#but that didn't fit anywhere in the main post | Explore Tumblr Posts and Blogs

alienside · 2 years

Note

hi and also hello. may i please hear everything about seia i would like the seia breakdown please and thank you <3

seia breakdown!!!! seia my beloved <3

the short version is that seia is 95% of keldan's impulse control. long version under the cut

okay in my head i picture seia as being from like a mountain village whose primary economy is mining-based. this is almost completely irrelevant to the actual story but i planned out everyone's backstories like three years ago so you're getting it. seia's naturally smaller than most people from these mining villages tend to be but he was also more sick than the average kid (which did not help) so growing up he was sort of on the frail side. that being said there was absolutely zero like "gender role" expectation that he would ever have to work in the quarries, because his culture doesn't really have Gender the way others do, and thus don't have gender roles either; everyone just contributes what they can to make sure the household runs smoothly, which means seia grew up helping out with stuff like finances, gardening/animal tending if he had the energy for it, sewing/mending clothes/weaving, other stuff around the house that's less physical labor. (btw this cultural view of gender is also why seia's nonbinary; he literally just cannot be bothered with translating his experience for others, and the first person who spoke to him in another language assigned him he/him pronouns and seia was like "whatever".)

anyway. there's some imperial/war-related stuff that happens next. crown soldiers show up, "this land belongs to this nation now", and they ship off basically everyone who's still school-aged to boarding schools in the empire proper. (two notes: first, i haven't named like most of the places that are relevant to backstory. yes i've had this wip for years. move on. second, i am assuming you've heard of cultural genocide. that's what's happening here.)

seia ends up rising through the ranks so to speak and gets a lot of attention for his knack for languages. he ends up in service of the crown that kidnapped him (this is probably around age 16 or so), as a translator/interpreter, and after a couple years ends up sold/traded to the highest bidder (melati's father, the king of. yet another name i haven't thought up yet.) they use nicer words than "sold/bought", because "slavery is illegal", but i'm not going to pretend seia had any choice in what's happening.

he does use his essentially-free access to royal libraries to do a LOT of reading, both before and after the trade. he teaches himself a lot of stuff, including More languages and some "applicable" life skills. (read: forgery. he gets terrifyingly good at forging official documents. he doesn't use this until after he joins up with keldan, because he's afraid of what will happen if he gets caught, but with keldan he's a bit of a loose cannon lmao)

also. MOSTLY irrelevant to the story but seia has like one friend, who was the youngest son of the first king seia worked for. they made it work alarmingly well despite the power imbalance thing, and the prince teaches seia how to swordfight. seia later trades that in for a dagger, saying it's more his style, but in a pinch.... absolutely deadly. they keep in touch after seia gets traded off, they write letters to each other in varying languages and use code names. the prince's real name is kazik tho.

also also. working for melati's father and spending like 90% of his free time in the library, seia's seen her before and she's seen him. they've talked more than once and melati would even loosely call him a friend at this point in their lives. being a princess she doesn't really question the exact terms of his employment. it's not really malicious, it's just that in her mind, the palace is kind of the best gig anyone could hope for, and she has a daughter's trust in her father (for now) and believes he'd never hold anyone against their will. and while technically he's not holding seia prisoner, seia has nothing and no one on the outside, and nowhere to go, and a contract a mile long that he doesn't know the exact terms of but surely there's a clause in there about abandoning your post before your term is served (there is. seia ends up breaking it anyway).

anyway. seia meets keldan on a diplomatic trip to okskiy, where keldan lounges around the throne room despite his king's best efforts to get rid of him before the party starts. (this is like almost immediately post-aderyn-breakup btw). seia doesn't get much time off during the actual meeting/negotiations/dinner, but once everyone's drunk and happy seia gets to slip away from his interpreter role, and he and keldan make small talk for a while and seia commits his face to memory because it feels like he's the first (second?) person to ever actually look at seia. it's complicated.

they end up meeting again on seia's "home turf"; keldan's delivering something on behalf of his king, and seia's the only one who speaks a language keldan understands, so they get plenty of more-or-less one-on-one conversation time. call it bonding or whatever. later, keldan's wandering around the castle (read: snooping) and happens upon the king propositioning seia (this is compete chance here. keldan's the only person i know who's obnoxious enough to have even the opportunity to stumble in on this conversation), which seia does not want but can't exactly say no to without risking. yknow. his life.

the king fucks off w/ keldan's arrival (not that keldan understood what was being said exactly but the postures... expressions... yeah) to avoid suspicion (does not work) and keldan's like. "fuck that guy." seia replies "he's my king." keldan says "what if he wasn't though" and then gets to play white knight for seia for about thirty minutes (the time it takes them to get back onto keldan's ship) before keldan really starts to get to know seia and realizes he is WAY out of his depth here.

they're more or less business partners after that. it's weird because seia definitely is not considered part of keldan's "crew", but keldan's operation is able to expand thanks to the breadth of languages seia can speak, seia travels everywhere with keldan + has his own cabins on the ship that he never uses bc he's always in keldan's, they read each other's minds and gaze longingly when the other isn't looking, but if a crewmate asks whether they've slept together keldan is like "why would we do that". they're a hot mess. seia forges like 90% of keldan's documents, whatever he needs (the other 10% are, technically, legal), and literally asks for nothing in return. keldan's always putting gold coins in with the rest of seia's stuff or trying to slip him payment some other way. seia stashes his collection of inks and fancy pens and parchments under keldan's bed.

the really sticky part is that neither of them really talk about their pasts. granted keldan can't talk about his childhood without getting into stuff that would make him sound crazy ("turns out there is stuff below the continents" crazy), but neither of them know where the other is from, they don't communicate w/each other in either person's native language, seia doesn't even know keldan had a partner before him.

keldan's also a bit insane. so he gets all these random ideas for all kinds of things (business, ship repairs/additions, fanciful vacations, you name it) and then seia's the one who filters it down into something doable. half the time seia is then also the one who implements it, whatever it is. keldan will be like "lets do a vacation on one of those waterfall islands" and seia will be like "what if instead we just spend a couple weeks off in okskiy" and then also schedule that time off into their calendar. this is more or less because seia is wayyyy more organized but also a little bit because even tho keldan has the big ideas, he wouldn't actually be into them. he would hate the wet humid nature of the waterfall islands and seia knows that and talks him out of it, and keldan wants seia happy so he agrees readily when seia suggests okskiy instead. they make it work somehow and everyone's like "how have you not broken up yet" and they're like "broken what up?"

so. that's where they're at at the beginning of the story, and then aderyn and melati walk onto their ship as a unit and everyone collectively is like. "what the fuck" for a whole host of different reasons. the plot of sky sea is like 50% character-driven conflict in the sense that while aderyn and keldan are trying to reconcile their old history, aderyn's guilt, and keldan's anger, seia's also insanely jealous but doesn't understand why and almost flat out refuses to talk to keldan about it. aderyn and melati have the whole "we're only in this together because both our lives are in danger" on top of the whole "you said no one would know who you were" "how was i supposed to know that the one person who could possibly still be alive to recognize me would be on this boat" thing. seia and melati have a little bit of a guilt/anger thing happening too; it's sort of "logically i know it wasn't her fault but emotionally i need someone to blame and she should have known something was wrong". keldan and melati are pretty much the only pair NOT fighting, but they do bond over being generally obnoxious and high-maintenance. when aderyn and seia aren't trying to kill each other over extremely minor arguments that are actually metaphors for much bigger issues, they're complaining about "royals. ugh". keldan's crew wants to quit sooooo bad except that they also find the drama highly amusing. one guy on the crew is like 'man i always wanted to be part of a high-speed chase' and boy does he get his wish.

#.txt #ttotss #truly i have no explanation for what's happening here but i love you #seia is like. my darling my beloved. like i try not to play favorites but god.#also didn't mention this in the main post but i do want there to be some part of the story to involve seia having the chance to go home #and taking it only to realize he's been gone for so long and he's changed so much that he doesn't fit there anymore #like they would make space for him to fit if he wanted them to #but despite the drama and the danger he has something that makes him happy now that isn't a faded memory #home is an actual place (read: person) and not a concept he can never go back to #also untouched in the main post but im getting into it in the tags now: huge huge themes of sky sea are belonging and family #because it's me so of course they are #it's all about these misfits who have never fit in anywhere discovering that they fit with each other #despite their rough edges and tangled histories #or perhaps because of them!!#anyway. thank you for asking i'm kissing u on the mouth rn

10 notes · View notes

adarkrainbow · 8 months

Text

Why was Hansel the meal of the witch?

This is a question I was aked recently, and I thought it would make a good subject for a post. "Why did the witch only try to fatten up and eat Hansel? Why didn't she imprison and fattened up Gretel too? Why did she choose to make Gretel her slave instead of Hansel?"

Which is actually a fascinating question. Now, I do not promise that there is some grand truth or secret meaning behind this. It is just a little detail and some technical workings of fairytales. But it is a point that many authors and rewriters have taken an interest upon, and that if a true well of reinterpretations.

So let's go... Why was Hansel the meal, and Gretel the slave?

If we go by the "canon" of the text (of course "canonical" fairytales do not exist, this is just an expression) - if we go by the Brothers Grimm's text, we... well we do not know. It is not specified anywhere why the witch decides to lock up and fatten up Hansel out of the siblings, and to not do the same thing for Gretel. There is no reason explicitely spelled out or given. Maybe she simply prefers the meat of boys over the one of girls? This absence of justification, and the apparent "randomness" of the choice opens a door for authors who would like to change things: for example in "A Tale Dark and Grimm" (the book, not the Netflix series), it is both Hansel and Gretel that are fattened up by the witch, and she only picks Hansel as the first one to be roasted. The Looney Tunes Hansel and Gretel also were both in the cooking pot of the witch Hazel...

The text only leaves implications for the reader. For example, the need for the witch to have a slave/assistant to help her with the chores is implied by the facts that she is 1) elderly 2) has a very bad sight and 3) walks with crutches (a very important point). So it is understandable she would require a slave to help her - but then why pick Gretel, and not Hansel? Again, the text does not answer. Many people like to portray Hansel as the oldest child of the duo, and Gretel as a younger sister - this is because Hansel seems to be the strongest, bravest and most intelligent one, as well as with how his name always comes first in the text, Gretel being after him. Maybe the witch chose to eat him first because he was precisely older, and thus there was a more developed body to eat? Even if the siblings are of the same age, we can always imagine the very old and present male/female dichotomy that claims that men's body are naturaly stronger, larger and meatier than women's, who have graceful, slender, lighter bodies. Maybe such a concept is at work, putting forward a mindset where a cannibal witch will always go for boys first as a main course, and girls next as an appetizer...

One possible reading of the story is that the witch only had enough place to lock up ONE child and thus had to make a choice. Maybe there wasn't enough room for two kids in her prison for future meals? This interpretation is supported by the ORIGINAL text of the Grimm's fairytale. In the first edition of the brothers Grimm's fairytales (provided by Jack Zipes), there is an explicit mention of the place Hansel is locked in: it isn't some sort of stable or cage as it would later be described, oh no! It is a chicken coop so small Hansel can BARELY MOVE. It is a really tiny prison, in which he barely fits. Of course, on a practical side, it can help with the whole fattening process since having a child eat rich meals without ever moving is certain to make him plump in no time (just look at these horrible industrial farms and how they lock up animals in tiny cages) ; but this detail actually explained why the witch only placed her efforts on one child, and not two: she obviously had only enough to place to lock up one kid, and had to deal with the other in a different way.

But even if we admit all those implications - that the elderly, handicaped witch needed a help, that she had only enough room to lock up one child, that maybe Hansel as an older boy makes a better meal than Gretel - there are still some strange and bizarre logical holes. For example, the witch beats up and starves and exhausts Gretel. This is the complete opposite of what she does to Hansel, who is pampered and fattened up - does this imply the witch maybe does NOT want to eat Gretel? Or does she really have only enough resources to fatten up one child, and can only afford making Gretel more edible once she is done with Hansel?

Again, mysteries upon mysteries. Fairytales are not created to work on practical details or actual psychological processes - they are stories relying on powerful visuals and ancient motifs and a dream-logic-structure. When we are told that the witch locks up Hansel to fatten him up and eat him, and that Gretel is becoming an abused slave, we just accept it, because it works on a set of powerful visuals, such as the malnurished slave sister cooking and feeding her imprisoned and soon-to-be-killed brother. The idea of the sister being reduced to a tool in the process of killing her own brother is a very powerful one, never explicitly stated, but still present and sometimes used by adaptations. There was this German Hansel and Gretel movie released in 2005 that explicitly played on this: the children were never told by the witch her intentions when she locked up Hansel, and for the first week or so of Gretel being a slave and Hansel fattened up, they were left in the dark concerning the real intentions of their mysterious jailers. This was a stark contrast with many Americanized adaptations that have the witch gloating and explaining her cannibalistic desires to her victims, and which opened the door for some interesting plot points - in this movie's case, Gretel being quite jealous and envious of Hansel's new life of feasting and being kindly treated by the witch when she got all the insults and chores. Of course, when they discover the truth, their mutual feelings reverse as Hansel realizes his seemingly "easier" fate is actually the worst of the two.

Still, the text is left ambiguous and open-ended enough for us to imagine TONS of things. There could be a rewrite of the tale where the witch exclusively eats little boys, and hates little girls. One nterpretation of dark poetry of the tale can be found in Znescope's Gretel mini-series. Despite this mini-series having BIG flaws (the choice of the witch's true identity was... quite bad to be honest), it does have a very interestng and morbid answer to the "Why was Hansel the only one fattened up?" question. It chooses to depict this difference of treatment as a sick and cruel game the witch plays with her preys: Hansel and Gretel are both her prisoners, but she fattens up Hansel while she starves Gretel, to make a contrast between the two, simply out of a perverse amusement. There is one particularly striking image of the two children locked in two cages arranged like a weighing scale, with Hansel's cage going lower as he grows fatter and Gretel's going up as she becomes skeletal... It is a nice visual contrast that has been reused by various artists.

Now, I spoke mainly here of the content of the story and of the text itself. However, as I stated before, we must look beyond the story itself to understand why Hansel was to be the meal, and not Gretel. Or rather we need to look at the fairy tale's structure, on a meta-level.

As I said before, the fairy tale works here on a system of duality. Hansel and Gretel are meant to be a yin and a yang, complementary reflections. The boy and the girl, the brave and the coward, the cunning older brother and the crying little sister. The idea that their fates are "split" into the house of the witch not only furthers the anguish of the characters, who at this point were always together but now find themselves separated, unable to face together the same trials, but also keeps on playing on these visuals and motifs. As I said, there is something that many artists read in the tale, in the opposition between a malnourished Gretel and a feasting Hansel. This is part of the same duality of food and famine present all throughout the tale, such as the woodcutter's famished and poor household, opposed to the witch's house made of sweets and with chests full of pearls. The siblings represent two forms of abuse and evilness enacted by the witch, but in complementary forms: with Gretel the witch becomes a domestic abuser and an enslaver, with Hansel she becomes a jailer and an ogress.

One can also read in this an extension of the typical sexist duality between men and women in these old centuries: the fates the witch forces upon the two children can be caricatures of what each gender is supposed to "do" in such a society. Gretel, like women, is expected to do household chores and to cook for her "man" - here it is caricatured into her becoming a slave, and only helping fattening up her brother like some cattle. In return, Hansel, like a man, is supposed to be well-treated and well-fed, but here the caring wife/mother figure is a monstrous hag who only makes him feast so she could eat him later. In fact, it is quite interesting to see how both siblings are dehumanized and reduced to the status of animals - from Hansel being fattened up in the stables like some pig or chicken, to Gretel being fed leftovers like a dog.

All of that being said, there is another much needed argument that must be made: the answer fo thte question can be easily found in the story's structure. This is the most obvious solving of the problem when you consider it all: the story of Hansel and Gretel relies on the idea that the two children must save each other in turn. There is a balance in the tale, which bears the name of the two protagonists as heroes, but one before the other. During the first part of the tale, it is Hansel who takes the lead and the decisions. He is the cunning hero who tricks his parents, saves his sister from the woods, returns home thanks to his plan. Gretel is only seen being scared, and crying, and not doing anything except follow her brother around. In the second part of the tale, within the witch's house, it is Gretel who becomes the hero. Her brother is "out of the race", locked up away and unable to do anything, and it is Gretel who this time has to trick the deadly parental figure, come up with a clever ruse, and ultimately save her brother from death. This creates a perfect balance between the two characters: Hansel starts out as the hero protecting his useless sister, and then it is Gretel who vanquishes her uselessness to become the hero saving her own, impotent brother. The siblings need each other to survive, and thus save each other in turn. This is how the story works. And this is why Hansel must be the locked-up, fattened-up victim, so that his sister can save him. Else it would have been the story of "Hansel", and not "Hansel and Gretel".

All of that being said, a last point must be made about a final theory. A theory and reading of the tale that has been very prevalent and prominent in recent adaptations of the story.

The recent "Gretel and Hansel" horror movie did it. Before the (X horror movie) also did it. Neil Gaiman's Hansel and Gretel also used this idea. The comics Fables toyed with it in a side-way. And this idea is simple: the witch did not want to eat Gretel, but rather wanted to make her a witch like herself. Gretel wasn't the witch's slave, but unwilling apprentice.

This idea is born of course from a reconsideration of what a "witch" is, and the gender questions attached with the figure of the witch. In the original story, the witch is not a witch in the modern sense of the term, in fact she is a monster that is very clearly an ogress by another name. There is no question of learning how to be a witch, or making deal with dark powers, or anything like that. But when you read the tale with the modern sense of "witch", as a symbol of dark and hostile feminity, as a woman of power, who works against the domination of men, or the tyranny of patriarchy - when you consider all the gender questions surrounding real-life witches and the witch hunts, you see the witch's actions under a different eye. Her not wanting to eat Gretel at first, and making her do her chores, and forcing her to live with her, might hint at the fact she still considers her more "human" or more valuable than her brother, who is nothing but food, a mere cattle. Several of the modern reinventions of the tale, such as those stated above, decide to add the twist that the witch actually wants to shape or make the little girl into her image: from a slave doing the witch's chores, she becomes the witch apprentice, who is by her side in everything she does. Some of those readngs remove the elements of abuse towards Gretel, while others do not forget them. Neil Gaiman's take on the story is especially fascinating as the witch is explicitely described as oscillating between periods of sweetness and kidndness, promising Gretel all of her secrets and great powers, and periods of pure hatred and violence where she just insults and beats up the girl - all of it highlighting either the witch's madness, or a form of senility due to her old age.

But this theme of "Gretel as a future witch" or "Gretel as the witch's apprentice" ties in with another subtext well-hidden in the original text, but that many like to weave upon: Gretel as the "daughter" of the witch. In many of those rewrites and reinterpretations, the witch doesn't just treat Gretel as an apprentice, but as an heir or a replacement daughter. This is no surprise since it is very clear that in the original tale, the witch is the dark side of the mother figure, and an evil doppelganger of the wicked stepmother/mother of the siblings. As such, it makes sense for her to impose an abusive and unconsented motherhood upon Gretel - doesn't her forcing the girl to do all the chores not reminiscent of how famous fairytales stepmothers treat heroines like Cinderella? Such a perverse motherhood was already explicit and obvious in her treatment of Hansel: like a mother she nourishes and feeds Hansel (in fact she succeeds where the wicked stepmother failed), but this is all to devour him, in a ritual of "un-birth", she becomes a death-givers who doesn't expel a child out of her womb, but has it return to her stomach. [This is a very common and usual motif among ogres of fairytales, who are all caricatures of parenthood].

More generally, to have the witch act in such a way actually makes the fairytale more "feminist" somehow, but in a quite perverse way. Because in such a reading, we have a women-dominated world. The true active and powerful characters of the story are beings such as the wicked stepmother and the witch, who command, control and influence the other characters - especially the male ones. The father is a weak puppet who can't stand up to his wife, Hansel is reduced to a fat pig in a cage. Hansel did try to escape the tyranny of the wicked woman, but all he could do was push back his doom, and his plans ultimately failed. Gretel, as a woman herself, is given a special treatment - and in the "apprentice/daughter" interpretation, is "absorbed" by this world of wicked, dominating women. But she actually breaks from it, and kills the one that would have "turned" her - and it is telling and interesting that the only one who can have a true an full success, a definitive victory in this tale is Gretel. Hansel's plans work and save them, but only for a brief time, and his last plan fails dramaticaly, before he gets locked up and "out of the story". Gretel meanwhile, when she gets the courage and intelligence to act, proves herself much more efficient and definitive than her brother, as she puts a true end to the threat other them by killing the witch (and by extension killing the wicked stepmother/mother). This is something Hansel couldn't do - all he could was trck the wicked woman, and nullify her plans, but he could not remove the threat of the death and the hunger.

Anyway, as you can see, despite being a quite superficial and silly question, this fact (or rather absence of facts) opens up a whole jar of various interpretations, readings and themes, and proves the hidden complexity of these apparently "simple" stories.

#hansel and gretel #hansel #gretel #witch #fairytale analysis #the gingerbread house witch #grimm fairytales #german fairytales #hansel and gretel adaptations

359 notes · View notes

bones4thecats · 7 months

Note

If it's okay How about dorm leaders and Floyd and Jade react to a kianna reader smashing the mirror to her world since she didn't want to go back to a place that just made her unhappy and held so many painful memories and for once she actually smiled but this time it wasn't forced/ fake

And she said something like

I'm not going anywhere

I'll always be here with you

so don't cry please

A/N: This was a very long request, and I've been working on my horror character headers, so I apologize @nunezs-stuff because it took so long. Jade and Floyd are on another post that I had made since I couldn't fit all the tags in. Anyways, I hope you enjoy it though~~

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

❤️ He was there watching you leave, you, his beautiful rose was leaving him for your old life

❤️ And he couldn't do anything, he didn't want to try controlling you

❤️ He had just turned around with Trey when he heard the ear-shattering sound of glass being broken into a million pieces

❤️ When he turned around and saw you standing there with bloody knuckles and a smile plastered across your face, staring at him, he started to really cry

❤️ You destroyed it, your only way home, to be with him?

" I'm not going anywhere, Riddle. Don't cry, my king. "

❤️ He held you and smiled while sobbing his eyes out, you wanted to spend the rest of your life here, with him!

" My dear, I love you so much. " " And I you, my king. "

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

🦁 He would never say it, but he adored you from the start

🦁 And after everything you both went through together, and you were just going to leave it all behind, leave him behind

🦁 Of course, Leona wasn't gonna force you to stay with him, he knew you hated being controlled

🦁 But seeing you walk to the mirror was to hard, so he turned around and began walking away when he felt arms wrap around his midsection from behind

🦁 You.

🦁 He was so filled with sadness that he didn't hear the mirror smash from your fists

" Leona, I'm never leaving you. To hell with that world, this is my world, you are my new world. "

🦁 Cue the crying

🦁 He held you so tightly that he just never let go the rest of the day, even when Malleus was there, he didn't bother with a snarky remark to his teasing, which showed the fae how much his human friend was cared for by this beastman

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

🐙 Azul immediately tried to hide his tears as you walked up the stage and onto the main platform where your portal laid awaiting

🐙 Jade and Floyd smiled as you left, not allowing their emotions to show, in favor of watching over their boss

🐙 He was blocking out all sound as you left, not wishing to hear the cries of the rest of NRC you had befriended, especially Grim and the other first years

🐙 He had just ushered Jade and Floyd to leave with him when Floyd gasped and yelled out the nickname that made him freeze

🐙 The arms that turned him around and cupped his face made him allow some sound in, your voice, and what he heard made him crash

" I am never leaving you alone, my Azul, I'm staying here, there is no need to hold yourself back again. "

🐙 He smiled and buried his face in the crook of your neck and shoulder, knowing from then on, you were the perfect S/O he could ever have

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

☀️ Crying

☀️ He understood that you wouldn't always be there with him, but now that it was actually happening, Kalim was bursting into fits of sobs, knowing it wasn't likely he'd ever see you again

☀️ This dorm head tried hiding his sadness the hardest he could, but Jamil could always see through such petty lies

☀️ Kalim had seen you walk to the portal and he looked to Jamil, and hearing him start yelling your name meade him stare at you in shock and worry, praying something didn't happen to you

☀️ Watching the glass burst everywhere made him smile, knowing what you had done

☀️ You broke your way home

☀️ But the real bonus was seeing your smile, the smile that he had wanted to see for oh so long

☀️ Running towards you with his arms spread out wide, Kalim hugged you, laughing loudly as everyone smiled at the sight

" Kalim, my beloved ray of happiness, I will never leave you. I promise. " " My dearest sunshine! Thank you so much for this wonderful gift! "

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

👑 This guy doesn't want to ruin his makeup, but it was hard to hold his emotions back at that moment

👑 He expected Crowley to find you some sort of transport home, but this was too soon, and, for once, he wished that simple bird-brain could've held himself back for a few more measly years

👑 Vil hugged you before you walked up to the doorway home, to your true home

👑 He watched you look back at him and wink, before you winded your fist behind you and smashed the way home, right before his eyes

👑 It kinda upset him, but seeing you hug him while smiling made all of that go to hell

👑 Vil loved you, and he could push the bloody incident behind for now

" My beautiful Schoenheit, I'll always be here with you. " " And I you, my beautiful S/O. "

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

🎮 This poor boy

🎮 The only way he ever saw your relationship effectively ending was from his introverted nature, not this

🎮 Seeing you talk to Ortho, calming him down as you explained why you weren't coming back hurt, it hurt bad

🎮 Idia saw you walk the way up the stairs and he could see your body tense up when nearing the top, but he hid his face in his hoodie, not wanting to be seen at the moment

🎮 He expected to hear the sound of magic engulfing your body to push you through universes, not the sound of it being broken

🎮 Idia pulled his hood down in a burst of energy and watched you look at him and smile before saying those words he would repeat in his head from that day on before bed

" I'm not going anywhere, I'm staying alongside you, my love, so please don't weep over me. "

●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・

🐉 This prince was phenomenal at hiding his true emotions from people behind a facade of blankness, but you and the rest of Diasomnia's band knew the truth

🐉 Malleus never wanted to see you leave, and that was final

🐉 But seeing your eyes light up as Crowley and Crewel tell you the great news, he couldn't force himself to push the idea down

🐉 He watched you walk away from the hug you gave Lilia and the very, very tight ones you gave Sebek and Silver

🐉 It pained his fae heart to see you leave him, but he couldn't, no, wouldn't stop you, you were your own person

🐉 The only thing Malleus didn't expect was the loud sound of exploding glass to erupt through the room

🐉 Then the feeling of your familiar arms around him and the smile you sent his shocked gaze made his formerly frozen heart burst in flames

🐉 Especially after your words

" My dearest Malleus, please do not cry over this, I love you, and will never make you go through the same pain like before. "

301 notes · View notes

williamrikers · 8 months

Text

The Undeniable Queerness of Enchanté the Series

(thank you @ranchthoughts for letting me ramble about this in your inbox before turning my thoughts into a post)

there are bls and then there are bls. right? there are dead fish kisses and there are characters who kiss each other like their lives depend on it.

and enchanté firmly belongs in the second category. 1,500-word essay under the cut.

there is such a consistent and tangible queer undercurrent to everything that's happening on this show and i'm not just talking about the fact that several scenes look like they could be the opening scene of a gay porno. or the surprise bondage. or force in drag. or proposing marriage in front of the eiffel tower. no, there's this aching, desperate desire underlying everything. theo has--in addition to his main love interest--four very hot gay suitors who all very obviously desire him carnally... this is some sort of gay manic pixie dream boy wish fulfilment fantasy and i am absolutely eating it up.

there is a vibe to the show that @ranchthoughts called "fanfic-like", and i would argue that that's because enchanté is actually fanfiction of the little prince. (i'm planning on making a separate post soon about how the book was referenced on and used as inspiration for the show.)

enchanté is fully aware of its own fictionality. it is on-the-nose fictional. but that's what makes it so much fun--it's not trying to be something it isn't.

take the reading memories segments in episode 4 [3/4] for example: these scenes were incredibly cringe, like, full-on bad-green-screen terrible-costumes-and-wigs hilarious-acting cringe, but fully aware of their own cringe-ness. (also, gawin was both in drag and naked in the same scene as two different characters, like. get on enchanté's level.) (incidentally, can anyone tell me what character aou/phupha was supposed to be? i got detective conan, monkey d. luffy and momotarō for the others, but i'm stumped on phupha's character.)

and that self-awareness makes it camp! there is such a level of camp to the whole show which feels extremely intentional (especially in the first two thirds), almost like a meta-commentary: "this is the genre. we know it's stupid but we love it here", and i adore that. they know the tropes, they know the bl landscape, and they're just having fun with all of it.

and the whole set-up in itself is a queer allegory, isn't it? theo and akk are "from different worlds", so to speak, hindered in their love not just by their complete inability to communicate but also by their forced separation as children. when they meet again, theo doesn't really belong anywhere, he's an outsider both in france and in thailand, he is unable to act the way thai society expects him to act (e.g. failing to show the proper respect to the seniors), unable to get his parents to understand him while being actively lied to by them (the whole ocean of miscommunication in that family deserves its own post), harboring feelings for his childhood friend his whole life but unable to voice them in a normal sort of way, instead falling back on concocting the most convoluted, immediately backfiring plan to try to make akk jealous and get him to confess his feelings first.

theo is fundamentally isolated because he grew up between two cultures, and neither one quite fits him: when he's in france, he is comforted by thai food and the only people he's close with (his grandmother and sun) are from thailand like himself; but when he's in thailand, he can't quite get used to the social conventions and makes social blunders, he is very slow at writing in thai.

it's such a poignant queer allegory in my opinion. they didn't end up making as much a point of it on the show as they could have, but it very much informed my whole reading of the show and the characters. there is a sort of inability to articulate his experience surrounding theo that makes him even more isolated and screams "baby gay in need of a community" to me. having akk share his experience at the end is something that i'm not a big fan of for other, unrelated reasons (might make a separate post about enchanté's ending and why it fell flat for me), but when looking at it through this lens, it is the only way for akk to really get theo, to really understand his struggle on a fundamental level.

which brings me back to that desire i mentioned earlier: theo desires akk, very much so, there are a whole handful of scenes where akk gets close to him and theo closes his eyes, expecting to finally be kissed by him, but more than that, he desires understanding. he often brushes off his own difficulties and has a tendency to be emotionally clueless (for example about his parents' divorce), but what i see most in his character is the desire to be understood, to be seen by akk, for akk to see him for who he is and to love him for who he is. (akk, of course, has been doing both of those things all along. he's constantly taking pictures of theo, he's watching him through his window--with theo's full knowledge--he is always looking at him, he's always loving him.)

it's not inherently queer to want to be loved as we truly are, i believe heterosexual people experience this, too, but in the context of queerness itself, being perceived as queer by other queer people is indeed a fundamental aspect to experiencing queer love (maybe not in gay for you bls, but i haven't heard of much gay for you happening in real life). not to be unscientific about this, but the vibes of the perception aspect of enchanté are just very queer to me, you know?

oh, and speaking of desire: enchanté in general is very physical. there is a level of intimacy between the actors and the camera that seems incredibly intentional: there are several shower scenes, scenes of theo and akk shirtless, TWO (2) nude gawin scenes (though one of those is sadly a fake-out and he is actually wearing shorts), many, many scenes that include bare feet, which is not something i see super often in bl, at least not to the point that i notice the frequency of it.

enchanté is very rooted in the physical reality of desirable bodies: theo is allowed to openly, physically flirt with saifa, even though that's not even his endgame love interest, phupha uses physical touch in his pursuit of theo, natee shows his obsession with theo by drawing his face/body about a hundred times, and akk and theo are wholly unable to keep their hands off each other. i've joked about the intricate rituals, but seriously, they are constructing so many intricate rituals. there are two separate scenes in which they make up excuses to kiss each other's elbows/arms/backs. they keep touching each other in a thousand ways, in every possible way they can that is still plausibly deniable as physical desire--until they kiss while watching that movie and then it's just a game of chicken of who will confess first. because their physical attraction to each other is undeniable. it's obvious. this was really refreshing to see in a genre that so often plays with the blushing maiden trope, and one character is so often made to pursue the other: on enchanté, akk and theo are equally horny for each other. it's not their lack of physical attraction that keeps them apart for so long.

(sadly, the show then shies away from actually getting very sexually physical: after their desperate, stunning, amazing balcony-kiss, they aren't allowed to be horny for each other in the last two episodes, when they're actually in a relationship. this is just one of the many aspects that i didn't like about the conclusion of the story, because you simply cannot tell me that these two as we got to know them in episodes 1 to 8 would really be as chaste with each other as they're shown in episodes 9 and 10.)

leaving that aside for the moment, let's talk about that kiss. as mentioned right at the beginning, when these two kiss each other on the balcony, it's desperation in its rawest form. these two--and especially theo--crave each other. theo kisses akk like he will die without him. theo kisses akk like he can finally breathe. theo kisses akk like he never wants to do anything else ever again.

i'm a bit obsessed with book's acting here, because of all the kissing scenes i've seen him in, i think this is THE most desperate one. force plays it a bit more subtle, but book's expression is full-on anguish. theo waited his whole life to be kissed by akk, and book portrays that so beautifully, with such depth. it's one of my favorite bl kisses for sure, it's played with so much heart, so much feeling, that it's hard to even think of kisses that compare, apart from the bad buddy episode 5 rooftop kiss.

anyway, all of this to say that enchanté to me is deeply, lovingly queer, and it's a shame that so many people are sleeping on it. (and that includes myself, i was wary about watching this show for a long time because i'd heard so many negative things about it.)

but i'm here to tell you: watch enchanté. it's wonderful, it's hilariously funny, it's endearing, it has book and force in it, and it is extremely queer.

#enchanté #enchanté the series #enchante the series #*mine #my enchanté meta

127 notes · View notes

beemers-hell · 3 months

Note

I've seen a lot of fashion doll posting on your twitter and like, I don't exactly know how to ask but if you ever want to infodump about it on here that would be so genuinely interesting

Not pressuring you in any way of course! I just like seeing your fashion doll posting

rubs my hands together maliciously

Ok so I don't actually have anything I feel like talking about doll wise atm, I prefer making one off posts here n there about the dolls I'm into on twt more than tumblr cause I feel like twt is better suited for one off thoughts while tumblr is better suited for dedicated n thought out posts, at least with how I use it. Which is why you see a lot more wips/shitposts from me on twt than tumblr. so instead I'll just show yall my current collection!!! ANYWAY long ass post time

I've been working on finding and filling out various release lines from different doll brands im fixated on and have been rearranging my collection set up a lot cause of it lol. My shit is scattered all around my room because of how me and my little brother have divided up space for us to display both of our separate collections of things (we are both autistic and insane about our special interests) so there's gonna be a lot of photos lol

TO BEGIN: here's my display case of all my old g1 Monster High dolls I managed to hold onto since I was a kid! I got all of these back when MH initially debuted (when I was around 8 or 9) and all of these dolls have survived through my childhood/teenage years, hence why they're not in super great shape unfortunately lol

the only exceptions to this being the Día de Muertos Howliday Skelita, since obvs that's a recent release, as well as the misc. dolls I have scattered around the top of the case, those are dolls that s0uless has gifted to me over the past 2 years teehee

Moving on, to my current collection of dolls I began purchasing for myself over the past year: starting with this set of shelves next to my bed! I'm mainly using this as my Bratz shelf, but I ran out of room to fit my Skultimate Secrets Fearidescent Dolls where I usually keep my Monster High dolls, so they're there for now.

I only have Jade's reproduction doll because when the Bratz reproductions first began releasing, I was being strict with myself about not indulging in dolls again so I only let myself get Jade since shes my fav. Which I'm sad about, cause I'd love to have all the girls together for both their 20th anniversary reproduction dolls and their Alwayz dolls together. Also, there's a spot left empty next to my Alwayz Cloe bc I have Not been able to find Alwayz Sasha in stores like ANYWHERE for the past 2 months, so I gave up and ordered her online. She'll be arriving here in a couple days!!

Next up is this series of shelves above my dresser that I mainly use to display misc. figures n other shit I've come to own since I was like 12 (you can tell bc of the MHA stuff lmao) but I recently cleared some space so I could fit my Skultimate Secrets Series 1 Dolls (and Spa Day Lagoona + Scare-adise Frankie and Draculaura) somewhere, as well as having a place to display my current set of LOL OMG dolls! And also Bank art doll cameo lmao

Then we have the top shelf of my desk, which mostly has various Knicks knacks compacted into a corner but I put my two LOL OMG Tweens together there, as well as my single Licca doll that s0uless got me for this past christmas and the custom doll they made of my sona for me! <3

(fun fact me and s0uless are currently in the process of making more custom dolls of Eb, Bank, and the triplets but you'll have to wait n see on that one hehe)

And finally for dolls, here's my desk setup, where I display my main Monster High dolls! I mostly just display each Signature Doll + Their Core Refreshes here, but Monsterball Draculaura didn't have space anywhere else so she gets to chill there too lmao

Thats it for my actual dolls, but I have two other photos to share, which is just how I set up my Skultimate Secrets Series 1 Lockers + where I put the posters that come with each Bratz doll I have lmao

ok thats all I'm done now, ill update this when Sasha gets here lmao

#beemer asks #beemer irl #kind of #fuck it new tag #beemers dolls

32 notes · View notes

justanothergeek77 · 4 months

Text

So I have thoughts on how the gods are portrayed in the PJO show so far.

I saw a post arguing that the show should've put more effort into displaying the gods' power, the way they did in the book, but I actually disagree. I really like the way that the show portrays the gods as so obviously human: as real, flawed beings, who don't feel above the world at all. Sure, they are still gods, and we know that and know to respect them, but the thing is that the reality of who the gods are is very different from how everyone thinks of them, and that disconnect ties directly into the main themes of the show.

Every time Percy hears something about the gods from an outside source, being another Demigod, Chiron, Grover, etc., the gods are placed on a pedestal. You have to burn offerings to get their attention, you have to fight for glory to earn their respect; the gods are viewed as fundamentally separate from humans and demigods, and that separation makes it seem like their behavior is okay, because they're gods. All the ways that they hurt their kids are excused by that one little fact: of course not every kid gets claimed, their parents are busy with Godly Things. Of course you have to burn offerings and fight for glory. Of course your parent won't talk to you unless you earn it, they're a God.

Then we actually meet some gods, and realize they aren't all that different from humans after all.

Mr. D is just some guy who's perpetually hungover and likes to gamble. Sure, he's a god, but he's also an asshole who refuses to remember Percy's name and pretends to be his dad just to convince Percy to get him a drink. He's a dick, as the name implies, and no less of one for the fact that he's a god. and he's protected from scrutiny by that fact; Chiron mitigates the damage Mr. D does by misleading Percy, but doesn't dare to reprimand him for it, despite clearly having more practical power over the camp than he does. Percy, on the other hand, is impertinent: he sees Mr. D for who he is, beyond godhood.

Hermes, for all that we barely see any of him, is just doing the job of a postal worker, and dealing with the mundane things that come his way because of it. He can take a joke, even if his family clearly can't; hopefully we'll see more of him soon. Like Mr. D, he hardly feels like a god at all.

Then there's Ares. He's exactly what he appears to be, for once: an asshole biker dude who starts fights on twitter for fun and makes children do his dirty work. He tries to manipulate them, but isn't very good at it, given that Grover outsmarts him. He may be the god of war, but Annabeth still mouths off to him, entirely unafraid after everything else they've faced; she's rapidly losing the respect for the gods that she once had.

Hephaestus, we don't see much of, but he seems rather ordinary too. Unlike the other gods, he's capable of reason, listening to Annabeth's pleas and agreeing with her point that it isn't supposed to be this way.

And that's the crux of the matter, really. if the gods were really Gods, if they were powerful and elevated and separate from humanity, there would be no changing them. But if they aren't these perfect beings that people have built up in their heads, then there is no excuse for the way they've acted. If they're just people, albeit powerful people, then they need to take responsibility for their actions: for their kids, for the harm they do on Earth, for this system of glory and injustice that they've perpetuated for millennia.

The PJO show isn't straying from the book, or changing the gods' portrayals just for the sake of it. It's leaning into themes that don't appear solidly until later in the series right from the start, and allowing them more time to be deeply established for a better payoff later.

I also wanted to mention two more things, but they didn't really fit anywhere earlier: Poseidon and Athena. Both of them haven't appeared onscreen yet, only influencing the plot through remote actions. Athena's actions have reinforced the distant, elevated version of her that we think of first, as she turns on her own daughter the moment she's slightly embarrassed. We haven't met Athena yet, and so her character is able to maintain that air of distance and mystery, that idea of power that could come crumbling down the moment you look too close. It's also worth noting that Athena's actions here are more of a lack of action: by allowing Echidna and the Chimera to enter her temple, a passive non-action, rather than stopping them to protect Annabeth.

Poseidon, on the other hand, does everything in his power to help Percy short of showing up in person. We may not have met him yet, but his actions speak volumes towards his character: saving Percy from falling to his death, curing the poison, and sending a messenger to reassure him all point to someone who desperately wants to be there for his son, regardless if Percy wants him or not; that's without even considering his actual words, through the messenger, which confirm this notion. It's clear after this encounter that Poseidon does have power, and one cannot forget that he is a god, but he has also dropped all pretense of pretending to be above anyone else. He's a father who loves his son, and he doesn't care about pretending otherwise anymore.

#pjo tv show #percy jackson #geek speaks #fan essay #thoughts #I wrote this all straight into the tumblr post but I might polish it up into an actual essay later #cause I definitely have more thoughts on this topic

26 notes · View notes

forkaround · 9 months

Text

This post is an extension to this post about what can be classified as a BL. I'd rec you read that post first.

I woke up in the morning with this in my notifs and I just....

Anyway, let's break it down:

Does a QL simple mean that the main characters are queer and you go in knowing that?

First of, in my post I say BL is where you know "Boys are kissing boys and girls are kissing girls." If there is no romance (thus the reference to kissing), the show becomes irrelevant to the conversation.

But to answer: What's wrong with that?

That makes literally *anything* centering queer people and queer love a QL

Great! It's QL.

I've seen this pointed out multiple times have these people wondered why they don't want to call something they think is good a QL? What is wrong with the title of QL?

and that imo is somewhat belittling of queer people's existence as in their presence in society as a a given is inherently 'genre'

Yeah, and Pride and Prejudice is a 'straight genre'

If that doesn't make sense, well, that sentence didn't make sense to me. Does making crime shows make the lives of cops and criminals in to a genre??? It's such an absurd statement. Or maybe I'm just sleepy....

this is very different from thinking QL is 'bad'--you'd never call anything with an expected straight romance in it 'romance' by default

Yeah! That's how it works! Romance is romance. Romance is a genre. It's literally the biggest genre there is. There is more romance written, published, made into animation or live action than literally any other genre by a huge margin.

Romance can and is often combined with other genres. Doesn't change that it is a romance.

you'd call it whatever genre it is; when you meet a series of fitting tropes you'd call it a rom-com

What does rom stand for again?

Romance is often used with other genres, from action to horror to contemporary to fantasy to sci-fi.

This I think primarily comes from people not knowing how genres work. It's not a Boolean (as one would say in computer science). It's not a True/False thing where if it's action it can't be romance. If it's romance it can't be political.

As they say: It contains multitides.

shouldn't queer stories be afforded the same discretion?

Moonlight Chicken, Kinnporsche, Old Fashion Cupcake, Bad Buddy, Love in the Air, Not Me, 180 Degrees, GAP the series, HIStory 3: Trapped, About Youth, Mood Indigo, Cherry Magic, I could go on. You don't have to go anywhere else for it. BL already has it all.

So I'll ask again: Why do you feel that 'BL' is a bad word?

Other people have wrote about this with better sources and much deeper understanding so I'll try my best to convey it here:

As I understand the situation, something got lost in translation when yaoi travelled from Japan to the US and people started understanding yaoi to be a 'dirty' genre, that did not depict honest queerness despite it being made up of majorly queer people. It became the genre that was 'for straight women by straight women'. If you look at US the same phenomenon can be observed when people talk, or at least talked, about slash fiction. Mix in some cultural context and yaoi goes from a fun escapist genre to the bane of queer existence genre. Fiction is enjoyed differently in different parts of the world. Nothing wrong with that. Hell, nothing unique or special with that statement either. It's a fact of life. If Shakespeare can't be universal, as many like to claim, we should not expect the same of anything else.

And let's never forget how westerners think their version of queerness is the only real version. I've had personal experience with this and I can say: People need to open their minds and understand that not everything is from their perspective. When I encounter any American thing in a show or book, I simply slide past it because I'm not American. I've never been to America. It doesn't change the story itself, so why bother, what would be the point. If people applied that approach instead of analyzing every detail and expecting it to fit your world view then we would all be happier.

(It turned sappy at the end there. I'm sleepy.)

#Moonlight Chicken #Kinnporsche #Old Fashion Cupcake #Bad Buddy #Love in the Air #Not Me #180 Degrees #GAP the series #HIStory 3: Trapped #About Youth #Mood Indigo #Cherry Magic #manner of death #long post #only friends #wedding plan #laws of attraction

65 notes · View notes

thestrangestthing89 · 4 months

Text

This situation with Noah isn't a new problem in the fandom. These fans have been harassing everyone for months in them name of progressive causes they aren't well-informed about. This is obviously not specific to the Stranger Things fandom. Go anywhere online and you will likely see a bunch of teens screaming about something even though they clearly skipped the step of educating themselves. Not only have I been the target of the dumbest shit, but so many other people have too. No one can post here without someone getting self-righteous and yelling about it. I have been accused of the following simply for posting something to my own blog: - I've been called misogynistic because I said El wasn't the main character. A thing the writers have said several times now (it's Will). The writers aren't misogynistic either. - I've been called misogynistic because I said El has character flaws like everyone else. - I've been called a condescending bitch when I politely tried to explain what misogyny actually is. A thing you'd think they'd be interested in learning if they actually cared about that cause (clearly they don't or I wouldn't have been called a bitch so much). - Been called racist because I said Hopper wasn't copaganda, even though I explained clearly why I thought this was. - Got called racist because I pointed out that Lucas was often filling his Ranger role and that's why he is helping Mike in S3 (the boys all play their D&D characters). But the trendy thing to say at the time was that he was being written in racist way so obviously this means I'm racist too. - Had multiple people say I was silencing them when I wrote my own damn post (not a response to theirs) about many of the above topics. I just simply disagreed with their points and that isn't allowed here. - Had someone I never interacted with spread a rumor that I sent them anonymous hate filled asks even though I had no fucking clue who they were. And those posts were anonymous so they have no idea who actually sent them. They just wanted my attention. But I never sent anyone an anon ask before anyway so this was just bizarre. But a several people believed it. - Pretty much every adult on here has been accused of pedophilia for watching a show with kids on it. This gets pretty relentless sometimes. I'm sure I could think of several others and other people have had a lot as well. The thing about this as someone who has actually experienced things like misogyny first hand is that being called this is incredibly upsetting, especially when you are being called this by someone who doesn't know what they are talking about and doesn't care about the impact of these words. They just want you to shut up and stop telling them they did something wrong.

This is all happening because they are watching a show that is overwhelming them and they can't deal with people discussing it in a more nuanced way than they are. This wouldn't be happening if there were more adults here to drown it out. But as it is, no one can actually discuss this show and it has nothing to do with Noah. It's because kids are watching when they shouldn't. And they have weird, boundaries with the fandom and the cast that are constantly causing problems. This didn't happen back in the first 2 seasons because it was only adults watching. I'm not saying adults can't be problematic too, but most of this shit is from people who are way too young to handle this. And now we are all getting lectured by 14 year old foreign policy experts. It's not ok and they need to spend a lot of time learning about how to interact with people online better. This isn't the shows fault. But they can make it clear who this is actually for. Because these kids are going to throw a fit over everything. They always do. They aren't going to like S5 either. They are only watching because it's cool and they have FOMO. They can't understand it and are constantly insulting it and everyone associated with it and the fandom. Seriously, amp up the horror. Make it rated R. A lot of us would really love to be able to discuss this show and can't because of how awful it is here.

#Make Stranger Things for adults again #stranger things

25 notes · View notes

luffyrose · 1 year

Text

Ghost in a Birdcage - DC x DP AU

I got a name for the Au! I am referencing the song Rule #4 Fish in a Birdcage as the title. I thought the song actually fit this whole au pretty well so yeah :D

Anyway, I told y'all I was working on stuff and part of it was this (plus the memes, which I'll share later) as well as thinking of a design for my Danny in this AU. I have a few ideas, but I'll probably work on the story itself before actually solidifying it.

Here's a little bit of sadness and softness from the past in this AU. Idk if this will be put into the main story, but it's just a general short story that is canon for this au.

~~~~~~~

GiaB AU Taglist: @markus209 @olivethetreebitch @chrysanthemum9484 @blackroserelina @avelnfear @edgyboi10000 @lokiaddams @samgirl98 @phoenixdemonqueen @iceknight-of-sun @autumnwulf @chronicallyonline-fandomwh0r3 @thegatorsgoose @nikki-pondtheauthor @jaxinkh @paper-bag-boy @dxrksong @lesling123 @learning-to-fly-on-my-own @gmkelz11

(As a lil side note the tag list is gonna be on any writing I do for this au, if I make other posts about it I'll leave it to the tag for people to find. Not including a link to the Ao3 when I do make the fic or one-shot series itself, taglist will be there too :D)

~~~~~~~

Small sniffles filled the room. Jason's gaze shifted toward his little brother, a frown overtaking the anger that'd been apparent on his own face. Danny, his precious little brother, was laying on the mattress on the ground beside him. Turning and scooting closer, Jason's hand lightly landed atop slightly wet and messy curls.

"Danny, are you feeling better?"

He could see the younger open his mouth to speak, only to be interrupted by coughs. Along with the coughs, a loud clattering noise came from the door that had been locked from the outside. Gritting his teeth, the instant yelling from outside telling them to shut up making him look toward the door. Really, almost three years, and Catherine still couldn't accept that a toddler was going to be loud. Danny wasn't even loud on purpose! Huffing in silent rage, Jason's eyes fell back on his little brother.

Danny was staring up at Jay, his eyes wide in slight fear at the yelling, but he knew his brother would protect them. He was very small, almost 4 now according to Jason! But he was also very smart. His brother told him that a lot, especially when he hid away when the yelling or fights started. Danny liked to be smart. He didn't like seeing the other with new injuries though, but Jason let him put bandaids on them, and then he would take them out to the library.

The library was nice.

Catherine, that's what Jason always called the angry lady, didn't like to go in there. She didn't like to go anywhere with them, but Jason liked to take him places so it was okay. They didn't go places when sick though...so why was Jason getting some of his stuff?

"We're gonna go to the library buddy."

Seeing the smile that crossed the kid's face, the tension in his shoulder's loosened, but with the loud rattling of the door and cursing, they were right back to how they were before. Getting up quickly, he shoved what he could into a little bag and helped Danny up, the small boy coughing again.

"CALEB DANIEL TODD I SWEAR WHEN I GET THIS DOOR-"

Jason didn't let Danny hear the rest of it, carefully getting them both out onto the fire escape. He knew Catherine had been...less than ideal. His father was worse. But now with Willis gone, she didn't hold back. Half the time she wasn't home, the other half the time Jason was keeping her away from Danny. Sometimes he wished she just wouldn't come home, or that Danny wouldn't be in danger because she did.

So he made a plan. He was gonna get Danny a better home. A safe one. Except, when he'd gotten sick and wasn't getting better with the cold medicine he stole, Jason's plans didn't matter so much anymore. Danny needed somewhere to get better, but he needed a way to do that first. He'd found a way...though he didn't like it.

Carrying the younger on his back, the backpack slung over his front while a star blanket Jason had actually bought for once was draped over them both. Danny was watching the people they passed by, a small but nervous smile on his face before he inevitably hid his head in the crook of Jason's neck. "Jay Jay..." The elder hummed, feeling the smaller hands tighten for a moment after. "Is Cat-rin gonna be mad at you again?"

Slowing for only a second, Jason scanned the area before looking at his brother. Danny was too smart for his age, and Jason knew it was because of their stupid 'parents'. "She's not gonna have the time to be mad at me..." He trailed off, the lump in his throat stopping him from saying anything else until they were already in front of the Library. Slipping through the door when a young adult couple was leaving, too distracted in their conversation to notice the two poor kids, they made their way to a small dusty nook.

The nook itself was filled with old books that most no one wanted to read, and the librarian who'd seen them reading there tended to leave them be. Setting Danny down, Jason held up a finger, turning to go get some better books from elsewhere. A small sneeze made him chuckle, knowing his little brother hated how dusty it was when they hadn't been back for a while. Slipping through the isles he got himself some bigger books, and a few picture books for Danny. He knew the kid would read one or two before asking for Jason to read him his books, so he'd started picking light-hearted stories or classics whenever the two came.

Making his way back and sitting down, Jason passed the smaller storybook about stars to his brother, watching Danny's expression almost glow at seeing it. At first, Jason let himself be absorbed in his own book, the only thing other than it he paid attention to being the gentle pressure that was Danny leaning against him. It was after a little while that Jason realized Danny hadn't started to bug him like usual. Looking over from his own book, he saw Danny staring at one of the pictures of a constellation.

"Do you wanna learn more about the stars?"

He'd jumped, but Danny had nodded after a moment. Something was bugging him, Jason could tell, but he wasn't about to push it. Instead, he smiled and grabbed one of the nearby books. It was a much older book, more of a journal really, but it held a bunch of sketches of the constellations. So the two sat there, whispering to one another in the privacy of the little nook. Jason was glad he knew some astrology, and Danny was so genuinely amazed, that he could ignore the lingering pain from old injuries that hadn't had time to heal.

Feeling a small tug, Jason looked toward Danny, frowning slightly when he saw small tears. "Jay Jay...are you gonna go somewhere?" He could feel the pit in his stomach knot even more at that, staring for a moment before a wobbly smile tried to cover his face.

"...What?"

A sniffle caused the smile to fall. "Danny, hey, buddy, I'm not going anywhere...I- I'm gonna find somewhere better for you though. Somewhere where you'll get to feel better and not be afraid." Looking down as Danny's small tears covered his face, he gently used his sleeve to wipe them away, knowing he would never have the heart to lie to him. "That's not gonna happen yet though...and when you have a nice home, I'll make sure to visit. We can read and look at constellations too."

"Really?"

"Yeah, I'll do everything I can to try and keep that promise, alright?"

"Promises are hard to keep..."

Jason felt a sigh escape his lips, putting the book fully to the side and pulling Danny in for a hug. "They are...but just because they are doesn't mean that I won't try my best." Holding onto the younger, he felt the tears soak through the shirt on his chest, ignoring it. After Danny had stopped crying, he moved the boy back, hands on his shoulders. "If I can't keep my promise, you can get back at me." The small gasp from that made him laugh.

He seemed almost offended that Jason had said such a thing. "I don't wanna!" Jason tried not to laugh more, ruffling the younger's hair. "If you don't" —he was clearly thinking deeply about a suitable punishment— "then you have to help me." A proud smile formed on his face. With a slight smirk, Jason pulled the other back onto laying on his chest.

"Help ya with what?"

"With family."

It was quiet for a moment, Jason's fingers twitching for a moment before he started messing with Danny's hair. "How so little mans?" Danny seemed even more confused, pursing his lips as he kicked his feet some. Watching him with a small smile, Jason couldn't help but think this was the reason he'd survived so long. Danny was the one good thing in his life that had no strings attached. He was fine with that...but he needed Danny to be alright, even if it meant not being right there.

"You gotta help us have a BIIIIGGGG family. With more sib-a-lings!"

There was a snort from the older, ruffling Danny's hair. "You said it wrong you little dingus." Danny's own laughter erupted from him after a moment, swatting Jason's hand away. "But sure. If I break my promise, then I'll help you get a big and nice family." The toddler seemed to absolutely beam at that. "However! I still get to be the best brother-" Danny giggled at that, "and if anything is ever wrong you come to me, no matter what. Alright?"

With a happy nod, Danny's hair was once again ruffled up by Jason, the laughter filling up the small area they were in. Even when a few older ladies glanced over, not a word was spoken to the two. And when the librarian found both boys sleeping...well, if she gently readjusted the blanket they'd brought and let them sleep it was between her and the other librarians.

#dc x dp #dp x dc #dc #dc comics #dcmultiverse #danny phantom #danny fenton #jason todd #GiaB AU

191 notes · View notes

existencebringsonlypain · 10 months

Text

Okay! So! This post is factually inaccurate. I'd been told the creator of the sunset aroace flag was a nazi, turns out that's a baseless accusation and comes from another untrue rumor. So. I won't delete this post, because it was a fun exercise to create a flag, but take every claim about the morality of the og artist with, like, negative one grain of salt.

I've heard about the whole controversy regarding the aroace flag, and I do get the sentiment- we shouldn't be using a flag created by a nazi. However, it's so widespread and recognizable a flag that it's hard to change it without backlash. Makes sense, if people are used to a certain flag to mean their identity, they'll probably resist changing the flag- it may make it feel like you're replacing their identity.

Therefore, I propose we do indeed change the flag, but make it highly reminiscent of the widespread flag, so the transition between the two is easier and less significant. Yes, it's still using a similar design to a nazi's, but it might be the best we can do- and who says we can't reclaim a symbol?

I've made my own take on the flag. I'm not saying this is the best one, just the best I could do.

As with any flag, the stripes have meaning.

The orange represents love, in a platonic/familial/aesthetic way, all the aspects of love- excluding romantic and sexual. This is why it's not red, the main color for love, because it can be different for us than it is for others. It's also reminiscent of a sunrise, and due to that it can represent the beauty inherent in love. It's meant to symbolize how though aroace people may not experience romantic and sexual love, but we sure as heck still feel love.

The tan represents unity, not only between those who are aroace, but with the queer community as a whole. Though we are not allo, we are still queer, and we are part of the whole.

The white is, actually, not in fact white- it's a very light warm grey. This is to represent the spectrum of identities under the term aroace. The white isn't actually white, but that's okay, it makes the flag more cohesive. The aroace term might not quite align with your identity, but that's fine. Words are what you make them. Colors don't always fit in rigid boxes, and neither do people.

These are going to be out of order, just because it makes more sense to read it this way. I would do it in this order on the flag, but I both want it to look like the widespread one and want it to look like a gradient.

The darker turquoise represents the joining of aromanticity and asexuality- residing between the two colors in the color wheel. It's not a direct mixture between the shades, because when the two identities combine, they form a whole new identity, while still reflecting the original. Also, it's more vibrant.

The sky blue represents the variety ever-present within the identity. It represents the aroacespec people. It's lighter than the color between aro's green and ace's purple, because attraction can vary. Demi and auto and flux people exist, and they're still in the flag- because they're still part of our community.

This flag is very similar to the more common aroace flag, but that's not really a great flag to use. None of the colors are the exact same, intentionally. It's unique enough to be separate, rather than just a redesign of the same flag, but it's still recognizable as aroace. Here's a comparison:

In my opinion, at least, it looks better. The top is a more cohesive gradient rather than a yellow coming from nowhere, and the bottom band isn't as contrasting. The duller band in the middle just makes it look nicer in general imo, but it's mainly motivated by the meaning.

This isn't perfect! This flag is just my little experiment, since I always liked how the flag looks like a sunset, yet didn't want to use a flag designed by a nazi. Feel free to use this flag anywhere you'd like, as long as it's, like, a good use. Like, no oppression or exclusion. Keep the original meanings in mind. We are all a community.

Finally, a call to action: try and use this flag rather than the original! Or, if you don't like this flag that much, make your own! Try to come up with your own meanings, it's harder than you think. This is our flag, ‍‌ and we choose what we use and what we value. Or just inform people on the history of the flag, I personally had no idea it was issue-laden until recently. Either way, let's go out there and love.

49 notes · View notes

theographos · 5 months

Text

They all became what everyone said they couldn't be. All except Toby that is...

Once again i'm sharing my Trollhunter propaganda onto my loved ones, and by that I mean trapping them in the same room as me and forcing them to watch the show. (with consent) And this time, it's my bestie who has to go through that. And as I rewatch the show, I think about what I see and compare it to the rest of the franchise.

Jim, despite everyone and himself telling him he couldn't, became the Trollhunter in his very own way.

Claire, despite Morgana saying otherwise, became the new owner of the Shadowstaff in her very own way.

Blinky, despite Vendell and overall the whole Troll market telling him otherwise, became the mentor of a brilliant Trollhunter in his very own way.

AAARRRGGHH!!!, despite the Gumms Gumms and Queen Ursuna saying otherwise, became a fighter for the right cause and left his role as Gunmar's spawn for good. Or in other words, he learned how to be a fighter in his very own way

Toby, despite the plot telling him otherwise, became a hero fitting the common standards of heroism in medias and a hero fitting the Tales of Arcadia's standards.

But wait... Toby's character development doesn't really make sense with the rest of the main characters now, does it ?

No it has nothing to do with the fact that Toby is a "fleshbag"

So I already discussed on how the screenwriters could have given a more interesting role for Toby in another post, but I didn't deeply explained why in terms of storytelling.

First and foremost, no I do not think that Tobias would have been better if he wasn't a human, this post is more because I believe that Aliens and Toby lack "plot important" features (except for the movie) (waiting a whole franchise to give that kind of feature to a character or an important specie in your story isn't something we should acclaim). So I thought of ways to kill one bird with two stone, and give plot-interesting features to both the race and the character. Plus I think it's more interesting to think of solutions that fits the already established universe, and then think of solutions that fits my way of writing stories.

Second of all, yes the human bestfriend of a character can be wonderfully done, like in Teen Wolf for example. From the start we meet Scott McCall, the main character, and his bestfriend Stiles Stilinski. Throughout the whole show they are exposed to supernatural phenomenon, the entirety of the cast becomes linked to the supernatural world either by being hunters or by being a supernatural being. Everyone except Stiles.

And despite being human and a comic relief character, he is relevant to the plot. He is the "detective" of the group, he is always the one noticing strange things and finding a solution to the current threat they're dealing with. He is also incredibly funny, voluntarily or not, and the screenwriters take their sweet times showing how hard the plot is taking a toll on the characters through Stiles. Which means we see him having panic attacks, doubts, nightmares, etc.

And guess what ? He is the fan's favorite character ! In the last season, when Stiles's actor couldn't be more present due to an injury, it showed. You could feel the lack of Stiles in most the scenes, and the bestest parts were the scenes in which he appeared, also because they came up with an excuse to explain why Stiles isn't as much present as before.

But that excuse is so well done that when you see Stiles again, you're not only relieved to see him well, but also very interested because suddenly the plot drives forward so quickly. If you take away Stiles, the plot isn't going anywhere (because he was the one investigating most of the supernatural threats), and even the serie isn't that interesting anymore : it's less funny, less human and even.

Heck, the plot wouldn't even exist without Stiles ! In the beginning of the show Stiles takes the main character in the woods because they're looking for a dead body (dumb teenager idea)(his dad is the sheriff so it's not that weird). And in those woods, the main character ends up lost, gets bitten by a werewolf and the story starts.

So yes, a human bestfriend can be interesting in the story in an emotional point of view, he can be relevant to the plot and have an interesting dynamic within the main group.

Dreamworks isn't good with "bestfriend" characters

Trollhunters is in many ways similar to How to Train your Dragon. While Hiccup is trying to protect dragons following his own morals even if they differs from the rest of his village, Jim is trying to protect trolls following his own morals even if differs with the rules of Trollhunting. Of course both franchise have their own identity, and not everything is similar to the other. But they do share the fact that they're both animated by Dreamworks.

Yet I see one major problem that the HTTYD franchise had who's also present in ToA : The bestfriend character has nothing more than a "helping hand" kind of role. Astrid is interesting and has plot relevance, just like Claire, but they're more the love interest kind of person. Stoik, Valka and sometimes Gobber have plot relevance as Hiccup's parent figures and/or mentor, kind of like Blinky, Strickler and Barbara. I think I could compare AAARRRGGHH!!! with the dragons in some way. He has a link with the main bad guys of the show, just like the dragons (dragons and dragon hunters) he has that loveable side like the dragons and big fighting skills like them. (I'm not saying that AAARRRGGHH!!! is similar to an animal, i'm saying that his role plot-wise is similar in some ways to the role of the dragons in HTTYD)

But when we take a look at Snotlout, Ruffnut, Tuffnut and Fishlegs, even if they have distinctive character traits from one another and some sort of character development in some episodes of the shows, in terms of plot their role are basically "well the main character cannot do everything on his own, plus we need humor". Some episodes are based around them, just like for Toby, but no villains are directly linked to them, no plot points are directly linked to them. They're only in the plot because they are the friends of the one who's relevant to the story, whether it's the dragons, Hiccup or the rest of the Trollhunter team.

Toby, just like Snotlout, Ruffnut, Tuffnut and Fishlegs is a supporting character. Yes he has helped a lot but more because they needed a third hand more than because they needed his specific competences. And no Warhammer isn't what I can call a competence, since Jim's status as a trollhunter works with and without his weapon, and Claire's shadow magic has been awaken by the shadowstaff and even when it ends up being broken into pieces, she is still relevant without her weapon.

Warhammer was something that Toby wanted a lot, couldn't use, so they put a curse on it to kill two bird with one stone. The biggest competence that he had so far in Trollhunter was his dental problems. Without that, they wouldn't have meet Gladys the changeling or they wouldn't have found the Janus order. Because the rest of the time it's just luck. Luck isn't a competence, it's literally just luck.

In terms of a fighting team, Toby doesn't have a distinctive role.

Jim is the front fighter. He is the one that is going to go straight to the enemy.

Claire is the mage, even if she knows how to fight, her main feature in combat scenes is her magic.

AAARRRGGHH!!! is a tank. He is strong and big, and is able to take on bigger enemies and take a lot of damage upon him.

Blinky is a councellor, he might not be the best at fighting but he will be able to come up with a strategy based off his knowledge as an historian, and also serve as some sort of therapist and moral compass, giving back faith and the will to fight to his comrades.

I have a hard time understanding Toby's role is this team (combat-wise) other than "the helping hand". The moral compass is already occupied by Blinky, he is hardly a tank since AAARRRGGHH!!! can take upon the offensive and defensive aspects of that role. He cannot be the "troll-nerd" one who knows everything about troll culture since Claire and Blinky already take upon that role. The best I could come up with is either the one who deals with humans, even if when it happens it's always more or less accidental and he is not comfortable in those situations (or not good, like when they had to exchange the formula with Vendell's staff), or again a helping hand, a sort of plus one in case there are a lot of ennemies or everyone else has a task and that problem must be taken care of right now.

That's why I proposed that he could be a healer. Not a very good one, since that would just make the team invicible (most of the times their difficulty comes from injuries or being tired, if you have a character that can fully help those problems there is not a lot of hardships).

Truthfully I have a hard time thinking of an actual role he could have within the team. Because being the "plus one" is already the role of the Creepslayerz.

It has to fit with the serie's message

Like I said in the introduction a recurring theme for the main characters is that people around them do not believe they are fit to become what they're supposed to be or what they want to be. A some sort "against all odds they managed to become [insert role]" if you'd like.

As I have established before Tobias is more of a "helping hand" kind of role, and no one has ever kept Toby from being a helping hand other than him. (Meanwhile every other main characters in Trollhunters doubt themselves because of everyone telling them to do so.)

The only thing he has been kept from doing by other characters (especially the villain) is to be the hero. He is only a human with nothing else, he can help but he can't make a difference on his own. But if we continue to follow the story's theme, he would need to become a hero in his very own way. To claim that title and to use it in a way that is most definetly his, whether with his own competence or his own moral compass.

Toby doesn't have that, since he became trollhunter after Jim, after Jim proved that humans can be trollhunters. He would only be repeating Jim's story with some differences, but the struggles would be the exact same. Meanwhile Claire is having her very own difficulty because she has her very own role as a hero. Her struggles are similar, but not completely the same.

See, when I talked about alien!toby it was because it was easy to tell yourself that aliens might not recognize Toby as one of their own, which could create some sort of "you want to be like us but you'll never be, you're just a human/too bad at it". It's also easy to imagine Toby having trouble with that part of him, either physically or mentally. After all he always thought he was a human, learning that you're part alien is a whole pre-written identity crisis.

And yes even his sacrifice at the end of RotT doesn't really fit the story's themes. Yes Toby saved the world in his own way, but what I don't like about it is the fact that he is considered a hero because he sacrificed himself.

He is not a hero because of who he is, he is a hero because of what he has lost. This is a one time kind of heroism, because as you might guess you do not come back from the dead every so often. I am not saying that he shouldn't have sacrificed himself, i'm saying that every main character became a hero before trying to sacrifice themselves. You saw a big part of their competences before that, but like I said Toby doesn't have particular competences in the show.

It still fits the theme "don't think, become" of the show, but if we look on the plot from afar it means that Jim had to fight to become a hero, Claire had to fight to become a hero, same for AAARRRGGHH!!!, Blinky had to lead to become a hero and Toby had to die.

This is quite a horrible thought don't you think ? That the only way for one of the main character to be fully recognized as a hero in the plot is to die. It worked in some shows, especially for morally grey characters, but throughout this whole post I showed you how Toby had nothing meaningful given to him, and the only thing he always had was ripped from him.

This is not something carefully planned, it's just that they did not cared.

Nothing in the whole franchise justify the tragedy that is Tobias's character arc. Changelings became heroes, Gumm gumms can be heroes, humans too, except for Toby.

Toby is left with crumbs. No magical ancient weapon, just a warhammer that doesn't even have a story worth mentionning in the show. No cool and original duty, just the one that his bestfriend had and who decided to give it to him to make him happy. A big act of heroism, that only Jim will ever remember because this happened in another timeline.

His role as trollhunter, his warhammer, his role as "protector of arcadia" at the end of Trollhunters, even his dynamic in the group is merely a pat on the head in hopes that it will make him shut up and comply. And while some characters are beautiful tragedies, Tobias is not an intentional one. If it was one, you would have seen it coming. If it truly was meant to be a tragedy, the writers would have dropped signs, they would have portrayed it in a particular way.

Even if they lacked time in the later seasons of Trollhunters and Wizards, they had time in 3Below. They had 2 seasons to give anything to Toby, whether tragical or magical.

But they didn't, so nothing shows that they intentionally did it. I even think that they did realize what they had done at some point, and their only way to arrange things was to make him die so that he could finally be a hero.

A hero that only one character will ever remember in the show, because they couldn't even give him that glory, it had to be reaped away from him in one way or another. Because at the end of RotT, in terms of timeline, it never happened, or at least it didn't happen yet.

In conclusion to all of that, I will repeat what I have said a thousand times in this post : Toby wasn't done justice with this movie. He didn't have the ending he deserved, and his story arc in my opinion isn't really a story arc. It's more like him complying and shutting up about his situation because he was given something that looks shiny, but holds no real importance nor deep meaning (or some twisted meaning).

The writers did not want to include Toby in the plot for most of the franchise, and when they did it was in the only way they knew of : something that looks shiny and cool but is in reality just a way to shut everyone up and move on.

#Not so much of a fun ending for that one #Trying to fix things doesn't erase those said things #if you want a human character in a fantastic story #3below tales of arcadia #tales of arcadia wizards #wizards tales of arcadia #trollhunters tales of arcadia #tales of arcadia #rise of the titans critical #tales of arcadia : rise of the titans #rise of the titans tales of arcadia #tales of arcadia rise of the titans #rise of the titans #toby domzalski #toby domzalski critical #tales of arcadia critical

20 notes · View notes

icebrooding · 8 months

Text

Woke up feeling salty again abt the way they wrote Trahearne out. If I analyse enough, I can find even fitting reasons why, but it doesn't mean it doesn't make me still salty.

Like, I wonder which reason it was for. The right end to his character arc? (I don't agree). Didn't know what to do with him anymore? Because he was very, very disliked amongst players at the time? Maybe even just they wanted to bring the remaining members of DE into the foreground and couldn't really think of a way other than what they ended up writing in? Have Trahearne die, make it another concrete reason for the Commander to quit the Pact, place Logan in there as Pact Marshal so he still would frequently be in contact w/ the Comm, and have Rytlock and Caithe be part of DW and thus be still relevant and prominent characters.

I feel like there's basically a whole slew of solutions, of which I have some. All of these involve him surviving HoT, obviously.

A) Have Trahearne retire and spend his time recuperating in the Grove if you just don't know what to do with him yet. He's been through a lot of trauma, likely would need a long time to recover both physically and mentally, and with the rampant levels of sylvari-oriented racism it would make sense for his character for him to give up his position to someone he knows is a trusted, responsible figure if it makes people less afraid/regain confidence in the Pact itself.

B) Have him part ways with the Commander and the Pact after HoT. For the same reasons above, but this would be him departing on his own to find himself. I would say have him kind of come back and forth from the story, bumping into the Commander on his travels, but this would be too much like Canach's post-HoT appearances. This way they could bring him back if they found another need for him, and can keep him out of mind, but without the need to kill him. Hell, they could have used this to eventually bring back Malyck by having Trahearne find him and his tree during his travels and settling there for a while.

C) Have him join DW himself after stepping down from the Pact. After all, he is very attached to the Commander. This would be a thorn (hah) in the side of players who don't like him, but with the Commander being the de-facto leader, it might mitigate some of the 'he stole muh main character spotlight' complaints going forward. This would also give him ample room for self-discovery, and it would be amusing to see how his 'makes friends anywhere with anyone' trait could come into play in places outside central Tyria.

There is a whole laundry list of things they could have done with him, and I just can't wrap my head around the concept that killing him was the best way to go about it. Like, it's not. Fun or enjoyable at all to see someone who has spent twenty plus years of their life, for their whole life, working towards a goal that isn't theirs, and then dying before even getting a chance to establish their own sense of self.

Maybe I'm just a simp (I am, for him) but I just feel like there was so much more they could have done with him.

#text #trahearne #i have so many emotions and thoughts and i wish they'd just done sth different yknow :sob:

37 notes · View notes

alisonwritesimagines · 2 years

Text

One Happy Family ~Stephen Strange Imagine~

Summary: You and Stephen grow your little family a little more.

Author’s Note: So guess who started to simp over Stephen Strange because of his suit up scene in Multiverse of Madness.

Reader’s Pronouns: She/Her

Warnings: spoilers for Multiverse of Madness. But yet again, it's been out for a while so if you haven't seen it yet, too bad.

Please do not post this anywhere!!!

Side Note: This is a secondary blog. If you comment a question down below, I will not answer since this is not the main blog. Please send the question to my inbox if you want a response back!

Do not repost this anywhere!

Christine thought you were a heaven-sent and that you were a miracle for melting Stephen's cold heart. Though she loved him (now platonically) even she knew that the former surgeon had a cold heart and that his ego and pride got in the way of that. So when she saw the two of you together, she was happy for the two of you.

Now came her wedding to which both you and Stephen were invited.

"Do you wish to get married soon?" Stephen asked you.

"Yeah. But why rush?" You asked him.

"Well, I was blipped for five years and missed five years of Lila's life," Stephen told you.

Before Stephen had to do what was needed in order to save the world, he knew that you were pregnant before you even knew. It hurt him when he came back to see your five-year-old daughter by your side when he came back home. The two of you hadn't talked about marriage or kids but you two did enjoy what you both had.

Since she was Stephen's child, she inherited magic which she could do without the help of a sling ring. Wong, who luckily wasn't dusted, had helped Lila with her powers in the meantime before Stephen came back.

"I don't mind. But every girl does enjoy a nice proposal. Just don't do it at Christine's reception. We don't want to be those people," you tell him as you fixed his tie.

"I know."

"I'm ready?" Lila said as she rushed over to both you and Stephen. Stephen picked her up before kissing her cheek.

"You look beautiful. Like your mother," Stephen told her.

"Thank you, daddy. Can we see Auntie Christine now?" She asked.

"Yes come on."

After the wedding, Stephen watched you and Lila dance on the dance floor. Christine headed over to him by the bar and ordered herself a drink.

"She's a great woman," Christine tells Stephen.

"Yeah. She is."

"Are you happy?" Christine asked him.

"Yeah. I am," Stephen nodded.

"That's good. You deserve it," she told him before walking away.

Stephen quickly finished the rest of his drink before walking over towards you and your daughter. But before he could reach you two, a loud crash was heard from outside. He quickly walked over to the edge to see what was going on.

You picked up your daughter before walking over to see what was happening as well. Stephen looked over at you before kissing your forehead as well as Lila's.

"I'll see you when you get home?" You asked.

"Don't wait up on me," Stephen told you before getting his cape out and jumping off the balcony.

"Woah," Lila said as she watched her father rush over to the scene.

A week later, Stephen came back. But he wasn't alone.

"Honey, I'm home," Stephen called out. Lila used a portal to rush over to Stephen quicker.

"Daddy!" Lila said as she rushed over to him. Stephen picked her up before kissing her cheek.

"Lila! I told you no doing magic unless your father is nearby," you tell her.

"But he's back!" Lila defended. You walked over to see your husband with a teenager by his side.

"Hi. I didn't know we were expecting guests," you tell Stephen.

"I know but I will explain everything in a moment. Honey, this is America Chavez. America, this is my wife, Y/n, and our daughter, Lila," Stephen introduced.

"Hi," America waved a little.

"You both look tired. Come on. Let me show you to your room and you can rest a little. I think I have some clothes that might fit you," you tell America as you walked her over to her new room.

"I missed you, daddy," Lila said as she held onto Stephen.

"I missed you too. Come on. Let's go upstairs and we can take a nap together okay?" Stephen asked her.

"Okay."

As Stephen and America cleaned up and rested, you started on preparing dinner. You felt Stephen's arms wrapped around your waist before kissing your neck.

"How is she?" You asked him, referring to America.

"A little beat up but she's fine. Poor kid had it a little rough. She's been on her own for how long and lost her moms," Stephen told her.

"Are you saying we should adopt her?" You asked with a small smile. You looked up at Stephen who was thinking about what you just said.

"If you want to."

"I think it'll be good for America to have a normal life again."

"There's something else, I want to tell you," Stephen said.

"What is it?" You asked him. You turned off the stove and turned over towards him.

"I explored many multiverses and it made me realize something," Stephen said.

"What?"

"I don't want to be just your boyfriend or fiance. I want to be your husband. I want us to be together as a family together. And I mean a family, family. I want to wake up every morning, knowing that you're my wife. I want to die, knowing that at least I married you and that we had a successful life together," Stephen told you.

"Is this your way of proposing to me?" You asked with a smile.

"In a way. I can make it traditional if you'd like," Stephen told you.

"I don't care honestly. As long as I'm with you," you tell him before kissing him.

"I love you, in every universe," Stephen told you.

"I love you too. In every universe," you tell him before giving him another kiss.

#stephen strange #stephen strange imagine #stephen strange x reader #doctor strange #doctor strange imagine #doctor strange x reader #benedict cumberbatch #benedict cumberbatch imagine #benedict cumberbatch x reader #marvel #marvel imagine #alisonwritesimagines

522 notes · View notes

marashi96art · 1 year

Text

Questions for the fanfic writers about Leon S. Kennedy's lack of background story: How do you deal with it?

I've been haunted by this problem for MONTHS and I needed to spit it out. I feel like Tumblr is a better place for long text and reasoned discussion, and most importantly: fanfic writers.

It's long and I sincerely look forward to your opinions. Even though I only draw Cleon, I didn't mention any ship in this post so I won't add ship-related tags here; if you're gonna list examples based on your ship, please respect each other.

So hear me out:

The best part and the worst part about Leon S. Kennedy is that HE DOESN'T HAVE A BACKGROUND STORY and a CONSISTENT characteristic development...and it's driving me insane.

The benefit of it is that I can shape his past into whoever I want to fit my stories. But it brings out a bigger problem: the development is solely depending on my understanding & knowledge of character design. He's pretty much a blank sheet of paper, except he's extremely famous, and I don't want to stray too far away from the canon info that we've got on him(and get "canceled" for OOC).

(I don't actually write stories into fics, but I DO write short scripts for my art when they are intended to be a series. I guess the prep work to start anything is the same: write it down in words, then expand the idea.)

I love AUs and I'm more interested in sci-fi/fantasy than modern/zombie-apocalypse kinda thing. But when I wanted to dig deep into their backgrounds, to start world-building, there's NOTHING for me. It's so frustrating.

For example, I'm currently working on a Monster Hunter AU based on the RE4R DLC Hero Outfit, which basically is the whole RE gang running around in the woods hunting supernatural creatures. (Not just CAPCOM's MH series but with the general mythical creatures, werewolves .etc)

And they have a Hunter's Guild, different tribes and clans, you know the drill. Since the setting was in a fantasy world, their surnames have caused me great pain from the start.

The easiest one is Redfield. It can be interpreted as "fertile land" or "battleground", and from these I immediately have quite a few visual ideas of how they'd look like, and what they'd do for a living. Chambers, Valentine, and Oliveira are "OK", but the surname Kennedy doesn't fit in ANYWHERE.

(Yes, I googled. It's Irish; but let's be honest, our first impression was a certain American political family.)

Then I read this article that shares a similar concern: Is Resident Evil 4’s Leon S. Kennedy Italian? An investigation

It pretty much sums up the most common FANDOM theories of Leon's background info. But all of them are still just, headcanons.

The more I try to dig in, the lack of this crucial element--a character's canon background story--is really blocking me to create things I enjoy. Even though I've been drawing him for almost 50 pieces of fan art, I still don't know what he's actually like. I can only imagine his personality by referencing other fictional characters/actors whom I think share a resemblance. (I have a soft spot for Keanu Reeves, Faramir from TLOR, and Sanji from One Piece. But that's another story for another time.)

Of course, I'm aware of the fact that, instead of spending this huge amount of time to rewrite a fictional character I don't own, I can create my own OCs and build everything from scratch. But that's not the point. I only started playing video games in 2019 when I bought a Nintendo Switch; and my first-ever, modern game experience was Zelda: Breath of the Wild.

The whole game-wise fandom and RE series are pretty new to me. But I've been in fandoms of books/movies/TV shows for over a decade. It shocked me that Resident Evil, this world-popular series has almost 30 years of history but non of the main characters have a consistent background that follows through the in-game timeline. There're huge gaps between the games even if we add all of the movies in it. How did that work? How do you get to know them? How do you get attached enough to write your own fan story?

In conclusion, I don't think I like Leon S. Kennedy, cuz he remains a mystery. Instead, I just combine all of the good qualities of other characters I like, create my version of Leon Kennedy, and hopefully pray that when he reappears in a new RE work, I didn't do him wrong.

#leon scott kennedy #leon s. kennedy #leon kennedy #resident evil #resident evil 2 remake #resident evil 2 #RE2R #resident evil 4 remake #RE4R

47 notes · View notes

kiruamon · 3 months

Text

Spring through the Seasons AU - The beginning

I thought I'd just provide some of the sketches that show the main idea behind the story of this AU with something that isn't just a simple description of events that take place in it. (So yeah, the sketches are incorporated between the text if you are more interested in the art and not the story.) Depending on future posts, there may be also some sketches with simple description texts. It will basically depend on what I'm in the mood for and what fits the situation better. But either way, have fun with what could be considered the prologue for this AU.

A strong wind blows through the colorful treetops, making them rustle and tugging at their leaves, detaching them from their home and dragging them far away. The ruler of this realm watches the eternal bustle in solitude. Twirling a fallen maple leaf between his fingers, he stares out at the lake and the small island in its center. Once more, as he had done so often lately, he wondered if there was anyone out there beyond the wild animals. Someone he could talk to. But the little rafts he had built out of sticks and sent out on the lake in the hope that someone would find them didn't seem to have arrived anywhere. Or… simply hadn't been discovered. But perhaps there was just no one left but him. His second attempt, the journey to the border of his realm, had only led him to an unclimbable cliff of cold and smooth stone, while a storm like he had never seen before - white and icy cold - had blocked his vision and chased him back again deeper into his own realm. After encountering this massive obstacle, he had given up trying to explore the other border of his home to save himself from further disappointment. And yet… he still hoped that someone would come and find him.

Slowly, his fingers open. Releasing the leaf in his hands and allowing the wind to take it on a journey that he can not go on. Perhaps it will find it's way beyond the borders of his homeland.

It all started with one fallen red leaf brought to your little world by the stormy autumn winds coming from across the island.

Dancing in the wind, it made its way across the clear spring sky. Bright red, like the shell of a ladybug. You had never seen anything like it before. The leaves of the trees and bushes in your home coming all in a variety of shades of fresh, bright green.

You stare up in fascination, following the strange leaf as it sinks lower and lower until you only have to reach out your hands to catch it.

Where could it have come from? Did it come from the white lands in the west? Or the dark green forests from the east? Or… perhaps from even further away? Your imagination runs wild as you try to imagine how a crown of leaves covered in crimson might look.

There was a strange urge in your chest that you had never felt before. You wanted to see it with your own eyes. The place where this leaf came from…

TBC

Edit: If you are new to this AU and want to know more about the concept you can look at the introduction part.

#fnaf au #stts au #fnaf eclipse #fnaf y/n #dca #fnaf dca #daycare attendant #fnaf daycare attendant #traditional drawing #sketches #my art #do not reupload #stts au part 1 #story time #Eclipse is being lonely #Who has read the introduction part of this au knows that there are two options who Y/N can meet first.#Of course I have already settled on who we will meet in the next part.#Translated the story with DeepL and using also dict.cc to try to make it as readable as possible.

17 notes · View notes