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#i love all my au's >-<
thecourtjester12 · 4 months
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What's the backstory behind the Monty in Wonderland AU?
Ifffff you're meaning how it came to be, well…I can explain that real quick, but I'm sure you're probably meaning moreso the story of the Au a bit?
Or a 3rd option that eludes me…
Anywho, I shall be answering the first two above! And Hopefully you are prepared for a bit of a ramble here! ^-^
Monty In Wonderland or MIW came to be because of an ask to do with pocket dimension JDCAU (the asks apply to canon of the AU but are initially happening in tandem from a separate pocket dimension, fun stuff!) But because of lil lore tidbits on that Moon I had a lovely question from FriskHeart to do with 'Alice in Wonderland'
And this lead to some silly banter in response from the beans on how Moon kinda acts like Cheshire with how he messes with Monty when they joke together and a silly comment about the idea of 'Monty In Wonderland' sounding silly
A good few of my DCA au's have little ties to JDCAU or others but…that is neither here nor now is it? :3
Butttt….that lil ask sparked my creation of turning a silly originally one of comment into an Au!
As for the Au itself…
Welllllll….I can't say I have a ton planned out just yet, a lot of loose ideas and bits and bobs kinda thing atm (I find it easier to plot out Au's that have a heavier basis in Canon…case and points being JDCAU, LSAU, CTAMK and to an extend J-TOL)
I do plan to have a good mix of both Fnaf SB canon and the original 'Alice in Wonderland' so i need to do some planning on all that to merge it nicely but also put my own twists and headcanons in as well of course ;3
I have a handful of characters roughly figured out and the medium tho so that's a start! ^-^
Writing with occasional illustrations (much like the original books, this lets me show of pretty (in my opinion at least…) designs and scenes but gives me the flow of 'nonsensical' writing that actually makes sense but sounds like it doesn't
Monty (as the AU title suggests) replaces Alice, he's still an animatronic, still the same metal gator man except for the fact he is in a…old fashioned child's dress that will NOT come off, it is way to snug and SHOULD rip but its just...stuck. And he has no clue where he is or what's going on, things feel familiar but not, familiar faces that look….more organic the he's used to seeing.
Everyone's more…animalistic and fantastical and what is WITH the old timey clothes, we're not in the 80's aesthetics anymore and its really throwing him for a loop here.
And what's more the Moon here…or the one that's LIKE his friend Moon 'Cheshire' is reallll sassy, much like Moon is but dialed up to a 11 (man…what a jerk they are) and Monty can't seem to wrap his head around anything in the place or what is and isn't real, all he knows is he needs to find a way to get through the strange 'land of nonsense' and get back to the plex where things are NORMAL again…more or less normal at least as a pizza plex with sentient animatronics can be at least.
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bixels · 6 months
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She hates robots. She fucking hates robots and she's coming to kill you.
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nessieartss · 5 months
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Another sibling au featuring megumi (they finally met and sukuna already made yuuji cringed)
Also happy new year!
Part 1 | Part 3
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beybuniki · 1 month
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they should go on a fishing trip pt.1
#DONT COMMENT ON THE BACKGROUND I KNOWWWWWWWWWWWW#anyway this is day 1. they take a bus. the bakugo household has fishing gear so ´deku is wearing bakugo's onesoe (?) and bakugo is wearing#his dad's. and notices he has grown :')#anyway they take a BUS and don't feel like doing this at all it's awkward for so many reason#also trying to relax after everything is neurologically just really hard they might be hyperivgilant dik#and there's so much they never got to unpack bnut they have to and they have to start somewhere and with someone#deku makes that flower crown while bakugo preps everything and they both look at it and are thrown back into their childhood 🧍‍♀️🧍‍♀️🧍‍♀️#and at first they just sit and wait for the bavarian fish to bite (rody should make a cameo tbh) but then bakugo breaks the iceeee.#and he starts with their moms because their moms have been such a stubbron connection between these two :')#and deku answers with the usual 'good :) how's your mom :)?' and to everyone's surprise he actually opens up#and tells deku about his mom's insomnia because she watched her son die (that shit was live streamed tpo 10 bnha tweets btw)#idk i love to think of their moms being a very easy subject to connect through i think it's easier for them that way to be more vulnerablei#and then some fish biteeeeeeeeeeee#but like 3 small ones so they have to gather berries and mushrooms and make stew (dw there's an aldi this is bavaria after all)#but yeah day 1 is a bit weird like it's just them in the woods with no distractions#which is so different from whatever went on during their 1st year of high school#don't read this i will throw up i just need this somewhere this is my public scrapbook#bnha#deku#midoriya izuku#bakugo katsuki#the flower crown on their knees makes this a bit homosexual but fishing is always homosexual im not fighting against that#au:#fishing
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courtmartialme · 7 months
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redraws of the poster of The Lobster for my 03 AU where roy ends up crossing the gate to our world with the brothers, gets involved with a different riza, gets painfully aware of what he could have had if his head wasn't too far up his own ass, and gets punched in the face at some point
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chikorra · 4 months
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"You're safe now, my darling" The knight rescued her precious princess from the evil Gabriel Agreste
=>>Reference that inspired this piece. :3 =>>Contact me through these socials if you like! <3
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erm hallo 👋👋
have some doodlez !!
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the-raindeer-king · 9 days
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(A/N: prt 4 and the finale of the Mama Riley au! Thanks for all the support and nice comments. It means the world to me! No content warnings. Enjoy!!)
If the ground would swallow him whole, Simon would consider that a blessing. God, he never should've asked his mom about you. Of course she'd clock him. Who knows the man better than his own mom?
He stares blankly at you for far too long. Long enough that you're wondering if there was a chance Mama Riley had it all wrong. You open your mouth, ready to backtrack the statement, when Simon settles a hand on your thigh.
“I… yeah. It's true,” he answers you. He tells you it's fine if you don't feel the same. You were his mom's friend first, and he can see how deeply you care about her and vice versa. He wants his mom to be happy.
“What about what you want?” You ask, curious.
Simon's quiet for a moment, thinking. He wants to marry you, but that might be a bit much to admit right out the gate. So he gathers his nerves, and quietly admits, “I want to kiss you.”
You can't help but smile in response. You lean in a little closer to him, your eyes already half lidded. “I want you to kiss me,” you reply softly.
The kiss is a little awkward. It takes Simon a second to get comfortable in the kiss, but it's good once he does. (You find out later on that it's his second kiss.) His hands come to cradle your face, tipping your head back to deepen the kiss. That's when the kiss becomes perfect, the kind that makes your head spin.
You break away at the sound of the door opening. Simon's hands linger in your face for a moment longer, before he drops them back down to his sides. But you're quick to lace your fingers with his, more than eager to start displaying affection. You've been holding back for far too long.
Mama Riley smiles at the both of you, a coffee in hand. “You kids get your feelings worked out?” She teases.
You and Simon share a look, before responding simultaneously.
“Yes, ma'am.”
“Yeah, Mum.”
Going to sleep that night is incredibly bittersweet. You two finally made progress, just barely started your relationship, and he's leaving in the morning. Simon has never hated his job more than now. He's waited, since the day y'all met, for this, and he doesn't feel like he even has a chance to enjoy it.
But it makes returning, two months later, all the more worth it. This isn't the first time you've gone with Mama Riley to pick him up, but this time is different. There's no fanfare, no balloons or signs, although you and Mama Riley had joked about it. But there is a new energy in the air, excitement to see your boyfriend.
He's easy to spot amongst the crowd, tall and imposing. But you see the way his shoulders sag with relief, when he spots you two. He greets his mom first, crushing her in a hug. There's some whispered words between the two of them, before Simon turns his attention to you.
He hesitates, before tugging his face mask down. “Can I kiss you?”
You can't help but giggle a little, nodding your head. His hands move to cradle your face, so gentle despite the horrors he's witnessed. And when your lips meet his, Simon decides there's no better way to welcome him home.
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honehonn3honey · 1 month
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Birthday boy 🎂
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confessedlyfannish · 2 months
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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multishipping
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tsukk1 · 1 year
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i’m so normal about baby shouto and big brother touya
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emry-stars-art · 1 month
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When the misunderstanding is mutual but they’re both so sweet about it (coffee shop au edition)
Inspired by the tags below (originally on this post) from @blahblaheverythingisgay and @lovelyprincejehan accompanied by some thoughts:
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thank you for bringing this GALAXY brain take to my attention 😂 this guy comes in, all cagey about his past and his scars, always wearing baggy clothes but complaining about compression clothes (being on the run does a number on your joints and muscles), picking out a name for himself??? OBVIOUSLY he’s trans right
They somehow manage to have like three separate conversations about it without realizing they’re talking about two very different scenarios. Andrew only was so wrong for so long because scars on their own (and even being a criminal lbr) are such non-issues that it didn’t even occur to him that Neil could be talking about anything less important than being trans lol
Andrew had his little crisis about it and landed pretty solid on yeah he’s still into Neil regardless, and yeah he’s still super gay. He’ll figure out the rest from there. The only thing he didn't prepare for was Neil being uh. Cis
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eyenaku · 2 months
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FOOL MASK (GITM BY @venomous-qwille)
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Handbuilt porcelain with slip, overglaze, glaze, and gold lustre accents. Paint and lacquer detailing added post fire. Handsewn fool's cap and bells added post fire.
This mask is a part of a (loosely connected) mask series, all hand-built and fired using a range of different temperatures and techniques.
My favourite mask to date, Fool from Ghost in the Machine by the wonderful @venomous-qwille !! GITM is absolutely incredible and I cannot put into words eloquently how much I adore it and Fool so instead I made this mask! Hi!
My word was this mask a struggle to make. The mask itself is entirely one piece, and entirely porcelain!! That's right, those long thin rays are solid porcelain!! The eyes and tips of the blades are done in 22 carat gold lustre. All colouring save for the black and the satin sections of darker red on the face were done with only slips and underglazes. The red colour was correct without the paint, but I thought a contrast from the rest of the gloss would look nice :)
Made to scale, the mask measures 50.8x60.96cm without the hat, and 50.8x116.84cm with it! (20x24in without hat, 20x46in including hat). He is Large, but turned out absolutely lovely and I send my many many thanks to the kiln gods for producing him unscathed.
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(naku & wall for scale)
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(he's so big guys i have large walls (the top of my head is only slightly above the top of the bookcase beneath him) look at him at the wall it's nuts)
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stealingpotatoes · 7 months
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The last (4) Jedi time traveling to the Clone Wars era is just a comedic goldmine. Erza’s chasing after young and adorable Caleb Dune while Depa chases him to get him to leave her Padawan alone. Cal and Ahsoka and trying to make sure no one meets their younger selves, most of all themselves because they’d have questions for Big Soka and Cal. Luke’s just smiling like a sun in the middle of all the chaos, happy to see Yoda again.
alternatively, Cal and Ahsoka are trying to heal their childhood traumas through various means:
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(commission info // kofi support!)
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caelanglang · 3 months
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Happy Lunar New Year!
here's a lil comic of my skk little prince au i made a while back to greet you all :)) I hope your new year wishes come to fruition and that your year would be a blessed one <3
Anyways,,, new year shrine visit!
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