I love how whenever ATLA recognizes Sokka is smart enough to solve a problem but it’d be too fast they just stick him in some kind of situation. Like he COULD’VE stopped jet from drowning a town so they tied him up and dumped him in a forest. He COULD’VE figured out what that spirits deal was so they lost him in the spirit world for 24 hours.
4K notes
·
View notes
If we DO ever get a Good Omens season 3 (and fingers crossed we will) then using the Second Coming as the narrative device to facilitate the final culmination of Good Omens' ideology and message is brilliant, actually.
Because the Second Coming IS NOT another Adam situation. And, contrary to the misconceptions I've seen, It IS NOT about Jesus being born again as a baby, etc, etc.
THE SECOND COMING. QUITE LITERALLY refers to THE LAST JUDGMENT.
As in. The SAME Last Judgment Michelangelo painted on the walls of the Sistine Chapel. As in - THE JUDGMENT of the Living and the Dead. THE LAST, FINAL, ETERNAL JUDGMENT.
It's the WHOLE thing Armageddon was leading towards. Book of Revelation speedrun: the world ends, everyone dies, and then they get resurrected again to be judged by JESUS himself. He will flick through the Book of Life (WINK WINK WINK DO YOU SEE HOW LOUDLY I'M WINKING AT YOU???), and if your name is there he will go "oh nice you deserve eternal paradise! :D" and if your name is ERASED from the Book of Life he will go "oh no, sorry, you go to the lake of fire for eternity now D:" (except apparently in Good Omens lore it'd just DOOM YOU TO NON-EXISTENCE FOREVER???)
And if you THINK about it, The Last Judgment is the ultimate manifestation of moral absolutism. No shades of gray, no chances. Just BLACK, and WHITE. Never mind that you're like Wee Morag and Elspeth, who are forced to do "bad" things because of circumstances. It's either you pass Judgment Day, or you burn (or disappear forever.)
And the way THINGS are going in the Good Omens universe? I don't think there's ANYONE "good" enough to be "saved." Not Crowley, not Aziraphale. Hell, not even the Archangels themselves.
So it provides a PERFECT opportunity for Aziraphale and Crowley to UPEND that SYSTEM entirely.
I think that's what Crowley and Aziraphale would do in s3: establish a new kind of system in which angels and demons have free will to determine the right (or wrong) choice.
Giving them the APPLE, so to speak.
And then they'll go off to retire in a cottage, together at last.
6K notes
·
View notes
Contrary to popular belief, Dan actually did try to move on at one point.
He may have been a ghost, but ghosts could have kids, and he had Vlad's old mansion with it's cloning equipment.
He ended up with a boy, a son.
He loved that kid. He was just a baby, but every day brought Dan a little closer to how he used to be. He knew he was at a turning point when he actually felt bad for killing his human half.
He named his son Jason.
The GIW learned about him.
The GIW captured and terminated Jason.
That. That is what broke Dan and led him to salt the earth so to speak.
Now that he's been relegated to having a mortal form again (in the form of one of the clones Vlad had made), he's taken to going for walks through the Zone and into other dimensions. Just.
Taking it all in.
He's floating through a dimension in his ghost form, which still thankfully matches how he thinks he should look, when he sees a standoff happening.
Two people dressed in costumes and a clown.
He wanders closer out of boredom, when he realizes.
He knows that core.
That's Jason. His Jason. Rather, this dimensions version of him, but that's his fuckin' baby.
"Choose old man! Me, or the clown!"
Dan catches the weird bat-shaped dagger midair and materializes, shocking even the cackling clown into silence. Dan doesn't understand what's going on, but he understands the choice that Jason is laying out.
It's not a choice. Not for Dan.
"You every time, kiddo."
He reaches into the clowns skull, makes his hand tangible again, and squeezes his fist.
Then, he takes his kid, ignores the hoarse scream behind him, and hauls Jason into the Zone.
This may be this dimension's version of Jason, but that doesn't mean that Dan isn't gonna take the tyke to Frostbite to make sure he's okay.
2K notes
·
View notes
something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
6K notes
·
View notes