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#more observations from my rewatch:
abisalli · 9 months
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sometimes he forgets the power behind his magic and goes a bit overboard-
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sisterdivinium · 9 months
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Lilith might just have made the worst choice she could in going to Jillian, no? Not just because of basically becoming her lab rat and throwing herself into the unknown by walking into the ark, but because of the sharp, undeniable contrast that is painfully drawn between Jillian's love for Michael, which sees her stop at nothing to retrieve him, and Lilith's mother's indifference towards her own daughter.
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Of course she had met Jillian before, but season one had another context to it. Now, however...
Here's a woman who will set the whole world on fire in order to help her son if she must; meanwhile, Lilith's mother could care less if she knew about her daughter's little season frolicking in the flame pits of hell after being dragged there by a tarask.
Lilith goes to Jillian expecting the brilliant scientist -- she finds her, but perhaps more than that she finds the devoted mother she does not have. There's a cruelty to Jillian's treatment of her, of course, but in this moment of recognition she realises that a) not only is her worth still seen as tied to her "usefulness" to others, but b) that nobody will do for her what Jillian is doing for her son... And that might just be the deepest wound.
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caseys-breanna · 12 days
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Ok I just finished rewatching The Rundown Job and so far I have -
The most ridiculously peacocking display of competence porn. What do you mean "'sup Eliot." What do you mean "who needs luck". Where is your damn shame? Where is hundred more episodes of just like this? 10/10 worth every watch.
'I've got a hacker *enter bf*, and a thief *enter gf*'
Only Parker noticing 'too many cops'. It's such a cool detail throughout the show how observant she is just offhandedly, unlike Eliot who observes actively.
Parker pretending to promptly fall asleep as soon as they're in the truck, only to have the handcuffs off in seconds.
"What do they say about me? I hope they gave me a cool nickname." I'll bet all the kudos on my most popular fic that he hacks into his own pentagon file regularly to make up his own nickname.
"Hell your girlfriend's already out of the cuffs" *Parker smiling and sliding them off* AND IT'S DIRECTED NOT TO HARDISON, HER EXPLICITLY STATED BOYFRIEND, BUT AT ELIOT, THEIR BOYFRIEND.
Putting Hardison in those glasses. Those damn glasses. I need a glass of water jfc it's hot in here
'For better or worse, we change together'. Aaaaaand that's on wedding vows.
"I'll drive." "Hold on." "Exactly." "No, I mean hold on. (Our gf is a former gateway car driver)". "Oh. Oh you mean. Yeah."
The hand on the wrist and eye contact and saying 'I'm not afraid. I got the best thief and the smartest guy I know chasing this guy'
HAND ON THE BACK OF THE NECK AND PULLING CLOSER 'HEY LISTEN TO ME YOU'RE THE SMARTEST GUY I'VE EVER KNOWN HARDISON I NEED THAT BRAIN TO GET ME TO HIM. GET ME TO HIM'. Screaming crying frothing at the mouth et cetera et cetera
Figuring out the job TOGETHER
This is Hardison. Hardison likes his personal space. These are Parker and Eliot. Parker and Eliot also like Hardison's personal space.
The eyes on each other's lips during unlocking doors and saying thank you
'Kiss for luck?' the sequel: love boogaloo
HACKING THE MF CAR HORN WITH AN SOS THROUGH A MOBILE PHONE
"BOOM MY BOY THAT'S WHAT I'M TALKING ABOUT!!!" first of all that's his boy so jot that down
Also side note this episode shows the fascinating way Hardison uses his brain and I wish we saw more of it because it's fascinating how he derives what he does from the few bits of data he gathers
"He's on the train!" "Yeah well so am I." "When you pick him out of the crowd-" "No. I'm ON the train! 🙄 Never mind..."
Two good ole boys behind the wheel 🎶 chasing the target and their gf in a million dollar car 🎵 two good ole boys-
*Hanging by her fingertips from a running train roof almost mashed into pulp by signage" WOOOOOO HOOOOO
The way Parker picks him out, not by using thief sense, but mastermind sense that he's immune -> got vaccinated -> pain in the arm. Brilliant way to pick someone out from a crowd while not raising panic
Keeping him talking till she takes the briefcase that he HANDCUFFED to himself right under his nose. How? Well, she's Parker.
"I kept one diamond. Sorry." I love her
Finally "kiss for luck" the trilogy comes to an end
*casually endangers self* "Fire is the only thing that kills it right?"
"Don't do that to me, I can't lose you. Do you understand? I can't lose you. Don't scare me like that. I can't-"
Eliot Spencer: *Barks 'Alright!' at the guy touching him to literally patch up his bullet wound.* Also Eliot Spencer: *ditches crutches so he can lean on his girlfriend and boyfriend*
"I work with them now." Would you like to stay for dinner? "Honor among thieves? Something like that." WOULD YOU LIKE TO STAY FOREVER??!!!
"I don't do hospital." "I told you, he takes getting shot very lightly." Uh huh, you know what I smell? LOVE. In the air! Might be some blood from those bullet wounds too ig.
What a show.
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not-quite-normal · 11 months
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Congrats on launching one of my favorite movies ever made! On my third rewatch, I paid really close attention to eye shapes and noticed Miguel’s eyes are ridiculously expressive considering how different his mask is from the traditional spider mask, essentially missing one whole side of the lens and having a lot more geometry to move around. How difficult/easy was it to get his eyes to emote as much as the other spidey’s masks? Or was it relatively simple and just looks complicated on the outside?
well observed! his mask eyes did have to have a different rig from the other spidey's eyes but was actually relatively simple to control. the hard part was designing the shapes!
the default spiderman eyes on peter and miles have an extra outline around the white eye shields, which requires more attention to make sure the lines look nicely weighted
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for eyes like miles, we have separate controls around the white and red bits to adjust the lines/shapes of them individually so that the red line goes from thin near the middle of the face, to thick, and then ends in a point at the top (the blue line in the middle just stays in the middle wherever it is).
but miguel only had one piece of geo to worry about! we had small "per edge" controls to adjust the shape vertex by vertex lol, and then larger controls to adjust the movement/expressions
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we had to be very designy with how the eyes emoted because of how complex the overall eye shape is, we couldn't simply scale them down for a squint. it required a lot of thought behind how the shapes should change based on what we needed the expression to be, while still keeping him on model
huge shoutout to our senior animation supervisor humberto rosa, who was instrumental in the animation design on this movie and hammering these rules into the whole animation crew to make sure all the characters stayed on model. i learned so much from him on how to make 3D characters look like 2D drawings
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blue-jisungs · 4 months
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vanilla flavored kisses
author's note. rewatching opla made me fall for sanji even more 🫂☹️
summary. despite sanji being a professional cook, he loves your – one would say – simple yet adorable dishes
word count. 856
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while dating sanji there’s a lot of things that make you crazy about him.
for example, the way he dresses. always wearing neatly fitted suits and elegant shoes adorning his feet. (not forgetting about the blonde hair – whether slicked back or loose).
or obviously his cooking skills. there’s a saying that the way to a man’s heart is through their stomach… well, you wouldn’t fully disagree. not only did he cook delicious dishes but also will cook anything that you’re craving at the moment (and won’t say a word). panna cotta? his whipping out the whisk already. lasagna? bold of you to assume that it’s not already in the oven. even a simple pizza or spaghetti? coming right up.
and something that you really love about sanji when it comes to his physical appearance is his voice. the accent, the deepness of it… it was just leaving you mesmerized – and you were sure that sanji knew the effect his voice had on you.
your boyfriend is just perfect. he can cook, he can clean… he can fight and whilst all of that he’s sexy. but also caring, sweet gentleman.
so you had your reasons to coo about how much you love him and how perfect he is.
now sanji didn’t understand one thing – if it’s fine for you to gush over him, then why are you getting shy and refusing when he’s honestly listing your qualities?
the thing about you is that no matter what you do or say, sanji will find you adorable.
for instance, he’s a chef. he used to work in baratie, a fancy restaurant where dishes are served in an exquisite manner. even now, while being a cook for the straw hats on a ship, he would still fancy up the food or arrange it in a michelin star worthy way. even plain cereal are going to be served like its a meal worth 500 berry.
and you… you’re so simple that it’s strangely cute.
like, right now.
“wait, don’t look!” you whined and turned sanji around (more like he let you do that because no way in hell you’d be able with all of his muscles). “i’m not finished yet, baby! two more seconds, i promise”
“i’ve got all the time in the world, mon amour” he hummed, chills going down your spine.
sanji sat down at the couch and observed you.
brows furrowed, tongue sticking out in focus and fingers reaching for something in a bowl.
“and what exactly am i waiting for?” he asked, genuinely curious. just when he was about to start preparing dinner, you kicked him out of the kitchen. at first he was offended: the kitchen is his workplace after all, but then he only got intrigued.
even from the other side of the door he could smell some vanilla and almond sugar yet he decided to pretend being clueless.
“a small surprise for my chef” you grinned and finally grabbed the bowl, hissing “it’s hot!”
“be careful, please, i don’t want you to get hurt” sanji smiled and his blue eyes carefully observed you.
after grabbing a spoon and holding the bowl in a way that it wouldn’t burn you, you placed it down in front of sanji.
“ta-da!” you hummed happily, putting your hands on your hips. he leaned over and couldn’t help the corners of his lips from rising.
in front of him there stood vanilla pudding. one would say it’s literally just a pudding, nothing special.
but sanji knew that it’s more than that – it was prepared by you for him, with all of your heart and soul poured into it. so what if the sugar was burned or the consistency would left zeff questioning his existency? sanji was touched.
especially when he saw the small, pink, heart-shaped marshmallows and some purple sprinkles.
“i know it’s no mind-blowing dessert but i wanted to serve you something… y’know because usually you do the cooking” you mumbled and sat down next to him.
sanji pressed a kiss to your cheek and grabbed the spoon.
“thank you, mon amour. i really appreciate that” he said with a genuine smile. then he tried it and you nervously scanned his features. will he like it? is it even edible?
sanji’s blue eyes lit up, sparks of joy dancing in them. then he took another spoon of the yellow pudding with a marshmallow in it and turned around. his free hand tapped your chin and you opened your mouth, blush creeping into your cheeks. he guided the spoon to your lips, the other hand resting below the spoon in case anything fell.
you took a bite and scrunched your nose, which drew a bubbly laugh out of his chest.
“it’s too sweet” you mumbled and sanji just shook his head.
“just like you” he teased and put the spoon down, tucking a hair behind your ear “it’s perfect. thank you so much, mon amour”
then he cut the distance between you two, his plush lips landing on yours; the kiss expressed his gratitude too. and the sweet vanilla flavor lingering on his lips caused you to smile.
masterlist <3
taglist. @eternalgyu ,, @haecien
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jangmi-latte · 1 month
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ABSOLUTELY BEAUTIFUL PERFORMANCE OBSERVATION
i'll be completely honest. the vdc 3d performance showcased the different dancing styles and flavors of each student. their unsynchronized movements and how they have their own circle in terms of standing out is actually realistic. how they handle themselves more than they perform as a group really stood out. and here's the thing:
i stand affirm and still understand rook's point of view of how rsa's performance is better than nrc's.
if you put yourself in their shoes, you won't be able to see how everything's played out but rook was able to do so since he's observant. as an audience, it was...kinda embarrassing to watch BQNFJAJFJAKDJW. i love vil, i love him with all my heart, but i don't think dancing is his forte. he has the moves yes but there wasn't the balance in the dance as a group. given, they were fatigued from the overblot but if you really look closely, they have their own world.
they dance to make themselves, as in their own person, stand out rather than work together as a group which was really so nrc BWJBAHAHHA. vil had unnecessary moves like WHY THE BALLET JUMP MY LOVE 😓😓😓. jamil and kalim's moves were smooth, they're natural dancers and they blended more together rather than with the others. ace and deuce are amateurs but ace really stole the spotlight when he did that heart pose BAHHAHAHA i don't think that was part of rehearsals.
this is just my insight since i rewatched the performance. i couldn't watch it completely without shoving my face in a pillow. i love my pomefiore men but...uhhh....heeeee 😁😁😁 love you vil
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glasgalahad · 2 months
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Dɪᴠɪɴᴇ Iɴᴛᴇʀᴠᴇɴᴛɪᴏɴ.
↠ “I’m the one who gripped you tight, and raised you from perdition.”
I originally had bigger plans for this, but I think the simplistic, scratchy style works well enough. I'm too tired and sad to add any more details.
I’ve been rewatching a lot of Supernatural’s early seasons, recently. Going through all the moments I love best out of the show, Castiel’s first appearance in Lazarus Rising is still one of my top favourite scenes, overall.
It’s beautifully shot, proudly displaying the terrible power an angel of god is dictated to possess. Of course, Misha's performance is a stunningly strong one- a hell of a first impression, even after so long. The calm, inflection-lacking dialogue style really fits with the disconnect I’d imagine divine beings have with the mortals they’re ordered to observe.
GʟᴀsGᴀʟᴀʜᴀᴅ 2024 | Mᴀʏ ɴᴏᴛ ʙᴇ ᴜsᴇᴅ/ʀᴇᴅɪsᴛʀɪʙᴜᴛᴇᴅ ᴡɪᴛʜᴏᴜᴛ ᴡʀɪᴛᴛᴇɴ ᴄᴏɴsᴇɴᴛ.
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drawnfamiliarfaces · 1 month
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So, Ive started a rewatch of 9gn, and I would like to ask your opinion on the doodle vision thing. Is it just Randy remembering the pages do you think? or is the nomicon giving him a sort of limited mental text through their connection? Like especially when it seems to point to specific objects or such?
Personally, I like to think it's a little bit of both!
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In my head, the first time Randy put on the mask, a surface level connection has been made between him - mask - Ninjanomicon. That's what allows the Ninjanomicon be aware of what is going on in Randy's life (how it reacts to his actions and decisions, and what prompts it to warn him/give him a lesson) despite it being, ya know a book without eyes and ears.
(on extra side note/headcanon, but I believe this is also the reason why Ninjanomicon needs the Messenger/Creep to scope out potential future ninjas - Messenger observes and evaluates and chooses, because Ninjanomicon cannot evaluate until after the candidate put the mask on and/or opened the book to establish that first surface connection.)
So, after Ninjanomicon gives a lesson, it continues to observe, and when we see doodles its because Randy is remembering AND Ninjanomicon is sort of nudging him with some of those visuals. Cause, like, more often than not the doodles appear just before/during a revelation Randy is having, but there are also sometimes extra doodle words like 'duh' or 'now this is a weapon' which feels a lot like commentary from someone else than Randy. There is some form of synchronicity - a mind drift, if you want, going on betwen them imho.
I like to think that the longer a Ninja is connected to the Nomicon, the stronger that connection gets, so at some point in the future Ninjanomicon can actually properly talk through doodles not only inside it and through memory, but also out in real life.
But since having such a strong connection is detrimental to a Ninja (aka, too much knowledge from Nomicon connection can lead to faster corruption by power) and Ninja's duty lasts only roughly 4 years, its very rare that the connection between the two gets so strong that Ninjanomicon can actually 'talk' rather than just recall memory of an already given lesson.
Also can you imagine a Ninja actually interacting with doodle talk out in real life as Nomicon talks to them? Ninja will seem like a crazy person! xD
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biceratops7 · 1 year
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Victor nikiforov and empathy:
Following my fifth (?) rewatch I found yet another reason to be completely in love with Yuri on Ice, and that is Victor being a wonderfully accurate and non-demonized example of someone with low empathy. Seriously as someone who’s autistic and can’t relate to the influx of “actually we’re all super in tune to other’s feelings and have the MOST empathy!”, watch these scenes because this is what it’s like.
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This line at first seems to be Yakov thinking that Victor is arrogant, but Yakov knows him extremely well. He knows that Victor has a hard time viscerally placing himself in another’s shoes, and that’s a major obstacle as a coach.
Victor has trouble understanding what to do in situations that are highly emotional for Yuuri. Instead of being able to directly consider things through Yuuri’s perspective, we see him rely pretty often on environment cues, behavioral cause and affect, or straightforward commands.
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He gets his habit of scolding yuri after a routine from Yakov because that’s what he’s familiar with. It’s not something Yuuri responds to particularly well, but it’s only when Victor pays attention to how others react when Yuuri finishes skating that he changes tactic. Victor sees how the crowd is going wild at the (Japan nationals) and it’s only then it occurs to him that Yuuri’s confidence may be jeopardized if he chooses that moment to criticize his performance. This is something he likely would’ve realized much sooner if he could share Yuuri’s stress easier instead of merely observing that it’s happening.
Then later on in episode 7, we get to the scene that actually inspired this post.
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At first Victor approached the situation almost like an experiment, trying out cause and effect to disastrous results. When you have a much lower threshold for being able to experience another’s feelings second hand, it’s difficult not to think of other’s negative emotions simply as problems that need to be solved. Problem: Yuuri won’t perform well because he’s too anxious, he will only be MORE upset if he loses, and Victor has already tried to reduce his anxiety to no avail. Idea for solution: raise the stakes and see if increased pressure can replace his nerves with resolve, causing a good performance. Afterward, Yuuri will be proud of himself and happy again. Execute plan, observe results, adjust accordingly. When comfort doesn’t come naturally, this tends to be kind of the default. From experience it comes from a genuine place of caring even when it backfires (and it actually doesn’t at times), basically trying to actually fix the thing upsetting your loved one instead of play acting feelings you don’t get.
… however Yuuri was COMPLETELY within his rights yelling at Victor because regardless of intent he picked the worst thing on planet earth to say in that exact moment. I mean I’ve had my fair share of “oh crap someone is upset and it’s my responsibility” fails but my fuck-
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He’s shown to be pretty shit at comforting Yuri/ detached emotionally from the situation, but he is neither coldly unbothered nor strategically hiding it. It may appear callous to bluntly say “I don’t know how to help you” to a loved one who’s crying, but as someone who’s been there, that’s an insanely vulnerable thing to admit. “I don’t feel your pain, I don’t get it. But I love you, and just because I’m not feeling it myself doesn’t mean I don’t care that you’re hurting.”
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When Yuri finally just straight up tells Victor what to do, he is relieved and simply does it. Things are different between them after this episode because Yuuri finds the power to communicate his needs clearly and effectively. Victor doesn’t speak “subtlety” well. Yakov and Yurio both speak their mind to him directly regardless of if it’s polite, Which is quite telling because they’re the two characters he has the longest history with. It shows us the kind of communication style Victor is accustomed to and needs to navigate interpersonal relationships.
I’m not making a statement that Victor is autistic or even disordered per say. I feel his unusual circumstances provide enough explanation, but I really do see that he consistently struggles with empathy in the same way I do. He’s probably the only character I’ve been able to see that aspect of myself in with scenes that aren’t played for jokes.
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maufungi · 5 months
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They are out of order
My dear Good Omens meta enthusiasts..
He did it… Neil did the ultimate confusion trick to get us occupied until season 3 is finished…
Dialogues that appear to be one continuous scene are ripped apart and stitched together out of order.
The color grading changes, the music stops from one cut to another. Some have already suspected something like this, due to the suddenly changing clock hands and changing lighting moods within some scenes.
But now I found proof.
I was on my (not counting anymore) rewatch of season 2, when I encountered this strange dialogue scene between Crowley and Shax in episode 2 (timestamp 7:27).
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The street it wet at the beginning. The color grading more on the yellow side. And Crowley seems to be in a good mood.
Then there is the cut to Shax inside the Bentley. We hear a miracle sound (implying that Shax miracles herself into the Bentley, but maybe it means something different). The music from before stops. The colors are more blueish. Crowley is more serious.
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After the dialogue Crowley drives away. An guess what? The street is dry now.
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And the Bentley starts off from another spot on the street:
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The Bentley passes the trash bin (from episode 1), which wasn't there at the beginning of this scene:
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My conclusion from this observation:
Not only are the scenes out of order, but individual cuts within dialogue. As long as characters aren't in the same camera shot.. I have to doubt if they are in the same dialogue/scene at the given time…
I think there are a lot more of these scenes. And it is a lot of work to go trough all of them. But "luckily" we have a ton of time till season 3 arrives.
It's insane… and I am ready for it.
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gragrace · 3 months
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Unraveling Minds 
Summary: In this BAU investigation, Dr. Y/n Y/l/n, a forensic anthropologist, is called in to assist with a series of murders in a small town. The genius profiler, Dr. Spencer Reid, becomes fascinated by her intelligence and kindness. As they work together, solving the case and sharing banter in the forensic lab, a connection forms between them. Despite Gideon's suggestion of joining the FBI, Y/n prefers her expertise in bones. As the investigation progresses, Reid and Y/n's bond deepens, culminating in a moment of shared understanding and a longing for a continued connection, even beyond the confines of the case. 
Word Count: 1261 
AN: Rewatching Bones... defo was inspired! <33 also i wrote this on the bus so apologies for errors/ cringe, let a girl live!!
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆ 
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The BAU team had been called to a small town in Pennsylvania to investigate a series of gruesome murders that seemed to have stumped the local authorities. Dr. Y/n Y/l/n, a renowned forensic anthropologist, had been summoned to assist the team in understanding the ritualistic nature of the killings. 
As she entered the BAU headquarters, Y/n was met with curious glances from the team. Dr. Spencer Reid, the genius profiler with an eidetic memory, couldn't help but be fascinated by her presence. She exuded intelligence, and her reputation preceded her. 
"Dr. Y/l/n, welcome," Unit Chief Aaron Hotchner greeted her with a firm handshake. "We appreciate your expertise on this case." 
"Thank you, Agent Hotchner. I'm eager to help in any way I can," Y/n replied with a warm smile. 
Dr. Jason Gideon, the seasoned profiler, approached her with admiration in his eyes. "I've read your work. Impressive stuff. Ever thought about joining the FBI?" 
Y/n chuckled modestly. "I appreciate the offer, but I find my passion lies in analyzing bones and solving puzzles in a different way." 
Gideon nodded, seemingly understanding. Meanwhile, Spencer Reid observed the exchange, his curiosity growing with each passing moment. 
As the investigation progressed, Y/n worked closely with the BAU team, examining the crime scenes and providing invaluable insights into the killer's methodology. Her ability to piece together the puzzle of the victims' bones left the team in awe. 
One evening, in the BAU conference room, Y/n presented her findings to the team. Hotchner, Gideon, Reid, and the others listened intently as she explained the ritualistic significance behind the arrangement of the victims' bones. 
"You've got a brilliant mind, Dr. Y/l/n. Your observations have been invaluable to us," Gideon praised. 
Y/n's cheeks flushed slightly. "Thank you, Dr. Gideon. It's been a pleasure working with all of you." 
After the meeting, Reid found himself lingering behind as the others dispersed. He couldn't shake the fascination he felt for Y/n, not just for her intellect but also for the kindness that radiated from her. 
"Dr. Y/l/n, your work is truly remarkable," Reid complimented, his words stumbling over each other in his eagerness. 
Y/n smiled, appreciating the genuine admiration in Reid's eyes. "Thank you, Dr. Reid. Coming from someone with your intelligence, that means a lot." 
As the days passed, the team grew closer to solving the case. Y/n and Reid spent more time together, discussing their respective fields and finding common ground in their shared passion for solving puzzles. The air between them was charged with unspoken tension, and it wasn't just Reid who felt it. 
One day, as they gathered in the bullpen, Gideon couldn't help but voice what everyone seemed to sense. "Y/n, have you ever considered joining the FBI? You're a natural at this." 
Y/n looked thoughtful for a moment before replying, "I'm honored, Dr. Gideon, but my expertise lies in the bones. I'll leave profiling to the experts like Dr. Reid and the rest of the BAU team." 
Gideon nodded, accepting her decision. However, Reid couldn't help but wonder what it would be like to have Y/n as a permanent member of their team. 
Late one evening, after a productive day of unraveling the case details, Spencer Reid and Y/n Y/l/n found themselves in the forensic lab once again. The room was bathed in the soft glow of the overhead lights as they continued to work side by side, surrounded by the skeletal remains of the victims. 
Reid, unable to resist sharing some trivia, looked up from his notes and said, "Did you know that the first dinosaur fossils were discovered in the early 19th century? George Washington never knew about dinosaurs." 
Y/n chuckled at the unexpected historical twist. "Yes, I'm aware. Dinosaurs and George Washington didn't exactly coexist. It's fascinating how our understanding of the world has evolved over time." 
Reid smiled, his eyes lighting up with enthusiasm. "Exactly! The field of forensic anthropology has its own set of intriguing statistics. Like, did you know the average time it takes for a body to decompose in a temperate climate is about four months? Factors like temperature, humidity, and soil composition play a significant role." 
Y/n couldn't help but be charmed by Reid's passion for knowledge. "Well, Dr. Reid, your fun facts never fail to amaze me. It's like you have a whole library of fascinating information stored in that brilliant mind of yours." 
Reid blushed slightly at the compliment. "I try my best. Knowledge is a powerful tool, and sharing it with someone as brilliant as you makes it even more enjoyable." 
As they continued to exchange lighthearted banter and delve into their respective fields, the lab echoed with the sound of their laughter. The air between them felt comfortable, a blend of camaraderie and something deeper. The cases they worked on together were more than just investigations; they were a shared journey, a dance of intellect and connection. 
In the midst of their conversation, Reid couldn't help but sneak a glance at Y/n. "You know, Y/n, working with you has been one of the highlights of my career. Your brilliance, your kindness—it's truly inspiring." 
Y/n met his gaze, her heart fluttering at his words. "Spencer, the feeling is mutual. I never expected to find someone who not only appreciates the intricacies of forensic anthropology but also understands the complexities of the human mind." 
Their eyes locked, and for a moment, the lab seemed to fade away. The unsaid words lingered in the air, creating a silent understanding between them. It wasn't just about bones and statistics; it was about the connection they had forged, a bond that transcended the confines of their professional lives. 
As they continued their work side by side, the unspoken tension between Reid and Y/n deepened. The lab, filled with the echoes of their laughter and shared knowledge, became a space where two brilliant minds discovered something even more extraordinary—the undeniable chemistry that existed between them. 
"Spencer," Y/n began, her voice soft but filled with sincerity, "working with you and the team has been an incredible experience." 
Reid looked into her eyes, his own filled with a mix of admiration and something more profound. "Y/n, I... I find myself drawn to you, not just for your intelligence but for who you are. Your kindness, your passion—it's captivating." 
Y/n's heart skipped a beat. "Spencer, I feel the same way." 
Reid glanced at Y/n, a hopeful spark in his eyes. The future was uncertain, but as they stood together, surrounded by their colleagues, it was clear that their connection had the potential to unravel into something more profound—a partnership that extended beyond the confines of a single case. 
In the quiet moments that followed, Y/n and Reid found themselves alone in the dimly lit lab. There was an unspoken understanding between them, a longing that lingered in the air. 
"I don't know what the future holds," Reid admitted, his gaze never leaving Y/n's. "But I hope we can continue working together, even if it's not on a case." 
Y/n nodded, her heart echoing the sentiment. "I'd like that, Spencer." 
As they left the lab together, their shoulders brushed in a subtle yet intimate gesture. The connection they had forged wasn't just about solving crimes—it was about finding someone who understood the intricacies of their minds and hearts. The BAU may have solved the case, but for Reid and Y/n, the puzzle of their own emotions was just beginning. 
"Who knows, Spencer? Maybe we'll see Dr. Y/l/n again on another case," Gideon remarked with a knowing smile. 
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sisterdivinium · 1 year
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More on the "Mary was right, Mother Superion was imprisoned within herself" theme:
Above is a capture from episode three. A self-evident image, from the inside looking out after being harsh with Ava. Of course this is her prison; "that girl" is the halo bearer she herself cannot ever be again.
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Here it's episode four and her voice over comes in as this brief transition scene of nuns closing the gates is on...
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In episode seven itself, notice her figure literally "jailed" by the iron bars inside the church as all the other nuns are in more open space, unimpeded by prop or architecture in the shot. Secondly, during training, there she is behind the hand-rail, separated from "her girls" by yet more metal as if the distance and verticality were not sufficient to set her apart. Third, left to herself and that familiar window, in closed space, after the "friendly" talk with Beatrice and Vincent. Mother Superion is in a different sort of cloister...
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Now, on episode nine, which happens after the confrontation with Mary and the subsequent "locking up" of her cell (as mentioned in the previous post), here comes Mother Superion, iron at her back, going through another member of the Swiss Guard after those two who had pretty much been the ones to shut her in at the end of episode seven. This is movement on her part at last, this is action, and it culminates with:
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Walking past iron bars, from the outside. Notice the OCS "rejects" are the ones inside now and Suzanne is out, free from control, from the arbitrary authority of Duretti, of the Church, free or as much as she can be of her self-imposed burden. She gains a new state of being, she gains agency and independent thought by siding with Ava and the others rather than with the decadent structure of institution. When she appears again, triumphant outlaw, it is to protect Ava from a murderous sister Crimson and we all know what happens from then on out... No more prison bars.
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Netflix Avatar the Last Airbender S1 - Overall Thoughts [SPOILERS]
I am a longtime fan of Avatar the Last Airbender. I did not watch it in its original 2005 run, but I discovered it in around 2010 after my good friend R.S. recommended it to me. It's been my #1 favorite TV show ever since and I have rewatched it more times than I can count. I was cautiously optimistic about NATLA.
Now, having watched the whole first season of NATLA, and looking at the season as a whole, I think the best word to describe it is uneven. I can't say that I loved it, and I can't say that I hated it. But there were things I really liked about it and things that really did not work for me. Overall, I enjoyed watching it -- if only to dissect what did and did not work about the adaptation -- and would want to watch more.
WHAT WORKED
Everything to do with Zuko and Iroh. I found myself going back through just to rewatch all of the Zuko and Iroh-related scenes. I thought Dallas Liu really nailed Zuko -- from tantrums about his journal being stolen to incredible action sequences to the boyish vulnerability of worrying about the laces on his gauntlets. He took an iconic character and made him his own. NATLA added some incredible scenes and lines to my favorite duo: Lu Ten's funeral (coupled with orchestral version of "Leaves from the Vine"); Zuko's first war council; Iroh choosing to go with Zuko on the boat; the 41st Division; Iroh putting a blanket on Zuko. And I liked that NATLA emphasized that Iroh needed Zuko in the wake of Lu Ten's death as much as Zuko needed Iroh after his mother left.
Daniel Dae Kim's interpretation of Ozai. Ozai in ATLA is kind of one-dimensional. Daniel Dae Kim's Ozai adds a deeper layer to him in that he genuinely seems to think he's doing legitimate parenting -- even going so far as to visit Zuko after burning his face and remarking, glibly, that he'll recover ("but he'll never heal," says Iroh). It adds an even more monstrous angle to his cruelty because Kim's Ozai seems to think he's doing it for his children's own good. This post perfectly encapsulates my feelings about why I thought the agni kai between Ozai and Zuko was an excellent addition to NATLA.
Zuko/Aang. These two bonding over goat hair brushes was the scene I never knew I needed. The way Aang managed to wrest a little smile out of Zuko in that scene before Zuko blew up at him for criticizing the Fire Lord? And the way that tied into the "Compassion is a sign of weakness" scene from the agni kai? Great character work.
WHAT DID NOT WORK
Dialogue. I already observed at length my dissatisfaction with the clunky, exposition-dumping dialogue in my episode-by-episode writeups. It certainly wasn't as bad as the Movie-That-Shall-Not-Be-Named, but . . . there was no art or subtlety to it, and no trust in the audience. A disappointment.
The GAang did not feel like family. The lack of breathing room in the 8-episode season meant that all of the "filler" episodes that fleshed out the relationships between Aang, Katara, and Sokka were sacrificed. I am not saying NATLA needed to recapture each of the filler episodes. But they needed to build the foundational bonds between the main trio with showing not telling and they really didn't. They separated them for big chunks of 2 episodes. And, really, they just felt like traveling companions. That took all of the emotional heft out of, well, everything related to Aang, Katara, and Sokka. I mean, frankly, the kid actors did a better job establishing the "family" dynamic just by being themselves in their press interviews than the show did with the characters.
Aang did not run away from responsibility. I am not one of those people that's just mad that the show wasn't exactly like the cartoon. No. What I mean is, even putting aside the cartoon, even if you just look at NATLA itself: their own themes were undercut by never showing Aang actually running away from responsibility. Each avatar seemed to be berating Aang for doing something he was never actually shown to be doing.
Katara. I really don't think this one is on the actress. Katara felt like a fundamentally different character from ATLA's Katara. It's not to say an adaption is not allowed to have their own interpretation of a character, but... I just did not understand NATLA Katara. There was no passion, no rage, no overbearing nurturing. She was... I don't know what she was. Traumatized, yes, but nothing grew out of that trauma? Meek, until the plot demanded that she suddenly become a waterbending master without any guidance other than a waterbending scroll? The "younger sister"? More than any of the main characters, I'm not sure what NATLA was trying to say about Katara at all. And, as a result, I'm afraid the word to describe it might be uninteresting. And given that she is the heart and soul of Team Avatar, this one was really tough.
Despite the fact that a lot of NATLA did not work for me, I still enjoyed it because the things that did work for me, well, really worked. So. I'm here for all of the Zuko/Iroh scenes!
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imagionationstation · 5 months
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I Got Bored So I Analyzed Mikey And Splinter’s Relationship, As One Does
I love rewatching the 2012series after hearing about how terrible Mikey&Splinter’s relationship is because it always leaves me so confused to the point where I have to reconsider everything the internet says and everything I believe.
What if, for a moment, we see what the episodes have to say.
One thing they make very clear is that Splinter does not see Mikey as any less intelligent than his brothers. Several times during the series, the Sensei does not hesitate to openly agree with his youngest’s statement. He holds him to standards that are equally as high as the one Splinter gives to his brothers.
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“How many times have I told you not to skateboard in the lair?”
“None, Sensei.”
“I shouldn’t have to tell you!”
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“No, Michelangelo, you are right.”
“I am?”
“He is?”
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“We gotta take him down.”
“Yes, Michelangelo, you do.”
Beyond agreeing with him, Splinter allows his youngest to have his say when he argues with the Sensei. He doesn’t shut him down or talk over him. Even if all of his sons disagree with Mikey, Splinter will hear him out and can even be seen changing his mind.
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“There is no monster more dangerous than a lack of compassion.”
“My mistake.”
“We’re doing to him what everyone else does to us! Judging him for his looks!”
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“But he was fighting the Kraang, Master Splinter. It’s like you always say! The enemy of my enemy is my bro.”
“That is not exactly what I’ve said…”
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“Mm. I see. You’ve made a wise decision, Michelangelo.”
Master Splinter also doesn’t doubt his abilities. He can recognize his son’s strengths and won’t hesitate to put them to good use.
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“When he awakens, Michelangelo, you must find a way to befriend him.”
“No problemo.”
The Sensei doesn’t challenge Mikey any harder than he challenges his brothers. Splinter never makes him out to be inferior when he’s teaching him something compared to them.
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“Michelangelo. Why did you give up so easily?”
“There was nothing I could do.”
“There is always something you can do. Observe.”
“The key is to unbalance your opponent.”
“But how?”
“However you can. For example…”
While he doesn’t exactly understand how his mind works, he comprehends that his unique way of learning is to be nurtured and molded. He knows that some of his quirks are gifts to be appreciated. He even goes as far as using Mikey’s natural skill as an example of how to fight in order to instruct his brother.
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“The nunchaku because… Um, they are perfect for you!”
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“I just don’t understand how you can fight without thinking.”
“Observe… You see? Mikey does not think.”
“Thank you~”
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“You must find the space between your thoughts and learn to live there. That’s what Michelangelo does.”
Mikey idolizes his sensei, but not quite to Leo’s extent. He takes in all the lessons that resígnate with him to heart, even to the point that he can quote them back to his father and brothers. (Revisit: “But he was fighting the Kraang, Master Splinter. It’s like you always say! The enemy of my enemy is my bro.”) Splinter spends a good amount of the show teaching lessons, such as don’t judge those who are different from you, peace is better than war, and a lack of compassion is the true monster. Mikey is consistently seen prompting these ideals in everything that he does, consciously or unconsciously mimicking his father.
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“Raphael! Clearly, April is upset.”
“Yeah, dude, that’s so insensitive.”
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“Yeah, that’s all good, but like Master Splinter would say, we must accept the hand that the universe has dealt usssss.”
They recognize cues from one another without anything being said. Reading their tones and expressions with ease, catching things that others in the room don’t notice, at least, not yet.
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“You okay, Sensei?”
“Forgive me… My thoughts are… Elsewhere, Michelangelo.”
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“Well, yeah. Cause old people never care how they look. Or smell.”
*sus Sensei squint*
*awkward laugh* *whistling*
“My son. I sense there is something you’d like to tell us.”
There are even times when they are in sync. A favorite example would be when Mikey throws down a smoke bomb and Splinter reappears in the same instance. It may be played off as a joke, but this is crack that the show takes very seriously.
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“This is serious. I better get Splinter.”
“Um, we don’t really need-”
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“Michelangelo said you wanted to see me?”
The two of them don’t have a lot of one-on-one screen time, but I often think that this isn’t because Splinter is outright ignoring his youngest. In fact, this is because, despite not being “as smart” as his brothers, he doesn’t need to give Mikey as much schooling as the rest of them. Leo seeks him out for advice, Raph needs help to mold his temper and impulsive nature, and Donnie needs to learn how calm his anxieties or how to react to social situations.
Mikey vibes with the world and follows his brothers’ leads. His mistakes are theirs and the rules that he follows are based off Sensei’s teaching. He’s smart in his own way, he has the instinct and the skills to fight and defend himself and his brothers, and he doesn’t need Master Splinter looking over his shoulder all the time.
He’s not useless. In some ways, he’s just a daddy’s boy.
Maybe the memory in Requiem wasn’t simply lazy writing.
Maybe, to him, this was an unspoken moment where Splinter acknowledges that and more.
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arecaceae175 · 1 year
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I’m rewatching Phineas and Ferb (it’s my fav comfort show) and it’s SO full of autism. SO FULL
Ferb is autistic
Phineas is autistic and ADHD
Candace is autistic
Dr. Doofenshmirtz is autistic and ADHD and has CPTSD
Their dad is autistic
Their mom has ADHD
I will not be taking criticism. My qualifications are that I'm autistic XD
I can go into detail AND I WILL
Ferb
Nonverbal!!!!!!!!!!!!!! Non!!!!! Verbal!!!!!
In the episode where they make an animal translator Phineas talks about how Ferb has a lot of thoughts, he just can’t say them out loud
Special interest in engineering and building and such
Incredible imagination
He can’t show emotions on his face
He doesn’t respond to social cues
He and Phineas are each others special interest person
In the Aglet episode when Candace is making fun of their dad for not looking up “aglet” on the computer Phineas explains to Ferb that “removing prepositions makes it more condescending”
“The cartilaginous fibers from the bovine patella structure that gelatin’s extracted from gives it that fun, bouncy quality.”
When he does speak, it’s monotone and often a fun fact- perhaps because he doesn’t know how else to connect to people through his words
He’s nonverbal!!!!! 😄😄😄😄😄😄
Same routine every day. They do the same things at the same time (different inventions but same routine) and even have their alarms set to 7 in the summer
In the bully breakup episode he has trouble with the routine change. He tells Phineas he felt like he would scream if he couldn't build something
In the episode where they all try to figure out where their inventions go every day, at the end of the episode Candace is really upset because it disappeared and she doesn't know why. Ferb realized she's upset but isn't sure how to help so he says a science fact "Well, we were all watching it. And quantum theory states that the mere observation of an experiment changes its outcome."
He's nonverbal / semi-verbal and it makes me so happy
Phineas
Hyper verbal
Candace’s busting attempts go completely over his head
Special interest in engineering and building things
Incredible imagination
He talks over other people a lot and doesn’t notice
He and Ferb are each others special interest person
Special relationship with animals, specifically Perry
He repeats the same phrases every episode
Has trouble recognizing sarcasm
He doesn’t really have social awareness
His voice is very often monotone
He hyperfocuses on the inventions
Same routine every day. They do the same things at the same time (different inventions but same routine) and even have their alarms set to 7 in the summer
In the bully breakup episode he has trouble with the routine change. He keeps suggesting things to build to get back to their routine
But despite the routine he doesn't know what they're building until the day of because he also needs spontaneity
Candace
Has trouble focusing except when focusing on busting
Can't focus on other things when focused on busting
Special interest in busting Phineas and Ferb
Other special interest Ducky MoMo and collects items for it
Hyper verbal
Very focused on routine
In the episode where she’s sick and she tries to get Stacy to bust Phineas and Ferb, but she isn’t able to let Stacy take the lead and ends up getting out of bed when she isn’t really well enough to do the busting
VERY black and white thinking
Candace stims a lot!!!!!
She has trouble learning to drive (which is very common in neurodivergent people)
Has trouble making friends
She scripts conversations
Repeats the same phrases every day
Overanalyzes social situations because she has trouble understanding them
She’s obsessed with being cool and fitting in because she doesn’t naturally understand social cues
“I calculate that soon must mean first thing in the morning, since ‘soon’ can’t refer to a period in excess of or equal to 24 hours give or take a 59 minute cushion of time on either side of the event in question.”
Has a lot of childhood toys that she refuses to get rid of
She mentions in one episode that she feels like her room is too childish and she isn’t as mature as others her age (difference in maturity to neurotypical peers)
She doesn’t join in when her friends play with Phineas and Ferb because of her rigid thinking that she has to bust them. Even when they want her to play or hang out with them, she often doesn't realize it and can't let herself
When she reads Sherlock Holmes she copies his personality and phrases
Hyperfixated on the book series and read the whole thing in a single night
She plays every instrument that starts with B
Grilled cheese safe food
Goes into the panic room when overwhelmed or something is outside routine
Dr. Doofenshmirtz
Special interest in making evil scemes
He monologues to Perry every day about his special interest
Bad posture (common in autistic people)
Stims a lot
Repetitive thinking (inators)
Echolalia
In one episode Vanessa is trying to talk to him about something and he keeps getting distracted by echolalia and stim-speaking his words
He only interacts with animals on a regular basis and when he has to talk to people he is very socially awkward
Inattentive, forgetful, unorganized
A lot of his inators have to do with his childhood trauma
Norm the robot helps him with home tasks
Face blindness- he can’t recognize Perry unless he’s wearing his hat
Dad
Vocal stimming!
“Fossils! Bum bum bum.” (fun fact this is a vocal stim of mine!!!!!)
Special interest in antiques and gladiator movies
He has a huge collection of gladiator movies
In the lake nose monster episode he’s telling phineas and ferb stories and completely unaware of anything else happening while he’s talking (infodumping)
Hyperfixated on buying stars and buys a TON in one day
Also gives someone a star as a tip and doesn't realize why that might not be appreciated
Mom
Different interest/activity every episode
She gets hyperfixated on the activity and has trouble leaving it to come home or answer Candace's calls
Oblivious to the boys' antics
I’m gonna keep coming back to update this as I rewatch so it will eventually be the Ultimate List of Autism ™.
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gonzo-rella · 5 months
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Headcanons: Starting Your Freshman Year at Greendale and Joining the Study Group
MASTERLIST | AO3 | KO-FI
Requested by: Anon
Headcanons for being a new freshman at Greendale and becoming a member of the study group?
Ohh sorry i didn’t clarify! it doesn’t matter to me, i just liked the idea of the reader kinda being the baby of the group, so maybe everyone is in their later years at greendale?
Relationship(s): The Study Group (Jeff, Britta, Annie, Troy, Abed, Shirley and Pierce) x gn!reader (platonic)
Warnings: References to underage drinking. (Let me know if I need to add any)
(A/N: I started writing this literal years ago, but I rewatched the Community Christmas episodes today and it’s made me want to rewatch all of Community and start writing for it again. Not enough people write for it, and not enough people write gender-neutral-reader fics. This was like 90% done so it was a good place to start again. I went with making it so the reader joins the Study Group during season 3, since I had the idea of using the reader to replace Todd in the episode where none of them want to work with him. I haven’t followed the canon of season 3 verbatim, since it’d have made writing this kinda difficult (plus I haven’t seen season 3 in years). So, this is more general. I’m hoping to work through my list of Community requests from years ago throughout 2024, since I’m hoping to get more into the habit of putting aside time for writing.)
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When you decided on taking Biology 101 during your first semester at Greendale, you were bound to learn of (and witness first hand) the notorious Study Group.
Your hope that you wouldn’t be roped into their borderline-narcissistic antics was killed when you were given Pierce Hawthorne as your lab partner.
To say he was annoyed would be an understatement.
Oh boy, did he make it known that he abhorred having to be your lab partner.
In fact, most of them seemed to hate the idea of being stuck as your partner, which was at least a little hurtful.
When Abed rearranged the lab partner pairings based on some mental computer wizardry, you got put with Jeff, who was a bit more subtle with his annoyance.
You spent most of that night standing there awkwardly while Shirley cried about being the least popular member of the Study Group, or trying to be some kind of mediator between these friends who you knew only from rumours and observing them.
You also had to rescue a turtle from being burned alive by Britta, which sent you over the edge into a fit of fury.
Annie was the one who apologised to you for everything, and, much to the chagrin of everyone else, invited you to join the study group.
Perhaps she didn’t expect you to take her up on the offer, but you did anyway.
Your first study session with them made them realise that you fit in well with the group.
Even Abed liked your presence, because he believed it ‘changed the status quo without being like when sitcoms add a kid character in a desperate attempt to boost the ratings’.
(He compared you to Frasier from Cheers)
For a while, though, you did feel a little isolated from the group, considering you were often the only one to comment negatively on the group’s questionable behaviour, which they saw as perfectly normal.
However, you adjusted to being in the group alarmingly fast, to the point of getting carried away in the Study Group mentality like the rest of them.
As the baby of the group, you were treated as such, despite being at least a bit more mature than Troy and Abed.
For example, if Jeff and Britta were in the middle of a heated discussion, you’d be told to ‘stay out of it’.
Abed, early on, would analyse you to figure out how exactly you fit into the group, such as deciding what archetype best describes you.
There’s also a chance that he would create and manipulate situations in order to test your personality.
Jeff would shut this down as soon as he figured out what Abed was doing.
In an effort to try and include you more, Annie would force each member of the Study Group to do an activity with you. 
Annie invited you to a one-on-one study session.
(Also, if you’re taking any classes that she took in her first or second year, she’ll lend you her old materials, like notes, textbooks, study cards etc.)
Shirley took you to the mall with her and her kids, treating you like one of her own kids.
Troy and Abed introduced you to Inspector Spacetime, which you quickly became a big fan of.
(Watching it became a Saturday night ritual for the three of you)
Britta brought you along to a protest which ended in the both of you in jail.
(An irritated Jeff would have to come bail you both out, and Britta would beg him not to say anything about it to Shirley or Annie)
Pierce gave you $1000 to tell Annie that he’d taken you to the zoo.
Jeff invited you over to his apartment for beers, which resulted in you both getting wasted and having a tearful heart-to-heart with one another.
Despite adopting the Study Group mentality to a certain degree, you would be the least susceptible to the group’s dumbassery due to joining so late, which meant you’d often be the one to pull the group out of the stupid shit they were doing.
At the very least, you’d pull Jeff out of it, and he’d take the lead and sort out everyone else.
If you weren’t that close to your family, you’d probably spend holidays over at Shirley’s upon her insistence.
(I love love love the idea that she makes a custom Christmas stocking for you the first year you come over)
In a weird way, the Study Group became your family, albeit a dysfunctional one.
After your friends all graduated, you stayed in touch with most of them, even before you were reunited because of the Save Greendale Committee.
It’s safe to say that, even if you do join late, you’re still accepted as one of them, for better or for worse.
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