catholic guilt?” You teased.

“Yeah, probably.” He nodded sheepishly.

“Well, maybe if we get you out of this thing.” You gestured to his attire. “You might relax into it more.”

“Makes sense,” he agreed, tugging the surplice over his head and discarding it to the ground. “Though it never really goes away, does it?”

You shrugged, shaking your head. “I still get it, but it’s less of an issue now.” It made you follow up with a question of your own. “Does that mean I’m a bad person?”

His eyes crinkled as he grinned. “You're doing it again.”

“Hm?”

“Guilt,” he indicated. “But to answer your question, no, I don’t think you’re a bad person.”

“Doesn’t matter anyway.” You tried to deflect the topic, knowing the rumors that people spread about you. Leon had probably heard it all. “At least there’s still hope for you.”

“Thanks?”

“Don’t thank me yet.” You winked, removing the sash from his cassock as he unbuttoned the rest of it, revealing a plain white shirt and a pair of shorts underneath.

He snickered as you clucked your tongue at the sight. “What did you expect me to do? Go Commando?”

“Would’ve been hot,” you pointed out.

Leon had always been perceptive. From your interactions, he began to suspect that sometimes you relied on lighthearted banter as a way to mask your nervousness and other underlying emotions.

Nestling his fingers under your chin, he turned you towards him. “You sure about this?”

“Mm hm.” It was sweet of him to check in. Most guys never offered you the same courtesy. “Been thinking about it since Communion,” you added brazenly.

He snorted as you gave him a quick peck on the lips. Working your way down, you kissed his clothed body, pulling the waistband of his underwear and shorts to his ankles. Kneeling before him, you reached for his cock, smearing beads of his precum carelessly along his velvety skin, while you pumped his hot shaft slowly.

He inhaled sharply, snapping his eyes shut, as he tilted his head back in pleasure. In the background, you could hear the priest’s sermon droning on.

With a smug smile, you warned, “Do me a favor and try to keep it down, will you?”

Before he had a chance to react, you filled your mouth with his cock, sliding all the way down its hardened length.

“Jesus,” he groaned.

Instantly, you released it with a pop and tutted in mock disappointment, “Taking the Lord’s name in vain?”

“We’re so going to hell for this,” he laughed faintly, tangling his hands in your hair.

“Ah-” He gasped again, as you held onto the base of his cock, lifting it to flatten your tongue on its underside. Slathering it with saliva, you took his balls into your wet mouth, one at a time, sucking on them delectably. “Fuck!”

“Don’t you ever shut up?” You joked.

“Not if you keep doing what you’re doing, angel.”

Angel. That was a new one. You’d never been called that before, but you liked the sound of it.

Wrapping your lips around his cock, you started a steady rhythm, bobbing your head up and down his shaft. Each time you came up, you flicked your tongue at the tip, licking it as you stared up at him. His eyes flew open, gazing at you with lust and arousal while you sucked him off more vigorously.

Sliding his cock in deeper, you allowed it to hit the back of your throat, causing you to make a guttural noise. Clenching his fist, he bit down hard on his knuckles to stop himself from crying out. If this was hell, he’d stay right here with you. He couldn’t think straight anymore, as he bucked his hips forward in response.

Grabbing his ass, your fingernails left crescent shaped indents on his skin, as you let him fuck your mouth to chase his high. Tears lined your eyelashes and sweat poured down your brow. It had gotten incredibly hot and humid in this enclosed space. But his muted moans only served to turn you on even more. You wondered how perverse and trashy you looked in this position, though Leon could only mumble the opposite in his feverish state.

Soon, he tensed and quivered while hissing through gritted teeth, “God, I’m gonna cum.”

Lady Luck appeared to be on your side, as the congregation were in the middle of singing another hymn, which inadvertently muffled whatever sounds were coming from the confessional. He struggled to hold in his groans as you felt a thick, salty load of his cum wash up against your throat. You choked a bit before swallowing it whole.

Collapsing backwards, you leaned against the cool surface of the seat behind you, wiping the edges of your mouth. Tucking his spent dick back under his clothes, he sank down beside you, kissing you gently and tasting himself on your lips.

“You ok?” He brushed his thumb along your cheek.

You nodded silently and smiled, contemplating if there would be a future to what you had with him now.

“I ruined you,” he jested, showering you with kisses along your jawline.

“As if.” You rolled your eyes, but deep down, you knew it was the truth.

And, just like he had read your mind, he uttered the magic words, “So, when will I see you again?”

━━━━━━━━━━━

Since the encounter at the confessional, you continued your clandestine meetings with Leon, just like back in the old days, except both of you were now wiser in covering your tracks. In public, you pretended not to know each other, yet shared furtive, longing glances when you were in the same vicinity. Sometimes, he would make an excuse to brush past you, his touch ghosting across the curve of your spine, your shoulders, the back of your hand to the tip of your pinkie finger. Away from prying eyes, you hooked up passionately, damning each other further to hell. How many levels were there again? You’d lost count.

You enjoyed the moments spent with him. The aftercare and cuddling. The long talks into the night. You understood each other somehow, it wasn’t like this with other people. So, if the Day of Judgment arrived, why would God not sympathize with you both?

Despite that, neither of you had put a label on where you stood with each other. How did this secret relationship work? If you were found out, would he ditch you like before? Would you be thrown under the bus, so that he could be purified again? It wasn’t long until insecurity reared its ugly head, gnawing at you from within.

Leon sensed something was off as you lay in his arms, naked while he spooned you in the back seat of his car, parked along a desolate dirt path near the forest. You had that pensive look on your face, like you were in a world of your own, one where he couldn’t enter.

Pulling you close to him, he kissed the top of your shoulder, coaxing you out of your reverie. “Wanna talk about it?”

You hummed noncommittally. After a long pause, you asked, “Are you embarrassed by me?”

He was caught off-guard by the question and his breathing stilled. “No,” he argued. “Why would you think that?”

“I’m just tired of hiding,” you sighed. “It’s like I’m making you do something bad.”

There was a brief ache in his chest, as guilt swelled up like a wave. Coward, an inner voice spat.

Carding his fingers through your hair, he pressed his lips against the temple of your head. “You make me feel like the best version of myself.”

“Hm.” You pinched your lips together, wanting to believe him, but you weren’t convinced.

He observed this, but decided not to press the issue any further, knowing that you needed action, not words.

She’ll be your downfall. A surly voice piped up within him, like fire and brimstone. He shook it off, ignoring the moral tug-of-war that had occurred once he made that statement, as he vowed to prove himself to you in the coming days.

━━━━━━━━━━━

The next time you’d agreed to meet was in church, after the very last Mass of the day. He was serving as an altar boy again, and you were intrigued as to whether he had planned to reenact the entire confessional scene or switch it up with something new, like making you go through the Stations of the Cross while fucking you. You giggled at the idea, only to be shushed by a fellow parishioner, whom you had disturbed in meditative prayer.

When Mass ended and everyone except yourself had left the nave, you waited patiently for him in the pews. After a while, you felt a tap on your shoulder and turned around to face Leon, who had changed into his casual clothes. As you got to your feet, he cupped the sides of your face in his hands, closing the distance, and bringing your lips to meet his in a fervent kiss. You were slightly taken aback by his initiation, since he was usually the shyer one out of the two of you.

Claiming your hand in his, he led you to the front, where the altar stood before the austere crucifix that hung from the wall. He smirked, noticing the look of shock and incredulity on your face, as it gradually began to dawn on you what he had in mind. However, he was anxious too, you could tell from the way his hand was trembling. He was sealing his fate, and you were both going down together. Nothing could bring you back after this ultimate act of blasphemy.

At the foot of the altar, he caressed his lips against yours. “I guess God is our witness now.”

Leaning in, you found yourselves consumed in a lip lock, which deepened with each passing second as you helped each other out of your clothes, kicking them off unceremoniously to the side. He spun you around, bending you forward against the smooth, marble top of the altar. The cold surface caused your nipples to harden and goosebumps to form on your skin. You shivered as he spread your legs wider apart and knelt down, holding your thighs as he licked a firm stripe along your silken folds.

As he continued to lap at the sensitive flesh, he brought a hand towards your clit, stroking it softly with his middle finger. You jerked from the sensation, whimpering as he alternated between thrusting his tongue into your heat and suckling it with his lips. There was a slight pressure as you felt one of his fingers sliding into your pussy, already soaked with arousal. At the same time, his tongue trailed up towards your rim, teasing it with long, flat licks.

“Oh my god!” You gasped, gripping the edge of the altar, as an electrifying tingle coursed through your veins.

There was a playful smack on your ass. “Forgotten the Third Commandment already?” Leon scolded.

“Huh?”

“Taking the Lord’s name in vain,” he mimicked your tone from when you had teased him at the confessional.

“Ugh,” you whined. “I’m sure this is the least of our concerns.”

You felt his hot breath against your asshole before he dipped his tongue in lightly. Simultaneously, he pumped your pussy, pushing in another finger and stretching you out, before his tongue went back to circling around your rim, inciting a string of moans from your mouth.

“Feeling good?”

“Mm, yes,” you replied hoarsely. “But when are you going to fuck me?”

He coughed out a laugh at your bluntness, before imparting a piece of unsolicited advice. “Patience is a virtue.”

You groaned at his quip. “Really, Leon? Are you-”

He interrupted rudely, pressing his hand on your back as he entered you, burying his cock deep into your cunt. You nearly screamed in ecstasy as he pounded his hips against your ass repeatedly, already setting a brutal pace from the beginning. Maybe you should’ve been careful of what you wished for.

“What was that again?” He taunted.

You growled, clenching your jaw as you felt his dick dragging against your sensitive walls. The lewd sound of skin slapping against skin echoed across the space. Your mind fogged up in an insatiable haze as you pushed back rhythmically against his thrusting, allowing him to penetrate you further, and taking pleasure in how his head brushed against your cervix with each stroke.

“So close,” you rasped, your core tightening as if it was about to burst.

At this, he pulled away briefly, flipping you over as he lifted you onto the altar top. He had a bruising grip around your thighs, which you wrapped around his waist instinctively, interlocking your ankles behind his back to draw him closer. Bewitched, he took a moment to drink in the divine sight of your flushed, moist body, supple and wanting in his arms, before kissing you sloppily on the mouth. Pressing his forehead against yours, he asserted, “You don’t know what you do to me, angel.”

With that, he rutted into you relentlessly, your breasts bouncing as you clung to the back of his neck, crying out in rapture. When you finally snapped, a glimmer from the gold cross necklace he wore daily flashed before your eyes. You looped your index finger around it, tugging at it as you peered up at the bleeding face of Christ looking down at you ominously from the crucifix. The last remains of the day’s light filtered through the stained glass behind him, casting a kaleidoscope of mottled colors across your bodies, the altar and the stone floor, like a disease.

You realized you had tempted Leon beyond salvation. But in spite of it, he had followed you willingly. This was the proof he had wanted to show you. You were the angel he would desecrate everything for. He’d cut your wings off so you’d be his and stay.

His cock throbbed with desire as he rode you through your orgasm. As he neared the edge, he pulled out, finishing himself off. Nuzzling his face into your neck, he murmured a mixture of curses and professions against your skin, while spurting hot white cum over the mound of your pussy. Holding onto the marbled structure for support, he bent over you, placing tender kisses on your eyes and your lips.

It seemed as if he had turned his back on God and worshiped you now. But instead of a guilty conscience, you felt nothing but love. Silently, both of you cleaned up and got dressed. He delicately reattached the butterfly clip that had come loose in your hair, while you wiped away the lipstick that had smudged onto his face. There would be no signs of what had transpired, except he had another surprise lined up for you.

Upon exiting the church doors, Leon took your hand, lacing his fingers through yours, as you walked out onto the street together. You were his - he’d show you off to the whole damn world without shame.

#leon kennedy x reader #leon kennedy x you #leon kennedy #leon kennedy smut #leon kennedy fluff #religious au #church au #resident evil #porcelainscribbles

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burst-of-iridescent · 3 months

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South Asian and Hindu Influences in ATLA (Part 1)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

it's well-known that atla draws from indigenous, east and southeast asian influences, but something i rarely see discussed in the fandom is the influences the show takes from hinduism and south asia, and there are actually far more than i think people are aware of.

so here's a (non-exhaustive list) of the main inspirations atla drew from south asian culture and hinduism, starting with...

The Avatar

the title of the show itself is taken from the ancient language of sanskrit, often considered the sacred tongue of the hindu religion. in sanskrit, the word "avatar" means to "descend" or "alight".

the concept of the avatar is a very old one, referring to the physical incarnation of a powerful deity or spirit. the idea of the avatar is most often linked to the god Vishnu, one of three supreme hindu gods collectively called the trimurti, or trinity. the avatar is said to manifest upon earth primarily in times of great need, when balance must be maintained between the forces of good and evil.

atla borrows heavily from this idea in having aang be the incarnation of a divine spirit who returns to the world during a time of immense strife, and is tasked with defeating a great evil to bring balance back to the world. and though i don't know if it was an intentional reference, it's interesting to note that Krishna, the most famous incarnation of Vishnu was also reborn amidst a fierce storm and carried through a raging sea to a new home where he would be protected from the king who sought to kill him. sounds a little familiar, doesn't it?

Agni Kai and the Philosophy of Firebending

the word "agni" derives from the sanskrit name Agni, the god of fire, though it can also generally mean "fire".

the concepts of lightning bending and the sun being the source of firebending are likely also taken from the idea of Agni, since he's said to exist simultaneously in three different forms on three different dimensions: as fire on earth, as lightning in the atmosphere, and as the sun in the sky.

Agni is a significant aspect of many rituals, including marriage rites, death rites, and the festivals of holi and diwali. the concept of Agni is one of duality: life and death, rebirth and destruction. hindu rituals accept and celebrate both aspects, revolving around the idea that destruction is not separate from creation, but rather necessary to facilitate it. the cremation of the dead, for instance, is seen as purification, not destruction: burning away the physical form so the soul is unencumbered, set free to continue the reincarnation cycle.

this influence can be seen in the firebending masters episode, which discusses the idea of fire being vital to life. the sun warriors safeguarding the original fire and demanding that zuko and aang bring fire to the dragons as a sacrifice could also reference the ritual of Agnihotra - the ritual of keeping a fire at the home hearth and making offerings to it. the purpose of this ritual differs depending on which text you refer to, but it is generally believed to purify the person and atmosphere in which it is performed, similar to how zuko and aang must make offerings to ran and shaw and survive their fire before being deemed worthy and pure.

Agnihotra is said to serve as a symbolic reminder of the vitality and importance of fire as the driving force of life, a lesson that zuko and aang also internalize from their encounter with the dragons.

Bumi

bumi's name is taken from the sanskrit word "bhumi", which means "earth". it's also the name of the hindu goddess of the earth, bumi or bhudevi.

one of the things the original animation didn't do and which i really enjoyed about the live action was that they made bumi indian and added desi inspiration to omashu. it makes perfect sense for a king whose name is as hindu-inspired as they come.

NWT Royal Palace

chief arnook's palace in the northern water tribe takes inspiration from the gopurams of hindu temples, massive pyramidal structures that served as entrance towers to the temple.

gopurams were built tall enough to be seen for miles around, beacons to signal tired or weary travellers who wished for a place to rest that a temple was nearby. it's a nice touch that the chief's palace is located in front of the spirit oasis, a similarly symbolic entryway to a sanctuary housing otherworldly deities.

Betrothal Necklaces

to preface: i doubt this was an intentional reference, and this great post talks about other cultures that could have inspired the water tribe betrothal necklaces. given the desi influence in the nwt architecture however, i figured it was worth mentioning.

the idea of betrothal necklaces being given to women by their male partners is similar to the thaali, a necklace given to hindu wives by their husbands. during hindu weddings, grooms tie the thaali around their brides' necks to symbolize their marriage. once given, wives are expected to wear their thaali till the day they die, as doing so is believed to bring good luck, health and prosperity to their husbands.

Chi-Blocking

though chi-blocking takes primary inspiration from the art of Dim Mak, it is also influenced by the south indian martial arts forms of adimurai and kalaripayattu, both of which include techniques of striking vital points in the body to disable or kill an opponent.

kalaripayattu also shares parallels with firebending, being a very physically demanding, aggressive martial art that emphasises the importance of discipline and mental fortitude. control of the mind is essential to control of the body, a philosophy similar to that espoused by iroh across the show.

Wan Shi Tong's Library

the library draws inspiration partly from the taj mahal, the famous mausoleum constructed by shah jahan during the mughal empire as a monument to his beloved wife, mumtaz mahal.

i'll end this post here since it's getting too long as it is, and the following section will be even longer. for while atla treated the concepts in this post with respect, the same unfortunately cannot be said for its depiction of guru pathik and combustion man - both of which we'll be discussing next.

#atla #avatar the last airbender #atla cultural influences #hinduism in atla

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sunkissed-zegras · 27 days

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manager y/n when p tore her acl

𝐉𝐄𝐑𝐒𝐄𝐘𝐒, 𝐋𝐔𝐂𝐊𝐘 𝐂𝐇𝐀𝐑𝐌𝐒 & 𝐂𝐎𝐎𝐊𝐈𝐄𝐒 ─ PB⁵

─ word count | 1.6k

─ warnings | paige being emotional, mention of her injury:(, but of course some cute moments with team/paige!!!!! they're still in a secret-ish relationship sooooo yeah

"I KNOW, I'M sorry baby," you mumbled as you pulled Paige closer to your chest, your heart breaking at the sound of her sniffles.

It had been almost three weeks since Paige's ACL injury and it'd been pure torture for the both of you. Seeing her so broken and helpless made you feel just as worse, you'd never seen like this before. She was usually the epitome of strength and determination, especially on the court where she usually was the star of the game.

As the manager, you were used to being on the sidelines, supporting Paige and the rest of the team in any way you possibly could. But now, with Paige sidelined due to her injury, your role took on a different meaning. You became her primary source of support as her secret-ish girlfriend, helping her through the tiring physical therapy sessions, cheering her up when the frustration and pain became too much for her.

Tonight, as Paige laid against you, her tears dampening the fabric of your shirt, you couldn't help but feel a surge of helplessness. You wanted nothing more than to take away her pain, to magically heal her injury and see her back on the court doing what she loved most. But all you could do was hold her close, offering whatever comfort you could muster.

"I hate seeing you like this," you whispered, pressing a gentle kiss to the top of her head. "But we'll get through this together, I promise."

Paige sniffled, lifting her head to meet your gaze, her eyes red-rimmed and filled with hurt. She was sure she'd cried more these last three weeks than she has her entire life. "I feel so damn helpless,"

You brushed away a stray tear from Paige's cheek, your heart aching at the sight of her pain. "I know, baby," you murmured, your voice barely above a whisper. "But you're strong, P. Stronger than you think. And I'm right here with you, every step of the way."

Paige's lips quivered as she reached for your hand, intertwining her fingers with yours as if seeking comfort in your touch. "I don't know what I'd do without you," she admitted, her voice barely above a whisper. "You've been my rock through all of this bullshit."

A bittersweet smile tugged at the corners of your lips. "And you've been mine," you confessed, feeling the weight of your love for her settling like a warm embrace around your heart.

"You'll get through this," you reassured her, your voice steady despite the turmoil in your heart. "And when you're back on that court, you'll be stronger than ever. I believe in you, baby."

Paige's eyes shimmered with unshed tears, but this time, they held a glimmer of hope. "Thank you," she whispered, leaning in to rest her forehead against yours. "I love you."

"I love you too," you replied, your voice barely above a whisper as you held her close, as she relaxed into your touch.

──

"And there she is, folks! Paige Bueckers, the heart and soul of the UConn team, back where she belongs! It's been nearly three months since her injury sidelined her, but tonight, she's back in action, ready to reclaim her place on the court! You can feel the energy pulsating through the arena as she prepares to take her first steps back into the game she loves."

You sat beside Geno, a proud smile on your face as you watched Paige dribble the ball down the court with a renewed sense of purpose. You wore her jersey proudly, her name and number plastered on the back as you felt a swell of pride in your chest. It wasn't just any jersey; it was Paige's jersey, a symbol of your unwavering support for her, both on and off the court. You wore it proudly, knowing that you were her biggest supporter.

"Look at her go," Geno remarked, his voice filled with admiration. "She's been working hard to get back and now she's finally here. It's like she never missed a beat."

"That's P for you," you laughed, unable to tear your eyes away from the electrifying spectacle unfolding before you.

Geno nodded, a proud smile playing on his lips. "That's our girl," he declared, his voice brimming with pride. "She's a fighter, through and through."

As the game progressed, Paige continued to dominate the court, her skill on full display for all to see. With each basket she scored, the crowd erupted into cheers, their adoration for Paige evident in their loud applause.

Beside you, Geno glanced over and offered you a knowing smile. "You wear that jersey well," he remarked, his tone filled with admiration. "Thank you."

"For what?" You couldn't help but blush at his words, feeling a sense of validation wash over you.

Geno smirked as he wiggled his eyebrows, causing you to snicker. "For helping our girl get back out there, for being her rock during all that, and for always having her back," Geno replied, his voice filled with sincerity. "You've been a crucial part of her journey, and I know she's grateful to have you by her side."

You felt a swell of pride at his words, knowing that your support for Paige hadn't gone unnoticed. "I'll always be here for her," you replied, your voice filled with conviction. "No matter what."

Geno nodded, his expression reflecting a mixture of respect and gratitude. "I know you will," he said, his tone firm. "And I couldn't be more grateful to have you on our team."

"Aw, Geno, don't get all sappy on me," you joked as he sighed, shaking his head before turning his head back to the game. "Thanks, Grandpa."

Geno chuckled at your playful jab, shaking his head in amusement. "I'll let that one slide, just this once," he replied, a twinkle of amusement in his eyes. "But one more and I'm exposing you and Paige,"

You sent him a glare as he side-eyed you, watching your reaction with a smile. "Shut up,"

"Mhm, that's what I thought," Geno replied, his grin widening as he turned his attention back to the game.

As the game continued, you cheered alongside the rest of the crowd, your heart swelling with pride every time Paige made a cool play. She was more than just a player to you; she was your girlfriend, your confidante, your everything.

And as the final buzzer sounded, signaling another victory for the UConn Huskies, you couldn't help but feel a sense of excitement wash over you. It wasn't just a win for the team; it was a win for Paige, for everything she had overcome to get to this moment.

As you made your way down to the court to congratulate Paige, her eyes lit up with joy at the sight of you wearing her jersey. She pulled you into a tight embrace, her arms pulling you closer to her chest ─ you could practically feel everyone's eyes on the two of you, but you didn't care.

"You're my lucky charm," she murmured, her voice filled with emotion. "I couldn't have done it without you."

You felt your eyes begin to water with emotion as you returned Paige's embrace, holding her tightly against you. "You don't need luck when you've got talent like yours," you whispered back, your voice choked.

The crowd's cheers faded into the background as you and Paige stood locked in each other's arms, the world around you seeming to disappear. In that moment, it was just the two of you, united in your love.

As you finally pulled away from the embrace, you cupped Paige's face in your hands, gazing into her eyes with overwhelming affection. "I'm so proud of you,"

But before you two could really relish in the moment, KK's words rang out loudly. "Guys, hurry up we need to take a picture!"

Paige laughed before she pulled you closer, throwing an arm around your shoulders as you made your way toward the team. The moment between you and Paige might have been interrupted, but the excitement that filled your heart remained untouched.

As you joined the rest of the team for the picture, you felt a sense of belonging wash over you. These were more than just teammates; they were your family, bonded by a shared passion for the game and a deep-seated camaraderie.

Before you could even process it, Paige lifted you up in her arms bridal style, eliciting surprised laughter from you and cheers from the rest of the team. You wrapped your arms around her neck, feeling a rush of exhilaration as you found yourself enveloped in her strong embrace, laughter bubbling up from deep within you.

You both turned to the camera, genuine grins on your faces as the camera snapped. As the camera clicked, you couldn't help but marvel at the whirlwind of emotions coursing through you. Here you were, lifted off your feet by the love of your life, surrounded by your family, and immortalized in a photograph that would forever hold a special place in your heart.

Paige gently lowered you back to the ground, her arms still wrapped securely around you before she pulled you into a strong embrace. And once again, you were interrupted by Ice's voice.

"Y/N, where are the cookies you made?"

You couldn't help but laugh as Ice's voice broke through the moment once again, her question catching you off guard. Paige joined in your laughter, her arms still wrapped around you in a tight embrace.

"Wait, Y/N made cookies?" Geno's voice perked up as he looked around. Soon enough, the entire team was gathered around you, their curiosity piqued by the mention of cookies.

"They're in my bag-"

"Found them!" KK shouted as the team rushed over to KK.

Paige sent you a look as you laughed. "These fatasses,"

You rolled your eyes as you both pulled away from the hug, walking toward the team.

↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !

↳ thank you for reading all the way through, as always ♡

#paige buckets #paige bueckers x reader #paige x reader #paige bueckers #paige bueckers smut #paige bueckers fanfiction #paige bueckers x oc #paige bueckers fic #paige bueckers headcannons #uconn huskies #uconn #uconn wbb #uconn women’s basketball #wbb x reader #wcbb x reader #wcbb #uconn wbb manager ★

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wheelsgoroundincircles · 1 month

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Ford GT40

The Ford GT40 is one of the most iconic cars in automotive history, renowned for its dominance in endurance racing during the 1960s. Here's the full story:

Origins:

In the early 1960s, Henry Ford II, known as "Hank the Deuce," was determined to beat Ferrari at the 24 Hours of Le Mans, the world's oldest active sports car race. Enzo Ferrari had rebuffed Ford's attempt to buy the Italian company, which led to Ford's determination to defeat Ferrari on the racetrack.

Development:

Ford tasked its newly acquired subsidiary, Ford Advanced Vehicles, with developing a car capable of winning Le Mans. The project was named GT (for Grand Touring) with the intention of building 100 road cars to homologate it for racing. Carroll Shelby, who had been involved in motorsports and had success with the Shelby Cobra, was brought in to manage the racing program.

GT40 Mark I:

The first iteration of the GT40, known as the Mark I, debuted in 1964. It was powered by a 4.7-liter V8 engine and showed promise but faced reliability issues.

GT40 Mark II:

Ford made significant improvements with the Mark II, featuring a 7.0-liter V8 engine, and refined aerodynamics. In 1966, Ford achieved its goal when the GT40 Mark II, driven by Bruce McLaren and Chris Amon, won the 24 Hours of Le Mans, marking the first time an American car had won the prestigious race outright.

GT40 Mark III:

In 1967, Ford introduced the GT40 Mark III, a road-going version of the race car. It featured a more luxurious interior and was intended for homologation purposes.

Continued Success:

The GT40 went on to win the 24 Hours of Le Mans three more times consecutively from 1966 to 1969, solidifying its place in motorsport history. Notably, the 1967 race saw an all-American victory with the GT40 Mk IV driven by Dan Gurney and A.J. Foyt.

Legacy:

The Ford GT40's dominance in endurance racing and its rivalry with Ferrari became legendary. It remains an icon of American automotive engineering and a symbol of Ford's determination to compete at the highest level of motorsport.

Modern Resurrection:

In the 2000s, Ford resurrected the GT nameplate with the Ford GT, a modern supercar inspired by the original GT40. The new Ford GT debuted in 2004 and again in 2017, paying homage to its predecessor while showcasing cutting-edge technology and performance.

#ford gt40 #gt40 #Ford #car #cars #muscle car #american muscle

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cobragardens · 8 months

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The Colors of Crowley

Black is the color Crowley uses to cover himself, red is the color that represents Crowley to himself, and yellow is the color that represents Crowley to Aziraphale. What each color symbolizes and how it's used give us important information about Crowley (and to some degree Aziraphale) and about the ineffable relationship.

I feel kind of dumb writing this post because I'm sure it's glaringly obvious to everyone else, but there's this Metro UK article of all things (the Metro is owned by the hardcore rightwing Daily Mail, btw, so please don't link to it) that mentions the red stitching on Crowley's gloves in 1867, and it made conscious some details I had only subconsciously noted, so fwiw to anybody else, here are my notes on the colors associated with Crowley in Good Omens and their significance in the context of the way each one is used.

I don't think we need to cover black-as-evil in Western color symbology. [And yet here's a long-ass paragraph about it anyway! --Ed.] Light:dark::good:evil has been a thing with Christianity since before Christianity was even Judaism. The Israelites picked it up from the Zoroastrians way back before YHWH had subsumed El as 'God,' which may have been before they were Israelites as well; I mean it was a LONG time ago. Good Omens has been using black and white to represent Hell and Heaven, respectively, long before the show. In the UK, the book was published in paperback with a choice of black or white cover with an illustration of the contrasting character in the contrasting color: Crowley illustrated in black, Aziraphale in white. The current hardcover is grey.

Crowley wears black, and the Bentley is black. At the metanarrative or authorial level this is obviously for the purposes of the black/white demon/angel contrast, but on the intra-narrative level, the Watsonian level, it's interesting to note that Crowley doesn't have to wear black. He's obviously not free to choose from the full color palette, but Furfur's shirt and sash are is dark emerald green, Dagon is in ultramarine (as befits a marine Elder God), and Shax has only been on Earth for four years before she's wearing head-to-toe oxblood. When she shows up later in battle dress she's got a lot of oxblood there, too. And yet Crowley wears black.

Authorial reasons aside, black suits Crowley for a couple intra-narrative reasons. For much of history, black was the most expensive color to dye and maintain in clothing, and as a result it has always been fashionable. And for several centuries in Christendom, wearing black was also a sign that you were in mourning, which was a social and religious obligation when someone close to you died. Whether you could wear other colors with it depended on how long ago that death had occurred.

Again: black is what Crowley chooses to cover himself, and as there is a sharp distinction between how Crowley presents himself to fulfill his obligations and who he thinks of himself as being, there is likewise a distinction between the colors that represent those two quantities as well.

Red is the color the show uses to represent Crowley to Crowley. The most obvious reason is his hair. This is another change from Book Omens, where Crowley is described as having hair that is "dark." A lot of fans in the UK hated the change when S1 came out because fans hate change and the British have a thing against gingers, but Crowley's red hair suits him better than dark imo because the Mother of Demons in Jewish religious literature, Lilith, is traditionally depicted with red hair. Red hair has been associated for more than a millenium in the Middle East and England and Wales with sorcery, witchcraft, demonic influence/possession, and satan-worship.

Crowley wishes his mom was this cool with snakes.

A good case can be made that Crowley genuinely likes the color red in addition to considering it demonically appropriate. I say this for three reasons. Firstly, because when he has a (limited) choice of (again, demonically appropriate) colors, he always chooses red. The marble of the desk in his apartment is not green or grey. He can have any color stitching on his gloves or lining of his jacket collar he wants, but it's always red. Secondly, it's not only red he chooses, it's almost always bright red.

We know Crowley's red isn't supposed to represent blood or violence, because we have another demon character whose use of red represents just that, and it's not the same red:

Compare Shax' oxblood and burgundy to

and

Crowley's red isn't just red, it's lipstick, cherry, crimson red. And in case we weren't sure that we should read this red as symbolizing passionate, romantic love:

Romantic symbolism aside, bright red is also the color of passion (romantic or otherwise), optimism, heat, vitality, life, (hell)fire, and warning.

Red and black says don't fuck with Jack.

The third reason I think we can safely say that Crowley actually likes the color red is that he hides it. It's always tiny little touches, some of which you have to look for to see. (I still don't know where they snuck in the red on his Elizabethan habit, e.g.) And we know this color is a risk for him, and that he is right to hide it, because Ligur, who doesn't approve of any of Crowley's less-than-fully-demonic embellishments and may share Hastur's opinion that Crowley has gone native, comments on one of Crowley's more noticeably colorful items.

And I think the red tells us one more thing about Crowley, too.

Bright red is the colorest of colors, you know? When we can choose only one color to represent all colors, to represent colorfulness itself, we choose bright red (even in cultures where red symbolizes other meanings than it does in Western art).

Remember how Aziraphale gives Crowley's jacket a tartan collar when he swaps bodies with Crowley and impersonates him in Hell because Aziraphale feels the need to maintain some small secret token of his identity, some tiny unremarked sign of something he loves and thinks is beautiful, when he is down there alone in the gloom among enemies?

Crowley is down there alone among enemies every second of every day and night, whether he's in Hell or on Earth. And he's already had his identity stripped from him once. If you were someone who said

about this

and then you got recruited by the fash downstairs bc the fash upstairs threw you out for not being fashy enough and you had to start wearing nothing but dark colors and more importantly had to hide everything that made you feel warmth or softness or joy, and that was it, that was the deal for eternity, but you could add one (1) little touch to everything you wore to remind yourself that there is some beautiful part of you left, something you loved once, that no one has yet been able to steal or brutalize out of you...what color would the stitching on your gloves be?

Lastly, Yellow represents Crowley to Aziraphale. I'm going to skip the chain of evidence for this bc I think it's obvious, but the way it's used also lends itself to some inferences supported in other areas in the show.

Here's where I think changing Crowley's hair to red from Book Omens' dark is a good decision in another way. Crowley always has red hair, and if he has any color in his clothes it's going to be red. Red is eye-catching; it always stands out, but it doesn't stand out as demonic. And yet the color Aziraphale associates with Crowley and calls "pretty" isn't red.

I suspect that when Aziraphale says he can make Crowley an angel again, Crowley hears "You're not good enough for me to accept you as you are, let me fix you" because these are words Aziraphale has said to him many times, and has meant some of those times. But

tells the audience differently. The color Aziraphale associates with Crowley, the color he calls "pretty," is the color of Crowley's only overtly demonic feature. Aziraphale doesn't love the angel he knew who isn't Crowley, he loves Crowley, the demon, the person he is now, his yellow demon irises.

Yellow appears in three other places in S2, and they're all symbolically significant, and in fact serve to establish another symbolic significance to the color yellow in addition to that of Yellow Is the Color of My True Love's Eyes.

One of them is a feather duster:

Crowley reacts to a feather duster like a cat confronted by an unfamiliar object

The other three are private conversations between Aziraphale and Crowley:

The walls that surround Crowley and Aziraphale when they speak openly about their situation and how they will handle it are drenched in yellow, and that is super interesting, because in Western color symbolism yellow is the color of fear. The archangel of whom Crowley and Aziraphale are both (rightly) terrified wields a tool the color of fear. The color of fear saturates the backdrop of conversations between Aziraphale and Crowley when they have to discuss their situation and their actions openly.

Remember how Aziraphale's voice shakes here?

Crowley realizes the crows have just handed an angel evidence the angel can take to Hell and use to have Crowley killed

Even the Bentley, that clear sign of Aziraphale's love for Crowley, is also a yellow coffin enclosing him. For Aziraphale, thoughts of Crowley are always entangled with fear, because Crowley is not just Crowley, he is also Crowley's Fall.

And I think fear is what Crowley's eyes themselves represent. For Crowley, fear is now a fundamental part of his perception, his nature, his identity.

The angel Aziraphale once knew is not Crowley, and yet from what we've seen, the chiefest difference in character between this sweetheart and this mischief-maker--

--is that the Starmaker does not know yet that he should be afraid, and the Serpent does. That knowledge and its fear has, shall we say, colored his view of the world.

Aziraphale learns that fear early by observing others rather than Falling himself, and knows enough that by the first time we meet him in the Before, he is already afraid.

Pink was once symbolically equivalent to red; in modern Western color symbology it is a color of innocence, youth, beauty, and first love. Hashtag just sayin'.

The cruellest thing this suggests to me is that, rather than rebellion or his propensity to ask questions, rather than the knowledge of good and evil, the Starmaker's Fall was caused by his innocence. it wasn't the questions that were the problem: it was that he didn't know any better than to speak them out loud.

Y'all, Crowley and Aziraphale do not suffer from communication problems. Despite both being male-coded and British, they don't even seem to lack emotional intelligence. What they do have is a universe of silence and fear they have to communicate within and around. What they lack is the safety to speak and love freely. The true color of Crowley is crimson, but someone gave him those eyes, and Aziraphale either watched that happen or knew about it, and now Crowley covers himself in black--which btw is also the symbolic color for mystery and secrets--and only lets Aziraphale see him as he really is now, because Aziraphale won't judge him for his yellow eyes (or punish and forsake him for his questions). Because Aziraphale carries that fear with him too.

#good omens #good omens 2 #good omens analysis #good omens crowley color analysis #good omens crowley color #crowley #good omens colour analysis good omens crowley colour #good omens colour #good omens meta #angel!crowley #starmaker

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amuseoffyre · 10 months

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The Ineffable Mrs Sandwich

So. Mrs Sandwich.

I've been wondering at her relevance. I put a post up a bit ago about the signs at her front door that rang honking great foreshadowing bells: "Come Upstairs" and "No pairs. One only. Be Brave" on a wall surrounded by stars. Not to mention they now have a “New Model” with “Friendly Hands” up there.

In the party, she says something to Aziraphale that made my brain jangle because of all the meta that I've been eating: [her girls] stand on their own two feet. Initially I thought this was a sex-work joke, but there's the fact that at the beginning of the season, both lads are completely co-dependent, especially Crowley who talks about "my only friend". By the end of the season, the boys are separated and they will be forced to stand on their own two feet for the first time since 2500BC.

Throw into the mix that God's department is always referred to as "upstairs" and Mrs Sandwich is the only person shown coming down from an upstairs to a ground level that has a chandelier, much like Aziraphale's bookshop also has a chandelier on the ground floor, directly over his contact point with the almighty.

"I don't know why you invited me," she says and Aziraphale makes a point that she's part of their world, even if she feels she's separate from it. Then you have the seamstress conversation and yes, maybe she is a brothel madame, but the fact she can't say what her actual role/position is has very ineffable vibes to me. A convenient way to mask her real identity/purpose.

When Crowley walks her out the party, he says "Have you got your hand in?" and she replies "Oh, I've got more than that, love." which would track for the person who was playing three-card monty with the universe. Since they're so careful with their dialogue, between all of this and her calling Crowley “a good lad”?

Add the fact that her "girls" upstairs can tell when Nina is unhappy when making coffee and that one of the drinks she orders almost matches the order by the Metatron, who has professed to consume human food/drink. His version has almond syrup instead of hazelnut and almond is symbolic in the bible for watchfulness and promise of a new season. (However, interestingly, some Biblical translations of hazelnut and almond mean the same thing)

And what is a sandwich if not two separate sides with something in the middle?

#good omens meta #good omens spoilers #good omens s2 #good omens season 2 #mrs sandwich #good omens

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evilminji · 3 months

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Speaking of Summoning?

We don't see people fuck it up enough. Or CAPTIVES deliberately fuck up their captor's work. Like? Yeah, you are hogtied so tight you look three parts chain to one part man, but you can still WIGGLE.

Aggressively wiggle over that rune until it's too blurry to function! Kick at it with your heel until you scrape the paint! Smear that shit around! You're not here because you WANT to be! Fuck being a polite hostage. Make their life difficult!!!

Or BETTER?

The "$4000 bucks for chalk" take!

It's not the MATERIALS that make John "fuck you" Constantine a force to reckoned with. It's the DECADES of time, training, mistakes, fuck ups, FIXING those mistakes and fuck ups, then surviving the resulting fires.

Any idiot with a voice and some poor impulse control, can use most of those books.

John is GOOD at what he does, because he SURVIVED it. Knows when to stop. What to fuck up on purpose. HOW to do it. And what the results will be.

You're not impressive because you can light your dick on fire with magic.

You're just an idiot.

And when some "you are held back by your FEAR~!" Delusions of grandure fucko, one AGAIN crawls out of the muck like he's something God damned special, and not on the quick bus to a gory unspeakable end? Plays fast and loose with things that SHOULD NOT be let free? Yeah, John exhausts himself keeping millions of people from learning what the inside of Hell looks like.

Wakes up here.

Honestly surprised he wakes up at all.

Most of Dark is here. And Every Single One looks UNSPEAKABLY pissed. Like they got chewed on by a tree thrasher. That was probably on fire, given half the burns he's seeing.

The bastards monologuing, probably thinks they're hanging off his every word. Arrogant prick. Mostly though it's just intense eye contact and eyebrow charades over gags. Head gestures. Seeing who has what and if anyone's concussed. Honestly? You get good at shit like this, after a few too many times bound and gagged.

First mistake always is and has been, not killing them when you had the chance.

But... Zatanna is looking way too pale. And when she sharply gestures with her head? He sees WHY.

Blood on the floor. Not random. Just shitty, shitty writing and no binding agents. Oh sweet merciful fuck. It's not even CHARGED. No grooves to HOLD the blood in a way to keep most of it away from the air. Just splatter painted with some cheap brush on the unscrubbed floor, mixing and contaminated by god knows what, IN LAYERS.

Because it keeps drying.

Because OF COURSE IT KEEPS DRYING, YOU FUCK.

You are DOING IT WRONG.

Is he using THEIR blood? Oh sweet fuck he is. Are you ser-!? One of them is a CHIMPANZEE! Blood's blood literally changes! John's is fucked up! This idiot really things you can just slap it down like PAINT and trot off on your merry lil way, doesn't he? Why don't you just throw "Chemicals" at it next! Big ol bag of whatevers on hand!

At least he has people to share his outrage and horror with.

Oh god, is he STILL talking? Really. REALLY? How long has he...?

Wait. WHAT.

Crazy pants has "found" (more likely was lead by the nose too) a way to True Name Summoning people?! As in "kidnap from literally anywhere and bind them to your will, because unlike normal Summoning Targets they can't fuck off back home under their own power, so it's either submit or stay trapped until you die"??! Oh fuck. Oh shit, oh fuck.

And, OF COURSE, he's going to TEST his new fun trick?

On the Justice League.

Fucker, turns and starts chanting. John is closet, but everyone throws themselves forward. Even though none of them can really move, they have too TRY. His eyes shoot around the shit writing. Trying desperately to make out familiar symbols. Anything. Something. THERE!

He never thought he'd be grateful for all those far too drunk nights and pounding morning hangovers. But he is FAST wiggling across the floor, scrunching and swinging himself around, too sharply scrape the heel of his boot at the concrete floor, just inside that omenious off color Summoning. The layers of blood, painted down again and again to keep the "fresh", stick together like paint chips. Are raised just enough, his shoe tred catches, and all but pops the rune he's aiming for clean off.

Power surges as the spell completes.

He yanks his foot back before he runs the risk of losing it.

The light flares. And between one moment and the next? There are white hazmat boot standing just on the other side of the writen line, from John's face. He looks up into a young, pallet swapped, face. Nightwing, younger then he should be, wrong colors, different uniform. Confused look on his face quickly melting to that familiar "someone's about to get their ass kicked" look as he assesses the situation.

John grins like the MEANEST lil shark. (And yes, he DID steal this look of an ex.)

It WORKED.

Because half the people behind the kid? Not THEIR League. Hero's, yeah, he left that rune alone. But the "civilian identity" that was tied up in the "of this reality" one? Whoops! Guess it was forced to grab any applicable version of the Hero, from the Multiverse, who WASN'T currently off duty. Sure hope your bindings work on THEM!

AND it didn't tip off every single hero OFF duty!

The kid steps over the binding line, bends down, and snaps the chains around John with his bare hands. Offers him a hand up. He takes it. Gets a front row view of alternate versions of his colleges testing to see who is and isn't able to step out. Quiet a few are. Oh dear~, oh dear~. All these Heros! What's a lad to do, huh chucklefuck?

They would like a word.

@nerdpoe @the-witchhunter @hypewinter @hdgnj @mutable-manifestation @lolottes @babbling-babull

#dpxdc #dp x dc #dc x dp #dcxdp #dc x dp prompt #minji's writing #the And Find Out Summoning Au #john has trauma related to this EXACT MECHANISM #it is BRANDED into his trauma centers #he will not be forgetting any time soon how to fuck with a Summoning #every SINGLE WAY it can go wrong #he knows it now #he has too

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cuubism · 6 months

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work is driving me fucking insane this week, so here's this silly self-indulgent thing i wrote to distract myself.

the spirit of this post is here as well XD

coffee shop au, meet cute, literally falling for your crush

In retrospect, forgetting to eat for three meals in a row wasn't Dream's best move. Not that he'd done it on purpose. Hence the forgetting. But taking time to cook always felt so wasteful when he was finally making progress on his novel. He could eat later, whenever the hyperfocus burned itself out.

The only thing that eventually got him out of the house was caffeine. He'd run out of both coffee and tea in the dysfunction of this week, and thus was forced to venture out to the cafe a few blocks away from his flat in search of enough energy to keep him awake for a few more hours.

Technically, there was a place that was closer. There was also a grocery store, where he could have bought coffee grounds. But Dream took the excuse to go a bit further, and not for the quality of the coffee.

He and Johanna, on the occasion she could convince Dream to leave the house and attempt to be part of society, had first started coming to this particular coffee shop because Johanna's girlfriend Rachel worked there. But Dream had to admit that what really kept him coming back, including at times when he wasn't being dragged along by Johanna, was another employee entirely.

Hob.

Hob was, in Rachel's words, "a perfectly nice guy but I don't know why you're so obsessed with him." In Johanna's words, Hob was, "quite fit, I can't lie, but I really thought you'd have gone for someone who's a bit more of an arts gremlin like you."

In Dream's words, Hob was perfect. He always had a smile for Dream, and a kind word or compliment, and he had kind eyes, and nice hands, and was terribly handsome. Dream had never been particularly attracted to masculinity before but Hob was proving him wrong over and over. He looked like he was strong enough to pick Dream up, and that did all sorts of exciting things to Dream's insides. Dream may or may not have had an actual dream about Hob holding his hand.

Hob also made terrible coffee. But Dream didn't care. He took whatever coffee Hob made him, whether the grounds were burnt, or it had way too much cream, or was vastly overbrewed, and drank it quite happily, sneaking looks at Hob all the while. Because Hob's coffee might be awful, but he always smiled at Dream as he gave it to him, and sometimes their hands brushed and it sent a thrilling little shock up Dream's arms. And anything Hob made for him felt made with love, he could tell, it was like a homemade birthday cake with uneven frosting and an undercooked part in the middle.

It was possible Dream should care more about the quality of the coffee and less about the symbolism of it.

In any case, he went to the coffee shop, underfed and undercaffeinated, hoping that Hob would be there, even if it meant he would have to down another cup of extremely bad coffee. Hob should be there, he did usually work Tuesday afternoons, not that Dream had memorized his schedule like a stalker or anything.

He stepped inside, the little bell over the door jingling, and found that he was right, Hob was there. A thrill of delight ran through him. Dream did not often feel anything as carefree or joyous as delight, but he was very sleep-deprived, and Hob was there, so there it was. Rachel was also working, and waved to him as he stepped up to the counter. As she and Johanna were both very aware of his embarrassing crush on Hob--much to Dream's chagrin--she didn't come over to take his order, instead leaving him to Hob.

"Hey, it's Dream, right?" said Hob, wiping off his hands on a towel and leaning on the counter, looking at Dream with a smile. He knows my name, Dream thought with a heady rush, then remembered that Hob was obligated to write it on his coffee cup, and that Dream came here often, and it didn't have to mean anything. "Dark roast with almond milk and caramel?"

How Hob could be so diligent about remembering his order and so terrible at making it, Dream didn't know. "That's correct," he said.

Behind Hob, Rachel mouthed keep going, which Dream took to mean that if he wanted to get anywhere he had to attempt to engage Hob in slightly more conversation than his usual coffee-ordering script. This was unfortunately true, particularly since Hob had already nullified half the sentences Dream would usually say by predicting his order.

"You remembered my order," he said, which felt like a reasonably normal response, definitely better than do you want to see if you can pick me up? which would probably be creepy. Rachel gave him a thumbs up.

"Of course. You're quite memorable," said Hob, and winked at him. Was he flirting? Dream would like to think so, but he wasn't usually very good at picking up on that sort of thing. Why would Hob be interested in him anyway? Perhaps he meant that Dream was memorable in a bad way, that he was annoying or weird, or--

Dream still hadn't responded.

"I am not trying to be," he said, and behind Hob, Rachel sighed. It was true, though. In most areas of life Dream preferred to go unnoticed. It was only Hob's attention that made him feel all bubbly inside.

"Task failed successfully," said Hob, "because I can't stop noticing you."

Was Dream... still succeeding at the conversation? That was truly unexpected, that he hadn't already turned Hob off by being utterly unsuitable for human society.

"Is that a good thing?" Dream asked.

"Is it?" asked Hob.

Undoubtedly it was. Dream liked the thought of Hob noticing him. He liked the thought of Hob remembering his name, and his coffee order, and when he came into the cafe, with as much detail as Dream had memorized his schedule. He did not normally like having people's eyes on him but he liked the thought of Hob looking. Of Hob caring about what he saw. It made him feel interesting and worthy, and sort of giddy and lightheaded--

Oh. No. That wasn't Hob's attention. That was the fact that the last meal he'd eaten had been a sleeve of biscuits for breakfast two days ago, and that he'd been on his feet for a long time, or what constituted a long time when one had only had a sleeve of biscuits two days ago to eat. And he hadn't slept, and he'd had quite an exciting few minutes just now, and apparently this all meant that his body had decided it needed to check out for a moment, thanks, goodbye.

Inconvenient timing, Dream thought, as everything went sort of spinny and blurry. He was making such progress! He really thought Hob might even like him, and falling on the ground was not going to help his case.

Inevitable now, though. The last thing he saw before he passed out was Hob's face, expression shifting from amusement to concern, and really, there were worse ways to go out.

He woke up not much later, or at least it felt like little time had passed, to find himself lying down on a couch in what seemed to be the cafe's back office, as best as his overtaxed mind could gather. And Hob was crouched beside him, looking at him worriedly, Rachel leaning over his shoulder, face likewise creased in concern.

Dream wondered how he had gotten to the couch. Had Hob carried him there? It was a pleasant thought, though he wished he could have experienced it in person.

"You know," said Hob, "there are easier ways to get out of talking to me than blacking out." The words were light, but he sounded genuinely stressed out about it.

Dream immediately felt bad. "I'm sorry."

Hob chucked him on the cheek, a light touch that felt fond. "Not what I meant. Are you okay?"

Dream carefully pushed himself up to sitting, Hob watching all the while, hands hovering over him but not touching. Dream sat up. His head didn't spin. "I am okay," he said.

"Probably didn't eat anything today, huh?" said Rachel. She didn't look quite as concerned as Hob did, she was used to Dream's habits. Meanwhile, for all Hob knew, Dream had a brain tumor and would imminently die.

"No," Dream admitted. "I was... occupied."

"Will you be okay here for a sec?" Hob asked, brow scrunching as if he truly thought Dream might just collapse again onto the floor without him. "I'll get you some water. Something to eat, too."

It was worth fainting in a public place, Dream thought, just to have Hob look at him with such care.

When Dream nodded, Hob hurried away to do just that.

Only now his crush was going to be one million times worse, and certainly not reciprocated, not after the scene he'd caused.

Beside him, Rachel was laughing, hiding it behind her hand.

"Is my suffering humorous to you?" Dream asked, but there was no heat in it, he was too busy looking after where Hob had disappeared.

"You should have seen it," she said. "He launched himself over the counter to catch you. Oh my god, I wish you could have witnessed it."

"Surely Hob would aid any customer in distress," Dream sniffed. But something turned over in his stomach, a little flutter of hope.

"Yeah but not literally vault the counter. It was terrific. I was worried he'd break a hip."

"I'm not that old," said Hob, coming back around the corner and crouching beside Dream again, water bottle and what looked like a chocolate muffin clasped in his hands.

Rachel was unrepentant. "You're lucky you didn't wind up on the floor, too."

"You caught me," said Dream, staring into Hob's eyes. He had such pretty eyes. Rich brown, like coffee with a dash of cream.

Dream might still be a bit lightheaded.

"Of course," said Hob, and uncapped the water, handing it to him. Dream took slow sips, realizing as he did that he hadn't drank any water all day. "I'm fond of you, you know. Can't let you hit your head on the floor."

Fond. Dream might faint again.

"Should I take you to hospital or something?" Hob asked, still so concerned it was making that floaty feeling bubble up again in Dream's chest.

"I will be fine here," he said.

"He just fell for you, that's all," said Rachel, and Dream glared at her. She just smiled back. "Swooned and everything."

"I did not swoon," Dream protested.

"You kind of did, actually," said Hob. "I've never seen someone just crumple so dramatically."

"Oh, have you seen many people faint, then?"

"No, but--"

"I'm going to man the till," said Rachel, patting Dream on the arm. "I don't think I want to be in the middle of this. Let me know if you want me to take you home, Dream." She winked at him. "Unless you'd rather Hob do it."

Johanna was never this meddlesome, Dream thought bitterly. She just made fun of him and left it at that.

Then he was alone with Hob, which was both an exciting and anxiety-inducing state of affairs. He clutched his water bottle for balance.

"Um. I got you this," said Hob, and handed him the muffin. "Made them this morning."

Dream was really quite hungry, so despite Hob's poor coffee record, he took a bite of the muffin.

And this was how he learned that Hob was utterly lacking in coffee-making skills because all his talent was in baking.

The chocolate was so rich, it tasted more like cake than a muffin. the chocolate chips melted on his tongue, and he had to force himself not to just immediately take another huge bite. He really was so hungry. Perhaps, now that he knew he could get such things here, he would have a reason to visit the cafe other than just Hob -- and a reason to eat breakfast, too.

"Good?" said Hob, and Dream nodded, licking the melted chocolate from his lips, and he didn't fail to notice Hob watching the movement of his tongue. Perhaps Johanna and Rachel were right, and it wasn't hopeless, even if Dream's best attempt at flirting back was collapsing onto the floor.

He did not know what possessed him then. Perhaps it was the chocolate. Perhaps it was the worry still lingering in Hob's warm eyes, or maybe he had just hit his head and forgotten about it. Either way, he leaned forward in his seat, and kissed Hob on the lips.

His lips were so soft. Just as Dream had dreamt they would be. Hob made a sound of surprise against Dream's mouth, and caught him by the arms so he wouldn't fall out of his chair. Which was a definite possibility, though now the lightheadedness was not caused by a calorie deficit but rather because he was kissing Hob.

Hob who was kissing him back, too. Softening against his mouth, licking the remaining chocolate from Dream's lips. Would Hob hug him, too? If he had already caught him? Dream had fantasized so much about being hugged by Hob.

Only one way to find out. He leaned into Hob's arms, and Hob caught him again, wrapping his arms around Dream's back. He was so warm, and strong. He was wonderful.

"It is a good thing," he said into Hob's shoulder.

"What is?"

"You noticing me."

Hob chuckled. The sound rumbled through Dream's chest. "It's not hard to do. I've been eyeing you for a while, you know. I always hoped you'd talk to me more."

"I am not very good at talking more," said Dream.

"I think I've got that now." Hob pulled back to look at him, the corners of his eyes crinkling as he smiled. "Falling over is more your style."

"I only faint on occasion," Dream protested, which only seemed to amuse Hob more.

"Well. If talking is a bit tough, maybe we can go for a walk sometime?" He tucked a strand of Dream's hair behind his ear, and Dream shivered. Hob clocked it, too, and let his hand rest on the back of Dream's head, fingers curled in his hair as his gaze flicked to Dream's lips and back up. "Or. Something else?"

Dream thought something else might make him spontaneously combust. That might have to wait a bit, at least until he could cope with Hob looking at him like that without feeling like he was about to explode in a flurry of butterflies.

"A walk, if you will hold my hand," he said, and Hob smiled, and took his hand, and Dream learned that all dreams really could come true at once.

#this is SO silly #hob is literally the most average guy and dream is salivating with lust and completely ferally obsessed with him #it's mutual tho dream is literally a gremlin and hob is like 😍 wow he's beautiful he's like an angel #and then they lived happily ever after #dreamling #dream of the endless #hob gadling #my writing #sex scene between these two would be funny as fuck i think hob would touch dream once and he would come instantly and maybe also faint

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zelphin124 · 7 months

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Killer x Y/N short story

One of the few short stories I will be writing. Requested by the wonderful @itsxroxannex as her honorable mention prize.

I do write commissions and short stories! Do you want a story? I can work with a small price (:

I'm using an image from Bing Image Creator to help the readers visualize where they are at and who they are talking to. It's for visual purposes only, and I do not claim it.

Enjoy the story!

~o0o~

The light from the sun bouncing off the rock hallways started to fade as the moon rose. The dripping from the ceiling had stopped, and monsters and humans started filling the tavern. It was supposed to be very busy tonight.

The tavern was underground, just below the surface life. Dartboards hung across the walls on various barrels. Small candles were lit beside them, either hanging from the ceiling or resting on uniquely carved tables. Carpets were strung across the floor, filled with old designs and symbols that the humans didn't understand, and the monsters refused to explain.

The bar itself looked like any other bar, but the counters were carved into the rocks and the drinks were stored within the earth. The tables were made from woven branches, and the chairs were also made from scattered parts of trees that were no longer needed elsewhere.

You weren't much for drinking. You had only come to the bar to talk with your friend, Shiro. Shiro ran the place during slow hours. Now that the night rush was coming, his co-workers came in to help him run the shift. He wouldn't have much time to talk anymore.

You started to pack your computer, flinging your bag over your shoulder. Shiro had told you of the many tales and tragedies that happen during the night rush, and you didn't want to stick around to become one of them.

"Leaving so soon?" Shiro asked as he wiped the table where you just sat. His baggy white hair fell over his face, and he smiled softly.

"You know how I am with crowds," you responded, hoping he would get the hint.

He didn't. "Well, surely it shouldn't be that busy tonight-"

He was cut off as three skeletons walked down the entrance stairs. It was apparent that they were some sort of gang, as they all wore the same-colored jacket, pants, and shoes. Each of them stood proudly as everyone went silent.

The tallest one had a large hole in his head, and his left eye was huge. It glowed red and barely made any movement when he looked around. He hunched over and had a large ax on his back. He never stopped smiling, which left an unhinged feeling in everyone who saw it.

The shortest one wore a hood over his head. His eyes glowed red, and one of them had a purple and blue tint to it. Unlike his tall counterpart, he never smiled. He glared at everyone who even dared to look at him. Monster ash covered his clothes, sparking fear in all who noticed.

The third one seemed the most normal of the group. His smile was contagious, and his extroverted personality always drew attention to him. Big black stripes dripped from his void eyes down to his neck. His coat was fluffier than the rest, and his soul wasn't hidden. It hung in front of his chest like a big red target. He twirled a knife in his hand before resting it by his side.

The Murder Time Trio, you recalled. You recognized each of their faces from wanted posters across the town. Working under Nightmare, they worked to harvest negativity.

The Star Sanses - rulers of this AU amongst many others - wanted to bring them to justice, but with all of the Sanses abilities to travel alternate universes, they were hard to track down.

You couldn't buy into the fact there were other worlds than your own. The only reason you believed it was the evidence before you; multiple versions of the same person taking different paths.

Shiro glanced over as the tavern filled with noise and music again. He rolled his eyes, grabbing a notepad and pen before walking over to the table they sat at.

The dart games began. Multiple people threw darts across the room to the targets. According to Shiro, this was how all the drama started. Someone would think a shot was unfair, and a fight would break out.

Deciding it wasn't the best idea to stay any longer, you weave through the crowd of monsters and humans trying to get to the bar to drink. You glanced at the table where the trio sat as they talked with Shiro. You pray they don't do anything to your friend.

As you stood between the dart targets, waiting for the round to be over, you eavesdrop on Shiro's conversation. He seemed bored, surprisingly.

"I'll have a margarita," the striped face one said.

"A big beer, please," Horror lowered his head.

"Think you can handle one of those again, Horror?" The striped face asked.

Horror didn't answer him. He waved his hand in dismissal to Shiro as he looked at the menu.

"I see," Shiro scribbled down the orders on his paper. "And for you, Dust?"

"Nothing," the hooded skeleton replied. "Someone has to be sober when Killer isn't."

"Hey, I would do just fine," Killer smirked. "I don't see you..."

The conversation faded out of hearing as shouts echoed across the tavern. Glancing behind you, you see a human and a monster arguing about who hit the target first as they shot their darts at the same time. The shouts almost frightened you, and you didn't think before stepping forward. Your goal was to get away from the chaos before more violence broke out. Maybe you shouldn't have come here, maybe it was a bad idea after all.

A dart flew towards your face.

You didn't have time to react before you were pulled off your feet, resting in the mercy of someone's arms as he caught the dart. "Woah darling, careful there," he sighed, his head turning toward the people who threw it.

You realize the man, or the skeleton that saved your head was Killer. His grip was firm around your waist from when he had pulled you away from the weapon. He dropped the dart and continued to glare at the monster that had thrown it.

The people playing the particular dart game went dead silent, all pointing to the person who threw the dart. He didn't seem to care. "Oh, come on, she walked in front of it! It's not my fault!"

"Pay attention to your surroundings more, mm?" Killer smirked, tilting his head. He turned towards you before the others could reply. "You too, cutie," he smirked, poking your nose. "Gotta be careful in places like these~"

His grip on your waist loosened as you backed up. A blush painted your face as you stared up at him. As your blush increased, so did his smile, making you blush more. The blood rushed to your face as you tried to cover your cheeks with your favorite-colored scarf.

"Do you seriously have to flirt with everyone you see, Killer?" Dust snapped, opening a deck of cards and flushing them across the table.

"Look at them, they're pretty!" Killer replied. "I didn't want them to get scratched by a silly dart!"

"Then they shouldn't be in a place like this," Horror rolled his eyes, glancing at the deck of cards Dust had started dealing.

Instant guilt washed over you. You didn't mean to cause any trouble, and Shiro was nowhere in sight to defend you. You gesture to Killer, thanking him for saving you before telling him you'll leave to not cause any more trouble.

Killer looked you up and down, smiling as his eyes made their way back to your face. "What's your name, Hun?" He smirks slyly.

You tell him your name, scratching your head in the process. One of the most wanted men in the multiverse was talking to you. In fact, he smiled when he looked at you. How could this be?

"Y/N, what a beautiful name," Killer takes a step closer to you, extending his hand. "You plan to get on out of here? I can make sure you get home safely."

You open your mouth to accept the offer but hesitate. He, along with his friends, were mass killers. It was obvious by the dust and blood across their clothes. Was he going to kill you? You had no idea.

If he was, then why would he go out of his way to pull you away from an incoming dart?

"Killer, you play or not?" Horror asked, interrupting your thoughts.

"Not now," Killer didn't take his eyes off you. "I wish to walk this lovely human home."

"Oh, can I come?" Horror smirked, his hand reaching for his ax.

Dust slapped his hand. "Not that kind of walk home," Dust rolled his eyes. "Look at him! His soul his turning into a heart! Pathetic, really."

Dust wasn't lying. Killer's soul had taken the form of an upside-down heart momentarily. You tilt your head in curiosity, surely that was a good sign.

"Hey!" The monster that had thrown the dart earlier shouted. "You broke my dart with your disgusting fingers!"

Killer raised his eyebrows as he shrugged. "Oops."

"That dart cost me hundreds of G!" He growled. "You're gonna pay for that!"

You felt Killer's hands run along your shoulders. "Time to go~" he whispered behind you.

As the monster tumbled near, he suddenly faded from sight. Everything vaporized into stripes as the underground tavern disappeared and was quickly replaced with the cool breeze of the surface.

The moon glimmered in the sky next to the stars as it shined down on the slightly paved street. There were no streetlights, but you could see the village in the distance. Fireflies glittered the sky along with the stars. There were a few trees and a river to cross, and the bridge over the river linked the road.

"Whew, that was close," Killer chuckled, letting go of you. He walked over to your side and smirked down at you. "Don't worry, he won't catch us now."

"Thank you," you sighed with a smile before walking toward the village.

Killer started to follow you. "Hey, I know we like, just met, right? This is a little crazy," he glanced down at the ground as he caught up to you. His hands were shoved in his pockets, and he couldn't stop smiling. "But can I get your number?"

You widened your eyes, surprised. He really wanted your number after two minutes. Surely that couldn't be... This couldn't be happening, right? Wasn't that a red flag of some sort, and you, out of all people? You didn't see why someone as famous and as brave as him would pay attention-

You snapped back into reality, realizing that you had given him your phone, and he was already punching in his own number.

"Thanks, doll," Killer smiled to himself. "I didn't expect you to actually say yes. I'll fulfill my promise; let's get you home safely."

How the- you paused, unable to comprehend what just happened.

Despite the darkness and eerie noises surrounding you, you felt at peace. You couldn't help but wonder if that was because a skilled killer was by your side, ready to defend you if anything came your way. He made that clear with his actions at the tavern.

It didn't take long for Killer to start a conversation. He asked many questions and answered any questions you had. He often would laugh, smile, and tease you in such a way that made the butterflies in your stomach squirm. He was very charming, flirtatious, and unique. You couldn't recall if you met anyone like him.

And you liked that.

He was so different from everyone else that you had met, treated you well, and it was so easy to be yourself around him. He brought out a side of you that you thought died a long time ago. That side that made you feel... wild and free.

"Look look look," Killer begged, running off the path toward a lake. He picked up a rock and threw it across the water's surface. It must have skipped a hundred times before it plunged into the depths below. He picked up another one and did the same thing. "It's perfect water to skip the rocks on!"

You join his side and sit on a boulder nearby, watching him skip rocks as he continues to tell you about the first time won a card game, which you learned wasn't very often due to Dust having a special connection with cards.

"The look on his face when I won, hah! Priceless! Should've known better to have challenged me!"

You asked him if he had won the next two games after that.

"Uh, no, but that's not the point silly!" He smiled, heaving a great sigh as he looked up at the stars. He closed his eyes, letting the wind blow across his face as the ripples on the lake settled. The moon complimented his face and made him seem so peaceful and innocent. It highlighted his chest and showed the two small eyes that he had hidden within his skull.

You commented how he looks great in the moonlight. When he asked you how so, you got up and pointed out the various places the moonlight shined on him, and how it made him look so handsome.

"Tch, you're sweet," Killer snickered, brushing the hair out of your face. "But the moonlight on me is better on you."

Before you could recover from the sudden blush, he continued. "Have you ever skipped a stone across the water?"

As you shook your head, Killer frowned. He turned you around to face the lake and picked a stone up from the ground, admiring it in the moonlight. "Here, I'll teach you darling." He placed the stone in your hand and gestured that you try.

You tossed the rock into the water, it sunk in front of you.

"Heh, not like that." Killer came up from behind you and grabbed your wrists gently. "Here, let me guide you."

For the next thirty minutes, Killer moved your wrists in the correct motion. He gave tips on what to do with your fingers when you release the rock. You would have gotten it much sooner if you weren't so distracted by his sweet breath brushing against your cheek.

As you threw your hundredth stone, it skipped across the water more times than you can count. Joy filled your face, and your smile only increased when you heard Killer congratulate you.

"That was awesome!" He gleamed, running his hand along his skull. He quickly picked up a stone and skipped it across the water to catch up with yours. "Fast learner, eh?"

Before you could reply, Killer came up to you and embraced you. His hug was so snug, you felt safe in his arms. You wrap your arms around his back as the tension in your body flees. He was so warm, and he held you so tight... you didn't want to leave his arms.

Alas, it didn't last for long. Killer smiled and took your hand, guiding you up back to the path. "Alright, it's best I get you home, cutie," he smiled slyly. "The boys are probably wondering where I am."

You were closer to your home than you thought, to your dismay. Killer stood close to you, putting his hood over his skull to hide his face from the town as they turned down the street to your house. You almost had forgotten that he was a wanted killer with how enjoyable your time was with him. Surely, he wasn't all everyone said he was... he was so nice to you.

"Lovely house you have, I'll have to visit you sometime," Killer commented, smiling his usual charming smile as you approached the door. "Y/N, it was fun getting to know you, I'll call ya, alright? You're too pretty to say goodbye to, anyway."

You invited him to stay and watch a movie, but he declined.

"Nah, I'm sure Dust and Horror would be suspicious... besides, I cannot stay in the town for long unless I want Nightmare mad..." He took a few steps toward you until he was inches away from your face. He continued to smile as he took your hand. "However," he paused. He lifted your hand up to his face and kissed it gently. Once he met your eyes again, he smirked softly again. "I'm sure I could make an exception for you another night."

You didn't know how much more of his teasing you could take as your face turned red. You held your hand as if it was made of diamonds.

"Heh, you're so cute," Killer backed up into the street. "See ya later, Y/N."

You barely waved in time before he vanished from sight.

You couldn't stop thinking about him for the rest of the night. He treated you kindly, and his jokes were so funny... you longed for his company, despite his reputation. How long had it been since the tavern? A couple of hours? Were all monsters like this? Maybe there was a special thing about monsters where you grew attached quicker than another human. As if they understood the value of another living being and had a way to make another feel at ease around them. You tried to figure it out as you winded down for the night.

Maybe they were masters at this feeling that you felt: love.

Or maybe Killer was just special like that.

#undertale au #utmv #sans au #undertale #killer sans #killer sans x reader #Killer sans x Y/N #sans x reader #creative dumpster idea #oneshot #short story #au sans #killer!sans #yn

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cora-illus · 1 year

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Ninth House skull symbolism time ok

[Image Description: 10 headshots of Harrow Nonagesimus wearing the various black and white skull paints described in this post, with their names written above each head. End ID]

I wanted to expand on my headcanons for purposes + symbolism of the Ninth’s facepaint because the books don’t give much about them and its v intriguing to me. These are all taken from whatever is mentioned in the books + expanded on based on my interpretation of the character and context involved.

* : A mask with no canon name, the name listed is a headcanon/theory

[Image Description for all images following: A title card with the mask’s name as listed, and one side, three-quarter and front-facing headshot. All masks will be described following it’s title. End ID.] I wish there was an easier way to do this but text posts don’t allow alt text, and image posts don’t allow images between text.

Black Vestige's Mask*

A simply stylized skull, with the hollow of the cheeks, temples and eye recess blacked out, a blotch with two upright marks for the nose, and three vertical lines from nose to chin to represent teeth. The upper lip is completely coloured.

Gideon's effect on Canaan, seen on the GtN cover

This mask announces loyalty and service to the tomb, in a way that is practical and visually bold

The standard mask acceptable for any occasion, this mask is the most common among pilgrims and lower to mid echelon of the Ninth.

Also popular with cavaliers due to it's practical simplicity and stoic appearance.

Vestige's Devotion*

A more complex stylized skull, with thin lines around the forehard, chin and nose giving a clearer form to the skull. The eyes, temple and side of the cheekbones are blacked out, as is the cheek where (on a skull) there is a hollow between teeth and mandible/cheekbones. Teeth are more carefully painted on, and the upper lip is fully coloured.

Harrow's main effect, seen on the HtN cover

Also worn by Crux

A more detailed take on the Black Vestige's Mask, requiring more care and patience to paint.

Symbolises an enthused acceptance of duty, and a desire to display this publicly

Among regular Niners often used for ceremonies, holy days and important prayer.

For the more intense of the devout, this may be worn more frequently to show deeper devotion to their religion.

Jawless Skull

A plain-looking skull, with no mandible - the temples, cheek hollows and entire jaw is blacked out. The eyes and nose are also blacked out, and individual teeth are painted on the upper lip.

Worn by Ortus upon learning of the summons in HtN

The oldest skull style.

A slightly more devoted/involved paint than the Black Vestige's Mask, with not much more variation in symbolism other than more strongly reflecting the Ninth House sigil.

May also be worn as an alternative to a Black Vestige's Mask.

Often worn by those who feel that they have something to prove, those who have thoughts/opinions they know would be better left unsaid, or who have taken a vow of silence.

The Anchorite Dying

Two styles: The first, using the Black Vestige’s Mask as a base, but with triangular gashes across where the temples becomes the forehead. The left side appears crushed and fractured, with two teeth appearing to sink into the black of the cheek hollow. The second, also using the Vestige’s Mask as a base, is more symmetrical - fractured cheekbones and a short line down the cheek from each eye. There is a blacked-out crack on the left of the forehead and a crack along the bridge of the nose.

Worn by Ortus arriving to Canaan in HtN

A melancholy acknowledgement of duty to the tomb - worn for one of two reasons:

when experiencing doubt or hesitation in one’s faith, this mask is worn to confess this and show a desire to overcome such internal conflict.

Or, to show the wearer deeply understands and accepts the solemnity and finality of the life of a Black Vestige.

Pilgrims who commit to life on the Ninth wear this mask for their full first year as a member of the House, and many of the most devout pilgrims-turned-House members maintain The Anchorite Dying after this period

Either style can be worn for either purpose and has no reflection on the wearer’s intent

The Priestess Crushed Beneath New Laid Rock

A painted skull of a face that has been crushed, revealing the sinus cavities above the brow bone, in the cheeks and up the nose. The temples, eyes, cheeks and area around the mouth and chin are fully coloured, with white squares along the bottom lip and top of the chin for sunken teeth. It is intended to be quite gruesome and unpleasant to look at.

Worn by Harrow to dinner on the Mithraeum

The ultimate honour to Anastasia, this mask is representative of a life given to the tomb either through sacrifice or duty.

Its gruesome appearance is meant to cleanse the wearer of any heresy or doubt in their duty.

Most frequently worn during rite of passage ceremonies - whether to anoint pilgrims to the Ninth's ranks or to ordain new priesthoods - or celebrate a nun's sacrificial death for the tomb.

The Chain

A mask significantly more intricate than the Vestige’s Devotion - a more complex twist of lines around the forehead, cheeks and mouth, emulating an anatomical sketch of the form of a skull. These lines meet to make two small patches of black paint in the hollow between teeth and cheeks/mandible, and teeth painted intricately on the lips. Only the eyelids are blacked out, and the rest of the eye socket is outlined with thin black lines. The beginning of the spine is painted in white, against a black background, on the throat.

Worn by Harrow to the Ball AU in HtN

An incredibly intricate, involved mask. Mastering it shows the deepest devotion to the tomb and skull painting as an art form.

Symbolizes a life committed to the tomb, so much so that one is willing to sit for hundreds of hours to imitate even a fraction of a construct's complex beauty.

Not seen often in past generations, despite not being restricted to any event or class.

This mask is worn to show complete, utter devotion to the Tomb and respect to Anastasia. Although still taught in scriptures, few ever don this skull

The Inglorious Mask

Painted in blood on a bare face, this is a rough, rushed attempt to paint a Black Vestige’s Mask. The cheeks are painted by dragging hands coated in blood along the sides of the face, the lips and nose wiped with bloody fingers, and the eyes and temples rubbed with the bloody heel of a palm.

Worn by Harrow at the beginning of HtN

Represents a desperate, pathetic attempt to cling to faith in times of extreme hardship.

A vestige's paint is their most material connection to their faith. If they have nothing they have their masks, so they must do everything in their power to hold true to it.

Though better than a bare face, it is still immensely embarrassing and shameful to be seen like this.

Reserved for an absolute last resort, if a devotee can do literally anything better than this it is considered heresy to not do so.

Veils are frequently included in this mask to prevent any from having to witness it.

Now a couple with less to bounce off of, just vague descriptions in the books I’ve taken + run with

Mandible That Prays For The Tomb*

A face painted white, with only the gap between upper and lower jaw painted in black, on the cheeks. There are five small lines on the upper lip that imitate teeth.

Worn by Matthias Nonius, scarified into Ortus' face in HtN

Aiglamene wears a more decorative variant of this mask

Symbolises a fealty that inspires protective instinct.

Highlighting the jaw, this mask is worn by those devoted to their prayer and verbal worship, and an honoured commitment to cavalier-hood in the name of serving the Tomb.

Another practical mask preferred by cavaliers, especially those who serve/d in the Cohort.

Having a majority of their face painted white protects the wearer from harmful sun rays that their skin is unaccustomed to, having grown up underground on the Ninth.

This mask allows them to show their fealty boldly while also serving a very practical purpose

Egregious Visage*

Very minimal, a face painted white with only the eye sockets, nose and upper lip fully painted black. There is a simple curving line on either cheek, a hint of a skull’s cheekbones.

A messier version is unintentionally worn by a young Gideon trying to wear as little paint as possible

This skull is considered the bare minimum of face paints on the Ninth - it represents a person's mortification or religious doubt.

While still being acceptable as a face covering, it is viewed with judgement due to these connotations

Worn by those undergoing punishment or social rejection, or those who are preparing the leave the faith.

#the locked tomb #tlt #gideon the ninth #harrow the ninth #harrowhark nonagesimus #tlt headcanons #the ninth house #i made a spreadsheet and everythin

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jokin-around · 1 year

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I made a Twitter thread about this, but I've been reading early issues of Batman lately and something I've noticed is how differently the contrast between Batman and "Bruce Wayne" is depicted

obviously, in many things today, "Bruce" (ESPECIALLY in fandom) is often depicted as a happy-go-lucky himbo in order to draw contrast with a grim and "tortured" batman

so how does this hold up when you look at older depictions? the answer: it doesn't. in fact it was almost the opposite.

way back in the very first issues of the official Batman title, Bruce Wayne, no matter WHAT he's doing, isn't the one who laughs and smiles, Batman is.

and these are comics that were published BEFORE the comics code authority caused a dramatic shift in tone

Bruce Wayne (or least the cardboard cutout refered to as Bruce Wayne) isn't nessecarily described as grim, but he isn't a very happy person either, he's still a rich airhead, but not so much a "himbo" or even a dedicated businessman, he's depicted as a BORED, uninterested, aristocrat:

this Bruce seems to spend of his time smoking a pipe at home or mingling with other upperclass individuals, that in-between we tend to see MUCH more often in modern comics doesn't seem to exist yet (in part because the batcave Is non-existent which I suspect has given him a bit more privacy as a character)

MEANWHILE Batman, who's investigates murders every other night almost seems to be having the time of his life:

the early comics seem to routinely depict the burgoise as cold, snobbish & bored, in contrast to batman who seems particularly expressive and joyful, for all we know Batman may partially exist as some millionaires weird passtime, but of course Bruce Wayne (the real guy, not the facade) is written as someone who genuinely seems to care due to his own past experiences:

but , with all of that layed out, one can conclude that when ppl say Batman is the "true persona" ect. originally, it wasn't (just) because of his coping or whatever it was because when he wasn't Batman he was forced to live life as a cold, "useless" millionaire:

"what if a rich a guy gave a fuck?" is still very much the base concept here, but what's surprising is how much BITE there is to it

the concept wasn't being proposed because it's like… a plausible thing to happen or attainable on a personal level, but because the rich reliably and consitently do not care

the rich ppl in this book, "Bruce Wayne" included, are not written to be envied as people. they're written to be insufferable. ppl with endless resources who are still somehow unsatisfied with life and choose to do nothing useful or direct with the amount wealth they've accumulated

but ofc it shouldn't be ALL THAT surprising, Batman debuted in Detective Comics in 1939…. ONE year after the great depression, Bob and Bill had more than a good reason to feel a bit bitter

but rolling back to the point of this analysis, whenever I say "let batman be happy" I mean "let Batman enjoy his job" despite the pain, despite the death, despite the murder, despite the hypocritical nature of it all and how problematic it may be because it's a life he also chooses, not just out of compulsion, but because it's hands on, direct & purposeful. it gives him something to do & it gives him a chance to punch a problem in the face (which may be good or bad depending on what that problem is, but still)

that kind of depiction is what set up the groundwork for nearly every deconstruction that's come since but it's so buried in time at this point that lines from characters claiming bruce "loves being batman" seem to ring completely hollow

tbh, I think the old way of depicting Batman can be ( and as been in some media) woven into the way he's depicted today, in the past Batman was an outlet for every emotion Bruce Wayne had to hide elsewhere, a symbol of empathy, fury and passion, for modern Batman, I imagine those three things still hold true, layered on top of an alter ego that allows a modern Bruce Wayne to be weird and damaged and dark.

so uh, ln conclusion, I think batman enjoying what he does to a certain extent is a crucial aspect of his character that's been lost and withered and forgotten about, let him a have a little fun, we can discuss the ramifications of all that when discussion seems necessary

#batman #Bruce Wayne #DC comics

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halemerry · 10 months

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Okay so I wanna take a moment to talk about gravity. Now I know what this sounds like, but bare with me here I promise I'm not looking to do a physics lecture. But I've been rotating this around in my head for a couple days now and I think there's something really critical in the way the show presents it to us.

For example: it's one of the few things actually listed in our introduction to this show individually while our protagonists build the universe, right between matter and everything else.

The show draws our attention to it here fairly bluntly by naming it but there are other incidents that, while I would not call them subtle, are not quite as on the nose.

There are at least three times Crowley chucks something he's holding in his hands across the room. They're played for comedic bits but they all feel very weird and pointed to me - especially both times he does this to books that he seems to have no purpose for holding other than to chuck them later. It caught my attention mostly because everything in me recoiled at the idea of him doing that, but the more I thought about the way they're so visible and pointed was important. They almost feel like weird hiccups in the scene they're in.

We also get gravity as an implied threat with Gabriel climbing out the window and, of course, with every mention of a Fall. But there's also more mundane uses of gravity in the season that while not odd in isolation, the fact we get it popping up so notably is interesting to me. There's also the scene with Nina and Maggie under the awning where rainwater's weight gets pulled down by gravity, the scene in 1941 where Aziraphale drops the picture of them onto the floor before they have their gray area talk, Gabriel dropping the matchbox, and I'm sure there's more. The point is the show is littered with reminders that gravity exists.

Now I know what this sounds like. I know it seems like yeah. Duh. They're on earth. Which has gravity. Of course gravity is a factor in nearly every physical action they do. Why are you even talking about this at all?

Well, it's because of a scene that is one of my absolute favorites in the whole season: the Gravity Lesson.

The scene opens with Jim throwing a book (My Best Games of Chess, an interesting title that feels pointed) repetitively at a desk. He's testing gravity himself, looking confused.

Crowley then descends from the upper level, carrying a stack of books. He pauses his descent on the spiral staircase and notes what Jim is doing.

Then we get this shot. Notice the light here. Jim is in the light from the windows but relatively in the middle of the shot. He's an angel still, though not nearly as in the Light as he was as Gabriel. And he's notably at ground level, on earth. Meanwhile Crowley blends into the shadows of the shop itself. He continues down the staircase, sauntering vaguely downward, until he finally hits earth level to be even with Jim. There's symbolism here, in the lighting, in the way they move through these frames, in the way the staircase spirals like an orbit.

Crowley continues this same sweeping circular pattern to come around the bookshop and place him in front of Jim. Unable to resist a question, even one that wasn't asked out loud, Crowley tells him about gravity. He moves center toward Jim here. A meeting in the middle. This is the first scene we see Crowley interact with Jim in a way anything near amicable. He explains how gravity works. "It's, um... A thing that happens when objects are pulled together. In this case, they're all pulled downwards because Earth is the largest thing around."

As he speaks, Crowley moves away from Jim, toward the back of the bookshop. But he stops very rapidly because Jim goes and asks him why. Crowley frowns to himself. He says he can't remember. He says it seemed like a good idea when they were all talking about it.

He walks back to Jim, giving this question some real thought, and settles on, "So things would stay where you put them, not just drift off." And Jim, backlit by the windows still, kind of frowns and drops the book again and points out. "But it doesn't stay where I put them. It goes down."

When the book hits the table it also visibly does not land precisely over where Jim dropped it either. It settles out of place, bouncing slightly from the force of it. This is what drew my attention to this scene more than anything else.

Because it's interesting isn't it? They're both right in their assessment here. And so much of this story is about people not fitting quite where they're dropped. Aziraphale and Crowley are both caught in Earth's gravity, jostled out of their respective places. The very first shot in the intro sequence emphasizes this idea. Crowley and Aziraphale meet in the middle on earth (where Crowley then says let there be light and lights a flame to guide them going forward).

Gabriel and Beez too fall out of line as soon as they get caught in Earth's gravity. Memories are deleted, but can't entirely escape the gravity of their old home. Memories are added, but you can't predict exactly the way they'll form. Miracles backfire and don't land quite as they're expected. We obey Heaven or Hell as far as we can, but not necessarily exactly as they'd like. These shifts eventually become predictable and eventually we learn we can calculate the odds of how gravity can impact something, but as Jim shows us here a little bit of the drift still happens. In the end it's all just firing bullets at ears and pretend to catch them in our teeth.

And there's viewing this line of thinking from the perspective of God. God who functionally dropped the universe into the gravity of Fate and Choice just to see where it would land.

And then there's the Fly.

As Jim points out here, some things actively resist gravity, at least temporarily. Flies go up. This is very fun, given Beelzebub's arc this season, but I think it's getting at more than just that. Crowley and Jim both pause to watch the fly rise upward, drifting away from Jim and toward the dark half of the shop. Crowley says Jim makes a good point and then shifts into "Right, the plan, Operation: Lovebird."

Given the plot of season 1, I find the use of the word plan here pretty interesting. Especially given that the event that follows this is Crowley trying and failing to get Nina and Maggie to recreate his own meet cute. Like the idea of these two being drawn together will fix everything.

And that got me thinking about Crowley's line at the end of season 1. About what if God planned it that way. What if they're God's own Operation Lovebird. We know that together they can do very powerful things. This whole season starts with them, while trying to keep their power under control and contained, do a miracle so big it could've brought someone back from the dead nearly 25 times. Last season ends with Heaven and Hell thinking they've become something impossible. The Metatron here goes out of his way to separate the two of them like he's afraid of what they're capable of together. And he seems to have successfully managed to do this.

But a Fly can't stay in the air forever. The Fly is always drawn back to Jim. Because not all gravity is about Earth itself. The same way Gabriel's memories are drawn back to him. The same way Beelzebub and Gabriel are drawn to each other in the first place. The same way Aziraphale and Crowley have been described time and time again as drawn in by each other. They're Alpha Centauri. Twin stars orbiting each other. They're constantly going in circles around each other. It's a dance. With the hands touching in the middle. Because that is a gravity too. They complete each other the same way the Fly completes Jim.

So what about choice? Think about the Ball episode. Think about how everyone in the shop is being influenced by some sort of miracle. Their clothes and behavior shift and change and Nina in particular shows us that this is Noticeable. Forcing something in a gravity it doesn't like or want makes it have a hard time settling. It doesn't go quite where you drop it.

And then there's the chat Nina and Maggie have with Crowley. "We're not a game. We're real people," says Maggie. And Crowley tries to argue this saying that they both needed help and they both push back that it is still not his right to meddle with. A game. Like the title My Best Games of Chess. Like the thing we know God has been using as a framing device since season 1. A thing the narrative always has pushed as a bad thing.

Maggie and Nina are choosing to not let beings above them influence their choices. They actively resist being compelled by Aziraphale in the bookshop together because they know what's right. His gravity is not enough to overwhelm their choices. And at the end maybe they're not together but they're working on it. And, maybe, if they do come back together (when they do, according to Maggie) it will be when they are ready and when they are choosing each their free of the constraints of the game or higher power. And that gives me hope that's where we're headed for the Ineffables as well.

#good omens #good omens spoilers #gos2 spoilers #good omens season 2 #good omens meta #Crowley #Aziraphale #Gabriel #Beelzebub #Maggie #Nina #gravity #I'm going sicko mode and I am Thriving

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n3xii · 10 months

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Pick a card ~ What's your archetype + your storyline

Hey guys, i wanted to do a reading that illustrates your current life situation through the lenses of archetypes and storytelling. today, you have three piles to choose from; your reading will tell you what archetype you are embodying at this moment and the specific storyline that may play out in the context of this archetype.

An archetype is a recurring symbol or motif throughout literature and media. it's the primordial mental image inherited from our ancestors that categorize people into vague ideas or concepts. According to Carl Jung, an estabkished psychologist and psychoanalyst, it's said that we all have a collective unconscious understanding of all these archetypes that we can tap into for various purposes. for example, if you've ever heard of the ''shadow self'' then you've already encountered a Jungian archetype, this archetype is meant to help us confront deeper, hidden parts of ourselves that we tucked away.

One single archetype may not describe you perfectly, as archetypes can be dynamic and ever becoming, so let this reading be a soundboard for your own personal understanding of who you are and where you're going.

heres info about getting a reading from me: services

PILE ONE

your archetype- the nine of pentacles ''the independent woman''

this card portrays the archetype of a feminine who is self-reliant, independent and enjoys their own company. you do not have to be a woman for this archetype to apply, as archetypes describe ideas and motifs, not specific genders. this archetype also exudes a sense of inner peace and contentment: a person who embodies this archetype knows how to find the beauty around them, they know they can rely on themselves to provide stability and success through their own hard work. this archetype values autonomy, aesthetics, hard work, and solitude.

Your story line- 7 of pentacles, the fool, 4 of swords, judgement

your storyline is fixated on patience and waiting, at this point in your life you may feel that you're in the phase of growth and harvesting your wealth and abundance all around. You may feel you're on the ''brink'' of something taking off, I feel that your purpose deals with your ability to grow and assess yourself for progress. I feel like you're in the part of the story where the protagonist is experiencing frustration, they feel like they have put in the work but have yet to see substantial results from what they have done. you feel that you put in the work, you should see that manifest in the real world. your archetype is being moved in the direction of taking a leap of faith, of trusting the process blindly even though they dont know whats going to happen. you're the protagonist who places more faith what they can see rather than what they can sense, you're frustrated because you want to see results in the physical instead of trusting that movement is already happening behind the scenes. for you, having faith is the recurring lesson and momentum of your storyline. the climax of your storyline is represented by the 4 of swords. the 4 of swords is regularly a mundane card of rest and reflection, but for you, this is the cultivating event that occurs. as the hardworking, independent, self-reliant archetype, learning to take a break and reflect on where you are internally instead of trying to make movement happen in the physical world will feel very disorienting. its not so hard for you to be in solitiude, but to take a breather from pursuing goals and action is the hard part, and that precisely what i see as the climax of your storyline. taking time to reflect on yourself and go within the avenues of your mind is the inciting event, taking a break from movement will harden your sotryline into place. The conclusion or resolution of your storyline is represented by the judgement card. i feel this is a realization, a revelation that awakens you on a spiritual level. the momentum behind your storyline was learning to have faith, to trust the process despite not seeing evidence in the physical world. so i feel the ultimate conclusion for your protagonist is a spiritual or philosophical awakening. you will reach a higher level of understanding that allows you to contextualize your growth beyond what you can see. you will achieve a revolutionary understanding of yourself and of your growth.

PILE TWO

your archetype- ace of wands, the element of fire/ the seed

ok, for this pile. you are not honed into one archetype but rather an energy, or potential. you're characterized by the element of fire and smoke, you're chronically at the start of something new and you're at the start of realizing your own light. you're seed at the root of life. to be specific, you're the archetype of someone who can't be placed in a box or tamed by one image or phrase because you simply the potential, the energic seed. you cant be conceptualized, and perhaps your experience a feeling directionless in your life because of this. as the element of fire you have the option to destroy or enlighten. you can impassion or burn. its up to you.

your storyline- justice, 8 of cups, 9 of swords, knight of cups

your storyline is characterized by fairness, equity and making big important decisions about your life path. as someone who is simply the archetype of fire, of raw potential, your storyline is to make a choice of where you want to go on your path. but this choice is an important one and dictates the course of your life. the lesson you ultimately learn as the protagonist is when to move on and release certain things. truth and integrity is something you strive for on a deeper level, so making fair, descions based on clairty is something you value, so I feel like on your path, you will encounter the choice to leave something behind or to detach emotionally many times. this will be very difficult for you, but this theme of choosing when to leave and when to detach will be a recurring theme throughout your life. learning what your path is and taking action to stay committed to this journey is the lesson. and this choice will be a Indepth process of weighing out the pros and cons, of trying to do the right thing thats fair to yourself and other's. the climax of your storyline is represented by the nine of swords. this will be a very mentally choatic or active climax, and it will involve extreme anxiety and overthinking. ultimately however, your resolution is represented by the knight of cups. learning to lead with your emotions and to trust your intuition will be the ultimate outcome for you as the protagonist. trusting yourself with your own emotions and going with your instincts when it comes to what your path should be is the direction you are going.

PILE THREE

your archetype- the page of swords - young messenger, the spy.

the page of swords is young, open minded, smart, alert and very curious about their environment. traditionally speaking, the page of swords has been associated with the archetype of the spy; someone who can adapt to their surroundings and gather information as quickly as they can pass it on. you dont spy on people per say, but you do watch and observe others, you may act as a intermediatory between people for their communication, you're curious about the world and new ideas spiral around your mind like little nats. You're the archetype off someone enjoys mental stimulation, and you know how to find that stimulation in unconventional ways or without needing to actively engage with others all the time. You're alert of you're surroundings, details matter to you and you notice things other people don't because they're not quiet enough to pick up on it. You're the archetype of someone in their mind alot, soneone who may overthink or over analyze

Your storyline- the devil, death, 3 of wands, page of wands

You're in a place right now where you feel bondaged, stuck or held back. You may feel that there's hierachal or manipulative forces at play that are creating a shadow over your life, you may feel like there's not a lot of room to move around and do what you want because of illusions of control. This is the part of the story where the protagonist feels like a victim to their circumstances and they don't know how to wiggle out of them. However, im seeing that the lesson here is represented by the death card, which means the lesson you're learning is transformation. You're learning to release what doesn't have power over, illusions, and stagnant situations throughout your life. Death is a very humbling thing, the only thing we can take with us in death is ourselves. When you die, everything you've worked for will be dirt, and all you have is the core of your being You're overall lesson in the story is to release all the bondages snd attachments to things that aren't really apart of who you are. The climax of your storyline is represented by the three of wands. This tells me that the peak of the story arch is you moving, going new places, exploring and expanding past your comfort zone. The climax here is you taking action and experincing conplete freedom, going past boundaries and seizing new territory. The illusions and restrictions you experience mentally correspond to you're enviroment, you're the archetype of someone who is mentally stimulated, so when your enviroment is dull, restrictive and grey, you also feel like what's possible for you to equally restrained. When you release bondages to your ego, illusions of control and allow transformation to occur naturally, you reach new horizons. And I feel you may initiate alot of transformation through moving and traveling. The conclusion to your story arc is that of the page of wands, the page of wands is someone young or new to their craft. They're trying new hobbies and interests. They're putting themselves out there to learn and grow through the action they take. It's interesting, because you start out as a very mental, mind oriented archetype but I think by the time you move through life you will be a completely different archetype. Most people will be but its emphasized very much in your reading. The transformation and lessons of cycles ending will be imperative to your life purpose. You will be action oriented as opposed to mind oriented, you will not let blockages hold you back in life.

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