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#i need to rebuild them maybe
scungledfiles · 1 year
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Hello! Could you please do either a user box that says "This user is Angelkin" or "This user is Voidkin" with the both being grey and sparkly? Thank you in advance! (Btw the Angelkin is more biblically accurate than humanoid)
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!! The art is by myself because I couldn't find any free to use graphics that were suitable for this so hopefully it's not too bad. I might do the voidkin one later too so keep an eye out for that :)
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seagullcharmer · 3 months
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i wish i knew how to write. how to tell stories and show glimpses of other lives
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galacticlamps · 8 days
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actually ascension needs its own post since that's the one with the most details to speculate over and im starved for soho talk so i will talk to myself if need be
First the cover again, because I kinda can't get over it:
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my only thing is that I had been hoping we might get Lizbeth on a cover again since she's never been on one of the boxsets before, despite being the 2nd person credited on all 4 of them (even if that's just alphabetical, still, she's the only one of the four main characters who never makes the cover)
But letting that go...
I know we already kinda knew the brief for this one but damn I didn't expect it to go quite this hard. Maybe that's just because the Parasite & Ashenden covers were (comparatively) similarish to each other and I was so pleased with Unbegotten's, and then got so used to it as the placeholder for Ascension while they kept postponing it, I wasn't expecting anything this colorful or detailed or with what I can't help but register as Fun New Outfits even though these are still like, pretty damn basic as far as costumes go. Still, it's a different vibe from everyone in suits and trenchcoats on every cover, technically. (Oh the woes of being an audio fan such that two characters owning sweaters actually does qualify as new information)
On top of just being visually delightful though, I know we knew religion was gonna be a fairly big part of this one, but I didn't actually expect to get quite this much of it - though I'm glad of it for a number of reasons. The BF twitter already made the ineffable joke so I don't have to, but also yeah I did very much spend all of season 2 episode 4 of good omens half convinced Samuel Barnett & Dervla Kirwan were about to pop up around any given corner (if you will go around being gay supernatural and horrible at your messy bureaucratic jobs in midcentury soho then I'm sorry, this is where my brain's gonna go) - so, fuel to that fire. But in terms of actual important things, at least one of my Soho wishes looks to be being granted because we have a Rev Edward Folgate on the cast list, which must mean we're finally meeting Norton's father, even if his mother & brother don't appear (which they could, technically, I've definitely seen BF not list all the doublings on their cast tabs before). Religion, domesticity, and the nuclear family are all things that absolutely fascinate me when it comes to Norton's character, so getting any amount of story involving his father & his church is something I've been actively hoping for for a long time now.
(I will say I'm a tiny bit bummed Saffron Coomber isn't on the cast list to play Mia again, but I kinda figured she wasn't going to be since Greg Austin's Armitage, who's making his first recurring appearance after originating in Unbegotten, was listed ever since the boxset was announced - presumably if she was also returning, that would've been handled in the same way. But since Unbegotten ended with Lizbeth and Mia going on a date, I still held out hope. Who knows though, maybe things did go well for them and Lizbeth just has a better work/life balance than Norton so she can date someone without them getting dragged into every scifi plot. I know that's not a very common accomplishment for any Torchwood agent, but a gal can hope)
At this point I know I'm completely in the realm of speculation & even wishful thinking, but I'm really really hoping we get some more clues as to Norton's overall timeline in this one, and I have a feeling that even if there's nothing as direct as dates given, the events of a plot like this one are going to heavily influence my personal interpretation of it.
To say that life & death are major themes for the soho crew feels wildly reductive, but even by Torchwood's standards and taking into account its origins as a piece of media with Jack Harkness & his newfound immortality at the heart of it, the living/dead status of this bunch has always been fantastically up in the air to me. Obviously Ghost Mission introduced Norton as kind of a ghost before revealing more obvious ghostly characters later on to which the title might have been referring, but his being from the past did beg the question of his survival into Torchwood's present era all the same, which Outbreak later alludes to much more directly, and his habit of showing up via hologram in multiple stories only further obfuscates any certainty we might have about where & when he definitely can be said to be alive and well. Then you've got Lizbeth and Gideon both being effectively 'brought back to life' via paradoxes that prevented them ever having died in the first place. Again, they are very very far from being the only Torcwhood characters this happens to (for a sprawling EU, it's really rather impressive how often & in how many different ways Torchwood as a whole manages to circle back to being about like. chaotic undead queers at the end of every day. though I suppose that consistency is part of why I keep falling in love with its different iterations again and again). That's without even getting into the question of Norton's dubious fate in God Among Us - and I say dubious because I know some people take that to be his ultimate death, but I personally think that reading something as vague as that as having any kind of finality rather goes against the spirit of this whole world/series, not just because I want him to live. (There are obviously other ways to make him survive/reappear, but I don't see this as a River Song scenario where we can safely assume one of his earlier-released adventures had to happen at the end of his personal timeline). But wherever God Among Us falls for him, he does very much meet God in it - or at least, a god, since the sentinel in Unbegotten is also described as a god of sorts, and even if he doesn't ultimately have the status of the god Jacqueline King is playing there, Unbegotten is still full to bursting with ghosts/undead/came back wrong/echo characters to continue underscoring that life/afterlife theme.
So all things considered, even allowing for the fact that we know Norton's twin hobbies are lying about himself and abusing time travel to suit his own ends/ever-shifting alliances, I find it difficult to believe we could get through a whole 6-part boxset about religion & death without something providing some kind of compelling evidence about where this adventure fits in among his other run-ins with apocalypses and gods and ghosts and dead-but-still-here characters/creatures, so I'm very much looking forward to any further exploration on that front.
And lastly, and least intellectually, I really want to know what the hell 20th-century Torchwood's obsession with Reginalds is. Reading through the cast list, I had to do two separate doubletakes over the character 'Sir Reginald Peebles' - firstly, because I had Reginald Rigsby on the brain, this being Soho (and the other Troughton brother being so active on BF's releases for this same month) - and secondly, because reading this in conjunction with the announcement for the July monthly adventure in which the new main Torchwood guy of the 20s is apparently called Sir Reginald Dellafield, there was a brief moment where I took that monthly release to be a tie-in with Ascension. I don't expect it to be, but damn. was it really so popular a name?
anyways, catch me thinking about those stained glass windows for the next couple months I guess (and knowing Torchwood Soho, for a long long time after it comes out as well lol)
#torchwood soho: ascension#let's start with the most obvious shall we? behind norton - hellfire or divine radiance? whadda we think?#i know one's much more likely for him but also consider: he's been a fairly good boy by norton standards anyway lately#well i say 'lately' like i know when this takes place#idk why but i kinda feel like this starts very soon after unbegotten#comedy is probably why honestly. since that ends with them being like hey! something went right!#i think ever since i first heard that i was like ok cool so the next installment's gonna be something earth shatteringly bad#& it's gonna kick off dramatically literally one second after this scene ends right?#not that it wouldnt be nice to have some (clearly-defined) timeskip there#tbh i feel like that's the one thing that's missing with soho sometimes - those little medium-sized gaps in continuity#where either speculation or even a missing scenes style fic would go#between parasite & ashenden lizbeth was dead and andy wasnt in the right era for soho shenanigans#and norton and gideon went through SO much offscreen (offmic?)#rebuilding torchwood and starting a relationship and breaking up and getting possessed by space eels and destroying torchwood again#that's like... Too Much to analyze/meaningfully discuss without a few more details from canon#and between Ashenden & Unbegotten it's very unclear how much time has passed#norton certainly seems affected when he sees gideon again for the first time but we also know he went there for him so how long was it?#that and we have literally zero explanation for what andy's doing in the 50s in that one to begin with. has he been there continuously?#or did he leave and come back? if so did norton even have to try justifying it to him?#or does andy just accept at this point that he'll be summoned for anything norton feels is noteworthy? honestly either's plausible w him#but also we have so little confirmed about what torchwood looks like at this point in time!#maybe andy gets summoned for all missions bc he norton and lizbeth are virtually the only agents left after gideon quits#there's just a few too many things unexplained/alluded to for me to go total total fandom mode on this#speculating & theorizing about everything that happens off-audio#doubtless this is mainly bc of norton's general untrustworthiness#like im sure a different main character would've left the audience with fewer uncertainties after this many hours of storytelling#but with soho im still left needing just a tiiiiiny bit more before i feel im knowledgeable enough about the situation to expand upon it#in the traditional fandomy 'transformative' way#right now most of my fanning over it is just speculation about what precisely we can be confident in from the dialogue we do have#but i'd like to go further than that truly. these characters captivate me. obviously.
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blue-eli · 11 days
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Ink October day twenty-nine: Wilder
To bewilder; to perplex.
Comparative form of wild: more wild.
#tears of the kingdom#loz totk#totk#the legend of zelda#legend of zelda#legend of zelda tears of the kingdom#totk link#blue boi draws#ink october 2023#ink October 2023 day 29#I have extremely conflicted feelings about this game that I think boil down to: I don’t dislike it but it did disappoint me#like there are a lot of things about it but the things I dislike are loud in a way that makes them hard to ignore#there are also a lot of tiny nitpicking things I dislike about it that I feel bad about because they are probably insignificant or cases of#people having different taste in things. like the bombs I miss my remote destination bombs :( but also the mechanics that replace them are#really fun. I actually think most of the mechanics and puzzles are really good (I probably have more fun in Zonai shrines then sheikah#on average) I also think expanding to the sky and underground was really smart and good. I think most of my issues are with the story#they did Zelda so dirty. sooooooo dirty. the three good things they did with her are 1 gave her good parental figures 2 cut her hair#3 tURNED HER INTO A FUCKING DRAGON. A WYRM. A CREATURE.#that’s probably my favourite main story thing besides maybe the companions and also Tulin#I love Teba the fact that his son is featured heavily and is done so good in this game is amazing.#also revali being basically never mentioned was really good. fuck you revali#love the Zonai HATE them founding Hyrule (or well rauru)#love the designs dragon goat people love good dad to Zelda the king can go fuck himself#the thing about me is I hate ​colonial the divine right of kings and monarchies so much. the kingdom of Hyrule stinks of these things#botw to me was in part a story of a monarchy failing. the king and the system failed Zelda failed Link and failed their kingdom.#I knew that more then likely they would be rebuilding the kingdom in the sequel but oh my gods does the addition of the politics of Hyrules#founding make it worse. there are so many people who have explained in detail this but right now my brain is just… GAH#*banging my head against the wall* can we PLEASE acknowledge the flaws of the Hylian royalty I’m not even asking for them to be discrowned#at this point I just want anything that isn’t this glorifying shit. and it sucks because I like Sonia!!! I like Minaru!!!#ran out of tags but I need you to know I am fucking vibrating about this
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ffxiv garlemald discourse is so funny because people will go "ugh people just cant stand it when things aren't black and white" and then you look at how the empire are portrayed in stormblood and shadowbringers and its like hm. that seems like a pretty intense and accurate display of violent imperialism to me! Wow I wonder why people in this day and age may find it hard to feel sympathy for them or even hate them on principal. god its such a mystery.
the games like 50/50 to me on how it tackles these themes because I actually like the garlemald arc in EW, I think it has a lot of horrific and powerful scenes depicting how self destructive fascist propaganda and beliefs are, but I also think it doesn't go far enough on some fronts. the garleans' xenophobia is most notably and obstacle to getting them to accept the contingent's help, which is what they're there to do,
but there's never an admission of harm from any garleans on the uuuuuuuuh massive amount of war crimes the nations around them are still suffering from they're just kind of like "we misjudged you...but you actually wanted to help us all along" like yeah thats great now can we get you all some deprogramming because you keep talking about returning to your prime and glory days and I think we need to unpack some stuff you really SHOULDNT return to. im not even really talking about EW proper but the patches where things are a bit more chilled out and people are recovering.
It feels like they wanted to have their critique of imperialism and also have things end with the beauty of human connection and reaching out and these things just don't mesh well because hey a lot of your modern day audience is not gonna like having to treat people yelling xenophobic things at the cast and your character with kid gloves after you showed them hours and hours of the awful things these people's beliefs have done. especially in the present day hoo boy.
#im kind of torn between 'no characters dont need to be 'punished' to be redeemed but also the characters just being so lenient with the#colonizers after we see far too many people being lenient if not supportive of the colonizers irl. well. it really blows afslkjfalkf and#yeah you can argue if they'd gone through with the garlemald expansion they would've had more time to go into this but the fact is that its#absent from what they did do and I especially think the patches when we go to garlemald and the EW role quests going 'hey maybe the#provinces can help us rebuild' as if they'd have any goddamn right to ask that just make me feel like they didnt stick the landing#seeing all the characters who have suffering time and time again bc of the garleans or seen the results of their actions having to clamp#their mouths shut every time someone said something xenophobic in EW isnt satisfying and it leaves so much unsaid!#also some people feel like the narrative didnt blame emet enough but ngl I think thats reductive even with his micromanaging scheming littl#ass and the intention of garlemald turning out a shitshow that doesnt make anyone else less complicit. most governments like this exaggerat#and lie and spread propaganda but I dont think most people here excuse the actions of a bigot because 'they were raised that way'#this is also my issue with gaius' writing. hes primarily upset that ascians were behind what he thought was his good old fashioned natural#conquering ideology :( and doesnt it suck so much he killed people for it. like yeah he seems pretty aware what he did was wrong but his#ideology remains bizarrely intact and unchallenged by the characters around him. no dude it wasnt just the ascians the system is a lot more#complex than that by this point aaaaaugh#final fantasy xiv#ffxiv#siren says#I hope people are nice to me about this I dont think I said anything particularly controversial to the Tumblr crowd (twt maybe but fuck em)#ig my main point with this post is that the game isnt perfect at writing this and also that look. I actually liked the main arc in EW and I#like quite a few garlean characters but I completely understand why others didnt like it or any garleans esp if they have their own persona#experiences with colonialism and I dont get to tell them they're invalid for that. too many people get judgmental about this understandably#upsetting topic and you just gotta accept that this is a big line for many people
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technofinch · 2 months
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I think Mulligan's character arc from this point hinges entirely on whether anyone brings him a bagel in the next, oh, 8 or so hours
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alas--pringles · 8 months
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The brainrot noticed that the opener for streetlight has an aqua guitar *just like Randy's*
But this guy is actually acting like him on stage too wtf is happening 🤣
Edit: ah I put my glasses back nvm that is a bass 🤦
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goldkirk · 1 year
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#2023 is the year that I get my finances and my financial trauma sorted out#because it’s either this or it kills me and I’m all done leaving myself open to being killed#have to do a lot of hard work realizing how bad the money stuff was re: hours per week of being trapped in the kitchen with 1-2 people#damning me if I did and damning me if I didn’t#and one of them constantly watching my bank account because they had access till I was 25#and all the fear they put in me and how they trained me to sabotage myself for them#NO MORE#it is not as scary to just face the hellish nightmare zone of loans and debts and not enough money for butter or dog food or whatever#than it is to not face it and live in guiltridden fear all the time#at least with the first option I have itemized spreadsheets I can take to debtors and a bankruptcy attorney if needed#I’d love to find a second job again but it’s been pretty hard#but regardless#no more avoidance NO MORE AVOIDANCE avoidance and shame don’t get me anywhere#the only thing that will is holding hands with the shame and the terror#and if all goes well#maybe I’ll be able to finally get my root canal and other cavities done 2 years late#and also rebuild some savings#mostly just I gotta do this or I’m going to give myself high blood pressure and an ulcer by the end of the year I cannot handle a mother#year of looming financial threat#it’s getting sorted out this year or not at all#and I’m all out of accepting ‘not at all’s#shh katie
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bunnihearted · 6 months
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gil-notskajla · 10 months
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[OC] related to helrobu: running gig where new people enter his silly little hideout/chambers for the first time only to stumble upon bodies upon bodies upon bodies and freaking out
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taconafide2 · 10 months
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I have this extreme urge to throw out half of my belongings but i'm afraid my mother wouldn't let me
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moomoorare · 11 months
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It's so annoying I can't even walk or do stuff. I can literally just sit in bed or play really slowly minecraft if I stay immobile
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pepprs · 1 year
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just was in a scenario where i could have spiraled (and felt like spiraling) out of control with anxiety. but i switched off my phone and i cleaned the kitchen and rth w whole time i told myself i was going to trust fall into the universe bc the universe always catches me even though i doubt / forget / lose sight that it will every single time. and then when i was done cleaning the kitchen i checked my phone and the situation got resolved. and i still feel all the anxiety symptoms like my heart pounding and my gut in knots and shaking a little (but not my head spinning thankfully lol i sure hope that is gone forever!). but i did it. i didn’t spiral and i told myself i wouldn’t panic and that everything was okay and it turned out that it was and i didn’t make it through perfectly bc im still feeling the anxiety in my body but i did that and im really proud of myself. now i have to just keep doing it
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rouge-heichou · 1 year
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we are underlevelled and poorly built, but thats okay. 
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snekdood · 5 months
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naw i gotta say something bc this specifically is dumb.
whats the plan to "get rid" of "settlers" in america? bc usually ppl mean white ppl generally and conveniently they apparently forget not all white ppl came here as settlers. are we gonna do DNA tests to see who is distantly related to whichever settler? even though yall already think DNA tests are flimsy? so then what, is the plan to "get rid" of white ppl generally, ignoring the fact theres white ppl who came just bc of immigration? ignoring the fact that white ppl have mixed with even native people so theres native ppl out there that would predominately be read as white? do they leave too? does a mixed persons white parent have to leave too? to me, "land back" has always meant putting native ppl in positions of power, not "getting rid" of whoever ppl wanna label as settlers. bc if yall really feel this way, and im talking to the white leftist americans here, you might as well kill yourself now if you think you're such a scourge by default of being white and in america, esp since you probably dont even know who your distant relatives are and whether or not they were actual settlers or immigrants, might as well do it "just in case". like be real, when tf did land back mean "get rid" of "settlers" bc i hate to tell ya but none of those original settlers are still alive today, so who are we getting rid of and how? are we gonna put all american white ppl in europe (as if they'd let us to begin with)? so we're gonna enable the whole white ethnostate shit bc you got all your opinions from a black nationalist who hates white people and wants a Very Different-From-White-Ethnostates and Very Special Non-White Ethnostate? and ig you're gonna ignore how much black nationalists buddy up with neo nazis bc its an inconvenient fact for you to swallow? personally, I believe in a world where everyone can coexist regardless of race/ethnicity/etc. personally, i choose to ignore the opinions of hateful ppl no matter where they fall politically. personally, i dont believe in any ethnostate that would by definition require a mass killing of any race/ethnicity, but in general, human beings, esp since race isnt that cut and dry anyways and ppl have been mixing together since the conception of murica' in the first place. so genuinely, whats the plan?
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fuckyeahgoodomens · 4 months
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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊
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PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON
WORDS: DAVE GOLDER
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Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.
“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”
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GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”
But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”
For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.
But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.
“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.
“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”
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Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.
“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.
“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.
“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”
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(look at the description under this, they called him 'Azi' hehehehe :D <3)
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Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.
“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.
“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”
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Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.
“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”
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It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”
Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.
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The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.
“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”
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