psst 👀 you should check out “Where He is King” by mellowbile on itch.io
Hmm...heard 👀
TL;DR: He's a joker, a jester, an absolute clown...but the pain that he puts us through is no joke
That was horrible, I know. I couldn't think of anything else. Plz let me live ._.
Game Link: https://mellowbile.itch.io/where-he-is-king
Notable Features: Nameless MC, Female MC, Demon/God LI(?), Yandere LI(?), Choice-heavy story
Spiciness: 0/5 -- Unless you're into the whole dismembered from the inside out thing, then 5/5. No kink shaming here
LI(?) Red Flags: 5/5 -- Physically abusive, Torture, Sadist. That's about it, but it's pretty gruesome/vivid stuff
Wanna know more? Not if you're not at least 18! Y'all were good until it got updated a few days or so ago due to the gore. Anyways, if you're part of the 18+ club, let's get into it!
!! C O N T E N T !! !! W A R N I N G !!
He looks more like a jester to me, but it may trigger that whole fear of clowns thing...just a heads up
So, this one was a request, which I'm always excited about, so of course I had to give it the old college try. To be honest, I saw and played this the same day that I had gotten the request (hence why I wrote the whole "y'all were good until a few days ago" thing, because it was a few days ago at the time), but I really wanted to get that Trembling Essence review out first, and then, I started adulting and lost track of time, and then a month went by, and yeah. Not to mention that I was looking FOREVER for a particular ending; I'll get into that more once the review portion comes along. Anyways.
Now, admittedly, this one wasn't too much of my style but...actually, just take a look at this:
I actually appreciate the disclaimer because, admittedly, the first thought I had was "This feels gorey for the sake of being gorey", but after remembering what they had said about it being more emotionally charged writing, I realized that it actually was pretty emotionally charged. Like, the writing itself was actually pretty solid and the art? Ugh, I loved the visuals. Those of you who have been rocking with me for some of my reviews know that I get completely undone over sprites, CGs, and all that visual stuff.
Admittedly, I don't really have too much to say in the intro. All that I want to say seems more appropriate for the review portion, so I'm going to go ahead and jump into talking about the game itself. As per typical, I'm going to tell you as much about the game without ruining the game itself.
So boom.
We're on the run. Well, let me rephrase that: we were on the run, but our ankle is kind've AFK, at the moment, and running isn't really an option right now. Just as a little backstory, the reason why we're trying to get away from him is because everything is literally going to shit, or Hell, more accurately. Villagers are disappearing, children are either becoming runaways or being abducted, and there's this hypnotic music that's (assumed to be) always playing in the background from a taunting distance, being just barely heard. Not long after, a devil -- that was intentional, by the way, because he's not the devil, but a devil. He ain't that special, but he's still dangerous -- catches up to us.
Friedrich "JunJingl" Marchosias. Yeah, I jumbled the pronunciation of that last name, too, but just know that that's his name lmao.
Naturally, he starts to taunt us, calling us a "broken toy" because our ankle is sprained, and we aren't much for running right now, which makes his pursuit less amusing for him. This wouldn't be such an issue if, one, Sir Jester Douche wasn't a literal psycho and a pretty serious threat, and two, we weren't literally the last human alive. That's right folks: we're what remains of humanity. Okay, well, maybe not that dramatic, but it seems that way because the people that would've been in the surrounding area are either dead or they were a part of his army, but that's not reassuring either because he only took the children for his army -- we're a full grown adult, so our fate isn't looking too good.
At this point, he's getting pretty pissed at us. That's because he's been talking mad shit this whole time, but we've been silent throughout his whole lil' speech. Like, oh, pardon me for my brain shutting down and putting survival at the top of the list, my good sir.
We indulge in his arrogance briefly, but just long enough for us to stall him while we make a gameplan. Now, here's the thing: if we make a run for it, we're probably going to die because our ankle is pretty messed up, but if we stay and keep talking to this psycho clown...we're probably going to die.
Huh. Okay then. With that being realized...
We bolt. We are outta of there. Point blank period, because it's like, if our chance of death is pretty much inevitable, we may as well make him work for it.
That's kind've falling flat though, because he's right on our tail, and he's not even putting in the effort while doing it. We can't worry about that for too long though, because we hear this music playing and...oh shit.
It's going from bad to worse. Now, we have to worry about his entire army chasing after us, too. It doesn't matter though because survival is still at the top of the list, no matter how slim or nonexistent the chance may be; we keep running. We run and run and run and run until we get to this well. Granted, it may have been a stupid move, but we actually managed to get a good bit of distance, and we stop to get a drink from the well. Like I said, probably a stupid move, but shit, we don't have much of a chance of survival if we're dehydrated. ...Actually, we don't have much of a chance of survival if we are hydrated, either, but a bitch is thirsty, so we get that damn drink, or so we thought we were going to. What we were expecting was a well full of rainwater.
It's full of blood.
We don't even have time to be scared before Friedrich pops up behind us. With our survival instincts kicking in, we get on our gangster shit. We notice that the bucket was silver and recall how a lot of the things in the village had been replaced with silver dupes because it could ward off evil. When I say that we got a good ass grip on that silver bucket...
And absolutely knocked his shit in?! We blasted the hell out of him with that bucket. Look at this man's face.
Lmao, no babes. Not that face.
Lol not that one either...
Ah, yes. We...might have just plummeted our inevitable chance of death to an inevitable certainty of death...
And the story continues from this point, my friends! Actually! This is only one route of ten! Which ending is this you ask? Lol like I'm going to tell you. You'll have to play the game for yourself to find that out. Just be cautious, because it does get a little...messy.
Okay, so! ...Wasn't really my cup of tea, not gonna lie, but it wasn't bad!
First and foremost, let's get into the visuals of this game. The art was definitely pleasing to look at. Like, ugh, I love CGs and sprites and visual effects and all of that, and this game had a looooot of them. Like, take a little lookie look.
Chef's kiss work right there. I really, really, really loved the artwork. Definitely my favorite aspect of this game.
Now, like I said in the beginning, the gore was pretty "in your face" and definitely gives the initial impression of being gorey for the sake of being gorey; however, I made sure that I read it with the "emotionally charged" disclaimer in mind. Pleasantly enough, I actually could get that vibe. The dev gave the go-ahead for personal interpretations but, mmm, nah. Even though I'm not the most analytical person, I was going to let you all in on my weird thoughts, but nah, I think I'll pass on that for another day.
Put it this way though, obviously, I took it as a metaphor for being in pain, but hear me out (TRIGGER WARNING FOR SUICIDE BY THE WAY): it's not just physical pain, but that pain that you feel from the inside. You know, that internal pain that's so intense that it feels like it's literally tearing you apart from the inside out. The worst part about that type of pain is that, even though you want to die, there's something that's keeping you alive, and it feels like literal torture. To me, the game was a huge metaphor for fighting to survive but staying alive feels like torture, and you're just left constantly wishing for it to just end -- maybe a sprinkle of being haunted by past mistakes and a possibly wavering faith? (TRIGGER WARNING END). Anyways, that interpretation may make more sense if you decide to actually play it for yourself. Lol I guess I did let you guys in on my thoughts after all. Guess we're getting kinda close at this point, huh?
Also anyways, another reason why it took me so long to post was because for the LIFE of me, I could not frickin figure out how to get ending number 7!! At the time, the game was extremely new. Like, still in the box wrapped in plastic new, and I was like "Shit, I'm on my own, and I'm dumb". I spent so much time and literally revisited the game on different days to see if I had accidentally skipped something and found nothing new. I looked through the files, and I was like "Bro, I've literally seen all of these sprites and CGs. What am I possibly missing?". When I say that it was driving me nuts... BUT THEN! I WENT TO THE GAME PAGE AND I SAW THIS
OH BLESS IT. I WASN'T BEING AN IDIOT; ENDING 7 JUST DIDN'T EXIST. THE RELIEF THAT I FELT. At the same time though, I was like "...why was there no ending 7?" But minor concern. Very minor.
Overall, the game was pretty damn solid! Lots of gore for sure, and I definitely didn't mind it, but the initial reaction was gore just for the sake of gore; however, when you really give it a chance, the writing's actually pretty okay. My favorite thing about it was by far the art and my other favorite thing was that we got to blast Friedrich's ass with that bucket. That was so satisfying. I mean there were consequences, yeah, but we still got our lick in lmao.
Welp, that's pretty much all from me! I recommended giving it a solid playthrough or two! I recommend it so much, I'll put the link right here so that you can give it a try. Also! Apparently they have a tumblr page for their art, and I'll link that here as well! I didn't see anything for a donation, but if you find otherwise, I'm sure they'd appreciate the monetary support. If you're broke, like me, send them some encouraging words and let them know "Hey, you did a thing, and I think that you should continue to do that thing because you're pretty good at it!"
But yeah, I'm going to end it here so that way I can FINALLY get this posted! Sorry for being MIA for a little. Adulting really be adulting, and I am ill-prepared for it a lot of the time ^^;
Anyways! Remember to drink water, don't be dumb, and hope to see you around~!
Where He Is King
Dev's Art Tumblr
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ohhh my gosh that whole mask sanji idea has me REELING. sanji gains emotions the hard way but he's constantly questioning if it's real or not, if it's still an act, if it has ever been an act, who is his loyalty to now, to his country or his crew? which family? and maybe stealth black has been a mask as well, maybe that cruel, apathetic assassin is a product of pretending for the vinsmokes- so is there anything left of him that is not hollow desire to play for affection?
even if there isn't. the strawhats will love every part of him they find. maybe it will be hard at first, maybe they will feel betrayed and lost and angry. but he is nakama, and a mask is still a product of skin and bone. he has always been capable of being sanji.
like no pressure to continue on this idea in fic form but my god, if you have any more thoughts on this or anything like it i would pay to see them <3 it's so beautiful
YOU. YOU GET IT.
asdksfja;lksjf sanji realizes that he’s come to see the strawhats as something more than a target, a tool to use and then cast away.
(he doesn’t dare to think the word family because that would be a betrayal of his real family, wouldn’t it? it would be an admission of his failure, and he refuses to be a failure.)
it’s all part of the act, he tells himself. it doesn’t mean anything. it won’t last.
but it doesn’t change the fact that he remembers all the strawhats’ favorite foods, that he knows how tell when chopper needs a little hot chocolate pick-me-up, that fighting back to back with zoro feels in sync and familiar in a way that it shouldn’t. all of these useless pieces of information and instincts that he shouldn’t have but does anyway.
so sanji panics—and isn’t that a new experience for him, panicking. every time the strawhats look at him, they see someone who doesn’t actually exist, shouldn’t exist. it makes him feel some emotion that he’s never felt before and can’t identify. it’s terrible; he can’t stand to be this person he’s not for any longer.
maybe he’s the one to reveal his true identity and goal to the strawhats. because he knows he’s in too deep; he needs to cut these ties himself and finish the mission he should have finished long ago.
or maybe it’s not up to him at all, maybe judge sends one of his brothers to find him because he’s taking too long. ichiji or whoever shows up on the sunny, gets a laugh out of sanji trying to play house on a boat, and then announces that sanji doesn’t need to pretend anymore, it’s time to deal the finishing blow and return home with whatever information he’s acquired.
however it happens, sanji does the whole “my name is vinsmoke sanji” speech from wci except it’s real this time, and that’s how the truth comes out. which is fine, it doesn’t matter what the strawhats think of him. it’s better this way, it’s better that they know where sanji’s true loyalties lie: with germa.
(right? this has always been an indisputable fact. so why does he feel so conflicted about it now?)
i don’t know how the plot would play out from here but later, when push comes to shove, sanji realizes at the very last minute that all he’s doing is exchanging one mask for another. he can’t go back to how things were before—his father won’t like that one of his perfect sons is compromised with such weaknesses, but more than that, sanji doesn’t want to be the emotionless third prince of germa anymore.
(the thought he won’t allow himself to think: maybe he never did.)
he never realized before that it was possible to have the freedom to choose, but he does now. so he pulls an uno reverse card and instead of betraying the strawhats, he betrays the only life he’s ever known and saves the strawhats instead, very publicly turning his back on the vinsmokes. the details of how exactly this happens escape me but let’s assume he’s successful in telling germa to fuck off. (for now, at least. i imagine this doesn’t last since judge would be unimaginably angry and go after him, but that’s a problem for later sanji.)
regardless, when it’s all said and done, sanji doesn’t expect the strawhats to allow him back onto the crew. he’s not a good person, he’s deceived and killed hundreds of people in cold blood. he lied to them, betrayed them, pretended to be someone he’s not. the strawhats know that now. by all rights, they should want to kill him. most people would. sanji would.
but they don’t. sanji doesn’t know what they see in him, but whatever it is, it’s enough for luffy accept him even after everything he’s done. admittedly, the rest of the crew still has their reservations; it’s clear enough that they’re hurt and angry and wary of him.
you broke our trust, nami tells him.
i know. sanji hesitates, and then says, i’m sorry.
it’s new to him, this feeling of guilt eating away at him, and he almost stumbles over the words. he’s never had to apologize before, not genuinely. stealth black doesn’t apologize. stealth black doesn’t feel regret.
but he’s not stealth black anymore. he’s someone else. he doesn’t know who, exactly, but he does know who he wants to be. black leg sanji, the man who only existed on this ship for these past few weeks/months, the man who was capable of caring and being cared for—sanji wants that to be real.
luffy’s giving you a chance to rebuild it, nami says. so don’t waste it.
it’s hard, at first. sanji has never not had to play a role before so now he’s confronted with the question: what parts of him are the result of the persona he puts on and what parts are truly sanji? he’s worn a mask in some form or another for so long—certain things are so ingrained in him that he can’t tell the difference anymore.
the next time he cooks dinner, he wonders: is this desire to feed his the crew real, or is it a leftover habit from black leg sanji? the next time he kills someone for going after the strawhats, he wonders: this ruthless capacity for violence, does that come from himself or from vinsmoke sanji?
but maybe it doesn’t matter where it came from because he can make it his. because nothing can take away the fact that for the first time, sanji is doing what he wants to do and not just what he’s told to do.
he says as much to luffy, who smiles and responds, i always knew you could do it.
and over time, the strawhats begin to trust him again. usopp stops being quite so nervous around him. nami starts working on her maps in the galley again, and this time sanji doesn’t have to lie when she asks him questions about the islands he’s been to. zoro tells him that he’d better not hold back during their spars, so sanji stops trying to hide it and lets his sharp edges stay sharp and dangerous and deadly. chopper learns the truth about sanji’s physical enhancements but it doesn’t stop him from worrying over him anyway, which makes sanji’s chest feel warm for some reason.
(and that’s a whole other thing—now sanj has to figure out how the fuck he’s supposed to deal with having emotions because holy shit do you people feel this way all the time?? it’s so much, it’s overwhelming.
he keeps having to ask: what is this feeling or that feeling or that feeling?? and everyone teaches him: fear. sadness. happiness. all things that sanji once thought were impossible for him to feel.)
he still struggles to balance kindness and cruelty sometimes—though he’s capable of feeling compassion now, it’s mainly only ever for the strawhats, and he’s still merciless to anyone he considers an enemy. in any case, his crew is there to support him, to help him figure out: who is he in the absence of everything that’s defined the last nineteen years of his life?
the answer? the cook of the strawhat pirates, sanji. just sanji. that’s who he is and who he’ll always be.
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as long as there is an ocean ✧ read on ao3
the abyssal plains of tommy's subconscious are littered with the carcasses of his father's favorite adages.
no matter how valiant his attempts have been to pry them free — and despite the meticulous, delicate nature of his methods — it seems that many of the sea-skeletons have been left sitting beyond salvation, now inextricable from waterlogged sediment. they're too far-sunk to extract safely; if lucky enough not to crumple like a sheet of discarded tissue paper on the journey down, he'd explode his lungs to red mist on the way back up to the surface. it's almost easier if he imagines them this way, as broken fragments of corpses too fragile to exhume:
the fleshy tissue of a half-eaten squid — actions speak louder than words. the crushed shell of an unfortunate lobster — beggars can't be choosers. the rotting remains of a clever eel — boys who live in glass houses shouldn't throw stones. the ribcage and spine of a starved shark — do as i say, not as i do.
one saying in particular has been mummifying for longer than the others, a giant humpback frozen in a state of watery decay, embalmed in the sandy gunk of his darkest trenches — keep your shoulders straight and your head on straighter. oft punctuated with a caustic, kid.
it's pretty ironic, considering the fact that tommy kinard has nary a straight bone in his body. maybe that's why the line burrowed itself so thoroughly into the deepest, slimiest crooks of the substrate of his mind, slow-growing algae coating the slippery crevices of his hippocampus to rankle him perpetually. tommy hasn't spoken directly with his old man in years; these days he couldn't if he wanted to, or at least not without a ouija board and an uncharacteristic flair for masochism, neither of which he cares to equip himself with.
nevertheless, the phantom whale fall of his father's most-reliable phrase continues to nourish the last hungry, lonely fish left scouring the ocean floor of tommy's mind. nearly every move he makes is centered around practicality, every decision sewn together by threads of vigilance and observation.
with nearly four decades of practice and application under his belt, he's gotten good at keeping his shoulders straight, and gay as he may be, he thinks his head's on just fine, although such would be a contradictory and controversial statement upon the ears of one thomas kinard, senior. thankfully he'll never have to hear it.
tommy can live with his own amendment to the man's words because tommy knows himself and therefore knows the truth. his posture is excellent and he's a considerably level-headed guy. he can't be straight; he doesn't want to be. what he can be is pragmatic. he can be logical, he can be useful, he can be rational. he can be quite capable and, as it turns out, even likable. he can be funny, and charming, and vulnerable with the right people. he can be queer, he can be gay, he can be loved, he can love. he can become without becoming unmoored.
for thirty-some good years, tommy kinard does a bang-up job at keeps his shoulders straight and his head on just fine. he's pushing forty when he meets evan buckley and eddie diaz.
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evan buckley and eddie diaz exist as a singular entity within the confines of tommy's skull. two sides of the same coin, grumbles the detached jaw of an imaginary anglerfish.
it takes some effort to extract one from the other, but tommy finds ways. over mutual interests in muay thai, basketball, and helicopters, he and eddie become fast friends. over mutual interests in each other's inquisitive minds, curious hands, and wanting mouths, he and evan become even faster lovers.
he makes out with one of them, roughhouses with the other; it all feels the same, gets identical synapses firing. he knocks eddie to the mat, steals spit-flecked exhales off of the inches of air near his wild-grinning lips and brings them home for buck to drink down, licking them into his ravenous mouth, delivering him secrets to unwittingly swallow. he smelts himself down to the base and seeps in between them, liquid copper in the nickel sandwich of their clad coin.
it isn't until tommy's got both of them sprawled out on his couch one night, months into his increasingly complex relationships with each of them, that he truly starts to grasp how evan and eddie might exist as a singular entity outside of his skull, too.
top gun's ending credits march, sans serif ants, to the glowing edge of tommy's television screen. fuzzy, synthetic white-blue haze pours into the room and across the skin of buck and eddie's limbs and faces in a manner that makes tommy think of marble hewn painstakingly into handsome statue, of rock tumbled smooth by a patient, perpetual stream, ever-flowing towards the sea.
tommy thinks, i could be a sculptor. i could be a river.
copper in the nickel.
the two men are draped across his sectional like lions in the sun, impenitent and unabashed in the way they take up space, in the way they take up each other. buck's legs are long, stretched out along multiple cushions, his head heavy on tommy's lap. eddie, on the opposite end of the couch from tommy, started out the evening upright, but the drone of the movie — combined with tommy's easy laughter and the literal and figurative warmth pouring off of buck — had helped to coax a more relaxed posture out of him. now he slouches deep into the pillows, legs spread wide to knock up against buck's bare feet where his sweatshorts ride up his quads. tommy almost expects the point of contact between the pair of them to spark, start a blaze that would surely incinerate the three of them in spite of their résumés.
his heart's been a tinderbox for long enough that he can usually recognize flint even when it's disguised as water; the thirst that parches him convinces him it's worth attempting a sip without regard of probable risk.
he lets out a long exhale and drops a hand to card through evan's hair, half-listens to eddie babble on about how the shots of the F14 fighter jets are still so cool all these years later. he's beaming like a kid the whole time, sunshine-ray of a smile gleaming straight at buck.
tommy watches as buck can't help but smile right back, and god, if the energy radiating off of them could be harnessed for physical usage, tommy would never have a utility bill again in his life. he watches, enraptured, as buck flexes and curls his toes against the soft dark hairs of eddie's thigh, pressing dents into his skin. watches as eddie presses back.
eddie falters in his warplane musings when buck's foot skids over and catches in the edge of his shorts.
buck says, "sorry," not convincingly.
eddie clears his throat and drags his gaze from the arch of buck's foot resting against his leg up buck's calf, to his knee, to where the exposed pale of his thigh disappears behind them hem of his shorts. he takes his time wandering up the rest of buck's body, lingering especially at the relaxed curve of his dick under loose cotton fabric, the relaxed curve of his gently parted lips. finally he meets buck's answering stare and blinks, languid, like he's searing something into his memory, buck-shaped sunspots in his retinas. he says, "no big deal," not convincingly.
before tommy's eyes, water transmutes into flint and back into water and over again, metamorphosing in a churning lazy whirl. it dizzies him, blurring his vision until there is no difference between the two; there's just a murky charcoal pool, molten obsidian shimmering like glass, rippling like the surface of an ocean less haunted than the one sloshing in his cerebrum.
an ocean glinting with the reflection of two incandescent stars careening towards each other at a devastating rate, a spectacle to behold.
relaxing his shoulders, tommy orders them to, "kiss," more certain than ever. when they hesitate, he adds, "each other," bracing himself for the likelihood of a stellar collision.
when eddie clambers on top of buck and leans down to crush their lips together, pushing his head down against tommy's thighs, pushing tommy out of his own, it feels more like the calm soar and twinkling glitter of a shooting star against the navy velvet sky, the soft crash of a wave against the edge of a silky coast.
there's no threat of unkind flame, no exploding celestial dust.
it feels like water.
tommy kneels at the sacred place where the luminous sea laps at the heavenly shoreline and drinks, and drinks, and drinks.
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drinks become shots become wandering hands in the generous backseat of a stranger's car, an obvious cocktail to use as a scapegoat for the hammering beneath tommy's breastbone. the depths of his mind bubble up with, trust your gut, not your heart.
he has mixed feelings about that one, but at present he's not sure he can trust any singular part of his corporeal form, so at least it half-applies.
hearts and guts aside, tommy is starkly aware that things between buck and eddie may be escalating a bit beyond his feasible reach. he'd come into the evening equipped with the knowledge that he's successfully constructed his own internal witch's cottage of cake shingles and sugared windowpanes in this questionable "date" night between the three of them, however mutually agreed upon the night may be. he's self-aware enough to understand that he's destined to walk himself straight back into it, naïve as hansel and gretel without the excuse of not knowing better.
he just hadn't realized how famished he's become, and how tempting his own makings would look.
with buck seated comfortably between himself and eddie, tommy has no real access to eddie outside of the smush of knuckles-on-upper-arm from the hand he's got slung around buck's shoulder. as per usual the concept of space does not seem to exist between the other men, and tommy's fingertips get wedged so tightly between their limbs that it feels like with just a little more effort, maybe they could do some damage. the sick, private, bourbon-drenched gutters of his mind surmise that maybe he'd let them.
he watches as they exchange a heated look and a hotter liplock, uncertain as to whether he'll ever get used to witnessing them like this. in the weeks following the fated night of their little home movie screening, tommy's been lucky enough to encourage and initiate several more exchanges of both kisses and conversation among the three of them.
"i... still want to be with you," evan had mumbled against his chest, as they laid in bed together the morning after their tag-team makeouts with eddie to the soundtrack of top gun's menu screen music on a muffled loop.
"i had hoped," was tommy's response. after a beat, "and eddie?"
buck had peered up at tommy, eyes so earnest and open and stupidly fucking blue. "yeah, yes, eddie," he'd said, almost apologetic. "i— i do want to be with eddie," like he had to.
"i know," tommy had told him, the organs in his abdomen heaving tumultuously. "it's okay, evan," he'd said, his heart a hummingbird fluttering frantic. like the idea wasn't sending his ribcage collapsing in on itself, he'd even managed, "i can leave whenever you're ready for me to go." he'd assumed all along that he was on borrowed time; couldn't be a beggar and a chooser.
buck, with love bursting forth from every single inch of his being, with more than enough to go around, had admitted to wanting tommy to stay, if tommy would be okay with it. he pitched the idea that they could talk to eddie, try this together, give it an honest shot.
tommy had flashed back to a childhood history lesson on the u.s. mint where he learned that certain coins aren't made in layers, but instead by melting all of the metals together to become a solitary slab. his copper edges fuse further into mirroring ponds of nickel.
three sides of the same coin, he'd thought to himself. imagine that.
"god, eddie," buck rasps now, voice low, clandestine enough to stay in the backseat. "want you so fuckin' bad."
eddie's answering, "jesus, buck, i— want you, too," honest and shameless, snaps tommy fully back into the present moment in perfect timing.
their rideshare driver whips into the driveway of tommy's house, personified stress wearing a thin windbreaker of customer service as he vocally ushers them out of the car — ahem, looks like we're here, have a pleasant rest of your evening, goodbye. as eddie and buck tumble out of the passenger's side rear door in a picture of resolute gracelessness, tommy, clutching stubbornly onto an ounce of awareness, pauses to give a rearview-mirror nod of thanks to the weary-eyed dude white-knuckling the steering wheel. he promises a significant gratuity for bearing with their shenanigans and lets himself out on the driver's side of the car.
while he steadies himself on his feet, gravel crackles under the wheels of the gratefully retreating sedan, headlight beams fading to shadow. tommy observes the silhouette of the inelegant, eight-limbed, two-headed harbinger-creature making its way to his home's front entrance in a clumsy tangle and waits for his innards to spike with fear, with reluctance. he meanders up the drive and overturns every stone lining the path to his warranted doom, expecting to find the tattered shreds of his decomposing clarity, or maybe a colony of vicious fire ants. all he finds is fertile, loamy earth, rife with potential.
he stumbles up his porch stairs and unlocks the door when he gets there, opening it for the lot of them to fall through together.
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together on tommy's mattress, buck and eddie writhe and moan and curse. they haven't been able to break apart since toppling out of the backseat. they kiss like it's the very thing keeping them alive.
from where he's snuggled up to buck's back, tommy's got a front row seat for the premiere screening of his most-likely demise. he can see the saliva bubblling on the edges of eddie's tongue as he smears it from buck's throat all the way to the cap of his shoulder, a glistening snail trail scattered through with blooming bruises he'd sucked into buck's skin minutes before. he can hear every wet catch of buck's breath in his throat, every soft grunt eddie lets out into against it, every exhale shared between them.
tommy's head spins, so god damn far from being on straight. he feels like a balloon released into the wind, miles above the cold and familiar waters of his deep-ocean, stranded somewhere in the high desert of his psyche. loose dry earth kicks up in a vortex around him, carried by the tempest of his culminating untended emotions. when the dust cloud settles enough for him to think, he recalls the term raison d'être.
it's french, that's why it sounds fancy, is what his father had said to teenage tommy, long before he'd cared to even attempt a grasp on the concept. he'd been moody, hormonal, and wildly, spitefully uninterested in all of the things the man he shared a name with held so dear. rolled his eyes at the gruff, translates to 'reason for being.'
"buck, buck, c'mon," is what eddie says as he scrabbles for a good grip on buck's shirt, taking fistfuls of fabric and wrenching it over buck's head in a frenzy. says, "come here," like buck isn't already melded into him, bare torsos flush, thighs slotted close. says, "come here," again, and it registers that eddie is calling for tommy, too.
tommy eyes snap onto eddie's across the naked curve of buck's shoulder to find them scalding. "fuck," he breathes out, "okay," like it's permission enough for all of them.
for now, it will suffice.
the skin stretched over buck's bulky trap muscle is tacky with eddie's spit when tommy sets his mouth against it, bursting salty-bitter on his tastebuds. buck whimpers into eddie's mouth and grinds his ass back against tommy's crotch; eddie's hips follow after them in a sinuous roll. into the blushing hollow of his ear tommy asks buck if he'd like to feel eddie inside of him, makes sure it's just loud enough for eddie to hear, too. he feels eddie's ankle hook around his own, overlapped with buck's.
"please, yes," urges buck, fervent and wanton, lust and liquor fraying the last threads of his hesitancy. "i've been wanting that."
"you have?" eddie asks, as tommy says, "he has."
"god." context aside, eddie's tone is reverent. he says it again, as though the word is synonymous with buck's name. then, like it's still a secret to himself, admits, "i've been wanting you, too."
buck groans and shifts, or maybe it's eddie — as tommy's faculties render off in the burn of both the top-shelf whiskey in his bloodstream and buck and eddie's immediate intimacy, it becomes progressively more challenging for him to distinguish the fine details. it all feels the same, gets identical synapses firing.
he tracks eddie's movements as he smooths a hand down buck's side, sure and attentive, as natural as breathing. when he keeps moving south to bump his fingertips up against the waistband of buck's jeans and the boxers beneath, buck's breath hitches, hips jerking. tommy tilts against them in pursuit.
eddie asks, "can i?" and it's double the approval he's seeking.
"yeah, eddie, please," buck begs again while tommy nods, delirious with overwhelm.
in an uncoordinated jumble, eddie gets buck flat on his back and makes himself a home between his open-lolling legs. right away his palms return to the broad planes of buck's chest, the curves of his strong stomach, the slight slants of his hips. he makes constellations out of kisses on buck's collarbone, his nipples, in the divot of his sternum.
it looks as close to worship as anything tommy's seen.
tommy wonders if it's worth telling eddie how he'd taken his time working evan open that morning, fucking him deep and thorough so he'd be easier for eddie to push inside of now. if it's worth telling eddie how he'd come, sudden and hard and so fucking good, from thinking about buck taking him so readily.
when eddie's devout, trembling fingers struggle to unclasp the button of buck's jeans, tommy decides to backburner the dirty talk. instead, he rests a hand on top of eddie's, gentle yet authoritative, and says, "let me help."
buck's hips lift for tommy's hands without second thought, making it simple to shuck the pants off of him as eddie shimmies out of his own. before he can even process the sight of evan buckley and eddie diaz naked, together, on his own mattress, tommy's met with twinning expectant gazes and understands that he's meant to strip, too.
"i—" thought i would stay on the sidelines, he tries to say. but as seconds pass under the scrutiny of the other men, the reluctance dies in his larynx, and he jostles around a bit until the denim of his pants is bunched down low enough to free his dick.
he's too preoccupied by the fact that he's got both objects of his affection directly in front of him, touching and loving on each other and spilling all of it onto him, to truly comprehend the magnitude of the moment. his head is so far into the atmosphere that he almost misses eddie say, "tell me what to do, tommy."
re-tethered to the earth by the string of eddie's voice, tommy doesn't miss buck's impatient, "aw, c'mon, eddie, just get in me." his desperate, "need you," is clear as day, clear as his afternoon sky irises, brighter against the rosy blush ruddying his cheekbones. he's always so damn pretty when he pleads.
tommy glimpses down at buck's dick, finds it stiff and pink and already leaking a mess onto his belly; he flicks across to the heft of eddie's where it rests heavy in the lax grip of his own hand. it's a beautiful cock, flushed dark and filled out, not quite as thick as tommy's but a nice, proportionate size. tommy knows buck will unfurl for him at once, a blossom to the morning sun.
meeting the bonfire of eddie's anticipative stare, tommy decides to say, "it won't take much, i got him ready for you this morning. right, baby?"
if buck could nod any more vigorously, he might snap his vertebrae. he adjusts the angle of his hips a little to make more of his ass visible, scoots onto a pillow so that he can prop himself up enough to get a better hold on eddie's waist.
"jeeesus," drawls eddie — a rare slip of his honeyed-rye texas lilt — and then, like he can't help it, "christ." his eyes rake down buck's body, idling on his twitching dick before trailing further, like he'll be able to find evidence: tommy was here.
that makes tommy smirk. he wishes he could keep his instructions ambiguous, left up for eddie's interpretation, something like he can handle whatever you're willing to give him. instead, mindful of the fact that this is largely uncharted territory for eddie, he suggests, "start with your fingers, you won't hurt him."
tommy's trusty bottle of nightstand lube is within convenient reach, making it no trouble to squeeze and slather some across eddie's fingers with a lewd jerk. a bit of extra coats the side of tommy's hand and he uses it to rub along the cleft of buck's ass, prompting a shiver out of him.
"there you go," tommy rumbles, "nice and wet."
the synchronous broken moan that the two let out when eddie finally finds the courage to nudge his fingers into buck is one that will most likely play like a broken-record loop within the walls of tommy's skull forever from this moment forward, for better or for worse.
buck promises, "i can take more," with the bleeding edge of a prayer still present in his tone. "i want more, want you, eddie, come on. it's alright, you can fuck me, you're not gonna break me."
eddie asks, "are you sure?" dually directed.
"never been more sure," buck affirms, as tommy says, "trust him, he knows his own limits," all the while knowing he can't make the same claim about himself.
regardless, he casts himself into the riptide, plummets into the undertow and captures buck's lips in a greedy kiss. he licks behind buck's teeth and drinks up his whines as eddie rides his dick along the slick valley of buck's asscheeks. before he even pushes inside, buck's making these fucking tiny wounded noises that make tommy's heart swell and cock throb.
when eddie lines up and sinks, at last, into the place inside of buck that tommy has come to learn and know and adore, buck breaks away from tommy's kiss with something close to a genuine sob. one of his hands finds one of tommy's, the other still firm on eddie's waist, keeping both of them close. he's got a leg hitched up over one of eddie's hips for better leverage, and his toes curl when eddie starts to move, shallow and slow.
eddie's name has never sounded better to tommy's ears than it does falling out of buck's lips now.
"buck." eddie's tone is reverent. he says it again, as though buck's name is synonymous with god, the two a singular entity within the confines of his skull.
tommy nearly has to look away from them, they blaze so brightly. evan buckley and eddie diaz, starfire contained in terrestrial form, crashing and combining and dazzlingly white-hot.
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white-hot aftershocks zap through tommy's nervous system as he sits at the edge of the mattress, back turned to the two other men. his fingers are gooey with spatters of buck's come mixed with his own, his softening dick sensitive and sticky as his entire body pulses from the dopamine spike of his orgasm. being a spectator to eddie and buck's otherworldly connection — and a helping hand in their ridiculously hot, intimate sex — has him feeling triply unmoored.
he's supposed to be getting them something hydrating to drink; he'd been the one to offer after eventually peeling himself free from the gordian knot of their bodies. evan always gets thirsty after, in particular when he gets a little teary from the pleasure overload, so tommy figures he could use a glass of cold water. they all could.
he tries to will his legs to stand; he finds his knees locked. impulse turns him inward and sweeps him cliffside on the tallest peak of his high desert mountain range. there, he can stand with his shoulders in repose and head in the clouds, squinting far into the distance where he can decipher the unmistakable expanse of an ocean that glints with the reflection of two incandescent stars careening towards each other at a devastating rate. a ghostly whale breaches the surface for a flash, a mere speck on the horizon from here, vanished before its presence totally registers.
his heavy eyelids flutter shut and he mulls, achingly, over the term raison d'être.
he can hear buck and eddie behind him exchanging lazy, smacking kisses and sweet murmured praises.
"you made that so good for me, thank you."
"mm, you were pretty fuckin' good yourself. now come kiss me some more."
the sounds and sentiments soak into tommy's soul like they're meant for him. his lips tingle as though the press of another mouth is against them; his ears warm as eddie waxes on about how fucking glorious that all felt. his heart swoops at evan's quiet, bashful laugh.
upon opening his eyes the fog in his line of sight clears, and even through a blur of unwanted tears he can clearly recognize that he is no longer in the desert but in the sacred place where the luminous sea laps at the heavenly shoreline. the call of the waves isn't far off at all — the surf is actually rippling at his toes, splashing at his knees and calves. he's been here since the night that eddie diaz kissed evan buckley in his lap, feet sunken into silt, warm tides rising and falling around him.
translates to 'reason for being.'
"come back to us, tommy," summons eddie, as evan's hands reach out and welcome him back down to their mess of rumpled sheets and sweaty limbs.
tommy thinks, i could be a river, and lets himself melt into the embrace of their current, stream into ocean, copper into nickel.
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