#it doesn't mean it's more popular within fandom

[genericpuff]

From the standpoint of someone who doesn't even like LO that much. Reading through this gave me a strange sense of discomfort? I think. Something about the combination of the essays, and the digs at the author in a lot of posts, and making a community based on it, and the ranting. It made it feel a lot more group ragging on something than normal fandom re-writes. I can't help but want to say something on the subject (0/3)

Gonna respond to all your asks together if that's okay, from what I can glean there's a word limit on mobile (?) so it makes it very interesting to see who's able to put all their thoughts into one big ask vs. who has to cut them up into parts 😆

So I can understand that discomfort, it's actually one that I also initially felt towards the community when I discovered it. Though even more so because when I found out about antiLO being a thing, I was still a MASSIVE fan of LO and my thought was "wow, these people are losers" LOL but then a lot of what they were saying resonated with me more as I realized the story was going nowhere (it was around the trial arc when Eris was revealed to be the 'reason' for Persephone's wrath).

All that said, I don't think I was wrong to feel off back then even though I don't feel that way now. We have our own takes and ways of approaching certain subjects, and how we feel is how we feel.

I will say that I can't, in any way, take credit for 'creating' the community. AntiLO pre-existed me by years and I was simply welcomed in as my opinions of the comic changed. I was a lot more involved in UnpopularLoreOlympus when it was born around the S2 finale of the comic. So... don't give me any sort of credit in 'owning' this community or anything of that sort, I came in during a period when criticism of the comic was becoming more common practice. I'm just also someone who's very verbose and loud in their opinions which appeals to a lot of people in this community, so I get why people might see me as some kind of "pillar" within it or like I'm the loudest person in the room, but I promise you that doesn't mean I have any sort of ownership over this part of the fandom or that I feel my opinions carry any more weight than the people around me. It's just a community, after all, not a religion.

It's true that saying I'm not making money off Rekindled doesn't mean I'm not benefiting off it in other ways. But the 'benefits' are still kinda... nothing? in the grand scheme of things? like okay great I have loads of people reading my stuff every update but like, this is still just Tumblr lmao none of this is real and as soon as Rekindled is over, I might be lucky to bring some of the readers over into my next project, but I doubt whatever I do next will get as popular as Rekindled was. All the "benefits" I get are virtually the same as what people writing fanfiction get on AO3 get or what people doing redraw videos on Youtube get. It's fake Internet points for making fan creations.

And that's okay, because that's sorta just the nature of fandom in general, throughout any niche community. People will be naturally drawn to what's familiar and what I do here appeals to the people who are familiar with LO and the criticisms of it, often people who agree with those criticisms. The Zelda community has LinkedUniverse, Pokemon has Hanamusa, Attack on Titan has communities that are dedicated to loving the anime, hating the anime, and even dunking on people who don't 'get' the anime, Undertale has every single crazy rewrite and rewrites-of-rewrites that have been spawned from its fanbase. Did you know there's an entire community of people who discuss and argue over fire alarms? I didn't, but when I found out about it, it was after listening to a video on Youtube discussing all the interconnected drama of the fire alarm community. Like that's wild and seems so stupid and pointless... but it matters to the people who are in it, and my opinion of how they operate isn't going to change how it makes them feel to be a part of that space. That's kinda just human nature, we create our own little microcosms of things to bond over so for people within those microcosms, any amount of disagreement or discomfort will feel massive in proportion.

I guess the point of what I'm trying to say is that a lot of this stuff feels crazy loud but it's really only that loud because it's occupying a single room.

The reality is that Rekindled is still a very niche project dedicated to a niche webtoon that's a part of a niche medium. As loud as it is within here, it's still only because it's such a closed community. Anyone outside of the Webtoons community has zero clue what it is. The 'attention' that I'm getting is still from other niche people who occupy a very specific interest.

And that's not even exclusive to Rekindled, despite Webtoons attempts to sell LO as a 'worldwide phenomenon', a lot of people don't know it exists and couldn't care less. Does that mean my rantings about the comic and its creator matter any less to me or the people who are interested in them? Not really. Is it all pointless? Maybe, but not everything really needs to have some bigger point. We're all kinda just here spending time talking about something we both love and can't stand. What I say about LO and do with Rekindled is undoubtedly inconsequential and pointless to people who aren't in the room. That's fine. That's why I keep it all in my own house. There are definitely people who talk about it outside of the home but that's far from what I can control.

That said, I think LO also does fall into a very unique category where it's very easy to do rewrites and redraws of it simply because it, in and of itself, is a rewrite. Rekindled is far from being the first "fix it" fic, not only of LO but also of any piece of media in general, it's not really a new phenomenon (but again, when it's loud, it can be easy to go "well clearly YOU had to influence this"). People are drawn to retelling LO or 'fixing' it because LO is based on Greek myth. If it weren't for that, no, I don't think people would be as interested in doing so. It's because we literally have a solid foundation of reference material - the myths and original poems - that we can go "hey, why did LO do this? it should have / could have been xyz". You can't really do that as much with a purely original work besides wish fulfillment of "what if xyz happened" because whatever an original piece of work winds up being is clearly what it was meant to be. We have nothing to compare it against.

But with LO, we know what it could have been because we know what it was trying to be since day 1 - a retelling of the Abduction of Persephone. That's not to say we always knew exactly what Rachel was planning on doing with it, but it's not hard to be disappointed when we see certain mythical stories being established in LO - such as the tale of Eros and Psyche, the Titanomachy, etc. - only to see them get dropped or completely mishandled.

On the one hand I could use HADES and Stray Gods as examples of popular media that don't get 'rewritten' the same way LO does because while they have their own unique interpretations of the myths they're based on, they still feel like properly thought out stories that appreciate the source material. LO, by comparison, feels like it's written by someone who hates Greek myth.

But on the other hand, those rewrites may absolutely exist and I'm just not aware of them because I don't occupy those rooms! The world is only as big as we perceive it to be.

That said, it's always sort of ironic to me when people say Rekindled is "riding off the coattails of LO" because while I can understand their sentiment - because obviously it's a direct re-creation of LO - that opinion seems to operating from the assumption that LO was ever not riding off Greek myth's coattails to begin with.

And no, I don't think my criticizing of LO on an LO-focused blog should in any way be conflated with "media isn't allowed to be bad". I've said this before and I'll say it again, I'm into loads of bad media. I'm also fully capable of enjoying a piece of media but also shit-talking it without actually feeling any sort of vitriol towards it. House M.D. is one of my favorite TV shows but goddamn some of the plots are just so dramatic and out-of-this-world that you can't help but laugh at them (and that's why we have spaces like /r/okaybuddyvicodin LOL). One of my favorite games growing up was Starfox Adventures because I had never played the original Starfox games but I had played loads of Zelda and Adventures was basically Zelda but with Starfox, and I know there are plenty of people who will go "but puff, that game is ass!" and I know! But I love it regardless.

With LO, it's not a matter of "bad media shouldn't exist!" it's a matter of observing what makes it so bad and why that's had a negative impact on both the audience it attracts (primarily teenagers and children) as well as the culture it's taking its ideas from. If LO was just some "so bad its good" webtoon that was easy to enjoy but also poke fun at, I would have zero issue. It's the fact that it's blatantly problematic in its writing and intentions but still hailed as the #1 webtoon on the platform (webtoons in and of themselves being a medium that I've lived in for over a decade so it's virtually impossible to get away from whatever is influencing the culture as a whole) while winning all these accolades for being "brilliantly written" and its creator is given a voice over Greek culture when she herself is not Greek or even well-read on Greek culture in any capacity - that's the issue and why I've spent so much time talking about LO. And if it wasn't me, it would be anyone else, because the problem has been around for ages and people have been trying to get the word out about it for years.

I don't necessarily think every 'fix it fic' is built equally. I think it's a case by case thing. A lot of people are deadass just doing it for fun and to be a part of a community, and I think that's wonderful. There are also people who try to do this but ultimately disrespect whatever the creator was going for by somehow implying that their own original ideas were inferior just by existing, or using their fix-it fics as a way to deliberately harass the original creators (ex. whatever the fuck 'art lore' is on TikTok, based on what I've seen it seems purely made for bullying budding artists and talking shit which is... gross af, but I don't think it's anywhere near the same as readers of LO calling out its highly successful award-winning creator for having zero clue what she's doing with her comic lmao). I don't think a blanket statement of "fix it fics are bad" accomplishes anything because it depends on a variety of factors like the person's intentions and what they're trying to accomplish. Many fanfictions in general could be called 'fix it fics' even if the creator 100% loved the source material with zero issue - because they're still saying "what if xyz happened instead"?

Me, personally? I'm someone who loves Greek myth and who used to adore LO. I was very discouraged and upset when I saw it turned into what it became, and I wanted to try my own hand at creating something new out of the rubble that could give me closure. It's what I choose to do with my time and other people seem to enjoy it as well. I'm sure there's loads to criticize and speculate on regarding my 'intentions' in creating it, but at the end of the day I'm sorta just doing what I want to do with my time because I have a lot of thoughts and ideas I need to get out of my head and many of them are thoughts and ideas that other people like reading about.

If you feel uncomfortable by the amount I talk about it here and the way I talk about it, that's fine. Those are your feelings. There are loads of other antiLO-themed blogs to read that might not give you that same vibe. Even I have certain icks towards certain opinions within the antiLO community, I've seen some people be genuinely shitty and I'm sure that's ironic to hear considering you're describing your own discomfort towards my stuff, but we all have different tolerances towards different things at the end of the day.

I do my part to keep things in my own house of a neighborhood that's really small in the grand scheme of things. It just feels like a big neighborhood if you don't travel. There will inevitably come a day where I'll pack my boxes and move elsewhere, talk about new things and write essays about other topics. That's obviously not today but I definitely don't want this to just be like, my entire identity or the rest of my life LOL it's just something I've chosen to spend my free time doing and I'm content with that. Maybe a year from now I'll feel differently, who knows? At the very least I'm hoping to one day finish Rekindled because no, I don't want this to actually be my identity for the rest of my life, change is a good thing LOL but what that change will bring is, for now, a mystery. Here's hoping wherever I end up at least brings its own uniquely good times like I've had here :' )

Sorry, that was a very long response with a lot of sorta aimless muddling over the topic at hand, but thank you for the opportunity to discuss it regardless ! because I do think it's important to find that 'grounding point' when it comes to stuff like this. because as much as I get riled up over LO, yeah, at the end of the day, it's just a dumb webtoon and I don't wanna go soiling myself over it LOL but I'm also just like... running a Tumblr blog with my personal thoughts and ideas, no more or no less. Even the "attention" I get is still only 200-400 notes per new episode of Rekindled, which pales in comparison to any real metrics of "success" imo LMAO again, it just feels loud because this is a niche community made up of a lot of the same names and faces; step outside of it and no one gives a shit LOL

#ask me anything #ama #anon ama #anon ask me anything

[thev01dd]

tag vent post

#omfg i hate twitter so much #h*llch**r shippers are so annoying over ther for fucks sake #i censored the ship name so it wouldn't show up in twitter's search engine #but the shippers found me and harassed me either way because they can't fucking ignore people who don't ship h*llch**r #i jokingly said to lucia 'they really do be out there trying to make their ship' popular #because at the paris con all people apparently knew to ask about was: #'would chrissy and eddie have a romantic relationship if they were alive' #and they asked it to people who weren't even part of the ship #anyways #then suddenly a whole day later i get notifs from h*llch**r shipers saying #'we don't need to try they are popular' #like yeah right say that to the top ten ship tags on tumblr #or the numbers of videos on tiktok under each ship tag #steddie (and ronance) is bigger and more popular than h*llch**r fandom wise #and we didn't need to impose our ship onto anybody for it to become this big mind you #it's the thing i said on the tags of that post that talked about canon ships or wtvr #of course h*ll*ch**r will be a 'popular halloween couple costume' because it's a fucking m/f ship #it doesn't mean it's more popular within fandom #this need to feel that a ship is better than the other and to rub it into peoples faces is so annoying #fucking enjoy your ship in your corner and let people enjoy other ship in their corner #it wasn't me going to random h*llch**r shippers twt accounts and harassing them #it was the oposite #fucking hell #also hide your homophobia a little better

[sassydefendorflower]

I want to talk about something. I want to talk about ableism in fandom. And sexism in fandom. Oh, and racism in fandom.

Mostly though, I wanna talk about how the discussion about these things often gets derailed because people don't understand what trends and typical behaviors actually are.

Whenever a Person of Color, a woman, someone disabled, someone queer (or an intersection of any of these groups) points out that certain fandom trends are bigoted in some shape or form, half the replies seem to be "but they are my comfort character! Maybe people just like them better because they are more interesting!" or even "people are allowed to have headcanons!" - the very daft even go for a "don't bring politics into fandom" which is a personal favorite because nothing exists in a vacuum and nothing is truly apolitical. But alas~

What most of these replies seemingly fail to understand is something very, very simple: it's not about you.

You, as an individual, are just one datapoint in a fandom. You are not the trend. You do not necessarily depict the typical behavior.

When someone points out that there is racism in fandom, that doesn't mean every fan is racist or perpetuating racist ideas*. By constantly mentioning your own lack of racism, quite often, you are actively derailing the conversation away from the problems at hand.

When someone names and describes a trend, they don't mean your headcanon specifically - they mean the accumulated number of headcanons perpetuating a harmful or outdated idea.

I am not saying this to forbid anyone from writing fics about their favorite characters or to keep anyone from having fun headcanons and sharing their theories and thoughts - quite the opposite actually. A critique of a general trend is not a critique of you as an individual - and you're going to have a much better, and more productive, time online if you can internalize that. If you stop growing defensive and instead allow yourself to actually digest the message of what was pointed out.

I am saying this to encourage some critical thinking.

Allow me to offer up some examples:

Case 1: A DC blogger made the daring statement that maybe Tim and Jason were such a popular fanfic focus because they are the only two undeniably white batboys. Immediately someone replied saying "no, it's all the fun traumatic situations we can put them in!". Which is an insane statement to make, considering the same can be said for literally ANY OTHER DC Batman and Batfam character.

The original post wasn't anything groundbreaking, they didn't accuse anyone, didn't name any names... but immediately there was a justification, immediately there was a reason why people might like these characters more. No one stopped to take a second and reflect on the current trends in fanfiction, no one considered that maybe this wasn't a declaration against people who like these characters but a thesis depicting the OVERALL trend of fandom once again focusing on undeniably white (and male) characters.

(don't get me started on the racebending of white characters in media that has a big Cast of Color and the implications of that)

Case 2: A meta posted on Ao3 about ableism in the Criminal Minds fandom caught my attention. A wonderful piece, very thoughtful, analyzing certain characterization choices within the fandom through the lens of an actually autistic person. The conclusion they reached: the writing of Spencer Reid as an autistic character, while often charming and comforting, tended to be incredibly infantilizing and at worst downright ableist. They came to that conclusion while CLEARLY stating that the individual fanfic wasn't the problem, but the general fandom trend in depicting this character.

Once again, looking at the replies seemed to be a mistake: while many comments furthered the discussion, there were quite a few which completely missed the point. Some were downright hostile. Because how dare this author imply that THEY are ableist when they write their favorite character using that specific characterization.

It didn't matter that the author allowed room for personal interpretation. It didn't matter that they noted something concerning about the entire fandom - people still thought they were attacking singular people.

Case 3: I wrote a fic about abortion in the FMA(b) fandom (actually I've written a weird amount of fics about abortion in a lot of fandoms, but alas) and I got hate comments for it. Because of that I addressed the bias in fandom against pro-choice depictions of pregnancies. I pointed out that the utter lack of abortion in many omegaverse stories or even mpreg or het romances, painted the picture of an unconscious bias that hurt people for whom abortion was the only option, the best possible ending. The response on the post itself was mostly positive, but I got anon hate.

(which I can unfortunately not show you since I deleted it in the months since)

And I'm not overly broken up about it, but it also underlines my point: by pointing at a general problem, a typical behavior, a larger trend... people feel personally attacked.

This inability to discuss sexism, ableism, racism, transphobia, etc in fandom without people turning defensive and hurt... well, it damages our ability to have these conversations at all.

Earlier I said YOU are not the problem - well, i think part of this discussion is acknowledging that: sometimes YOU are in fact part of the problem. And that's not the end of the world. But you can only recognize yourself as a cog in the machine, if you can examine your own actions, your own biases, your own preferences critically and without becoming defensive.

And, again, this is not to keep you from finding comfort in your favorite characters and headcanons. This is also not to say that I am free of biases and internalized bigotries - I am also very much a part of the system. A part of the problem.

This is so you can comfortably ask yourself "but why is there no abortion in this universe?" or "why are my favorite black characters always the top in my slash ships?" or "why do I write this disabled character as childish and in need of help?" - and sometimes the answer is "because I am disabled and I want comfort", and that's fine too.

There is no one shoe fits all in fiction. There is not a single trope that captures all members of a group. There is no single stereotype that isn't also someone's comfort. No group is a monolith, no experienced all-encompasing (or entirely unique).

There is never a simple answer.

But that doesn't mean you should stop questioning your own biases, your own ideals.

Especially, if you grow defensive if someone points out that a certain trend you engage in might be racist. Or sexist. Or queerphobic. Or fucking ableist.

*this does not mean negate the general anti-blackness perpetuated by most cultures as a result of colonialism and slavery

#criminal minds #dc #batman #racism #fandom racism #fandom #fandom discourse #sexism #fandom sexism #ableism #fandom ableism #discourse #fma #fmab #abortion #abortion rights #pro choice #opening up a discussion about having discussions

[stormsbourne]

alright listen

I know we're all having an evaluation of how eagerly we believe people who present with even the slightest air of authority and frankly good! we all need to be less credulous of people on the internet who tell lies.

but I think there are also other lessons to learn from james somerton. namely about his raging and blatant misogyny, which I've often seen similar forms of in fandom and on this specific site. to paraphrase bombs himself in the ctrl alt del video, if you see shitty behavior within your sphere, it's important to recognize it and try to fix it instead of rejecting it and asserting that no REAL members of the ingroup are like that. and nerds have a misogyny problem. including tumblr. so let's reckon with it.

do you append "white" or "straight" to your comments about women even when those things have little to do with the topic being discussed, just to make your comments seem more legit? (and no, m/m shipping discourse does not give you a ticket to say it's all straight women -- it's fictional characters, james.) do you often theorize about how (hurriedly appended "straight/white/cis") women are responsible for a problem in fandom, nay, all problems in fandom? have you made up a guy based on a single post that annoyed you and extrapolated to say that all (appended signifier to make it ok) women in fandom are like that? do you see women as uniquely fetishizing, uniquely stupid about politics or social issues, uniquely annoying to talk to? do you assume when there's an issue, even a real one and not the fake ones james made up, that a woman is probably at the root of it?

all of this still applies to you if you're a woman. it also applies if you're gay or a person of color or trans. being an oppressed group doesn't mean you are immune from sexism, and sexism is still rampant in everyday life for pretty much everyone.

your shipping and fandom discourse isn't immune from this. no, I'm not talking about how not enough people like yuri. I'm talking about how women who like "bad" ships like r*ylo or whatever are seen as open targets for harassment. how women who are into "bad/problematic" fandoms are seen as idiots and enablers who deserve what they get. how there's an attitude that women who like shitty bad porn must think it's good, must be too stupid to know better, and must need to be handheld and taught about good, acceptable fiction. I've already talked a lot about tumblr's complete refusal to admit that fujoshi wasn't a term coined by delicate japanese mlm to complain about evil women (and I wonder if james contributed to that idiotic concept), but the way I've seen people assert that women into m/m must be straight, must be stupid, must be lying about their identities, must be hurting gay men in real life in addition to wanting some anime boys to kiss ...

I've seen how some of you people talk about amb*r h*ard, is all I'm saying, and I've seen what you've tried to do to dozens of female creatives that, for some reason, you've decided deserve to be taken down or taught a lesson. I've seen the descriptions you use. shrieking, bitchy, whiny, uppity, shrewish, karen (don't get me started on how karen has been turned into an easy excuse for misogyny). you're not bystanders to what james did and is doing, you're a part of it. sure, you might not have the nazi fetish, but you've said things about women that put somerton to shame.

just a thing to keep in mind while the plagiarism discourse is ongoing. somerton is a shithead for many reasons but this is one that's important to remember because I think people often treat misogyny like a lesser crime, a smaller concern, and it's not. just think of what laws are passing and what views popular movements have of women and then, for one moment, consider that maybe your reflexive need to blame women or pick them apart might have been influenced by the Society In Which We Live.

#james somerton #hbomberguy

[thankskenpenders]

Help me out here: Why is there so much Ian Flynn hate going around lately? I thought everyone loved that he was contributing to the games. Now suddenly they aren't. I guess that's par for the course for this series but I don't get it. He isn't perfect but I like what he's done. Am I a weirdo?

Ian Flynn has always had a lot of fans, but any creator putting their work out there is going to have detractors as well. That's just the nature of being an artist. To some extent, it's no big deal. He's not a perfect writer. Nobody is! I consider myself a fan of his work, but I've criticized plenty of individual writing decisions from him on here.

But Ian doesn't just have critics. He has his own obsessive hatedom. And the specific nature of Ian's hatedom is... interesting.

A decade ago, Ian was only the guy writing for Archie Sonic, meaning any debates over his work were quarantined within that tiny niche of the larger Sonic fandom. Only people who kept up with the comics month to month had any real reason to have an opinion on the guy, which means we're talking about merely thousands of fans as opposed to millions.

Within that group, he had some haters. You had the people who were mad about story changes made during his run, particularly things like ancillary characters getting killed off (although over the years we've learned that most of those were editorial mandates from Mike Pellerito). You had the people mad that Ian didn't push their favorite ship, with feuding SonAmy and Sonally fans claiming that he was CLEARLY biased towards one or the other. You had the people who just really, really liked one of the previous writers way more - usually Penders, as hard as that may be to believe today. That sort of thing. Pretty normal comic fandom type stuff. Again, it comes with the territory.

Unfortunately, many of those haters only got worse over time, morphing into reactionaries who constantly try to incite Comicsgate type culture war bullshit.

There are people still mad at Ian for making Sally bi and pairing her with Nicole instead of Sonic in the later Archie comics. There have been elaborate MS Paint red string conspiracy boards explaining how people like Ian and Jon Gray have apparently been destroying the franchise from the inside for years by Making Sonic Woke. (Jon gets dragged into this because people are still mad about him drawing The Slap 20 years later. Yes, really!!) There was an unhinged change.org petition trying to get Ian fired, specifically from people who were mad that the Freedom Fighters aren't in the IDW comics. There was even a very sad little fan campaign from these people trying to get Sega to move the Sonic comic license away from IDW and over to Udon, because they thought Udon would bring Sally and Bunnie back and also make them sexy again. There's a lot of this.

(Unfortunately, Penders has also exacerbated this by gossiping about Ian on Twitter and giving these fans ammo, but that's a whole 'nother discussion.)

The thing is, for years, people who only played the games or watched the cartoons had no reason to pay attention to any of this. Now, though, Ian isn't just writing for some weird spinoff comics that only the super nerds read. Now he's writing comics that are canon to the games, and ALSO some of the games themselves, and ALSO consulting on other tie-in media like Sonic Prime, and ALSO writing the official Sonic encyclopedia, and ALSO serving as part of the new Sonic Lore Team at Sega. And on top of all this, he's got an increasingly popular podcast where he fields questions about his work on all of these things, which serves as one of the fandom's main windows into creative decisions being made behind the scenes.

As a fan of Ian's work, it's been really cool to see him rise in prominence. But the dark side of this is that his obsessive haters from the Archie days now have WAY more of a potential audience of their own. Now, every Sonic fan has to have an opinion on Ian. What this frequently means is that you'll have the Comicsgate types taking things Ian writes or says out of context, attempting to get more of the general fandom to yell at the guy.

Unfortunately, there are a wide variety of Sonic fans who take the bait:

You've got hardcore fans who disliked basically any recent piece of Sonic media and are looking for someone to blame.

You've got the people who are concerned about the sanctity of Sonic's canon, who shoot the messenger any time Ian mentions a new retcon from Sonic Team on the podcast - or any time he even mentions the THOUGHT of changing anything about the canon, as we saw recently with the Sol Dimension nonsense.

You've got people who romanticize some sort of mythical artistic vision that Sega of Japan supposedly has (or had) for the franchise. To many of these fans, American contributors like Ian just don't "get" the heart of the series and are trying to turn Sonic into something different. (This "heart of the series" tends to be some mix of Japanese instruction manual lore, the cinematics from Sonic CD, the OVA, and/or the games written by Shiro Maekawa, depending on what Sonic media the fan in question grew up with.)

You've got fans of specific characters or ships who pin the blame for how their faves are depicted entirely on Ian - most vocally fans of Shadow, even though the root problem is that Sonic Team hasn't known what to do with Shadow since 2006. At best this stops at regular old criticism, but at its worst this devolves into claims that Ian has an agenda against certain characters.

You've got fans annoyed by a perceived over-emphasis on comic-original characters in the IDW comics, ignoring the obvious facts that these characters exist because the game cast is so tightly controlled by Sega, and also, you know, that people just like the IDW characters and want more stories about them.

You've got a LOT of discourse over IDW's Sonic being a hero who tries to give his enemies second chances, as if half of Sonic's closest friends aren't already former villains and rivals. Honestly this is very transparently just reheated Steven Universe discourse lmao

You'll also see people who just think they could do Ian's job better. They can't believe that THIS GUY is the American fan working on all these Sonic projects, when clearly THEY understand the characters and lore and themes SO much better than this charlatan.

All it takes is for someone in one of these categories to be unhappy about some recent piece of Sonic media, and for them to come across an out of context quote or comic panel that rubs them the wrong way, and suddenly the leftist Zoomer Sonic fans will join the latest dogpile on Ian alongside the reactionary Comicsgate types who are mad at him for Making Sonic Woke.

In general, when fandoms get upset, they tend to want a scapegoat. A person or two to point a finger at and go "THAT's who ruined the thing I love!" This tends to be based less on reality and more on which contributors are the most visible online. You'll sometimes see teenage and adult fans of children's cartoons single out a storyboarder who's particularly vocal on Twitter, blame them for every story decision they don't like, and harass them off the platform out of a sense of retribution for their favorite ship or whatever. Failing that, fans might choose to blame every nitpick, down to individual lines of dialogue and frames of animation, on a showrunner, just because that's the name they associate with the show. And unfortunately, when it comes to Sonic, Ian is now arguably the most prolific and outspoken contributor on the English speaking internet, and therefore a common scapegoat.

Some of the things I've seen Ian blamed for are truly wild. A lot of people have claimed for YEARS that he's just lying about the existence of creative guidelines and restrictions from Sega - or, as fans call them, The Mandates - even though they're just an inherent aspect of working on a licensed property. Others claim that The Mandates are real, but somehow Ian's fault. A vocal minority of fans have convinced themselves that Ian is the sole reason the Freedom Fighters don't exist in the IDW comics, even though Ian says he's been pushing to bring them back since day one.

Sometimes you'll see people say he ruined shit he didn't even work on. A few weeks ago on Twitter I saw someone claim that Ian had written a rejected script for Sonic Forces in which Tails died. I could not find a source for this for the life of me. As far as I can tell, the rumor seems to have been born from an alleged leaked script for Forces with margin notes from Aaron Webber that criticized the way Tails was written, and also an old tweet where Aaron joked that Tails would die in an upcoming episode of Sonic Mania Adventures. These merged into "Aaron Webber criticized a draft of the Forces script in which Tails died." How'd Ian get dragged into this? Who fucking knows!

It's all just a big game of telephone. All it takes is some asshole to make something up about Ian on Twitter or YouTube or a DeviantArt journal or some forum, and at least a couple people will believe it, and then it gets repeated as fact. Again, this used to be contained by the niche nature of the Archie Sonic fandom, but now there are WAY more people who are receptive to this shit.

It's just sad to me that Ian tries to be so open and honest about his work, to try to explain the rationale for certain things, to keep fans looped in on the direction the franchise is headed, and this just gives the Flynnspiracy types more quotes to take out of context and try to paint him as the devil. If it sounds like I'm being overly defensive and dismissing his critics, man... some of the things I've seen people say directly to him are just unbelievable. People will send paragraphs-long angry screeds in to his podcast that completely tear him apart, and he has to sit there and be like "Well, that's your opinion, and you're entitled to it." People literally pay for special guest interview episodes where they just rapid fire complaints about his writing at him directly to his face. I don't know how he does it. I would snap.

All of this over Sonic the fucking Hedgehog of all things.

I don't know how to wrap this up. Engaging with fandoms online is very tiring, which is why I tend not to do it. Things like this are too common. I guess, just... remember that making art collaboratively is a complicated thing. The people involved are generally trying their best given the circumstances, but they're only human. They make mistakes. But please treat them like humans. Criticism and dogpiling are not the same thing.

#anon #ask #tkp asks #tkp post

[imhidingonceagain]

Slimeriana and QSMP fans, we need to talk (really, I'm going to talk about a few things).

CW: nsfw

Warning: long post.

At this point I think majority of you guys know what happened with Mariana yesterday (especially because the fliporiana community is small compared to other ones).

I'm gonna write some stuff Mariana said and I'm gonna be explicit about it because I want you guys to understand the severity of the situation (this is your warning):

Context: He was curious to see if people actually posted nsfw stuff about him (and poor boy, he really thought he wouldn't find any).

And I quote what he said after seeing some posts: "No, no, no! Why's Slime penetrating me?!" (He was probably looking at a fanart)

"I'm not doing role like that with Slime anymore. I thought you guys found it funny (he was talking about the sex role in the QSMP) but it only fills your minds with shit"

"I'm gonna say it in English because I know there's QSMP fans who do it as well: Don't draw hentai about me, don't draw us fucking, that's being a pervert, that's wrong"

Some months ago I wrote a post when we got the first warning in regards of this topic.

Mariana and Slime have talked about fanart before and at the time they didn't seem uncomfortable about it (though it seems like Charlie's girlfriend was).

So I wrote: it's not necessary to stop doing fanart about them. Just be careful with what you draw and where you post it.

To me even "suggestive" fanarts are "okay" (but with suggestive I mean the characters looking at each other like they want to kiss each other so bad, that's it). But when and how did that translate to some of you thinking that drawing real people having sex and not only having sex (because there's always ways to show intercourse without being explicit or disgusting) but also showing private parts is okay?

Because it's obvious Mariana saw something super explicit by the way he reacted (because he doesn't get bothered too easily). My poor man was distressed!

And let me tell you something. This is not only about Mariana and Slimecicle. This is a REAL PROBLEM within the fandom. Let me give you some examples:

I love reading fanfiction and months ago I was scrolling through the QSMP section on AO3 and let me tell you something: the amount of fanfiction written about the eggs and their parents in a non platonic way is CONCERNING.

Especially Wilbur Soot's fandom seems to have a lot of rotten apples who think that writing abusive stories about q! Wilbur and Tallulah is fine.

I understand some people write stories like that not because they're crime apologists, but because that's their way to deal with trauma (and dealing with trauma through art is okay). But PLEASE remember that while the eggs are fictional, their "parents" are REAL people.

Use fictional characters, please. Stop writing real people into pedophilic or highly abusive situations. THAT'S HORRENDOUS.

Another example is the following: Some weeks ago people were reporting a Twitter account and I clicked on the account (I personally don't like reporting people without making sure they deserved) and it took me like three seconds of scrolling to see more than 5 Ccs being disrespected (including Slimecicle, Quackity, Cellbit, Roier and Badboyhalo). Explicit Pictures, videos and fanarts were being posted about these creators.

You know what I think? I think Cellbit made his character asexual not only for the representation (it's clear by now that q! Cellbit is a sex positive asexual which is still representation yay!) But because he has been on the internet since around 2011 and he knows how disrespectful people can be. I think he knew that his and Roier's ship was getting too popular and that makes them both unprotected to shit like this.

Sadly, it's clear that it didn't matter that Cellbit made his character asexual, people can't seem to respect that detail about his character and about himself as a real person.

To some people it doesn't matter if the Cc is ambiguous or completely clear about their boundaries, they still don't give a fuck.

Please remember that behind each character is a real person. I understand sometimes you guys want to see your favorite characters fuck -me too, honestly- but for people like streamers that's out of the questions because not only they're real people, but because their work is related to social media and the possibilities of them finding EVERYTHING we write and post about them are super high.

I don't know how to feel. It's obvious that Mariana has not been feeling the same about the server since Juanaflippa died. Maybe this will make him feel even worse about the QSMP but I hope I'm wrong.

#el mariana #elmariana #slimecicle #slimeriana #fliporiana #qsmp #elmariana fanart #qsmp fanart #wilbur soot #cellbit #Quackity

[saintsenara]

asenora i will listen to anything you have to say about these characters ever. please tell us what the tea is with dron

as i rummage through the backlog of messages in my inbox the thing that i have discovered is that you girlies [gender neutral] are absolutely clamouring for citizenship of dron nation.

[thank you to @spectral-kitty, @thesilverstarling, and two mystery anons!]

to which i say, the borders are open, baby. you just have to read the following manifesto:

why fandom needs to stop sleeping on dron

something i am continually banging on about, as regular readers know, is the harry potter series' fondness for assigning [male] characters to narrative mirror pairings.

exploring these pairings is interesting in and of itself without a romantic dimension being involved - i could talk for hours about the mirrored approach to guilt and grief in snape and sirius' characterisation - but it's also true that several of the most interesting ships which can be drawn [however non-canonically] from the text are between the two halves of each mirror pairing.

tomarrymort is the obvious one, snack [or starprince or snirius or whatever we're calling it] is starting to get the attention it deserves, but people are still sleeping on draco malfoy/ron weasley [and also, may i say, on lucius malfoy/arthur weasley and narcissa malfoy/molly weasley], largely - i fear - due to the sheer popularity of drarry and dramione.

i'll be honest that i really don't like dramione, and i'm generally ambivalent towards drarry, but i do love dron. and the narrative mirror aspect is entirely the reason why.

ron and draco begin the series as mirror archetypes within the genre conventions of a children's boarding school romp. ron is the loyal, humble sidekick of the everyman protagonist, draco is the everyman protagonist's posh, stuck-up rival. both are insiders to the world of the story - whereas harry, the reader surrogate, is not - who introduce harry to the positive and negative aspects of the wizarding world respectively.

as a result, ron and draco are mirrors in terms of personality, and are much more similar to each other than either is to harry or hermione. this doesn't, of course, preclude ronarry [a ship i adore] or romione [which i've defended here] or drarry or dramione [if ya nasty], but it introduces a specific - and very interesting - tension into the pairing which is absent from these other ships.

both ron and draco have shared positive traits - they're both loyal [and their loyalty is very practical and pragmatic - ron is not hagrid, whose faith in e.g. dumbledore is totally unwavering; draco is not bellatrix, whose faith in voldemort is the same], they're both highly observant, they're both quick-witted, they're both capable of doing the right thing - if not always immediately [which is, in fact, more admirable than being preternaturally willing to suffer and sacrifice], and so on.

they also have shared negative traits. they're both attention-seeking [ron fucking loves nearly being knifed by sirius and you just know draco was seething], self-aggrandising, insecure, sulky, and predisposed to jealousy.

and this is a gift for authors, because it means that dron butt heads in a relationship in ways which allow for real character growth... or otherwise.

one issue that i have with drarry is that it often feels like the change either one goes through within a fic is kind of out of character. for example, you have a harry who feels insecure and haunted by his ill-treatment of draco [this is a man whose response to committing attempted murder is to be raging that it reduces the time he has free to hit on ginny], or a harry who is chasing after a cool and sophisticated draco who eventually learns to open up [whereas if there's two things draco isn't, it's someone who keeps his thoughts to himself and someone who isn't a distinctly unsophisticated flop].

dron, however, react to conflict in the same way - which means that the two of them finding themselves in conflict with each other absolutely slaps. they also have similar levels of emotional intelligence, and are likely - if they're inclined to - to be able to communicate with each other and work through issues surprisingly effectively. they can be a mess, or they can be a happy-ever-after, and i like that in a ship.

but, while ron and draco are mirror archetypes, they are specifically children's literature mirror archetypes. ron's role as harry's guide to the world diminishes in the later books, as the series' horizons move beyond hogwarts to think about wizarding society and voldemort's impact upon it more widely [he is replaced by characters such as dumbledore]; while harry becomes considerably less bothered by the pettiness of draco's rivalry with him [concerned as it is with things like being good at quidditch and getting away with misbehaviour at school] as the enemies he's focused on shift to being the resurrected voldemort and his death eaters.

which is to say that dron makes considerably more sense within a hogwarts setting than drarry.

as i've said elsewhere, an issue i have with drarry is that it's frequently written in a way which suggests that harry and draco have a mutual obsession with each other - while the actual evidence of canon is that, while draco is [as his archetype demands] preoccupied with what harry's doing, harry rarely gives the impression of caring what his rival is up to unless directly compelled to by draco's own attention-seeking.

ron, in contrast, spends a lot of time noticing things about draco unprompted - he can, for instance, recall overhearing him boasting offhand about what broom he owns in philosopher's stone - and retaining this information in order to deploy it at the opportune time to get a rise out of him. he delights constantly in his misfortune [him being hyped for days because draco's annoyed harry gets a firebolt is beautiful]. he's ready to throw hands with him at any given opportunity, often giving those of us who thrive on cheap innuendo plenty of material in the process [draco finds himself, for example 'on all fours, banging the ground with his fist' after having ron's wand pointed in his face... same, girl.] and he tends to consider draco much more integral to the various shenanigans which take place in the castle than harry does [ron is the main proponent of the 'draco malfoy is the heir of slytherin' theory in chamber of secrets - and he is shook when draco reveals that he's wrong].

and draco does the same. he comes into the trio's compartment on the train in goblet of fire and immediately starts telling ron how unfashionable his dress robes are. he obsesses over ron's position as gryffindor keeper for months - and, of course, makes up a song about it, which isn't exactly helping him pull off 'i don't think about you at all', is it? - and ron is profoundly affected by the taunts in way that harry, who doesn't really care what draco thinks of him, isn't. and he constantly goes out of his way to provoke ron into trying to punch him [him shoulder-barging ron in half-blood prince just after harry's essentially outed him as a death eater in madam malkins... exquisite pettiness].

all of which is to say, their interactions feel very teenage and petty and silly all the way through to the end of half-blood prince in a way that draco's interactions with harry and hermione don't, and - therefore - i sincerely think that dron can be made to work much more plausibly as a pairing in fics set while the characters are at school.

my final point in favour of dron is that they mirror each other in their approach to their other relationships, and the tension this causes is really interesting to explore.

both ron and draco have mirrored attitudes towards their place within their own families - something neither harry nor hermione can have with draco for obvious reasons. ron is one of many siblings and feels overlooked in the crowd; draco is an only child and feels overburdened by the visibility, especially once his father is sent to azkaban. they both conform to behaviours expected of them by family [they are both in the same hogwarts house as generations of their family, they share their families' political views etc.]. they are of the same social class and their families both have a reasonably similar level of political influence [despite what we're told about his insignificance, arthur weasley is known to everyone in the ministry and he's able to throw his weight around to influence policy even before the promotion he receives in half-blood prince], but their material circumstances are divergent. they both heavily resemble their fathers - to the extent that they are immediately recognisable as each man's son - and spend their schooldays defending family honour by playing out lucius and arthur's own petty feud [lucius and arthur - and, indeed, narcissa and molly - are also narrative mirrors, and we deserve many more enemies-to-lovers fics featuring them]. and the course their lives take during the war is dictated as much by their role within their families as it is by their relationship with harry - the scrambling post-dumbledore order operating out of the burrow is a mirror image of the ascendant voldemort operating out of malfoy manor.

they are also obviously defined by their mirrored relationship with harry - most interestingly by a major similarity in their attitude towards him: that both struggle with how jealous they are of harry.

this leads to lots of excellent tension which just isn't possible in drarry or dramione. how do both sets of parents react to the news their sons are in love? how do ron and draco's relationships with harry change as they find each other? how does draco cope with the hustle and bustle of life at the burrow? how does ron deal with having to have dinner at the manor [particularly interesting because the world in which draco lives is one that's familiar to him - he's not going to be shocked by any of the weird stuff in that house, he knows how it all works, so he can ruin christmas by deciding to have his dad arrest lucius for fun instead]?

it's messy, and fun, and it sustains me.

and some recs for the lads?

collateral damage by @danpuff-ao3, which starts out with both of the lads working out their... issues with harry and ends with declarations of going to lunch with each other's mothers.

dance the night away (aka it's true love, you bastards) by evandar, which has as its premise ron and draco ending up, largely by accident, going to the yule ball together.

this great stage of fools by @nanneramma, which correctly demonstrates how ron is charming enough that him being supremely annoying is actually loveable.

#asks answered #asenora's opinions on ships #dron #draco malfoy #ron weasley #asenora fic recs

[epickiya722]

Being in a fandom, like BNHA (most active there) has taught me some things...

It doesn't matter if a person shares the same favorite ships and characters as you, if they annoy you, they annoy you. Block them.

Ship wars are a total waste of time. They're pointless. If someone feels that their ship is better, let them. Don't waste your time arguing about it.

It's a shock when a fairly popular character isn't your favorite.

Rare pairs deserve more love. They're fun, and if you like one, don't be shy about it. You might get others to join you.

On that note, there are some ships though that should never have been thought about, but given if the fandom is a huge one, at least two people have thought about it.

There will always be bad takes about the protagonist (and other characters). It may be surprising to you, but there are people with very off-the-damn-wall takes. Ignore them and move on.

It's illegal for some characters to be mean apparently.

There will be assholes outside the fandom who jump on the bandwagon of hating the material without ever engaging with it and only possibly ever met two people within that fandom. Block and ignore.

Expect people to take what you say and twist it around to make you look like the asshole. There's going to be at least one person who just wants to debate with you because they're bored maybe.

There are people who use "KYS" without thought. No regard for how you may be feeling at that time. They're an ass.

There are people who haven't finished the source material and think they're right. Don't spend your time arguing with them. Block them and move on.

Your mutuals may be mutuals with someone else you don't like. That's fine.

People forgot that opinions and facts are totally different. People will choose what they think and feel is canon just to shape the narrative into what they want. Ignore and block.

Okay, the block button is your best friend.

No matter how you tag a fic, there's gonna be one person who will take it out on you. You put the ship tags, they ignored them and want to be an ass.

Shipping is very popular. So if you mostly write friendships (and rare pairs), there's a chance you won't get as much feedback on a fic (or art) if you wrote a fic with a ship (especially a popular one).

On that note, you might get someone who will try to make the pairing you wrote/drew as platonic into something romantic. You have every right to be upset if it does upset you. Especially, if it was clear that you wrote it as platonic. Not everything needs to be romantic and some people needs to grasp that idea.

Take breaks for you! Take those breaks!! Take them!! And don't feel guilty about it! Take care of yourself!!

If you disagree with someone's opinion, that is fine. But do not reblog or comment under their post because you never know what kind of person that is. Write your own post if you feel the need.

That's so far what comes to mind about what I have learned. This applies to any fandom.

#just kiya's thoughts #bnha #mha #boku no hero academia #my hero academia #fandom

[wolfsrainrules]

Me, Staring into the Night: Oh No

Discussed with @deepwithintheabyss on discord, and as a result:

I'm just Saying. I have been contemplating a Jurassic World in DC verse (with the understanding that I have not actually READ nor SEEN much DC content and am working off fandom.)

Jurassic World, as in, a JW that has done the work to hide and defend their island from super villains and various heroes poking their heads in. The full nine yards, everything they could possibly stop- and all that focus on "outside" threats? It's what allows the internal issues that result in the mess that is JW.

The thing though? Jurassic World still needs sponsors and Batfam has still been trying to get a look into that- because it should not be left unchecked. Legally they can't send a hero in. But Timothy Drake-Wayne, CEO of WE and potential sponsor and good word on JW? That they would allow. So if he gets a VIP access tour to 'tempt him into sponsoring Jurassic World" that's supposed to last a week or two...

They've already got the park operating on front of house, and they have a camp with six kids who got sent in. What's one more VIP who could get them a ton of money, and may sponsor their work and expand what they're doing? Thing is- VIP access means that technically, Tim isn't supposed to have any tech that operates inside without proper access. He knows it CAN be gotten, because there's a kid here- Brooklyn?- that is a very popular vlogger who is allowed to record and post things. He's also not here as a Bat, but as Timothy Drake-Wayne and that comes with some handicaps to what he's able to do int he open.

So he has to look like he doesn't have access to anything, can't be caught snooping around, and also is instinctively keeping an eye on the kids when he's in the same areas they are.

And then. And then the park goes down. Assets are out of containment. And we have this really shitty time, where Tim has to figure out how the hell to get them all off, when the protections from outside 'interference' mean that the heroes cannot set foot on Jurassic World, Jurassic Park, or anything within without causing a hell of an issue. Interference also means Tim can't get the emergency signal out. The only thing allowed out of JW is what's done on it's own network. He needs to find a way to hook into it, when the power is shot. Would it stop them? No. Especially not when people are dying, and definitely not the BatFam when Tim is on the island.

Problem? By all rights, the island was evacuated of all survivors. So far as anyone can determine, the others are dead, and the island is overrun with assets that got loose.

Tim didn't make it off.

And Tim doesn't have a functioning access to internet OR signal to get a call out, the white noise machines and everything else are blocking him from just yelling for evac. He technically doesn't have any BAT- grade tech or supplies for himself- this was Timothy Drake-Wayne that went in after all. He didn't bring anything big while he snooped. He had some things, yes, but not for this level of FUBAR.

The BatFam are losing their minds. The world is saying Tim died on the island, since he didn't get off. Tim is struggling to find a way to get a message out. BatFam refuses to accept that Tim is dead until it can be confirmed.

And then.

And then the kids and Tim get the generators back on. And everything has gone to hell, but the power means Tim has a way to get something out. A way to hook into the network finally

It's not perfect. It involves him making trips to the faculty, and a LOT of tech-work so he can get these things routed properly, that he's not even sure are WORKING. And he can't leave the kids either- this island has tried to kill them all over and over again, he's not willing to let them wander around alone.

So he sends something like video diaries out, careful to maintain that he is a civilian trying to reach his dad, with six other kids surviving with him.

Bruce absolutely FLIPS when he gets the first video. Tim is front and center, looking like literal hell, blood smeared on his face, dirt and mud, a ruined set of dress pants, a stolen set of boots (because Timothy would have been in dress shoes for something like this, so he hadn't had his good shoes with him) an absolutely stained, ripped, and ruined dress shirt, smeared face, just- looking like he's survived dinos, and kept kids alive doing it.

Bruce cries. That's his boy. He's not dead. He's not dead. Oh God.

So Bruce gets an update, Tim talking about what happened, that he's not dead, he's surviving with six kids- who all pop into frame and frantically try to cram as much "NOT DEAD HI MOM AND DAD AND SIBLINGS" into the video while Tim is still trying to update everything.

And then the video ends with Tim's head- and six children's as well- all snapping to the side while there's a large echoing clank and the shadow of a dino. And the last image is Tim reaching forward to send the video out, hoping it gets through.

He takes a tablet hooked intot he system, and uses that to film various updates around the park while surviving. A sneaky update on what exactly the park has done, as well as continuous updates on their survival for their families. He has to trek back to the generator room to actually post these out but he's sending them.

The systems aren't great. Sometimes the videos go through a little glitchy, sometimes they get sent out of order. The uploading speed is shit, and occasionally corrupted videos go out due to a sudden need to stop or a flicker in power or any other number of factors.

But Bruce recognizing the chance to use the videos as proof that his kid is still alive- as are six other family's children, and he can bring this forward to get to the island quicker and by leagal means.

It's a huge thing in Gotham, Bruce Wayne's kid on this island surviving, These six kids he's helping. Their families all coming to Gotham to back Bruce on their crusade to get their kids out. Public pressure building as more and more videos go out, more and more people watch what they're going through.

They don't have to get themselves off the island. Bruce Wayne, their families, and public pressure all combine to get a rescue sent out to them. And sure it takes a little bit to get put together, but Bruce Wayne is funding it, and he will not rest until his son is home, until all of these kids are home.

The families all bond over the trauma of their children being on a death trap of an island. And the work to get them off of it. The relief they're ALIVE. The horror of what they'd gone through. The terror of not knowing if they're STILL alive. The fear-terror-hope of waiting for the next video update, hoping it's one that actually WORKS, that isn't corrupted or cut off cause of some disaster. The trauma of seeing their children on these videos, seeing the changes, and the rough surviving, of thinking your kids were dead only to find out NOPE they're in a historical horror of predator species that would eat them instead.

And Bruce knows Tim is capable. He knows he is. He also knows Tim would do whatever was necessary to get the kids home alive and whole.

And that? That's terrifying for Bruce. Because he knows Tim would jump in front of those kids to save them. His mind is running every worse case scenario through. He knows the (official) list of dinos that are in the park. He can imagine exactly how wrong an encounter could go. And then he gets the video updates of Tim and the kids explaining hybrids and the horror of THAT. So he's not even sure what the hell the kids are running into, and THEY don't even know, because they're could absolutely be more, so many more and-

And then you have Tim's brothers. His brothers who get the news he's presumed dead after the park goes wild and there's late videos and all kinds of things going live as survivors get off the island and into range of posting again, without access to JW's network. His brothers who all wait, all scared, all worried, for him to step off a ferry. Only he doesnt. Only he's one of many names presumed dead. And oh they aren't willing to leave it at that. The hero community is pushing for their ability to look into the park and what went wrong, but by all accounts- Tim is supposed to be dead.

And while they keep hoping, thinking, not without a body, and even still- there's every chance there ISNT one on an island full of dinosaurs. There's plenty of videos from those who escaped of paradactyls flying off with people, of various dinosaurs outside containment and the chaos and panic of it. Of deaths caught on camera and everything else. They're trying. But they're not even sure if-

And then Bruce gets the video. And they are right there with him in using the proof to get to the island faster, to save him, and the kids he's with, and just-

And there's HOPE and horror. Because he's alive! He is. But he's lost weight, and he's so obviously working to keep these six other children alive, and surviving and all the horror of that, and just-

It's such a mess.

But they are all there, every family, when they go and get the survivors.

There's tears and fierce hugs. And every kid has to introduce themselves to everyone's families. And every parent has to thank Tim for being there for their kids, for saving them, for not abandoning them for FIGHTING for them- because they all have stories.

And Tim did his level best to be there for these kids, to lead, to save, to keep safe. His very, very best. And the parents are so so thankful for it.

And if Tim meets each of his kids parents from the arms of a different family member (Alfred, Bruce, Dick, Damian, Jason, Cass, Duke, Steph, Babs...) the kids are happy to see Tim getting the support they couldn't give him, no matter how much they tried.

#crossover fun #Jurassic World #Batman #DC #camp cretaceous #Tim Drake #Jurassic Park #fic idea #wolf talks #wolfsrainrules #Batfam #long post #kind of rambling

[lurkingdoll]

The COD community and shipping

So, lately I have been getting a strange influx of anti-Ghoap posts on my feed. Just multiple posts ranting about how Ghoap is bad to ship and how it's not canon, will never be canon, and people shouldn't ship them because they are just friends. So, as someone who has been in a variety of fandoms and has a lot of experience in shipping communities, I want to discuss this because many of the people writing these rants seem to either have never interacted with fandom content before or just never heard of shipping before.

Shipping is when the fandom of a media (Ie: Show, Movie, Book, Game, ect..) thinks certain characters would make a good couple. People who make Ship content are people who draw, write fanfics, ect.. about said characters as a couple. Shipping has existed since there has been media with characters to ship

After the call of duty modern warfare reboots came out, there were an influx of newer fans who came in, many of them being people who have been part of shipping communities in the past. So, when they saw the entertaining dynamic between Ghost and Soap, they began to ship them and this seems to somehow upset people.

Many people got upset mostly due to the fact Ghost and Soap are "Just friends" and insist their playful banter shouldn't be taken as flirting even though many lines such as "Like a good ol boy" and "That's why I love the Ghost" can easily be interpreted as flirting. This isn't even to mention the fact that people have been shipping non canon ships since the dawn of shipping. Hell, people use to ship characters from entire different franchises. Just because they aren't dating in canon doesn't mean they can't be shipped.

Some like to argue that people should just allow platonic relationships to remain platonic and this argument is rather weak for multiple reasons. First of all, platonic relationships are not superior to romantic ones, they are both equally valuable. Secondly, many romantic relationships BEGIN as strong platonic relationships.

While I'm not the type of person to scream "homophobia" at every little thing, there's no denial that the hatred people have for Ghoap comes from homophobia. Before the influx of newer fans, Cod was infamous for it's widely homophobic and racist player base and those players are still very prominent in cod lobbies to this day. So, it makes sense they would be upset to see a large influx of more inclusive fans that also made a gay ship very popular. There's no doubt that a large reason for why so many people have such an issue with a ship as harmless as Ghoap correlates with the very present homophobia within the COD community

Generally, there's no reason to be upset over Ghoap. You're allowed to dislike ships, that's fine, but don't go around throwing a fit and getting mad at people who ship a perfectly harmless ship just because you personally dislike it. There are bigger things to worry about than strangers on the internet thinking two men who canonically get along very well together would make a cute couple.

#call of duty #call of duty modern warfare 3 #call of duty modern warfare 2 #call of duty modern warfare #simon ghost riley x john soap mactavish #simon ghost riley #john soap mactavish x simon ghost riley #john soap mactavish #shipping #fandom #fandom culture #writer #writing #writers on tumblr #ghost soap #ghostsoap #soapghost #ghost x soap #soap x ghost #soap ghost

[revvethasmythh]

Do you think if Chetney was younger, the response to Fearniture would be different? I’ve seen some people try to minimize it entirely, even after this episode and the threesome.

This is something I've been thinking about on and off for a lot of the campaign, and I've kind of settled around thinking that the answer is both yes and no. Do I think Chetney being visibly elderly and therefore non-traditionally attractive is definitely a reason for the relative unpopularity of Fearniture? Yes. Do I think it's THE reason? No.

I often think of Chetney's treatment within fandom is kind of reminiscent of the way Sam's PC's get treated. That is, as a joke character, someone who does a bit and doesn't really have much else going on except to cause chaos and be annoying. Like, Chetney is a ridiculous character, purposefully so, but I think the way the fandom engages with that is often in the bad faith assumption that just because a character is ridiculous they can't be meaningful. (Remember how popular was the idea that Chet was just a joke character that Travis would kill off any day now? That there was no point in getting invested because he was "just a joke"?) Which, I, a person who grew up reading series after series of some of the most utterly ridiculous urban fantasy books out there--and loved them, because UF is a fundamentally absurd genre--loudly disagree with. I often think you can find some of the most profound sentiments in the world buried in utter ridiculousness (what did Brennan say? "Profundity and absurdity are deeply in love"? Because THAT).

I just think people often take the face value of something ridiculous or absurd and never bother to sit with anything deeper about it, and I think that's more what's at play here with Chetney than his physical attractiveness, though I do still think that's an aspect of it. If people take Fearne/Chetney seriously (and I don't mean as some sort of intensely romantic, monogamous couple--we all know they're not that) it means acknowledging that Chetney can be treated seriously as a character with depth and worth in exploring a romantic relationship. And it's so much easier to just keep it surface value and think he's just a randy weirdo shooting shots (and, hopefully, getting shot down. Because who wants their favorite to end up in a relationship with someone they think won't add any depth to the dynamic?)

There is also some ship war stuff happening here, especially in regards to why Chetney is erased from the threesome (keeping him away from Fearne) which is conversely why people really seem to like Chetney/Deanna but also don't create much if any fan content for it (still not engaging with Chetney, but also, hey! At least he's away from Fearne). I won't get into the specifics of it all too much because I think ship wars are unbelievably stupid and I hate the idea of accidentally calling that to me, but I feel like it definitely exists as an undercurrent of Chetney-hate and his erasure from the threesome.

#chetney pock o'pea #asks #anon #critical role #bells hells

[mixelation]

I love Plasticity, and how organically (no pun intended) it flows. Do you have any tips for writing a SI fic?

oh hmm here's some tips (i might come back with more later):

HAVE FUN. by this i mean: write what you want to read. i think sometimes the general fandom attitude is that writers should cater to their readership, and readers will get especially weird about SIs. this is nonsense. SIs are the most self-indulgent form of writing. write for you.

notice when you're not having fun anymore. If you're making yourself miserable trying to piece together a comprehensive theory of chakra.... just don't? you don't need to.

sometimes i see people lament their day jobs aren't interesting enough to be useful to writing fic. then they'll be like "if only i was a scientist or a lawyer or something." this is WRONG WRNG WRONG. the average day of a scientist is super boring. i do write a lot about science but i do, in fact, have to bend over backwards to make it fit in the setting. i have to work hard to figure out how to make it interesting. you could do this with any profession. i promise there's a way to make processing POs for a ninja village interesting, or waitressing in a ninja village, or being a door to door knife salesman. PLEASE tell me about getting a summer job selling knives to ninja.

writing SIs usually involves making a bunch of world building decisions. in theory, anything goes here. but i do recommend taking a few minutes to reflect on how the real world equivalent of whatever thing works and why. this will help you make decisions that will feel realistic to readers and also help you feel out realistic consequences. for example, i'm not saying you need to take a wilderness survival course to write an overnight mission, but i AM saying it would be really funny if your genin OC accidentally attracted a bear

if you find your SI thinking, "why doesn't everyone just do this?" then HAVE AN ANSWER. are there consequences to doing it that way your SI hasn't considered? ARE people doing this but SI just hasn't realized? are there other, more popular solutions? does your SI have some advantage other people don't-- money, support from an OP mentor, a special skill/special training, etc? personally i don't find "no one has thought of this yet" or "my SI is just smarter" to be very compelling explanations UNLESS the narrative has done the work of hyping up why the SI thinks differently.

sometimes i see readers complaining they only want OP characters if they're "justified." i think if you want to write an OP character, you should just write one, but I also think it's worth touching on what "justified" means, because i find people making such complaints do not understand what their own problem is. they mean they want sufficient narrative build-up to whatever OP skill, and for the OPness to feel organic within the world of Naruto. if, for example, your character's backstory is that itachi keeps sneaking back into the village to train them, then you need to put in some time to explaining why the hell he would do that, because it sounds insane. the more insane it sounds, the more care and time you'll likely have to put into it. like you don't need ten chapters about their childhood, but you'll probably need a scene or two to illustrate their close friendship or whatever the reason is.

don't be like me. don't write 15k word chapters. you will cry blood

[griffonsgrove]

Haiii!! These headcanons have been amazing!!! Could I perhaps ask for a Dr.Flug X Reader where they're a famous popstar, please?? tysm!! <3

Dr. Flug X Popstar!Reader

a/n: eeee of course I can write this!! This is a really cute idea, I hope you enjoy!! Im working my way through a few of your guy's requests so bare with me! I plan on maybe doing a few drabbles or headcanons for some other fandoms within the following days so keep a look out for that!

fandom: Villainous/Villainos words: 1026 cw: none! just super cute fluff!

(PLATONIC):

Now that you were starting to gain more and more popularity amongst people, you had been wanting to expand your musical talent to all reaches of life, whether it be good or bad.

Being a famous popstar made it easy to get connections, thankfully, and a little birdie had told you about the infamous ‘Hat Island” that was rumored to be crawling with villains, owned by none other ‘Lord Black Hat’ himself.

You were by no means a saint, let alone a hero, and thought that everyone deserved to have the joy of music, even those of lower status. So what do you do? Schedule a meeting with the most feared villain known to man!

Imagine Flug's surprise when he opens the door to see you standing there.

The man about damn near faints on the spot. A famous super-star, standing right in front of him? AND they're cute?? Oh boy.

He had heard of you when Demencia would loudly blast her music from her boombox, Obnoxious yes, but he would absentmindedly find himself humming your tunes or tapping his foot to the beat while he worked in the lab, much to his dismay.

Eventually that led to him listening to you in his (very little) free time, and he, actually?? Enjoyed?? It??

Now, the tricky part was going to be trying to convince Black Hat to let you hold a concert on his island, This old man  intimidated tf out of you, if looks could kill you’d be dead before you even stepped into his office. But, you tried to remain confident.

You offer to pay him for compensation, and give him a small percentage of the profits from your show. How can he refuse that offer? It’s money! He reluctantly agrees to your proposition, and you sign a temporary contract.

For extra gratitude you offer him and his henchman VIP tickets for your show, Black Hat scowls, saying something along the lines of “that frivolous techno music gives me a headache..” But! He doesn't deny his henchmen going!

Of course you don't leave without the eldritch putting the fear of god into you.

Demencia vigorously shakes Flug in excitement, when she finds out they have VIP tickets to your performance, for once the doctor’s eyes light up.

The night of your performance happened to be one of his best memories, he was absolutely enthralled by your singing, and he got to witness all up close!

When he comes backstage to meet you after the show he nearly faints again. You thought he was kind of cute for that really.

You excitedly greet him and his group and chat for a while. Answering questions and sharing stories, you actually find out the two of you have a lot in common! As the evening wraps up you pull him aside privately to give him your number, if he ever wanted to chat. HE NEARLY FAINTS AGAIN.

(ROMANTIC):

That’s how you two began talking. You texted frequently, excitedly sharing each other's interests. Sometimes you’d snap a photo before or after a performance, and he’d send you pictures of his latest invention, or his model airplane collection.

It’s actually you, that ends up asking him out on a date. Through a video call, his reaction was adorable, he looked almost in disbelief but dumbly nodded his head to your confession.

The both of you lead busy lives, so you carefully plan out when you can visit and when he can get the time off. (He sucks up to Black Hat for an entire week).

You settle on something quiet and not far away, you didn’t want to be bombarded by fans or paparazzi during your small visit. It’s at a small cafe, Flug claimed it made the best coffee he’s ever had.

He watches all of your shows btw. Man’s is committed. Whether that be streaming the concert on his phone while he works or going to your shows/events in person whenever you visit the island again. It’s also a plus that he enjoys your music!

You singing to him, ouGHHHH. He’s starstruck every time, entranced by your voice. He really thinks of you as an angel, maybe a siren.

Love songs!! You write several dedicated to him while your dating, he nearly cries when you reveal this to him. Who am I kidding? He totally cried.

He makes you cute little gadgets to make your life a little easier. Like a custom-made microphone for your shows, you use it every time <3.

You SPOIL him. You get that bag (pun intended) and you think he deserves to be treated with everything he could possibly want.

If you ever meet 5.0.5 you best believe you’re treating that bear like your own son. He’s such a sweetie, how could you not? And if you sing him little lullabies to help him fall asleep?? Flug’s heart almost bursts out of his chest. How did he get so lucky??

He often wonders how he bagged you (pun intended). He's pretty insecure of himself already, it really is a mystery to him. He almost feels like he doesn't deserve any of it at all. But of course, you see right through his act, and reassure him endlessly.

You both keep the relationship on the downlow, mainly for your sake. He didn't want your reputation to be ruined if the press found out you were dating a notorious supervillain. You had told him you didn't care what the public thought, but he insisted.

There are numerous photos of you on his phone, not in a creepy way though. Most of them are selfies of two of you, or from photoshoots/concerts. He def has you as his screensaver.

You loooove peppering his bagged face with kisses. He gets so flustered it's adorable!! He secretly loves them. If you wear lipstick, you love seeing the aftermath of your kiss attack, his face painted in a lovely shade of red.

Overall, being in a long-distance relationship definitely has its ups and downs, but Flug thinks it’s all worth it, especially for you, he’s willing to give it a try. How romantic.

#black hat organization #villainous #dr flug #x reader #dr flug x reader #headcanons #villainos #dating headcanons #black hat villainous #blackhat #drflug #drflugxreader #plsprotecthimatallcostoHMYGOD #gender neutral reader #popstar!reader

[skyepixels]

Welcome Home Doesn't Feel Very Welcoming Anymore

To me, it feels voliate and chaotic and especially toxic, and that saddens me so much. But it's also something I expect too as WH becomes more and more popular by the day.

So, why do I? Here's a few reasons I can think of off the top of my head:

Any decision Clown makes regarding their community is often met with either an invalidating concern for their wellbeing to the point of being extremely disrespectful to them as a person or is met with complete disregard alltogether. Not everyone does this, but it's a conversation that's been circling for a bit now.

People within the community are creating opposing sides regarding how they want to engage with WH, resulting in conflicts with one another to the point of name-calling, hate-speech, and even death threats (or so I've heard).

If this community is going to be a place of acceptance and understanding, then that means respecting the boundaries and wishes of each and every person in it without shaming them for who they are. And that includes the sexual stuff. #Playfellowxxx was made for a reason. It was made to keep adult content and minor content seperate. It's the best solution for a community so large and expansive. Trying to coerce an entire internet of fans to be SFW for the sake those uncomfortable with it is asking for the impossible!

My solution? Cater your experience to what WH feels like to you. Do not try to control what other people do, because you can't - that takes away from other people's experiences too, and I don't think this is what anyone wants. Everyone expresses their love for these characters differently (sexually, romantically, platonic, etc), and I don't think there's one unifying vision that we can all reach that would change that. Making room for both SFW and NSFW content is the right move, because it includes everyone. Personally, I support both SFW and NSFW sides of things! Any expression of love, desire, or adoration for characters should be cherished as long as it's done in a healthy way, but I digress.

As for those who believe that Clown was coerced to make the tag? You cannot infer anymore from Clown until they decide to comment on it (if they ever decide to comment on it). Guessing the reasons behind their choices is pointless and futile... and again, leads back into that source of disrespect for them. So, stop playing guessing games with Clown's words and trust them. They know what they're doing, they've generated so much success these past few months, and I'm proud of them for how far they've come as a creator.

Besides, from what I've interpreted, they saw all of this as hilarious, so... laugh! Have fun with it! Enjoy the silliness that is this fandom and stop taking everything so seriously! Go back to loving the characters you love and make the most of it! <3

#welcome home #playfellowxxx #welcome home discourse #skyepixels #welcome home fandom #welcome home arg

[super-paper]

Truly Yours: A Defense of "Iron Might"

"My dear, In the midst of hate, I found within me an invincible love. In the midst of tears, I found within me an invincible smile. In the midst of chaos, I found within me an invincible calm. I realized, through it all, that… In the midst of winter, I found there was, within me, an invincible summer. And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better – pushing right back "

Disclaimer: The above quote is famously misattributed to Camus-- who seemingly only wrote the midst of winter/invincible summer portion of the original piece-- and the author of the expanded quote remains unknown. Nevertheless, it fits Toshi's character perfectly.

Iron Might remains a polarizing love-or-hate-it topic within the fandom, with many fans expressing their concerns that it ruins Toshinori's character/arc. It's no secret that I fall pretty firmly on the "love" side of camp-- and as is the case with all things I love, I can't love quietly or in moderation. So here's another really really really long post on all the reasons why I love it, and why I don't feel that this was character assassination in the slightest.

Breaking the key points down, I aim to discuss:

A) How Iron Might acts as a sort of resolution to Toshi's complex relationship with his body and injuries, and reconciles the divide between Toshinori's body and soul.

B) How Iron Might embodies MHA's definition of "love" and acts as a love letter to everything Toshinori wants to protect and everything he's ever wanted to protect. Iron Might is not meant to be read as a suicide mission, but as Toshinori weaponizing the joy of living as "Yagi Toshinori" and pitting the weight of his entire existence against AFO.

C) How Iron Might further cements MHA as "meta-fiction" through discussion of what being "quirkless" means on a narrative level + the dismantling of popular but overdone tropes that people have come to expect in comics. Toshi is also fighting for his right to exist in a battle manga against a toxic comic nerd who thinks that Toshi's role ended in Kamino and that he contributes more to the story by dying.

D) How Iron Might functions as a narrative device (i.e. It gets Toshinori to Izuku and Tomura). This is the battlefield where Toshi's character was always destined to end up because this is where all his unfinished business is at. Simple as!

"The body and mind are two halves of a whole" Iron Might as Toshinori coming to terms with his injuries and his body:

Kicking things off with this point bc I feel like... understanding how Toshi's relationship and struggles with his own body have been a major part of his character arc is something that's, like, absolutely essential when it comes to getting an accurate read on what Iron Might means to Toshi's character. Iron Might ultimately functions as a reconciliation between Toshinori's wounded body and heroic soul, so it's a bit sad to see people repeatedly dismissing it as "ruining Toshinori's character arc" without ever taking Toshi's relationship with his own body into consideration. Like, this is not some "insignificant" part of his arc that's being prioritized over everything else:

A collection of very relevant panels! Side note: Tsukauchi fumbling the toshibowl so hard that Toshi's car seems like the better romantic choice in comparison will never stop being funny. Aiba ur the only person in that control room i respect btw.

For the longest time Toshinori has viewed his emaciated, ill body as something pathetic and shameful. His body was something he felt that he *had* to hide from the world, in order to maintain the illusion of being a hero who could never possibly succumb to evil. His injuries and the state of his body cleaved his identity/self-perception in two-- he begins the series treating his actual body as the "secret identity" instead of his authentic self. The story doesn't spoonfeed this to the readers because it expects its readers to have enough empathy to put two-and-two together on their own-- That Toshi doesn't simply struggle with the loss of OFA & "All Might/heroism" in the aftermath of Kamino, but also the loss of what he felt was his "true" body.

Toshinori is very easily read as someone who suffers from intense body dysmorphia-- and him forcibly changing himself back into his muscular form over and over again can also quite easily be read as Toshi attempting to cling to whatever time he has left with the body that doesn't make him feel like a stranger in his own skin. It's him holding onto the self he views as "actually him" for as long as he can.

Toshi's arc is something that resonates with a lot of people who have disabilities or suffer from dysphoria-- So it's frustrating when some fans decide to take the least gracious interpretation of his character and issues and run with it, instead attempting to frame Toshi as some washed up attention seeker who ~simply can't let go of his glory days~. Toshi's character has been hit with a lot of ableism both in-universe and out of it, with the fandom only really acknowledging that he's a disabled man when it conveniences them and otherwise disregarding how this aspect of him plays a major role in his arc.

Iron Might is built to specifically resemble Toshi's "ideal" body-- to the bitter cynics, this supports their idea that Toshi is unable to let go of "All Might" and hasn't learned to value himself or his life as Yagi Toshinori. To those who understand what Toshi's been going through and understand that his arc was never *just* about "living," though, it's a different story altogether. So much of Iron Might symbolizes Toshinori coming to terms with the fact that he is a disabled man, accepting that there was never anything shameful about this, accepting that it never needed to be "hidden away" for him to be a hero-- and ultimately, accepting that his body is 100% him and an undeniable aspect of what makes him a hero, no matter how injured.

"Who's that skinny guy?" KID, LET ME TELL YOU A STORY.

There is a noticeable shift in Toshi's relationship with his body during Act 3-- We go from practically begging that Toshi's true form not be exposed to the public during Kamino, to Toshi encouraging that this fight be broadcast to the world. In the aftermath of Kamino and after losing the last embers of OFA, we still see Toshi forcibly shifting into his muscle form multiple times whenever he wants to "reassure" others, even though this process obviously hurts him:

The implications behind this are obvious: Toshi is not coping with the loss of his body as well as he lets on, and all those implications finally come to a painful head during the dark hero arc.

During his meeting with Stain, Stain outright refuses to recognize Toshi's "Muscle form" as "All Might" and instead makes it clear that it was Toshi's heroic soul that earned him the right to call himself a "true hero"--and that this "soul" still exists in everyone Toshi has ever saved. It never went away. The embers of OFA might have vanished, but the flames of Toshi's own heroism remain all around him-- they keep him warm and allow him to keep shining.

Toshi begins to accept his own body for the first time after his meeting with Stain-- we see him starting to reassure his friends as his authentic self instead of scrambling to shift back into his muscle form. During his last stand against AFO, he boldly shows the world his injured back, and wordlessly asks that they still express their faith in it and feel protected by it. His injuries are a part of him and his lived reality, and they're part of what makes him a human.

"--Because a hero's back exists to reassure others!"

Toshinori's body itself is ultimately included among his blessings that he weaponizes against AFO: his bonds, his origin, and his body-- no matter how badly injured it may be-- are all what defines him as a hero. Even if his back is no longer "broad," it will always be something that reminds others that "he is here."

During this fight, Toshinori reconciles his fractured identity by finally embracing all the aspects of himself that he'd previously grown distant from. Reflecting on the life he's led as Yagi Toshinori-- the life he led before he ever became "All Might" and the life he led after receiving his injuries and losing OFA-- is what gives him the strength to laugh in AFO's face, and it's what causes the light to finally return to his eyes. In the midst of a battle between life and death, we witness Toshinori being reborn.

He fully embraces his humanity during this fight, and then weaponizes that humanity against AFO (and considering AFO's character/how AFO is constantly attempting to escape his own humanity... it's pr delightful to see him getting his shit wrecked by another "god" who fell to earth and was forced to live his as a mortal, but ultimately realized that he loved it).

The battle ends with "All Might's" iconic shading now being used for Toshi's true form-- symbolizing the reconciliation between Toshi's heroic soul and his wounded but nevertheless heroic body.

As an aside: I also feel the context surrounding Iron Might/Toshi's body touches on MHA's theme of "consent versus nonconsent" as something that separates true heroes from true villains (starting from AFO forcing a quirk on Yoichi, cumulating with Toshi offering Izuku OFA and later making it clear that the quirk requires Izuku's explicit consent to be passed on-- OFA being born from an act of utter violation and then turned into something that explicitly requires consent always been one of my favorite aspects of MHA's lore, but I digress). During Kamino, AFO forcibly exposed Toshi's body to the world in an effort to completely humiliate him and destroy the public's image of him. Now, Toshi taking his power back and exposing his true form to the world entirely on his own terms.

"All that I've been blessed with will bear its weight against you!"-- or, Iron Might as a love letter.

I've talked on this point a lot bc it's what enamored me immediately with this fight (which is really about the depth of Toshinori's love and the love others have for him and his willingness to BE loved by others -versus- a man who takes advantage of the love others have for him and is utterly unable to leave his fragile heart at the mercy of others out of fear of ppl perceiving him), so I'll try to keep it brief:

Iron Might embodies the essence of how MHA defines love (love is admiration, love is imitation, love is seeing/watching, etc) while also acting as Toshinori's love letter to everything he wants to protect (himself and his life as "Yagi Toshinori" included). It also embodies the essence of how MHA defines true heroism (those who have been blessed should use their blessings for those who have not been blessed, those who can still act must act, etc etc etc ).

Toshi would not have been able to pull off Class 1A's moves or found the best way to integrate them into a cohesive fighting style without love as imitation/watching/admiration. (again, versus AFO, who at this point just randomly fires off powerful quirks without any actual respect for how the quirks work or how they can support each other, & who doesn't admire his own student beyond his capacity for rage).

This battle is a celebration of the bonds Toshi has allowed himself to form. It's him using everything he's ever been given and everything he's ever been blessed with to fight against a man who only knows how to take things away. Toshi has learned that OFA was never what made him a hero, that he can live without OFA-- and he's pitting the weight of that life against a man who is convinced that OFA is everything, who can't move on from it, and who has built his entire existence around getting it back. AFO wins the physical battle, sure, but Toshi remains the clear winner in the war of existences.

"This story is still being written, Toshinori."

Another aside: Names are everything in MHA, and that's especially true in the final act. MHA treats names like incantations, and “Do your best, Toshinori!” is the magic spell Toshi is using to motivate himself. Hori frequently uses how a person chooses to refer to themselves during key scenes as a way of emphasizing a person's mental state. From this, we can deduce that Toshi doesn't view this fight as All Might vs. AFO-- he views this fight as Toshinori vs. AFO.

Toshinori has weaponized his blessings and bonds and is now hitting back at AFO with the full weight of his complete existence. In this fight, he carves the joy of living-- of being Yagi Toshinori-- into AFO's barren, empty soul. Every scene he flashes back to is a scene of the life he has lived as Toshinori, not as All Might. This fight, just like the rest of the war, is all about "love" in all its various forms. AFO's abuse of love (both of his own deeply hidden love and of the love others have for him) is why he cannot win in a war where love is the essential element-- love is what keeps motivating everyone in this war to keep getting up, to keep struggling, to keep reaching out, etc etc etc.

Moving on.

"I'm quirkless. Born without a role." or, Iron Might as an act of defiance against both the narrative and the expectations of the 'battle manga' genre.

MHA being an example of stealth meta-fiction is something I've talked about before, particularly so with these two posts (plus... basically any post about our favorite cringefail LARPer, AFO).

Horikoshi takes full advantage of the medium/the fact that MHA is a manga and uses every tool that's available to both tell and enhance the story, and these chapters have cemented him as someone who has mastered his craft-- The decision to draw Toshi's true self with thick/bold lines after his armor breaks, the dark shadows finally leaving his eyes, Toshi consistently referring to himself by his own name instead of his hero name, the chapter titles, the backgrounds, etc etc etc all of it. Absolutely everything has meaning.

Through Iron Might, we once again delve into how the series chooses to define "quirklessness"-- the idea that quirklessness is meant to be a disability allegory gets more or less debunked (thankfully, since MHA already has a fairly good track record with depicting ACTUAL mental and physical illnesses/disabilities), with the narrative instead framing the possession of a quirk as something that determines what "role" a person gets in life. The implication being that not having a quirk means you don't get a role, period. You don't get to shine brightly on stage, you don't even get to be an "extra." This fits into the previously established idea that society's biases against "villainous quirks" basically railroad a lot of people onto the path of villainy (plus, the treatment of heroes/villains as fictional characters by the masses instead of viewing them as actual people). But, quirks are just quirks-- they're neither good or evil, and they aren't what determine whether a person is a hero or a villain. And as such, having or not having a quirk isn't what determines whether or not someone is truly a hero.

Toshinori is now defying the narrative that states that not having a quirk means you don't get a role. At the same time, he stands up against AFO-- our resident toxic comic book fanboy who sincerely believes Toshi should have picked Kamino as the best time to "bow out" (read: die) as a character-- who spews all sorts of vile things about the state of Toshi's body and how this is the primary reason why Toshi has no place in the story. The satire practically writes itself.

Like so many other characters, Toshinori uses the "role" of All Might as a coping mechanism for much of the series. As already stated, there is a disconnect between Toshinori's body and his soul--Toshi begins to use All Might as a mask to hide his feelings, his fears, and his humanity from the rest of the world. The series draws attention to the fact that the people forgot about the heart and soul--that is, the person-- behind All Might and started treating him like a character instead of a real person, and it's made clear that Toshinori forgot, too.

AFO is still trying to hide his true self in the role of the demon king, but Toshinori is no longer trying to hide himself behind All Might. AFO thinks Toshinori should have died in Kamino because that's where his "role" as a "character" ended, but Toshinori refuses that end. Both men find their origins in fiction (AFO from captain hero, Toshinori from Anpanman) but only Toshi has managed to reconcile his identity, break free of the story, and meet AFO head on as a human instead of a character. AFO is still hiding and refusing to engage with this story as a real person.

Toshi's overshadowed eyes are also heavily implied to be a side effect of him completely losing himself in the role of "All Might," rather than merely being the result of the injury he got from AFO-- we see that his eyes were already overshadowed long before he ever received his fateful injury, and the emphasis on shadowed eyes is also a design quirk that ties him to AFO (whose eyes were constantly hidden by shadows bc he was constantly LARPing as a demon lord instead of being authentic-- To drive this bit of visual story telling home, Hori emphasizes AFO's eyes whenever the "demon king" mask starts to slip and we start seeing peeks of what an utter sad sap of a person AFO is beneath the mask). It's a clever bit of show-don't-tell and another testament to Hori's art direction. Eyes are forever the window to the heart and soul in MHA, and Toshi reconnecting with his heart and soul-- with what defines him as a person-- is what finally causes the light to return to his eyes. The mask is fully off.

"Midoriya Izuku and Yagi Toshinori ~ Midoriya Izuku and Shigaraki Tomura ~ Shigaraki Tomura and....?"-- Or, Iron Might as a Narrative Tool.

(reminds u that the pivotal/trajectory changing chapters known as 304 and 305 were titled "Midoriya Izuku and Yagi Toshinori" and "Midoriya Izuku and Tomura Shigaraki". These three are the key!)

Changing gears for a sec and speaking purely from a writer's perspective: Iron Might simply couldn't have been included at Gunga and Toshi simply couldn't have remained locked up in a surveillance room for the entirety of the final battle-- because Toshinori's final destination as a character was always supposed to be the Izuku and Tomura fight. That's where his role as a character was always supposed to reach fruition and find his resolution:

"--I want to save that little boy!"

Aura!Might shedding tears when he realizes that Izuku wants to save Tomura and that Izuku has redefined OFA as something that exists to save is one of those underrated character moments that deserves more attention, because it's like. Everything. One of the most important scenes in the series by a large margin.

Izuku's declaration tells us everything we need to know about the trajectory of the series. Aura!Might crying in response to that declaration gives us everything we need to anticipate where his character is heading and to understand why Toshi's arc isn't over until he finally reconciles his business/regrets with Tomura & OFA/Nana.

it's heavily implied that real!Toshi was crying, too, after he felt what vestige!Izuku said. His eyes are hidden, but we see him briefly wiping his tears away. (and this is one of the many things I love about MHA-- there are so many lovely little details that add so much to the story. You just gotta be willing to look for them.)

Anyway! This point really speaks for itself, so I won't get into it too much: Tomura/Izuku's battlefield is where Toshi was always supposed to end up-- it's where he obviously needs to be to wrap up the loose strings in his arc, hear Izuku's "I am here" moment, and "change fate" by Izuku's side (not necessarily just his own fate, but also Tomura's). Iron Might is just a way that gets Toshi from point A to Point B while allowing Toshinori's character to shine as brightly as possible.

TL;DR The stage is finally set, the main characters have finally assembled, and now we get to see how the grand finale plays out.

-- -- -- -- --

In summation: Iron Might is sappy, sentimental, and fueled entirely by heart rather than logic-- and it's everything I love about this series.

#my hero academia #yagi toshinori #mha.txt #long post

[olderthannetfic]

I've done some reading challenges before and I think they can be fun if they have a purpose: for instance, something like the Read Harder challenge, ones that encourage you to read from different genres or read more diverse books, etc. I have a sort of evergreen challenge where I encourage myself to read more books written by authors from different countries, and keep a spreadsheet of which countries I've "read." (I also do this with other kinds of entertainment like movies.) But it's definitely true that some of them just seem to be for the gimmick and aesthetic, and for people who prize quantity over quality of reading in a sort of commodity-fetishism (as they're prizing books as markers of intelligence over the actual experience of learning and expanding your world via reading). Like when the challenges start to be things like "read a book with an orange cover" that's where I start to roll my eyes a bit, haha.

I will say that while I try not to be a snob about reading, it does drive me nuts when I've had people lord over how many more books they've read or how many more pages when they're reading beach reads and YA and other easily digestible stuff whereas I'm reading stuff that is heavier. One time when I was working some crappy minimum-wage job in college, I was reading this big omnibus of all Jane Austen's works (because I was taking a class on her where I was required to read those, not that I wouldn't read Austen otherwise lol) on my break, and one of the other employees asked me how many pages it was and I answered and he was like "pfft, that's nothing, I read all the Harry Potter books in a week and they're more than that!" And I wanted to be like.... yeah, me too, dipshit. I mean, I didn't literally read them in one week, but when each one came out, I devoured it within a day or two like a lot of people did, despite it being 800 pages. Because Rowling's prose is really easy to gobble up like that. Not that Austen is impenetrable or anything (I don't think she is and I think that's precisely why she remains so evergreen popular), but she does require more effort than *that*, particularly when you're reading her work for a literature class where you're expected to write a paper analyzing it, so you want to linger to make sure you really deeply understand it.

I've read academic monographs that were 150 pages long that took me weeks to get through, and I've read 800-page bestsellers that I ripped through in a few days. Pure page length does not determine how long it takes to actually read something. I mean.... in fandom we should all be aware of this, how many of us have devoured some 100k fic in a night or two? As someone who has written some of those academic monographs myself and therefore is familiar with how word count tends to relate to book page length, I can verify for you that that is the equivalent of devouring a novel in the same time frame. But it's a lot easier to do that when you're reading relatively invisible prose and are invested in your OTP getting together (or whatever) vs. if you're trying to digest someone's very dry and convoluted argument about Foucault.

--

I just read all of Scum Villain in about five minutes, yeah. And it was great, but nothing to brag about as an achievement.

I've got this friend who goes on about reading sooooo fast but then admits to often rereading to catch things that she missed the first time. It came up when I was explaining how seldom I reread or rewatch anything. I tend to remember it far, far too keenly after one time through, and it just doesn't hit the same a second time. I still read pretty fast, but not that fast.

I don't think it's snobby to roll your eyes at people who clearly don't grasp the difference between different difficulties of reading and—this is key—who are trying to wave their dick at you about how great they are. They started it!

The time I do roll my eyes is when people think you should read mega hard prose in order to learn, especially in order to learn vocabulary or get faster at reading. That's not what the science says. (Apparently, the fastest way to improve on that kind of thing is to read mass quantities of faintly hard-for-you stuff, not stuff that's hard hard.) But to learn how to decode confusing arguments? Yes, absolutely.

I do wish people would put a little more effort into unwinding their own tortured syntax on Foucault though.