#the black and white symbolism id so so good

[sastheforestspirit]

#ignore the subtitles unless its you native #but its only one of two available on YouTube versions of this #watanabe shu #kamen rider ooo #so in case you still don't love combo songs #espesially putotyra one #god #time judge all is superior i know but this #shu is so 🔥🔥 #anyway its from very old mv collection that is to expensive to own for one music video #im actually suprised they didnt go with regret nothing #the black and white symbolism id so so good #putofyra combo is one of my fav because of the Drama factor #and its my top 3 figures to own right now #(next to ankh human and greeed forms) #Youtube

[drill-teeth-art]

Wow! Here’s something incredibly personal.

This is Good Bi Gender. A comic I made to express some feelings I have about my gender. I don’t really have that much else to say about it. Here it is.

[Image Description: A digital comic made with sharp, angular abstract lines and only the colors white, blue, pink, and black. The featured character is all white, except for facial features and hair colors, which changes from panel to panel. The comic reads: Cover Panel: The text "Good Bi Gender", the words colored with the trans flag. It shows a glitchy person's face, half pink and half blue. Panel 1: White text reads: "Hello. My name is apparently irrelevant. And my pronouns are he/him and she/her. But you can't call me she/her. And here's why." Someone with a half-pink and half-blue shirt looks to the side. One eye is covered with hair, and the other eye is pink while the iris is blue.

Panel 2: The character sits happily, imagining facial hair and a masculine voice. "I don't want top surgery. I love my chest. And I dream about being on testosterone someday soon." The character looks at a phone, frowning. The phone shows the male symbol with an "X" through it. Text next to it reads: “People don't seem to think that the features I dream of are very pretty though... Or they think even worse of them than that…”

Panel 3: The character’s features are all pink, and sits in a blank frame. The character reaches over to a blue frame, frowning. “I don't like the animosity. I really despise it.” A photo of the character shows an all-blue frame and blue hair, with pink outlines and facial features. “To be a boy... I aspire to be one. I aspire to be masculine in all its handsomeness. All its prettiness.” Panel 4: The character sits in an all blue panel, but reaches back out to the pink panel. “And I'm still a girl too. I was so excited to have both. To love both. To have handsome femininity. Beautiful masculinity.” The frames break and connect, and pink and blue swirl together. The character smiles in between the frames, with one pink eye and one blue eye. “So excited. And yet I get asked…”

Panel 5: Two hands hold out two different pills to the character, one blue and one pink. They ask “Male? or Female?” using the male and female symbols.The character, facial features an array of pink and blue, looks between the two hands, distressed. “It's both! I'm both! They're not opposites. Not narrow boxes. I say I'm both despite the insistence that I can't be. And I know what I look like. I know I look like a girl to most. I know that if I say people can call me she, that's all I will get from most. Because it's "easier". It "makes more sense". To have my masculinity, I am often forced to be unflinching in it and it alone. To never use she. Because if I don't, I will never get to have he.” [The words "she" and "he" are italicized.] Panel 6: Text reads: “I'm still very happy to be so comfortable in my identity. To know, despite all that, that I am indeed a boy and a girl and both. But you know. Telling people to only use he/him for me. Guarding my masculinity all just to have it. All at the expense of the part of me who is happily and unashamedly a girl.” The character cries from one pink eye, the other hidden. The character holds a pink girl in a sea of blue, the girl crying out. In the midst of the blue, text reads: “Well, it fucking breaks her heart.” End ID]

Edit: @starberry-skies wrote an ID for the comic, so I added it to the og post with its permission!

#transgender #trans artwork #original art #digital art #comic

[bored-boring-and-tired]

ALL THREE AT ONCE LETS GO

[I.D. three screenshots of the tags for asexual, aromantic and aroace all gradient highlighted and marked with the trending topic symbol. End I.D.] (thank you @lemondoddle for the id!!)

edit:

KEEP TAGGING THIS ‼️ the tags aren’t trending anymore so keep tagging it if you rb ‼️ (let’s make it to valentine’s day!)

edit 2:

asexual and aroace are trending again yall! but aromantic still isn’t trending so keep!! tagging!!

EDIT 3:

THEYRE ALL TRENDING AGAIN GOOD WORK YALL ITS NOT VALENTINE’S DAY IN MY TIMEZONE YET BUT HAPPY ARO/ACE/AROACE VALENTINES DAY WE DID IT ‼️ (still keep tagging though, don’t want to let them stop trending before valentine’s day is over) (or ever 👀)

edit 4:

i’m adding valentine’s day tag because. let’s invade that tag with this

EDIT 5 (and 6) (edit 6 is the image ids):

CAKE AND GARLIC BREAD FOR EVERYONE

[I.D. a beige-frosted one-tier espresso cake with caramel-colored drips on top along with nine swirls the same color as the rest of the cake around the top border. each swirl has a single espresso bean on top of it, and the cake itself has espresso beans surrounding it. End I.D.]

[I.D. half of a baguette in the form of garlic bread with a garnish of parsley or another garnish of that sort on top. the half is cut in six equal slices. in the top left corner, there are a few short ends of a plant sticking out, and the bottom right corner contains a section of the other half of garlic bread. End I.D.]

EDIT 7:

ITS VALENTINES DAY AND THEYRE STILL TRENDING HELL YEAHHHHHH

EDIT 8:

NUMBER THREE TRENDING?? TUMBLR IS THE BEST

[I.D. a screenshot of the tumblr trending tags list, showing third place as aromantic, trending with “#asexual” and “#aroace” in the same category. the background is a desaturated brownish-red, and the “3” is written in black text within a red circle. the rest of the text is white. End I.D.]

EDIT 9:

WERE MOVING UP ‼️ #2 ‼️

[I.D. a screenshot of the tumblr trending tags list, showing second place as aromantic, trending with “#asexual” and “#aroace” in the same category. the background is a desaturated yellow, and the “2” is written in black text within a yellow-orange circle. the rest of the text is white. End I.D.]

#asexual #aromantic #aroace #LETS HAVE CAKE TO CELEBRATE #aro #ace #aro ace #aspec #valentines day

[anonymouspuzzler]

everyone has been so darned kind about the update!! to everyone who has taken a peek at our work, explored the site, shared it with their friends, drawn fanart, done ANIMATICS, MUSIC VIDEOS, everything and anything - thank you, thank you, thank you!!

also here's a lot of little doodles i found i did during production that i completely forgot about until now. the last little comic is a True Story that happened when i was hosting the exhibition

[Image IDs/transcripts under cut!]

[Image 1 ID: A full-color, digital drawing of a puppet version of Puzz lifting up Wally on her right hip. Wally is smiling gently and waving with his right arm. There is a light green and blue gradient behind them, and rainbow text above their heads reading "THANK YOU!" with little heart symbols in several colors. End ID.]

[Image 2 ID: A photo of Puzz and the Wally puppet, with a caricature of Puzz's face drawn over where her head would be. She is wearing read heart earrings and has her hair in a curly updo similar to Wally's pompadour. She is smiling with her tongue sticking out, looking into the camera. Wally is also smiling into the camera, one arm resting behind Puzz's back and the other hand on her arm. There is an arrow pointing to Puzz with handwritten text reading "PUZZ!" in blue colored pencil, and various yellow- and blue stars drawn around the image. End ID.]

[Image 3 ID: A black-and-white digital ink drawing of Puzz sitting at a messy L-shaped desk. She is wearing a baggy black t-shirt over a striped long-sleeve shirt, a grey skirt, and tights with a swirly pattern. There is a laptop to Puzz's right, a takeout container and cup of pens to her left, and a monitor right in front of her. There is a close-up image of Eddie's smiling face on the monitor. Puzz leans in close with an intense, thoughtful expression, going "hmm...". End ID.]

[Image 4 ID: A black-and-wite digital ink drawing showing Wally watching in horror as Puzz, spinning in circles with a vapid grin, ascends into the sky with a giant box balanced on top of her head. Her tiny top hat is in turn balanced on top of the box. End ID.]

[Image 5 ID: A black-and-white digital ink drawing of puppet Puzz and Wally. Puzz is standing in front of Wally, back facing the viewer, with an empty grin. Wally, who is about a full head taller, looks down at her with dumbfounded horror, apparently unable to comprehend someone being smaller than him. There are several question marks above his head. End ID.]

[Image 6 ID: A black-and-white digital ink drawing of Wally. He is leaning against a surface holding a phone, staring at the viewer with a gentle smile. He is holding the phone to his ear with his left hand and twirling the cord around his finger with his right. End ID.]

[Image 7 ID: A black-and-white digital ink drawing of Frank and Barnaby. They are recreating the meme image of two men in the snow, with Frank looking off to the right holding a small snowball in his hands, while Barnaby jumps up behind him holding a huge snowball, grinning widely and prepared to Dunk. End ID.]

[Image 8 ID: A black-and-white digital ink comic about Puzz and Wally at the Playfellow Exhibition. Puzz, wearing a N95 mask and dressed up like Wally, holds the Wally puppet on her left. In front of them is a woman with a short bob haircut and striped shirt, holding the toy phone receiver up to her ear. In the first panel, the woman says, "this is your voice?", to which Wally nods and Puzz looks on. In the second panel, the woman cheerfully adds, "you have a sexy voice!", to which Puzz and Wally both look shocked. The third and fourth panels shows Puzz and Wally looking at each other, then back at the woman. The final panel shows Wally covering his face with one hand and ducking his face into Puzz's shoulder in embarrassment, while Puzz and the woman both laugh good-naturedly. End ID.]

#anonymous puzzler art #welcome home #apparently necessary disclaimer of THAT PICTURE IS NOT CLOWN IT'S ME (bc people just keep Assuming Things) #also don't read in too deep to any of these images LOL most of 'em were just idle doodling during meetings. no Lore Implications to be had #only silly goofs and gaffs and laffs here #long post /

[puffins-studio]

Nico Di Angelo 💀 Will Solace ☀️

You don’t know how happy I was at the news of their solo book! I been off and on Percy Jackson because doctor who but it been on my back burner. And I found the release date of the book before my bad finals and I just had to act as if I didn’t see if so I could focus , problem is my adhd made me completely forget about the book until the pretty cover came on my to my feed and i dropped everything to read it.

I love them💕 I Want to do an embroidery for them too but I think I might listen to the book again as I can’t pick a favorite line to do. I might also do the other main character and add my headcannon ideas as I feel so proud of these came out!

Hazel

Percy & Annabeth

Jason

Leo

If you want to read my headcannons about their outfits, then it under the cut as I have many ideas.

[ID: The picture is a felt doll that is the shape of a gingerbread man with a big circle head Nico Di Angelo and Will solace. Nico have light color felt for skin, very dark brown hair that is to his shoulders and have a bit of a curl. He have black ties shoes, dark grey rip pants, a black and grey shirt with the skull on it. He have on a sliver studded belt, with beads for the studs, and a chain coming off of it. He have his ad jacket with a Italy flag patch in the right side and a sun patch in the left side. He have Bracelet on the hand with the sun patch sleeves. It a rainbow beaded one and a yellow and black twist. On this other wrist he have a black, read, and blue sparky thread one, a ace flags: black, grey,white, purple. And he have a beaded disability flag colors are black, green, blue, white,yellow, reddish pick, black. Will has light color felt for skin, short yellow blonde. He has ears and a little bit of black felt is peaking out for hearing aids.he have a blue shirt and a fort pocket, a little coco puff is in the pocket, he have on cargo shorts, a yellow orange sweatshirt around his waist, he I have on one blue sock and one read with cream shoes that have on the left one embroidery purple hyacinthus, a lyre and in the other side is a bow and arrow and the symbol of healing that have the single snake. He have camp bead and a sliver bead for the ring on the chain. On this left wrist he have a rainbow bracelet, and a random color one that is blue, light purple and light gray. On his other wrist is a bi flag one pink, purple, blue. And the last one is a matching one with Nico that is black and yellow.:ID]

Headcannons for Will

Star Wars

-I was going for like Star Wars socks, as this boy is either in flip flops or cowboy boots, he rarely wear anything else so he have fun socks to show off when he does

-(Maybe not the first time but maybe one of the first few time Nico said he love Will. Will make the Star Wars reference with Hans saying ‘I know’ and Nico is slightly confused. But then imagining his reaction when he all invested in the movie and then Hans say the line and Nico just stops and is like WILL! And will just start laughing “I couldn’t help it!”)

Shoes

-He only have one pair of sneakers and I was trying to think of something to Blightten up his outfit, and thought the Apollo cabin can’t leave anything plain. So Apollo theme shoe (dark idea is that they belonged to one of his older brothers who painted them and died and Will wanted to bring something that reminded him of his family into the underworld with him)

Coco puff

-Little coco puff in Will’s pocket I can’t decide if the little puff is attached to Will because it a deamon that Will actually helps Nico fight or the puffs are attached to anyone who have the same deamons so like if the little one is bad self confidence, then Will also have to work on his bad self confidence

Beads

-Enough beads for him to have gotten to camp one year before Percy. So he had two good years with his siblings before the wars. Just so he also have a family when his mom is on tour. But I do also think he has a lot of hidden Apollo kid power that he doesn’t know about so he think he weak with a randomly strong small. Like that is until Apollo learns where he went and is like how are you alive. Will “power of love… and really bad nicknames”

Disabled

-I tried to give him hearing aids, they enup being hidden in his hair, I was trying to think of a color that would stand out against the yellow hair as I also thought he would pick a noticeable color, and I wanted with black. Just him going into the underworld with so many extra batteries, but also him and Nico do a bit of asl or just come up with little hand signals.

Bracelet

-Rainbow one, bi vone, matching one with Nico, and a random one from a sibling

Headcannon Nico

Bracelets

-Nico has bracelets as during craft time some of the younger Apollo kids were make some and they all like to make Will some. At the time Nico was there making their matching ones at the time and will was making one for Nico. And then one little kid come up and whispers something to Will he grins. Nico look up because the silences and Will just nods to Nico, then the little kid goes over to Nico and holds up the bracelet and said they made it for him. Will fills in that they want to give it to him and so Nico just like ‘yeah sure’ and hold out his wrist and the kid tie it on before running happyly back to their table. Will leans over like ‘now you can’t take it off’ Nico just looks at him and Will is just ‘how did you think I get so many.” And then the younger kids even some from other cabins make Nico bracelets and he feels honored,

-Random one that is supposed to be the one the kids made him but also slightly Star Wars theme, I was trying to make it with the dark sparkly thread as I can imagine that how a kid see Nico. The other one is beads for the disability pride flag. Either Will makes if for him and he have one too if something with the flag as I love deaf Will and disabled Nico. Or another little kid make it for Nico who also have a disability and that help Nico acc his. I had to add a asexual one too, I can’t help it. Beads so he can mess with them when on edge

Beads

-And I love the idea that nico some how get the camp beads either he steal one each year as he wanted to be apart but hey keep them in a box some place and then after will saying something like he always had a fear of Nico leaving, and to show him he acc camp as home, the next morning Nico walked out of his cabin with the beads. Or Will just keep saving beads for Nico. Like it started as Will keep going around asking about Nico and got upset when he was told he left already, maybe he ask Percy and Percy tell him something like Nico doesn’t like camp. But Will meet Nico in the small window when Nico was at camp before he first ran away and got a little crush that his siblings notice, and then when Michael was giving the beads to his cabin, he give two to will, and just held a finger to his mouth before Will could say anything and say something like ‘you need to hold onto Nico’s bead, in case he comes back.” And so when Will was head he keep asking for an extra one to save for Nico. And he gives them to him at one point, maybe even just leave them by his bed during the 3 days.

Jacket

-Nico get a over size jacket so Will can steal it sometimes. He had a Italy flag patch, maybe Chiara got it from him because they are both Italian. And then sun patch maybe as a slight joke that the Apollo kids got him as he is always with them. And then I tried to do it so it look like he sewed them in himself. Pockets are totally full of chocolate and random rocks he finds, that he offers to Will and younger campers.

#if you like this i have more pjo doll on my blog #If anyone want to talk solangelo with me I would love that as right now I have no one to talk to about it #I will fix and spelling in the morning I had a rough night and wanted something nice to wake up to. #as I felt proud about these dolls and I wanted to talk about the books. #pjo nico #nico di angelo #will solace #pjo will #solangelo #percy jackson #the sun and the star #sewing #made out of felt #my art #plushies #my sewing #my plushies #fanart #felt plushie #image description #tsats spoilers #tsats #handmade #disabled Nico #disabled Nico Di Angelo #disabled will solace #deaf will #deaf!will #coco puffs #Percy Jackson sewing

[thegatorsgoose]

Dove

My headcanon (?) of what Danny from Wayne's Haunted Mansion by @tathartiel would look like as a vigilante

I love this fic to bits and as everything I love I overthink about it, and I started thinking about what he would look like if he became a vigilante with the batfam. (considering Bruce’s track record, and Danny’s need to help, I feel like it’s inevitable lmao)

It’s mostly just a slightly tweaked version of his hazmat suit + a white clockwork style cloak. I made sure to add a lot of armor around the knees, shoulders, elbows and knuckles and not much else because id imagine like black bat, he doesn’t run in there like the others, instead waiting all sneaky like for the perfect moment to jump out of the shadows.

The mask was originally just the top part, which is shaped like the bat symbol if you couldn’t tell, but then I realized this Danny has a very noticeable scar on his mouth and I’m not about to pull a Jason Todd and have a major definable feature just hanging out (seriously dude cover your hair) so I added the bottom part as well. It does detach tho! So he can eat bat burger with the fam afterwards:) the eyes of the mask are either black or ecto green, which Danny controls by feeding ectoplasm into it. I saw someone do something similar in a fic but I don’t remember which one, but I thought it was cool. I also added it cus Dannys a ghost, he likes causing mischief and spooking people, it’s in his blood! And seeing two glowing green eyes appear out of nowhere in the shadows is very spooky.

Also we got service dog/guard dog Cujo, the best boy, and Nightwing congratulating Dove on his first patrol! “Good job on your first patrol, spooky!”(My handwriting is trash I would have fixed it up but eh). Why give him a scythe, you ask? Well, why not? In reality I doubt he’d use one in this fic but also he has an extremely rich and specialized family, if no one in the fam can teach him then they could easily higher someone. So why no :P

I definitely intend to color this, but I’m to lazy and tired rn and I just wanted to share cus this design has been plaguing me for a while. Luckily the sketchs turned out good enough to post 👍 I hope.

(Edit, posted a little comic of him)

#dp x dc #dpxdc #dp x dc art #dp x dc fanart #dp x dc fanfic #my art #Danny phantom #Batman #digital art #sketch #art #mourning dove #mourning dove au

[ballads-of-a-bluejay]

flower symbolism anyone?

(click for better resolution)

IMAGE ID:

A digital drawing of Sydney from Camp Here and There. He is a pale, dull-skinned white man with long black hair adorned with mushrooms. He is looking at the viewer with a mournful expression. In his hands is a bouquet of purple hyacinth, hibiscus, anemone, and butterfly weed. His nails are painted black. The background is a pink, paper-textured sky, and the sun floats behind his head like a halo.

[END ID]

more info and close ups below the cut!

ok so. i did RESEARCH for this. here's the meaning of each flower

purple hyacinth: sorrow

anemone: forsaken

hibiscus: delicate beauty

butterfly weed: "let me go"

there were a lot more flowers that would've suited him but i picked these four because they're pretty and looked good together ^_^

here's some images i used as references!

#chnt #camp here and there #ch&t #chnt fanart #camp here and there fanart #my art #sydney sargent #sydney o sargent #sydney october sargent #flower symbolism

[t34-mt]

maanul colony, a rough idea of how the build against the cliff parts looks like, the rest of the village is on top of the cliff. These are flexible plant fiber that creates platforms/structures, and there are also tunnel systems. also, black sand! More text and information under ->

this is a western colony (maak'thao), other colonies have that same similar structure but have regional differences in architecture/ the way of making certain things. This is just one side, id imagines it expanding widely on the side cliffs. Maybe kilometers long for the largest colony of each wind? (west, north, south, and East all have a "main colony" which is just the biggest of the region. Cardinal directions are called "the 4 winds" for maanuls.)

while a portion is on the side of the cliff, build against roots or just on the top of the cliffs as regular houses, a part of the structures is hidden. And is directly carved into the rock, as tunnel systems to access some specific parts easier. Carved storage rooms, small gathering places, rooms for religious practices like wall painting, and so on. this is roughly how the tunnel stuff would look like ->

id also imagine some tunnels being decorated with shells, sadly the examples I found are not the exact color I imagined because i think they would pick stupidly colorful ones since they are very fond of shiny things with color(like a magpie!). And once they start losing their color for x reason they would repaint the shells. A main tunnel leading to an important place would be highly decorated, while smaller narrow tunnels would have just a little bit of shells on the sides if none.

now with specific details id like to point out from the bottom part!

First, the statues (in yellow). The statues are placed all around in front of the habitations, they are deeply set in-ground and are lightly carved in, enough to tell a specific shape but still retain a square figure. here's a closer look at them, with additional text!

Now onto the roots (red) and the bottom platforms (white), these root-like structures are actually a sort of tree that grows down to the cliffs, not every colony has that these are mostly found in west and south. Colonies that don't have these growing around will have bottom platforms made out of wood and will be raised up from the sand floor.

The bottom platforms here are also made out of somewhat flexible but strong plant fiber. These large platforms are not made to live but more for some community gatherings. like for example teaching young ones about sea navigation! Down there is used to store some fishing equipment and boats. And when I say boats you should think of canoe-like ones, used for fishing.

And last is that large fish-net decoration in blue, that thing is used to attach many things, like sand down glass pieces that with the light give a fun colorful reflection effect around. But that fishnet thing can also be used to mourn. By that, I mean in the West if they lost a loved one to the ocean they can take a personal shiny belonging and attach it there. So they will always be remembered by everyone even if they didn't have a body and couldn't do the usual way of mourning.

now for the middle section, starting with these "flags"

the enormous "flag", takes decades to make and are a thing you find in each "main colony" of the 4 winds, the immense rope will harbor at least 3 of those and the things represented in it can sometimes be related to a local folkloric tale, symbolic drawings that each bring a good thing to the colony. Like for example one drawing of fish and waves to bring good luck to fishermen! these are much more like tapestries than flags.

extra images about the nest-like structures, id think of them being made out of leather, various plant fiber, and a bit of wood for support.

and a bit about the top layer, which extends much more but on this drawing you only see the beginning of it.

now with the high tide, there it does not get high enough to swim but still enough to take off to the sea with a canoe, id say it arrives at waist level for an adult maanul. Not every village/large colony have the tide flooding around like this, sometimes it might stops where the statues are placed. since altuyur has 2 moons (maanuls and kyhuines say 3 moons but in really the third, or also called "the infant" is an asteroid caught in the first moon, also called "night mother") i was thinking it would affect the tide cycle tho im not sure yet how it does that since im not that good at astrology.

thank you for reading!

#maanul #altuyur #architecture #ms paint #worldbuilding #speculative zoology #xenogiology #xenofiction #2023 #artist on tumblr #txt #digital art #concept art

[loveselenade]

Madoka 1.5

Since I’m watching PMMM for the first time (with a lot of it spoiled due socmed lol), I figured it’d be fun to write my thoughts so far, 1.5 episodes in. It goes without saying, but don't send me any further spoilers, as this is only fun if I can manage to remain as ignorant as I am now.

Things I knew before hand:

-Kyubey is a bastard.

-It has Shinbo Akiyuki's artistic sensibilities all over it (reason I started watching, tho I'm unclear what exactly his involvement in this is lol). Also, Urobuchi Gen is the main writer for this lol

-Madoka dies.

-Madoka is the paragon of good.

-Lesbian Satan.

-Homura has catholic guilt??

-Someone's backstory involves a brother or something.

-Guns

-Time loop.

-Jewel seeds but evil (this only makes sense if you've watched Nanoha, sorry lol)

-Witches

-Madoka saved a cat

---

--

-

¯\_(ツ)_/¯

Illusory motion.

[image id: top view of a monochromatic, distorted staircase that looks like a spiral.]

An upwards climb or a downward spiral? The irregular curving of the stories and the pattern alternance sure makes it look like it's spiraling inward. As our lace curtain lifts so the play can begin, this is our first look at the kind of world that awaits us.

[image id: gif showing a close up to Madoka's legs and then a panoramic top view as she runs through a monochromatic hallway with a chessboard pattern]

I don’t have a lot to say about the witches’ labyrinths yet, but I’m always a sucker for dreamscapes (I loved them dearly in Flip Flappers, where they had the incredible work of Studio Pablo strengthening the storybook look), and I’m assuming the labyrinths symbolize something about the interiority or the difficulties the witch in question faced. I don’t have a lot to go by with the two labyrinths in episode one, but I did love the glimpse of the one we get in the opening sequence. I love the effect that it creates when alternating between panoramic shots or extreme close-ups to Madoka’s legs and back as she runs—respectively making her look too small against this overwhelming set piece or claustrophobically trapped in her impotence. As the camera moves along, there’s a sensation that the different patterns in the floors are moving. Because of the way we perceive depth via ascertaining the apparent parallelism or convergence of lines and value/color contrast, among other things, the pattern alternance in this monochrome set piece creates illusions of either motion or that each row is a step more elevated than the other. It’s a properly trippy place. I enjoy it. The straight white for the lighting and tiles creates an artificial and alienating atmosphere. The uniformity of its looks is disorienting. Is Madoka going the right way?  It’s really a fantastic introduction to the world of Madoka Magica.

The path you must follow has been prepared for you.

[image id: A green, flourescent exit sign is centered in the screen, hanging above a dark path framed by silver chain fence]

Despite the disorienting feeling, Madoka follows mostly straight paths and there's a clearly labeled, correct exit. This brings to mind the predetermined paths present in Revolutionary Girl Utena's imagery.

Additionally, I find the way Madoka’s run is boarded reminiscent to Utena’s chase after Anthy in Adolescence of Utena:

[image id: gif showing a panoramic view of of landscape shwoered in sunset lighting and red, square pillars towering over the space. Utena, looking tiny, runs further into the place.]

[Image id: gif showing a top down view of a long monochromatic corridor with chessboard pattern that Madoka, a mere pink dot in the screen, crosses running. The corridor is right in the middle of the screen and surrounded by different equally black and white mandalas that turn slightly.]

We get panoramic overhead shots emphasizing the disorienting, geometrical maze and the impotence of our heroines' tiny figure against them.

Before reaching their destination, they both cross a stairs-bridges of sorts; Utena, towards the dueling arena where Anthy waits for her to continue the dueling cycle with Utena as champion; Madoka, towards the foyer where she can find her exit to where Homura is struggling against another hopeless, fighting cycle, one which Madoka choses to perpetuate when making a contract with Kyubey…

[Image ids:

The image to the left shows shows a stich of two Adolescence of Utena's screenshots: the one on top showing Utena crossing a bridge; due the top down angle and the inclination of the bridge, the planks on the bridge look like stairwells. The image on the bottom shows Utena crossing the bridge against the creamy, pinkish sunset sky. The bridge railing is shown a black silhoutte in the foreground.

The image to the right is a stich of two monocrohmatic Madoka Magika episode one screenshots: the on the the top shows Madoka crossing a corridor, the foreground is dominated by abstract geometric shapes. The one on the bottom shows Madoka going up an ample stair well, and the surrounding walls have a similar geometric patterning.]

Absolute Reality.

[Image id: Predominantly black and white screenshot showing a dark tree on the foreground and black debri flyaing around. A little to the right of the middle line stands Madoka, with Kyubey sitting on top of some fallen pillar. The subtittles are Madoka's dialogue and read: "Can I really do something to help?"]

The offer that tempts Madoka into a contract is the promise of agency. She can’t stand the reality where there is nothing she can do, thus it's the promise she does actually have power to influence the narrative and help others and stop their suffering what Kyubey dangles in front of her. Madoka feels deeply moved by the pain of others and has a strong empathetic response that makes it very easy for her to be preyed upon by our resident ugly cat here. It’s detrimental to her. Maybe Homura has a point in reversing her wish to be the divine embodiment of Goodness. 

It’s then interesting that she expresses disappointment upon waking up not only in the premiere but in episode 02, as well. Her waking up animation might as well become bank during this introductory arc (I’m betting it does, can’t wait to be wrong). When confronted with the thought the world her senpai Mami introduced to her, one of great danger but also apparently fulfilling and actualizing, Madoka expresses disappointment. Even though she has a happy, easygoing life full of friends and family that love her and that she loves in return, there is something else she is looking for.

Confronting your own humble plainness again.

[Image id: Screenshot of Madoka's room dimly lit. Madoka is drawn towards the bottom left edge, hunching and hugging her huge body plush with a beleagered expression.]

Appearances, facades.

Trained confidence. 

[Image id: Screenshot showing makeup labelled with numbers, as if to indicate the order of steps.]

Following Madoka’s "dream", we learn about her homelife anchored around her interactions with her mother as they talk about the love lives of the people around Madoka, contrasted to Madoka's own assertion that no one has an eye on her. Their whole bathroom conversation could be characterized as "girl talk": they go on about love and the need to maintain an appealing image as means to reach it. I could easily accuse this scene of being sexist (and it did rub me the wrong way initially), but the dialogue is naturalistic enough to paint a trusting, warm bond between mother and daughter; plus the repetition of the make-up motif in the second episode while interspersed with Mami's explanation draws attention to themes of appearance and desire.

A remark that can easily be taken as reinforcing gender essentialism lol

[Image id: Screenshot showing the sinks at the foreground barely visible at the bottom edge, with Madoka and her mother in front of them. Madoka is holding her red ribbons with her left hand hesitantly, while her mother has her hands over her hips, talkig matter-of-factly: "A woman's appearance is the one thing she can't afford to get looked down at."]

The contrast in the way mother and daughter carry themselves is apparent. When Madoka relays her reports about her homeroom teacher's love life, her more experienced mother offers keen observations about the possible state of the relationship. Where Madoka takes things at face value, her mother can see deeper. The same applies to the image they project to the world— where her mother has a set (numbered) method to achieve her ideal image, Madoka fumbles and fusses about her ribbon choice and not being seen as too much. The frame pan showcasing the end result has Madoka standing timidly with her hands folded over her lap and her back reflection shown in three different angles in the background mirrors, as if she's being thoroughly scrutinized. While her mother confidently observes her reflection in the mirror, Madoka shrinks at being observed.

[Image id: Screenshot showing Madoka in the middle with a dopey and hesitant expression and her arms drawn close. Her reflections are shown in the mirrors in the background.]

I can't say that Madoka’s self-confidence is worryingly low given what we’ve been presented with—while she lacks the self-assurance her mother possesses, she doesn’t seem particularly self-deprecating. While her affirmation that no one looks her way reflects that self-consciousness, Madoka doesn't further put herself down. Instead, it could simply be that she's a teenager only now discovering her identity, what she's comfortable with, what she wants and what place can she carve for herself in this world. Her mother advises her to train the image and behaviors of someone confident as a first step to grow more certain of herself. The scene places emphasis on the process of purposefully building the image you project, which becomes relevant as episode two's layouts play with a reflection motif around talks of desire. 

While thinking back on Kyubey’s proposal of granting them one wish in exchange of risking their lives, Madoka ponders about what she wants. Her waffling contrasts to her mother’s immediate, cutting  response concerning pragmatic concerns from her work life when Madoka echoes the question to her. Although, of course, her mother lacks the whole context that makes the decision heightened, Madoka’s roof talk with Kyubey and Sayaka reinforces that there isn’t anything she wishes for that strongly. Yet. 

Additionally, when Madoka proposes a bigger ambition to her mother (“Wouldn’t you rather become CEO yourself?”), the image her mother projects into the mirror changes drastically into a more fierce and dangerous look, complete with the repetition of her labeled make-up symbol. This ties a connection between the image people project and what they desire. And just like Madoka has a rather inhibited persona, so do her desires appear mild.

This takes us to Mami, their helpful senpai.

A slightly distorted image seen from below the glass table totally screams trustworthy.

[Image ID: Screenshot of Mami drawn in a low angle, showing her sitting with her legs neatly folded under her backside and her hands resting on her lap. Despite the sunset light filtering through the windows, she's very dimly lit. Most of her image, from the waist up, is shown slightly distorted as its filtered through the glass of the table. The table legs curve outwards and frame her the image in a strange way. The subtitles present her offer: "You should see for yourself what it's like to do battle with witches."]

Knowing the spoilers that Homura is trying to save Madoka from death via time loops and preventing her from forming a contract with Kyubey has an interesting effect— that is, it casts suspicion over other characters. Mami is the helpful senpai that shows up in the nick of time to save them from the witch, heals Kyubey, explains the situation to them and even promises to protect them from Homura at school. She also offers to show them the fieldwork so they can make up their mind about whether to become contracted! The earlier, careful portrayal around purposeful appearances and the reflection motif repeating during their talk can’t be coincidence. Clearly, she wants to be seen as someone who’s dependable, and whether this has more sinister implications or is stemming from personal wishes is unclear to me yet. Mami feels more like Kyubey’s sales associate than anything else. “You can come observe” it’s the pitch you give someone unsure whether to join a club so you can lure them further in. She’s encouraging them to take on a responsibility that can have rather grim outcomes, despite her early assertion that magical girls don’t necessarily work together to reap the rewards of fighting witches—a statement that further reinforces the narrative of Homura as an antagonistic force to our young heroines. Mami either is very upstanding and thinks it’s a duty they should take on since they were chosen or there is something deeply fishy going on here.

For all intents and purposes, Mami is a completely separate entity to our young heroines, not unlike Homura. She’s the one who’s a magical girl already, they’re the uninitiated. They sit on the same side of the table, opposite to her. This shot emphasizes their separation through the black leg of that foreground furniture.

There’s clearly a lot we don’t know about her.

[Image id: screenshot showing Mami's living room. There's sunset light still filtering in, but the room is mostly dimly lit. Mami is on the side of the wall, so she's in the shade. They're sitting at the table, Madoka and Sayaka together on the same side and visually opposite to Mami. The black legs of a furniture are shown in the foreground, creating a strong visual barrier between Mami and her juniors.]

Isn’t it just so fun how this reflection shot obscures her face? Like she’s covering it with her hands in sorrow. Seems charged that it coincides with her explanation about witches causing suicide and murder, does she know of someone who was a victim of them? OR better yet, someone who became One?

I know that magical girls become witches in this series, which also poses interesting possibilities…

[Image id: Screenshot showing Mami's lap with her hands resting on top of it as she sits in front of the table. Because of the top angle, the reflection of her face shows dimly on the glass table. Her face overlaps her hands. The subtitles read: Many of the inexplicable suivides and murders that occur..."]

Are my suspicions on Mami’s intentions totally off-mark? I have no idea, but it’s incredibly fun to doubt her  lol

Speaking of despair lore, I usually raise my eyebrow—think it’s full of shit— when there’s worldbuilding that links suicide and violence to supernatural entities; it’s a run-of-the-mill battle shonen explanation, Noragami also uses it with Ayakashi as amalgamation of negative feelings and energy from the people of the places they haunt. Now, this could still work on an allegorical sense of how oppressive environments lead to such emotional outcomes, since most stories don’t engage with the structural causes of such problems… It can be that, or end up attributing a metaphysical cause as the source of all darkness without even so much extending understanding and sympathy to the people who suffer from it. Where does Madoka Magica fall, I wonder…

Blessed fools.

A pained smile framed behind by bars, a surefire sign that someone isn’t totally trapped. 

[Image ID: Screenshot showing Sakaya's back with her face turned in profile towards the right. She's smiling ambigously and her right hand is holding to the white chain wall that dominates the background against the bright daylight sky. The subtittles read: "Well... Maybe the pair of us are just fools?"]

Given our young heroines lack of direction, ardent ambitions or anguishing desires, Sayaka muses that perhaps the fact they don’t have anything they’d die for is a sign they’re blessed fools. This rings true for Madoka. She’s a happy kid with a supportive family and friends. Despite her longing for something more—her own agency? confidence? Romantic love?—, there doesn’t seem to be anything that is making her actively miserable. Her mild adolescent ennui is not necessarily something pernicious and would’ve likely resolved itself as she experienced and tackled more challenges in her life with the guidance and support of her family. This whole business paints more ill-fated for her (and I mean, I know it is. What a tragedy, hers).

But is this true for Sayaka? This brief shot with its ominous red sky and its bedridden figure shrouded in darkness begs to differ… The fact she feels guilty over being chosen, thinking there’s people who’d make use of a miracle much better than them makes me think it’s rather someone she knows… Is this her motivation to get into Kyubey’s magical girl agency? I don’t have a lot to go by…

[Image ID: Screenshot representing a short-haired person in bed shown facing right . Most of the shapes are represented as black silhouttes, sans the translucent curtains and the ominous red sky framed by the window. The subtittles read "We've been so blessed.."]

Sayaka and homoeroticism.

Welcome back, Shinohara Wakaba. 

[Image id: Screenshot showing Madoka, Sayaka and their irrelevant friend Hitomi at the park. Sayaka is hugging a slouching Madoka from the back, saying "You must be my bride, Madoka!".]

The Girl Talk in episode one continues as we follow Madoka’s commute to school with her two friends: the blue one, the to-be Magical Girl, Sayaka and this one random girl that I'm surprised it's even there. The banter and physicality to Sayaka and Madoka’s interactions is fun and warm, selling their chemistry as friends. And near the end, Sayaka playfully proclaims Madoka must be with her, which immediately brought to mind Revolutionary Girl Utena’s Shinohara Wakaba's own ambiguous, very physically affectionate date-play with Utena. 

Rather than being a maiden in the sidelines, however, Sayaka is positioned as Madoka’s protector against Homura. Given Homura is fighting to be Madoka’s silent protector herself, this is unbelievably funny to me. When Madoka finds Homura's staring off-putting during P.E., she hides behind Sayaka. When Madoka— with Kyubey in her arms— is alone facing the inscrutable, darkness-shrouded, threatening Homura, the one who shows up to save her is Sayaka. When they're alone within the creepy labyrinth, Sayaka protectively embraces Madoka. When Madoka is worried that Homura might try to attack them at school, Sayaka offers to punch Homura. This antagonistic placing of Madoka's two protectors is hilarious, and I'm curious to see if the dynamic fizzles out as we delve into Sayaka's innermost wishes and struggles or if the tension will boil over into something interesting.

'Get behind me, Madoka! I got the fire extinguisher!' 

Such a hilarious way to break the tension.

[Image id: Screenshot showing Madoka and Sayaka in a dark parking lot, with most of the background shrouded in shadows. Sayaka is holding a fire extinguisher that she's shooting towards the left, and Madoka stands behind her, holding Kyubey.]

Even their sitting order in class positions Madoka behind Sayaka lmao Does Sayaka have a thing for Madoka or just a hero complex? 

[Image ID: Screenshot showing Madoka and Sayaka sitting in their classrooom. Sayaka is shown sitting a row in front of Madoka, a column to the left. Madoka is holding Kyubey in her arms. The subtittles read: "If she tries anything on you, I'll punch her lights out!"]

The show acknowledges the homoeroticism between the two in a tongue-in-cheek manner during their commute in episode 2, when their normie friend feels put off by the apparent intimacy of their silent (telepathic) communication:

"You've been staring so intently into each other's eyes… What on earth did you do after I left yesterday?!"

This girl is too homophobic to become a magical girl, smh. 

[Image ID: Screenshot showing Sayaka, Madoka and their friend Hitomi drawn in profile at the park. Sayaka and Madoka are positioned on the left side of the screen, with a tree in the background subtly serving as visual barrier between Madoka and Sayaka. Madoka is slouched and halfheartedly reaching to Hitomi. Hitomi is positioned on the right side of the screen, with her hand to her heart and running towards the left. Her dialogue reads: "Don't you see that it's a love that can never beeee?!"]

Madoka points out that their normie friend's remarks sound a lot like what Sayaka tells to her on a regular basis, lending credence to my Wakaba comparison lol This gag could simply be an acknowledgement of the charged homoeroticism present in the series, but it still amuses me so far a lot of it has circled around Sayaka and Madoka. 

Akemi Homura

Her soundless, despaired scream as she catches sight of Madoka with Kyubey was so cinematic ❤️

[Image id: gif showing a zoom out of Homura's face as she screams. She's resting on a tree branch that's represented as a black silhouette, with debris floating around represented in the same way.]

Speaking of homoeroticism, it's time to talk about Homura. I actually felt a little sad that I already know about her motivations because she's so incredibly off-putting, I'd have had a lot of fun speculating about the meaning of her actions, the way she's framed and the meticulous way her micro expressions are portrayed. However, it's not like there isn't still some room to have fun reading into them. She enters the picture via the classic transfer student trope. From her introduction alone, she creates an awkward atmosphere with the way the standoffish silence lingers due her laconicism. 

Despite her aloof demeanor, and in pure transfer-student fashion, Homura still stands out both in academics and physical feats (she even breaks the regional high jump record lol!); as such garners the attention of her peers. Nonetheless, she couldn't be more uninterested in them, as the one she can't keep her eyes off is Madoka. Her taciturn, blank-faced and cutting demeanor can paint her staring as downright aggressive. This is further reinforced by being color coded with the darkest values in the cast so far: black and purple are her signature colors, classic villain palette. 

Her conversation with Madoka as she rehashes the "could you show me where the infirmary is" routine is the big standout of hers in episode one —the tropey nature of this encounter makes it very easy to imagine how their first interactions went down the first time—. The low angle that emphasizes her head tilt and the accentuated shadows on her face and body make her look haughty and intimidating.

She's literally staring down Madoka lol Worth noting this same framing is repeated as she warns Madoka in a few minutes, complete with rotating animation for gravitas, contributing to Homura's bad vibes. 

[Image ID: Screenshot showing Homura's face and shoulders slightly turned to the right side of the screen. The right side of her face is heavily shadowed and so are her shoulders. She's looking down on the viewer. Her dialogue reads: "May I ask you to accompany me?"]

While one could think that the reason she approached Madoka was to issue her warning, I'm actually not that certain. It could be due the way her anguished reactions to being around Madoka make her look quite erratic as she tortures herself with these distorted echoes of her memories—but I also have to point out the abrupt way she brings the interaction to a halt, stomping and suddenly turning. The way she behaves through the whole interaction feels quite impulsive, which gave me the impression of Homura purposefully trying to recreate the past (whether out of indulgence or to torture herself, I'm not really sure).

It's really fun the way this obscured close-up to her profile hiding her eyes— making it difficult to parse her emotions— paired to how the next highlighted extreme close-ups have her clenching her teeth led credence to the "Homura is a hostile party" narrative. Personally, the timing is what gets me. She reacts deeply upset to the fact Madoka politely yet impersonally addresses her as "Akemi-san" lol This girl was in the trenches. 

[Image ID: Screenshot showing Homura's shadowed profile facing left. She is holding her face up, seemingly imperious and her mouth is tightly shut.]

The way the timing makes it seem like she's really pissed at Madoka’s remark that her name is weird + subsequent fumbling is very funny lol I wouldn't say she's not upset from it, but mostly in the "it's painful to be around you" way. 

[Image ID: Screenshot showing a extreme close up to Homura's clenched mouth, as she lowers her face. There's heavy shading on the left side of her face and lens flare coming from the right side of her face.]

There's a lot of natural verticals in the panels of their classrooms and the windows they transverse that create visual divisions between the two. I found it particularly noteworthy that while there's a natural sense of distance and awkwardness between the them, Homura is the one who accentuates it and fully brings herself to the other side of the threshold when she suddenly skips forward ahead from Madoka. The idea she's intentionally cultivating a distance between the two is very intriguing and appealing…

[Image ID: Screenshot showing Homura and Madoka facing left as they walk through the corridor with blue window panes. There's a particular wide vertical division in between Madoka and Homura, placed more or less in the middle of the screen. Homura is on the left side of the screen, but closer to the blue vertical division. Madoka is falling behind, with more white space between her and the middle.]

Their sitting order reinforces this idea, situating Homura all the way to the front, completely out of reach. 

[Image ID: Screenshot showing Homura sitting in the front row, looking back at Madoka's seat.]

They look fully at odds with each other thanks to the high contrast between the bright windows and the shaded frames. The dark values to their visual barriers fully bring out the tension brought by Homura's sudden halt-and-turn as she issues her warning. Homura is framed as thoroughly oppositional to Madoka, and she herself doesn't bother to correct any misunderstandings. It's pretty interesting she's fine with being vilified if it might grant her any slight chance to get what she wants.

[Image ID: screenshot showing Homura and Madoka drawn in a symmetrical composition, separated visually by the regular window panes. Homura is drawn towards the left edge of the screen, facing right and standing imperiously. Madoka is drawn on the right side of the screen, towards the edge as well, slightly slouched and in a timid pose. Subtittles show Madoka's dialogue: "Yes, really! I couldn't lie about that."]

Homura's dead-eyed ominous warning vs Mami's personable, smiling offer of support, fight!  But this is truly why I can't trust Mami lol Should you really be tacitly encouraging them, Yellow Senpai? A cutting warning really seems more befitting here…

[Image ID: Extreme close up to Homura's blank left eye with the right side of her face being heavily shaded. The subtittles read: "Because if you do, you will end up losing all of those things.]  

Odd ends. 

There's a lot of small gestures that really bring out charm to the interactions and feelings, but if I pointed out absolutely everything, I'd never finish this lol 

There's one thing from the Madoka-wakes-up Bank I do want to point out, though: the odd feeling Madoka’s head turn with the hard shading gives me. Now, I know it's a Shaft™ thing, I've watched another TV series directed by Shinbo that was produced there and I've heard of it. But I still find the timing peculiar— after the opening sequence with her running to the rooftop in episode one and the brief recap with Mami's transformation in the second, just before she wakes up. Of course, this reinforces that sense of being at the verge of waking up from an odd dream, which Madoka fully believes, but it can also get a sense of deja vu. Typically, one would assume that Madoka’s run towards the rooftop is a glimpse to an event that will happen later down the line. But given the nature of this being a time loop and Homura's insistence on preventing Madoka’s death via preventing her contract altogether, which it's implied to happen in that sequence, I don't think there isn't any reason to think that it's not something that didn't already happen. If this ends up being the case, I'm curious how that'd affect further loops.

Tell me your secrets, you pink little one. 

[Screenshot showing a extreme close up to Madoka's eyes facing towards the left. Her face is drawn almost facing front, leaning towards the right. There's heavy shading on her face and a black background.]

Expectations for the rest of the introductory arc:

-Second half of episode 2 will end in a cliffhanger that'll destabilize routine while they fight a new witch. 

-Said cliffhanger will involve Mami (I HOPE IT DOES). I'm suspicious of her and hope she does something terrible, but I think it's equally, if not more, likely that something terrible happens to Her lol

-🤷🏻‍♂️

Hmm that's it. I'm not very good at imagining scenarios lol 

I'm also half-expecting to be wrong about nothing making Madoka miserable, mostly because I've been obsessing over Takamachi Nanoha, another seemingly well-loved, normal kid who turned out to have Important Baggage lol

#pmmm #puella magi madoka magica #madoka kaname #Homura Akemi #Sayaka pmmm #Mami pmmm #so this post made me discover that the image limit is 30 pictures LMFAO #anyway i'm dead and i'm tired. I get it now. I need to save a back up of my file and images and write the img ids as i go #i'm dead #long post #like extremely long post #Mami Tomoe

[anonymous-gambito]

I think what the show's symbolism is trying to tell us and what Saionji's outfit is meant to represent here is that as a younger kid Saionji wasn't very good at understanding metaphors; so as you can see he ended up struggling with a Literal Closet

(Lil dude can't decide if he's dressing for the cold, hot weather, if he's going for formal, casual or soccer game, which could also be meant as symbolism for the idea that young Saionji simply doesn't know just what the fuck is going on)

[ID: Six pictures to show young Saionji's interesting choice of outfit. It consists of a purple sweater, tight jeans shorts, knee high black socks with a white line on top, and white... dress shoes? END ID]

#revolutionary girl utena #kyouichi saionji #utena sillypost #shoujo kakumei utena #sku #rgu #Me: ''Awww Poor thing (mean and condescending)'' /lh #ambi utena post #I should've posted all these silly fake essays/metas on april's fools oh well

[mqole]

hbjhkgvhj ok here are uh. some character designs i did abt a year ago

these are all based on the incredible @kayzero's fic zero win game, which is a rewrite of ztd with akane as the protagonist, and it has possibly THE BEST characterization of akane ive ever read- listen just. just go read it you will be enriched i promise.

im not putting an image description bc i dont know where to start (sorry!!) BUT ill put a bunch of character design notes below the cut for people who are insane like me <3333

ok first of all. i know when i sent these to kay the other day they said there were some details canon to zwg that i missed (akane's lil hoodie pocket, aoi wearing white to contrast junpei's black (which is SO inspired btw.)) so just. PRETEND those are there bc i forgor <3

i spent the most time on sigma, phi, akane, junpei and aoi just because they've had multiple iterations of designs. it was fun to take bits and pieces from each version of them, so thats why they get a feature page

you can see a lot of my little pink notes with criticisms of the ztd designs there. in general, i really dont like the ztd designs, they all feel unnaturally bland to me (although thats probably also the artstyle).

most people whove looked into the colour symbolism in zero escape are probably familiar with the whole red/blue thing: that is, theyre colours representing the morphogenetic field. akane and aoi are the most obvious examples of this. 'aka' means red, and 'ao' means blue. in the first nonary game, akane and clover wear red - the colour for transmitters - and aoi and light wear blue, the colour for recievers. in 999 proper, akane wears purple, to symbolise how she can recieve AND transmit, while junpei wears red and blue by themselves. you can do a whole analysis of these colours and i will not put it here thats a whole SEPERATE post

anyway! the actual designs!! i'll start with sigma. i wanted to reconcile his vlr design with zero ii's design, and initially i planned on giving him a coat, but it didnt really have a nice silhouette, so i ditched that idea. instead, i turned his jumpsuit from vlr into a polo shirt - much like what he has in ztd - and gave him some zero-y accessories: the white turtleneck, the belt and the gloves all come from zero's design. once id included the white turtleneck, making the pants white felt really logical. in character design, its generally best to limit the palette of colours as much as you can, so it was a good excuse to reuse a colour while also paying homage to his ztd design. i also cut his hair bc hes a scientist and he'd do that.

phi's design is a lot more like her vlr one than her ztd design. the blue coat was her hallmark accessory, and im shocked that they ditched it for ztd, so i gave it back - along with her boots and hair accessory. i kept her pants and glasses from ztd, as well as the way the bottom of her shirt is tucked into her pants. they just have a much nicer silhouette to me. between my first pass of colours and my second pass, phi's colours changed the most - i realised i had too many blue guys in the lineup, and wanted to make the colours stand out individually. so i leaned into phi's orange-ness. giving her hair accessory, pants and boots an orange hue instead of a blue one, as well as shifting her coat to a more teal colour really helped make those colours pop.

AKANE MY BESTIE!!!! her design was probably the one i had the most fun with. i basically just took her ztd design and purpled it. I did want to include some more details though - her neck scarf was in both her 999 AND vlr design, so it felt wrong not to include it. i also added some gold highlights to her design, just to complement the purple - her boots are also toned yellow, so it felt fitting. the cut of her sleeves, as well as her hair, felt really natural: i gave her the side ponytail from ztd, while letting more of her hair fall to the side to retain her silhouette from 999. i stole the sleeves wholesale from vlr akane, but can you blame me. look at that robe. its so pretty.

overall i have mixed feelings on ztd junpei as a character, but i think his darker turn is at the very least a fun direction to take him. I do like the jacket he has in his concept art. IT SURE WOULD BE NICE IF THE MODEL ALSO HAD A JACKET. his design went relatively unchanged overall, i basically just retoned his hair, gave him a button-up instead of a t-shirt, and puffered his jacket. the red and blue from his vest in 999 is reused here, but in darker, more muted tones. you can see in the corner of the drawing i played around with swapping the red and blue, but the red focus felt too edgy for junpei. the blue also pops really nicely against his dark clothes, so i kept it.

anyone who has spoken to me for more than ten seconds will know how insane i am about aoi kurashiki i mean come on my name is santa. i think a lot about his two designs: that of the first nonary game and in 999. in the first nonary game he wears a blue scarf, harkening to his role as a reciever, but in 999 he wears monochrome. my personal interpretation of this is that his 999 fit was him purposefully disguising his connection to the morphogenetic field. so post-999, since he doesnt have to worry about that, i gave him his blue back!!! his general fit is the same- his pants and shoes are artistry so obviously i kept those, and i ended up making the rest of his look black to contrast his 999 design. if i were to redesign him now wearing white, id probably go a different direction altogether. that third little drawing ive included has some test outfits for him, carlos, and maria, but i never really went anywhere with them. also i gave him dark roots to show his relation to akane a bit more. and also because i like projecting my roots always grow back SO fast

that brings us to the 4 characters introduced after vlr: carlos, mira, diana, and... maria??? yeah like i said go read zero win game. do it. maria is such a fun character. she was, coincidentally, ALSO the only character where i had to design someone from scratch. you can see i fiddled a little with colour palettes, trying to figure out how to give every character a unique look. diana and carlos' designs actually go almost unchanged here- i think dianas design in particular is actually pretty great, and works as a nice foil to luna in vlr. carlos is just kind of normal. he can have his silly polo shirt.

miras ztd design is. ugh ok look its FINE but i hate the boobie designs in zero escape because they always feel like they were designed seperately from the character. mira in zwg is still a sussy baka, but she's a lot more cordial- i enjoyed seeing her more as a snake lying in the grass. I ended up giving her green because its a fun colour to give characters who youre meant to distrust. SO MANY TIMES reading zwg i was like "oh maybe mira's chill - oh wait maybe shes not - oh wait maybe shes chill again" and i love her for that honestly. she still gets boobies because i love women but i gave her a fun little long sleeved corset top. the amount of skin she shows directly correlates to the amount you should trust her (i am only half joking.)

i wont talk about diana because honestly the only change i made was giving her a little blue strip at the bottom of her skirt, but i'll talk about maria and carlos together. carlos i kept as a little pink boy because i love him and i love pink and listen its my character design ill do what i want. maria in ztd AND in zwg experiences reverie syndrome, which is connected to the morphogenetic field. her and carlos' designs both incorporate red and blue again- (just realised diana also has red and blue. pretend that was intentional) -to show their connection to the field. yes yes i know its pink but listen its red enough. like aoi, i gave maria and carlos both different iterations of their designs. i'm less sold on carlos', but i did actually like the baggier, heavy designs for maria. with those ones she looks more depressed than she does wearing overalls, so im calling that a win. maria's was the design i was least satisfied with overall, but hey i did these like a year and a half ago and ive gotten much better since then soo.

if youve read this far this is once again a reminder to read zero win game by kayzero on ao3

#mq arts #zero escape #999 #virtue's last reward #zero time dilemma #zero escape spoilers #999 spoilers #vlr spoilers #undescribed

[greenhorn-art]

Castles in the Sky by Shadaras @shadaras

Fandom: 全职高手 | The King's Avatar

Rating: General Audiences

Category: Gen

Relationships: Chu Yunxiu/Ye Xiu

Words: 36 613

Here are two truths and a lie: Chu Yunxiu is Misty Rain’s captain. Chu Yunxiu is dating Ye Qiu. Chu Yunxiu is happy to have the Shu twins on her team. Of course, a lie can become true if you believe in it enough… (A Chu Yunxiu character study.)

About the book:

FONTS: Alegreya [Google Fonts], Raleway [Google Fonts], Catchy Mager [purchased from MyFonts], Segoe UI Emoji

IMAGES: Clouds from Rawpixel (ID: 9581058); Misty Rain logo from The King's Avatar Wiki (stretched slightly horizontally and traced)

MATERIALS: Domtar Earthchoice multipurpose copy paper, cream, 11"x17" cut in half to form short-grained letter size paper; Recollections' Gilded Ink paper pad; Cialux bookcloth, black; heat transfer foil, gold; 2mm binder board; waxed linen thread, 30/3 size; wheat paste (this time I used 1:4 flour to water ratio, and heated until conditioner-like consistency. An improvement over last attempt.)

PROGRAMS USED: typeset in LibreOffice Writer; title page mocked-up in Procreate then designed in GIMP; imposed with Renegade's Community Imposer.

I spied this fic towards the top of the kudos and kept it in the back of my mind while trawling for more HanYe fics. Thought, well it's gotta be there for a reason so should be good! ooh look aroace queerplatonic relationship 👀👀 Definitely bumping up to top of Read Next!

The amazing thing I've found about The King's Avatar is that the CP possibilities are endless! The characters are both friends and rivals, there's respect and history and it all mixes and clashes creating more possibilities and chemistries than I've ever seen in a fandom before. The fact that AllYe is so popular (and not just in an NSFW way) is testament to it, and also, in part, what drew me to this fic. Asexual representation is scant, aromantic even more so — especially in fandom (in my experience of it at least).

If I were to add a tag to describe Castles in the Sky it would be 'heartwarming'. Shadaras' writing and characterization is wonderful, and I really enjoyed the both the story and the aroace representation. They took a character with relatively little content (in comparison to others in fandom. I have not read the source material) and gave her a voice, dreams, and made me really care about her. I was touched, and after finishing it I jumped to my laptop and set about turning it into a physical book.

So, onto the details.

The thing that stuck out and stayed with me the most about the story was the aroace aspect (Shadaras fed my smol aroace heart so well), so that's what I focused on design-wise.

The title page features a large black ring, referencing the black ring worn usually on the middle finger of the right hand as a symbol of asexuality. The colours of the asexual pride flag are also represented: the text is purple; the clouds colour the page in shades of white and grey; and the ring is black. For the endpapers/cover backing I chose paper that mixes green, purple, and blue: green for the aromantic pride flag; purple for the ace. I also found the green-blue mix of colours to be rather fitting, inspired by the description of Misty Rain's HQ with the "cool blues and greens of Misty Rain's walls" (chapter 5: Transformations). While I personally find CYX's relationship with YX significant, her relationship with her team is just as important.

When choosing which cover each endpaper goes on, I thought about how the story begins with CYX and YX's relationship, and about how after it's established we see her team and it's future at the forefront of her mind. Following that line of thought I put the paper with more purple on the front cover (purple for aroace CYX), and the more green-blue paper on the back (Misty Rain's colours).

The process of foiling the cover took me 3 hours (the length of the movie RRR — good movie actually, would recommend. Which is surprising because I usually find Oscar movies rather boring). The foiling was done with a heat pen. Three hours is not the norm: first, I had the foil backwards and foiled my template instead of the cover; then, my power banks kept dying, so I had to take charging breaks, and I also went over everything again just to make sure that I didn't miss a spot; and of course I was also watching a movie while working, so that ate up some time too.

I had initially planned to bind it as a casebound book, but I didn't have enough time to do it (I was about to go on vacation and wanted to read the book in my downtime). Instead, I did a Coptic binding. The covers were pulled from the press and foiled leaving me 5 hours of sleep to spare.

I went simple on the outer covers to contrast the fun paper on the inside of the covers. I used black Cialux bookcloth instead of my green-blue 'petrol' Iris bookcloth for the contrast, and because it picks up the black from the title page. The text foiled onto the cover is a simple sans serif (Raleway, the same as used inside), and the image is Misty Rain's logo from the donghua. (Image came from The King's Avatar Wiki. It was stretched slightly horizontally because it seemed a bit squished compared to other versions seen on Google, and then traced). Using the colourful paper inside was a practical choice: I couldn't get two covers out of one sheet of paper, but one sheet would do the inner covers with some material leftover.

The sewing and construction of the book was done while camping — I'd packed up what I needed and brought it with me: the signatures (folded and punched); the finished covers; thread; a needle; and an awl. As for the actual sewing, it's supposed to be Coptic but don't look too closely. This was the second time I've tried Coptic stitching and I didn't have any instructions with me. (My first Coptic binding was a thin 2-signature notebook I did a few weeks ago. It was for taking notes at the event I was at, Pennsic War 50).

Book is primarily set in Alegreya. It's currently my favourite body font, and has a matching sans serif family. The fonts used in the title page are Raleway and Catchy Mager. Raleway is also used for titles, headings, etc. Segoe UI Emoji was used for any emojis that cropped up throughout the text (Pretty sure they're the same emojis as seen while reading on my phone and laptop). Catchy Mager was purchased from MyFont. (The first and only font I have ever bought, but I saw it used in a fic's title art and fell in love.)

Lastly, onto The Comedy of Errors, or: When-You-Finally-See-All-the-Typos-and-Mistakes-Once-You're-Done-and-Can-Only-Laugh-While-You-Cry-Inside.

Appendix's footer says 'Epilogue', so I must have missed something with the paragraph style for the Appendix heading.

Forgot about using Segoe UI Emoji font and did not include it in the About the Book.

Missed fixing the archive info for gnomen in the Author's Notes — the copy/paste of metadata into Notebook to remove formatting also removed the commas and spaces between tags.

Because I hadn't planned cover materials/design before printing, there isn't a section for that in the About the Book. Also the reason why the artwork on the cover is not credited in it, as I had not planned to use it.

#bookbinding #fanbinding #Castles in the Sky #Shadaras #qzgs #tka #the king's avatar #hopefully the video works. #first my computer cant view videos taken on my phone. then adding the video to the post from my phone removed allll the text in the post #and it's quality also went down :/ #almost feels like just trying to POST this should be on my Comedy of Errors section lol #ALSO #so much rambling in this post because i had more downtime than planned and i reread it all and highlighted stuff and was FULL OF FEELS #sidenote: it was a bit windy out when i filmed that so its nice that the pages weren't flipping in the wind! (that wasn't the 1st take lmao

[correctproseka]

So @queer-prosekai told me to do my own top 10 list of the sets + my favorite card of each, so here's some rules i set for myself

1- i have to REALLY like the full set, not just really like a card but a little less to the others (cough Saki in no seek no find, for one example. Though other sets have also triggered this rule)

2- i also am judging by card only, not the story, however. I am not completely good at this because a lot of the cards that are already good get to be way better because of the event behind it.

3- only counting the trained cards, not untrained, it would be a very different list.

ANYWAYS. LIST STARTS NOW:

10: LIGHT UP THE FIRE

Oh my poor child are you okay??? Going past how much i like this event. Which would get me here writing for hours mind you. I also just really like the set. The dark colors and the fact that in all 3 cards you can barely see color- its black and then each has their own color showing up, An has red, Toya has blue and Rin has white. It just gives a fucking impact on you looking at them. Would not change a thing, really.

9: WISHING TO THE BLUE SKY FOR YOUR HAPPINESS

Anyone else remembers qhen this set just totally broke us? Oh my god. I do. Shizuku in a suit. An in this pretty ass dress. I just cjsjcjsmcjsncjdj. It was mainly those two that really hit for me, specially An. But when it hit it hit hard man

8: SMILE OF A DREAMER

It was the first lim set, so it was really simple compared to what we get now. But simple doesn't mean bad. I really love the colors and idk man i have a soft spot for it i cant defend everything my brain is a dvd logo bouncing around😭

7: HEAR ME HOPEFUL SHOW

Angel Minori is one of the prettiest sets ever, it just isnt higher because personally i like some others more, doesn't mean this shit isnt fucking gorgeous. The lightning, the setting. I love this mmj card with everyone in it bc this is such a beautiful place???? Just. Licks this set like an ice cream then cries bc i ate the pretty ass set.

6: Someday, from the depths of despair

Lowkey i did not expect this one to be this high before i made this list. But it is just gorgeous setting, gorgeous lightning. It just makes my brain go brrrr looking at it.

5- What lies behind lies ahead

The hermit set has people in a chokehold for years, and for good reason. The hairstyles are pretty, the au ideas one can get out of it are yummy. AND THE CARD THEMSELVES ARE SO CKSJFKDK. All of them having this golden thing around as if hermit was a story told to us by images. It just could be a poster. Its certainly pretty enough to.

4: Our escape for survival

Sorry for the amount of niigo here. It will happen again. Niigo never misses. Anyways i just love this set sm. The lightning, muffled colors and backgrounds just hit so fucking hard. The rain shared on the 3 cards from the set is so symbolical and so is the clock and the engines on Mafuyu's and Luka's card. It tells us a story before we even read the event and that is beautiful.

3: Close game offline

I had to skip this set and i am still sad about it. Man the the the cmsucksjcjx aaaaaaaaaaaaaaaaaa viddygame and neon.

2- Unnamed Harmony

I like silly, your honor. I also like water. Saki's card has both /hj. No but really i just really like the outfits and colors and just everything in this set it would be a CRIME to not have this here as a Saki stan. Just look at it!!!!

1: Draw your bow in this white world

.. so, who's surprised? I can barely even find a favorite card in this set. From Kaitos . Kaito. (Does he need more?), Shizuku's gracefulness and beautifulness and Mafuyu just pretty and badass breaking the "screen"/mirror/window with an arrow. Its just soooooo ancjamvjsjchsjxncnsicjsv chomps.

HONORABLE MENTION:

Knock the future, which light up the fire took it off on a technicality (i like 3/3 cards on light up the fire and 2/3 on knock the future bc Honami is very meh compared to the others to me)

Anyways if anyone else wants to do this as a challenge id love it. And @probably-not-niigo i challenge u to do the same

#project sekai #proseka #colorful stage #prosekai #pjsekai #puroseka

[eldorr]

Queerfuck

With Symbol (left) || Without Symbol (right)

Queerfuck is the orientation version of Genderfuck. Queerfuck is a term for when your orientation and general identity is against social norms, heteronormativity, amatonormativity, etc. including the notion that orientations are boxes that you must perfectly fit into to be "valid" or "real."

One who’s queerfuck may have “contradictory” labels, and take pride in confusing and pissing off exclusionists. Queerfuck can be used as an orientation, or its own stand-alone term, similar to Genderfuck. Queerfucks use whatever words they want to describe their orientation, and the relationship between their gender & orientation.

Orientations that are often excluded against, demonized, or erased, along with orientations that are so complex one needs to use many labels to describe oneself (such as orientationhoarder) are included under this term. Polyamory and Non-Monoamory relationships and labels would also fit under this label, along with MOGAI/LIOM orientations are other neo-orientations, including Allion terms.

Queerfuck’s all inclusive to good faith identities. Including but not limited to Mspec Gays, Aspecs, Fictospecs, Autospecs, Lesboys/Turigirls, etc.

(Also inclusive to Amatopunk, including the idea of challenging what’s a “normal” relationship, blurring boundaries between different orientation terms, etc.)

.

This term was originally posted June 8th, 2021 on my original blog, and then posted again on March 27th, 2022. There were differences between the two definitions I had posted, so this post is a combination of the two definitions.

I had originally chosen the colors apparently from the one nine-stripes Queer flag, and formatted it similar to the one Genderpunk flag I liked.

Again thanks to the person who had these screenshots after like.... a whole year. /gen

Below is a couple images of the original post that someone provided me with, of which you may notice there's three different flags on it, the two having different symbols. I simply just decided against having the flag with the relationship anarchy symbol on it, as I no longer felt like it completely aligned with the concept of Queerfuck itself, and I kinda felt weird conflating the two.

[ID] Two flags with 6 horizontal stripes of the same size, the first flag has a symbol which is an eye with the thick black outline, the purple and iris replaces with a white and black swirl. The colors from top to bottom are as follows: ripe plum purple, black, red-purple, medium teal blue, black, ripe plum purple. The colors are vibrant. [/End ID]

[ID] Two screenshots of Tumblr on a dark theme in a mobile format. The contents of the text and images in the screenshots are almost word for word of the contents of this post, however missing the new "One who's Queerfuck" section, and the "Also inclusive to Amatopunk" section, along with having an extra flag which I talked about above. The second screenshot shows the original date of posting, which is June 8th, 2021. The post is tagged with various pro-mogai and related tags. [/End ID]

[ID] A DNI (do not interact) banner with a very faded galaxy background. On the left of the banner there’s a flag as with a rounded side, the circle inside it showing an image of a forest on fire, the flag being the Queer flag with nine stripes. The rest of the image is filled with white text that reads: “DNI (Do Not Interact). Against Good Faith Self Identification Or “Contradictory” Identities, Transmed, Sysmed, Group Arospec under Acespec, Anti-Educated Self-Dx, Call Mspec identities “Bispec”, Anti-Alterhuman, Anti-Otherkin, Anti-Chronosian, Against the term Transandromisia (or similar terms), Anti Aldernic, Anti-Altersex, Pro-Contact harmful paras, TransID,  Anti-Anti, Proship, “Consang”, Anti-SFW Agere, Demonize Cluster B disorders, Anti-BLM, Anti-ACAB” [/End ID]

#eye strain #long post #mogai #liom #queer #lgbtq+ #imoga #term coining #orientation #inclus #inclus label #queerfuck

[anonymouspuzzler]

there's a character from villain coded who im very curious about but idk her name. she's minnie's age and sort of goth and she wears purple? i can't find the post i saw before but her character design is extremely cool & i would like to know more about her

that would be Nemesis!!

[Image ID: A character design sheet for a young, Black girl with a lanky build and her hair in thick wick locs that angle to her left side, with "NEMO AKA NEMESIS" written in the top left corner. There are two designs for her, both posed standing with a neutral expression, right hand at her side, left hand raised with a magical purple cloud of energy around it. The left version sows her wearing a black tank top, ripped black jeans, white socks with dark grey toes, elbow-length fingerless mesh gloves, a collar with a silver charm, and dark eyeshadow. The right version adds an oversized lilac hockey jersey-styled shirt, with a deep v-neck, white borders and a skull with X-symbols for eyes on the chest, as well as oversized grey boots with buckles and multiple straps. There is a silhouette of Minnie in the background for height comparison; Nemo is about a head taller. End ID.]

Nemesis is, functionally, the exact inverse of Minnie - a girl with really strong superpowers who's a wannabe hero, but getting shut out of any real opportunities to do so. She and Minnie end up rivals because of this, and she really resents Minnie for (what she sees as) tossing away a Dream Opportunity just to gallivant around and be a jerk for no good reason. Also like Minnie, she's part of a legacy family, but unlike Minnie her superhero parent has been disgraced and more or less forced into retirement for associating with a (former) supervillain.

#anonymous puzzler answers #villain coded comic #anonymous puzzler originals #anonymous puzzler art #i loooooove nemo so much she's cool i can't wait to write her and minnie being petty 13 year olds at each other

[neuroticboyfriend]

"i'll never love you, but i'll love your ghost" is the only good thing i have ever written.

[ID: White text on a black background. Line breaks are signified by / symbol. The text reads:

i'll never miss you, never miss your smile / the one that hid all of your vile / petty excuses for what you do / it's just a joke dear, don't feel so blue

i'll never love you, but i'll love your ghost / the caring father i needed the most / the one that never, ever existed / i used to wish, used to wish you were dead

/End ID]

#softspoonie #poetry #abuse tw #abusive father #abusive parents #child abuse #trauma survivor #trauma #trauma poem #trauma poetry #childhood trauma #death tw #emotional abuse #verbal abuse #poems #poems and quotes #lyrics #song lyrics #my writing