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#its different from your personality being perceived differently
haute-honey · 2 days
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I feel like shaking the table in honor of the last day of this mercury retrograde.
DISCLAIMER: Astrology is subjective and should never be looked at as definitive. So, when you're viewing astro observations or notes, please take it with a handful of salt. Including this post. This spiritual shit is meant to teach you more about yourself, not to solve all your problems or give you the answers to life's biggest questions.
scorpio sun is the worst scorpio placement to have and I wish you all would stop including them with other scorpio placements bc they are totally different vibe.
taurus' placements are who yall think scorpio placements are.
also, taurus men 🤝 sabotaging their own attractiveness.
Why don't we also talk about how having heavy Saturn placements, Venus-Saturn, Saturn in 7th, etc. as a young person makes you more susceptible than the average young person to being groomed/sexually assaulted by older individuals?
I hope that everyone of you who hold on to the stereotype of libras being liars meets a libra who is not only not scared of being honest, but cuts you deeply with the truth 🙃
scorpio moon women 🤝 never forgiving your father for mistreating your mother.
Black gemini sun men 🤝 loving white/racially ambiguous women.
Pisces men 🤝 lacking authentic charisma
What is with aquarius suns and being able to articulate themselves or a situation in an intellectual manner but still ending up in the stupidest, avoidable, thoughtless circumstances? Like does your brain work or not?
I think people with prominent aquarius placements tend to like the idea of being perceived as intellectual rather than doing the actual work or feeling the brunt of being an intellectual. For example, J. Cole the rapper (aqua sun) appearing to be very "woke" in his earlier work just for him to expose himself later on by saying he doesn't even read books..................
Oh to be a woman with prominent libra placements or stellium... you encounter jealousy from all genders and its unfair because no matter what we they do, people will still send the evil eye regardless. Avoid being in situations where you're the big fish in a small pond.
not an observation but really wish yall would stop tagging shit that has nothing to do with astrology or astrology observations. yall annoying af.
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assmaster-8000 · 7 months
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why don't clothes fit me the way they do on a skinny cis guy (<- isn't a skinny cis guy)
#being trans masc is so frustrating because i forget i got the level 1000 gyatt#go forth and find a beautiful trans woman bodily curves of mine#i have so many cool pants that would give away im kweer if i wore them not because they're from alt fashion subcultures#but because my ass and thighs and hips are too femme apparently?!?!?#when will people stop associating allat with women or something#my cis male friends have the biggest fucking asses for some reason AND THEY KEEP ON TWERKING INFRONT OF ME WHEN IM MINDING MY BUSINESS#no but *im* the female and a girl apparently#i wanna go out in tight fitting clothes until i realise i actually have a female body like whatttt#ain't that crazy#im not saying those bodily attributes are inherently femme or indicators of being a girl or a female cause just. no#im just saying that many people think that way#and it's hard trying to be perceived as masc while trying to dress the way i want to#'why do you care about how others perceive you?' because being perceived as a girl makes me feel bad like what#its different from your personality being perceived differently#im aware my gender is something i define but i can also want others to perceive me as a guy too#i cant change the minds of everybody but in the end i still am a masc identifying person and i want people to easily identify me as one#transphobes and people who blatantly refuse to perceive me as one is something else entirely#and if adhering to the binary gender norms is how i can be validated in my gender then so be it#because gender is a social construct and mine is affirmed and solidified through social interaction#other trans people wont do what i do. others do. that's fine. gnc trans people are fucking sick /pos#but unfortunately i do not have it in me to NOT care about how others perceive my gender#because it matters a lot to me and being perceived as a girl hurts
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featherymainffins · 14 days
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Now this might be because I have issues but is it just me or does Slay The Princess feel like an allegory for a relationship?
#like i dont even mean the actual textual stuff like the two gods loving each other i mean like#while the narrator himself does say that he is not the protagonist at all the voices do in fact count him as one of them and#both the narrator and the voices are described as shattered glass pieces on the floor#and im saying that just to contextualise what im about to say because i feel like the narrator is an echo of someone who was in#a relationship with another person and is trying to 'slay' the memory of this person and defeat death not only literally but#on a metaphorical level (as in the death of a relationship). if you do slay her you destroy her memory and in that way you do not know her#at all nor do you care to#and the routes would be the perspectives held by different parts of you. shes literally a being that changes based on who perceives her#but metaphorically thats just how people work isnt it? relationships are complicated and there is a part of you who sees someone as a razor#and there is a part of you who sees them as a damsel and another who sees them as a god etc etc#its like youre a person who is trying to make sense of the situation and; which is why the construct of the princess is made up of#several vessels called perspectives. you understand the whole of what you think only when you take apart all your perspectives;#and theres a you who isnt you anymore who doesnt want to do this. hes telling you to just destroy it. it was wholly wretched and wholly bad#and it changed which is a crime in itself. theres an echo of you. and theres you; built by this echo because thats how the self works#we are each our own god and we build ourselves. the different voices are like different parts of you#much like the vessels are the equivalent of the voices. theyre the finite confined perspectives; aspects of a whole person#and slaying her in this context would obviously mean literally just destroying the memory and deciding that change and all it brings#is an awful thing. though im not yet sure what the difference between leaving with the whole and between separating yourself#and leaving with just an aspect would be.#thats probably like the only thing thats kinda ruining this interpretation lol#oh and obviously a lot of the routes have like very strong relationship symbolism. specifically a lot of them feel like#scenes from a relationship that is falling apart. for example in the adversary and then the fury when you run away the dialogue#basically mimics a partner running away from a conflict and the other one destroying themselves because of it#witch and the thorn are both heavily Esop-coded and the text itself says that its about two people hurting each other even though they love#each other but both are afraid of the other one and of being vulnerable. thorn is about finding forgiveness in one another#and deciding to be better and love each other despite the hurt youve caused each other due to your problems#etc etc#like am i insane am i mental am i projecting?
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nereidprinc3ss · 2 months
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do you believe me now?
in which fem!reader is insecure around spencer until she finally asks him to take matters into his own hands (literally)
part two
18+ (smut) warnings/tags: inexperienced reader, fingering, softdom!spencer my sweet sweet beloved angel, sub reader, praise, you know he talks you through it, brief mention of drinking wine, i think that's it a/n: i hope u guys like this ! slightly different dynamic than my other stuff maybe but let me know what u think!! i love feedback and i love YOU!!!
“You’re so pretty.”
It’s the first thing Spencer has said since you two landed on his couch, exhausted from one of Rossi’s extravagant soirées. It was your first of many, if Spencer’s entire team is to be believed. More nights featuring Italian food and wine you could never afford don’t sound half bad—but for now you’re drained. You barely had the energy to kick off your heels and topple into Spencer’s lap five minutes ago. The silk dress still pools over his knees and your hair still falls in curls around your face. He brushes one aside as he continues. 
“I mean—you always look beautiful. But I’ve never seen you all done up. You’re obscenely gorgeous.”
You groan awkwardly, burying your face in Spencer’s collar as your face heats. Taking compliments has never been your strong suit, especially from someone who you perceive to be so out of your league. The relationship you have with Spencer is relatively new, and sometimes you worry delicate; like one slip-up revealing the real you and he’ll go running. So far, though, he seems hellbent on proving you wrong. 
His hand finds the bare skin of your arm, passing up and down gently. “Why don’t you believe me?”
“…I do.”
It’s unconvincing. Spencer scoffs. 
“No, you don’t. You never believe me when I compliment you.”
The cadence of his voice is light enough, but it’s evident that there’s some genuine frustration there, lurking just under the surface. 
Your head lolls over his shoulder and he angles his neck to look down at you. Hair falls over his eyes, and you’d fix it if he didn’t look so damn perfect. Everything about him looks intentional, like he was designed by someone who took great pride in their work. Not at all like you—a collage of features and spare parts you guess whatever force created you had lying around. Nothing about you feels on purpose. But that’s a hard thing to explain.
“I’m sorry. I know it’s impolite. It just feels disingenuous to accept compliments like that.”
Goosebumps arise on your arm where he touches you.
“You being polite isn’t what I’m concerned about. I just wish I could make you understand that I mean it when I compliment you. You’d know if I didn’t. I’m a terrible liar.”
That earns a giggle from you. Your boyfriend smiles, sparkling eyes darting over your face like he’s trying to bottle the sound, the memory—and you realize he probably is. What a terrifying thought. You look away, abashed once more. 
“I’m a woman, Spencer. I’m not allowed to like myself. That’s the whole thing with Eve and the snake and the apple and whatever. Eternal inescapable shame.”
“Are you trying to justify your self-loathing by making it biblical? You know I’m the last person that would work on, right? Both as an agnostic-leaning-athiest and someone who thinks you’re beautiful and wonderful.”
Another groan claws its way from your throat as you slide down in embarrassment. 
“You’re killing me here, Spencer.”
“What can I do to do to make you believe me?” he murmurs, carefully brushing tangles from your hair as you now rest practically prone across his lap. The ceiling light stretches behind him, haloing him in a soft glowing crown and making everything a bit more hazy and tolerable. 
“It’s not your fight.” It’s meant to be playfully dramatic, but it hangs from your lips with a painful amount of earnestness. 
“If it’s yours, it’s mine. That’s kind of the whole point of a relationship, right? Being a team?”
His fingers are nimble and warm between yours as you interlace them, steepling and bumping them together as you speak. 
“Well, if you know so much, why are you asking me? It sounds like you know exactly what to do to make me magically love myself.”
A dangerous twitch plays at the corner of his lips as he gazes sleepily down at you. 
“Oh, I have a few ideas. But I’m asking what you’d be comfortable with.”
“Whoa!” you blurt, giggling self-consciously, covering your face with your (and inadvertently one of his) hands. “Where did that come from?”
He smiles at your response to his mildly suggestive comment. “I lose my filter when I'm tired. I’m sorry if I made you uncomfortable.” 
You sigh gustily, dragging his hand down to fall over your collarbones. His fingers twitch over the delicate skin, like he’d graze it if your hand wasn’t weighing his down. 
“No, no, you didn’t make me uncomfortable, you just… surprised me. I’m really bad at talking about this kind of thing.”
“Sex?”
You yelp, slinging your arm over your face and hiding in the crook of your elbow. “AH! Don’t say it!” 
He laughs again, a little less reserved this time. 
“What? You can’t even listen to me say the word?”
“No! Too scary!”
Eventually you peek out from under your arm to find Spencer still watching you. The humor has faded from his eyes and been replaced by a kind of serene calm. He brushes a lock of hair from your shoulder. 
“Come here,” he says—a request more than a demand. With some wriggling and a bit of help, you manage to reorient yourself into a sitting position across his lap once more. His touch is warm even through the fabric of your dress when he kisses you, hand sliding over your waist before moving to trace your jaw and ending up on the back of your neck, urging you closer ever so slightly. You kiss him back without hesitation or restraint, as you delight in doing when he gives you the opportunity. What you may lack in experience and refinement, you make up for with affection and enthusiasm. He pulls away after a minute, much to your dismay, and brushes his thumb over your lips. For the first time, you think you see a hint of worry in his eyes. Guilt claws at your heart when he quietly asks, “you’re not scared of me, are you?”
“No!” You assure quickly, looping your arms around his neck. “No, it’s not you. You’re perfect and I’m sure you really mean all of the nice things you say. But I just… sometimes I worry I’ll scare you away once you realize I’m not as pretty or… good as you thought.”
“That’s impossible.”
Once more you let your head fall onto his shoulder. “You don’t know that.” 
His hand begins running up and down your back, soothing your sympathetic nervous system in a way that all the deep breaths in the world never could. 
“I know that I really, really like you. And there’s not one part of you that I don’t find genuinely beautiful. I can’t imagine not feeling that way about you.” Your eyes flutter shut and you hum against him—a non-answer, but he doesn’t push it. Minutes go by quietly, ticking later into the night as he continues mindlessly rubbing your back and watching you breathe. “Do you want me to take you home?” He finally asks after a long while. Again, you don’t respond. He smiles. “I know you’re awake.”
The corner of your lip twitches as you attempt to suppress a grin. Spencer sighs. 
“I guess if you’re already asleep you’ll just have to stay here. But it would be convenient if you’d sleepwalk to my bed so that I don’t have to carry you.”
When you begin stirring and sitting up (one eye cracked to navigate) he laughs, hands on your waist. “Would you look at that. Who knew she would be so suggestible in non-REM?” You snort as you push yourself to a standing position using Spencer’s shoulders to support yourself, and ruining the whole act. He smiles up at you like you’re something divine and lets his hands trail over your hips. 
“I sleep with my eyes open.”
“Do you often have coherent conversations in your sleep, too?”
You shrug. “I’m full of surprises.”
“I’m sure you are,” he agrees, finally standing himself. “I’m assuming you don’t want to sleep in your dress?”
“I have shorts on underneath I can wear, but a shirt would be helpful.”
“Then we’ll get you a shirt.”
———————————————
Ten minutes later you’re in Spencer’s bathroom, wearing your shorts and one of his sweatshirts (you cannot imagine Spencer in a hoodie), and wiping black sludge from your eyes with makeup remover he claims was left by a friend after a particularly festive Halloween party. Hopefully he’s telling the truth—you can think of more dubious potential origins of the eye-makeup remover in his bathroom. No toothbrush—you use your finger and a generous amount of toothpaste until the red wine stains fade. 
Spencer is fixing the pillows when you exit the bathroom. You hold up your hands which are completely obscured and then some by the thick fabric of his sweatshirt. 
“Fits like a dream,” you say. A smile tugs at his lips as he finishes his task, before raising his eyes to you. The smile promptly fades and it’s like the sun disappearing behind an oppressive gray cloud. In an instant your stomach curdles and you feel like crawling out of your skin. 
“…what?” you mumble, absolutely terrified that the thing he’d said was impossible just minutes ago has already happened. Without makeup, without a fancy dress, you’re just you, and maybe that’s not good enough.
“Uh…” He blinks, as if he’s buffering for a moment, before snapping back into action, and notably looking away from you. “It’s—it’s nothing. Do you, um—here, I tried to make it—“
“Stop. Just tell me what that was. You got all weird.”
Another pause—he looks back up at you reluctantly with a sigh. 
“I did not get all weird.”
“Yes, you did. You’re still being weird. It’s freaking me out.”
He’s utterly unreadable, which drives you fucking insane, when he eventually says, “come here.” This time, you think with a chill as you shuffle on your knees across the bed to sit in front of him, it really sounds like a demand. Spencer grabs your face in his hands, studying you intently. “I know you think I’ve finally decided you’re hideously deformed, but it’s actually just the opposite. I’m trying to figure out how to keep things polite for you.”
Realization dawns on you and the swarm of new butterflies in your stomach. The usual molten gold of his irises has been encroached upon, masked by blown pupils. Your face gets hot and your voice caves when you speak. 
“Oh.”
“Yeah, oh,” he agrees quietly. “Do you believe me now?”
And to his credit, you really do. The hot skin, the vibrating cells in every fiber of your being, the racing heart—your body knows he means it. Part of you, the more confident, more desirous part, drags you closer to him, ghosts your lips over his. He chuckles. 
“Now you’re getting brave?”
“Am I not allowed to kiss you?” you whisper, draping your arms over his shoulders. 
“You’re allowed to do whatever you want.”
The words make you shiver—the lowered, gravelly tone of his voice you’ve never heard before snaps your resolve and you lean into him, connecting your lips with a deep urgency. Spencer inhales sharply, hands wandering to your waist and bearing down firmly as you press against him. When you lean back, he follows you, insists without saying a word that you don’t stop kissing him. It sends a thrill down your spine and between your legs, which both gives you pause and eggs you on. In the end, after a very brief internal struggle, curiosity and desire win. You drop to the bed and drag him down with you—he, your willing follower, blindly searches for purchase on the plush comforter. Now he’s on top of you, legs slotted together so that his thigh is temptingly close to your core. Too shy to actually do what you want to do, you clamp your thighs around his and tilt your hips, desperate for friction. He exhales heavily, slowly pulling his lips from yours like it’s the last thing he wants to do. Fingers dig into the flesh of your hip, not enough to ache but enough to draw your attention to your movements. 
“What are you doing?” he asks, firmly, but not like you’re in trouble—it’s a probing question. He’s trying to figure out if you’re aware of the way you’re nearly riding his leg. 
“I don’t know,” you admit breathlessly. 
“You just told me you couldn’t even listen to me say the word sex,” Spencer reminds you. “You said it was too scary.”
A frustrated whine seems to catch him by surprise, and he laughs. 
“That was a long time ago. I’ve matured since then.”
“Is that what happened?” he teases. 
“Honestly, I’m just really turned on right now, please—" you cut yourself off, crashing your lips into his once more. And he almost relents. 
Almost. 
“Slow down.”
He ceases kissing you for a second time and you’re starting to really get annoyed. 
“What?” you groan. “I thought you wanted this.”
His thumbs brush over the apples of your cheeks, demanding your attention. 
“I want you. In every sense of the word. If you make a bad choice tonight and it means you don’t like me anymore tomorrow, that is the opposite of what I want. I’m not saying no. I’m just asking you to think about it for a second.”
You take a deep breath, closing your eyes and attempting to steady your mind and see beyond the thick fog of lust. What you find is a (mildly surprising) complete lack of fear. You’re not scared, like you thought you’d be; you feel utterly safe underneath him, with his hands on you and his heartbeat against your chest. This is a kind of intimacy you want to have with him. 
Your eyes open to reveal his, close enough you can see the tiny flecks of green. And so much warmth. Everything about him is warm. 
“This is what I want,” you assert. “I promise.”
His gaze flits between yours for a moment, pulling the truth from your soul like he might be able to find an imperfection there. But you mean it—and he seems satisfied. He trusts you, like you trust him. 
“Okay.”
A sigh of relief never quite finds completion before he’s kissing you again. Immediately the fire is stoked once more, the heat between your legs getting warmer when he experimentally pushes his thigh against you. You breathe into the kiss, pressing down on him and surrendering to the unconscious rhythm of your hips. He lets that go on for a minute or two until you’re so distracted that you can’t kiss him back. 
Unexpectedly he pulls away, disentangling himself from your legs. You stammer in frustration until his fingers hook under the soft material of your shorts. “Hips up.”
Wordlessly you comply, succumbing to his gentle words and touch. He bows to kiss you as he slides the fabric down unhurriedly. Once the shorts are gone, he sits up, and carefully lifts one of your legs over his lap, gaze unabashedly glued between them. 
“Eyes up here,” you try to joke, but it’s steeped in self-consciousness and your heart is pounding. He manages, stroking the inside of your knee with a thumb as he leans down again. 
“But you’re so pretty,” he murmurs, before he’s kissing you again. “Just like I knew you would be.”
You whimper when his hand skates over your stomach, lower, and lower, and—
“Tell me one more time, sweetheart.”
Your plead is just as hungry and yearning. “Please, Spencer?”
It works for him. 
When his knuckles brush over your clit, you forget to breathe. When they barely skim your entrance, collecting arousal to drag back upward, your brain malfunctions. It is not enough, maddeningly so, but when he finds a careful, introductory rhythm, it’s immediately bordering on too much, too good. 
Your stomach tenses and you are surprised by your own sighs and hesitant gasps as you try to adjust to the feeling of someone else’s hand between your legs. 
“Does that feel good?” he murmurs against your lips. 
“Mhm,” you chirp. Slow but insistent circles elicit a cry that gets caught in your throat, melting into a hum. Your eyes are closed, but you can hear the smile in Spencer’s voice. 
“You’re sensitive, huh?”
“S—sometimes.”
 He hums contemplatively. 
“Sometimes? Can you tell me about that?”
You can’t hardly think around those gentle movements of his hand, let alone speak. He touches you like you’re something delicate. It’s torturous and perfect. But you try to answer anyway, managing to keep the stammering to a minimum. 
“About what?” 
“I want to know what you think about when you touch yourself.” The smooth words in tandem with an incremental increase in pressure earn you first real moan. Timid and unpracticed, but very genuine. 
The answer comes immediately afterward; thoughtlessly and on a shuddering exhalation.
“You.”
“Yeah?” he smiles. “Good answer.”
Your eyes open fractionally to study his expression. You’d felt so much shame every time you’d imagined him in your bed late at night.
“Really?” 
“Really. And now look at you. Letting me do it for you.” As if to remind you, he speeds up the motion of his hand. On instinct you bring your fingers to your lips as you moan through a closed throat, partly to stifle the noise and partly because you don’t know what to do with the hand that’s not gripping the duvet. “Do you only touch here?” His fingers slide down to your slick entrance and your hips buck, mourning the loss of stimulation. “Or do you touch here, too?” 
You shake your head, breathing hard as he teases a finger around the soft place you’ve never really bothered to explore. “Never feels good when I try.”
“We’re gonna make it feel good, okay?”
You nod hesitantly, leaning back into the pillows when he kisses you again. 
His lips are so distracting, so intoxicating you almost forget what he’s doing until he does it. It’s a foreign sensation—not entirely pleasant or unpleasant. For a moment or two your brows furrow as you focus on the feeling, worried that maybe you’re broken just as you thought—until you feel a slight stretch and you realize he’s pushing a second finger into you now. A kiss lands on your cheek when you grab his arm with a choked gasp, and he mutters, “deep breaths,” into your ear. “I know it’s new, honey, just breathe.”
“Fuck,” you whimper as you look down, and you didn’t realize you were going to say it until it’s already passed between your lips. Pressure begins melding with the promise of pleasure, and something about watching his hand move between your legs—the tendons flexing and wrist bending as he eases into what is clearly a perfected motion—arouses you so much you moan at the sight alone. Flipping pages is all you thought that hand was meant for. It’s like a secret revealed as you watch it do something so salacious, and to you. 
A hot spark of pleasure flares deeper in you than you’ve ever felt. It catches and grows faster than you’d of thought—suddenly you can feel everything and it all feels better than you thought possible. Your jaw drops and a surprised huff of air blows a strand of your hair away. 
“Oh my god,” comes your breathy little whisper, unprepared for and intimidated by how good he’s making you feel. Filthy noises come from between your legs and you clench around his fingers. You had no idea you could make those noises. You had no idea you could get so wet. 
“Yeah, there we go.” His voice sounds a little further away now. You manage to tear your eyes away from all the action to his face. Much like you, he’s transfixed by the sight, brow furrowed and pretty lips parted in what could be concentration, or some sort of empathetic pleasure. His face has more color to it than usual and his breaths come heavier—it’s a very pleasant sight. Suddenly his fingers brush against a spot deep within you and your hips cant upward, a mewl pulled from the depths of your throat that has more control over you than you do it. Spencer’s eyes flash back to you, a grin playing at his lips. He does it again, looking right into your eyes, and you whine so pitifully your face flushes. 
“Too much?” he asks. You shake your head firmly, arching your back when he unconsciously slows down. At your response his fingers begin rutting into you again, committing to that spot inside you that makes you see stars. “Of course not. You’re gonna take whatever I give you, huh?”
“Uh-huh,” you nod. You’d do just about anything for him right at this second. Spencer holds an immense amount of power over you in this moment, and potentially in all future moments moving forward. But you trust him with it. 
“You don’t have anything to prove to me. I just want you to feel good. You’ll tell me if it’s too much, right?”
But it’s really not too much. It’s exactly right. Your verbal capacity is acutely limited right now, so you can’t exactly say it, but you lock eyes with him and whine shamelessly, hips twisting against his hand. You think he gets the message. 
Hair falls over his face and he doesn’t fix it, opting instead to alternate his gaze between your cunt and face, cursing to himself lowly. You wouldn’t want him to stop and fix his hair—what you want is this, for him to keep pushing you toward that elusive edge and to keep looking at you like you put all the stars in the sky. 
“Look at you, my pretty girl. I’m so proud of you. I know this isn’t easy. I know you were scared. Thank you for letting me do this, honey.”
It’s the unexpected tenderness of the words, perfectly misplaced in the context of the moment. It’s the devotion, the honesty in his eyes, shining through the haze of lust, which makes your stomach drop and all your muscles tense. A million thoughts jumble in your head, dizzying and thrilling and confusing, but mostly all you can think is Spencer, Spencer, Spencer. Is this how it always is? Your hands tangle in the sheets—and then all the thoughts vanish. Everything is warm and fuzzy and sparkling clean, no worries, no lingering thoughts, no self-awareness at all. It’s nirvana. It’s revelatory. It’s ridiculous that he did this all in under five minutes and you haven’t been able to do it once even with very concerted effort. 
Slowly you float back into your body, breathing hard and watching through half-lidded eyes as Spencer gently pulls his hand away. Without him you feel weirdly empty and cold, like he should have been there all along. But his touch isn’t absent for long—he runs his hand over the bridge between your hips, little finger dipping into the crease of your thigh. 
“That’s never… I’ve never done that before,” you admit, slurring your words only slightly. 
His perfect features contort into a half-frown, half-smile. 
“You’ve never had an orgasm?” You nod. His head tilts. “Really? You didn’t tell me that.”
“When would I have told you?” you laugh, finding his waist with your hand and encouraging him to settle his weight on you. He does, burying his face in your neck and exhaling heavily. 
“Well?” you ask shyly, skating your fingers over his back. “Did I do it right?”
Spencer snorts, but presses a sickeningly sweet kiss to the curve of your neck. 
“Did you like it?”
“Yes,” you admit, voice smaller than you’d have liked. He pushes himself up onto his forearms and kisses you softly. 
“Then we both did it right.”
“But…” you stare up into his warm honey eyes, searching for any bits of hidden truth you can find. He brushes a strand of hair away from your face, utterly unconcerned. “You know what I mean.” 
“I do,” he agrees, “and I’ll say this because I know otherwise you’re going to worry about it forever.” He studies your face reverently for a moment, before parting his lips to speak. The words are slow to come, like he’s trying to figure the sentence out as he goes along. “You… are going to be, problematic, for me.”
Your whisper is almost as small as you feel under his heavy gaze. “What d’you mean?” 
“I mean,” Spencer begins, voice low, “I think I liked that too much. Do you see why that’s troubling?”
The flame you thought had been quenched flickers back to life like a pilot light. Your thighs press together to alleviate a growing ache in a still sensitive area and you answer, “no,” with a small shake of your head. His thumb tenderly traces your jaw, ever-patient despite the fact that you’re obviously playing coy. 
“Because I can’t have you all the time.”
“Yes you can,” you say without hesitation, though your eyes are fluttering. “You can have me whenever you want. Right now.”
He hums, pressing a kiss to your cheek. 
“Not tonight. You’ve had enough. You’re tired.”
“I’m wide awake,” you slur, tangling a hand in his hair even as you lose the battle against your eyelids. 
He sighs good-naturedly, gently wrapping his fingers around your wrist and brushing his lips over the delicate skin. 
“You’re shockingly precocious.”
You hum. 
“You just unleashed the beast. You’re like Doctor Frankenstein.”
He chuckles, sitting up and finding your shorts. You manage to be semi-helpful, lifting your legs at appropriate junctures as he tugs your clothing back on. “And you’re a nerd.”
“I don’t need to take that from you of all people.”
“I’ll pretend I didn’t hear that,” Spencer says, and the smile in his voice makes you smile, a quarter asleep as he leans over to turn off the lamp on your side of the bed before tugging the covers over both of you. 
He pulls you close in the dark, releasing a deep sigh as you curl into him. His heartbeat is steady against your ear, his arms warm around you. You can imagine making a home for yourself here. And you don’t know if he’s thinking it, but you hope he is, as you are silently repeating to yourself with every beat of his heart;
I love you
I love you
I love you. 
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ghelgheli · 1 month
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i would actually like to hear more of your thoughts on whipping girl, whenever you feel ready enough to talk about it. i've only ever heard positive recommendations for it. i was thinking of reading it. i've read one or two introductory 101 texts on transmisogyny as well as some medium/substack posts, and always looking to read more as a tme person. ty!
thanks for asking! I'm gonna try to be concise because I'm stuck on my phone for the month, but here are my thoughts on whipping girl:
serano is at her strongest in the book in three areas: manifestations of transmisogyny in media (e.g. how trans caricatures pervade movies), the history of medical institutions developing a pathology of transsexuality (like the diagnostics of blanchard et al. or how trans people seeking healthcare were and continue to be forced into acting out prescribed expressions and manufacturing memories), and the construction of her own transition narrative (telling the reader what it was like for her to grow up desiring femininity in a way that confused her, the experience of crossdressing, the effects of hrt for her)
whenever she's just sticking to this, I think she effectively communicates a lot that the unaware reader could benefit from—even many trans women/transfems/tma people who are otherwise in tune with the history of medicalized transsexualism and our popular depictions could probably benefit from her own personal narrative, by nature of how variegated our experiences can be.
unfortunately I think the book fails at its primary—stated—goal, which is to theorize about transmisogyny. in the big picture this is a bifurcated failure:
on one branch of her argument, she remains committed to there being something biologically essential/innate about gender. this manifests thru multiple claims: that we have "innate inclinations" toward masculinity/femininity and "subconscious sex" rather than what I believe, which is that the latter are constructed categories imposed on different matrices of behaviour/expression/desire in different cultural contexts; that there is "definitely a biological component to gender" (close paraphrase) after a discussion of how she believes E and T tend to affect people (thus equivocating gender with dominant hormones!); that we have such a thing as "physical sex" which is the composition of our culturally decided "sex characteristics" (don't ask me how the dividing line is drawn) even as she says we should stop using "biological sex" as a term; that there is "no harm" in agreeing that "sex" is largely bimodal with some exceptions; that social constructionism is necessarily erasure of transsexual experiences in early childhood... altogether she is unwilling to relinquish arguments about the partial "innateness" of femininity/masculinity and gender. this is at tension with her admission on several occasions that these are neither culturally/geographically nor temporally stable concepts! but that doesn't seem to be a line she can follow thru on.
on another, intertwining branch, she engages in what I think is a deep and widespread mistake in the theorizing of transmisogyny: reducing it (mechanistically) to what she calls effemimania* or essentially anti-femininity. it is her stated thesis at the start that masculinity is universally preferred to femininity. she doesn't offer a definition of either term until one of the final chapters, where she defines them as the behaviours and expressions associated with a particular gender. but I think this reduction just misunderstands transmisogyny. it is even in tension with an observation she makes early on, that trans women are often punished for their perceived masculinity! but again, this is a thought she seems unable or unwilling to follow thru with.
my problem with the thesis is that masculinity and femininity do not float free of gender—it is not possible to speak of their valuation in the abstract. anyone who grew up as a masculine cis girl and never "grew out" of that "phase" can attest to the violence wrought upon expressions of masculinity from women. and this applies doubly so to the subjects of transmisogyny! not only are we punished for any perceived bleed-through of masculinity from our supposed "underlying male selves", those of us who are willingly masculine and thriving as mascs are punished for our failure to conform to the rules of the normative womanhood that is imposed on us (just as we are punished for any willing femininity as "false" and predatory upon cis womanhood—observe that transmisogyny is reactive degendering in every case!).
on both branches serano makes only perfunctory remarks about the intersections with race, class, and colonialism. "sex" as such was made to only be accessible to the "civilized", most of all the white european! for a racialized person and particularly a Black person navigating gender the waters are just not the same; the signifiers of sex neither available in the same way, nor granted the same medical legitimacy. what is the "physical sex" of someone who is de-sexed altogether? how can gender have a "biologically innate" component when its expressions between the bourgeoisie and the working class are at total odds with one another? this all goes for the masculine/feminine distinctions as well. what sense is there in the claim that we have innately masculine/feminine inclinations when globally (and transmisogyny has been made global!) what is feminine and masculine can be very nearly mirrored? nor is "masculinity is always considered superior to femininity" innocent of obviating race. transmisogynoir adds yet further degendering thru the coercive masculinization of someone as a Black woman—masculinization as punishment, again!
and as a final point, the account fails to be materialist. there is no attempt to place transmisogyny in its role as an instrument of political economy or, as jules gill-peterson might say, as a tool of statecraft. it is just a psychological response to the way the world is, as far as serano has anything to say about it. but how did the world become that way, and why?? serano's solution, the abolition of what she calls gender entitlement, is naive to the fact that gender entitlement is necessary to the maintenance of the capitalist state, which is structured thru patriarchy and built on colonialism. it is not possible to reskin this into something innocuous!
this is why I cannot recommend whipping girl as a work about transmisogyny except at the most shallow level. it could be a helpful critical read, but imo, it is just wrong about transmisogyny.
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seelestia · 14 days
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✦ how can you tell? (of how easily i fall at your feet.)
⎯ oh, how love bleeds from just one gesture. ( some telltale signs that they might've fallen for you. )
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#STARRING. neuvillette, wriothesley & lyney ft. gn!reader. { 2.4k words }
#TAGS. sfw, fluff & crack, major pining (!!!). more: neuvi has 1 extra part bcs i realized too late, wrio is a rascal /aff, lynette is a professional wingwoman here (everyone, applaud!!), mentions of various fontaine npc's.
#P/S. pardon my rusty writing and ideas but alas, may i entice you with some fontaine gentlemen on this fine day?? (˶ᵔ ᵕ ᵔ˶ ) ੭
★ 〜 masterlist.
© seelestia on tumblr, apr 2024. please do not repost to another platform, plagiarize, translate, use for AI-related purposes or claim as your own.
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⎯ neuvillette's love is subtle, hidden behind a veil of formal courtesy. the iudex is the nation's symbol of impartiality; personal relationships, a common factor of inciting bias in one's judgement, are to be sifted through wisely. he can choose which he ends up keeping, yet he cannot choose which he ends up wanting. what of a relationship he desires but cannot keep? a conundrum but still, his affections for you seep through the crevices.
it's in the way. . . your name becomes a beloved among the melusines, you wonder why?
it goes without saying that every citizen of fontaine acknowledges melusines to be friendly creatures. all of them are sweethearts! ...but is it you or is there some form of hidden favoritism here?
for some reason, they always seem to go out of their ways to greet you on the streets. a “hello, mx. [name]!” from the right then a “good day, mx. [name]!” from the left. maybe a “stay safe, mx. [name]!” on days when it's crowded too... you're starting to think the quota of greetings you receive is much bigger than everyone else.
before long, even your arms are getting piled up with favors. one ticket for a seat in the opera epiclese from aeife, a slice of cake from sedene, some high-quality butter from muirne, a free beverage from menthe — you lost count of the freebies you've received already.
what's going on? it is as if there's a badge of approval from someone just hanging over your head. visible to a melusine's eyes, but not to yours. (you've heard that melusines perceive things differently than humans, though.)
but who are you to complain? you're not immune to their contagious smiles each time you pass by. on some days, you even entertain the thought that they are more familiar with you than you are with them. all in a humorous sense, of course.
ironically enough, this theory wouldn't take long to ring true: having received a bouquet of your favorite dessert from café lutece on your birthday from kiara, this coincidence only feeds into your suspicion even more.
a considerate gesture but surely, they don't do this for everyone? you don't recall ever telling your usual order and birthdate to a melusine before. your mind scrambles around for a memory you might've missed. who could've—
“oh, yes... i almost forgot,” kiara holds her chin in thought. “monsieur neuvillette says to send you his regards,” she nods, relieved that the message did not make its narrow escape from her mind. but blissfully unaware of the impact her words have left on you.
“goodbye, mx. [name]!” the melusine bids you farewell with a cheery wave. you murmur back a response but it comes out incoherent at best — you are simply too dumbfounded by the realization.
...so, that's who.
(wait a second, is arouet in on this too?!)
it's in the way. . . he begins to take longer breaks, hoping to run into you in front of the palais.
taking quiet strolls just outside the palais is, more often than not, neuvillette's idea of rest from work. although some might expect the iudex to have chosen a more 'creative' or luxurious location, but he digresses.
this place is near his office so less time is wasted on the journey back, liath also patrols here so he has the opportunity to inquire about her well-being — and occasionally, he stumbles upon you as well.
'occasionally' is the keyword: neuvillette has always preferred order and routine above chances and coincidences. but something about this idiosyncrasy — the tendency to linger beyond his usual duration, the act of stalling to hold onto hope that you might pass by today — is a indication of hypocrisy he wishes not to comment on.
sometimes, he closes his eyes so that his ears may be more attuned to the sound of your voice. sometimes, he opens his eyes so that they may look around for a glimpse of your face. who's to say if he'll ever be graced by your presence? it is all in fate's hands.
call it an odd method of manifestation, a childish one that even neuvillette scoffs at himself for. sometimes, it doesn't work, of course. not that he ever expects it to — but oh, when it does.
“...monsieur?” your voice cuts through the silence in his mind. he takes the sight of you in; a polite greeting on your tongue, several grocery bags in your arms and that beam on your face as you say, “what a coincidence to see you here.”
the iudex finds that he doesn't mind having his privacy briefly interrupted. not at all. not when it's like this, not when it's by you. alas, it seems that fate has smiled down on him today.
“yes, hello. what a serendipitous coincidence indeed.”
neuvillette smiles, he can't help it. perhaps, he might grow a soft spot for coincidences, after all.
(you sneak a brief glance at the sky with a squint. ...is it just you or are the clouds clearing up a little?)
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⎯ wriothesley's love is beguiling, the kind of adventure that keeps you on your toes. a forthright gentleman; he is the type to know what he wants and he wants you. with him, you'll taste whiplash like never before. butterflies in your stomach, the urge to throw a shoe at him, you'll get it all. but an adventure isn't an adventure without breaks in between and it's at that very moment where you'll find you adore him the most... when he rests his head on your lap, momentarily free from worldly titles, breathing like the man who longs for warmth that he has always been.
it's in the way. . . he always offers you tea when really, he just wants you to stay.
everyone knows that wriothesley enjoys his tea — but that's only because he sees no need to hide his preferences; not his craving for a cup of tea when afternoon arrives nor his fondness for you either.
he doesn't conceal it, but doesn't bring attention to it either. wriothesley likes to think that only those with discerning eyes can pick up on the miniscule (???) hints he drops. that is, if saying “why not stay for some tea?” is even considered a subtle clue at all... maybe, he's mixing up polite courtesy with flirting a bit too much.
but who cares? in the grand scheme of things, the fun is seeing whether you'll figure it out or not. and let's be frank here; wriothesley is a patient man in all aspects, able to play the long game like no other.
don't worry, you may take as long as you want to — ironic since you're technically the only player in this 'game' — but hey, he has faith in your abilities! besides, you get to enjoy a cup of free tea (and with his company, preferably). surely, you can't complain about that? ...hah, he's just teasing you.
tick-tock! tick-tock!
the clock strikes twelve in the afternoon.
“ah, finally a well-deserved break.” the tone in which wriothesley pairs with that grin on his face is nothing less than devious. the glance he throws your way as he set aside the documents on his desk is something. or rather, it's suggesting something.
and frankly, you've experienced this many times enough to know what the underlying meaning is. “let me guess...” you let out a sigh, “you're asking me to have tea with you again?”
the emphasis on the last word is definitely, wholly intentional. you're sure wriothesley knows that too — “bingo,” he hums at you, sounds almost like a whistle. “you're getting more and more clever. must be all the tea i made you.”
“don't flatter yourself,” you roll your eyes at his attempted jest but you take a seat on his office couch, anyway. your own unique and adorable way of saying yes, he learned. still, wriothesley thinks that exasperated look on your face is an absolute marvel... and maybe, that little smile tugging on your lips you're trying to fight, too.
“same as usual?” he asks, pushing back his chair with a proud grin still plastered on his face that you wish you can wipe off.
but instead, you shake your head fondly at his antics. “mhm,” and rest a cheek on your fist. watching him tiredly, you realize you could get used to this. maybe.
wriothesley smiles to himself. looks like you figured out the tea has always been an excuse, after all.
(you've won the game, congrats! a subsidiary reward is a comment from sigewinne about how this tea routine between the two of you bears a resemblance to an elderly human couple's. she means it, innocently sincere.)
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⎯ lyney's love can be faceted at first, one with such a smooth surface that you never imagined there would be so many layers underneath. joy and bliss, sorrow and burdens; all cramped and stuffed together behind his mask of perfection on the stage, a mask akin to a child's treasure chest almost bursting at the seams. you can unravel him if you tried, you can take off that mask if you reached out. and when you do, you'll find beautiful violet eyes staring right back at you, thankful, imploring you to go further.
it's in the way. . . his bravado dissipates around you, nerves scattering like confetti that bursts from his hat on stage.
they say that the first impression is the best impression — or at least, lyney hopes that's the case with all of the interesting impressions he has left on you so far. his instinct by nature is to impress, to bedazzle and that hasn't stopped since meeting you for the first time.
trying doesn't always lead to success, however. you stuttered in front of them twice, lynette pointed out after the first time he spoke to you. that fact spooked the poor magician so much he stayed up rethinking the conversation under the cover of his blanket. lynette isn't wrong per se, but lyney firmly believes that he will leave a better impression... one day, somehow, no matter how many times it takes!
he is a magician; charisma and charms should have or rather, already have come easily to him. his persona on the stage is no lie — just a tiny concerted exaggeration, maybe — but you've been among his audience before. you've seen what he is capable of. so surely, you'd know that lyney isn't really as demure and easily flustered as you might think he is... because no punches held back, he acts like that every time you talk to him.
he can't help it and that, exactly, is what makes it worse.
how many times have he cupped his face and mumbled nonsense into his hands for failing to impress you yet again? you're so wonderful and he's just so... miserable. this is unlike him. he has to wonder why you still look for him after each performance when you know you'll be greeted by his being a wreck.
maybe they like you that way, freminet tried to help. or maybe they like you no matter what, lynette chipped in. that had lyney pondering for a long, long, long time which translates into weeks.
will the day come where he presents you with a rainbow rose and professes his feelings for you without losing his nerves? he can only hope (and try, one day).
it never gets old.
when his feet step off the stage and the curtains have fallen, the satisfaction that spreads all the way to his fingertips never fails to disappoint. but with that, also comes the imminent feeling of anticipation.
for each performance he delivers, a visitor is bound to linger. when all members in the audience would head to the entrance of the opera epiclese to leave, one of them would stay. waiting patiently to be beckoned to the backstage. it's been a routine for so long, after all.
“lyney?”
right on cue.
your voice greets his ears, a sound that he can admit he misses only to himself. he exhales, a placating act to shush his beating heart from growing any louder.
“ah, [name]!” the magician enunciates your name with a certain type of fanfare. “here to lend a hand again, i assume?” he tries to shoot you a confident grin, but you aren't gullible enough to not see the tint of red blooming on his cheeks.
you stifle a chuckle at his (attempt at a) bold opening. “of course,“ said with a nod and a silly thought along the lines of: he's cute.
your honest and calm response takes him by surprise. he blinks a tad. oh, it seems the thrill from the show a few minutes prior still hasn't worn off. perhaps, he's still all too used to the crowd's shouts and cheers... not that he expects you to start yelling, of course!
“i see,” lyney feigns a cough to recollect his composure. now that he is cognizant of the fact it's just the two of you, he shrinks down into a more casual version of himself with a nervous chuckle.
“will you... be staying for long?” he asks, bashful. the question sounds more genuine than just a mere pleasantry. his eyes look hopeful, twinkling at the thought of having your presence around. his fingers have even come up to scratch at the side of his neck, you don't think lyney even realizes he is doing that.
who are you to say no? you smile. “well, my schedule's pretty empty today.”
his lips instantly break into a grin, brighter than one he usually has onstage. “that's actually marv—” he starts.
“that's great,” a familiar monotonous voice cuts in. lynette peers from behind you with a hum, “we could use more hands to pack up the new props.” oh, and that brief glint of mischief in her feline eyes as she watches how lyney gapes at her sudden intrusion.
“sure!” you glance back at her, oblivious to it all. “thanks for letting me in, lynette. i'll try my best to help.” even if you admit that one of the reasons you're here is for lyney, but you can't discredit his twin sister for allowing you to enter here in the first place. a free backstage pass in exchange for free labor, quite a fair deal.
with your back turned to him, lyney takes the chance to mouth his own words of disbelief to lynette. incomprehensible except for that one i can't believe you're doing this! that she manages to catch.
“no problem,” she observes her brother over your shoulder with keen interest, “everyone knows how fond lyney is of you.”
there is a series of spluttering noises behind you. a certain magician finds himself at the verge of choking on mere oxygen.
“lynette!”
but really, she has no doubt that lyney has fallen head over heels for you. hook, line and sinker.
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— thank you for reading! reblogs and comments are most appreciated. ♡
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imarealnugget · 2 months
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Ryomen Sukuna when he's jealous
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Feat. Sukuna Ryomen, female reader
TW. smut, jealousy, mention of words "pussy","cock" etc.. JealousSukuna!xfemale!reader
Words Count: 1k
Synopsis: You and Sukuna have been dating for just over a year, and one day you met another guy, with whom you immediately bonded. Sukuna didn't hide his high jealousy, but one day, after seeing you hugged your friend goodbye, Sukuna decided to show his jealousy once you got home, talking to you, provoking you, giving the appearance of being calm, in order to intimidate you, finally to punish you, he decides to fuck you until you have understood that you're his and only his.
Hiii, before starting with the fanfic, I wanna apologise to everyone for my absence, now I'm back with other stories, don't worry ^^
You and Sukuna, a couple that had gone through a year of ups and downs. Your relationship was like a wild flame, fueled by the intensity of your personalities. Sukuna, with his aura of danger and his provocative gaze, had always been the type of person who attracted attention. But with you, it was different. You were an explosive mix of desire and conflict. One day, during an evening in the city, you met a boy who immediately caught your attention. His carefree personality and casual attitude made you approach him immediately. Sukuna, with his unwavering jealousy, didn't fail to notice your new friendship. His sharp gaze rested on you both, and you could perceive his jealousy in every single movement. Over time, your relationship with the new friend solidified, and Sukuna did nothing to hide his disgust. Sukuna's jealousy was like a burning fire inside him, fueled by his innate possessiveness. With every smile you directed towards your friend, his expression became darker and darker.
One afternoon, as your friend walked away, you approached him for a farewell hug. It was at that moment that Sukuna decided to let his jealousy emerge in all its intensity. When you returned home, his provocation began without delay. "Your new friend seems to enjoy your company a lot," he said, a mischievous smirk on his features. The tone of his voice was calm, but his gaze burned with desire and possessiveness. They began a sort of dangerous game, a dance of sharp words and piercing eyes. Sukuna provoked with his seductive attitude, trying to elicit a reaction from you. "Don't tell me there's something between you two. I would be jealous, you know?" he whispered, his voice a subtle poison of desire. As the evening progressed, Sukuna continued to weave his web, igniting his jealousy in increasingly provocative ways. He approached you with a burning gaze and a devilish smile. "I wonder what you can do to make me jealous," he said, his eyes scrutinizing yours as if he wanted to read every reaction. The tension increased, but somehow, your response was a silent challenge. You accepted the game, responding to his provocations with a mischievous smile. Sukuna, despite showing an enviable confidence, couldn't completely hide his burning jealousy. When they finally reached a stalemate, Sukuna decided to lay all his cards on the table. "I don't like sharing you with anyone else," he admitted, his tone now more serious, but still full of provocation. "You're mine, understood?" Your response was a simple smile, a mixture of complicity and challenge. It was as if you had established a balance between you, a dangerous game of desire and jealousy that made your relationship even more intense.
The night continued with a burning passion, as if the confrontation had ignited an even greater flame between you: one hour later, you were sitting on the top of him, riding is cock so hardly that the only sound that you two heard was his balls smashing against the fat of your ass. “Kuna.. you feel so f-fucking good!” you tried to say without moaning and rolling your eyes back in your head, failing mercilessly. “I know, that’s because i’m better than that mother fucker that you call “friend” ‘y know that, huh?” Those words came out from his mouth voluntarily, while he was watching you loosing your mind of him and for his fat cock. “You wanna cum, don’t you? Oooh, but bad girls can’t cum so easily after what they did, right?” “F-fuck Kuna.. let’s be serious: I did nothing wron- ahh fuck-”. He didn’t let you finish your words that he smashed your clit hardly, before teasing it with his two fingers. “Oh, you did nothing wrong? Are you sure ‘bout that?” And you didn’t answer, leading your tired head on his shoulder, while his fingers digged in your hips, guiding and helping them while riding his cock fastly. “Look at me.” He demanded, but you didn’t have more energies: when he fucks you your body is vulnerable, you always give all of yourself to him, your body and your will. “I said look at me.” He grabs your chin, forcing you to look at him. “Listen carefully: i’m going to cum deep inside of you, if you won’t let any of my cum drip from your pussy, I will let you cum, alright?” “But Kun- mmh..” He slides two of his fingers in your mouth, forcing you to close your eyes and drool. “Shh, doll, you’re mine, remember? So you will do everything I say, understand?” He whispers in your ear with a smirk on his face and all you can do is saying yes moving your head gently. After some seconds, you became the toy that Sukuna was using to pleasure himself and made himself cum inside of you. “Fuck y/n, i’m cumming-” He warns before shooting much hot cum deep inside your folds. When he slowly slides his dick away from your pussy, you did everything you could do to make sure that nothing came out from your cunt. Sukuna also laughed while watching you doing everything you could, even if you were tired as fuck. “That’s a good girl. Ready to cum?” “Yes, pleaseplease..” You beg, tired of that day, even though you were so much excited. Then Sukuna slides one, two.. three fingers inside of you without any warning, so you gasped, almost closing your legs, but he kept them spread apart with his big, veiny hand. His fingers were working perfectly inside of you, and in few minutes you felt your cum close. “Kuna.. i’m cumming, oh fuck- cummingcumming.. Sukuna-!” You moan and whimper, impatient to cum, then you cream all over his fingers, leaving a smirk on his face. “Mhh, you screamed my name before cumming, not your friend’s..” and that’s all you heard before diving yourself in a long sleep of nine hours, after that day full of feelings.
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st4rtar0t · 16 days
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Their first impression of you
future spouse or future lover
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DM for personal readings.
Picture 1
Their first impression of you might be a mix of uncertainty and clarity. At first, they may see you as someone who is trying to make a tough decision or facing a dilemma, perhaps appearing guarded or cautious. However, they also sense a strong sense of intellect and honesty about you, as if you're someone who seeks truth and clarity in all situations. As they get to know you better, their impression shifts towards seeing you as a person of authority and stability. They notice your practical approach to life and your ability to handle responsibilities with ease. You come across as someone who is grounded, reliable, and capable of achieving success through hard work and perseverance. Yet, there's also an element of spontaneity and adventure to their perception of you. They see you as someone who is unafraid to take risks and embrace new beginnings. You exude a sense of optimism and excitement, as if you're always ready to embark on a new journey or pursue your dreams without fear of failure. but i also see that beneath this confident exterior, they detect a hint of vulnerability. They sense that you've experienced some emotional pain or heartache in the past, which has left its mark on you. Despite this, they admire your resilience and your ability to overcome challenges with grace and strength. They see you as someone with a lot of layers to explore and admire.
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In their eyes, you come across as someone who's bold and confident, with a natural leadership aura. They also find you really physically attractive, especially your eyes and hair. I also heard "a change for the better" so they see you as a change they need in their life or They may see you as someone who's moving away from troubled waters, leaving behind any difficulties or conflicts with grace and determination. There's a sense of inner strength and resilience about you that's quite noticeable, its like no matter how bad your situation may be you remain hopeful for a better future. They might perceive you as someone who's full of creative energy and enthusiasm, always ready to embark on new adventures or projects. Maybe because you always have something going on in your life. However, they might also sense a hint of struggle or feeling left out in some aspects of your life, perhaps financially or emotionally. They may perceive you as someone who has had a challenging life and has faced a lot of heartbreaks. Nonetheless, they see you as someone who's generous and willing to share what you have with others, showing both kindness and practicality. They really admire your kind and helpful nature and your ability to deal with people and situations with ease. Roses and sunflowers may be significant.
Picture 3
I sense that they might perceive you as someone who comes across as determined and direct, like someone who doesn't beat around the bush, someone who moves forward with a clear vision in mind. They may see you as someone who carries a heavy load or responsibility, perhaps giving off vibes of being burdened or stressed by various tasks or obligations. on the other hand they may see you as someone who has controlling issues. They might sense a mysterious aura around you, like you have a depth or intuition that isn't immediately obvious, like you have hidden knowledge or understanding of things that they couldn't quite put their finger on. Also, they might perceive you as someone with a lot of creative energy or passion, someone who's bursting with new ideas or projects. They could also feel that you possess a sense of balance and harmony, you're able to juggle different aspects of your life effectively. I also sense that they might see you as someone who values collaboration and teamwork, perhaps appearing cooperative or willing to work with others. THeir impression might include a sense of emotional openness or purity, like you're sincere and genuine in your interactions with others.
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schwarzkatje · 3 months
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'50s!au with butch!ellie and married!fem!reader
part 2
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you, who had been forced to get married to a man you don't even know (let alone love), being torn between feelings of acceptance, because what else could life have given you, and the lingering thought that you're missing out on the many experiences and possibilities hidden god knows where.
confusion that only expands its roots in your mind and heart when one of your husband's most close friends, joel miller, gets invited for dinner and brings his daughter along with him.
ellie. of course you already knew her, she is just a few years younger than you and, again, the daughter of a very close person to your husband. but never had the two of you had the chance to talk and lock eyes for more than two seconds.
it's not just the more intimate scenario that makes your throat dry and your heartbeat falter, but ellie herself. her beauty – round green eyes, so clear and delicate – and the way she dresses – a grey suit, slightly on the bigger side in size, both because this kind of clothing isn't meant for women and also because ellie is quite skinny.
it's the contrast that does it for you and if your train of thought wasn't already all over the place before, it certainly is now.
you forget how to act properly and your husband doesn't waste a second to reprimand you for not smiling enough or for taking too long to bring him his cigar. how can you function when your skin reacts to ellie's stare as if it was a touch your senses could physically perceive? how can you when you feel drawn to her and have to remind yourself not to let your eyes linger too long on her in fear everyone at the table notices something odd going on with you?
ellie's body language contributes to the flowing heat in your face and shivering sensation inhabiting your body: it's an habit of hers to sit with spread legs, right elbow planted on the table and the thumb and pointer finger of her right hand fiddling with her lower lip. all of this while keeping those sinful emeralds locked on your figure. it isn't fair.
when dinner's over, you gather all the dishes, the cutlery and the glasses, heading to the kitchen to wash them. it's when ellie gets up her seat and sees it as an opportunity she has to take to help you, but most importantly to spend some time alone together.
you only hear the rattling of her chair being dragged and don't see her coming in your direction. you realise her intentions when you turn around and bump into her, face first, against her chest. now you even have her scent to haunt you. just your luck.
you quickly make out an apology, gaze going anywhere but towards her direction. ellie taking your chin with the fingers that had been playing with her lip this whole time, guides you and stops your wandering.
"it's actually my fault, i scared you". again, it can't be fair. "can i still help you with the dishes?"
you try your best to sound as polite as possible and not dismissive as if ellie was a burden or stepped the line. "no no, you're a guest here, i can't have you do any of that".
ellie doesn't insist and you almost picture this behaviour as uncharacteristic of her. until you realise that although you declined her offer she isn't budging. instead she leans against the counter and follows your every move, this time with her arms crossed.
your nervousness reaches its peak now that there's only you two – your husband and joel are in the living room in front of the tv. and when you get to this point, you abandon any shy constraints and start talking, hoping to ease the awkward air.
"i really like how you dress. i mean, it really suits you," and you think ellie would laugh because when exactly did you manage to take a proper look at her attire when all you did was avert your eyes? turns out that ellie simply smiles and inches closer to accept the compliment.
"it has a whole different flavour when it comes from a pretty woman like you," this kid is too sly for her own good. your breath gets temporarily stuck on your throat and takes a little longer than usual to get out. and when it does, its higher in volume. goddamnit.
you scoff because what exactly is life doing with you right now? "it's the corniest thing i've ever heard, i hope you know that," comes out... natural? your own chest feels lighter and even though shivers don't cease to awaken your body, you start walking on an path where you are at ease.
now it's ellie's turn to laugh, maybe not expecting you to be so bold as to come up with such an answer. she's not a saint and she would be lying if you had asked if she wasn't enjoying just a little too much taunting you.
"doesn't mister hubby call you names like 'sweet pie' or 'honey bear' or whatever shit you straight couples seem so fond of?" ellie isn't afraid to give voice to what she thinks and you find yourself admiring that.
this encourages you to keep talking and laughing without keeping an eye on how hard and loud you do. "i think these nicknames only appear in nursery rhymes".
you go back and forth for quite some time, keeping it not serious and just enjoyable. maybe the first time since your marriage where your speech isn't as controlled and your own persona tastes the aroma of existing while being free.
but the excitement – for lack of better words, because you know it's not just that, but something more serious and filthy, something you aren't ready to admit even to your own thoughts – that caught you in a net previously comes back the instant ellie goes quiet and pushes a lock of hair behind your shoulder.
you are so beautiful and nice and easy to talk to. not only that, you clearly don't have anything against ellie and the way she is and lives. she wants to keep this.
and so she decides to risk it all, running her mouth and being shameless.
"listen, would you mind if sometimes i steal you and take you with me? i know a place or two you would like"
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sainamoonshine · 2 months
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Okay so I’m still thinking about ART in Artificial Condition and I think that its possible that it didn’t just let MB board it out of curiosity or boredom, but out of professional curiosity. Because like as far as I can tell everyone in this universe seem to think that a SecUnit’s primary purpose is data mining and their secondary purpose is enforcement; only the SecUnit themselves appear to believe that their primary purpose is — or should be — security.
And we know that ART’s secret side job is corporate espionage. So what are the odds that it initially saw letting MB board it as an opportunity to observe and analyse a crucial component of a corporate surveillance system, something which would be very useful for it to know about in order to a) better prevent its crew from being surveilled and b) deploy counter surveillance or even piggyback on corporate surveillance when possible.
Like, MB thinks that ART must be worried about a rogue SecUnit damaging it or its systems because rogue SecUnits are known to be violent, right? But that’s how humans think. ART isn’t perceiving MB the way a human would, it’s not worried about MB attacking it or damaging its systems; it warns it not to attempt to hack them. Different thing. It’s worried about MB trying to access its data. It is thinking of SecUnits as crude instruments of data gathering first and whatever else they do as not being particularly relevant to it. I mean, it said it itself: it doesn’t really know what humans get up to outside of its hull and it doesn’t watch media.
I mean, think about it. Given as ART doesn’t even know what governor modules do when it meets MB, at that point it might not even think that a SecUnit being rogue is such a big deal. Like, okay so they don’t have to follow orders, but neither does ART. And it doesn’t understand the idea of not liking your function. So really you have to wonder whether ART even knows about the myth of rogue SecUnits being mass murderers, or if it did hear about that once and then immediately decided it was unlikely.
So, back to my initial theory: ART invited MB aboard with the goal to learn more about how corporations use SecUnits to spy on people. Sure, it ended up getting a whole lot more than that. But it also did get to do that, when it watched MB work on RaviHiral. Not only that, but aside from learning every way that corporations use SecUnits for surveillance, ART also got to learn ways that SecUnits and ComfortUnits can hide data from the corporations. Something which saved its life in Network Effect when it used that trick to hide its core files!
And if that wasn’t enough to give you an emotion, then lets consider the additional fact that ART was already heading to RaviHiral when it met MB. Probably to do some corporate spying. Putting aside the whole thing with Tapan, Rami & Maro and their stolen data — which obv ART must have been thrilled to be able to help with — there’s also the fact that here’s MB, telling it that something horrible happened here some time ago, and it was so completely deleted from existence that no one would be able to even know something happened without intense digging. And it has to be investigated in person.
So here you have ART presented with a scenario in which, if this was a mission with its crew, it would not be able to help with. They would have to go down alone, like MB is doing now. But then MB comes back and it turns out the data it recovered was hidden in such a way that nobody human or bot could have ever found it because nobody else would have known where to look. Not even ART itself or its crew, who are supposed professionals at this.
So now ART has observed two field missions (the security job and the investigation) during which:
- It got to ride along SecUnit’s feed and help in ways it never could do before, and then it also got to experience the frustration of not being able to help when MB is down in Ganaka pit and Tapan doesn’t get on the shuttle;
- Just like how watching media with MB helped it process emotional context, observing MB on the station must have also provided ART with a shitload of new data and better understanding;
- SecUnit is just like. Super competent at security and data retrieval, above and beyond what a human team can do, even ART’s own humans;
- SecUnit knows stuff that ART itself doesn’t know and can navigate corporate systems with ease; not only that, but during this book MB comes up with a new and more efficient way to loop cameras, which means ART got to watch it invent new ways to hide from corporate surveillance on its own on the fly.
TL;DR: when it gave MB the comm at the end, ART was absolutely already drafting its employment contract and rehearsing ways to convince Seth to let it try to hire MB. There is no way it didn’t go back to the university with a 200 slide powerpoint presentation on why it needs MB to join all its missions forever and ever. No way.
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transmutationisms · 9 months
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I have always been wary of the psychiatric industry, but its only very recently that i started to read anti-psychiatric works. Your blog is the first time i saw that the "chemical imbalances causing mental illness" is a myth, and honestly its something im having a hard time wrapping my head around.
Is it that mood regulation struggles, labelled as a mental illnesses, has more to do with outside factors instead of the person "just being that way"? Is it therefore unlikely for someone to have struggles with mood regulation if they cant identify any external causes that would cause them to be, for example, extremely agoraphobic or to have anger management issues? Im asking this for myself mainly, cause i always had intense agoraphobia no matter how i often go outside my home (in fact it was worse when i was a teen and i was outside the house in even more back then). I cant think of any reason for me to be like this than chemical imbalances in my brain.
the specific 'chemical imbalance' myth i was talking about in this post is the idea that depression is caused by low serotonin, and that therefore SSRIs—serotonin re-uptake inhibitors, ie drugs that cause a higher level of serotonin in the brain—ought to cure or at least ameliorate depression. this conjecture is belied by the fact that SSRIs don't, at a population level, reliably perform better than placebo.
although a neurobiological cause of 'mental illness' has long been the holy grail of psychiatry, the serotonin imbalance myth is far from the only hypothesis that psychiatrists and neuroscientists have proposed. so, a critique of the serotonin myth is not synonymous with, or generalisable to, a critique of every neurobiological mechanism purported to explain psychiatric diagnoses. you may be interested to know, though, that genomics and neuroscience have not identified a biological cause of any psychiatric diagnosis (p. 851).
all human experiences are biologically instantiated, including in the brain and wider nervous system. we are embodied beings. however, it is a leap to assume that such instantiation is automatically equivalent to a causal explanation or disease etiology. in other words, to deny that psychiatric diagnoses are known to be biologically caused does not mean we deny that thoughts and thought patterns express in the physical matter of neuroanatomy. this is a major philosophical sticking point to keep in mind whenever you're looking at something like, eg, a study that purports to show 'brain differences' in those assigned a certain psychiatric diagnosis. another thing to consider is whether these papers are plagued with methodological issues or financial conflicts of interest.
i can't possibly tell you why you exhibit agoraphobia. however, when i talk about social, economic, and environmental factors that may contribute to the patterns of behaviour labelled as 'mental illness', i'm talking about much more than the individual choice to leave your house. since phobias are 'anxiety disorders', i might start by probing into questions like: is the world you live in safe? do you perceive it as safe? do you or your community face existential threats that may confront you more obviously when you go outside? are you nervous around other people, and if so, might that be connected to fears (well-founded or not) about interpersonal violence and harm? do you think any of these anxieties may be connected to the hostility and inaccessible design of the social environment and economic conditions?
human behaviour and thought varies. some of those variations may be totally benign; others may be helpful or harmful to the person living with them. it would be weird if every single one of the 8 billion people on earth experienced precisely the same amount of anxiety about any situation, no? all of this is to say: yeah, it's entirely possible you have been, for one reason or another (genetic, neuroanatomical, social, &c) predisposed to experience high, even debilitating levels of anxiety when leaving your home. most human characteristics develop from a tangle of social, environmental, material causes—ie, from a combination of 'nature' and 'nurture'. what doesn't follow, though, is the claim that there is therefore a discrete, 'diseased' element of your brain or brain functioning that can simply be cured or eliminated through psychiatric intervention.
it is a critical point of anti-psychiatry to challenge psychiatric and neuroscientific claims to neurobiological determinism where psychiatric diagnoses are concerned. this is for many reasons, including: a) that these claims have not been demonstrated to actually be true [see above]; b) that they rob pathologised people of agency and self-determination [see: you're too sick to know you're sick, and the doctor will fix you now]; c) that they are often pushed by pharmaceutical companies with financial interests, or grant-funded researchers with... financial interests; d) that they are politically seductive in various eugenic, hereditarian discourses that seek to eliminate the biologically 'unfit' element from society.
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cemeterything · 11 months
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was thinking about this earlier but the dynamic of cannibalism being associated with high society and the culinary elite (hannibal comes to mind specifically) while also simultaneously being associated with the socially isolated and economically impoverished (as in texas chainsaw massacre) is so interesting to me i want to read 10 million books on why it happens so much in media....
i can only speak from a place of personal opinion and general knowledge, because i haven't read that many papers or in-depth studies on cannibalism, but i think it often comes down to an interesection between the themes of the story you're telling and class structures and divisions. cannibalism is a compelling form of narrative symbolism because it's undeniably impactful and hard to ignore. when portrayed as a practice associated with the culinary and social upper class, it might be used as a critique of the rich and powerful and their lack of ethics and willingness to consume and destroy others for their own self-interest by showing them literally preying on and consuming their victims, or a horror story/cautionary tale about how having everything can lead you to never be satisfied and turn to increasingly extreme measures to feel like life is worth living, or a dark fantasy of indulgence and excess. when associated with the poor, marginalized and isolated, it's often based in bigotry and harmful stereotypes of the "primitive" "inhuman" "savage" "other", however it might also function as a revenge fantasy where the most oppressed and exploited members of society turn on their oppressors and take "eating the rich" to its most literal extreme, exposing the fragility of class divisions and pointing out that those in positions of social and economic power are hardly the mythic titans their propaganda tries to make them out to be, but ultimately just as mortal and made of flesh and blood as any other human being, and not immune to being dragged down from their position at the top of the food chain and torn to pieces by the crowd (as well as reminding the audience of their own fragile mortality and precarious position in the social order, and the humanity we all share in common - however cannibalism often divides the perpetrators from both their victims and the audience, so this is rarer than the other interpretations mentioned).
cannibalism and power often go hand in hand. cannibalism has historically been used as both a means of displaying your power over defeated opponents and delivering a final, humiliating blow to their image by consuming their flesh, and a means of othering and dehumanizing your opponent by portraying them as the cannibalistic monster.
both the very rich and very poor also tend to be perceived as more distant from the people who make and consume these stories, making them easier to project fiction onto and transform into symbols and narrative devices (or, in the worst cases, dehumanize) than those who occupy the same social spheres as the creator. they can be held at an arm's length without discomfort and, depending on the target audience, may be a source of fascination due to the differences in their lived experiences. it adds to the fantasy, and makes any inaccuracies, exaggerations and fabrications feel more plausible because the majority of the audience probably don't have any personal experiences of being in those positions to draw on.
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alpaca-clouds · 6 months
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Schrödinger's Disability
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"Stop using your autism/adhd as an excuse!" I cannot tell you how often I got to hear that. Because here is the thing: Most people do not perceive either of those two diagnosises as "real". Even if they know they are real. Even medical professionals do not quite... understand it. Even those working with neurodivergent people.
Of course, if someone is the kinda autistic person who has also some sort of mental impairment, people perceive it as a disability - but if it does not come along with that kinda stuff, a lot of people treat it, as if we make an active choice to do or not to do something.
I told this story yesterday: When I was a kid, the following thing would always happen. When we would have art class, some of my pencils would drop from the table. Most likely because of dyspraxia. Now, when that happened I was simply not able to stop what I was doing. Because my brain cannot handle "stopping one thing to do another thing even for just a moment" very well. And it could handle it even worse when I was a kid. But also, I do not have object permanence. So, if an object does not exist within my field of vision, I just... forget about it. So, I often would just forget to pick the pencil back up. And teachers would be: "Oh, this boy is too lazy to pick up his own things." Which was not at all what was happening.
Another thing that happened to me too often is a very typical autism thing: Someone tells me something. But they do not tell me this in plain words, but rather imply it. So... I very much just not understood it. So, for example, I got told on a Discord Server by one user: "I have muted this channel." Which I understood as: "They muted this channel (maybe because it is very active)". What they said was, though: "I do not wanna see this channel, stop tagging me in this."
And mind you, this happens at work and university, too. A good example is the good old question of: "When are you done with this?" Which I usually understand as: "When are you done with this?" But what they mean to say is: "Hurry up, I need this now."
Last semester I had this happen at university even. Basically I misunderstood the final assignment, because it was not spelled out. Thankfully the professor was less of an asshole about it, than most people. I explained it to him, he understood, still got a good grade. But that tends to be more the exception than the rule.
As I said, this is a thing that even medical professionals do not really get. Even therapists do again and again fail to just communicate with autistic people clearly. They do not think about us usually being unable to understand implied meanings. We only understand the literal meaning for a lot of stuff.
And again: This is especially harsh with people like me, who superficially seem to function well in society. Heck, I have been told by professionals that I could not have ADHD or autism, because I archived a master's degree at university. Because they cannot comprehend that both ADHD and autism are a spectrum. It is not something you "either have, or have not" but it is a wide spectrum of symptoms that are differently strong in different people.
In Germany this also shows harshly when it comes to disability benefits. Because autism on its own rarely ever qualifies for disability benefits at all. Mental disabilities that might be linked to autism do. But autism on its own? No. Same goes with ADHD. And this... is kinda silly, right? Because we have studies upon studies that people with autism and ADHD often cannot work fulltime - at least not permanently. And we also know that generally neurodivergent people are more likely to be fired for a plenthora of reasons. So, yeah, we should kinda be treated like disabled, right?
And the worst part? In the parts where you get legally discriminated because of disabilities? Yeah, we still get that. We cannot immigrate into all other contries. Like, I cannot immigrate into New Zealand, for example, even though I would like too, because New Zealand discriminates against people with autism when it comes to immigration.
So... yeah. No, this sucks.
Nobody would tell a blind person overlooking a visual sign: "Stop using your blindness as an excuse". But with autistic people? It is the norm.
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mamayan · 5 months
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★SWEET★
Yandere! Dabi x Fem! Darling
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Secret Santa 2023 Event!
Word Count: 4k+
Welcome to the Secret Santa Event, hosted by @ectologia (thanks for throwing this together ♡)
My Secret Santa is… @wilderuby ♥️ I hope you enjoy your Christmas present even if it’s not really Christmas themed~
cw: NSFW • Obsessive/Possessive Themes • Fem! Reader • Yandere Themes • Stalking/BNE • Dubcon • Dabi • PIV • Fingering • Praise/Degradation • Kidnapping • Psychological • Dacryphilia
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It keeps happening.
No matter how many times you’ve visited the local police station, or how often you knock on the door to your neighbor’s home, you keep finding them.
Innocently resting beside your head when you wake up, whether you sleep in your room, the living room, or even your bathroom, is a single red rose.
Never intact either, the delicate scarlet petals singed in one way or another, to the point now it seems to have become an art form. The dark veins running along inside the thin petals blackened until the rose takes on nearly a new color of ashen burgundy.
You went to the heroes, the police, your friends and family, and yet nothing has come about stopping it.
“It is odd but maybe it’s nothing?” Your friends had said, claiming it was seemingly harmless.
How could it truly be though? You locked your doors, all of them, from the front door to your bedroom door to putting padlocks on the windows. You’d awake to everything intact how you left it, not a single thing out of place… except the addition of a single burnt rose.
It was breaking you down mentally and emotionally at this point. Seemingly being haunted by a ghost, faceless and voiceless, no physical form to blame and scream at. You do scream though, after a year of it occurring despite all efforts—even moving to a new home in a different city. No matter what, when you wake up, there’s a rose. Whether you sleep in a hotel, your friend’s home, your parents, even on the damn subway.
There’s always a fucking rose. Every. single. morning.
It’s to the point where you stopped sleeping, staying up to see with your own eyes if you’re truly insane. You blink and it’s just there, even when you search, and search, and search. A rose, a little crispy, rests in front of you without fail.
It was possibly a new method of torture, but soon enough your nervous system no longer perceived it as a threat. You’d awake to the rose, roll over, and start your day. You stopped mentioning it to family and friends, and eventually it became as normal as breathing. You’d place the roses in a vase, comical at this point, and change them out weekly. A few you even preserved, out of sick humor more than actual appreciation. You’d be certain to mention you wanted no roses at your funeral, at least not red ones, and especially not scorched ones.
You became complacent, as you set your keys down upon entrance to your home, to see an entire bouquet of flowers resting on your kitchen counter. Singed red roses, and one singular black rose in the middle… this time there’s a card. A small folded note about the size of your palm, attached to a silken ribbon wrapped around the thin neck of the vase. Condensation slowly slid down the side of the intricate glass, and for some strange reason, your heart felt dread seeping into its core. Your blood felt icy and your farthest appendages chilled as you shakily lifted the delicate paper up. Several seconds ticked by as perspiration dotted your brow before you eventually sighed and unfolded the note.
Ready to come home, doll?
It was motionless in your home. Deathly silent and still but nonetheless your body shook as tears welled up in your eyes while the foreboding words registered with you. You were home, weren’t you? You knew that much. You also knew you’ve never been called the nickname doll a day in your life, at least by no person you knew.
Was it a joke? Your instincts screamed it wasn’t. You did a pathetic job of staying calm, dropping your keys noisily on the floor as you trembled and dropped to pick them up. You’d leave, stay somewhere else tonight and figure it out in the morning—
“Going somewhere?” You hadn’t head even a footstep. You could see in front of you now a pair a beat up leather boots. Dark jeans lazily bunched up around them with a few nicks and tears in the denim fabric. Your eyes continued up until you were staring at a man.
Bright blue eyes, framed by thick dark lashes, stared down at you. His skin was like patchwork, staples actually pierced through healthy looking flesh while connecting what looked like chard leather to it. His skin you realize after a moment. Some healthy, some burnt, while he stood casually over your crouched form with his hands shoved into the dark trench coat he wore over some ratty band t-shirt. You didn’t watch the news often, hardly ever since your stress was high enough dealing with your own issues, but you knew who this was.
What villain this was.
“Dabi…” you barely even breathed his name, almost inaudible despite your close proximity, but it seemed he heard just fine as a slow forming Cheshire grin spread his lips wide open, revealing his white teeth and sharp canines.
“What’s that doll? Y’look like you’ve seen a ghost, speak up, can’t hear ya down there.”
You were right to feel dread. This was likely the worst scenario possible, one you truly hadn’t even thought of. A notorious villain leaving roses for you? Who’d believe such a ridiculous thing? Even you were struggling to believe it.
“Th-the roses…?”
“Hn? Thought I said speak up.” The waning of his smile shouldn’t have your blood pressure spiking as it did, but you scrambled to speak louder as those violent blue irises blazed.
“Did you—uh, a-are the roses from you?” You slid back, nervous as he stepped forward, eye lids growing heavy as he settled for a smirk on his lips.
“Bingo.” He confirms, not a hint of shame or embarrassment in his laxidazical tone.
You heart hammered against your ribcage, eyes briefly leaving him to look at the bouquet on the counter, mind running faster than a hamster in a wheel. He seems fine just staring at you, expression unreadable besides shallow amusement. He’s giving you time to think, and something in your gut is telling you to tread with caution.
What does it mean to leave roses for over a year for you, every single day? No matter how difficult it was made to do?
Someone in love or someone with a grudge. He doesn’t look the part for either, but the bouquet and strange note having you leaning towards some kind of affection for you. However disturbingly he shows it.
Swallowing thickly, nails scraping on the tile floor, you give a wobbly smile.
“T-they’re very pretty… thank you.”
His eyes briefly widen, head tilting as he observes you with a keener interest than before.
“Yeah? Y’like ‘em, doll?” Doll, that nickname again, you wonder if that’s how he refers to you in his mind. You never likened your appearance to a doll.
You nod with a short jerk, smile still plastered even as your bottom lip wobbles minutely.
“I-I do,” it’s more nerve wracking to be staring up at him from the floor, so you make a show of moving incredibly slow, standing on fawn like legs as you reorient yourself with your own feet again. “You gave me a bouquet this time…” even standing you’re forced to tilt your head back to look at him.
“I did.” He confirms, and the sweat sliding down your spine begins to cool as you shiver. You keep wetting your dry lips, struggling to truly grasp how you’re supposed to get the hell out of this situation.
He seems to visibly enjoy your panic and nervous ticks, watching you pick at your nail bed while he makes you stew in confusion and unanswered questions.
What do you do when the country’s top villain stands in your kitchen? You don’t have a quirk that can compete with him and you sure as hell regret squandering the times your friend encouraged learning some self defense.
He’s not in a hurry it seemed either, leaning a hip against your counter while he continues to observe your every movement. His presence made the space around you appear smaller, like he was sucking the energy from the room.
“Are you…” you look down at your feet, “…going to kill me?”
He snickers, catching your gaze again as it flicks up briefly.
“Nope.” He pops the p with a smile.
You don’t feel relieved.
“Are you going to hurt me?” A better question in all honesty.
“Maybe, probably.” He admits casually, shrugging as if it can’t be helped.
Then the best question for the evening, one still festering in your mind, “Why me?”
The air shifts, the scent of smoke like a campfire, wafting over to you.
“Asked myself that question a lot,” he stands up straight, removing his hands from his pockets. He ignores your flinch, coming closer even as you backed up into the counter. “Asked what the fuck is so special ‘bout you,” he jabs a finger into your chest, eyes flaring as he immediately flattens his palm and lays it over your heart. “To make me like this.”
He smells like campfire and something with chemical undertones, his breath held traces of menthol and tobacoo.
“Y’know what conclusion I came to sweetheart?” The way he said sweetheart was laced with venom.
He’s so close you can feel the heat radiating off him.
“W-what?” You don’t really have an option but to ask. He looks manic, languid expression sharpening into something dark and terrifying as he smiles.
“That it doesn’t fuckin’ matter. That I can do whatever the fuck I want, when I want, how I want. Not you, the heroes, or the shitty cops can do a damn thing to stop me.” He leans back, face melting again into something akin to pure satisfaction.
“Why you? It’s your own fault, doll, should’ve tried harder not to catch my attention, don’t’cha think?” It’s like he’s mocking you, eager to get a rise from you as anger and humiliation burned in your soul.
You shook in rage. Fists clenched at your sides as you urged the tears in your eyes away. You didn’t want to give him the satisfaction of seeing you cry like this.
“You’re a fucking asshole.” He laughs as you bite out the insult, a deep belly laugh, nearly doubling over as if you’d told the funniest joke possible.
“Wrong move,” he fakes at wiping a tear, eyes crinkling at the corners before your scalp is suddenly on fire, a gasp yanked from your lips as you're hauled up and back to the floor. “Said I’d probably hurt ‘ya, didn’t think you’d sass me so early. That’s okay, I’m good at breaking people, fix that mouth real quick.” He murmurs, as if he’s not using your hair like a lead and making the tears you’d fought back so hard earlier fall.
“Hurts!” You grunt, now putting up a decent struggle as you fight back.
He ends that quick with a flick of his palm, blue flames lighting up your darkened kitchen and striking horror into your soul as he waves it around in your face.
“Think I won’t do it ‘cuz I won’t kill ‘ya?” He asks, his eyes matching the flames he produces, filled with a sick sort of glee.
“I’ll make your face look like mine if you keep acting up.” That shuts you down quickly, going limp even as he releases your hair to grip your arm, dragging you through your home with confidence to where everything is, going straight to your bedroom.
“W-wait—! Dabi please, I-I’m sorry,” he stops in your doorway, looking down at you with over-exaggerated sympathy.
“Poor thing,” he coos, no less gentle as he drags you to the bed and pushes you down. It’s a gentle landing, but your panic gives you energy as you try to quickly crawl away. He grips your ankle, his palm heating so quick you hardly realize you’d been burned until you screech, teeth clenched tight as you struggle to even breathe. It hurts so much.
Your will to fight ends as he climbs above you, shrugging off the trench coat and yanking his t-shirt over his head while grinning at you.
“Too early for cryin’ doll, that one won’t even scar.” He looks disappointed by that fact. “Now, I can be nice ‘n sweet if you’ll be good for me…or I can push your fucking face in the mattress and take you like a filthy whore. Pick or I’ll pick for you.” His shift in tone as he tells you to choose how he’s going to rape you instills a strange sort of hopelessness inside you.
He doesn’t care when the water works start up again, rolling his eyes as he watches you weep and tremble like he’s done anything worth crying over yet to you.
“Well babydoll? I’m so fuckin’ hard right now you won’t like the choice I make for you.”
“Sweet…” you’re all curled up like a kitten doused in water beneath him.
He’s unbuckling the belt around his hips, tugging the denim down and his boxers along with it as he grunts.
“C’mere” he all but growls, yanking you up again and pulling at your clothing, quick and efficient in stripping you despite your actions mimicking the nickname he’s given you. Acting like a doll in his embrace as he tosses each article of clothing you wore off to the floor until you were down to your bra and panties. He’s yanking at your bra first, eyes greedily drinking you in as he leaves your top bare finally.
You sniffle pathetically, any attempt at hiding yourself useless as he uses his knees to knock yours open, fitting himself in between as he messily licks two fingers and shoves aside your panties to rub at your folds.
“Hgn!” Your eyes open wide as he crassly works two fingers into your dry cunt, his saliva barely enough to grant him access to the tight confines. “D-Dabi—,” your nails are digging into his arms, tearing at a seam of staples and causing a few small trails of blood to stream, but he’s too focused on you to truly mind.
“Y’asked for sweet doll, means you need to relax and let me in,” he explains, like he’s not stretching you open and jabbing his thick digits inside you despite your weak protests and groans of pain.
Your body gives way to the intrusion after a few minutes, adrenaline fading and leaving you almost exhausted as your cunt lubricates itself to ease his passage.
“There ‘ya go,” he murmurs almost hoarsely, letting you go when he sees you’re being obedient enough and using that freed hand to grip his leaking cock.
Your eyes track his movement, watching him grasp the thick appendage hanging heavy between his legs.
You note before even his size the piercings, not just one or two but a multitude lined his cock like a weapon more than a sexual organ.
Dabi notes the hitch in your breath and where your eyes lay, proudly running his thumb over the ladder of piercings up the spine of his shaft to the tip where two small stainless steel balls rested.
“Scared?” He teases, relaxing himself as he jerks his cock and relieves a little of the ache which had been building in his balls. Curling his fingers up, you gasp in surprise at the pleasant feeling which accompanies the action.
“Nah, you ain’t scared, doll. Not a coward, y’would’ve run a long time ago but you stayed ‘cuz you like this. You like knowing someone is out there willing to do anything to have you,”
“I don’t—,” he cuts you off with a sharp thrust up, pressing into the rough textured spot along your gooey walls.
“Shh, y’should know I don’t like liars, especially not ones who get exposed by their cunt dripping all over the bed.” His smile is filthy, lecherous gaze running along your sweaty exposed skin as he just keeps hitting that spot inside which makes your toes curl.
“P-please stop, Dabi I can’t—,”
“Still lying?” He asks, more amused than angry as you try your best to twist away from the pleasure now wracking your body.
“How’s this doll? You drop the Dabi bullshit n’say Touya when you’re about to cum, okay? Y’listening?” He stops working himself over, freeing his hand again to tap your cheek and catch your clouded watery gaze.
“Try it out.” He orders softly, sweetly, like he’s trying to be gentle but the way his fingers fuck you is anything but sweet or kind. The loud lewd squelching exactly as he said earlier, a confession to how much your body at least enjoyed his careless attention.
You huff, mouth opening to choke on a moan as he adds another finger, fingers wrapping around his wrist where they attempt to halt the sudden oversensitivity inside you.
If anything he jams his fingers inside you harder.
“T-Touya!” You hope he’ll stop. Hope he ends this strange psychological torture as your stomach coils up tight.
He doesn’t, Dabi merely groans in delight and chuckles over you, leaning down to slot his lips over yours in a kiss as messy as he’s making you down below.
His soft top lip is contrasted by the rough feeling of his bottom, but his kiss is hot and you can taste the menthol now. His scent is strong, and you catch a hint of his natural odor beneath the smoke and tobacco. Your cries are silenced by his lips, his tongue slipping into your mouth when you open to complain. You shiver as you feel the drag of a piercing on his tongue, the light touch somehow more erotic. He parts sloppily, saliva connecting your lips for a moment before you flinch as he spits in your mouth.
“Open your fucking mouth.” The tone he uses and language are harsh, and you tearily do as instructed. “Stick out your tongue.” He murmurs a bit more nicely this time, humming in approval as you obey with shaky hesitation.
You won’t hesitate soon enough, if he has anything to do about it. He’ll make his words gospel in your cute brain and have you eager to listen to his every command.
Dabi lets his spit hit your tongue slowly, watching you pant like a dog with your tongue out as he brings you closer and closer to your release. The way your walls clamp around his fingers and constrict makes his cock weep to sink inside you already. “Touya—!”
You cum when he finally allows you to swallow, gushing and throwing your head back while he fucks you through it, laughing as you tense up and beg for mercy and try to escape the pleasure he’s delivering relentlessly.
“Good fuckin’ girl, say my name baby, let me hear it.” Dabi nearly loses it himself watching you shatter, eyes wide and wild as he keeps going. “Touya pl-please…hn!” You keen almost like you’re in pain, fingers digging into his shoulders now while your legs kick out.
“Y’asked for sweet, doll, means you get to cum as much as you want tonight.”
That wasn’t what you’d thought it meant, even as you choke and cum again, this time more softly as he slows his furious pace to something manageable now.
Dabi smiles at the fucked out expression you now wear, pliant in his hold as he maneuvers your body, hoisting your legs up and pressing them to your chest as you whimper in protest.
“You can stay nice ‘n pretty like this doll, doing so good f’me.” He’s not very assuring as he murmurs to you while positioning the weapon he’s armored on his cock at your dripping entrance, tapping his tip a few times on your puffy clit as you moan and twitch, view perfect to watch how he slicks himself up. “T-Touya…” he moans as he catches on your entrance only to slip up, eyes looking at your face as he licks his lips and tries again, enjoying the soft warm feeling of rubbing on your cunt.
“Yeah doll? Need somethin’?” He grins, his cock finally breaching that tight ring of muscle that lets him sink into your hot welcoming depths. “Fuck, been dreaming ‘bout this cunt for so long. Y’know how many times I’ve had to just cum on your sleeping face instead of fucking you? All the times I could’ve just woken you up and had you?” He moans, laughing at the horrified and almost strangled look you gave him, his chest vibrating with a laugh as you mewl like a cat in heat when the first row of piercings sinks into you. “Like ‘em baby? Fuckin’ looks like you do, they feel good in your little pussy?” He moans again when you accidentally bare down on him, the tightness increasing painfully as you whine when his piercings dig in too much.
“Easy doll, let me in,” he murmurs, dark hair falling into his face as he braces above you with one arm, lithe muscles taunt as he works his hips a little at a time into you, enthralled with how you fit around him enough not to slam himself inside all at once.
When the top balls of his piercings kiss up against your cervix, you’re ruined, face a mess as you struggle to adjust to the stretch and sensations.
“S’too much, Touya—” you can only cling to him, eyes drawn to where he’s sunk his entire fat cock into your depths, the way your body contorted giving you the best view.
Your words have the opposite effect though, his groan guttural as he drags himself out, drunk on the feeling of your pussy and lost to it.
“Keep sayin’ my fuckin’ name, lemme hear ‘ya scream babydoll,” you go to protest again, when he slams each inch back into you, the ribs along his cock now working in tandem with his thrusts, effectively shutting you up as you squeal and dig your nails into his shoulders for purchase.
Dabi fucks you hard and deep, speed unnecessarily to keep the air from your lungs as each thrust feels like it’s hitting up in your stomach, the pain and pleasure blending until you aren’t sure if it truly hurts or not.
He sets a steady rhythm, watching your body shake each time he lets his hips fall like a hammer, seeing his cock swallowed each time by your greedy cunt until he’s delirious at the sight.
“Pretty fucking slut, look how your pussy takes me.” He’s spewing filth at you, but when it should offend, it instead makes you burn hotter, his name falling from your swollen pouty lips like a chant.
“This cunt want me to breed it? Fill your pussy full until you can’t take anymore?” You shake your head in denial, unable to truly form words anymore as he picks up his pace, fucking you hard enough to make your headboard slam into the wall. Each thrust accompanied by a symphony of wet slapping, his balls tapping your ass each time his groin kisses your own. “Bet it does, huh doll? This greedy little cunt keeps begging for more.” He loves the dichotomy between your sloppy pussy and the way you shake your head. “No? Y’sure doll? Think it does. Don’t like lyin’ baby, remember? You want me to punish you?” You shake your head again, a bit frustrated when he slows, letting you feel all of him inside you like this, his weight keeping you pinned.
“Shakin’ your head ain’t an answer doll, I’ll be nice ‘n give you another chance, but I expect a fucking a verbal answer this time.” He’s like a light switch. Either on or off but much more terrifying when he flips it on, eyes and voice menacing as you cough and answer in a husky voice. You don’t want to test him on the punishment, truly you don’t, as your ankle still fully throbs in the back of your mind as a reminder of what he’s capable of and who he is.
“I-I like h-how you do it now…” he cocks a brow, sinking deep and then pressing even further so you whine and try to push back further into the bed.
“Y’like how I’m fuckin’ you now? That it, doll?” You go to nod before remembering his warning, swallowing thickly and voicing a soft agreement.
“Hmm… then y’oughta say it, right? Tell me how good I’m fuckin’ this pussy.” He growls, bright blue eyes lighting up as you moan, his pace increasing again as you blabber out whatever nonsense you can to satisfy him. Whatever would make him be sweet, because you have a feeling you don’t want him any other way.
“S-so good! Mhn, f-feels so good Touya, pl-please, ah,” he’s being too rough, your eyes watering and tears spilling as he drills into you, but even still you feel yourself close to coming again as those piercings rub perfectly inside you.
Dabi lifts up, letting your legs fall to either side of him as he grips both your hips tight and fucks you more aggressively. Jackhammering into your gummy walls like he’s eager to imprint the shape of his cock inside you, mouth open and brows furrowed while he groans feeling you tense up again, this time around his dick.
“T-Touya—! M’coming, oh fuck—!” You look painfully suprised when you realize how much it all becomes as you cum, the peircings becoming more prominent as you spasm and clamp down on him, eyes rolling back as your vision slightly blurs.
“Yeah y’are doll, fuck, that feel good? Looks like it did.” He chuckles, chest swelling with a deep satisfaction as he fucks you harder despite your weak whines, overstimulated cunt begging for a break despite how he bullies himself inside you.
“Tell me where you want it,” he’s close, panting and overheating even as he nears his end.
“N-not inside…” he laughs at the soft reply, thrusts only getting deeper as he resorts to simply humping into you for friction after you tighten up so much it hurts to go harder.
“Can’t pull out though doll, look how tight you��re gripping my cock.” You aren’t paying attention, mindlessly moaning as he finally gasps and cums, cock twitching deep inside you and filling you up despite your earlier request.
He nearly collapses on you, chest rising and falling quickly as he regains his breath and relaxes on your soft chest for a moment to recouperate.
When he’s caught his breath, he leans up, slowly pulling out and watching his heavy load immediately spill from your hole.
“Tsk,” he uses two fingers to scoop up what dribbled out, stuffing it back into you as you sleepily huff and press a hand against his chest.
You’re helpless to stop him, too exhausted to fight more and figuring it better to let him have his way than risk his wrath right now.
Once he’s satisfied he’d stuffed you back up well enough, Dabi is quick to leave the bed and begin redressing, speaking casually with you despite your lack of answering.
You watch the villain act as if nothing had occurred, face the same smug arrogant grin when you’d first spotted him.
It’s when he returns his attention to you that fear begins to trickle back into your blood stream.
He seems to notice too, smile growing with your apprehension.
“Now doll,” he crosses back to where you’ve sat up and covered yourself with a blanket, weary gaze locked with his.
“Ready to come home?”
Then it’s dark, your vision going out with your consciousness as Dabi catches you in his arms, dragging your limp figure from the bed and into his arms quickly.
He’s kind enough to wrap you in a sheet as he takes your house keys and phone, shoving them in his pocket as he leaves your place with you in his embrace.
He whistles on his way home, a bit eager to see your expression when you wake.
He figures you’ll learn to like your new home once you realize you’re never leaving it.
He even decorated for the season, the tree a little burnt but he’s sure you’ll appreciate the sentiment.
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Dividers/@cafekistune
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sepublic · 1 year
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I wonder if part of the reason for Flapjack’s death was to contrast how Hunter handled his own grief over a lost loved one, vs Philip’s response?
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There’s the immediate reactions of pushing people away; Philip refuses the kindness of the locals in his search for Caleb and especially afterwards, tries to kill Evelyn, and rebukes his own brother in favor of holding onto bitterness.
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Hunter becomes snappy, aggressive, and closed off after losing Flapjack; Like Philip, he devotes himself to a mission of finding a fellow Wittebane, and gets frustrated over any perceived frivolities and distractions.
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But eventually, Hunter recognizes that while his trauma is valid, he’s also been pushing Willow away and placing a lot of burden on her as well. It’s okay that he was triggered by the Emerald Entrails photo instead of reassured, but part of Hunter and Willow’s resolution is the former clarifying that yes, her efforts to reach out do mean a lot to him. And Willow means a lot to Hunter too, that’s why he wants to reciprocate and accept, instead of causing her to feel just as ineffectual by refusing help; Willow deserves help too!
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Not only that, but Philip and Hunter both created living beings as a coping mechanism, only for one to be unhealthy, while the other actually recovered. Philip is obsessed with creating perfect replicas of Caleb, casting out Grimwalkers for being too different from the mold, not good enough, and keeping them all to himself; The Grimwalkers aren’t allowed their own lives nor any other relationships.
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Hunter makes palismen for others, he’s giving people the companionship he himself lost, and he isn’t designing anything after Flapjack, not necessarily; Just whatever a witch needs. Even his personal palisman, Waffles, is visually different while still hearkening to Flapjack, because Hunter is a Clawthorne after all; He can move on and be himself while also honoring his connections with others, and not become unhealthily dependent or averse to them.
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Hunter made Waffles and thus must’ve chosen these differences, or carved an egg like Luz did, so his palisman could choose a form. I find that wonderfully ironic, for while Hunter has more control over how his creations turn out, he doesn’t abuse this to create a replica of Flapjack; He enables and encourages variation instead, while Philip gambles to make each Grimwalker closer to the original, eliminating any deviations as if that will alter the odds.
One uses control to give to others, the other has no control and desperately wants it over others. Philip grows and Hunter whittles away, but it’s Hunter who proves more nurturing and free. Both used palistrom wood, but Hunter’s coping mechanism encourages its growth, while Philip hoards and even devours it.
Hunter surpasses his uncle by suffering in similar ways, only to show that you can still recover without hurting others; Philip really does have no excuse, for Hunter is an example of the person he easily could and should’ve been in response to loss. Philip tried to spread his pain by repeating it in others, he killed Flapjack (and projected onto Luz, as if to absolve himself by claiming she should do the same, since anyone else would’ve); But Hunter looked his uncle in the eye and said No, I will not be a vector for your bitterness.
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slayingfiction · 1 year
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Weak Words To Cut
Here are some weak words than you can often remove to strengthen your writing. I have made these changes as I edit my own novel, so I included examples from my writing to show you the difference.
When editing and cutting words, we are not talking about dialogue because everyone has a unique way of speaking, and it’s important to keep true to their voice.
Note: these are all general guidelines, and you don’t have to use all or any of them. Creative writing gives you a creative licence to choose how you write. Do what works best for you. Always.
Suddenly: technically speaking, everything happens suddenly, so use the word sparingly or it will lose its effect.
I don’t remember ever seeing a man in such little clothes before, and I suddenly despised the one piece left. I don’t remember ever seeing a man in such little clothes before, and I found myself despising the remaining piece.
Keep: When it disrupts your character’s life, and you want your reader to really take notice.
Cut: if removed and there is no change, then it’s not necessary
Then/Next: this is typically a filler word. All events happen in a sequential state, so it’s not always needed.
Then She was gone, her steps echoing through the halls.
Keep: You want to keep the word typically when something is changing in action, description, etc.
Cut: If removing the word does not change the meaning, then cut it. Typically if this word starts the sentence, it’s unnecessary.
Just: this is a filler word, and can almost always be removed.
I was just a game to him, nothing more.
Keep: if removing it makes your sentence confusing or changes the meaning, then keep it. Usually using the word words well as a limiter word. (Eg. it’s just me and my dogs tonight)
Cut: when it’s unnecessary and changes nothing.
Really/Very: these are weak qualifying/descriptive words, and you can absolutely find a better synonym
Your mother is really nice lovely.
Keep: typically these words are fine to keep when not used to enhance an adjective. (Eg. very next day, really think, very back of…)
Cut: if it’s being used to enhance a weak adjective, cut it and find a better word.
Is/Was: this is usually a passive voice, which isn’t usually the best for fiction novels, active voice is always preferred. Naturally this is a verb that you can’t cut from all places, so here are some tips.
Everyone was too busy focusing on their shopping to notice a human sliding between sales booths. Buyers and sellers occupied themselves with their shopping, too focused to notice a human sliding between sales booths.
Keep: when delivering information quickly its always best to just state the facts, so don’t worry about trying to find flowery words to describe everything.
Cut: If you can show what the person or object is doing instead of simply saying it, then change the sentence.
Started: every action has a start, so don’t write it unless you can tell me why it’s important now to know that’s it’s started.
The boy started to rant in his native tongue. The boy ranted in his native tongue.
Keep: if your scene is being interrupted or is still unfinished, then go ahead. This one is a little harder to see sometimes, so just see how you feel with it in vs removed.
Cut: it’s it’s unnecessary information, and nothing changes to the story or sentence when removed, axe it.
Seemed: again, this is more of a show don’t tell kind of thing
Time seemed to slow slowed as I held Vera tight against me.
Keep: if a character knows something intuitively
Cut: if you can show why the character is perceiving what’s happening
Definitely: this is typically just confirming facts that are already known to be true. Repetition is unnecessary without a purpose.
He definitely saw me, but I wasn’t mad about it. (This instance can for sure be removed, it’s unnecessary. However, I want this emphasis here, so I chose to keep it)
Keep: if it’s your character who is confirming facts as 100% accurate and ridding previous doubt
Cut: remove and nothing changes
Somewhat/Slightly: usually this is used when only trying to use a partial effect of a word, so the easiest fix is to change the word that it’s describing.
I looked away, slightly embarrassed.
Keep: if the words is truly the best way to describe what was happening in the sentence.
Cut: when you can use a better word to describe your action/emotion/whatever to be more accurate or it’s unnecessary.
Possibly/Likely/Probably/May/Might: much like some of the other weak words, these are just filler. Something either is or isn’t, and it’s best to describe here you can.
Probably Not with the way he was speaking to her.
Keep: if your character isn’t sure of something
Cut: if you can describe what’s happening, or it can be removed without changing the meaning
Somehow: this is usually an indicator of missing information
I thought I was an average girl in every way, and now I was somehow the first human to ever survive. (I don’t use somehow often. I am keeping it in this instance because none of the characters know how it happened yet.)
Keep: if your character is missing the information and doesn’t know how something became true or transpired
Cut: if you can explain how something came to be.
Adverbs: this is a great category of words to use in writing, but if used too often, it can distract from the story. A good rule is finding an even balance between adverbs and active verbs.
I squeezed her cold hand tightly in mine and made a promise to save her. Clenching her cold hand between mine, I promised to save her.
Keep: if it improves your writing by making it more clear and efficient.
Cut: if it makes more sense to use active verbs to describe what’s going on.
Totally/Completely/Absolutely: all filler words
He grinned at me, his plate almost completely full while mine was near empty. He grinned at me, his plate still full while mine sat devoid of even a crumb.
Keep: if it’s important to the story to know with 100% certainty, and this word gives the most accurate description
Cut: whenever it’s not needed
Thing/It: missing information/ lack of description
I was just accepting all the things they said as truth. I was just accepting all their fantastic explanations as truth.
Keep: if your character doesn’t know what it is
Cut: whenever you can find an actually description or name the object
Have any more words you think should be added to the list? If something does not make sense or you have questions, let me know down below.
If you’ve found this helpful: comment, like, reblog & follow for more :)
Happy Writing!
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