Some of the evidence supporting Mike not being in love with El is brutal. No, but seriously.
In s3, when El's leg is injured, instead of Mike putting his arm around her waist, allowing him to take some of the weight off her injured leg, he puts his arm around her shoulder, basically having the exact opposite affect of taking the weight off of her, instead just adding more weight for her to have to carry.
Now, I’m not coming at Mike here, I’m actually coming at the writers, because this choice here has everything to do with them using this gesture to signal Mike’s lack of feelings for El, even at the expense of realism.
I say this bc any person with common sense, including Finn and everyone around him and Millie filming these shots, would've known it looked unnatural for Mike to be adding more weight onto El as opposed to taking some off of her.
This means that what Mike did here, Finn was directed to do, and therefore it was for a specific reason.
And we know they could have easily made the opposite choice, because they show us Max AND Lucas doing it.
See how putting an arm around El's waist looks so much more natural? Because homegirl is injured and clearly needs help taking weight off her leg to qualm some of the pain she's experiencing there, which is why Max and Lucas are shown here doing it the correct way.
And so, why can't Mike do the same? Why are the writers making a point to show Mike being incapable of simply taking some weight off of El, instead doing the exact opposite?
I don't think it's as deep as Mike not being able to do something intimate, and that's bc, again we see Max and Lucas doing it.
I honestly think what they're trying to convey with this choice here, is that Mike thinks he's helping El, when he is in fact doing the opposite despite his best efforts. The implications of that and how that sort of aligns with their romantic relationship and what it leads to at the end of s3, going into s4, is pretty spot on.
I do think Mike thinks he's doing the right thing by being with El instead of voicing any doubts at the end of s3, because he is under the assumption that she is in love with him. I do think he believes he is indebted to her and that this is the least he can do after everything they've been through together, which has mostly been riddled with romantic pressures and so continuing that instead of disputing it seems like the only option anyways. Not to mention, he does care for her deeply, so it's not hard to imagine that he's a teenage boy confusing deep care for love (he literally tells us this is his problem when he can only say care and not love to El's face... but that's a whole other conversation).
Still, when it's all said and done, Mike's not actually doing El any favors by being with her romantically, if that is not what he truly wants.
Because that's the sad truth about all of this, which is that you would never want someone to be with you just because you want them. If you knew that they truly couldn't have those feelings for you, you'd want to know, right? You don't deserve someone just because you have deep feelings for them. And I think there's so many layers to this idea, bc many people are capable of not giving Byler a chance bc they truly believe Mike could never return Will's feelings. Will also feels this way atp, so though it hurts, he rips the band aid off, because he would never want Mike to be with him just out of pity or something. No one would want that. And so it all really comes down to who Mike truly loves romantically and wants to be with. And the right thing to do, even if it hurts someone, is to be honest, because being with them just bc you think that will make them happy is never going to be enough if you aren't truly feeling it, or worse, feel it for someone else.
We see how Mike's inability to be honest with El at the end of s3, leads to a season of Mike feeling deeply insecure and undeserving of the love El has to offer him, and even though he does try, he always comes up short. Despite Mike putting up this front that they are the perfect couple, the details are telling us something is off. And it gives him away.
Another example that I think is very similar to this loaded gesture from Mike to El in s3, is the scene in s4 when they hug in the airport.
Common sense ppl, picture this: You're reuniting with your long distance girlfriend. Then suddenly, she runs up to you, with her arms wide open, and instead of opening your arms wide to embrace her properly, you take the bouquet of flowers you brought her as a gift, and shove them against your chest just as she approaches to hug you, effectively squishing the present you got for her (a pretty delicate present at that) for no reason other than to... what exactly?
Like?? El isn't even squishing the present Mike, she's trying to hug you, dude! Your gf is trying to hug you properly and you threw the gift you got for her in between you so you could throw in a careful! x3??
Again, this has less to do with Mike's thoughts and reasoning behind this gesture in a literal sense, and more to do with the simple fact that this is a narrative choice! Mike is not a real person! There are real people sitting down and writing this and actors are having to do multiple takes to act it out. What feels natural for a situation is going to be what is often chosen 9 times out of 10, because of realism and wanting the audience to see stuff happening that is believable. That 1 time though, when it's not being done the way it would usually be, is usually because there's a specific reason for it.!
So the question really is, not why is Mike doing this, but why are the writers having Mike do this, and what message are they trying to convey about Mike's feelings based on his behavior, in these moments where he's just not capable of committing to El genuinely, one way or another?
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It's about like.
Willow fought to be seen as strong, because she is and for a very long time people not only convinced her that she wasn't, but that a lack of strength correlated to a lack of worth. And because of this past of having to prove herself and rediscover who she is and could be, Willow accidentally internalized the idea that others perception of her as strong is conditional on her always succeeding despite the obstacles, always staying in control and on top of things, always being the shoulder to cry on, etc etc.
And to an extent, she was right! Amity (unintentionally and well meaningly) refused to acknowledge willow's strength, leading to her having to prove herself, Boscha takes great pleasure in pointing out the chinks in willow's armour because Boscha feels better about herself when someone else is beneath her and she most often makes Willow that target. These are examples in which someone (correctly) paints Willow as pretending to be strong, but act like if they peeled back that facade, all you'd be left with is weak, half a witch willow. Whereas Hunter and Gus understand that even if you peel back willow's front of strength to see the more vulnerable side of her, there's still a strong foundation that takes little time in getting back into the swing of things once she's let it all out. Willow can be reliable and have debilitating anxiety. She can be whiney and needy and still be brave and powerful. Reliable people need someone to rely on too.
Willow's arc in labyrinth runners meant a lot to me because being consistently told that you are weak and need the help of people who love you but who struggle to understand you and see past their own need to protect you, by those people hit close to home and was incredibly validating to see. Somebody once compared the writing of those interactions to microaggressions, and intentional or not it resonated with me bc of that I think.
And now willow's arc in FTF completes this in a way that's very viscerally satisfying to me. Because proving your worth to people, no matter how successfully you do so, takes such a toll on your own mental well being and self perception. Bottling up your emotions so you don't drag others down is so difficult. And you deserve to cry like a big fucking baby if you've been doing this. Let it out!
For the future is an episode about being seen and heard, so to have Willow be so thoroughly seen and heard not just by the people who understand her best within the show, but also by the writers and consequently the audience is just.
It's what she deserves. And I love her very much
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Love your art and I'm generally curious as to what the appeal of Dante/Vergil is to you? Do you have any hc that you're drawing from or is it just personal preference? I struggle to imagine the right conditions for them to be involved in that way and would like to know what inspires you.
I will premise this by saying, that I’m actually not a MASSIVE fan of just DV for its own sake, if Nero isn’t also included (or like, with the assumption he will, 100%, be included once he’s in the picture). To me it’s kind of a baseline pairing?
As in, I don’t even have to think about it. Of course they’re in love, of course they’re together, of course they’re fucking. It’s almost an afterthought to me, the way the married parent couple of the protagonist in a story inherently are. It doesn’t necessarily interest me by itself, that fact, it’s just a certainty, it just is. I guess, for me, the interest in DV specifically comes more out of what other people make of it, because for me I’m almost always approaching first from the perspective of Nero being there also, haha.
There’s also the fact that I have a lot of hc about just like, the way demons function as a species, I guess. I took a lot of things dmc canon gave me and went like, “alright, time to project this into the most self indulgent, non-human society but humanoid looking species I can think up in my brainhead”. To me a lot of the appeal comes from it being not necessarily a predestined thing as much as like, a biological inevitability - (going to speak in definitives about my own hc from here on, so not making any statement about canon dmc lol) demons mate with their kin, and with whoever deems worthy - and twins from the same litter would inevitably end up being the other’s first partner, their first choice, their other half. In a sense, to me, they’re soulmates - though honestly I prefer to think of it more as two halves of the same soul, following the implications in 3 and the 3 manga that them being twins comes from the spawn of Sparda being too powerful to just be born in one body. That might sound like I’m just saying they’re soulmates in a different way, but not really - to me, if I had to go the soulmate route, Nero would be both of their soulmate - because the two of them make one single soul, and the match to that would be Nero’s.
I kind of just go off of the assumption that they are in love and have been since they were in the womb, you know?
That colors the way I see their every interaction. To me, in their fighting, their squabbles and their feuds, there’s always love at the source. Familial, yes, but romantic and sexual as well - and to me, when I think about them, it’s all one and the same. To love each other like family is to be intwined, is to be mated, is to be a pack and is to be one.
That’s the more deep thoughts I have about it, I have more shallow/surface thoughts (and specifically ship dynamic thoughts about like, what appeals to me about them sexually lol) but if I had to quickly sum it up that’s what I would say, I think.
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coughs loudly. scheduling this post for slightly later today so i have time to get lunch and not chicken out before it goes up
firstly i gotta apologise for dropping off the face of the earth. in hindsight it was creeping up on me for a long time I just didn't think anything of it/had enough stuff going on to ignore it for a while, but ive been wrestling with pretty abysmal mental health that just kinda hit me like a truck back in august. i wont get too much into it but things just ground to a halt and in the span of a week or so it legitimately felt like i stopped being a Person- i just stagnated, felt like i lost the ability and will to do anything or enjoy things or create like i used to, all my energy went into keeping it together in front of my family, and it made me way too anxious and ashamed and guilty to want to show my face. like who would want to put up with my stupid bullshit, right (wrong! that idea just made me unbelievably worse and i regret it extremely, but my anxiety was going extremely unchecked at this time). i don't think i've ever been that depressed before and i didn't at all know how to handle it or begin to claw my way out
fortunately, a combination of getting exercise + touching grass regularly and new enrichment/hyperfixations to latch onto like an orphaned duckling are very recently kicking some life back into me so to speak. who wouldve thought. and now where i used to still feel stomach-turning dread and paranoia thinking about getting back on tumblr and discord a week or two ago, it finally feels like i can handle dipping my toes back in. i'm making this post first bc i know most of my friends will see it, and that feels less taxing than explaining myself a bunch of different times over and over and dragging it out, but ofc i will try and get back into conversation when and as i can (askbox and discord is still best to reach me if you wanted). i'm just really sorry, and I hope you can forgive me, for making you worry or otherwise
i'm not sure what to do from here (i'm considering maybe moving main blogs to a clean slate eventually? this one will still be here i couldnt bear to get rid of it, i've just had it since i was 16 there's Baggage attached) but i'll be trying to ease my way back into relative normalcy before doing anything big ofc. in the meantime i will be vaguely floating around here again. see you around and thank you for your time..
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