#i feel the same way about archiving the internet. i was looking for the written crochet pattern for something

[uncanny-tranny]

The thing that gets me about history and humanity is that you never know what is immortalized, and the things that will be immortalized are things you would never think.

I saw a person sharing a new tattoo, and it was one of Onfim's drawings. A boy who lived so long ago he is barely a blip now, but his drawings meant so much to people that somebody is now permanently marked in their skin with one of those drawings. Do you ever look at the things you make and just sit there and wonder if this is the thing that future people look at? Do you ever look at your art, your writing, your schoolwork, or anything that is yours and just wonder who will find it, who will fall in love with a piece of your humanity and become overwhelmed with emotion over? It's not unlikely. It's not totally unlikely that somebody will find a piece of you in the distant future and devoid of any other context of who you were will still love you because you were here. You were here, and you are still here, even hundreds or thousands of years later. Treat yourself with the same love that so many have for dear Onfim.

#positivity #gentle reminders #if anybody has ancient children's drawings beside onfim let me know they melt my heart #i have always wanted a tattoo of that kind of thing too and i want ideas #see if archeologists dig me up or whomever else they won't find significant tattoos or other things. they will see i have loss.jpeg on me #and i think that's just as important. these people must know that people are silly and weird and don't make sense and that's IMPORTANT #i'm just. so obsessed with this because it's instantly humanizing #what little child hasn't drawn humans with twelve fingers per hand #or those kids drawings where it's only a torso/head conglomerate with stick legs and hands #i just really lived seeing how their tattoo turned out because i wasn't sure if it would look good in ink and skin #i feel the same way about archiving the internet. i was looking for the written crochet pattern for something #and the person who wrote and created it passed away and their blog has been scrubbed #their blog only exists on the archives. their pattern is only accessible on youtube because somebody made a video tutorial with the pattern #it's an eerie feeling. they've been gone for two years but their blog has been tethered by the wayback machine

[ofmermaidstories]

there’s something so bittersweet and lovely about fanfic, at it’s core. it’s so impermeable, because it’s so individual. fics don’t get finished. fics get lost because they were typed out and sent to friends, in the 70s, and somewhere along the way someone packed it up in a cardboard box and their kids shuffled it to the attic. websites go down. archives get built, but then people lose faith in the story or the canon or the creator and delete them. you read it at like, 3am, and can’t remember the title months later when you look for it again.

the tiktok these comments are from was lamenting about the loss of a favourite fic—it (the tiktok) had 85k+ likes, and over 700 comments, mostly similar to these. people talking about downloading fics to read on a tablet only for them to disappear the next day. using the wayback machine and combing through results, just to find something they loved. i think it’s sweet because it’s so human—how easily we love something, and how easily we lose it. i used to print out my favourite fics, as a kid—i still have a binder of them, buried under yearbooks and the old journals i kept during those topsy turvy preteen years. i could tell you the overarching plot to a Cardcaptor Sakura fantasy AU i read (and loved; it became my personality for months afterwards) but i can’t remember how it ended, or if it even did. i finally broke down and signed up for an account on AO3 specifically to bookmark an old, old fic that i had read somewhere else, years and years and years ago and found again on AO3 only because i accidentally stumbled on the author here on tumblr (i had only found the fic in the first place all those years ago because of a playlist). i used the same shade of lipstick for years purely because a fic i really liked had the main character apply it (it was a limited edition one at the time; i bought my first one from a ebay seller in the UK at double the retail price, lmao) while the love interest watched them, but i can’t remember the name of it, only how it made me feel (and how, for years afterwards, i would wear that shade whenever i felt like the day had something promising to it).

one of the first anon’s i ever got, in the early days of this tumblr, was someone who asked me if it was okay if they downloaded surrender—and of course it was. of course it is. there was a point, during the final stretch when i was trying to write the last chapter, that i almost lost the entirety of what i had written for that fic—and i mean, it was on AO3 by that stage so it would’ve only set me back a chapter or so, but it goes to show how fragile things can be. how sometimes fics only last in tiny ways—because of the unfinished PDF file someone downloads. The patchy memory of someone’s who’s jumbling it and three other fics together. Because someone wore the same shade of lipstick you mentioned, off-hand, for years afterwards.

(this is a love letter to the silent readers; the silent savers. the lurkers. fandom and the internet at large is made of lurkers (eighty-five thousand likes. seven hundred comments). people who saved fics and waybacked them and will reread them, even uncompleted. telling each other we did a good job, that we liked this or we liked that is wonderful, and fun, and a great (and important) way to build a community and has also given me my current friends—but sometimes something you make will matter and live on in a way you will never, ever know. and it’s just how it is. it’s part of the fun and it’s part of the charm. it’s just how we work as people.)

#floating rubbish island: mermaid spam #shall i do a part two for the opposite end of the spectrum? the readers who tell you as they’re rereading? #the ones that come back to point out details that have stuck with them? #sometimes i worry i don’t give enough to those of us in the community who do that #today i got a comment on surrender and it made my whole day—which otherwise would’ve been spent being miserable trying to sweat out my fever #people are so sweet and i feel so empty-handed for them sometimes #because time is so valuable—people don’t *have* to comment #people don’t *have* to note the tiny details #i share these fics because i *want* to—that is a choice i make knowing that maybe people won’t like it or respond to it #no one asks me to spend the time i do on these fics and so no one owes me for it #which makes the time someone *does* spend commenting or tagging or saying hello even more precious

[skyfallscotland]

Hiii me again! I, too, have questions for the ask game 🍓🦋🥤

🥤 ⇢ recommend an author or fanfic you love

I feel like it's redundant to keep saying the same ones, but *whispers* storm in the quiet @justallihere and Political Gain @sarahwyland

But also, in terms of underrated, I just read a little series by Ramzes called The Unseen One, furthering the Sloane/Bodhi agenda (🙏🏼 the lord’s work) and I've also enjoyed The Princess Gambit by JuliLyng so far as well, which is Xaden/OC. Not sure if they have tumblr, but if they're here, hi! 👋🏼

🍓 ⇢ how did you get into writing fanfiction? 

So I've always been a reader/writer, since as far back as I can remember (maybe three years old?), I'm pretty sure with the knowledge I have now that I'm hyperlexic.

I'm old enough to have been around for dial-up internet, but when I was a preteen, we got broadband (showing my age). This is to say, don't judge my parents too harshly because internet safety was not a thing back then, but...

I found fanfiction because back then, a lot of people either used livejournal or hosted their own sites, so a lot of fansites, had fanfiction. So while looking at Buffy fansites, I stumbled across Buffy fanfiction and realised I could actually read stories!!! so many stories!! where Buffy and Spike got together earlier or things didn't end tragically for them. So yeah, at 11 I was reading very explicit Spuffy smut on the internet 🫢 I had a system set up where I would play The Sims all day or do school project powerpoints, except I was really reading fanfic and I would flick between screens whenever my parents entered the room.

My mum now has KU and reads dark romance every day, so I guess she comes by it honestly (and yes, I did mean it that way around, I was here first!) 😂

Anyway, when I was 12 I started publishing my first few fanfics on ffnet - Lord of the Rings, Pirates of the Caribbean, and a Harry Potter/X-Men Crossover. Each originally written on paper, they were all ridiculously bad, but the latter had people interested enough despite the writing, which encouraged me to try again later down the line with The Vampire Diaries and Jurassic World. I hadn't written for almost ten years and had never finished anything much until last year, by chance, I decided to finally get back into reading actual books and picked up ACOTAR. I finished the series within a week and I was left like?? That's it????

The archive had such a small number of works, I couldn't believe it, so I decided to write my own. I wrote Fury and Siren over the course of three months. I wasn't game to post anything in case I didn't finish it, because I'd never finished anything before. I also put off starting this little book I'd bought 'Fourth Wing' by three months, because I knew I'd be sucked in and would lose the hyperfixation I had, so I forced myself to finish Siren first. And now you all know my life story lol omg I'm so embarrassing to myself 🫠

TLDR: internet

🦋 ⇢ share something that has been on your heart and mind lately 

Honestly, this is kind of angsty, but this last week I’ve thought a lot about male-dominated fandom spaces and how we’re not welcome in them. We, meaning everyone who isn’t a straight, cis, white male. The Formula 1 community on here seems a little better, probably because it’s female-led, but everywhere else I can’t even look at the comments.

To be honest, I’m tired of being told I don’t belong, or that my opinion means nothing because I’m female. I grew up in a motorsport family, my earliest memories are at racetracks, but men on the internet would have you believe I’m only interested because of what the drivers look like. It’s just…tiring. Those fandom spaces have become a no-go zone for me now, because it just isn’t worth it. We live in a time where no matter what you say someone will attack you which is sad in itself, but it’s so much worse when you’re a woman commenting on a “man’s sport”, not to mention endlessly frustrating because they’re too stupid to tell the difference between equity and equality.

🦋 On a larger note, Palestine. I don’t think more than that needs saying. It hurts my heart.

[brattyprettysub2]

Something I really appreciate about your writing is that you do age play stories that includes mmf stuff with the guys being bi, both where they are both doms or where one is dominant and the other is the little. It seems to be really uncommon compared to bi girl stuff, so it's been nice to see! Do you know of anyone else who does that?

What a lovely message! Thank you!

I don't honestly have much time for the mfm kinds of threesomes where the Dicks Can Never Touch. Everyone has their own taste, their own kinks, their own sexualities and ways of engaging with it, but that is just not for me. If I'm having sex with two boys, I want to see them make out, damn it. And that carries over into my writing.

I mean, honestly, all of my characters are some flavour of queer. I'm a slutty little bisexual who's attracted to so many people across genders, and I like incorporating that into my writing. And that comes out in the fact that yes, some men are tops, some are bottoms! Some are switches! Some people aren't men or women! Some people move between genders on a daily basis! I haven't played with gender fuckery as much as I'd like to, and I haven't written as many non-binary or trans characters as I'd have liked to, but all those different ways of engaging with gender and sex and kink and power are all swimming around in my brain.

(I'm currently plotting a book that feels like it will be M/m and part of me is nervous because I don't know if it will sell as well as my M/f stuff, but it feels like the story I want to write, and this ask gave me some courage to go with it, so thank you so much for that)

I can't think of any authors off the top of my head who do the same thing. My background in smut writing is from fanfiction. That's where I first started reading smut, it's where I first started writing smut, and it's such a queer space. I use Archive Of Our Own for a lot of my smutty needs, so that's my first suggestion for spaces to look! It also has the best tagging/sorting system I've ever seen on an internet archive.

Thank you so much for the lovely message <3

#ama

[tsarinatorment]

I want to say that i honestly adore your fanfics, they are so lovely, with a proper dose of angst, and sometimes comfort and fluff 💌!!!!

I want to write my first fanfic, i am a bundle of nerves, how was it for you? Also, do you have any tips? For now i am aiming for a oneshot, but i would actually love to write multichapters in future (T_T)

Aah, thank you, anon!

I've been writing and posting fics for thirteen years (my first posted fanfic was September 2009) so I have to admit my memory is a little hazy on the exact emotions surrounding it, but let me see what I can dredge up.

It was a multichap. It's still up on both FFN and AO3 because I don't believe in taking down my old stuff - it's a document to how much I've improved over the years - although I consider it highly cringe-worthy and never look at it myself any more. I wrote the whole thing out on paper because I was only allowed to be on the computer for an hour a day back then and painstakingly typed it all up whenever I got the chance before posting it onto FFN.

The biggest thing I learned, posting that, was to write what I wanted. I had a really enthusiastic reader who kept throwing suggestions my way and I ended up changing my pre-written fic to follow all of their suggestions because I got too excited that someone liked it. Not only did that person disappear off the face of the earth before I finished the fic, I was actually left pretty unsatisfied with where it had gone by the time I was done with it. That's one of the reasons I don't re-read that fic.

So, tips: write what you want to. It's something I see around the internet a lot and it's absolutely correct: the best fics get written because you want to write that fic. When you write to please other people, it feels kinda hollow and empty after a while; there's instant gratification if the person who you're trying to please says they like it (and if they don't respond at all, you deflate like a lead balloon really fast), but in my experience, everything I've written to please someone else are the ones I like the least. In some cases, I wish I hadn't written them at all.

My best works, the ones I look back on and love months, years, later, are the ones I wrote for me. I share them online because I want to, and yes, it's always disappointing when I don't get any response from readers, but that story's worth isn't tied into external validation.

If you're casting about for ideas on what to write, there are options. Prompt lists exist, if you work well from prompts (I personally use prompts as short exercises most of the time). If there's a common trope you see but there's something slightly different about it - write that! If there's something you really want to read but you've scoured the archives and there's nothing there that scratches that itch - write that! Or if there's a common trope that you love and want to have a go at - there's nothing wrong with that, either! It doesn't matter if it's been written to death; if someone likes that trope, they will scour the archive looking for every single fic and devour all of them. As an author, I like twisting tropes/prompts etc., but as a reader, honestly I love reading the same thing written by many different people.

Also, for the first-time posters: remember that it won't be perfect. No matter how much you slave over the editing and reading and re-reading, there will be mistakes that you will not spot until you've posted it up for the world to see. Don't beat yourself up over them. Obviously, do your spellcheck, your grammar check - if you can handle it, get a beta (I, personally, cannot deal with people picking my stuff apart so I suck it up and do all my own editing, but for some people betas are a lifeline; you'll learn over time what works best for you). If it's riddled with errors, people won't read it, but they will forgive odd small things.

And really, it is scary throwing things out into the internet for people to look at. Even now, I get nervous about how people are going to react to my latest stuff, although in my case, it's now because I know I have a few people who do read everything I write, and I'm always worried about disappointing them, but to start with (and whenever I dip into a new fandom), it's the fear that I've broken some fandom taboo I didn't know about, the fear that I messed up a characterisation, that no-one will like it.

Things you can do to try and get the best reception: Tag correctly. If you tag it with a bunch of irrelevant characters/genres/tropes, all you're gonna do is irritate people. I don't know which fandom you found me through, anon, but in the Riordanverse fandom, mistagging is rife and I know it's infuriating a lot of people, so. This mostly applies for AO3 but is also applicable to tumblr:

Fandom: tag it. If it's a crossover, tag all of them. If it's part of a huge universe that has several subsects, tag the overall one (e.g. "Percy Jackson and the Olympians & Related Works") and then only the relevant subsect(s) (e.g. Heroes of Olympus).

Rating: AO3 gives useful guidelines for this; don't tag something as general audiences if it's got a lot of swearing, blood and injury, serious angst, nsfw, don't tag as explicit if it's completely soft and there's nothing at all, etc. It's mostly common sense, if in doubt always err to the higher rating because we're always better safe than sorry.

Warnings: Warnings are important. Sometimes, you don't want to warn for something that's a major plot twist (I do this sometimes), and in my personal view that's okay as long as you use "chose not to warn" on AO3 if it's an archive warning, or "additional warnings apply" if it's not. Never say there are no warnings at all if there's something you're trying to hide. If you don't know if an archive warning applies (I never know where the line is for violence), again, use "chose not to warn".

Relationships: Tag the major ones. If it's a oneshot, you can probably tag any that have any relevance, for multichaps I prefer to go minimalistic and only tag the relationships that are a main part of the story, like the ones that involve the main character(s). Remember / is romantic and & is platonic/familial. Don't mix them up!

Characters: Again, tag the major ones. For oneshots you can probably get away with any character who does something in the story. For multichaps, again, keep it minimal. A lot of authors don't do that but as a fan of generally minor, obscure characters, I find it hellish going through their tag, see them tagged on a fic, then realise that they have all of one line out of 100k words, and I know other readers who feel the same way. I'm still waiting for AO3 to add in a distinction between major characters and background characters... Regardless, if a character doesn't do anything in the fic, do not tag them.

Otherwise, just tag genres, tropes if you've used any - lots of fandoms have their own little trope tags so look around and see what gets used frequently. But don't tag wall it; people will skip over a tag walled fic. Trust me.

Titles and summaries suck to come up with, I'm well aware, and I'm not the right person to give advice on how to do those because after thirteen years I'm still clueless and hate those the most, but things to not include are: bad grammar, "fic is better than the summary" or other negative remarks about yourself/the summary, and begging people to read and/or comment. Those are the first thing people see - and if they don't like what they see, also the last thing people see as they scroll past.

But, really? Just have fun. Fandom is supposed to be fun. It's not a chore, it's not something any of us do because we have to. If you're not enjoying it, take a break. Do something else. It's nerve-wracking putting a little piece of you up on the internet, something you put time, effort, and love into, but it's connecting with other people. It's fun, it's a way to make friends with similar interests to yours.

This got long, so I'll leave it here for now; I hope this helped, anon, and good luck with your writing!

#Anonymous #fanfiction #i never expected to be asked for advice like this i hope i did okay

[zukkas]

(Same anon that was asking about proship) I do agree that the boxes are somewhat stupid (I think that anti is also bad because it implies a negative opinion and being entirely against shipping). Could you speak on the nuance a bit further? I’m genuinely curious

You also probably shouldn’t censor words because it messes up the Tumblr filtering system for people who have the word proship filtered

i censored the words bc I didn't want them to end up in the tags/search bc i don't feel like having random people i don't know come on my post to lecture me about their stance when ive already made up my mind

as for why i have my stance specifically, first of all this is SUCH chronically online discourse that i really just don't wanna bother with it as much as i can avoid it. you say you're one of these to anyone outside of very specific internet circles and they look at you like you have 13 limbs

second of all, my main thing is to ship and let ship. even if I don't like a ship, even if i think it's "problematic" or whatever for any reasons, in the end it's a fictional ship, and if the shipper isn't hurting anyone with this ship, i just block the tag(s) and move on. i've seen a lot of antis have ships they don't like and try to justify not liking them by making them out to be problematic in some way (like, for example, saying narumayo from ace attorney is incest or pseudo-incest because the two characters are found family. i don't care for narumayo whatsoever but you don't have to make stuff up to justify not shipping something).

that being said, I don't think ships where the characters are related or an adult and a minor should be glorified as i've seen before. i don't know the people writing these and i have no way of knowing what they've been through and i know that writing these kinda fics for many is just a way to work through their trauma, but there comes a point where i think you have to look inward and ask yourself why am i writing this. what am i putting out into the world by writing this. is this actually helping me deal with the things I've been through or am i just hurting myself more by retraumatizing myself. and if you actually think pedophilia is "hot" or whatever, seek help. seek actual professional help and do not go near any children, ever. i don't care if they're fictional children, i don't care if she's actually 3000 years old and just looks like she's 9, children cannot consent, they do not have the mental capacity to do so in an informed manner.

as for ao3 censorship since that's so entrenched in this discourse, i don't think ao3 should have to remove anything that's not illegal. ao3 was created specifically to avoid this kinda censorship that fanfic authors have dealt with ever since being able to post fics online has been a thing. a lot of the stuff on there is repulsive to me as well, but i know some of the shit ive written would also be considered "problematic" by a lot of people, so where do you draw the line? there's so many edge cases and so many things to consider that it's a complete waste of time and resources for ao3. and it's an archive, for fucks sake. it's not meant to pass down judgment on what's moral and what's not, it's meant to archive. and if you don't agree with that, there's plenty of sites like ffnet and wattpad that do censor "problematic" shit, just go back to those.

im not looking to debate any of this, i've made up my mind so if you're gonna reply to this/send me an ask with an argument for your "side" you're just wasting your time

#asks #anon #tw discourse #tw incest mention #tw pedophila mention

[sumeun-bimireul-bwa]

Concerning Behavior in the Twisted Wonderland Fandom

We're done sitting on this. We've agonized for the past couple weeks on how to go about this, but I'm just going to come out and say it for everyone: @/the-heartslabyul-hatter has an incredibly alarming pattern of behavior of bullying and hypocrisy going on and she needs to change her behavior for good.

I'm not really sure where to begin, so I'm going to start at the beginning of our involvement in this and what led us to a lot of this information. Back in September 2020, we ended up stumbling into the Team Avalon and Tumblr user poison-apple-tarts drama. My friends and I did some digging into this as none of us knew who Team Avalon was so all of the posts were reading weird to us. We learned poison-apple-tarts was trying to get people to turn against Team Avalon, who was fandubbing Twisted Wonderland. She claimed it was illegal and that Team Avalon was profiting from their fandub. I am not even going to get into this because this would make this post even longer, but keep a pin in "Team Avalon was profiting from copyrighted material."

During our search, one of my friends found that poison-apple-tarts had commented under a Tumblr post that was a video of one of the Night Ravens' performances saying she was glad people liked the video. And what do you know, they found a post where poison-apple-tarts admitted to being ProudHufflepuff on Youtube.

We kept an eye on things for a while, because to be honest, we were wondering if there was a story there and we could do a video in the vein of When Posting Goes Wrong, or something. We thought this would be some weird, petty drama like Ms.Scribe or Cassandra Clare's laptop drama. But nothing seemed to happen, so we stopped looking for things (and our internet drama channel idea collapsed), but one of our friends kept our receipts because they never delete anything from their computer ever.

Now let's jump to the present, July 2021. I was scrolling through someone's blog looking for something to read when I stumbled upon the drama surrounding the-heartslabyul-hatter, Proud Hufflepuff, and kulfiedraws. I immediately recognized ProudHufflepuff from our previous investigations and while looking through the drama, I saw an "apology" post from the-heartslabyul-hatter where she denied being ProudHufflepuff, but something about it felt off to me and others were suspicious that Hatter was lying. So my friends and I decided to do some more digging, this time trying to find evidence that tied Hatter and poison-apple-tarts/ProudHufflepuff together

We found out that Hatter had, at one point, a Wattpad account, and they had a fic called "Poison Epel." Hatter explained she had deleted the account and fic, so one of us decided to dig through the Internet Archive to see if it'd been captured (it hadn't). So I decided to go and Google around to see if someone had reuploaded it or if others were talking about it. We figured if

What I found was old listings for Posion Epel, attributing it to, you guessed it, poison-apple-tarts. Here is our receipts compilation. I'll explain everything underneath.

Now, either hikariart1st isn't Hatter and reuploaded it without permission, which honestly that's awful if true, or hikariart1st was poison-apple-tart/the-heartslabyul-hatter's Wattpad username and they just had different names for different sites. But either way, that fic, Poison Epel (among others) was attributed to poison-apple-tarts. She wrote Poison Epel. The-heartslabyul-hatter claims to have written Poison Epel. Poison-apple-tarts admitted to being ProudHufflepuff. They are all the same person.

So why are we bringing this to light? Because Hatter has a history of harassing and bullying other creators under the guise of protecting copyright. Let's call it what it is: bullying. Hatter, we don't know why you're doing this, but knock it off. For starters, it's so hypocritical of you to go after people for allegedly making money off fanworks when YOU HAVE YOUR FANFIC COMMISSIONS OPEN. Listen, I totally get it, all of us get it: it's fucking unfair that fanartists can get money from their fanworks but us writers can't. My friends and I regularly complain about it. That's not our problem in this situation, you get your money however you want. Our problem is that you are doing what you condemned and accused others for doing.

You have hurt so many people and clearly, this is your brand. You have been doing shit like this for months and this needs to end now. Look, we don't know you. We don't know why you're harassing people. Is it for clout? Is it to feel superior to others? Or maybe you just like making people feel like shit? We don't know, but this behavior needs to end NOW. You tried to smear Team Avalon's name. You bullied a LITERAL CHILD OUT OF THE FANDOM. You have hurt COUNTLESS people and there's probably even more that my friends and I don't even know about!

You need to stop this. This is hurting so many people, and to be honest, this behavior isn't helping YOU, either. This isn't healthy and if you keep being this toxic, this is going to take a huge toll on you. This toxicity you keep running off of isn't healthy. If you're going to change for anyone, do it for yourself. Your behavior is hurting so many people and I am begging you, WE are begging you, stop this. Take accountability for your actions and change for the better. We know you can be a better, happier person. We want you to change for good and we want you to stop hurting people.

We've said our piece. We're leaving the conversation now. We just hope you change for the better, Hatter. This behavior is unacceptable.

#twst drama #long post

[artificialdaydreamer]

How to Say "I Love You"

Emotions are hard to understand, conveying how one feels to the person they love is even harder.

-

Jon had never been good at expressing his emotions. Growing up he mostly absorbed their descriptions from books, how a character was excited for something to happen, how another was jealous of someone else. The feeling he found hardest to comprehend was love. How was it possible to be so completely devoted to another person that it shifted the way you felt about everything? He loved his parents, even now that they were gone. He loved his grandmother, but he got the feeling that the type of love written about in books was different from the emotions he was actually experiencing.

When he started dating Georgie, something he’d entirely misinterpreted when it had first happened, Jon wasn’t sure what the emotions he felt were. Was the yearning to be close to her love? The happiness to have someone he could talk with about inconsequential things? Then again, if what he felt wasn’t love, then what was? Eventually Georgie came to him, told him that while she liked Jon as a friend she didn’t think their relationship was working out. They’d broken up without much fanfare and going from dating to friends didn’t really change how they interacted with each other.

As he watched Martin sleep, his coppery curls catching the light of the rising sun, his face close enough to Jon’s that it was possible to count every freckle, Jon thought he might finally have an answer. He loved Martin, that was the only explanation for why his heart clenched whenever Martin smiled, why his cheeks flushed and his palms started to sweat from the smallest things. This was what people talked about in those books, what they yearned for with such intensity, wasn’t it?

When had he started feeling like this? When had Jon’s feelings for Martin turned to love? Was it when he’d gone into the Lonely? When Martin had started working for Peter Lukas and Jon was no longer able to see him? Earlier? How long had he loved Martin and just not realized it?

Jon lay there, thinking back to their interactions over the years. Next to him Martin started to stir, blue eyes blinking open slowly. “Morning.” Martin said with a smile.

“Good morning.” Jon tried to keep his voice from shaking as his heart pounded in time with his thoughts. I love you, I love you, I love you.

From then on it was hard to not feel overwhelmed by the love, like a wave crashing over him. Jon would be in the middle of a sentence before getting distracted by Martin, how beautiful he was, his laugh. I love you, I love you, I love you. How did people deal with these emotions?

He started to use actions instead of the words he could not say. Making sure they had enough of Martin’s favorite tea in the safehouse. I love you, I love you, I love you. Offering to cook breakfast so Martin could stay in bed a bit longer. I love you, I love you, I love you. Letting his fingers linger a bit longer than was necessary whenever they touched. I love you, I love you, I love you.

They’d decided to take a walk into town, grab some groceries, and stretch their legs, passing the field full of cows Martin stopped and cooed over them. He’d gotten out his phone to take pictures and the moment was so... normal compared to everything they’d been through that Jon started chuckling.

“What’s so funny?” Martin had asked, tearing his eyes from the cows to look at Jon in confusion.

“Nothing,” Jon took a breath, trying to burn this moment into his memory. “I just love you so much.”

There was a moment of silence where Martin just stared at him, his freckled face looking even redder thanks to the glow of the setting sun. “Wait... What?”

For a heartbeat Jon wondered if he’d said the wrong thing, although he hadn’t even meant to say it at all. He couldn’t help but question if Martin’s confession of “I really loved you” meant that those feelings were gone. Had he been the only one who worried about just what the emotions flooding through his veins meant? Was he just imagining that Martin felt the same way?

“I- I’m sorry... I didn’t mean-” Jon was floundering now, scrambling for something to say to make the situation right again. “If you don’t- I’m sorry.”

“You... Do you mean that?” Martin’s cheeks were practically scarlet, his phone now dangling precariously in one hand.

“I... Yes?” Despite the fact Jon had already come to terms with his feelings, had already said the words aloud, it felt like an entirely different thing to answer when his thoughts were in such turmoil. He didn’t know how to respond in a way that wouldn’t sound selfish, asking for affection he knew in his heart he didn’t deserve. Even if Martin did still like him there wasn’t anything that Jon could do to atone for the thing’s he had said, the things he had done, the person he’d been to have treated Martin so terribly. It was ironic, that at the time he’d swatted away such affection yet now he craved it as though he were an addict suffering from withdrawal. As though he’d been living underground and now that he’d seen sunlight he couldn’t get enough.

The expression on Martin’s face was hard to understand. Was it sadness? Pity? The books Jon had read as a child had talked about brows furrowing, lips being bitten, eyes not being met, but those individual descriptions could apply to so many emotions and Jon didn’t know what it was Martin might be feeling. It was all Jon could do to not scrunch his eyes up as Martin took a tentative step closer, then another, bridging the gap between them and effectively forcing all the air from Jon’s lungs. Then he’d swept Jon up in his arms, Jon’s face nestling into the crook of his neck. It was so warm and comfortable... It felt like Jon belonged there.

“S-sorry...” Martin gasped as they broke apart, his face still red as he seemed to examine Jon for some sort of reaction. “I should have asked first, but I- Are you okay?”

In all honesty Jon was not okay. His brain was attempting to sort out just what he was feeling, synapses firing and crossing out things like anger and disgust with only his limited knowledge of emotions to go off of. Again, the words and feeling threatened to overwhelm him with the constant pounding of I love you, I love you, I love you.

“Jon?” Martin waved a hand in front of his face and it was a real effort for Jon to pull himself out of his thoughts enough to meet Martin’s gaze. “Did I do something wrong?”

“N-no... I just... I wasn’t expecting- I didn’t know if-”

“Wait... Jon, did you not think I felt the same?” Martin’s eyes were wide, reflecting the setting sun.

“I, I’m not sure.” He’d spent so much time absorbed in his own thoughts that he hadn’t actually thought of what might happen if he confessed. He hadn’t even thought about confessing. Jon realized that he’d somehow become content with just loving Martin and not telling him. He’d convinced himself that Martin was better off without him, and that there wasn’t a point in confessing.

“Jon, I’ve loved you for the past two years.” Martin’s voice was soft, his cheeks still flushed as he stared at Jon.

“What?” Jon squawked, taking a step back in surprise. Martin reached out and grabbed Jon’s hand in his own, it was so warm, so comforting.

“Well, not exactly two years...” Martin ran his free hand through his coppery curls. “Since the thing with Prentiss, when you let me stay in the Archives...”

Jon remembered those long nights they’d spent together after Martin had started living in the document storage room. At first Jon had found Martin’s presence kind of annoying, it was impossible to get some time by himself. Then he’d realized what was going on, although he couldn’t explain just how he’d known.

Martin didn’t want to be alone.

While he’d admitted during his statement that boredom had been the thing that had been the hardest to deal with, Jon suspected loneliness had also plagued him. Cut off from everyone, no internet, no phone, and it wasn’t like he could talk to Jane Prentiss. It certainly explained why Martin felt the need to check on Jon every half hour.

Once he’d realized why Martin was acting like a concerned parent he made an effort to take more breaks so they could talk. At first it had been hard to find topics for discussion, as Jon was as good with small talk as he was with emotions, but bringing up the Admiral had certainly broken the ice. After that Jon found it easier to connect with Martin, it was still somewhat awkward, but he certainly made an effort. Jon had also ended up staying in the Archives overnight a handful of times as well, partially because he had work to do and partially to keep Martin company.

It had been those nights where they’d started to connect, going out to eat so they could both eat a decent meal, talking about random things to pass the time while they struggled to fall asleep. Jon had started to get a sense of who Martin was, underneath the jumpers and tea. He was earnest and always tried his best to do whatever task Jon set for him, no matter how absurd it was. He also had a mischievous side to him and had no problem joining Tim in his pranks, although Martin was much better at keeping the pranks a secret.

It felt strange, getting to know a person through whispered conversations, over tea breaks, or at a cafe. Jon was never good with friendships, never good at telling what people wanted from him, so he’d ended up pushing everyone away. After his encounter with Mr. Spider he only became more withdrawn, survivor’s guilt eating him up inside. Martin wasn’t like the others though. Despite the fact that Jon was horrible at communicating, horrible at deciphering what emotions anyone might be feeling at any given time, Martin didn’t seem to care. He seemed to be genuinely happy to spend time with Jon, which was just as foreign a concept.

Now, despite everything that had happened in the past few years, Martin had stayed with him. An anchor in the churning waves that threatened to wash him away from everything he knew and cared about. Jon loved him for that. “I think that’s when I started to fall for you too. I didn’t- I didn’t realize at the time...”

“Oh, I definitely didn’t realize either.” Martin’s cheeks were slightly less flushed than they had been. “I think I realized it when- this is going to sound crazy...”

“You realized it when, Martin?” Jon couldn’t help but ask, smiling at the flustered look on Martin’s face.

“It... It was when I told you about lying on my CV.” Martin sighed, not daring to meet Jon’s gaze. “You, you were so mad at first but after I told you... You just started laughing and I remember looking at you and thinking ‘really? This is the man I fell in love with?’ Thankfully Tim... Tim was too distracted by everything else going on to pay attention to my hopeless crush.”

“Not so hopeless.” Jon squeezed Martin’s hand. “I knew how much I cared about you when I woke up in the hospital after my coma. Georgie was there, and I remember being sad because it was you I wanted to see.” It felt strange to say the words aloud, as though he was only understanding what had happened. He’d been thinking about it so much over the past few weeks, since he’d realized that he loved Martin, but it took saying the words aloud for him to notice. “It was funny, the months that followed, I thought it was a fitting punishment for how I’d treated you. Wanting to be close to someone and yet unable to do so. I knew I loved you a few days after we arrived here.”

“Is that why you were acting so weird?”

“Look, I... I’m not the best with emotions. I don’t get them, I don’t understand how I feel half the time. With other people it’s even harder, trying to piece together how they’re feeling based on their expression or the tone of their voice...” Since he was still holding Martin’s hand Jon couldn’t cross his arms defensively over his chest, so he settled for putting his free hand in his pocket. “This is the first time I’ve ever... I’ve ever felt something so intensely. I didn’t know what to do, how to act, now that I knew I loved you.”

“I get it, emotions are hard. Can I help?” Martin asked, his lips quirked in a small smile.

“Sure? I guess so?”

“How did you feel when I told you that I loved you?”

Jon had to think about it, he’d been so overwhelmed by the tidal wave of emotions that he wasn’t sure what any of them had been. “I was... I think I was happy.”

“You think?”

“I was happy, alright?” Jon huffed. “I was also shocked, and confused... Mostly I was happy, because I loved you so much.”

“Alright, that’s good to know.” Martin took a step closer, still smiling. “How would you feel if I kissed you?”

The answer came easier this time. “Happy. I’d feel happy.”

“May I kiss you?”

“Absolutely.” Jon didn’t know what to expect from Martin kissing him. He’d kissed Georgie and while it hadn’t been unpleasant he hadn’t gotten anything from the experience. This time however, Jon could taste the remnants of whatever chapstick Martin had used, strawberry maybe? He felt how warm Martin’s lips were, despite the cold day, their heat bleeding into him. He wrapped his arms around Martin and pulled them closer, trying to memorize everything as it happened. Martin’s scent, the wool of his jumper, how fast both their hearts were beating. In his head Jon was panicking. He didn’t know what to do, or if what he was doing was the right thing to do. He attempted to understand what the emotions he felt were: happiness... amazement... and love. So much love. Was love even an emotion? He didn’t know, but it certainly overwhelmed his senses.

When they broke apart Martin was smiling and, more surprisingly, Jon was smiling back. “Let’s take it one day at a time, alright? We can work out what you might be feeling together.”

“I- I’d like that.”

I love you, I love you, I love you.

The words still rattled around in his mind, but for once they didn’t worry him. Jon might not understand love, or emotions, or why the characters in his books had behaved a certain way, but it didn’t matter. Martin loved him back, and that was more than enough for him.

-

I've been sitting on this fic for a year due to some personal issues, on a related note this is not betaed, I apologize for any mistakes there might be

#tma #the magnus archives #jonathan sims #martin blackwood #jonmartin #jmart #tma fic #my fic

[carriagelamp]

Art of Aardman

I found myself a cheap copy of the Shaun the Sheep movie, so I was rewatching a bunch of Aardman films earlier this month and decided to hunt down some books too. For anyone that doesn’t know, Aardman is a British stop-motion studio that does fantastic work like Wallace and Gromit, Shaun the Sheep, Chicken Run, Early Man… tons of cool stuff. They’re always quirky and funny and warm-hearted. This was just a very nice art book for anyone that’s a fan of Aardman stop motion and wants to see a bit extra; it shows some cool concept art and blows up the neat details in Aardman work, especially in their intricate stuff like The Pirates! In an Adventure with Scientists!

Asterix and the Picts (Asterix and the Chariot Race, and How Obelix Fell Into The Magic Potion)

I decided to try a couple of the new Asterix comics that were done by the new team, just to see if they stand up to the old ones (that and How Obelix Fell Into The Magic Potion cause I’d never read that one before). They were pretty decent! Asterix and the Picts was my favourite of the two though I wouldn’t say either are going to contest for my favourite Asterix comic... but still! The art looks good and the stories felt like what I would expect, they made for a pleasant couple evenings of reading especially since it’s been so long since I’ve read a new Asterix comic. If you’ve never read Asterix it’s one of the biggest name French comic series in North America, as far as I know and very worth the read. It’s about a single Gaulish village that’s holding out against the invading Romans through sheer force of will, slapstick hijinks, and a magical super-strength potion brewed by their druid. Lots of fantastic visuals and cute wordplay, even in the English translations.

Bear

I found out about this bastion of Canadian literature via tumblr post that was losing its collective mind over the fact that some bizarre bear-based erotica novella somehow won the most prestigious literary prize available in Canada. Since I too found this hilarious and unspeakably bizarre I had to give it a read, obviously. And yes, the flat surface level summary is... a librarian moves out into rural Ontario and falls in love with a literal for-real not-supernatural-not-a-joke bear. And I have to say… it is actually worthy of an award, which I was not expecting given that I was there for a laugh. It has beautiful writing, and the subtextual story is pretty interesting… it kind of makes me think of The Haunting of Hill House actually in terms of themes. (Womanhood, personhood, independence, autonomy partially achieved through escaping the male gaze by claiming non-human lovers... listen if I were still in university I would right a paper comparing the two novels).

I dunno man, it’s fucking weird. Actually a well-written book, but sure is about a woman falling in love with a literal bear. Give it a read if you want something bonkers but like… high-brow bonkers.

Hunger Pangs: True Love Bites

Best book I have read in like… a while. A long while. I am not a fast reader, and I consumed 90% of this book over a weekend. It’s not at all like Terry Pratchett, but at the same time it scratched an itch for me that I haven’t had satisfied since Pratchett’s death. A very clever, hilariously funny poly romance between a disabled werewolf, an anxious vampire lord, and an incredibly powerful woman, with heaps of social satire, political commentary, and sinister undertones. The whole thing reads a bit like fanfiction and I say that in the most flattering way possible -- it is so easy to jump right in and be immediately taken over by the characters and the world and the plot, you never feel like you’re fighting to engage even though the world-building is fascinating and expansive. It welcomes you in right away, it was the book equivalent of a quilt and a hug which is something I sorely needed with all this pandemic bullshit. If you read any of the books on this list, go read that one while I sit here in pain waiting for the sequel.

Kid Paddle

I watched the cartoon of Kid Paddle as a kid and was thinking about it recently, so I decided to hunt down some of the original comics online. They’re fun and weird, with a cute art style and fantastic monsters designs. (My favourites are always about Kid either daydreaming or playing games that involve Midam’s weird warty troll creatures. It’s like a cross between Calvin and Hobbes and Foxtrot with the fun sort of quirks that I love in Belgian comics. Unfortunately, unlike Asterix, I’ve only come across these ones in French, but if you can read French it’s totally worth popping over to The Internet Archive and reading the ones they have available.

The Last Firehawk: The Golden Temple

The lastest Firehawk book. Despite being written for quite young readers, I did enjoy the early books in this series quite a bit. They’re about a young owl and squirrel who found an egg for a magical species that was believed to be extinct. With the newly hatched firehawk, the three of them head off on a mission to find an ancient firehawk magic that could save the entire forest. Very basic adventure story but a good intro to the tropes for children. Unfortunately the quality really feels like it drops with each subsequent book; this will probably be the last one I bother reading.

Lumberjanes: The Moon Is Up

I honestly think I enjoy these Lumberjanes novels even more than the comics just because it really gives time to delve into each story and examine how the camper are really thinking and feeling about everything. (Also I’m always weak for novelizations of anything.) The Moon Is Up is a book that focuses more on Jo, and takes place during the camp’s much anticipated Galaxy Wars, a competition between cabins that goes over several days. While the campers prepare for these challenges though, they also run into a strange little creature with a penchant for cheese and theft. Roanoke cabin needs to keep ahead in Galaxy Wars and somehow deal with the fearsome Moon Pirates that a closing in...

Lumberjanes v4 (Out Of Time)

One of the Lumberjanes comics, a cool, girl-focused, queer comic series. Honestly, this is just a fun series that I never got as into as I should have. My advice is honestly to skip book one because it gets better as it continues, and I’ve really been enjoying the later books now that I’ve given it another go. It follows five campers at Miss Qiunzella Thiskwin Penniquiqul Thistle Crumpet’s Camp for Hardcore Lady Types (Jo, April, Molly, Mal, and Ripley) as they handle all sorts of challenges, from friendship to crushes, camp activities to supernatural horrors, getting badges to not being brutally killed. Great if you liked the vibe of Gravity Falls but want it to be queer-er.

Mooncakes

Another queer graphic novel, but unfortunately not a very good one. It really looked appealing and I had high hopes, but the book itself really didn’t hold up… I actually couldn’t even finish it, the plot was just too… non-existent. The art is fairly mediocre once you actually look at it, especially backgrounds, and it feels very… placid. Not much conflict or excitement or even a very compelling reason to keep reading. If you just want a soft queer supernatural you may get more mileage out of it than me, but it didn’t really do it for me. There’s better queer graphic novels out there.

New Boy In Town

One of the worst books I have ever read. My girlfriend had ordered a very different book online but through a frankly stupendous error was sent this 1980s pulp romance instead. Absolutely nauseating on levels I couldn’t even begin to enumerate here. Naturally we read the whole thing out loud. Probably took us 10 times longer to finish than it warranted because I had to stop every two sentences to lose my mind. If you like bad decisions, baffling hetero courting rituals, built-in cultural Christianity without actually calling it that, and gold panning then boy howdy is this the book for you.

(seriously, you better have patience for gold-panning if you attempt this one, because I sure learn that I don’t)

Piggies

This was a picture book I enjoyed as a kid and had a reason to reread recently. Honestly it’s just very cute and simple, and the art is completely mesmerizing. Wonderful if you know a young child that would enjoy a simple goofy boardbook.

Shaun the Sheep: Tales From Mossy Bottom

Related to my Aardman fascination earlier this month. I tried reading a varieties of Shaun the Sheep books — most of which are mediocre at best — but the Tales From Mossy Bottom Farm series is genuinely good. Just chapter books, of course, but the illustrations match the series’ concept art and each story feels like it could have jumped directly out of an episode. They’re just cute and feel-good! Kinda like Footrot Flats but more for kids, and from the sheep’s perspective moreso than the dog’s.

#aardman animation #shaun the sheep #lumberjanes #kid paddle #asterix #the last firehawk #hunger pangs: true love bites #marian engel #bear #canadian literature #canlit #queer lit #book review #book reviews #chatter

[bukojuiice]

thank god for plot twists like you.

ೃ pairing: (katsuki bakugo x fem! reader)

ೃ warnings: cursing, (courtesy of Bakugo) and slight innuendo.

ೃ genre: fluff overload!! ♡

ೃ  my ongoing bakugo x reader smau (please do give it a read if you have time!) my writing masterlist (if you want to see more from me! c:)

ೃ word count: 1,388 words

ೃ  song inspo: plot twist by niki

ೃ  Katsuki barges in your dorm room after class to see you crying in your bed with your phone in your hand... but why exactly?

It was a typical Saturday afternoon. After a tiring day of classes and hero training, you finally have the chance to rest and relax. And what better way to do that than to read fanfictions?

Oh... fanfictions.

These literary pieces are either a blessing or a curse to a human being on this earth. They bring joy, sorrow, anger, frustration, and it allows your imagination to run wild as you think of all these scenarios and alternate universes. There are even times when fanfiction itself is written better than it’s source material.  

Reading fanfictions is a hobby and daily activity done by millions of people in this world. However, how will your explosive boyfriend react when he finds out?

Not that it is a big of a deal anyway but... Katsuki is a bit harsh, abrasive, and he tends to speak his mind a lot. At times, he says things that he doesn’t even mean at all. The two of you would hang out every day, usually after classes. And so, you are always constantly putting yourself in the middle of danger whenever he comes to hang out with you in your dorm room. As there’s a slight chance that he would catch you reading a 30,750 word fic on Tumblr or Archive of Our Own.  

But there was never really a special activity out there so that the two of you could bond. 

Watching movies with him and playing video games was normal for a couple in a relationship but you wanted to do something with Katsuki that was unique to the two of you alone. 

Unbeknownst to you, that day would soon come. 

Not only did he discover something about you, but, the two of you ended up being much more closer after this fated day.

And that day... is today.

“Sorry Mina-chan! I’m busy this afternoon! You guys can go on and get some ice cream without me!”

You slowly shut the door behind you, waving goodbye to your pink friend. As you  drop your school bag on the floor, you quickly and rather hastily change into much more comfortable sleepwear. After a few minutes, you jump and slump on the bed as you let out a tired yet relieved sigh. “It’s time to read once again and be whisked away to another world.” You then crawl to the edge of your bed, and reach out to pull the drawer from your bedside table. 

You’ve hidden snacks in there from time to time so that you could eat something while reading your beloved stories on the internet. For today, you decided to bring out a box of Pocky you had stashed inside.

Hours felt like minutes as you continued to read with no care in the world. It was a few minutes before sun down, and here you are. A sobbing pile of mess. Crying your heart out over the fact that the Main Character is too naive and dense to notice the feelings of your favorite character (who is the second lead) and so, your favorite character starts falling in love with someone else. 

“Why does this happen to me!? Why is this fic putting me through so much pain and torture!?” 

You continue to bawl and cry your eyes out that you didn’t even notice someone entering your room.

“(Y/N).... why the hell are you crying!? Did something happen!?” Bakugo says in a annoyed yet concerned voice.

You feel your body freeze up. You do not want him to see you in this state. Especially since you’re crying over stories. Fanfictions for that matter. What would we say? How would he react? What if he thought you were weird and end up saying something insensitive that could possibly strain your relationship?

“I-it’s nothing.” You slowly turn your head to him. Once the two of you met each other’s eyes, his annoyed expression softens. “I’m fine Katsuki-kun. Don’t worry.” You try to ease his concern by giving him a half-hearted smile. You noticed that he had just finished with training and then most probably took a shower as his hair still looked a bit wet 

The blonde teen sighed as he ran his fingers through his hair. “Why were you screaming anyway?”

You jerk up from the bed and twiddle your fingers. “Ahahahahaha that’s a good question.”  Katsuki continues to give you a suspicious look as he approaches you and sits down next to you on the bed.

Before you could even react, he grabbed (more like snatched) your phone from you and began to scroll down. “(Y/N)... are you reading stories online?”

“Maaaybe maaybe not~” You whistle, trying your best to act normal and TO NOT PANIC as your boyfriend had literally just snatched your phone from you to check what you were doing. At least you were able change to a different story from the tabs before he could see what you were originally reading.

“He licked the tip of his-” Your explosive blonde boyfriend began to read aloud an excerpt from the fanfiction you were reading. “My oh my (Y/N)... is this the reason for your screaming and squealing?” He smirks deviously and scoots closer to you by putting his arm around your shoulder.

You nod. “Yes. This is also why Ochaco-chan has been teasing me by saying that she’s been hearing me snicker and silently cry at night... It’s embarrassing. I know.” You look down on the floor, unsure of what else to say to Katsuki.

The tense atmosphere suddenly disappeared when Katsuki began to laugh. “Silently crying?” He stifles another laugh. “Seriously?”

“Okay... imagine this.” You reach for his hands. He raises a brow at your sudden gesture of affection. “WHAT IF if your favorite character who was meant to be with the main character, gives up hope because the main character is too dense to notice their feelings that they start falling in love with someone else!?” Tears began to stream down from your cheeks again, remembering the angst and the pain the Author put you through. “Won’t you feel really bad and depressed about that!?” 

Katsuki looks at you with a with a very perplexed yet peeved expression. He then notices the passion and the eagerness in your eyes and he couldn’t help but smile a little because of how cute you looked. “Yea. I guess that would be pretty shitty. Why the fuck are you letting it get to you so much though? It’s just a story.”

“That’s the thing!” You exclaim, scooting even closer to him, resting your head on his shoulder. “These are just stories yet they’ve impacted me so much to the point that I’m crying over literary pieces of fiction.” 

“Would you like to read one with me?” You look up at him with your brightest puppy eyes, tilting your head. 

He averts your gaze in attempt to hide hid his usual gruff look, you were about to declare defeat as he might not want to do this sort of thing with you and you didnt want to pry any further. 

Until...

“Fuck it. Let’s do this.”

♡‧₊˚

“(Y/N...) I can’t take this anymore.” Bakugo whines in defeat, dropping your phone on your hands. “How can a story like this fuck someone up so mentally? Can we read something else? Like some of your shoujo manga shit instead?”

Your eyes lit up at Bakugo’s dramatic reaction to the fanfiction you had just made him read. He was surprisingly interested. His eyes were intense and passionate. The same look he has whenever he would train against Midoriya, Todoroki or even Kirishima and, you couldn’t be happier. The two of you finally had something to do that was only unique and special to the two of you. 

“Sure! This one over here is a pretty short read, so we can finish it before dinner!” You wrap your arms around his torso, and hug him close. Although Katsuki wasn’t your typical physically affectionate boyfriend, there were times were he couldn’t help but reciprocate your love language. Today is one of those rare times. 

His arms encircle your waist as he brings you closer to him. “This better be good or else.” He grunts.

“Oh it is and there are so many other genres for us to read that is just waiting to be explored.”

Fin.

#bakugo x reader #katsuki bakugo #bakugo katsuki x reader #katsuki bakugo x reader #bakugou x reader #bakugou katsuki x reader #bakugou fluff #katsuki bakugou x reader #katsuki bakugo fluff #katsuki bakugou #katsuki bakugo x y/n #bakugo fluff #mha x reader #bnha x reader #my hero academia x reader #boku no hero academia x reader #mha fluff #bnha fluff #bakugo x y/n #katsuki bakugo x you #juliannewrites

[tswiftisgay]

I just think it’s funny how Taylor told Ellen her first kiss was her boyfriend Drew age 15 except that drew and her never dated and he didn’t know about her feelings until years laterwhen Teardrops came out

ooooo anon that is a spicy fun little tidbit.

At the time, I remember questioning whether she had ever said she dated Drew before, but not thinking too hard about it. But your ask made me go digging.

What I found does not support the narrative that they dated!!

From the way way old TaylorSwift.com as saved on internet archive:

"I used to have a huge crush on this guy, who would sit there every day talking to me about...another girl: how beautiful she was, how nice and smart and perfect she was. And I sat there and listened, never meaning it any of the times I said 'Oh, I'm so happy for you.' I guess this is a good example of how I let my feelings out in songs, and sometimes no other way. And I've never been afraid of using names. I love this song because of its honesty and vulnerability. To this day, they are still together and he has no idea about this song."

From a 2007 Seventeen article:

Turns out, she draws everything from her own experiences -- and she isn't afraid to share! On her hit single, "Teardrops on My Guitar," she talks about a former crush. When asked if she'd heard from the crush since the song debuted, she told us he had been leaving her voicemails ever since -- but that she felt too awkward to call him back!

From this fan wiki about past relationships. Looks like this exact little blurb is used on several fan sites circa 2013 at the earliest, but I can't find an original source.

Drew Hardwick “Teardrops on My Guitar” was written about a boy she liked, whom she never actually dated. "Drew was a real person!" she tells. Drew was surprised when he heard his name in the song. "I never knew she liked me," Drew says. Taylor stated that two years after the song came out Drew showed up at her house and asked her on a date. She declined. "It was the perfect fairytale ending but a little too late."

This 2008 Washington Post interview talks about Drew showing up on her driveway.

There's also an old Great American Country Music article from 2008 which seems to say Drew is the inspiration for Our Song and Tim McGraw as well? Or maybe it confuses him with another ex--saying one showed up on her driveway and one left her voicemails--even though other sources seem to say that's the same person. I would trust the other sources over this one since it's the only one saying that.

I'm sitting here wondering a lot of things right now.

What songs did she write first for self-titled? Wouldn't it make sense for her first kiss to be a different guy she dated like the Tim McGraw song guy? (Or, you know, a girl that she didn't want to talk about.)

That's a weird lie to tell since Drew had very well-publicized child abuse charges in late 2015. You would think she would want to distance herself from him.

Is it possible that the real lie is that she never dated or kissed him? Maybe it was a bit messier than that, but she didn't want to mention it at the time because he was still with the other girl?

A reminder: I always come from the mindset that Taylor probably did date guys in highschool because most girls do until they can sort out their sexuality (heteronormativity, performative heterosexuality, etc.) Plus she may indeed be bisexual/pansexual/not just into ladies!

I'm super intrigued to hear what others know or think about this!

Nonsense gossip / humor below the cut if you're invested

One reddit commenter said there are two different highschool Drews! Drew Dunlap and Drew Hardwick. I don't know what to think because all of the evidence is bad. This sorta reachy old post says Drew Dunlap was the first kiss/boyfriend. Other shitty media outlets (x x x) have picked that up and used it.

But there are other sources that say the boyfriend she wrote those nice songs about who had to leave for college was actually Brandon Borello, which cbsnew.com and Insider backs up. Here is a supposed photo of them.

If I had to take a guess, I would say Brandon is the real inspo and boyfriend.

I ran out of Vulture credits so you tell me what this one says about what happens to guys Taylor writes songs about.

AND last but not least, Answers.com says:

You're welcome.

#teardrops on my guitar #tomg #timeline #mine

[dana-chan-the-control-brain]

Top five fanfics?

Oh fuck (gets shot)

Well, I shot myself in the foot with that one.

Keep in mind, these are in no particular order, and I'm a bit of a pleb when it comes to reading fanfic. I just tend to like what's popular or stuff written by my friends.

I need to give Height Treason by @wholesomeklei a huge shout-out.

I'm not sure if this fic will ever be continued or not. Last I heard of Klei, they had a cancer scare (it wasn't) updated a chapter about Sizz-lorr and then vanished from the internet entirely. I hope they're taking a much needed break from online stuff and nothing bad happened to them.

But anyways, I can not thank Height Treason enough for existing. It gells with the humor of canon so seemlessly it feels like I'm watching an "Invader Zim after dark" show. Yes, even despite the not safe for work canon.

I love the lore they weave and I'm always a fan of "zim finds out the truth of his mission and schmoops and gets revenge on the Irken empire" stories. Also Pining Zim has my whole heart.

And it even paints side characters with much love.

Membrane tries his best and sucks at parenting and it inspired me greatly for how I write and came to understand Membrane as a character.

Miss Bitters is a delight. Sargent Slabrankle gets a cameo. Tak's ship has an existential crisis. Gosshloog gets an entire chapter about a spicy love afair with his boss. Zim's Computer is his usual sassy self and has ackward conversations with a frustrated teenage Dib.

Like the love for the side characters is amazing.

Height Treason was the fanfic that inspired me to write an entire fanfiction based on Computer Brain lore.

The lore is amazing, it's in character and this fic inspired me SO MUCH and is the reason that Tech Support (and the Brainbrane fic by extension) even exists.

I've probably reread this fic over twenty times.

However, I can't link the fic here, since it's VERY nsfw. As in, explicit sex scenes later. (The chapter where zim learns sex education is great)

So I can't link it, but it's easily searchable on A03.

If you're of age, and don't mind nsfw I highly recommend it.

Honesty Hour by @patchworkpoltergeist is one of those new fandom classics.

Like I don't even know how describe this fic.

Honesty Hour chills me to the core and has me looking at my ceiling for hours on end questioning my own existence.

Like it's Zim gets therapy, but in a psychological horror way.

Patch is a master wordsmith and just has a way of describing things. Everything is in the details.

I just love how Zim thinks and that half the time I don't know what's going on as much as Zim does. Which is honestly more scary then I think.

There's lots of details that I miss and usually after talking about the chapter with Patch or the Moo-ping10 gang, I realize "oh fuck that's what happened?! The hell"

Anyways. I fear and look forward to every update.

But I honestly have to run a mental health check before I even attempt to read the chapters.

Emotions, Cryptids and the possible end of the world series by @bamsara

I feel Bamsara does onto theirself and I don't need to sing her fics praises but I will.

I am a bit behind on my reading, cause I haven't read the latest chapter of Galaxy Days yet.

But I love the casual yet feral friendship Dib and Zim have built throughout this series.

There's just a constant yearning throughout the whole thing, and the two boys are at the center of it all. Like the feeling of a real long road trip with no destination in mind. That's often what these series of fics feel like. There's an underlying tenderness and longing but also something dark and sinister. A lot of moments stay in my head for days after the fact. Not just the cryptids of the fic, but the smaller moments. Zim and Dib having breakfast in France as the sun rises, Dib crying his eyes out in a dingy motel room near the beach, Zim breaking into Dib's hospital room in the dark, Dib attacking Zim in a fit of insomnia hallucinations....

The list goes on.

There's plenty of good moments, and I've even drawn Zim giving Dib space (cause that's the fucking gayest romantic thing and I still lie in bed thinking about it)

Also Dib constantly running into Death's arms and Zim often doing fisticuffs with her and both getting stupid trauma over stupid decisions is very good.

I feel a lot of Sara's soul in these fics and it shows. Especially with how Dib is written and I can tell this is an extremely personal project with passion behind it and I can't help but admire that.

Every star another sun series by @dionysuscrysis

I really love this series. The end.

Okay, unfair.

But Dion's series really needs more views and appreciation.

I like how it just skips over the "zim and dib become friends somehow....realizes mission is fake..yadda yadda" part of the story and just jumps right into the thick of it.

Space Adventures! Wooooo!!!!

A giant sandworm, a Battle Zoo!!! An alien spa, badass good guy Skoodge, and mad max style sci-fi racing.

And I'm glad that Dib is already in his early twenties here. And Dib is just so smart with machines and not a complete lost duck in space. He's sharp as a tack and dumb as an ox this boy and I love him very much.

Lol I'm old. I'm sick of seeing teenage drama sometimes.

And I can also feel a lot of Dion's soul in their fics.

Lots of hurt comfort in here....

It's actually kinda like the Bamsara effect in reverse...

Instead of Dib throwing himself head first into danger...

Zim is the one doing it.

And Dib thinks an appropriate way to fix this is throw himself at the same danger.

Idiots.

Help them.

Parade of Indignities by @rissynicole

Finished recently and since then my heart has never known peace.

It's one of those fandom classics that I ended up reading due to Bamsara's fic recommendation list like roughly two years ago.

Rissy has a way with words and their strengths lend themselves to action scenes extremely well.

Zim finds himself critically ill and it's up to Dib to travel back to irken space to save him.

Thats the basic premise but there is so much more.

A conspiracy, involving the other Invaders, Zim's massive wall of denial, and how everything Zadf happens from Dib's perspective.

I remember reading all the available chapters (like 15 of them) all in one night until 5am the first time I read it.

It's a master suspense and thriller story and I enjoyed it very much.

I still have to leave a huge comment.

Also honorable recommendations:

@melodyofthevoid 's Royalty AU.

....just. it good. Save these kids.

And ofc me and @paketdimensioncomic 's collab fics:

"Jerking around the House" and "Membrane's guide to be a better parent, lose your fucking arms"

You're a delight to work with and I love how your writing style compliments my insane ramblings so they're less wordy.

Also gotta give a shout-out to my Baby Tech Support.

Is it vain to plug your own fics? Maybe.

Do I care.

Nah.

I love my stuff. And I'm glad others do too.

#invader zim #fanfic recs

[blursed-ninjago-ideas]

As promised.

So the only backstory you really need here is that there’s a huge dip in crime and the ninja are bored. Kai turns to Chirp for ideas on what to do and gets a lot of people recommending this new app called “OvK”. So he tries it out and loves it. Jay also heard about it and downloaded it and the two of them have been avid users of it since.

Pixal has concerns.

--

Pixal was suspicious.

It was just an app, but it was bothering her. With the sudden drop in crime, she had the time to investigate.

Something about the way Kai and Jay wouldn’t put their phones down. Something about the glazed look they had. Something about their insistence that the others try it.

First, Pixal looked at the reviews.

They were all overwhelmingly positive. Not a single negative opinion or fault to be found. Well, they would be far from the first to sanitize their app store reviews.

Pixal moved on to social media and still found nothing. Not a single person trying to hate on it. Which was just impossible. Even if the app was perfect, there would be people naysaying purely based on the fact that it was popular. Not one article trying to get hate clicks. Not one troll trying to upset people. Not one hipster wannabe trying to be “above” the trend.

It sat poorly with Pixal.

She turned to the parts of the internet that made her feel sticky and gross. She tried to do it the old-fashioned way to avoid feeling it, but got nowhere. She had to deep dive.

Even plugging herself in and digging through sketchy archives, she couldn’t find any negative opinions.

She did find holes though. Places where she sure there once was her sought after negative reviews. But they had been scrubbed. Erased. The only trace of what they were being what was missing.

It scared Pixal. These cites weren’t easy to hack and they sure couldn’t be bought. Some of them were borderline impossible to get into unless someone could do what Pixal did and immerse themselves into the code.

She was even more concerned.

She tried to look into the code of the app itself, but it didn’t make sense. It looked fine, but Pixal couldn’t shake the feeling that there was something scrubbed from there too. Something it had hidden in response to her snooping.

She didn’t like how Kai looked when he used it. It looked familiar, the expression. A blank smile with unfocused eyes. Something she’d seen on him somewhere before. It stirred feelings of concern and fear.

Jay’s expression matched him when he used the app, but Pixal didn’t think she recognized it on him.

She wanted to share her concerns with Zane, but she wasn’t sure what they were yet. That Kai and Jay had phone addictions? That the app they were using seemed too well liked?

She was considering her options while she walked down the hall, catching sight of Kai and Lloyd as she passed the open door.

Kai was showing Lloyd something on his phone, probably the OvK app she was so worried about. That wasn’t what stopped her dead though.

Lloyd had that same blank glassy smile, and she recognized it on him. Seeing Kai and Lloyd next to each other, she finally figured out what she was seeing.

Content and thoughtless. That was how they looked when Zane had microchipped them.

Pixal’s concern overflowed.

“PUT THE PHONE DOWN!” she screamed.

Kai and Lloyd both looked up, still shaking off whatever trance they were in, but thankfully shaking it off none the less.

“Pixal? What are you- HEY!” Kai yelled as she snatched the phone from him.

She thought briefly about snapping the thing in half. She stopped herself so she could exam it. But no, that wouldn’t work. The app covered it’s tracks too well. Probably because there was an intelligence behind it.

Was it Zane?

Pixal’s breathing was panicked. Good thing she only breathed for aesthetic, otherwise she would’ve been hyperventilating.

“Pixal, give me my phone back.” Kai said, reaching for the thing.

“NO!” she yelled

“What’s wrong?” Lloyd asked.

“That app isn’t normal.” Pixal said, trying to figure out how to put her concerns into words.

Kai raised an impatient eyebrow.

“You two looked…you liked like you did when Zane was all ‘Overkill’. I didn’t recognize it at first, and I didn’t recognize it on Jay, but seeing both of you next to each other, there’s no doubt.”

“Pixal, it’s just a phone app. It’s not capable of mind control.” Kai said, crossing his arms.

“I don’t know what it’s capable of, but I do know what I saw, and I know that somebody has been scrubbing negative reviews of it off the internet with the skill I think only a nindroid could manage.”

Kai’s brow furrowed. Conflict. He believed her of course, but a part of him was still trying to deny it. He was fighting with himself on it.

“Are you sure?” Lloyd asked.

“Kai?” Pixal said, ignoring Lloyd for a moment.

Kai’s clear struggle didn’t look good.

“Yeah, I just….I don’t….” Kai gripped his head.

“Kai, are you ok?” Lloyd asked.

“I….I think Pixal is right.” Kai said “I’m….I don’t feel normal.”

Kai hissed in pain. Pixal and Lloyd rushed forward to catch him as he fell forward.

“I’m….I want to argue with you about this and I don’t know why.” Kai confessed “I think….I think you’re right. Something’s gotten into me.”

“We need to get Jay off this too.” Lloyd said

“Pixal, get that thing away from me before I take it back.” Kai said, pushing himself away from her.

“Take my phone too. I downloaded it.” Lloyd said, handing his phone over to Pixal.

“Right. I’ll go get Jay’s phone from him, maybe Nya and Cole’s too for good measure.” Pixal said, turning to leave “You two….try talking to Zane. I don’t want to think that he’s behind this but…”

They nodded. Kai seemed more lucid, having shaken off the last of his issues.

--

Oh wow. Is Zane crazy again? Or is someone else behind it this time? Who knows!? 

And wow Kai, you sure seemed to catch on to that real quick. It would be a shame if that were to....cause problems for you later. >:)

Anyways, there’s more written and a little bit more planned. IDK when I’ll post more, but engagement is nice.

-Ivy

#Mod Ivy #ninjago #lego ninjago #blursed ninjago aus #overkill au #blursed ninjago snippets

[burningcowboyhoagietaco]

A Way to Learn a Lesson

written by:

@burningcowboyhoagietaco

illustrated and edited by the amazing, the one and only:

@lenle-g

Before I publish the story id like to thank @lenle-g from the bottom of my heart for being patient with me, being nice to me the whole time, and for making my story even better and more exciting. Without her I would have stayed in my normal, not that good English story. so thank you for everything!!! <3<3

And here's my part at @tagminibang submission:)

☆☆☆☆☆

Scott, no!!! No way! I am not going to give any lectures to anyone." John's voice comes out tight. "Especially not in front of a crowd. No way."

"Why not?" Scott raises a brow, his voice honeyed with ‘big brother wants something’. "It's not like you're gonna get executed by some children just for talking space at them, right? You love talking about space. It's all I've heard since you were, like, seven."

"No, that's not it." There's a sharp shake of the ginger’s head, "Scott, come on!" John knows for a fact that his oldest brother knows he's the most socially awkward person to have ever lived on Tracy Island (and maybe the entire planet). "You’ve lived with me long enough to know how much I hate social.... anything." John complains. "Why would you ever think I'd want to do this?""

"Well, yes, I know that," Scott shrugs, "I've seen that look you get on your face when there's a lot of people around." He’s well aware that his brother is an introvert who hates socializing with anyone, so he quickly changes the subject to try and make his younger brother feel a little more at ease. "But hey... everyone knows how much you like it when anyone talks about space or anything about astronomy. You'd be amazing at it."

"That's a different thing." John says flatly. Flattery, it seems, wont get Scott very far. "It's like, whenever you guys ask me anything about space, I like to answer them for you, but from random people…? And in huge crowds? I just simply can't." Surely he doesn’t have to explain himself much more than that?

"Oh trust me, everything is going to be fine." Scott was a flippant hand around, talking without really thinking, because all he wants is for his brother to get out of Thunderbird 5, to visit Earth for a little bit, to mingle with people a little. It can't be that bad. "If anything happens, Gordon and Alan'll be in Thunderbird Five doing Space Monitor duty, me and Virgil are gonna keep an eye on everything, and you’re in safe hands with Lady Penelope and Parker. It's all set up, so please go have some fun for once and teach the children something cool."

"My answer is still no." John says persistently, without hesitation. He's pretty sure it'd be worse than being in the middle of a hurricane, or testing one of his Grandma's new cooking experiments. It’s lucky Scott misses his involuntary shudder.

Scott, though, is so done with him at this point, that he's pretty sure there's no choice but to use plan b and hope that that works instead on his unwilling, stubborn, red haired brother. They've got to get him down from orbit and to that lecture somehow. Scott's just not going to stand for anything else.

"Are you sure that's your last answer?" Scott asks, with a heavy sigh, already planning the best way to call in the big guns.

"Yes," John scowls, arms folded. "Yes, it is."

They'll see about that.

...

"Is everything ready?" John adjusts his sleeves, smoothing down his vest and putting the last touches on his collar. Neat, simple, formal. Can't go wrong. "My presentation papers, laptop, and my mini simple dimple?”

"Yes, all in the bag." Scott calls back, rapidly checking everything, "But do you really need that little fidget thing of yours?" He picks his younger brother's old toy up between forefinger and thumb to examine it, remembering the day John made their Mom buy it for when he gets stressed.

"What fidge- oh, yes I need it." The look on John's face leaves no doubt about that. "I've used it ever since Mom bought it for me."

"Hey… Mom would've been proud of you, you know?” Scott tells him, in a quick flash of brotherly pride. “For, you know, going out of your safe zone for a little while and teaching the children and all that."

"Yeah, I know…" John finds him a nervous smile, "But I'm not doing this voluntarily, you've forced me with that plan b of yours."

The second John says that Scott's cheeks dimple, the corners of his eyes crinkle, and he grins victoriously, his teeth a bright white in the earliest rays of morning sun.

“All I had to do was make a call." He shrugs, "Lady Penelope did all the talking and somehow convinced you to go." Scott got a little more excited. He took a couple of steps forward, slightly standing on his toes reaching John's level asking"How did she convince you?" Clearly waiting teasingly for an answer to come out of John's lips

"Huhhhh." John exhales loudly, a little despairing. "She promised me we'd go to the Pagasa Astronomical Observatory after I finish the lecture with the children." He shrugs, keeping his eyes down, embarrassed.

"The what now?" Scott stares at him, thoroughly confused.

"The Pagasa Astronomical Observatory in the Philippines.” John says, like that was obvious, “It's equipped with a 45-cm computer-based telescope. It's so powerful that astronomers and astronomy enthusiasts can now conduct effective observations of stellar bodies and other distant space objects! Scott, it’s been my dream to go since I was, like, 17."

Scott always knew how much of an astrophile his younger brother is; he never cared about his physical appearance, nor his poor eating habits and he always used to make excuses to read his books alone, yet no one has ever interfered in his personal life.

"Okay okay space lover boy,” Scott grins at him. He'd expected Penny to be persuasive, but resigning herself to hours stuck with John in full excited-about-space mode would hardly be in his top ten. Either he's gonna owe her one, or Penny's more resilient than him. “You can go, no one is holding you back."

The short silence between them was broken by a ringing sound from a nearby table, which John answers.

“...Mhm, yes? Oh, the lecture." It must be Penelope calling, "Yeah, I'm ready, I'll head out now." John grabs his bag, wandering toward where the FAB1 must already be idling on the Tracy runway. "Time to go."

"Mhm,” Scott makes an agreeable noise, watching him go. “Please stay safe and please don't make an idiot of yourself." He's teasing… mostly.

"Yeah yeah," John waves at him over his shoulder, not even looking back. "I won't."

…

"Are we there yet?" Despite the consistently amazing views out of FAB1’s windows during the flight, John’s found himself mostly looking down, fidgeting with his fingers. He’s worrying, just a little, about what awaits him in the Philippines - a whole different tropical island to his own, though still in the South of the Pacific Ocean.

"Just give Parker ten more minutes, darling,” Her Ladyship smiles at him, “We'll arrive in no time."

There’s a moment of silence before, unexpectedly, it’s broken by a call flashing up from, of all places, Thunderbird Five. There’s a prickly sense of discomfort as John realises that, of course, it’s not him calling. Gordon must be trying to reach them.

"Heeeeey Lady Penelope,” The kid greets, as Penny flicks it on, seemingly a lot less bothered by the change than he is. “Oh, and Mr. Tracy.” There’s a huge smirk on his face. “How's our newest teacher holding up?"

"Firstly, my name is John.” John points out, flatly, “Second, I'm not your teacher so please don’t call me Mr. Tracy ever again. Thirdly…” He concedes, quirking an eyebrow, “Yeah, I'm good for now, but fourth… How are you holding up, up there in my Thunderbird? She’s not much like Four, is she?"

"Ooooooooo that's a good question,” Gordon looks half like he’s considering it, half like he’s really missing his own ‘bird. “I'm holding up pretty well thanks to Alan. He’s taken all the Monitor duty stuff, so all I gotta do is keep an eye on you guys." He sounds a bit… sarcastic about that. “It’s pretty boring, honestly. How do you survive up here without a pool?”

"Young Master Gordon, are you quite done talking?" Parker glances, unimpressed, at the little floating hologram of John’s brother in his rearview mirror, "Because we're about to arrive at our destination."

"Huh… oh yeah,” Gordon doesn’t seem too bothered about that, but he waves merrily at them all the same, “Okay bye and John, please have fun, you too Lady Penelope, okay bye guys."

It’s only a few moments later that Parker opens his mouth to tell them that they’ve arrived at Chino Roque Theater, pulling up out front to let them both climb out.

John's eyes widen: it’s nothing like what he saw on the internet. It was more enormous, more luminous, more spectacular than anything he’d seen or read online. All he remembers reading is that it's a sphere shaped building located in the Philippines, in Anilao Hill, but the pictures on the webpage didn’t do it justice like being there in person does.

The building was smooth and round; the auditorium shaped like a massive egg nestled in amongst the other buildings. They were early enough that the sun was just cresting the horizon, colouring the sky with reds and oranges, visible through the geometric front of the building - where giant triangles of glass intersect together to give the people inside an amazing view of the sky at night.

"M'lady, you and John can go ahead. I'll park FAB 1." Parker said, before going to the parking lot - unaware just how tiring and long his journey to find a place to park is going to be.

They both head inside the building, admiring the sweeping glass fractals of the roof high above them. It’s incredibly beautiful, really a feat of engineering. So much so, that John almost forgets why he’s even there, until he spots a couple of buses arriving on the other side of the building, and the panic sets in. He was expecting to be a little bit anxious, but this feels like his heart is going to beat right out of his chest. He presses a hand hard against it, trying to calm his racing pulse and stop the sudden shake of his fingers, and Penny must notice, because a little hand settles, ever so lightly, on his shoulder, drawing his attention to her.

"Hey John," Lady Penelope looks him steadily in the eye, projecting warmth and reassurance. "They're just a small, mixed group of children and teens. They can’t possibly hurt you, now can they? They just came to have a small lecture because all of them like space and astronomy just like you. Imagine yourself at their age, meeting a real life astronaut.” John tries very hard not to remind her who, exactly, his Father was, as she goes on - trying to visualise being a kid that didn’t get ‘take your son to work days’ at NASA’. It’s a pretty horrifying concept. “Most importantly,” Penny adds, “it's only for an hour or so, so you don't need to worry so much." She had to smile just to reassure him. “You’ll have filled their heads with space facts and be out before you know it.”

"O-okay,” John takes a deep, steadying breath, “I don't know if I'm supposed to trust you on this, or whatever, but I really don't have any other choice." He also wants to add that they forced him to go, but at the last second he remembers that they never forced him - he agreed to go because Lady Penelope promised him a trip to the observatory.

It seems like a pretty weak reason, now that he’s outside the stage door, knees shaking.

"Mhm, I think it's time to go inside.” She nudges him callously in the right direction, and John’s palms meeting the solid metal of the double doors is the only thing that keeps him from following gravity’s call and landing on his face. “Again, if anything happens, I'll be at the back of the room and I have a plan b if things get too much." John, pretty shocked by just how many plan b's the Lady Penelope might have prepared for the day, can only shake his head, bemused. “So stop worrying and get out there!”

She vanishes off into the atrium, and John can’t help the loud exhale that escapes his mouth before he musters up all the courage he can, and enters the room.

Bright lights startle him for a moment, and he’s pretty sure he does an awful, awkward impression of a blind baby giraffe as he stumbles out onto the stage and freezes as he notices the first smatterings of audience are already taking their seats.

The moment he placed his foot on the smooth wooden floor, his heart had started to beat faster, his hands began to sweat, the more steps he took forward the more he felt anxious. It was, he’ll think later, one of the toughest moments of his life, and he’s been to space. Multiple times.

Come on John. He tries to straighten up, shake off his anxiety, This can’t go worse than your first EVA.

Taking another deep breath, John waits patiently for all the attendees to take a seat inside the room. Waiting doesn’t help his anxiety levels at all, and he can feel them increasing by the second, but, determined, John doesn’t let it stop him from starting his lecture.

"H-Hello everybody,” He starts, incredibly conscious of the hushed silence that falls across his audience. “I'm John Tracy, M.Sci, PgDip, B.Lang Hons,” he rattles off his credentials, his nerves almost blurring them together, “I worked with NASA as an astronaut for three years before going… uh… solo in my astronomical studies, and I'll be your guest lecturer for the day.” He swallows around the lump in his throat, as a ripple of hushed oohhhs and ahhhs goes through the crowd. John’s pretty sure his face has gone bright red. “Thank you for having me at the Chino Roque Theater,” He goes on, before his embarrassment can bet the better of him, “I hope everyone’s had an amazing day so far. We'll be spending the next hour or so talking about astronomy and space physics, so shall we get started?" John thought it was a good opening, and yet his back was really wet from all the people's eyes on him. Glancing offstage, Penelope throws him a thumbs up, and he feels a little better.

"Um,” He blinks. “So does anyone here know how old the universe is?" John ventures, only to be surprised as almost everyone answers at once;

"Almost 13.8 billion years!"

"Yes,” The edge of a smile works its way onto John’s face. Clearly this was going to be a shout out the answer kind of lecture. He can work with that. “That's correct, now does anyone know how the universe started?"

"The Big Bang!" Most of them answer, and John feels a surge of relief. These guys really are into space.

"Okay, okay, not bad at all." He nods affirmatively at them, and the screen behind him lights up with an artist’s rendition of the Big Bang happening. "Now if I were to go and search ‘how old is the universe’ in, say, Google, the answer would be 13,772 billion years. It’d be the same thing if we looked at NASA, or even Wikipedia - so how did people get to know the age of the universe? How do you even start calculating something that old? Well I'm going to explain it for you in two ways: the good, nice way, and the kinda not that good and not that scientific way." There’s a bit of an awkward pause as John wonders whether or not he’s explained that well. When only silence greets him, he very quickly realises he needs to press on.

"So, uh, the good way.” He folds his fingers together behind his back, trying to resist the urge to fidget. “Well, in the middle of the previous century, as telescopes developed, we noticed something strange. We found that stars in very distant galaxies tend to look red… Umm, which is something that’s not supposed to happen.” A chuckle escapes John and, to his relief, the audience laughs with him. Scott never gets his space jokes. “So why’s that?” He asks, “See, if a chemical element gains or loses energy it’ll emit light in certain frequencies, thereby creating certain colors.” A small movement of his hand signals the slide to change, and a picture of the visible section of the electromagnetic spectrum appears, colouring the room with rainbow light. “For example,” John goes on, bathed in blue and violet, “Consider something like… a desk lamp, as like an element. If you give a lamp electrical energy, it’ll release that energy in the form of heat and light, yeah?" There’s a murmur of uncertain understanding in the room. “Electricity goes in, the bulb gets hot, and it gives off light. Well, we know stars do pretty much the same thing - only powered by nuclear fusion rather than a nine volt plug.”

"From studies of the sun and stars that are near Earth, we know that they’re made of helium and hydrogen, yes?” There’s another murmur of agreement in John’s crowd, “Well, hydrogen and helium can create red light, but they don't have the ability to create these shades of red that we see in deep space." The slide behind John clicks to a comparison of the two shades, on two different stars - making the difference clear.

"So, if stars are made of helium and hydrogen then why do distant stars have different colours? Are their compositions different?uh, well It’s possible, but not likely. The strongest explanation is that the color difference is due to the movement of the stars." The room gives a soft gasp at this news, and John knows he’s onto something good.

"So there's something called the redshift and blueshift phenomenon that says that if an object radiates light and approaches you, the color of the light begins to turn blue, and if the object is moving away from you, the color will turn red. This happens because the wavelength of light contracts and expands with movement meaning that something stretching equals red and contraction equals blue."

"And the strange thing is,” John adds, his audience listening raptly, “That most, if not all, stars show the same behavior, so, if we think about it, if all stars are moving away from us, that means that they were close to us at some point, and if we follow their path, we find that everything in space meets at a point named ‘singularity’."

"It was believed, in the past, that everything in the universe, or at least in the visible part that we have observed, that is to say,” John flicks to a graphic on his next slide. “All the galaxies, planets and stars, were all gathered at one point - the singularity. The theory is that this point exploded in what we call the ‘Big Bang’, and from that time onward, the universe has been in constant expansion.”

"So it’s with data from this knowledge that we can calculate the age of the universe:” With a wave of his hand, John puts a series of bullet points up on the screen behind him, then reads them aloud.

“One, the universe began as a very small, single point.” He reaffirms, “Two, the universe is constantly expanding outward from that point, and three, from these we have the ability to calculate the expansion rate of the universe, by calculating the speed of the stars that are moving away from us. If we take the furthest accelerations and enter them into this equation,” John’s board merrily does it’s thing behind him, “Then, we get the age of the universe."

"And, so we don't forget, all this talking was about the good way. There is another way to calculate the age of the universe, the, uh, not as good way, or, more specifically, the less scientific way.” A ripple of laughter goes through John’s audience - and he relaxes a little more. Maybe Scott was right. Maybe these are his kind of people. Scott’s never laughed at a space joke for sure. “There's no problem with it,” He quietens them again with a gentle gesture, “and it does support our theory and calculations, so I guess we should talk about it."

"Since ancient times, humans have been looking at the sky, watching the stars, and giving them names like Cygnus, Canis Major, Orion.” All names any young astronomer in the Southern Hemisphere would recognise, and be able to enthusiastically point out in the night sky. “In those days, there wasn't the internet so they were looking up at the stars instead.” Much like John himself, when he’d been a boy.

“As a way of calculating the age of the universe, astronomers set out to search for the oldest celestial bodies in space.” He goes on to explain, “The idea was that if we find a star whose age equals X, then the age of the universe must be greater than the number X. So we pointed our telescopes up there and started trying to find out their ages from birth, to youth, to their old age until their end."

"Can anyone guess the age of the oldest star we've found?" A lot of answers were guessed, some of them were pretty close, but some, amusingly, were way too far. "Ok, ok…” John puts his hands up to pacify his excited crowd, “Umm I see there are a lot of answers, but the oldest star people discovered was actually estimated to be 13.5 billion years old. The HD-140283, or as you might know it, the Methuselah Star. That number is very close, you’ll notice, to our estimation of the age of the universe."

"But if we found a star that is 13.5 billion years old today, then we could find an even older star next week and that would ruin all of that,” He chuckles, mostly to himself, “We also should note that this method alone isn't suitable for determining the universe’s age, but as long as we have two methods with corroborative results, we can be reassured that the estimate is correct.” He pauses for a second, “So, does anyone have questions?" A couple of hands raised, and John found himself suddenly answering a lot of questions - but he managed all of them despite his fear of the huge crowd.

He’s starting to feel more than a little overwhelmed.

"Umm… W-well that was a lot of questions,” John tries to pull it back in, his allotted lecture time ticking away on the big clock at the back of the hall. He feels a little panicky from the bombardment, and his palms have gone sweaty. “We’d better move on.” To distract himself from the people, as much as anything, “Our next topic is the theory of relativity, so l-let's get started on that."

Lady Penelope, from her fold-out seat at the back of the room, frowns. It’s clear John’s terrified and she wants to use plan b, but as long as he’s still standing on his feet, and giving the lecture, he's probably fine for now. If anything, it’d cause more of a disruption to drag him away now.

"Umm,” John takes a breath, trying to centre himself in the science of it all. “Let's start with a supposition, a hypothesis if you like, and consider it together. Okay, you’ll have to bear with me on this one, but let us suppose that we were all asleep, and the universe suddenly inflated by a thousand times.” There’s a murmur in the crowd at how odd everything abruptly getting that much bigger sounds, “Your bed, your pillow, your desk,” John extrapolates, “even the meter we measure stuff with. If humans became a thousand times bigger, when we woke up would we feel something strange? Would we even notice anything had changed? You’d think so, but no.” John’s settling back into his rhythm now, “So why is that? Because the bed and everything became a thousand times more inflated and our bodies also inflated a thousand times, with everything scaling in parallel relation to each other so that this percentage, this scale, was preserved throughout the room. You’d never know the difference."

"Henri Poincaré, the well known mathematician and theoretical physicist, says that we will never be able to discover that something like this has happened, even if we use all the mathematics and calculations ever invented.” John drives the point home with another illustrated slide, “This hypothesis is called the Poincaré hypothesis, and simply, because the meter with which we measure things will have also expanded a thousand times, there’s never going to be any equation or calculation or any analysis possible that could lead us to the truth, because the ratio is preserved in all parts."

"Now, this is important, because the same thing also happens with time. If everything suddenly got a thousand times faster, we’d still never feel anything different. Why’s that?” He asks, rhetorically, “Because time is also a thousand times faster, your heartbeat is also a thousand times faster, your body would function a thousand times faster to keep up with it all. As long as everything is increased by the same amount, the ratio is preserved, and none of us will be able to detect any change."

"So Poincaré asked the scientific community; is there no way to know that time increased or that things inflated?" John tells the room, "Well, it was Albert Einstein who answered him, deciding that the one and only way to tell, would be to have someone observing what happened to the world from another galaxy, from another world, lightyears away. For someone to point a telescope in our direction, and look through it at us, and say what happened to the Earth? Why are humans walking a thousand times faster than in the past? But this person who realized the situation,” The astronaut waves a flippant hand, starting to feel much more confident again, “would have to be a person standing on a fixed external platform in a different world, so that what happened to us was not also happening to him."

"But, as Einstein commented, this hypothesis is impossible for a simple reason and it's that there is no fixed platform in the universe - the entirety of it is in constant, turbulent motion. For example, the Earth rotates at a speed of 460 meters per second, revolving around the sun at 30 kilometers per second, and at the same time, the sun and it’s planets and dwarf planets and moons and asteroids, all revolve around our galaxy, The Milky Way, at a speed of 300 kilometres per second, and so the whole universe revolves. That's,” John takes a deep breath, finding himself out of air after so much explaining, “why it's impossible for us humans to completely accurately judge the motion of any astral body."

"Because there is no fixed berth, we can only offer relativity. This is the first part of the theory that Einstein came up with, in summary; it cannot be said that the monotony of a body is absolute motion."

"Another thing he said was that, because of the vastness of the universe, it’s impossible to synchronize, what does that mean? Well, I will give you an example.” He flicks his slide, “Say I’m a person in the Philippines, and I'm talking to someone from the United States. We synchronize, and hear each other in real time, because we have a method of fast communication. I can hold my device and say; hello, how are you?” John holds up the slim, sliver slice of his phone to show the audience, “How’s the weather there? And they’d answer me with something like; I’m fine thank you, it's night here so it’s a bit hard to tell what the weather’s doing! What’s the weather like there? And I’d answer them; it's daytime, and maybe ask them something like, what are you eating? They’d answer me; a burger, and then I’d tell them that I'm eating kaldereta, and it’s much better than a burger."

In the audience Penny quietly hopes that Gordon, who's probably listening in with the rest of his brother’s, missed the fact John was making jokes on stage. The poor little bugger’ll never live it down otherwise.

"These two events, each person talking to the other, are compatible.”  John goes on, absolutely oblivious, “It’s possible because the two wireless devices, be they mobile phones or more sophisticated comms systems, are on the same globe, creating a fast means of communication.”

"But,” John postulates, “If I was talking to someone from another galaxy and I used the same means of communication to make a call, do you know how long it would take to get to them? It would be about five to six thousand years until my signal reaches the phone of our friend, and they’ll have married, had children and died, and their children would have married and had children and died, and so on, for thousands of years before then."

"And that's why it's impossible to synchronize between the ends of the universe,” John balances his palms like he’s weighing two invisible ends, “It rather puts a damper on our chances of finding and communicating with extraterrestrial life, for sure, but at least it’s possible to synchronize within one system, like the system of the Earth. "

"This is a thing that also applies to light, for example: any star you could look up and see now, the light emanating from it may be coming from thousands of years ago. This means that it’s possible that the star you see shining could have exploded and disappeared, and hasn't existed for a long time. Why? Because it takes a couple of thousand years for the light from that explosion to reach us."

"There isn’t any proof for the hypothesis that the universe is linked by time, but the thing that happens that we’re sure of is that the universe is made up of, sort of, separate islands of different times that have no connection between them. The connection between movement and time in space is something we all know about, for example, a day on Earth equals twenty-four hours, yes?” There’s a chorus of agreement from the audience, “But on Saturn, a day is ten hours because it rotates faster. Astonishingly, a day on Mercury is the same as fifty-eight whole Earth days, which, infact, is also a Mercurian year, because the planet revolves around the sun for the exact same period as it revolves around itself."

"Okay, so, to what extent is movement related to time?” John asks, well and truly into this whole teaching thing now, “Well, Einstein was the first person to discover the connection between them and suggested that; suppose you’re on board a very fast rocket, 100,000 miles per hour for example. The mechanical watch on your wrist would be delayed over the flight, but you wouldn’t feel like time is being delayed. Why’s that? It’s because the rhythm of your heart would slow down - all of the vital processes in your body that are inside the rocket will slow down."

"As you move more, something called the dilation of time will happen.” He steps to the side, as if to illustrate the point, only to find himself stumbling a little, like if the ground beneath his feet had moved. “T-Time slows down,” John tries to recover it smoothly, but everything’s starting to feel, weirdly, like it’s shaking, and he doesn’t think it’s the anxiety anymore, “and that's-"

John doesn’t get to finish his sentence because there’s an abrupt shift and a loud cracking from under him, and getting off the stage suddenly seems like a good idea. Someone screams outside, and the volume in the room skyrockets as the children start panicking. John’s one hundred percent sure this wasn't anything planned.

He knew he shouldn't have come.

Earthquake? He wonders first, then; Tsunami? Ground slip? Hurricane? Whichever it is, John has to prioritise calming the people and evacuating them out of the building. The giant glass panels above them are trembling with the force of the shaking, and, as a professional at this sort of thing, Thunderbird Five’s Space Monitor doesn’t like the look of it one bit.

"Everyone calm down,” He has to shout to make himself heard over the roar of people, even with the microphones pointed his way, “This is a normal thing. All we have to do is evacuate immediately, as calmly. as. possible. I don't want anyone crowding the exits, do you all understand what I just said?" The front rows, white faced with fear, nod encouragingly at him, and he watches as they begin to lead the way toward the glowing green signs that signal the emergency exits. Immediately after making sure the crowd is moving, John pulls up his comm to contact Gordon.

"Gordon, are you on the line?” John’s a little breathless and he climbs down from the precarious stage, into the throng of terrified bodies, “We have a situation in here."

"Let me guess, you caused it?" Gordon seems so excited to hear something other than his brother's boring lecture that humour has outweighed his professionalism.

"Gordon,” John grits his teeth, “I'm being serious right now, there was a huge movement in the ground beneath the Chino Roque Theater, and it's still ongoing. Tell Alan to do a check on what's happening beneath us using the Ground Penetrating Radar." He orders.

"F.A.B." Comes the far more serious response, before Gordon clicks off the line to do just that. Squashing down any fear he’d about the now swelling, shuffling crowd, John opens his arms wide and walks toward them, the motion sort of like he’s trying to herd sheep, as he tries to evacuate the people safely out of the building.

He’s not exactly an expert at being on the scene during rescues.

"John, there's a landslide going on right now,” Alan’s worried little voice comes ringing out of his comm speakers, “Right next to the theatre. You’d better get out of there. I’m monitoring the situation, but it’s looking like you’re going to need International Rescue to get you and the people out of there. The debris field is spreading fast." John would do almost anything to be up there instead, at his own screens. “I've contacted Virgil and Scott, I’m patching them through now.” Alan clicks Scott and Virgil, both clearly just finishing their suit up sequences, into the conversation. It seems important to keep them up to date with John's developing situation.

"Hey Mr. Tracy, how are you holding up?" Scott jokes over the roar of his launching Thunderbird, the sound filling the background of the call with white-noise, "Oh, and how was your lecture?" John thinks he sounds far too casual in contrast to the impending danger all around him.

"Oh my God, Scott, is now really the time?” John groans, and a kid with mousey blond hair not dissimilar to Alan’s looks up at him, very confused, before the astronaut waves him on, “You are an adult person,” He reminds his big brother, “Please don't be like Gordon right now. He’s practically still a child."

"Hey!” Gordon had clearly overheard the conversation between his brothers, and springs up to defend himself. “I'm only two or three years younger than you!" He complains, not about to do the math.

"Gordon, we don't have time for arguing about that now,” John frowns, “and Scott, I'm holding up alright at the moment. Please don't ask me anything about the lecture until I get back home." If his voice cracks a little on that last bit, he’ll never admit it.

"Okay, okay I won't ask anything about that,” Scott reassures him, his amused, big brother grin very much in place, “Keep on evacuating the people safely until we arrive John, you’re doing great. It won’t take us that long. ETA at 15,000 mph is sixteen minutes.” He reassures, “We’ll be there before you know it."

"F.A.B. Scott." He reluctantly signs off. Now that he’s finished talking with Scott, John’s pleased to see that a lot of people have already made their way out of the atrium’s three sets of double doors, evacuating the building to get as far away from the landslide as possible. His fingers itch to pull up the schematics from Thunderbird Five on his comm, no matter what the people around him might think. He quickly caves, and it feels worth it to be able to see the incoming tide of slipping land.

They don’t have much time.

“Let’s go!” He shouts, chivvying. He’s a little breathless with the tension, so he keeps things short. “Come on! Let’s move guys!”

From his vantage near the crumbling stage, John can make out Lady Penelope and Parker by the main doors, ushering people through, and the sight of them fills him instantly with immense relief.

“Okay, that's a good amount of people out.” John has to jog to catch up with them, skirting around a little old lady with a zimmer frame and taking a second to correct her course, “Lady Penelope, Parker, I think you should go and check on the people who’re out. They could have minor injuries from the stampede, and International Rescue are still ten minutes out. I'll make sure the last few stragglers exit safely."

Penelope just nods, pale and worried. Her blond brows are all pinched in together, nervous and Parker looks practically haggard as he claps a reassuring hand on John’s shoulder, her faithful old companion following her pink shape dutifully out the doors. Hopefully they’ll go make sure that no one was badly injured in any way.

Turning back to the slow cascade of cracking rubble behind him, John finds the stage area has been all but obliterated, and his heart aches for the patrons of the Chino Roque Theater who’ll have to rebuild from scratch when this is over. He imagines the Tracy fund can contribute a significant amount toward that though. They often do for worthy causes.

John pushes the damp curl of his slightly sweaty bangs out of his eyes and climbs over what looks like a twisted piece of ceiling girder toward the sound of people, possibly trapped stragglers, who are calling for help.

"I miss Thunderbird 5 so much,” John mutters, keeping it under his breath so that no one hears him, as his palms are scraped raw against the concrete he’s trying to clamber around. There’s a rippp of fabric on a jagged piece of metal and the knee of his previous pristine brown jeans meets much the same fate as his poor, scuffed hands. “Oh, come on!” He’s having no luck today, “I'd so rather be assisting the situation from space. I can’t believe I’m stuck here." John grumbles, to no one in particular. He’s just not built for this kind of thing. Heavy labour and getting sweaty pulling people out of scrap heaps is what his other brothers do. At least rescues in space don’t have all this… gravity to contend with.

"John?” The crackle of a comm cut’s across his complaints, “What’re you still doing in there?” Gordon’s voice breaks him from his thoughts, little brother’s tone heavy with concern. “The building could fall any moment! You're so lucky the landslide isn't moving very fast, but it’s not gonna stay that way forever." Gordon was really worried about the fact that his older brother was still inside. “It could engulf the building! You need to hurry it up, bro.”

"I'm evacuating the people as fast as I can,” John gets both hands under the armpits of a boy who couldn’t be older than seven, and swings him above a pile of rubble toward safety, “I'll be out in no ti- Ah!"

John’s voice gets cut off with a startled cry, and it takes Gordon a second or two, time John might not have, to remember how to breathe so that he can yell in any way coherently into his comm. His eyes are wide, his anxiety levels through the roof as he tries, and fails, to rouse his brother on the other end.

"SCOTT! You need to get there now.” Gordon’s aware that he’s totally losing his cool, panic creeping in over his weak layer of professionalism, “I just lost contact with John.” He gasps, “He was evacuating people and I heard him yell and now he’s not responding! And- and it's not just him. There were other people he was trying to get out."

"Hey Gordon,” Scott tries to keep his voice steady to inject some kind of stability into the conversation, “Don't lose your cool yet. I'm sure nothing that bad happened to John. Just stay your positive self, okay? I’m arriving right now and Virgil isn’t far behind me."

Thunderbird One is panning over the city, low enough to ruffle the hair of people looking up, but it’s not a problem until the usually so sure and steady pilot finds his hands nearly slipping off her controls as Scott catches his first, horrific glimpse of the building that he knows his younger brother is inside.

“What the…?”

The Chino Roque Theater is almost flat.

"Virgil,” Scott swallows hard to try and remove any of the tremor from his voice, “A-Are you seeing what I'm seeing right now?" He almost succeeds.

"Scott this isn't a joke, it looks like half of the building has come down with the landslide! John’s in there!" Virgil sounds more terrified than Scott thinks he’s ever heard him. What scares him the most is that the exit was on the side that has fallen in, which means that a lot of people are trapped under it, their John included. "Scott, we need to help them right now.

"Okay, here's the plan,” Scott’s hands tighten white-knuckled on the steering yoke, “You wear your exo-suit and go clear the debris out of the way so that we can save them, and I'll get rid of that roof with Thunderbird One and check for life signs. Remember that saving lives is our top priority, got it? No matter what’s happened to John."

"F.A.B." Virgil sounds incredibly tense. He lands Thunderbird Two as fast as he can in the crowded, limited space. Local people are beginning to make their way out of their houses to see what all the commotion is about, and the cramped city streets aren’t ideal for International Rescue’s four hundred and six ton workhorse.

Two’s pilot struggles into his exo-suit, rushing to get the Jaws of Life prepared despite Scott’s insistence that he focus and take things slow and sensible. It’s not long until he finds himself digging among the debris looking for buried people and, in the white rush of it all, Virgil’s not even sure how he got there.

"Scott,” he presses on his comm, “Please tell me you’ve got something?"

"Fortunately and thankfully yes,” It’s hard to find the hopefulness in big brother’s clipped Mobile Control voice, but it’s there to Virgil’s expert ear, drizzled in nervous relief. “I've got a whole cluster of life signs,” Scott reports, “BPM signalling in the green. "I think they’re just trapped under the debris." Alan’s echolocation report came back suggesting that there’s a big space under what could be folded sheet metal from the ceiling, that they’ve huddled in. I'm really sure there's nothing that bad, but still we have to continue otherwise it will take a bad turn for us and the people in there."

“I can use the grappling cables in Thunderbird One to take the strain off the roof,” Scott adds, “But I need you in there to get those people out.”

“Already on my way,” Virgil ducks under some rebar, skirting around the rubble and pulling away loose debris as he goes. His heart is loud in his own ears, and Virgil hopes the creak and groan of metal and concrete above him is Scott lifting the weight off the roof, keeping it from collapsing any further onto the people below, and not anything more sinister. Virgil gets peppered by a slide of small stones, but the roof holds steady.

He presses on until he catches sight of the cluster of around forty people, all huddled together around a tall, central figure with a shocking amount of rubble dust smeared over his face, and powdered through his ginger hair.

“John!” Two’s pilot makes a beeline for his brother, despite the fact three of the people are stuck under rubble. Clearly John’s in control of the situation here, and he’s never wanted a mission update from their Space Monitor so much in his life. He can’t help but hone in on the fact John's left arm is crudely wrapped in a piece of cloth from his sleeve, which he must’ve ripped off in order to tie it.

"You have to tell me exactly what happened,” Virgil drops the controls for the Jaws of Life, and grasps his brother’s biceps in both hands instead, resisting the very strong temptation to pull the spaceman in for a hug. “And what happened to your arm?!?" There’s a river of blood seeping from beneath the make-shift bandage, but John, it seems, isn’t bothered by it in the slightest.

"Not now Virgil.” His concerns get thoroughly dismissed, “We’ve got to get these people out of here, and then I'll tell you everything." Virgil didn't like the idea that something happened to his brother and he's silent about it, but after all John was right about saving the people first since his arm is under control for now.

John crouches by the nearest injured person; a pale, skinny teen with a sizable piece of rebar keeping him pinned.

“You’re gonna be out of there in just a second, Lito.” Virgil watches him reassuring the young man for a long moment, “Uh, Virgil?” John prompts. “Any time?”

“What?” He blinks, “Oh, yeah!” His brother is clearly waiting expectantly for him to use the Jaws of Life to get the poor kid out. "I’m on it, but you better tell me everything after we're done saving them." Virgil demands. “But, uh, Scott’s kind of holding the roof up right now, so you’re probably right.”

"Okay,” John literally rolls his eyes, busy stealing a pair of blue rubber gloves from the Med Kit Virgil brought with him, and snapping them on to protect his hands and the fine cuts he’d gotten from climbing over rubble. “I promise I'll tell you everything, but can we start actually rescuing them now?" Rolling his eyes right back, the bigger man uses his exosuit to heft the rubble off Lito, before John swoops in to apply pressure to his injuries.

“Give me the fold out stretcher from your sash.” He orders, hands bloodied “Then go get the next person out. Efifania, Sergio?” John beckons a pair of nearby dad’s in closer, clearly having singled them out as capable stretcher bearers. “Think you can manage Lito here for me?”

As Virgil starts removing the rubble from above the other two trapped people, a middle aged man and a younger woman, it becomes immediately obvious that both of them have more severe wounds than young Lito. They both need medical treatment immediately.

“I’ll carry one of them.” Without the three extra sets of hands he’d need, Virgil has to leave a couple of crowd members applying pressure to their wounds, as he moves back to where John is helping Lito unsteadily to his feet. “Think you can walk, young man? We’re gonna need that stretcher for the big guy.”

“I won’t let you fall.” John promises, and Virgil feels a real swell of pride at how well his brother is handling the situation whilst being outside of both his space station and his comfort zone. It looks like having a rescue and a job to do really gives him no time for anxiety. "I agree that that's our best plan.” He adds, nodding, short and sharp, to confirm it, then John turns, an arm around Lito’s waist and the kid’s arm slung over his shoulder, to address the crowd.

“Anyone not so severely hurt needs to help get the injured out of here.” John instructs, the small crowd listening raptly. The look on the faces of these scared people is one Virgil is all too familiar with, but he knows John has far less experience of in person. They’re really looking to him as their saviour. “Virgil here is going to lead us through the path he just made.” Which is news to Virgil, but does seem like the best plan. “International Rescue will then be able to take us all to the hospital to get checked out, and then I’m sure you’ll be released to go home to your families before you know it. Got it everyone?"

In that moment Virgil finds himself struck with amazement at how John seems to have become almost as fearless as Scott, as they started carrying the two injured people out to safety. It was really a new side to him that Virgil doesn’t think he’s ever seen before.

"Virgil… I need you to check on Lady Penelope and Parker.” John’s keeping pace at his side, helping the boy they’d dug out along as he goes, “I told them to check to see if anyone was hurt."

"Hmm, yeah you're right.” Virgil frowns. If Penny and Parker have any more injured party members, even minor ones that just need a check up, Thunderbird Two will need to evacuate them to the hospital as well. “Have you got any idea where they might be?"

"Well, I told them to get somewhere away from the landslide,” John frowns, as their limping, shocky party stumbles out into the bright light of day, to be greeted by the roar of Thunderbird One’s engines high above them. “They should be near here.” He yells over the sound of it.

As usual, it turns out that John is completely right. Penny and Parker are waiting for them, but neither John nor Virgil find the look on Lady Penelope's face all that reassuring.

"JOHN!” She rushes toward the battered, bloodied spaceman, her arms outstretched. Virgil very quickly and carefully finagles poor Lito out of the way as his brother gets ambushed. “Are you okay?!?” Penelope demands, frantic, “What happened to your arm?” She reaches for the bloodied bandage, and John winces, “I'm so sorry,” All of John’s carefully constructed rules around personal space are shattered as she cups his cheek, inspecting his face for injury. It’s lucky that John is by far the most patient of the Tracy boys. “I shouldn't have left you there.

"She’d been so terrified, perhaps more than anyone else here. The horrific view she’d seen with her own eyes is going to haunt her for a long time yet. One second she was getting out of the building to reassure and check up on the people, and the next she was watching half the structure collapse completely, with John under the side that fell. She still feels a little sick.

"I'm so, so, so sorry John,” She repeats, before he can get a word in edgeways to reassure her, “Please, you must tell me if there's any way I can make it up to you. Ask me anything and I'll do it."

"Okay guys,” Virgil chuckles, “while you talk things out I'll go to get the injured people aboard Thunderbird 2. Make it quick though, we’ve still got people who need immediate medical treatment, got it?"

"F.A.B. Virgil.” John nods, “We'll be quick. Penny, I..."

“I’m so sorry.” She repeats again, and pulls his good arm over her shoulder as if to steady him as they make their way at the back of the crowd toward the big green Thunderbird.

"No no no, Penny, please stop apologising.” John’s fingers tighten for a quick moment on her shoulder, in brief reassurance, “I'm not going to ask you for anything because it was never your fault.” He insists, “It was just some bad luck, that's all. Fortunately I, and most people, got out safe with no severe wounds. These things happen.”

“Your arm.” She points out softly, hoping that all that blood looks worse than it is, “John I can’t believe you stayed behind like that, it’s so...”

“Tracy?” He grins, amused but very weary.

“Scott Tracy.” She corrects, scowling a little as she holds on just that little bit tighter around his waist as his adrenaline from the rescue starts to flag. “I thought you had more common sense.”

“Hate to disappoint.” She feels the warmth of him chuckling, “I’m lucky it was nothing worse than his cut from some shattered glass that fell on my arm while I was helping one of the guys who got stuck. I don’t think any arteries or anything have been damaged, but it is... kinda deep." And he might be getting a little lightheaded from the blood loss. Still, he really wants to reassure her, just like she had reassured him before he’d gone in to give the lecture.

"Hate to interrupt your moment, but are you guys done?" Scott pops up from who-knows-where amongst the crowd to yell at them. He’s clearly joined the relief effort. "Virgil’s just finished getting everyone aboard Thunderbird 2, and he's ready to launch." He adds, squinting at the pale, wobbly mess of his brother. "And you really do need to check your arm. That looks nasty.”

"Yeah Scott,” John wipes a tired hand over his dirty face, dislodging dust, “We're done. Don’t let Thunderbird Two wait for me, I'll hitch a ride with Lady Penelope, uh,” He turns to her, bashful, to check, “If that’s okay?"

“Of course,” Her Ladyship concedes, “Scott?” She is mildly concerned that big brother might want to have the injured member of his flock under his wing so he can smother him.

"Yeah sure, ride whatever you want.” Scott flip flops a dismissive hand at them, “You can ride a pod, I won't care as long as your destination is the hospital."

"How about you, Gordon?” John knows his little brother is still on the line, probably sulking. “Is it okay if I take the ride with Lady P?"

"W-what do you mean by that?” Gordon sounds confused and maybe a little embarrassed, like he’s been caught out. “Scott already said you should go, why’re you asking me?"

"Well, she's your girlfriend.” John grins, teasing, as Penny helps him into the back of FAB1. “Of course I have to get permission from her boyfriend.

"Penny swats at him for that, amused, but careful not to hit his injured arm. She doesn’t need anyone’s permission to do anything, but it is fun to see Gordon squirm - especially as Scott and Virgil both crack up, and even Alan in space starts teasing him.

"What?!?” Gordon’s face, bless that darling young man, has gone bright red. “J-Just go already." He ducks off the comm screen to try and hide his embarrassment, but it’s far too late for that.

He’s lucky that Penelope finds it incredibly endearing.

"John,” She nudges him, as the Tracy’s all click off the line to go do their actual jobs. She’s a little concerned that he’s looking a bit spaced out, if you’ll excuse the pun, and it’s probably a good idea to keep him talking. “You know we're still going to The Pagasa Observatory, just like I promised you, right?"

"Wait really?” John’s head tilts, a little floppy, towards her from where it had been sinking into FAB1’s luxurious headrests. He’s looking a little grey, but it’s good to see his eyes open. “After all that happened?” A ginger eyebrow quirks, “Are you sure there's time for that?"

"Well, we’re on our way to the hospital now, but there’ll be plenty of time this afternoon.” As long as the medics give him a clean bill of health. “You can change your clothes after we're done checking your arm then there should be time for you to go see that big telescope you've been dreaming of visiting. After all, I did promise you we’d go there after we're done."

"Well, that sounds good to me!” John smiles like there’s a supanova fuling him, “Penny you’re the best."

They reach the hospital a little after International Rescue has dropped off the fourty or so injured people, and so there’s quite a wait for a Doctor to be free so that they can have a look at John’s poor, sliced arm. Penny seems to be doing a worried hover at his side, while he waits, shaky from blood loss, and though he’s not used to having so much company, John has to admit it’s nice to have a chance to catch up with his old friend with no rescue alarms blaring.

Alan reports in that the two worst injured in the landslide have been hospitalized as fast as possible, that they were stable - the doctors have said their prognosis looked good. He also tells him that Lito’s family had been asking after the redheaded lecturer who’d helped him out of the rubble, and that John Tracy, M.Sci, PgDip, B.Lang Hons, should probably expect a gift basket in the mail quite soon.

John gets quite flustered about that. He’d just been doing his job.

The spaceman's arm was eventually treated, and Scott calls in to ask what actually happened to his arm. It still hurts, a properly bandaged throb just under his elbow, but not like before. The painkilling injection and little bit of morphine they’d given him when they stitched it up had probably helped with that.

Alan’s reports dug up that the landslide had been caused by a water main leaking under the building, and destabilizing the soil. Over time, water can do a lot of damage, washing away vital infrastructure if it’s not been properly reinforced during construction.

As the Chino Roque Theater was a new build, there must have been a mistake in the installation of the pipes during construction.

Someone was getting a big lawsuit heading their way, and Tracy Enterprises will be more than happy to fund the lawyers for the theatre.

As Lady Penelope promised him, they found John a change of clothes and went to the Pagasa Observatory. Penny’s quite sure she’s never seen anything as wholesome as the moment John sees the telescope - his eyes went all shiny, and the smile on his face was massive.

"Lady Penelope, Parker come take a look at the stars!!!” He calls, over his shoulder, with the enthusiasm of a boy half his age, “They’re really beautiful from here!" With such a high-powered lens pointed up at the cosmos, it rivals even his view from Thunderbird Five.

"Indeed, they are." Lady Penelope and Parker both step up to take turns, but John was the one to look through the telescope the most. With all the stealth her years as a secret agent offered her, Lady Penelope took a picture of him.

"Parker, come take a look." She whispers, beckoning her old companion gleefully over. "He looks so happy and innocent in this picture. Wouldn’t it be lovely to see his face like this always?"

"We still have some time before they close,” Parker points out, a sly grin creeping onto his nosey old face. “How h’bout we leave him like this for a little longer?"

"That, Parker.” she smiles, “Is an excellent idea.”

The End

#tag mini bang 2021 #tagminibang2021 #thunderbirds are go #thunderbirds #john tracy #scott tracy #gordon tracy #virgil tracy #alan tracy #Lady Penelope #Parker #tag #my writing

[bao3bei4]

kpop music videos that gave their fans sexual brainworms

OR accidental fetish pop and its fringe fanbase: meditations on gendered desire 

large warning here: i am someone who has been into kpop for the past 10 years. however, i have always been an extremely casual fan. i do write fic, but not rpf. if any of that makes you not want to hear me talk about kpop rpf (or you don’t want to hear about it in general), please keep moving.

anyway, obviously pop is corporate, soulless, and manufactured. but sometimes some truly bizarre shit gets past the committees and destroys a generation. these are their stories.

the video that started this is all is got7’s just right, released july 10th, 2015.

yes that’s all 7 members of got7 (one is out of frame) shrunken down for your viewing pleasure. they live in your room and tell you you’re just right. 

this sheer fetish power of this video is nerfed only by how utterly sexless it is.

they’re styled like and dance like this. it’s a totally unironic sendup of the seminal work that preceded it by four years, “what makes you beautiful” by the white kpop group “one direction.” the chaste energy of the whole thing makes you legitimately wonder if the good people at jyp have just never heard of microphilia. (during a dramatic reading of this piece, here a friend interjected seriously, “i think it’s korean culture not to talk about things like this, fetishes in the workplace.”)

it’s for the best, honestly, though because the actress in the music video is lee ja in, who was 11 when the video was shot. considering that the members themselves ranged in age from 18-23 at the time, i think it’s actually very impressive that we only have to cancel one. 

you receive absolutely no prizes for guessing that it’s jackson wang we’re sending to social justice prison. why’d he do this? no one asked. 

at any rate, got7 fans, or “gans” (they actually call themselves igot7s which is too twee for me), have much to think about here: all 7 very small members of got7 sneaking into their room, possibly weird age play, and jackson wang eating a very large cake.

let’s see what they actually did. 

twitter was actually very tame. the most charged thing i found was (unsurprisingly) from a bts fan (“ban”). i don’t actually know what it means, but i think it means something.

so, of course, i turned to the internet’s last bastion of free speech, where you can say whatever the fuck you want and receive cheers, or as the kids say, “kudos.” that is, i read fanfiction. 

for those of you who don’t know your herstory, i started my journey at Asianfanfics.com, where, at the time of writing, there were 12,067 got7 stories. i want to start this by saying that i think feminism won, because someone was paying real human dollars to advertise their irene/wendy fanfiction on a banner ad, which is quite possibly a win for women for everywhere. 

anyway, Asianfanfics.com’s search engine sucks ass (i kept on finding stories about different combinations of bts members worrying about their weight and being reassured by another member that were entitled “just right”), so i decided to look through all got7 stories written between july 2015 and december 2015. 

but, alas, not a single got7 microphilia fic to be found. 

also, some genre commentary while i’m here: i think the stories i respect the most are the “[y/n] is a ordinary girl who’s assigned to be got7’s manager! can she make them into superstars? as sparks begin to fly, can she keep it professional?” like fuck yeah that sounds like a kickass dating sim. it almost definitely already is one. i salute all the teens around the world for buying into the fantasy of dating a boy band member that they themselves sell you. 

however, i don’t think i respect the “[member a] and [member b] are mafia/jocks and nerds/college students/high schoolers” concepts. in my opinion, the whole fantasy of boy band member is their personas, their hidden real personalities, their celebrity, and the show business setting. find a different intellectual property if you wanna write about school. i even respect the “yugyeom drank girl juice [not estrogen] and turned into a sexy girl” story more, because at least it knows exactly what it wants, and also because they’re all still boy band members. well, band members. shout out to yugyeom. 

so, anyway, i looked elsewhere. at the time of writing, archive of our own only had 11,645 got7 stories, but it does have a better search, so it effectively has more. as an aside, i think it’s so funny, and mildly disorienting at first, that archive of our own separates the “music & bands” section from the “celebrities & real people” section. boy band members aren’t real people. 

the first problem i encountered is that only 20 or so stories were written within a year of just right’s release. absolute cringe gans. don’t you care about your boys? there were zero stories tagged “vore” or “microphilia” either. stories containing the word “tiny” that were rated either “explicit” or “mature” were all normal (“normal”) size fetishization rather than, you know, just right. 

however, i learned my lesson from twitter. i realized that what had happened was that watching this video had created sleeper agents, just waiting for their activation phrase. that activation phrase? bangtan boys. and yeah, lo and behold, there was one! unfortunately (fortunately?) it had nothing to do with got7, let alone just right, so i’m not going to talk about it.  

basically what i learned is that this video may have actually been very normal, and my brain has just been destroyed by being too online at a young age. 

however, there are plenty more videos in this genre. i present to you exo wolf, a banger from may 30th, 2013. i say banger, because in a comedic inversion, it’s actually fucking terrible. 

this video is pretty self-explanatory in terms of why it might induce certain responses. 

let’s get the formalities out of the way. this video, the member who’s getting cancelled is kai. he has braids in this video :/

also skating on thin ice: xiumin and chen. guys what was up with the whole exo-m thing? like, we’re gonna have a cpop subgroup, but it’s going to be part chinese members and part korean members that we’ll give a chinese name? unsurprisingly, the three exo members who have departed from the group are all chinese. they weren’t able to stand the microaggressions probably. but xiumin and chen remain uncancelled as an official chinese apology for five thousand of years of on-and-off invasions of korea. sorry guys that was kinda fucked up. our bad! 

anyway, there are basically three avenues for exo fans to take: 1) humans with wolfish characters (usually wolf pack dynamics, which even wolves themselves don’t fucking use so i think all of you should shut up. the real omega here is your brain), 2) werewolves (duh), and 3) wolves with human characteristics (i.e. standard furry fare). 

exo themselves let all these possibilities exist at the same time, superimposing them over each other, which is very woke and egalitarian of them. let’s see what the people decided. awoo.

Asianfanfics dot com had many stories in this vein. i feel very validated that this time i was able to correctly predict a fetish. that said, briefly returning to my earlier comment regarding alternate universes: it’s intense psychic whiplash reading about these vampires and werewolves, and going okay okay luhan is a vampire this that whatever, and then seeing the actual real performance photos the author attaches at the bottom of each chapter. bro i forgot these were actual people.... it breaks immersion so bad... i’m sorry, i just can’t believe that any of these dancing boys are having weird vampire sex with wings or whatever. 

archive of our own also had many stories in this vein. and i think there are some important difference between the two sites worth talking about. 

first of all, i think the higher engagement rate of archive of our own really enables some of the authors to get super bold. it makes Asianfanfics.com seem a little quaint, actually. like the wordcounts are waaay longer, for one. it’s uncommon for a story hosted on Asianfanfics.com to be more than a few thousand words long (most of them could easily be published in the new yorker), whereas some of these archive of our own people have written full length novels about if the members of exo were werewolves. i guess it’s just intensely demoralizing for the aff.com crew to get, like, three comments per story. 

the second big difference is that i’m noticing more common themes between the ao3 crew’s writing. like stan intertextuality, or plagiarism, or whatever, but they seem to be implicitly engaging with each other’s characterizations, storylines, and tropes. i think it is because they probably all follow each other on twitter. (i have been active on twitter for three weeks now so i am an expert on fanfiction twitter.) 

anyway, like not that i am a particularly big gan (cannot even list all the members), but these people seem to have reached a very specific consensus on how jackson wang, for instance, would react in a variety of situations that really surprises me? if i were to sit down and write a got7 story, i think the fuckboitude, the douchebaggery is a big part of his charm. not to be nationalist or anything, but for god’s sake, he’s from hong kong. but these people have him as very sensitive, lots of protective instincts. not that i understood what anyone on aff.com was doing with his character either, but they did all seem to be doing different things. “kudos” to that, i guess.

but: exo. wolf. i searched the “wolves” tag. this filtered the list down from 33459 stories to 52 stories. and the “wolves” tag was very different from the aff.com “wolf” tag. for the most part, aff.com liked stories where a member was a wolf (usually shapeshifting), feral boy, lots of y/n, lots of y/n dating a feral boy who is secretly a wolf. 

ao3 really, really, really likes alpha/beta/omega stories. sorting by the most popular stories, only five on the first page weren’t a/b/o. and one of them was a cis f!baekhyun story, so i think the intended effect was communicated. anyway, let’s talk about some of the themes. 

first of all, i’m disappointed. today’s bonus cancellation is of ao3 “wolves” writers. why the fuck are you drawing so heavily from european wolves?? there are wolves in asia!! you don’t need to keep giving their packs and ranks weird latin names. i will kill you. i hate italy. korea literally has a native wolf. i hate all of you!!! if you want to write caucasian wolves go watch that dumbass cw show!!!! my god. 

the second theme (the first one was white supremacy) is that no one wants to be a wolf who fucks. i think that we need a sex positivity movement, or something, for omega rights. like, are all of you doing okay? you’re queering misogyny by inventing new genders to oppress. another level to “no one wants to be a wolf...” is the “who fucks” part. there are so many consent issues. and not even in like, a sexy intentional way? in a “i genuinely do not think this author understands how their writing comes off” way. unfortunately i am sensitive to untagged sexual coercion, and there was a lot of that.

at any rate, the aff.com wolves were at peace with being wolves, very self-actualized. the ao3 wolves know that every minute they spend alive on this bitch of an earth is suffering, and also sex.

the third theme is the evolution of y/n. y/n, who, in a startlingly woke move for aff.com, is almost always korean, is a girl main character stumbling into love, boy bands, and wolves (i think it’s because aff.com is oldschool kpop fandom, so therefore heavily asian itself in userbase). but y/n is not the main character in ao3 stories. she is the straight best friend. in what i think is a hilarious move, ao3 authors invert the gay best friend paradigm to give the gay main character a straight girl as best friend. she usually calls him “a gay,” she has lots of thoughts on boys, and she knows his sexuality better than he does and before he does. (sidebar: if all the men are gay, and all the women are straight...)

there’s a really fun twist to this, though, because the main character is always a self-insert in fanfiction. but where older fanfiction like aff.com was at peace with this and literalize it via y/n shenanigans, modern fic writers who haven’t finished distangling their complicated relationship with wanting to be a man who loves other men instead simply imbue their main character with their essence. a little voodoo doll sehun, with a lock of y/n hair. 

this creates a deeply ambivalent relationship with gender in these stories. the main character is usually an omega, but one who resents being an omega. their body and its parts is usually described, if at all, as ostensibly intersex (except more offensively), but in practice, these discourses inscribe a trans body. (nb: i think cis writers approach this in a really fucked up fetishizing way, but i hope by this point we know that that goes without saying) it’s incredibly straightforward to read this, and see the underlying desires and fears in a heady cocktail of unfiltered writing that’s deeply confessional. you know when freud had people say whatever the fuck they wanted and figured they’d eventually free associate into releasing their subconscious into reality? yeah. 

okay, and while we’re on the topic, let’s talk f(x) nu abo, released on may 4th, 2010. 

this is a blitzy, maximalist, amped up dance hit that even has its own applause and cheers built in. it’s so fucking annoying, and i love it. 

this song is on here because the second most popular kpop a/b/o story on ao3 is called “nu abo” except it’s about bts. that’s offensive enough in its own right. write something about f(x) (702 works). when will women win the right to have their own self-lubricating holes.

anyway, even though f(x) is probably innocent in all of this, i’m still cancelling amber liu. 

for queerbaiting. who told her to look like ruby rose but hot? and for what? i’m also cancelling her for racism, but that wasn’t in this video. 

moving on to a double feature: vixx voodoo doll and vixx chained up, released november 19, 2013 and november 9, 2015 respectively. this is because while voodoo doll is more formative, i think the fans who write fanfiction today got into kpop more recently, so we are casting a wide net.

anyway, voodoo doll is jam packed with weird pseudo-medical imagery, blood, vivisection, bondage, puppet shit, femdom, sharps, piercings, asphyxiation, dollification, stabbing/penetration metaphors, and a really sick and catchy dance. god that looks like the list of tags on the a/b/o wolf stories. 

for this song, we’re cancelling you, for being way too into this song when you were 13.

vixx voodoo doll made me goth i guess! insert that pic of the your music saved me sign, except it saved me from getting into emo or pop punk probably. 

chained up, comparatively, is much more tame. the only thing of note about it is that there are around 10 completely different chokers and choker looks the members wear in this music video. also they’re singing about being chained up, but that seemed a bit obvious. 

we could argue that voodoo doll is gay while chained up is gay (derogatory); that voodoo doll is queer while chained up is gay; that chained up is a sensitive masterpiece of omega4omega sexuality. but we’re not going to. 

we’re going to talk about what voodoo doll fanfiction was and was not. first, Aff.com had plenty of it. however, i was extremely disappointed to see that much of it did not hew to the spirit of vixx voodoo doll. my god, the voodoo doll becoming the one preying upon you disgusts me. the fantasy of the voodoo doll is that of absolute power. the idea that the doll itself has agency? instantly breaks the fantasy. i’m even not into voodoo dolls and i’m offended. 

i also don’t think it’s part of the voodoo doll fantasy to release the doll. the only story on there that involved Y/N kidnapping vixx members like in the music video was unavailable because the author deactivated their account. come back qxeen what did you see. 

i think this got off track, actually, in that i was mostly wondering why these people imprinted differently onto vixx voodoo doll than i did. like i don’t think you’re supposed to actually like straightforwardly absorb the morals and aesthetics of music videos like it’s propaganda. however, it’s more entertaining if you do. i hope ao3 doesn’t let me down. 

out of the then 5932 works in the vixx fandom (the least out of every group so far, excluding f(x) because they’re women), 59 of them included the word “voodoo” somewhere. that’s 1%. i legitimately can’t tell if that’s high or not. 

after some more cursory reading through the first page of popular results, my big takeaway is that people watched that video and wanted to be tortured and enslaved? but not, like, in a sexy way where the torturing is the point, the way where the point is to suffer bravely and beautifully, to endure the world’s harms like jesus on the cross, and then to fall into the arms of a beautiful boy who may or may not be the one hurting you in the first place. 

there’s a certain predictability to these fantasies. like it’s not even masochism, which would be fun at least, it’s literally just like the desire to be beautiful, even as you suffer. and i do find that a little boring. (but, i mean, you can’t help being a woman!)

sidebar: on chained up. what’s interesting about chained up, is that most of the then 38 “chained up” works (likely because the video has no storyline) are about the members fucking during chained up promotions. no one’s ever actually chained up, but whatever. it’s fine. it’s fine! 

anyway, here, more than ever, the nature of desire is stripped bare. i’ve written before [elsewhere in the unreleased tshirt cinematic universe] on how kpop boys are, through fandom, re-formed as white, or more strongly, i guess, blank slates. it’s really interesting to me how so much of this dynamic of projection is enabled by the fact that they’re asian men. they’re infantilized, feminized vessels; they’re seductive, but childlike, oblivious to their own charms, so nonthreatening; they have uncontrollable desires for sex, they’re scared of sex. and above all else, white women submit themselves to them, insert themselves into them. basically kpop fans tend to rework old school yellow peril and emasculation fantasies to reenact their own desires, often white, often cishet on them. 

what i am saying is that there’s another thesis about forced feminization and its racialized subtext in here. obviously gender is a racialized construct to begin with, but like it’s fascinating to argue that when white women remake asian men according to their own desires, that is, into themselves, they (hopefully) unintentionally echo these old fears about the sexual order.

it illuminates, it seems, the underlying dynamic in the denigration of asian men, which is of course the fear of miscegenation. now, my breathtaking ability to make everything about me aside, miscegenation is interesting because it presents a racial synthesis, beginning to collapse and trouble the artificial designations of purity. so we make asian men into white women, and end up with an unsettling hybrid. i’m sure this has deep implications for me personally.

but i think we already knew that quite a few of these people had yellow fever, so let’s talk about the gender dialectic at play. basically, the above dynamic, of making men into women (whether literally, in body; or subjectively, in mind; or even relationally, as they are objectified into passive vessels for your desire) coexists with the ostensibly converse dynamic, in which the straight women desires to be a gay man. these aren’t necessarily in conflict: it could easily be that these are different writers writing different stories, that both are ways of expressing discontent with existing in a raced, gendered body, or even that the end product of both is the same.

it’s been a while without a picture. all of you now have the legal right to hunt and kill me for making a d&g joke.

anyway, what i want to talk about is how these two fantasies can coexist. that by making a man into yourself, you can speak on your own desire in a passive way. my normal interest is analyzing forced masc fantasies (albeit in chinese opera lol), and they bear little to no resemblance to this kind of fantasy. this kind offers plausible deniability, of course, because wanting things is embarrassing. but also the fantasy isn’t about wanting to be a man, it’s about having no choice but to be a failed one. the gender pessimism running through these stories is palpable. basically andrea long chu wants what wolf fanfiction writers know: everyone is an omega, and everyone hates it.

at any rate, this racialized dynamic is one that i wasn’t sure how to bring up throughout this piece, mainly because there is no definitive way for me to tell the race of any individual writer, beyond just like the clear and present vibes that i receive. but i think it structures a lot of the fantasies contained in this essay. (i felt more comfortable bringing up the gendered dynamic, because it was fairly trivial to find out the current gender of the person writing each story i was reading.) 

obviously we should return to the specter haunting this conversation: the very much alive david eng. i think this sort of argument is familiar to readers of racial castration, especially his chapter on m. butterfly. btw sorry for mentioning that play 2 out of 3 posts on this blog. i have problems.

let’s talk about the parallel imagery between the depiction of gallimard’s final speech and the fanfiction i’ve described above. in it, gallimard makes himself into his own dream woman, dressing in yellowface and robes, the costume of puccini’s original madame butterfly. and he laments his lost love:

there is a vision of the orient that i have. of slender women in chong sams and kimonos who die for the love of unworthy foreign devils. who are born and raised to be the perfect women. who take whatever punishment we give them, and bounce back, strengthened by love, unconditionally.

in that, i see the self insert, and i see the sufferer of vixx voodoo fic. the fantasy that gallimard has about asian women is repeated, this time about asian men and a helpless identification with them. and on some level, gallimard’s women do have something very compelling to identify with: they suggest that there’s a way to endure white male violence without sacrifice, and even more potently, to enjoy it on some level.

but onward to the titular racial castration. eng argues that gallimard’s wilful ignorance of song’s true gender is a psychic castration -- song’s masculinity is diminished so that his own can be enhanced within their relationship. this, eng believes, acts out “richard fung’s contention that in western imaginary ‘asian and anus are conflated.’” this process stabilizes the relationship between the asian man and the white woman: they occupy the same place within the sexual dyad. 

this is, i think, why some people are addicted to writing from the bottom’s perspective. again -- not implying that irl bottoms don’t exist or that bottoms are psychically castrated lol -- but rather that you can fantasize about this ideal asian man that you can come to embody. in kpop rpf, rather than it being between a white man and an asian man (unless someone’s started writing chad future fic), it’s between two asian men. so this transformation is performed. whiteness is always intruding and so i think eng is helpful here to making it visible again. 

this essay isn’t a callout or actual cancellation or anything like that, i do wanna be clear. i guess i just like talking about fantasies, even the embarrassing ones, and where they come from. i think oftentimes in fandom spaces, we write a lot of stories off as idfic, and i think virtually every single one of the stories i referenced to write this fairly uncontroversially fall into that category. but i think calling something an “id” something or the other naturalizes the satisfaction it gives as purely instinctual and unconscious, when i do think there are deeper narratives at play. while i didn’t ever actually reference the base here (sorry), i do think it’s worth talking about how real world power shapes & maintains the superstructure, and thereby our fantasies. 

anyway in conclusion, maybe i was the one with sexual brainworms the whole time.

#x

[hystericalfeminist]

BUILD ME A CANON

Earlier this week, Delhi University's Oversight Committee removed works by writers Bama, Mahasweta Devi and Sukirtharani from the university's syllabus for undergraduate students of English. Bama and Sukirtharani are Tamil Dalit writers whose work looks at the experiences of the marginalised. Mahasweta Devi, a Bengali writer, was well-known for her Left-leaning politics and for being an advocate for tribal communities and their rights. She passed away in 2016.

I'd suggest one moment's silence for the Oversight Committee committing an oversight, except this is not an oversight. An oversight is an unintentional mistake, but this seems very intentional. As the DU clarified in a statement later, "the syllabus of the course has been passed through a democratic process with the involvement of all the relevant stakeholders and necessary deliberations at appropriate forums” (emphases mine). The university claims the English syllabus is suitably diverse and inclusive (suitably being the key word here) and it's interesting that as part of its defence of the Oversight Committee's decision, DU has pointed out the process of coming to that decision was "democratic". What it doesn't acknowledge is that if the committee is full of people who belong to dominant groups and doesn't have members who represent the minorities and the marginalised, then the committee's "democratic process" is critically flawed.

The DU statement came after the Academic Council submitted a dissent note, protesting the Oversight Committee's decision. The Academic Council described the Oversight Committee's functioning as vandalism and alleged it has been harassing liberal arts departments. "It is important to note that the Oversight Committee does not have any member from the Dalit or the Tribal community who can possibly bring in some sensitivity to the issue," said the Academic Council in its note.

There was some noise on social media about the decision to drop works by these three writers. Most of the discussion that I saw was about Mahasweta Devi's dropped short story, Draupadi. (Apparently the Oversight Committee chair complained the short story doesn't show the military in a good light. From what I remember, it's the police. They carry out wrongful arrests and brutally gangrape a tribal woman.) There's been far less discussion of Bama and Sukirtharani's works on English Twitter, who have mostly been referred to as the "two Dalit writers", like an addendum to Mahasweta, which is infuriating in itself. I know that this is probably because not enough people read translations. Particularly translations of literature from Indian languages.

There is also little talk about what has replaced the dropped works. One of the authors who has been included is apparently Pandita Ramabai, identified as an upper caste writer (Brahmin, if I'm not mistaken). I've no idea if her writing continues to feel relevant and/ or engaging, but it is all sorts of bizarre to "replace" a 20th century author with someone who died in 1922. Also, if she was included because she was Brahmin, I hope they have fun reading her book The High Caste Hindu Woman which is, I'm told, deeply critical of how sexist Hinduism. Whether or not Pandita Ramabai voiced any opinions of casteism in Hinduism, I don't know.

Even though translations don't get read as much, the fact is, the writings of Bama, Mahasweta Devi and Sukirtharani have been translated to English and other languages. They're part of different university's syllabi and for better or for worse, DU is not such an influential player in academia. If DU's decision to drop these writers convinces some Indian universities to do the same, we can only hope that other universities (in India and abroad) will start thinking about including them in their syllabi (if the writers aren't in them already). In a not-so-distant future, it's very likely that there will be universities abroad that will have a more diverse, inclusive and representative portrait of Indian culture in their syllabi while institutions like DU remain mired in a casteist, Hindutva bog. At that point, who should decide what will make the canon for Indian literature? The Indians or the foreigners?

It's the second time this week that we've heard conversations about erasure in the Indian cultural scene. Earlier this week, social media was on fire after the Indian edition of the Rolling Stone carried a cover story about the record label and music platform Majja, featuring two artists best known for their collaborations with Dalit rapper and lyricist Arivu. Rumour has it that the Rolling Stone cover was bought by Majja, presumably to promote upcoming albums by those two artists. However, since Dhee and Shan Vincent de Paul are currently riding a popularity wave because of their work with Arivu, many readers — beginning with director Pa Ranjith — expected the cover story would be as much about Arivu as Dhee and Shan Vincent de Paul. People also pointed out that Arivu had effectively been removed from a (disastrous) remix of "Enjoy Enjaami" (the original song is amazing).

Shan Vincent de Paul, one of the artists featured on the Rolling Stone cover, issued a statement on social media saying he had the utmost respect for Arivu and had no intention of erasing him. He clarified that the story was part of his efforts to promote his new album Made in Jaffna, which he's releasing with Majja. "I have no control over how the Press chooses their messaging or what narratives they push," de Paul wrote, which would be an excellent point if the cover wasn't bought. He may not have control over the narrative, but he's hardly an irrelevant cog in the wheel. Instead of attempting to exonerate himself, de Paul could have acknowledged that the story doesn't give as much space to Arivu as it should. I am, of course, presuming he's read the story.

If the rumour about the cover being bought is true then Rolling Stone and Majja are complicit in deciding a narrative that sidelines Arivu, either intentionally or carelessly. More than half of Rolling Stone's cover story is about "Enjoy Enjaami" and there is just one quote from Arivu. This sidelining may not be deliberate — the way DU's Oversight Committee's decision was — and it could be an example of the kind of unthinking oversight that the privileged commit all the time when it comes to acknowledging the contribution of the marginalised. Either way, the impression conveyed by the two organisations is that Arivu is not the person they want to promote. Countering the decision of the establishment — it doesn't get more establishment than Rolling Stone and Majja. One of Majja's founders is legendary music director AR Rahman — is the reaction on social media. The songs being freely available on multiple platforms and the (relatively) free access to the artwork and arguments by Dalit creators and critics on social media makes it difficult to invisibilise Arivu.

A translation of Mahasweta Devi's Draupadi is available online as are some of Sukirtharani's poems. DU has dropped Bama's novel Sangati. I'm not sure if there's an extract that's available online. It is not lost on me that it's easier to listen to a song than it is to read a novel, or a short story, or a poem. It is also not lost on me that the fact you can bob to an infectious beat makes it easier to not register the deep-rooted casteism referenced in the lyric, "Enna kora, enna kora, yein chella peraandikku enna kora? (In what way is my darling grandson any less?)" There are no such distractions when you read, for example, Sukirtharani's My Room Needs No Calendar: "As they write on me/ with their penises,/ I will my body to stop/ slithering away."

Sukirtharani and Bama minced no words when they were asked to respond to their works being dropped from the DU syllabus. "I was not surprised at all. Dalit voices such as myself and Bama’s are speaking for all oppressed women, not just Dalit women," said Sukirtharani. "I don’t see this necessary as an exclusion of just Dalit writers as we have seen how progressive writers whose works speak against caste, Hindutva, fundamentalism have also been removed in the recent past. These things will happen in our society, but we cannot be ignored." She said she wasn't going to ask for an explanation, but believed DU owed her an explanation. At the very least, they should have intimated her about the works being dropped. "When they want to project an image of India wherein there are no caste and religious inequalities, our works point out that caste and religious inequalities exist in our society. So, it is obvious that they want such works removed from the syllabus," she said.

Bama said, "For more than 2,000 years, we have been segregated, our histories have not been written. This government is trying to strangulate our voices, but we will shout. The youth of this nation have understood [what is happening]. Rather than being upset, we are angry. The anger will reflect in our works in future.”

I find myself wondering if the business of building a canon was always so complicated and rife with uncertainties. Will the books, music and art propped up by commerce and politics be the ones that make up our mainstream cultural identity? Could we build a better literary canon for Indian literature if more excerpts and poems were available online for free, if more works were translated? Would we care more if the literature was easier to access or would we still dismiss it because they're translations, because the works are by Dalit women? Can the conversations that we hold in the informal spaces of the internet be loud enough to make the canon more inclusive, to make the mainstream expand its narrow definitions? What is more likely to make it into an archive and survive into posterity — the Rolling Stone Cover image or the many "fixed it" versions that people created online? Is it possible that both can and will be preserved? Does dropping the works of writers like Bama and Sukirtharani and Mahasweta Devi make them invisible? Will the dissent make a few more people buy Bama's novel? Will it make some curious enough to look up Sukirtharani's poems?

The words, the tech, the platforms, the imagery — are all these still the master's tools? How long must one wield them before they can claim the tools to be theirs? Will they always be the master's tools and not "our" tools? Is the master the one who cares for the tools and uses them better? Is the master the one with the loudest voice and the deepest pockets, the one who can bribe the boys and hire the deadliest mercenaries? Who decides when the tools have been reclaimed?

#Building a canon #Indian academia #Life in a progressively undemocratic country #Arivu #Bama #Sukirtharani #Mahasweta Devi #Indian literature #Culture and identity #Rolling Stone #Music #Enjoy Enjaami