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#they are literal soulmates
ballxbuster · 6 months
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I'd like to introduce Luciel (@mini-moonlight's !!) and Theo.
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❝You don't really hate my company, do you Himeros?❞
❝No, I suppose I don't... Lupin.❞
LUCIEL is our Kenshi. He has raven coloured hair, fair, freckled skin, and the most mesmerizing blue eyes. Luciel is an enigmatic personality, to say the least. Always was. Tense and cold, Luciel never enjoyed the company of other people; Theo included. He rarely speaks about his family, but Luciel found a new family in his trustworthy group of childhood friends. He's 6 foot 5, doesn't particularly like sports (but loves to cheer Theo on) and enjoys baking as a hobby. He's one of few people that can melt down Theo's ego and turn him into a puddle ;) Theo would like to be suffocated in his chest thanks.
THEO is the Johnny of the relationship. With equally as black hair as Luciel, his eyes are as silver as the moon, and his skin tan with beautiful freckles littered all over his face, he's popular amongst men and women. He has siblings he barely gets along with, a father who only sees him as a tool, a pawn of which must obey his father's every whim (spoiler, that mfker dies). He's 6 foot exactly, athletic, flexible, and uses "bro" "dude" and "man" as nouns. All of these contribute to his ever growing ego. Oh, and he's got a mean punch. Like shit, he may be built like a stick but he's strong. Did I mention he's a werewolf?
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L: What Theo is to me? Well, Theo is my sun but he's also so much more than that. He's a warm touch and a guiding hand when I cannot bring myself to be. He's a bright and playful laugh over late night cookies. He's the man with the moon reflecting in his silver eyes that stare back at me like I'm the most precious thing in his life. He's my rock, the reason I'm able to love and let myself be loved again. He's the one thing I cannot live without. Theo is my lover, mine all mine.
T: Luci is.. everything to me. At first, he was a challenge, an enemy, perhaps. But then he became my friend, my best friend. And now? I love him so much I couldn't imagine my life before meeting him. He's saved my life, on multiple occasions! *laughs* He is my soulmate, which I think is something I knew from the moment we met. He was more than just an experience, Luciel has left a permanent mark on my life.
NOW SOME FUNKY QUOTES
Theo: That was so hot, Luciel.
Luciel: I literally called the person who just flirted with you a degenerate dog and told them I hope they get dragged through the streets.
Theo: I'm so in love with you.
Theo: Your smile looks forced.
Luciel, clearly annoyed: That’s because it is.
Theo, sweating: Luciel, there’s something I need to ask you-
Luciel: Finally! You’re proposing!
Theo: How’d you know?
Luciel: Theo, you’ve dropped the ring five times during dinner.
Luciel: I even picked it up once.
Theo: Bro-
Luciel: No, no, hold up, rewind.
Luciel: My tongue was down in your throat just a second ago and now you're calling me bro??
Theo, trying to flirt with Luciel: I think both of our families suck.
Theo: running towards Luciel with open arms
Luciel: moves out of the way
Theo: Hey, why'd you move?!
Luciel: I thought you were going to attack me.
Theo: I was going to hug you!
Luciel: Why would you hug me?
Theo: WHY WOULD I ATTACK YOU!?
Luciel: Do you want to explain the text you sent me last night?
Theo: It was autocorrect.
Luciel: Autocorrect wrote "You're so hot. Please step on me."?
Theo: ....Yes.
Luciel: Is something burning?
Theo, leaning seductively on the counter: Just my desire for you.
Luciel: Theo, the toaster is literally on fire.
Theo: We have a problem.
Luciel: No, YOU have a problem. I have an idiot who keeps making them.
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guess whos the top and whos the bottom lol
-> I may reblog with headcanons at a later date!
also gonna tag @euphoricbi and @shinshoyu
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strawberrywinter4 · 6 months
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New Chapter for Only You is posted!
After the war, John was lucky enough to have met Sherlock. Sherlock showed him what life really could be like. Sherlock showed him happiness, laughter, frustration, anger, sadness, and everything else. Sherlock showed him what it was like to not be dull. 
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bylerisc4non · 1 year
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no one can tell me that will wouldn't love and appreciate mike's singing, finding it endearing and so goddamn cute. he wouldn't try to cover his mouth no matter how bad it was. he'd find it adorable. 😭
chapter 8 is out...
:) i think ya'll know what's about to happen
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renaissanceousia · 3 months
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one of the most intimate scenes i've ever read i'm so serious
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lotus-pear · 3 months
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the besties ever!! (they will both exorcise you)
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ew-selfish-art · 7 months
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DpxDc AU: Tim as a child was never given a lot of information regarding the scribbling messy handwriting that appeared over night all over his arms- naturally he came to his own conclusions.
Tim Drake was home entirely alone at 9 years old and was about to go out for the night to test his brand new long exposure camera lens when he sees the writing on his arm. It’s not English, like he assumed it was at first, but it was using the alphabet to represent… Tim isn’t bad at math but this formula is complex for his little genius brain.
Looking at his camera, he decides he can spare a moment to look it up, solve it, and get back out into old town Gotham in time for Batman and Robin’s final patrol lap. He does just that, finding the problem to relate to some aerospace engineering and then quickly deduces what laws and theorems need to be applied. He finds a pen, writes down his findings in much neater handwriting onto his arm, and goes out. It’s barely a remarkable night at all. He gets a much more memorable photo of Robin roundhouse kicking a hench person.
Things just continued on that way. Tim would find some complex math, physics or chemistry prompt on his arm (surrounded by various question marks or notes or sad faces)- he’d answer it as best he could and move on with his life. Perhaps his parents were manifesting these pop quizzes? Perhaps his subconscious felt guilty about abandoning his studies for more Bat related pursuits? Tim really didn’t care to think much about it once he became Robin- there was too much on his plate and too many peoples problems for him to fix.
Notably, however, after the attack at the Tower, the pop quiz appeared and Tim wrote back that he wouldn’t be able to find an answer to this one. It was the only time Tim questioned the markings appearance and it was because the next thing that appeared was “Hope you feel better soon.”
… his parents wouldn’t include that on a pop quiz. Cursed then. Tim decided it must be a curse, whatever, he’d deal with the implications later in life.
Tim then has the worst year of his life, hes 15, no longer Robin and the questions from his curse are getting less math oriented and more… philosophical. A lot of mentions of death that, in hindsight helped him actually grieve, and a lot of theories about dark matter and souls. Tim answers back as best he can but he’s drained and his answers aren’t very good in his opinion. He gets minimal feedback.
It all comes to a point that he’s at a family dinner, Bruce is at the head of the table, Jason has promised just to stay for dessert, Damian hasn’t thrown a single insult his way and Steph was laughing at him- when a new theoretical model appears on his arm.
“You’re just as bad as Bruce, Timberly. Hiding a soulmate from all of us, how fucking typical.” Jason points out, while watching Tim scribble back some math with a question mark onto his arm.
“A what? No, this is just a curse. I get pop quizzes every now and then.” Tim bats away Steph who rapidly approaches and began to analyze his arm (the rest of the family isn’t far behind).
“Drake. Explain how you came to this conclusion.” Damian seems more curious than anything, if his lack of insults was anything to go off of.
“Since I was young I’ve had at least weekly math check ins, I never had a parent or anyone else around so I assumed my parents had me cursed to ensure I stayed on top of my studies. Sometimes it’s physics or chemistry, for a while there it was a ton of philosophy and behavioral psychology.” He shrugs his shoulders.
“Master Tim, I believe the lack of adults in your life has led you towards a false conclusion. That is most certainly a soulmate mark. The individual to whom you are responding is undoubtedly your other half.” Alfred attempts to calm the room before explaining to Tim. Tim isnt sure if he believes the butler, though Alfred only very rarely lied, so he grabs the pen once more. He writes his first question back: “Who am I to you?”
The room waits in anticipation and within moments a brand new line appears on Tim’s arm and he is vindicated: “We do math together???”
——
The reason Danny is failing English is because his built in homework helper sucks ass at metaphors and has apparently never read any classic literature. The tutor on his arm is great at puzzles and math tho.
Danny gets a reply back one night that he wasn’t expecting (Who am I to you?) and he mentions it to Jazz. Who goes insane that Danny didn’t even question it and just went with “meh, probably haunted” as his explanation for the phenomenon for all these years.
Apparently, if Jazz was right, he had a soulmate who was uh, super fucking smart. That was an overwhelming thought.
The next day Danny is in crisis mode and writes back “Wait, WHAT AM I TO YOU??? Can I help on your homework??”
Danny gets vindicated when the writing on his arm presents a shit ton of dates and information for an unsolved Gotham cold case. See, Haunted.
———
Eventually between Danny becoming the top candidate for astrophysics at Wayne Enterprises and Tim Drake being outed as having contributed tips to the GCPD that solved cold cases- they meet and realize just how dumb they’ve been.
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lesbicosmos · 2 months
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sometimes i just remember that merlin and arthur are canonically soulmates...like that's the main point of the entire show, their destiny is each other
then i just start crying.
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kennahjune · 2 months
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Thinking of Steddie Soulmates where you feel every pain your soulmate feels.
Thinking of little Steve feeling every backhand and punch from Eddie’s dad.
Thinking of little Eddie feeling Steve break his arm and the pain being so much worse because his parents refuse to take him to the hospital until the school gets involved.
Thinking of Eddie finally moving in with Wayne and sure, the paternal beating are done, but now he’s just a small town Freak that’s constantly targeted.
Thinking of Eddie and Steve in their Sophomore/Freshman years respectively, not knowing who the other is outside of rumors and (unknowingly) their shared pain.
Thinking of Eddie finally escaping pain, the bullying turning to mainly verbal shit.
Only to be thrust right back into pain because his soulmates a walking hazard.
Thinking of Eddie having no idea what’s going on when he suddenly feels like one giant bruise after Steve’s beat up by Jonathan. Eddie watching Steve fall from grace in his Junior year and not connecting the dots.
Billy coming along and smashing a fucking plate over Steve’s head while Eddie’s peacefully sleeping. Eddie jolting awake with a shout because /holy fucking shit ow—/
Neither of them connecting the dots.
Then Steve graduates, and Eddie’s held back. And the pain subsides for a bit.
And then fuck all happens in Starcourt and Eddie literally feels like he’s dying and Jesus H. Christ is his soulmate /ok/??? Like they are getting seriously fucked up.
And then that recedes and it ok for a while— Eddie will still get killer pains that seem to circulate in his chest and head, but that’s to be expected with whatever tf his poor soulmate is going through year after year.
And then the fuckery of March 1986 happens and Chrissy Cunningham is dead in his trailer— his home— and he’s wanted for fucking murder and hiding in Rick’s dingy ass boat house—
And then he’s shoving none other than Steve Harrington up against a wall with a broken bottle helps to his throat. Eddie’s so piped on adrenaline he barely feels the sting in his back, but he does feel the zing of pressure on his throat and ok /ow—/
And he’s staring at Steve Harrington, who looks kinda terrified and so pretty and Eddie’s holding a bottle to his throat and is that Dustin?—
And—
And holy shit.
Eddie’s eyes widen at the same time as Steve’s and the realization hits them both at once.
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tiffanyachings · 7 months
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Aes Sedai + Warders in battle
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secondstar-acorn · 6 months
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the fact that max knows the teens “buried and left [him], defiled [his] body” implies his ghost saw all of bury the bully and therefore that grace instigated hacking his limbs off and letting his corpse rot (as her FIRST INSTINCT btw)….and he was still Down Bad for her. like he saw his crush dismember him and burn him and he was still dropping all of his evil plans at the chance to have sex with her. truly The Couple ever.
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yadakiti · 5 months
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thank you ringo for taking care of this angry gremlin 🌊🔥 | TikTok | OG Audio
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luneariann · 27 days
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Disaster lesbian Homura my most beloved
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ghostbeam · 1 month
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This is fucking insane are u guys SEEING THIS???
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daiziesssart · 7 months
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happy jilytober ♥️
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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starfiretruther · 1 year
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the besties meeting for the first time !!
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