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moneypowerglorymiddleofmiami · 3 months

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— trickentine જ⁀➴♡ ︎

pairing: luke castellan x aphrodite!reader

summary: when eros, the god of love, makes the annual valentine visit to camp half-blood, he conveniently unintentionally leaves his bow and arrow in the capable hands of his younger half-sister.

warnings: nothing i think, except for like one curse word (pls do tell me if i miss any though!)

genre: ...romcom?

part 2

─── ° ᡣ𐭩 . ° . ───

The gods were many things: powerful at their core, benevolent to those who merit it, temperamental when goaded, and mysterious in their methods— but there was one trait that defined them most of all, incandescently littered in their tales and lores: they were tricksters.

You really should’ve known better than to pick up that stray quiver of arrows.

─── ° ᡣ𐭩 . ° . ───

The Aphrodite Cabin consistently made it a point to celebrate Valentine’s Day with much fanfare. Everyone has been busy the entire week preceding it; there were fresh roses to harvest, pink and red deserts to be made, hundreds of paper hearts to be cut, ribbons to be tied and acres to decorate. As one of the older siblings, a huge chunk of the responsibility fell on your shoulders. Needless to say, you spent an entire extra hour in the bathroom trying to put your concealer to good use.

A mere 10 minutes after leaving your cabin on V-Day, you’d managed to snap and glare at nearly everyone who even thought of intercepting your path.

Nearly everyone because you knew better than to direct your ire at the god of love.

“You didn’t even blend.” Eros said, perusing your make-up judgmentally. “Consider your favorite demigod sister card revoked.”

In his current human form, his hair was a deep shade of black and coiffed to perfection, his eyes a brown hue that you could only describe as melodramatic, and his skin beautifully tanned from frolicking in the sunlight.

Gods, how you missed to frolick in the sunlight. These days, you had to slave in it.

“Lord Eros.” You bowed, desperately fighting the urge to roll your eyes and purse your lips.

“I adore what you’ve done with the place.” He waved his hand off dismissively. He trudges ahead of you, officially beginning his annual Valentine inspection. “Although I definitely think it could use a little more sparkle. Perhaps a little more pink, too.”

‘Pink? For Valentines? Groundbreaking.’ You drawled inside your head. “The Hephaestus cabin is tinkering with a smoke machine to make it emit glitter.”

“Wonderful.” He replied passively, his attention drawn towards the dining pavilion where hundreds of glowing hearts hung from mid-air. Eros turned towards you. “Fairy lights on the beams?”

“On it.” You nodded your head tiredly, scribbling messily onto a notepad. “Anything else?”

“Everything’s perfect, except…” He trailed off before raising an eyebrow at you. “Find yourself a boyfriend, maybe? You need to loosen up.”

“Oh my gods,” You muttered under your breath, fighting the urge to physically recoil.

─── ° ᡣ𐭩 . ° . ───

“Don’t think I haven’t noticed you slacking off on training.” Luke chastised with a tut, tugging your arm towards the training areas. Your feet were basically dragging against the dirt, soiling your sneakers and flicking particles of dust against your skirt, but you couldn’t care less.

“Luke, look around you. What do you see?” You asked, your tone too saccharine to be considered serious.

He decided to humor you anyway. “Hearts.”

“10 points to House Hermes. Now,” You leaned in conspiratorially, “Who do you think set this whole place up?”

Luke barely opened his mouth before you answered your own question.

“Me.” You jabbed a finger against your chest. You narrowed your eyes at him. “I set this whole place up. I planned it— the theme, the color scheme, the glitter, the ribbons, the dazzling pink fountain with mini-Cupids who sing at the hour!”

“It looks very pretty!” He said, panicked.

“Yes, I know it looks very pretty.” You kissed your teeth. “Don’t you think I deserve a little break because it looks very pretty?”

He shook his head.

“You are insufferable!” You groaned.

“Hey! In my defense,” He raised both of his arms in the air to plead innocence, “You’re the one who said you wanted to develop a skill by the end of the summer."

His voice was pitched higher by the end in a poor imitation of your’s. You scrunched your nose in distaste.

“Gods, why do I keep digging my own grave?” You mumbled. Luke shook his head in amusement.

He led you into the clearing of the archery field, a line of circle targets dotted around the edge of the forest. A quiver of arrows was hung against the branches, different from the ones in the armory but definitely familiar to you.

“You can use those. Guess one of the kids forgot to return them after practice.” He shrugged. Luke mustn’t have noticed the difference.

You reached up to grab the weapons, still incredulous but definitely not alarmed enough to hesitate. The material thrummed in your hands.

“Go shoot.” He grinned.

“Very helpful instructions.” You muttered.

“Well, it’s pretty straightforward, sweetheart.” He sauntered over to one of the targets, leaning against the wooden frame. “You’ve been taught the basics, you just need the application. Now, shoot.”

“I could literally hit you.” You said blankly as you mounted the arrow against your bow.

“Consider it your challenge to not hit me.” He raised a thumbs-up.

“You’re insane.” You responded, irked and stressed by his casualness. “I’m sleep-deprived!"

Again, Luke just shrugged his shoulders. You huff, but then follow his lead anyway. You close one eye as you raise your weapon to your line of vision, zeroing in on the target.

As soon as the arrow flicked away from your fingers, it changed its course. When it should’ve followed a curved arch towards the red target, it whizzed away and made a beeline straight for Luke. A pink trail of haze followed its path.

“Duck!” You yell.

The arrow pierced through his chest at nearly the same time Luke’s body collided with the ground.

“That’s where those went.” Eros snapped his fingers as he emerged behind you. His glinting eyes were looking intently at the bow and quiver on you, an imperciptible smile on his face.

Your eyes widened in surprise. Shit.

“Lord Eros! I sincerely apologize.” You immediately took off the weaponry, holding them in your hands then kneeling as if to offer them back. You definitely did not want a god to be at odds with you. The two of you might have the same mother, but that didn’t mean you were equal in Aphrodite’s eyes. “I wasn’t-”

“Nah, don’t worry about it, sis.” He said, tapping your shoulder. Was he actually consoling you? “I shouldn’t have left it out in the open anyways.”

He pulled you up by the arm gently, snapping his fingers and getting the remnants of grass off of your knees. He even picked off a stray leaf from your hair. What in Tartarus was this?

For as long as you’ve known Eros and he’s practically coerced you into a dysfunctional sibling relationship, this was the kindest thing he’s ever done. Yes, the bar was low.

Something was wrong. Something was very wrong.

“You didn’t use this on someone, did you?” Eros asked, cradling the quiver and bow against him like a child.

“I think I managed to hit Luke—”

“You didn’t!” He interrupted with a theatrical gasp, a hand covering his mouth. He was such a drama queen.

You narrowed your eyes. He planned this, didn't he?

He smirked wider when he noticed the change in your demeanor, the realization behind your gaze. You swore his pupils changed to hearts for a moment.

“Good luck with lover boy, little sis.” He turned around, showing you the back of his hand as he waved goodbye.

#luke castellan imagine #luke castellan #luke castellan x reader #pjo tv show #pjo series #pjo #percy jackon and the olympians #percy jackson #percy series

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tteokdoroki · 9 months

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❛ i'm sorry, what was that? i can’t hear you over all that noise you’re making. ❜ with isagi and any kink !!!!!!

☆༉ — YOICHI ISAGI: 0-800-HOT GUY-HOTLINE.

line. ❛ i’m sorry, what was that? i can’t hear you over all that noise you’re making.❜

extension. minors, blank and ageless blogs do not interact. public humiliation, free-use, voyeurism + fem!reader, nsfw.

things to note. RAAA !!! luna im sorry this is so late but i was excited to do this one pls enjoy i missed isagi saur much !!!! <3

your boyfriend, isagi, is sometimes prone to selfish tendencies.

being the japanese football league’s diamond in the rough and all-star player has meant that all the best and softest parts of him have become more rigged and hard around the edges. he takes what he can get, even if it means leaving other people behind — you have to be selfish to be at the top, it’s something that you understand.

your boyfriend is never selfish when it comes to making you feel good.

if yoichi can help it, he has you creaming on his tongue, fingers or cock at least twice a day when his games are at home. it’s almost double on the days that you visit him while he plays away or accompany him to tournaments. he can’t keep his hands off you, can’t stop himself from needing you or claiming you — his good luck charm. especially after he wins a match, even more so if he loses one. come rain or shine, isagi is selfish with how he teases and uses your body…even in front of his friends and fellow teammates.

“y-yo…yoichi s-stop!” you gasp, face hot and voice strained.

“stop? oh i don’t think so,” isagi growls, speeding up his skilled fingers as they dance over your slit and press his name into your clit. “i don’t think you want me to stop, precious. whatever happened to ‘yes, yoichi.’ ‘whenever you want, yoichi.’, hm?”

choking on your own words, the spit that weighs down your tongue as you drool dumbly from the pleasure — you relax back into your boyfriend, fluttering around the circumference of his leaky cock as it breaches your tight, wet walls. “good girl, relax for me. let me fuck that princess hole open, hm?” he kisses the side of your face, peering down between your soiled shaky thighs to watch the way you selfishly suck him in, your cunt dribbling slick down his shaft and balls. “i love you. so fucking much.”

isagi’s hands slip up your shirt, exposing your perky nipples, all hard for him, to the rest of the van to see. his teammates, your friends. as far as locker room talk goes, all of the blue lock boys know that you and yoichi have a particularly wild and active sex life — but they’ve never been around to see it. except for bachira, and sometimes rin.

from across the van you can see ten sets of eyes watching you as if you’re a fountain of cold water isn’t he middle of a scorching desert — a sweet mirage for them to drink in as if they’re dying of thirst. kunigami respectfully looks out of the window when he catches your teary bambi gaze, though he does nothing to conceal the fat erection he’s sporting. nagi writhes in his seat with pink cheeks and parted lips, the front of his joggers already soiled by his leaking cock. and if you squint hard enough, you can see the way that bachira already fists his painfully hard dick to the rhythm of isagi’s shallow thrusts.

shame intertwines with the lust that simmers in your lower tummy, coursing through your veins and spreading like a cloud over the thoughts in your brain. you like this, you like being watched while your boyfriend ravages you in front of his friends, cream frothing at the base of his shaft as it twitches inside of you.

you’d be absolutely miserable right now if you weren’t getting fucked a million ways to cloud nine — isagi’s hand on your blistering hot mound, spreading your folds and exposing your budding clit to the cold world and cruel stares. “‘ichi,’” you whimper pathetically despite bucking your hips down on him, chasing the delicious burn of his girth stretching out your sloppy walls as his cockhead glides over your g-spot. “i-ichi please…’m embarrassed… they’re watching!”

“what’s that? i can’t hear you over all that noise you’re making.” he seethes, teeth sinking into your earlobe as he forces you to listen to the salacious, sticky sounds your pussy makes as he fucks himself into you. “listen to her cryin’ for me, you’re tellin’ me you want me to stop?” you can only imagine how long isagi would keep you on the edge of orgasm if you said yes.

when he was like this, fuelled by his excitement for the next match — he would get mean, toy with you like a cat with a ball of yarn. he twists his fingers along your sensitive clit you, winds you up from the inside and you let him. “you’re so naughty, baby. letting them look, pretty girl. you want them to see what they can’t have. what winners get when they play right.”

gasping, your head falls against isagi’s shoulder — followed by his breathy chuckle. his hands cascade along your body, pinching and pulling, tracing your dips and curves and scars. he might be selfish enough to take you in front of the people who know you more innocently, but he’ll still prioritise your orgasm over his own. he knows just what makes you tick, how to get your pretty hole spluttering and clenching around his thick dick like there’s no tomorrow.

“you gonna cum for me, baby?” yoichi breathes hotly, his sticky fingers, the ones coated in your juices, coming up to grab your neck tenderly — guiding your gaze up to meet his feverish midnight blue stare. his cherry bitten lips slip into a soft smirk while he languidly rolls his hips into you — feeling your arousal slide down your slit, his balls and even between your cheeks to create a slick slapping sound with the intensity of his thrusts. “go ahead, you’re such a good girl. wanna see it, make me proud, ‘kay?”

that’s all you really need to hear before your vision starts to shake and your body siezes up all at once. feathery and high pitched moans bubble up on your wet lips, your hand tangling in isagi’s sweaty dark locks while he rocks into you through your high — your juices splash out against the seat in a never ending stream — only fuelled by the team’s grunts and accompanying moans from watching you cum.

“yoichi…” you whine, back arching away from his chest and hips lifting away from his.

his lips drop to your neck in a loving and reassuring kiss as his hands settle on your waist to pull you back down onto his aching cock. “so good, precious.” he goads condescendingly. “‘m right behind you, keep that orgasm going for me.”

it’s not long before your fluttering cunt is flooded with a pool of thick, white seed — tacky and warm against your ribbed walls. isagi muffles himself by biting down on your salt-licked flesh, panting happily against you as whe rubs approving circles into your hips.

a silence in the van follows, only interjected by the bother boys and their own highs. “s-she just lets you use her like that?” kunigami mumbles, red in the face and embarrassed by the fact that he just nutted to his best friend’s girl.

isagi wraps his arms around you, soothing your fatigue with sweet kisses. “i mean yeah, we talked about. it’s something she likes.” he squeezes you possesively as you drift off. “we both do.”

“lucky,” bachira grins sickly, tucking his own wet dick away. “when do we get a turn, isagi?”

“when you’re dead.” your boyfriend retorts, selfishly, which makes you smile sleepily into his chest. “she’s mine, and will only ever be mine.”

sometimes your boyfriend can be selfish — but you’re mostly grateful for it because it means your chest fills with love and warmth whenever he’s possessive over you.

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writingraven · 2 years

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World Building

Creating Land

❂

⥇ agriculture

⟿ what is grown in abundance? how common is farmland? where is the farmland?

⥇ architecture

⟿ what kind of buildings? how tall/spacious? what are they made of? how well made? how well planned?

⥇ animals

⟿ what wild animals are lurking in the area? hunting? any animals affecting the livestock or agriculture?

⥇ biomes

⟿ desert? tundra? grassland? forest? savanna?

⥇ bodies of water

⟿ seas? lake? ponds? rivers? fresh water/salt water? fishing? keep in mind, settlements are often built near bodies of water

⥇ climate

⟿ dry? rainy? temperate? tropical? polar? how have people adjusted to this climate?

⥇ elevation

⟿ altitude? how does the altitude affect lifestyle?

⥇ geology

⟿ rocky? types of rocks?

⥇ landforms

⟿ mountains? valleys? plateaus? plains? hills? glaciers? peninsulas? volcanos? canyons?

⥇ latitude / longitude

⟿ location on planet? how does it affect other elements of land?

⥇ livestock

⟿ common domesticated animals? common animal usages?

⥇ minerals

⟿ any valuable minerals / metals? are they mined regularly? how are they used?

⥇ natural disasters

⟿ earthquake? tornado? volcano? duststorm? flood? hurricane? tsunami? how often do these occur? protocols?

⥇ population

⟿ how many people? how dense is the population? how does the population affect surrounding nature?

⥇ resources

⟿ what is abundant? scarce? how are they used? how available are they?

⥇ sacred land

⟿ religiously important land? historical importance? widely accepted as sacred? how is it honored?

⥇ soil

⟿ good or bad for vegetation? rocky?

⥇ tectonic activity

⟿ earthquake frequency? volcano frequency? trenches?

⥇ topography

⟿ how common are maps? how accurate? how long have they been around? who makes them?

⥇ vegetation

⟿ what is abundant? scarce? what grows easily? with difficulty? what is commonly foraged? who forages? plant types? tree types?

#writing #writing tips #story ideas #reference #fantasy #knowledge #writing reference #landscape #creating land #world building

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thatoneweirdo6 · 2 months

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The Yuu Effect

Riddle Rosehearts x Reader

Summary: Everyone knew their personality took a 180 whenever you were around. But they never quite realized how strong the effect of your presence really was, until you put it to use. Not Proofread

The students in the yard quickly fell silent, learned fear clawing at them to run away. Their Housewarden's enraged voice echoed in the open space and the student who earned his ire was on the ground trembling like a newborn lamb. "H-Housewarden-" he stuttered, digging his nails into the soil to steady himself. Riddle didn't let him speak again, his red face contorted in rage as he shouted. "Are you daft?! How dare you try to complete this so sloppily and expect to get away with it!" He bellowed, his voice rough and shrill, "You must think me blind to think I'd miss this mess!" Some students had been quick enough to leave before shit hit the fan, but the rest weren't so lucky. They could only hope one of the students who fled decided to report the situation to their Vice Housewarden. Trey was often the one the students of Heartslabyul fled to, to evade the cruelty of their Housewarden. However this time around, it seemed Trey's intervention wasn't needed. "I should have your head for this!" Riddle raised his staff prepared to punish the disobedient student when a call had him abruptly pausing. "Riddle?" The Housewarden's breath hitched and his body visibly reacted to your sudden appearance. Riddle whipped his head around to face you, the anger that was boiling over quickly fizzled into nothing. The only evidence of his explosive emotions was the red of his face that was ever so slowly fading. "My Rose." The Heartslabyul students eyed each other, attempting to make sense of the shocking change in their Housewarden's demeanor, but Riddle paid their mutters no mind, not when you were now standing in front of him. The tension quickly left his body as your hands cupped the soft cheeks of his face. His pupils blew in his adoration of you and it was clear to everyone present that they didn't exist to him anymore. His world narrowed down to you, and they'd be fools not to escape in his distraction. They quickly scurried away, beyond grateful for your interference. The student on the ground scurried to his feet with trembling legs and ran off, desperate to avoid punishment. Riddle whipped his head around to demand them to return, but his attention was quickly pulled back to you when you cupped his pretty face to turn his gaze back to you. "Riddle," You say his name, your voice as gentle as a rose's petal and he's drawn back in to the magnetic force of you. You massage your thumbs under his ruby eyes and down to his soft pale cheeks. He leans into your warmth, all previous anger forgotten in the face of your affections. "There," you cooed and pressed a chaste kiss to his forehead, "What has my Riddle in such a tizzy?" Riddle flushes a pretty rosy hue and hesitates to speak, "It's nothing of consequence." You smile softly, a bit disbelieving considering he was about to punish someone over it, but you let it go. Riddle would speak his mind when he wanted to. "Is that so," you tease and bring him into your embrace, ever grateful that the yard was now deserted. Riddle melted against you, a tingling warmth spreading in his chest at your loving attention. When you held him like this, there was no place else he'd rather be. (All of Heartslabyul quickly learned of your power over their Housewarden and your visits soon became far more frequent.)

#disney twisted wonderland #disney twst #twst wonderland #twst #riddle rosehearts #riddle x reader #riddle rosehearts x yuu #riddle rosehearts x reader #riddle rosehearts x mc #fluff

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cy-cyborg · 28 days

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Toph Beifong doesn’t hold up as disability representation - Disability in the Media

[ID: A screenshot of Toph, a twelve-year-old girl with black hair in a loose, green and tan short-sleeve shirt and shorts, cheering in an arena. Next to text written in a rough, blocky font: "Disability in Media - Toph Beifong Doesn't hold up as disability representation" /End ID]

Avatar the Last Airbender is one of my all-time favourite TV-shows, and Toph is still easily one of my favourite members of Team Avatar. I was a few years younger than Toph when the show first started airing, and being a disabled kid who was into martial arts, constantly being dismissed by my able-bodied opponents and teachers, meant that I connected very strongly with her right from the get-go.

But upon my last couple of rewatches of the series, I began to come to the realisation that my opinions on Toph as a shining example of good disability representation were... well, pretty heavily influenced by my nostalgia for the show and that many aspects of Toph's character just don't hold up today. Which, honestly is fair, the show is nearly 19 years old (if it were a person in my country, it would be old enough to drink) and I think it's pretty ridiculous to expect every part of every character from an 19 year old show to age well. So today I wanted to talk about the things I think Avatar the original Last Airbender did right with Toph, where I think they missed the mark, and what changes I think would need to be made to Toph to make her work for a modern audience.

So let's start with why I think Toph doesn't really hold up as "good disability representation" today, and the elements of her character that just haven't aged as well.

For me, one of the biggest issues I noticed upon rewatching the show, is how often we are told (often by Toph herself) that she is blind, but how infrequently we are actually shown it's impact on her life beyond her bending or outside of jokey contexts. Outside of her bending, we only ever see her blindness impacting her ability to do things like read or write, otherwise, she functionally has full vision -so far as the audience is informed - with the only exceptions being when she's in the air or water (e.g. on Appa or in the submarines) or in loose soil (e.g. the desert). Having places and circumstances where she doesn't have access to her power that allows her to "see" was a step in the right direction, but I do think it would have been better if her seismic sense wasn't quite as accurate, even in the most ideal of circumstances.

But why? Well, I think Suki explains it really well, long before Toph is even introduced. when Sokka says "I should have seen you as a warrior instead of a girl" Suki stops him and says "I am a warrior, but I'm also a girl". Being a warrior and a woman are both important parts of Suki's character, and only recognising her as one or the other means ignoring a big part of who she is, and the same is true for Toph. Being blind is a big part of toph's character that has informed a lot of her life, but so is being a warrior and bending master. Many people see Toph as a warrior or fighter, but ignore her disability, but both are important. She's disabled, and a warrior, and those things don't cancel each other out, the same way being a warrior doesn't diminish Suki's status as a woman.

When the show was still airing though (and even still today) it was very common to see non-disabled fans of the show exclaiming that they honestly forget that Toph is even blind sometimes, with many people going so far as to say that she's not even disabled (and that this was a good thing). While I do think some of that comes from the fact they weren't used to seeing a disabled character as both disabled and an active participant in these kinds of stories, I do think this mostly happened because of the show's lack of, well, showing the impact of her blindness on her daily life and allowing her earthbending and seismic sense to erase the effects of her disability to some extent. It's much harder to forget a character is blind when it impacts their daily life in ways that are shown to the audience. This doesn't have to be in big, showy ways mind you, showing things subtly but consistently works way better than one "very special episode" type setup.

In the show as it is though, the seismic sense functionally gives Toph a perfect image of her surroundings until it's just not available anymore for *plot reasons*.

[ID: A black and white shot of Toph and how she sees the oponent she's fighting, with shockwaves radiating from him towards her to indicate how she's interpreting the scene. Her foe has jumped into the air and now has his hand dug into the ground of an arena, about to launch rocks towards her. /End ID]

In many ways, her picture of the world is better and clearer than what the non-disabled characters can see, leading to this feeling of her disability being erased. It may have been better though if the seismic sense could give her a general idea of big things in her immediate vicinity but she still missed the finer details, functioning at least a little bit more like a tactile/earthy-vibration version of the limited sight some legally-blind people have in real life. Things like a person's position, movement and overall pose would still be "visible" to her in a general sense, as well as big things in the environment (including things underground, since there are a few plot-points that require that), but smaller things like details about objects and creatures, people's facial expressions or what they're doing with parts of their body that have no direct contact with the ground (like their hands) is less clear. On top of this, she may struggle to detect smaller, lighter objects or creatures that realistically wouldn't cause much of a vibration at all. creatures as small and as light as Momo and Hawky for example might be detectable, but "fuzzy" to her, and anything smaller might make enough of a vibration to tell her it's there when it moves, but not enough for her to be able to tell what specifically it is without some other cue (such as sound). There are a few moments in the show that seem to imply this is what they were initially going for, but it's not really consistent, and is directly contradicted in her debut episode, "the blind bandit" when she explains that she can even "see" something as small as the ants off in the distance.

[ID: A shot of Aang, a twelve-year-old bald boy with an arrow tattoo on his head, dressed in a yellow and orange outfit, standing with Toph at night. In the foreground is an anthill will a trail of ants, which Aang is looking for. /End ID]

With an adjustment like what I'm suggesting though, she still serves her narrative purpose of teaching Aang the importance of being able to wait and listen - possibly even more so, as her needing to wait and collect more information in order to get a clearer image before striking, would back-up what Bumi tells Aang that he needs in an earth bending master. It would also still help to illustrate the connectedness of the world, a theme Toph continues to embody heavily in The Legend of Korra, while still showing the ways her disability impacts her more frequently.

When I talked about the "super-crip" trope a while back, I mentioned that one way to avoid the more harmful elements of the trope (where the character's disability is erased by their powers) is to use the ability in question more like a mobility or disability aid than a straight-up cure. The power should help them, but shouldn't make their disability redundant. People are creative and we would find ways to use a superpower or magic to help with our disabilities if it were available in real life, but what's the point of including a disabled character if you're just going to functionally erase their disability? For a character like Toph, I think this is the kind of approach that should be taken with her. Her seismic sense still helps her, but it's not a perfect replacement. (Ironically, I did use Toph as a "good" example of that trope, but I do think after this last rewatch, for the reasons I'm discussing here, I might have to backtrack that a bit).

I considered giving an alternative approach here, to keep the sensitivity of toph's seismic sense as it is in the show as is, but giving it draw-backs such as making her susceptible to sensory overload similar to what autistic people experience. However, while replacing one disability with another can work for some characters and stories, I don't think it's the best adjustment to make for Toph or any blind character, largely thanks to this also being a trope. The "blind (or d/Deaf) person who's other senses become super-human to make up for it" trope is very common in fantasy, sci-fi as well as older martial arts films, and while I'm not really the best person to cover it, I do know that members of both the blind and deaf communities have expressed a lot of frustration with it. Toph already falls into this trope quite a bit, and any suggestions I could make would have just dialled that element up to 11, and fixing one problem with another is never a good idea.

Another thing that actually did bug me for a while, even before my most recent rewatch of the show, is how Toph is treated on the rare occasions she does point out something won't working for her. There are a number of times where Toph advocates for herself and points out that something The Gaang is doing isn't accessible to her or sets a boundary to do with her disability, and she's either left behind, her concerns are brushed off or she's ignored entirely. The three most noticeable examples of this are in the Episodes "The Ember Island Players," "The Library," and Toph and Katara's segment of "Tales of Ba Sing Se."

In the Ember Island Players, Toph complains that the seats they have for the play are too high up and too far away, and she's unable to "see" what's happening on stage. Her friends don't really take any notice of her though except for Katara who tells her not to worry, "I'll tell your feet what's happening."

[ID: A shot of Katara, a fourteen-year-old girl with long brown hair and blue eyes, sitting with Toph, who is sitting with her arms crossed, annoying in a theatre seat. Both Toph and Katara are wearing red and gold, fire-themed outfits. Katara is looking at something off-screen. /End ID]

My problem here is that this particular kind of situation is something that is familiar to a lot of disabled people. Even the least independent disabled people I know get annoyed when their access needs or requests for accommodations, even among friends, are ignored and their pushback is brushed off with "don't worry, I'll just help you!" It's one of the first things that many disabled people tell non-disabled folks wishing to be better allies to us: you offering help instead of actually accommodating us isn't a good thing. We don't want to rely on others if we can avoid it, because honestly, non-disabled people often aren't very good at actually helping or in this case, relaying information to us without training and more often than not, it just results in us being left out. I find it very hard to believe a character as independent as Toph would accept that without any protest, especially considering that is pretty much exactly what ends up happening (even if the show didn't really acknowledge it). Katara never actually conveys anything about the play to Toph, except when she's attempting to throw Toph's words back in her face when she asks for clarification about the actor playing her - which ends up backfiring on her.

[ID: A shot from the same location as before, this time Toph has a huge smile on her face and is leaning on the balcony excitedly while Katara is leaning towards her, annoyed by her reaction. /End ID]

While it would have been better if Toph was actually listened to, it would have been…fine? if a justification was given for why they had to sit there (e.g. to avoid being recognised), if Katara had actually described the play for her. This wouldn't have been ideal, but it would have been better at least. In real life, many movies, TV shows (including this show's sequel series, The Legend of Korra) and other forms of visual media have an Audio Description track that does exactly that. If they weren't going to move for Toph to be able to see better, having Katara describe the play could have introduced kids to the fact this is an option. but instead it's brushed off, and I'll admit, it left a bit of a bad taste in my mouth, even back in 2006.

The Library is a bit more forgivable in my opinion, since Toph is still new to the group, but in this episode, she states that she doesn't want to go inside the spirit library because she isn't able to read and therefor there wouldn't be anything for her to do. However, it still would have been nice to see her friends consider this at all before they actually arrived. They could have (and should have) still gone, but some acknowledgement that they at least thought about the inclusion of their disabled friend would have been nice.

[ID: A shot of Aang, Katara, Sokka and another man are talking while looking down at a map on the table. Meanwhile, Toph is sitting on the other side of the table, completely disinterested as she sips from a large ice cup with her feet up on another chair. /End ID]

Alternatively, I do feel like Wan Shi Tong, a self-proclaimed all-knowing-spirit or his assistants would have been able to point her in the direction of something to interest her, since he does imply books aren't the only form of knowledge he collects.

The reason I mention this though is two-fold. In real life, disabled people are very often left out of "fun" group activities, whether that be in formal settings or in casual ones, like hanging out with friends. If the episode had been framed as "the Gaang learns about the library and decides to track it down," I might have been less critical, but it's specifically framed as something that at least starts out as a kind of break for the team where they all take turns picking out fun things to do so they can rest, and Toph's access needs not being considered at all until they're already there hits a bit close to home, especially since they just end up leaving her outside. Secondly, there's also a stereotype that disabled people (and especially blind people) don't belong in academia and places of learning, such as in this case, libraries. This stereotype is about as old as the concept of organised institutions of learning, and definitely isn't unique to AtLA, but the assumption is often that disabled people wouldn't be interested in more formal methods of learning, so it's not worth accommodating us. With blind people in particular, when I've seen this in media, the premise is often "well I can't read anyway so why bother?" which Toph definitely falls into here with no push-back against the trope.

[ID: A close up of Toph and the rest of the group, Katara, Sokka and Aang standing in a desert. Toph shrugs, looking bored, while the others looks confused and surprised with the exception of Katara, who looks mildly annoyed, standing with her hands on her hips. /End ID]

It does make sense that she would have been resistant to going in, and I'm not saying this episode should have turned Toph into a bookwork akin to Wings of Fire's Starflight (another blind character) or anything. But there was a chance in this episode to push back against some of these assumptions, and I think it's a shame they missed it. How cool would it have been if Toph had mentioned not feeling welcomed in more formal learning spaces because of her disability, which was just reinforced by the way her old earthbending instructor and her parents treated her. She decides to go inside the library anyway as "backup" in case something goes wrong, grumbling about it the whole way down. Wan She Tong starts his introduction mostly the same way, saying humans aren't welcome and Toph makes a snarky comment about it. Wan She Tong, equally offended that this human thinks he, the all-knowing-spirit, wouldn't have considered something, shoots back with an annoyed comment about humans being so self-centred. He explains that spirits come in all shapes and sizes, and not all of them have eyes, but they can still access his library. She's not the first sightless being in his study, and he-who-knows-ten-thousand-things knows this too. Once everyone is permitted entry, one of the knowledge seekers shows her to a series of slates about a lost earthbending form that she can actually read (or at least, "see" the pictures on) because it's carved. Or instead of a slate, it's a series of statues outlining the form, similar to what Aang and Zuko find in the episode "The Firebending Masters". Perhaps this form is something that helps her develop metal bending later on, and lays the groundwork for Toph becoming interested in teaching in the comics.

And finally, Toph and Katara's segment of Tales of Ba Sing Se. Katara convinces Toph to go get a makeover with her as part of a girl's day. Overall, this segment of the episode is pretty nice, and I liked that they showed that a person's gender expression (in this case, being a tom-boy) doesn't mean they can't like things outside of what we usually associate with that. Tom-boys can like girly things on occasion, and vice-versa, and I think this is an example of an episode that would seem a bit ham-fisted today, but honestly, was needed in 2006. However, there's a throw away joke where Toph says "as long as they don't touch my feet," and it immediately cuts to show spa workers filing down the calluses on her feet in a way so painful several staff are required to hold her down.

[ID: An image of Toph in a bath robe being held down in a chair by two spa workers while a third scrubs at her feet so hard that she is sweating. Meanwhile Toph is fighting against the two holding her down and has a facial expression like she is in a great deal of pain. /End ID]

this might be a minor thing in the grand scheme of the show, but it's still another example of Toph's boundaries about her disability and her access needs being disrespected by her friends, which the show just doesn't acknowledge it at all. People ignoring Toph's wishes about a part of her body she depends on in a much more direct way that others do is played off like a joke in a montage of otherwise enjoyable and goofy activities and this is a very, very common experience in disability circles.

There are a number of other, much more minor issues that show up with Toph as well, such as the fact she's the only one of the main cast who never has an on-screen (or on-page) relationship. not in the original show, not in any of the comics and not in The Legend of Korra. Again, it's not a big issue on it's own, especially because in AtLA, she's young enough where it's possible that she was just not interested yet, and she does have kids in The Legend of Korra where she mentions a relationship with a man named Kanto (Lin's father). So it is implied she does have some form of relationship eventually, but the issue is that it's never shown on screen or on the page. This feeds into a wider pattern in media of disabled characters being the only ones in their respective cast not given on-screen romantic relationships in stories, and so I still think it's worth pointing out, especially since the creators have had a lot of opportunities to correct that by now.

Toph is also portrayed, pretty much undeniably, as the best earthbener in a way that, at times, comes across almost like the creators felt like they need to compensate for her being on the team "despite" her being blind. This trope is one that I think Toph, at least partially, helped to popularise with the current generation of story tellers: The Disabled Savant. In this trope, disabled characters aren't really given the same room for growth as other characters; they aren't permitted to be average or still learning, they start good and get better. If they do progress, they often become the best, which is the case for Toph. To be fair, everyone in the The Gaang is the best at their respective skill by the end of the first series, which is why I say this is a minor point. She dose, however, have the least amount of on-screen growth in skill out of the whole team. Katara starts out barely able to lift any water at all, let alone actually bend it. Sokka is skilled with weapons from the start but does get his butt handed to him a number of times by others with more experience than him whom he learns from throughout his story arc. Zuko spends most of the early-to-middle of the show having things "blow up in his face" (to use his own words) and being belittled by his family of prodigies. While Aang is an airbending and, to a lesser extent, waterbending prodigy, he fails at pretty much everything else for a while before he starts to find his confidence - especially earth and firebending, not to mention the entire situation with locking himself out of the Avatar state. Toph is the only one who doesn't seem to fail or struggle all that much from a combat perspective. She does grow and improve in her bending (she invents metal bending after all) but she never has any moments where she really messes up or even struggles in combat all that much compared to the others.

All of these points and criticisms I've mentioned are not necessarily big in and of themselves, but when looked at together, they build up to create some issues with how Toph is depicted and how the people around her treat her disability

So that's it then? Toph is bad disability rep and Avatar should be "cancelled"?

God no. Like I said at the start, I still adore Toph and Avatar as a whole, but the show is a year away from being two decades old, it's bound to have some elements that don't hold up and I think it's worthwhile discussing them, specifically because I love the show and it's characters. Despite all the negativity I've brought up, I do think there are a lot of things AtLA did well with Toph too.

I've mentioned a few times that we rarely see how Toph's blindness impacts her life outside of her bending and combat abilities, and there's a reason I made that specification. Unsurprisingly, if you know much about the show's development, the ways in which Toph’s blindness and seismic sense impacts her bending and fighting style is one area where the show really does shine, and I still think that is worth a mention. The various types of bending are based on different styles of martial arts, specifically, different types of Kung Fu. Most earthbending in the show takes heavy inspiration specifically from Hung Ga, but Toph is different. Her bending heavily references Southern Praying Mantis Kung Fu, something unique to her within this world.

The reason for this (outside of simply wanting her to be visually distinct) was because the show’s creators made sure to consider what limitations Toph might have and what parts of the more common earthbending styles wouldn't work for her. Since her connection to the earth was critical in order for her seismic sense to work, they decided on a style that would keep her feet on the ground more, prioritised strong stances with minimal jumping and put more focus on attacking with her upper body. While not an intentional choice, the style they went with for Toph, according to the show's head martial arts consultant, Sifu Kisu, was supposedly developed by a blind woman in real life, at least according to legend. The creators also made further adjustments to the style with the help of martial arts consultants and just watching Toph fight is evident that a lot of love and care was put into the decisions made on that front.

I also appreciate that Toph's disability wasn't off-limits to joke about.

[ID: A picture of Toph waving her hand in front of her face with an exaggerated smile to remind the others she's blind. /End ID]

As I already mentioned, they didn't land 100% of the time, but lot of shows are afraid to use disability as a source of jokes, which would have felt weird and out of place in a show like Avatar. I see this hesitance in real-life too; people get extremely uncomfortable when I joke about my own disabilities and I've heard several people and even disabled comedians talk about the same observation. My last video on Tik Tok that got outside my usual audience was a joke about my prosthetic leg, and every single stictch and duet I received was people saying some variation of "I'm such a bad person for laughing!" "I'm going to hell!" or just straight up asking if they're aloud to laugh. If I didn't want you to laugh, I wouldn't have posted the joke! But joking about disability does make it more approachable. Despite how often Toph and the others made blind jokes though, outside of the one instance I mentioned earlier, they never felt mean-spirited or like they were punching down. Even when a very sleep-deprived Katara was intentionally trying to be.

I think it's also worth keeping in mind the context of the media landscape when Avatar The Last Airbender was airing. Today, characters like Toph are very common, so much so there's a whole trope about them (super-crips) but at the time, having a character with a major disability be a main character in an action-orientated kids show like Avatar was really rare. She wasn't the first of course, but a lot of the time, if they were included, they were almost certainly sad and depressed, wishing for a cure or they were designated to the roles of "Guy in the chair" (which is a character, usually a tech person, who helps from the background), inspiration, scary villain fake-out (or other variations of "creepy" character) or the actual villain. Having a character that was not only comfortable in her skin as a disabled person, who didn't want or need to be "fixed" or "cured" to be directly involved in the story, and who's main obstacle (at least in season 2) were how the people around her treated her, was pretty ground-breaking at the time (pun not intended) and went against the most prevalent stereotypes of it's day.

And I really want to emphasise that. For many Millennials and older Gen Zers, myself included, Toph was the first character that didn't tell us we were broken and needed to be fixed in order to be part of the group (even if they slipped up with that messaging occasionally). Prior to seeing Avatar, I honestly thought there was something deeply wrong with me for being happy with my life (a reminder, I was 10 years old when this show first started airing), because every other disabled person in the media only ever talked about how much worse their life was because of their disability, how much they hated it and how much they hated themselves. Many outright said that they wished they had died rather than become like me. Toph wasn't the first to go against those tropes, but she was the first example of a disabled character who wasn't like that many people my age saw. Did she do it perfectly? Hell no, but personally, back then, I was happy to have a character who maybe over-corrected and took things a bit too far than another sad character talking about how lives like mine weren't worth living.

I also deeply appreciated that Toph did struggle with her independence, at least initially, and where to draw the line with accepting help. Because of how much she'd been coddled and overprotected as a little kid, she saw any attempt at people being helpful and working as a team as them trying to baby her. It was very on the nose, but I liked that the show gave her an episode just dedicated to realising that it's ok to accept help. Again, this is a bit of a story telling trope today, but having the disabled character realise that it's ok to accept help, and to do it without talking down to them or saying that them wanting independence was bad, was a refreshing change compared to what was around at the time.

[ID: a zoomed out image of Toph, standing before her parents with Aang, Katara and Sokka standing behind her. /End ID]

While I think the show's creators could have benefited from consulting with disabled people and specifically blind people the same way they brought in consultants for the martial arts featured in the show, it's very clear to me that the intention behind Toph's character was good, and that actual effort was put in to make sure they depicted her well, even if some of it was a bit misplaced. It's also worth noting that the groundwork for a lot of my suggestions is already in place, they just didn't follow it all the way through. Overall, I'd say Toph was good for her time, and she's what was needed in the 2000's, even if she doesn't hold up as well today. I also think it speaks to how far we've come in terms of disability representation. When I first started engaging with the online fandom directly, almost no one, even other disabled people, argued that Toph wasn't good representation, because honestly, the bar was on the floor and we were just happy to have something different. But now there are options, and the standards are higher, and that's so, so good. It means that people, even in the media, are starting to listen and be more thoughtful about their depictions of disability than we were in 2006.

And finally, I want to really quickly mention The Netflix adaptation of Avatar. A few people have asked me now what I think they should do with Toph when they get to her, and what my predictions about the show are. I'm not going to talk about my predictions here, because this post is already way too long and that's not what this is about, but I don't think the suggestions I made today would necessarily work in this particular remake, primarily because of the tonal differences. Some adjustments definitely could, such the other characters doing a better job at listening to Toph when she points out inaccessibility and them actually considering her in the first place, but others might be harder to balance. The original show could get quite dark and serious at times, but it was primarily a light-hearted adventure story for kids. From what I've seen of the live action remake though, they're more heavily leaning into those serious elements - for better or for worse, and as such, trying to tone Toph down in the specific ways I mentioned might not balance out as well as it would in the original show. At the very least, the specifics would need to be different. To be honest, I'm not entirely sure what approach they should take, that's not really the point of this post, but I did want to quickly address it to avoid confusion. My suggestions today were specifically on how to approach the cartoon version of Toph for a modern audience, and were not meant to be read as suggestions on how her live-action counterpart should be depicted.

#writing disability with cy cyborg #Wow I had a lot more to say about this than I thought (I think this is my longest post to date lol)#writing disability #disability representation #writeblr #writing #Avatar #avatar the last airbender #atla #Long Post #toph #toph beifong #the gaang #Animated Avatar #disability in media #fantasy

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furiousgoldfish · 3 months

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When I was a little kid, I asked my mother 'What does a child need to survive in a desert?'. She wouldn't give me a straight answer, so I had to pull it out of her bit by bit. Would a child live if they had fruit? 'That's not enough', she said. Would it work if the child had milk? 'Maybe'. I kept asking what else, and then she put the dots together, and figured out why I was asking. 'Children can't survive without their mother', she told me curtly. I frowned, not liking this response. 'But, if they had fruit and milk?' I insisted. 'No. Child can't survive without a mother. Don't even think about it.'

But, I was thinking about it, and she knew it. She knew I was trying to find a way to escape the house we were living in. I was 6, maybe 7 at the time. She repeated over and over to me, you would die outside this house. Nobody else would take you in, there's no place for you anywhere else. You would only be a burden.

I didn't like that. I didn't like the idea of being a burden anywhere. But, I supposed she was right, other people didn't need a stray kid.

In my quest of not being a burden, I wanted to learn how to work. In the house I lived in, there were countless chores to be done, but somehow I was always stuck with the ones that required no knowledge or skill. Put the logs over there, clean, carry this over there, sweep, scrub, throw, wash, dig, gather, relocate, hold, lift, put down, bury, shut up, and don't ask questions. I wouldn't get any answers even if I did ask, why am I doing this, whats it for? I wasn't to know. I was kept blind, following orders, up to myself to figure out what was this a part of.

When I'd be ordered to do something I didn't know how, I would be told I 'should have learned it by watching others do it', but I was never free to watch while others worked. In fact, if anyone in the house was doing anything, and I was sitting or lying down, I would be screamed at for 'just watching others work and doing nothing'.

Reaching adulthood, I really wanted to know about cooking, but mother always chased me out of the kitchen if she was making something, or she would chore me with 'peeling the vegetables', which would then take all of my attention. I tried to sneak into the kitchen and learn by myself, but she chased me away as soon as she'd catch me, telling me off for 'wasting resources'. But, as she noticed my inclination, she decided to inform me, in a very clear manner, that I would never in my life know how to cook. You see, I was clumsy, slow, stupid, and would always only mess it up and waste precious ingredients. It was far above my abilities to learn how to cook. She gave me a clove of garlic to cut, and I couldn't do it well on my first try. She told me it was a proof that I was 'no good'. Then she gave me an onion to cut, and yelled at me for 'taking too long'. Now it was proven twice over. I couldn't cook. Everything would be ruined because I was taking too long to cut the vegetables. Also, I didn't know where food was even stored in the kitchen. She would never show me. (The food was stored in boxes in the basement. I would find out years later.)

With a heavy heart, I gave up on learning how to cook, and resigned myself to feeling forever guilty for 'eating their food', which was something my family regularly held over my head. You know, after I helped digging, working the soil, sowing, planting, weeding and spraying, it was still their land, and their food, and I 'had no right to it'. They were careful never to show me how to actually grow food, but just kept me busy with menial tasks that were never explained to me.

I was convinced my mother was a good person, because she usually wouldn't forbid me to eat, and if she wanted me to do a task, she would tell me in a humane way. For example 'Can you do x?'. The other family members had a more crude way, something like 'Why are you waiting to be told, do I have to spell out everything to you??' so her polite manner had completely won me over, I would have done anything for my sickly, poor, kind and generous mother, who was so worried for my troubled self, who couldn't learn how to do anything, or survive outside the house.

Even though my mother repeated through the years, that I would never be able to do anything, and also berated me if I ever tried to learn a new skill because 'it was worthless and wouldn't earn me any money', I would still sometimes gather a bit of momentum and courage, and figure hey, I should try to get a job. It would take months to gather that kind of confidence. And one such time, I announced my intentions, I'm going to look for a job! My mother laughed without looking at me. 'Who would hire you? You can't do anything.' Poof. That was my balloon of confidence, popping and then deflating into a tiny bulb. I didn't think she had any reason to lie to me. She knew me all my life. If she was confident that I can't do anything... then it had to be true. Otherwise why would she say that?

The rest of the family, of course, agreed. My grandmother, she had fantastic stories to share with me about how quickly I would be kidnapped, robbed, murdered, tortured, sold into slavery, you know all that good stuff that happens to every person outside their parents house. My father, who inherited massive amounts of land, 2 houses, illegally got his hands on a third, earned a very formidable salary, and constantly had me working for free for him, told me that it was in fact, impossible for a person to survive out there without inheritance. I frowned because I didn't agree with this, and I asked, what about the people who get a job and move into the city? They were living just from their wages. He shook his head and said that it may look like that, but they're all just living from their family's resources. I was old enough to not believe him. It's him who couldn't live without his inheritance, because he's an idiot, I thought.

So, I finally got to earn some money online. It was slow, and very tiny amount, I was freelancing and there was no consistent income, but my enthusiasm on being able to earn anything, was strong. After all, I had earned absolutely nothing working for my family for forever, and this was mine. I remember securing a big project and rushing to reassure my mother, to tell her that I was in fact, good for something, and she didn't have to worry anymore, I was going to make something of myself.

'You will never get another project again.' Her face was dead serious. 'You were lucky once. Don't count on this happening again'. I was speechless. Self doubt swallowed me whole. Was this only one-time occurrence? Was I stupid to believe it would happen again? I despaired. She was my mother, and she was older than me, and she knew the world better than I did. She wouldn't say this for no reason. Could she be right?

She brought it up to the rest of the family, and they all had things to say about it. 'Online work isn't real. The money doesn't even exist. You'll never see it. Show us where is this money. You can't, can you? And even if it does exist, it will all get stolen from you'.

Leaving me wrapped in my survival panic attack, they went on with their day, satisfied that they put me back in my place (which was an ongoing panic attack). I eventually recovered, and continued to work on projects. I was approached and told I would fail constantly, but even then, what could I do but work with my anxiety levels up to the roof and wait to fail? I had to try.

I didn't believe I would make it, because my mother's words 'you'll die, you'll die' were on repeat in my head, but I realized I would die in that house anyway, so I ran away from home. My mother was worried about me; she was in fact, so worried she called every person who knew me, all of friends, relatives, their kids, and told them about how badly worried she was for me, and how I needed to come back home. These people, well they were all worried too you see, so they had to call me, to tell me that I'm breaking my mother's heart, that I don't know how it feels to have a child and not know if their child is okay, apparently she was crying every time it rained because she thought I might be outside in the rain.

My guilt was activated, but I knew just what to do to resolve this situation. I responded to my mother's call, and she told me too, that she was dying from worry, so I said, listen! Listen to what I have! And I went around the apartment, and I listed all of the groceries I had bought and stored. I listed everything out to her, and then explained how to make multiple meals, I offered proof to her that I had already, in this short time, learned how to cook, and I was doing fine. I was sure she'd be so relieved to know that her child had food.

In my mind we were continuing the conversation we had when I was six. I have milk and fruit now mommy. You said I might survive if I have that.

'Okay, we KNOW you can do everything yourself--' She interrupted me angrily, unwilling to listen to my ongoing list of resources and skills. I froze. '--but you need to think about what you're doing to us and come back home!'

I hung up. Unbelieving. Two things I've been told in that sentence, and I had a hard time believing either. She- they- KNEW I could do everything myself. Since when? For how long? How could she possibly say this, after telling me my whole life, not only that I didn't know anything, but was too stupid to even learn? She knew I was capable the entire time? She knew I'd do just fine? And, she was angry about it. Hearing the list of resources and skills I had, it made her livid. After crying to all these people, and convincing me she was dying out of worry, she wasn't worried even one little bit. It was all fake. The entire time. She could either tell I was capable the entire time, or.. she never cared enough to even tell. It didn't matter. It only mattered that she convinced me that I can't survive. So I wouldn't run. So I would stay in that house, and so she could watch her violent husband, and violent mother in law beat me and call me animal names. While blocking my only possible exit.

Later I found out she changed her story. She was now telling people that I was now 'rich but so selfish I would not give any of my money to her'. It was almost funny. Her perspective of me rapidly shifted from 'incapable idiot who cannot survive' to 'selfish rich snob who won't give money'.

It stung. I had spent my life trying to protect her. Even after running, all I could think was how badly I wanted to take her away from that violent place, how much I wanted happiness for her. She watched me dying in that house and blocked my exit. She threw me back into the hands of violence and cheered them on as they broke me. She watched a kid being broken and told that kid they could not live, except if they stay and continue being broken, over and over again. I got jealous of all of the mothers who helped their kids escape. And of all the kids whose mothers escaped, taking them with. Keeping them safe. Why wasn't I worth keeping safe? But I can't look back in that way. That's not it. There was nobody to keep me safe. Nobody was my mother. Nobody was my parent.

My six year old self reached their goal. What does a child need to survive in a desert? Some fruit. And some milk. And some other groceries also don't hurt. And definitely not a mother like this one.

#abusive mother #recognizing abuse #cruelty concealed as worry #escape sabotage #mother keeping a child trapped in abuse #using a child as a shield from violence #abusers keeping your confidence down to stop you from escaping #abusers lying through their teeth #child abuse #survival resources #toxic family #toxic mother #i don't even know what her deal is #but her cruelty crushed me

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records-of-dirt · 3 months

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Create Your Own Soil Profile!

A garden’s soil is the base of all its growth, and knowing how to properly interact with your soil can make all the difference!

Step 1 Site Observations

Take a few photos of your site (project area)

Note down:

what vegetation is there?

is it near water?

the slope

approximate exposure to sun

Step 2 Take a soil profile

Set out a tarp or a garbage bag

Dig a hole about 3 feet deep (you may want a friend’s help!)

Place that soil in piles onto the tarp, sorted into different soil layers

Remember horizons! (O, A, E, B, C, R(bedrock))

Make a sketch of a soil profile, and measure the depth of each horizon

The top of the profile should start with 0 cm

Refill the hole, and try to return each type of soil in order!

Step 3 Build your profile

Describe each layer of soil, moisture/structure/color/smell

Use the “feel” method to take notes

Step 4 Drainage

Dig a hole 1 foot deep and 1 foot wide(ish)

Fill the hole with water and measure how long it takes to fully drain

An ideal time is around 10 to 30 minutes!

Note down the time

Keep in mind that even if the soil type would suit desert-like plants more, think of the weather. If it rains a good deal the drainage can matter less(or more!)

Step 5 Biological Activity

Bury a pair of cotton underwear(I know it’s silly)

Wait about 60 days

Unearth the undies, the more tattered they are the more activity there is!

Step 6 pH Testing

OSU Lab for Oregon, and many states have soil testing labs

Soil pH Meter

DIY Test

Step 7 Hardiness Zone

This just takes looking at a map!

Hardiness zones can tell you about the weather’s highs & lows in a particular area

USDA Plant Hardiness Map

And that 's it! It's a lot, and you don’t have to do everything. Each step can provide a better view of how to properly support your garden, and can be fun activities to do with friends and family!

I’ve included a template for a complete soil profile, but feel free to make them as fancy as y’all want!

Sincerely,

records of dirt

#solarpunk #permaculture #soil #geology #gardening #biology #ecology

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divine-nonchalance · 10 months

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youtube

#permaculture #water #waterharvesting #water harvesting #flood prevention #how to prevent floods #how to prevent draughts #how to handle climate change #organic farming #organic gardening #how to make desert fertile #how to create soil fertility #Youtube

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facefartstories · 1 month

Text

Stranded Fart Tank

They were on a mission on enemy soil. Jeremy accidentally fucked up the tank and soon, he and Seth were stranded in the desert heat completely visible to any enemy awaiting to attack."Fuck you faggot! You don't know how to drive a tank?!" Seth scolded. Jeremy was a bit taken aback by the faggot comment... he never came out as gay to his fellow soldiers. "I... I'm sorry... I was dozing off... I shouldn't have gotten us stuck." Jeremy apologized. "You wanna be forgiven faggot?! Fuck, keep your face in my ass... all we need is for all this gas I'm holding in to spread into the desert and alert the others that we're out here... fuck... you probably just got us killed." Seth propped his legs on the dashboard and spread his legs. Jeremy took a deep breath as he pressed his face right up against Seth's crotch. "It stinks down there don't it? "Seth whispered. "Yes it does" Jeremy inhaled and sniffed to his hearts content. BBBRRRMMPPH!"Haha, fuckin hell, sniff THAT up." Seth reached down to press his partner's face tighter against his ass. Jeremy's eyes began to water as the gas burned his throat and lungs. He had never smelled gas so foul in his life."Ugh! What did you eat?!" Jeremy whined. "None of your fucking business...I said sniff." Seth was going to blast Jeremy's face with farts until Jeremy passed out. FFFBBBBBRT! "How much gas do you have?" Jeremy coughed. "Quiet... they'll hear you... in fact I should probably make these quieter..."Seth tensed up and the air rushed silently out of his ass and into Jeremy's face. "Fuck Seth... you smell like you fucking shit your pants." Jeremy cried into Seth's crotch. BBRRMBT! "I probably could... I probably did... this fucking desert heat is tearing my stomach the fuck up..." Seth was rather distant. He had no reason for conversation. The only thing Jeremy was going to do was keep his face between Seth's legs, and pray that the next fart would knock him out cold for a while. Minutes turned into hours, and hours turned into days. Seth had yet to run out of gas. Jeremy was still pressed tightly against Seth's crotch and his tears welling in his eyes from the rancid stench that he was absorbing into Seth's crotch, only making his farts smell worse. BBBRRRRPPPPPPMMMMMMPPHHH!!!"Oh god! Please Seth! It stinks so bad!" Jeremy whimpered between Seth's legs. "Just sniff it faggot. Smell my fucking wrath." Seth squeezed his thighs together, trapping Jeremy's head into his crotch and squeezing as tight as possible. The next fart absolutely destroyed Jeremy. BBBBRRRRRRRBBBBBMMMPPPHHRT! "OH yeah..." Seth felt so much relief after that blast. Jeremy's cock had started oozing cum. His face continually blasted by more stinky gas from Seth, he passed out in the heat of the desert, hoping they'd be rescued soon. Jeremy awoke in a hospital bed on the other end of the battlefield. He was being treated for dehydration. Seth was sitting right next to him. When Seth saw Jeremy had awoke... he stood up, and walked towards his comrade."Well well well, if it isn't the fart boy..." Seth stared blankly. "What... what do you want?! How can I settle this?!" Jeremy was scared. Seth hopped up onto Jeremy's bed and sat right on his cock, and ripped one. FFFFRRRRBBBBBBRRRMMMMPH!!! Jeremy's eyes rolled to the back of his head as in seconds, Seth's latest fart made him cum his pants again. Seth smirked from Jeremy's reaction. "Dehydration. I'd like to think my hot steamy gas dried you the fuck out. Don't worry... I got more in the tank. Plenty more. An infinite supply."More... farts?!" Jeremy shook a bit. FFFRRRPPPPFFFF! "Oh yeah... and since your fucking cock tents up every time I bust ass, that just proves what a fucking fart fag you really are... and unless you want me to tell the boys, you best get that sniffer of yours ready whenever I gotta fart to fucking blast... got it, boy?"Jeremy looked into Seth's eyes and nodded... it was going to be a pretty stinky eight more months.

Let me know what you guys think In the chat below.

#fart tank #eproctophilia #male farts #military men farts #military farts #gay military fart stories #face fart story #fart story #fart kink #eprocto

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dyke-is-gender · 2 years

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I wanted to make a post with some links to explain why afforestation (planting trees to stop desertification; the change of environments into deserts) is not always the best approach to take.

So lately on social media there's been a lot of misinformation of like tree planting = always good. But the problem with this approach/view is it gives companies and governments the excuse to use forest monocultures (millions of one or few tree species) to fund logging industries instead of taking the time to develop an ecosystem of native plants.

(Link to real life example:)

youtube

Ecosystems undergo ecological succession where bare land is converted to ecologically productive (lots of different organisms with different roles in the ecosystem, nutritious soil) and biodiverse (lots of different species) land. It also takes a long time for this to happen.

See these:

youtube

Here's some links a video explaining why just planting trees ultimately doesn't work in the long term if done wrong:

youtube

And here's some links to videos explaining how it can be done right when we actually look at the evolutionary history of the ecosystem and ecology of it and restore it using native species and less rigid attitudes.

youtube

Habitat restoration is a HUGE branch of conservation biology and is constantly causing disagreements in scientific communities because its a new science and there are so many different branches of biology (e.g. ecology, evolutionary history and ecology, geology, etc) we need to consider and so many old attitudes that need revising in some conservation techniques.

This is only a guide to trees alone in habitat conservation as well, there are so many different habitats other than forest that need to be conserved as well as forests, particularly wetlands which are so abundant in biodiversity and ecosystem services (things ecosystems can do for the world essentially, unfortunately the focus in research can be on what ecosystems can do for us).

I've also not looked much at how this has been done outside of official organisations and I wanna look more at conservation projects ran illegally but I'm bad at finding information lol

#wow i expressed an opinion online without panicking #now to bury my head in the sand if i get criticised #ecology #trees #tree ecology #conservation biology #habitat restoration #rewilding #wildlife #tree conservation #evolutionary ecology #mosscore #forestcore #forests #Youtube

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ataraxiaspainting · 4 months

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Yan Phantom Troupe + Hisoka + Illumi / Darling Asking “What Am I To You?”.

Warnings: Yandere themes, stalking, kidnapping, implied violence, not SFW implications for Hisoka because he’s a creep (and a mention of M*lluki in Illumi’s section I’m sorry for your loss) and also for Nobunaga because he’s bleh, Nobunaga threatens to take out your teeth for biting him it's up to you whether or not to believe him, and manipulation.

Word Count: 4.5k. (literally how lmao)

*~*~*~*

Chrollo

“Hm…” The sound goes on for much longer than what you would have liked or at the very most could handle without sneering, the crescendo in his voice rising and rising like tulips sprouting from soil. “Hm…”

His tone was barely a whisper at first, but it soon evolved like some hideous, god-forsaken species outcasted to a deserted island or planet. If you did not have your forks and knives taken away for trying to pick and cut off the cuff and chain attached to your ankle, a consequence from last week’s horribly executed escape attempt, you would threaten to stab your eardrums if he didn’t actually answer your question. But part of you thinks that he would only find it funny, and simply hum for twice as long as he has already planned to. Or would he be petty about it, and a second cuff and chain will appear on your ankle along with having your only friend, a silver spoon, taken away? With Chrollo, you do not think you will ever be able to fully tell.

“Please answer me,” You decide on responding with a musical note of your own, a drone. It seems to be the safest option, all things considered. You stare at the soup in front of you instead of at him, playing with the idea of counting the precisely cut vegetables and small rings of pasta. You would have entertained the thought of throwing the boiling bowl at him, but you now know that his speed is beyond what you could ever hope to achieve.

You would never get that far, would you?

You would have to wait until he is gone for the time being to even be able to step on the welcome rug by the door. You managed to convince him to finally buy you hairpins yesterday, and they are safely tucked away in the corner of the table next to your side of the bed, hidden underneath a pile of neatly folded silk pajamas until further notice.

“Well, what do you think you are to me?” He asks, brushing his foot against yours underneath the dining table. It takes everything in you not to move your chair away. That would only make things worse, wouldn’t it? Or would this just further make him see you as an adorable little thing because he knows you would not get that far, not with the cuff and chain on your ankle and the several locks on the door and him here right in front of you?

Again, you cannot tell. When can you ever? Could anyone ever read him, you wonder?

His porcelain dish is already empty, with but a few drops of red broth and a few herbs swirling about. He moves his chair forward and gently grabs your hand, his thumb massaging circles into your palm. You don’t know whether or not to answer his question.

This life is like a torturous game of chess, and you aren’t a player at all. It is up to Chrollo to decide whether or not you are worthy of being a pawn or queen or king, and where you go.

Is this all you will ever be?

His fingers rise to your cheek as he stands up, the touch so light it is hard to decipher the intentions of it. Comfort? Ownership? A statement?

Without thinking, you shut your eyes and lean into it. You coo. You coo like a dove, a baby bird, something so small and fragile in the face of a predator that wants nothing more than to take off its wings so it can never fly away. Perhaps the predator in question is the parent of the chick, never wanting it to leave the nest and explore the big, scary world.

Is this all you ever will be? A helpless, silly little thing stuck way up high with no way down, something cute and small that needs to be protected and cared for because they cannot take care of themselves?

You finally look up at him and he leans in then. He coos back at you, and you want to go back to closing your eyes and trying to stop hearing whatever he will say as a response to your refusal to answer. But you can’t.

So, you think of an answer, something that would make him happy but also not have you speak too long because you don’t want to speak at all. You just want this to be over with, you just want Chrollo to for once respond to your question instead of rebutting with one of his own.

You don’t have a choice, as always.

“Something to possess,” Your voice is soft and hoarse because you never use it aside from when you cry. “Something… someone to keep for your pleasure and your pleasure alone.” He coos again. It is sweet and sticky and latching onto you like thick honey or candy.

“You’re halfway there.” There is an unspoken praise in the air, one so nectarous it’s suffocating and you almost can't breathe. It is like Chrollo’s hands are on your throat, squeezing and squeezing until you pop like a balloon. There is no escape.

He turns and gets his fingers off your face, but the feeling of freedom is quickly taken away by the sound of Chrollo’s footsteps approaching you.

“I suppose I see you as both above and below me at the same time.” He says. You want to run but he’ll catch you in no time before you could even execute the idea.

He is behind you now, grabbing your arms and tugging as your chair squeals and squeaks like a lamb cornered by one who will soon sell its tender meat. You want to scream like one because you too are cornered by someone who will never let you out of here alive.

One of his hands smoothly moves up like you are a violin, lightly pinching your chin and forcing you to look up at him. You just hope there is no encore after this. You hope that in the future there are no such things and that he will just answer your questions and be done with it, but that is so foolish of you, isn’t it?

“You are human and have humanity,” He murmurs, his eyes wider and more intense than you ever had seen them before. “And I would love nothing more than to steal that away.”

Nobunaga

“You’re so silly, you know that?” You recognize the rhetorical nature of the question and choose not to answer. This causes Nobunaga to toy with the thigh-high socks he insisted you wear after returning from another day of thievery.

Every time you tried to express yourself verbally, you were met with a laugh, a gentle touch, an embrace, a peck, or... something far more dreadful than any of those gestures. You preferred to steer clear of that type of affectionate act for as long as you could, even if it meant just a few days. It would be a noteworthy achievement. Of course, Nobunaga's libido would never wane, as he shows no mercy unintentionally to you and intentionally to anyone else in his life.

The way your food is placed on pink plastic plates with little sections of where to put vegetables and where to put a small dessert for a job well done of eating all the food, which is always raw or burnt to a crisp. The pastel frilly clothes you’re forced to wear always show too much skin. The threat to remove most of your teeth if you bite him again. The way he keeps touching your thighs, pinching and groaning and-

Nobunaga never answers your question, resuming to hand-feed you some severely undercooked cookies he baked himself. Well, you scooped the dough at least, and that’s the most you’ll ever do in the kitchen while you are held captive.

Still, raw cookie dough is better than burnt in your opinion.

Just like delusional Nobunaga is much, much better than angry, heartbroken Nobunaga.

Your broken pointer and middle fingers are proof of that.

Feitan

“...”

He blinks; once, twice, thrice… and then you stop counting. It’s pointless anyhow, he is most likely not going to answer your question yet again.

As anticipated, Feitan walks away wordlessly, descending to his basement without a single step on the stairs being audible.

Just as you believe he has vanished, he creeps up from behind, clutching an object in his palms, causing you to nearly shriek. He would find amusement in that if you did. Whenever you engage in any action he deems foolish, he chuckles. It is the closest semblance of happiness you have witnessed from him, his snickering.

“...Here.”

With trembling hands, you accept the concealed object from his grasp.

“...Well?” Feitan asks, raising his eyebrow, his coat hiding what is most likely a smirk of some kind. “Like it?”

Huh? It's... a ring, from a fancy jewelry shop that you had been setting aside money for. This shop happened to be the priciest in the city you grew up in, with all of its items being highly sought after.

“I do.”

Happiness is like the rarest star in the universe to you now, and you will never let it go, now that you have it once again.

“...Glad.”

After a few moments of silence, Feitan is the one who speaks again as you stare at the jewel’s beauty.

“Do you want the finger that came with it?”

(machi, hisoka, phinks, shalnark, franklin, shizuku, pakunoda, bonolenov, uvogin, kortopi, and illumi under cut!)

Machi

Somehow, Machi’s posture becomes even more tense. But it does not stop her from still pouring the pot of instant ramen into your plate, though hers remains empty.

In silence, she puts some edamame, still cold from the fridge, on top, along with some spinach and carrots.

With her bare hand, she pulls out one of the soft-boiled eggs from the bowl of ice water, rolling it on the table until its shell cracks and she takes it off. She then, along with the egg and vegetables, puts some seaweed on top.

When you lean in closer to the utensil drawer, Machi opens it before you can.

She doesn’t ask you which chopsticks you want. She already knows your favorite one by now. The wooden ones with purple handles with white rabbits on them. Hers are plain.

She puts yours in one hand and your food in the other, walking to the kitchen table and putting both down. It’s winter now, and so she makes you drink tea nonstop and thus has a cup of it in front of your chair too.

“…Do you think I hate you?” Her voice, while still cold, has an emotion in it this time; worry. “I don’t, I really don’t. I promise you.” With that, she cracks the other boiled egg and puts it into her empty bowl. “I promise.”

You feel horrible for asking. You just wanted to know. You never know what she is thinking, that is why. But you feel horrible. Now she does too. Both of you, here, in silence, pondering whether or not the other despises you.

“I know, I just… wanted to make sure.” You don’t know if you are lying, and neither does she.

She takes good care of you. But she also ties you up when she has to leave, and one time she had to take out the syringes when you got too aggressive.

So what exactly are you to her?

Hisoka

Hisoka, still standing over your sitting form, puts his right hand on you, squeezing it just barely enough for it to sting.

“Aw, come on [First], lighten up.” If it were possible, with his words Hisoka grows twice as large as he was before he said anything. “I still have lots to teach you.” He chuckles as his long nails, sharp enough to be daggers or a ferocious beast’s teeth you think, dig further into your shoulder. The message is clear. You’ll never be rid of him, as much as you try to.

Even now, when you move to a secluded village on the other side of the country, for just the slightest chance he would leave you alone.

Your basket of berries and herbs is still next to you, a reward for all the foraging you did just before Hisoka showed up again.

“I did your leaf-in-water test already for you.” Just before you ran for the hills, you finally gave into Hisoka essentially begging you to test what kind of Nen user you are, claiming that you were now his pupil. “The water tasted sweet. I’m a Transmuter. That’s what you wanted to know. There is nothing else you can do for me, you know I am no fighter.”

Hisoka nods, and you think that this is it. Maybe he will finally leave you alone and you can go about your life without knowing anything else about Nen. But instead, Hisoka sits next to you on the grass.

He takes a berry from your basket and squeezes it between his fingers before it turns into a sticky mush.

It’s red.

“I know, but there are other things I can indeed teach you, can’t I?”

You don’t want to know what he means, you don’t want to know what he wants to do to you, but before you can stop him he is already on top of you, pushing you behind the bush you were picking rose petals from. You kick and scream at him to let go and cry, but he, as always, is so much stronger than you’ll ever be.

“This will hurt for a bit, but I promise you’ll feel very good, and you’ll want more.”

Phinks

Phinks stops pressing the buttons on the remote and stops reading the little synopsis on each of the shows he was thinking about watching with you, or each of the movies. You were not paying attention, instead looking at your fingers and playing with the dry skin by each nail.

He sets it aside, placing a hand on the back of his head and gently scratching. His gaze falls to the floor, and you follow suit.

He exudes nervousness. This comes as no surprise, as Phinks has always been one to shy away from openly displaying his romantic desires, as odd as it were to you when you were first brought here.

“Uh. Why do you ask? Isn’t… it kinda obvious? Um… you know I’m not exactly cut out for all this sappy bullshit… I… I… Um. Just… just forget it, okay? Just know that I see you as my partner… Wait, oh God, that sounds so bad…”

He keeps stuttering as he tries to explain everything. But, as funny as it would have been if you had known him outside of being your stalker and now current captor, his words only make you feel more hopeless.

Shalnark

He puts down his phone and stands up from his armchair. You’re in your pajamas, the fluffy pastel pink ones, standing in the doorway to Shalnark’s office area, where there are many computers and such on the walls and his large desk.

“Aw!” He murmurs, then gently pinches your cheeks upon approaching. He playfully rubs his nose against yours. Trying to distance yourself, instantly regretting seeking an answer of any sort from him, yet as always, his overpowering strength prevents any escape.

“C-Come on, Shal…” The nickname sometimes works when you ask for some dessert or a game of some kind, so maybe it will work in a situation like this too. “I wanna go to bed.” You nearly whine as he stretches your cheeks out further.

“But I still haven’t answered your question, sweetie!” He exclaims.

“F-Forget it.” You mutter, looking to the side. “It’s fine. Really. Get back to work.”

But he does not let go.

“Let me answer! Hmm… you’re so cute, like a kitten. You sure snuggle against me in bed like one!” Shalnark chuckles, and you can smell a mix of coffee and oranges in his breath. “So maybe… that’s the best analogy for it?” Some mint too. “Something to cuddle with? Something to keep safe.” He boops your nose. “Something too silly and adorable and airheaded to live on their own.”

You’re not sure if his words are supposed to hurt you or cheer you up.

“Yeah, I think something like that works!” After what seems like an endless amount of time, Shalnark releases his grasp on your face. “Just look at you.”

“O-Okay.” You murmur, turning away and attempting to make a beeline for the bedroom, regretting ever opening your mouth. “Sorry for asking. Good night-” Shalnark grabs your arm, making you stop moving before you even start.

“Come on, cutie! Spend some time with me. We can even play Wild World together again!”

He points to your 3DS, a rose gold color, and then to his, which is dark violet and covered in stickers referencing popular memes he saw on the internet. At least he has never made you see some particularly gruesome scene in the horror games he plays late at night out of impulse.

Franklin

As your words hang in the air, a silence so profound that you begin to question if he even registered your message, you find yourself fixating on your unfinished meal. Contemplating the merits and drawbacks of broaching the topic once more versus letting it go, you suddenly hear him put his cup of coffee down with a clatter as he almost slams it by accident.

“Where did this come from?” He asks. His tone almost seems concerned, you think, concerned for how you think of him when he is always so quiet or concerned for how you think he thinks of you, that one day he will simply not come back and find someone else more willing.

Franklin does not seem angry, not that he ever was. He is trying to appear neutral, to not scare you, like you were some sort of stray cat who he has yet to earn the trust of.

Though you don’t bite or scratch, you do hide from him.

“I… just want to know why you did all… this.”

Your eyes go everywhere, from the pots of plants he brought you recently by the barred windows to the blinking light above the stairs he promised to fix soon to Frank Herbert’s Dune laid across the couch next to your blanket.

“Franklin, since you claim to care about me… why can’t I go outside and be free?”

After a few more moments of silence, you look up at Franklin. He looks remorseful almost, from his visible frown to his eyes almost being closed to the way he does not look at you. Something akin to pity blooms in your chest.

“...Because unfortunately for both of us, I am… selfish, and you are too much for me to lose.”

Just like that, the pity dies similarly to the vase of flowers in the middle of the table.

Shizuku

You don’t know whether or not she will respond while knowing what you are and what she is. A captive. A captor. But you doubt it because every time she comes back she thinks you are here of your own volition and that you love her just as much as you know her.

Sometimes, you wish that you did, because whenever she sees you she looks at you like you were a gift that she had wanted for years.

Sometimes you wish that you did because that would make things oh so much easier for you. She sometimes forgets you are here, sometimes still goes to your actual home, and panics when she sees you are not there.

Shizuku merely chuckles, hugging you tighter. Perhaps she even forgot the slap she inflicted upon you earlier today for daring to say that you hate her, making you fly across the room.

“My love of course, silly!” Sometimes you hope that one day you will forget everything too because you envy Shizuku for never being cautious.

Pakunoda

“[First]...” Pakunoda’s eyes meet your own, one of her hands holding onto a chocolate-covered strawberry from the box she just got. Her other has a presence above one of your own, a presence so light you hardly recognize it is there.

She looks regretful and concerned.

The look fills you with so much guilt you immediately apologize and put the back of your head on her lap once again. It always works.

“You do know I care about you deeply, right, beloved?” Her long nails glide over your hair, making you close your eyes to calm yourself. You hope that look is gone because you aren’t sure how much longer you can take it before you break under its pressure fully. “I really do.”

You know she does, but it does not make the first days of your capture, which feels like an eternity ago, feel any less real, as much as Pakunoda denies the more horrifying parts of it all.

“I know, Paku.”

She smiles at the nickname.

The strawberry approaches your mouth, and you bite into it. Dark chocolate, you think this one is. Pakunoda loves her strawberries, but she loves parfaits just a little bit more. Maybe, to get her to forget your question, you can ask her to get some and feed them to her.

Soon, you fall asleep. Pakunoda opens her book back up after closing the box of sweets.

With one hand she caresses your hair, and in the other, she turns the pages of her novel. She loves evenings like this.

“I love you…” She murmurs, brushing some of your hair out of your face. “One day… you’ll love me too, fully, right?”

Half asleep, you agree without thinking. Once again, she smiles.

Bonolenov

With a sigh, he turns his head, momentarily interrupting your question. However, he quickly resumes dancing before you, delighting in your observation of his favorite pastime. Although you are unsure of the specific style of dance he is performing, you are confident that Bonolenov will soon enlighten you, taking the opportunity to boast about his expertise in this particular art form.

Listening to his animated explanations is always entertaining. His frequent rants make you feel as though he is a close friend rather than your captor if only that were true. Despite the circumstances, he treats you with kindness and respect. He believes that housing you in his home is an honor and privilege, a sentiment for which you hold some gratitude.

“A lover, because I do love you. You are simply wonderful to be around, after all.” In an alternate existence, were he not involved in criminal activities such as theft, kidnapping, stalking, and multiple murders, you might have developed an affection for him. This is due to your awareness of his deep affection for you and the kindness he exhibits towards you.

So you say such.

Bonolenov stays silent for a little while after that, along with the dancing that he often enjoys doing. Instead, he gazes through the windows, adorned with steel bars, and tenderly places small tokens that he knows bring you joy upon the table in the kitchen.

Uvogin

“Huh?”

Uvogin stops punching the claw machine, turning to you. It’s a mess, all because you said you wanted a corgi plush from it. But is it your fault, when you wanted to win it fair and square?

Maybe it’s not. Maybe it is. You know Uvogin is never one to have coins in his pockets. But, then again, he always seemed to have money when he was placing bets with Troupe members, especially with that Nobunaga person.

He seems confused, albeit he is hiding it behind a smirk. In one of his hands, covered in little shards of glass, is the stuffed animal you wanted.

“Come on, [First]!” He laughs, delusionally proud of himself. “I’m your boyfriend!” He wasn’t, but you would never voice that.

“...I-I know. But still… Do you like me?” You make an effort to convey your thoughts in the most diplomatic manner possible, being cautious not to provoke Uvogin's anger. Despite never having witnessed Uvogin's wrath, you remain steadfast in your desire to avoid it at all costs.

His smile widens.

“Of course I do!”

He presents you with the cuddly toy, having meticulously removed all the splinters of glass embedded within it.

“Do you really?” You ask, thinking of the time he threatened to break your legs if you ever attempted to run away from him again. He wasn’t even angry as he said the threat.

At another one of your questions, Uvogin says yes. But does he really? Or are you just something to hoard?

Do you really want to find out, you wonder?

Your heart tells you you don’t.

Kortopi

He turns his head, confused. It is one of the few expressions you can decipher from Kortopi because of the many strands of hair covering him. At the sight, you bow your head down.

He steps forward, and you step back.

He stops moving. So do you.

He retreats. You don’t speak for the rest of the day. You were used to it though. Kortopi hardly ever talks to you, but you don’t think he means it to be rude.

“Everything.” He mutters, standing above your bed. You sleep so peacefully, something you never were when you were awake. “You are everything.”

Illumi

Gently, he puts his teacup down with a little clatter of the saucer as he does so.

“Do you think I see you in a bad light, [First]?”

You simply look down at your teacup, smelling the lavender and chamomile to try to calm down a bit before answering Illumi.

The query has plagued your mind for an extended period. The exact duration remains elusive, as the days have merged into an indistinguishable blur. No matter your actions, pain will be inflicted upon you by someone, regardless of your conduct. Perhaps it will be Illumi's mother, administering a slightly sublethal, tasteless toxin with a syringe. Or it could be Illumi himself, subjecting you to days of confinement in a food and water-deprived closet. Regardless of your behavior, the inevitability of suffering looms.

With the intent of prolonging your exposure to the morning birdsong and granting yourself additional time in the garden, you opt to respond.

“N-No.” You lie. “You… keep me around to be molded into your perfect spouse, I know that, it is just… just…”

His smile sends chills down your spine, surpassing even the terror of Illumi's younger brother once launching into a lewd tirade about you in your presence.

“That is all there is to it; nothing more, nothing less.”

You sip the tea finally, and the burning sensation in your throat does not bother you anymore.

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