Ugh I will always love the concept of Katara using blood bending to revive Zuko after the last agni kai, mostly because it makes no sense to me that Zuko was able to bounce back so easily after being struck by lightning, but also because the way the show treats bloodbending is just odd to me. It was a defense mechanism created by a traumatized victim of some of the most devastating parts of colonization, and although I understand that Hama was supposed to symbolize the "bad parts" of waterbending and was important for Katara's growth in realizing that the world isn't entirely black and white, its still disappointing to me that the show never explored the gray areas of blood bending, especially since that episode was, as I stated above, about understanding the gray areas of the war. Katara using blood bending to revive Zuko would add so much to the last agni kai in demonstrating that she has truly realized that "good" and "evil" are relative concepts, and Zuko being saved by both a defense mechanism of a survivor of colonialism and a type of bending used to terrorize his people would have even added to his arc, as the narrative required him to save and subsequently be saved by the physical embodiment of everything his family sought to annihilate.
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Clark is taking Kon and Jon out for a classic, super-style bonding flight. Just a quick jaunt around the US and back!
They don’t get far. Somewhere in Illinois airpace, they run across another family.
The three (a hulking man, a snarky teenage boy, and a cackling youngest girl, each a grayscale blur in the blue, blue sky) throw neon-lit beams of energy at one another, quips and insults flying almost as fast as they do. It looks like training. It looks like fun!
The boy of them looks like a younger version of the man. Exactly like, even. Clark is familiar with clones.
The youngest, a girl, looks like both of them, but not quite. Perhaps she will, age sharpening her childish features, but it’s hard to say. More likely, she’s the man’s daughter.
Interested, Clark introduces himself to Dan. He seems to be a hero in his own right, even if Superman’s yet to see him in action. And it’s not often Clark sees a family so like his own!
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Hot take, I really don’t think we should assign human morals onto animals and call them bad or evil. Fishblr has internalised this idea really well with sharks, and I think that’s good! Sharks don’t deserve all the fearmongering they suffer from in media. But… can we please remember to extend this to other animals too? Even to intelligent animals like dolphins (most commonly bottlenose dolphins) and orcas. It seems to be a counter to pop culture’s tendency to show dolphins as complete angels when they partake in some messed up things, but like…. Dolphins are still animals? They may be able to recognize themselves in mirrors and they may have language and culture and know how to use tools but their intelligence is still on the level of a human child (and how empathetic are those!!??). I see people talk about how evil dolphins are but I never see people talking about other animals the same way, like, why aren’t sea otters and their “evilness” the topic of discussion? :/
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Just how fucked would it be if they somehow managed to incorporate Jays yin medallion (if he still has it) into his evil outfit, Like a belt buckle or strapped to his arm, a shoulder pad or something else along those lines.
Then they had him fight Nya while he’s just openly wearing his own wedding ring 😭😭😭
THERES SO MUCH THEY CAN DO MAN.
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Going into Alecto, I think it's important to expect that the series won't conclude with a clear lesson. Either about morality—what makes a good person, evil getting their just desserts, ect—or a thesis on decolonization. It's not that kind of story.
Deep down, this series is two drunk girls bearing their souls in a dark corner of the bar. An hours-long conversation that wheels wildly through pop culture, past trauma, theoretical physics, dreams and aspirations, global warming, hairstyling, friends, family, gender, personal insecurities, world history, favorite foods. It has a lot to say, and a lot of it profound, but it's not trying to teach anything. At the end of the night, the point was how fucking cool that girl was, and the potent electric potential for something lgbt to happen
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