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understandableparadox · 1 month

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a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

#hazbin hotel

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wongyuuu · 4 months

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back room | csc

pairing: seungcheol x f!reader genre: smut word count: 2.3k summary: while seungcheol is on a meeting you decide that it's a great moment to send him nudes. warnings: minors do not interact, kissing, stimulation, swearing, petnames, penetrative sex, unprotected sex (don't do this) a/n: this is part of 1k event, it was requested @xcynthiaaa. i hope you like it. prompts: "Feeling a bit possessive, aren't we?" + “Can you stop sending me nudes, I’m at work.” lower case was intentional, not proofread

you anxiously watched the meeting room, you glanced at your phone every now and then to make sure that seungcheol had gotten your text. he was doing a good job of keeping a straight face, his eyes not even once going to his phone or to you, though you were sure that he knew that the new influx of texts was from you.

without meaning to, your eyes went from him to the woman sitting right in front of him. since the beginning of the meeting she never stopped looking at seungcheol and if the nasty gossip that floated to your ears was any true, she had been hitting on him a long time before you showed up.

maybe you were feeling a little insecure about yourself, because the woman was stunning, with the kind of face and body one could easily find in a magazine, or maybe you just hated the fact that there was a woman throwing herself at your boyfriend. to his credit, seungcheol never looked at her, unless she directly called his name, and when she touched his leg with her pointy shoes he scooted his chair back.

you bit your lip, wanting to come up with an excuse to go into the meeting room and maybe end it. but you didn't have a good one and although if you did go in, no one would ever bat an eye, it just wasn't right. and, more than anything else, it could backfire and instead of being amused by your sudden jealousy, seungcheol would get angry because you could have potentially ruined an important moment for him.

so you kept your butt on your chair, doing your very best to keep your focus on the work that needed to be done. it was pointless and you knew that. every couple of seconds your eyes moved to the meeting room.

"who was the idiot that decided that a meeting room should have glass walls?" you asked no one in particular.

"pretty sure it was the ceo" wonwoo said from the desk in front of you.

it was a surprise that he even heard you in the first place. wonwoo was great at ignoring the people around him, you more than anyone else, and he usually had his earbuds in, blasting music loud enough that people near him could hear it too. you liked to pretend that he never answered because his hearing was getting progressively worse because of all the loud music.

"almost certain your boyfriend agreed, saying it was a great idea," he said, not looking at you.

you choked on your own saliva, eyes wide as you reached for the water bottle on your right. no one was supposed to know about your relationship with seungcheol, as it was against company rules. both of you thought that you had done a good job in hiding it, a fantastic one actually.

you never arrived together, never left together, barely talked of things that weren't specific about work, and if there was a company dinner you never sat close to each other, always choosing opposite sides, but careful enough not to be facing each other.

you were always careful, to the point most people thought you didn't like each other.

"he's not..."

"you don't have to lie" he waved a hand in your direction, "i'm the only one who knows. and i only know because i saw you together a couple of weeks ago at a restaurant"

you opened your mouth to say something when your phone suddenly lit up with an incoming text. it was pathetic how quickly you grabbed your phone, to the point wonwoo laughed at you.

cheol feeling a bit possessive, aren't we?

you bit your lip trying to hide your smile but it was almost impossible. when you looked at the meeting room, seungcheol's eyes were focused on you.

to the average person, he looked displeased, angry even. but you knew that the glint in his eyes was for a different reason.

you moved your attention back to your phone.

you just wanted to remind you that you have a girlfriend

you went through your gallery again, clicking on the picture you took a few days before and pressing send. seungcheol had to be away for a few days because of work and because you weren't part of his team, there was no reason for you to tag along. you had been feeling hornier than usual, needy even. so you decided that if you were missing your boyfriend to the point where your fingers could do nothing but make you even needier, he too could miss you a little bit.

so you took pictures of yourself sprawled in his bed, wearing the red lingerie you knew he liked the most, and sent it to him. it took him a couple of hours to see it and it was so long that you started to think that maybe it had been a bad idea and that though he was someone who enjoyed foreplay there were things that he wasn't willing to do.

to your surprise and delight, he was more into it than you expected.

after that, if you were feeling pretty enough, you'd take pictures and randomly send them to him.

cheol you know i love it but, can you stop sending me nudes? i'm at work we're at work

you okay ;)

you send him a different picture, this time one he had taken the night before, of your reflection in the mirror while you rode him.

you smiled at your phone before setting it down, happy with yourself. seungcheol looked almost pained as he turned his attention back to the meeting, nodding his head every now and then, but his eyes continued to move back to his phone.

he couldn't really believe what you had done, though you weren't the shiest woman he had ever met, for you there had always been certain boundaries you refused to cross. he couldn't help but wonder if you had gotten jealous enough to do that, send him pictures while he was in a room filled with people. had the client had gone a little further you would have barged into the room ready for a fight?

his hard on was a little uncomfortable, and yes he crossed his legs in order to hide it, but it was extremely hard to keep the smile away from his face.

"i'm sure we can make the adjustments for next week, can't we seungcheol?" his boss suddenly said.

seungcheol cleared his throat and adjusted himself on the chair.

"yes, i can finish it by friday next week

"great!" the woman said in her high pitched tone.

seungcheol took a discreet deep breath to keep himself from rolling his eyes.

he didn't know how you even thought that he could be interested in her, or if anything at all even went through your brain. the client was objectively pretty but everything else about her didn't do much for him. and she crossed one too many lines during the meeting. seungcheol made it a point to keep quiet for the day but there was no way he would stand another meeting with the woman. he would still work on the project but the ceo could handle her by himself, something told him he would be happy to.

"i was thinking that maybe we could all go for lunch," she started.

seungcheol stood up, shaking his head. he pulled the folder from the desk and held it in front of himself. the sight was ridiculous and he could picture you laughing in his head.

"i have a lot of work to catch up on, i'll have to pass on it"

the polite thing to do would be to shake her hand but seungcheol wanted to get away as fast as possible so once the ceo nodded at him, he turned on his heels and left the meeting room.

he went straight to your desk. you smiled while looking down and at the mere sight of you, his cock twitched like he was a fucking teenager that had never seen a woman before.

"yn, i need you at the archive room. now"

at the sound of his voice, you looked up. your smile melted away and you wore the usual serious face whenever seungcheol was around.

he hated it, the fact that you had to hide your relationship. he wanted everyone to know that you were his, and then maybe all the stupid men in the office would stop trying to ask you out.

"why?" you asked, your tone bored.

"because you were the last one to go through the files and i need help" he matched your bored tone.

wonwoo laughed, making seungcheol turn to him. he raised his eyebrows, a silent question thrown at the man sitting in front of you. wonwwo just shook his head, his smile suddenly gone. he turned to you, eyebrows still raised.

you sighed and followed him. your heels clicking on the floor while you followed him three steps behind.

was the archive room always that far away?

"what do you need?" you asked, tone still bored, when the room came into view.

seungcheol opened the door for you and followed you inside, locking the door behind him.

when you turned to look at him you smiled at him, your arms crossed over your chest. he threw the folder he used to cover himself to the side and put his hands on his waist. you watched in complete amazement and laughed when you noticed the bulge in his pants.

"awn, did you like the pictures that much?" your voice was taunting.

seungcheol took three steps closer to you and pulled your hand, putting it over his cock. just that was almost enough to get a moan out of him.

the second he saw the picture of you over him, his dick deep inside your pussy, it was all he could think about. having you again, as fast as possible was his only concern.

"there are cameras in here," you said, your eyes wide while you looked around, lightly pulling your hand away from his grasp.

"there isn't"

at his words, you opened the zipper of his pants just enough to push your hands into his boxers. you wrapped your hand around his cock and ran your thumbs over his tip, pumping him a couple of times. you smiled when a quick shudder ran over him.

seungcheol grabbed your face and pulled you to him, his lips crashing over yours. he pushed his tongue through your lips, taking control. his hands moved down to your neck, squeezing it softly.

"my little menace," he said "what did you think was going to happen, hm?"

he pulled your skirt up until it was pooled around your waist and pushed you until your back was pressed against the wall.

"you wanted me to walk out of that room and fuck you, over your desk?"

you moaned at the thought, though in your ideal world, none of your coworkers would be around to witness it. seungcheol turned you around and forced your legs apart with his feet while holding one of your arms behind your back. you used your free hand to steady yourself on the wall.

"if you don't ask, i'm not going to fuck you, baby"

it was something seungcheol often relished on, the fact that he could make you beg. you were so quiet, so shy, but he always made you say it, implore for it.

"you're the one with a hard on, sweetheart" you teased. if he thought that you were going to beg this time too, he was wrong "i can go back to work as if nothing happened"

you really couldn't. if you did it was going to be the worst work day for you because the only thing you could possibly think about was the fact that your boyfriend had a hard on because of you and you said no when he wanted to fuck you.

seungcheol shoved your panties aside and pushed himself into you. he groaned as your walls sucked him in. you moaned at the feeling of being full, at being stretched out to fit him. he moved relentlessly, his pace almost cruel as he searched for his release.

"jesus, cheol..." a loud moan left your lips as you were suddenly pressed on the wall.

"you have to be quiet, baby" you could feel his smirk on your neck "everyone will hear you"

seungcheol snaked his arm around your waist, and his fingers worked your clit with the same drive as his hips moved. he was a madman and you loved every single piece of him. you covered your mouth with your hand, your eyes shut close, in a pathetic attempt to be quiet. even if your moans couldn't be heard, there was no way people wouldn't hear the sound of his hips on your yours.

"you’re going to be filled with cum" he whispered, his free hand grabbing your neck, tilting your head back "running down your thighs the entire day"

seungcheol pinched your clit and it was enough to throw you over the edge. this time you were able to swallow your moan. you pressed your hands on the wall, trying to steady yourself, as your legs shook. seungcheol was quick to follow, your walls clenching around him like a vice as he pounded into you again and again.

he used your shoulder to quiet his own moan and heavy breath.

"just so you know, this wasn't my intention," you said once you were able to breathe again.

seungcheol laughed and took a step back as he adjusted his shirt and pants.

"no?"

you rolled your eyes and leaned on the wall.

"maybe later, at your place" you gave in

he laughed and pulled your skirt down while you buttoned his shirt.

"well, it's only noon"

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fuckyeahgoodomens · 2 months

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Michael Ralph, the Good Omens Production Designer, interview for Movieweb :), summer 2023

Question: What is your reaction to your fan's positivity?

Michael Ralph: It's unbelievable. To see your work reflected in the eyes of people that love it is incredibly complimentary and it feels on, you know, you're honoured by having that response .It's rare that you get to experience it. You know, I think that we were involved recently in a fans' view of the set where all the fans who'd been involved in a competition were able to walk around the set. It's extraordinary. And I got hugs and people in tears. And it is an overwhelming experience to stand in that street and be in that bookshop when you didn't think, even though you knew, but you didn't quite know it really existed as a place that you could walk around in is quite phenomenal.

Question: Do you see locations as extensions of characters?

Michael Ralph: My feeling is that we would all, if possible, choose to live where we believe and within an environment that we believe suits us, doesn't suit anyone else. It's a fingerprint thing. It's like, where are you most comfortable? Where are you most comfortable to read or to write or to watch a programme or where do you feel the most secure?That bookshop is an anchor point visually for the show and always has been an anchor point since day one. And it is where you feel most secure. It's where the door closed, you feel safe within it. And what emanates or resonates with that bookshop, not only from the character and the position or who Aziraphale is, is that everybody that walks into that bookshop feels the same thing. Everyone that walks in that bookshop, I've said it before, just want to live upstairs and drink red wine and read books all day and they feel comfortable and they feel nostalgic and it creates a sense of security and protection. And I think that if you can create that sort of sentimentality in something that you're walking around in, it must transcend the lens. And it obviously does because people feel it all the time and they want to go there and sit around in the corner and feel comfortable. So I think that from character point of view, I started really emotionally from Aziraphale. And Neil, whenever I've thought of a great idea that I tell Neil about and he tells me how amazing it might be or how fantastic or inspired it was, I suddenly start to realise it's probably in the book or it's probably in the script between the lines. What stimulates my apophenia, what stimulates my vision and my emotional motivation to design anything is what I can see in the page. So if he has written something so universally empathetic to an audience, then I'm seeing the same thing you are, in my variation, but it really is the same warp or the same sentimentality as I said, or any of those things. So if I can find how to get my fingernails under the edge of that, how I can actually depict it, then I know that it's going to work. And that's obviously... and you can believe in it then, and you can say it with all honesty, rather than impersonate your love for something or say something because your ego tells you you should, or produce something that's a duplicate of something you saw once in Italy. This is something you've got to feel that's specific to the project and specific to the written word, you know.

Question: Do you have the freedom to do what you want?

Michael Ralph: I must admit, reading the book the first time, it was difficult to get my head around how it was going to be depicted. You've got to be very careful that you don't impersonate what you've seen before, you don't copy and then call it original when it's not, because that's sort of like a cop out. You really, honestly have to live with it 24 hours a day, even while you're asleep, and search and search and search and search to find what it is that gets your fingernails under it, to find out what it is you really believe in. And it sounds so ethereal, but it's absolutely true. If you can get that, if you can openly find that, and you've got to feel that, if you can get that, then you're absolutely on something you can invest in and then something you can produce. Because then it's not something that's duplicated. All the furniture, literally all the furniture, all of the dressing on the walls, all of the bookshelves are all built but Bronwyn, a set decorator, will buy me a lot of brown furniture that she finds as really interesting furniture. Furniture that's got spindles and handcarved pieces and reliefs in it. And she gets me stuff that she believes goes with the character of the place. And then I'll break it open. This is what construction. I love working with construction with, because I'll break it open, cut it down, reattach it, and I'll remake wholewalls and bookshelves, like in the magic shop that none of it existed until we put together loads of stuff the set decorator found, that Bronwyn found. And then all that stuff ends up having a profile of the period, or echoes to you, little visual trip hazards of the period, of size and weight. But it isn't really anything you've ever seen before. It's not from a higher shop. It's not from a piece of furniture you bought, just plunk there. Because the camera sees things differently. And we have to lift all that up and make it bigger and larger in scale to punctuate the vision. So all of that is... there's all sorts of theories, I could go on forever, you know. I was saying to Bronwyn today that I think I've been working all my life on trying to raise my intellect, to be able to incorporate a vocabulary to explain what it is I do creatively. I'm not there yet.

Question: Is there something you'd like to explore in the future?

Michael Ralph: And it's funny you should say that, because that process, from what I've explained to you, doesn't originate with me. So you need to get that book or that source material, and someone has to say, you're the guide for this, I'd love to see what you see. And then it's like this massive submerge, you submerge into it. And then it's a journey, a journey that you embrace and it reveals things that I could guess maybe 15-20 things I'd like to do on Season Three, but it's not scripted. So what is that? You know, I've got imaginary things that I will adopt because I know that they've got weight or purpose that will work for Season Three. But I need to see what Neil shows me, you know, what Neil teaches and tells me, and then once I've seen that, I can run with it. He's such a wonderful appreciator of what you achieve. He's never questioned anything I've done, ever. And it's been hundreds of things, hundreds of sets and ideas. And no matter how crazy what it is, I might end up drawing the craziest things first. But he still loves them, you know. And it feels like it probably was there already between the lines. And all I've done is pick up on it. You got to really get into it to mime what it is that affects you and what moves you. What it is you love about something. You can watch a show and read a book and not love it. You don't know why you didn't love it, it's unequatable, but you just didn't connect. But what we're trying to do with everything we do cinematically is to connect, is to somehow get through the equation. So you feel it. And I got a feeling that's why Good Omens works so well. Because of the amount of love and emotion that people put into it and amount of faith people have in what they're doing, because it's only done out of joy and it's only done for the goodness of that wonderful story that is developed and matured, within it, between the characters. And because of that, you can do nothing but sprinkle magic on it all the time.

#good omens #gos2 #season 2 #interview #michael ralph #michael ralph interview #s2 interview #videos #video interview #transcripts #movieweb #bts #bronwyn franklin #aziraphale's bookshop #fun fact #neil gaiman

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mysteryshoptls · 2 months

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SSR Dire Crowley - Raven Jacket Vignette

"A dramatic encounter"

[Lecture Hall]

Crowley: Good morning. It is beautiful out, what an absolutely splendid start to such a lovely day.

Crowley: Incidentally… Have you noticed any changes in the apple tree growing in the courtyard?

Crowley: Yes, that's right. I'm speaking of the smallest, most recent planted tree within the courtyard.

Crowley: It feels as though it was only yesterday that it first started sprouting, and yet… It truly is growing at an astonishing rate.

Crowley: Whenever I chance a glance at that ever-striving tree growing each and every day under rain, shine or clouds, I also feel a twinge of self-reflection to be better.

Crowley: As if telling me that in both happy times and sad, one cannot forget to continue to strive for growth.

Crowley: And also… At the same time, I feel as though that tree represents all you students enrolled here at Night Raven College.

Crowley: That is, with respect to the point that with a good environment and proper nourishment, you all are able to grow and mature so wonderfully.

Crowley: …Well? Wouldn't you say that was an inspiring speech!?

Leona: Zzz.

Crowley: EXCUSE ME. I JUST HEARD A VERY LARGE SNORE THERE, WHO WAS THAT!?

Azul: It was magnificent! I was utterly enthralled by your wonderfully deep analogy. As one should expect from someone like you, Crowley-sensei!

Riddle: Really? I could have done with a little more tangible explanation, myself.

Riddle: What especially caught my attention was what you said about having "proper nourishment." Headmage, sir! What would that constitute?

Idia: Forget that, was this student assembly even a need? It's not even lol-worthy to think about how much time we've wasted having to listen to the Headmage's self-indulgent monologues on loop.

Vil: I concur. If all you wish to do is chit-chat, could you not gather the entire student body? I would rather use my mornings for my stretching exercises.

Octavinelle Student: Yeah, it's always some kind of useless speech.

Heartslabyul Student: I wanna go back to my dorm～

[clamoring]

Crowley: EVERYONE PLEASE QUIET DOWN!

Crowley: Anyway! What I was trying to say is…

Crowley: I would like everyone here to carry yourself with pride as befitting a student of Night Raven College.

Kalim: Oh! I was totally lost with what you were saying earlier, I see, so that's what you meant!

Kalim: I totally get it. I'll work hard just like an orange tree does!

Crowley: AN APPLE TREE!

[door opens]

Crowley: Hm? Who could possibly be showing up this late to… Ah.

Malleus: …

Crowley: D-DRACONIA-KUN!

Crowley: Right, did anyone tell him that there was to be a campus-wide student assembly…?

Everyone: Not at all.

Malleus: Was I not extended an invitation once again?

Malleus: You have the gall... To leave me outcast…

[lightning strikes down]

Crowley: W-Wait, Draconia-kun! Do not cast your lightning indoors!

Leona: Yaaaawn… Done blabbering, then? 'Kay, meeting over. Everyone back to their dorms.

[everyone nods]

Crowley: Aah, everyone, wait! If you're leaving, please take Draconia-kun with you!

[Cafeteria]

Crowley: For goodness’ sake. This morning could have gone much better.

Crowley: However, no matter what tribulations I may come across… Once it is time for lunch, I immediately feel much better!

Crowley: And that's all thanks to the delicious fare our school provides. What is the recommended meal of the day?

Ghost Chef: Welcome, Headmage. Today's recommendation is an exceptionally filling meat pie filled with large chunks of beef!

Crowley: Sounds fantastic. Please, I would have that, then.

Crowley: Oh, hello, Crewel-sensei and Vargas-sensei. I see Trein-sensei is with you too!

Crowley: Are you all taking lunch together? May I join you?

Vargas: Absolutely, yes, come and sit with us! I bet it'd be more than a hassle to find another seat when it's this crowded, anyway.

Crewel: I also was unable to find other seating, so here I am, reluctantly keeping company with a scold.

Trein: I do believe if you wish to avoid a lecture you would do well to not do anything warranting one.

Trein: …Oh. I see that you've ordered the beef pie, Headmage.

Crowley: That's correct. I am an avid connoisseur of meat, yes.

Crowley: Of course I'll eat it all, including beef, pork, chicken, and even wild game.

Trein: Wild game?

Crowley: Indeed, gibier, it's called. Have you ever tried it?

Vargas: Oh yeah, gibier! Last time I had some was when I ate some venison, and it sure did taste so delicious that I was overflowing with energy～

Crowley: You have a distinguished palate, Vargas-sensei. How wonderful.

Crowley: There are a multitude of other gibier meat to try, you know. I do hope you all have a chance to…

Sam: ＩＮＳＴＯＣＫＮＯＷ!

Everyone: AHH!!

Crowley: S-Sam-kun… I implore you to not pop in from behind us like that!

Sam: Nyeheehee. You all looked like you were lost in such enjoyable conversation, I just couldn't help myself.

Crewel: This is a rare sight, Sam. You're usually tending to the Mystery Shop around this time, aren't you?

Sam: The cafeteria ghosts had asked for a delivery of some ingredients, is all.

Sam: Headmage, if you're interested in some gibier that's a little more difficult to get your hands on, you know I got you.

Sam: Whatever kind of food you may want, I can procure it for you.

Crowley: You're fantastic, Sam-kun. How wonderfully supportive. However…

Crowley: In all actuality, I also have a fondness for vegetables, fruits and sweets in addition to meat. I love anything that is not spicy!

Crewel: I am fully aware. For as long as I remember, your omnivorous habits have made for quite the reputation.

Crowley: Omniv… Could you possibly say that in a more appropriate manner!?

Sam: …Hm? I just noticed that everyone's ordered very different dishes. Really goes to show each of your preferences.

Vargas: Since I always have my muscles on my mind, I make it so my lunches are egg dishes packed full of protein!

Crewel: I do like meat pies myself, so I did consider it… But that size is far too much for me.

Crewel: It may be perfect for those growing students, but it is most likely in excess of the recommended nutritional intake for us adults.

Trein: Indeed. I also selected something else when I saw it with my own eyes.

Trein: If I ate such a thing for lunch, I would still feel it weighing me down during afternoon classes.

Crowley: Is that so? Such a shame. It's so delicious～

Vargas: Nice, that's a great appetite you got. I'll have to work hard to keep up!

Trein: Look at him, devouring that hearty and greasy meat pie so easily… He truly is young at heart…

Crewel: You're not wrong, he hasn't changed one bit from my student days.

Trein: For that matter, I don't believe he's changed since I started my tenure here at Night Raven College…

Crewel: Headmage… How old is he truly? I'm curious, and yet I'm not sure I want to know…

Sam: Nyeheehee. He's truly a man of mystery. It piques one's curiosity.

Crowley: Ah, so delicious. Past me deserves such gracious thanks for hiring these Five-Star restaurant chefs.

Crowley: And what a dramatic encounter it was meeting those chef ghosts.

Crowley: That was… Oh, hm. How many decades ago, now?

[Main Street]

Crowley: Now, what shall I do this afternoon? The other professors are busy with classes, so mayhaps I'll go while away the time at Sam-kun's shop…

???: We ain't gotta sweat the small stuff, c'mon.

Crowley: Hm? This voice…

Grim: No one'll notice if we skip one or two classes. We should totally just snag a few z's instead, myahaha!

1. Let's hurry and head back towards the classroom. 2. Maybe you're right and no one will catch us…

Crowley: That certainly was Grim-kun's voice, I see…

Crowley: Even if it is just those two, how could there be anyone with the audacity to cut class at my academy! I absolutely cannot believe it!

Savanaclaw Student: Hey, we'll be using that bench to relax on while we ditch class. Get off.

Grim: Huuh!? I'm the one who found this sunny spot first!

Crowley: WHA― THERE ARE OTHERS CUTTING CLASS AS WELL!?

Crowley: Not only are there multiple students missing class, it seems a fight is about to break out, as well… What is with this break in decorum at this school?

Crowley: EXCUSE ME, YOU LOT! YOU SHOULD ALL BE IN CLASS RIGHT NOW!

Grim: Urgh. Someone annoying's found us.

Crowley: [Yuu]-kun, it is most troublesome if you cannot look after Grim-kun properly.

1. I'm sorry.

Crowley: How refreshing… It's so moving to have someone apologize so forthright immediately after breaking a rule…

2. Grim just doesn't listen to me.

Crowley: Y-You're just running yourself ragged, I see… Poor thing to have to deal with Grim-kun like this.

Crowley: All of you return to class this instant. It should be an honor that you have the privilege of attending classes here.

Crowley: Magic is not something so simple that can be controlled on talent alone.

Crowley: Of course, natural talent may be important, but what truly matters is maturing your abilities through daily growth and experiences.

Crowley: You all do remember my very loving speech from this morning, yes?

Grim: It was all about somethin' boring, so I wasn't listening.

Ignihyde Student: Yeah. Same.

Crowley: EXCUSE ME!? [Yuu]-kun, please tell me you had your listening ears on this morning?

1. Of course I remember.

Crowley: Whew... At least you're a good student.

2. Something about grape trees, right?

Crowley: APPLE TREES!

Ignihyde Student: Man, you're so annoying… You keep yammering on, but there's really no reason to listen to you, is there?

Diasomnia Student: Seriously. It’s not like I've ever seen the Headmage do any kind of crazy strong magic or anything, and even the Housewardens were ignoring him at the student assembly…

Savanaclaw Student: He ain't scary at all. Just ignore him!

Crowley: …What pitiful children.

Crowley: Well, I suppose I have no choice. I'll just have to show you exactly how important incremental advancement in your studies can be.

Crowley: …FOR MY KINDNESS KNOWS NO BOUNDS!

Students: HRRGHH!

Grim: Oh hey, that stuff wrapped around those guys is the Headmage's uh… weird rope thing!

Crowley: This is not rope. This is my lash of love! A slightly stronger version than before.

Savanaclaw Student: OW, OW! I'M GETTING SQUEEZED～!

Diasomnia Student: This kinda magic should be no problem to break out… Hurng, I can't!? Wh-Why? Our magic's not even making a scratch on it!

Crowley: That should be expected. You do realize I am the Headmage here, yes? This level of magic comes as easily to me as breathing does.

Crowley: It's one thing when those who comprehend my power, like the Housewardens, speak in jest…

Crowley: But it would be completely disgraceful of me as an instructor to be belittled by students like you who have no knowledge of the difference in our abilities.

Crowley: You should try to comprehend how unripe your magical abilities still are.

Grim: Yeah, yeah, get 'em, Crowley! Show 'em what little they know!

1. I wouldn't get too carried away… 2. Wouldn't it be better to run before…?

Crowley: And a lash of love for you! My more heedful version!

Grim: GRRAAH～!

1. Astounding, no matter how many times I see it! 2. Your lightning quick flick made quick work of him!

Crowley: Heh, you don't have to go that far in praising… Hold on now, Grim-kun! No matter how much you thrash about, nothing will come of it. Calm yourself.

Crowley: After all, I have such high expectations for you, Grim-kun. That includes you too, [Yuu]-kun.

Crowley: I fully believe that the two of you will be integral to changing the future of this academy.

Crowley: I'm sure you two will be all I hope for and more, don't you?

Grim: Yeah, yeah, I gotchu. Just leave it all to the genius Grim-sama.

Grim: …SO LET ME GO ALREADY～!

Crowley: Well then. I suppose I'll just take you all to your assigned classes just like this now.

Grim: Huh!? If you drag us along all tied up like this, everyone that'll see us will all point and laugh…!

Grim: LET GO, LET ME GOOO!

Crowley: I must make sure that you Night Raven College students properly reflect on your actions and learn from each experience.

Crowley: And that is because you are all one of my very precious, precious apple trees...

Requested by Anonymous.

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speakergame · 2 months

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Progress Update - 3/4/24

Hello and happy March!

It’s been a while, hasn’t it? 😅 Well, I finally have some good news for you this time: I have some actual news!

I'm happy to be able to announce at last that an update is on its way! I’ve still got some assets to make and code cleanup and testing to finish, but I should finally have something to show you soon.

I’ll put a cut at the end of this and go into more detail about the what and why of what I’ve been working on during this long and unintended hiatus, but the tl;dr is that I hope to have an update out by the end of the month, and that said update will break any saves made in Chapter 4. Unfortunate, but unavoidable, since Chapter 4 had to be recoded from the beginning 😞

I just want to thank all of you once again for sticking with me through my extended silence! Especially to my patrons who’ve put up with me putting everything on pause month after month while I dealt with my real life shit, and to everyone who’s sent me kind and supportive messages to let me know Speaker hasn’t been forgotten. It really means a lot to me.

Okay, enough of that sappy shit! I’m gonna get back to work finishing this up 😁 I’ll put out another update later this month once I have a more definite release date.

Thank you all for reading! I hope you’re having a fantastic 2024 so far, and that the rest of the week treats you kindly. See y’all soon! 💙💙💙

(For those who want a more detailed breakdown on what’s been happening and what to expect, hit the readmore)

I won’t go into the personal life stuff I’ve been dealing with this past year that has slowed down my work, but as far as the actual game goes:

To put it simply, I just wasn’t happy with it. Some of it could be because of how many times I had to reread the same section while I was coding the scenes that would’ve taken place after the last update, but no matter how much I edited or rearranged it, I didn’t like how that scene turned out. There was something… formulaic that had been happening with the way I always laid out scenes, and a bit of stagnation in the story, character, and relationship development that bothered me.

So I rewrote it. And when I still didn’t like it, I rewrote it again. And I still didn’t like it. I thought about scrapping the whole thing on more than one occasion as I struggled to get out of the corner I’d written myself into.

Inspiration finally struck at the beginning of this year, thanks in part to another interactive novel I follow, and I really like the direction I’ve taken it now.

Instead of the RO split scenes happening where the last one left off, Speaker, Seer, and Gavin are gonna have a chat about Things™ to move the next story arc forward. Then Speaker will get some downtime, by themself at first and then in an extended scene split with the RO of their choosing.

All the Big Plot Things that were going to happen in Chapter 4 will be moved to Chapter 5 instead, and 4 will be a bit more of a filler episode. A deep breath before the plunge, as it were.

This split won’t just be a quick conversation/reaction from the RO, but a full on different direction for the rest of the chapter based on who you choose. Most of them will involve leaving the house; all of them will involve actual one-on-one time (or one-on-two time, as the case may be) away from the others. And though romance isn’t required, all of them will have the potential to really move the romance forward if you so choose. One or two might even have a lock-in choice (maybe. I’m not 100 percent on that, so don’t hold me to it)

These scenes won’t be in the next update, because they’re all very complex, but the update will definitely have the Seer chat and at least some of the by-yourself stuff. The update after will have the rest of the alone time stuff (including the clothes/body CC you’ve all been waiting for), and then the one after will start the RO scenes. I think.

I may actually split the RO scenes into separate updates, and let my darlings over at Patreon vote for the order they’re released. That way I can focus on one at a time instead of trying to split my attention six ways at once.

Okay, that’s enough rambling for me today. Time to get back to work! Still got a lot to get done before this is ready, but it’s so close now.

#speaker game #progress update #so happy to finally have some progress to update about XD #maybe I can finally start answering some asks again too and fully resurrect this poor blog

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bigfatbimbo · 2 months

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silly low effort Sir Pentious x reader headcanons —

I don’t write much for him but I know that you Sir Pentious fans are malnourished and starving so eat the fuck up. Also he’s a silly guy so he fits right in with my silly low effort headcanons series. Let’s start off with the funny shit, this bitch is dramatic as fuck. Like say you bail on hanging out with him to go do something else, even if you actually have to do it. He will literally be so sad you’d think he was dying all over again (hah.) And it’s not even to make you feel bad, he’s just genuinely that sad. ”Oh…yes that’s okay, I suppose. I’ll just sit here and… and wait for you to get back. And think about us together… hanging out.” Like he’s so poutty in such a genuine way it’s actually sad because his eyes got all watery and his mouth curls down in a comedically wavey frowns as he crosses his arms and turns away from you. He’s literally so sensitive in general, actually. Like if you make one single harmless comment about how his hat looks crooked, he’s literally thinking about it for the rest of the day. You will literally catch him adjusting his hat every ten seconds and unconvincingly smiling at you and acting like he’s not that self conscious. More on that, he literally needs a crazy amount of reassurance all the time. Like he lives for your compliments. He’s so easily flustered by them too if you genuinely catch him off guard. Like maybe he’s just talking and you’re looking at him totally adoringly, and he notices and goes “What?” And maybe your like “Your smile is so cute.” He’s literally falling backwards, darting his eyes to the side, and not even trying to hide the way his face flushed. “Oh! My dear, i’m glad you—uhm— feel that way. Well, I have to go! Thank you, um, your smile… as well.” He’s also the clingiest mother fucker in the entire world. Like hats off to him, he should an award or something. It’s not even necessarily that he’s touchy or anything, which he is, though. But really he’s really just always lurking around you. He’s constantly following you around like a lost puppy, wherever you go just trailing closely behind. Whatever you’re doing, shit around the house, errands around town, he’s just happy to be by you. He’s also like a fantastic listener. Like he is processing everything you’re saying, and not even on purpose either. But like weeks from now you’re be talking about something and he’ll link it back to some other thing you literally brought up once. ”Oh that reminds me! Did you ever get your laundry machine fixed, because i’m quite good with mechanics so I could—“ And you interrupt him with like “what the fuck? I brought that up like one time a few weeks ago?” And he kinda just blushes and shrugs because honestly he’s not even trying to attain this much information about you, he just likes hearing your voice and in return pays special attention to everything you say. He likes hugs and cuddling so much but he’s so shy about asking for it! I see him as a big spoon or a little spoon, to be honest. Like big spoon because by nature, he’s such a giver. Absolutely anything to make himself useful is a must. So sheltering you and making you feel safe is his first priority. But when you spoon him?? He probably cries. Actually no, he actually cries. Because he is so not used to feeling wanted or deserving of love Vox i’m looking at you, you piece of shit it’s all your fault so when you just wrap your arms around him and pull him close, he can’t contain himself! All because you’re actively showing that you want him and love him, he’s tearing up and mumbling ‘thank you’s. I’m sorry but Sir Pentious would literally treat you so good too. Like he’ll do actually anything for you. Your laundry needs done? He’s on it. Your hungry? He’ll just slither to the store for your favorite snacks. Your back hurts? Have a massage. He lives to please. Especially with you.

a/n — @chronically1online YEAH THATS RIGHT BITCH I DID THIS ONE FIRST. PFF. SHOWS YOU! WHATS UP?? WHATS UP NOW??? 😤😤

#that’s a joke btw #much love brother #hazbin hotel x reader #hazbin hotel x you #inbox open #hazbin hotel fluff #sir pentious x reader #sir pentious x you #sir pentious fluff #hazbin hotel sir pentious #sir pentious #silly low effort headcanons

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sugar-grigri · 3 months

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Nayuta ? Or Makima ? Neither : Nayuta Hayakawa

What I already find fantastic It's that EVERYTHING, absolutely everything in this chapter has to be interpreted in reverse. If you want to know what it's about, you have to interpret it normally. To find out the answer, in reverse.

How did I come to this conclusion? The first part gives you the key :

An unknown lady comes to Nayuta's defense: she's only a child, don't attack her! Open your eyes! Come back to your senses for a second!

And even though Barem is there to trap her, paradoxically, humanity regains its senses, not by seeing Nayuta as just a child, but precisely by removing her status: she is indeed a threat to them.

You've already interpreted it right side up, so let's continue interpreting it upside down

The fact that she pities Denji and wants his heart doesn't mean that Nayuta is Makima, or that she's becoming Makima again.

Makima has never felt pity - she's never even seen Denji at all - so having pity is already a step in the right direction.

The former control demon was so powerful but also so distant that she couldn't even distinguish between human and CSM odors.

As for the fact that she wants his heart, Nayuta feels it before searching Denji's memory. This doesn't mean that the control demon instinctively wants to capture CSM. When Nayuta wants his heart, it's because she wants to be loved, and it's such a strange sensation that she feels lost.

What's more, when she repeats the plan of her former self, in reality, the equation is not at all the same. Even with the same plan, Makima and Nayuta don't follow the same trajectory. Let me explain: making Denji happy and then drastically taking everything away from him is the basis, but the control demon's position is different.

Makima wasn't enjoying this happiness, she was completely excluded from it. Whereas Nayuta is completely enmeshed in Denji's happiness, to the point of being genuinely happy about it too. This happiness was brutally taken away, and that's what happened, but it wasn't the control demon's fault this time.

What's more, Makima wanted a family even though she had no idea what it was, whereas Nayuta has a family but no idea what she is. That's a different question!

Once again, this chapter should be read through a staggering mirror.

The fact that she sees Denji as empty again shows that Nayuta sees Denji more as a shell than Makima, who was obsessed by the heart, by Pochita.

Moreover, the chapter betrays this way of presenting Nayuta, she's not cold like Makima, she can have fun like a child and does so sincerely, it's not a facade, simply a questioning of her own person.

I know that everything I'm saying may sound strange, especially when, if you pay attention to the staging, Denji and Nayuta are constantly going round in circles, faster and faster.

So this chapter gives the impression that everything is the confirmation of a cycle that's closing: Denji realizes once again that he has no family, while Nayuta reconnects with her old self

But for me, that's a hasty interpretation: don't read this chapter, just enjoy the last drop of it, so let's get on with it!

When Denji tells Nayuta that he's her family, it's not her who tells him that he should be ashamed of uttering such nonsense, it's Denji himself.

Denji finds it ridiculous to talk about family without understanding its meaning, after all, how can a child who has experienced the worst crime of all, parricide, understand what it means to be a family?

It's precisely by wanting to become Chainsaw Man that he understands.

His father, his blood relative, was not a parent, he mistreated his child: a parent doesn't behave like that.

Pochita is Denji's family, and he has a blood link with him; he's even the one who irrigates his veins: he's his heart.

What is Chainsaw Man? Nothing more than an empty shell, a bit of an answer to everything, on whom we pin all our hopes.

Makima did the same thing: this unattainable thing, this hero of the underworld, I'm unhappy because I can't reach him, so mathematically, if I could reach him, I could aspire to happiness.

Nayuta has achieved it, but she still seems to be going through existential crises: this makes sense, because once again, Chainsaw Man is an empty shell.

Denji lost his family, his pets died, so automatically, the response was to aspire to something else, to turn the page immediately by closing my eyes and becoming Chainsaw Man because !!!! Because Denji wanted to become this empty shell

Once again, logically, he became one, because by losing his family, the happiness that filled him, he became an empty shell.

But an empty shell is not to be understood in a purely pejorative sense, for a shell can contain anything: humanity's need for reassurance, the great enemy for demons to slay, the means to fight death, happiness, family... and so on.

When Pochita asks Denji what he plans to do after he achieves his first dream, Denji replies: to be Chainsaw Man.

To be an empty shell, yes, but empty in order to be filled by others, just as someone who is alone would tie up with others, just as the control devil would want CSM so she won't be alone, just as a wounded dog would agree to ally itself with a child who doesn't want to die either…

Having your family destroyed, but still managing to move on while building a new one, being surrounded by so many people that you forget your own pain, surviving better together in a terrible environment - that's the Hayakawa family.

As we've seen, Nayuta talks about a happiness that will then be destroyed. It's a good tactic to follow this plan, because that's what Makima did with the Hayakawa family, but as we've seen, Nayuta is part of this happiness that's doomed to be destroyed, so she's part of this family that constantly dies, burns and then rises from the ashes.

Nayuta doesn't know who she is, but what we do know is that she has a definite attachment to Denji, and above all, she's trying to understand who she really is through this boy she wants to shower with happiness. The fact that both of them are empty shells who are influenced by the other, Nayuta adopts Denji's ways, Denji puts Nayuta above everything else. This action of surviving together, this intertwined suffering and happiness, is precisely what Chainsaw Man is all about.

When Denji loses his family again, his dogs and his cat, he pushes Nayuta away. Denji realises that being him, being Chainsaw Man, will always be accompanied by pain, so he tries to cut the ties with the last person close to him. He does this without even understanding what it means to be a family.

Yet chapter 155 explicitly answers it. The beginning of the chapter opens with Nayuta about to be attacked and ends with Denji lying there, cared for and safe. Denji may never be able to describe what a family is, but it is something that can be felt, the shared suffering and happiness of living together, and it is something that can be seen : being protected.

Denji's cycle is not to kill his parents, it's the cycle of neglect, of lack of protection. Denji's father failed to protect him, leaving him in the hands of the mafia. And what Denji does is fail to understand what it means to belong to a family, to protect others, because he has abandoned his little sister to her fate.

Nayuta also had her answer, she wanted to repeat what her former self had done, what was accomplished by one of her former followers, Barem : lose the happiness you've built up.

And indeed, she understood what she was: someone who belongs to a family, even when that family goes completely off the rails, and her first instinct was to protect Denji and get him to safety. Denji opened the door for Nayuta, who looked at him as an empty shell, and who then saw so much of herself in him that she protected him at the risk of jeopardising her own safety.

This doomed happiness, belonging to a family, sacrificing oneself - that's the Hayakawa. And when she realises that she too has become part of this doomed family, Nayuta paradoxically knows better who she is : Nayuta Hayakawa.

By inundating this empty boy with happiness, she also becomes part of a vicious, ever-accelerating cycle. Her dogs and cat have already paid the price.

Makima and Nayuta are right: happiness under threat is what awakens Chainsaw Man. After all, it was in front of a burnt down house that a new contract was signed with Pochita. And when this new dream came about, it was when a bird was crushed. The bird represents the cycles: Bucky who opens part 2, Asa the new protagonist who lives again thanks to Yoru in the form of an owl. Crushing it represents its end. Being Chainsaw Man means avoiding becoming that empty shell again by preserving the fragile happiness inside.

As Aki learns that he, like Power, will be killed by Chainsaw Man, the cycle of his family's condemnation, Denji is also finally revealed, confronted with his own destiny.

How can we put an end to the cycle of neglect? The broken and unhappy destinies ? How can we turn Chainsaw Man into an instrument of struggle ?

Will Denji remain the product of this cycle of neglect, watching his loved ones die in his arms, condemned like his brother to try to protect them when it's already too late?

Will Denji realise that when he crushed the raven, Nayuta was on his back, and that she needs to be in his arms, protected, to end the cycle? Will Denji finally wake up and try to be a bit less of an idiot?

And realise that to be Chainsaw Man, he needs a foundation: his family.

As his memories of Nayuta flashed past, Denji realised that he had put an end to the cycle, that he had touched with his fingertips a form of happiness despite the loss of his previous siblings. As he realised this fragile happiness, Pochita asked him what he wanted next: to be Chainsaw Man. Not the man who kills his loved ones, not the man you die for. The one who will protect this fragile happiness like a tower of cards.

#chainsaw man #csm #csm part 2 #csm spoilers #csm 155 #chainsaw man 155 #denji hayakawa #nayuta hayakawa #aki hayakawa #makima #my thoughts

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cobragardens · 7 months

Text

My Favorite Good Omens Moment:

An Essay on Why It Is Cool and Rad (Part 1)

There's this moment in Good Omens that makes me cackle every time I see it and leaves me full of warmth, so here's an essay on its context and meaning, because explication and analysis are how I show love. I will try to keep my thoughts as tight as possible, but they do have a tendency to spiral outwards, and I am very stoned. Come, sistren, and get nerdy with me.

My favorite moment in the series so far occurs in 1601. To approach it we will first need an assload of context. There's a TL;DR in bold at the end of the Context if you don't fancy reading the whole assload. Key arguments are in italics and bold throughout.

David Tennant gives Crowley a very consistent facial expression every time Aziraphale says something so outlandish Crowley can't quite believe he's hearing it. It's this one:

Chronologically, we see the Eyebrows of Disbelief twice before my fave moment in 1601: once (above left) in that scene on the Garden Wall that familiarizes the audience with Crowley's face before adding the dark glasses, when Aziraphale admits he's given away his sword; once when Aziraphale tells Bildad the Shuhite that he, Aziraphale, has Fallen because he lied to the angels to save Job's children.

The Eyebows of Disbelief always signal surprise and amusement with something Aziraphale has said or done. This amusement is sometimes at Aziraphale's expense and sometimes not.

In the gifs above, Crowley is laughing because what Aziraphale has just admitted to doing is fantastic and unexpected and frankly pretty gd punk rock. He's not laughing at Aziraphale, he's laughing because he is delighted with him. The only record we have thus far of Crowley laughing at Aziraphale is this one:

Crowley laughs when Aziraphale informs him--him, a demon who has personally been through the process of Falling--that Aziraphale is Fallen and must be a demon now. As though of the two of them Aziraphale is the expert on how and under what circumstances this occurs.

And yet when Crowley sees Aziraphale's distress--not his fear of being taken to Hell, but his heartbreak and lostness over the fact that his conscience has diverged from God's stated will--Crowley stops laughing, and instead he acts very kindly towards Aziraphale. He validates the gravity of what Aziraphale has done and assures him he won't turn him in. He sits with him so Aziraphale isn't totally alone (like Crowley probably was) as he goes through the loneliest moments of his existence to that point and picks himself up newly weighted with the secret he must now bear.

And after this scene (in canon as it stands thus far), we don't see Crowley laugh at anything Aziraphale says or does again.

And he really has to work for it sometimes. We talk a lot about the things Michael Sheen is able to convey with his face in Good Omens, and absolutely rightly so; David Tennant earns a chunk of his paycheck in this regard as well. If you haven't given yourself the treat yet, rewatch the scene in Will Goldstone's magic shop in 1941 and focus on Crowley's reactions:

youtube

Tennant takes great care to show, with precision, that Crowley is expending effort not to react to Aziraphale's nervous chaos Muppetry and lack of self-awareness. Crowley is self- and socially and contextually aware enough that he knows (better than Aziraphale, at least, which is not a high bar to clear) what's cringe, what's funny, what's ridiculous, how to behave. But whenever Aziraphale crosses a boundary of normalcy, or even sanity, and there is opportunity to laugh at him, Crowley very carefully doesn't react. He doesn't interrupt him, he doesn't try to correct him, he doesn't make fun of him, he doesn't even smirk; he just watches him, as stone-faced as he can manage, no matter how bizarre Aziraphale becomes.

We should be reading this lack of reaction to Aziraphale's social and rational transgressions as powerful positive action. Go watch the Doctor Who episode "Human Nature," or literally any episode of The Inbetweeners, or read or watch Regeneration, and reflect on what it shows you about English masculinity; then consider again the depth of significance in how English- and male-coded character Crowley treats English- and male-coded character Aziraphale in an England created by an English and male-codedpresenting author based off a book written by himself and another male-presenting author. Within its context of English masculinity, Crowley's lack of reaction is not a neutral stance; it is a very fucking loud show of support.

This is not even an inference; it's stated outright in the show. Crowley himself puts it into words 422 years after my favorite moment:

You know how Crowley calls Aziraphale "angel" because the factuality of the descriptor offers him plausible deniability to any Heavenly or Infernal agents who might be listening? Remember how Crowley is a great equivocator? Crowley is equivocating here, too: he's using the cover of what Maggie and Nina will take as a disparaging joke at Aziraphale's expense in order to make a perfectly sincere statement. This is his genuine perception of one of the relationship dynamics he has with Aziraphale and how he feels about that dynamic. Crowley thinks he himself is quite witty (an accurate assessment), Crowley thinks Aziraphale isn't sufficiently self- or contextually aware to hide how strange he is and therefore frequently says and does mad things (also an accurate assessment), and Crowley is Into. That. Shit.

Okay. Now let's look at 1601.

Chronologically it's been almost 1,000 years since we last saw Aziraphale and Crowley. In 537, Aziraphale isn't willing even to consider a labor-saving working arrangement with Crowley of fucking off home out of the damp of Arthurian Wessex; but by 1601, he's worked (and met, and Arranged) with Crowley "dozens of times now," Crowley says, and Azirapahle does not correct him.

In that millienium, Aziraphale has grown to care deeply about Crowley:

In fact he may be somewhat smitten with him:

Seriously, go back and watch Aziraphale here as Crowley approaches and starts speaking to him: he doesn't start smiling until he recognizes that the person speaking to him is Crowley (but he only smiles at Crowley while Crowley's not looking at him).

And Crowley is definitely become smitten with Aziraphale:

Our man(-shaped entity) is so allergic to work he sets up a meeting to weasel, cajole, or (as it happens) cheat a coin toss to get Aziraphale to do an easy temptation for him in Edinburgh, and then in the same conversation agrees to miracle a play into success because Aziraphale gives him a single hopeful look. Crowley's got it bad.

TL;DR: The Eyebrows of Disbelief happen when Crowley is surprised and amused by something Aziraphale has said or done. Sometimes that amusement is delight with Aziraphale; sometimes it is at Aziraphale's expense. Crowley is aware of this distinction, and when his amusement is at Aziraphale's expense, he suppresses it, even when it takes some effort on his own part, and remains stocially composed. This is equivocation on his part: to Celestial/Infernal operatives lacking knowledge of the intricacies of human behavior, this non-reaction would seem like neutrality; to Aziraphale, who shares with Crowley and the audience the contextual knowledge of English masculinity's utter viciousness, this non-reaction is a profound show of support; and in the safety of support from Crowley, Aziraphale lets his weirdness blossom.

As another meta points out [link if I find it again], we also see in Aziraphale's wordless request about Hamlet and Crowley's immediate understanding of it that by 1601 Aziraphale and Crowley have developed an unspoken, coded method of communication with each other.

Now that we have all of that in mind, here's my favorite moment in Good Omens:

Ixi of Fuck Yeah Good Omens has even kindly archived a closeup of the aftermath, for Crowley, of "Buck up!" In gif 4, above, you can see that the tiny smile is an involuntary reaction that happens as Crowley's eyes widen: for a fraction of a second, he's caught off-guard. In the closeup it's easier to see that he suppresses the smile and gives a tiny shake of his head, Eyebrows of Disbelief heading for his hairline.

There are a number of things Crowley's reaction could mean and what messages it could communicate (we'll get to that in a sec), but regardless, his reaction is, unquestionably, one of surprise and suppressed amusement. This is an aspect of Crowley and Aziraphale's relationship and characters that I like very much, viz., that one of the reasons Crowley likes Aziraphale (though Aziraphale is judgy and occasionally, unintentionally, horrifyingly cruel) is that in addition to being one of the kindest and most courageous beings in existence, Aziraphale is mad as a bag of frogs. Crowley does not know what is going to come out of Aziraphale's lovely mouth next, but Crowley does know there's a good chance he will struggle to believe he's hearing it, and Crowley likes that.

That's what makes this my favorite moment. What makes this moment so cool and rad, though, is its ineffability. We know from the Eyebrows of Disbelief that Crowley is surprised and amused, but any of several things could be read in that almost imperceptible headshake. Like:

What are you doing? or

Why are you like this? or

How can you be aware that you say these things out loud and yet still say them out loud? or

How has my existence come to this? this moment of listening to such insanity?

each of which is a fair and just feeling to have/message to communicate to a man(-shaped entity) who is yelling "Buck up!" at Hamlet.

But that's only if we read Crowley's amusement as being at Aziraphale's expense. And I don't think we should. Because watch Aziraphale here:

He's doing it on purpose. He is shouting a hilariously inappropriate, 100% authentic Aziraphale-brand thing over arguably the gloomiest passage of Shakespeare's famously gloomy play--right after Crowley complains about its gloominess--and he is watching Crowley as he does it. Look at his smile! He knows he's being Deeply Uncool, and he is doing it literally right into Crowley's face.

Remember that we just talked about how by this point in the chronology Crowley and Aziraphale have learned to communicate with each other nonverbally through facial expression? So what does it mean when Aziraphale responds to Crowley's grumbling about Hamlet's gloominess by smiling his minxious Mona Lisa Aziraphale smile, looking right into Crowley's face, and yelling at Hamlet to buck up? Aziraphale, in a carefully coded, carefully Aziraphale way, is joking with Crowley. His silliness in this moment is for Crowley.

So with aaaaaaallllll of this essay in mind, what does it mean that Crowley's reaction to "Come on, Hamlet! Buck up!" is widening eyes, an involuntary twitch of his mouth toward a smile, and then, his eyebrows still showing surprise and amusement, a tiny shake of his head?

Once more, with inferences:

I do propose, y'all, on the basis of this web of evidence I submit for consideration, that what we are seeing here in my favorite moment of Good Omens is the ineffable equivalent of Aziraphale and Crowley sharing a laugh.

Crowley's amusement here isn't at Aziraphale, because Aziraphale is eliciting that amusement consciously and deliberately. Aziraphale, in good spirits and happy to see Crowley, uses his Aziraphaleness to offers Crowley not only an opportunity for amusement, but the opportunity to be in agreement with him about what in this situation is funny. They're on the same side of this joke.

And his humor lands just as he wants it to: Crowley, just for a moment, is caught off-guard, and tickled--

But remember, Crowley is worried in this scene about being surveilled ("I thought you said we'd be inconspicuous here"), and he worries about audio surveillance a lot ("Walls have ears"; "Don't say that. If my lot hear [etc.]," etc.), so he's very limited in what reactions he can show or voice. Aziraphale knows Crowley must be perceived by anyone watching or listening to disapprove of his, Aziraphale's, behavior (just as he must be perceived to disapprove vociferously of Crowley's). Both of them know this.

--so Crowley suppresses the smile almost successfully, and shakes his head at Aziraphale, minutely, to say Stop. What you're doing is working, you're close to making me laugh, and if I show how much you have just delighted me, it will blow our cover of "just an Arrangement."

I offer three final data points in advancing my argument that what we see in my favorite Good Omens moment is Aziraphale successfully attempting to joke with Crowley and Crowley recognizing that overture from Aziraphale and being momentarily surprised into a reaction of genuine delight before pulling his face back under control and indicating to Aziraphale that he must stop:

Datum 1. Nothing going on with Crowley's face in this moment is accidental. We know for sure we're not seeing David Tennant react to Michael Sheen here not only because of literally every other point of Tennant's and Sheen's performances in the show, but because Tennant is wearing opaque contacts and sunglasses under film lighting and therefore cannot be reacting to anything more compelling than a level-10-lift blur because Tennant cannot see shit. Crowley's reaction is a deliberate and careful performance choice on Tennant's part, and it's underscored by director Douglas Mackinnon's choice to film Tennant in 1/2 profile to keep Crowley's eyes visible and face readable to the audience. This reaction is supposed to be there and supposed to be meaningful.

Datum 2. The husbands in 1601 is not the only moment in Good Omens when we may be seeing an angel and a demon communicate the message Stop doing that, it makes us look too familiar between themselves with a little headshake:

Datum 3: There is another moment in Good Omens when Aziraphale offers Crowley the opportunity to enjoy a joke with him. There, too, his humor lands just as he intends, so we can use this other moment as a comparison to our 1601 moment. I don't have gifs for it, but go back and watch it, S1E6 49:27-42. Snips below.

Aziraphale says something that surprises and amuses Crowley (he asked Hell for a rubber duck while he was sloshing around in the holy water)--

--but what Aziraphale says makes Crowley smile long before it makes him laugh.

In fact, his laugh, though a genuine cackle, is quite delayed, and he laughs only after Aziraphale starts laughing too.

In other words, Crowley's reaction to Aziraphale offering him amusement they're both on the same side of is exactly the same as his reaction to "Come on, Hamlet! Buck up!" right up until he laughs instead of shaking his head. Here, after Armageddidn't, Crowley doesn't have to suppress his reaction, so he can let the smile bloom; he doesn't have to control his response, so, although it takes him a few extra seconds, he lets the smile turn into a laugh.

But in 1601, it's not safe to laugh at Aziraphale's humor. It's not safe even to smile at him. A single piece of evidence or eye/earwitness testimony that he and Crowley have anything more friendly than the most passing and acrimonious of professional relationships could mean death to either or both of them, and depending on what Falling is like, maybe something worse than death for Aziraphale.

But Aziraphale is so funny, so effervescent for Crowley, at Crowley, that it catches Crowley just for a moment. Crowley's eyes widen and the corner of his mouth twitches toward a smile.

And that's dangerous. If Aziraphale keeps acting so charmingly mad, Crowley is going to laugh, and they can't afford that risk, so he shakes his head at Aziraphale. Stop, or I won't be able to keep a straight face around you.

And Aziraphale apparently receives that message, because he immediately eases off. Less than 60 seconds later we learn that he's deeply concerned for Crowley's safety--and that it's not so much that Aziraphale has Crowley wrapped around his little finger as it is that Crowley has wrapped himself around Aziraphale's little finger like a snake arranging itself on the tree branch it calls home.

UPDATE 14/10/23: HOLY SHIT Y'ALL IT GETS EVEN BETTER! THERE IS A SEQUEL!

#good omens #good omens meta #good omens 1601 #good omens microexpressions #good omens headshake #angelfish #aziracrow #ineffable husbands #good omens fanalysis

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shadowtriovibes · 11 months

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can you write one where f!MC is being pursued by an annoying guy she doesn’t like who won’t take no for an answer. it annoys sebastian just as much as it annoys her, so next time it happens he pretends to be her boyfriend and suggests they start fake dating for good measure. eventually they make it for real.

thank you! i love the fake relationship trope sooo much and i’ve yet to see anyone write one with sebastian.

of course, lovely anon!! i haven't seen any fake relationship fic either so i'm happy to contribute a lil something! tbh i sincerely thought this would be a short ficlet but it ended up being just over 2.5k fluffy words of dummies in love 🤩

Title: rumor has it

Pairing: Sebastian Sallow x f!MC

Summary: Eric Northcott is relentlessly pursuing you, so Sebastian offers to act as your heroic boyfriend to get him off your back.

"Northcott," Sebastian greets him, leaning against your potions station and resting a hand possessively on the small of your back. "Is there something my girlfriend can help you with?" "Your girlfriend?" Eric asks skeptically. "That's new." "I suppose it is," Sebastian agrees, nonplussed. "Been a long time coming, though." Across the room, Ominis laughs under his breath.

Sebastian Sallow is an excellent young wizard. Clever, well-read, focused – by all accounts, he should be a brilliant strategist.

But sometimes he comes up with the worst ideas you’ve ever heard.

“You musn’t be serious, Sebastian,” you laugh, closing your potions textbook to appreciate the actual madness of what he’d just suggested.

“Why not?” he asks, raising an eyebrow.

You roll your eyes as you tell him, “You can’t just pretend to be my boyfriend.”

Earlier that afternoon, the two of you had met up with Ominis in the Undercroft to study after staging a quick exit from the library. While Sebastian was hunting down a book on ancient runes, Eric Northcott had cornered you in the stacks and tried for the second time to convince you to have a Butterbeer with him at the Three Broomsticks instead of “hiding that gorgeous face behind those dusty books like you always do.”

When Sebastian had returned, you were shoving the Gryffindor boy away from you with a tense look on your face, and if he hadn’t just finished a stint of evening detentions for slipping a Puffskein into Duncan Hobhouse’s schoolbag, he would have hexed the amorous git himself.

Since then, he’d been suggesting ways to make him pay, with each idea more fantastical than the last.

“Sure I can, and we can even make a real show of it,” he says with a charming grin. “If you want to get Northcott off your back for good, let’s allow him to think your handsome, roguish boyfriend is the type who would challenge him to a duel if he tries anything untoward.”

“That is a terrible plan,” you deadpan.

“It’s actually not a bad idea,” Ominis chimes in.

You glare at him, because Ominis never thinks that Sebastian’s ideas are any good – even the ones that aren’t completely bonkers.

“What are you playing at, Gaunt?” you accuse him.

“I’m merely suggesting that Northcott may actually accept your contempt for him if it’s for a reason that allows him to save face,” he explains with a secretive smile. “Simply telling him that you’re not interested hasn’t seemed to work thus far, so why not be creative?”

“Creative?” you snort. “Wouldn’t ‘creative’ be blasting him myself the next time he lays a hand on me?”

“As if you need any worse of a reputation,” Ominis drawls, and he has a point.

“Come on, let’s really mess with him,” Sebastian pleads. “You know he deserves to be taken down a peg or two.”

You’re not surprised that Sebastian is able to get you on board so quickly. Truthfully, you think you’d follow him on his harebrained schemes just about anywhere.

“Fine,” you cautiously agree. “But just to scare him off, alright?”

You swear you can see the gears in Sebastian’s head start to turn immediately.

He kicks off his brilliant plan the next day during your N.E.W.T.-level potions class. You’re supposed to be brewing an antidote to Veritaserum, and while the draught itself isn’t necessarily difficult, some of the ingredients are a little tricky to prepare.

You’re focused on trying to carefully slit open some Sopophorous beans when you felt a presence behind you, and then Eric Northcott is draping his arm across your shoulders.

“Need a hand with those?” he offers, trying to sound congenial.

“I’m fine, Eric,” you insist.

“I’m really quite good at potions, you know,” he reminds you, grabbing one of the paring knives off the table and haphazardly slicing one of the beans you’d laid out. “I’d be happy to give you some hands-on lessons if you’d like, one-on-one of course.”

“Sebastian,” Ominis hisses from across the room, having picked up on the conversation while the other boy poured over his notes on wormwood. “Now might be a good time to offer some gentlemanly assistance.”

His eyes narrow when he spots Northcott leaning over your cauldron, clearly trying to sneak a look down your top.

“Don’t let my antidote burn,” Sebastian mumbles as he storms across the room, as if Ominis would ever spare a thought for Sebastian’s cauldron when the show is about to begin.

You bite the inside of your cheek as you watch him notice your predicament, silently pleading him with your eyes to do something to get you out of it.

“Northcott,” Sebastian greets him, leaning against your potions station and resting a hand possessively on the small of your back. “Is there something my girlfriend can help you with?”

“Your girlfriend?” Eric asks skeptically. “That’s new.”

“I suppose it is,” Sebastian agrees, nonplussed. “Been a long time coming, though.”

Across the room, Ominous laughs under his breath.

“Really?” Eric asks dubiously, briefly glancing at your expression. “I was under the impression that the two of you were just ‘best friends.’”

“Well, shouldn’t a good relationship start out as a friendship?” you counter, though you don’t sound entirely convincing.

“Right,” he says slowly.

“Mate, you know how tough she is,” Sebastian says with a charming grin. “Took me ages to convince her to give me a chance, she strung me right along for months.”

You jump slightly when Sebastian slides his hand across your back to your waist, tugging you closer to his side – and out from under Eric’s arm.

“But she finally took pity on me,” he says with a lovelorn sigh, and you narrow your eyes at his dramatics.

“Oh, Sebastian,” you reply, laughing nervously. “You’re hopeless.”

“Hopelessly in love with you,” he says, quickly leaning in to kiss the corner of your mouth.

Before you can react, Professor Sharp wanders by and instructs you all to stop your dallying and focus on your draughts. Eric spares one more skeptical look at the two of you before returning to his cauldron.

Sebastian’s hand on your waist lingers for a moment even after he’s gone, but then he lets it fall.

“Sorry about that,” he says under his breath. “Had to sell it, you’re really a bad liar, you know.”

You think Sebastian doesn’t know the half of it.

(Sebastian’s just glad you avoided his gaze long enough to miss his deep red blush.)

—

As it turns out, the kiss wasn’t enough to convince Northcott that you were properly off the market.

The rumor mill quickly focuses on you and Sebastian – specifically whether or not it’s true that your platonic friendship has become something more.

“I don’t really believe it,” Nerida claims whenever the subject comes up. “Sebastian has always seemed like the bachelor type.”

“He could have had a girlfriend all this time and never has,” Violet agrees, trying to hide her bitterness. “I don’t think he really wants to be in a relationship.”

“Are you joking?” Imelda scoffs. “Sallow’s been a lovesick puppy over that girl for years, I’m just glad she finally came around.”

“She is very protective of him,” Grace speculates. “I remember when Samantha Dale asked him out last fall, I thought she was going to Depulso the poor girl clear across the courtyard!”

You do your best to ignore it, but Ominis stubbornly insists on telling you everything he’s heard.

“I would have thought that the two of you would be better at pulling off a ruse as simple as this,” he says, disappointment dripping from his words. “How hard can it be to pretend to like Sebastian? I don’t have to see him to know that the whole school thinks he’s handsome.”

“You don’t understand,” you sigh, walking alongside him on the way to arithmancy. “It’s… I don’t have to pretend, if you know what I mean.”

“Come now,” he says quietly. “I’m blind, not dim.”

“Then you do understand!” you whine. “How am I supposed to just let him pretend to be my boyfriend to ward off Eric and not go mad from knowing that it’s all a lie?”

“I suppose me telling you to be honest with him about how you feel would go in one ear and right out the other,” Ominis suggests, smirking to himself when you curse at him under your breath.

“Buck up, then,” he says simply. “I’m sure this whole thing will blow up in some spectacular way sooner than later – it is Sebastian, after all.”

—

As per usual, Ominis is correct.

Not even a full day goes by before Sebastian corners you outside the Hufflepuff common room and asks to walk you to dinner, taking your hand in his as soon as he notices some fifth-years studiously watching the two of you as you make your way to the Great Hall.

“I missed you this afternoon,” he tells you as he walks you upstairs, putting on a good show. “How come you didn’t want to study with Ominis and me after class?”

“I just needed to lie down for a little while,” you tell him, not wanting to admit to avoiding the way he’s been so unbearably charming lately.

“Feeling alright?” he asks concernedly.

“Yes,” you tell him. “Just… I don’t know. Out of sorts, I guess.”

“Anything I can do to help?” he asks.

You get distracted by the feeling of him stroking his thumb along your wristbone reassuringly.

“Um… n-no, I don’t think so,” you stutter.

“Surely there’s something I can do to help,” he says, and you wonder if you’re imagining the way his eyes look a little darker than usual, as if his pupils have entirely taken over.

“Like what?” you breathe.

Then he gets that look on his face that he always gets when he’s about to do something stupid.

“Come with me,” he says, tugging you over to a spot along the wall in the reception hall, next to one of those empty cabinets you’d looted for Nellie Oggspire back in your fifth year.

“Sebastian, w-what–” you stammer.

He presses you against the wall, one hand pressed to your waist and the other flat against the stone behind you, boxing you in. He glances around again and clearly spots whatever it was he was looking for, grinning mischievously before he leans in and traces his nose across your cheek.

“Don’t hex me for this,” he murmurs against your lips, and then he’s kissing you.

You melt against the cool stone wall, tipping your head back so Sebastian can tilt his head against yours and completely overtake your senses with his demanding kisses. Without consciously deciding to, you wrap your arms around his shoulders to hold him close to you, desperate to ensure he stays right where he is.

He kisses you well, you think. You know he’s always been a huge flirt, and that he has taken some girls in your year on dates to Hogsmeade over the years, but you’ve desperately avoided any post-date conversations with him because you did not want to know what he and those girls had gotten up to afterward.

Now you know, you think bitterly, but just as quickly you realize you don’t actually care. He’s skilled at this – nipping at your bottom lip to get you to open up for him, sliding his hand between your robes and your dress shirt so he can feel the curve of your waist, nudging a knee between your thighs to pin you even further to the wall.

“Bastian,” you murmur, tangling your fingers in his hair.

He groans against your mouth like he can’t help himself, and you whine a touch too loudly when he grinds his hips against yours.

Then you hear Eric’s voice call out, “Sallow!”

Sebastian looks like sin when he pulls away from you, and not just because his hair is a little mussed from your helpless tugging and his lips are red and swollen.

It’s because he’s smirking, and you quickly realize he’d planned this entire thing.

He’d pulled you to a spot where the Gryffindors on their way to dinner could easily see you being ravished, and it’s not just Eric he’s caught up in it – it’s Leander and Cressida too, some of the worst gossips in the entire castle.

…You are absolutely going to hex him for this, you think.

“Northcott,” Sebastian drawls as he turns around. “Can I help you?”

Eric looks furious, but at least he doesn’t look skeptical anymore.

“You might want to consider someplace a bit more private,” he offers, seething. “I am a prefect, after all. Could send you to detention for being so lewd in public.”

“Fair point,” Sebastian says easily. “In fact, maybe you ought to send us both. Hardly anywhere’s as private as the dungeons.”

You quickly smack Sebastian in the chest with the back of your hand, wordlessly begging him to stop before you actually do have to report to detention.

Mercifully, Eric simply throws a few choice words at Sebastian and stomps off to the Great Hall, Leander and Cressida on his heels to undoubtedly tell the entire school what just happened.

“You’re evil,” you hiss, still catching your breath. “You arranged all that just to embarrass Eric? To embarrass me like that?”

He frowns, confused. “No I didn’t, and I would never embarrass you.”

“You did!” you whine, shoving at his shoulders so he’ll step back. “They’re going to tell everyone and it’s going to make me sound like – like some pathetic girl who’s so desperate to avoid Eric’s attention that she’ll let her best friend feel her up in a busy hallway.”

“That’s not what they’ll think,” Sebastian argues. “And if anyone’s pathetic, love, it’s me.”

You scoff and wrap your arms around yourself, ashamed at how badly you wish you were still wrapped up in his arms instead despite everything you’re saying.

“You think I’m lying?” he asks derisively. “I’m a fool for you, and I would never hurt you. I kissed you like that because I wanted to, and if it happened to embarrass Northcott in the process, that’s even better.”

“Y-you wanted to?” you ask softly.

“I’ve wanted to for so long,” he finally admits.

His hands twitch at his sides like he wants to reach out for you, but he forces himself to behave.

“It’s the reason I came up with this stupid plan in the first place,” he sighs. “So that if anyone at this damn school gets to have the pleasure of walking you to class, or taking you to the Three Broomsticks or – or even kissing you senseless somewhere everyone could see, it would be me.”

You don’t have any words. But even if you did, there’s nothing you’d want to say to him that you couldn’t communicate by tugging him in by his collar and kissing him like you can’t think straight without his touch, so you do just that.

When you both break away to breathe, Sebastian quickly asks, “Are you actually hungry?”

“Not anymore,” you admit, your gaze still on his lips.

Sebastian barely manages to utter the words “Undercroft” and “hurry” in between kisses, but while he determinedly works a claiming bruise into the side of your neck, you whine, “Your common room’s closer.”

—

Once Ominis overhears Cressida waxing poetic about Sebastian Sallow practically mounting his new girlfriend in the hallway by the Grand Staircase, he doesn’t wonder why the two of you never show up for dinner.

#sebastian sallow x mc #sebastian sallow x reader #sebastian x mc #sebastian x reader #sebastian sallow #ominis gaunt #eric northcott #hogwarts legacy #hogwarts legacy fic #my fic #i LOVE omniscient meddlesome ominis if you can't tell #also i swear the next thing i write is going to be pure filth bc i've been doing cute for several days in a row #unbeta'd we die like men

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controld3vil · 14 days

Text

two psychopaths

pairing(s): dune 2 cast x actor!reader (platonic), austin butler x actor!reader (can be read as ambiguous/platonic/romantic, WHATEVER YOU GUYS PREFER)

synopsis: requested by this ask and this!

alt: regardless of you two playing psychopaths, in reality, you were the sweetest human beings ever.

notes: i applaud austin butler for his performance omg!! dually noted that the reader has hair that is long enough to be put into a ponytail (they are showing off a cute hair tie they got). NO BETE READ i apologize !!

You should have expected something. If not for your past antics, there would be no reason for them to be here. It was touching really, playing against your own tactics.

Without delay, in the morning, you were going to buy breakfast. When you decided and reluctantly remembered your cast members were going to have an interview around the same area. The building was close by, a block from the café shop. And so you rushed across the street, with a butter croissant in one hand, and a hot drink in another.

"Boo!" As you had snuck behind, grabbing both of their shoulders together in a tight squeeze. You could feel Timothee Chalamet's body jump while Austin Butler feeling startled, and involuntarily jerked back to swat your hand.

"Hey!"

"Oh my gosh, you scared me!"

"That was the point!" Your snickering was quickly joined by the film crew behind the scenes. It was all caught on camera and gave a great spook for everyone on set. You could still feel your heartbeat pumping as you tightened your grip on both of their shoulders.

"They really got you two!" The host of Comicbook.com and interviewer Brandon Davis exclaimed, covering his mouth with his fist. You were glad he and the rest of the crew obligated you to sneak in, a few minutes before their interview. Your eyes followed behind the movie poster to the corner, where you had laid your breakfast. Making sure nothing slipped or stomped on.

"Now we're really gonna get you next time!" Timothee's voice brought your attention back to him. Your grip never leaves his side, as he holds onto it as if threatening you.

"I'd like to see you two try," Nodding as you sneered. To add more to the competition, you gave a shaky handshake without breaking eye contact.

On the other hand, Austin could only lean back in his chair with an amused grin. "I thought you also had an interview today?" Tapping your hand on his shoulder, casually not minding your invasion of his personal space.

Your attention shifts, and you smile sweetly. "Mine is after lunch so I still got time." Lowering your tone, playfully mimicking Austin's voice. "I'll see you guys later though, enjoy your interview!"

As you release your grip to pat their heads, Timothee swerves to wave goodbye. Almost hitting himself in the face with your hand. "Alright- whoa see ya!". In an instant, Austin gives you a look before patting his seatmate on the back.

You grabbed your belongings, then thanked everyone walking out. Brandon Davis looked even more ecstatic now, knowing the actor's moods were lifted, looking a lot happier and pumped.

"Well what a great start to our interview huh?"

"Hm?"

"Oh yeah, the best!"

In turn, a couple hours after, you and Josh Brolin had been seated for the start of your interview. It was arranged by Maude Garrett, with whom you had talks with Jessica Ferguson before. Meeting her again was a pleasant encounter. You had a fantastic time with her last time and believed it would be no different with Brolin by your side.

"Hey!" She squeals out your name, hands in the air. "I'm so happy to see you again!"

"I came back just for you," Clutching her hand, you wave it back and forth. You were gleaming with joy as you seated yourself next to Brolin, who gave you a confused smile.

"You two know each other?"

"Oh no no-"

"I did an interview with her and Jessica," you clarified before glancing at Maude, "She's really nice!"

"So that's why you wanted to come along?" Josh exasperates a sarcastic groan. "Do you not want to do interviews with me?"

The humorous banter does not diminish throughout the interview. No, having worked with Josh Brolin through Dune, you were always attentive to his words. You can tell how passionate he is to be a part of Dune. The way he's communicated with Villeneuve and the producers, made you appreciate him more. Even before the interview had started, Brolin had brought up a book he had been working on with Greig Frazer of the photography of Dune.

You knew it was a fun project for him and he even gifted you one of the first few copies before release.

"Do you think Duncan Idaho is going to be a big part of Part 3?" Brolin and Garrett were having a conversation about potential possibilities for the Dune universe. As it was a well-known fact for book readers, more complex characters and plotlines divert after the first novel.

While you sat patiently, only ever observant of of their interaction. "I mean, I love-"

Suddenly there were screams. Boom! Your eyes lit up as if a sudden alarm had gone off. It was then two bodies came crashing towards you to notice what was happening. The two young male actors hurdled over you and Josh Brolin in a frenzy, surrounding you all in a big bear hug. You could decipher your mentor's frightful yet affectionate grin.

"Oh my gosh!" You almost shrieked, hand instinctively placing over your heart in reassurance. Timothee stood by Brolin's side, shaking him side by side. While Austin held onto yours, having the time of his life at your expression. You could tell already that cameras were caught yours and Brolin's slow-mo reaction.

"What's going on?!"

Mumbles of excitement were scattered on the scene. You could not stop smiling, as you placed your hand on top of Austin's, looking at him in pure defeat and fondness. As if saying, you got me.

"Thank you, god!" Josh happily cries out, bowing his head pure of joy.

Eventually, the Elvis actor lets go and formally greets the interviewer, shaking her hand. "Hi, I'm Maude! Nice to meet you!"

"Is this the interviewer you were talking to me about?" Austin looks at you, questionably. "The one asking about the popcorn bucket?"

You nod, enthusiastically. "She is! Maude, I was raving about you!"

"Awh!" The blonde female places a hand over her heart, warmly. She pouts lovingly at your comment. "How sweet of you!"

On the other side, Timothee grins back at Brolin before saying his hellos to you. "Hey, how are you?"

"I literally saw you hours ago!" You pointed your index finger directly at him, scoldingly. However, in return, the French actor laughs, and before hearing Austin turning to Brolin.

"We got the books."

"We got them and you got to sign it." Timothee states, placing both his hands on Brolin.

"Ok!" Suddenly the shot pans to you, having your mouth wide open.

"We'll bring em'- Give me a little- give me a little personal message-"

"I love you guys!" The older actor bellows, opening his arms for all of you three to join in one last hug. Seconds after, Brolin pats his French costar adorably on the back as a farewell. "I love you! Get outta here!"

The camera pans to Timothee moving towards your seat. As you discreetly mumble, making puppy dog eyes. "I get to sign too, right?!" He only chuckles before softly punching your shoulder as a gesture of approval.

"We got you good this time!" The French costar makes finger guns, playfully shooting at you in victory. You couldn't help but blow a raspberry in denial.

"I didn't know you guys were gonna do it today!"

"That was the whole point!" Austin chastely pats the back of your seat, gliding his hand to connect with yours to shake.

Sometime after your encounter, you and Austin managed to meet again in Los Angeles. It was when the Associated Press wanted to have you two for an interview with their AP film writer, Lindsey Bahr, to speak on topics that would pertain to both of your characters. You, coming back from the first film, with a new profound experience. Upon his introduction, Austin's character, Feyd-Rautha, is portrayed as a calculating and highly skilled warrior in Harkonnen's fashionable way.

You couldn't wait, as you sped into the boardroom where the interview was taking place. Lindsey Bahr beside the camera, was casually chatting with Austin as the rest of the crew prepared for the shoot.

The two of you gave each other a quick hug before taking your seats to get comfortable.

"Oh look what I got from New York!" Your head spins clockwise to show the back of your head, only to confuse Austin and the rest of the crew profoundly. This was a small snippet the Associated Press wanted to keep in the interview. They believed it was a great preview promoter to display your and Austin's relationship with each other.

"What is it? What are you showing us?" The blonde-brunette male puts forward, as the camera zooms in on him inspecting you dumbfounded. It pans to you grabbing your hair tie before turning back to face the audience.

Your hair once slicked by its restraint is now free and lies on your shoulders. It doesn't fall evenly on you though, but almost awkwardly due to the gel in your locks.

"Look at this!" You show it to the camera with a hand holding the item. And another, palm up to allow better focus. It was a character plush hair tie. One of a loveable cookie with one eyebrow raised. It even had one big tooth sticking out. "Isn't it cute?"

"It's adorable!" Linsey says with a smile. Your grin was contagious as she admired your high enthusiasm for the small accessory. "Where did you find it in New York?"

"In a BTS store," you pierced your lips together, thumbs smoothing over the face of the plushie. "I was looking for a gift for my cousin. And then I saw a bunch of displays of these!"

"I like his little expression," Austin perks up, arms relaxing on the armrest. Though his posture was leaning to look at the cute ornament in your hands. "He looks questionable intrigued."

"He is," You agree, locking eyes with him. "He kind of looks like me, yeah?"

Your costar charmingly laughs, as you lift the cookie next to your face. You did your best to mimic its expression, trying not to break. "He kind of does actually," Before leaning to push away some strands of your hair behind your shoulder.

And the interview commenced smoothly. It did not feel one-sided or exclusive from one person. You and Austin were able to enjoy yourselves, talking and reliving the moments you had onscreen. You barely had any scenes together, in fact, both of your characters were across planets from each other by the time the climax of the film began. Though it had mostly focused on Paul's and Feyd's rivalry for the throne even then. Little was known about your characters together despite having fair similarities in combat, and personality.

Then there was a question that came up from Bahr, asking if you all, specifically the younger casts spent time together after filming or stayed in your hotel rooms.

Austin decided to step in and respond. "I mean we had some dinners- when we got hungry."

"I'd say both. I mean it was rare for the five of us to be together because of our production schedules." You say, scratching your arm upwards. Out of your peripherals, you could see Austin nod in correspondence. "Otherwise, most people were really beaten up. I mean- I think me, Florence, Timothee, Zendaya, and Austin are the tamest bunch you know? Dinner was the latest school night we had."

"Right, we'd be so tired," Your male costar snickers, covering his smile with his hand.

Then it was like a light bulb flashes above your head when your eyes flash in revelation. "We did like to go shopping a lot together."

"Really? How was that like?"

"A lot of hours, that's for sure." Austin crosses his arms, exhaling a long groan. Only for you to have a guilty pout, shyly backing up in your chair. Even you did not deny his claims. "I mean- with them, all of the bags get piled onto me."

"I try to spend less every time I go shopping with him," You wave your arms defensively. With an amused smile, the Elvis actor could only want to listen to more, back fully leaning on his chair. "Though me and Zendaya love to go shopping all the time."

"It must've been a hectic shopping spree!"

"The most hectic," Your costar spouts a satirical groan as you dismissively smile and shake your head.

And most of all, you were fortunate enough to be invited to Graham Norton's show alongside Josh Brolin and Austin Butler. Coincidently other stars such as Olivia Coleman and Jodie Foster were present which made you more instantly excited. It was a row stacked with amazing actors and actresses. Even you, who have been considered in a few films were more than ecstatic to meet every one of them.

It took some time into the interview when Norton brought up Dune. As he went down the line of people, Austin was the last person on the couch yet to be asked a question. You were sitting beside Josh and Jodie Foster, whom you eagerly met backstage only minutes prior when you all went onstage. It was all nerve-wracking from the start. However, the longer you sat and talked, the more comfortable you became with the people you so charismatically looked up upon.

"Now Austin," Graham raises his hand as he directs everyone's attention to the TV screen, "Now what the fuck happened to you?" Then a still image of him in all costume as Feyd Rautha appears. Leading the audience to laugh and even a few chuckles from the couch. Graham's straightforwardness too caught you offhand as you cough not so subtly in the background.

Waves of ohs and awes rippled from person to person.

"Did you- did you know- yes that's Austin!"

"By the way- that's how I met him the first time because everyone said if you met Austin- Oh you're gonna love Austin," Brolin starts, one arm leaning against the back of the couch. "And then finally, I knocked on his trailer door- and I opened the door to this pasty bald emaciated thing." More laughter erupts as you sweetly grin at the faint memory of their meeting.

"But you didn't shave your head?"

"I was- I was going straight to another film and uh- called The Bike Riders with Tom Hardy and Jeff Nickels who was directing," Austin explains the director specifically asked him not to shave his head. As it would be difficult to grow back quickly and transition from Dune. "So the wonderful hair and makeup team did that to me." As he points back to the picture of him and Lea Seydoux.

"Wow!"

"That's a bald wig!"

"Yeah isn't it incredible?" The Elvis actor gleams back at Olivia and then to you. You give him a wider grin, cocking your head sideways until the attention is drawn back to Graham.

"And also, it's not just- it doesn't- where does it start?"

"It attaches where my eyelids are," He points and the rest of the actresses could only stare in astonishment.

"Whoa, you didn't have to shave your eyebrows either."

"That's- wow!"

"But it's incredibly meticulous if they're a millimeter off, you can't open one eye and uhm- so yeah they were incredible." He explains, pointing closely to his eyelids to make a better visualization of how detailed his look was for the crew. Truly it was an astonishing character design, and to have Austin fill in those shoes was a great casting choice. You couldn't think of anyone else to play Feyd.

"Was it like an hour?" Jodie brings up, having one hand on her chin innocently.

"It was three hours." Disappointed grunts and groans came from the two women beside you. It was as if the moment he mentioned how long it took, all the enthusiasm to try bald wigs was out of the table. It was hilarious, both Olivia and Foster looking back and avoiding eye contact with anyone. Seated next to them, you followed along, shaking your head so slightly, staring at them as if saying, really?!

"Shave my head!" Graham shouts and yelps agreeing to his holler followed the room. Seconds after the noise disperse, the host turns his eyes on you. He brings your attention, saying your name in confidence. "And uh- here's the thing, you had the complete opposite! People have said that you had to grow out your hair- either or have extensions to have longer hair."

"Absolutely the complete opposite for me," You cheerily perk up, saluting your drink to Norton. The audience snickers, followed by Brolin bursting out in a howl. "But- yes I would say I had to grow out my hair for this film. To the point where I had many intricate braids in my hair."

"It must've been so nice," Josh chides, almost too enthusiastically. He crosses his arms and you give him a look of caution, playfully so.

"Yeah luckily you didn't have to deal with all of my mess," Austin motions to his hair, and immediately you let out a whistle. Again the back of the crowd responds well to your banter. Everything went so smoothly whenever you were with your cast mates. You were the most comfortable with them.

"Very very true!" Norton points his flashcards to you, "Would you have shaved your head if you- two had switched roles?"

"Honestly why not," Shrugging, you could hear some murmurs of surprise and intrigue. "I feel like I would be very comfortable with the bald wig too. But I mean if I cut all of my hair, I wouldn't have to grow them out anymore."

There was a semblance of mutuality while some still expressed their preferences (Olivia and Jane). Though what was most prominent to you was Broliin balling his eyes out. While Austin looks at you in pure confusion and stupefaction.

"All that to not grow out your hair?!" Josh exclaims, and the shot perfectly catches him clenching his chest from how much he was cackling at your odd comment.

"I mean that's one way to do it," Austin had a much slower reaction as it seemed at that moment made you break. Only to have you glance down at your shoes because of how much you wanted to laugh uncontrollably.

"I think it'd be cool no?" You try to say, slowly breaking into laughter. The rest of the crowd cooed at how you were with your costars. You always manage to include them in every conversation, showing how much care you had with everyone you had worked with. "I feel like the material of the bald wig would be super cool to touch."

"It's- it's a latex-"

"Wouldn't you like to know?" Graham hushes, one hand shielding his mouth even though everyone can hear what he is saying. A huge wave of roars and screams echoed. And all you could do was cover your face and hide behind Brolin.

Yet the most unforgettable moment that would define your relationship with Austin is not even with the two of you present. In fact, it was in an interview with him,with Timothee and Zendaya. During that time, you were paired with someone else. But it was a small mention of Austin's first days of filming for Dune that kept viewers occupied.

"When you- fitting in with you know, coming into this group," It takes a few glances for Austin to look at his costars. "What did that feel like to you?"

Austin locks eyes with Zendaya then Timothee, "You both were so kind and welcoming and- uhm-"

"And we bullied him for the first week," The mixed actress casually mentions, as it can be heard off camera, sounds of agreement. "No, I'm kidding!"

"We had to break him in," The French actor nods, playing along to their scheme.

"Yeah, exactly exactly," The brunette actor goes even further with it, "Hazing rituals."

Zendaya raises her finger. She refers to you with such warmth. "It was more than hazing rituals. I mean- actually, they were doing crazy dance moves and-"

"They're just full of sunshine," Austin beans ear to ear, eyes only evident of fondness. "Super warm and welcoming."

Timothee cocks his head slightly to the side. "Welcome to Arrakis!"

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