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#endgame never happened
irondadmadlads · 1 year
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Irondad Prompt #171:
Peter: Hey Morgan, can you keept a secrect?? 😉
Morgan: Yeah!
Peter: *whispers something to Morgan*
Morgan: REALLY??? 🤩
Peter: Yeah, really—
Morgan, running off: DADDY!! PETEY WANTS TO CALL YOU DAD!!!!
Peter: 😳
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esouliie · 1 year
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thinking about nat reassuring clint on vormir. her whispered “it’s okay” before she launches to her death haunts me.
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riccochetwhispers · 1 year
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Made this a while ago cause my friend is a gremlin >:)
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atomicradiogirl · 4 months
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house md is in a way extremely groundbreaking and no show has gotten even close to what it managed to do. house is a disabled character who stays disabled for the whole series and yes he is a flawed and damaged person and his bad actions are in line with his character and dealing with chronic pain. he changes even though he is adamant for the whole show that people don’t change. house becomes self sacrificing and learns to love in his own flawed way. he goes to therapy and seeks help and support and he is 100% not the same person he started out the series as. there are canon queer characters that aren’t only treated as jokes and have actual three dimensional character arcs. there are unhealthy relationships and healthy relationships. there is loss but it’s not treated as shock value. actions have consequences. characters stay and go. house md is just as real as it is outlandish at times. it skirts the line with absurdity and realism. it’s beautiful and tragic and at it’s core it is a story of love and becoming a better person despite your trauma and flaws. it doesn’t treat house’s trauma and disability as an excuse for his actions but it’s why he is who he is. and despite all of this, house is happy at the end of the show even though the one person he truly loves, his male best friend, is dying. they could have gone the conventional route and gave wilson a female love interest who is actually good for him at the end of the show and yet they choose to have him run away to spend his final days alive with house. and this show ended before gay marriage was legalized. oh my god.
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endoplight · 6 months
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The Wolf and her Moon. Reposting this from my Twitter and Instagram, @EndoPlight.
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elkdiaries · 2 years
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how am i supposed to sleep at night knowing that david harbour and finn wolfhard ship byler
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stone-stars · 24 days
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a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…
you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.
and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.
it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--
the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.
melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.
the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.
the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.
anyway. this was a post about naddpod music.
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anonfromtheflight · 3 months
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griefpersevering · 4 months
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tony and peter are having an excellent christmas, if you were wondering. morgan and peter are building the lego avengers tower together while tony burns the christmas dinner leftovers and pepper eyes the fire extinguisher in the kitchen
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stagbiitle · 4 months
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and then they tried to gaslight us into thinking they weren't supposed to be endgame
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cherrymoonvol6 · 7 months
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extremely unwell after thinking how luz changed hunter's fate 3 times...
...the first by being with him when he learns the truth about belos (and turns on him because of luz), ensuring that belos doesn't kill him like all the other grimwalkers
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...the second by switching places with hunter (with help from gus), making sure that belos doesn't squash the last loose end before the day of unity
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...and the third by introducing flapjack to hunter - and therefore leading to the moments in TTT where flapjack tries letting luz use his powers to save him, and then sacrificing his life to make sure that he lives
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it is the destiny of every grimwalker to turn on belos and die by his hand - and it's only thanks to luz that this time it doesn't happen
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bucksangel · 1 year
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mamihlapinatapai (n.) a look shared by two people, each wishing that the other person would initiate something they both desire but which neither wants to begin.
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frozenfrogz · 27 days
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I’m on my hands and knees praying that byler gets murray’d and I know they will. So this is how I think it’ll go. Murray goes back to his house or bunker or whatever and the party and everyone else needs to tell him what’s going on. They can’t contact him so they need to go in person. (Idk why they can’t contact him but let a girl dream) They decide on sending Will and Mike to go because Will can explain the best to Murray because he can also feel Vecna/One/Henry and blah blah blah whatever. (And Mike is with him because why would he not be?) They get there Mike will ring the doorbell and Murray will say look at the camera. Mike will look at the doorbell and Will will look at the camera. (Like Johnathan and Nancy expect we all know it would be the Wheeler this time looking at the doorbell) They sit down tell him about it and Murray starts Murraying. He tells Mike that Mike and Els relationship is toxic and Mike doesn’t love El, he loves the idea of her. (Just like how it went for Johnathan and Nancy) After all that, Mike will be pacing in a room at night complaining to Will about what Murray said saying it wasn’t true and that it’s ridiculous he said it. Then, Will asks if Murray was right and if Mike actually loves El and not just the idea of her. Mike is at a loss for words and just stares at Will mouth open in shock at the question. Will then will continue and say the after Murray talked to them both he talked to Will separately saying he knows he loves Mike. Will tells Mike Murray was right and he does love him. There will be a moment of silence then Mike will sit next to Will on the bed. They stare into each others eyes then have a soft sweet kiss and because I don’t want them doing what Johnathan and Nancy did cause why would I they just cuddle the rest of the night.
I don’t exactly want the whole confession to be like this because I eat up the idea of them fighting then it becomes emotional and they confess. I still think they will be getting Murray’d but they will confess later on. Mike will just realize his feelings truly then. If the Murraying does go like Johnathan and Nancy’s and they confess by the end of it I think this is how it would go.
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idk-bruh-20 · 10 months
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Hey remember this scene?
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Why didn't Strange just do that to Thanos???
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Something rubbed against his leg beneath the table. Jon saw red eyes staring up at him. “Hungry again?” he asked. There was still half a honeyed chicken in the center of the table. Jon reached out to tear off a leg, then had a better idea. He knifed the bird whole and let the carcass slide to the floor between his legs. Ghost ripped into it in savage silence. His brothers and sisters had not been permitted to bring their wolves to the banquet, but there were more curs than Jon could count at this end of the hall, and no one had said a word about his pup. He told himself he was fortunate in that too. His eyes stung. Jon rubbed at them savagely, cursing the smoke. He swallowed another gulp of wine and watched his direwolf devour the chicken. Dogs moved between the tables, trailing after the serving girls. One of them, a black mongrel bitch with long yellow eyes, caught a scent of the chicken. She stopped and edged under the bench to get a share. Jon watched the confrontation. The bitch growled low in her throat and moved closer. Ghost looked up, silent, and fixed the dog with those hot red eyes. The bitch snapped an angry challenge. She was three times the size of the direwolf pup. Ghost did not move. He stood over his prize and opened his mouth, baring his fangs. The bitch tensed, barked again, then thought better of this fight. She turned and slunk away, with one last defiant snap to save her pride. Ghost went back to his meal. Jon grinned and reached under the table to ruffle the shaggy white fur. The direwolf looked up at him, nipped gently at his hand, then went back to eating.
Jon I, AGOT
It's interesting that GRRM would dedicate several paragraphs to a seemingly unimportant exchange between a boy, his wolf, and an unfriendly third party. But there's just something about this passage that has continued to nag at me for years since I first read it because, considering how heavy handed GRRM was with the foreshadowing in AGOT, this feels important.
Jon is sitting at table full of squires - aka would be knights. We don't really know who they are or what families they belong to, but it's safe to assume that they come from a certain level of privilege; this is considering the fact that it cannot be financially easy to be a squire. And these boys already have a slew of tales detailing all their previous knightly exploits regarding "battle and bedding and the hunt" which suggests that they have some capital. So you have boys who will soon be men. And they will, presumably, become men of some power.
These lads eat their fill of the chicken until only half remains, which Jon then gives to Ghost. The direwolf's name is not so important here but what he represents is. Throughout the series, we're told that Ghost is reminiscent of the weirwood trees (because of his red eyes and white fur). He's stated to be of and from the Old Gods and since he's a personification of the weirwoods, he might as well be one of them. It's almost as if Jon is presenting whatever is left on the table to the Old Gods (Ghost). He lets them devour his offerings while he silently watches. And the motif of watching is so interesting here because it's kind of like Jon takes on a stewardship role - to watch over land/people/etc. He oversees Ghost eating the chicken, so he's overseeing whatever has been given to the Old Gods. This is not new imagery to his arc. As a brother of the Night's Watch and eventually its leader, we have several instances where he leads people to adopting the Old Gods in some fashion. In ADWD, several recruits swear their vows to the Old Gods while he watches on as their Lord Commander. The Old Gods are also primarily of the North and we're told that Jon has more of the north in him than his brothers; interesting that this also includes Bran. So perhaps whatever is being offered to the Old Gods relates to the North.
We must also note that Jon initially thinks to give only a small portion, a leg, before pivoting and providing the entire thing. It feels to me a bit like the process of carving up a kingdom or something similar. The lords (represented by the squires) take what they want and leave aside what they don't; or perhaps they have eaten to their fill and can take no more. Then when his time comes, Jon first considers a small piece of land/group of people before eventually absorbing all of whatever is left behind. The concept of carving up a kingdom rings harder considering that we have several callbacks to the ideals of kingship in this chapter. Robert, Jaime, Tyrion, and even Mance though we don't know it yet, all play into this. And then there's the aspect of Jon letting the chicken slip between his legs which evokes birth/fatherhood, a very curious choice when GRRM could've just had Jon place the chicken on the floor. So land/people are carved up and Jon then uses whatever is left to birth his own type of kingdom. And this kingdom is one for the Old Gods.
This also touches on something that has been quite prevalent throughout Jon's arc. It's the concept of accepting the "others" or "those left over" who live apart from the accepted social norms. Arya (a tomboy), Sam (a gender non-confirming boy), the Night's Watch (criminals, extra sons, and men who have no future left or place to go), and even the wildlings are all examples of this. And Jon takes on a leadership/paternal role to every single one of them. He looks after them as a leader would/should. Sometimes, in the case of Arya and the wildlings, he's equated to a king. He's a steward/shepherd/king. There's messianic undertones to this:
Come unto me, all you who are heavy laden, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light." (Matthew 11:28-30).
If you're familiar with Judeo-Christian tradition, you'll know that Jesus is often personified as one who spent the majority his time among the outcasts. The idea is that he came to save them too and that anew kingdom (or new earth depending on your translation) would spring up after the end of the world where he would forever rule as king; which presents the idea of a final king after the earthly ones are done away with. Now GRRM isn't so heavy handed with Christian allusions as other authors out there, but he does have a Catholic background and Jon is so overtly a Jesus figure. And in Revelation, Jesus is king and god at the very end....
One last thing: the mention of the mongrel who challenges Jon has always been rather interesting but confusing to me. A mongrel doesn't really relate to one specific type of dog. But it's interesting that Jon notes several roaming about where he is. They follow the serving girls who carry the food to be offered. Mongrels are used to describe antagonist/villainous groups in ASOIAF. Sometimes, they're used to describe slavers in Essos. But what's interesting is that most of the time, they're used to describe Euron's Ironborn especially in Victorian's POV. So I don't think the mongrel who challenges Ghost is a supernatural threat of death (i.e., the Others) but rather a human one. They represent those who are called to the scene once the lords have finished playing their games. It almost feels like a feast for (carrion) crows....
But it doesn't really matter because this mongrel isn't much of a challenge for Ghost. Though the mongrel is much larger, the direwolf is able to fend her off very effortlessly. Given that "mongrel" is used to describe Ironborn raiders, could this exchange between Ghost and the mongrel point to reavers or sea raiders who rise and fail challenge Jon kingdom? There is a historical King Jon Stark who did this....
When sea raiders landed in the east, Jon drove them out and built a castle, the Wolf's Den, at the mouth of the White Knife, so as to be able to defend the mouth of the river.[1][2] His son, Rickard, followed him on the throne and annexed the Neck to the north.
ref.
So this might shed some light not only on Jon's already published arc, but also on what we can expect in the future. We have some foreshadowing through Jon's ADWD dream that he will not only rise with the dawn (thereby live through the Long Night), but will be in a position to lead people (wildings in that chapter) to a new peace after a hard fought war. Also remember that the wildlings, rather enthusiastically, swear oaths to him as if swearing oaths to their king. In this instance, the supernatural (a dream of the war for the dawn) is followed by the natural/human. So perhaps this particular passage (and Jon's dream) can be used to predict that Jon comes out on top, and quite effortlessly too, as a leader. And he becomes a leader who rules by association with the Old Gods; or rules a kingdom for them.
To end, I think it's of note that this passage immediately precedes Jon's conversation with Benjen where he voices his desire to go out on his own - the hero's call to action. This is the adventure that's going to kickstart his growth as a man, warrior and most importantly, a leader. So it looks like before we even began, GRRM telegraphed how it would all end in just three short paragraphs.
#jon snow#asoiaf#valyrianscrolls#ghost the direwolf#some random extra thoughts:#the aspect of fatherhood is closely tied to kingship as kings are often regarded to be the fathers of their nations#so we might see a parallel where jon-like dany-doesn't have children of his own physical body#but rather rules a kingdom as its symbolic father#think of how odin-a mythical parallel for jon-is called the all father because he is father to all men/lands#also it's interesting to me how kingship is a theme but it's almost like the actual theme is that of kings coming of going#but jon remaining and prevailing above all#we have robert who is a disappointing/bad king and his rule doesn't last very long and neither will his dynasty#jaime looks like a king and even if grrm didn't go through with his original ideas he was never meant to rule for long#in the new story jaime is symbolic of rhaegar a would be king whose time comes and goes leaving jon to pick up the pieces#then tyrion who stands “as tall as a king” but not quite! he still is not as tall as jon and tyrion also says in a later chapter#that soon he'll be even shorter than ghost + tyrion wasn't hand for long#mance who is hidden also has his time as king but it's very short lived and jon later absorbs his kingdom to make his own#so we have the wolf devouring the “left behinds” in a way but the interesting thing is this happens in reverse doesn't it#might Jon's new kingdom not only be made of remnants of the nw and wildlings but also have those left behind from the rest of the 7k?#it's possible since jojen tells us that once night comes all cloaks become black 🙂#so yeah this is all just more jon endgame king of winter/a new north propaganda lmaoooo
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chirpsythismorning · 7 months
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You know who I’m really gonna feel bad for when s5 drops..? Milkvans who love Tangled. They will never be able to enjoy that movie in peace again 😭
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