#like i have a LOT of criticisms for this show but this one joke really got me holy shit.

[tac-the-unseen]

COD museum date night

Fluff

Ghost:

•doesn't really care for museums but he'll go if you go

•He makes sure to hold your hand the whole time.

•makes God awful jokes about the paintings and statues

•laughs at the fat catholic baby paintings

•ends up having more fun then he would ever admit.

•hints at going back for future dates.

Soap:

•He's the one that came up with the idea.

•he images it as super romantic like the movies

•ends up bored out of his mind

•he'll tug on your sleeve and ask to leave like a 5 year old

•can't help but laugh at the nude statuses

•"I would not be posing like that if my willy was that small."

Price:

•He's quite and respectful of the artwork

•he walks slowly and throughly looks over every piece he comes across.

•Dad stance

•hands behind his back, legs spread, chest puffed out, his head nodding slowly as he looks over the art

•if you have a favorite piece, he wants to know everything about it.

•takes you to all kinds of museums if he knows you like them

Alejandro:

•secretly looks up facts about the paintings to impress you

•gets embarrassed when you point out his phone still open on the Google page he used.

•also laughs at the nude statues

•you had to awkwardly shuffle past the glaring art critics and students while Alejandro his bright red and sweating from holding back laughter.

•it becomes an inside joke between you two

•has a great time and wants to go back

Roach:

•at frist he's bored, but as soon as he get to the war section he's pressing his full body on the glass case

•like his eyes have stars in them and everything

•signs fun (and not so fun) facts about the artifacts

•it's the one section he REALLY took his time to look at.

•you bet your ass he's rummaging in the giftshop until he finds something he actually wants.

•you come home with bags of stuff because he couldn't decide

Gaz:

•He too, is respectful and takes his time walking around

•he looks like he's studying all the art

•in reality he's making up scenarios in his head

•he has one earbud in imaging himself saving everybody in the museum from bombers

•he has tuned to world out and is only brought back when you talk about what to get for lunch

König:

•Really like museums!

•he silent while you guys make your way through the galleries

•holding your hand the entire time

•loves the dinosaur section and loves to learn about them

•gets a little upset when he's reminded he's and adult and can't play with childerns interactive games

•he really wanted to play with the magnetic sand :(

•you end up buy him a small tin of magnetic sand in the gift shop :)

Rudy:

•is pretty normal about the date

•drinks a coffee while wondering around with you

•constantly talks about how you guys show start being more artistic together

•you shoot down the having sex with paint idea real quick

•that's a whole lot of mess neither of you want to clean up

•pouts the rest of the date

•gets over it when you take him to the gift shop

Mace:

•he has a deep appreciation for art

•He's fascinated by old tribal artifacts and wants to know how they evolved or translated into today

•is well versed in African culture and folklore

•when you get to the African section you get some frist hand facts!

•tells you stories and tales about certain art pieces and relics

•He finds a south African restaurant 20 minutes away and takes you there to end the night.

•100% bought a glitter pen from the gift store

Thanks for reading <3

#mw2 #cod mw2 #cod #simon ghost riley #john soap mactavish #john price #alejandro vargas #könig #rudy parra #mace cod #könig x reader #ghost x reader #reader #x reader

[quillthrillswriting]

with all of the criticism NATLA is receiving, i'd like to bring up another point that i feel like i haven't seen many people talking about, and i think this really contributes to the lack of overarching atmosphere NATLA has.

music.

i think a lot of people have already expressed the sentiment that this live-action adaptation really misses on a lot of characterization. katara seems bland and one-dimensional, aang is constantly stressed and anxious about the future every time he's on screen, sokka just doesn't quite have that quintessential sokka-ness we as a fandom know and love.

i'd argue that part of the reason that the show is lacking that characterization is first because of screentime. as a show with ~20 episode seasons, the original atla has TONS of filler episodes, but these filler episodes let us see different facets of the characters and ulitmately aid in seeing how characters behave when the overarching plot is not driving them at that very moment.

however, i believe that even with a shorter season that can't fit any filler, you can still capture those kinds of moments. instead, what i'd argue worsened this lack of characterization is a lack of those silly, twangy themes we all know and love from the original.

you know what i'm talking about? aang would make a joke and we'd have goofy melodic lines playing, or momo would appear and we'd hear this:

the original ATLA was so creative in using music to paint a picture- in serious moments, it matched the mood entirely, in quiet, peaceful ones it made you feel like you were right there, on appa's back with the rest of the gaang, and in silly ones, it gave a sense of heart and lightness to the show.

watching the live action, we just didn't get that same range of emotion, and i do believe this is in part because the music just missed so much.

despite my criticism above, i'm excited to see the show renewed. i truly hope that the writers take the critiques they've seen from the fan's responses and use those to write the show better. the actors really are being limited by the directing & writing, and once that limiting factor is resolved, i really hope to see the show recapture that heart and soul that is so present in the original:)<3

#like CMON give me a goofy little song #atla is so good at those #avatar the last airbender #aang #katara #sokka #natla #anti natla #natla critical #natla criticism #atla #netflix atla #Youtube #quillthrillsatlatalk

[finedinereception]

“lilith got charlie in the divorce” “lucifer got charlie in the divorce” actually alastor got her

#update: #yall had your fun but i dont want a post this big #RIP MY ACTIVITY FEED FR #I DONT EVEN LIKE THIS SHOW LIKE ITS NOT EVEN GOOD #HE DIESNT EVEN LIKE KIDS??? HELP. IMAGINE GOING TO HELL FOR SERIAL MURDER AND NOW YOURE JUST BEING PETTY LIKE THAT #like i have a LOT of criticisms for this show but this one joke really got me holy shit.

[kingpains]

i don’t know where to find other people who were disappointed in Geekish Celibacy Advocates Gotta Go to commiserate with. don’t wanna clog up the main tag with negativity because people just browsing abojt a musical they like don’t need that. but holy shit was this show a letdown for me and i cant find one other comment or review anywhere that acknowledges Any flaws :(

edit: censored the name of the show and didn’t tag @ all w/ the show’s name, but this’ll still pop up in searches for starkid and the effort required to edit tags on tumblr is INSANE, so i’m adding Starkid Negativity to the front of the post for blocking purposes of anypony doesn’t want this in their search!

#starkid negativity #letdown for a lot of reasons but it’s still probably just a 5/10 #it isn’t. horrible. i just do not get in Any Way the praise being lathered on it #especially the music #it wasn’t even that funny :( #i’ve never felt like one or two actors have ever CARRIED a starkid show alone before #max and chastity being the ones who carried hardcore here #they were funny and well written and even got most of the Not Bad songs in the show. good for them #but a lot of what they’re surrounded by is just :( underwhelming #i didn’t expect the Story here to be AMAZING WOWWWW bc that’s rarely what i watch starkid for. twisted knocked it out of the park but #for the most part starkid shows aren’t drawing me in with their Plots #the comedy and fun music and nice acting is the appeal for me and this show only really had 1 of the 3 in spades :( #that’s the acting. the acting was good nobody phoned it they were all clearly acting their asses off and enjoying themselves. that’s great #would’ve been greater if they jokes they were delivering and the songs they were singing were #also good #i’ve been a starkid fan since before the third very potter musical dropped* #i usually love starkid’s productions. they were a very good portion of my childhood and adolescence #trying to keep my criticisms here focused on Being Subjective. not saying any of my thoughts here are objective facts abt the show #using a lot of I Feel and To Me statements here. if this does show up in the N//P//M//D tags i’m not saying anybody is dumb or wrong #for liking it. if they did like it #but For Me this show really was a letdown compared to the rest of the starkid catalogue #starkid is allowed to change and evolve. of course it is and it deserves to. but id hope that a Starkid Spirit remains as a througline for #their entire catalogue #yknow. the quintessential essence of Star Kid. and it didn’t feel very present here :( #i have removed the title of the show from the post and it isn’t in the tags. but i’m gonna add a tag for blacklisting just in case

[marypsue]

For argyle, I can’t say much but I will say my dad is Chicano and grew up in LA area and he appreciated the Cheech and Chong references ¯\_(ツ)_/¯ IMO, I feel like his character was exciting in that it was a chance to give the Byers some interesting development, especially Jonathan, but in reality he was more an excuse for weed jokes. I also feel like sometimes the fandom in more excited to show that they can like a brown man actually, than actually giving his character depth (necessary caveat this may just be the corners in lurking on). He mainly exist for car and pizza plot points, and also deus ex machina moments where the writers clearly decided if a high person has an epiphany that coincidentally solves everything, it doesn’t count because they’re high and it’s humorous.

Apologies if you could hear me rolling my eyes over that last point from all the way over here. Everything I hear makes me more and more convinced that I made the right call dipping halfway through this last season. This show is very much no longer being made with me in the intended target audience.

(To be fair, this tendency toward stock comedic characters with cardboard personalities started with Murray back in season two, and just got fucking egregious when they decided he should be a main cast member and an important load-bearing plot element. I cannot stand the man. And yeah, season one had its share of dopey deus ex (Jonathan, why are you taking pictures in the woods in the middle of the night?), but usually it was to get the characters into Situations, not out of them.)

Like I do think it's important to be able to draw that distinction between 'this is what the author/showrunners/writers/story actually did, in our real world, where this is a fictional story that someone had to make all the choices about' and 'this is how I could explain this within the context of the story, as though it were a Thing That Happened and the people it happened to were real, and no deliberate, conscious choices shaped those facts'.

Maybe it really is just that I'm not the target audience here. Or maybe I just don't appreciate weed jokes. But it seems pretty clear to me that nobody on the writing team put in the time or the thought to give that actor much more to work with other than 'weed joke'. (Most likely because they didn't have the time to put in the thought. Or, possibly, that there was no one left on the writing team with the perspective to do so. Minirooms are bad, 'auteur theory' is bad, support the WGA.)

But I know fandom can Do Things with characters whose writers Didn't. I've done it myself! In this case, though, I can't get past how much he annoys me. Which is rough, because I agree with your point - having him there opens up a lot of really interesting possibilities for development for the Byers! It could have been really good! I just can't get there on my own. And I'm hoping somebody has the hookup for the good stuff, so that I don't have to try to sort through a lot of fics and headcanons about a character I am already irritated by for Meta Reasons, without a trusty guide.

#chatter #stranger things #i don't know what kind of setup they had on season one production #but it seems very clear to me that the duffers had less creative control #and it actually made things Better #they've introduced a lot of elements from the pitch bible since that had been changed for season one #and like. almost universally. they have made the show Worse. #(yes I am specifically thinking of murray. fucking murray. all my homies hate murray. #if they'd at least let him be WRONG every once in a goddamn while - #i'm good. i'm good. i'm fine. we're good.) #but yeah so many of season four's concepts have just had me going. man. this could have been really good. #if only you'd asked somebody from the group you're writing about #if only you'd run it by someone who isn't paid to agree with you #if only you'd take literally any criticism #if only the whole thing wasn't a big joke to you because it's funny when it's OTHER people getting upset #if only it wasn't all so fucking half-baked #i'm not bitter you're bitter

[unproduciblesmackdown]

with the recent like self-analytical framework of [putting hand on own shoulder] "are you looking for the external validation of value in this which would never be guaranteed, and you don't even think it should be contingent on this anyways" it's like, that also speaks more to like "yeah i did really enjoy live performance / theatre-adjacent and -overlapping stuff"

like i have my sense of how much i loved things and none of that involves any memories of having enjoyed it b/c of any feedback i got, from peers or instructors or anything. memories of curtain calls don't stand out much. like fun Specific Feedback was a kind older (relative to me) performer with the central role telling me that my literal leaping onstage (dance performance. grande jete entrance) despite a technical difficulty that would have to be improvised around was Inspirational/Motivating lol. i stopped having any particular stage fright (although is that when you're onstage? more like, anxiety beforehand about messing up. being onstage was the easier, enjoyable part) thanks to just having to yolo through those technical difficulties lol....anyways and then that same show actually, some relative to me younger audience member's dad was like "she's your (role's) biggest fan" and we nervously take a pic together lol. these things were fun & standout but Not Even It; not at all like "this is what makes it all worth it" like this is largely beside the point but a fun little bonus outlier event or two

like there was also no "i loved it b/c of Being In A Cast" nor b/c of any particular like, hanging out having fun Social Element. i loved rehearsing, though. loved being backstage (or in green rooms, or dressing rooms) but not because of any particular company or goings on. loved waiting & practicing / warming up & getting things together like your own costuming & being summoned to backstage & whatall. loved all the technical elements of getting a show together, when things were being assembled / worked out, though i didn't get to have much of any active hand b/c i'm like this twelve year old just learning the part, but it was fun to witness. none of my sense of what contributed to having a great time entailed any particular praise or anything; there was some implicitness in how all at once i graduated from [ensemble performance, back row for tall people] to [roles with solos] and the like, but there was just like, being busy, doing things well enough that it just wasn't Impeding anything lol, and in other arenas where i might've gotten more comments about being like, an outlier per whatever measure of success, it was definitely like, it's all just [successfully avoided negative attention] and ofc people think good grades are good but i'm not particularly moved by the awareness that that in turn is what's good or impressive about me, or something. or that i have to have anything like that for [successfully avoided negative attention]

and i wouldn't have like, done a monologue to an empty room and been like wow magical. i'd do my thing for rehearsal, and then for an audience, but you can't really see the audience and you're like ten doing local ten year old recreational stuff so it's like, the curtain calls you don't remember much (by you i mean me) and then you're done, and for me it was the fun of just like Everything Before. no like classic memories montage of great times socializing, it was me sitting in the green room equivalent, me warming up in the hallway, enjoying being in an auditorium for like 7 hrs of rehearsal, etc, we didn't do any like social events like high school performance afterparties or anything; i wasn't like Friends w/even the occasional person i also knew from school, and that didn't matter or diminish things in the least. performing A Show and for whatever Audience and that abstract is completely good enough. any of my parents' involvement, unavoidable b/c i couldn't even get places without being driven, was a major downside; i didn't like any like post performance [congrats] from them b/c that stuff was just its own unconstructive Performance that you, by which i mean me, were required to be sufficiently like Oh Wow about when it's like, the focused attention from you here means i want to leave; being left all amongst other adults during rehearsals was the good shit, while it also wasn't the case i needed like support or hype from any of those adults either.

there was Some tradition of like, older students in some program who'd take a trip to nyc / do some performance or other, and that seemed exciting but it stopped existing before it could be relevant to me lol. also for the first like, show that was like "audition for parts" vs "class recitals" they gave us like a relevant keepsake for it, and that was a nice surprise, since i had a great experience and all. and one of my main [not dance, with lines and everything] experiences being this fourth grade english class scenes from julius caesar, auditioned again, i'm like hell yeah that this has to be nongendered b/c it's all a bunch of guys, so i play a guy, and an antagonist yippee who doesn't die midway through and sounds easy-peasy to be like [be the dictator assassin] lol. it's funny how already i Cared about like, wish we had Effects instead of awkward silence for the drama of that assassination. wish i like, knew fuckall about acting. but the teacher just focused on telling us all to talk louder b/c nobody could be individually mic'd, and in the end you really couldn't hear fuckall of other performances so that was a win. and we got to do it twice b/c some people's parents got stuck in traffic. all i remember of my parents' presence was being like "omg yes i get to stop being here talking to you b/c we get to do that Again hell yeah"

like it's social but in a Parallel way. i'm contributing my part, i know my role, you know yours, i'm fondly remembering sitting in some school lobby having mini muffins with hours to go before our performance, amongst other people but not at all hyped abt interactions with them or at all disappointed abt the absence of any. i enjoyed it all being in front of people, others involved in the show, or the audience, but i wasn't there for any specific feedback, just being Part of that group constructed experience there. truly this case of like....loved all of that exactly as it happened, was on my own shit, did not need any external validation, didn't need a specific kind of Socializing that's supposed to look like having individual interactions with personal friends, had this passion for it that i also was having a perfectly good time exploring on my own, whilest also enjoying working with / learning from whatever instruction i got. like sure wishing i knew fuckall about acting but that it turns out no not everyone necessarily all loves stage acting as The Peak like that, and this comfort and interest with it that comes from like, you have all the practice of Having to perform and mask and act in life against your supposed incorrect abnormalities, but here's this constructive and creative and expansive edition of that art and science. good enough for doing it all through like fourteen

#the like metanalysis i'm applying to the wynnstannery journey meanwhile....a multifaceted like Oh Yeah I See places hand on surface #tl;dr like yeah i would love to do theatre in w/e ways and i would truly enjoy my experience completely in its own right. b/c i Have.... #stopped dance when i was fourteen coz knee hurty; gender hurty; parental involvement hurty; was going into college and was like will i even #have time for dance stuff? like yeah maybe but i didn't know it & figured i'd probably be forever busy & fail out anyways. took a break. #and that first year there was some delightful The Shakespearean Theater Just Down The Street also theatre adjacent class experiences #which was just More expansive & More evidence like yes i love all this shit a lotttt thanks #however at this juncture like; oh you Can audition for school theatre & even get there by yourself #didn't want family to know & come; didn't want to be alongside ppl who Did have all this high school experience and even if they didn't #were older so just probably at all better at shit lol. also my roommate had a lot of theatre interest & experience so i would've felt #awkward or out of place. like i do Not want to have to be really socially connected or like be criticized on some As Personal Acquaintances #supposed helpful basis lol. was sort of peripherally eventually [theatre doers] socially involved but eh #i had fun helping out with behind the scenes stuff Sometimes; or just hanging out in that arena #but i didn't make friends really & the true Downgrade was feeling like i was supposed to be / Had to be #one of those cases even when it's like ''yeah for some people they let you be around peripherally b/c you're the butt of the joke'' #like yeah great lmfao This Isn't It....but then going off oneself to some pwyw shakespeare show where you don't know what's going on but #that's not even required to enjoy it and Live Theatre and hell yeah babey. the actors were all whole adults & professionals & kind #like for me the social aspect is [when you're In A Show there's more afforded ''you're allowed to be here''] lol & that's it. #i like being around people but i like being there ''by myself.'' i can enjoy spontaneous; fleeting interactions contained in that moment #i don't need or even want those to Lead To Something That ''Actually Matters'' like an ongoing personal friendship or w/e #i enjoy those interactions in their own right; interacting in the capacity of both doing Show Tasks in their own right #i enjoy being in these Performances and Rehearsals in their own right & All The Enjoyment Was Already There. #i never needed or particularly looked for Especial Feedback from any sources. there needed to be an audience but that presence Was It. #i was engaged & enriched & interested in my own right. all very clear and clearly Genuine #vs whatever i was recognized as especially Good At or what i would just kind of do / was supposed to do but it's like; eh #or just otherwise like yeah i like some of this; but not nearly as much; &/or there clearly aren't ways to engage w/it in ways that i #actually want to or enjoy. i loved having a part but never needed it to be like Solo or the Main part. when i was doing & had done the #performing in rehearsals or shows like That Was It; that was what was fun. didn't anticipate or need the least Especial Feedback #just knowing like yeah that's the good shit. this is a real Passion that i enjoyed w/o ever needing anything ''more'' / external validation #wahoo....and the inherent value & relevance in just Knowing of that fact lol. wasn't always clear to me like yeah we all love that shit #in just the way that i did; right. like lol maybe not exactly and not always; actually.

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

#calvin and hobbes #queued

[emo-batboy]

Battinson Guest Starring on TV Shows

SO

For someone who holds the title of Richest Man in the World, Bruce doesn’t do a lot of traveling.

Which is to say he does a LOT of traveling, but he always tries to find a way out of it.

(Are there bat-related reasons for this? Are there people-related reasons for this? Are there anxiety-related reasons for this? Who knows?)

But partners and sponsors aren’t always going to tolerate his hermit-like tendencies. So once every month or so, Alfred wrangles Bruce into a private jet and sends him off to who knows where so he can represent the company.

Usually, it’s somewhere close on the East Coast, maybe it’s across the pond, even Asia isn’t off the table, but the rarest place to spot Bruce Wayne is actually the West Coast of the US.

One day, it is announced that Bruce Wayne will be spending two (count ‘em, 2) consecutive weeks in California with his kids for some grand business convention.

The West Coast media goes feral with the news, ESPECIALLY interviewers. And because Bruce kicks up such a fuss this time, Alfred has the gall to sign him up for FOUR TV appearances.

Here are these appearances :)

RuPaul’s Drag Race

Drag Queens, especially Drag Race all-stars, contribute to a wide variety of charities

So on a new episode, the queens are challenged to design and shoot a promotional ad for their own charity

And who better to act as a guest judge for this episode than the show’s largest benefactor, CEO of the Wayne Foundation, Bruce Wayne?!

Physically? He’s older than half of the contestants. But spiritually? He screams Baby Gay.

Fifteen minutes into the episode, Bruce is welcomed into the werkroom where he gives them pointers on their campaign. He’s in his cute little three-piece suit (Alfred’s idea) with the intention of looking put-together and knowledgeable. But that’s not the only outcome.

They all flirt with him. Everyone, single or taken. The confessionals are so thirsty.

“He’s lucky the cameras are on. Otherwise, I’d eat him up faster than a bachelorette party in a buffet line.”

“My celebrity crush is talking to me, and all I can focus on are his gorgeous eyes. How am I supposed to know what he's saying?”

Of course, they shoot their shot, but most of it is joking since they don't know he's bi yet.

“Are you single, honey?” Bruce blushes. “It’s complicated.” “Well, I’ll make it simple for you.”

We all know this man can't handle being flirted with. We saw how he froze when Selina did it. It’s like he mentally bluescreens when someone calls him a pet name.

Only THEN do they learn he's bi

One of the queens jokingly asks him, “Ever been with a man before?” thinking it would be a firm no, but Bruce says, “Actually, yes.” “Oh shit, really?” And to Bruce’s embarrassment, the whole room hears him.

The flirting is thus taken up a notch.

On the main stage, Bruce has a lot of great constructive criticism. He talks about how to find the right audience, the importance of a good slogan, and even goes on a little rant about logo design.

(You cannot convince me that Bruce hasn’t hyperfixated on the business of charity work before. Or the science of marketing. They’re his favorite business topics.)

After about three minutes of him complimenting one contestant for their Drag Library pitch, he stops himself mid-sentence and says, “Oh sorry, am I talking too much?” “No, please! Keep talking, sweetheart.” Bruce covers his face to hide his blush. “Why is everyone flirting with me?” “Baby, have you seen yourself?”

While the judges deliberate, RuPaul mentions Charisma, Uniqueness, Nerve, and Talent. Bruce nods along for a while then suddenly just blurts out, “Wait, does it spell ****?”

The judges pause then burst out laughing. “Oh no, we’ve traumatized him!" Bruce is blushing up a storm. “I just never thought about it like that!” “Sweet, innocent Bruce. We’re so sorry.”

It’s later revealed that Bruce offered to help some of the queens launch their charity projects through the Wayne Foundation.

It’s v cute 🥰

Nailed It!

I love Nicole Byer.

She is Mother.

In all seriousness, she’s so fucking funny and she’s personable enough to pull Bruce out of his shell a bit.

The theme for this episode is Found Family. Three pairs of family members compete together—a gay father and his adopted son, an aunt who adopted her niece, and a stepfather and stepdaughter.

Because Bruce Wayne famously adopted two children, he is invited to guest judge.

So Nicole opens the episode with a zinger, the contestants are introduced, and Bruce is welcomed onto the judge’s panel beside Nicole and Jacques.

(Yes, Bruce does speak French. Yes, Nicole makes a joke about it being hot.)

Nicole: “We were surprised you accepted our invitation, Mr. Wayne. You’re notorious for staying on the East Coast. What brought you to the Nailed It! Studio?” Bruce: “My children love this show. They always tell me I should be on it since I’m so bad at baking.” Nicole: “Really? Maybe we should do a celebrity season of Nailed It! and have you compete.” Bruce: “No, you should not.”

Nicole: “So, Bruce, I know you have a butler at home who bakes for you. But what’s the grossest thing you’ve eaten? Escargot? Bad caviar?” Bruce: “I drank olive oil straight from the bottle once.” Nicole: “…What?”

The problem for Bruce is he can’t say anything bad. It just feels mean :(

(And he would rather jump into oncoming traffic than gamble with a social interaction)

For the first challenge, the contestants make cake pops. But when Bruce tries the first one, there is a sickening crunch. Bruce’s eyes widen for a second and he slowly chews.

Nicole: “What was that? Bruce, are you okay?” Bruce, clearly struggling: “It’s…good.”

“Bruce, you can spit it out. It’s okay.” “I already swallowed it.” “Oh, you poor thing.” Bruce chokes for a second, and Nicole pats his back. “Please don’t die. We can’t afford it.”

For the big challenge, production has a surprise in store for Bruce.

Dick (9) and Jason (7) run onto the set and smother Bruce with a hug.

It’s adorable. Bruce no longer cares about paying attention, okay? His kids are here :D

The two boys read from cue cards to announce the second challenge: a three-tiered Gotcha Day cake. And as per tradition, the winner of the first challenge gets a leg-up.

This time, it’s a Helping Hands Button. When they hit the button, Dick and Jason will run over and help them for three minutes. (While being supervised, of course.)

As the contestants bake, Nicole says hello to Dick and Jason, who are clambering all over Bruce like a jungle gym. They both shake her hand and talk about how they love the show.

Nicole looks pointedly at the two empty chairs beside Bruce. “You know, we brought these chairs for you two to sit in.” Dick, on Bruce’s shoulders: “We’re fine, Ms. Byer!” Nicole: “Ms. Byer? Oh, you’re a cutie, aren’t you?”

Just ten minutes before the challenge is over, the Helping Hands button is pressed, and Dick and Jason are given stools so they can help the aunt and niece stack their cake tiers.

Two minutes in, the aunt instructs them to let go of the cake. But the moment Jason pulls his hands away, the cake topples over and covers him in frosting. Jason, whispering: “Oh f*ck.” Bruce: “Jason!” Jason: “I didn’t say that! Dick did!” Nicole: *cackling as Bruce buried his face in his hands*

Jason gets cleaned up, and Dick helps them stack what can still be salvaged.

When Wes brings out the trophy, he’s dressed as Batman. Dick and Jason gets a kick out of that.

Celebrity Family Feud

Bruce was invited to the show after his SNL skit went viral a few months ago

This episode, the teams are split up by cities they grew up in. Gotham v. Star City. Naturally, his team is playing for the Wayne Foundation.

It’s a pretty odd cast of people, most of them having moved to LA or Hollywood. Bruce is the only one to still live in Gotham.

They have fun, though, despite their limited common ground. The audience has a few good laughs.

(Some at Bruce's expense)

Harvey: You're a very wealthy man, Mr. Wayne. What do you really do in that tower all day? Bruce: I, uh…business? Harvey: …You business. Bruce: ……Wait-

All in good fun. Bruce just vibes in his little corner until he needs to answer a question. It's pretty chill.

For exactly half of the episode.

Then it happens.

Steve Harvey takes two people from each team up to the buzzer and says, “We asked 100 people: Name something your parents always told you as a kid.”

What the production failed to consider is how this particular question might be a sensitive topic for some contestants.

Bruce’s team gets the question, and Steve saunters up to Bruce, completely oblivious.

“Alright, Bruce Wayne!” Bruce nods awkwardly. “Hi, Steve.” “Bruce, what’s wrong? You’re looking a bit uncomfortable.” “…I don’t like this question, Steve.” “Why not?” Bruce just gives him a desperate look, and it clicks. “Oh! Oh my gosh!”

Let’s be real. Bruce is awkward enough, but Steve Harvey cannot save an awkward moment for his life either.

But he tries his best anyway and asks, “Are you okay with answering this question, or would you like to pass?” Bruce nods frantically. “I can answer. ‘I love you.’” “I love you too, Mr. Wayne.” “No, uh, my answer is ‘I love you.’” “Oh! That’s a good one.”

Thankfully, the audience erupts in laughter. That little interaction cuts the tension, and Bruce’s answer ends up on the board.

And by god, the memes

“I love you too, Mr. Wayne” is the new “Enjoy your meal.” “You too.”

The audio clip of “I don’t like this question, Steve” goes viral on TikTok

Someone gets a pic of Bruce and Steve looking at each other with palpable fear in their eyes, and it makes its rounds all over Twitter

10/10 never again

Running Wild with Bear Grylls

Now this is the most challenging. Not because it’s difficult, of course. But because Bruce has to look stupid enough to maintain his Brucie Wayne persona but smart enough to keep himself safe.

For this episode, Bear takes Bruce to the California desert.

“How much do you know about survival, Bruce?” Bear asks. Bruce nods carefully. “I did some survival training once with a friend from boarding school.” “Oh really, how did you do?” “Fine, I think.”

This is, of course, his way of saying I trained with a league of assassins for years, but Bear can’t know that! And that’s how most of the episode goes.

Thank god Bruce's fear of being caught is mistaken for being scared of the physical challenge because every time Bear points out how well he’s doing, he breaks into a sweat.

Bear: For a businessman, you’re surprisingly fit. Bruce, sweating bullets: Oh, this is all just for show.

Bear: Wow, you’re a natural. Are you sure you’ve never set up a zip-line before? Bruce, gripping his equipment so tight he gets rope burn: I think it’s just the survival instincts.

Of course, he pretends to be out of breath a few times. The Drama.

Bruce, pretending to slip and fall: Ouch! Who knew the outdoors were so dangerous? Bear, you are crazy. Bruce, internally: How much longer are we doing this?

Bruce being a vegetarian is actually a point of contention. You see, Bear always makes their celebrity guests do something crazy for food like skin a snake or eat a mouse. Scavenging for berries just doesn’t grab the audience’s attention.

But do you know what is vegetarian?

Bear: Now, in extreme cases of survival, it’s not rare for humans to resort to drinking their own pee. That’s what we’ll be doing in a moment. Are you up for it? Bruce, visibly repulsed: I’ve had Gotham tap water. I’ll be fine.

How on God’s Green Earth did Alfred convince him to do this?

To get to the extraction point, Bear takes Bruce down a cliffside.

Bear shows Bruce the meticulous process of properly belaying from the top of a cliff, and Bruce, who has done this over 100 times is like, “Wow that’s so dangerous :( Will we be okay?”

He really tries to ramp up his acting skills this time.

(Little does he know that’s not necessary.)

Bruce goes down first as Bear belays with a cameraman filming from the top. Halfway down, Bruce hears a scuffle, and the cameraman yells, “F*ck!”

Bruce looks up, arms already out for protection, and he sees a small disk falling towards him. It’s the lens cap. He catches it on instinct.

For a second, he thinks, “Shit, was that too skilled? That’s not enough to make people think I’m Batman, right? I just caught it in midair while dangling from a cliff. That’s totally not weird and suspicious. Normal people do that—“

Then Bear yells, “Bruce, drop it!” Bruce looks up at Bear, confused. “Why?” “There's a scorpion!” That’s when Bruce looks at the lens cap and sees a black scorpion perched on top with its tail ready to strike.

They don’t have those in Gotham.

Bruce jumps in his harness and flings the cap at the rocky cliffside. He hears a crunch, and the scorpion and cap tumble to the ground. Bruce frowns. Can a scorpion survive that drop?

“You just killed a scorpion, mate!” Bear cries. Bruce looks up in horror. “I killed it?!” “Hell yeah!” Bruce’s face falls. “No!”

Because oh. shit.

Bruce just killed something. The sad, orphaned vegetarian just killed a scorpion.

Bruce has a meltdown.

He didn’t mean to kill it!!!! Oh no, he just killed an innocent little creature. Yeah, he punches people for fun sometimes, and he definitely put a few violent criminals in the hospital, but he’s never committed MURDER!!

This poor little scorpion died due to his own negligence, and he feels so so so bad about it.

Bruce is a mess as he climbs the rest of the way down.

Bruce, cradling the scorpion’s body: I don’t know how to perform CPR on a scorpion! Bear: Bruce, you took its head clean off. Bruce: *sad noises*

Legit inconsolable. To him, it’s like he just murdered a puppy

Once they're out, Bear is trying to cheer him up. Bless him.

Bear: We’ve conquered the wild! Haven’t we, Bruce? Bruce, head between his legs, still mourning the scorpion: I’m never going outside again.

Yeah, no one’s going to think he’s Batman after that.

And that's all four of Bruce's TV appearances from the West Coast :) Dick and Jason never let him live any of it down. Alfred is almost sorry. (He is not sorry.)

Let me know your thoughts! What other TV shows do you think Battinson would appear on as a guest?

Okie dokie :D Love y'all! Have a good day <3

#RIP scorpion #bruce donates $10 million to the preservation of California wildlife to atone for his sins #battinson #bruce wayne #batman #the batman 2022 #batman 2022 #the batman #battinson needs a hug #dc universe #soft bruce wayne #gotham #rupaul's drag race #nailed it #celebrity family feud #running wild with bear grylls #dick grayson #jason todd #alfred pennyworth #long post #long long post

[thebisexualdogdad]

One Piece preferences - how they tell you that they like you (GN!reader)

Luffy -

● Luffy is not one for shame or embarrassment yet he's always nervous around you

● he always awkwardly rambles when you're near him

● and he even asks if you want the last bite of food before he takes it for himself like usual

● he goes to Usopp first for advice which Sanji and Zoro overhears and tells him to ignore Usopp's terrible advice and listen to them instead

● which then Nami overhears and calls them all idiots and gives Luffy actually good advice

● Luffy finally tells you he likes you but rambles again while talking so you kiss him to shut him up

Nami -

● she doesn't

● you have to make the first move

● even when you do tell her you like her she makes you work for it

● "I'll go out with you when we find the one piece"

● "I'm holding you to that"

● a couple months later when she thinks you've proven yourself she sets two plates of food in front of you guys

● "what's this?"

● "we're on a date"

● "I thought you weren't going to go out with me until we found the one piece?"

● "I changed my mind now start eating before I change it again"

Sanji -

● He is very confident and makes it known he likes you the moment you meet

● He flirts with you the entire time you're eating in the baratie

● "Anything else I can get for you cutie? I've been told I make a mighty fine dessert, that is unless you want me for dessert instead"

● "just the check please sweet talker"

● he brings the check to you with his number written on the bottom

● "just so you know I do accept tips in the form of a date"

Zoro -

● no matter how much Luffy points out to Zoro that he likes you he refuses to acknowledge his feelings for you

● It's not until you get critically hurt in a fight that he finally admits to himself that he likes you

● you've been unconscious for days and he never leaves your side while you're recovering

● you wake up to him sitting at your bedside and you've never seen him look this worried

● "thank God I thought I lost you"

● "you saying you care about me Zoro?"

● "yes Y/N, I care you about you a lot so please don't do that to me again"

Usopp -

● always brings you flowers and little trinkets

● "I saw this in town and thought you'd like it"

● names one of his slingshot moves after you

● all around gentleman trying to woo you

● Zoro "you know he likes you right"

● "of course I know, I just think it's sweet how hard he tries"

● the first time you kiss him on the cheek to thank him for your gift he blushes so hard and nearly faints

● he goes around proudly telling everyone that you kissed him and that he's your boyfriend now

Buggy -

● puts on an entire show for you

● pulling out all of his best jokes and stunts

● making the crowd cheer extra hard

● he does a huge speech throughout the entire performance about how you two could conquer the world together

● and how he needs you by his side to be the best pirate he can be

● for his final trick he uses his powers to send his hand up to you with a bouquet of flowers

● "what do you say Y/N? Want to be my co captain?"

Shanks -

● whenever he's in town he tells you stories of his adventures over drinks at the bar

● and always gives you part of his treasure that his crew found on their recent voyage as gifts

● "You're really giving me this? Do you know how valuable it is?"

● "There's no treasure in this world that I value more than you"

● "well Shanks it sounds like you're trying to tell me that you like me"

● "I would travel the entire ocean for you my dear Y/N and I would love if you joined me on my next adventure"

Mihawk-

● Literally kills a guy for you

● you're complaining about some jerk you ran into at the bar

● he mumbles "he shall pay for disrespecting my Y/N" and excuses himself

● he returns a little bit later with the guys decapitated head in his hand and blood on his shirt

● "you said you had a problem with this guy so I killed him in your honor"

● "Oh thats… sweet"

● "I knew you'd be impressed. So, dinner?"

Cabaji -

● always tries to look cool in front of you

● doing tricks on his unicycle

● like riding it through a flaming hoop

● or having you stand on his shoulders while he cycles around the ring

● or putting someone on the spinning wheel and throwing knives at them landing impossibly close to their skin

● "that was cool wasn't it Y/N"

● "sure was Cabaji"

● "So what do you say you and I get drinks together sometime?"

#one piece imagine #monkey d luffy imagine #monkey d luffy x reader #nami imagine #nami x reader #sanji imagine #sanji x reader #roronoa zoro imagine #roronoa zoro x reader #usopp imagine #usopp x reader #buggy imagine #buggy x reader #shanks imagine #shanks x reader #dracule mihawk imagine #dracule mihawk x reader #cabaji imagine #cabaji x reader #x gender neutral reader #preferences

[idolomantises]

One thing about ATLA I really do appreciate compared to other, more recent cartoons that try to tackle the concept of genocide and war is that the show spends a lot of time focusing on the communities that are the most victimized by it. The war is never a backdrop for these characters or played off as a joke, its a constant presence.

I remember my biggest frustration when watching SPOP was Adora very rarely actually engages with the people she's supposed to protect. at times the war feels more like an inconvenience to her than a genuine threat, because the victims of war are never given focus, just the soldiers and the royals.

it doesnt really surprise me that a lot of ATLA fans have a hard time grasping discussions around characters like iroh, zuko and azula because the show goes out of its way to show the impact of their actions. I've criticized azula fans for refusing to understand why she never got a redemption, but i notice a lot of zuko fans act like he was only doing terrible things to appease his father and not also because he genuinely believed the fire nation were in the right and has literally burned villages (hell zuko says it OUTRIGHT and fans still blame everything he does on his dad).

I don't know. its interesting. its like people really arent well equipped to handle the topic of war when it isnt used as a metaphor for child trauma and mental illness.

#txt #SU also had this issue but it was a bit less egregious compared to spop since it was ongoing for the latter show

[monimccoythings]

Random headcanons of Alastor and his child!reader

This will mix headcanons from both the living and the afterliving times.

Tw: Controlling behavior, implied cannibalism, references to murder.

This is not proof read so I apologize for any grammar and vocabulary mistakes.

Your home is always filled with music. Be it the radio, a record player or him singing. There's always someone playing a tune. Even now at the hotel you can always find him in one of the common rooms humming a song or with his cathedral radio on.

Loves dancing with you, you'll be helping him cook and next thing you know he is swirling you around the room, music mixing with your combined laughter.

From a very young age, he will teach you to love the radio. He is immensely proud of his job (the legal one) and wants to share it with you.

Likes to treat your wounds and illness the traditional way, just like he used to when you were alive. You got a scratch? He is cleaning it for you and bandaging it up. You are down with something? He'll wrap you in blankets with a hot water bottle and feed you old family remedies and warm soup. If the wound or illness is way too severe to his liking, he will immediately make it go away with a snap of his fingers, otherwise he just likes to act like your caregiver and mother hen you.

Really loves to pull the 'single hardworking dad' act that makes the mothers and female teachers at your school swoon. He is not really interested in pursuing anything further with them, but boy, does he enjoy the attention.

He likes to check on you while you are sleeping. Sometimes he just stays there, quietly watching you sleep, his ever present smile growing bigger as a sense of pride fills his chest.

Lots of dad jokes, I think he's the only one who could pull it off and have everyone laugh. It goes with his radio host charisma and personality.

He does your hair. This man has singlehandledly researched and become well versed in the art of braiding hair. Braids, pigtails, or just brush it, you call it, you got it.

Alastor loves control and having power over people, he is the kind of dad that will subtly talk you out of doing something he doesn't approve of, just using his inmense charms and smooth talking skills to convince you into thinking this was your decision after doing some critical thinking. "Cher, I don't think you should do X, how about you do Y instead?" "I'm sure your friend is too busy to hang out today, why don't we go to the ice cream shop?" He won't ever put you down or make you feel bad about anything, but if you are deviating for the path that he has already set for you (the safe path) he will immediately persuade you to go back to the right way, his way. In Hell that aspect of him has become a million times worse, since he has already lost you once and has become someone with many dangerous enemies who wouldn't hesitate to use you to get back at him. His overprotectiveness and controlling behavior skyrocket when he becomes a demon, which eventually will come back to bite him in the ass.

Doesn't like having anyone question about your biological parents. He is your parent. You don't need anybody else.

Alastor is not fond of physical affection, unless he is the one initiating it. But, since he has had you since you were a baby, he has mostly grown used to your touch. He has become proficient enough in detecting your moods that he knows exactly when you are going to need a hug, a kiss or some other kind of physical comfort, so he can get ahead and start the contact first. He admits that one of his favorite ways nowadays to show affection to you is ruffling your fluffy hair, lightly tickling your ears, his eyes fill with joy when your ears get all twitchy.

Your room back at the hotel is a carbon copy of the one you had back when you were alive, but bigger, and with a private old timey bathroom. Alastor likes to come in whenever he pleases, he is the unliving embodiment of "I'm respecting your privacy by knocking but asserting my authority as your parent by coming in anyway". He even said so once. Word by word.

You can't stand Mimzy. Sorry, it's a fact, she always gets your name wrong and only comes by if she needs something from your dad. She seems to not be very fond of you either, can't understand why in Hell Alastor would waste his time so willingly just to take care of a snooty brat that ain't even his. But your father seems to like her enough, so you swallow up your critics.

When he was alive, and came back from a 'hunt', he always brought a little memorabilia for you, maybe some old watch, a fancy toy or trinket the victim had on them at that moment. Whatever little thing that wasn't too incriminating and pretty enough to be worthy of you. Now that you know the truth, you can't stop wondering with dread if every little thing he gifts you belonged once to a poor tormented soul that crossed in his path.

Might had fed you human remians in his stews. He utterly denies it, claiming that he would never do that to your delicate stomach. But the suspicious way his eyes quickly dart around the room, makes you think otherwise. It was the Great Depression after all, food was scarce. You'd rather not dwell too much on it or you will never eat anything ever again.

He is a monster, and it pained you to have been so blind all these years, but even after discovering his true nature, the only thing you could say about his parenting before that terrible night of the discovery, was that he was an excellent dad, a tad bit overbearing and overprotective, but a great parent nonetheless.

#alastor #hazbin hotel #alastor x reader #hazbin hotel x reader #tw: controlling behavior #tw: cannibalism #tw: murder

[lizardsfromspace]

What's the worst thing about fandom in the last 20 years, and what's the worst thing about fandom that's always been true of it?

The worst thing about fandom in the last 20 years has been the incentivizing of fandom-as-conflict: not merely as a field in broader culture wars but as the field for endless intra-group battles.

This manifests in many ways: as seven hour videos complaining about The Last Jedi, as Twitter backlash campaigns, but also as stans defending their faves from any and all criticism real or imagined, as the endless boom-and-backlash cycle to any fandom meme or joke you see on Reddit, and as the drive for people to look for evidence other people discussing a thing they like are hysterical illiterate dolts, before anything else.

Or, in other words: a lot of fandoms are full of assholes these days, whose main interaction with fandom is using it as a reason to be an asshole, and to defend being an asshole. The actual “fandom” part of fandom no longer really exists for them. The discourse more or less is their fandom; someone whose main fandom activity is sharing videos about how Steven Universe is a fascist (?) isn’t in the Steven Universe fandom, they’re in the videos about how Steven Universe is a fascist (?) fandom. I mean, the chief fandom for many people is their side in the fandom war. What type of fanfic you write is secondary to what your affiliations are vis-a-vis battles over fanfiction

(One trend I've noticed is people who aren't at the stage where they only talk about what they hate and not what they love, but are at the stage where they can only talk about what they love in relation to what they hate. "I love this movie...and it proves this other movie is bullshit made by a hack". No ability to say just "I love this movie", period, end of sentence. This is how like two-thirds of Film Twitter talks about film, the remainder are all the grindhouse people going "man you've GOT to see Wrong Turn 5")

Another one, that I think is related, is that fandom’s become...more transitory, maybe? There’s Big Fandoms that are inescapable and then everything else feels like it’s here for a weekend and then it’s gone. And we’ve always had fandoms that endure and fandoms that vanish quickly, when the show runs short or turns out to be bad/boring, but we did use to have a lot of enduring if small fandoms for Okay shows most people hadn’t heard of and now you don’t really. Or they burn themselves out fast.

So we’ve reached this stage where fandoms are either so big they have seven hour long discourse videos, or they’re a smattering of fanart over the course of two weeks last August. But that isn’t really the fault of fans so much as modern media release schedules.

A lot of fandom activities of old are just...impossible now, with many shows? The slow build of speculation and fan works and in-jokes and theorizing and analysis simply can’t exist in a world where the premiere comes out the same day as the finale, and you can’t talk about the finale because you have no way of knowing if the person you’re talking to binged it all in one weekend or is still on episode four. That was the kind of thing that sustained the fandom of something that wasn’t a big hit, or even something that was. My fave fandom experience ever was watching the online Lost fandom wildly theorizing for all six years of Lost, and we’d never get “and what if the Smoke Monster is a dinosaur but only the head?” under a Netflix release model. Now at a base level, we either have shows nobody can discuss because nobody’s sure who’s seen or what, or shows where everyone just discusses the finale right away, and where you get One Week of Show and then a massive hiatus, which either kills all momentum or...drives fandom in the direction of hyper-analyzing everything and fighting because, well, what else is there to do? And that plus the outrage cycles of social media plus the fact that “man who yells at Star Wars” is now a viable career choice result in, well. *gestures upwards* All that

(Really, shout out to Cartoon Network for engineering the Steven Universe fandom to Be Like That through their inscrutable strategy of dropping episodes during one random week every five months or whatever)

As for something that's always been with it...cliques and a certain fannish elitism, like, that sees engaging with media in a fandom sense as more creative or analytical or intelligent than your average person. You see it now in the form of, like, people holding up fanfic above published fiction as more representative or authentic (I’ve seen more than one post on here strongly implying queer rep doesn’t exist in mainstream non-fic storytelling???), or going “well, we think about shows, unlike those normies watching sports”. But that was probably way more pronounced a thing in the past, in the 40-50s sci-fi fans were calling non-fans "mundanes" and calling themselves "slans" as an in-group signifier (a reference to a book with superintelligent psychic mutants known as slans). Like at the very least we should be happy no one’s calling non-fans “muggles” anymore. In the evolution from “mundane” to “muggle” to “normie” normie’s probably the least bad one

#asks #fandom #schafpudel #long post

[citizen-zero]

Probably the oddest comment/joke/criticism I’ve seen of Jack Seward is that he’s an incel. Which is kind of annoying because for all his (many) faults, his behavior is the polar opposite of a stereotypical incel’s behavior.

When Lucy rejects him, he asks if it’s because she’s in love with someone else, or if she’s just not interested, and he only asks so that he knows whether he might still have a chance or whether he should abandon his hopes. He respects her decision and offers friendship before promptly leaving. There’s never a moment where he behaves like he’s entitled to her time, attention, and affection. He doesn’t insult her or imply she’s wrong or an idiot for her choice, he does the very thing we constantly say men ought to do when rejected—he leaves her alone.

He doesn’t even express anger and entitlement towards her in private, nor does he denigrate her choice of man (which would be particularly shitty in this case since the three of them are friends). He’s just extra depressed about it, and maybe he’s more depressed than a lot of people would be, but I don’t think it’s all that unusual to feel crushed when you’ve been rejected by someone you really like. I think it’s very normal, actually (although obviously, in the modern era, at a certain point you’d probably want to see a therapist about it if it’s that persistent).

I guess I feel weird about it because it feels like there’s this underlying belief that if a guy shows any kind of romantic disappointment at all, no matter how well-handled, it makes him no different from men who harass and feel entitled to women and won’t take no for an answer. That’s not a good attitude to have! People are allowed to be sad and disappointed as long as they’re not making it the other person’s problem!

There’s a lot of well-deserved criticisms we can make of Jack Seward, but this one feels kind of like people who call Jonathan useless and weak because he doesn’t, like, try to fight Dracula or some other stereotypically manly thing.

#dracula daily #re: dracula #personal #erika's blog and bar

[lvckyyz]

hypno’s cabin headcanon

cabin’s song: you’re on your own kid - taylor swift

in greek mythology says that hypnos had a lot of children, however i don’t believe he would get involved with mortals very often

cabin 15 doesn’t have too many people, so they decided to have bigger beds and more hangouts spots in their cabin to make it more comfortable

they spend a lot of time indoors and some times their friends from other cabins have to drag them out of their rooms

and of course they are not always sleeping!like, they know that being a demigod can be dangerous and training will help them survive outside the camp

but it doesn’t mean that they enjoy training; they get tired really quick

a lot of people underestimate children of hypnos during battles

but like, they literally have power over your mind and imagination (also can make you sleep with their touch)

they know they’re powerful and just chose not to show off their skills because: their opponents won’t expect them to be so strong, and they’re too lazy to care about what the others think about them

they get along with every kind of person and could have a lot of friends if they wanted to, however, they always prefer to have only a few friends that they trust the most

usually friends with cabin 4, 20 and, surprisingly, with cabin 12

they are the cutest friends ever

hypnos children are very loyal to the ones they love, and will always help when they need

they’re good siblings, all of them are really close to each other

they gave up passing the daily cabin inspections a long time ago, and it came to a point where they don’t even get those visits any more

some of them suffer from insomnia, but luckily their siblings are always there to help

all of them are addicted to caffeine

almost everyone in cabin 15 have a stuffed toy they had since a really young age and treat it like they’re alive

can be really funny sometimes (usually make jokes that no one understand too)

they absolutely love trying to find meanings to other people’s dreams

but also have the weirdest dreams in the whole camp and never manage to understand their own subconscious

sometimes they can be selfish

because they don’t worry about things they can do ten minutes later

or even pretend they have nothing to do

children of hypnos can be acting like a child in one second and then just be all grumpy and lazy

they have one of the best tastes for music in the whole camp

a/n: hii everyone! so, this is my first headcanon, i have no idea if it is good or not but i just wanted to start writting. i’m sorry if there are some spelling mistakes (english is not my first language), so if you have any criticism, i’d love to hear it so i can improve! thank you for reading💞

next: cabin 4 💐

#pjo #pjo hoo toa #cabin 15 #heros of olympus #percy jackon and the olympians #riordanverse #mithology #headcanon #pjo tv show #percy jackson #jason grace #leo valdez #annabeth chase #pjo imagine #rick riordan

[physalian]

Writing Tone #2: Avoiding Manufactured Sincerity

There’s a scene in season 5 of My Hero Academia where two beloved teachers have been brought to some high security prison to interrogate a captured villain that turns out to be a brainwashed childhood friend of theirs. The scene is really dramatic, these two teachers are screaming at this guy, heartbroken, and when I saw the episode (shortly before quitting the entire show mid-episode over how bored I was) I was not at all as outraged and horrified as they were.

It was so tonally jarring, and so unfounded within the plot, that it was almost uncomfortable to watch. The villain they’re interrogating isn’t unfamiliar, but the plot-twist-surprise childhood friend is a stranger no one but these two care about.

I didn’t care, couldn’t empathize with why they were upset, knew nothing about their relationship with the guy beyond the ham-handed flashbacks given right that moment. I wasn’t prepared to mourn the loss of this random character, wasn’t primed ahead of time with the idea that this was a possibility to dread the scene before it happened. I was just waiting for it to be over and when it finally was, the impact it had on me was a resounding: Well that was weird. Now back to the plot.

Unfounded sincerity is the uncomfortably ugly step-sibling of plots that are starved of sincerity—look at most of Phase 4, but really, starting with Thor: Ragnarok in the MCU. Many Marvel properties are afraid to embrace the emotional moments and resort to bad jokes to laugh at themselves before the audience can laugh at them. Because how dare a late-stage superhero story about mythical gods be at all sincere in its relationships, its quiet moments, its tragedies. Nope, time for jokes.

Unfounded sincerity is when a story goes far harder with the drama, the love-declarations, the angst, the humor, where it’s trying really hard to convince the audience to care and it just isn’t working.

This happens when arguments start out of nowhere, as well, when characters explode at each other in a heated screaming match that hasn’t been left to fester for nearly long enough, undercooked and hard to swallow.

This happens when characters fall suddenly, madly in love with each other with zero dubious intervention to explain away the sudden passion.

It happens particularly when characters care a whole heck of a lot about someone the audience doesn’t, at the expense of characters the audience is invested in.

It happens when characters have emotional breakdowns and start crying over what ends up reading like spilled milk. When stoic and strong characters break over something they normally would never, for ~drama~.

This is usually both a tone and pacing issue, and a serious case of telling. The author hasn’t done any of the work ramping up a situation or relationship for proper delivery of these emotionally charged moments that are written like critical character beats we’re supposed to care deeply about.

So how does this happen?

1. The author *really* wants this scene, but writes it too early into the story

Unless there’s foul play involved, or this is a romantic comedy that isn’t supposed to be a realistic and healthy depiction of how romance works, characters suddenly declaring love for each other at the cost of their own well-being, their own character arc and journey, and their other motivations can be very frustrating to read.

But the author wants to get to the Good Stuff, so they coast on the “male + female leads = relationship” expectation without writing the why (and so ensures the rise of so many gay ships in the process). Or the male + male leads” or what have you.

2. The author cannot fluidly change tone and characters explode, instead of simmer

An argument that comes out of nowhere can really take your audience out of a scene. Your characters suddenly look ridiculous and your audience can’t follow what’s going on or why they’re so upset. This is different than a character exploding seemingly out of nowhere, but who we know has been building resentment for dozens of pages and loses it over something otherwise inconsequential.

These scenes are painfully, obviously there for manufactured drama and don’t feel natural. These characters don’t feel like people, but playthings, action figures manipulated by the hands of the author.

3. The characters involved are underdeveloped

As in the My Hero scene mentioned above, of the three characters in the scene, the “friend” we’re supposed to care about is a non-entity. The two teachers could have lost their minds over this guy’s sudden death, or the reveal that he turned traitor, or that he murdered younglings and puppies and kittens, to the same emotional impact, because we don’t care about this guy (or, I don’t, at least. I didn’t, and shouldn’t have to read the manga).

You can of course have characters who grieve non-entities, like the fridged wife trope. The difference is the audience knows we’re not supposed to know or care about that lady and the character she never was. This happens pre-plot, not mid-season 5. The frigid wife is the catalyst for the character we then come to know, not a character whose death radically changes our heroes from the people we’ve already established.

4. The tonal jump is just too extreme from the established rules of the story

Abrupt changes in tone can be very tricky to pull off, and almost always fail when it surrounds an abrupt shift in character dynamics (as opposed to something more plot-related). As in, your lighthearted comedy suddenly stops the plot so two characters can scream at each other, when this level of emotional charge hasn’t been established as a possibility.

Or the aforementioned emotional breakdown that just leaves audiences uncomfortable like the awkward friend trying to soothe a weeping companion.

—

Unfortunately, the fixes to these situations are either delete that entire scene, or go back and do a lot of rewriting so there’s enough build-up to justify its existence. Go back and write in that simmering resentment, all the little frustrations, a pre-existing tension within the relationship that is always primed to snap.

Absence makes the heart grow fonder and there’s a reason the “slowburn” is so popular. Setting out from the beginning to write a fast-paced, passionate romance tells your readers to expect exaggerated displays of emotion.

My favorite musical is Moulin Rouge. This movie is insane. Everyone is hyperbolically emotional and nothing is half-assed. The dances, the belting singing, the costumes, set-design, editing, the declarations of love– they’re all dialed up to 11. So characters screaming their love or rage from the rooftops is a *lot* but you’re prepared for it from the opening scene, knowing exactly what kind of movie this is.

Even if you don’t start your story with the level of drama it will eventually reach, there should still be some sort of progression when it comes to character drama.

Last Airbender didn’t open episode 2 with the emotional intensity of Zuko and Azula’s last Agni Kai… but it did show you that this isn’t just a lighthearted comedy in episode 3, with the reveal of Gyatso’s body and Aang’s violently emotional reaction.

Speaking of episode 3, they didn’t throw in Gyatso out of nowhere. We know from the show so far that a) Aang is the last of his kind, and b) he doesn’t know this. Everything leading up to this reveal is lighthearted, sure, but with that undercurrent of dread, waiting for Aang to see for himself, waiting for that other shoe to drop.

So some things to keep in mind are:

Prime the audience with dropping that first shoe, make them aware of the building tension (romantic, aggressive, grief, or otherwise), even if not all the characters are aware.

Build that tension. If your characters will eventually explode, let them be mildly irritated first, then annoyed, then frustrated, then angry, then raging until they can’t contain it anymore.

Make sure every party involved in this dramatic moment is someone the audience actually cares about, not just someone they’re told to care about.

TL;DR: Don’t pull the trigger prematurely. It’s most obvious with suddenly passionate arguments, characters flinging insults and hurts the audience isn’t prepared for and doesn’t know about, in effort to move the plot along before it’s fully cooked.

So unless there’s some drugs or fairy magic involved, or one of these characters has a gun to their head forcing them to do this right now, people don’t just explode in a rage without some buildup first. People can explode in a rage over a seemingly inconsequential and unrelated thing, but they’re likely already upset and this one little thing is the final straw. Audiences love the anticipation of what that final straw will be, and whether the explosive drama is rage or romance, “slowburn” is immensely popular for a reason.

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #writers on tumblr #pacing

[leviaana]

Miraculous Movie Review (Rating: 4/10)

I watched the preview of the Awakening movie yesterday and really want to share my honest review. There’s going to be several things that I’ll criticize. So be warned!

Also: Spoilers!! DON’T read it if you haven’t seen it yet. This is my personal opinion. So please stay excited for it!! 🐞🪄

First of all, my overall rating for this movie is a 4/10. Just yesterday I was ready to give it a 5/10, but quickly noticed it had much more things that upset me than I initially realized when walking out of the movie.

I know it’s a pretty low rating coming from such a huge fan like myself, but that’s probably the main issue. I’m a big fan of the show, so changes in lore and characterization will be more apparent to me. For better or for worse, in this case, mostly for worse.

On the first glimpse the movie seems like a retelling - a soft reboot, if you will - of show’s origin story. The plot goes much further than that however, as it also provides a conclusion in form of a final battle with Hawkmoth as well as an identity reveal of our two main heroes.

In order to ensure the entire premise fits into a 90 minute movie, a lot of things regarding the shows lore were simplified. I say that as a neutral statement seeing as a simplification can be either a good thing or a bad thing, depending on your opinion of the source material.

Personally, it left me rather unsatisfied but I’m getting ahead of myself. Let’s start with the good things!

One of the things I really enjoyed was the animation! Seeing miraculous with such a high production value certainly felt like a cool summer breeze. While I do prefer the original character models style wise, it was still just nice to see them in this cutesie pretty style! The locals were gagging!

Ladybug and Cat Noir were especially gorgeous!

I also really enjoyed the singing. I watched the German dub and it was very neat!

Sad to say that was pretty much how long my enjoyment lasted. Everything apart from what I’ve mentioned above was… interestingly handled… to say the least. Let me elaborate.

1. The dialogue was awful!

Truly not the biggest fan of musicals but I couldn’t wait for them to start singing just in order for them to STOP TALKING 😩!

The dialogue was so awkward and stiff. All of the characters were interacting very weirdly with each other. At times it would sound like several lines of dialogue were cut from the final version, as the characters barely acknowledged each other verbally. They didn’t talk with each other, but past each other.

Moreover, every second phrase was a very cheesy one liner. “Believe in yourself.”, “Listen to your heart.”, “stronger together”. Super overdone.

The movie wanted to be inspirational so bad, it forgot to be genuine.

Some examples that I recall from memory:

“Mom, I don’t have any friends and I’m scared to go I school.”

“Just believe in yourself, Marinette.”

“Okay, thanks.”

Or.

“Tikki, I’m in love with Adrien.”

“Listen to your heart, Marinette.”

“My heart……Adrien.”

2. How did they manage to make Ladynoir banter … weird and uncomfortable to watch?

Don’t let these pretty movie shots fool you because Movie!ladynoir spent their time in a constant roasting competition that they were somehow both losing!

Not once did they manage to establish that flirty and charming atmosphere around them. No, they were draaaagging each other through filth. And maybe it could have been somewhat fun, god knows I love couples that can roast each other. If only the dialogue was better and didn’t reek of “we have no idea how young people interact”.

In a desperate attempt to make jokes, they let Chat call LB a sidekick or watermelon in every. single. scene. To say that it got annoying when the jokes didn’t land the first 10 times they were made is an understatement. No Milady, no Bugginette, no little wink or a kiss on the hand. Only watermelon and sidekick. Them talking in weird cut off phrases. With careless whisper playing in the background.

Don’t get me wrong, there are some beautiful moments. But their beauty can only ever do so much when met with weird pacing, dialogue and characterization. I’ll talk about that last part in a minute.

3. Everything was so on-the-nose.

The characters would constantly say how they feel and what they think aloud. Jeremy didn’t trust us with even an ounce of media literacy. Classic case of always telling, never showing. Not to mention the constant inspirational quoting in a desperate attempt to convey some deep message. Is this a movie script or my moms facebook page? I guess we‘ll never know.

4. Characterization: Marinette

Having Marinette be somewhat scatterbrained but overall still respected by her peers is not inspirational enough! Make her your average teenage outcast and a total loser. Dad, you’re embarrassing me in front of the cool kids!

If you enjoy that kind of characterization that’s okay! Personally, I thought it was very cliche. It just.. didn’t do anything for her as a character. Having her start off at a much „lower” point in life, with almost no support system, only makes her coming of age journey to eventually become a self accepting confident heroine take longer. Seeing as the movie is only 90 minutes, the moment we see her “shine” is when it’s all almost over.

5. Ladybug …?

Did I mention Ladybug doesn’t use her lucky charm? Not. once. No crazy plans to show that she’s smart and creative. Just a pretty girl swinging around.

6. Adrien

I have a bit more to criticize about the characterization of Movie!Adrien.

The longer I think about it, the more it becomes apparent that they really didn’t know how to write Adrien. His personality appears inconsistent, almost like they were trying to fit him in too many roles at once. He is either extremely closed off and mysterious (even towards his friends), a comic relief character, bathing in self pity or just outright cocky. Those hoping to see his politeness and selflessness will be disappointed. This character only is ever shown to be self centered. A perfect example is how he *didn’t do anything* to be called worthy of the Black Cat Miraculous. He was just one of the „chosen ones“. When the Adrien from the series sacrificed his own freedom to help Master Fu.

Another example is how this Adrien doesn’t really see anything in Marinette. He called her strange in their first interaction and never really lost a single thought on her throughout the rest of the series. No common praises, no support, just awkwardness and not the wholesome kind. In fact, I would argue Marinette and Adrien aren’t even friends in the movie, the only interaction to suggest otherwise was slammed as a 5 second scene in a 2 minute montage.

Even if you were to suggest their bond was formed off screen. We don’t really see it ever take root. He even turned down her gift and invitation to go to the ball with her. Yes, you guessed correctly. It was because he was busy bathing in self pity over being rejected by Ladybug. Yikes.

To sum it up, this Adrien really doesn’t care about anyone but himself. Ever. They massacred my boy.

7. Chat Noir

His charming smugness as Chat Noir crossed the fine line that turned to arrogance.

Considering how Adrien was characterized, that comes as no surprise.

As mentioned in my criticism towards the dialogue and the Ladynoir dynamic, this Cat is often seen discrediting LB with unfunny jokes. The moment you see him actually appreciate Ladybug, open up to her and Woo her, it’s all overshadowed by his entitlement to her affection.

Some may argue that we see traces of such attitude in the show as well. However, in a series, Chat Noir has many redeeming qualities as well as time to grow, change and move past these flaws. And boy, move past these flaws he did. In the movie, it’s all you get. Take it or leave it.

In one scene, he even lets her think he was hurt by an Akuma in order to catch her worrying about him. It was just a short scene and most people would look past it, but I think it’s these small details that really show how these movie characters tick in comparison to the series.

8. Akumas/Hawkmoth

Just a small detail that kind of ended up taking away the enjoyment of all action scenes is how the Akumas in the movie do not have a motive. There’s just some random people that you don’t care about before their akumatization and that you won’t care about after.

Hawkmoth doesn’t make a deal with them, ask for ladybug and chat noirs miraculous in exchange for his powers, none of that.

He just makes them evil and they do evil things for shits and giggles. The movies premise doesn’t even suggest he needs the miraculous. He just needs to get close enough to Ladybug and Chat Noir to steal Tikki and Plagg.

9. The Ending

I just wanted to dip into that ending real quick. In the movie, Gabriel is redeemed when he finds out about Chat Noir being Adrien. He apologizes to him and they make up. The scene surely will make people emotional, but from my perspective it was all rather predictable.

Whether or not Gabe was worthy of a redemption in the movie is a topic to discuss on its own. Personally, I was okay with it.

What I found more interesting however was…

10. The reveal

This is the moment most people have been waiting and yearning for. And I may sound a bit smug when I say that the movie served a good purpose to show us that a fast reveal would have never ever been satisfying!

It was super underwhelming because - of course it was!

Marinette and Adrien barely had a connection! For all we know they could have been total strangers and their reaction to each other’s identity wouldn’t have been any different than what we saw in the movie.

We never saw Marichat or Ladrien interact either. So that certainly lead to a less explored dynamics. Cue unsatisfying reveal.

They really tried to make it this big emotional final moment, but really? We just saw Ladybug and Chat Noir lean in for a kiss without their masks. Like in a new fit. Nothing really groundbreaking came out of it.

Any fake reveal in the show was better than that and I mean it with every fiber of my being.

And don’t even get me started on how Adrien only ever noticed Marinette when she revealed to be Ladybug. It’s just not it.

Final thoughts.

There’s sooo many more things that I could elaborate on but I think for now I’ve said enough to support my rather poor rating of the movie.

In my opinion, the movie relies too much on people enjoying the source material while trying to be its own thing. It risks leaving everyone unsatisfied.

Those who watch the movie as a stand-alone are met with weird dialogue as well as plot, characters and dynamics that aren’t at all fleshed out.

Meanwhile those who watch the movie because they like the show will be inevitably comparing the movie to its far superior source material.

#miraculous ladybug #ml #miraculous #ladybug #adrien agreste #chat noir #cat noir #marinette dupain cheng #miraculous the movie #awakening #mlb awakening #mlb movie #ladybug and cat noir the movie