I love these photos. They give me an idea about like a crack ship between a sniggle and Paul. Maybe infected Paul and a Wiggly sniggle get away from the action their God's are doing while they relax for a while. Or just a world where Emma happens to be a green alien woman.
Also have a bonus what if black friday was Pokey's invasion instead of Wiggly's
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Not *A* Resurrectionist Pub, *THE* Resurrectionist Pub! (or is it?)
We've all seen the Resurrectionist Pub many times, yeah? In Episode 3 we get a decent look at it. So, remind me again, what does The Resurrectionist's sign look like?
Is it the image on the left? Or the one on the right?
They look quite different, don't they? The version of Dalrymple on 'Sign A' has a massive, bloody cleaver, it's pretty hard to miss. In contrast, 'Sign B' is significantly less bloody.
Well, Sign A is a screenshot directly from the show, Episode 3, just before Aziraphale walks into the pub. Sign B is what you can see in the behind-the-scenes photography here.
So why the difference? Did they make two versions to compare? Maybe they decided on 'Sign A' as the one they wanted in the show?
Well, why then do we see both? As Aziraphale walks into the pub at 22:44, we see Sign A, but only seconds later, by 22:53, Sign B is visible through the window.
Here's Sign B, as Az walks into the Pub:
Compare this close-up of Sign B (left) with the pamphlet Az picks up as he leaves (right):
They're the same, less-bloody version of Dalrymple. They wanted us to see both versions in the show.
So, how does history remember Mr Dalrymple? A bloody butcher? A dedicated surgeon? Or somewhere in the middle, a complicated character, made from shades of grey?
Also, if you're curious about other discrepancies in Good Omens, please check out my previous post about the "Surrender the Angle" sign or any of the posts over at @ineffable-detective-agency. Thanks also to @embracing-the-ineffable for her help on this post.
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Jon Hamm: I've worn everything on this show, from nothing to a rug wrapped around me to a beautiful bespoke suit.
Kate Carin (Costume Designer): When we see him at the bookshop for the ball, we thought it would be hilarious that Aziraphale had asked him to get really dressed up for it. So we did a bit of a homage to Liberace. So he's got a powder blue dinner suit that's encrusted with rhinestones. And then Douglas asked if we could do some sort of coat to go on top of it for one of the scenes when he leaves. So, of course, we didn't do just a coat. We did a huge ostrich feather coat, which we made from scratch.The girls did all the ombre on the feathers so it matches the dinner suit, gets lighter and lighter blue as it comes to the top, and then he's kind of surrounded by this halo of white feathers.
Sarah-Kate Fenelon (Producer): There is a shot when he emerges from the bookshop to meet all of the demons and say, like, I am who you're looking for, where he looks a little bit like an angel. And the silhouette of him kind of emerging in the light is very epic and is then just completely undercut by sort of, move out of the way. (video)
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I saw THAT photo around and I had to try to sharpen/scale it up a bit for *coughs* artistic reasons, but didn't manage much. I decided to share it, anyway. For artistic reasons, of course.
(eternally grateful to lindsey cantrell for sharing that pic on instagram and to all the people spreading the word here on tumbr, you made my day)
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