Here are two truths and a lie:
Chu Yunxiu is Misty Rain’s captain.
Chu Yunxiu is dating Ye Qiu.
Chu Yunxiu is happy to have the Shu twins on her team.
Of course, a lie can become true if you believe in it enough…
(A Chu Yunxiu character study.)
IMAGES: Clouds from Rawpixel (ID: 9581058); Misty Rain logo from The King's Avatar Wiki (stretched slightly horizontally and traced)
MATERIALS: Domtar Earthchoice multipurpose copy paper, cream, 11"x17" cut in half to form short-grained letter size paper; Recollections' Gilded Ink paper pad; Cialux bookcloth, black; heat transfer foil, gold; 2mm binder board; waxed linen thread, 30/3 size; wheat paste (this time I used 1:4 flour to water ratio, and heated until conditioner-like consistency. An improvement over last attempt.)
PROGRAMS USED: typeset in LibreOffice Writer; title page mocked-up in Procreate then designed in GIMP; imposed with Renegade's Community Imposer.
I spied this fic towards the top of the kudos and kept it in the back of my mind while trawling for more HanYe fics. Thought, well it's gotta be there for a reason so should be good! ooh look aroace queerplatonic relationship 👀👀 Definitely bumping up to top of Read Next!
The amazing thing I've found about The King's Avatar is that the CP possibilities are endless! The characters are both friends and rivals, there's respect and history and it all mixes and clashes creating more possibilities and chemistries than I've ever seen in a fandom before. The fact that AllYe is so popular (and not just in an NSFW way) is testament to it, and also, in part, what drew me to this fic. Asexual representation is scant, aromantic even more so — especially in fandom (in my experience of it at least).
If I were to add a tag to describe Castles in the Sky it would be 'heartwarming'. Shadaras' writing and characterization is wonderful, and I really enjoyed the both the story and the aroace representation. They took a character with relatively little content (in comparison to others in fandom. I have not read the source material) and gave her a voice, dreams, and made me really care about her. I was touched, and after finishing it I jumped to my laptop and set about turning it into a physical book.
So, onto the details.
The thing that stuck out and stayed with me the most about the story was the aroace aspect (Shadaras fed my smol aroace heart so well), so that's what I focused on design-wise.
The title page features a large black ring, referencing the black ring worn usually on the middle finger of the right hand as a symbol of asexuality. The colours of the asexual pride flag are also represented: the text is purple; the clouds colour the page in shades of white and grey; and the ring is black. For the endpapers/cover backing I chose paper that mixes green, purple, and blue: green for the aromantic pride flag; purple for the ace. I also found the green-blue mix of colours to be rather fitting, inspired by the description of Misty Rain's HQ with the "cool blues and greens of Misty Rain's walls" (chapter 5: Transformations). While I personally find CYX's relationship with YX significant, her relationship with her team is just as important.
When choosing which cover each endpaper goes on, I thought about how the story begins with CYX and YX's relationship, and about how after it's established we see her team and it's future at the forefront of her mind. Following that line of thought I put the paper with more purple on the front cover (purple for aroace CYX), and the more green-blue paper on the back (Misty Rain's colours).
The process of foiling the cover took me 3 hours (the length of the movie RRR — good movie actually, would recommend. Which is surprising because I usually find Oscar movies rather boring). The foiling was done with a heat pen. Three hours is not the norm: first, I had the foil backwards and foiled my template instead of the cover; then, my power banks kept dying, so I had to take charging breaks, and I also went over everything again just to make sure that I didn't miss a spot; and of course I was also watching a movie while working, so that ate up some time too.
I had initially planned to bind it as a casebound book, but I didn't have enough time to do it (I was about to go on vacation and wanted to read the book in my downtime). Instead, I did a Coptic binding. The covers were pulled from the press and foiled leaving me 5 hours of sleep to spare.
I went simple on the outer covers to contrast the fun paper on the inside of the covers. I used black Cialux bookcloth instead of my green-blue 'petrol' Iris bookcloth for the contrast, and because it picks up the black from the title page. The text foiled onto the cover is a simple sans serif (Raleway, the same as used inside), and the image is Misty Rain's logo from the donghua. (Image came from The King's Avatar Wiki. It was stretched slightly horizontally because it seemed a bit squished compared to other versions seen on Google, and then traced). Using the colourful paper inside was a practical choice: I couldn't get two covers out of one sheet of paper, but one sheet would do the inner covers with some material leftover.
The sewing and construction of the book was done while camping — I'd packed up what I needed and brought it with me: the signatures (folded and punched); the finished covers; thread; a needle; and an awl. As for the actual sewing, it's supposed to be Coptic but don't look too closely. This was the second time I've tried Coptic stitching and I didn't have any instructions with me. (My first Coptic binding was a thin 2-signature notebook I did a few weeks ago. It was for taking notes at the event I was at, Pennsic War 50).
Book is primarily set in Alegreya. It's currently my favourite body font, and has a matching sans serif family. The fonts used in the title page are Raleway and Catchy Mager. Raleway is also used for titles, headings, etc. Segoe UI Emoji was used for any emojis that cropped up throughout the text (Pretty sure they're the same emojis as seen while reading on my phone and laptop). Catchy Mager was purchased from MyFont. (The first and only font I have ever bought, but I saw it used in a fic's title art and fell in love.)
Lastly, onto The Comedy of Errors, or: When-You-Finally-See-All-the-Typos-and-Mistakes-Once-You're-Done-and-Can-Only-Laugh-While-You-Cry-Inside.
Appendix's footer says 'Epilogue', so I must have missed something with the paragraph style for the Appendix heading.
Forgot about using Segoe UI Emoji font and did not include it in the About the Book.
Missed fixing the archive info for gnomen in the Author's Notes — the copy/paste of metadata into Notebook to remove formatting also removed the commas and spaces between tags.
Because I hadn't planned cover materials/design before printing, there isn't a section for that in the About the Book. Also the reason why the artwork on the cover is not credited in it, as I had not planned to use it.
Compilation of EVERY single time they changed Hobie's filter in the digital version:
Left: Theatrical release Right: Digital release
You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')
I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :
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(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )
I think, ultimately, the thing that it comes down to for why I just can't see "the Jedi are intentionally written as dogmatic/dispassionate" or "Obi-Wan failed Anakin" or "the Jedi brought their own downfall" reads as valid anymore is because... it makes no sense that George Lucas - of all people - would write that.
Like, this is the guy who preaches the same lessons and philosophies that the Jedi do in the Prequels, every chance he gets (sometimes going all the way back to American Graffiti).
So ask yourself:
Does it make sense that he would intentionally make the characters to whom he gave his own values "dogmatic"?
He's a self-proclaimed "methodist-Buddhist". The Jedi are based on Buddhist monks.
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Does it make sense that the buddhist would write a story about space-buddhists being "emotionless", "devoid of compassion" and "at fault for their own genocide"?
Lucas had an apprenticeship, that turned into a friendly/brotherly bond with his mentor Francis Ford Coppola. Their personalities were completely opposite (Coppola was more outgoing, George was more prudent) but they worked in sync, they completed each other.
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Do you really think that this guy's intended narrative would be that "Qui-Gon would've been better-suited for Anakin as a teacher than Obi-Wan because the latter was prudent/strict and too different from the more passionate Anakin"?
George lays Anakin's downfall on Anakin's shoulders almost every time he talks about it. It's a corruption that was caused from within, he would be able to love without getting attached if he had joined the Jedi at an earlier age, but he didn't so his attachment and greed results in his turn to the Dark Side.
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So does it make sense that Lucas' narrative would be that "the Jedi (aka EXTERNAL forces) pushed, denied and failed Anakin that they caused him to turn" instead of "it was Anakin's own fault because he wasn't able to let go"?
He has said multiple times that, aside from Anakin's downfall, the Prequels center on the Republic's downfall, never mentioned the Jedi once when describing what the Prequels are about.
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If the Prequels were actually about "the fall of the Jedi and how they lost their way", wouldn't he have brought it up once?
And would he really have focused so much on the Senate and politics rather than adding more development to characters like Mace and Yoda?
I think the answer to all of these is "no".
Here's one more: Lucas stated so many times that this was a fairy tale, that all six Star Wars movies are meant for kids. The situation of the Prequels is more complex than the one in the Original Trilogy, but before, during and after the Prequels Lucas confirmed that the Star Wars morality is binary, it is black and white, good vs bad.
Would he really intentionally make the Prequels this subversive story wherein "actually, if you stop and think about it, the good guys are really the bad guys"?
Or is it just that:
We live in a time where movie audiences expect the "good guy" to be individualistic, flawed and non-conformist, and the Jedi are a community of nigh-incorruptible champions of good who've already completed their character arcs.
So the adults (aka not the target audience) who watched the Prequels at the time were turned off by these characters who they perceived as "holier than thou", having been conditioned by the times they lived in to think that there are skeletons in "Mr. Perfect's" closet.
Thus, they retconned the films (via comics, books, games and episodes) so that they could enjoy the Prequels more, and did so by:
injecting more realistic "gray morality" themes into the films and
projecting an oppressive "boys don't cry" philosophy onto the Jedi.
For lack of a better metaphor, "they put a skeleton in Mr. Perfect's closet so that they could finally find his existence bearable, and keep bringing up that skeleton to this day."
One day I will finish this. I have it storyboarded, and I might decide to just use paper instead of digital. I really enjoy the idea of Mirror using blunt, heavy weapons, and I wanted practice coordinating a fight sequence! I also have plans to show the bracelet off (the one that turns the wearer into a painting if that wasn’t clear)
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Happy New Year!! 🎉 just wanted to do a lil thank u post for everyones support on all my work, warrior cats or OCs or otherwise 💕
And a special thank you to everyone who's commissioned me or tipped to my ko-fi over the years!!! I seriously have the loveliest commissioners and I have so much fun bringing all your characters and ideas to life, and I look forward to doing more of that!! C:
Firstly, the effect of it all was so good! I feel like the previous update had everyone SO confused and then this one drops and it just CLICKS.
So the WHRP.. the Question-Answerer. They finally decided to try and talk to Wally! And they don't even care about explaining it or hiding it! They no longer care if We know. They might even know we know!
Anyways, they knocked on his door, gave him a call and BOY did he answer! Not only did he answer, but he sorta showed off!!
Some of them he did simply, such as writing Hello! And moving Barnaby!
But then he does this
And he even says "I didn't write it, I did something else"
The "Not only can I do this, but I can do more!" He is thinking creatively!
Wally is putting in the extra effort. Really not being subtle. He is so LOUD, basically screaming "Yes, this is me! I am here! I am the one doing this! Talk to me!"
But the instruction that makes me think the most is the SALLY one
I thought it meant to just flip the image! From left to right!
But! Wally has somehow conjured up an entirely NEW image! When you think about it, someone on the team drew or restored that image of Sally. Most likely, there was not a backside at all! Why would there need to be an illustration of that! Wally somehow made it happen! Very very interesting!
And then there is this, a little bonus, a little extra
Wally and Home. Sitting nicely together in the same... House?
I think most of us already think that there is a connection between the two of them. A deep connection.
Personally, I see the concept of Home as more of a general idea. Your Home, your upbringing, your family, your life! And what are you without these things? They made you who you are! If you were to separate yourself from the idea of Home, would you even know who you are?
And then there is the Eye. And it is under the same House. Wondering if this is saying "This and This are the same" "Wally and Home are both the Eyes" which feels like the more obvious statement.
But for me I see another connection. A Third. And it's You. The collective You. We are the audience, We are the Watchers and We have a connection to Wally through his eyes.
That connection is different and separated from the one between Wally and Home, but it is there! Under the same roof!
Wally, Home and You
Ooh I honestly am so excited to see the WHRP's response to all of this! They have been answered! And so very obviously too!
Anyways! As usual, I pop in with my little thoughts! Clown and his team are always full of delightful surprises! I hope they get some well deserved rest and good treats!