#sorry i actually enjoy all the meta episodes

[cockworkangels]

truly a moment in tv history. like they are directly addressing the audience with these questions while the spn tptb are in real life bullying the show's fans over these exact questions

#sorry i actually enjoy all the meta episodes #thank you robbie thompson i guess #and honestly i've never known another piece of media to be so adamt to be interpreted in the exact same way that they want it to be #interpreted. while the actual creators don't even have a shared consensus what the story should be about and how it should be seen #s9 rewatch #9x18 meta fiction

[beelzeballing]

actually i dont think ive posted my thoughts on ofmd s2 overall here yet have i?

ok here goes: i think it had incredibly high highs, and at some parts i genuinely enjoyed it more than i did the first season, episode 6 being peak imo. however, it had equally abysmal lows with some glaring writing-, tone- and pacing issues that all came to a head in the finale.

i once read someone say that, if you ever feel like a finale ruined the whole story, maybe you should take another look at the story. there were most likely cracks and problems all along, and the finale did nothing besides dashing the hope that these would perhaps be addressed later. very rarely do genuinely well written stories go completely off the rails in the finale and ruin the whole thing.

i think this is applicable here in some ways, SPECIFICALLY in regards to edward. good god edward was a MESS this season, and it's so sad because i loved the starting point! the kraken era was absolutely terrifying and iconic as FUCK but... they shouldn't have leaned so hard into the drama and trauma of it all. don't get me wrong, i loved that it did. it's one of my favorite parts of the season and i'm so glad we got it. but if they wanted this arc to work with the overarching plot as they wrote it, they would've had to lighten up the tone here CONSIDERABLY. had they played the kraken era for comedy then sure! edward's bad youtuber apology would've been funny. his fast redemption would've been less jarring. the lack of consequences less disturbing. but as it stands in the show, this arc is too dark to function with the later episodes.

i feel like they wanted to have their cake and eat it too here. they wanted the gritty drama of ed coming off the hinges entirely but also didn't want to deal with the aftermath of such a heavy arc in their silly pirate romcom. be that due to time constraints and budget cuts or because they were simply unwilling to, doesn't really matter in the end. the result is the same either way: a very tonally messy season with some accidentally troubling implications regarding abuse.

and mentioning troubling implications regarding abuse; izzy. my poor, poor izzy... his arc was absolutely glorious. i liked izzy the second he showed up in s1 and i was absolutely EATING this season up in that regard. and i think in this case, they genuinely did fuck it all up in the finale with that one stupid choice:

choosing to kill izzy was the DUMBEST thing they couldve done here.

ive talked about this over and over and over again. ive reblogged so many meta posts. and still i am left absolutely flabbergasted by how stupid of a decision this was. the fridging, playing at the fallen woman trope, killing the beating heart of the season and the character who delivers what is essentially a thesis statement, killing off the character whose arc is about coming to terms with his disability, having him die in edward's arms, comforting him and apologizing after an entire season of finding community and love outside of edward, the absolutely godawful pacing of it all, the extremely easy and obvious solution of just having IZZY become the new captain of the revenge to mirror s1 and hammer home how much he has developed since then in one go... i could go on. and i have. it was a stupid writing decision, completely fucked the tone and pacing of the finale and took away attention and time from things that really would've deserved a better wrap up (lucius and black pete deserved better)

now. the whole prince ricky & zheng plot line... yeah that shit sucked ass, sorry. they bit off more than they could chew here. i honestly think those are the arc words of this season:

✨️ bit off more than they could chew ✨️

right off the bat: i think he was good as a concept. bringing in a foil for stede who just doesn't Get It as stede does could've made for very good comedy and drama (and to be fair there is some of that). but that shit got away from them extremely quickly. nothing about how he's implemented past his first episode works, and i think this is very specifically because he's mostly played as the comic relief in his debut episode. making this completely bumbling fool, who gets his nose hacked off on his first job, the main villain of your entire season is... definitely a choice. idk. he didn't work for me at all.

ok wow mentioning shit getting away from the writers. this definitely got away from me. this was supposed to be a short lil post. well. i guess tl;dr i loved this season but jesus christ there was a lot wrong with it. if you want to hear more thoughts. ask box is open. be my guest. i have more to say so even if you dont ask i might add more to this at some point but im tired and have work tmrw.

#i was going to do shit today and now look at me. #0:18 at night #laying in bed #writing this shit #i havent even eaten. #christtttt #moogsin' #ofmd #izzy hands #our flag means death #ofmd meta #ofmd critical #ofmd s2 #ofmd spoilers #the izcourse #im not tagging any of the other characters cuz i shittalk all of them 😭 #listen i love edward hes my babygirl but this season did him DIRTY.

[trutrustories]

STUDY IN LOKI ROMANCE Part 1: Ouroboros

Since we're only a few days away from the last episode, I decided to COUNT DOWN everything we´ve got so far ( that can be interpreted very easily as romantic ) and discuss what the actual fuck is going on with second season. Because even though I shipped lokius practically from S1E2, I absolutely did NOT expect this kind of development. (Not that I´m complaining) Warning: This is gonna be LONG post, lots of screenshots, lots of SPOILERS, lot of "oh-my-god-they-so-cute" language, and little bit of meta. I originally thought that this post would be everything at once, but since I have just too many screenshots this time around, I´ll have to split it. so every post will be one episode. Color coding means:

IIIIIIIIII = anything, that coud potentialy be just acting choice.

IIIIIIIIII = everything else (tzn.: whatever was written, and/or carefully prepared by filmmakers. )

side note: I already wrote, about how amazing it is, that Mobius is unable to fight but fights anyway and how beautifuly, and ridiculously brave he is HERE. But this is about Loki/Mobius interactions, so I´ll try my best not to talk about THAT. (Even when I´m really happy, that s2 continues with this formula and Mobius is still his completely defenseless while aggressively brave self. I love him, btw.)

Soooo EPISODE 1, le´t go: 1)"Mobius It´s me!" few second in and we have slowmo chasing scene with detail on Loki, and Mobius and then THIS Loki´s heartbreaking look on his face here.

2) "Tell me, you recognize me!" (Loki trying to desperetly find Mobius, and then running towards him) Also If this Time slipping didn´t triggered anything external, but It´s just his own, unlocked power - I honestly don´t know, how they will explain that - does that mean, that he unknowingly unlocked this power, because he was send by Silvie into the past, and then he was simply desperete and Mobius couldn´t recognized him so his body reacted by time slipping to place and time, where Mobius would know who he is???

3) this very unexpected exhibition of touches (meaning Mobius practicaly glueing himself to Loki for this entire section)

I´m sorry, but my man here is like "no, I´m not about to let you have a personal space. NOT. AN. OPTION. let me hold you some more" xD

4) This scene in in an elevator first of all, that was a second time, he slipped and was RIGHT back with Mobius, the very next second. secondly: Mobius being scared for Loki and insisting he needs immediate help thirdly: Loki reassuring Mobius, It´s not that bad.

also this "we just had sex in a cabin" shot:

and lastly...

Big thanks to the film crew for this shot to give us an idea just HOW MUCH OF AN UNUSED SPACE was in the elevator! 👌

5) Mobius and Loki talking to OB. being perfectly coordinated team and smoothly working together, while standing on a same spot, but in a completely different time.

poetry... just poetry!

6) Distressed God and his Happy Face just so we know: how long is it, since their reunion? Because I would swear that not even five minutes ago Loki was in state of complete panic, and look at him now:

Look at him smiling, enjoying view at struggling mobius 💚

few minutes with this man, and HE forgets all about his trauma and just vibing.

me too, Loki. Me too 🥲

btw, this thing over here?!!!!

7) bickering, like married couple, part 1

8) "Mobius if I don´t make it back" and "You´ll make it back". What was it, what where you about to say Loki? It sounded important! next time TALK FASTER!

9) Mobius risking his life SKIN for loki and refusing to give up on him.

10) Loki saves Mobius in an epic fashion and they end up in a hug: also they roll around the floor together

I mean... this whole scene was absolute TOP! So yeah. That was a first episode. before the premiere I was litteraly hoping, that I will see our Loki and our Mobius together at least ONCE, before first end credits. I actually couldn´t believe my own eyes, holy shit!

#loki spoiler #loki season 2 #lokius #loki #mobius #mobius m mobius #loki and mobius #s02e01 #ouroboros

[santacoppelia]

An angelic meta.

Ok. I'm starting my 13th rewatch of season 2, and Episode 1 made me think about the nature of angels. Not in a theological way (well, maybe a little), but in the narrative.

Before this episode, we have only met angels as they are now. I mean, we have seen Aziraphale through the ages, but the other angels we saw during season 1 (Gabriel, Michael, Uriel, Sandalphon, Anderson [sherlockian joke, sorry]) we have mostly seen them in the present age. They are mostly jerks, rigid, uptight, righteous, full of themselves, they can be cruel and sometimes downright malicious (yup, Michael and Sandalphon, I'm talking about you, utter pieces of...)

But the first minutes of season 2 present us with not 1, not 2, but THREE angels in their "factory setting" status (yup, that's sort of a reference to the fanfic with the same title, if you haven't read it, go check it on AO3). In the first 30 minutes of the season, we would also get to know Muriel, the lesser angel we've met so far.

We find out that angels can be:

Full of joy and awe

Tender

Honestly, genuinely surprised

Full of curiosity and wonder

Openly loving (that "You are funny, I love you!" gets me every time)

Enthusiastic

Generous

Naïve (infinitely naïve, even when being jerks. That's what makes some of their misconceptions, misdirections and prejudices so much fun)

This, I would say (and this is where I bring Theology into the equation) is how Divine Grace looks like. For Catholics, "grace" depends on the intermediation of the Church (one of the bones I actually had with the lot before leaving), but when you talk about angels... Well, they are created to be in full contact and awe with Divine Grace in a natural way (because they are created immersed in that grace, perfect, and they get blessed by acting in order to follow that loving nature towards God... and if they resist that nature is when and why they fall). Thomas Aquinas explained this in extenso (and my best friend, who is a Medievalist, Philosopher and fan of Thomas Aquinas has explained this to me in a 15 minute long audio, so I'm more confident about what I'm writing now, ha)

Well, now let's leave the theological bit behind. What piqued my interest was, as a matter of fact, watching Jim/Gabriel enjoying hot cocoa. We can oppose his joyful discovery to a couple of moments:

Gabriel's reaction during season 1, episode 1, when he finds Aziraphale enjoying sushi. "Why do you eat that?" and his face of disgust when thinking about "ingesting things" vs. the happiness of his experience, at every level, when he feels and tastes the cocoa (the mouthfeel, the taste, the heat, finally arriving at his stomach). He grows so fond of cocoa that it is his comfort thing for the rest of the season.

Aziraphale's first experience with food in "A Companion to Owls" (the Job minisode). At first he has the same old attitude we have seen on angels about human food: it is somewhat disgusting... But after he tries it, he discovers the huge pleasure it gives him and he goes wild with it. The love of food and the pleasure of eating exquisite things is still one of his defining traits.

But I would also put out a little note about how Aziraphale was, since the beginning, somehow conscious about the possibility of "falling from grace". If Angel! Crowley had been immersed in the creation of galaxies and stars, Aziraphale had been involved in the creation of Earth and humans. If I understood most of what my personal theologian explained to me about how the notion of "grace" had to be questioned and reinterpreted around how humans can have free will but also achieve grace, and what did that mean for the angels... Well, it redefined everything (the one who started asking all those "silly questions" around the Theology of Grace was Augustine of Hippo, and Thomas Aquinas had to rework ALL of the ideas around angelic grace using Aristotle to justify many things... And that how they came to be known as Fathers of the Church for Catholicism).

So... Angels in their "natural" state are joyous, cheerful, naïve, full of wonder and curiosity. Something (The Great War? Maybe... But maybe something before that) showed them distrust, made them rigid, self-righteous and simply... awful.

Where does this leaves my second favorite angel, Muriel? Well, they are still that sort of angel: that is one of the best things we found about them in this season, and why most of the fandom has already adopted them as our sweet child of divorce. So, she is still full of Divine Grace, and ingenuity.

This word, I believe, will become an interesting characteristic during season 3. Why? Because I'm not a native English speaker 😂. As such, it is more evident that ingenuity has a double meaning: both being an ingenue (naïf), but also being inventive, talented and witty (even wise). I offer a couple of contrasts too, to build up on this idea:

They had been called "dim" by The Metatron. I've already talked about how this is his "fatal flaw": he is underestimating his opponents and expecting everything to be predictable, but ingenuity usually beats predictability (Crowley is also a master of this)

Another character we saw during season 2 that was full of ingenuity: Shax. Yeah, she is not the sharpest tool in the shed, and she is cunning... But that's because she embodies those both sides of the idea! She is ingenuous and still asks Crowley for cues about how to work on Earth, but she is also ingenious and is always planning schemes for her own benefit (even when they blow up in her face). Also, she was the first one to determine that Gabriel had to be in the bookshop, even when she couldn't see him or detect him, and was so certain as to launch an attack.

I've rambled a lot, and I'm now a bit peckish. Do with this information what you like!

#good omens meta #good omens 2 #muriel good omens #shax good omens #crowley #aziraphale #jim short for gabriel #good omens theory #good omens and theology #not really sure if Thomas Aquinas would be happy with this #And Augustine of Hippo wouldn't be too proud of me #lord give me chastity and continence but not now

[miraculouslbcnreactions]

Hello. I've been binge reading your meta post an I loves all of it. I have one question, though I don't know if you had the same question or not. If you had I'm sorry feel free to ignore this but if you hadn't, this is my question. Many people said Adrien as sentimonster is a good plot and the other said it's also good metaphor for abuse children. But what do you think about the senti plot? Is it necessary? And what do you think the writer is trying to achieve with the plot if Adrien doesn't even allowed to know about what he is?

Thank you! I'm glad that you've been enjoying my rambles! I don't think I've touched on those aspects of the sentiplot, so here goes!

Is it Necessary/What's The Goal?

I don't think that the sentiplot is even remotely necessary. My two cents is that it reads like something that was added relatively last-minute in order to add some cheap drama to draw the plot out because they didn't have enough content to organically fill seven seasons. Part of the reason that I'm comfortable saying that is because we've seen the writers do this type of move many times before. I don't wanna get too into the weeds on this, but a good example is the love triangles with Luka and Kagami.

Luka and Kagami are never treated as real alternate love interests. They're just road blocks on the love square highway that allow for seasons three to end on a cliff hanger. The fact that season four opens on two episodes meant to reassure the audience that Lukanette and Adrigami are doomed to fail is proof of this. No one is actually supposed to ship those ships. There's no Team Luka vs Team Adrien. It's just cheap drama.

The other reason that I feel comfortable calling the sentiplot cheap shoehorned drama is because the sentiplot has no teeth. A big reason why I refused to believe that it was going to be a thing was because it's an extremely serious plot that has no place in a Y-7 show. The wielder of raw destruction can have his free will overwritten at any time! The show has made jewelry theft a common teenage past time! This is bad!

And yet, once it's introduced, it goes nowhere. Gabe gives the most lackluster commands humanly possible and Nathalie undoes every one of them before they have a chance to meaningfully impact the plot. The biggest fallout of the sentiplot was that the Adrienette kiss got delayed a bit. How terrifying.

If the sentiplot had the weight it deserved, then it would have destroyed Adrientte in a big, dramatic fashion. Gabriel would have commanded Adrien to date Kagami and Tomoe would have done the same for Kagami re Adrien. But that's too serious, so we don't even get Gabe telling Adrien to break up with Marinette. He just tells Adrien to not see her and Marinette never has any clue that something went wrong there because Nathalie undoes the command two minutes later.

The Sentiplot's and Emilie

You may have read the previous section and thought, "But wait, doesn't the sentiplot give an explanation for why Emilie used the peacock? Didn't we need that?"

No, we didn't. Felix's little play and Gabe's memory of the night they used the peacock both heavily imply that no one knew that the peacock would kill you. It's why Felix exists! His father did not willingly give his life to have a kid and neither did Emilie. It was an unknown side effect.

Imo, it would have actually been better if Emilie hadn't used the peacock for such obviously selfish reasons. I mean, is anyone really saying, "Oh no, the rich lady used forbidden magic (and possibly killed some people?) to get a designer baby, then faced unexpected consequences! How awful for her! She didn't deserve that!"

Wouldn't it have been a far more interesting and complex story if Emilie used the peacock because she wanted to help someone else? If she was an unambiguously good person who suffered for doing the right thing or even just a morally gray thing? Wouldn't that make Gabriel's quest feel more righteous and less like a temper tantrum by a rich, entitled white guy who used his wealth in a morally dubious manner and paid for it?

The Sentiplot as an Abuse Metephor

I don't think that the writers meant for the sentiplot to be an abuse metaphor. In fact, I sincerely hope they didn't because it's a terrible one! Or, at least, a depressing one.

Abuse - especially childhood abuse - is something that sticks with us. A lot of victims will be forever scared by what they went through. But just because they bare scares doesn't mean that they're trapped by their abuse and can never break free. This is true even if the abuse caused mental health issues like PTSD or CPTSD, conditions that can never be cured because you know what they can be? Controlled and mitigated to the point where the victim is no longer ruled by their condition.

There's also the fact that abuse victims - especially child abuse victims - can and often do reach a point where their abusers no longer have any power over them. I have personally seen a child abuse victim go thought the process of realizing that their parent is just another adult now. All the power that the parent once held is gone. The child doesn't depend on them for food and shelter anymore. If the abuse starts up again, then the child can just get up and walk away.

That's not true for a sentimonster. Sentimonsters don't grow up and get more agency/power. At any point, their abuser can get ahold of their amok and override their free will, taking away the sentimonster's freedom even if the sentimonster is on another continent! There is no means of true escape.

No abuse victim will ever be that powerless. Abuse victims can escape abuse and they do have true free will. Sentimonsters will always be sentimonsters.

Is the Sentiplot Good?

No. It's too serious for a kids show. In fact, now that it's canon, here's my two cents: all of the sentikids are massive liabilities to the team who need to give up their miraculouses immediately because they can never be truly trusted. Felix has shown us time and time again how easy it is to steal an amok and replace it with a fake, so we must always assume that the sentikids are compromised because to assume otherwise is to invite the miraculouses to fall into the wrong hands. It's just not worth the risk to trust a senti.

Along the same lines, the love square should never be canon unless Marinette gives up Guardianship because Adrien is a liability to the safety of the miraculouses even if he didn't wield on himself. The only way to get around this issue is to use the wish to make the sentikids human, but Gabe failed to even do that one kindness for his son, so here we are. Season six will either drive this point home by having Lila use the amoks to mess with Adrien or it will drop the sentiplot forever, proving just how cheap and poorly thought out it was.

Other issues I think I've already addressed in other posts, but that are still a problem that make the plot bad:

a sentimonster's creator defines the sentimonster's worth, thus there being no issue with Felix making sentimonsters and then killing them or the heroes destroying them, but it would somehow be wrong if we did the same thing to any of the sentikids

any command you give a sentimonster can be overwritten and sentimonsters can't resist even if they know they're being controlled, so there's truly no hope to free them

giving your leading lady anxiety issues and a boyfriend whose free will is constantly in jeopardy is cruel and unusual punishment

an insane number of lore issues like why is it impossible to destroy other sentimonsters, but Adrien can be destroyed in akuma fights? Cataclysms are pure destruction! It makes no sense that akumas can do what a cataclysm can't. And is Adrien able to die a natural death? What happens to his amok when he does? Will his children be able to be controlled by his amok too since they're part of him?

the lore around Gabe & Emilie finding the miraculous makes no sense and should not be possible. That's another rant, though.

#senti salt #ml writing salt #ml writing critical #ml season 5 salt #adrien deserves better #this plot is only suited to an angsty or bittersweet ending #I don't know how you can hope for a happy ending when Adrien is forever a slave

[intrulogical]

Janus is my fave but Remus is a close second. I find it so interesting how he's the character who's the hardest to get a read on by faaaar. It's actually the reason why I've been looping forbidden fruit so much (alongside it being a bop), because I wanted to try and understand his mindset better.

Something that really jumped out at me is that the very first lines, even before he introduces himself as the duke, are about Adam and Eve eating the forbidden fruit and gain knowledge/self awareness at the price of sinning and eventually dying. He then really goes on about Thomas learning to know himself and how everyone already sins and dies anyways (so it's not like taking a bite from the forbidden fruit will change anything except the gaining of self awareness).

I think that regardless of whatever specific goals Remus has, he's overall guided by the value of wanting to give people knowledge and self awareness, desiring to dig up everything buried and repressed and bring it to light.

We can see in wtit how that seems to be his main purpose as well. All of the intrusive thoughts he gives Thomas betray an underlying anxiety about loneliness and being abandoned by Nico (or maybe the anxiety about being alone is what caused him to latch onto Nico - it's Virgil that ended up pushing Thomas towards Nico after all - but now he's terrified that Nico will ditch him). Remus is trying to bring those issues to the surface to have Thomas begin to work through them in a way, except Logan (with all of his good intentions and care for Thomas) keeps providing distractions and those distractions - as much as they help alleviate the symptoms - allow Thomas to keep repressing the thoughts.

Honestly, the more I think about it the more I love the double meaning of the title of the episode. Thomas isn't really working through his intrusive thoughts and trying to process them. He's working while he has intrusive thoughts, as if he's working through loud and annoying music he has to simply grit his teeth and endure.

...that was a ramble and a half, sorry. I've been really desperate for someone to talk about the series with XD

OH MY GOD, THIS IS PERFECT

i've always loved remus and his role of self-awareness. i always perceived his role as intrusive thoughts to be somewhat of an alarm clock— his general Presence means there's something that thomas is ignoring. i LOVE the idea that remus is connected to self-recognition because we have to remember he is forbidden THOUGHTS. not emotions, THOUGHTS. i kind of see him as a parallel to logan in a way, where they both dispense truths about thomas' way of life, but because they're so harsh and rooted in the reality thomas wants to ignore, they both get ignored. i could go in detail but i'll probs save it since this is technically not a remus logan post

if you need more wtit analysis by the way, @orbmanson7 has some for wtit that i really like! u can go enjoy some juice there. never feel bad about sending me asks like this (or even messaging!) bc i LOVE talking about sasi meta. i sometimes pop into orb's dm's at random just to entertain another thought i have 😭

#asks

[ariaste]

Hello hello! If it’s all right with you, I would like to vent for a moment: Back in the day, I used to be really into BBC Sherlock. I know it was bad, but it was “Be Gay (solve) Crimes” and I couldn’t resit. One of my favorite parts of the fandom was reading fan metas. I enjoyed reading your ridiculously long meta! I am not very clever and I enjoy reading people noticing things that I can’t. It’s fun watching people passionately pick up clues and put them together.

I don’t think I’m the only one getting superwholock flashbacks lately. Sherlock also tried an unreliable narrator in S4 and it was an absolute shit show. People thought thought the finale was fake, it was so bad. TBH, the entire show was a dumpster fire that thought it was more clever than it was. Moffat was a good writer for single episodes for DW, but a garbage show runner. And they called us crazy for picking up what they were putting down.

But Good Omens gives me a spark of hope. It is unashamedly queer, fun, drinks its respecting women juice, and, unlike moffatiss, I think Neil and the crew may actually be clever enough to pull something big off. I adore the Discworld series and Sir Terry, and I have faith Neil will to do right by him.

Good Omens is restoring my faith in nerdy queer fiction and reminding me why I love fandom so much. Please keep up the crackhead theories. I love them 💕

Thank you, that's very kind!

(Ended up writing a very long reply about the response to my essay and also about queerness in media. Idk why i am writing such long posts these days SORRY LOL. Anyway I'm putting it all beneath the cut so I can tag it without clogging people's dash or the tag pages)

It does make me sigh a little when I see people scornfully comparing my long essay to The Johnlock Conspiracy or saying that they're having Sherlock flashbacks, because the both the contexts of the shows and the methodology of the theorizing are VERY different. To my mind, a more direct comparison of methodology would be the Gravity Falls fandom's "Stan Has A Secret Twin" theory. Writers and showrunners DO like being sneaky and clever from time to time, and many of them are much better at it than Moffat is.

But whether or not my theory is right or not is... kind of irrelevant to me? I wasn't out to force anyone to agree with me, AND writing it was a really fun way to spend a weekend, AND I'm proud of the work I did and the story I told, AND it felt good to have a satisfying workout at the Brain Gym. So even if I'm proven utterly and completely wrong, I won't feel like I wasted my time. :)

Good Omens is a great show, and I am SO HAPPY to see it (and other shows!) embracing queerness, sharing the fans' enthusiasm for the story, and honoring and respecting the fans' love rather than punishing them for it. As more and more time goes on, I think we're going to see more and more shows like that, because some of the people who grew up reading tumblr discourse are going to be showrunners themselves one day, and they'll have learned serious lessons about what it feels like when the audience is met with love rather than disgust and disdain. In fact, we're ALREADY seeing more shows like that than we had 10 years ago! There is so much canonical queerness on-screen these days that the me of 10-15 years ago is ASTONISHED and feels wealthy beyond counting. Of course, there is so much further to go, but man... when i was a kid, we had to walk uphill in the snow both ways just to see two dudes making sustained emotional eye contact, and we were grateful for it. (Jokes but also.... kind of real tho)

We've seen the exact same thing happen in scifi/fantasy publishing in the last seven or eight years, too! (Went off on a long tangent about Queerness In Media from an insider perspective, continuing below a cut so I don't clutter everyone's dash)

Even as recently as 2013--ten years ago--you might not have even been able to get your book published if it was openly gay. Hell, you might not have been able to get an agent to represent it, even. It would have been labeled "unmarketable" and passed over; if it DID get published, the queerness would have been camouflaged and downplayed and hidden in the marketing as much as possible--you wouldn't have known by looking at the cover that it was queer, you wouldn't have been able to tell by reading the back cover that it was queer. In literally 2016, seven years ago, a few months before I got my first book deal, I remember having a conversation with a friend and being very very worried that if I wrote books as queer as I wanted them to be, I would be "pigeonholed" as "ONLY writing Gay Books", that I would be passed over for any of the publisher's marketing budget and publicity efforts, that I would be sidelined and ignored... In 2016, I thought I was facing a choice of writing stories with more "mainstream appeal" OR writing the books I wanted to write and potentially undermining the rest of my career.

That didn't happen, thankfully, because in the next couple years there was this incredible explosion of queer scifi/fantasy. You see, ten to fifteen years ago, a truly stunning percentage of my colleagues -- writers, editors, publicists -- were writing and reading fanfic, and they carried their tastes and story-hungers with them as they grew up and got Real Adult Jobs at publishing companies. And suddenly, as if out of nowhere, a lot of us came of age all at once and there was this absolutely enormous wave of queer SFF that in my opinion has brought us into a new golden age of the genre: The Locked Tomb series by Tamsyn Muir, The Chorus of Dragons series by Jenn Lyons, She Who Became the Sun by Shelley Parker Chan, Ancillary Justice by Ann Leckie, The Tensorate series by Neon Yang, Priory of the Orange Tree by Samantha Shannon, Light from Uncommon Stars by Ryka Aoki, The City in the Middle of the Night by Charlie Jane Anders, the Birdverse books by RB Lemberg, The Traitor Baru Cormorant by Seth Dickenson, The Jasmine Throne by Tasha Suri, Reforged by Seth Haddon, The Sorcerer of the Wildeeps by Kai Ashante Wilson, Ocean's Echo by Everina Maxwell, The Fifth Season by NK Jemisin -- and these only the ones I could remember off the top of my head in 30 seconds, and I have a flavor of ADHD that makes my brain go blank when people ask me to think of specific examples of things! It is harder for me to think of a SFF book published in the last 7 years that ISN'T queer.

And then almost exactly a year ago, my book A Taste of Gold and Iron came out with THIS COVER:

Which. Is not so much a step forward in openly queer SFF as it is a fucking gauntlet thrown down in challenge. I cannot impress upon you strongly enough how much I would not have gotten this cover 10 years ago, and that's if the book was even accepted for publication in the first place. This cover SCREAMS gay fantasy romance. There is no attempt to hide it or camouflage it. It is advertising exactly what it is, right up front.

I got the absolute privilege and honor of having this cover--and I do consider it an incredible honor--because of the work that all my colleagues put in with their own work. Each queer book that got published wedged the door a little wider for the next one, and then a little wider still for the next one, until finally someone could get their foot in the door and squeeze across the threshold, which opened it a little wider again. So when I look at this image, I don't just see a beautiful cover that I am delighted to have on my books--I see an entire history of slow, steady progress by so many incredible writers who risked damaging their careers just to drag us to a point where a book as gay as this one could get a cover as gay as that one and STILL get the full and enthusiastic support of both the publisher and the audience. And the most incredible honor and the most humbling privilege out of all of this is the fact that the success of this book meant that the door was wedged open another little bit, that I got to contribute in this small way to the efforts of everyone who came before me, so that ones who come after us will find the door flung wide -- or that there's no door left at all to block the way, because we've collectively torn it down.

So yes, @eyona, I think that having your faith restored little by little is a very good thing, and I am delighted that Good Omens is doing that for all of us. And what's even better is that even if Good Omens doesn't play out exactly how we want it to, that's... kind of okay? Because there is always the next one, and at the very very least, Good Omens is wedging the door open further so that the next one can have an easier time of it. We don't have to walk uphill in the snow both ways just to get a moment of emotionally charged eye contact anymore. We don't have to starve anymore, not like we used to back in the bad old days. And that alone is a wonderful thing. :D

#good omens #a taste of gold and iron #publishing #queer media

[stagefoureddiediaz]

Costume meta 6x18

Wow I can’t believe I actually managed to write one of these (with all the additional mini metas) for every episode this season!!! if you’ve read, liked or reblogged and any all of my metas throughout this series then I just want to take a moment to say a massive thank you - it really means so much to me that you do take the time to read the epics I post, that you interact with them and that you ask me questions and seem to learn from what I say - sorry to everyone who now sees check pattern clothing out in the wild and gets worried 😬 it happens to me too - its good to have your company!

I’m so sorry that this has taken me far longer to get out that I had intended - my internet died on Thursday night and still hasn’t come back up (it has not been fun - who knew how internet dependant I’d become11!0 so I’ve had to find a cafe on my day of to actually get this posted (I live in a 4g dead spot too just to add to the fun!) Not going to lie - I am in need of a little break because these posts are a lot of work (you don’t want to know some of the side quests some of these posts have taken me on!!), but I love writing them so I plan to continue in season 7. I do have some fun stuff planned for the extended hiatus so while I might not post as much, I will still be around - making art and providing some costume related (and non costume related) things for you to enjoy - I have breakdowns for each character which includes spreadsheets and graphs (don’t get too excited - but they are actually interesting I promise!) in the pipeline as well as sorting out my pinned post as I’ve hit the link limit!!!.

Back to the costumes for this episode - it sure was an interesting one (when are they not tbh) with plenty going on for me to talk about! Apologies for the photos - it was really hard to get decent stills this week - everyone and the camera constantly moving!! As always the rest is  below the cut to save your dash!

Athena 

Athena has just the one costume this week - heading off on the cruise! I very much enjoyed her being in yellow and saying that she might not tell anyone about them actually being on said cruise! There are a couple of reasons why - firstly its yellow - the colour of communication - which means that her character is telling us something which is important. So Athena suggesting that they don’t tell anyone they are off on this cruise is the key point we need to take away from this scene - what that could mean - well its a throw back to when they attempted to go on the cruise the first time - they were communicating their departure then by being on the phone with Beatrice as they were leaving the Grant-Nash house so by not communicating they’ve gone on their cruise they are preventing another interruption from occurring. The other thing its communicating is that the lack of communication between Bobby and Athena and their family and friends could actually be a bad thing - its a bit of preempting costume design - if the show does indeed choose to go with some form of cruise ship disaster to open season 7 (less likely now that they have delayed the show until midseason, but it depends on how they choose to play the time jump!) then this line comes back into play - the 118 being sent to help with the disaster not knowing Bobby and Athena are on board would make for some very interesting storytelling and potentially parallel with the tsunami very nicely!

The other thing about this costume is the fact that we have bold block colour wearing Athena in a pattern - and a floral pattern at that. Athena doesn’t wear patterns - we saw her in a patterned shirt in 6x10 - when she was undercover and therefore it doesn’t count as actually being something Athena would wear

Bobby

Again the only costume we see Bobby wearing outside of uniform is when he is leaving for the cruise, this is the same costume he was wearing when they made the first attempt at their honeymoon cruise . From a personal perspective this was done to provide continuity between the two scenes as Bobby shirt is the loudest and most obvious thing to carry that thread through for a general audience.

Denny

Denny continues to wear muted tones post reconnecting with his biological father and we also have check on this outfit. The fact that the check is only worn down the sides could indicate either approaching trouble or trouble passing, for me it’s more likely that it is a sense of foreshadowing and will be connected to the Wilsons season 7 storyline revolving around the new baby that they will be bringing home as Denny will become a full blown big brother rather than the role he currently fills with the foster kids – that hovers somewhere between brother and friend. This costume is a bit blink and you’ll miss it and so it’s hard to get more of a read on it than the very basics.

Karen

Karen is wearing her typical large print florals for both her costumes this week and we have the contrast of red - a colour of anger, passion and love with t he yellow of communication, happiness and optimism. the use of the two colours to bookend the episode perfectly play into Karens mini arc for this episode - from the love tinged with disappointment and anger (broken hearted rather than fury) over fostering - the constantly having to hand children back, to the happiness and optimism surrounding the baby girl they may very likely get to adopt. the colours rather than the prints are the things conveying messages for Karen in this episode. they also contrast her very well with Hen in her black and white and then orange.

Hen

It’s really interesting that we have hen in this black-and-white check cardigan which is a parallel to the one she wore in 6×10 that one was red with larger neutral face emoji is and foreshadowed her anger over Denny contacting his biological father. This new one is more confused and the smaller design with the variety of boxes lines and neutral face emoji is creates a sense of confusion and also feels like it is chaotic in an organised manner it plays into both check theory and striped theory to a certain extent/theory foreshadowing the news of the baby they may potentially get to adopt and the cheque foreshadowing the upcoming disaster we see in the episode. the black and white also plays into the idea of Hen being settled into the black and white nature of fostering children - accepting the reality and highlighting the difference between now and when they had Nia - this is deliberate as it shows emotional progress, but it is also about emphasising the joy they experience later in the episode when told they will be getting a baby girl - its more impactful because we’ve seen Hens acceptance of their situation.

Hen’s other costume for the episode is this orangey red shirt which both contrasts and matches Karen’s yellow floral print shirt it also fits nicely with the oranges and lemons we see on the kitchen countertop next to her. Orange is an optimistic and energetic colour, it provides emotional strength and joy in its positive outlooks however is -ones are connected with superficiality in patients and domination. I think in this scene we can take the positive traits of the colour as opposed to the negative as we get to see Hen and Karen achieve something they’d given up on – the possible permanent expansion of their family – and brings them both full-circle after their disappointment surrounding Nia.

Chimney

Chimney is wearing a brown shirt with a black check pattern, brown is a colour of stability and reliability, it’s a grounding colour and chimney wearing it here indicates that where he is in his life is grounded in stable, his relationship and impending nuptials with Maddie are built on solid ground and overall this colour bodes well for their marriage. We do need to consider the cheque pattern as being foreshadowing for the potential exploration of Chimney storyline next season, whether that involves Madney actually making it down the aisle without problems arising, or if the show will explore some of chimney’s trauma in more detail remains to be seen however it does appear season 7 May begin a little bumpy for Chimney.

Kameron

Kameron wearing both the light and Navy blues that we’ve seen Buck wearing throughout this season whilst struggling to open a jar of pickles was a direct reference to Bucks struggles with who he is and who he wants to be. The props and costume work together to hint at Buck getting himself in a pickle and struggling to successfully deal with his issues, the fact that Kameron needed someone else to open the jar is a reference to Buck needing somebody else to help him with his struggles whilst the pickles in both this episode and the previous episode are a reference to Buck dealing with one issue but not his others. The use of blue costume in this scenario tells us the viewer should associate that struggle with buck specifically as the show has taken great pains to show us buck in a huge amount of blue costuming this season. The blue costuming also refers to water and water finding its level this has dual meaning in that it is foreshadowing Kameron’s water breaking later in the episode as well as continuing water theme surrounding buck story arc. The costume (and props) parallel Kameron and Buck and tell us to relate their stories to one another - Kameron being in a pickle with her life - her relationship with Connor - paralleled with Bucks own romantic storyline - both of them looking for support in the wrong place - from the wrong person, instead of with their respective partners - Kameron seeking help from Buck instead of Connor and and Buck seeking answers to being seen from Natalia instead of Eddie.

Cameron second costume one she’s wearing when she goes into labour continues the blue theme but also plays into the grey black-and-white theme increase seen in the scenes that appear to be re-shoots. The choice of daisies as appropriate for this dress as they symbolise innocence new beginnings and purity, they are also the symbol of fertility and childbirth.

Maddie

Ok so unusually I am going to talk about Maddie in connection with both Marisol and Natalia because their costumes are all connected by stars!

Maddie is wearing black with a lot of stars in white, while Marisol and Natalia have sparkly stars in fewer numbers on their costumes. the difference is the sparkly nature of said stars whilst the stars make perfect sense on all three of them for their respective scenes, they have different meanings attached to them - both Marisol and Natalia’s stars are a play on the concept of fantasy and dreaming and reaching for the unattainable, there are fewer stars and the glitteriness is a play on the idea of all that glitters is not gold - that the seemingly attractive external appearance is not a reliable indication of its true nature - that it is superficial. That meaning does not work for Maddie, her stars are not glittery or sparkly, they are matt and there are lots of them - there is more substance to her and Chimneys relationship and it is a direct and deliberate contradiction to the relationships of Eddie and Marisol and Buck and Natalia - we are meant to see the contrast - the building of something which has had to be fought for versus the untested and insubstantial nature of both of the other relationships - it all comes back to what bobby told Eddie - Maddie and Chim have sat with each other, taken a moment and stepped into the mess - they are fully aware of the reality where as Marisol and Natalia are both untested and fit much more into the fantasy concept the show has explored this season and the fantasy rarely holds up when exposed to reality.  

Natalia

Aside from the stars that I’ve spoken about above, it was an interesting choice to remove nearly all colour from Natalia’s costume for scenes where she is present when life is brought into the world. When not in her ‘work’ role, we’ve seen her wearing a fair amount of colour, even if black is nearly always present - lots or red and oranges and whites and greens, however she was all in black for the living funeral and here again we have her in predominately black, with a little bit of navy thrown into the mix the choice to use very dark colours is intentional and these dark colours play into her role as harbinger of death - she is representing death as life is brought into the world. I wrote a post about that scene and her presence in it and how it plays into the fact that death has haunted Buck since he was brought into the world. Natalia’s presence was necessary precisely because of what she represents and because death is still hovering in Bucks life - the fact that Natalia and Buck get together while she is still dressed in this way is very telling about her position in Bucks world - he is still focused on death and its being a part of who he is rather than seeing/ focusing on other things. It all plays back into the ‘she really sees me’ of it all - Buck wants to be seen beyond his death/ beyond the death that has shadowed his life, but he is still falling back into the safety of being seen for death rather than the life he is living. Natalia is a representation of Buck falling back on these safe behaviours and thoughts because he is fundamentally scared of being seen for who he really is and Natalia’s transition from the orange of their ‘first’ date to increasing levels of black in her subsequent outfits shows that representation in Bucks life perfectly.

Interestingly though we get a direct contrast to all that black in the ‘morning after’ scene with Natalia in white shirt which is meant to be one of Bucks. Honestly - fascinated by this choice! Putting her in a shirt that is meant to be one of Bucks makes total sense, but they could’ve chosen any colour they wanted - Buck wears a lot of colour, but they chose a white shirt. A. White. Shirt. a white shirt that is supposed to be one of Bucks. We all know how things go for Buck when it comes to white shirts - it doesn’t end well - it leads to bad things! Natalia isn’t going to end well for Buck - the white shirt has spoken!. 

The other thing with the white shirt is its contrast to Buck being in blue/grey because it puts her in opposition to Eddie who wore black when on the balcony. The balcony is a place that puts her on the outside of things, she isn’t inside with the mess (the couch) and the colour white is considered both a colour of innocence and purity, whilst at the same tie being seen as cold, uncaring and bland. When placed in contrast to Eddies black- a colour of power, strength security and protection, things don’t look great for Natalia’s future, or her ability to understand and support Buck.

We have to have a quick talk about Jo and Mallory for the simple reason that they are dressed in Buck and Eddies colours, despite essentially being representations of Christopher and Buck, the implication being that Christopher would retain a lot of the traits etc he has gained from Eddie, even if Eddie were no longer a physical presence in his life, and that Buck would’ve nurtured those aspects of who he is.

Chris

Christopher in grey as a neutral tone is an interesting choice. The green, specifically khaki green hidden underneath is a nod towards Eddie and, the fact it’s hidden under the grey to me is a reference to Christopher accepting things because he thinks they’re what his father does. But also towards Eddie once again, doing things that he thinks is right for Christopher.

Eddie

We can’t not talk about the St. Christopher being brought out at this moment! We haven’t seen this necklace since 4x14 when Eddie got home and its use here is so very intentional in a camper van that is essentially a microcosm of the will arc - all of the elements of Buck, Eddie and Christopher’s relationship is shown here in the camper - the will, the fridge, the couch, the coffee , the risk of explosion, and the earth mover van crashing into it, we even get similar camera angles and injuries. the entire thing is supposed to direct us to what that St. Christopher means, what it already represents and it is setting up next season - there is no other reason to include it otherwise.

Eddie in blue and in check – blue being connected to Eddie and his family suggests that the check is foreshadowing rocky times for that family dynamic and hints that this new relationship will end poorly whether that’s by fizzling out or in some other way remains to be seen. The other thing about this blue plaid check shirt is that it also ties in with a couple of other things - Eddie rarely wears plaid check - only 4 times before now and generally these are tied with when he’s been having family issues - we see it in the flashback scene in Eddie begins that show family conflict, conversely he doesn’t wear check in flashback scenes where is mind and intention is clear (such as when he argues with his parents and stands up for himself before going outside and asking Chris if he wants to move to LA.) The only other times we see him wearing check and not in a flashback is very much connected with his struggles with Christopher - and being able to support him - feeling like a failure as a father (which he isn’t) such as when he is at Bucks taking about Christopher’s skateboard accident and wanting his kid to feel normal. The only other time we see him in plaid is when he helps Buck move Maddie’s sofa into her new apartment - this is the only scene we have Eddie in non uniform before he goes to visit Durrand and is told he’ll need to get back in touch with Shannon - its kind of foreshadowing the conflict of the school visit when they couldn’t very easily put him in plaid.

I therefore really intrigued by this choice to have him in plaid for this scene when we don’t see any family conflict - so its either foreshadowing upcoming family conflict, or its playing on the idea that he’s internally conflicted - doing what his family wants (dating a woman) rathe than what he actually wants, or if the conflict is going to arise from him including Chris in this new venture into dating (we all saw how well that went last time!)

The other thing this plaid shirt is comparable with is Eddies Poker suit. Which has me all kinds of intrigued because it really does actually imply that the poker game was in fact going to be played as a ‘date’ (which would’ve likely played into the family conflict theme and thus been in keeping with all the other times Eddie has worn plaid) before they changed tack due to getting renewal and therefore didn’t follow through on whatever direction they had intended to take the Buck and Eddie storyline they had planned when they thought this might be the final season of the show. 

Buck

Buck in brown with a vertical stripe, the brown suggests solid ground or in a stable place - so Buck is being presented as having made peace with the sperm donation, as well as being a stable place from which to try and help Connor and Kameron sort out their problems. The vertical stripes also play into the theme of vertical stripes we’ve see non him this season. Interestingly, we haven’t seen Buck wearing these vertical stripes around Natalia, which I would expect to see if their relationship was meant to last as the vertical stripes are very much connected with Bucks search for himself, in particular, connected to couch theory (this is the second time we’ve seen vertical stripes in connection with couches/ armchairs) - Bucks version of couch theory, not the second couch theory that he as a character isn’t aware of.

We have this grey marl tee, which is green tinted - perfect choice for Buck delivering the baby he helped create in a scene that heavily played into Bucks own birth. The grey and green tones have been associated with Bucks arcs this season - either in relation to the sperm donation (the green tones) or the family he has been searching for and is on his way to finding/ fully comprehending (why he wears grey around Bobby and Christopher in their one on one scenes - its the father son relationships being more deeply established). so for him to have both on when he gets to be the one who delivers the child he helped to create is a great choice and plays into both themes - especially when he tells Connor to love that child at the hospital.

The addition of the check shirt is solely about Buck starting a relationship with Natalia, and them getting together in a moment not that dissimilar to how Buck and Taylor got together - at a moment of Buck reckoning with something important - the trauma of nearly loosing Eddie with Taylor and now with Natalia his reckoning with the sperm donation and having delivered the baby he helped to create. This is a deliberate choice by the show to parallel the two moments, but the use of check is highlighting it further and telling me that this relationship with Natalia isn’t going to be as ling and drawn out as his relationship with Taylor was. Buck doesn’t actually wear check patterns all that often considering the amount of danger and trouble he gets himself into and we’ve seen him wear it in most cases in relation to mental health struggles (the Equestrian centre is a prime example - Buck trying to raise the shooting with Eddie and being unsuccessful because Eddie wasn’t ready - and its parrallel with the grave scene from this season when Buck isn’t ready in return) so for him to be wearing it a second time is short succession and both connected with Natalia (and thinking he’s finally being seen) doesn’t bode well for anything related to their new relationship.

Buck wearing his watch for the balcony scene is very telling because the scene is meant to imply buck and Natalia spent the night together and this is the following morning when they address down and comfortable and she is wearing one of his shirts, however him wearing his watch suggests that there is already a countdown/ that there is a time limit on their relationship. 

Buck grey blue tee parallel with hoodie from the Eddie balcony scene - buck not understanding or seeing things clearly. The new one is darker and less blue, which not only plays into the previously stated concept of not understanding, but also suggests that Buck is currently in a less receptive state than during his previous times wearing the blue/grey colourway. The other thing to bear in mind is that Buck wearing a dark grey plays back into his costuming around Taylor in last season - he wore a lot of grey, but there was a distinct difference between the lighter shades we saw him wearing around Eddie and Christopher (which was the building blocks his grey wearing this season was built off of) and the darker greys we saw him wear around Taylor.

And there we have it - one very late but finished costume meta! I’m off to pray to the internet gods that my home internet will be fixed very soon (current date I’m being given is the 5 June) as I can’t survive much longer without being able to do the things I need and want to! if you want to send up a prayer for me then please feel free to help a girl out 😁

Thank you to all of you that have read one, several or all of my metas for this season. I hope this one was worth the read and I look forward to getting to write metas for whatever they throw at us in seasonn 7!!

As always and for the final time this season, tag list below! 💜💜💜

@mistmarauder @theladyyavilee @leothil @girldadbuddie @kitkatpancakestack  @buckscurls @lemotmo @trashendence @elishareads  @clipboardsandstethoscopes @comfortbuddie @fiona-fififi   @callanee @calyssmarviss @pbandjeremiah @batgrldes @spotsandsocks  @livingwherethesidewalkends  @idontshitpostbuttheolympicpark @diazboysbuckley @sweettsubaki @shortsighted-owl @sherlocking-out-loud @wh0rebehavi0r @favouritealias @hearteyesdiaz  @ktinastrikesback  @princesschez75 @bucksbuddie @oneawkwardcookie  @leatherati @moniquekatie @wanderingwomanwondering   @asharadaine @ajunerose  @talespinner230 @pop-kam @swiftiebuckleys @xxfiction-is-my-realityxx​ @butchjerry @mandzuking17 @yelenasbuddie @copyninjabuckley @name-code-black-widow @rogerzsteven @bi-moonlight @usercowboy​ @inthecarwithaboy @inandoutoffocus-blog​ @toboldlynerd​ @shammers86

#kym costume meta #911 costume meta #911 costumes #911 on fox #911 fox #911 abc #costume meta #evan buck buckley #evan buckley #Eddie diaz #athena grant #bobby nash #maddie buckley #chimney han #hen wilson #karen wilson #denny wilson #christopher diaz #natalia dollenmeyer

[zvtara-was-never-canon]

https://www.tumblr.com/caramel-ribbons/720001793861533696/i-just-watched-avatar-for-the-first-time-all-the?source=share

what do you think of this post? i found it kind of.. weird, in the way it talked about her relationship with team avatar compared to her relationship with zuko

It started out okay, turned into a train-wreck REAL fast.

I can understand being annoyed at how people will make fun of something like Katara bringing up her mom a lot, especially if these people don't do that for any other character when they ALL bring up their traumas a lot, but the way it quickly escalated into "Actually, Katara was right in telling her brother he didn't love their mom like she did" was honestly one of the most disgusting things I've read by anyone in this fandom - which is saying a lot.

Also, once again the complete bullshit claims of "The Gaang and Aang in particular never try to be there for Katara, emotionally, like she was for them."

Considering this person mentioned disliking videos that frame the entire show as just Katara being a bitch towards poor, friendzoned nice guy Aang, I would not be surprised if they let this dumb edits drastically affect how they see completely innocent Kataang moments as being something they weren't OR that they had already read Zutara "metas" (aka wildly out of character fanfic) and formed their opinion on these dynamics looooong before they actually watched the show.

People really gotta stop focusing on what the FANDOM does when they are talking about how CHARACTERS behave towards each other. Yes, some fans are sexist and hate Katara for the "crime" of being a female character - that does not mean the Gaang forced her into the role of being their mom/caretaker/therapist.

Sokka is CONSTANTLY trying to be useful the group. Toph learned to open up and clearly enjoyed spending time with Katara, even if it was to do things she did not want to do at first (you TRY dragging Toph to a spa and have people touch her feet after she explicitly said that was the one thing they were not allowed to do. See how fast you get crushed by a rock).

And Aang - oh my God, AANG. That boy was all about trying to make Katara happy from day one. They played together, he offered to go with her to the Northern Water Tribe so she could become a pro-waterbender, would always apologize to her whenever he did something wrong, explicitly told her she gave him hope (mirroring how she had hope the Avatar would save the world), was in complete awe after she literally brought him back to life, fucking blew up a factory with her, and tried to stop her from making a big mistake and sacrificing what was left of her innocence by killing a (admitedly AWFUL) man - yes, Zutarians, NOT letting your friend do something they'll regret IS being a good friend and thinking of what's best for them, sorry not sorry.

THE WHOLE REASON Katara is so emotionally attached to Aang and wants to be there for him whenever he needs anything is because HE ALLOWED HER TO BE A KID AND HAVE FUN AGAIN.

You'd think so called "Katara fans" would be able to understand such a simple concept that she verbally explains to us IN THE FIRST DAMN EPISODE!

Anyone that claims Aang didn't love and support Katara just as much as she did him is either misremembering the show, in deep denial, or just flat out lying to you.

#anti zutara #pro aang #pro kataang

[unleashthegoats]

Hey y'all! Loved the new episode, and wanted to chip in on one of the later points - videogames, especially in relation to the "Grey" Jedi concept. Knights of the Old Republic II really did some irreversible damage in that regard, as much as I love the game (though I prefer the first one). Kreia is one of the most central characters in regard to shifting morality debates in Star Wars (in universe and from fans alike) imo, and I'd honestly be super interested in hearing you three cover either or both of the games in the podcast, although I understand that's highly unlikely since none of you have played them. But she is extremely relevant to this topic because she preaches about neutrality and that there's more than just ~dogmatic thinkings of light and dark~, and your relationship with her suffers if you are kind and altruistic and get too rooted in the light side and she's like...one of *the* characters that kind of gets credited with developing a "grey" philosophy in-universe? But people always bring her up as if she's this great point of sensible consideration and not actually, as it turns out, a master manipulator trying to purge the Force from the galaxy (or something like that at least? It's been a while since my last playthrough lol) that lies to you all the time to get you to do what she wants (because she was so crazy bananas both the Jedi and the Sith said "no thank u :)" - well, with a bit more nuance but you get the gist). Really, it's a bit like people falling for Palpatine's anti-Jedi points all over how they talk about her philosophic arguments without bringing that up. But yeah, I thought you might be interested in that. Also, I think KotOR might be what people meant with being able to unlock Dark Side powers as a Light sider but you are absolutely correct that it's a mechanics vs story issue (especially since some powers are indeed alignment-locked AND making dark side choices does impact the character (apart from story, ending and relationships to your party members). It's a bit of a simplistic gimmick, of course, but the further you get into the Dark Side on the alignment, the more it's visible - sickly skin colour, cracks in the skin and flesh, your eyes change...stuff like that. I don't think using Dark Side powers actually pushes you further down the alignment, but the intent is obviously not for Light Siders to mix and match however they like).

Anyway, I'm so sorry for rambling on for so long, but I thought you (or someone, at least :D ) might appreciate that additional info. Keep up the good podcasting! :)

OUR FIRST ASK! I'm so glad you're enjoying the podcast, thank-you so much for listening to us ramble on for an hour once a month!

This is all really interesting! I've read a few metas about the Star Wars video games and the characters within them which is partly why I chose to briefly include them in the episode (and also because I am familiar with Jedi: Survivor which has its own "dark side" mechanic for the main character that was relevant to the discussion). Aside from Jedi: Survivor, I wasn't necessarily referencing any one specific video game, I assume it's probably a thing that's come up more than once.

As far as my reaction to Kreia goes, just based on your description of her, the idea of there being "too much light" just isn't how Lucas's own worldbuilding worked. It's clearly trying to hit on the idea of "balance" being equal amounts of light and dark usage, as opposed to balance being acknowledging darkness EXISTS (in yourself and in the universe) in order to keep yourself from acting on it. There just isn't a way to be "too light" or something like that, there's never "too much" kindness and compassion and selflessness in the world. In this sense, the video games are just going to fall into the same category as the rest of legends and EU stuff, in that they often just do their own thing based on their own interpretations of Star Wars, but it doesn't mean it actually fits with what Lucas himself was trying to get across about the philosophy of the Force and the Jedi in his own stories, and that's primarily what we're using as a base to discuss Star Wars from.

If any of us ends up playing KOTOR, we can certainly try to bring it up more often. I don't think we have any plans of doing more video game stuff currently, but if the KOTOR remake ever comes to pass, maybe I will!

-Mod Sugar

#star wars #kotor #kreia #utg asks

[thequeenofsastiel]

What are your thoughts on Kanghan x Sailom dynamics after episode 3? You dropped a great meta last week that I can't stop thinking about, don't leave us hanging bestie, we wanna know more!!!;

So sorry for the delay in answering--I wanted to give it a few days to percolate and watch again--and now that I've done so, I do have a bit to say.

So Sailom was very firm when it came to tutoring. That could be misinterpreted as dominance, but it wasn't. I believe it stemmed from the immense honor that Sailom has. Kanghan's grandmother paid him, and Kanghan protected him. Sailom feels obliged to tutor Kanghan so that Kanghan can have a better life. And so he's not afraid to push Kanghan to succeed, because he believes he owes that to Kanghan.

There were a few Dom/sub moments. First was when Kanghan told Sailom to get on the bike after tutoring. He didn't say it calmly or encouragingly. He snapped at Sailom to get on in a very commanding tone. And Sailom--despite having just had flashbacks to Kanghan bullying him--nods and obeys.

The second, and third thing, were in the restaurant scene. Sailom, upon seeing the prices, instantly tried to run for it, but Kanghan ordered him to sit back down and eat there with him, saying that he was paying. And Sailom didn't argue. Which I find significant, given how averse he is to taking money without earning it. You'd think he would fight this more, just like he did with the tutoring money, but he didn't fight at all. He sat back down. Also, Kanghan ordered for him. Sailom actually specifically gave that power to Kanghan when he said he could eat anything, and Kanghan didn't even blink before accepting it.

The fourth was when Kanghan grabbed Sailom by the wrist and yanked him back to give him the steaks. He didn't need to do that. It was entirely unnecessary. Sailom would have turned back if Kanghan had asked him to. But Kanghan saw an excuse to get dominant with Sailom, and took it. And on Sailom's side, he didn't even bother fighting Kanghan at all. He allowed Kanghan to manhandle him, not pulling away, waiting for Kanghan to release him.

The fifth was the not-quite-kiss. Kanghan didn't hesitate to push Sailom against the wall when the idea occurred to him, and despite how annoyed Sailom behaved afterwards, he at no point even tried to push Kanghan away. He let Kanghan do what he wanted to do to him, just like with the wrist grab.

The last scene was one of the most interesting to me. Sailom actively fights with Kanghan, but he does it not out of dominance, but out of affection. And his asking Kanghan to study for him was so effective because Doms do want to impress their submissives. Admittedly there's equal desire on both sides to impress the other, just for different reasons. And we also got another example of Sailom throwing himself into Kanghan's arms, and Kanghan, despite deep emotional distress, can't help but return the hug. He even runs his hand up and down Sailom's back, and pats it. I don't quite know how to describe it, but it just looked like a Dom and a sub holding each other. Don't ask me to explain why it feels that way, it just does(okay I'll probably obsess over why and get back to you).

I hope you liked this meta! And thanks for saying you liked the first ones I did. It's nice to know at least some people enjoy it.

#dangerous romance #kanghansailom #sailomkanghan #kanghansailom meta #my meta #my asks #kanghansailom d/s meta

[absolutebl]

Hello! As always, you're awesome. The Awesomest even.

In several of my rabbit hole spirals through your blog posts I have clicked on links that lead to me a "URL not found" screen with your former @ you-had-me-at-bl name and Icon. Do you know if these post's are gone gone? (e.g. have you deleted them, do they no longer exist because you changed things or do you still have links, it's just that I'm looking at very old posts where the links understandably don't work).

In particular I've been trying to find and bookmark all your episode by episode watches (trash watch or otherwise) for me to come back to as I work my way through Thai BL (because the one's I have read as I watched are extremely entertaining). Several of the older shows links have lead me to this screen. Most recently I clicked on TT2 episode by episode recap which lead me to finally asking about it.

Totally fine if they're just gone obvs but thought there was no harm in asking :)

(If you do have the links and are happy to share I will be going on a long spiral to find broken links I want to read just FYI).

Thank you for the kindness!

Yeah Tumblr backend code is a NIGHTMARE. Piece of advice, never change your handle.

You have two options,

you can ask me for the specific blog post (because I keep a somewhat substantial link chain record) or

you can hop off Tumblr to google and Google "AbsoluteBL + some string of keywords you're looking for.

Honestly, if I lose a thing I wrote that is what I do.

Sorry can't be more helpful, but at least this blog is publicly searchable?

The TT2 trash watch ia here:

But I did pull a meta post of all the tash watches. If any of those links don't work let me know I can try going in and fixing them. (Tumblr doesn't always let me update old blog posts.)

The hard code on this site is insane.

#asked and answered #tharntype #trash watches #abl trash watches bl #abl meta post

[addictedtostorytelling]

hi aj! i just came across all your meta and headcanons (which i love btw) and i'm sorry if you've been asked this before, but what's your favorite gsr episode? and what's your favorite sara episode? i'm just curious because you really get the characters very well so i wonder about your favorite scenes. love your fanfiction btw! keep writing ❤ and meta-ing! ❤

hi, anon!

thank you so much for your kind words! ❤ i'm so happy you like my stuff. i also very much appreciate the encouragement on the fic and meta!

to answer your question:

can i cheat a bit and give you two favorite gsr episodes?

my favorite-favorite gsr episode is 04x12 "butterflied" (which, coincidentally, first aired twenty years ago yesterday, on january 15th, 2004). it is, to my mind, the most technically perfect teleplay in all of csi.

one of the rare examples of an episode that places grissom and sara's relationship "front and center," it is nevertheless remarkably subtle, still operating mostly on a subtextual level. until grissom gives his monologue at the end, he actually speaks very little throughout, and yet his emotions couldn't be louder. likewise, though we get very few actual interactions between him and sara start to finish, they couldn't be more conscious of each other, orbiting around along concentric paths like two celestial objects trapped in the same gravity. grissom's haunted, heartsick looks alone are worth the price of admission, but of course the pièce de résistance is his monologue at the end—and then the gut-punch reveal to the audience that sara listened in on the whole thing. the episode really is peak angst done well and a watershed in terms of grissom and sara's relationship.

that said, "butterflied" is also not super cheerful or happy-shippy, so i will also offer up my favorite feel-good gsr episode, which is episode 02x16 "primum non nocere"—or as i like to call it "gsr: flirting on ice." truly, nothing beats the iconic "since i met you" scene, but there are also myriad other delightful little grissom and sara exchanges throughout, from them tag-teaming to give greg a rough time to them making eyes at each other while processing bedsheets. this episode is very much one of those "married before they were married" episodes, and it's one i tend to watch whenever i just want to enjoy my otp being stupidly in love with each other.

as for my favorite sara episode, i've gotta go with episode 08x01 "dead doll." sara's escape from natalie davis's deathtrap showcases everything i love about that girl, including her gutsiness, rawness, intelligence, resilience, vulnerability, stubbornness, and irrepressible survival instinct. i'm especially fond of the scene just before sara finally passes out at the side of the highway, where she's walking through the desert, doing simple math problems to keep herself conscious. forget "damsel in distress;" sara saves herself, and jorja fox delivers a masterclass performance in the process.

thanks for the question! please feel welcome to send another any time.

#answered #anon #asks: csi #** #my meta #meta: csi #my recs #let's talk shop

[trutrustories]

STUDY IN LOKI ROMANCE

Part 3: 1893

Since we're only a few days away from the last episode, I decided to COUNT DOWN everything we´ve got so far ( that can be interpreted very easily as romantic ) and discuss what the actual fuck is going on with second season. Because even though I shipped lokius practically from S1E2, I absolutely did NOT expect this kind of development. (Not that I´m complaining)

Warning: This is gonna be LONG post, lots of screenshots, lots of SPOILERS, lot of "oh-my-god-they-so-cute" language, and little bit of meta.

I originally thought that this post would be everything at once, but since I have just too many screenshots this time around, I´ll have to split it. so every post will be one episode. Color coding means:

IIIIIIIIII = anything, that coud potentialy be just acting choice.

IIIIIIIIII = everything else (tzn.: whatever was written, and/or carefully prepared by filmmakers. )

side note: I already wrote, about how amazing it is, that Mobius is unable to fight but fights anyway and how beautifuly, and ridiculously brave he is HERE. But this is about Loki/Mobius interactions, so I´ll try my best not to talk about THAT. (Even when I´m really happy, that s2 continues with this formula and Mobius is still his completely defenseless while aggressively brave self. I love him, btw.)

EPISODE 1 HERE EPISODE 2 HERE

Episode 3, here we go:

22) matching suits part 2 anyone, who work on those costumes: I want to kiss you all!

23) Another exhibition of touches:

the challange name is: "how close we can get, before we sink into each other"

24) "And they lived happily ever after..." They had some lokius fan in the editing room, I´m telling ya! This retro movie style transition... THAT is my roman empire...

like seriously? what is the purpose of this? I can´t wrap my head around it. someone just thought that it is really crucial to end this scene with two of them in a circle. OK.

but WHY?

It was LITTERALY used only once! (I´m sorry, but as someone, who works as an editor, this just driving me crazy 🤒🫠)

25) Loki and Mobius enjoying popcorn:

I have several things to say here:

ever heard about when one person is "forced" to have fun for the first time, and to try new things by the other person, and he´s protesting and is all about work and serious matters, but secretly loves it and is visibly relaxed and happy? - Because I´m sure this is some bloody romantic comedy trope, that everyone have seen about hundred times!

"Oh look, you have a piece of food on the chin, let me just…"

I know I already said this somewhere, but, this is the moment, where in my language suddenly (completely randomly) switched from formal way of speaking to each other to intimate way of speaking to each other. (I´m Czech, btw, and I have no idea, what happened in that recording studio but it had to be interesting)

26) Also... Bickering like married couple (part 3)

27) "You know sometimes I forget, that you are one of them... Blows my mind!"

Mobius being Loki´s fan.

Also yeas. Loki is one of them. God. And Mobius is a small, normal dude. JUST A HUMAN. Analyst, even! And they´re eating popcorn together.... also Loki will do whatever Mobius wishes

28) another "let´s be as close as we physically can" challange

Loki can´t keep only eye on him. he needs hands, because reasons

29) Mobius supporting Loki in using magic...

... or I should say Loki using Magic, whenever Mobius wishes, because...

"Will you handle this please?" "Gently!"

And on top of that... not him, explaining, what just happened, to the public, by: "The amazing Loki, everyone! He´ll be here all week! 🥳🥳🥳"

who the heck asked, Mobius? stop showing off with your magical boyfriend

30) Victor/Ravonna - the most transparent mirror ever:

THIS scene? Are you kidding? Ravonna running towards Victor: "Mr Timley! are you okay? And Mobius running practicly at the same time towards Loki with: You allright?" and both helping their man up on their feet?! IN SYNC! this is too much.

WTF

31) THE BIKE THIS. this is the most GREENLY green point, I can think of. Someone had to have this vision. This idea. And put it in to screenplay. Someone had to find the bike. Someone was shooting this. Camera is moving around them. And they were all like GREAT idea, let´s have them riding tandem bike while chasing Ravonna and Timely, that makes complete sense! (even when we have Loki chasing Brad USING MAGIC one episode back) anyway... ever heard about "let´s do this crazy stupid thing - absolutely not - and then they do the thing" trope?

32) Loki going with Mobius, not even thinking about it anymore.

And to think, that I was expecting something like S01E03 (Lamentis episode)! Once again, I wasn´t prepared for amount of Lokius content I was actually served. What a surprise! 🤯

#loki #loki spoilers #loki and mobius #lokius #mobius m mobius #owen wilson #tom hiddleston #loki s2 spoilers #loki season 2

[quietwingsinthesky]

In your opinion, is it worth watching Supernatural if you missed the superwholock craze and your only exposure has been meta posts

my darling anon, i’m a supernatural fan, i’m going to say yes. BUT. with caveats. one; depends on the meta you’ve been exposed to, because if you’ve been told by tumblr gifs it’ll be an epic love story between that dude and his angel, i’m so sorry to disappoint you but that’s not what the show is about. but if the meta you’ve gotten is about the actual themes of the show, go right ahead.

(to be clear, like, there’s still stuff to dig into for destiel. i just wouldn’t want you to go in expecting a romcom in a horror story.)

CAVEAT TWO: you gotta understand that supernatural is really like 5 or 6 shows in a trenchcoat building on top of one another. like s1-3 are pretty solidly their own show, cut down early by the writer’s strike and even delineated nicely by being filmed on. film. rather than digitally. s4-5 are their own thing. s1-5 are their own complete arc, and honestly, you can just watch that and have a pretty good time with some genuinely fantastically put together television. and then after that s6 is kinda its own thing, 7-8 too, 9-11, and then 12-15 i just lump together as Bad but im sure someone else would actually classify them by arc or whatever.

okay god we’re putting a cut now im not gonna shut up im sorry

i think more people should watch s1-5 of supernatural. it’s silly, it’s scary, it’s full of fucked up shit and things that will mess you up for life (affectionate). and then i say watch the rest until you don’t enjoy it and then drop it. don’t feel obligated to watch all 15 cause it loses the plot Fast and it also. gets bad. like if you want my rec, i say stick it out till s11 and then if you can stand it, s12 for [SPOILER] coming back to life. but i would never in my life tell anyone to watch s13-15 unless they had literally nothing left to do and a gun to their head. i watched it but im not a good role model.

uhhh what else should you know. oh, yeah, there’s a lot of references to non-con/rape in it, some of them the show takes seriously and some it’ll play for laughs with some 2010s era misogyny. there’s also a lot of moments that, depending on how charitable you feel like being, are either poorly thought out or straight out racist or homophobic. the show does very little to address its misogyny, homophobia, or racism until it gets put down like a dog behind a shed. i’m telling you this to prepare you for it, because i think engaging with the show is still worth something, especially if you take the time to entangle those elements and examine how the writers have used them to justify a world in which two white guys roll into town, kill a scary monster with extrajudicial justice to save the suburban families, and leave.

and then, of course, if u watch it you can also come yell at me about it :3

uhm. but seriously. supernatural is a complicated show. but it’s worth watching. there’s a lot of good in there with the bad. the way it approaches angels and heaven in the early seasons especially is so fucking fascinating, so if you like religious stuff at all, i’d say go in for it. the acting can be. well. the main guys range from ‘holy shit this is stressing me out to watch it’s so good’ to ‘okay’ to ‘jesus fucking christ please get the camera off of him.’ (and if you watch the show, i’ll let you guess which is which lmao.) but a lot of the people who come in to play side characters kill it in their roles. shout out to jdm. there for like 3 episodes purely to fuck me up forever. lifechanging performance, i’m so serious.

tldr: supernatural is genuinely a good show, for a while, and when it ain’t, it’s still fun, and when it stops being that, just put the show down. just keep your expectations in check regarding what the show is telling you it’s about and don’t expect it to be more. (like. feel free to fantasize about what if it Was more, i sure do, but don’t let that cloud your vision on what the show, as it stands, really is about and is trying to say.) and be prepared for the messy shit it’ll hit you with along the way.

and the fandom is pretty neat too, so long as you use the block button liberally <3

#anon if u watch supernatural tell me im so curious what that experience is like in 2024 #ive been lost in the sauce since i was like 7 or 8 im never escaping #ask #and not to shill but :3 you know i have written something like 300 spn fics so. if you watch it you get to read those aksjfjglfj

[burr-ell]

while I've been a cr fan for a while now, i've only recently started to interact more with the fanbase after completing campaign 2 and starting to go through campaign 3(i will hopefully catch up before it concludes but who knows lol) and man is the fandom strange. never have i seen a fandom have both a toxic positivity problem as well as a toxic criticism problem at the same time. people both viciously defend the show and attack it depending on the time of day it feels like lol. that being said I do want to know about what you enjoy about the show? I feel like most of the posts i've seen of yours are meta/takes about the fandom, which i do enjoy don't get me wrong, but i'd love to see things you like, especially if they're niche things! sorry if its a question you've been asked before! much love from another, what i would say, sane critical role fan ahhah

ah you want to see me be annoying. bless you anon <3

-mr lord percival de rolo and ms lady vex'ahlia de rolo and their sister/in-law ms lady cassandra de rolo and their bear son trinket de rolo and their baby quarter elf de rolos and their bear grandson charles de rolo and

-listen, i don't know what made me such a lunatic about perc'ahlia and their family but i am, that will never change, they've both suffered so much loss and they could have gone dark so many times but they didn't! they both chose the light and each other and chose the light because of each other and they have a FAMILY, whitestone is a city of rebirth and i want to gnaw on something every time i think about it

-i also just! love vox machina as a whole! it's classic, archetypal fantasy adventure stuff and that's why i love it. i love the chroma conclave arc especially, i really enjoy the stakes and the traveling across the world and the absolutely ridiculous moments that grew out of it. vox machina is, in the metanarrative, the living legend—the group that started it all and began breathing life into the world of exandria, and i've always enjoyed those kinds of stories.

-EXU CALAMITY. if you haven't seen it you absolutely should, i highly recommend it. it's an amazing story, the characters and setting feel so realized and alive in the four episodes they were around, and the actual players are incredible. i love the lore it introduced, i love the specter of vespin chloras over the narrative, i love how much presence asmodeus has and how well brennan plays such a master manipulator. and the INTRO??? why isn't the intro released as a single it's so good

-i've only had fy'ra rai and morrighan for a day and a half. if anything happened to them i'd kill everyone in the crown keepers

-i love the kinds of concepts and narratives that taliesin considers for his characters and how deeply he thinks through their presence in the world. he's thought so much about whitestone and both what it used to be like and how it's changed since C1, and while i've only watched the m9 twoshot, lucien/molly/kingsley is such an interesting idea (and i just really like kingsley). ashton is also an absolute joy to watch, and i'm so curious about their backstory and lore. taliesin has a knack for portraying characters who have very strong moral and personal beliefs but would rather coexist in a world with others' than enforce their own, which is probably why i like percy and ashton so much in particular. i also really enjoy his sense of humor; it's very dry and snarky with just the right amount of gothic whimsy.

-simply put. Travis Good. even back when he was playing grog, who is on paper a pretty simple character concept, he just couldn't help but give him a compelling and interesting backstory—and when he had to show off his acting chops, he DELIVERED. the depth that he gives his characters and the enthusiasm he has for the lore of the world are so burr-coded. cerrit in particular was an absolute tour de force and just watching travis go for whatever decisions he's going to make is incredible. he's also absolutely hilarious and his comedic timing is underrated. i mean, southerner to southerner, game recognize game.

-laura bailey!! i'm so fascinated by her consistent narratives about masks and coping mechanisms, and i love the fact that she's willing to make her PCs unlikable. she embraces their flaws and their virtues and just plays them so naturally. you have to read between the lines sometimes with her characters or you risk falling for the fronts they put up, and i love that kind of subtlety! she also doesn't feel the need to walk anyone through those choices, which i also appreciate; she simply plays them as they are, and however you react to that is up to you. i admit i'm interested in the alternate universe where laura played a character in calamity—marisha absolutely nailed it as patia, but i'm also interested in what laura would have done at that table.

-welcome to tal'dorei? oh my GODS that album is spectacular, especially the title track

-lastly, i genuinely enjoy the fandom experience! i've met some really cool people and made some really good friends here, and i love the creativity, especially of fanartists. i've learned so much about narrative and storytelling from reading different people's analyses, i've learned more about art from the fanart community, and overall i feel like the people i've met and the experiences i've had have helped me grow as a person.

anyway thank you for encouraging some positivity! i enjoy writing meta and critical analysis is really fun for me, but it's nice to take a step back and remember all the things i love. <3

#asks #critical role