#here i’ll provide some context | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

The total number of visits Tumblr.com received during January 2021 is 327 million.

#here i’ll provide some context

urhoneycombwitch · 1 month

Text

my baby puts his mouth on me

foreword: okay this is kind of written as a bonus scene for i know what they call you bc that version of reader deals with being quiet, too! (not necessary to read that one first but does provide a bit of context as far as interpersonal setting.) sort-of AU that ignores most s4 events. anon request can b found here 💖

wc: 2.2k

cw: discussions of college, shy!reader, oral + fingering (R receiving), R has breasts and a V, weed usage, softdom!Eddie, shifting POV a bit soz

___

Somewhere between Eddie’s late nights at band rehearsal and your early morning diner shifts, you’ve both been too exhausted to properly fuck when you do see each other, barely time for a spare handjob in the past week. You’re crawling out of your skin by the weekend, missing and craving Eddie in equal measure.

So when your Saturday off happens to line up with his, Eddie makes an afternoon of it- picnic lunch on the shore of Lover’s Lake, lazing around in the August sun while your food settles, then stripping down to your underclothes (even though the spot Eddie scored was totally isolated, you’re still leery about skinny dipping) and cooling off with a quick dip in the lake.

You’re both sprawled out in the blanketed back of Eddie’s van, sun-warmed bodies pressed together, legs dangling out of the open rear door; smoke hangs hazy in the air from the joint being shared.

“Almost end of summer,” Eddie says, nestling his nose into your neck, arms wrapping around your middle. He can’t look at you, dread unfurling in his stomach but needing to ask, to clear the air, to prepare in case this is one of the last times he gets to touch you like this- “Thinkin’ of going to any colleges?”

”Maybe.” One of your hands slides into Eddie’s hair, scratching gently at his scalp while the other lifts the joint to your lips for a long drag. “They love me at the diner and I make good tips, so I’ll prob’ly keep doing that. Can’t afford anything fancy, anyways- I’ll likely just go to Hawkins Community.”

You still haven’t told him the full story of the mall fire, yet- or about the underground world simmering beneath the surface. He never pushes you to share more than you’re comfortable, which you’re grateful for, but he knows something happened: something that paints your sleep with dark night terrors, something that causes you to slip in the middle of conversations, mind spiraling where he can’t follow.

For reasons you can’t fully explain to Eddie, college is real low on your priority list- you’ve dedicated this summer to reconnecting with base instincts (weed and Pretty Boy being at the top of the list).

Meanwhile, Eddie tries to still the vibrant thrum of his heart at the news of you staying local, possibly for the next few years; he lifts his head to press his lips against your collarbone. “You should go to college. Jus’ try it out, at least. You’re certainly smart enough.”

“Mmm-” you hum around the joint, another inhale-exhale of smoke before murmuring, “So are you. For the record. We could apply to be nerds together, if you want-”

With a sharp gasp, your sentence drops out of midair when Eddie kisses over your nipple, already peaking through the thin material of your bra. In his hair, your grip tightens, and Eddie groans.

In one fluid movement, he props himself into his elbows on either side of your torso, bottom half of his weight pinning you in place, plucking the smoldering joint from your grasp to dampen it into a nearby ashtray.

“Gonna be my little student,” Eddie says, wet kisses trailing down your neck, flash of teeth making you squirm. “Get you some academic… skirts. The ones with the pleats. Maybe some stockings…”

“You’re so- oh, fuck- dirty…” It’s hard to keep the admonishment in your voice as Eddie noses between your thighs, bumping at your clit through the thin cover of high-cut cotton.

“Mm-hmm.” He seems pleased with the already-visible wet patch, your core leaking steadily as he burrows deeper, until all his senses are blacked-out with nothing but the sharp tang of your honeyed arousal- who needs weed. He could get high off your smell alone.

Eddie suckles at your throbbing clit, purring encouragement low in his throat when your hips jolt forward. “And you love it.”

He’s one deep inhale from being completely pussy-drunk, mouthing sloppily at the junction where thigh meets pelvis, nibble fingers toying at the band of your underwear. He slides them down and off your legs, and you let him, wiggling in anticipation against the pressure he’s keeping you pinned with.

“Could take an electrician course.” Well aware of how close to the wire this conversation is sliding, you let the crown of your head tip back, staring at the van’s ceiling, handfuls of the flannel floor blanket squeezed into fists as you try getting one last word in- “You’re good with your h- hands.”

Said hand is cupping your bare sex, warm and wide between the V of your legs, other hand pushing your thigh back to spread you wide, obscene and on display how Eddie likes; embarrassment blooms hot in your chest as he runs a finger through your folds, slick practically loud against the far-off backdrop of forest sounds.

“What was that about my hands?” He’s teasing now, can hear it in his voice even though you can’t see the lazy grin it’s paired with; a long middle finger breaches your entrance, wet warmth swallowing the length greedily.

Your eyes flutter shut, sighing. There will be a time for arguments again but right now, with a second finger addition and Eddie’s mouth working you up, there’s no room for speech.

On your end, at least- Eddie’s proven on multiple occasions to be a master at multitasking, talking you through it while managing your pleasure, and this afternoon is no exception. His fingers curl expertly into the gummy front wall of your cunt, mouth running every second it’s not latched on to your pulsing button, dirty talk smooth and easy in his low timbre.

“Yeah, honey, that’s it. Fuck, you’re so hot. Can feel you squeezin’ around my fingers, y’so tight, angel, shit… like that- there you go…”

Etcetera. Until he’s bullied his way completely into the cradle of your legs, lying flat on his stomach to get as close as possible; until your cunt is spasming around the push and pull of his fingers, wet dripping and pooling into his palm and down your ass to the blanket below.

There’s a familiar tightness coiling in your stomach, thighs bracing around Eddie’s ears in anticipation of the unraveling. A pleasure-soaked sob gets caught in your throat, dull whine escaping instead through clenched teeth, grip on the flannel doubling until your knuckles creak in protest.

“Hey.”

There’s a confusing lack of authority or command in Eddie’s voice; you sift through the brain fog of arousal, propping your weight up into your elbows to look down at him.

Eddie looks crazy. Debauched. Lips pink and spit-soaked, chin shimmering, pupils blown out with lust as he presses a chaste kiss to the wiry curls at your mound. “Kinda quiet up there. Everything okay?”

His thumb sweeps a comforting path up the soft skin of your thigh, the abrupt switch from animal to gentleness making your head swim. He’s still looking at you with those puppy-brown eyes, fingers still buried to the hilt but unmoving; you stammer out an excuse.

“Um- yeah. M’sorry. It’s just been awhile, since you’ve had me… like this.”

It’s the truth; over the last busy week in your lives, time has eroded some of what Eddie’s been working on building with you, bravery at making noise faded with the lessened practice time.

“No one else out here, ‘cept you and me, sweetheart.” Eddie’s coaxing his fingers back into steady rhythm, watching your face carefully for any signs of withholding. “Can make as much noise as you want. Lemme hear. Please?”

Usually, Eddie’s not so soft- a sharp crack of palm to ass, flesh jiggling as he draws all the noises he wants from you- but here, in the back of the van, heady weed and warm sun an intoxicating mixture as he asks you to melt for him.

You obey. Let the floor take your upper body’s weight again as you fuck yourself on his fingers, hips lifted and seeking release. His mouth seals over your clit again, tip of his tongue lashing quick and precise against it, frizz of his curls tickling the insides of your legs as he shakes his head.

The weed is certainly a help as trapped noises heave from your chest, mouth falling open, lax and pliant with moans. “Oh, my god, Eddie. Fuck. Holy shit. Hah- right there, please, don’t stop-”

As if he would. Eddie moans in tandem with you, his own hips chasing the maddening pressure of the floorboards against the hard jut of his cock, leaking through the front of his boxers as he adds a third finger, spurred on by the fountain of breathy words this pulls from you-

“Oh god, oh god- f-fuck- Eddie, Eddie Eddie Eddie-”

Your speech devolves into a mindless, babbling chant of his name. That coil pulls taut, has you crunching forward in a half sit-up, hands fisting at the roots of Eddie’s hair to hold him in place (perhaps harsher than you intend but based on the way his hips stutter and grind, you can safely hazard a guess that he’s into it).

The pattern breaks when he grazes his teeth against the pulsing nub in his mouth; you have just enough time to gasp out, “I- I’m coming, Eddie, shit, m’gonna come-” before the orgasm hits you full-force.

There isn’t room in your brain to hide all the noise that threatens to suffocate, so you let them all out, muscles tightening and flexing around every bright point of pleasure that he fucks you through. High-pitched whines, panting that wracks your lungs, a moan to top it all off that feels like it comes from your toes.

“Jesus christ.” Eddie swipes the back of his hand over his mouth, sounding wrecked himself as he climbs back over your body, silver chain necklace and dark curls swinging in front of your blissed-out face. “Fuck, princess. That was so hot.”

“Yeah?” Bashfulness hasn’t fully settled in yet, you’re still loopy from the force of your pleasure, arms slipping over the boy’s freckled shoulders as he leans down to kiss you.

His tongue has a bright tang of you, as you lick into his mouth, one hand leaving his shoulder to trail down his chest. Dark ink whorls beneath your fingertips as you reach the scratchy trail of hair just before his boxers-

“Shit.” Eddie hisses, forehead thunking into yours when you palm the hard length of him, precum soaking through the fabric, softness of your palm contrasting with the damp and rough drag of cotton. His long lashes tickle your cheek, eyes fluttering closed, soft exhale magnified by close proximity as he slowly pushes into your hand.

You’re mildly surprised he hasn’t come, yet- usually Eddie gets off on getting you off, then uses the rest of his energy to make you both come again, together.

What Eddie hasn’t told you yet is that he’s done some prep of his own, this week: every night you haven’t spent in his bed, his own spit-slicked fist has taken him right to the edge, stopping just short of coming with a choking grip at the base. The idea was to build up his stamina a bit, to take advantage of lonely evenings in service to a future you.

A very noble cause that is quickly being forgotten as your hand moves with more intent and pressure against his aching cock- the drug haze is almost enough to have him completely at your mercy, to tuck his nose into the curve of your neck and find sweet release by way of your pretty palm.

But he recovers. Get just enough distance from the warmth of you to clear his mind and snake his own hand down between your bodies to capture your twisting wrist.

The protest dies on your lips when Eddie brings your hand to his mouth, sucking your middle and index finger against the pad of his tongue, saturating your digits in spit.

“Here’s what you’re gonna do.” His eyes stay locked on yours, even as he guides your newly-wet fingers back down your bodies to rest atop your cunt. “You’re gonna touch yourself until you come. Again. And if I feel like you’re holding out on me with your noises, I’m gonna make it real difficult for you to make any noise. At all.”

A thrilling shiver races up your spine, goosebumps prickling in response to the shift in Eddie’s tone. His eyes flick to your lower lip, which he bites, unable to help himself, before following the path of your hand south.

There will be time for unwinding the past, for dreaming about the future. For now, there’s a boy between your legs and the feverish glow of summer calling your name.

#eddie munson x reader #eddie munson #eddie munson smut #eddie munson x you

593 notes · View notes

dyaz-stories · 5 months

Text

hands shaking from holding back from you || Hyun-Su x f!reader

summary: Spring is here, and Hyun-Su offers to take you out on a date, which soon leads to more between the two of you

word count: 3.5k

warnings & tags: some fluff, angst because it's sweet home, kissing, heavy make-out session, gets pretty suggestive but never explicit, monster!hyun-su makes an appearance, the pronoun 'her' is used once in reference to the reader

first one-shot · previous one-shot

A/N: to give a little context, reader and Hyun-Su were in high school together, reader was only there for a year before going to another high school, and therefore has no knowledge of the bullying which hyun-su was a victim of. this one-shot can be read independently (there's nothing intense plot-wise that requires having read the other parts), but I do recommend reading them for context.

There is something strange about spring returning in a forever changed world. It had been so fitting, the apocalypse starting with winter, when everything was dead and desolate. Now, nature is starting to bloom again. The streets should be filled with noise and people, and you should be studying for your exams. Instead, you’re rationing your food, and you haven’t been outside in forever — you don’t need to, now that you have a knight in his torn hoodie to make sure you have everything you need.

Hyun-Su truly is the silver lining in the situation. The only good thing in the world as it is. He’s been more confident around you lately, more at ease. Still, it surprises you when he comes by on a sunny afternoon, and offers, with this soft, cautious voice of his:

“Do you want to go out today?”

You’re putting away some fresh fruits he picked for you, and you turn around in confusion.

“What do you mean, out?”

‘Outside’ is dangerous. ‘Outside’ is a place you only go when you’re desperate, and you plan as efficiently as possible, to ensure you spend the least amount of time there. ‘Outside’, everything is a threat, and you can only breathe when you’re back at the house.

‘Outside’ regularly takes Hyun-Su from you.

Sure, he’s around a lot more, these days, but he still has to leave every now and then. You’ve come to understand that you’re not the only one who relies on him, but he hasn’t provided an explanation, and you haven’t pried. It burns a little every time he leaves, and yet…

And yet, the fear that he wouldn’t answer if you asked is worse. The fear that he might not come back if you didn’t let it rest. The fear that if he had to choose, he wouldn’t choose you.

“It’s nice out,” he answers, and you notice him retreating even as he’s still speaking. “But you don’t have to, if you don’t want to—”

“No, I’d love to,” you cut him off before he can doubt himself further. “I just— Wouldn’t that be— dangerous?”

“Oh.” He smiles, and it’s mesmerizing. It’s not the bright, joyful smile you were used to seeing, back in high school, but being more subdued doesn’t make it any less genuine. “I’ll keep you safe. I promise.”

There’s no cockiness in his voice, just confidence.

“Then… Sure. I’d love to go out with you.” And you’re not usually the type to say that, because you don’t have the guts for it, but you feel comfortable enough with Hyun-Su to lean towards him with a playful smile. “It’s a date then?”

He lets out a brief, surprised laugh, then glances down at his feet while his cheeks and ears turn red.

“Sure. It’s a date.”

Even if you were the instigator, you still feel your face burn at how soft his eyes are when he looks back at you.

He looks at you like you’re one of the seven wonders.

You see him lick his lips as his eyes fall on yours. You could always take the step to fill the distance between the two of you, but Hyun-Su rarely initiates, so you want to give him the chance to do so. When he does, it’s always so soft and so careful, like he’s afraid of breaking you. After a few seconds, he clears his throat, looks away again — and it’s alright. You won’t rush him.

“I’ll go get ready,” you hum, stepping out of the room.

You miss the way Hyun-Su follows you with adoring eyes.

When you emerge back from your room, Hyun-Su is waiting for you, and you follow him, heart rate spiking when you go through the door. Being outside again, without the need to go get some specific and vital item, is— strange. Your eyes dart around you, constantly taking in your surroundings. There are surprisingly few monsters, compared to the chaos that was early winter. In front of you, Hyun-Su walks casually, seemingly without paying much attention to what is happening around him. You trust him, you really do, but there’s you still find it unnerving about that.

When you jump at some faraway sound, that turns out to be just birds flying away, scared by your approach, he offers you his hand, an amused smile on his lips. He might even suppress a laugh, but you can’t tell for sure.

“Is that okay?” he asks you softly as he closes his fingers around yours.

He treats you like you’re made of porcelain.

“It’s much better,” you reply with a smile, even if you feel a little sheepish.

For a second, he stares into your eyes, before he looks away and lets out a deep, long exhale. You don’t question him, just give his hand a squeeze, hoping it comes off as a silent reassurance.

He squeezes back, then pulls you with him as you keep going through the city.

“Is there— Is there nothing here anymore?” you ask. It feels like you should have seen a monster by now.

“They’re here,” Hyun-Su replies casually, like monsters aren’t a death promise. “They just know better than to approach.”

You swallow. You understand what he doesn’t say — they know better than to approach him — but it’s not that much of a reassurance, for you. You quicken your pace to stay closer to him. It says a lot about how far he’s come that he doesn’t jump when your shoulder brushes against his.

“They’re not all dangerous,” he says. You know he intends for it to be reassuring, but all you can do is grimace in response.

“They might not be,” you answer — you remember a flash of wings as an unseen monster ripped the snake-like creature that was trying to enter your home —, “but it’s not like I have a way of knowing which ones are safe and which ones aren’t.”

There’s a long silence as Hyun-Su keeps walking.

“But isn’t that true of humans, too?” he asks you in the end. He sounds so— sad, and yet you don’t know what to tell him to make it better. He’s not like them, you want to assure him. You’d never conflate him with the ones that tried to murder you — but it’s not like you can forget about them altogether either. Being wrong about trusting a monster, being wounded once could sign your end.

“It is,” you reply slowly. It’s especially true in this new world, where humans have dropped all their inhibitions. “I guess it’s just— Humans have been less of danger to me, you know?” A brief laugh. “But it’s not like I’m running after them either, right? I haven’t stepped foot near the shelter.”

Your dad didn’t trust the military, and you’re distrustful of authority. There might be strength in numbers, but you wouldn’t feel safe being surrounded by men with machine guns while you have nothing.

Hyun-Su hums at your answer. It does seem to have brought him some comfort, and yet you feel the need not to leave it at that.

“You know I trust you, right?” He freezes and turns to look at you. “Both sides,” you insist. “I know you’re safe.”

His lips part as if to say something, before he closes them again and his Adam’s apple bobs up and down. Finally, he nods.

“I feel safe with you, too,” he says. The sentence catches you by surprise, almost makes you want to laugh, because— who in their right mind would think you’re a threat? But Hyun-Su says it with such gravitas that you can only assume that there’s something that you don’t know about under there. Truth be told, there’s a lot you haven’t talked about with him. He’s not talkative, not anymore at least, and it’s hard to know which questions you can ask before reaching a painful subject. And there are countless of these, for everyone, since the Apocalypse hit. “Come on,” he adds after a few seconds. “We’re almost there.”

He pulls you towards a half-broken down outside staircase. You can’t make your way up on your own, so he grabs you by the hips to help you up, and you let out a surprised yelp when strong hands pull you close to him, his chest against your back, to lift you up. Immediately, his body tenses up and he stills, which means you’re all too aware of how close he is now, of his breath on your neck and his body against yours.

“Sorry,” he says. “Is that okay?”

Gosh, he’s sweet to ask, but you’re really happy he cannot see your expression right now.

“It’s fine,” you squeak, “just caught me off guard. Don’t worry about it.”

He seems to hesitate for a second, and oh, you’re so aware of his fingers on your hips, before he lifts you up as if you weighed nothing, first on his shoulder, then easily higher, so you can grab the bottom of the staircase.

“All good?” he asks once you’re up there.

“All good! Do you need—”

But he’s made his way up before you can finish your sentence, and you blink. Right. Some people are athletic.

“Go ahead,” he says, gesturing towards the stairs. “I’ll catch you if anything goes wrong.”

It shouldn’t feel reassuring, should make you think that you’re at risk, but you meant it when you said you trusted him. Knowing he’s there to watch over you… It’s like having your own personal guardian angel.

There are no issues, however, and you soon arrive on the rooftop — which takes your breath away. This had to have belonged to someone with money, because there is a whole garden there. Overgrown grass, flowers, and even a few trees. Birds are chirping, and it feels… Well, it feels like the kind of places you’d go to laze around on a sunny afternoon with your friends, like an actual park. Being secluded and high up, it is however much safer than any park you could actually go to now. When you turn around, you’re met with an impressive view of the city. It looks peaceful from up here, just a quiet spring day.

Then you notice that Hyun-Su is staring at you, and what you see takes your breath away. He’s smiling. Actually smiling. Wide and bright.

You’re quick to look away, embarrassed by the emotions you’re sure are obvious on your face. Tilting your head up, you let yourself receive the sun.

It’s been a long time since you’ve been this happy.

Hyun-Su often feels that, when he’s with you, all he can do is stare. He likes watching you when you’re at home, going about your day in the house, or sitting by a window and reading. It makes him feel so— welcome, knowing that he can just be there, with you, and that you’ll never mind his presence, never ask him to leave.

Never ignore him and pretend he doesn’t exist.

It makes him feel like he belongs, being around you, makes him feel at peace.

Or, at least, it did, because the emotions swirling under his skin right now are much more complex than they used to be.

He met you, or met you again, in the winter, when you were bundled up under coats and scarves and layers upon layers of clothes. He’d be lying if he said he hadn’t noticed the change in your wardrobe lately.

It makes sense, of course. Days are getting warmer. Not only is there no need for you to keep wearing pullovers and disappear into huge coats. But the way your clothes are hugging your body these days, how they accentuate your curves, how your t-shirt rides up to reveal the skin of your stomach…

He can’t say that it makes it more difficult to be around you, because he doesn’t think that anything could do that. You make him feel like he can breathe again, like he’s finally coming up to the surface after spending ages lost in dark waters, not knowing which way was up and which way was down. It’s just that it— takes a lot of place in his mind.

He can already barely stop thinking about you as it is, knows that the Kid and Yi-Kyung have noticed already how his mind always seems to wander away from them. This, though, this is a whole other can of worms. Because he doesn’t know how to act about it. Doesn’t know how you’d feel if you knew. Doesn’t know if you’d look at him with pity, if you’d tell him you never want to see him again, if it would disgust you.

Yet, no matter how much he tries to stop himself, he always comes back to staring. You tilt your head up towards the sky, close your eyes.

You’re beautiful.

If he was another man, he’d walk up to you to wrap his arms around you, he’d whisper something in your ear, he’d kiss you.

Just as the thought crosses his mind, his leg twitches. It takes him a second to understand that it’s not just an involuntary muscle reaction. Inside him, the monster is swelling, clawing its way up towards the surface.

If you don’t do something about this, I will, it whispers inside him. And let’s be honest, maybe that would be for the best, because what could you do? At least I wouldn’t be afraid to touch her.

Hyun-Su tries his best to force it back down, to ignore the sting of the words, but the monster refuses to let up. Finally, he takes a step in your direction, then another. The closer he is to you, the less the monster puts up a fight — but it still refuses to go down completely.

You turn to look at him when he reaches you, tilting your head in quiet questioning.

Hyun-Su feels himself lifting his hand to touch your cheek, and it’s so spontaneous, so natural that he can’t really say who’s in control there. Your skin is soft under his, and as he leans in to kiss you, he cannot forget how fragile you are compared to him. How one wrong surge from the creature he harbors inside himself could end it all, how careful he needs to be.

And, when his lips brush against yours and you kiss him back without hesitation, he’s reminded of how you either don’t know that or don’t care.

There must be something in the air, because without thinking, his hand comes to your waist, then the small of your back, pulling you close to him. Again, he can’t tell if it’s the monster making its own decision, or if it’s just natural and he’s just doing what he truly wants to do. Both thoughts are worrying.

But you’re not aware of all the questions going on his mind, and all you do is tilt your head up to give him better access to your mouth — and it makes his pulse rush and his mind goes haywire.

Normally, he’d know better. Right now, he feels your hands, trapped against his chest, gripping his hoodie and pulling him down towards you, just a little closer, because there isn’t much space left between the two of you anyway.

He tilts you back now, still without thinking — there isn’t enough space for that in his mind at this moment, not when it’s so filled with you you you — hands firmly holding you against him. His tongue pushes against your lips, and you part them almost immediately, welcoming him in your mouth. His blood is pumping, his whole body feels scorching hot, and you’re right there, running your fingers along his jaw and over his neck, leaving burning trails everywhere you touch.

His tongue intertwines with yours and he feels, more than he hears, you whimper into him.

Immediately, a sense of urgency forces him to pull back. One second, he’s pressed against yours, the next, he’s taken two steps back, and your eyes open in confusion.

“Are you okay?’ he asks, searching for a way he’s hurt you, anything indicating that something’s wrong. But all he finds is swollen lips that you press together as you glance away from him.

“Um, yeah, everything’s fine,” you mumble, and it takes an embarrassingly long time for him to understand what kind of noise that was.

Oh.

He’s immediately desperate to hear it again.

He brings you back against him to kiss you once more, and there it is, coming from the back of your throat.

He’s not sure what happens, who initiates what, if he’s in control at all, but soon he knows that your back is against the grass, and he’s above you, kissing you just as fiercely. Your hands are wandering now — his shoulders, first, then his arms, then tracing the muscles of his chest and down to his abs. He wants to respond in kind, wants so badly to feel you, but the second he moves his hands, fear assaults him again.

“Is that—” He breaks the kiss to look at you in worry. “Is that okay?”

He illustrates the question with the softest of touch on your skin. You let out a brief laugh — not a mocking one, though.

“You really don’t have to keep asking that,” you say, and your eyes are adoring. Then, when he stays still, you push yourself on your elbows to press a kiss to the corner of his lips. Then his jaw. Then his neck.

Hyun-Su can only stay there, frozen in bliss, as you pepper his skin with kisses. Finally, as you’re reaching his collarbone, you take his hand in yours to bring it back on your body, and then you lie back down, allowing him to take the lead now.

His hand is shaking as he slides it under your t-shirt, all of his senses overwhelmed with need. He wants you so bad, he has a hard time understanding it. Kissing you is familiar. The way your body arches against yours, pushing into his touch— isn’t. His immediate want for more, more of the sounds you make, more of your body, more of you, that is all new, too.

He feels feverish as he mirrors your previous actions, kissing down your neck and lingering in one spot when he discovers it makes you whimper. Now that you’re not muffled with his mouth, your sounds echo louder, and they’re music to his ears, in a way that fuels the fire you’ve lit inside him. His hips press down into you, and a jolt of pleasure jolts through him, which when he realizes that he’s—

He tears himself away from you for the second time, stumbling back to end up just a couple meters away from you.

“Sorry,” he mumbles, “sorry about that.”

You sit up, looking a little confused.

“Are you okay?” you ask softly.

It’s his line, and it takes him a while to piece together what you could mean by that. It’s not like there’s any way for you to hurt him. If anything, you should be disgusted by him. There’s no way you didn’t feel him, which means you know he’s hard. But you’re just looking at him in concern.

“Sorry,” he repeats. “I shouldn’t— I shouldn’t have—”

“Hyun-Su,” you call gently as you scoot over towards him. “It’s all good. I didn’t— um— I didn’t mind. But we— we can stop here for now, if you’d rather.”

Inside him, the monster protests vaguely, but this time Hyun-Su has no issue sending it back to the abyss it came from. He’s overwhelmed, heart beating erratically, and he doesn’t know what would happen if things kept going. He wasn’t in control, not really, and he— he can’t risk it. Not with you.

“Sorry,” he repeats, feeling miserable.

Slowly, you put your arms around him. There’s nothing suggestive about it. You’re just doing your best to bring him comfort.

“It’s okay,” you whisper. Your fingers run gently through his hair in appeasing motions. He rests his head against your shoulder.

He’s not alone.

You’re just there, talking to him, touching him, right against him. You’re not doing anything to move away, not looking at him like he’s some mistake, and it feels like his heart is trying to jump out of his chest.

“Thank you,” he mumbles.

Your fingers still for a moment, before you go back to your ministrations.

“For what?”

And, God, the fact that you don’t even know, that you don’t even realize everything you’re doing, everything you’ve done for him since that first day when you spotted him in the street and ran after him…

He draws in a trembling breath.

“Thank you,” he just repeats.

You don’t ask any more questions, just keep gently playing with his hair.

The sky’s blue, the birds are singing, the town is quiet. It’s just you and him, sitting in the grass, on the rooftop.

If someone were to miraculously pass by and see the two of you there, they’d probably think that you were, indeed, on a date.

okay, I hope you're enjoying this little series! I'm not sure what I'll work on next. i know i'm eventually going to write smut for them, though it's going to be very soft because... well it has to be between them lol. someone has also said they wanted to see them tackle the world together a bit more, so I'm also thinking about writing a one-shot where they meet ha-ni and ho-sang, because i thought that ho-sang's intense dislike for hyun-su could imply they've met before. anyway, yeah, i have a couple different ideas.

i would really appreciate it if you left a comment, whether here, in the tags or in a reblog, and tell me anything you're liking in this series! interactions really motivate me and keep me writing :)

next one-shot

#hyun su x reader #cha hyun su x reader #sweet home #sweet home netflix #cha hyun su #sweet home x reader #sweet home season 2 #cha hyunsoo #cha hyunsoo x reader #hyunsoo x reader #sweet home imagine #sweet home fanfic #my writing

954 notes · View notes

clairdelunelove · 11 months

Text

call me

simon 'ghost' riley x reader

genre: fluff! (rescue drabble!)

warnings: slightly suggestive, cursing, mentions of motorcyclist!ghost, protective!ghost

synopsis: the downtime after missions was rarely a time that ghost looked forward to. everyone's aware to leave him alone during this period. that is, until he gets a call from you asking for his help to rescue you from an awkward situation!

a.n. wOW! hi lovelies, it's been a while! I was inspired to write this because something similar happened to me at an anime convention! and yes it was with a mw 2019 jawbone ghost cosplayer hehe (¬‿¬) oh, here's my kofi! and pls enjoy! <3

obsessed with the idea that ghost would drop everything and come running to you if you called him.

the conclusion of an operation was, albeit, a bit bittersweet for ghost. sure, he benefited from the downtime of not being in an environment that constantly triggered his fight or flight response and a small break was necessary for his well-being to avoid pushing past his physical limitations. yet, those were the only beneficial factors he could conjure up. most operators took advantage of the intermission to catch up with friends at pubs or visit family for a couple days– a luxury he never allowed himself to have. thus, he spent the days of rest endlessly secluded. trapped within the barren walls of his flat. choosing to occupy his time thumbing through a nonfiction novel or finishing some exterior maintenance. he referred to his living space as a place to rest his chaos. to ease his hardships into a lasting slumber– that is, until he’d receive intel about a new operation. and his home was an enigma of great strength accompanied with struggle, providing a solitude that ghost was well acquainted with. he preferred it that way. no one reaches out to him during this time of isolation. which is why he doesn’t expect your name to flash on his phone’s screen and it’s even more astounding that he chooses to pick up the call.

ghost who leans low enough that his leg almost touches the smooth asphalt when he cruises down the road. the sleek, pitch-black motorcycle adapts easily when he wrenches the steel handlebars. after adjusting in his seat, his gloved hands rev to intensify the speed while his mind recalls the conversation he had with you. approximately two minutes ago. the way you quietly pleaded, “could you please come and get me?” and immediately, the lack of context backed with the sticky hoarseness in your voice awakened unease within him. “you hurt?” his instinctive question is followed with a gruff, “who do I need to talk to.” and the sheer seriousness of his threat forces a minor giggle to leave your lips. the sound encourages him to mull over possibilities. where were you? where could you be right now? think, damn it, think. he drags a heavy hand across his face while vaguely remembering the lighthearted conversation you had earlier in the week. a pair of squad members had politely asked about your weekend plans to which you shared that you planned to get some grocery shopping out of the way. a mundane answer that pulled a couple laughs. but now, the rather ordinary task seemed to evolve into a nightmare as he hears you suck in a wobbly breath. “you still in town, sweetheart?” ghost forces his voice steady despite the crazed way he’s tugging on his shoes and shoving away stray papers to retrieve his keys. you instantly respond that you are and he tries not to dwell on the chance that his presence might’ve helped calm your nervousness. compels himself to solve the blatant issue before figuring out why his decision-making is so sudden. why he’s swiftly weaving through traffic in hopes of finding you when he should be relaxing at his flat. but his voice rumbles out of your phone’s speaker when he instructs, “stay put. I’ll come get you.”

ghost who visibly tenses up when he spots you from the crowd of shoppers. most are occupied in their own business; choosing from a variety of commodities or paying for their groceries at the checkout line. but that’s not what he’s here for. treading through aisles, his appearance manages to raise curiosity from a couple onlookers before they tactfully glance away from the massive man. having one’s identity partially hidden away by layers of clothing while clutching onto a motorcycle helmet tends to facilitate that reaction from the average citizen. it works in his favor. his heavy-lidded eyes scan the room and before long he recognizes a tuft of your hair. he figured his first encounter with you would be under different circumstances, albeit more jovial and perhaps you’d grace him with one of those blinding smiles that you reserve solely for him. however, all he sees is vermillion flooding his vision. you’re backed into a secluded corner of the store by a sleazy man who’s testing his luck. unfortunately for the stranger, ghost was never a believer of good fortune. you venture to put more distance between you and the man but to no avail. he inches closer. “like I said earlier,” you strive to keep your tone of voice stable, “he’s on his way already. I don’t need a ride.” a courageous act but the guy is already responding. a shoddy decision, in ghost’s opinion, because upon hearing the stranger’s crude innuendo, ghost’s nails form crescents within his palms from how fiercely he’s balling his fists. sees you shrink from the words. and he’s a reaper with the sole mission to deliver punishment.

ghost who eases beside you and subtly reaches to touch your shoulder while murmuring, “I’ve got you.” his voice leaves his lips in a soothing drawl that has you inwardly crooning. safety is synonymous with him. always is. initially checks in with you before engaging in conversation with the stranger. you’re top priority. “simon?” his name is a relieved gasp from your plush lips. clearly you weren’t expecting him to step into the situation with hopes of diffusing it. he slowly tilts his head, “told ya I’d come.” mentions it like it’s a common occurrence that he spends his downtime shutting down harassment directed towards you. yet the first observation you make is that he’s dressed rather casually. clad in an ash-colored hoodie and denim jeans that always cause you to wonder whether he has them tailored because of how well they fit his physique. the homey outfit is a sight to behold considering you typically saw him in uniform; you ravished the domestic image. burnt it into your memory for safe keeping. apparently, so does ghost. “you look proper cozy today.” waving a gloved hand, he indicates your casual outfit and the sudden change of topic prompts a small grin to form on your face. which, ultimately, is his entire plan. dragging your eyes to a sudden motion, you watch as he rolls his sleeves up to reveal a swirl of veins and intricately tatted skin. he’s mystifying; everything about him is– which seemingly adds to his appeal and no matter how vigorously you fight against it, you can’t help but feel the inevitable pull. “don’t get any ideas, sweetheart.” of course the comment is meant to scold but the breathy rasp in his voice morphs it into pure sin. he shoots you an inquisitive glance when he regards your heated gaze and wordlessly chastises your behavior with a raise of his dark brows.

ghost who absolutely resents whenever someone interrupts you. the act itself is rude beyond doubt but it’s especially ignorant when it concerns you. and the tacky stranger had the audacity to do it in front of ghost. from beneath his mask, he clenches his jaw when the other man decides to open his mouth to continue conversing with you. again. ghost shifts, positioning himself between the two of you, and spits out the words, “you’re doing me ‘ead in. do one, will ya?” his tone is level, devoid of any expletives in his question yet his manchester accent is gravelly enough for his words to border a threat. the manifestation of trouble. he pushes up his sleeves for good measure. truth be told, ghost would’ve simply told the other man to ‘piss off.’ perhaps give him the finger. but you were around and he favored appearing posh.

ghost who basks in the gratifying burn of watching the stranger scurry away from just his words. runs like a scruffy dog getting caught going through a trash bin and he bites back a snicker. but who wouldn’t run from ghost? dressed as the embodiment of shadows and danger. probably his physique too, if he was being honest. towering at six feet and some more. he states, “don’t think the bloke was fond of me.” can’t refrain from the mockery that lines his words. perhaps the possessiveness was corrupting him more than he imagined. he glances at you, paying special regard to the way the corners of your lips curl at his remark, “suppose you’re right. I appreciate you coming, by the way.” isn’t quite sure why you’re thanking him. he’d rush to you whenever you needed him. but he dismisses it with a throaty, “not a problem.” and it dawns on him that the two of you are alone. away from the prying eyes of the task force members. surrounded by the normalcy of civilian life. and the motorcycle gear that he’s adorned with seems obvious that there’s more to him than he lets on. like the fact that he rushed here without a second doubt. there’s a glimmer in your eyes and he’s aware that your mind is racing with possibilities. “I wonder,” there’s a playfulness in your tone as you shift closer to him, “what was lieutenant riley up to before coming to my rescue?”

ghost who exhibits the duality of man when he’s with you. his voice gets caught in his throat and he promptly answers, “nothin'.” because you’re placing a gentle hand on his forearm. vanquishes him to a robot that can only utter a single word from a single touch. this wasn’t what he was like before; the esteemed protector with a jealous streak. no, he’s reduced to a pining jumble of tenderness for you. even through the layers of clothing he recognizes your warmth and yearns for it. you gaze up at him through your lashes, a telltale sign that his lack of plans served as an invitation to propose more. he knows that look. “you’re quite a secretive man, simon,” you teasingly narrow your eyes, “has anyone ever told you that?” your fingertips trace the swirls of ink on his arm and he desperately tries to fight against the way his eyes drop into a half-lidded stare. your touch always reduces him to a puddle of adoration. “no,” he breathes out and hopes to convey his ardor in irony, “never.” knows you’re grinning at his automatic responses and heat bubbles within him.

ghost who allows your caress to dip down to his wrist which, conveniently, was the hand that held onto his motorcycle helmet. watches as you draw delicate patterns on the helmet’s shell. recognizes that you’re working up courage. for what, he's not sure. maybe you’ll ask him how long he’s been a motorcyclist. that’s typically the first question that’s settled. but nothing could prepare him for your honeyed voice that asks, “can I ride?” and how you use him as leverage to push up on your tiptoes and pleadingly whisper, “please?” he's pretty certain that you mean getting a ride on his motorcycle. yet, with the way your lips are practically pressing against his neck and how the heat of your breath forces him to stifle a groan of satisfaction, all logic flies out the window. pure, unadulterated hunger for you seizes ghost in an unexplainable grasp. he needs you. wishes he could whisk you away to someplace else. perhaps to his place. gosh, he appreciated the downtime after a mission. “bloody vixen,” he murmurs lowly while slipping the helmet into your hands, “it’s all yours, sweetheart.” on his motorcycle it typically takes 10 minutes flat to get to his place or 7 minutes if he turns a blind eye to the speed limit– which is an act he’s willingly committed before.

#simon ghost riley #ghost x reader #simon riley x reader #ghost #simon riley #call of duty x reader #call of duty #simon riley imagine #cod x reader #simon ghost riley imagine #simon ghost riley drabble #ghost x you #ghost cod

2K notes · View notes

projecttreehouse · 2 years

Text

tips for setting the scene

it’s easy to get caught up in dialogue or a character’s internal dialogue and forget altogether that they, too, exist in their own physical world. as authors, it’s primarily our job to convey the exact amount of information: the reader is on a need to know basis, but they also need to know enough to draw their own conclusions. i’ll admit, it’s a difficult task, but here are some tips to help set a scene:

- imagine the world from the eyes of your character: how do they see things? do they see the big picture first or are they drawn to smaller details that others don’t often notice? what’s pulling their attention away from the action or their own thoughts?

- breathe life into your scenes: i don’t mean the english teacher’s equivalent of “the curtains were blue means that the character is sad.” i’m talking about the blue filter in Twilight that conveys the “constant cover of clouds and rain” and the shift from the Arizona desert to the cool Pacific Northwest. think about all the small details that convey information about a scene and allow the readers to make inferences. if the character walks along a street and the yards shift from overgrown hedges with frayed yard chairs and a birdbath containing a mini swamp to yards with freshly cut grass with white picket fences and ornate wreathes hanging on the doors, you’re providing all of the details for readers to make an inference. context is needed, too, but that will be provided in the whole of your novel or short story. don’t be afraid to provide details and use figurative language.

- spread out your details: did you feel bombarded in the last tip? i provided a lot of details quickly, all at once, without spreading them between action, dialogue, or internal dialogue. i’m not going to stop you from being the next J.R.R. Tolkien if that’s how you like to write, but try not to overwhelm the reader with details all at once. it will feel more natural if you spread things out and allow the reader to feel as if they, too, are with the character in their environment. this is more of a stylistic tip, so take it with a grain of salt and think about what will work best for your novel. always go back to that and to what your character is seeing. how is this all playing out for them? how can you put feeling into the scene?

- place your characters within the scene: where are they in their environment? how are they interacting with the people or objects in it? what do they think about these things? you don’t need to tell the reader everything your character does, but provide enough information so that we don’t get lost in their movement or stagnation. it helps to have someone else read your work if you’re struggling with this part. if they’re lost as to where the character is or what they’re doing, chances are a good portion of your readers will be confused, too. check out your prepositions. are there too many? too few? use them, but don’t abuse them.

happy writing! if you need help setting a scene or have any questions, our ask box is always open!

#writing advice #writeblr #writing #writing tips #write it #nanowrimo #novel writing #creative writing #writers block #writing help #writing prompts #writing warm up #writers on tumblr #books and novels #writing tools #fiction #writers of tumblr #fiction writing #novel editing service

3K notes · View notes

tojiluv · 1 month

Note

Hello new follower here hope you’re having a great day/evening/night💜 could I request any inuyasha characters reaction to accidentally touching their s/o’s cold feet/hands while they’re sleeping at night ? You can ignore this if it makes you feel uncomfortable.

COLD NIGHT — inuyasha characters reaction ft. inuyasha, sesshomaru, koga [headcanon]

context: amidst the camp set up for the night, you spread your blanket on the ground while your partner opts to lie beside you. despite the warmth emanating from the large fire, your body retains a chill, though it doesn't trouble you greatly. however, someone else appears more affected, expressing their discomfort unlike you.

warnings: fluff. slight ooc? lowercase intended. gn! reader

notes: ty for the request anon! if you can't tell, i prefer sesshomaru more lol. also why doesn't Inuyasha and koga have good alias names ugh

INUYASHA ─ ❝ HALF—DOG ❞

➜ inuyasha would sit up against the rough bark of a nearby tree, his hand resting on the hilt of his sword, ready for any potential intruders. you settle down beside him, seeking warmth and solace in his presence. your hand reaches out to him, seeking comfort and reassurance that he's beside you.

➜ as your hand makes contact with his, his serene expression swiftly transforms into one of alarm, his eyes snapping open wide. he jerks his hand away from yours, swiftly moving it towards the fire to regain warmth.

➜ “the hell is wrong with your hands!? they’re colder than the damn snow right now!”

➜ you scoff at his words, turning away from him in response. inuyasha grumbled at your reaction before firmly gripping your shoulders and pulling you closer to him, snuggling you into his warm embrace.

➜ “since you wanna be stubborn and not get near the fire, i guess i’ll just stay next to you for the night.”

LORD SESSHOMARU ─ ❝ BEAST KING ❞

➜ unlike inuyasha’s outburst, sesshomaru is more the silent-but-glaring type of partner in this situation.

➜ when your hand accidentally brushes against his face while adjusting a few strands of his hair, his golden eyes widen briefly at the contact before narrowing into a silent, intense glare.

➜ you pull your hand back quickly, shooting him an apologetic smile as he continues to glare, the sensation of your cold hands disrupting his slumber. it was rare for sesshomaru to join you and the group, let alone to sleep as well, but now, you've ruined it with your never-ending coldness.

➜ you turn around on the blanket, keeping your hands to yourself as you quietly sigh, feeling regretful for ruining the moment.

➜ after a few seconds, you feel something heavy and warm drape across your freezing body. it takes a moment to realize it's sesshomaru's mokomoko, which he has placed on you, providing the extra warmth you need that the fire couldn’t.

➜ even though you knew sesshomaru wasn’t one to talk about his feelings, you appreciated how he expressed his love more through actions than words.

KOGA ─ ❝ WOLF CUB ❞

➜ as the leader of the wolf-demon tribe, koga had numerous responsibilities to ensure the survival of his pack, with one of his main priorities being the protection of you, a human. despite being vastly different from your wolf-demon boyfriend, koga fell in love with you at first sight and would do anything to ensure your safety.

➜ as night fell, you settled around the campfire with the tribe, aiming to get some rest. however, the cool breeze that kept blowing made it difficult, causing your hands to grow numb from the biting cold.

➜ you shivered from the intense cold, despite being wrapped in a blanket. koga could feel your shaking body against his own, which startled him awake. quickly, he turned to face you with a scowl as he realized what was going on.

➜ “why the hell didn’t ya say anything? you’re freezing! here, take my hands.”

➜ you hesitated at first before settling your numbed hands against his warmed, rough ones. his touch sent a comforting warmth through your chilled fingers, and you graced him with a grateful smile for his kindness.

➜ koga would then move your sleeping bag closer to the fire and wrap his arms around your body, pulling you so close to his chest that you could hardly breathe, enveloping you in his warmth. he cared deeply for your comfort and always made sure you were satisfied.

266 notes · View notes

curiositymemes · 2 years

Text

HARD-TO-FIND HURT / COMFORT SENTENCE STARTERS.

a selection of some of my favorite underrepresented lines and phrases for one of my favorite tropes! feel free to change wording and pronouns and provide context as necessary. do not add to this list.

TO THE THREAT.

“let them go.” / “let me go.”

“take me.” / “take me instead.”

“don’t hurt them.” / “i’ll do anything you say.”

“what do you want with me?”

“where are you taking them?”

“what did you do to them?”

“where is receiver?”

“give them back.”

“get away from them!”

“get off them!”

TO THE HURT.

“can you hear me?”

“wake up… please, wake up.”

“are you with me?”

“stay awake.” / “you have to stay awake.” / “please, stay awake… please…” / “promise me you’ll stay awake.”

“don’t close your eyes.” / “open your eyes for me, name.”

“there you are.”

“just a little longer, okay?”

“i know it hurts, i’m sorry, it’ll be over soon.”

“shhh, it’s alright.”

“i need you.” / “i still need you.” / “i need you to be okay.”

“do you remember what happened?”

“name?! name! what happened?!”

“what did they do to you?”

“if they lay a finger on him/her/them/you…”

“if they touch a hair on his/her/their/your head…”

“those bastards.” / “if i ever get my hands on them…”

“i’m gonna get you out of here.”

“let’s get you out of here.” / “let’s get you out of this.”

“we gotta get out of here.” / “it’s alright, name. we’re taking you home.”

“can you stand?” / “can you walk?”

“i won’t let anything happen to you.”

“you’re safe.”

“it’s gonna be okay.” / “you’re gonna be okay, just hold on.”

“you’re hurt.” / “did they hurt you?”

“i’ve got you.”

“lean on me.”

“stay with me.”

“i can’t lose you.” / “i’m not losing you.”

“oh, name…” / “oh, kid…”

“receiver? receiver, it’s me. it’s sender.”

“i’m here.” / “i’m here. i promise.”

TO THE RESCUER.

"...where am i...?"

“what happened…?”

“i’m with you.”

“it hurts.” / “make it stop.”

“you came for me…” / “you came back…”

“you found me…”

“where were you…?”

“i’m sorry…”

“i was so scared.”

“i thought you’d never find me…”

“what are you doing here?”

“just go. you can still make it. don’t worry about me.”

3K notes · View notes

serenhoshi · 2 years

Text

𝐒𝐞𝐯𝐞𝐧𝐭𝐞𝐞𝐧 𝐑𝐞𝐚𝐜𝐭𝐢𝐨𝐧: 𝐘𝐨𝐮 𝐭𝐚𝐤𝐞 𝐨𝐟𝐟 𝐲𝐨𝐮𝐫 𝐫𝐢𝐧𝐠 𝐚𝐟𝐭𝐞𝐫 𝐚 𝐟𝐢𝐠𝐡𝐭

Feeling angsty here ;)

For context: You and your s/o have the biggest fight you’ve ever had since you know each other (even before getting married). You’re tired and want to go out to clear up your mind, taking off your ring in the process. He sees it and...reactions below :))

Seungcheol:

He’d get more angry than anything. Visibly upset as well, he’d point at the ring while staring straight into your soul with a callous tone.

“What do you think you’re doing right now? Why did you take it off?? I’m not done right now, you’re not leaving. Put it back on.”

Jeonghan:

As angry as Seungcheol, clearly. But doesn’t show it as much. His stare would be neutral, so you’d have no idea of what hes thinking about. Maybe a bit whinier than Seungcheol? But overall he’d say similar things.

“What are you doing this? Huh? Take it back, you have to wear it.”

Joshua:

You taking off your ring would make all his anger vanish INSTANTLY. He’d stare in shock and not say anything for a few seconds, his face visibly paler than before. Then he’d get close to you, his head moving from left to right as a no motion, taking the ring and puttin it back on you. His voice shakes a bit, and is way softer.

“Don’t do this, please. Let’s talk through this calmly, I’m sorry.”

Junhui:

It would take him some time to realize what you had done, you were already putting your shoes on when he woke up from his trance. He’d block the door with his body, ring in hand. He wouldn’t know what to say yet, it would take some time for him to arrange his thoughts correctly. But he knew that he wouldn’t let you leave, not like that.

“You forgot this, please stay..”

Hoshi:

It’s kinda hard to guess how he’d react tbh. On one hand he could get angrier, screaming at you and pursuing you to put the ring back on your finger himself. On the other hand he’d be like Joshua, cooling down instantly, and begging you to stay with him to think about this together. You chose which one seems the best to you.

“Please please please wait- don’t go, i swear i’ll do better!”

Wonwoo:

Probably the first one to leave the room, he’d lock himself up in your shared bedroom, and would most likely cry because he simply doesn’t know how to handle things. After some time he’d go back to the living room, and would see your ring, set on the table. He’d automatically call you, fidgeting the ring in his hand, completely stressed out.

“Y/n? Where are you?? Should I come pick you up? Please come back, we should try to talk about it, please.”

Woozi:

He would act as if he didn’t care, but deep inside hes so scared. He’d let you leave so you get some time to cool down, but when he saw you take off your ring he automatically felt tears blur his vision. You get no news from him while you’re out, he’d lock himself in his studio, occupying his mind while producing music. You see each other once he gets back home from the studio.

“Hey,, I think we should talk, don’t you?”

Mingyu:

Wouldn’t let you take the damn ring off. He’d rush over to you and grab your hands to provide you from it. He’ll look at your straight in the eyes -and that’s when you notice that he started crying- and apologize, so SO many times. His voice is shaky and he caresses the back of your hands while begging for you to stay with him.

“I am so, so sorry for my behavior, please forgive me, i’m so sorry, i love you so much, please stay, i’m sorry.”

The8:

He’d react a bit like Woozi; he’d give you time to cool down, for him as well. It’s very rare that you get into bit arguments, you normally just talk things out but here it heated up quickly. In contrary to Woozi, he’d text you, maybe after an hour or so, to know where you are and if you’re safe. Once you get back home you actually have a calm talk as you did in the past.

"I’m glad you came back, I was really worried”

Dokyeom:

Dokyeomie would cry his eyes out. This poor man was conflicted between anger, sadness, and fear. He wanted to prevent you from leaving, so bad, but his ego and bitter anger wanted to make him ignore you, and give you the silent treatment. Out of all the members he’d be the hardest one to make up with, he thinks ignoring you and sulking is the better solution because time will calm everything down. You’re the one who will come up to him to talk, but if you don’t have your ring on then he refuses to talk.

Vernon:

He automatically takes your hands in his to prevent you from taking your ring off, looking at you straight in the eyes. Any trace of anger has disappeared, and he looks sincere, calm, almost soothing. He’ll bring you to the sofa so you both sit down and let the tension disappear. He won’t force you to talk, you both can stay silent, as long as you’re both here and you cool down.

“I’m sorry for everything. Let’s just calm down and not do anything we might regret, okay?”

Seungkwan:

He’d continue his angry speech even when you took your ring off, setting it on the kitchen counter. He’d take the ring and follow you closely, putting himself between you and the door. He’d stare at you, his eyes dark and visibly fuming with rage. He’d take you hand and forcebly put the ring back on your finger. Then he’d talk, his voice a bit calmer, but still showing irritation.

“Don’t take it off. You annoy me very much right now but not enough to divorce. I still love you a lot.”

Dino:

Would stop talking and his face would get pale, worry taking place on his face. He’d run to you at the entrance of the appartment, and trap you against him. His arms placed around your waist and his face in the crook of your neck. He’d cry a bit, and whisper apologies.

“I’m sorry, please don’t leave me, i love you, please stay”

2K notes · View notes

brf-rumortrackinganon · 1 month

Note

Do you all have any proof that Invictus wants nothing to do with Harry or is it just a hunch based on narratives you’ve made up yourselves? Or maybe it is just wishful thinking on your part?

First off, reading and context is fundamental. No one has said Invictus wants nothing to do with Harry. We’re saying that it doesn’t make sense why Invictus keeps Harry around when he doesn’t appear to provide them any value. From a liability and risk management perspective, they have to be doing something to protect themselves from his lack of engagement.

And it is actually data-driven speculation. I don’t make stuff up here; I am always researching, I am always reading, I am always learning, and that is what informs my theories. There is very little I take at face-value.

But since your insult was polite, I’ll let you look at my homework instead of telling you to go figure it out yourself. Just this one time.

So this is the financial report from the UK charity registry:

Expenses (money going out) and income (money coming in, i.e. the donations) are virtually the same. In other words: as of 2022, Invictus is barely breaking even. This is not good; it means, more or less, they're one crisis away from some serious problems.

It also means that their actual Games - which, in 2022 would have been The Hague/Dutch IG - are expensed entirely by the host city. So basically, the charity itself is nothing more than a glorified events planner spending someone else's money. That's...not exactly the mission we're told that Invictus Games is.

Now, that orange line there on the bottom is what the UK calls "governance." (In the US, we call it "administrative.") This is what it means, from IG's 2022 financial report:

Note that this doesn't include salaries for the 12 (as of 12/31/2022) employees at IG. According to Giving is Great, a UK charity watchdog, senior staff costs (i.e. salaries and benefits) is 26%, or approximately £500,000. Add the governance/admin costs, and we're looking at £750,000 a year just to keep the charity's lights on. When your total budget is £2 million, that's a big chunk of change. 40%, in fact.

Second let's look at their income. The UK charity registry breaks the "gross income" down into several subcategories. For Invictus Games:

(The column headers were cut off but from left to right it's 2018, 2019, 2020, 2021, and 2022.)

Meaning that in 2022, their income came from donations, trading, and charitable activities.

(Remember that in 2020, the Royal Foundation made a £1 million donation to Invictus Games, which I believe makes up the majority of that £1.4m donation. If that assumption is correct, then that means in 2020, Harry was only able to fundraise an additional £400,000 in donations. Now, 2020 was a very difficult year for a lot of charities and nonprofits so that steep dropoff isn't unusual to see in the financial reports.)

Now from the 2022 financial report, here's what these categories mean:

So just really quick. Unrestricted means that the recipient chooses where/how to spend the money. Restricted means that the donor directs where/how the charity spends the money. So Invictus could spend £381K of the donations (Category #2) anywhere they wanted to, but for the remaining £700K of donations they received, they had to follow specific directions on how to use it.

What this is saying is that of the total income earned by Invictus Games in 2022, only £1.08 million came from donations.

Now, in my (volunteer) experience working in nonprofit fundraising most lay people (i.e. members of the general public who donate to charities) don't usually direct or designate their donation. So most of the regular donations are going into the unrestricted pot. Corporate donors, sponsors, or partners are more likely to give restricted gifts, where they direct how the money will be spent. So based on my experience, I feel comfortable assuming, or suggesting, that £231,447 received in unrestricted donations is people like, you, me, and Sussex Squad donating to Invictus out of pocket.

That's a pretty poor showing. And in my opinion, it's a direct reflection of Harry's leadership; he isn't inspiring people to donate to Invictus. Instead, the bulk of Invictus's income/donations is coming from corporate sponsorships.

Most charities cannot survive on corporate sponsorships and partnerships. It does not guarantee long-term survival. Long-term survival is predicated on investments, endowments, and contracts...which Invictus doesn't have, which means their patron isn't doing his share.

Third let's look at the actual Games themselves. The Hague/Dutch IG was given a budget of €15 million (~$16 million). According to this leaked letter from the Dusseldorf IG Committee, the Hague IG Games actually ended up costing €25 million (~$27 million). That's a 60% increase, and it's impossible for all of that to be due to COVID-related inflation.

Going backed to the leaked Dusseldorf IG letter, their budget was about €27 million (~$29 million). It's being reported that the Dusseldorf IG actually ended up costing closer to €37 million (~$40 million). This is a 37% increase; they were also very over budget.

And in March 2023, Invictus Games 2025 signed and published, to their website, a Contribution Agreement outlining that Canada's budget for the Vancouver IG is $30 million CAD (~$22 million USD); $15 million CAD (~$11 million USD) from the province of British Columbia and $15 million CAD from the government of Canada.

So if I split the baby for budget overrun [(60% + 37%)/2=48.5%], we're looking at Vancouver IG to probably end up costing around $44.5 million CAD.

In other words...they're in trouble. Meaning that Invictus and its board should be working together with the local corporation(s) to cut costs and increase savings/get new sponsors and partners. Meaning that the patron should be out there campaigning and fundraising for money or figuring out how and where to cut costs...but he isn't.

Or those efforts aren't visible. Not when the competing PR is about Harry's attacks on the BRF, Spare, Meghan's merching, and stories like this one of key leaders being abruptly fired and whistleblowers leaking to the press.

Now why would someone be abruptly fired without notice? It's not for shock and awe. It's either for incredible malfeasance (like fraud and embezzlement) or because someone much higher up wanted it. Since there's no paper trail or proof of wrongdoing - which Vancouver IG would have leaked in some way, shape or form - all the evidence strongly suggests the two men were fired because someone else demanded it. Maybe, say, someone who costs so much more than he's actually worth, who causes more problems than solves, who has alienated a lot of public goodwill. Of course, that's just pure speculation. But it is strange. One person getting fired without notice, sure, not really worth paying attention. But two people? And two people who purportedly know a whole lot about what's happening behind closed doors? That's hinky.

Have I forgotten anything?

Oh, right. This: growing criticism and dissatisfaction from local host-nation communities, Invictus's competitors and their families, and social media over the Sussexes' inability (and disinterest) to promote anyone but themselves whilst attending events.

The last thing any brand wants (or needs) is an ambassador that alienates their core customer base and prospective supporters and dominates the news with controversy. Brands, including nonprofit organizations, rely pretty heavily on:

The goodwill and positive attention their ambassadors generate

The users, fans, supporters, customers, and consumers that follow their ambassadors and

The networks their ambassadors move in.

Harry doesn't do any of that either:

He loses public goodwill every time he opens his mouth and invites only criticism.

The customers (the veterans and their families) aren't happy that their efforts are overshadowed. The consumers (people at home following along) are unhappy and dissatisfied that they can't find information about the competitors or the Games themselves because the only press coverage is about Harry and Meghan.

Harry is completely excluded from the royal, military, international, and aristo networks that propped him up 10 years ago to launch this thing. Invictus can't tap into that anymore, so why should they keep him around?

Let's review.

Invictus's expenses and income barely break even. Further, their reserves allow them to operate for less than one whole year. That's a really uncomfortable place to be in. Where is their patron to help seek out income streams that would build up their reserves?

Based on donation data, they're wheezing along on spit and prayer. They rely almost exclusively on corporate sponsors/partners. There's no investments, no endowments, no contracts. Actual "from the people" donations is just paltry. Where is their patron to lead fundraising campaigns, recruit new sponsors, develop investment opportunities?

The costs to host the Games keeps ballooning. Some cost overrun is normal, expected, and even budgeted for, but not the amounts that Invictus keeps turning out. Where is their patron to help look for new partners or charm everyone over with budget cuts?

There was a personnel shakeup in the Vancouver 2025 leadership that caused a lot of questions and concerns about their readiness to host their events and revealed a lot of morale issues. Where was their patron to calm the chaos?

There's growing criticism over the patron's behavior that is reflecting badly on Invictus Games and their brand. Where is the patron changing his behavior, changing his attitude, changing his priority?

I'll tell you where the patron is. He and his wife are flying around the world to party at Soho Houses, whine about being cut off from his family after he spent 3 years attacking them, spending other people's money in ridiculous ways, and getting wastedly high after his wife and kids go to bed.

The longer Invictus Games is associated with that, the more it reflects on them and their brand. They can't afford that. Not when they're promoting themselves as "family friendly" or "family supporting" (which is how they've justified Meghan's involvement).

It doesn't make any sense for them to keep Harry on. He's not fundraising for them. He's not schmoozing. He costs more money than he brings in. The people they serve don't like him. He isn't bringing big donors in. He isn't speaking to or supporting his family.

And allllllllll this together is why I say "I wouldn't be surprised if Invictus is trying to phase Harry out." It's why I say "depending on how well Germany Invictys 2024 goes, that may be the proof they can survive without him."

It's data-driven speculation. Not something I've made up. The only thing that's made up is the speculation about why two senior leaders were so abruptly fired. But that isn't even part of the analysis or the calculation.

Next time, anon, you're doing your own fucking research.

#ask #brf #sussexes #invictus games

134 notes · View notes

dogwittaablog · 29 days

Text

NOLPATS BURNER ACCOUNT

SO HERE IS THE TEA AND BREAKDOWN ON NOLANS ALLEGED TWITTER BURNER (I also want to apologise for the initial hostile reply to the anon that sent it in I was just taken back cause there weren't upfront receipts).

If you’re wondering how this alleged account was figured out, an anon said someone tweeted about it and decided to look into it... and then now we are here...

SO HERE WE GO!

His FIRST account that went under @ gollpatter the account got suspended (He tweets about it on his second account, but you’re still able to see everything).

So now the account he is using the new one is @ shottergallas.

(So just remember there are two accounts. I know some can get confused lol).

WARNING: I know people are going to be running up the accounts anyways but will say just a heads up you will be finding shit that you don’t like mentioning SA and misogynistic comments, some of the comments are towards the incident of WJC 2018. (If I’m right it’s brought up on @ gollpatter)

Now we may all be here like okay… how do we know or assume it's actually him??? Here is my personal observation

If you look at the following on the first account @ GOLLPATTER. You can see that there are about 4+ people on there that he follows that are obviously his friends and has Steinbach Manitoba in the bio. Some of the content and influencers he follows or interacts with on there also align with his recent or past followings/likes/engagements on Instagram from celebs, influencers, sport hosts and even onlyfangirls (I’ll even get specific if I have to) . His interests are evidently displayed throughout his account... things like MMA, golf, hockey, Joe Rogan, Theo Von and other typical guy shit, but as I said if you followed up on him or paid attention to his Instagram activity it adds up.

(Screenshot of his followings the only thing is they don't follow back)

An Anon that initially sent me the sub on why she thought or had her own conclusions to why she thought it was him which I’ll be copying and pasting the sub down below and adding the links to the info she provided! To make everyone’s lives easier.

here’s the account introducing himself as goll patt: (X)

here’s the account calling jets/ava pond hockey last night: (X)

here’s that account excited about nolan’s friends ‘coggie’ return to the ‘national’ 6 days ago: (X)

and the related headline where Dylan Coghlan, Nolan’s former teammate returned to the NHL from the AHL: (X)

here’s that account being called pat by its friends in the reply of previous tweet: (X)

account being call pats/patty by friends: (X)

same account agreeing with hate on the vegas golden knights as a franchise, praising nic hauge and his wife: (X)

The hockey talk on the account that pop up usually I noticed has pertained to Vegas and the Flyers (some slight shady tweets mostly but nothing over the top) Maybe just some coincidence but I mean hey… we all know what teams he’s played for. Plus there are some Travis Konency mentions on there as well…

So “his” account interacts with the same 2-4 twitter accounts and these accounts tend to tag him in post about Nolpats which I found a bit ironic…

So the last to this which I thought was another eyebrow raiser, was another burner account that has some mutuals but isn't entirely active. Also tagged his account in a post regarding a Tik Tok. The context of the Tiktok was how most likely pro athletes do see the things you post online about them.

So would like to end this off with reminding you that this ALLEGED and there’s no real confirmation it’s him. You’re able to form your own opinion and perspective if you decide to look through and analyse the accounts yourself. I could go on more on some other details, but decided to just touch up on the things that stood out to me. I also was limited to adding content like photos and videos.

#this is probably a whirl wind for some especially once you start looking into the account lmaooo #BUT CANNOT STRESS THIS IS ALLEGED #have to really repeat that #i could probably go on about how I myself wasn't really sure on the account and found some things odd but once you start taking a look #and even looking into the mutual accounts #you kind of start to think theres a slight chance #anyyywaaysss #very interested in what everyones got to say and if you think its fake or real or youre stuck in the middle #also an alleged matt rempe fan too #nolan patrick #my post #np19

84 notes · View notes

accirax · 4 months

Text

Danganronpa: Despair Time Mastermind Ranking (Least to Most)

Yeah, I should’ve known that I needed to get around to this someday.

You see, the reason why I hadn’t made a theory about the identity of the Despair Time mastermind is that… I'm not totally convinced on any one person being the mastermind. Like, look at these clowns! They’re all so weird! I love them all for it, obviously, but none of their personality quirks or roles in the story stand out to me as particularly mastermind-y. There are a lot of characters that I believe could be the mastermind, but it’s also pretty easy to convince me out of it for one reason or another.

However, it’s not like I had any idea about who the P:EG mastermind would be, either! At least with two chapters under its belt, I can feel more comfortable that I’m not just fully mischaracterizing the Despair Time cast. And I definitely have things to say about various DRDT masterminds, just… in a way that’s kinda hard to rank.

But, that’s no reason for me to be cowardly! I’m sure that seriously scrutinizing all of the characters’ mastermind potentials and ultimately coming up with who I think the most likely candidate is will be super fun. It’s just… going to be really long, so, buckle in. And maybe prepare to take breaks in the middle.

(Spoilers for all three main canon games and DRDT.)

Why is it going to be so long? Well, it’s because, when it comes to DRDT, I think that my predictions will be at least partially based on how long I think each character will make it into the story. If I have a particularly strong inclination that a character is going to die in Chapter 3.456, no matter how unfounded, it might make me feel worse about their prospects of being the mastermind. That’s not to say that a mastermind can’t appear to die (or actually die) before Chapter 6 rolls around, of course. However, it is an uncommon additional hurdle to the story that would require some justification and a little suspension of disbelief if I’m trying to call it years before it transpires.

So, if we’re going to talk about the mastermind, I need to share my current feelings about where each character might place in the death order. Should I update the title…?

Danganronpa: Despair Time Mastermind Ranking (Least to Most) AND ALSO Death Order Predictions

These are my mastermind rankings, so my opinions on where the characters might be headed will obviously be used as the baseline. Naturally, you don’t need to believe in anything I'm about to throw out here. I’m just trying to explain my thought process so that nothing I say later on will come as a total surprise.

Also, since it’s kind of long, here’s the top of the death order section. I think it’ll provide some important context, but if you want to skip it, look for the other green, bold text.

Some of my thoughts were inspired by anderscim’s death predictions theory, as I read that pretty soon after I joined the fandom. I encourage you to go read their work as well!

The tiers are mostly pretty self explanatory– 3-4 means I think they’re at risk of dying sooner and 4-5 means I think they’re at risk of dying later. But, I’ll give everyone what I hope to be a quick rundown on each character just to explain my thinking.

Xander: Xander canonically died as the Chapter 1 victim.

Min: Min canonically died as the Chapter 1 blackened.

Arei: While I respect the concept, I personally don’t believe in the “J and Arei swapped places and Arei is actually still alive” theory, and I will be writing the rest of this post accordingly. So, to me, Arei canonically died as the Chapter 2 victim.

Eden: Pretty much anyone who’s seen my DRDT theories at this point shouldn't be surprised that I’m listing Eden as the Chapter 2 killer. The logic behind this belief has been explained by my lovely mutuals here and here.

Levi: Alright, on to the ones I don’t have any concrete evidence to support! (There is concrete evidence behind the ch2 murder, even if you believe it points elsewhere.) Levi has had a decent amount of focus already in his trainwreck of a relationship with Ace and discussions of morality with Eden and Teruko. If he does serve as an accomplice to the Chapter 2 killer (see the first link in Eden’s section), then I feel like his clock will really be ticking. He’d be trapped with the branding of a bad person, his greatest fear, and left without any relationships to lean on. I wouldn’t be surprised if someone targeted him as a victim they “believed deserved to die after what happened,” or even if Levi decided that he was doomed to be a villain from the start and decided to kill. Alternatively, he could try to redeem himself as a classic Chapter 4 buff curse sacrifice in some way. In either case (or even in the case of him just being the Chapter 2 killer), I have my doubts that he’ll be making it too much later into the game.

Arturo: To me, Arturo doesn’t feel like a character set up for incredible longevity. That doesn’t mean I’m pigeonholing him as a one-dimensional villain or pure comedic relief, just that Arturo seems like a character who might be set up to have his ideology lead to his downfall. I don’t think he’s dying in Chapter 2, as I believe the narrative would want to see how he reacts to J burning the bridges between them, but I could definitely see the story only needing one more round of daily life (or possibly a trial as well) to resolve wherever his character is going.

Charles: Look, it’s not only because he’s already been pronounced dead at 3. As I elaborated upon in Charles’ section of this post (The Jerk), Charles feels like he’s speeding towards the end of his character arc far ahead of schedule. It could just be that he needed to learn to make friends quickly before Whit makes an early exit, sending him on a secondary arc where he learns to process his current grief and fears as a parallel to regaining memories about Elliot. However, I find it much more likely that the Inevitable CharWhit Doom Scenario plays out in the opposite direction. He makes a lot of sense as a Chapter 3 victim to me.

Nico: Similar to Arei and J, I am writing all of my theories with the assumption that it really was Nico who attempted to murder Ace in Chapter 2, because I think it makes the most narrative sense. (I could keep typing out a “well, unless” every time, but I don’t really want to eat up my time writing or your time reading all of that.) Through that lens, the fact that Nico has already murdered someone and “gotten away with it,” more or less, puts them in a really weird situation. I don’t really see them killing again, as it feels like we’ve already explored the emotional and narrative implications of that happening through Chapter 2. Although, I can’t deny that it would be interesting to see the fallout of Ace being proven totally right and Hu 100% wrong. Still, if they were to be a survivor after doing something so severe so early into the game, it seems like they would have to undergo some sort of redemption for the audience to accept them as a face of hope in the end. I don’t currently see any great paths to that happening, although there’s obviously still plenty of story time for something to open up. For now, though, I feel more confident in placing them as a early/mid-game victim, likely as a consequence of choosing to harm someone else.

Hu: Given her overall lack of focus in the story thus far, I find it likely that Hu will be one of the focal characters of the Chapter 3 daily life. That could be bad news, considering how Xander and Arei fared after being focused upon in their respective daily lives, but… I dunno, I just feel like Hu would survive it, somehow? Wouldn’t be too surprised if she didn’t, but my gut instinct is that she would. I kind of see her character exiting the story in Chapter 4, no preference on killer vs victim.

Veronika: Veronika is a very weird character (an “oddball,” I’ll call it), and thus, my predictions for her are strongly based on the patterns that oddball characters normally follow. I’ll be using canon characters only, because I believe that those are the only killing games that I have the right to assume every DRDT fan has seen. But, you can apply these same kinds of patterns to many fangan characters. Don’t get me wrong, I’m all for fangans breaking from typical Danganronpa norms and following their own paths. But, in the case of how oddballs are treated, I think these characters generally tend to follow these patterns because they’re sensible writing practices. I’ll try to explain why each of these conventions makes sense in the following bullet points.

Oddballs tend not to die in Chapters 1 or 2. This is because oddball characters are generally created to supply a very niche kind of comedic relief– examples from DRDT could include Arturo’s commentary on ugly people or Ace’s bizarre remarks of cowardice. Any character deemed worthy of being included in a fangan occupies one of 16 highly contested slots. So, if you include a character for the purpose of making jokes with them, you'll want to get your bang for your buck! It’s hard to fit every joke you have in mind into only a chapter or two. The best example I could come up with for a (canon) oddball who dies early is Teruteru. In his case, the writers likely anticipated that his hyper-flirtatious nature would get tiring if it continued on for too long, and thus, exhausted all of the jokes they wanted to make in Chapter 1 before his exit. An oddball who dies this early has a limited shelf life, and is likely accompanied by other oddballs who can pick up the comedic slack.

Many have pointed out that silly oddballs often die in Chapter 3 (Hifumi, Ibuki, Tenko) as a way to signify the death of fun and innocence. You also have a chance to get rid of some of the more sinister oddballs (Celeste, Kiyo) at a point where it seems unfeasible for them to have stuck around this long without… well, killing someone. In either case, it’s because Chapter 3 is a great balance of letting a character stay in a story for long enough that they achieve whatever strange effects you wanted from them, while also clearing them off the stage before you get into the really serious business. Silly oddballs especially may not be equipped to handle the often turbulent natures of Chapter 4 without breaking the serious tone too much, so it’s best to axe them at the midpoint.

Endearing oddballs (Gundham, Gonta) have a hard time making it past Chapter 4. If Chapter 4 is serious, Chapters 5 and 6 are even more so, and the Chapter 4 killer slot in particular is a viable dumping ground for characters who don’t really have a place in the finale. Their deaths are meant to pull at your heartstrings and prove how a killing game can make literally anyone– yes, even that guy– a killer. (Miu is an outlier; more like an extended Chapter 3. Unlike THH, which has its tonal shift at the end-of-Ch3-Sakura Traitor Reveal, and SDR2, which has its tonal shift at Mikan’s insanity and death, v3’s tonal shift comes at Kokichi's accusation and Kaito and Shuichi's argument, or possibly even Miu's death itself. The Chapter 4 Daily Life isn’t all that serious in and of itself. Thus, Miu dying as a Ch4 victim functions more like killing off a silly oddball before she has to deal with all the betrayal and scheming that occurs later on.)

Oddballs really only die in Chapter 5 to the extent that you can count major antagonists like Nagito and Kokichi as Weird Dudes. As the precursor to the big, showstopping, mind-bending Chapter 5 Trial, the mood is typically pretty… straightforward. Depending on the overall plot’s arc, Chapter 5 is either the point where most of the surviving students are concluding their character arcs and learning how potent a weapon teamwork is (THH, SDR2), or a “dark night of the soul” type moment where all of the slowly growing inter-character conflicts are finally coming to a head (v3). It can also be Version A for some characters and Version B for others, but, either way, hijinks are not ensuing, basically. Plot relevant things happen here, and as such, plot relevant characters are the ones who are dying. It can be hard for an oddball to find a place in the narrative relevant enough to serve as one of its final, poignant deaths without also being a major antagonist.

Despite everything I’ve said about oddballs dying, it is definitely possible for oddballs to survive. Danganronpa is, at its core, a dark comedy, and as such killing off all of your funny joke characters before the ending is probably a bad move. Hiro, Toko, Kazuichi, and Himiko are all characters I’d call oddballs that survive until the very end. The difference in their case is that part of their oddball nature is being… kind of pathetic? I think it helps them fade into the background more. It's also probably easier to give them a character arc than some others... like Veronika.

I’m sure that you can find exceptions to these “rules” I’ve laid out, especially amongst casts that have a high percentage of oddballs (which you could certainly argue fits DRDT). However, pattern recognition brain go brrrr. I don’t think that Veronika fits the description of a Chapter 1-2, Chapter 4, or survivor oddball particularly well. That leaves Chapter 3 (sinister) and Chapter 5 (bewildering antagonist). I don’t know if it’s that Veronika doesn't seem to have much of a reason to kill at this point in time or all of Veronika’s weird mastermind coding that makes me think DRDTdev might have greater plans for her. Either way, I’m leaning Chapter 5, probably victim. Jeez, that was a long section for one character. Favoritism, I guess?

J: J gets her own category because, honestly, I have no idea what to do with her. Could J make it to the end? Sure! Could J die in a Chapter 3 scheme? Sure! Could J be the Chapter 2 killer? Well, I personally believe the evidence points elsewhere, but in terms of narrative? Sure! The only real inclination I have is that I think it’s more likely that she would be a killer than a victim, mostly because Ultimate Effects Artist is a talent that could lend itself to some really creative and fun murder setups. Given that I have more characters pegged as early game deaths right now, I lean towards J late game, but… man, I don’t know!

Teruko: Teruko is the protagonist, and also is a Lucky Student who allegedly “can’t die.” Especially after she made that claim, it would be silly if she died before the ending– it’d just kinda make her look like a fool. I’m not averse to theories where Teruko is no longer the protagonist by the end, whether by her death or someone else taking up the role for whatever reason, but in the sense that “Survivor” = “Chapter 6,” I think Teruko will survive. I’m not here to predict crazy last-minute Kiibo-blowing-himself-up twists.

Rose: I think that Rose has a really nice arc of overcoming her fears and becoming less passive set up in front of her. We spent enough time establishing her relationship with Teruko that I could see her being a good potential friend/support character to Teruko in the endgame if relationships with people like Eden or Charles fall through. (And, at this point, you know what I think about Eden and Charles…) She’s also good at delivering low-key jokes that can provide some levity without totally ruining the tone. We already saw some of that in this scene. The main things that I think could be standing in her way are her photographic memory and history of debt. The photographic memory could be too annoying of an obstacle to write around for the entire game, and instead be an ongoing effect set to expire in in Chapter 3. Additionally, a money motive paralleling THH’s in Chapter 3 could be too tempting for Rose to pass up. Really, what I’m saying is, if Rose can make it through Chapter 3, I think she’s golden. We’ll just have to see how that Chapter pans out in the future.

David: Oh, David. Currently serving as Teruko’s largest antagonist, I can see why people would think that he would die in Chapter 5. However, I’m not going to beat around the bush and pretend that I’m the only person who thinks David might survive, either. As an inspirational speaker, David is established early on as a character who should be a beacon of hope, before revealing that he’s more of a hope-sucking black hole. It would make sense if, alongside Teruko, he learns to find more of a balance between blithe optimism and cynical depression and heal as a person. He has a lot of very obvious depth that I think a lot of people want to see explored, and whose exploration would be very on-brand for the themes of a typical killing game story. Plus, if Teruko ever does stop being the protagonist, David probably needs to be alive at that point to pick up the slack.

Ace: Similar to Nico, it seems like we’ve already gotten a taste of what Ace being a victim would be like, in a way where I don’t think we’re going to see it again. He could still be a killer, but would the cowardly Ace even want to attempt killing someone and throwing himself into the scrutiny of a Class Trial? Well, it is true that Ace believes that “[neither] dying young or living a long, shitty life of suffering… are as bad as this” (the killing game?). So, he could simply grow fed up with the killing game and decide that risking a Class Trial is worth it, even if he does wind up dying young. However, if that were to occur, Chapter 2 seems like the narratively best time to do it, as it’s when his emotions are most potent and probably when others would least expect him to do it due to his weakened state. Like Rose, I feel the period Ace has most to worry about is this upcoming Chapter 2 killer slot, but if he makes it through, his arc of learning to escape his fear by bravely rising above it instead of lashing out to try to knock everyone down feels very viable.

Whit: The pro of the Inevitable CharWhit Doom Scenario is that, hopefully, one of the two would manage to make it as a survivor after the other one dies. And, I’m Team Whit Surviving! Not just based on which of the two I like better (they’re my first and second favorite characters, so I’m taking a massive L either way), but because I think it makes more sense for it to be Whit that lives further on. Unlike Charles, who feels like he’s already in the final lap of the character arc race, Whit has barely left the starting line. The laundry scene in Chapter 1 and Whit’s secret in Chapter 2 have both been used to establish that Whit focuses on his and others’ bliss in hopes of remaining ignorant of everything that stresses him. The main offender, of course, being that Whit lies about his mom being alive to presumably stave off his grief. The easiest way to give him a character arc that resolves that issue is to give him something to grieve– namely, Charles– and soon. If Whit’s main character struggle is pretending that people dying doesn’t bother him, he might need an entire Chapter or more to stubbornly show off his central flaw. Now, it is possible that, if Whit can’t overcome this flaw, he could die soon after Charles and meet a tragic fate. But, those just… aren’t the vibes, to me? A post-character arc Whit who knows how to grieve fiercely but healthily might come in handy if Teruko finds herself handling her own emotions about Xander, Min, and/or anyone else at the end of the game.

And here’s the bottom of the death order section!

Finally finished writing something that nobody asked of me at all. Well, I still think it was important, and I hope you feel the same.

Now that we’ve laid all that out, I think it’s finally time to actually see who I think the Danganronpa: Despair Time mastermind might be! Although, please keep in mind that, despite the large preamble full of story predictions, I’m still pretty uncertain on who I think the mastermind is. So, my points might not be the best supported, and I might change my mind again pretty soon after I post this theory. I expect to be far better at disproving why everyone is the mastermind rather than proving why anyone would be, because that’s generally how I feel… but, onwards we go!

#17: Arei Nageishi

(Forgive me for reusing art here, I’ve drawn these bastards ENOUGH /j)

If I were writing this after Despair Time’s prologue, like I did with P:EG, there’s a pretty good chance that Arei, at the very least, wouldn’t have placed dead last. But, well, now Arei is dead. And also last.

Obviously, there are other dead characters too. But still, Arei is the one who I most struggle to see as the mastermind. Given that Arei died as a victim whose body was thoroughly investigated by several parties, it’s pretty hard for me to believe that anyone could have missed any signs of life. I don’t get the sense that DRDT is in some kind of simulation where everyone can magically be alive again at the end either, so I think Arei is, sadly, well and truly dead.

On top of all that, we know a lot about her backstory from her Chapter 2 breakdown, and none of it seems to point her towards masterminding a killing game specifically. She doesn’t have any particular ties to any big organizations that would have helped her accomplish it, either. While she is NOT just a temporary weather spell whose absence will be celebrated and then forgotten, David… I have a hard time believing that the audience would find her character relevant enough(?) to be a good twist mastermind come Chapter 6 several years down the line.

I don’t think I really need to keep elaborating on this. Arei isn’t the mastermind.

#16: Charles Cuevas

I know it’s a bit of a bold move to put a character who’s currently alive below characters who have already died, but… man, I really just don’t see how Charles could pull this off.

And it’s not (just) because I think he’s going to die in Chapter 3 as part of Whit’s character arc, or that I want to believe that he’s a good person. Really, it’s mostly because of his phobias. How is a guy who started gagging at the sight of blood splattered on the floor supposed to be the one who orchestrated an entire death game? Could he get through the process of creating a brutal execution like Min’s without freezing up and freaking out? Even if he could do it, why would he? Sure, he didn’t seem to remember the fact that he had necrophobia until Xander died, but that might be even more of a problem. Wouldn’t the mastermind, who’s certainly had to consider the others’ deaths before, remember that they were afraid of death? He would almost certainly have to be lying about at least the scale of his reaction, although that’s probably a given if he is the mastermind.

Of course, there are mastermind subcategories that could better benefit Charles. If DRDT is actually a simulation, especially one in which the participants don’t actually die, that would definitely make it easier for him to be the one behind it. We’re also meant to believe that Charles has childhood amnesia, so he could have amnesia in other areas as well and be a mastermind who forgot they were one.

However, as I said before, I don’t particularly believe that DRDT is going to be a computer simulation or that Charles is an amnesiac mastermind. I just… don’t see this one in general.

#15: Xander Matthews

Let me preface this by saying that I’m not trying to argue that Xander is actually still alive. The concept that he would be able to fool not only Min, making her believe that she dealt him a fatal blow, but also everyone else as they identified his body, seems outlandish to me. However, just because Xander is dead doesn’t mean that he couldn’t have entered this game as the mastermind.

We know for a fact that Xander wanted to kill Teruko due to his dialogue regarding the note he received, which lines up well with the popular theory that Xander is the individual speaking in the first scene with the papers and the blood. If we assume he is that guy, then it may seem a little counterintuitive to think that the person who says “I have to end the killing game” would be the one behind the killing game. However, he also says, “Even if I can’t do that… I have to kill Teruko Tawaki,” implying that killing Teruko is of a higher priority than ending “the killing game.” Thus, if, for some reason, Xander thought that orchestrating the killing game was the only way to kill Teruko, it’s possible that he would be willing to let the death game roll for as long as it takes to eliminate his bigger target.

However, I can’t deny that the Xander mastermind theory has some massive flaws to it. For one, Xander is dead. I don’t think we’ve technically seen any evidence that the mastermind has to still be alive as of Chapter 2, but a mastermind-less Chapter 6 would be… an interesting challenge to write, to say the least. Also, while Xander betraying Teruko and the others was a great surprising hook the first time, if it happened again, it would be kind of… underwhelming, in my opinion. It’s the same kind of concept I brought up in my Eden’s Garden ranking:

Then, in Chapter 6, we’d be faced with the revelation that, wow, the mildly antagonistic character was actually a really antagonistic character all along! It just doesn’t seem like enough of a dramatic hook to me, I guess?

“Wow, the guy who betrayed Teruko and became a killer actually betrayed Teruko and was the mastermind all along! And now, he’s not even around to reap the social or karmic consequences of it!” You see.

And then, there is the literal interpretation of the text that Xander (if he is bloody hands man) obviously stands against the killing games. He’s also the Ultimate Rebel, someone who stands against corrupt institutions in general.

If Xander is revealed to be evil later down the line, it would make much more sense if it was as a traitor type. As for being the one and only mastermind, I think the odds are pretty low.

#14: Ace Markey

Hey, it’s another character that’s alive! And, this one doesn’t even have a crippling fear of death. However, he is a massive coward, and that’s the main thing that’s dragging him down for me.

Similar to Charles, what would Ace stand to gain from hosting a killing game such as this? Ace doesn’t seem to have any interest in notoriety, money, the destruction of society, despair, or any other things that I can think of that would motivate a typical mastermind. We’ve seen time and time again that Ace cares most about having control over both his life and how other people see him, even though he often fails on both fronts. I guess both of those things could be solved by hosting a killing game, but… Come on, there have gotta be easier ways to do that which don’t threaten your precious life.

Furthermore, what exactly would Ace being the mastermind have to say about the story as a whole? Jockey has to be in the running for “talents that are least relevant to a potential killing game host.” How about the idea that the mastermind nearly died in Chapter 2, only to go off the rails threatening and blaming his assailant? I… always knew that Nico was… fully in the right for doing that, because it would have killed the big bad early??? Ace Mastermind is the preferred ending for those who believe that Nico can do absolutely no wrong, lol.

I can’t remember where I saw it, but I once saw a theory of writing that said that there are two major kinds of character arcs. One is the typical character arc, where the narrative pushes a character's traits to change over the course of the story for better of for worse. The other, this theory posited, was an arc on the part of the viewer, where they learn that a character that they thought was flawed was actually not as flawed as they thought all along. You could potentially apply this kind of thing to Eden: in the first chapter, some people may have seen her as a dim-witted positive girl, but in Chapter 2, we firmly establish that her kindness is not stupidity and learn how her optimism is a strength.

So, you could say that the character arc DRDTdev is going for with Ace is something more like that, where we spend the entire game learning to treat him more seriously just in time for him to be a real threat as the mastermind? It still feels like a bit of a stretch, though– I don’t know exactly what Ace would do to make us take him more seriously that wouldn’t either send him on a growth arc not super befitting of a mastermind or wind up with him being a blackened. Ace as the mastermind certainly isn’t impossible, but I obviously found it unlikely enough that I placed him below one character who is currently (presumed) dead.

#13: Arturo Giles

Arturo’s role in the story so far is not very mastermind-ish, in my mind. In the prologue, we establish him as a cold and judgmental person who puts his own opinions of how the world works over everything else, especially how other people feel. This already feels like how a mastermind would act, so if he turned out to be the mastermind, it would be more of the same.

Then, in Chapter 2, we establish that he’s a massive simp for celebrities, to the point of transforming into something adjacent to comedic relief. We’re meant to think that his over-the-top sprites and refusal to actually listen to anything J is saying is hilariously pathetic. Other characters are constantly dunking on him, such as Teruko calling him a “bigoted” “crazy person,” and even the narrative gets in on the action when highlighting how he cares less about the fact that J’s life was at risk than that she didn’t come out of it with drip. Narratively, we’ve already seen these characters get the better of Arturo. If we the audience interpret that as confirmation that the surviving cast could easily beat Arturo should he ever come to stand in their way, it could diminish the stakes upon his mastermind reveal.

However, for all of his negatives, there are some definite positives to Arturo being the mastermind, too. Despite his comedic effects, we have seen through his threats to Eden that Arturo is very capable of being very scary in a way that I don’t think we have with Ace. The horror factor of a plastic surgeon as the mastermind could be a really fun and creepy design theme to explore. And, Arturo is obviously super obsessed with celebrities. If hosting a deadly TV show is what he thought it would take to get him in with the Hollywood celebrity scene, he might be willing to go for it.

I don’t really know why he would have made his secret what it is if he was going to get that upset about it, though. I guess if there just weren’t any better options that wouldn’t tip his hand…? Also, Arturo would blend in terribly as a survivor. If you’re heading into Chapter 6 and you have to pick the evil character out of (let me spin a wheel real quick...) Teruko, Eden, Rose, Charles, and Arturo, Arturo is definitely the evil one. (Okay, that was actually a terrible randomized draw for Arturo on the innocence front, but I hope you can imagine how he would oddly stick out of most groups.) Like I said in his death predictions, I find it hard to imagine a character arc for Arturo, which is why I find it hard to believe that he would make it as far as Chapter 6.

#12: Min Jeung

Honestly, if Min weren’t (most likely) dead, she might be pretty high on my list of mastermind choices. While not as suspicious as the Spurlings, XF-Ture Tech is pretty suspicious, even more so with the introduction of that one altDRDT character. Min is related to XF-Ture Tech, so if that company has anything to do with the operation of the killing game, she could have been the one behind it. Min is also very smart, and her talent has obvious applications for how it could have been used to set up/influence the killing game. The fact that her talent is so similar to Teruko’s, Ultimate Student versus Ultimate Lucky Student, could have also set them up for some great parallels and duality down the line.

However… Min’s role as the Chapter 1 killer throws a pretty big wrench in her chances. Beyond the dying part, Min’s role as the blackened was incredibly evitable. It’s not like she was thrown into a situation where she had to kill or be killed, or even one where a motive was particularly difficult for her. If she wanted to be the mastermind and survive until the end, all she had to do was walk away from Xander stabbing Teruko and pretend she never saw it. However, if Min’s goal was the inverse of ol’ Bloody Hands (keep the killing game running, but most importantly, keep Teruko alive), her actions could line up. And then, perhaps Min could have falsified her own execution early to draw suspicion off of her, much like Junko did by killing Mukuro.

Beyond her death, though, it’s really Min’s reaction to being the blackened that makes me think she can’t be the mastermind. The stellar voice acting in Min’s breakdown scenes makes me really believe both that this was the first time she had ever hurt anyone as gravely as she did to Xander, and that she fully believed that she was about to die. Those are two things that a mastermind, especially one headed into a fake execution, would not be feeling. Maybe Min memorized how to be a great actress too amongst all those textbooks, but I doubt it. I can still see several reasons why Min would have been a good mastermind, but her actual death and her reaction to being told she was dying knock her down several pegs in my mind.

#11: Hu Jing

Hu is a bit more suspicious to me than some others just because I think she has something to hide. Between her refusal to share whose secret she received or had herself, mysterious “I want to pay for what I’ve done” hidden quote, and intense desire to be relied upon, there’s definitely something about Hu as a person that the narrative has yet to uncover. Could that something be “Hu is the mastermind”? I dunno, maybe.

Hu also has a tendency to react to things with her temper. That could be a sort of foreshadowing to how she would act as the mastermind, much like how David’s brief spell of apathy during the prologue hinted at the way he would act further down the line. Hu’s defense of Nico could act much the same way. Our overall impression of Hu at this point is that, while she is a flawed person, she’s one of the nicest and morally best people in the game, who’s always looking out for others. Defending Nico to the point of babying them might cross the line a little, but she’s only trying to help everyone…! Hu could make it to the end as a believably heroic survivor and then reveal that all of her presumed poor decisions were actually active malice, and I think she could pull that off.

All that being said… I don’t, like, actually think that’s going to happen. In fact, I’m probably overexaggerating the extent to which people think that Hu is nice and morally good. I’ve seen several people discuss the unjust amounts of hate Hu gets in this fandom, which implies that a lot of people hate her, even if I haven’t particularly seen much of it myself. At the very least, I definitely over exaggerated the extent to which people believe Hu could survive! As implied in the death order predictions, I do personally think Hu is going to die, possibly as a consequence of getting too invested in everyone else’s business when they don’t want her to be and/or wearing herself too thin. There are paths which I believe could lead to Hu being the mastermind, but they seem to be the roads less likely traveled.

#10: David Chiem

While I have no doubts that David has the fame, charisma, and worldview to pull off a killing game… I’d have to wonder about how he would see himself playing into all of it. As we saw in Chapter 2, David knows that his career has a lot of value, possibly to himself but definitely to other people, and therefore, he doesn’t want to jeopardize it. In fact, the reveal of his manipulative secret was the inciting incident behind his massive change in characterization. So, if he were the mastermind of a televised killing game… How would he think that would play out to his viewers?

Now, to be fair, there’s a lot we don’t know about the worldbuilding of DRDT. MonoTV claims that the TV show will be broadcast to a widespread audience. Perhaps that indicates that, in the world of DRDT, publicly broadcasting talented young peoples’ violent deaths is normal, or even sought after. Maybe the cast of DRDT forgot about it.

However, David seems to think that people learning that he sees everyone as manipulable would do damage to his reputation, so it’s a bit of a contradiction either way. If the world has been wracked with despair and craves intense violence on TV, then David’s reaction to his secret is either an elaborate lie or the result of the mastermind erasing his own memories regarding the situation. (Or, I guess the public could see death as fine and dandy but manipulation as a cancellable offense, which is… one of the interpretations ever.) Otherwise, in the scenario that the DRDT world is a normal one, David wouldn’t care about being revealed as a manipulator if he’d already committed to the mastermind bit. If his career was already preemptively ruined by agreeing to commit literal murder, why get so worked up about the thought that people might abandon ship over you not being 100% honest?

And then, there’s also the whole “surprise factor” thing that I keep bringing up. Admittedly, it’s been a longer hiatus between the start of Chapter 2 and the end of Chapter 2 than DRDTdev might have been hoping for, but that doesn’t change the fact that this part of David’s characterization happened in Chapter 2. DRDT fans far and wide have written thousands of words gushing over “the David reveal” or “evil David.” If David were unveiled as the mastermind, we’d have to start writing stuff about “the first David reveal” or “when David showed his true colors again.” You see how it kind of takes the hype away from such major plot points? That’s the sort of concept I’ve been trying to get across with some of my other choices too, but a bit more clear cut.

I don’t know why I sound so much like a hater in this section (in my opinion) when I’m literally putting David at #10, above seven other characters. I guess it’s because I can see why his theatricality and traits foiling Teruko could make him a good mastermind, but also have some major issues with the logistics of him getting there. A lot of good points versus a lot of bad points settle out to him winding up someone in the middle.

#9: Levi Fontana

With our first single digit number, we’ve also reached our midway point of mastermind candidates: Levi!

Levi would be a really interesting mastermind choice because of how his character centers around grappling with his morality. I think it would be really intriguing to have a mastermind outwardly struggling with their attempts and failures to be a good person throughout the entire game, only for the player and the characters to receive the full context of the debacle at the very end. I guess in this situation, it would be pretty likely that Levi would be redeemed at the end? That’s not necessarily a problem. (Honestly, I don’t know if I think the DRDT mastermind could be redeemed or not based on the fangan’s themes… that’s a post for another day, perhaps.)

Anyways, I think that what we know of Levi’s backstory could work well with him being the mastermind. If he does have the “murderer without remorse” secret, that would be in line with orchestrating a killing game. We also know that he’s “been disowned” and that he and his family were “all bad influences on each other.” We’re meant to assume that Levi was fortunate enough to escape a bad/abusive situation (and in all likelihood this IS what actually happened!!!!), but we are hearing about the situation from his point of view alone. There is a small possibility that, if Levi is actually a despair enjoyer, his family cut him out because they thought he was a danger to their lives.

I will reiterate again, though, that I don’t think this is the case. Levi seems like he’s a chill guy, or at least that he’s trying very hard to be one despite how he’s been told to react all his life. The whole “mastermind wanting to become a good person” lens also makes less sense given how channeled Levi’s development is through Ace. Like, I would imagine that, if this were the angle DRDTdev was going for, Levi would be making an effort to get along with everyone as part of his atonement. The mastermind randomly choosing to focus on just one person out of the crowd seems kind of strange, especially when that person is someone as disagreeable as Ace. That kind of plot would have big “the mafia CEO vampire prince fell head over heels in love with me, the random average girl” vibes. Repenting mastermind Levi is the preferred ending for pining lovers to enemies to lovers AceVi shippers, lol.

And then there’s the part where I think he’s going to die. I don’t think Levi is the worst mastermind choice, but I think there are better out there.

#8: Nico Hakobyan

Yay, we finally got to one of the characters that Anon thought was suspicious! It only took… 7k+ words. Oh boy.

I definitely think that the cat coding is the strongest thing that Nico has going for them. It would be pretty funny if the extent to which “Ultimate Pet Therapist” is relevant to the plot is the climactic reveal that “yeah Nico has been talking to a (robotic) animal the whole time.” That’s a joke, as Ultimate Pet Therapist is already quite relevant to Nico’s characterization as someone who prefers communicating with animals over people, but it would be funny as hell from a character designing perspective.

There are less silly reasons to believe that Nico is the mastermind too, though. While it seems like, similar to David, pulling the trigger on Nico’s change in behavior in Chapter 2 would be a bit early, I don’t think it’s as destructive to mastermind Nico as it is to mastermind David. There’s a lot more doubt in people’s minds that Nico even did anything to Ace, to the extent that a decent number of people (in the story and out of it) think that it was someone else trying to kill Ace entirely. Nico also has a stalwart defender in Hu, which adds an extra level of intrigue to the situation. Instead of confirming that everyone was right to be suspicious of David, at least some amount of focus could be placed onto Hu being wrong for trusting Nico and failing to see someone’s true colors again, which could be interesting for her characterization if she was alive at that point.

On the other hand, the biggest reason that I think Nico isn’t the mastermind is also because of the attempted Ace murder. Why would Nico, as the mastermind, try to kill Ace at this time? If Nico wins the Class Trial, then the killing game is over, which is probably counter to the mastermind’s goals. If Nico loses the Class Trial, well, we’ll say that the possibility of Nico dying isn’t an issue, as they could just fake their own death or deny entering the execution. But still, why?

It could be that Nico was trying to remove themselves from the killing game on purpose, but I don’t see why it would be necessary. No one was particularly suspicious of Nico being the mastermind, and if they were worried about their gender identity getting out, they could have simply made their secret something else. A mastermind could kill to avoid the killing game falling into a standstill, but tensions were really high at the time that Ace almost died! With a full day left to go before the motive secrets were revealed, such drastic action wasn’t yet forced. I guess the best option would be that Nico was just really angered by what Ace said, and wanted to retaliate as part of their vicious mastermind nature. Is that worth taking yourself out of the killing game and risking the show’s termination, though…?

There is also the possibility that Nico is the mastermind, but didn’t try to kill Ace. In that case, suspicion of Nico would be such a huge in-universe coincidence that I’m doubtful DRDTdev would have included it as a major plot point.

Speaking of “show’s termination,” I also don’t know why Nico would have any involvement in creating a TV show, both from a backstory/talent perspective and a personality one. Nico doesn’t like interacting with people. Therefore, I don’t know what would possess them to want to create and join a TV show for which the major draw is a big stressful discussion between a bunch of people.

I guess I had fewer reasons why I thought Nico would be the mastermind than I thought. I would love to hear more details about why you suspect Nico though, Anon! I’m definitely willing to believe that they could be the mastermind.

#7: Eden Tobisa

Make no mistake, I still think that Eden is the Chapter 2 killer. However, in the case that she isn’t… mastermind isn’t a terrible choice for her.

The biggest draw of Eden being the mastermind would definitely be the shock value. The seemingly nicest character suddenly being revealed as the mastermind would create a huge hurdle for the surviving characters to overcome. Teruko especially, given that she probably would have grown at least a tad closer to Eden if they survived five chapters together. It would be a little mean to give Teruko a trustworthy friend just to rip it away from her again, but I could see the opportunity being used to highlight Teruko’s growth. When Xander and Min betrayed Teruko, she panicked and shut everyone out, but when Eden betrays Teruko at the very end, she’s able to remain strong and rely on the other friends who she continues to trust. Or DRDT could have an unconventional feel-bad ending, I suppose.

If some kind of time loop is at play within DRDT, then Eden’s talent would obviously be thematically and perhaps practically relevant as well. I could see a lot of comparisons being made regarding a killing game being run “like clockwork.” Her secret quote “you can’t go back, no matter how hard you try” is... actually kind of anti-time loop, but at least the concept of going back in time is somewhat related…? Speaking of secret quotes, her Mai quote, “she kept calling the number, even though no one picked it up” is also really weird. That suspicious hidden evidence could point to her being the mastermind.

However, Eden’s personality is a pretty major issue when it comes to her being the mastermind. Shock value is great in the moment, but it can ring hollow in retrospect if people find that the twist doesn’t make any sense. Masterminds aren’t typically known for their kindness or optimism. So, if Eden is the mastermind, it seems like her whole “even if this world is cruel, I’ll still make the choice to be kind” speech is a complete lie. And, that would be a shame! I don’t think that having an unexpected mastermind at the end of the game is worth the cost of completely demolishing a character that we’ve come to know and love over the course of six chapters and several years. (I’m not saying that complete demolition has to be the case if Eden is the mastermind, but I think it’s a reasonable worry that many people have.)

And, I know that all this talk about how wonderful Eden is might sound rich coming from someone who strongly believes that she just killed someone who wanted to be her best friend. But, that’s kind of the point, isn’t it? As someone who thinks that Eden is the killer, I know very well how a lot of people have a really hard time believing that Eden could do something as terrible as killing Arei. I can only imagine how hard it would be to accept that Eden was the one who put Arei, Min, Teruko, and everyone else in danger, and the one pulling the strings behind every execution.

Eden as the mastermind, to me, is more tempting in concept than it would be viable in execution. And also, I don’t even think she’s going to live to see the light of Chapter 3 day. However, there’s also some definite emotional power behind the accusation that makes me see how shooting for this ambitious choice could be worth it in the long run.

#6: Whit Young

Alright, it’s finally time to talk about Whit. I know that he’s a really popular mastermind choice, but… I just don’t see it, personally. Even though I put him at 6th place. (I do not enjoy putting him in 6th place.) Is that just because he’s my favorite and I’m attached to my interpretation of the character? Perhaps. But, I’d still like to explore some points that I find faulty.

Perhaps the biggest reason behind suspicion of Whit that I’ve seen is the way that he breaks the fourth wall. People connect his asking people to pause for the evidence list to MonoTV invoking similar mechanics, and lines such as “do you really think she’d be hanging out in the playground” to him knowing more than he’s letting on. However, there are a couple of ways that this accusation can be depowered, in my opinion.

Firstly, Whit isn’t the only person who says stuff like this. Veronika alludes to the killing game before it begins, Teruko also breaks the fourth wall to tell the viewer to pause (albeit only in her thoughts, not out loud), and Arei makes the same kind of “hanging” wordplay in Eden’s flashback that Whit did. I won’t say that characters addressing the fourth wall can’t be important at all, because I believe there are some moments where the other characters commentate on how weird it is that MonoTV is talking to no one. However, I also think that breaking the fourth wall may simply be part of DRDTdev’s humor, as exemplified by that “make sure to like and subscribe so that Teruko has enough mental strength to carry on” joke. Whit is a funny guy, so it just makes sense that if DRDTdev’s brain generates funny meta jokes, Whit would get some of them. Everything that Whit says reminds me more of Mia AceAttorney saying “hit tab to open the Court Record” than some sort of groundbreaking DDLC-Undertale direct communication with the viewer. However, I can see why others would think otherwise.

The second is that I think some of Whit’s comments (more so the “dead at 3” and “hanging in the playground” than the pause) are just meant to showcase his intuition. And, yeah, it could be that DRDTdev has been leaving crumbs of Whit’s intuition behind so that in Chapter 6, he can use it to exploit everyone’s insecurities and greatest despair. To me, though, Whit’s intuition has always reminded me of the myth of Cassandra.

For those who don’t know, Cassandra is a figure in Greek mythology who was blessed/cursed to receive prophecies, but for no one to ever believe them. By my interpretation, Whit is a really smart and perceptive guy who has strikingly accurate gut feelings about how things will play out down the road, even when he doesn’t realize it himself. However, the curse of his own coping mechanism– choosing to act like an eternally cheerful goofball– leads the majority of the other students, and perhaps some of the viewers, to never take his point of view seriously. He can only realize the accuracy behind what he said after the bad things have already happened, leading him to blame himself more and more for not being able to speak up and help when times were tough.

This kind of behavior would line up with two different themes we’ve seen from Whit before. The first, that when he jokes around without thinking, he can accidentally say hurtful things that he later reprimands himself for. We saw that when Charles blew up at him at the end of their shared FTE. The second is Whit’s major theme of good things hiding a darker undercurrent. Being the Ultimate Matchmaker is great until you’ve never had a successful relationship yourself. Having an awesome mom is great until the truth comes out that she’s actually dead, and you’ve been covering it up. Growing super close to someone is great until he dies. Having an amazing intuition and understanding of everyone is great until you can never actually use it to help those you care about. Joking around is great until it's all you can do. Pretending everything is fine is great until it’s not.

Like I said, very specific interpretation. I promise I was not citing classical literature to make my argument sound smarter than it actually is. I am aware that my interpretation of Whit is no less or more valid than everyone else’s. However, it’s one that I hold very close to my heart, and thus, I personally have a hard time seeing around it.

However, I’ve also seen a lot of people argue some valid points for Whit, so I can at least acknowledge that he deserves to be in the upper echelon of choices. There’s a lot of weird stuff regarding him in Literature Girl Insane, and he’s certainly an option of someone who felt so much grief that they became totally empty inside as shown in that one hidden quote. I would be appropriately surprised and heartbroken if Whit revealed himself as the mastermind in Chapter 6, so he checks the box in that regard. There isn’t anything from his backstory that opposes the notion that he set up the killing game, and, to quote what I said about our other Ultimate Matchmaker, Toshiko…

While Ultimate Matchmaker might seem like a silly talent to give the mastermind, it could also be a ruse to distract us from the fact that [Whit] has a talent that allows [him] to read people well and make choices that will impact their lives dramatically.

I don’t like it, but I can see the argument… kind of. To me, most mastermind Whit interpretations feel like mischaracterization, but as a theorist, I always try to keep in mind that I’m the one who could be twisting the text to my whims as well. In this my-opinions-based list, though, he’s not getting any higher than 6th.

#5: Veronika Grebenshchikova

Ooh, what spooky art for a spooky mastermind. Let’s be real, though, Veronika is way too obvious of a mastermind candidate to actually be the mastermind. Unless… she’s so obvious that she loops back around to not being obvious, and thus, is the perfect mastermind candidate?!

Veronika is in a really weird place. I obviously have no doubts that she would have any moral qualms about hosting a killing game, because she’s told us herself that she doesn’t. She knows what Monokuma is in immense detail, but claims to have no idea what a killing game is. She’s dressed really similarly to Junko, though. Is that just a coincidence? Are giant pigtails also a symbol of fear in the DRDTverse? I need ANSWERS, LADY!!!

The biggest problem I see with Veronika is the potential for obviousness. Similar to Arturo, if she actually made it to Chapter 6, I feel like it would be pretty obvious what’s going on. An oddball like Veronika is not the typical survivor type (although she could break the mold). Because Teruko’s character arc is all about trusting people, it would make sense if the reveal of the mastermind was someone who challenged her trust to some degree. With Veronika being obviously unhinged the whole time, I don’t think that Teruko would have any particular difficulties with kicking her to the curb.

However, Veronika clearly has the motive to start a killing game, and potentially to spread despair. DRDT has taken inspiration from Trigger Happy Havoc in the past, so it could make sense if DRDT’s mastermind was also inspired by THH’s. Having a so-obvious-it’s-not-obvious mastermind could also be another way to mess with theorists like me, as DRDTdev did with the comments section portion of Literature Girl Insane. “bro Veronika being the mastermind would be WAY too obvious” sounds EXACTLY like “I just hope XXXXXX doesn’t go crazy and kill in chapter 3. That would be way too predictable” or “XXXXX will obviously die in ch5”. If part of the point of DRDT is to make know-it-all analysts rethink the rules they believe to be set in stone, I could see Veronika as a subversive choice.

Veronika definitely seems to be building up to something, but I don’t know if being the mastermind is exactly it. I think that Veronika could make it pretty late into the game, but I still struggle to see her making it all the way to Chapter 6. I would absolutely love to see what DRDTdev does with her writing if that is the case, though.

#4: Mai Akasaki

(Well, now I feel bad that I’ve never made a colored portrait of Mai.)

As you may have noticed back at our first entry, Arei, I started the countdown off at seventeen, not sixteen. (If you didn’t remember that, I don’t blame you– it was a WHILE ago.) That’s because I thought it was only fair to include DRDT’s best kept(?) secret, the lovely Unnamed Student herself, Mai Akasaki, as an option! Because, man, is she mysterious in some suspicious ways.

“But, didn’t MonoTV tell the students that the mastermind was one of them? Mai isn’t one of the students in the killing game (unless prosopagnosia is REALLY going crazy), so she can’t be the mastermind, right?” Well, yes and no. The scene where MonoTV confirms the existence of the mastermind is SUPER weird. Let’s take a look at it.

On one hand, MonoTV is still in the Movie Screening Room, where it was JUST talking to the student body, so it would only stand to reason that it’s a continuation of the scene we just saw. However, the setting also seems to be doing everything in its power to tell us that this is NOT the same scene we just saw. The lights have been turned off, even though they were on in the scene just before this. They return to being on in the first scene of Chapter 1, which the students treat as being directly after the scene during which the lights were on before. The widget denoting the time, chapter, and episode has completely disappeared, placing this at an even more unknown time than “Time Unknown.” The text indicating that the speaker is MonoTV has even disappeared! I mean, I assume that MonoTV is still the one saying it, considering that it’s on screen and the speech bubble is pointing right at it, but we don’t even know that for sure!

Additionally, MonoTV refers to the viewers directly (“dear viewers”) two speech bubbles after this one, which makes it seem more like MonoTV is talking to us the audience rather than the students in the room. But then, if the mastermind is “one of you,” and MonoTV is talking to us, wouldn’t that mean the mastermind is someone in the audience? That could lead in to some really meta interpretations of the text (i.e. “DRDTdev is the mastermind of DRDT because he’s the one who created the killing game”) or it could indicate that I’ve gone fully off the rails.

A midpoint between those two ideas is that the mastermind is part of the in-universe audience watching the killing game, as in, a fictional character who is watching the real-to-them TV show that is Danganronpa: Despair Time. That could include Mai, a very notable character who is not one of the sixteen participants in the killing game.

Side note, I’ve seen some people fight back against the concept that Mai could be the mastermind with the idea that making the mysterious character the mastermind would be too obvious. While I sort of agree, I feel like we’re somewhat overestimating the extent to which Mai is obvious. It’s not like no casual viewers would know who she is, because her image was shown pretty obviously in Chapter 1. However, the name “Mai Akasaki” is only accessible by finding the hidden quotes on the optional associated website’s character profiles. To learn anything about her beyond that, you have to have the thought to type the name into the website URL, and then solve another puzzle just to see the bare bones of what’s there.

I’m not trying to assert any sort of dominance or superiority over DRDT fans on YouTube, Twitter, TikTok, or anything else, but from what I’ve gathered, Tumblr is the place you want to go for deep analysis and theories on DRDT (possibly because of Tumblr’s longer word count). Therefore, anything about DRDT that may seem like common knowledge on Tumblr may only be common knowledge to the fans who specifically bothered to come to the deep lore and crack theories website to find deep lore and crack theories. Essentially, this:

Sort of similar to what Gravity Falls did with the reveal of Bill Cipher back in 2012 (at least I think, I wasn’t actually in the Gravity Falls fandom at that time), I think it would be reasonable to plant clues about an overarching villain that people who want to analyze can analyze ahead of time, such that the villain’s arrival can come as a victory to the puzzle solvers and an exciting new development to the more casual viewers.

However, while I believe that Mai has an awesome setup that she could use to become the mastermind, whether she would actually fit the role is another question entirely. As I alluded to back in the first Mai paragraph, I’m rolling with the widely held (among theorizers) belief that the Unnamed Student in Xander and Min’s bonus episodes is supposed to be Mai. In those episodes, Mai seems to be incredibly caring, peppy, and sweet. She knows a ton of little heartwarming details about Min and Xander, and I wouldn’t be surprised if the same is shown to be true with Arei and whoever else’s bonus episodes in the future. Those hidden quotes on Mai’s profile also give off the impression that everyone in the cast really loves Mai– one could call them a “portrait of a person dearly loved,” perhaps.

While it’s possible that these scenes are supposed to highlight Mai’s social prowess and how much she can get people to fall in love with her, they… don’t really seem to be giving off those vibes. We see her thoughts in those bonus videos, and she really does seem to be dedicated to helping Min and Xander out. Mai’s change from someone who wanted nothing more than to help out her friends to someone who was willing to throw all of them into the killing game is something that would have to be explained, and it could be difficult to communicate that shift within the confines of bonus material, if Mai’s content is mostly kept there. There is the concept that Mai could have put her friends into a killing game to protect them somehow, which could be a way to avoid Mai’s character seemingly doing a total 180, but that rationale would need a lot of explanation too.

Otherwise, there’s also the problem that Mai is almost certainly dead. I won’t get super into it myself, because the amazing @1moreff-creator has already done a great job explaining why here (starts in the XI. God is Dead section). I don’t think I need to elaborate on why Mai being dead potentially before the killing game even began would be detrimental to the idea of her being the mastermind.

To be honest, I don’t know how much this idea actually makes sense. I think I’m personally more inclined to believe that Mai could be the mastermind just because I really don’t get mastermind vibes from pretty much anybody in the cast. If the mastermind simply wasn’t one of the members of the main cast, that could solve that issue, right…? Mai is very likely involved in the inception of the killing game somehow, so extending that role to one of being the mastermind isn’t the biggest stretch. However, her personality and living status do throw in some pretty big question marks, so I don’t think she should go any higher.

#3: Teruko Tawaki

Teruko was definitely the first character who I believed could be the mastermind after I watched the series for the first time. However, over time, I’ve sort of fallen off of the idea that she would be. Is that because I’m forgetting key details of the plot, or because I’m drifting closer to the truth…? Honestly, I have no idea.

Let’s start with the strongest “evidence” we have against Teruko, her motive secret: “How could I even select which secret to make your motive? Just about everything you’ve done in your life is worth killing for. The killing game is all your fault.” Although “the killing game [being] all [Teruko’s] fault” sounds pretty damning, there’s the obvious counterargument to be made that this isn’t even Teruko’s motive. In fact, the board currently shows it assigned to Xander. However, the majority of people (including myself) seem to believe that David was lying, and this secret is Teruko’s. So, let’s analyze under that assumption.

Teruko did admit to Veronika that she doesn’t know what secret could be used as her motive because there were so many. Even if that motive secret isn’t hers, that still means that Teruko has done a lot of shady stuff. Teruko’s decision to live on set forever could line up with the mastermind's goal of wanting to keep the cameras rolling as well. The very first scene of DRDT shows that someone who wants the killing game to end also wants Teruko dead, which implies that Teruko and the killing games are on the same side.

Teruko also has a prior history of concealing things about herself from us, the viewing audience. We knew basically nothing about her past or trust issues before Xander stabbed her, causing her sudden change in attitude to come as a blindside. Teruko apparently has a “risky” killing game-ending plan in mind for the end of the second Class Trial that she’s told us absolutely nothing about. And, most notably, Teruko clearly knows things about Mai that she’s decided not to share with viewers at home. (I do believe that Teruko genuinely can’t remember Mai’s name, but she does remember that Mai is similar to Xander and wanted to help, which is more than anything we would have known from the main text on our own).

Point is, DRDT is written in a way where we don’t hear a ton of Teruko’s thoughts. That would make it much easier for her to scheme something behind the scenes, as opposed to someone who we get a lot of emotional reactions or logical theorizing from. It’s actually kind of similar to the difference between Kaede and Shuichi’s styles of narration, as pointed out by ShortOneGaming in their impeccable v3 playthrough! I recommend watching their entire letsplay if you're in the mood for v3, but I found one time where they talked about this concept here. I’ll transcribe it for anyone who doesn’t want to open YouTube right now:

Gina: I do want to call– as my final sort of note– what’s interesting is that you called out immediately that Kaede’s narration was weird. That, it was always, like– dictation? Allison: Yes! Gina: It’s always, like, speaking directly to a person– Allison: Yes! Yes, I did say– It never really felt like actual internal monologue. Like, she never was expressing her thoughts or anything to us. I mean, yes, she was, but then there were those weird moments where she was, like… y’know, hiding it from the player, and… probably from herself, too, to some extent. Like, she was just like, “and then I had to go do this thing.” Um, and like, “we won’t really address how I’m feeling about this.” Gina: Yep. Allison: And at the same time, it hides it from the– the player. And that was very clever. Really good. I mean, her– yeah, her narration was always kind of weird. But, she did have moments where she had internal reflection.

Hopefully, you can see the comparison. By putting a greater emphasis on actions as opposed to what Teruko is feeling (“I kneeled down and touched his neck” after finding Ace’s presumed-dead body; “Everyone else started filtering in” when people walk into the Playground and find Arei’s corpse), it becomes much easier to have Teruko hide exactly what she knows or exactly how she feels about certain events. It’s actually the opposite of the kind of narration that Damon had (“I’m trapped in a killing game… with people who despise me. How… how did this happen? I just wanted to help… I wanted to make sure we didn’t trust each other too easily… and now I’m being treated like the bad guy” after the 0th Class Trial) that made me believe he wasn’t the mastermind!

So, do I think that Teruko would be a mastermind who remembers, or a mastermind who forgot? Well, I could kind of see it either way. Personally, I think that Teruko being a mastermind whose memories are intact is the more interesting version, and I do believe it’s possible. I also don’t understand why someone with as many trust issues as Teruko has would want to remove her own memories if it weren’t necessary. Then again, Teruko being an amnesiac mastermind could make up for some of the… issues that arise with her as a mastermind candidate.

What? She’s in third place, not first. Despite how long I’ve already talked about Teruko, there’s still more to say!

First, the problems if Teruko did retain her memories: why would she ask MonoTV about the mastermind’s identity when the two were alone? Why would she be creating a plan to end the killing game? Why would she pretend to not know who Mariabella Rosales was even though everyone else clearly knew?

And then, the problems that persist even if Teruko did lose her memories: where would Teruko have gotten the resources to plan a killing game of this caliber? Even if she had them, why would she use it on this? Assuming that secret is hers, why would she write that about herself in a plausibly public place (beyond the swapping, Arei looked over Whit’s shoulder)?

Oh yeah, back to that secret. Just because “the killing game is all [Teruko’s] fault” doesn’t mean that she’s the one who planned it. In fact, the wording sounds very accusatory and hostile for something that Teruko would have theoretically written to herself. From the first scene, we already know that there is a person or group of people somewhere who are out to get Teruko. It could make more sense if that entity is the mastermind, and wrote the secret to blame Teruko for whatever she did that got her on their bad side.

There’s probably more to be said, but hopefully you can see why I have so many mixed feelings about Teruko. I definitely think she’s one of the more likely mastermind candidates out there, but I still don’t know exactly how likely that is, y’know?

#2: Rose Lacroix

Once upon a time, a wise and powerful theory alchemist known only by the epithet @1moreff-creator postulated that Rose could be the mastermind of Despair Time, and then never elaborated on the idea at all. For centuries (a couple of weeks) the townsfolk (me) were baffled by these dark and mysterious ramblings. However, as seasons passed by, as travelers came and went, as the tide advanced to kiss the land before slinking back to its home once more– the idea… started making more and more sense?

Rose is a really smart character who has already shown her proficiency in Class Trials. In the first, she utilized her ability to perfectly capture the scene and her knowledge of chromatography. Although her talents haven’t been as useful so far in the second, she’s still managed to keep up with the conversation despite never looking at the scene of the crime. Thus, I can see why, from a writing perspective, DRDTdev would choose to make his mastermind the Ultimate Art Forger.

There’s also the angle that Rose is a criminal, and therefore could be willing to do illegal or immoral things. However, she does seem to be pretty remorseful about it, and she’s already been caught for her criminal behavior before. Unfortunately for her, her relationship with her saviors the Spurlings only makes her all the more suspicious. Even if Rose didn’t want to be the mastermind of a killing game, if the Spurlings forced her to do it, she might have not had a choice. (Xander is very against the Spurlings… Xander is bloody hands guy → stop the killing game → stop the Spurlings?)

I also like the angle of “the Spurlings forced her to do it” because of what I talked about back in Mai’s section– the concept of the mastermind not being among the students. In Rose’s case, you can get the best of both worlds. The entity behind the killing game, the Spurling Foundation, would be a group outside of the killing game for MonoTV to contact, but there would still be a student among the cast’s ranks to suspect and accuse come Chapter 6.

What’s the argument against Rose? Well, I would ask why Rose would want to put herself in this kind of situation, but if it was the Spurlings’ choice, then that explains that. You could say Rose has been too helpful to be a bad guy, but everything she’s done so far has been to help the students win a Class Trial. That keeps the killing game running, which keeps the show on. The biggest problem I’m thinking of at the moment is the notion that the Spurling Foundation would have chosen to make Rose’s secret about how her backstory led her into their clutches. However, the secret doesn’t actually acknowledge the Spurlings by name, and it also frames Rose’s crimes in a way that makes her look like a good person– the opposite of what someone would think of as a mastermind. The secret was also only intended for Rose’s eyes, so it could have functioned as more of a low-key threat to remind her why she needs to stay in line.

Shouldn’t all of this talk of Rose lacking agency make her a bad mastermind candidate, though? If a villain doesn’t even believe in their villainous motivations, the story could end on a really flat note, with the good guys steamrolling an evildoer who doesn’t really care. How are we supposed to reach a satisfying conclusion if the mastermind hardly has anything to be held accountable for?

Those are normally things I would argue, but as many have pointed out, Teruko isn’t a normal protagonist. Actually, I think that this kind of mastermind setup for Rose could be a great way to end Teruko’s arc about learning to trust other people. Rose is the mastermind, somebody who shouldn’t be trusted…! It would be so easy for Teruko to just crush this person who betrayed her into dust– Rose isn’t even putting up much of a fight. But in the end, Teruko will choose to be patient, and see that Rose never wanted to betray Teruko. Even if her actions wound up hurting Teruko and many others, she still deserves a second chance, or at least a second evaluation.

As you saw in the death predictions, I obviously believe that Rose has the potential to make a late game run, whether as a survivor or something else. Writing all of this out, I can see even more clearly why Rose just might be the DRDT mastermind. However, despite all that I wrote, the idea still feels kinda more like a fun AU than the actual truth to me…? So, I still think there’s one person whose chances I like slightly better.

#1: J Rosales

Whaddya know, J’s personal ??? tier catapulted her into the lead. It is probably true that my uncertainty about where she might land is contributing to me deeming her the mastermind– it’s a really weird space in the kill order, as someone who survives long enough to theoretically have a positive character arc while sometimes not being counted among the survivors at the end.

Part of why I put J this high is that I really like the theory of J being the mastermind along with her brother, Ryan. Sadly, I cannot find any of the original theories that postulated this idea to link to, so I’ll try my best to explain what I remember myself. Basically, some people found the scene in c1e4 where Rose doesn’t remember who J is suspicious. They combined this scene with J’s younger brother, Ryan, and J’s talent, the Ultimate Effects Artist, to suggest that J could be using her FX talents to disguise Ryan as herself and have them occasionally trade places. From this Q&A, one of the few things we know about Ryan is that he enjoys crossdressing, which furthers the idea that he could enjoy pretending to be J. Ryan is also (to my memory) the only DRDT character’s sibling whose name we have seen in the main text, which could indicate that he’s more important than Arei’s sisters, Levi’s brothers, or other potential siblings.

I think it’s a really fun idea that I would at the very least want to see come to fruition, regardless of how likely it is. If J was working with Ryan, you can once again repeat the argument that there’s both a mastermind for MonoTV to talk to outside the game and one to be accused within the game. The biggest issue with it is that I don’t know how Arturo wouldn’t see the differences between the two, even if Rose may have. Maybe if J and Ryan haven’t swapped since the Rosales secret got out, and won’t swap again until Arturo dies…? I don’t know, I’m getting ahead of myself.

The thing is, other than just being a unique and interesting concept, I’m not really sure what the point of having J and Ryan swap would be, in universe or out of it. (This is why I wish I could’ve found a link to the original theorist... :,( ) My best argument for in universe would be that there are some things that only J has the skill to do, her being the Ultimate Effects Artist while Ryan is not. However, they couldn’t just have Ryan be the one in the killing game full-time, because he’s too young and therefore wouldn’t have been part of the original Hope’s Peak class. Thus, there are some points in time where J needs to be working behind the scenes (like on the executions or something), and during those intervals, Ryan subs in. Metatextually, I guess it could show how every person in the entertainment industry can be cutthroat, or that every child of a celebrity is bound to get messed up about it somehow…?

Regardless, even if Ryan isn’t involved at all, there are plenty of reasons to suspect J on her own. Ultimate Effects Artist is a highly suspicious talent when it comes to the deception of a killing game (just check out how many people think J already used it to kill Arei), and in connecting her to Hollywood. J may claim to specialize in theater as opposed to television, but 1) she could have been lying, or 2) that could be true, but she’s making an exception this time. Even if she normally works in live theater, if you were a TV executive approached by the daughter of Mariabella Rosales who is also a Hope’s Peak Ultimate student in her own right, would you really turn her away…?

J’s custom weapon is also pretty suspicious. Even if it doesn’t seem to be able to trigger traps like the one used on Levi (though that could be another lie), I could still see it being pretty helpful for subtly operating MonoTV, turning on a monitor, starting an execution, or stuff like that. Charles essentially confirms that the custom weapons were in the students’ rooms since they all woke up, which means that J could have had this remote on her the entire time.

J’s relationships also seem potentially mastermind-y. Thus far, the two characters with which she’s been associated most are Arei and Arturo. Those two (at least, prior to Arei’s change of heart) have been so clearly villainous and hateful that J would obviously look like a nice person in comparison. Why is this helpful? It means that J can get away with doing more objectionable things without raising any huge red flags. If J is the mastermind, we can look back on her demolition of Arturo in the Chapter 2 Trial as a brief early glimpse into how cruel she can really be. But, for the moment, although it’s definitely memorable, many people (including myself) can react to it with a, “yeah, but based on what Arturo was doing to her, it’s kinda justified…” (Not saying it isn’t somewhat justified either way, just that it could also be something more.)

J could also have a range of motivations related to her hatred for her mom. Maybe she’s trying to turn people against the Rosales name to ruin Mariabella’s reputation. Maybe this killing game is a plan to finally have a big artistic success all on her own (or with Ryan) to prove her mom wrong. Maybe she thinks that a world so enamored with fame and glamor deserves to rot in a pit of despair. I don’t know which of these options would be the most likely, but I could see how any of them could be possible explanations for how J got to this point.

I think my biggest argument against J once again comes back to the “why”. I think that J has a lot of potential to be a good mastermind, but I don’t know if that carries over to being a good mastermind for Teruko. Unlike with Rose, I don’t have a good sense of how J being the mastermind would tie into a satisfying ending to Teruko’s trust arc.

@venus-is-thinking and I sometimes like to run randomized killing games as a fun writing exercise (randomize the cast, motives, and mastermind; see where it takes you), and we’ve generally found that the most compelling protagonist-mastermind duos either have the protagonist sharing the same worldview with the mastermind, or being the only person who believes the opposite.

If the protagonist starts with the same beliefs as the mastermind, then defeating the mastermind is a showcase of the protagonist’s development. Hajime and Izuru work as protagonist and mastermind because Izuru is the manifestation of Hajime’s belief that only talented people are important and can make an impact on the world. By renouncing Izuru, Hajime proves that he’s learned that anyone has the chance to change their future if they put in the effort.

If the protagonist has the opposite opinions from the mastermind, then it proves how crucial the protagonist is to the narrative because they are the only one who could deliver the critical message. A great example of this is Shuichi and Tsumugi. When Tsumugi tries to set up the conflict of “hope good, despair bad” that will keep the killing games going, all of the other surviving students fall for it. Shuichi being the only character who has spent the entire game learning the importance of balancing two extremes makes his callout of Tsumugi incredibly satisfying, and justifies the protagonist swap by proving that Shuichi is the only hero who could have saved this day.

That’s why I think that J would be a great mastermind for a protagonist who has issues with family or stardom, but might not be the best choice for a story with Teruko at the helm. Those are only my observations, though, so I’d understand if DRDTdev planned things differently.

And that is finally the end! Here’s the final tierlist I wound up working off of, which I fiddled with a TON while writing:

(It’s based off of Ocean Unknown’s tierlist!)

Since this has already gone on so long, I’ll try to keep the conclusion brief. Please take all of this with a grain of salt, as I wound up making a lot of claims about writing that don’t necessarily have the strongest foundation. I didn’t write anything that I think is blatantly false, obviously, but whether it’s good advice or not doesn’t necessarily mean that DRDTdev considered it. We may have different priorities in telling a compelling story. And, we’re less than two chapters in! Even the end of the Chapter 2 trial could throw a positive or negative wrench in any of these profiles.

Thank you so much for reading through this whole thing, and if you got through it and still have anything you want me to elaborate on further (a specific character, a specific theory, a specific aspect of fangan writing, etc), I would be happy to do so. I, uh, really hope that this answered the question that Anon asked, haha. Until next time… stay wary. There could be masterminds lurking about...!

136 notes · View notes

chalkrevelations · 10 months

Text

There are things I say to my partner in the privacy of our living room when I’m blowing off steam that I would never in my life say to friends or other family members or bosses or work colleagues or fellow community members. I do this not because I’m two-faced but because I’m human. I get frustrated, but I’m also a grownup who realizes that my frustrations and fears in that moment are not the entirety of who I am. I have a right to express them, but I do not have the right to inflict them on the people who would be hurt by them. That’s why those conversations happen in private, in a safe space of trust, where my relationship allows me to show my partner parts of me that aren’t perfect and allows my partner to show me that I don’t have to be perfect in order to deserve to be cared about. I get support through my petty moments until I can be a better person.

This latest attack on Build is a horrifying violation of privacy and trust that leaves me feeling literally nauseated. I once again reiterate that I don’t trust third-hand amateur fan translation to be accurate and contextual, particularly given the provenance of the material, but Build himself is apparently distressed enough by at least some part of the material to make a public apology. So, that being out there, I will say: This was a private matter that should have stayed private, out of respect for everyone involved. Whatever was actually said is nobody’s business except Build’s and now, unfortunately, any named individuals who this was inflicted on and who may have been hurt by it. Which, rest assured, was the intention - to hurt not only Build with this, but also, particularly, Apo and Bible, both of whom Poi has shown her dislike of and ill-will toward in the past. I suspect some people also don’t know how abuse works, and it shows, given that what was purportedly said is a reflection of Poi’s own views back at her.

Whatever the context, I see that purity cancel culture still insists on freezing people in amber in their worst moments - without recognition of any capacity for change or growth - as long as it provides ammunition for a smug, gleeful Particicution. You’re stuck on some unkind things Build supposedly said more than a year ago? Let me tell you what I’ll remember for the rest of my life: The small, broken sound of Build’s voice just a few months ago as he tried to protect Bible and Bible’s career from a sociopath, in a telephone call that he felt he needed to secretly record as evidence of how he was being manipulated and abused.

Meanwhile, I see that swathes of KP fandom continue to be complicit in Poi’s campaign of public and dehumanizing abuse of him, which now includes not only borderline revenge porn, but separating him from his friends and isolating him. This is what abuse looks like. It’s happening in front of your eyes. Do you even care? Do you actually, legitimately care about abuse, or is it just a tool for you to use to win petty shipwars and make yourself feel righteous? Because here it is. Take a good look. This is a textbook play. And if you’re participating in reposting those screenshots of private conversations and mocking Build’s relationships and spreading vituperative language about him and acting like he deserves to have his life and career destroyed, you’re enabling an abuser. You are aiding and abetting her, as the very scenario she threatened him with - in order to maintain access to him, to keep him under control and compliant - continues to get spun out. YOU are a bully and a hypocrite and an abuser, helping to prove that the most dangerous time for an abuse victim is when they leave.

But I guess some victims do have to be perfect, huh?

(ETA: 7/18/23, 1520 - This post is being linked on Twitter by @cherryluminary with my permission. I'm not over there, but I increasingly feel like it's important to name what's happened, and continues to happen, to Build online as what it is - abuse. Similar to to my last post that breached containment, I'm going to ask people to remember that the behavior of Build's fans reflects on him - however fair that may or may not be - and should remain above reproach. I understand being angry - I'm angry, and at more people than I've discussed publicly, at this point. But if I find out you've been descending anywhere near the level of the ugly little sociopath in my inbox who openly admitted they want Build to kill himself, I'll block you.)

#build jakapan #do NOT show your ass in my inbox or anonymous will be turned off

236 notes · View notes

Last Seen Blogs

uterusclub

Uterus Club

haysianrose

Kelly Marie Tran & Rose Tico

jhouty-blog

jhouty

thelifeofniy

travelsofanoldhippy2

Travels of an Old Hippy