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tleeaves · 18 days

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Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.

Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".

The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.

There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.

The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.

Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.

Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.

So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.

Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.

I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.

The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.

As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.

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lotus-pear · 3 months

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bsd fic authors i understand yalls pain SO well right now why is it so fucking HARD to write dazai. like i have a whole fucking spreadsheet dedicated to tireless analysis i have done on my part so i can accurately characterize him but he is such an unpredictable and morally gray character that it's hard knowing his limits and boundaries and where he draws the line for himself.

#i hate when ppl make him out to be a sadistic villain with no remorse. like did we read the same manga 💀#but at the same time he is NOT crying abt all the ppl he sent to the grave. he sleeps just fine at night knowing he committed atrocities #yes he feels remorse? but he isn't like kunikida to weep at someone's grave for failing to save them #and then we have his emotions themselves #dazai isn't emotionless. far from it. he has difficulty expressing affection but yk he finds someone endearing when he trusts them #trust is very important to dazai and is one of the aspects of human emotion that he can fully grasp #but like everything else is in a hazy gray area that he does not feel like exploring. he feels alienated from his humanity bc of this #AUUUGHH can someone help me with character analysis PLEASE #I WASNT PAYING ATTENTION TO THIS MF UNTIL RECENTLY SO I MISSED OUT ON A LOT OF IMPORTANT DETAILS #see i would go and reread a few light novels but like i don't have time for that #and this is for dazai specifically. i am very well versed on his relationships w other charcaters #but just like asigiri himself said: it's very difficult to write dazai and write him WELL #so yeaaa i have a lot of smart ppl following me pls help #bsd #ALSO MY FRIEND STILL HAS NO LONGER HUMAN UUUUGHHHHHH I NEED THAT BACK BC I TABBED IT A SHIT TON #FOR LIKE CONNECTIONS TO YOZO AND BSD DAZAI AND WHERE ASIGIRI DREW INSPIRATION FROM YOZOS CHARACTER FOR DAZAI #THAT WOULD BE SUCH A VALUABLE FUCKING RESOURCE BC I DID SOME ANNOTATIONS IN THEM TOO BUT MY BOOK IS ANOTHER FUCKING STATE #I HATE IT HERE FML

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lightwise · 29 days

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Hidden Monsters

For some reason this has been a bear (dragon, Vrathean, pick your Star Wars creature) to write, but I realized after this last episode of TBB that there was more to the “monster of the week” trope that we all love to get tired of in Star Wars, and specifically for our beloved Batch members. I believe that some of the main “monsters” each member of the Batch has faced and could face represent inner turmoil and the storms/dark things within that each of them has had to wrestle with. The choices each of them have made to tame or calm or live with the creatures they have encountered, instead of automatically killing them or choosing violence against them, is a powerful metaphor. Something that looks like a monster on the outside may not necessarily be a monster on the inside, when cared for and acknowledged properly.

Echo and the Rishi Eel

Echo’s very first mission on Rishi station involved a giant monster, a droid army invasion, watching his superior officer die in front of him, and losing most of his squad along with the entire outpost he had been assigned to help defend. After the Rishi station is overrun by battle droids, Echo, Fives, Hevy, and Cutup escape through an air vent only to land in the middle of what turns out to be the Rishi eel’s nest. Echo is second to last in line and has to watch as Cutup is snatched up by the eel right behind him and swallowed whole. Echo is the only one to look back and commemorate Cutup with his name and a sigh before they have to keep moving. He does the same at the end of the episode when they lose Hevy, thanking him for his self sacrifice. Echo’s mind—strategic, careful, hesitant, wanting to do the right thing—is always on his brothers and their safety, and his own fears and questioning give way to courage and determination as he watches his brothers do what needs to be done.

This formative experience is literally emblazoned on Echo’s chest and becomes part of his identity when Rex shoots the eel in the eye, wipes some of its blood on his hand, and presses it against Echo’s armor as he encourages him to keep going. This combination of bravery, looking death in the eye, and holding compassion for each of his brothers as they fall continues to be a running theme throughout Echo’s character arc—from holding 99 in his arms as he dies, to hanging in the Techno Union chamber where his mind and body were used to hunt down the brothers he loved, to overcoming the changes and loss he’s experienced and finding a new family with the Batch and Omega, to coming full circle and joining Rex to help free his brothers from the Empire’s grip. He has had to watch as brother after brother is taken away from him, but he has learned how to keep going in the face of loss. These experiences bring out who he is—caring, loyal, brave, resolute, and a symbol of endurance—and trace back to the very first monster he had to face.

Hunter, Omega, and the Ordo Moon Dragon

In season 1 the Batch is newly on the run from Kamino after Order 66, finding Omega, and losing Crosshair. They crash onto an uninhabited planet and while trying to repair their ship, an Ordo Moon Dragon makes off with their capacitor, leaving them stranded. Like the Zillo beast seen in season 2, it feeds on energy but is actually peaceful when not provoked. Hunter wants to track it down, by himself, but Omega insists on accompanying him. While tracking the creature, Omega brings up Crosshair’s absence, and Hunter is unwilling to even say Crosshair’s name, and he is very uncomfortable with the conversation. He is unwilling and unable to face his demons right now, and instead is wallowing in self-blame. Hunter won’t be able to fully face his inner turmoil until Crosshair returns and they encounter the Wyrm on Barton IV, another dragon-like creature which also burrows underground (although it is much, much larger, and more harmful than the Ordo Moon Dragon, signifying how much Hunter’s avoidance and resentment grows over time as it is not dealt with). It’s also interesting that this episode cuts back and forth to Crosshair fully under the influence of the chip and wiping out Saw Gurerra’s insurgents in a very violent manner.

Hunter ends up being knocked out by the creature and Omega takes her flashlight and his blaster to complete the mission, going alone into the tunnels where the dragon lives. What Omega learns is that she doesn’t need the blaster to deal with the situation. As scary as it is, she doesn’t have to kill the dragon or use violence against it, as it’s simply hungry and looking for food. The terrifying creature becomes a thing of beauty, green electric shocks running over its rainbow colored body, illuminating the tunnel and Omega’s face as it feeds on the flashlight she throws to it in exchange for their capacitor. The visuals mimic the teal and green rippling over the Vrathean that Omega and Ventress encounter and have to calm down in season 3 (more on that further on).

However, this wasn’t Omega’s mission. It was Hunter’s, but she ends up completing it for him. Omega learns a valuable lesson here, which fits in with her natural tendencies of drawing both people and animals to her caring, compassionate nature instead of judging them based on appearance, but I’m not sure that this was her ultimate trial in facing her own inner demons. (See my thoughts on why this is important at the end of this essay in the Ventress section.) This also was a failed attempt for Hunter, and he would end up facing his trial again in The Return in season 3.

Wrecker and the Rancor (Muchi)

Wrecker was introduced as a character whose expertise is in explosives and making things blow up. He lives for making a ruckus and having a good time, but his strengths are engineered to be used for destruction.

Much of Wrecker’s character arc in season 1 is learning how to become more of an adult/parental figure for Omega, and how to put his own desires and needs aside in order to help take care of hers (letting her eat first, making a room for her in the gunners nest, watching out for her). In Rampage, the Batch is charged with rescuing a “child,” who they eventually find out is a young, ornery, and decidedly huge Rancor. Wrecker is the only one of them strong enough to sedate the creature after a lengthy bout of essentially hand to hand “combat.” They needed to bring Muchi back alive and Wrecker ends up gaining mutual affection and respect with her. Muchi is now calm and tamed enough that Omega can ride on her back with no fear or worry of danger.

Rancors adhere to a strict social and familial hierarchy, and have to challenge the alpha for authority. Wrecker starts out brash and boastful, and even though he is always caring, he becomes much more aware of his surroundings and his standing in their family unit as he grows in his responsibilities toward Omega. Rampage is shortly before his chip goes off, where he almost kills his entire squad. While his brute strength is an asset when used in the right ways, it is lethal if used for the wrong ones, and through his family bonds (especially with Omega) Wrecker is ultimately able to overcome the worst, chipped version of who he had been made to be, and instead be a source of safety and strength for Omega and his family.

Tech and the Zillo Beast

The Zillo beast is a marvel amongst Star Wars creatures. Its armor is impenetrable and highly valuable, and it feeds almost exclusively on energy, which allows it to become larger and morph into an even more powerful creature. When the Batch encounters it in season 2 in Metamorphasis, it tries to attack all of them, but Tech is the only one who is “fascinated” by the creature rather than scared of it. Similar to the Zillo beast feeding on energy, Tech’s mind was what he was known for, and he “fed” it by constantly consuming and integrating data about the world around him (which is transmitted by energy currents). During this episode Tech is confident in his own capabilities and extremely interested in learning more about the cloning technologies they were uncovering on this crashed ship. Tech’s research on the Zillo beast, while helpful, unfortunately comes too late and the Batch are unable to either put down or recapture the creature before it grows too strong for them to deal with. In the process, the Zillo beast escapes and is eventually recaptured by the Empire.

I’ve always been fascinated by the point in this episode where Tech is downloading the rest of the information from the terminal onto his data pad, and Hunter warns Omega that Imperials are inbound. She immediately tells Tech they need to go, and he refuses for a moment, saying he needs to finish capturing the data. If Omega did not pressure him to leave (and the electricity go out), he very well could have been standing there when ships bomb their location a few moments later, and gotten both himself and Omega killed for no good reason. At this moment his love of knowledge is overpowering his common sense and his love for his family, and it almost costs him everything.

Contrast this to a few moments later when he pulls Omega out of danger as they leave the ship, and Plan 99 when he chooses to sacrifice himself not for his own gain, but solely so his family has a chance to live. He had to face his greatest asset where it could also be his greatest failure, and learn how to prioritize and wield his strengths.

Crosshair and the Vulture

In The Outpost in season 2, Crosshair has spent almost two seasons engulfed in poor choices made both against his will (the chip), and of his own volition (staying with the Empire no matter what in pursuit of a sense of purpose and loyalty). His decisions are starting to grate on him and have led him down a dark path, but he hasn’t been fully ready to find a way to change them. When he lands on the icy planet of Barton IV, he encounters fearsome ice vultures shrieking overhead. He is told by the outpost’s commanding clone officer, Mayday, that the creatures are vicious, but admirable, because they find a way to survive.

Vultures signify both death and cleansing and are often feared and viewed with disgust, yet are an integral part of nature. Crosshair’s isolation and status as a clone soldier have put him in a precarious and often misjudged position, in ways he doesn’t even fully realize until this episode. His very life is in danger due to the Empire’s stance toward the clones, but so far Crosshair has believed that he is valuable to the Empire in ways that the regular clones are not. This attitude and perspective are severely challenged by Lieutenant Nolan, who speaks contemptuously both about and to every clone he encounters. Nolan’s lack of respect for them as soldiers, as officers, and even as people, is an extreme look at what Crosshair’s callousness and misplaced loyalty could lead him to if he is not careful. His fate is hanging in the balance.

After being sent on an inhumane mission to retrieve two crates of armor in a blinding snowstorm, Crosshair and Mayday are caught in an avalanche. After coming up out of the snow gasping for air, Crosshair could choose to get himself back to base and leave Mayday behind. Find a way to survive in the cold on his own, but kill the last of his compassion and personal values in the process. Instead, he chooses to put his life even more at risk to bring Mayday along with him.

Unfortunately for both of them, when they get back to base, Nolan has zero sympathy for their self-sacrifice, and allows Mayday to die unceremoniously on the platform from his wounds. Once again, a vulture is circling overhead, waiting to partake of its next meal. It signifies the threat of death but also Crosshair’s struggle and desire to survive. Crosshair is now staring his own lack of value and expendability in the face, and where he finds himself is now fully intolerable. He cannot continue on the way he has been without the very essence of who he is breaking irreparably in the process. Does he reclaim who he is, a compassionate and forceful individual who protects those he cares about? Or does he fall in line with what the Empire wants from him, knowing he will be discarded regardless?

Crosshair integrates his lesson in a visceral manner, his own personal traits mimicking the very essence of the ice vulture as he finally reorients his moral compass, takes a stand for himself and for his clone brothers, and takes vengeance on Lieutenant Nolan. His caution and inner turmoil are channeled into one desperate act as he becomes an agent/angel of death, the framing of the scene creating vulture-like wings spread on either side of him. He doesn’t expect to survive this encounter, choosing a path that looks like death on the outside but is cleansing and redeeming for him on the inside. He can now face the future as his whole, integrated self.

Hunter, Crosshair, the Vulture, and the Wyrm

The vulture and its meaning for Crosshair, as well as Hunter’s cut-short encounter with the Ordo Moon Dragon, both have their bookends in season 3’s episode The Return. Crosshair has seen immense character growth after his choices in The Outpost, and has not only redeemed himself but has been given the chance to start reconciling with everyone he has hurt. This episode has two creatures that serve two important purposes: the vulture returns as a metaphor for Crosshair’s need to reconcile with and forgive himself, and a new creature, a giant wyrm (nice Dune reference there, Star Wars) highlights the fractured rift between him and Hunter, and the anger, distrust, and resentment that Hunter has been running from since Aftermath.

The Batch has returned to Barton IV, and Crosshair is greeted by the ice vulture as they land. The weather is calm and clear this time, and the creature is observing him but not in a threatening way. At the same time, tensions rise to a breaking point between Hunter and Crosshair and a long-awaited argument starts between them. Before it can be resolved, the wyrm erupts out of the ground and puts all of their lives in danger. It had been kept at bay previously by high-pitched noises, (oddly similar to Hunter’s enhanced senses, which he has been so distracted from that he wasn’t aware of the danger ahead of time) and lived underneath the same snow that had buried Crosshair and Mayday.

In their efforts to draw the creature away from the outpost so they can turn the sensors back on, Hunter falls through the snow into the wyrm’s tunnels. Crosshair has already had his inner journey underneath the snow on Barton IV. This time, Hunter has to finally face his own struggles. Every step of the way he has been running and hiding, trying to keep his family and Omega safe by keeping them away from the Empire, away from Crosshair, away from danger, but failing miserably. This time, Hunter could simply let Crosshair haul him back up to the surface when he reaches the spot where Crosshair and Batcher have dug a hole in the ice to pull him out. But he hasn’t confirmed that the wyrm is actually past the boundary and that it is safe to turn the perimeter sensors back on. This time, Hunter stays below the surface, and keeps himself in harms way until he is absolutely sure that his family is safe and that his own emotions have been worked through. He is starting to take responsibility for his journey. His senses start to kick in again and he refuses to leave the tunnel until the wyrm is barreling down his neck, and then he finally accepts Crosshair’s help. Both of them run to safety, the perimeter beacons turn on, and the wyrm is now on the other side of an invisible barrier of sound, harmless and chastened until it finally slinks away.

The boys exchange glances and nods. Their rift has been bridged and they are both willing to move forward, together. This is proven by the end of the episode, where Crosshair, who has remained closed off and unwilling to discuss what he’s been through, opens up slightly to Hunter before they leave, and Hunter responds with forgiveness, acknowledgement, and hope for the future. And for now, it’s enough. Crosshair looks into the sky and watches the ice vulture flying overhead once again. Except this time, it flies off into the sunset, signifying that his lessons from this planet have been fully learned, that the spirit of survival in the face of death that he has been carrying with him can now be put towards living and thriving again. Both Hunter and Crosshair are leaving slightly more whole than when they first arrived, both as individuals and in their restored relationship with each other.

Ventress, Omega, and the Vrathean

Omega gets a second chance at taming a terrifying creature in The Harbinger in season 3. After Asajj Ventress shows up on Pabu to help the Batch figure out the m-count conundrum that makes Omega’s blood so valuable to the Empire, (and after Omega has begged her to stay and test her capabilities), she and Omega go out onto the ocean to test Omega’s potential Force sensitivity. (Also after Ventress had to whoop the boys’ backsides to get them to slightly trust her, but we won’t go into that here).

Throughout this season, (and really for most of her life), Omega has…not been doing well. Her time on Tantiss, leaving the rest of the clones imprisoned there behind when she and Crosshair escaped, and the relentless pursuit of her by the Empire has truly traumatized her and made her single-mindedly want to know why she is always in danger and putting everyone else around her in danger as well. Her mental health has been spiraling a bit and her inner turmoil is starting to rival Crosshair’s in season 2. She knows that m-count is important and is also thrilled at Ventress mentioning the Jedi, while the rest of the Batch and Ventress herself are very somber about the prospect that Omega might have Force capabilities. However, in her desire to have answers, she ends up being very impatient and frustrated and doesn’t even show her typical level of optimism and concentration in working through Ventress’ tests for her. It’s almost like her goal (finding answers) is at odds with what her idea of finding those answers looks like.

After having tried and failed to “reach out” to the Force to summon anything, Omega pouts and sits back down in the boat, seemingly defeated. Ventress has asked her to try to connect to nature, probably because she has seen Omega’s connection to Batcher and assumes that might be more in line with whatever her gifting might be. Two of Omega’s main traits and strengths are her optimism in the face of defeat, and her compassion toward literally every living thing she encounters. She is always curious, generous, caring, and wanting to connect with others. Which makes it even more curious that she is so easily stumped and disconnected by this exercise. She challenges Ventress to prove why *she* is the best person to be teaching Omega this lesson, and Ventress sighs but gently and carefully shows her powers by calling up a school of glowing green fish from the water. “I’m not the one holding back,” she tells Omega.

After a peaceful moment, however, another creature, this time a giant and tentacled Vrathean, emerges from the water as well and starts hunting Ventress and Omega down. It’s unclear if Ventress actually called the creature up herself or not, but if she did it was not intentional. She helps rescue Omega from the creature’s clutches and then chooses to put herself in more danger by letting it grab her, and communing with it through the Force as it tries to eat her. The deadly creature becomes a thing of astonishing beauty as the color of the sea ripples over its body and its eyes soften and recognize Ventress as a sentient being.

This is where it gets interesting, because this peacefulness, calm, and compassion is not something we would have associated with prior versions of Ventress. Her experiences and growth throughout the Clone Wars, her associations with Ahsoka and Quinlan, and her choices have turned her into a much softer and stronger version of herself. This has now become her trial by allowing her to showcase just how much she has changed, and how much her own worldview has flipped.

This is an incredible example for Omega, but similar to how she took Hunter’s trial for him in Replacement, Ventress has now filled what was supposed to be hers. This begs the question, what is Omega actually holding back on? Is she really Force sensitive? Or is just her compassion and tenderness toward everyone around her overtaking her in unhealthy ways? She has always had a tendency to put herself in harms way in an attempt to make up for the complications her presence brings her brothers.

Omega will have to face these implied monsters at some point. I’m not actually certain that she will end up facing a creature like everyone else has—there’s the possibility that because she naturally has more affinity with creatures and beings that look monstrous but really aren’t, she may end up facing her inner demons in another manner. Will it be a person instead? Or a choice? Even, might I say, an identity crisis? It remains to be seen, but the fact that she must face it in order to overcome and integrate it is unquestionable.

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spectra-bear · 5 months

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To all the fma fans here who have been following me for a while now, I'd like to bring a few chapters to light in consideration to the recent tragic palestinian apartheid

FMA has made sure to speak out about these reoccuring events, and whoever hasn't noticed from reading yet needs a critical thinking class.

Let's start with chapter 90:

Chapter 90 of the series, although censored heavily in the anime (but we'll get to that later), played a HUGE role in establishing what kind of message arakawa was building up to deliver to her audience as a plot B (ishvalan genocide) sided with plot A (the search of the philosopher stones, eventually turned plot A (overthrowing the military), a message meant to awaken her readers to the truth, and one that serves as a warning

Does this not all ring familiarity?

One of the reasons arakawa wrote this story was to bring this side of history into light,

the oppression, the abuse of military power, the imbalanace in arms between two parties at "war", the perfect guise of "protecting the people from radicalized terrorists", and using it to justify the murder of countless lives, committing war crime after war crime, massacring the land and lathering it with the spilled blood of countless innocents and people fighting back for their freedom, for their home. Those that die have their lives tragically cut short, too soon.

A total extermination

And to those that remain alive,

Forcefully immigrated from their own homeland

Or exploited for their bodies, harvested for their organs, abused, tortured and humiliated

Not only that, but the emphasis on making the reason behind starting the war in the first place, being the first bullet shot at a young child by a soldier, and intentionally making it seem "trivial" for the ishvalans to retaliate because of that, and painting them as animalistic

Writing off roy mustang and maes hughes as heroes for doing whats best for their country, glorifying their relationship as war buddies, and believing theyre in the right for putting down the people of the holy land, when they couldve backed down from contributing to this one-sided war,

and when they do step back from the field, theyre labelled as cowards. When they inevitably realize the abnormality and inhumanity of their actions, that theyve been solely used as tools and weapons of destruction, that impact is softened with rewards, of medals and cheers of accomplishment from the population-wide brainwashed by lies spread by the people in power, and if theyre lucky, accomodations for the negative mental effects of being part of a war

(arakawa interview source)

What do I conclude from this?

That the author of your favorite manga does not support genocide and in fact, condemns those who partake in it

If it isnt obvious, She included these stories because they have happened before

She is telling these stories, while not 100% protrayed correctly, to fill the empty gaps in the western perspective that have been contaminated with propaganda and demonization of these indigenous people

The designs of ishvalans and cultural clothing are intentionally influenced by japanese ethnic groups, middle eastern and south asian cultures, and the military intentionally european/western looking as an example for their expansion and dominance in mind

And now we are watching all this happen in reality, again, witnessed live, in much worse conditions, throughout history

Where the heroes arent kids who can sway elements at their command with the flick of a hand, but the people who stand against it in mass, marching in the streets to break the suffocating silence, and spread the voices of those seeking help and demanding their freedom back

Does everyone realize how fucked up that is? That the lines drawn between fantasy and reality blur so much that they become indistinguishable from each other? That is true horror, when the monsters and tyrants in your stories no longer stay on ink and paper, but are on your screens broadcasting their crimes, beyond humanity

You must understand that if these stories are included for you, the reader, they are not written just for the plot, but to bring awareness to you, and avoid history from repeating itself, and work against committing the same irredeemable mistakes as before

(thanks to @borkthemork for the help in outlining this and proofreading)

#i am not using the pal3stine tag so i dont drown out any sources published on that tag #and while this story may need to be reworked in some aspects it has already done alot in bringing this message into light #analysis #fma #fullmetal alchemist #bear screams in cave #cw blood #this serves as a reminder to what the is the message nuanced in this manga #cw violence

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13eyond13 · 3 months

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love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world

#im talking about griffith btw #guts i feel i get intuitively - maybe because i have some personality traits in common with him #and we get more about his life concretely told to us in canon. so he is a bit easier to pin down as a character and feel attached to for me #but whenever i was reading the manga i just kept wanting more insight about griffith's actions and feelings #like ok yeah its fun to have mysterious antagonists and suspense /tension etc but its also fun to feel like you deeply understand them too #and i felt like that was a bit missing from him for me in canon #so reading about him in analysis and fics is the most fun for me rn #he always felt kinda half unreal to me- which maybe was the point of him - but i wanted a bit more about his childhood or something?#and wished we had more stuff explicitly from his pov in the story to read or explanation about his transformation or wtv #and now he's so much more closed off to me even than he was in the golden age. i keep waiting for him to explain stuff and he does not #ANYWAYS all this rambling to say some people out there are very good at interpreting him and making his like. insecurities #more obvious to me bc i didnt really get that side of him from canon intuitively well #also im really enjoying reading the first few berserk fics ive read #there may not be a ton of them out there but there is def writing talent in the fandom #i'll share some recs once i'm done sifting through most of what's out there to read #also (not to tie everything back to death note but it IS my home fandom after all)#i feel griffith is obvs the more light-like character here and L maybe a bit guts-like? but unlike berserk in death note #light is the one you get to know best and L is the mysterious / unreal one you don't get a lot of concrete insight into #and in the DN fandom I can read the more mysterious character intuitively but had to warm up to the less mysterious one instead #and the mystery of L makes sense to me and doesnt bug me as much due to like - he HAS to hide a lot about himself or else he will die lol #so some similarities there but also some opposite feels as well #berserk spoilers #p

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arecaceae175 · 5 months

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Every time Warriors and Sky appear together in LU

Plus commentary! Part 1 here. Part 2 ->

First time!

Notice how they're seen on opposite sides of the group in the early comic

Warriors does his macho thingy here but he is actually very interested. I also think this would have happened relatively early in their adventure together so Warriors probably wouldn’t have been comfortable enough to let his guard down and his real personality show through

Once again, both present but not interacting

Finally sitting together!

It's interesting that Warriors is the one to say this

He was faced with the most monsters out of any of them. However, he was the only one of them in a war, so he has probably been forced to think a lot about ethics. Sky has never had to think about that. In his adventure, the monsters were presented clearly as monsters.

At this point in the comic, they're next to each other more often than not. They bonded!

Hehehe Warriors bantering with Sky and also showing respect for Sky’s move with the skyward strike

They're both knights, so they’re both trained to never leave their posts and to be strategic. Their first instinct isn’t to run after the thing like Hyrule suggests. HOWEVER

Warriors trusts Hyrule very much <3

Plus, he's already gone

HELL YEAH SKY

I know Warriors didn’t really mean anything by that, but that’s a bit of a sore spot for Sky :(

They actually fight together a lot. They probably have similar ish fighting styles since they’re both knights. Or at least they’re both trained to fight in a group.

Wolfie reveal!

Sky's hand. It counts

That look you give your sibling when your other sibling is fighting with dad

Part 2 ->

Image credits to @linkeduniverse!

#linked universe #lu sky #lu warriors #ace's lu analysis #kinda #there's some light analysis lol

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ueasking · 11 months

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Decided to turn my late-night ramblings on Starstruck into an actual post for the three people who might be interested in a little bit more of Yoojae's characterization in the source material. Yoojae reacted poorly to Hanjoon's confession, to say the least, but the novel gives much more insight into why Yoojae reacted the way that he did.

Now the show didn't really explain how Yoojae found out where Hanjoon lived, but in the novel, Yoojae goes to see Hanjoon at his old home the day before the college entrance exam to give him something, only to be told by the landlord that Hanjoon and his mom moved out ages ago. The next day, after the college entrance exam, Yoojae goes to see the owner of the boxing club, who has been feeding Hanjoon meals because he doesn't have enough money for his meals. It is the boxing club owner who fills Yoojae in about Hanjoon's current predicament.

After Yoojae says, "Don't try to preserve your dignity in front of me," to Hanjoon, he also says the following:

Throughout high school, I often went to school hungry, so you invited me to your home to eat. This happened countless times. Why did you do so? Wasn't it because we're friends? So why can't I do the same for you? Why is it that I am allowed to rely on you, but you can't rely on me? If things are difficult, just say so. What's so difficult about that?

Both of them grew up in poverty in the same neighborhood so neither are strangers to not having enough money to buy food. However, while Yoojae's family has made a small fortune and moved into an apartment in a fancier neighborhood, Hanjoon and his mom have been kicked out of their home. Nevertheless, having been through similar situations himself, Yoojae is painfully aware of what it's like to be so poor as to go without meals, as well as not wanting to be seen as a charity case and pitied by others. Thus, after Yoojae's family escapes poverty, Yoojae treats Hanjoon the same as he always has, save for small things like occasionally buying a few snacks and offering to pay for Hanjoon at the comic cafe. Yoojae did not want to tell Hanjoon about his family's newfound wealth on account of Hanjoon's family's finances. Especially after witnessing his parents show off to everyone, Yoojae had no desire at all to show off or even tell others about his family's wealth. As for Hanjoon, he did not want to be a downer about his own situation in the face of Yoojae's "good fortune."

Both of them do what they think is in the other's best interests, but they still struggle to understand where the other is coming from. Moreover, a lot of Yoojae's thoughts and experiences on love and relationships seem to reflect what he has witnessed from his parents, who constantly fight and blame one another. At times, they also force him to take sides. Therefore, it's no wonder that he has such a warped view of love and relationship. And this isn't even taking into account the internalized homophobia that others have mentioned as well.

Hanjoon loves Yoojae so much, and has loved him for so long, that he takes the opportunity to express his love to Yoojae through an expensive heart-shaped box of chocolates, under the pretense of wishing Yoojae good luck on the college entrance exam. We see how happy Hanjoon is to buy the box of chocolates and give them to Yoojae, and then how crushed he is when Yoojae throws it on the floor. But all Yoojae sees is that Hanjoon spent money he doesn't have on the fancy chocolates.

Yoojae reacted poorly, there's no question about that. However, I do think that the rest of the dialogue, which was cut from the show episode 4, gives more insight into what was going on in Yoojae’s mind at the time. [edit: portions of this dialogue were in episode 5]

Are you threatening me?

Are you saying that if I don’t go out with you, I won’t be able to see you ever again? How could you say something like that to me?

You must have known that there was no way that I would ever agree to something as ridiculous as that. So why did you say it to me? Are you really going to never see me again? Are you really going to give me up just for that sort of reason?

Contact me once you’ve sorted out your feelings.

My interpretation is that Yoojae viewed Hanjoon's confession as emotional blackmail of some kind, which coupled with his own confusion regarding his feelings toward Hanjoon, led him to react even more strongly. All this is to say that yes, Yoojae was behaving like an immature teenager, but his life experiences shaped him to be that imperfect person, and he wasn't simply being a jerk just for the hell of it.

That's all I have to say about Starstruck for now and if you're still reading this, thank you for reading my word vomit💕

#starstruck #star struck #스타스트럭 #korean bl #this is my very first analysis-type post on this site and it shows #i'm not able to provide deep and meaningful analysis into shows #like many of the wonderful people on this site #but i hope this post helped shed some light on Yoojae's character and thought process #for those who may be curious about what happens in the novel #and i translated the excerpts from the novel myself #so they might be kinda wonky

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simptasia · 4 months

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LOST reading list

a list of books read by characters in lost for you to enjoy (or not). this isn't every book referenced in lost. for all that and more, see the "literary works" page on lostpedia, where im getting my info

no, my criteria for this list is that it's been read by a lost character. i'll tell you who (you'll see sawyers name a lot), and i'll add if it's somebody's fave book. this list will not include things like the bible or the qur'an or historical texts, as that while that can technically be recreational reading (it seems to be for ben), i'd rather not

Alice's Adventures In Wonderland by Lewis Carroll (read by Jack)

Are You There God? It's Me Margaret by Judy Blume (read by Sawyer)

A Brief History of Time by Stephan Hawking (read by Ben)

The Brothers Karamazov by Fyodor Dostoevsky (read by Ben)

Caravan of Dreams by Idries Shah (read by Ben)

Carrie by Stephen King (Read by Juliet, Ben and various other Others. This is Juliet's favourite book)

The Chosen by Chaim Potok (read by Sawyer)

Dark Horse by Tami Hoag (read by Jack)

The Dark Tower I: The Gunslinger by Stephen King (read by Ben)

Dirty Work by Stuart Woods (read by Jack)

Everything That Rises Must Converge by Flannery O'Connor (read by Jacob)

Evil Under The Sun by Agatha Christie (read by Sawyer)

Fahrenheit 451 by Ray Bradbury (read by Ben)

Flowers for Algernon by Daniel Keyes (read by Ben)

The Fountainhead by Ayn Rand (read by Sawyer)

Harry Potter and the Prisoner of Azkaban by JK Rowling (read by Jack)

Haroun and the Sea of Stories by Salmon Rushdie (read by Desmond)

Hotel by Arthur Hailey (read by Ben)

The Invention of Morel by Adolfo Bioy Casares (read by Sawyer)

Lancelot by Walker Percy (read by Sawyer)

Laughter in the Dark by Vladimir Nabokov (read by Hurley)

Notes from Underground by Fyodor Dostoevsky (read by Ilana)

The Oath by John Lescroart (read by Ben)

Of Mice and Men by John Steinbeck (read by Sawyer. This is Sawyer's favourite book and author)

Roots by Alex Haley (read by Ben)

A Separate Reality by Carlos Castaneda (read by Ben)

The Sheltering Shy by Paul Bowles (read by Ben)

Ulysses by James Joyce (read by Ben)

Valhalla Rising by Clive Cussler (read by Ben and Jack)

VALIS by Philip K. Dick (read by Ben)

Watership Down by Richard Adams (read by Boone and Sawyer)

A Wrinkle In Time by Madeleine L'Engle (read by Sawyer)

Every work by Charles Dickens other than Our Mutual Friend (read by Desmond. This is his favourite author)

I encourage you to speculate on the character implications put forth by these reading choices. This can raise such questions as: Jack is a Harry Potter fan? What is Desmond's favourite book by Charles Dickens? Boone can read??

Thank you for your time

#wow this really isn't light reading. here have some complex serious shit #sawyer and ben and jack are dominating the list. nerds #anyways im not exactly recommending these books #especially since it includes books by ayn rand and jk rowling [gags]#and also i don't even know what most of these are #but it's neat to have it listed as trivia at least. and might be useful for character analysis #note that sawyer didnt choose most of his books #but everybody else chose their books #also at a certain point while making this list i was begging ben to stop reading

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james-stark-the-writer · 4 months

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feel like pure shit, just want her back

#james talks #riverdale #miss the whole crew really but Betty especially bc Lili was so magnificent #god as perfect as the finale was (and it really was one of the greatest finales ever) i wish we had gotten another season #they had as good a run as a show on that network could hope for but there are few shows on there that eclipsed the network like Riverdale #like the list includes like. Crazy Ex-Girlfriend and Gossip Girl. and ig The Vampire Diaries. and that's it.#(that list is for shows almost exclusively produced by the CW. CXG DID have other producing companies but it was largely the CW).#no show will ever quite be like Riverdale ever again and no show will ever reach the heights it did.#especially not on their shoestring CW budget.#like honestly i just need more Riverdale in my life.#like RAS and the writing team found such a great way to turn their weaknesses into strengths.#as an article on the show once said [paraphrased]: it was a great show that was really good at pretending to be bad.#even now nobody gets the show like i do.#everyone thinks it's some silly little show about crazy shit with crazy plotlines and pretty lighting and aesthetics but no substance—#when in reality it's an incredible pulpy anti-fascist text questioning the role of authority using those aesthetics for a larger purpose #but i'll save the real analysis for whenever i get around to actually making the Riverdale video essay i need in my life #unless Quinton Reviews or SuperEyepatchWolf beat me to it first. they're the only people who i think will actually understand the show.#like SuperEyepatchWolf's video on the show is already pretty fun even if it's a little dismissive of the substance of the show—#(tbf to him it only covered up until the S05 mid-season finale and S06 hadn't released yet)#but like he at least feels like he gets the spirit of the show. especially with the wrestling comparison.#and i hope i don't need to explain why Quinton would get it.#anyway. i need the Riverdale crew back.

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charcubed · 3 months

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post written by someone who either watched BBC Sherlock with their eyes closed or has bought into prevalent revisionist history about it

#‘honestly most of the moments are crumbs’ bitch WHERE? WHERE #the absolute fucking audacity.#they’re not wrong about SPN obviously but if people could talk about destiel or other ships without shitting on sherlock constantly…#it would be fucking nice #all roads stem from / lead to the fact that people have been told TJLC is some wild feral delusion rather than just group media analysis #breaking news: analysis of SPN? analysis of Sherlock? same methods! surprise #also how are you going to say it’s ‘crumbs’ and ‘bait’ in the same breath? pick an accusation #not to be this bitch but supernatural used bisexual lighting for queercoding because sherlock and TJLC invented it.

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persistent-obsession · 1 year

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I know Win loves Wiew. It’s very obvious. He is a big brother to his core. And, of course, he wouldn’t want to date someone who couldn’t get along with Wiew. But when I first saw this scene, I couldn’t help but wonder if he was also hated Wiew for just a second here. And not because he didn’t love his brother but because he was scared. Because for as much as he loves Wiew, he has had to give up a lot for his brother too.

And for just a second he wonders if Wiew is going to take Team too.

“So there’s nothing truly mine in the first place and there’s nothing that will stay with me forever.”

Win would have known that this fear wasn’t logical. And the feeling probably would have only lasted a second. But Win and Team haven't defined anything yet. And all Win would have known in that second was that he didn’t want to lose Team. He couldn’t lose Team. Not after last night. Not even to Wiew.

#i saw someone interpret win's face in response to team's interest in gundam as fond surprise in team's more childish interest #but that wasn't my interpretation initially at all #so now there is a post about it #no basis for my interpretation but my love for some light angst #between us #winteam #wiew #scene analysis #between us the series #bounprem

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godofthestupid · 7 months

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todays photography highlights and later references

#this is legit not even 1% of the photos I have taken in this game #the camera feature is a godsend for me #I can do so many studies it feels like being handed 5kg of high quality drugs #mouth watering #hands shaking #so much potential it's insane #this game is so good I could talk about it for a whole day and wouldn't even be done #maybe I could post some of my studies and analysis if y'all are interested in them #or I just post 'em when I feel like it #godoframbles #godofgames #sky children of the light #sky cotl #art studies #art references #game #videogame #mobile game

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doccywhomst · 13 days

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okay okay okay okay. so. another fandom im in has a confession blog, where people can send in opinions anonymously and its just like a place to share opinions and chat about fandom where you dont need to have your name attached, and i love it. theres fantastic drama, ive put in so many asks, its great. and i was thinking, why isnt there a doctor who one (there is, they just stopped posting in 2013). so, as the only big doctor who blog i know, do you think anyone would be interested in this? am happy to start and run it if anyone wants it

you came to the right person because this is my type of mischief, but i don’t have the time to maintain an ask blog rn :( my job amps up in the summer and there are a bunch of juried expos coming up that i gotta make paintings for-

but you should ABSOLUTELY start it soon if your summer is less busy, because i’m sure the asks will start rolling in around mid-May/s14 release!!! if you make one, let me know your username so i can send asks 👀 worst part about an anon ask blog is you won’t know which ones are mine - but i’m sure the insane rambling ones scrawled on old napkins and stuffed through your mail slot at 2am are the most likely suspects

#i have some opinions in my drafts that will probably never see the light of day w my username stamped on them lmao #nothing too bad but just like…….. girl. this analysis says more abt me than the show damn

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lightwise · 6 months

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Hunter’s Lies and Leadership in Aftermath

(Plus some misc thoughts)

Decided to do a quick little rewatch of Aftermath yesterday morning, and noticed something I haven’t paid attention to before.

(First, I have to say that one of my favorite moments out of the entire series is the first exchange between Hunter and Crosshair when Cross is still in his right mind—“Crosshair, let’s get these tanks moving!” “Sir, yes sir.” Just brings a smile to my face at their lighthearted snarkiness every time. These are their real, unburdened personalities. Ones we haven’t gotten to see since.)

As for what I noticed, I realized how much Hunter lies throughout the episode, and easily. His wartime leadership skills are at their strongest here, the easy, confident, calling-the-shots tone that designates his position as squad leader. He knows his men, he knows what they’re capable of, and he knows what needs to be done in order to accomplish a goal. He’s tactical, perceptive, quick thinking and responsive to what is happening around him even as he is also internally processing things that don’t make sense to him. (This is in stark contrast to his reserve and indecisiveness in season 2, which I’ll save for another post).

However, as close knit as the group is, and as honest as we know the Batch is and that Hunter is not intentionally manipulative, he immediately, easily, and without hesitation lies multiple times. The first time is to protect Caleb as he leaps over the waterfall and Crosshair then comes up asking where he went.

“Where’s the Jedi?”

“I stunned him when he jumped. He didn’t make it.”

Hunter knows something is up with Crosshair, though he doesn’t know what. And he wants Caleb to be safe. But his instant response is a straight up lie and he doesn’t even waver in delivering it. He furthers the lie on their return home when Crosshair questions him about it. He knows Crosshair doesn’t believe him but he’s not ready to open that can of worms mid flight.

He lies again when they land back on Kamino and a shock trooper asks him if they have a problem with what’s going on. This time though he stutters and is much less convincing in his delivery, I think both because he’s becoming more and more confused at what is going on, and also because he’s now lying to authority and could actually face consequences if he doesn’t give the “right” answer. Regardless, it’s interesting that his nerves shine through here but not when he’s talking to his squad, who would know much more quickly his tells and attitudes than a random trooper would.

His next lie is to Tech during the briefing by Palpatine to all of the clone troopers. This is the first time for this show that we see how Tech pays attention to Hunter’s reactions, and when Hunter sees Omega for the first time, Tech asks him what he sees, and Hunter says “nothing” when he realizes that Omega has disappeared.

He also sort of half lies to Omega when they leave for Onderon, telling her that a mission is a mission and that it’s nothing to worry about. He’s churning inside though. He knows none of this make sense. But of course he’s not going to tell a kid that, he wants to comfort her and make her feel at ease.

All of this makes me wonder—is this something Hunter was used to doing? Is he so used to being the leader who holds everyone together, with no one for him to really turn to, that he’ll do whatever needs to be done to keep the peace or complete their mission objective, even if it means lying to his brothers in the moment? Or is this newer for him and he’s using it as a way to cope with the sudden shift in the situations they are dealing with?

And then Saw Gerrera says something interesting when they’re trying to apprehend him on Onderon. He says to Hunter as the leader of the group specifically:

“Take a look at the group of insurgents you were sent to destroy. Makes you wonder what else they’re lying about.”

Now, I’m not saying that Hunter took this to mean “oh man I gotta stop lying to my crew because that’s what the empire is doing to us and that’s no way to lead.” But, he doesn’t lie anymore through the rest of this episode, nor in the next one. I’d have to watch through the series again to remember if there are any other occasions of him directly lying to the Batch (vs to a stranger to keep them safe). There does seem to be a shift in his demeanor after this though. And Saw’s words seem to help him coalesce his thoughts because he quickly comes to the decision that they are going to get Omega and then desert, and he doesn’t hide this from any of the Batch members, not even Crosshair.

Side note 1: This episode also has some really beautiful indications of how much Hunter cares too: him saying “nice work” to Crosshair after their training session, him yelling “no!” when Caleb and Crosshair are fighting because he’s worried about either of them harming the other, and him telling Omega to stay away from them because their squad is nothing but trouble.

Side note 2: Omega tells Crosshair that she knows what he’s going to do before he’s taken away. Then when they are all gearing up in the hanger and about to go look for Crosshair, she hears footsteps coming and tells them they won’t have to look far. She knows that not only are they about to be found by troopers in general, but that Crosshair specifically will be with them. I wonder if as Nala Se’s assistant she knew what the procedure would be to try and enhance Crosshair’s chip and turn him against them.

#the bad batch #Hunter bad batch #tech bad batch #crosshair bad batch #omega bad batch #aftermath #Hunter #tbb #analysis #Hunter analysis #some light ramblings #somelightramblings

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