#if it's something i've posted about or showed interest in before then it's all fair game | Explore Tumblr Posts and Blogs

reiderwriter · 8 months

Text

More Than Words

Pairing: Spencer Reid x Female BAU!Reader

Requested: yes

Summary: After telling a white lie to your family about your relationship status, your forced to beg your coworker Spencer to pretend to be your boyfriend for a weekend wedding.

Warnings: Light smut at the end, penetrative sex, creampie, mentions of Spencer's childhood.

A/N: Thank you for the request on this one! Ever since I rewatched Season 7 and saw Spencer dancing with everyone at JJ's wedding I've been thinking non-stop about him just holding you close like that and I'm going to shut up now because 8k words of that is more than enough lmao.

You can find my masterlist here, and I just started posting all my stuff on AO3 as well, so if you prefer to read there, check it out!

Despite knowing about your brother’s impending nuptials for the last 18 months, it was in the final two-week stretch that you actually started panicking about getting the date that you’d promised them. It was one sweet little white lie that you had made that had just spiraled out of control, but you’d yet to actually manifest the secretive boyfriend who was “very real actually, mom, he’s coming to the wedding actually.”

It was that statement that had sealed your fate, and always one to wear your emotions on your face when you weren’t on a case, it wasn’t long before someone noticed your building anxiety and guilt.

“Okay, spill Y/N. You look like you just witnessed your favorite author kick a puppy or a kitten or something,” Penelope said when you dropped some files off in her room that morning, spinning around on her chair to face you as soon as she caught your reflection in her monitor.

“It’s this wedding I have to go to,” you sighed dramatically, falling into one of the other chairs in the room kept for visitors.

“Want me to help you get out of it?” Penelope offered, patting your hand comfortingly.

“I’m not sure my brother would be too pleased about that, since it’s his wedding and all. My mother would drag me down all the way from here herself if she had to.”

“Okay, so a no-show is a no-go. Then what gives, my sweet avenging angel? There has to be something serious to get you looking all glum.”

You sighed and ran a hand through your hair before straightening up and leaning into Penelope more, creating an air of secrecy.

“Promise you won’t tell?”

“Oh sweetie, if only you knew the secrets these four walls held,” she replied dramatically, pulling a laugh from you.

“Last year, I was so, I don’t know, jealous I guess, of all the attention my brother and his fiancee were getting because of the wedding, and it just felt like every time my mom called me, she would only want to talk about them because of the wedding. I felt left out, and I already live so far away anyway, so it’s hard to have that connection with people back home, so I might have told a small, tiny, inconsequential lie that now actually has consequences?” Your face flushes at the confession, and you can see Penelope trying her best not to blurt out her thoughts, intent on letting you continue.

“I told her I was seeing this guy. He’s amazing, he works in the FBI just like me, and he’s smart, and he takes me on dates to these amazing places, like museums and interesting restaurants and to book fairs. I told her he was handsome and that he looked at me like I put the stars in the night sky, and he just doesn't exist, Penelope. And now I have to disappoint my mother again by turning up to my brother's wedding without a date.”

“Oh sweetheart,” was all she said for a minute, and the sympathetic look on her face made you want to run out of there immediately.

“I know, I know, I need to tell her the truth, but I don’t want to do it at the wedding and spoil her happiness. She loves weddings.”

“And this fake boyfriend is supposed to be your plus-one?” she asked.

“My invitation read ‘To our darling sister and her mystery man,’” you groaned, wondering how you could have been so childish in the first place. You’d acted like any child on a playground would, inventing lies to make yourself seem more important and cooler.

“I think I have the perfect solution for you, angel, but you might not like it,” Penelope grinned from her chair, leaning back and playing with the pen in her hands nefariously as if she’d been waiting for this chance her whole life. You didn’t trust that look, but you had no other option, so you took a deep breath and listened to her plan.

–X–

Three days later, and you were suddenly pacing the hallways with a coffee and a croissant, poised and ready to kidnap an FBI Agent the second he passed you.

At first, you’d laughed at the suggestion she’d made, outlandish as it was. But 72 hours of reflection, and a timely phone call from your mother, and suddenly you were on board and ready to lock on to your target. You stopped pacing when you heard the elevator ding, signaling the arrival of Spencer Reid. You were thankful that his schedule was so regular and timed down to the minute that you had just enough time to ambush him in the hallway before any other member of your team noticed.

“Spencer! Here I bought you coffee and a croissant from that cafe I mentioned a while back,” you panicked, unloading the gifts into his arms quickly, taking him off guard, before checking left and right before pushing him into the nearest empty room and shutting it behind you.

“Good morning to you, too, Y/N. Is there a reason we’re in a closet right now?” he asked, looking down at you with knitted eyebrows.

“Yes,” you gumped, afraid to say anymore.

“Are you going to tell me what the reason is?”

“I need you to be my boyfriend for a weekend,” you finally blurted out.

“You need me to… Just for a weekend?” He looked confused, and you felt your cheeks flame up, as you tried your best to explain the situation for him.

“My brother is getting married in LA this weekend, and I need a date. I told my mom last year that I was in a relationship with a really great guy who also works for the FBI.”

“Oh. So, you broke up with him and don’t want to tell your mom?”

“No, he never existed. Long story, I can explain on the plane, but I really need you to come with me! I’ll pay for everything, and I’ll even get you this coffee and any pastry of your choice every day for a month, please, please, please!” You begged him, so desperate that you were moments away from dropping to your knees and grabbing his leg, refusing to move until he acquiesced. You didn’t have to in the end.

“Oh, sure, I’ll go. When did you say it was?” Your jaw fell open in shock, and it took a few seconds to pull yourself back together as you reacted to his words.

“This weekend? The flight is tomorrow at 6 a.m.” You smiled sheepishly as his eyes bugged out of his head.

“This weekend? What were you going to do if I said no?” He laughed at you a little, taking a sip of the coffee you bought him.

“Honestly? Plan B was to cry, and plan C was to kill off my mystery man in a freak accident.”

“Wow, we just started fake dating and you’re already trying to bump me off.” His smile made you burn hotter than before, as you playfully hit his arm in response.

“Stop saying we’re dating. I pulled you in here to ask you privately because I didn’t want weird rumors circulating in the office,” you pouted.

“Then you better let me out of the closet, Y/N, before people think we’re doing something we shouldn’t be. At least three people saw you drag me in here, you know.”

With that, you rush to open the door and run out, shouting a reminder back at him.

“Just be ready, okay. I’ll see you at the airport at 6 a.m.”

–X–

The flight, despite being ridiculously long, was altogether quite pleasant, and you made it back to California in one piece, Spencer trailing behind you like a lost puppy for a while, letting you take up the role of “airport dad” as you guided him through the airport and to the hotel where the wedding was being held.

“So what’s our cover story?” He asked in the taxi on the way there, breaking the comfortable silence.

“What cover story?” you asked, looking up at him from your phone, still focused on just getting to the destination.

“Where did we meet, how long have we been dating, how much do they know about me?” He listed off the possible questions that his parents were absolutely going to interrogate him with soon. “I need to prepare so we don’t get caught out, right?”

“Oh, right. Based on what I told them, we met at work and we’ve been seeing each other casually for about a year now. I didn’t give them a name yet, which annoys my mom to no end, but I was always pretty private as a child so she didn’t find it all that suspicious. Other than that, they don’t know that much about my mystery boyfriend apart from the things we’ve done together.” He listened attentively as you spoke, taking each of your words in and committing them to memory.

“What was our first date?” He asked.

“Coffee shop. That place I got you the coffee from earlier, it’s called Flondon. I’m a regular there, so it made sense to use it in my story.”

“What else have we done together?”

“There was a book fair in New York a few months back that we, uh, spent the weekend at. You surprised me for my birthday with the tickets.”

“Wow, so I’m a really great boyfriend then.” He joked a little, and you let out another groan of annoyance at his teasing. You didn’t get the chance to finish your conversation though, as the taxi finally pulled up to the hotel.

You climbed out of the taxi after paying the driver, Spencer having already left to grab your bags, before walking into the foyer of the hotel.

“Y/N, just one last thing before we go in,” he stopped you at the door, grabbing you by the arm gently. “Are we… the, um. Hotels tend to get booked up pretty early for weddings, and I’m sure your family will be suspicious if we don’t share a room so…”

He didn’t have to finish voicing his thoughts before you were cursing, not having made the connection before.

“Shit, you’re right. My brother made the booking for me months ago. We just have to go in and get the room key but I totally forgot… It’s fine, right? We’ve roomed together on cases, haven’t we?” You asked, looking up at him.

“No, we haven’t. 67% of our motel bookings allow for single occupation rooms for Agents, I end up sharing a room with Morgan for 15% of overnight stays where double occupation is necessary, Hotch for another 17%, and the remaining 1% is made up of outliers where I had to share with Rossi or Prentiss, but we…we haven’t shared before.” He gestured between the two of you for a moment there, letting the facts sit with you.

“Spencer, it’s okay with me, is it okay with you? I understand if you’re not comfortable with it. We can just turn around now if you want.”

“No, no it’s totally fine. I just wanted to make sure you’re comfortable with it. Morgan says I snore, so I guess I’m not the best roommate in the world.” He smiled at you then, reassuringly, and moved his hand down your arm until it reached your hand.

You looked down at where his hand had entwined with yours and your heart gave a little jolt. Spencer didn’t like physical touch, and you knew that. You tried not to initiate any contact with him, despite being a touchy person, but there had been times after particularly tough cases and with close calls where you’d thrown yourself into the nearest person's arms, and he always happened to be near.

But those hugs had been thoughtless, natural reactions to stressful situations and this was intentional, and more importantly, he’d started it.

“Sorry, I just assumed we should get used to, uh, touching each other, I guess? We’re going to be doing it all weekend, you know, might as well start now.” He gave you an awkward closed-lip smile, and you giggled at his awkward explanatory tone. Squeezing his hand a bit, you grabbed your suitcase again in your free hand, and pushed open the door with your shoulder, pulling Spencer in behind you.

The lobby was filled with people arriving for the wedding, and you instantly spotted three cousins and two aunts from across the room, giving them a little smile as you made your way to the reception desk, Spencer right at your side.

“Hi, reservation for Y/N L/N, please.”

“Sister of the groom, right? Your mother asked me to give her a call when you arrived. Please wait one minute.” She handed you your key, and you felt yourself go pale, turning around to Spencer for reassurance.

“Oh god, she’s coming now, what do we do?”

“Y/N, calm down, it’s okay, we knew we were going to have to see your mom tonight at the reception anyways.”

“You’re right. Okay, right. Okay.” You breathed out, as Spencer wrapped his other arm around you, holding you in a closer embrace while keeping your hands locked together.

“One of my aunts is looking at us. She looks like she wants to say something. Oh god, she’s coming over, Spencer act natural,”

“Saying act naturally is actually counter-active-” but he didn’t have time to finish before you had turned to greet the older woman, disentangling yourself from Spencer’s arms as you hugged the woman warmly.

“It’s so good to see you, Y/N, you know how we all worry about you doing that job of yours. The other week we saw you on the news about that tragedy with the young girl…” she trailed off, giving you a worrying look before quickly shifting her gaze to her actual target, Spencer.

“I think I saw you too, young man. You must be Y/N’s boyfriend,” she smiled at him, waiting to hear a response so she could return to the other matrons with the gossip.

“Yeah, nice to meet you, I’m Spencer.” You could tell he was thankful that the woman hadn’t stuck her hand out to shake his, as he positioned himself mostly behind you, keeping his hands occupied by letting one settle on your hip and the other keeping a hold of your suitcase.

“Spencer? Spencer Reid?” You heard your mother before you saw her, turning around in your place to finally see her, as Spencer whipped his head around as well. “I’ve heard so much about you. It’s so wonderful to finally meet you.”

Your mother had none of the restraint of your aunt, and unfortunately, you’d inherited your clingy side from her, which is why she immediately swooped in to give Spencer a hug. To his credit, he greeted her warmly as well and didn’t avoid the touch, but he kept it short and polite nonetheless.

“Mom, how did you know…”

“You tell me about your coworkers all the time, I’m just surprised I didn’t work it out sooner. I always said that you talked about that Spencer with a fond tone, you should ask your father, he’ll tell you that I did.” You rolled your eyes at your mother’s words, doing your best to avoid Spencer’s gaze. He’d fallen back into place by your side as you greeted your mother.

“It’s so nice to finally meet you, You know, Y/N has been keeping you as this big secret for the last year, and it’s so nice to see that you’re actually real. You’re here!” She sounded so excited for you that your heart almost broke under the weight of your guilt, knowing that you’d have to come clean at some point after the wedding. As it was, you were already going to have to try really hard to avoid the photographer and videographer throughout the night so you didn’t have to be constantly reminded of your idiocy whenever your mother got the photo albums out,

“Sorry, the two of you are probably exhausted after that flight, right? Go and get yourself unpacked. The rehearsal dinner is at 8 p.m. so we’ll catch up then, sweetheart.” She left in a whirlwind, having deposited you next to the elevators, and left you with no other option but to do exactly as she said, making your way to your space for the weekend.

–X–

The following few hours had been a little awkward, to say the least. You’d awkwardly pulled away from one another in the elevator up to the room, apologizing for invading each other's personal space. The room was a decent size, but still small enough that you’d be constantly tripping up over one another the entire weekend if you weren’t careful.

Reid carefully unpacked his tuxedo when you got into the room, and then quietly informed you that he’d need a shower. You’d unpacked your own things while he did, trying not to listen to the water flowing over his body in the next room. His earlier touch had ignited something in you, and your heart was beating at his every gesture now, something that you were sure it hadn’t done before.

What was it about weddings that made you so open to even the possibility of romance that even someone so off-limits could become the object of your affection?

So you tried not to listen, not to wonder why it was taking the man so long to just take a shower, not to let your mind wander to a place where it was perfectly acceptable to wonder what he looked like in that shower, and you unpacked and organized your things.

“Hey, Y/N, I’m really sorry but I forgot to bring my clothes with me,” he called awkwardly through the door a few minutes after you heard the water turn off, and you turned to the bathroom, not expecting the sight before you.

You’d assumed from the quiet volume of his voice that he was calling from within the bathroom itself, but instead, he stood awkwardly in front of you, a towel wrapped around his waist and torso, held together desperately in one hand.

“Oh shit, sorry, I’ll just turn around, I guess,” you stumbled over the words, dragging your eyes back up to his face as you did so, whipping yourself around to stare ahead of you.

“No, no, it’s my fault. I was so hasty I forgot my outfit for tonight. It’s okay.” You heard him fumble for his clothes and return to the bathroom quickly with another mumbled apology, finally allowing you to let out a deep, almost dreamy sigh, startling yourself. Mentally chastising yourself once again, you finished your organizing and let yourself fall onto the bed in the middle of the room sleepily while you waited for him to come out again.

You must have dozed off a little because you woke with a jolt when you felt a soft touch on your arm. There he was above you, a soft and concerned look on his face as he woke you up as kindly as he could.

“Y/N, it’s 7 p.m. We need to get ready for the rehearsal.” He whispered as if he weren’t too bothered if you didn’t want to go down at all, content to let you sleep. But you forced yourself upright anyways, and nodded at his words, swiftly moving yourself towards the bathroom he had since departed.

“Thanks for waking me, Spence,” You rubbed the sleep out of your eyes, gathering your towels and change of clothes before turning back to him. In the four hours you’d apparently been dead to the world, he’d managed to dry his hair, change his clothes, and, from the looks of the book on the bedside table, read through an entire book twice.

He noticed you looking and cleared his throat. “Sorry, you looked so tired I didn’t want to wake you, so I just sat here and read while you got some sleep.”

“It’s okay, Spence. I guess I was pretty tired. I’m gonna go…” you gestured towards the shower and stepped towards it with an awkward smile, not letting him answer before you had closed the door between you and taken a deep breath, setting thoughts of him aside for the night before you focused on getting yourself ready to face your lies.

An hour later, you were making your way back down to the lobby, having received a text from your brother that that was where everyone was gathering before making their way to the dining room. Spencer offered you his arm in the elevator on the way down.

“Here, grab my arm.” He said softly down to you, a sweet smile playing on his lips.

“Oh yeah that makes sense,” you said distractedly, looping your own through his and leaning into him.

“It’ll also stop you from picking your nails,” he joked.

“I don’t pick my nails!”

“You so do. You do it when you’re nervous and when you lie about something. Last month on that case in Chicago when that officer asked for your number, you told him you had a boyfriend and started picking your nails,” he laughed down at you, enjoying your pouting face a bit too much as he profiled you.

“You’re one to talk. The last time a woman asked you out, you started rambling about the linguistic history of the phrase “go out,” in the romantic sense. She stood there for five minutes before she gave up.”

“Wait, when did that happen? I don’t remember any woman trying to ask me out.”

“Then you’re even denser than I realized, Doctor Reid, because they do it constantly.” Your back and forth ended there, though, as the elevator doors finally opened into the lobby. You smoothed out your dress and tried your best to act natural as the two of you made your entrance.

“Y/N! Over here,” you heard your brother and saw him wave at you from the other side of the room, his fiancee next to him receiving guests.

“It’s been so long since I saw my kid sister. Get over here,” he smiled at you, beckoning you over, and you released your hold on Reid to give your brother a warm hug.

“Now who is this kid sister you’re talking about because last I checked you’re only 18 months older than me.”

“18 months, 18 years, all that matters is that I am, in fact, the older one,” he released you from the bear hug and glanced up to Reid, standing awkwardly watching the scene waiting for an invitation to the conversation. “Holy shit, you’re real.”

“Hey! Be nice. This is Spencer, he’s my… he’s my boyfriend, we work together.” You felt your cheeks flame as you introduced the two of them, your brother looking at Spencer through knitted eyebrows, taking on a faux protective stance.

“Spencer, hey. Mom mentioned you were here earlier, but I didn’t think you’d be so gangly… It’s my wedding, and I’ve been told I have to keep all threats to a minimum, but if I see you getting all handsy with my sister, just know that I have a blackbelt in jiu-jitsu.”

“No, you don’t. You have a yellow belt in karate at most, and you got that at age 10.” You laughed at the man.

“And whose fault is that?”

“Oh my god, it’s been almost 20 years, I already apologized!”

“Apologised for what?” Spencer finally managed to butt in, watching your sibling bickering as if it were a tennis match.

“This little rodent,” your brother said, scruffing up your hair as he spoke, “broke my wrist when she was 8 and I was 10.”

“It was self-defense! You were trying to use your karate moves on me and I panicked!”

“And now, you’re a hot-shot FBI Agent and you get to break bad guys wrists all the time.” He finished for you and you laughed, suddenly glad to be back around family.

“So, Spencer, you’re an FBI Agent, too? I thought my mom mentioned something about you being a Doctor earlier.”

“I am. A Doctor. And an FBI Agent, uh, they’re PhD’s not medical degrees, though. Three of them, Math, Chemistry and Engineering. I also have Bachelor's Degrees in Psychology, Philosophy, and Sociology.” He answered, and you looked up at him proudly, taking his hand as you noticed him growing slightly uncomfortable with the attention from your brother.

“Wow,” was all your brother said, until he finished the statement with “All those degrees and my sister was the best you could do, huh?” You punched him in the arm after that, and you felt Spencer physically relax a bit, twinning your fingers with his as you chastised your brother.

“Anyway, thanks for taking the time to come to our, hopefully, lovely wedding, the reception will be starting soon. The dining hall is just through there.” You hugged your brother again, and, with a breath of relief, led Spencer down the hall to the dining hall.

“That went well, I think?” you whispered to him, conspiratorially.

“Your family is nice,” he replied. “Does he always act like that, or is it the wedding spirit possessing him somehow?”

“If you’re referring to my brother, I think he’s probably partaken in a few flutes of champagne already this evening. But yes, he’s always like that. They all like to treat me like a baby when they see me.”

“I think it’s nice. They care about you a lot,” his words were warm, but his eyes were sad, and you remembered what you’d been told of Spencer’s own childhood and felt your heart ache for him. His mom loved him a lot, but Spencer had needed to grow up much too fast. You squeezed his hand, still clasped in yours and before you knew it you were pushing onto your tiptoes to press a kiss to his cheek.

“Thank you, Spencer. For being here,” you said as his now flushed face met yours. You didn’t let him respond though, simply pushing forward into the dining hall, ready to live in the fantasy of your own making for the evening.

–X–

“Spencer, you were amazing!” You giggled, walking down the hall to your room, stumbling slightly in your excitement and haste.

“Those magic tricks? The little babies couldn’t get enough of you,” you spun around, wrapping your arms around the man’s neck and pulling him in close to you, letting him hold you against the door to your room. He laughed a little at your antics as he pulled out the key card.

“Y/N, are you drunk?” he asked, one hand firmly planted on your waist to steady you now.

“No! I’m just happy. And if that happiness was caused by an array of cocktails forced into my hands by distant aunts and cousins who all wanted to know about my absolute catch of a boyfriend, then that is simply secondary to the feeling itself. And furthermore-” He pushed the door behind you in on itself, and your words were cut off by your legs giving out beneath you.

You were so sure you were about to take a tumble to the floor that you shut your eyes tight and braced for an impact that didn’t come. Opening them again slowly, you saw Spencer closer than before, his face mere inches from your own as he held you in an improvised dip, having caught you just before you’d hit the ground.

“Sorry. I… Shit, maybe I am drunk,” you breathed out, not letting your eyes drift from his own, knowing that if you ever considered a glance down at his lips at that moment, you wouldn’t be able to stop yourself from closing the measly distance separating you.

“You should use the bathroom first,” he told you, but without making any move of his own, stuck in that pose with you as if he was content to stay there for as long as he could hold you. “You should take your make-up off. We have a long day tomorrow, right?”

You were the first one to move, letting your feet find a more solid footing beneath you and twisting up from his grip. His hands didn’t leave your body as you became more upright though, still keeping you in that close embrace.

“Yeah, I should… I should go wash up.” You said, and he nodded, still looking at you with the same intensity as before.

“Spencer, that means you need to move,” you whispered quietly, and he jumped back as soon as the words were out of your mouth.

“Sorry. I’ll just… I’ll just be over there,” he held his hands up in surrender before moving further into the room, leaving you next to the bathroom.

Fifteen minutes later, you emerged from the bathroom and were ready to sleep once again. Thankfully, you of earlier that day had managed to store your pajamas in the bathroom ready for their use. Upon exiting the bathroom, you saw that Spencer was getting ready to sleep too, slacks and a shirt having been replaced by a pair of flannel pants and a very old and beaten-up CalTech sweater, looking perplexedly down at the bed.

“Spence, what’s wrong?”

“We didn’t speak any further about the sleeping arrangements…” he mumbled and you looked at the bed in front of you, still confused at his meaning. “Y/N, we have to share the bed.”

“Oh.” You knew you probably sounded dumb, but after the amount of alcohol thrust upon you that night, that was all you could muster at this point.

“I can sleep on the floor if that makes you feel more comfortable. It’s probably no worse than some of the motel beds we’ve stayed on before,” he offered, but you instantly shook your head.

“No, I dragged you out here, I’m not making you sleep on the floor as well,” you sighed and made your way to the side of the bed you’d slept on earlier, beginning to pull the covers down so you could get in.

“What are you doing?” Spencer asked, perplexed by your somehow contrasting words and actions.

“I’m getting ready for bed. It’s late.” You replied, not looking up at him again, for fear that he’d spot the blush on your face. “You should too,” you continued, patting the other side of the bed, gesturing for him to get in, too.

“Oh.” It was his turn to stand there shell-shocked in the moment, and you almost let out a giggle but held back thinking that would be too much for him to take in at that moment.

“Come on, Spence, I’m tired, I’m sure you’re tired. We’re just sharing a bed, it’s not like you have to marry me after this.” You climbed fully into the bed, making sure that your nightgown covered you decently before pulling the covers up around you. Spencer mumbled something that you didn’t catch, but he acquiesced and climbed in after you. You turned your head over on the pillow to face him, turning onto your side as you watched him turn his head to you as well.

“What?” he smiled, noticing your stare.

“Nothing. Good night, Spence,” you smiled, finally letting your eyes drop closed.

“Good night, Y/N.” He whispered, and the sound of his voice carried you off to sleep.

–X–

You weren’t sure if it was the light streaming in through the window or the rise and fall of a chest that wasn’t your own was the first thing to wake you in the morning, but nonetheless, you woke from the comfortable warmth of sleep and found yourself wrapped around your fake boyfriend.

To be fair to yourself, he was also wrapped around you. Your head had gravitated from your pillow to his chest, his left arm wrapped up and around your back. Your leg had also risen in the night, pulled up over his waist, held in place by his other arm, which was, almost embarrassingly, cradling your ass, pulling you in closer to his core. Unsure about how to go about disentangling yourself, you resigned yourself to just waking the man up.

“Spencer… Spencer,” you whispered, letting the hand that had fallen onto his chest tap him slightly. He stirred a little and then cracked an eye open, looking confused with the situation.

“Y/N, is it time for the wedding?” He asked through half-lidded eyes, evidently wanting nothing more than to fall back into whatever dreams he was having. You shifted uncomfortably in his arms then, suddenly growing stiff in the position you’d probably held for hours, and found your nightgown had risen dangerously high on your body, his hand on your near bare ass.

“No, no, it’s just…” You rolled your hips against his in discomfort, and the movement had his eyes breaking open as he finally took in your positions.

“Shit, I’m….Sorry, I don’t know what happened, I must’ve grabbed you when we were sleeping,” he said, reluctantly slipping his hands away from your body, trailing his hand around your leg, and letting it fall onto his stomach. The movement sent a shiver up your spine, as you finally had enough room to lift your torso up, not quite ready to relinquish the proximity of your entire body yet.

“It’s okay, I think it was probably me who started it in the first place. Those pillows weren’t that comfortable…” you tried to explain, the hand on his chest rubbing slow circles into his skin before you could realize what you were doing.

He pushed himself up into a sitting position then as well, clumsily. With your legs still wrapped around his waist, you had no choice but to move with him, suddenly finding yourself straddling him, the bedsheets suddenly pressed away from your body. If he looked down, he’d see a lot more than you planned for him to see, your panties on clear display as your nightgown twisted itself up into the sheets.

“Shit sorry,” he moaned out again, as you steadied yourself with hands on his shoulders.

“No, it’s okay, I didn’t move quick enough.” You quickly pulled your dress down again, and extracted yourself from the bed, lifting your leg up and off of him and finally pushing off the bed, leaving him sat there.

His hands fell into his lap and you started gathering things around the room, readying yourself for the busy day ahead.

“I have to be in the bridal suite at 11, so we have about… two hours to kill before then. Do you want to grab a shower first, or should I?”

“You first,” he mumbled quickly, before clearing his throat and trying again. “You should go first. You probably have more to do today, right?” You nodded at his words and made your way to the bathroom again. Out of the corner of your eye though, as you let the door close behind you, you watched his hands come up to cradle his flushed face, as he let his head fall back again into the pillow.

–X–

The morning was so busy after that, you barely had any chance to talk to Spencer again. You spent the early afternoon in the bridal suite with the wedding party, welcoming your new sister to the family, then made your way to the aisle space set up outside, checking up on last-minute details and helping to flower girls into position. You weren’t walking down the aisle yourself, but you could see that the extra help was letting the very stressed-out Maid of Honour get some well-needed respite. And more importantly, it stopped your wandering thoughts from letting you fantasize about Spencer.

You’d woken up in bed next to people before, of course, but it had never felt so comfortable. In fact, other people you’d slept with said you were pretty distant in your sleep, choosing to move as far away from physical touch as you could get, but you knew with no doubt that you had been the one to move in first, to touch him first. That he’d pulled you even closer had your heart singing, and you wanted to be wrapped up in him all over again, suddenly desperate to seek him out. So you distracted yourself, not wanting to make any mistakes you would regret when you were no longer wrapped up in your own fantasy.

So you kept your distance as the ceremony started. Then the wedding march was playing, and you were holding back tears as his hand slipped into yours, your head falling onto his shoulder as you watched your brother marry the love of his life.

You kept your distance as you reached the reception hall, watching all the old ladies on both sides fawn over him, asking him questions, and watching from his side as he blushed at the attention. You swept the hair out of his eyes as the couple was announced, and you took your seat for the wedding meal and the speeches, his hand falling to your back to guide you to your chair, pulling it out for you like a true gentleman.

You kept your distance as your new sister tossed the bouquet, and despite your low effort and the ravenous looks of the bridesmaids, it fell neatly into your hands as if it belonged there. You ran excitedly over to him to show him and he lifted you into a hug, caught up in your own excitement.

You kept your distance until you realized you’d not kept your distance at all, physically unable to keep yourself away from the man who had somehow stolen your heart in the middle of the night.

“I know that look,” your brother said, somehow sneaking up on you later into the night as you watched Spencer perform even more of his magic tricks for the smaller guests.

“What look?” you asked, not for one second letting your eyes drift from Spencer.

“You’re in love with him,” he said, taking a swig of the drink in his hand.

“He’s my boyfriend,” you said reflexively, turning to the drinks table behind you and picking up one for yourself.

“No, he isn’t. Or at least he wasn’t before this weekend,” your brother said, as your eyes finally snapped up to him.

“Oh, don’t act all surprised, Miss FBI Profiler. You may be good, but I’ll always be your older brother, and contrary to popular opinion, I do in fact pay attention to things.” You sighed and leaned back against the table.

“How’d you figure it out?”

“You were picking your nails the entire way through the reception dinner when the aunties were asking you about your relationship. You did that when we were younger too, when you tried lying to Mom and Dad about how I broke my wrist. Doesn’t take two PhD’s to figure that out.”

“Three.”

“Three what?”

“Three PhDs. He has three of them.” You sighed dreamily and ran a stressed hand through your head.

“He’s just my coworker. I didn’t want to disappoint Mom by coming alone after telling her all those stories, but now…” You tried to explain yourself but words were escaping you in that moment.

“You should tell him, trust me. He definitely feels the same.”

“How are you so confident about that? How did you manage to end up with all of the confidence between the two of us, when I can barely work up the courage to tell my own mother I’m still single?”

“Y/N, look at me. You got the brains, I had to have something. And no man flies to the opposite side of the country on a few day's notice for a girl who is just a friend, okay? That’s more logic than confidence, and that’s supposed to be your strong suit.”

You considered his words for a second, turning back to look at Spencer. Evidently, he’d finished his magic show and was beginning to say goodbye to the children, but he felt your eyes on him somehow and met your gaze. He brought his hand up into a shy wave before a little girl grabbed his attention again, and he looked at her seriously, nodding along to each word she was saying.

“Fuck, what do I do, I’m not good with… any of this.” You turned back to your brother, but he’d left you there, stranded in your own thoughts as you let yourself hope, let your brain dream that one day this would be your wedding and the man by your side would be Spencer Reid.

“Ladies and gentlemen, the bride and groom request the presence of all the couples on the dancefloor for this next song.” You saw your brother again, next to his wife, whispering his explanations in his ear as she turned to look at you and winked as well. God, they were going to be a force to be reckoned with together now, you thought, as people started pushing past you to make their way to the dancefloor.

You recognized the song of course, and it was almost so on the nose you almost rolled your eyes. More Than Words by Extreme. Perfect.

“Y/N, may I have this dance?” He had somehow snuck up on you from behind as you watched your brother, and held his hand out to you. You put your drink down and took it, letting him lead you to the dance floor.

“I didn’t think you danced, Dr. Reid,” you teased him as he pulled you in, letting his hands rest on your waist, as yours came up around his neck, gently letting him sway you side to side in time with the music.

“I don’t really, but it seemed wrong not to,” he smiled. “I’m at a wedding, with the most beautiful girl on my arm, and the couple made it very clear that we should be dancing, so here I am.” You blushed at his words as he spoke. He removed his hands from your waist, instead grasping one of yours in his own as he pulled you closer.

You stared up at him with a soft smile for a few more seconds before letting your head fall back to his chest.

“I know I’ve said it a lot this weekend, but thank you, Spencer.” You said into his shirt, letting him hold you close as the song went on.

“You don’t have to thank me, Y/N.” He insisted, and you looked up at him again. “Actually… I didn’t exactly agree to this with the best of intentions.”

Your heart lept to your throat as you stared up at him, hoping that he would take your silence as a means to continue.

“I’ve been… I thought that maybe…” he struggled to get the words out, his face aflame with the effort.

“You promised me those coffees right?” He finally stuttered out, and you were left confused and a little disappointed.

“Yeah, Spence, it’s okay, I’ll get you those coffees for the month, just like we promised.” You couldn’t help the sad smile that played on your lips as you answered him, so sure that he was about to say something else.

“No, I mean… Y/N I don’t want the coffee. I want this. I want us to go home, and make everything that you made up come true. I want to take you on a date to that coffee shop. I want to be a boyfriend you can call and tell your mom about because it’s serious and it’s going to work out between us. I even… God, I even spent the morning looking up book fairs in New York City so I could make that come true as well,” he rambled the words out and you could feel the tears forming in your eyes.

“Spencer,” you said softly, trying to get him to focus on you, but he’d started speaking and he wasn’t going to be stopped so easily.

“And if any of that creeps you out, just say the word and I’ll never mention it again. Because I know I’m not good with this, and when I feel something, I tend to feel it overwhelmingly, and Derek tells me I can be really oblivious sometimes, which I don’t really get, but-”

“Spencer,” you put a bit more force into your words this time, punctuating them with a hand on his face.

“Spencer, kiss me.” And he does. He takes your head in both of his hands, and he draws you up to him perfectly, letting your hands fall to the lapels of his suit jacket as he steals your breath away one more time. The kiss is lingering, but short, and he hesitantly backs away, looking around to spot witnesses. But you don’t care and you pull him back down for another, and another, until you’re just two lovers on the dance floor that cannot get enough of each other, gasping for breath between chaste kisses as you let him hold you there, gently swaying.

“Spencer,” you whisper finally, forehead resting on his, as the song finally draws to a close.

“Yes?”

“Spencer, take me to bed.” You tell him, and he nods. He leads you over to the bride and groom where you offer each of them a hug and a happy future before making your excuses and running away with Spencer back into the hotel like two love-drunk teenagers, a mess of giggles and stolen kisses as you stumble up to your room for the second time that weekend.

But this time, you don’t hesitate, don’t pull away. He backs you into the door and you let him hold you there, his mouth on yours, your tongues entwined as he fumbles for his key card. You fall together into the room, laughing and smiling the entire way, not letting him escape your touch.

“May I?” He asks, playing with the zipper of your dress as you kiss his cheek, his jaw, his neck, anywhere you can reach, nodding and moaning your consent. The moment the zip is pulled down, he lets you go for a second, and the dress falls straight to the floor. You're practically bare in front of him, chest exposed, neck littered with the beginning of love bites that he’s about to absolutely build upon.

“You’re beautiful.” He says, softly, wrapping his arms around you again, lifting you up so your legs can wrap around him as he delivers one more soul-crushing kiss to your lips. Your brain is a mess of emotions, your only solid thought is that you will never let him go again. You both eagerly worked on unbuttoning his shirt together, a desperate mess of breaths as he finally laid you on the bed. His hand fell to your core, tracing a finger over your sensitive nub as you begged him for more, needing to feel all of him, to devour his very existence.

He pulled himself out of his remaining clothes, lips still attached to yours, climbing over you and holding you tenderly, his arms wrapping around your body as his legs came to settle between your own. Dropping his forehead to yours, he finally spoke again, his hand dropping between the two of you to line himself up.

“Is this… are you sure?” You heard the restraint in his voice, the desperation, the love, the overwhelming lust as he held himself back, needing to hear your consent.

“Spencer, I love you,” you whispered, and he finally pushed himself into you, joining the two of you together in a moment of bliss. You shared another sweet kiss, letting him swallow each and every one of your moans as he began thrusting into you, your hips rising to meet him in your delirious pleasure.

He whispered sweet nothings in your ears, brushing the hair off your face every now and again to tell you how beautiful you looked, and how well you were doing.

“You’re so perfect, Y/N, you’re doing so good for me,” he pressed kisses against your neck with each word, keeping his pace steady as you chased your inevitable high, already clenching around his thick cock.

“Spencer, I love you,” you let the words drop from your tongue like a prayer, repeating them over and over with each thrust as small tears welled up out of your eyes. He kissed them away from your cheeks, listening to each confession as your stomach tightened and your climax spilled over you. He grabbed your waist then, leaving one hand cupping and stroking your cheek as his own thrusts grew sloppy, finally spending himself fully inside you.

“I love you, too,” he whispered into you then, unwilling to let you go for even one second. You spent the rest of the night whispering the words back and forth to one another, waiting with bated breath for the fantasy to break, for the magic of the wedding to wear off.

It never did.

#spencer reid #criminal minds #spencer reid x reader #spencer reid fanfic #spencer reid smut #mgg #criminal minds fanfiction #criminal minds fandom #spencer reid x self insert #spencer reid x y/n #spencer reid x reader smut #spencer reid x you #spencer reid fluff #criminal minds fluff #spencer reid fanfiction #spencer reid x oc #criminal minds smut #So much plot #maturereiding

3K notes · View notes

hotvintagepoll · 2 months

Text

hotvintagepoll Hot Men Tournament rundown thoughts

I promised a final recap post and here it is! I'll try to cover the questions I saw the most as we closed out the bracket, reveal my ✨secret faves✨, and talk about the biggest surprises and turnarounds I saw in the brackets.

Yes, this will get silly.

ROUND 1

As I've mentioned before, I worked off submissions for who to include in the bracket, so if your fave was missing—that's why. I used submitted pics when I could, but many submissions didn't have one, so I tried to find decent ones in the couple of days I had to prep the first round (I didn't always succeed). By decent, I mean pics where 1) I could see the hot man's face, so not too much moody lighting, and 2) hopefully conveyed something about his vibe, even if it was a funny thing (yes, I showed Howard Keel in full Shakespeare get-up—I'm not beyond putting up a pic because I think it's funny). I didn't know all of these hotties going in, so some I had to guess with, but when I could I tried to pick shots that had a touch of the humor, class, or genre of the hot man.

For Round 1 and Round 2, I grouped the hotties by each decade, so only '60s actors ran against '60s actors, '50s against '50s, etc. Male beauty standards shifted pretty dramatically over the sixty years this tournament covers, and I didn't think it was fair to pit dramatically different styles of beauty against each other immediately.

I pitted hot men against each other based on opposing energies—hot vs cold, elegant vs rough, comedy vs drama, etc.. I wanted the polls to be interesting and I've never liked brackets where everyone is clearly in different "lanes" until the finals! I also wanted to make polls where I couldn't tell which way they would swing, so by setting matchups that felt opposite but equal, I got to be surprised by the bracket results too.

The only reason we had any three-way matchups is because the amount of men submitted didn't round to a nice bracket number. I don't like them generally and find them really hard to balance.

Secret faves from Round 1—I am a James Coburn girlie and knew he would die immediately, so that was not a shock but a bummer. I similarly knew Robert Preston is only magical to people who have seen him do His Little Dance Routines in That One Iowa Musical, but it would have been nice for him to last longer.

Surprises—Jeremy Brett was a last-minute add and I didn't think he really had a shot, so I put him in as a third wheel on the Sean Connery/Dean Martin matchup. Little did I count on the Granada girlies. (Always count on the Granada girlies.) The Elvis/Peter Falk poll was the first one to gain any momentum—Elvis was winning for the first 24 hours but then, my god, did Peter fight back. I didn't expect the Tab/Toshiro poll to make that bad a mincemeat out of Tab—people have different tastes, and I thought the people who like blonde sunny All American white boys might turn out for The Blonde Sunny All American White Boy. Sorry, Tab. I hope you've peeled yourself off the sidewalk by now. And, of course, I was SHOCKED and APPALLED that James Cagney would be obliterated by, of all people, Mr. Bing Crosby.

SHADOW BRACKET

The fervor of the Harold Lloyd and Fredric March people inspired the shadow bracket, and I couldn't be happier at the way it's gone. You were right, the original photos I had for them did suck. Cunty Harold Lloyd in his little life guard uniform was a revelation.

ROUND 2

For Round 2 I'd gotten a better sense of who was doing well and who was not, so a little of that came into play, but I mostly paired on vibes again. (I genuinely think this is a good way to make a fun, challenging bracket.)

Secret faves—Noooo not hot dilf Dick Van Dyke don't take my hot inventor dilf away uwu!!! (He was up against Marlon Brando. I would have been shocked if he'd won but for a minute there, a glorious second, it was possible.) I am also a big old softie for David Niven's particular brand of repression to the point of volcanic rupture, but he is one of many hotties who does not look good without moving and speaking so I figured he would be going.

So much beef—hey! hey you. I ran a poll asking if we are horny for dancers. Yes, was the resounding poll response. Where, then, did all the fucking dancers go? This round we lost Donald O'Connor, Fred Astaire, Harold Nicholas; Sammy Davis Jr., Danny Kaye, Frank Sinatra, and Bing Crosby all sneak into this category as well, by token of having been in the kind of big MGM bang-a-pan-and-put-on-a-show beloved bedlams we all watch at Christmastime. Round 2 voters HATED musical matchups. Except for one.

The one—SOUND OF MUSIC, the voters said, WE LOVE SOUND OF MUSIC. we will KILL the man responsible for salad dressing because of the SOUND OF MUSIC. every other dance man can die but THIS man dances a FOLK DANCE with JULIE ANDREWS in a GARDEN. I did not go into this poll with strong opinions about Christopher Plummer or Paul Newman but my god did I leave having heard all of them.

Surprises—James Edwards/Anthony Perkins matchup was a nail biter! Conrad vs Oscar kept me up at nights. Surprised to see Basil Rathbone survive against Sabu Dastagir—both very fetching, but Sabu had some top-tier propaganda. Cesar Romero put up a surprisingly stiff fight against Cary Grant (an omen for things to come).

Oh horrors—horror heroes surprisingly fell all over the place. I was sure either Bela Lugosi or Turhan Bey would sweep their three-way matchup, but Michael Redgrave of all people carried through; Boris Karloff went down against Johnny Weismuller (while holding hands with fellow fallen hottie Fred Astaire), but at least we got his guacamole recipe before he went. Delighted to see that the Venn diagram of the coalitions who support horror hero Vincent Price and funny lil guy Donald O'Connor is a circle.

Secret faves pt 2—oh yeah, I fucking love Danny Kaye and Donald O'Connor. RIP funny lil kings.

ROUND 3

For some reason this was the hardest one to make matchups for. Oh no, all the men are hot.

Secret faves—Michael Redgrave i love you SO much you're SUCH an idiot, how did you make it as far as round 3. I want you to sweep the whole thing but you should NOT be surviving this. I love you, here's a kiss, go home.

Surprises—Marlon Brando is gone! Errol Flynn is gone! Christopher Plummer exhausted himself beating the organic oreos man to death and goes out with a whimper. Beginning to actually see the roots of #mifunesweep as Tyrone Power, a hot man very different from Burt Lancaster, who was in turn very different from Tab Hunter, also gets swept under the wheels of the unbeatable toshirobus. Conrad Veidt finds that no amount of purring svelte eccentricity compares to the people who will fuck a young Lt. Columbo.

SHADOW BRACKET 2

Cannot believe it but Veidt loses this one too. Perkins sweeps and becomes Prince of the Shadow Realm!

ROUND 4

At this point I've set a formal bracket that I'm following.

Secret faves—this isn't secret anymore, but losing Jimmy Stewart hurt.

Surprises—The Gene Kelly/Jeremy Brett matchup was the diciest one all round, moving back and forth between the two by sometimes .01%. Far more surprising, however, was Cary Grant getting eliminated before the quarterfinals. Grant has never been my type, but he is famous for being THE type, so while the writing had been on the wall the whole tournament—how on earth did Michael Redgrave even get 36% in his matchup?!—seeing Grant go down was a SHOCKER. Other fallen hotties included Gregory Peck, James Dean, Harry Belafonte, and Sessue Hayakawa. Peter Falk finally met his match in Omar Sharif.

QUARTERFINALS

Secret faves—I don't know if it counts as a secret fave, tbh, as my horses in the race really went out with Stewart, but I do have a soft spot here worth mentioning. Here's my childhood dog, Keaton.

The resemblance is truly striking, and yes, he was short, fast, and not prone to smiling.

Surprises—I couldn't predict how any of these matchups would go down, but I was most interested in Keaton vs Sharif, as they are both SO hot in SUCH different ways.

SEMIFINALS:

This was such a good batch of semifinalist contestants. By this point I think we could all tell Mifune was unstoppable (though I thought Sharif might give him a run for his money), but I really didn't know which way Robeson vs Poitier would flip.

FINALS:

I wanted Sidney Poitier to pull a last-minute sweep out of nowhere, but alas, Toshiro is just THAT GOOD (maybe. I will admit that I find Toshiro's domination a little hard to believe, given the variety and hotness of all his competitors; the man is hot but all these men are hot). I'm still happy with how the tournament went.

FINAL MEDITATIONS:

Biggest shock of a dropout: the loss of Paul Newman

Biggest "you people have no taste": the loss of James Cagney

Biggest victory: Paul Robeson making it to the semifinals over often-assumed champion Gregory Peck

Biggest coalition who deserve justice: dancing men

Biggest ask character: vents anon (currently eating Laurence Olivier)

Biggest, uhh, anything: how many of you are here! I genuinely thought it would be me and 10 other people voting for the whole tournament. I'm thrilled it took off like this!

I think that's everything, but I'm happy to answer addl asks. And THANK YOU to everyone for your tags, rants, impassioned propaganda, beautiful pics, and love for the hot men! See you for the ladies!

#hotvintagethoughts

433 notes · View notes

solar-wing · 2 months

Text

⚣ It's Not A Competition 🥇

⚣👊🏻 A/N → SURPRISE! double post today! I've been wanting to do a Clark Kent post forever but never had any good ideas. Then, this popped into my mind. Also, I'm really trying to clear out my drafts and any old requests. WARNINGS: Canon-Typical Violence | Jealousy | Established Relationship

⚣👊🏻 Summary → Dark Knight this and Dark Knight that. What about Superman?! He's also a great hero! Better than Batman, at least. The guy doesn't even have powers. But that's what makes him more interesting and cool, according to Y/N. And frankly, Clark has had quite enough and intends to show him why Superman is way better than Batman.

⚣👊🏻 Words → 4.7K

REBLOGS & replies are greatly appreciated, please! 💛

⚣ ENJOY 👊🏻

Clark just didn’t get it.

Why was it that Y/N was so obsessed with Batman and not Superman? All the young reporter ever talked about was the Dark Knight and how he was so cool and mysterious. Going on and on about his awesome gadgets and the fact that he had no powers, which made him so interesting.

Clark very much would beg to differ.

“You know, Superman can shoot lasers out of his eyes, and I heard he can move faster than the speed of sound,” Clark pointed out while walking with Y/N down the sidewalk. They decided to go out for lunch and since the Daily Planet was so close to one of Y/N's favorite restaurants downtown, he figured, why not just walk together?

“Clark, not this again,” Y/N chuckled while sipping his drink.

“I’m sorry, you just always talk about how great Batman is, and I’m not saying he’s bad, but I don’t get how he’s better than Superman?”

“You know, you’re starting to sound like Lois with all your Superman praise and comparison.”

“Well, she’s not wrong. I mean, come on. What can Batman do that Superman can’t?” Clark asked, looking down at his boyfriend while waiting for an answer.

“Batman’s quicker on his feet. He thinks of solutions faster and more creatively than what I’ve seen from Superman. Plus, he’s resourceful. The guy’s got a freaking jet. The only people I could think of that own jets and planes and all the crazy gadgets he has would probably be Lex Luthor or Bruce Wayne.”

Clark tried not to react to the irony of that statement, rather focusing on how he could combat that logic even though it was true. He had to admit that his comrade, whether in the field or in practice, was very good at analyzing a situation and using whatever he had around him to his advantage.

Still, it didn’t mean he was better than him.

“Well, Superman can also fly, and as many have witnessed, is crazy strong.”

“Yes, he is. But if Batman can afford a jet, I’m pretty sure he can afford a jetpack, too. Plus, we all know how strong Superman is, some more than others. Their insurance claims can definitely speak to how strong he is.”

That last line Y/N said was more so to himself than as a statement to Clark. However, it didn’t take away the slight sting from his words, considering how true they were.

“So you’re saying Superman is reckless and bad at his job or something?” Clark accused.

“What? No, I’m not saying that at all. Why are you getting so defensive about this? You’re acting as if you know the guy. Wait, do you know him?” Y/N asked, now looking up at his giant of a boyfriend.

Sometimes, he wondered what kind of genes ran in Clark’s family. It was a bit of a puzzle to Y/N why the six-foot-something man was in journalism rather than something that seemed more his speed, like fitness or athletics.

“No, of course not. I just don’t think it’s fair or even logical to compare Superman to someone like Batman, considering what each of them has respectfully achieved, not to mention the state of their cities and everything. I mean, have you ever been to Gotham before?” Clark asked, doing his best to not draw any more curiosity or suspicion out of the younger male.

Not that he was doing a good job of that in the first place.

Clark just wished he could’ve shown Y/N why Superman was better than Batman. They’d only been dating for a few months so it wasn’t reasonable or even smart for the Kryptonian to consider revealing his identity to him, no matter how much he wanted to.

“Clark, it’s not a competition. You know that, right?” Y/N said, placing his hand on Clark’s arm.

They paused in their steps, Clark looking down at the gentle hand lying across his forearm before looking up into the eyes that always put him under a spell. He smiled to himself, thinking of the fact that even if Y/N favored Batman over Superman, Clark was still the real winner, because he had him.

He took his hand in his own, doing his best to contain his excitement pulse at the feeling of his larger hand surrounding the smaller one in his grip. Y/N was still a male, so his hand wasn’t dainty or small by any means, but compared to Clark’s, it might as well have been.

“Yeah, I know. Sorry, I got a little bit crazy.” Clark apologized with a small kiss on the shorter man’s hand causing a slight blush to appear on the smaller male’s cheeks.

“It’s ok. Besides, I like a little bit of crazy. Keeps things interesting.” Y/N said before continuing their walk towards Clark’s place of work.

‘You have no idea,’ Clark thought to himself as he followed behind, letting himself be tugged along.

They returned to the Daily Planet to find everywhere in a buzz, chattering excitedly with each other as various individuals were either running to the bathroom with pouches of makeup and skincare and others at their desks touching up their hair and clothes.

“What’s going on?” Clark asked aloud as he strode into the office while still holding Y/N’s hand.

“Was it like this when we left?” His boyfriend asked, chuckling at the comical movements and gestures of the rushing to get re-ready for whatever was happening.

“No, it was actually the opposite,” The reporter stated before eventually spotting Lois at her desk, who was also touching up her makeup and hair. He made his way over to the desk area, narrowly avoiding multiple people rushing while pulling Y/N closer to him to keep him from getting bumped into.

“Lois, what’s going on?”

“Oh, hey, Smallville. Hello, Y/N. Didn’t you both get the emergency email Perry sent to everyone earlier?” She said in her usual fast-paced, business tone while curling her eyelashes.

“No, We were at lunch. What was the email about?”

“Oh, Clark. Must I always have to save your butt?” Lois said before handing her phone over to the man, Y/N chuckling behind him at the comment.

Clark threw him a look while Y/N did his best to keep a neutral face before reading over the email.

“Bruce Wayne is coming to the Daily Planet?”

Y/N's eyes went comically large at the mention, immediately jumping to read the email for himself, “No way!”

Lois smirked to herself before grabbing her phone back from the man, while Clark just stared at his boyfriend in jealous shock from his excited outburst. “Yep. Wayne Enterprises has announced its support of various major liberal movements and is donating large proceeds to different organizations calling for massive change in the nation. And with this being an election year, many political figures and business entities are feeling a little uneasy at this sudden new support from the tech giant. And yours truly, landed the exclusive interview with him to get all the nitty and gritty details .”

Y/N’s eyes were almost bugging out of his head, before he ran to the bathroom himself, snatching his hand from Clark’s who looked desperately after him.

“Dammit, Bruce.” The reporter growled under his breath.

“You say something?” Lois asked while powdering her nose.

“No,” Clark responded gruffly, an irritated glint in his eye before walking to his own desk.

After everyone has ridiculously made themselves extra presentable, including Y/N much to Clark’s annoyance, the pair stand outside the room with a few others, watching through the glass pane walls as the interview is broadcast live to the entire nation. Lois asked Mr. Wayne various questions, ranging from his real intentions behind his charitable donations to whether he was looking to begin any political endeavors and win the favor of the public.

Bruce answers every question with confidence and suaveness, leaving no room for questions about his actions, and denies any political motivations. Y/N watched impressed from the other end while Clark just looked around with a grim and irritated look, his arms crossed as he listened to the interview and watched his boyfriend fanboy over his secret comrade.

“Well, you certainly seem like the charming and noble benefactor, Mr. Wayne. I can see why you're known as ‘Gotham’s Favorite Son.’ I have to ask though, even if you truly have no political ambitions, aren’t you worried that these donations and announcements along with the unwavering stance you’ve taken on these political topics will inevitably place a target on you?” Lois asked, notepad and pen sitting with poise and precision, ready to take down every little thing the billionaire said.

“Wow, I can see why she’s so respected. She’s nailing this interview.” Y/N commented.

Clark nodded to that. Even if he wasn’t feeling the most agreeable at the moment, he’d always give hats off to Lois’ skills. The woman was a powerhouse when it came to this stuff.

“Well, first off, thank you for your earlier comment. I don’t think of myself as anyone’s favorite, but even I can’t control what the public says or does,” Bruce responded with his ever-so-billion-dollar smile, earning a laugh from Lois and probably every other American tuning into this broadcast, including Y/N.

Clark, however, wasn’t impressed. He’d heard funnier.

“But, to answer your question,” Bruce continued, “...any move in the business or even the political world I imagine can be considered a risky one. I’m not going to pretend that my decisions have made some very happy, and others very unhappy. That’s life. You can’t please everyone. But, to sit and accept things as the way they are for fear of retaliation or backlash is misery in itself. I believe anyone who doesn’t speak up for what they truly believe or want for fear of ‘rocking the boat’ is just content with living in their own misery. And, let me be clear before I’m canceled—I know the meaning behind that now thanks to my kids, particularly my two youngest sons—I’m not saying someone who’s genuinely content and happy with where they are is included in this. I’m specifically talking to those who want change, and want to create a better world, but are waiting for others to do it for them.”

Despite its clichéness, many in the hall gave a small clap to the CEO’s words, Y/N looking thoroughly impressed himself.

“Wow, he really is an inspiring man,” Y/N commented.

“He’s alright,” Clark said in response.

Y/N gave the taller man a suspicious side look, “Alright, what’s going on with you? You’ve been standing there pouting

since this interview started. What, do you not like Bruce Wayne or something?"

Clark sighed before looking down at his boyfriend. It was true, he wasn't really liking the guy at the moment. But, it was just because he was so jealous. He didn’t like how Y/N was looking at him, or how he was talking about him.

It wasn't fair.

The reporter wanted Y/N to be looking at him and only him like that, and he wanted his attention and affection, and he wanted him to only talk about him like that. It was petty, and it was selfish, but Clark didn’t care.

He just wanted Y/N to only admire Clark Kent. not Bruce Wayne.

Only Superman, not Batman.

Despite Y/N's earlier words about it not being a competition, Clark knew the truth. It was a competition, one he was not planning on losing.

"No, I don't not like him. I'm just not that impressed, is all. He's not a superhero." Clark said.

"Neither is Lex Luthor. But, that doesn't stop the public from making him the villain in his story. I'm sure there's a lot more to Bruce Wayne than the media is letting on."

"Oh, trust me. There's more to him than what meets the eye," Clark mumbled to himself as the interview was getting ready to wrap up.

"Well, on behalf of the Daily Planet, I'd like to thank you for joining us today. Your words are certainly ones that will not go unheard by many. I look forward to—"

Before Lois could finish speaking, the lights in the building suddenly went out, leaving the office pitch black. A few people in the hall gasp, Y/N instinctively grabbing Clark's arm, who in turn places his hand over the smaller man's own.

"What's going on?" Someone asks.

"I don't know. It's almost like a blackout, but it can't be because we have backup generators. They should've turned it on by now." Another responded.

"Clark, what's going on?" Y/N asked toward his boyfriend, who was holding the smaller male closer to him out of instinct.

"I'm not exactly sure..."

Just as he said that, the lights came back on, and everyone was looking around confused as to what the source of the blackout was.

"Oh my god!" One of the people in the hall screamed suddenly as everyone turned back towards the interview room. Inside the room, some members of the crew suddenly had masks with insignias covering their faces on them. One of them was behind Lois holding a dagger to her neck while another stood to the side, pointing a gun directly at Bruce's head.

"I'm so sorry to interrupt, Ms. Lane," The individual in the middle of the room said, "But, this interview isn't over just yet."

"Who the hell are you people?!" Lois asked, fear and anger in her eyes as the blade was held to her neck.

"Wouldn't you like to know? As for Mr. Wayne, we're going to have a little chat. I suggest you and your friends don't follow or intervene. Otherwise, this broadcast won't be the only thing getting cut" The masked individual threatened, nodding to Lois.

"Don't you dare touch her," Bruce warned, his expression serious, as he got ready to stand.

"I wouldn't do that if I were you, Mr. Wayne. We wouldn't want anything bad to happen, now would we? Especially with all of America watching right now."

Bruce sat back down, knowing that his opponent was right. He couldn't let them hurt Lois, and he certainly couldn't risk any lives in this room.

"Don't worry, Mr. Wayne. We'll make this quick," The leader said as one of the other masked goons went to lock the door that led inside the interview room.

"Clark, we have to do something," Y/N said, his heart racing a mile a minute.

"I know. Stay here. I'll be back." Clark said before running off, leaving the smaller male alone.

"What? Clark, wait! Where are you going?" Y/N called after him, but the taller man didn't hear him, already too far away.

'What the hell is he doing?' Y/N thought to himself before turning his attention back towards the situation in front of him.

As Clark rounded the corner and made his way down the hallway, he made sure no one was watching him before he ran as fast as he could into the supply closet. Once inside, he quickly changed into his suit before taking off through the backdoor.

"So, how does it feel knowing that you're on the side of the wrong? How does it feel knowing that no matter what you do, you'll never be able to fix the mess you made? All the lives lost because of you," The masked man asked Bruce, who was sitting calmly in his chair, his eyes not showing an ounce of fear.

"I don't know what you're talking about."

"Of course you don't. None of you wealthy elites do. You don't know the pain and suffering your companies and your products cause to others. You don't know the misery you cause. Well, allow us to show you." The man said before signaling his partners.

One of them immediately moved and grabbed a hold of the camera, pointing it directly at the masked man in the center.

"Hello, Metropolis. And hello, America. If you're watching this, that means you're just as much a part of this as we are. if you've been sitting here listening to the lies and promises of a better world by this man and his kind, you are as much a part of his schemes as he is. It is because of people like him that we have the world we live in. It's because of people like him that so many of us suffer. It's because of people like him that the world will only continue to rot and decay until there is nothing left but a pile of ashes. But, we will not be the ones who burn. We will not be the ones who lose. We will not be the ones who suffer, not anymore. Today, we fight back. Today, we will show the world that we will not be silenced, we will not be oppressed. We will not allow the likes of him and his kind to continue to control us anymore with false promises of a better tomorrow while lining their own pockets. Today, we say enough is enough. Today, we rise. Today, we will take back what is rightfully ours. Today, we take back our freedom and our lives from the rich and corrupt." The man spoke, his words filled with conviction and determination, but also hatred and poison as he stared deep into the camera.

"And if any of you try to stop us, then you will be considered just as guilty as the rest of them. We will not be silenced. We will not be ignored. And if you think that the likes of Batman and Superman will save you, I wouldn't be too sure of that..."

As soon as the leader was done with his speech, the sound of the glass shattering was heard as Superman broke through the windows, flying into the room before stopping directly in front of the man holding the camera.

"But, I am..." The Man of Steel said, shooting a laser beam at the dagger being held by the goon threatening Lois. He immediately dropped the blade as it became too hot, giving the Daily Planet reporter the opportunity she needed to escape his hold.

"Bastards," She cursed, turning around and delivering a kick to the masked man's groin.

He groaned out in pain, falling to the floor before Lois punched him in the face, knocking him out.

Superman turned his attention back toward the masked man standing in the center, "I believe it's time for you to take a hike."

"Not yet. We still have unfinished business," The man said before signaling his other henchman. The man immediately aimed his gun at the Kryptonian, firing shot after shot into him.

Superman stood his ground as the bullets hit him, before eventually, the gun ran out.

"You're right. This is definitely the end," Superman said as he flew toward the man, knocking him out before he could reload his gun.

As Superman finished off the last of the henchmen, the leader turned back towards the camera, "Sorry, Superman. But, the damage has already been done. I hope you enjoyed this little taste of what's to come."

Before the Kryptonian could stop him, the man took out a smoke bomb, throwing it onto the ground and covering the room in a cloud of smoke.

"Crap," Superman cursed, unable to see as the man escaped.

As the smoke began to clear, Bruce took out his phone, "Alfred, I need you to track this signal."

"Understood, sir. I've also informed the police and they're on their way," Alfred responded.

"Good," Bruce said before turning back towards the room.

The actual camera crew was not out in the hall, hugging their co-workers who were all relieved at their safety. The broadcast was cut from the air, but there was no doubt every TV station from here to San Francisco was talking about it. Y/N was standing nearby, his eyes filled with awe and admiration as he stared up at Superman.

There was something oddly familiar about him.

...

Nah.

"That was incredible, Mr. Wayne," Lois said.

"I could say the same thing about you. I'm glad you're ok."

Lois smiled at him, "You were worried about me?"

"Of course. Why wouldn't I?" Bruce asked, a small smile forming on his lips.

Lois blushed slightly before turning back to look at Superman, who was now standing right in front of the two.

"Thank you for the save, Superman," Lois said, extending her hand out to the Kryptonian.

"My pleasure," Superman said, shaking the woman's hand before his attention was drawn toward Bruce who just gave him an appreciative nod. Though the look in his eyes signaled they would definitely be communicating about things later.

As Bruce and Lois moved towards the hallway, Lois spotted Y/N who was standing close to the door peeking inside.

"Oh Y/N, there you are! Thank goodness, you're alright." Lois said, walking over to him and hugging him.

"Yeah, I'm ok. Are you?" He asked, looking up at the woman.

"I'm fine. I'm tougher than I look."

"That's good to hear. And, it's good to see you’re okay as well Mr. Wayne. That was scary." Y/N said, turning his attention to the billionaire.

"Yes, I'm glad I'm alright, too," Bruce said, his attention on Y/N.

"Oh, Bruce Wayne, this is Y/N L/N. He's one of our upcoming new reporters along with Clark Kent, who you've met before." Lois said, introducing the two.

"It's a pleasure to meet you, Mr. Wayne," Y/N said, extending his hand out.

Bruce took it, giving the younger man a firm handshake, "The pleasure is all mine."

As the two looked at each other, Clark was standing nearby, his gaze focused on the two, his fists clenched.

'I swear to Rao...' He thought to himself, jealousy coursing through his body as he watched the two interact.

"So, Mr. Wayne, what do you think that was all about?" Y/N asked.

Bruce turned to look at the woman, an amused eyebrow raised, "He must be getting trained by you," He said, sparking a laugh from Lois and another eye roll from the Kryptonian before flying off, "And please, call me Bruce. Mr. Wayne makes me feel old."

"Bruce, then. What do you think that was all about?" Y/N asked again.

"Well, I can't be certain, but based on their words and their actions, I'd say they were a group of anarchists."

"Anarchists?"

"Yes. They're not an uncommon group. Many people are growing tired of the way things are in this country. With the state of the economy and the government, it's only a matter of time before things begin to boil over."

"So, you think this is going to happen more often?"

"I'm not sure. But, I have a feeling we haven't seen the last of them."

Y/N nodded his thoughts on the events that had transpired earlier.

"Y/N!" Clark called, interrupting the conversation.

"Clark, there you are! You had me worried sick," The smaller male said while hugging his boyfriend, missing the sharp look the taller man was throwing at the billionaire.

"I just went to alert the building security and the police. Seems everything turned alright though since Superman showed up," Clark said, wrapping an arm around the younger man's waist while still giving a side eye to Bruce who was watching with amusement.

"Yes, thank goodness he did. I'm sure we all owe him a huge thanks for his services."

"Yes, indeed we do. But, unfortunately, I must be going now. It was a pleasure meeting you, Y/N." Bruce said, extending his hand once more to the younger man, who took it, shaking it gently.

"It was a pleasure meeting you, too."

Bruce smiled at him before turning back to Lois, "And it was a pleasure seeing you again, Lois."

"Likewise, Mr. Wayne."

Bruce smirked, "I do believe we're a bit past the formalities now, Lois. Please, call me Bruce."

"Of course. Bruce." The woman replied, her tone flirty and her expression coy.

Y/N noticed this and turned to look at Clark, whose expression was blank as he looked on.

"Will do, Lois. I look forward to our next meeting," Bruce said before stopping in front of Clark.

"Good seeing you as well Clark, as short-lived as it was," Bruce said, extending his hand out for a handshake.

Clark reluctantly took it, the handshake lasting longer than was necessary.

"Likewise," Clark replied.

Bruce nodded, his eyes giving the reporter a knowing look before he was escorted out by security.

Once the billionaire was out of sight, Clark and Y/N decided to leave as well, making their way towards the elevator.

"Well, that was a crazy day," Y/N said.

"Yeah, tell me about it."

"Do you think Bruce Wayne knows Batman?"

Clark stopped mid-step, a shocked expression on his face as he looked down at his boyfriend.

"Are you serious right now? You can't be serious?" The taller man said with an indignant expression.

"What?"

"You're still thinking of Batman after Superman just came and saved everyone?"

"Well, yeah. I mean, he's a hero too. They both are. Besides, Superman is always getting most of the credit, don't you think? It would make sense if they were working together. You know, the world's greatest detective and the world's greatest hero, solving crime and catching the bad guys. Wouldn't that be so cool?" Y/N asked, his eyes gleaming with excitement at the thought.

"No, not really. I don't see why that would be a good idea," Clark said, rolling his eyes.

Y/N sighed, "Clark, remember what we talked about earlier about it not being a competition?"

Clark looked down at the smaller man, his eyes filled with frustration, "Yeah, but it doesn't mean you have to obsess over Batman. Superman is just as obsessed-worthy!"

"Clark, seriously, what is up with you? It's not like I want to marry him or something."

"You're acting like you want to," Clark mumbled under his breath.

"What?"

"Nothing."

"Look, Clark. I'm not going to say I'm not a fan of Batman. I mean, I think he's cool. But, that doesn't mean that I'm not a fan of Superman either. I'm a fan of both of them. I think they're both great heroes, and I think they both do good work."

"But, you don't think that Batman is cooler, or that he's better than Superman?" Clark asked, his expression pleading.

"I mean, I guess. But, why does that matter? Why are you so hung up about this?"

"Because, I—" Clark started before stopping, knowing he was about to give away his identity.

"You what?"

"I just want you to think of me, is all," Clark said, looking down at the ground, feeling a bit embarrassed.

Y/N's heart softened at the confession, the older man looking like a little kid who just got his favorite toy taken away. He stepped forward, cupping the taller man's face in his hands, causing him to look up.

"Clark, I do think about you. I think about you all the time and I love how protective you are of me. Whether I like Batman or Superman more isn't going to change that" Y/N said, trying his best to ease his boyfriend's fears.

"Promise?" Clark asked.

Y/N chuckled, "I promise."

"Good," Clark smiled while leaning down to place a kiss against his boyfriend's lips, "You should still like Superman more."

Y/N rolled his eyes, "Sure thing, Clark. I'll work on that."

"Thank you."

"Whatever. Now come on, we now have a celebratory date to go on." Y/N said as he grabbed Clark's hand.

"What are we celebrating?" Clark asked with a laugh as he was pulled towards the elevator.

It was always adorable watching the smaller male pull Clark around like it was nothing.

"Surviving our first criminal encounter together," Y/N said while hitting the first-floor button.

"First?"

"Honey, we live in a city with sky-high insurance because a superhero lives here. You really think this will be the last?"

He definitely doesn't.

☀️ | Clark Kent/Superman | ☀️

☀️ | Masterlists | ☀️

349 notes · View notes

izukuisbaby · 1 year

Text

⊹˚.⋆ OUR FAVOURITE DILFS WITH A FAMOUS S/O - JUJUTSU KAISEN

℘. flora's notes : I've had this idea forever but I couldn't manage to write it UNTIL NOW. my idea was that reader is a model so it's kind of based on that, though you are free to be famous for whatever reason u want 💀

℘. send me a request ! : i would love to write this for other jjk characters (especially TOJI) but please give me ideas cuz i can't find anything :((

℘. gn, male, female reader 💓

m.list | comment and reblog if you enjoyed ! i am not posting at peek hours i would rly appreciate it if u could reblog w related tags 🥰

★ 𝐒𝐀𝐓𝐎𝐑𝐔 𝐆𝐎𝐉𝐎

℘. he 100% stalked you on your socials and knew everything about you

℘. it's also very likely that he slid into your DMs shamelessly

℘. something cringe like : " what a pretty human in a pretty restaurant, we should go there together sometime 😏"

℘. but we all know this mf, he didn't stop at ONE DM

℘. no, his name is elegantly followed by "9+ messages" all of them being cringe pick up lines to beg you to go on a date with him 😍

℘. and you eventually agreed but it was mostly for him to leave you in peace

℘. he was convinced you'd fall for his charms and unfortunately, he was right... can't blame you I would too

℘. and since your first kiss - which was an officialization of your relationship to him - he would not shut up about it

℘. everytime y'all are out in public he makes it clear he's your boyfriend for the paparazzis

℘. gojo loves attention... so he LOVES paparazzis

℘. he thinks y'all are the most goal couple to exist and brags about it

℘. "y/n, can you imagine what other people must think of us : "the strongest and the most famous (your job of choice), they were meant to be"

℘. you have 100% your own ship name and fanpages, you're labeled as the "hot couple" who is edited on tik tok 24/7

℘. I don't think I insisted enough on how he BOASTS about dating you to whoever shows a spark of interest in his life

℘. the poor nanami hears about it every second of the day and is FED UP with it, but his last straw was when gojo was talking about you to a curse they were suppose to eliminate...

℘. he has you and him on a fun fair date as a wallpaper and purposely leaves his phone on during meetings so everyone can see he's dating you... and also to get yet another occasion to brag

⊹

★ 𝐍𝐀𝐍𝐀𝐌𝐈 𝐊𝐄𝐍𝐓𝐎

℘. HE WOULD BE SO SUPPORTIVE

℘. he will attend all of your shows and interviews, always on the front row. sometimes walking for a show can be pretty stressful for you but seeing his angel face calms you down and gives you back your confidence in an instant <3

℘. ... he's very active on LinkedIn and he reposts your achievements/front pages with a professional yet sweet and admirative commentary

℘. he likes to go backstage before your shows so he can give you one last forehead kiss and compliment

℘. never hesitates to tell paparazzis to back off, he doesn't like his privacy invaded but he will gladly take pictures of you with a fan for them

℘. his favourite photo that he has everywhere is one a selfie you took before a show with a world renowned brand. you looked so stunning and confident, it never fails to make him smile when he looks at it

℘. i feel like he didn't really know you, just saw you from one or two front pages but it didn't click until you told him you were a (your job)

℘. i don't know why but i think you would have met on a dating app 😭 like nanami is tired of being single and he told gojo about it WHO OBVIOUSLY WAS KIN ON HELPING ! and he got to discover your personality first, which is the most precious part of you in his opinion

℘. because yes you ARE attractive but no one but him knows the part of you that is the most beautiful and he loves that

℘. i think he can't help but be a bit jealous that people simp over you so he would never refuse to take a cute picture for the world to see

℘. on your third date, he asked you to be his partner and gave you a ring as an officialization. since them, you've been wearing it as a lucky charm and you never take it off

4K notes · View notes

pank0w · 2 months

Note

can you write a drew starkey x fem!reader imagine where drew has a crush on the reader and he has for a while, but he doesn't think the reader likes him back until one day he like drunk confesses or just impulsively tells her? <3

A/N : Yes I will try (I’ve never written before) I’m sorry I’m so late on this I’m just so nervous to write stuff 😭😭

I love you..

Drew starky x fem!Reader

Warnings:- drinking,use of y/n , drew being drunk most of the time, some insta posts (tell me if I’m missing anything.)

__________________________________________

having a well-known acting career and appearing in TV series such as Vampire Diaries, Stranger Things, and Ginny and Georgia, I've had my fair share of romantic relationships and crushes on coworkers.

I have had both positive and negative emotions from every person I have dated. Nonetheless I still have a lot of my partners as friends, though.

When I got casted on outerbanks, I was already working on a project which required all of my time in another state in a whole ,leading to me having to decline the role.

After finishing said project , and sulking over not excepting the offer i got a call from my agent telling me that I was getting handed a role,a really good one .No audition needed. As the love interest of a rich playboy (wonder who that is).

———//———//———//———//———//———//—

“What exactly is the show again?…” I asked annoyed that I was being disturbed from my beauty sleep.

“Firstly I never told you aaand secondly it’s for.. outerbanks!”

What.

The show I declined? The show that made me regret doing my previous project instead of it? The show where my college crush- AHEM. right where was I

“Hellooo? You there y/n?..”

“Uhhh yeah sorry. You can call back and say yes”

“I already did. I was just telling you”

“Wow oka-“

——————————————————————-

Originally I believed that when I joined the cast of the outerbanks drew starkey would forget about me, but judging off of the happy smile on his face when he saw me or how his eyes softened when I talked about something I was interested in told me otherwise. I was finally gonna tell him. Tell him I l-

Actually I just shouldn’t go! Yeah. Why face the embarrassment of drew not feeling same! Yeah that’s smar-

Ting!

Madisyn bby

Girl, we need to go shopping for

Dresses ASAP . It’s already 3

And the party IS AT 9

You

Woah woah ok I’ll

Meet you out in 5😭

Madisyn bby

That’s what I thought

You

Yeah yeah 😒

Madisyn bby

GET READY!!

Read 12:45

__________________________________________

“Ok , red or black?” I asked with hesitation on the choices i had just tried on. “Definitely black girl, you look so hot” madisyn replied “maybe match it with some green?” Elaine said “that would look so good” Maddie added with a wink towards Elaine.

“Hey hey what’s up with the winking” I asked panicked “oh you know just Drew’s favourite colour..” madisyn mumbled out. I felt my eye twitching at the three of them I felt the heat rise up to my cheeks

“god you guys” I blushed and ran into the changing room soon hearing the laughter of the 3 girls.

“You don’t need to be embarrassed girlie pop” Elaine teased “easy for you to say your already dating someone ” I whined

———————————————————————Elameeeee

Liked by y/nuser and 21,992 others

elameeeee had too much fun shopping with my girls for season wrap party

Y/nuser I will find you.

View all 5729 comments

———————————————————————————————————

As soon as I walked into the venue of the party the only that came to mind was my insecurities. Would Drew ever like someone like me? Someone who isn’t as pretty as his ex’s?

Instead of overthinking maybe I should just drink it away .yeah that sounds goo-

“Y/N!”

God what is with people and interrupting me today?! I turned around and looked around not seeing anyone who seemed to be calling my name

“Over here!” I turned a bit to the right and saw

Drew.

Oh my. No no no. I’m not ready yet I was still in the middle of overthinking.

He came running up to me with the cutest grin on his face “hey.” He said out of breath “hi Drew” I responded while looking down because I could feel the blood rushing up.

“You- uh you look beautiful ” he stuttered out after actually taking a good look at my dress. If I wasn’t blushing earlier I sure am now.

“You don’t look half-bad yourself starkey” I giggled out trying to regain my confidence.

I couldn’t help but notice the small blush spread across his face after hearing my comment. God that’s so embarrassing, why did I even say that.

“DREW MY MAN!” I hear non other than Rudy come up. Rudy was nice , I saw him as my best friend, like a brother, Rudy and I were two pods in a pea, me and him grew up together in Atlanta and only moved apart because of high school, we still often texted and chatted but it never felt the same as being with him in person

“RUDY!” I squealed

“Y/n!” He rushed into my arms and pulled me into his into his tight embrace “oh my god , I missed you so much”

He chuckled “I missed you too n/n” he pulled back “look at you, miss hell on wheels”

“You guys know eachother?” Drew asked “yeah, me and Rudy grew up together” I responded Rudy agreeing with me “oh okay..”

“So um let’s head inside?”

———————————————————————

It was currently 1:25 am and observing how everyone was almost knocked out , except for jd and me obviously, who else was going to take care of them?

“I’ll order a Uber for Rudy and Elaine , you should stay with drew,the girls and me , it’s not a problem” JD offered

“Yeah That’d be great , thank you jd” he nodded

Now , the biggest challenge of all, getting them back to the apartment. Sigh, why am I even here.

“Drew come on , let’s go”

“Ughnnn, no I don’t wanna” he wrapped his arms around my waist and stared into my eyes

“Drew-” he put his head into the crook of my neck. God I can feel his breath. It’s okay , just get him back to the apartment and done

“Y/n Come on let’s go!” JD honked from the car

“Come on drew” I practically dragged him out, but what surprised me that he didn’t let go. “Drew let go”

“Nghhhh” he somehow just cuddled in deeper to me

This is going to be a long night.

———————————————————————

Having to drag this 80kg man down a hallway into a bed is like doing bodybuilding.

“Come on Drew go to bed”

“Don’t leaveeeee” he whined

I sighed out of frustration, “okay cmon big boy let’s go to bed” I stepped into bed and stayed on my side of the bed, not wanting it to be awkward.

He tried wrapping his arms around me “heyyy, come closer”

“Drew what has gotten into you” I mumbled, as he wrapped his arms around my waist and stuffed his head into the crook of my neck like earlier today

“You know drew im so gonna make fun o-”

“Do you and Rudy have something going on” he spoke clearly for the first time that night.

WHAT?!

“What are you on about drew.” He still waited for a response “no!” He sighed like he was holding his breath and leaned back into my shoulder.

“I love you” his voice came muffled but , I knew what he said, if it wasn’t so dark , he would’ve seen how red I’d become just from that one comment

“Drew come on your drunk-”

He lifted his head “I mean it.”

Oh my god. Is the world spinning? I can’t breathe!. Okay , no calm, he’s drunk he doesn’t mean it. Your okay yea-

Suddenly I felt lips on mine, it took me a moment to realise what was happening and I kissed back. no this is wrong, I pulled away

“Drew we can’t do this.. not again”

“Y/n , I know you feel it, please.”

I paused thinking of what to say , hearing him plead with his puppy eyes under the moonlight was intoxicating

“Drew your drunk, I won’t do anything, until I know you mean it”

Drew didn’t respond, he slowly made a Noice of confirmation and understood where I was coming from and put his head back down to its original position.

I knew he wasn’t sleeping but it was peaceful knowing we were just lying there. I felt my eyes get heavy but before I let slumber take me I said

“Hey drew..”

“Hmm”

“Tell me that again tomorrow”

I felt him smile against my neck and muzzle into me more

“Ofcourse”

———————————————————————-

The next morning , i woke up with Drew still having his arms wrapped around me and a particular instagram post that made me actually realised what was happening

Rudeth

Liked by madisynBaileybabe and 286492962 others

Rudeth saves this wiles you can people , before y/n wakes up and kills me #y/drew

@y/nuser and @drewstarkey

Comments are turned off

———————————————————————

Not proofread

#drew starkey #drew starkey x reader #drew starkey x y/n #drew starkey x you #drew starkey x female reader #y/n #drew starkey fluff #rafe cameron #rafecameronxreader #rafe cameron x y/n #rafe x reader #obx fanfiction #obx fic #outer banks

197 notes · View notes

stagefoureddiediaz · 1 month

Text

Costume Meta 7x01

Aaaaaaannnnd we're back!!

OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!

Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!

putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!

We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.

We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.

Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').

Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.

This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.

Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.

In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.

Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!

The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.

The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.

I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!

The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)

In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)

Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.

Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.

Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.

The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.

Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.

The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.

Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.

Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time.

He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).

The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.

On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!).

On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.

This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.

The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.

I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.

That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.

I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;

Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))

Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)

The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.

The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).

Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.

I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .

The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.

The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.

Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.

Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!

But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.

This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.

The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.

For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father

Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.

It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.

The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away.

Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!

It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.

Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.

This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.

If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.

Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.

There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.

Then there is the pink of it all.

You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.

Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.

The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.

The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.

The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.

Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.

I spoke earlier in this post about colour theming for the episode and this is where I talk about it!

Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.

At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)

Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.

Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.

Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.

Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.

Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)

Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.

Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.

The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.

Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.

Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.

This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.

The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.

Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.

Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰

Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @mandzuking17 @spotsandsocks @loveyou2thecore @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @nathleigh @shammers86 @crazyfangirlallert @missmagooglie @inandoutoffocus @katyobsesses @radiation-run @gayandbifiremenofmine @lemotmo @bi-moonlight @satvojihusana @crazyaboutotps @princesschez75 @mongreloer @alliaskisthepossibilityoflove @sherlocking-out-loud

#911 abc #I hope you enjoy!#its good to be back #I can't remember my costume tags 😂#911 costume meta #season 7 #s7 costumes #7x01 #Kym costume meta #Kym colour theory #911 costumes #long post #the costume department never fails #still feeling feral about so much of the stuff I got right and the new stufff I've spotted

171 notes · View notes

nalyra-dreaming · 3 months

Text

Pre season 2 rant - heavy on sarcasm!

This is the... well by now somewhat meditated on rant I promised a while ago. It has a lot of cussing, so be warned.

It is a… summary comment about some views I‘ve seen around, from “bad writing“ to the “abuse“ and other things. Oh, and it's about the "lying" subject. With receipts!

I‘m getting this out of my system before season 2 hits, and before more of the press leading up to it is released, because cast, crew and writers as well as the show have given us all of it already and, tbh, if I‘m going to see anyone scream “bad writing“ or “Louis being made a liar or the memories revisited/changed is racism“ when the changes will hit I‘m just gonna block you.

Fair warning.

This is long… so under the cut.

This show has made color-conscious choices. Brilliantly so. They also have an astonishing meta level.

And what we saw was not the truth.

That much is clear now. HAS ACTUALLY BEEN CLEAR FROM THE END OF SEASON 1 ON.

Jacob has said at the TCA panel that Louis is trying to regain his true memories.

Here is a reminder of some key statements by cast and crew:

Here are interviews and statements by Assad and Jacob and Sam and Rolin and the writers & producers that what we have seen was not the (whole) truth, that Louis’ tale has been “tinkered” with, influenced.

I'm heroically refraining from adding the gifs of Rolin and his statement again. Which are from the episode insider… and remember when that aired?! Yeah… 😒

But I've seen things recently that make me want to pull my hair out, to be frank. For example this, behind the link:

...Like, not making him a whole flat ass liar is actually the point, guys. And no it does not undermine the story....

As the writers said:

I mean, I get it to an extent. It's becoming clearer and clearer that the show some people made up in their heads is not the one they'll be getting. (We've been trying to tell them, but hey.)

Yeah.... That.

Unfortunately @blackgirlasis has blocked me, (and I have returned the favor now that I noticed), we only discussed something recently, but I think the reason might have been after I posted that video, in which it is literally said that "not everything Louis says is a lie", which, given her statements here might speak for itself, especially this part of that statement:

"It is actually ACTIVELY harmful to perpetuate the idea that the Black characters aren't to be trusted with the narrative and that we need Lestat to come through with the honest accounting."

You know, I would actually agree! Which is also why I always emphasized that we did not get the WHOLE truth. I also kept more than hinting at the fact that Armand is, well Armand.

BUT - and here it gets interesting - why is JACOB's - a BLACK man's - statement discarded? Why do they do not want to hear it that Louis does, in fact, lie? And, just to be clear - I do not NEED Louis to lie, nor be proven a liar, and I think the show will do its damndest to explain via the "tinkering" that Armand did. They will give some of the blame to Armand.

But to flip one's shit over argumentation that the MAIN CHARACTER, a BLACK MAN has already stated... that is what I find interesting.

Like, why do you* (*generally spoken, not her especially) accuse people of racism over this, when HE has already said that Louis does, indeed, lie. Why is he not actually listened to? I don't get that. Why is agency taken away from a living, breathing person to give it to a fictional character? Why is his statement that "not all representation needs to be healthy representation" not kept in mind?

Louis is Louis. Louis being color-consciously handled didn't "change the character an awful lot".

JACOB said that. Here. Interestingly enough in a comment about the racial consideration the show does(!).

Louis is NOT a whole other character despite the changes, and the twists that will happen in season 2 were always set to come, as the friggin' video of BEFORE the show aired is proof of. They talked about all that. They know it didn't all happen as shown. They knew Louis did lie. But NOT about everything.

They also knew that some of the scenes did not happen (at least as shown). And now... "it’s clear that Louis is somebody hugely angry with a man he loved deeply and now presents them as a monster…" Also Jacob Anderson.

Presents. Them. As. A. Monster.

Bailey Bass said in the SDCC interview, that it is not clear who is the "villain here" in various scenes, interestingly enough, because the dynamic keeps changing. Which of course was after they shot a myriad of scenes that would not make it into the final s1 cut. Again: why is she not listened to? Why do you take her agency away to give it to a fictional character?

And I'm not even starting on the others. Sam. Rolin. The writers.

Also, re the abuse and scenes being revisited. Again, screenshot as example:

There is nothing simple about this show. Especially that scene.

BUT the show knows what it‘s doing! I'm not going to rehash all that here now, here are links on that.

AND THE WRITERS SAYING IT WILL BE REVISITED... is from December 21, 2022.

DECEMBER 22.

A revisit and a change of that scene will not be bad writing. (Or tasteless.) They already DID so in the last episode of season 1, continuing that will simply fall into line with what we have already been given. That's not bad writing. That's just the show, and there's people who just did not want to examine that.

Because it will be echoed, and it will serve a purpose.

I know the show did the meta level of patriarchal domestic abuse, but for fuck‘s sake, the story itself is about vampires struggling, and Louis is struggling.

The show has a meta level of abuse, and patriarchy, and recognizing is valid and the meta discussions are too.

But Louis is not chained to his coffin guys, he could have left, and a fight which shows off power discrepancies within the show story line is not automatically domestic abuse.

*slow clap*

No-one wants this to happen for the sake of "redeeming" Lestat. Because he does not need that redemption. They're all murderers and monsters.

They kill. For a living. LITERALLY.

THEY ARE VAMPIRES It's not about vampires trying to find their humanity.

It's about vampires trying to find a way to live with themselves, because they are, indeed, monsters.

Doubting the narrative which was TORN APART WITHIN THE SHOW is not the same as bad writing or racism FFS, nor is actually looking at what we're given - and knowing the fucking, 50 year old books. And recognizing the hints and parallels.

I have also seen the take that Lestat isolated Louis... and like, did we watch the same show? You know, even with the vampirism (which, of course™, could not free Louis as promised)...

Months of flirting openly in NOLA, public wooing. DECADES LIVING IN NOLA. Operas. Restaurants. Family dinners. (And Louis stopping Lestat there, AS a mortal...) Cleaning the cribs, years of "human entanglement" because Louis wanted it.... Banjo barbecues, political influence, wakes... Everybody knew.

(Like, I could pull up gifs here.)

"Isolation". Right. It has nothing, at all, to do with the Rite of Passage, or Louis' depression.

Of course not.

I mean, Jacob says that Louis is very depressed during the time leading up to the fight, and his and Sam's discussion here is interesting as well, but hey, I mean, why listen to the actual black actor, right.

As a last thing.

Yeah. Tell me you know nothing about the books without telling me you know nothing about the books.

And, as a note, context is important if you pull up other scenes from the VC.

Welcome to the fucking Vampire Chronicles.

Anyone expecting big bad patriarchal abuser Lestat is not going to have a good time.

And honestly, to those: don't let the door hit you on the way out.

Good riddance - and BON VOYAGE

167 notes · View notes

nyarlathotep-thecrawlingchaos · 7 months

Note

Your Mihawk has me weak on my knees so I wanted to request something for him.

S/O has scars on her body, mainly on arms. She does fight but some of them look… too precise. One time after she loses a fight she is really pissed and nervous, she goes to a place alone. There he sees her just giving herself a scar with a knife on her arm. Turns out she was taught scars are signs of losses and if she doesn't get one in battle then afterwards she needs to do it herself. That's why she's so determined to always win. She hates scars.

@patisilence tagging since I'm not sure if you'll get this since I had to save it as a draft to format everything right.

Anyway.

I DID IT I ACTUALLY FINISHED IT

I'M SORRY IT TOOK SO LONG 😭😭

And I honestly really really want to thank you. This is my first ever fic-request, for one.

And also, writing this has been an absolute emotional rollercoaster. I have kind of a personal history with self-harm and I wanted to depict it as realistically as possible. Which resulted in heavy focus on character development, which resulted in this practically turning into a novella. I'm going to split it up into a few chapters to streamline things and link them all in this post.

If I do it right, then the entire thing should already be posted when I post this, but I'm still pretty new to Tumblr so bear with me. Each chapter should be between 3k-4k words.

And ALSO ALSO I've been planning a longer Mihawk X OC fic, and I really hope you don't mind me using this concept for it? Because it honestly ties a lot of things together for me

Soooooo without further ado, here's the whole author note thing.

Your Scars Are Mine

Ch. 1

LA! Mihawk X AFAB!Reader

Tags: Fluff, Smut, Hurt/Comfort, Graphic Mentions of Violence, I guess that's it, I'm bad at this

⚠️ MASSIVE ASS TRIGGER WARNINGS⚠️ : Self-harm, Blood, Implied PTSD

Summary: In the few months that he has known you, Mihawk has noticed the scars on your arm. You've refused to talk about them and skirted around the subject successfully, but a trip to Shells Town throws everything out into the open in a way that neither of you were prepared for.

Ch. 2

Ch.3

You were hiding something.

In the few months that Mihawk had known you, he had come to learn a fair bit about you. He knew, for instance, that you had over the past few years made something of a name for yourself as a sword for hire, typically among pirate crews who required a more discreet touch.

That this reputation of yours had led the Buggy Pirates to hire you to assist in stealing a map of the Grand Line from a Marine base in Shells Town. You had failed to procure the map before it was stolen by other hands, leaving you in their debt. Buggy had sunk your sloop to prevent your escape, and you had gotten stuck working for the ridiculous crew for a brief time, remained stuck with them until the Strawhat upstarts offered you passage with them.

Mihawk knew you had traveled with them as far as Baratie, where you had crossed his own path for the first time at the bar on the ship's deck. Where you had approached him with a bargain—if he left Roronoa Zoro alive after their duel the following morning, you would serve him for a year, an errand girl to send off on whatever menial tasks the World Government assigned him.

"And why would I want a little bird flitting around after me around for an entire year?" Mihawk had asked coolly.

And yet you had made a fair point—acting as a government lapdog was growing old. He had been sent after the vice admiral's grandson, for heavens' sake, as if he had nothing better to do with his time than to handle the old fool's family disputes.

Though the surly pirate warlord wouldn't have dared to dream of admitting it at the time, you had his attention. Your offer of unquestioned devotion, your confident demeanor as you sipped a glass of whiskey and kept your eyes on his without showing an ounce of fear or intimidation. You were certainly an interesting diversion from the otherwise dull task that had been laid before him, and your certainty that he would accept your offer had irritated and intrigued him in near equal measure.

It was intrigue that won out in the end. He had left his challenger clinging to the edge of life and taken you with him on his departure. You stayed toe to toe with him in wit and banter, and that alone would have been more than enough to draw him closer to your charm. He had wanted you before two weeks were out, wanted to claim you as far more than his "errand girl," and it was easy to see from the way you effortlessly returned his subtle flirtations that you wanted the same.

And now you were lying back across his broad chest in the hammock aboard your new sloop, a book open over your chest and his hand resting over your stomach, his other tucked under his neck as he frowned thoughtfully up at the roof of the small ship's cabin, pondering over the whirlwind of events that had led up to this moment.

It had been just over two months since the pirate lord had taken you as his lover, and you had been an open book about most things. Your training under your grandmother. Your setting out on your own from a small island village to find your parents, or some clue of their disappearance. The many and varied pirate crews you had served as a hired hand.

Yet you refused to discuss your scars.

Any seafarer with a history as sordid as your own had their share of battle scars. Mihawk had a fair few of his own; one didn't become the most renowned swordsman in the world without a few losses, after all. Yet your voice turned to clear contempt when yours were mentioned, even in passing, and you tensed like a statue when his hands brushed over them. You were confident to the point of near arrogance, yet you clearly held nothing but shame and contempt for the many marks that marred your delicate skin.

Some of which appeared oddly...uniform, for having been gained in battle.

It was in part—in great measure, honestly—the mystery of you that had drawn him in to begin with, and this was just another mystery that Mihawk intended to unravel.

You closed your book abruptly, stirring him from his thoughts as he glanced down at you. He watched you gaze thoughtfully toward the ceiling for a long moment, your hand resting over his at your stomach, before you finally spoke up.

"Reading a book is just staring at a dead tree and vividly hallucinating."

You tilted your head back, grinning as his mouth turned down in a frown and his brow furrowed at your ridiculous statement. Mihawk sighed wearily, plucking the book from your hands and lightly rapping you over the forehead with it.

"No," he scolded, as you giggled softly. He sighed heavily again, dropping the book over the back of the hammock before pinching at the bridge of his nose. "Are you trying to give me a stroke?"

"No," you said, imitating his scolding tone. You stretched your arms out over your head, arching your back for a moment, before rolling over to lay across his chest and brush your lips to his. "But it's fun seeing the look on your face."

"You irritate my very soul, little one," he said, shaking his head as he wrapped his arms around your waist.

"And I enjoy every second of it," you countered, grinning as you laid your forehead against his.

"I can tell."

Your grin managed to draw a small smile from him, before he lifted a hand into your hair and pulled you down into a slow, deep kiss. Your fingertips came to rest at his broad shoulders, the hammock swaying slowly in the steady ocean waves carrying the ship along. He knew as well as you did that he wasn't honestly irritated—your strange sense of humor had grown on him, as starkly as it contrasted to his dry sarcasm, and he rarely had the pleasure of meeting anyone as adept at keeping up with his own banter.

You lay your cheek at his shoulder when your lips parted, your eyes slipping shut and your contented sigh tickling against his neck.

"If the wind holds steady it will be a few hours before we make port," you said, your voice low and soft. "I suggest we don't move from here in the meantime."

"I'm not sure I've ever heard a finer suggestion."

Mihawk pulled one of your hands to his lips, brushing a kiss across your knuckles. He pulled his hat down over his eyes to block out the sun pouring through the windows of the small cabin, tucked his hand back behind his neck again, and shifted beneath you to get comfortable as he closed his eyes. His arm remained curled around your waist, his hand slipping just beneath the hem of your shirt so his thumb could rub slow circles over your soft skin as you both drifted off toward the peaceful recess of sleep.

The first thing that struck Mihawk when he woke was that you weren't in his arms.

Every day and night for nearly two months, he had fallen asleep and woken with you against him, and the absence of your warmth jarred him instantly awake and aware. His eyes scanned around his surroundings as he sat up, taking in where he was—the small cabin of the sloop he had recently bought you as a replacement for the one Buggy's crew had sunk.

His sharp yellow eyes darted toward the door, taking in the sound of unfamiliar, muffled voices outside the cabin.

He was standing in an instant, straightening his hat and pulling Yoru onto his back as he slipped silently through the door and onto the small deck of the sloop.

There was another sloop tethered to yours.

A pair of no-name pirates holding you against the bow ny your arms, their captain pressing the barrel of his pistol to your forehead as they bickered.

"There has to be something on board."

"We could just take her. Looks like she's probably a feisty little thing."

"Still have to check the cabins. Could be—"

Mihawk cleared his throat.

The trio turned their heads in almost comedic synchrony, their jaws dropping at the mere sight of him leaning against the door of the cabin. Mihawk's eyes flickered from them to you, and you averted your eyes, clearly ashamed to be seen in such a compromising situation.

So he shifted his gaze back to the opposing pirates, his eyes flickering between each of them.

"You will remove your hands from the girl or I will gladly remove them for you," he said levelly, lifting his eyebrows.

They quickly let go of your arms, and stepped away when he moved forward to wrap a hand around your wrist and pull you to him. He curled his arm around your waist, lowering his head over yours for a moment and murmuring quietly, "Are you hurt?"

You shook your head no quickly, your jaw set at a rigid angle as you turned your gaze down to your feet, your shoulders tense. He pressed a light kiss to your temple for a long moment before lifting his gaze back to the trio that had dared board your ship, his eyes narrowing in an unspoken threat.

"Go." They remained frozen, glancing between each other. "Now."

They scrambled back over to their ship immediately, severing the ropes that were tethering it to yours. Mihawk kept his arm around you, but his eyes remained trained onto the opposing sloop as it drifted away on the wind, debating on just drawing his sword and splitting it in half on the spot.

He turned his attention back down to you when you began to pull away from him. He pulled you in close again, frowning. It wasn't at all like you to be bested by a few no-names, and it was clear that you weren't taking it very well.

"Tell me what happened," he said finally.

"I woke up," you said curtly. "Thought I'd check the charts and see how far we were from Shells Town. They were already on the deck. Seemed to think this was a small merchant vessel since there's no flag. I'd left my knives in the cabin and I was still half asleep when I came out here. By the time I registered what was going on, one of them had a pistol to my head."

You really weren't making a very good case for him to not sink their boat. He cut his eyes briefly toward the sloop before looking back down at you, your face shadowed by your hair as you stared down at the deck floor.

"Their captain started questioning me about cargo," you continued. "Told them there wasn't anything valuable on board. They were discussing taking me as compensation." You sighed heavily. "And that's when you chose to enter stage left and take approximately twenty years off the end of their lives."

He rolled his eyes the slightest bit at your quip. "I would have taken a great deal more than that had they hurt you."

"Well, they didn't," you replied, your voice still curt. Mihawk lifted an eyebrow. "And it's perhaps best not to go splitting any boats in half a stone's throw away from a naval base," you added, nodding back toward the bow of the vessel.

Mihawk gave a quick glance as well. He had been too focused on the fiasco he had just awoken to to notice that Shells Town was visible on the horizon now. It wasn't as if the Marines could do much about it if he did sink the sloop, but you were right—it would still be more of a hassle than it was worth. He sighed, shaking his head a little, and curled a hand under your chin to lift your gaze to his. You still kept your eyes averted, your jaw set. He hadn't seen you lose a fight before—apart from sparring with him while training, but that hardly counted.

You had proven to be quite the fighter when he had decided to test you. You were nowhere near his equal, but you knew precisely how to play to your strengths with your pair of daggers and your throwing knives. Your stature made you difficult to target even in single combat, your movements a graceful dance that toed the line between evasion and power.

Yet one loss—and a rather inconsequential loss, at that—and you were beating yourself up over it quite a great deal more than what constituted normalcy. Mihawk wasn't sure whether to scold you for being dramatic or attempt to comfort you.

"You were caught off guard, little one," he said after a long moment, brushing a thumb across your cheek. "There's no need to be so upset over that."

"I'm not upset, I'm annoyed," you retorted, pursing your lips a little. "Blades or no, I should have been able to take care of those idiots."

"Annoyed, then," he allowed with a small sigh. "And I've no doubt you would have had I not woke. I was simply able to handle it a bit more...subtly."

"Oh, yes, because sauntering out onto the deck with a giant sword and threatening to cut off their hands was so subtle," you said, your voice dripping with sarcasm as you finally rolled your eyes over to his, lifting your eyebrows.

"Don't be a brat," he chided lightly. "We still have at least half an hour before we make port." Mihawk abruptly wrapped his hand around your chin and pressed his lips to yours in a brief, deep kiss that made you draw in a sharp breath. He parted just as you started to lean into it, resting his forehead against yours. He lowered his voice to an intimate murmur. "I would truly hate to have to spend it punishing you, my little bird."

You quirked an eyebrow, your lips curving in a small, coy smirk. "No you wouldn't."

He gave you a thoughtful frown and a small shrug of his shoulder. "Perhaps not." You let out a small cry of alarm when he stooped down and quickly scooped you up from the deck floor, one arm beneath your knees and his other curled around your back. "I suppose we'll just have to find out."

You chuckled lightly as he carried you to the door of the main cabin, plucking his hat off of his head and placing it on your own as you brushed your lips to his in a soft, teasing manner. Mihawk lifted his eyebrows when you nipped lightly at his bottom lip.

"You're really pushing your luck, my dear," he cautioned.

He lowered you down to the double bed in the cabin, his thumb rubbing small circles at the back of your neck. You lifted yourself onto your elbows, your lips nearly brushing his before he pulled back just far enough to stop you, lightly gripping your hair at the nape of your neck to keep you from sitting up any higher. You gave a small whine of protest, but didn't try to struggle against his grip—you and he both knew there was no point.

"Lie down." His voice remained low and intimate, but there was a subtle command in his tone, in the way his gaze burned into your own. You bit your bottom lip lightly, lowering yourself back down onto the bed fully. A soft, quivering sigh left your lips as he slowly began slipping the buttons down the front of your shirt loose. "Hands over your head. And you don't move them an inch until I tell you you can."

"Mmm..." You hummed thoughtfully, and Mihawk paused in unbuttoning your shirt as you lifted your arms from the bed, holding your hands high above you, straight up in the air. "I think my arms might end up getting tired."

Your lips pursed a little, clearly struggling to keep a straight face, and he lifted an eyebrow at you. "You're certainly in rare form today."

Mihawk wrapped his hand around both of your wrists, shoving your hands down into the plush white comforter over your head, and a couple giggles escaped you before you bit your lip again. It was honestly a bit endearing, how cheeky you were being—and all the moreso, as it appeared you were being so brazen just so he could have his fun with your punishment.

You were enticing him more and more every passing day, beyond the physical desire that had led him to claim you as his a couple months ago. It wasn't a feeling he was particularly accustomed to, nor was he quite sure what to make of it yet. He knew only that when he had seen you held captive against the bow of the boat, an emotion had flashed through him for a moment that he hadn't experienced in years.

For the briefest moment, Dracule Mihawk had felt fear.

He was not ready to contend with the connotations of that.

And he was a bit too busy at the moment, anyway. He let his forehead touch yours, his lips hovering a breath away from your own.

"You don't move your hands," he repeated, tilting his head to just barely graze his lips against your neck, drawing a small moan from your lips, "until I give you permission. Understood?"

"Yes, sir..." you sighed softly, your eyes slipping shut as he kissed down your collarbone, pushing your shirt open. His hand released your wrists and trailed down your arms, down to knead at the soft tissue of your breast through the sheer lace of your bra, feeling your nipple harden against his palm. He tugged the cups down, just a bit too hard given he felt one of them tear in his grasp, but that was a problem for later, not now.

You gasped out when he briefly pulled one of your stiff nipples into his mouth, his grip tightening slightly around your ribcage as you arched your chest toward his swirling tongue. His gaze flicked up to watch you writhe and shudder under his touch, your fingers digging into the bedsheets behind you, your hands searching for anything to keep occupied with.

"Very good," he praised, lifting a hand to brush a few strands of hair out of your eyes and brushing his lips to your jaw. "You see?" He wrapped his hand around your jaw and lightly pressed his lips to yours. "It's much better when you're a good little bird, isn't it?"

"This—doesn't feel much like a punishment," you commented, gasping softly as he circled the pad of his thumb around your nipple, lightly skimming across it once or twice.

"Yet," he corrected.

And gave you a small, devilish smirk, before lowering his head and biting down on the tender skin at the crook of your neck. Just hard enough to leave behind a small bruise, to draw a sharp cry from your lips and send a shiver through your body.

He straightened out as you heaved a sigh, standing over you. Your eyes remained glued to him while he shrugged away his long coat and tossed it back into a chair behind him, noting how your hands tightened down on the bedsheets again.

"Remember we still have a half an hour before we reach Shells Town." His fingertips curled around the waist of your shorts, the lace of your panties beneath them, and slowly inched them down your hips. "I could spend the entirety of it teasing you." Mihawk noted the movement in your throat as you swallowed in nervous anticipation, your eyes glued to his as he pulled them up the length of your legs and off, flinging them aside. "Making you beg for release but never allowing you the satisfaction."

How beautiful it was that it only took a few words to pull a blush to your cheeks and make your breath hitch. He brushed a light kiss to your calf and pushed your legs apart, rubbing his palms up your inner thighs.

"You're going to have to be on your best behavior if you want more, my sweet little bird." Trailing a single finger up your soft folds, dragging through your slick arousal and across your clit, pulling a small whimper from your lips. "Or would you rather I just torment you?"

You bit your lip, shaking your head quickly, your eyes flickering between his eyes and his fingertips trailing up. It was a struggle for him not to chuckle at you—always just cheeky enough to be amusing, but you knew the pleasure he could give you, were so desperate for it that you folded like a cheap deck of cards under his slightest touch.

Absolutely perfect.

Mihawk moved his hands up from your thighs, curling an arm under your back to lift you up and shift you further back on the bed. Your breathing was ragged with anticipation as he brushed his lips to your stomach, trailing his hands back down to your hips, his lips lower and lower, grazing slowly across the soft skin between your hip bones.

Shifting lower and dragging his tongue slowly up your slit, circling the sensitive bud at the apex, giving a quiet growl of approval as your breathy, shuddering moans filled the small cabin and your hips arched in his hands.

His gaze turned up toward your face, watching you draw closer to falling apart with every passing moment. This was only the beginning, and he still hadn't decided if he was going to give you what you wanted...but the sight of your divine, nearly naked and writhing under his touch with his hat still resting on your head made him just a little weak.

He moved from between your legs before he could get lost in the sight of you and the sweet sounds of your moans, reveling in the agonized whimper that left you as he trailed his mouth back up your stomach.

Across to your ribs, pausing at your breasts to brush his lips and his skilled tongue across your sensitive nipples.

Dragging his tongue up the column of your throat, seizing a fistful of your hair and crushing his lips to yours in a deep, possessive kiss, shoving your hip down onto the mattress to keep you from grinding against him, shifting his hand between your thighs to circle a finger around your tight entrance without pushing in. Your low moans and whines of protest were like music to his ears, your knuckles gone white from the force with which you gripped at the sheets over your head to keep your hands from wandering.

Every slow pass up and down your body brought you closer to the peak of pleasure but never quite there—and brought him closer and closer to caving in and giving it to you. He had to wonder whether you had any idea just how much of a temptation you were to him. It had been years since the pirate lord had allowed any woman to affect him quite as strongly as you had.

How much time had passed couldn't be ascertained for sure when he reached his breaking point—his mouth pressed into the crook of your neck while you moaned and begged desperately in his ear, one of his hands squeezing your breast hard enough to bruise the soft flesh while his other worked his belt buckle open and shoved his pants down his hips in a desperation that rivaled yours.

He shoved your open shirt up your shoulders and arms and flung it away; gripped one of your thighs, pushing your leg up as high as it would go, and the low growl that left his throat as he thrust into you was drowned out by your own cries of abandon. Your hips arched up from the bed to meet his, one of your arms flinging around his neck and your hooking beneath his arm to grip hard at his shoulder.

"I don't recall giving you permission to move," he breathed into your neck. He gritted his teeth as he pushed his hips forward hard, shoving yours back down into the bed as you cried out again, your slick walls tightening around his cock.

"I—I'm sorry, I can't—I can't—please—" You gasped, your head falling back as he moved in you in deep, hard thrusts, your fingernails dragging down his back. "Oh God, please—"

He lifted a hand to grasp at your hair as he crushed his lips to yours, delving his tongue into your mouth and drawing in a deep breath as you moaned desperately into the fierce kiss. The prospect of punishing you, of what the hell he had even been punishing you for was forgotten in this rush of unquenchable lust and desire, of pure carnal need for your body.

He normally hated losing control, but this was on another level entirely. There was no room to hate this, no room for anything but pure pleasure, for getting lost inside you as your walls tightened around his cock, as every muscle in his groin tensed and tightened in anticipation of impending release—

Your lips breaking away from his, your cry of abandon as your climax swept over you pulled him right over the edge with you. He pulled your hip up from the bed to slam into you as he came, gritting his teeth against a low groan, the rhythmic contractions of your tight channel milking him dry. His hips jerked toward yours with each intense wave of pleasure, fingers tangling in your hair as he pressed his lips to your neck, the two of you shuddering and tangled together over the bedsheets.

Mihawk heaved a shuddering sigh into the crook of your neck, his fingers tangled in your hair as he brushed his thumb across your temple. Maybe it was the lingering euphoria, but he didn't even think about the next words that left his mouth before he heard them himself.

"God dammit, (Y/N), I love you."

But it was impossible to deny any longer. You really were everything he had never realized he craved. No, it wasn't just the euphoria in the moment—it was that brief flash of fear earlier at the thought of you being hurt, at the thought of losing you. The utter fury at the morons who had briefly held you captive. How perfectly you balanced and complemented his desires.

He felt as much as heard you draw in a small gasp beneath him. "Y—you—wh—?"

"You heard me," Mihawk interrupted your quiet, almost cautious stammering, murmuring against your neck. He brushed his lips against one of the small, round bruises he had left on the soft skin, and said it again, quietly, "I love you."

You were quiet for a long moment, but he wasn't concerned, still trailing kisses up the side of your neck. He had seen it in your eyes before now, heard it in the softness of your voice when you lay against him, your fingers in his hair and your lips brushing his.

Several seconds passed, before you turned your head slowly and pressed your lips to his, tentatively at first, and then deepening the slow kiss with a soft sigh. He shifted onto his side, tugging you to him by your hip. Your forehead came to rest against his as your lips drifted apart, still barely a breath away, your eyes closed, your voice a quiet whisper.

"I...love you."

(Ch. 2)

#opla #one piece fanfiction #dracule mihawk #fanfic #mihawk one piece #mihawk opla #fluff #mihawk x reader #smut

374 notes · View notes

metatronhateblog · 7 months

Text

As you all know by now

Metatron is sus af. And if you haven't noticed, or you live under a rock (no judgement here) I'm here to add some interesting things I have noticed as someone so obsessed with this show I can only see in the colors and outlines of Good Omens at any given moment.

Fair warning, the only theories or analysies I see are sent to me by my sister, or appear on my dash (and I don't follow many Good Omens blogs that theorize.) So if any of this has been stated or pointed out before, apologies. I'm trapped in tunnel vision mixed with an aching brain.

This one's a doozy and a conglomeration of stuff that I have noticed that I'm not sure actually hold any significance so hang in there, it's worth it.

SO. Let's dive in.

First things first, lots of different theories going around, not sure I believe a lot of them but am fully willing to indulge, and admire the effort people put it. I'm not a huge fan of the 'Metatron poisoned Aziraphale theory' but I have a feeling this post might possibly give those girlies a little 'W.' We'll see, I have various points to touch on.

Something fucked is going on with Metatron. For starters it's very uncomfortable to me, and hits very strangely that no one recognizes him (except Crowley.) Which is so strange because we previously see Michael, Uriel, Gabriel, and Saraqael all in a meeting with the Metratron about....oh maybe ten minutes prior, not to mention Muriel and Crowley were there witnessing it also??? Hello? Why does only Crowley recognize this person that this group of people have seen (Saraqael and Muriel only moments before at the same time as Crowley.)

So how come Crowley is the only one who recognized him??? Sus to me. Any thoughts as to why cause I have none....

But then things to me seem to get a little weirder. I enjoy playing with audio, cutting out background audio and emphasizing little things that might sounds strange to me. And I went through checking all of episode 6 for any weirdly placed miracle noises or waving of hands, and I came up with three things (one of them was actually from episode 5 though).

1.) There's a miracle noise after Aziraphale asks Metatron what they'll be doing in heaven and Metatron responds with 'It's something we call the Second Coming.' This one, with a lot of back tracking and examining other scenes, I've come to the conclusion is simply the elevator being summoned, though I do find it strange to hear the noise yet not see that miracle happen.

2.) In episode 5, during The Ball ™️, Maggie walks up to Nina who is sitting in a chair and offers a hand to dance. Aziraphale, my beloved, is watching so happily and excitedly from the side while holding a tray of hors d'oeuvres. Right when Nina grabs Maggie's hand there's a miracle noise. I'm not sure if it's part of the overall thing Aziraphale has cast over the bookshop, or if it's him from the side and we once again don't see it...(which feels weird) but it's there. And if it is because of the overall miracle cast over the shop then why don't we hear that sound every time something happens that is effected by said miracle. Something is weird about that one to me, but that's not Metatron related sorry. (Here's a screenshot from the exact moment if anyone is wanting to go looking for it.)

And 3.) My big one. This noise is...so unsettling to me. The first time I heard it I flinched. I still cannot figure out if it's part of the soundtrack or if it is a separate noise that segues into the soundtrack or not. But this one. So when Metatron originally enters the bookshop there is obviously a commotion and then once he gets everyone to leave, he looks at Aziraphale and tells him he wants to speak with him or have 'a chinwag' (weirdly Earth term if you ask me) and then offers Aziraphale a coffee who then takes it and sips it blah blah blah we all know that part. But then Metatron says something...weirder. He mentions that he's also consumed things before...which...makes something about him feel all the weirder. He then again asks Aziraphale to chat with him. Aziraphale hesitates and looks to Crowley who is lounging behind him who tells him to go ahead because the 'day can't get any weirder.'

Immediately following that is where I am horribly sus. Aziraphale looks at Metatron who gives him this kind smile and ushers him forward, and once Aziraphale can't see them anymore, Metatron turns a glare onto Crowley, who I'm not sure if we see him acknowledge this sudden cold change.

But that's not the sus part. In my opinion the sus part is the audio. THE MOMENT his demeanor changes to glare at Crowley. We get this little....noise that sounds like a deep kinda dark little twinkle of some sort (and holy shit I'm screaming over this noise because upon checking the official soundtrack the noise is not there) that sounds like magic is happening. And it just. I have listened to the dark way the soundtrack picks up and listened to it through over and over searching for any more signs of that out of place noise and I CAN'T FIND IT. So because I care deeply and am not going to make you people go hunting for this one, I have a screen recording of the audio clip. I kinda took the audio of an actual miracle noise first (I was using it as my reference) and then all the audio surrounding that noise and reduced it, but kept that noise kinda emphasized by not touching it at all. (My apologies now because my editing audio isn't the greatest, I'm no professional, and I did get the first notes of the soundtrack starting in there too.)

HOLY SHIT????? HELLO???? What was that dark little sound there??? I don't know if anyone else has pointed it out but if you have you're amazing and I love you.

BUT WHAT THE FUCK???? I'm sitting here trying to figure out what that strange little audio blip is right there because if I'm correct and when Metatron tells Aziraphale 'the Second Coming' followed by the miracle noise I believe to be summoning the elevator???? Then what is that sinister little???? Almost miracle sounding noise there???? My goodness.

That being said, I did check through the audio in other places, trying to listen real close (and if anyone else is good with audio and can actually find it, then please share I wanna know) and I heard no miracle noises during their kiss scene or when Crowley gets in the Bentley and the Nightingale starts playing. (Disclaimer that could just be because of my hearing loss, so if it is there and you can isolate it, I'd love to hear.) I tried, I searched endlessly to try and help you guys with your theories but I found nothing. I will say though, a bell tolls very frequently in the show when something significant happens and there's a bell toll right as our beloved angelic beings pull away from their kiss.

Now that I've pointed out the strange little audio things I personally have noticed, I want to move on to more colloquial audio and less background noises.

I wanna talk more along the lines of this post by @meatballlady (sorry for tagging you I wanted to give you credit where it's due.)

After seeing this post and doing a rewatch of the show, I have been working more at trying not to make assumptions and trying to think of the ways different things can be taken.

Well the Metatron says something that I think maybe we should focus more on the different things if could mean???

This thing is said (i believe during Aziraphale's retelling of what the Metatron said to him) but also right after another one of those moments of misinterpreting the meaning of what someone's being said. This happens after Muriel interprets Crowley's 'Us time' to include them.

The line I'm thinking of here is

"I've been idling back on a number of your...previous exploits, and I've seen that in quite a few of them you've formed a de facto partnership with the Demon Crowley. Now if you wanted to work with him again, that might be considered irregular, but it would certainly be within your jurisdiction to restore your friend...Crowley...to full angelic status."

Holy shit there's a lot to unpack in that, both for Aziraphale and us. this whole thing could be interpreted multiple ways, I think, and that's why I've included this whole quote rather than just the specific line. It's a lot said in one go with multiple things that are....worded interesting. For a start.

Exploits -

Several different meanings both in the words form as a verb and a noun, and Metatron puts an emphasis on 'previous exploits.' So how is he using the word? Noun meaning bold and daring? Probably not a software tool. What about a verb? 'derive benefit from' is an interesting way to put it. 'Use a situation or person in an unfair or selfish way.' There's plenty of options here. And to say that he is using one specific meaning of the word would be assuming that you know for sure what he's saying. And when it comes down to it, we don't. After all doesn't this season play a lot with the misinterpreting of what someone is saying?

Let's continue.

de facto partnership - is technically an informal arrangement generally for business, formed by two or more parties.

Which is cool, but that's not the emphasized word here. The word Metatron seems to hang on is 'partnership.'

Partnership -

At this point it feels like an almost sterile way to talk about their very clear relationship together. But strange that he hesitates on the word.

The thing I really wanna talk about is

"...restore your friend...Crowley...to full angelic status."

Restore -

Now everyone, Aziraphale included seemed to interpret this as 'reinstate' your friend Crowley. And again it would be very presumptuous to think that it could ONLY mean giving Crowley a position in Heaven next to Aziraphale.

One of those meanings in there says something along the lines of 'to return it to its original condition.' And we all immediately go 'well that would be an angel of course.' But we forget to take the time to realize that...as an angel, Crowley wasn't a demon. He didn't have all the memories and experiences as such. In fact, it feels hinted at throughout this season that Crowley doesn't have all his memory from his time as an angel. And who's to say that if he was restored to angelic status that wouldn't mean wiping him of his memory of his time on Earth? Who's to say that the Metatron isn't implying here that this is another way to make Aziraphale compliant while also keeping him separated from Crowley.

We all know as a team those two will 'raise Earth' for lack of a better term against Heaven and Hell to prevent Armageddon. They are their own side. And I think Metatron knows he has no chance of the Second Coming if those two are still working together.

Who's to say that Metatron wouldn't put limitations or a status quo on the allowances of Crowley returning to Heaven. He can't ensure that Crowley wouldn't cause problems, he can't ensure his trust.

Sorry if all of this has already been said and pointed out, but I personally haven't seen any of it and needed to get it off my chest before I exploded.

#good omens #good omens 2 #ineffable husbands #crowley #aziraphale #metatron #metatron meta post #meta #i really hate metatron #good omens 2 spoilers #good omens spoilers #good omens season 2 #sorry for the long post with a lot of words #i have a history in theory making and it's been a long time since I've done anything like this #I have to find a way to prevent myself from getting more and more obsessed with this show.

211 notes · View notes

factual-fantasy · 2 months

Text

24 ASKS! :D THANK YOU!! 🧀

Not in my AU she's not! For 2 reasons-

For 1, my AU is built from Mario games and media I personally know/am familiar with. I know a little bit about Mario sunshine and saw a comic where Delfino island was Daisy's vacation island. So I took that info and crafted it into my AU lore! My Daisy's kingdom is populated by Delfino's, and it sits along the coast nearby the Mushroom Kingdom.

The other reason is I only heard of what Sarasaland was like two days ago. I've never played any of the games its from and had no idea it existed. So I didn't add it to my AU and I definitely cant add it now-

But even if I did, I'd have the same problem. Why is Daisy the ruler of these little.. dancing.. skeleton.. guys..?? If she isn't one of them?

@neo-metalscottic (Post in question)

AAA THANK YOU SO MUCH!! :DD And yeah, that was Wendy and Roy! Though her exact reasoning for crying hasn't been fully thought out yet. I was thinking that she was having trouble putting on her make-up and ribbons.. maybe that was something the Koopalings mom would help her with before she.. well.. :( (Also, I do intend to finish/expand on that comic/idea very soon! :}} )

As for Iggy and Lemmy, they're not twins in my AU! Though they are close, they are very apart in age. I don't know what "older lore" you're talking about.. if you're referring to a game or a show, I have never seen it. :( All the Koopalings personalities and dynamics are just going to be made up/decided by me :)

As for their closeness, what brings them together is their eyes and their love for magic/Kamek.

I had this idea that Iggy was born blind, and Lemmy was born with a lazy eye/cross eyed. Kamek was able to use his magic to restore a fair bit of Iggy's sight and reposition Lemmy's eye. The result is their eyes and faces have unusual colors and patterns.. but they can see! And they are very thankful to Kamek for that.

Also that exposure to magic at such a young age has really drawn them into it.. they're both supposed to be really interested in magic and learning how to use it. Thus their closeness with each other and Kamek!

@tallchest13-blog (Sent after this post I believe..?.. orr was it this one-- maybe this one??)

XDD Thank you so much!! I'm glad to see so many folks are interested in my interpretation of the Mario bros!! :DD And good luck with your discord RPG! :}

Well since there are a ton of pirate/seafaring cookies in the game, I assume water isn't a problem. :0 Though it is for Louis becuase he cant swim- (His claw arm is very heavy so he sinks-)

(Link in question)

GOLDEN FREDDY??? XDDD

Tbh that gets a bit of an eye roll form me. I miss the old days when Golden Freddy was just a terrifying Easter egg in the first game.. things were so simple back then.. 😭

@jaybleu25 Ah no worries, I understand. Here, take a look at my 1:AM red scribblings XD

And if its not clear, the last 4 images of that post are all Roy and Wendy :} Hope this helped!

(Post in question)

AAAA THANK YOU SO MUCH!! :DD And yup yup! That's Wendy! :DDD

(Link/video in ask)

Oooo :00 what a beautiful song! :DDDD

(Post in question)

I can see the braid refusing to stay together and eventually unweaving itself. Its all flowy and free~~💫💫

<XDD ?? Huh??

I suppose in the actual games the treasure is like that. But I like to imagine my crew finds actual gold treasures 🤩✨✨

The only version of Robin hood I'm familiar with is the Disney Fox version. I'm not sure what you mean by his "merry band".. 😅

Hmm.. I don't think so. But maybe Tuna has..? Or maybe that's how Louis could have lost his original arm-

@raven-bearden-the-interviewer42

Probably Seafoam's love.. 🥺💙

(Link in question)

I feel like Coco would be the one to get pied trying to protect Red. And Tuna would have been the one to set up the trap XDD

@couchwow

XDD All I could think is of how terrifying the brown creature in the second image is. I MEAN LOOK AT HIM!-

WHAT IS THAT??? XDDD

@neo-metalscottic (Mario bros post in question) (Princess post in question)

AAA THANK YOU SO MUCH!! :D I'm glad you like them! Though I wonder what about the old designs I would combine the new ones.. I fixed/altered all the flaws I saw with the old designs. I'm not sure what I'd keep-

As for Luigi and the Poltergust, he doesn't ever get that. Since Mario is never captured by the Boos, why would he need it? And I haven't decided what to do with E.Gadd yet, if anything at all..

As for Mario and Bowser.. I was thinking that Mario kind'a just said that in the heat of the moment. But he would be willing to take him down permamntly if he ever showed his face again.. but right now Bowser is definitely not causing any more problems for a while.

Mario and Luigi scared the daylights outa him. The hero's of Legend are real, and they're here. Bowser is probably scrambling for means of defense atm and wouldn't dare send anyone over there to cause trouble.

As for the Chain Chomp.. even if Bowser wanted to release it and wreak havoc on the bros/the mushroom kingdom.. I don't think he could. Kamek was unable to control Petey Piranha and rein him back in when he escaped. What make's him think they'll have any control over the Chain Chomp if they release it? It'll probably just turn around and eat Bowser's castle instead- and once its out, how will they trap it again?

And oh yeah, they could beat it. All they'd need is 1 super star and the Chain Chomp would be flattened in a matter of seconds. ⭐💪

@yoylecake420

I know absolutely nothing about him or the game he's from. :( He's made of wood I think..?

@astaherussy (Post in question)

WAAAHAHAGH THAK YOU!! :DDD

And don't worry! I don't intend to rush anything <XDD --I'm trying to take my time thinking the lore through and filling in plot holes-

(Post in question)

<XD Well I don't wanna ramble about the lore until its a little more set and stone. I don't wanna say "this is my idea!" and then 15 minutes later go "well actuallyyyy...."

Maybe so! XD I wonder if its like that in the games.. ��

Ooooo I could see that! :00 That could be Urchins weapon maybe!

(Post in question)

XD I guess great minds think alike? That, or Rosalina is just really cool-

@sparkdrawsstuff

I'm sure they've faced all that and more! :00 Also thank you!! :))

#my response #cookie run #cookie run kingdom #cookie run ocs #my ocs #super mario bros

77 notes · View notes

antianakin · 6 months

Text

@assaultmech71 I'm putting this in a separate post because it IS a little off topic and that particular post is becoming fairly long and unwieldy as it is.

Part of my dislike of Luxsoka (and Lux in general) stems from my dislike of the episode he's introduced in. Heroes on Both Sides is supposed to show us that there's genuinely good people with legitimate grievances on the Separatist side and that Ahsoka is like... being kind-of ignorant by assuming all of the Separatists are evil assholes. However this is done SO SO BADLY the entire way through. I've talked about Mina Bonteri's whole sob story about her husband on some sort of base that got attacked by the clones and how unbelievable it is that the clones apparently just attacked an innocent base full of innocent people or something. There's NO WAY that Mina's husband wasn't involved in something either war-related or just sketchy and evil.

Lux on the other hand is sitting there being paralleled with Ahsoka where they're supposed to recognize that their lack of knowledge of the other side has caused them to be a little prejudiced towards each other. But while Lux has never actually met any Jedi and is making his entire opinion based on a lot of propaganda, Ahsoka HAS met Separatists, they just come in the form of military generals usually. Lux I think specifies "any Separatists who AREN'T military leaders" which is pretty unfair because those military personnel are STILL military leaders and effectively Ahsoka's counterpoint within the Separatist organization. Ahsoka has seen these people who claim to fight on behalf of the Separatist government do some absolutely heinous shit to actual innocent civilians (she's there for the incident with the Lurmens, the Blue Shadow Virus, Ryloth, and the Holocron Heist arc at this point). Ahsoka has genuine evidence to believe that the Separatists are, at best, ignorant of what's being done in their name, and at worst complicit in these actions being perpetrated by their military. Ahsoka isn't naive or ignorant the way Lux is, it's not a fair comparison. So their entire connection here is based on what amounts to a lie.

Lux also literally gives Ahsoka a once over when she bandies his own words back at him and asks him if she looks evil, which is juvenile and gross. And yes, he IS juvenile and Ahsoka does call him out on it a little, but still. It's not exactly a GREAT first impression here.

So basically a large part of the reason I hate him is because his entire introduction is just really really stupid and he represents this radically unfair perspective on the Jedi at this point just to make a point that isn't even ENTIRELY true.

Then we come to their second meeting where the whole episode ends with them saying they were a "good team" except that Lux fucks up approximately 20 different times and Ahsoka has to keep saving his ass and doing all the work. And Lux also betrays her like 4-5 separate times, he slaps her ass and acts like a misogynist to keep up an act with DEATH WATCH, apparently doesn't know or just doesn't care that Death Watch are literal terrorists, and is just overall completely awful and useless the whole time. They're not a good team, he's just a massive fuck up with delusions of grandeur who Ahsoka has to keep bailing out of danger over and over again.

He's better by their third meeting during the Onderon arc, but by then whatever feelings he may have had for Ahsoka seem to have faded and he's got a new girlfriend he's focused on and Ahsoka ultimately lets him go. But she's also JEALOUS of Steela for a while and it's impossible to figure out what she's even jealous OF. Like babygirl, I'm so frustrated with you right now, but you can STILL do better than Lux Bonteri. At least she decides to just move on by the end and we never see him again.

So yeah, Lux is a terrible person, a terrible love interest for Ahsoka, and Luxsoka is a fuck awful ship and I'm just so glad it got abandoned before it actually went anywhere and never came back.

#star wars #ahsoka tano #the clone wars #tcw #star wars the clone wars #sw tcw #anti lux bonteri #lux bonteri critical #anti luxsoka #luxsoka critical

98 notes · View notes

spenglernot · 5 months

Text

STORIES TELLING: HOW RECURRING MUSIC IN OFMD CAUSES MENTAL DEVASTATION IN THE VERY BEST WAY

How the Blackbeard theme, Gnossienne No. 5, and Voi Che Sapepte reveal, reinforce and recontextualize the narrative. An in-depth analysis of key scenes throughout seasons 1 and 2.

Much gratitude to pocket friends who were so encouraging and provided valuable feedback while I worked on this.

Meta by these authors (links, below the cut) influenced this video:

@asneakyfox, @asongaboutpirates, @bakasara, @doyoueverstopandthink, @chaotic-neutral-knitter, @forpiratereasons @fresne999 @gaypiratepropaganda, @jaskierx, @medievill, @mxmollusca, @piratecaptainscaptainpirates @veeagainsttheday, @57flagsofdeath

Gnossienne No. 5 doyoueverstopandthink - i will literally never get over about how fantastic the transition from robert schumann's "träumerei" to erik satie's "gnossiennes: no. 5" is

Voi Che Sapete asongaboutpirates - Another little detail about OFMD that makes me go feral

Transformation in OFMD fresne999 - Half way through the journey of our analyses mxmollusca - The transformation from object to subject, from something that has things done to it versus someone with agency.

Ed's & Izzy's Relationship asneakyfox - you have to understand i have always felt the key thing that makes blackhands interesting...

chaotic-neutral-knitter - Izzy telling Stede "I know you think you understand him," and Stede immediately describing Ed's emotional state perfectly accurately... gaypiratepropaganda - On Izzy saying "because of your feelings for Stede fucking Bonnet"

Ed's Arc veeagainsttheday - Ed, Killing, and the Kraken in Our Flag Means Death S1 and S2

piratecaptainscaptainpirates - I've been thinking about how Ed starts directly killing people in s2e8 57flagsofdeath - Still thinking about this scene. Ed lights the fire place, puts a blanket on the floor to lay on, and puts the two cake toppers next to each other before rolling over and bursting into tears. asneakyfox - i've talked a fair bit about how i don't think "anger issues" is a very useful way to describe how the show frames ed's relationship with violence

Izzy's Arc bakasara - Trying to parse my thoughts on Izzy's death and why I had a different reaction to it than I thought I would. forpiratereasons - all right. i'm ready to talk about izzy.

Love & Relationships in OFMD jaskierx - posting some thoughts from the discord about how many 'irl relationship' things they're dealing with in ep7 and how much i am eating my mattress about it medievill - ofmd does not give a fuck about reality or history or anachronism but it draws the line at magic dick.

#The effectiveness and attention to detail of the OFMD sound crew's use of recurring music to emphasize the narrative is incredible #If you love the music in OFMD you'll probably enjoy this #OFMD is an absolute treasure #gnossienne no. 5 #blackbeard theme #voi che sapete #kraken theme #ofmd music #Mark Mothersbaugh #maggie phillips #OFMD sound crew #our flag means death #ofmd #ofmd s1 #ofmd s2 #ofmd s1 s2 music comparison

95 notes · View notes

henrysglock · 4 months

Text

Local Man Uses The Cyclical 27-Year Torment Nexus To Try And Change His Fate [EPIC FAIL COMPILATION]

You probably guessed that this is the time-travel post I've been slaving over. You'd be right. This is the newest and most formal iteration of my long-standing time loop theory (I have drafted flowcharts back from February that actually predicted a dimension/time fuckery event in 1943 in relation to Brenner, which was made canon by TFS). So...Let's just dive right in. Note: I'm planning to keep calling TFS Henry "Henry" here just for simplicity's sake.

Now, fair warning: There are a few big "bear with me"s in this post. I promise they make sense, I just need you to hear me out.

It all started with Henry's self-proclaimed superhero name: The Stardust Spider.

Some of you may have seen my original post about The Rise and Fall of Ziggy Stardust and The Spiders from Mars (here).

Before anyone says "Oh, but that album didn't exist yet", a reference in 1959 about a Bowie album that wouldn't be recorded until November of 1971 is in keeping with TFS's habit of directly referencing things from the '70s that "don't exist yet".

However, all that aside, there's a specific piece I want to return to, because it bugs the living daylights out of me.

There was a cut song that was meant to go on the album The Rise and Fall of Ziggy Stardust and The Spiders from Mars titled "Shadow Man":

For obvious reasons in relation to Henry in The First Shadow, this song already stuck out.

Specifically, though, these few stanzas hit me weirdly:

You should call and see who answers For he promises to come running Guided by the truth For the Shadow Man is really You Look in his eyes and see your reflection Look to the stars and see his eyes He'll show you tomorrow, he'll show you the sorrows Of what you did today You can call him foe, you can call him friend You should call and see who answers (see who answers) For he knows your eyes are drawn to the road ahead And the Shadow man is waiting 'round the bend ('round the bend) Shadow man is waiting up ahead

The Shadow Man is you from the future. He's waiting up ahead to show you the the truth/the consequences of your actions.

Considering that the TFS version of Young "Henry" has a direct connection to both the Shadow and Dimension X from a young age, and he also experiences what seem to be Vecna-type visions, this becomes particularly interesting to me...Especially seeing as said fates are not only possible for future "Henry", but also canon for future "Henry". (See: Vecna guy vs Mindflayer guy)

So, when I see an almost comical number of lines in TFS relating to rewriting known, undesirable endings (here are a few of my favorites):

And when we revisit some of the on-film classics:

I start to think it's time we revisit the concept of time-travel and trying to change your own fate.

It's always hard to know where to start with posts like these, so I'm going to kick things off with the technical aspect: The Cycle.

Something I've talked about in the past year, mostly on Discord, is this concept of a time loop. Not just any old time loop, though. A 27 year cycle, specifically.

Not 20, not 30...

Now, we all know the TFS timeline is messy as hell and doesn't actually align with anything that's possible in filmed canon...or within its own time span, even.

For example, the attack on Mr. Newby happens both some point after October 1st, 1959 and before November 20th, 1959...but the papers for the incident report it on March 20th, 1958:

The timeline we're given also largely fabricated, as I pointed out in relation to the newspapers with dates that don't actually exist.

However, much like NINA, the sequence itself being fake doesn't mean the events didn't happen. It's just not happening in the time frame we're told it's happening in:

It's a set of real events, just portrayed on a different time scale.

So, with all that in mind, I want to lay out a timeline, starting from Season 4 and moving backwards in time:

— Vecna opens the rifts, and El opens a gate to Dimension X in NINA, both in 1986. The March 1959 Creel Murders occur exactly 27 years before the Rifts and NINA's Dimension X gate open in 1986...at which point the Mindflayer is shown to be active.

— Mothergate opens through to Dimension X at some point between November 1983 and October 1984, this being somewhere between 16-28 months prior the Rifts opening. The paper about the attack on Mr. Newby, dated March 20th, 1958, is released exactly 610 days, or 20 months, prior to the Creel murders on November 20th, 1959. It's not necessarily the exact dates that are important here (again, these dates are relatively unreliable), but the gap between the dates.

When put in accordance with filmed dates (i.e. setting the release of this paper exactly 610 days prior to March 22nd of 1959), the paper for the attack on Mr. Newby would have been released on July 20th, 1957. This would be in line with Edward Creel's move to Hawkins in the spring of 1957...while also occurring 27 years before July of 1984, at which point Mothergate is open, and the Mindflayer is active.

This July date is especially funny to me considering we get "throwaway" lines like this...with shots in filmed canon from summertime:

Top: Joyce and Jim beginning their investigation into the attic attack. Hopper Sr. is questioning why Joyce and Jim are investigating, rather than attending school. Bottom: Alice and Henry with the rabbit death scenes in filmed canon, the setting showing full foliage and both children in summer clothing. "Is it summer break?" I don't know. You tell me, Chief.

Per TFS, Henry went missing in a cave system near his home town of Rachel, Nevada (hold that thought) at some point in the year prior to the attack on Mr. Newby. We've been told that Dimension X was involved in this event in Nevada, something happened there that left "Henry" altered physically. He was also flayed at some point around this time.

This all coincides with Henry's dramatic mood shift from a "normal and good" boy to one suffering from Mindflayer-induced psychosis. This change happened in tandem with the Nevada incident, dating back 10 months prior to the attack on Mr. Newby:

If we set Henry's initial disappearance in line with filmed canon like before, it becomes September of 1956, which is just over 27 years before Will's disappearance in November of 1983, at which point we know at least one gate is open.

We also have 1952, at which point TFS Henry would be 7 per his age as a 14 year old/freshman in play canon. This exists in a 27 year interval against 1979, when El opens the original gate that sends One to Dimension X, where he subsequently shapes the Shadow into the Mindflayer.

Here comes the first "hear me out".

My questions are:

Since Henry/Vecna/The Mindflayer/etc. in general don't show any capability for opening gates before 1986, then how the hell is the Mindflayer possessing anyone in 1959?

How did "Henry" get involved with Dimension X in Nevada in the 1950s?

Unless, by some chance:

Dimension X exists all the time simultaneously (i.e. it's a space outside time)

The gates exist simultaneously across time and space in the Right Side Up in 27 year intervals. By which I mean: A gate that opens in, say, 1983 would exist simultaneously in 1956, so on an so forth.

There's the disappearance of Captain Brenner and the USS Eldridge in 1943, which would, interestingly enough, align with 1970, the supposed year of El's conception.

Then, 1952. Now, I'm not sure what's special about 1952, when TFS "Henry" was 7, because they don't actually say what happened to make that year important! They make a point to show it to us, though, meaning something happened...we just don't know what. All I can say is that 1952 does exist in a 27 year interval against El's 1979 gate. Hold that thought.

Those addressed, let's fast-forward 4 years: 1956/1983.

Now, to be fair, there is some uncertainty in my mind about whether this specific gate incident stems from Brenner's involvement with Project Rainbow in Nevada pre-1957*, or if it stems from Mothergate in 1983, or if they created some kind of wormhole between the two locations 27 years apart...but that's a concept I need to explore more thoroughly in a another post.

In short, though: Did a singular El open a singular Mothergate? Did El open mothergate? Did Mothergate actually open on November 6th, 1983...or are we just supposed to assume it opened the same night Will went missing/the demogorgon came through? We're never given a concrete date for when Mothergate actually opened.

* In TFS, Brenner claims he's dedicated his life post-1943 to Project Rainbow with the goal of finding Dimension X, and that he's doing so in pursuit of knowledge regarding the circumstances of his father's death in connection with the Philadelphia Experiment. The USS Eldridge, Brenner Sr.'s ship, disappeared into Dimension X briefly on October 28th, 1943. "Brenner Sr." was the sole survivor. "He" returned to the Right Side Up with a completely unique blood type, supposedly altered by his travels into Dimension X. This is what ultimately led to him succumbing to his injuries, due to his body rejecting all forms of blood transfusion. Brenner Jr. tells us that about 10 months prior to Henry's first stay in HNL, a scientist from Project Rainbow escaped Brenner's lab carrying a container of a dangerous material, and ended up near the same Nevada cave system Henry disappeared into. We don't know how or when this material was collected, or what it was, but we know they found Henry's Captain Midnight spyglass next to a body (identity unspecified) with no trace of that dangerous material. We get no further detail about the Nevada Disappearance.

Anyway, someone opens a gate in the fall of 1956 and/or 1983 (my money's on it being directly linked to an El in 1983 either way). No matter who did it, though, someone opened a gate at both time points, showing us this 27 year link between the 2 dates, 2 key locations.

"Henry" goes missing in Nevada in 1956, and ends up involved with Dimension X...Which aligns with the choice of song surrounding this version of the Creel family while they move into their new home:

Coincidentally, 27 years in the future, so does Will, in Indiana. Their experiences are linked across those two spaces via that 27 year period.

We know that regardless of the gate in Nevada...Mothergate, at least, stays open until from fall 1956/1983 to fall 1957/1984. That covers exact time frame that the adjusted dates for both Henry's accident with the boy in Nevada and his accident with Mr. Newby fall in (as well as Will's time between his disappearance and his flaying).

The closer we get to Will's flaying in 1984, and the closer the Mindflayer gets to crossing through Mothergate, the more TFS Henry sounds like One (post-1979) while he's possessed in 1957, the more strangely he behaves in general (almost as though the Mindflayer is more enmeshed in his everyday life/closer to the surface), and the stronger the possession attempts seem to become overall. He begins giving nightmare visions to other people, namely tormenting Virginia with spiders and her past. He has his final and most powerful "Vecna" vision on the night of the attack on Mr. Newby.

Any kind of reciprocal gate irt Mothergate in the '50s would have gone unnoticed, since the papers in TFS indicate that HNL wasn't established until Brenner showed up to take Henry in.

Mothergate closes briefly, only for a gate to open in July 1958/1985 in the underground location of the future Starcourt Mall. This, in 1958, is during our unaccounted-for 20 months between the attack on Mr. Newby and the Creel murders. (Something rattles about this and the scene where Henry nearly makes full contact with the Mindflayer, when he has a handful of duplicate lines re: his 4.07 monologue self, but I don't have sufficient evidence to make that claim with any certainty.)

That gate closes, until Vecna opens gates in Hawkins in March of 1986, and El opens a Dimension X gate briefly and simultaneously in both Hawkins/Nevada in September of 1979 (September of 1952) and Hawkins/Nevada in March of 1986 (March of 1959) during NINA, concurrently...at least one of which may have gone unnoticed, since the Rainbow Room and the surrounding labs seems to have been abandoned entirely after 1979, and HNL as a whole has once again been abandoned after the events of 1984 ("unnoticed" and "abandoned", I say as if the building isn't still being surveilled by Brenner/Owens et. al...I just mean that the building isn't in use by the government at that point in time.)

We're shown the Shadow activating all the way in Russia due to one or multiple of these events. 27 years earlier, in March of 1959, the Mindflayer once again becomes active, per TFS's adjusted dates. Chaos ensues.

At this point, "Henry" starts swapping between sounding like his young self and sounding like his 4.07 Monologuing Adult self again, doing that kind of "I've seen the future" foreshadowing talk with Joyce that his visions did with him:

Here, he also sounds distinctly like ST3 flayed Billy, specifically in the way of the scene with El in the cabin when "Billy" outlines the Mindflayer's plans for her, her friends, and all of Hawkins while crying.

The rest is, well...history. Whatever fuckery went on, it doesn't seem to have made much of a difference. After all, TFS is a "canon event", meaning it had to end the way it did.

Remember those thoughts I asked you to hold?

TFS being a "canon event" means it had to end with Henry in the lab alongside baby El...thus completing our loop, which starts again with the events of 1979/1952. A 27 year loop. TFS may be indicative of a time loop.

Hence:

Out of place dates from the 1970s start to bleed into the 1950s: - A town like Rachel, Nevada, which wasn't established until 1978, now exists circa 1952-1959 after El opens a gate to Dimension X circa 1979 in Nevada circa 1986 via NINA, which exists...about 40-50 miles from Rachel.

- An album like Ziggy Stardust and the Spiders From Mars (November, 1971) or a song like "Chuck E's In Love" (April, 1979) gets referenced circa 1957-1959. - An article about a "younger, more handsome" alien clone of Elvis appears in a 1959 Weekly Watcher paper about the Creel murders, despite Elvis having been 24 at the time...making this an article more likely to have appeared in the '70s or later, likely sometime around Elvis' death in 1977.

2. The Shadow is always depicted as the fully formed Mindflayer circa 1956-1959, despite the shaping event happening in the 4 years between 1979-1983:

3. Henry has Vecna-type visions, despite being the only vision-giver we know of circa 1957-1959.

4. 6 different guys later in the HNL massacre: 2 with the original baby El, 2 with teen El via NINA, and 2 in an as-of-yet unseen product of NINA's Loop (see: the final scene of TFS).

All this laid out, some questions remain:

Why do Henry's visions show him the genuine, terrifying reality of his future?

Why are these visions generally lacking in coercion?

Why are Vecna chime sounds heard before the major supernatural events that deal with visions, even though we never actually see the clock? (They're heard before Virginia in the attic, before the attack on Mr. Newby, before the Creel murders, and in the basement when Henry monologues at Joyce while viewing the corpses of his family.)

Why don't these chimes play when the Mindflayer alone is present, e.g. when no visions occur? (See: Henry contacting the Mindflayer in the lab)

And we don't really get an answer to any of these. Not an easily spotted outright answer, anyway.

But what's really fascinating, which I mentioned just a second ago and takes me back to the top of this post, back to the "Stardust Spider" and Shadow Man, is the fact that despite occurring concurrently with the possession attempts...none of these visions contain an ultimatum. There's no "If you don't obey me, I'll hurt someone you love", no "I'm showing you what's going to happen if you don't obey me", nothing of the sort.

The closest we get to coercion is the bathroom vision, when Henry fights off a possession attempt in the school bathroom and ends up in a vision regarding Patty. When "Patty" starts to talk to him about his future, about how Henry's going to kill her and so many others, Henry says "you're not Patty...what are you?" Then he gets into a physical brawl with her, which is surprisingly well matched. Vision Patty encourages him during that fight, saying things like "That's it!", "We want the same thing!", and "We can have her!"

Those seem like pretty straightforward "the Mindflayer's encouraging Henry to kill" encouragements, right?

Yeah, at first glance. However...lets read that back right quick, but with Moral Objectivity Goggles on this time. Henry openly, verbally identifies that Vision Patty is "not her, not Patty", but is, in fact, something else. He does this multiple times before he lunges at "not Patty", and he is subsequently encouraged by not-Patty...who tells him they want the same thing. That's not suspicious at all. The motives here are definitely crystal clear and totally aren't conflicting in any way.

There's the straightforward surface aspect, and then something else piggybacking on it, complicating it. Hold that thought.

Other than that instance, the negative parts of Henry's visions are all just...information. They're showing him what will come to pass...almost like they're motivating him to fight the Mindflayer. Hold onto that thought too, it buddies with the previous one.

Henry's freaking out about Prancer because he's getting close with Patty, and he's worried he'll hurt her?

His vision informs him that he's going to kill more, that he's going to hurt things, that he's going to kill Patty if he stays around her and/or gives into the Mindflayer's desires. And then it happens. All of it. He kills more animals. He hurts things and people, the pets and lab animals, Mr. Newby, and Inmate 58361 being prime examples. He gives in to the Mindflayer's desire to kill and kills Virginia. He does, by the extent of his perception, kill Patty in the accident.

The same goes for his vision in the attic. Henry's up in the attic using his powers to find someone/snoop on them, fearful of opening himself up for a possession attempt?

The vision version of Patty's mother catches Henry and tells him she "wants to tell him a secret" while his body is being puppeted to attack Mr. Newby. The next time the curtain rises to show us the inside of Henry's mind, he's seeing himself as Vecna, strung up on the tentacles and strangling people with them...just like the end of Season 4. Once again, he's seeing the future that will come to pass...should he fail to fight the Mindflayer off.

We can tell it's a vision, not what's physically happening in reality, because: a) Henry's watching himself in the attic from the stage below. b) It's got the messed up red lighting c) They show us reality just moments before, not a tentacle in sight and without Henry on the stage there observing:

d) The ending of the vision doesn't match with reality:

At the end of this vision, Henry passes out both in the void and IRL, while the vision version of Henry remains crouching. That is a different guy, entirely separate from IRL/Void Henry. There is at least one other person in the visions who is not a product of the vision itself.

Remember those thoughts from a bit ago that I asked you to hold?

Well. This also happens to be the sequence where we not only get Vision-Patty repeating Henry's own words from just after Prancer's death ("It's not real. It's not real. It's a nightmare") back to him, a phrase IRL Patty has never heard, but we also get:

Visions Patty telling Henry how to fight and evade the possession, as if she knows what she's doing ("It's your dream, remember? Anything is possible").

Vision Patty telling Henry she loves him as the last-ditch effort when his "good dream" memory of the real Patty fails to save him from the possession.

These are both things IRL Patty wouldn't know or think to say, since IRL Patty fully believed that Henry attacked her of his own volition out of malice, and she needed to be shown a drawing of the Mindflayer by Mr. Newby in order to abandon that belief.

IRL Patty's behavior is not the behavior of someone who a) knows the ins and outs of Henry's situation with the Mindflayer, and b) coached him through overcoming a possession attempt a little while earlier. It's just not.

Just like before, we're seeing contradictions and complications between vision-selves and IRL selves, along with a sense of piggybacking within possession attempts, wherein the vision serves as motivation for Henry to fight harder in resistance to the Mindflayer...while the Mindflayer is possessing him.

It's starting to become my favorite thing in the world: A pattern of behavior.

In summary:

Henry's are visions are visions of his future, and they're being shown to him by someone.

They are separate from, but piggybacking on, the Mindflayer's possession attempts.

The purpose of the visions isn't solely to torment Henry or coerce him into doing the Mindflayer's bidding. In fact, the content of the visions seems curated to make Henry fight harder in resistance to the Mindflayer.

So if, for example, Vision Patty ≠ IRL Patty, but she's acting against the Mindflayer's best interest/in support of Henry...then...

I think my answer to the questions of "who", "when", and "how" should be at least somewhat clear by this point:

Someone...from the future.

Specifically, someone from 1979-1986 who has access to the gates from the Dimension X side, someone with both vision-giving and time-related abilities who's directly connected to the Mindflayer/the Hive Mind, but who has a vested interest in countering the Mindflayer, saving Henry Creel, and trying to change the course of the future.

A traitor. A spy, if you will.

"A spy...from the future?"

[gestures at the Signs] Yeah, you heard me.

A spy from the future.

So, on that note: The point in this section wherein I ask you to hear me out.

I get the feeling TFS Henry is being told and/or shown what will come to pass in the future by himself...the Mindflayer.

And you're probably going "How do you figure that one, James? Isn't the Mindflayer a villainous force?"

I mean, yeah. Of course it is. However...

There are clearly multiple forces at play within the Mindflayer (hive mind!), and TFS shows us that Henry Creel wouldn't choose to be a villain.

Thus I think the visions in TFS are situations where, as in the 4.07 rabbit scene, things look really damning on first view. They play on our empathy using small, visibly-frightened, helpless victims and shocking, violent circumstances to guide us into making the assumption that everything about the situation is inherently malicious.

We're shown this poor little guy, "Henry". He's 14 years old, he clocks in at 5'5", he's skittish/scared of (ha) his own shadow, and he's geeky to the nth degree about comic books (just LOOK at that Captain Midnight salute? What an cute little nerd). He's immediately lovable. He's also, we find out rather abruptly, plagued by horrific visions and murderous fits of possession.

The immediate response is to go "He's being psionically tortured by some sick, sadistic son of a bitch who hungers for nothing but blood and control", just like Nancy and the ST fandom collectively did with Young Henry's rabbit scene...only to be proven wrong about Henry's intentions via TFS.

I mean, does anyone (anyone who's able to read this post, anyway 🤭) look at TFS Henry, filmed Young Henry, or even Orderly Henry and go "Yeah. He totally wanted what he got, and if he had the chance, he definitely wouldn't try to save himself from that fate"?

No.

TFS Shows us that "Henry" was a terrified, traumatized boy who wanted it all to stop. He's kind, brave, and stronger than he seems. We're also shown that he's capable of overcoming the Mindflayer to issue warnings to people he cared about (i.e. telling people to run, or prophesying dangers he'd seen via the visions). He was trying to survive with next to no help while causing as little harm as possible. He was a good kid, and he certainly wasn't evil.

So, all that said...I think that, via the Shadow's hive-mind capabilities, Henry's "fronting", in a manner of speaking, in order to show this version of himself the future. Probably as a warning, probably as motivation to fight the Mindflayer, and all with a nice side-dish of "here's how you fight this thing off so that my current future doesn't become our future" before someone else tapes over the figurative laptop camera.

[coughs, drops this Brenner-Mindflayer collage on the table in front of you, and then scurries away]

With that said, I'd like to loop all the way back to the top of this post: The "Shadow Man" may be Henry from the future. He's waiting up ahead to show his younger self the true outcome of his choices.

We all know how TFS ends, though. Hence:

[EPIC FAIL COMPILATION]

This brings me to my final "bear with me" point: The matter of the strange double-agent vibes from the UD in every season.

I'm not sure if anyone else outside the unholycule has noticed this, but in every season there's at least one instance of the UD just...offering up information.

"It does?"

Yup! Let me explain.

On first glance, we look at things like Nancy's vision and even El's vision with Billy in the cabin, and we go "Oh, it's because [insert "the bad guy's cruel/he wants to scare her/his hubris will be his downfall/all serial killers want to be known for their crimes" etc here]"...but maybe that's not the case.

For example: Vecna told Nancy his backstory, and then he immediately went

"Oh hey, so not only am I revealing my identity (Which may help you find out more about me via lab records later on, things like...maybe a list of my abilities, or my weaknesses, like the fact that I have a nut allegry. Allegedly.), but I'm also gonna give you a sneak peek of my apocalypse plans. For free. As a treat. Don't use these to prepare or anything. I'm totally not giving you a head start".

Terrifying, yes. A taunt and a threat on surface view, yes...but also showing his hand. "I want you to tell Eleven everything you see" Why. Why would he want that. He may be confident in his plans, arrogant, even...but he's not that stupid.

I'm serious, though. Check it out in comparison to Henrys visions of the future. The pattern is patterning:

We can track that back to El's cabin scene with Billy, wherein he tells her she shouldn't have looked for him, warns her that they all can see her, and that they're going to be coming after her...and he cries about it. That's vision Billy. That's someone else who piggybacked into El's mind from Billy's mind. That's not real Billy, just like how Billy in Max's vision wasn't the real Billy. The person giving El that vision warns her. Why on earth would he tell her that they can see her, that they're coming for her? That's sensitive information! It would be smarter to let her think she's safe and use that false sense of security to catch her off guard.

In fact, this pattern patterns so well that I'd like to argue this: Henry's TFS visions, Nancy's vision, and El's vision are all the same type of behavior displayed in NINA's chess scene, just in different contexts.

Henry ("Henry") gives some kind of scary prophetic information ("He and the others are going to attempt to kill you", "I would very much like to show you where I am going", "You're going to kill me, aren't you?"), and then we're left to question if it's a scare tactic, manipulative misinformation, or helpful inside information.

It's not that the Mindflayer or Vecna can't hide things from people (see: "Somewhere he didn't want me to see")...like, say, the fact that the Mindflayer is now able to see El, or that Vecna's planning to open 4 gates with his 4 kills.

It's always this miraculous "Huh! Weird info-dropping behavior from the UD's side. Shouldn't look that gift-horse in the mouth though. It's probably just a writing oversight or a shoehorned exposé, so really there's no need to question it." situation where it's just...information that's offered up with no real explanation.

Some of my favorite examples:

...and it's all topped off with Max's line:

"He's been telling us his plan this whole time".

That is to say...You're telling me:

The first message from the Upside Down isn't any of the messages that are concretely Will's, but instead it's the one that's a repetitive Henry line...and it's conveyed in a distinctly not-Will style? A message that saves Joyce, something that's definitely not in the UD's best interest given her tenacity in finding her boy...but is definitely coming from the UD nonetheless?

Will, who fell total prey to the Mindflayer in less than 3 days, was not only able to figure out how to defeat the Mindflayer, but was also strong enough to convey it in Morse code? The Mindflayer, who is able to keep secrets (see below), just...let that information slip?

El, who acknowledges that the Mindflayer is more than able to hide things from her, is suddenly released into Billy's memories and allowed to find the source unimpeded?

The Mindflayer, as Billy (Remember: not actually Billy, because Billy can't give visions or invade minds), is telling El that because he's able to see her now, she shouldn't have looked for him? The Mindflayer, which was supposedly building the Fleshflayer to track El down and kill her? Suddenly he's telling her she shouldn't have done the thing that allowed him to find her more easily?

Vecna's giving up all the information about himself and his plans before he's even gotten the 4th gate open, despite him being so secretive about it up until that point?

Henry's visions in TFS are going to scare him into resisting the Mindflayer, making it less likely that he's going to upgrade to killing humans, i.e. the very thing the Mindflayer wants him to do?

None of that makes any damn sense...until we hit this last point:

Orderly Henry is known for giving inside information about "Papa" to El with no clear motive other than getting her to leave the lab.

Now, if you know my page then you know Em's been talking about double meanings in phrasing recently (see: this post about "who"s and "what"s).

So, with that in mind, I'd like you to chew on this:

"He's been telling us his plan this whole time." vs "He's been telling us His plan this whole time."

By which I mean: "He's been telling us some other man's plan this whole time."

[Mike voice] Superspy.

As a parting thought, I made it all into a nice, neat set of collages:

Not to mention this final, parting bit:

#henry creel #time loop theory #st: tfs

72 notes · View notes

gococogo · 2 months

Text

Share Your Toys | SilverV

Synopsis: V buys something new and odd and Johnny doesn't want to participate. All until he needs to show V just how to use.

Word Count: 2.1K

Genre: Smut

Pairing: Johnny Silverhand/Male!V

Warnings: nsfw/anal/dildo/sex toy/masturbation/degrading/slut shaming

Notes: I know I've only done one cyberpunk fic in the past. But I have this one and one more planned to post haha. I'm here for the male!v x johnny enjoyers

Does he feel a little ashamed buying one? No… Maybe. Just a lil. They had peaked his interest when he had spotted one, but he had much more pressing matters on hand.

So, here he is, with a six-inch dildo in hand.

It’s odd looking. It’s thicker at the tip than it is at the base. Being an ombre from a pink on the bottom to a pastel blue to the tip, it’s almost alien looking. With ridges on the underside that poke out a fair bit, V already knows this is going to be an odd sensation. Something funky to use to get his mind off of current things.

“There’s no way in fuck we’re sticking that thing up your ass,” Johnny snaps from the couch.

V sighs a gruntle noise. He tries to ignore Johnny but the rockstar taps his foot on the ground. He looks up to Johnny finally with a raised brow. He sits on the edge of his bed in only an old t shirt -one that use to be an outdoor shirt but slowly turned into a pj shirt with all the holes and grease stains in it. He sets the dildo on the bed next to him with another sigh.

“We?” V asks.

“Yes, we,” Johnny bites back. “I can feel everything you feel to an extent. And tonight, or any other, I don’t think I’m in the mood to have that thing shoved up my ass,” he says as he points to the dildo with a silver finger.

“You’ve never taken a dick before?” V mocks as he scoots up on his bed.

He makes himself comfortable and brings a bottle of lube with him in hand. Johnny leans back on the couch with his legs crosses over one another. He pushes his aviators up back to cover his eyes. The red glass reflects V on the bed, laid back with his shirt pooled over his crotch and thighs.

“I said I don’t want that,” Johnny grits out.

V rolls his eyes. “Just, leave me alone and I’ll forget you’re ever here. Go to whatever corner of my brain you normally go to when you don’t like something. It’s still my body, so I can do what I want and put whatever the hell I want in it.”

Johnny stares at V for a moment longer and for a split second, the merc feels very exposed. The rocker has seen everything before. Has done stuff to him before. But right now, the look he’s receiving is something different. Then, without a word, Johnny disappears in a glitch of blue and red static.

Good. Now he can continue in peace and use sex for a moment to forget about how shit life is.

Getting the first inch in is a struggle. Even with a lot of prep and a lot of lube, the tip is a tad thick. The stretch is a little overwhelming as V opens his legs out a bit further. He works himself little by little, letting the ridges of the fake cock rub up inside of him.

“You’re going to hurt yourself.”

V stops all so that he can glare at the disturbance standing over him at the side of his bed. He’s gotten so use to Johnny popping up randomly that when he does, it doesn’t phase him at all now.

The rocker’s arms are crossed over his chest and he still wears those red aviators. He can see himself in them again. Legs apart, dick half hard between with a large cock spreading him open. And all Johnny does is frown.

V moves the dick, pushing it a little further into himself and watches Johnny’s face. And when the rocker’s face scrunches up into a scowl, soon followed by a shaky, quiet exhale that is a clear indication he’s trying to hide his reaction, V can only smirk.

As cockily as he can say with a cock up his ass, the merc grins, “How should I be doing it then?”

Johnny’s scowl only deepens. Yet, he disappears from where he’s standing and reappears in a wave of glitches and static in front of V. Bent over and looking over him without his aviators. Dark, brown eyes stare him that hold something dangerous.

Without a word, Johnny takes control of V’s spare arm and grabs a pillow behind him. He shoves it under V’s back that has the merc rolling his eyes. The pillow trick? Really?

“I can’t believe you’ve got me doing this,” Johnny grumbles under his breath.

“You’re the one that hopped in yourself, I could have done this on my own,” V interjects.

Johnny covers V’s hand that holds onto the base of the fake cock. “And have a shit time because you’re taking too long? I’d rather not sit back and have to experience that.”

“But you’d rather experience a misshaped dildo up my ass?”

Johnny only frowns at that, his brows furrowing together. Hard enough that it brings creases to his forehead and brings out his crow’s feet.

With a hard push, one that V wouldn’t have deemed himself ready, the cock is pushed halfway in. V throws his head back against the bed. The ridges of the dildo rub up against the part inside of him that makes everything tingle. The painful stretch of the cock has him trying to catch his breath. But it’s a pain that is welcome. Has him buzzing.

The thickness of the first half has him already feeling full. The ridges on the underside of the dildo rub up against all the good parts inside of him that adds to the dizziness in his head. He breathes heavily, soft whines hitching his throat as Johnny moves the cock inside of him before he can get use to the feeling. Slowly pulling out before pushing in where it was before. And God it feels so good. It has him gripping the sheets with his other hand, the other being held down by Johnny.

The rockstar lifts one of V’s legs up and props it over his shoulder so that he can settle in closer. V looks to Johnny through slitted eyes and the look on the rocker’s face only turns him on more.

Johnny’s mouth is parted, and he breathes in sync with V. Each time he pushes the cock inside of V, each time a little deeper, each time hitting his prostate, Johnny shivers and pants. The blue of the cock all but disappears into V’s ass, leaving only the pink half to take down. God he’s quickly enjoying this as much as V is. Who knew the rockstar could have a little fun.

Being trapped on a biochip must do that to someone though. But by whatever God there is, is it hot to see Johnny become a little desperate. He’s so focused on the fake cock that his own hips move in sync faintly.

Johnny growls, -something that V never expected to hear- and pushes the rest of the cock inside of V. It slips in easily, the base being narrower than the first half. And everything feels like it short circuits inside of V, as if his cyberware doesn’t know what’s happening. His back arches as he groans deep within his throat. The cock is so wide and girthy it stretches him greatly. It makes him feel full and has him twitching. Each movement has the ridges grinding up inside of him and each time that happens, a small hiccup of moans are forced from his mouth. He can’t help himself. This feeling is wild and he’s glad that he bought this.

Johnny on the other hand. He’s bent over V trying to catch his own breath. He doesn’t need to breath but it bloody feels like he can’t intake air. Every time V moves and shifts, a wave of pleasure pulses through Johnny that has him shivering and twitching. He can feel himself grow hard in his leather pants. He’s not meant to be into this but by god does it feel great.

He catches his breath before pulling cock out of V to the tip, the sweet sound of moans and groans coming with it. With a forceful push, he shoves the entire six inches back into the merc, the blue disappearing along with the pink. And there it is again, the wave of pleasure and tingles from V that has Johnny shivering and groaning deep in his chest.

He begins slowly pumping the fake cock inside of V, revelling in the raw feelings and sensations that come from the merc’s end. He can feel V’s pain and those friendly pats to his shoulders from strangers. All of those are faint, like passing by a soft blowing vent. But this, this has Johnny’s head spinning and his code glitching.

V other hand comes back down to stroke his hardening dick. He grinds his teeth together at how overstimulating such a simple touch is. God he’s not going to last much longer if Johnny keeps this up. Especially with the pace quickening with every pass of his prostate.

Johnny begins panting loudly as he quickens the pace. Each time it fills V up in the right places and stretches him a little painfully. But that sting is something that feels so good. He matches his stroke on his dick with Johnny, letting him take the full reigns even though he knew he was fucked when the rocker popped back up again to make his comments.

V gets lost in everything, letting his mind go to this moment right now. Forgetting about everything that’s fucked him over in life. Johnny pushes the cock fully in and lets it sit there for a moment. All so he can swat V’s hand off his dick and replace it with his own. The feeling of Johnny’s metal hand on his dick is cold and brings a harsh gasp out of his mouth.

V meets dark brown eyes that stare at him. There’s something different there that the merc can’t quite place. Maybe because he’s having trouble reciting the alphabet or he’s completely forgotten what day it is. His mind is a jumble. But he knows that that dark look within those eyes is something akin to…

“You’re such a slut, you know that?” Johnny quips in between his own panting.

And there it is. Johnny’s comments. Why should V be surprised?

“Yeah and-“ The comeback V was going to make is lost as Johnny moves the dildo inside of him.

He grinds it into him shallowly, letting it rub up against everything inside and makes his entire gut and head to buzz. And in time with the movement, he strokes V’s dick, his thumb flicking and rubbing over the tip each time strokes up.

V grabs onto the blanket again, still letting Johnny guide his other hand on the fake cock. Everything is going crazy. He can’t help but grunt and whine like a two eddie whore.

“Yeah,” Johnny groans out. “You sound like one too.”

V can feel himself coming closer and closer. If Johnny keeps this same pace, he can get there quickly.

“My little slut, how does that sound?” The words are spoken deeply, gravelly.

And it all goes straight to V’s dick. He cums as if a freight train just hit him. His Kiroshi’s become spotty for a second, the black spots disappearing slowly after a while as his eyes recalibrate. He can’t catch his breath for a moment and when he opens his eyes, Johnny is gone.

For a split second, V feels a bit of panic, but as soon as it comes, Johnny appears back again in a storm of glitches and static. He’s hunched over V with a wide expression upon his normally grouchy features. He pants and shakes. He gulps, trying to collect himself. But whatever V felt, Johnny did as well ten fold it seems.

V slips the alien like dildo out of him with a pop and a groan, and throws it aside on his bed. He’s too worn out to worry about anything other than the rockstar leaning over him.

He reaches up and pats Johnny’s face. The simple touch has brown eyes latching onto V.

“Was it worth it?” V asks.

“No.”

“Not even a little?”

Johnny sits up straight, still kneeling in between V’s legs. He runs a hand down his face and lets his gaze run down the merc’s body. His eyes linger on V’s still leaking cock and the cum splattered over his stomach and tattoos. He’d be wrong if didn’t admit this was all a little hot. It’s all in how V pants and shakes from the orgasm still, his chest and stomach rising rapidly with each breath.

Johnny swallows thickly, his Adam’s apple bobbing on his throat. “A little then, yeah,” He grumbles.

Please do not copy or repost my work. <3

48 notes · View notes

khytal · 9 months

Text

ok gamers I rewatched tristamp one more time in order to write a post about the soundtrack, and some of the stuff I found blew my socks off (even though I've seen every episode like 6 times) so buckle up because oh my god. oh my god

this will cover most of both volumes of the OST (which you can find on spotify), with a focus on wolfwood, and a little bit of vash, meryl, and the eye of michael

...and a very thorough breakdown of "drain arm" :)

notes before I get into it: -I won't be analyzing the plant song because I. already wrote an entire separate thing about that haha (a link to that doc will be in the replies section of the notes if you're interested)

-you won't need to know anything about music theory, because I'm just pointing out where certain themes come up (with the exception of "duet", but I'll explain terminology there). timestamps will be included so you can listen for them as you read

-if you're obsessed with the OST like I am, most of this probably won't be anything new x) but I hope it's enjoyable regardless

-my credentials: I was a pianist for 10 years and an oboist for 7.5 years and I only had 1 semester of intermediate music theory but I got to analyze the 1st mvt of tchaik 5 and I think that permanently altered my brain chemistry

-the tracks I recommend being familiar with to have a better grasp on this post are: -> "whistling/blues harp in the wasteland" (vash's leitmotif) -> "reality" -> "childhood memories" -> "duet" -> "human subject" (eye of michael, or EoM, leitmotif) -> "drain arm" (technically optional)

-please don't take any of my interpretations/speculation as fact! you are absolutely free to come to your own conclusions I just have a lot of thoughts about the soundtrack lol 👍

here we go :]

EP1: -you can hear a variation of the plant song in "immigrant space explorer" (0:36-1:00)

-vash's leitmotif is first heard in "no man's land" (0:41-0:48)

-only about half of "mystery man" plays, and his leitmotif (0:38-0:51) is actually cut from the scene so it's not heard at all

EP2: -"escape" has vash's leitmotif from 0:18-0:31. they also took out the lyrics in the episode's version of the track x)

-it's possible that we'll hear "might is right" or a new arrangement of it if we get to see the rest of the nebraska family in future episodes, since there were posters of marilyn. I think people largely associate the song with EG the Mine but due to the track title and the fact that it first played in this episode, I feel like it's more about the nebraskas

-I'll talk about "childhood memories" in ep12 because it's related to rem's themes

EP3: -the plant song can be heard in "compatriots" (1:01-1:11)

-"reality" is first heard here, right before the episode in which wolfwood is introduced. keep this in mind for later :')

EP4: -"undertaker" has a dissonant sax part (0:48-0:54) that's similar to the one found in "irritation" (1:05-1:11), but it's an ascending passage rather than descending. it doesn't show up anywhere else so it might become a motif we'll hear in the future, but there's no way to know until the next part is released

-"planet zaji", from 0:55-1:04, has that one part from "time left" (1:02-1:09). it's heard while wolfwood's spinning the punisher around but I think it's just something that sounds cool, and you can't really hear it anyway because of the sound effects/dialogue. if zazie gets any additional themes in the future I might have more to say on this

-vash's leitmotif kicks in in "hungry !" (0:21-0:43) when wolfwood introduces himself at the end of the episode. I really like this track I hope we'll get to hear it again x)

EP5: -I don't think there's any meaning behind "shadow" borrowing from "worms network". I'm pretty sure it was just for mood (and to be fair it is a cool track)

-you can hear vash's leitmotif at the beginning of "boy and vash". this is the part where vash is escorting rollo back to the village

-"cyborg" introduces a new 4-note pattern (0:07-0:14) that I'm calling the eye of michael leitmotif. if hearing this reminds you of episode 6 then you already understand what I mean

-"dud" has vash's leitmotif as well (2:20-2:59), which starts playing when vash is begging rollo to wake up after wolfwood kills him

-only a small part of "human subject" (0:25-0:35) is used for the final scene, right when the windmills start turning. using the EoM leitmotif as a sendoff to the empty village is. really haunting

EP6 (this is a long one I'm sorry): -the EoM leitmotif can be heard in "reborn" (0:09-0:14, but it's easier to hear in 0:26-0:30). this is the opening scene where wolfwood guns down the deserter

-they do reuse "worms network" when livio first opens fire on vash but that's more for mood in my opinion. you could say it hints at zazie monitoring the sand steamer though

-we're probably going to hear "the desert rogue" again when the bad lads gang shows up in a future episode, possibly with a new arrangement for brilliant dynamites neon (this is one of my personal favorite tracks actually. it's a shame they didn't get to use the whole thing because 0:45 to the end is really cool)

-"boyhood" contains the EoM leitmotif and it's very in-your-face in this song (1:15-2:19). in the episode itself the track gets cut at around 2:10, but in the OST the piano motif from "orphanage" can be heard one more time right at the end of the song at 2:18-2:20. which is an evil thing to do. anyway

-"nicholas the punisher" is an arrangement of "reality". let that sit for a second, maybe go listen to those two tracks or something.

okay so we can look at this in a few different ways:

-> the end of episode 3 is of course a reality check, supported by the corresponding track being titled "reality" (even though it's fabricated by nai: to suggest and then prove to the people of no man's land that vash is indeed deserving of the $$6mil bounty; and to tell vash that his presence will pose a threat to humans). you know who else is supposed to be* grounded in reality? the pragmatic nicholas d wolfwood, who's introduced at the start of episode 4 *tristamp wolfwood hasn't quite found his resolve yet, as shown by his hesitation when livio appears

-> in the scene where "nicholas the punisher" is heard, vash is insistent on rescuing livio while wolfwood pushes back and says it's too late for him. he's clearly wishing he wouldn't have to eliminate livio though, and with "reality" as the foundation of this song, it presents wolfwood's inner turmoil in a new way for the audience: vash, who is physically right there trying to persuade him that there's still hope for his brother, vs his role as "nicholas the punisher" in sound, in his mind, and the "reality" that developed along with it (death is/can be a mercy, and sometimes it's necessary to sacrifice one life to save many)

(I also want to add that while legato's dialogue shows he intended for the orphanage to be eliminated through livio's death, it seems wolfwood didn't even realize that killing livio would mean more kids would be taken by the EoM for experimentation. he thought he had to choose between livio or the children, but it was a "test" of loyalty; and legato was attempting to obtain said loyalty by force)

-> outside of the episode, if you were to just listen to this track within the OST it's very representative of his character. contrary to "undertaker", which is fairly laid-back and....honestly kind of playful (and equally reflective of wolfwood's personality, when he's relaxed), "nicholas the punisher" is a more somber and contemplative piece. the fact that it's built on "reality" already suggests that he's someone whose beliefs conflict with vash's; and even without knowing that, both of wolfwood's themes contrast with the energy of "vash the stampede" quite clearly (even if I personally don't consider that track to be vash's official theme, it's still associated with him). I think it's really interesting that vash, the quieter one, has more raucous songs while wolfwood, the one with a sharp tongue, has calmer tracks :)

you might be wondering if "orphanage" is in "nicholas the punisher" and the answer is......yes, but actually, no. but kinda if you're delusional like me. this little pattern from 0:29-0:42 in "orphanage" is found in the low brass from 0:57-1:11 in "nicholas the punisher" (although it's in a different key and has a slight variation in the 2nd half). it's not quite the same, but both phrases start by going down a half step, then down a P5 interval (D->C#->F# for "orphanage", F->E->A for "nicholas the punisher"). lastly the sand steamer's leitmotif (I guess) is also present but that's. obviously because this is happening on the sand steamer lol

-"whom to kill, whom to let live" is just a faster/more tense arrangement of "orphanage" with saxophone over it. starting at 1:07 you can hear the worms leitmotif (1:31-1:34 in "worms network")

I can't say whether or not legato is already represented in the OST because he's currently not associated with any unique tracks, but they might tie the dissonant saxophone passage from "irritation" to him. it's first heard when legato stops wolfwood from escaping the facility, and as far as I can remember it's not played anywhere else. if he plays a bigger role in the next season, which I'm sure he will, I'll be keeping an ear out for this x) (I only mention the sax thing because I don't think he's represented by the sax solo that plays in "whom to kill, whom to let live")

EP7: -a little more of "the desert rogue" is heard when the bad lads make their way onto the sand steamer but it's very hard to make out over the gang yelling in the background lmao

-we're treated to the entirety of "human subject", for the scene where livio briefly returns to himself. if you somehow weren't convinced that those repeated 4 notes had anything to do with the eye of michael, this is the last instance where it's heard: the moment livio's overcome by whatever brainwashing was used on him by the EoM

-I think most people associate "time left" with ep12 but it's first played in this episode and I believe that it was primarily composed with the ion cannon sequence in mind (though a majority of the tracks in the OST only play once for specific scenes, with some songs being cut short and getting different parts played across 2+ episodes. "irritation" and "human subject" are examples of this)

EP8: -this one's a little hard to hear because the 1st note is implied in the C drone but vash's leitmotif starts at around 0:09 in "complicity" and runs all the way to 1:06

-it's also in "home" (1:38-1:57), playing at the moment luida hands vash the red coat :)

EP9: -I've talked about this before but I really like that there's 4(?) measures of polyrhythm (2 or more differing rhythmic lines that are played within the same time signature) when vash joins in, before the brothers come together on the same even rhythm. you can see how vash's quarter-note pattern doesn't line up with nai's quarter-note triplets, and in fact, neither of them ever land or start together:

(for the sake of comprehension I wrote it out with a faster tempo to stretch the polyrhythm part over 8 bars instead of the slow tempo/4 bars. I'm not sure what the official tempo is. I think a sane person would write it at a faster tempo so that the part doesn't look stupidly cluttered but a good musician would be able to play it regardless. anyway-)

it sounds even more stilted because vash is playing on the offbeat. polyrhythm's such a great way to represent the brothers' relationship because it seems so chaotic but both lines are still in time together, following the same beats. they're so different but in the end they're still brothers who (are trying to) understand each other. and I love that vash is playing secondo, a more harmonic/supportive part, while knives has primo, where the melody/ornaments are. it says a lot about their personalities :')

since I don't know what the original sheet music looks like I can't say if this is true but you can hear that the plant song at 1:03 is played in octaves (2 notes that're the same pitch with one higher than the other). because of the nature of a duet, and the fact that this was played by the twins when they were little, the octaves were probably split between the parts. so vash was playing the lower octave of the plant song with his right hand, and nai played the upper octave with his left hand (we don't get to see this because it cuts to nai playing the song alone at that point). also: vash favors his right hand while nai favors his left

-now for something far less interesting: "last run" is a medley combining "ethics and morality", "compatriots", and "millions knives"

EP10: -"a cruel sight" seems to be unused. it was probably intended to lead into "bio-power reactor" in the scene where meryl and roberto meet elendira in the tank (given that it ends the same way "bio-power reactor" starts), but they cut it and just played a version of "bio-power reactor" without the melody

-elendira's themes ("elendira the crimsonnail" and "which is the monster?") seem to have some lyrics that're most audible in the beginning of the tracks but they're almost impossible to make out without some kind of editing software, which I don't have lol. they're already very quiet in the background and they echo, on top of sounding like they were put through autotune

also this is entering speculation territory but it makes me wonder if elendira's theme is going to evolve with her. we've seen some concept art with her having a more teenage appearance, so I think it'd be really cool if the vocals also changed accordingly

additionally she doesn't have the EoM leitmotif anywhere but she DOES have a proper 4-note chromatic pattern that descends from D in "which is the monster?" (1:32-1:35), which is the same note that the EoM leitmotif starts on. if we consider EoM's broken chromatic passage to represent the failed experiments, then elendira, with an actual chromatic passage in her theme, is a success

-"meryl's regrets" is ALSO an arrangement of "reality" :') this is the track that plays during roberto's final moment, which was. you know. the consequence of meryl running off in pursuit of the truth. the "reality" roberto had warned her about several times prior to episode 10. interestingly, while "nicholas the punisher" expands on the original track, "meryl's regrets" is a reduction--it's mostly just the baseline with some notes here and there. she doesn't have a theme yet, but 1:23-1:33 might be something we hear again if/when she gets a track associated with her

EP11: -"nicholas and meryl" is an arrangement of "boy and vash", with erhu echoing vash's leitmotif. I think it's a neat way to show through music that both of them are here because of vash :]

-the tracklist goes slightly out of order at this point for some reason. after "memory retrieval", "memory of geranium" is what plays in the final memory, when nai decapitates rem

EP12: -"memory of rem" is a combination of "childhood memories" and "memory of geranium". "childhood memories" is also found in "knives's piano", which is based on "duet". one fun way of interpreting this is that the "childhood memories" part of the duet is actually from rem, if she was the one who taught the twins how to play piano, which would make "duet" a musical representation of vash and nai's roots (pun intended. sorry). this also suggests nai misses rem, with how often he plays the piano, even if he thinks he hates her.

but "childhood memories" can also simply be seen as a theme that's associated with rem, nai, and vash's brief time together x)

-okay this is the part where I get to rant about "drain arm" because THIS SONG was literally the reason I decided I needed to rewatch stampede. I was listening to "drain arm" a couple weeks after the finale aired and I heard vash's leitmotif near the end and I was like "NO WAY!!!! HOW DID I MISS THAT"

as it turns out, it was cut from episode 12.

not to worry though, I still have plenty to say about it. even if I'm a little disappointed. just. a little.

-> from 1:13-1:25, you can hear vash's leitmotif in the cello. this DID make it into the scene, and it plays when vash rises through the clouds

-> 2:44-3:10 is where some of the lyrics from vocal version of "millions knives" play: "remember how / we used to be / no turning back / sky's (skies??) falling down". although you can't actually hear the "remember how" in "drain arm" (at least not without blasting the song into your ears, which I don't recommend), it starts right when the image of vash and nai sitting in the geodome appears

-> we finally get the plant song at 3:36, when the condensed energy starts to leak out/charge. and then after it fires, but before nai dives into the beam, we hear "I still care for you" (3:44-3:52). and while it's originally from the vocal version of "millions knives", in the context of the scene I think it's a sentiment from both brothers: vash, who pleads for nai to let go and releases the energy away from him; and then knives, desperately reaching for the cube because he believes the success of his plan will ensure his family's (and especially his brother's) safety, the only ones he's ever cared about

in other words: plant song in cello = vash -> "I still care for you" -> continuation of plant song in low brass = knives. they're connected by this single sentence

-> knives's leitmotif (I didn't talk about it because it's only found in songs that signal his appearance, so it's really obvious, but yes he's got one of those) plays at 4:03 for the "nai is dead. you killed him" exchange

-> it goes back to a variation of the plant song at 4:29 (I LOVE the piano at 4:40-4:49 btw. it's so good. I could cry about it. probably)

if you've read my plant song analysis you might be wondering how to tell when it's being associated with the name millions knives instead of the plant race. since we know that a good chunk of the songs in the OST were written like a film score, the visual context (and/or the song titles themselves) can clue you in. "drain arm"'s use of the plant song is meant to highlight that vash and nai aren't human, so it's the latter

-> now here's the part that was removed, probably due to the runtime: vash's leitmotif in the cello again, from 5:03-5:09. if you revisit the part right before nai lets go of the cube, you'll hear that it skips these 6 seconds and goes straight to knives's theme ("but that's the plant song!" yes. we'll get to that in a sec). this missing bit right here?? fucks me up EVERY time. it's the most mournful his leitmotif has ever sounded, appropriately so, and it's absolutely criminal that it wasn't included. especially because knives's theme, the plant song melody, follows it up on violin as the cello continues to play a line in harmony.

and it's knives's theme because in this moment it's about him dying, not the plants. they spent a whole season tricking us into thinking that the plant song was knives's theme, and then they used it to send him off.

-> and then july city explodes o7

as much as I'd love to hear "drain arm" again for another chance to let the weight of vash's motif come through, I think it's too intertwined with this scene to be recycled. like. maaaaaaaybe they could use it for fifth moon if that's supposed to be the climax of the next part but they kinda?? already did the "fire a really big laser at the sky" thing? anyway yeah I'm totally normal about "drain arm". so normal

Extras: -the punisher and the double fangs have these cool sound effects when they transform and it kinda makes me think that their guns are built from lost tech, if the punisher's laser cannon wasn't evidence enough of this

-there's no equivalent of "sound life" in stampede, and I don't think there's going to be one. however, I do think that it would make a lot of sense if rem taught the boys how to play piano, because we could get something like:

-> rem asks vash about the plant song (the memory in ep12) -> she gives the boys piano lessons -> she helps them compose "duet"

-they didn't use "stampede out" for this season but I really hope we'll hear it in the next part. I know it's just a longer version of "escape" but it's a fun song :]

-this is. obvious but you can hear "gate" in "millions knives". no idea if they'll put "gate" into more songs, especially for vash now that he seems to have some control over it

-there's also something kinda fun with key signatures too: -> "millions knives" is in b minor -> vash's leitmotif is in d dorian (of course this changes depending on the key signature of whatever track it's used in) -> "undertaker" is also in d dorian -> I think songs associated with no man's land/humanity are usually in some dorian scale or specifically the key of a minor but this is solely based on jeneora rock since july city had its own unique theme so I'm not totally sure yet. "duet" is in a minor by the way -> "nicholas the punisher" is in d minor. if "undertaker" is tied to humanity (which is tied to vash) then "nicholas the punisher" is linked to the other side: knives, through the EoM. it adds another interesting layer to the contrast between wolfwood's two themes, but I don't consider this to hold any meaning lol -> I WILL say that b minor is the relative minor of D Major, so having knives and vash's songs be written in those keys was likely deliberate. and what makes it really interesting is that to get d dorian, you take a D Major scale and lower the 3rd and 7th notes by a half step

-I'm not 100% sure but I think plucked piano strings were used to create the low, scratchy string sound effect in some of the songs (one example is literally at the beginning of "irritation"). I think it's really cool that piano is everywhere in the soundtrack, but not necessarily by hitting the keys

-I am unbelievably excited for livio's/razlo's themes because they have the opportunity to do some REALLY COOL things with the music for them. we might not get them in part 2 (though I think we will) but whenever it happens I'll be so ready for it >:)

and that's all!! o(-< thank you for reading! if you actually took the time to go through all of this with the soundtrack pulled up, I'm. impressed. i think. anyway I'm a big fan of OSTs with strong storytelling and tristamp's OST is no exception :]

if you've got questions, feel free to ask ^^ I definitely didn't cover everything I just picked out whatever I thought was worth mentioning. which was uhhhh quite a bit x)

(also again if you're interested in reading the plant song analysis I did it's in the replies section of the notes 👍 I recommend reading it on a computer though)

#trigun stampede #gods above this is the longest post I've ever written. there's so much text it started lagging #did you know i've listened to drain arm over 100 times in the past 2 days. while I was writing this. anyway #khyt.art #(because i drew the little vash for this sdfLHGSLDJFHGS)#khyt.3gunposting

140 notes · View notes