#but it does let me reference my plot outline and character goals | Explore Tumblr Posts and Blogs

hankwritten · 3 years

Text

TFComics Rewrite

I am currently plotting an outline for a TFComics, and I want to get my thoughts about fixes to canon and possibly get feedback. Since this is a rewrite there’s really no *spoilers* or anything, so I’m willing to answer all questions about what I plan to do. Also some characters I’m not so sure about how I want to retool them, so if your have ideas for your fav let me know!

Disclaimer:

This rewrite is intended to critique the content/choices made in the construction and telling of the Team Fortress 2 comic series. It is not a personal attack on the artists/writers/directors or any of the creatives that made contributions to this series, nor is it meant to substitute or replace the official release. This work is transformative in nature, and relies on an understanding of the source material to be understood. TF2 and its characters belong to Valve.

TFCR is working on the assumption that the audience has read the original comic, and as such will skip over scenes and plot points that are unchanged from the original. I don’t think it needs to be said, but this fanfiction will not make sense if you are not familiar with the source.

I also recognize that there are strengths within the comic’s writing and weaknesses within my own. Namely, that Valve writers are gods in the realm of comedy, and I’d rather not try to match them in the regard. As such, I will state up front that these will not be as funny as the TFComics. That is not to say there won’t be jokes (either ones transplanted from the source or some of my own) or that the tone of this will be terribly grimdark, only that my focus will be on improving story structure and character development as those are what appeal to me.

The Broad Strokes

The goal of TFCR is to give a more engaging story for all the mercenaries we know and love, as--let’s face it--the TF2 mercs are side characters in their own damn story. These are some of the planned improvements.

There will be reason for each of the mercs to actually be there. As it stands, the motivations for almost every character besides Pauling and Saxton Hale are vague and unsatisfying. We’d usually say something along the lines of “money” for hired killers, but clearly Scout doesn’t even know if they’re getting paid, and some of the other characters are even worse. The hunt for the Australium is, therefore, boring. MacGuffins usually are, but at the very least the characters should care about the item even if the audience doesn’t. This work aims to give each of the nine mercs a motive and a reason to be in the story instead of just replaceable joke dispensers.

Explain what “Team Fortress” means, and how it relates to RED and BLU. Long and short: the nine mercenaries we see on the team are not from either RED or BLU but rotate between the two, and were the individuals selected to fight the robots. That means all things do happen to all characters. As Valve pretty much goes with “whatever is funniest at the time”, it’s very hard to make a cohesive theory about “where the hell is BLU team?”, but I’ll do my damndest. We’ll also examine Team Fortress’s relationship with the other capital T Teams, and why they’re considered the “rejects” of the bunch.

Comics 1 & 2 will be removed from the timeline as they serve no purpose, only taking what needs to be known about the plot’s setup and jumping straight to A Cold Day in Hell.

We will introduce the Classic Mercs right away so they can generate threat and play against the TF mercs when they do actually meet head to head.

We will not be killing off Gray Mann. (Not preemptively anyway.) In fact, there will be more focus on him and Olivia as villains facing off against the Admin, providing her foil as the TF2 and TFC mercs provide foils for each other.

I considered waiting until the final comic was out to begin working on this, but that may never happen. Jay Pinkerton said he may reveal what plot they had in store eventually, but considering it took Half Life over a decade to get the “I was once a Valve writer but my NDA has expired and now I can go buck wild” treatment, I’m not holding my breath. The main reason I wanted to do this is that the Administrator’s motivations are not interestingly foreshadowed, to the point where there aren’t even any good fan theories out there. That said, WritingDispenser and Riddle of the Sphinx helped come up with a pretty fun one, which was actually the inspiration for me to get off my butt and start plotting this.

There will be no queerbaiting. This refers both to HeavyMedic (which has been simultaneously used as wink wink nudge nudge joke many times and as encouragement for fans to play their stupid hat game) as well as lesbian Pauling (since femme lesbians are the preferred method for front facing LGBT representation across almost all media, but video games especially). If you need to understand why lesbian Pauling is an issue, Sarah Z coined the term “queercatching” in order to describe word of god confirmations on characters sexualities that are not followed up on in the text. I recommend the full video on it.

Due to the importance of immortality in the theming of the comics, respawn will not be a thing. Deaths we think should have happened previously will be explained as close calls, or that Medic can heal a short time after death. Medic and Scout’s deaths will be cut in the story itself, as after Sniper died and came back, them doing the same thing kinda lost their punch.

Scout

There will be no ScoutPauling hints. It doesn’t make sense to give screentime to this relationship because Valve obviously doesn’t think it’s going to go anywhere so why make Scout turn down advances from other hot women? I mean I get Expiration Date was a Thing but it feels like Scout’s whole motivation shouldn’t be reduced down to chasing a girl who doesn’t like him back.

He’s here because he lost his life’s savings in bad investments and needs the money. That’s it. Which is still somehow more than his canon motive which is question mark question mark question mark

He, Soldier, Spy, Demo, and Pyro all start the adventure with Miss Pauling.

Engages with Heavy on a genuine level when they go to collect him, Heavy doesn’t blow him off when he tries to level about dead dads.

There will be no DadSpy reveal. The way Spy treats Scout has never been “deadbeat dad feels bad about abandoning his kid” but more “this is someone I would kill without a second thought if I felt like it” which makes his reveal in comic 5 feel very disingenuous. I don’t think Valve even had this plotline in mind until comic 3, as #2 still has Spy seeming only to care about Scout’s Ma and not Scout himself. It also makes “seduce me!” retroactively weird.

Uhhh hooks up with Zhanna. This one isn’t critical I just think it’s funny.

Soldier

Soldier is going to be the Ur example of the Admin not treating her people well, as we’re going to lean into the whole “Soldier was only mildly messed up until the whole lead poisoning” thing.

He’s here because he’s blindingly loyal to the cause. He’s actually going to very little from canon because of this actually.

Might be the reason Team Fortress has a reputation of being the lower tiers of the Teams, but that doesn’t mean he’s damn good at his job. Fatal flaw is that he’s unstable, and even though the courthouse plotline won’t be in this fic, it should be noted that he actually does cause problems for the other protagonists due to his short temper. He’s a risky asset, but still essential.

There will be a minor explanation for the WAR! Comic, but I think that’s better saved for Demo’s analysis.

Pyro

Pyro is the character you could cut entirely from the comics and have the least change. Now, they’re going to be Pauling’s right hand. Let me explain.

Engineer and Pyro are implied to live together, and Pyro doesn’t have anything better to do than go with Engie after Team Fortress is disbanded. Rather than having a reveal, we will see some of what is going on with the Admin and friends early on, and see what leads up to her sending Miss P the note that kicks off the whole plot. However, while Engie needs to stay and look after her, Pyro’s skills aren’t useful here, and they are sent as a direct messenger to help Pauling.

They’re loyal, and unlike Soldier rarely mess up orders. They’re also partially mute, making them ideal for handling sensitive info. Pauling trusts them to handle the burning of “Elizabeth’s” paper trail.

Will be using they/them in the narrative voice, but other characters will refer to them as he/him. I considered going with it/its because that’s bubbled up in popularity again, but ultimately I decided against it.

We’ll get glimpses to their train of thought, but like the comics they will remain virtually silent.

Demo

Demo’s role in the cast is going to be very similar to Spy’s. The events of WAR! involved him nearly dying and Soldier taking the win, and he’s very bitter that after all those events *apparently* mercs can just be switched around teams willy nilly and don’t have to kill each other anymore. (As the audience, we know this is because the Admin found out the “make them so angry they won’t ask questions” wasn’t a long-term viable solution, and instead brought TFI forward as a neutral third party that was pretending to mediate the gravel wars.) But Demo’s suspicious, and is only along because he really has been miserable since he lost his job.

This conflict will eventually come to a head, more on that in the Sniper section.

Is fairly forgiving with his teammates. Doesn’t like Sniper but I’m willing to drop a little angst during that submarine scene. Is glad to see Medic actually. Here to be some glue to hold this merry band together.

The Eyelander will not be forgotten after 2 comics because I love this character concept and I think it was underutilized.

Drunk jokes will be kept to a minimum. What I liked about WAR! and Bombinomicon was that it took Demo and showed that they knew how to make him funny without making him one note, which they sort of did in the early TFComics but stopped in the later ones in favor of him….being asleep for the whole plot. I promise 100% awake Demo in my rewrite.

Demo likes Pauling on a personal level, but has trouble reconciling her with his feelings on TFI.

Doesn’t get knocked out by moonshine because. Seriously? Poisoning the Demoman with alcohol? In what world does that work.

Heavy

Not too much to change. Scout doesn’t accompany him when he goes to look for the secret Australium cache, and he engages with Mags and Saxton (which will be when the audience finds out what they’ve been up to) and actually cares about what’s going on with them. He thinks Darling is up to something. Which he is, he’s attempting to unseat both Gray and Helen due to long family history.

Will at least mention Medic. Their reunion falls a little flat since it mostly relies on Meet the Medic for context, as they don’t really interact in the comic. There can be a bit of a flashback to what it was like as all these mercs broke up.

I know uhhh Valve seems to think found family is really dumb, and that these murderers could ever like each other is silly or something, but the mercs do? Like each other? For the most part anyways.

Bronislava and Yana come alone for adventures, not just Zhanna. Again, no real reason, but sometimes I get to have tacky fanfic stuff in my own fanfic because I Wanna.

Engineer

Engie ruminates on his family history of allowing all this bullshit to happen and just kind of shrugging. Basically Moss’s analysis of the Conagher themes.

Has put a lot of time, sweat, and tears into BLU and now TFI, isn’t willing to let it fall now, even if Admin is basically living on borrowed time. He’s doing this because of the ‘ole sunk cost fallacy.

Also we get to see more of Pauling and Admin’s relationship through his eyes.

Medic

Congrats on being the one merc with an actual arc, Medic! As a reward, you will not be changed much.

I’m actually going to use Medic’s section to say that the Classic mercs will be referred to by their first names in order to differentiate them, and we’ll get little previews of what they’re like from Medic’s perspective before we actually see them fight Team fortress. The battle at the submarine will be more of a fight in this sense, working it out so it seems like surrender is the only option after Sniper is killed.

Final fight with Cheavy will be...not blocked so awkwardly. I mean this is now a textual medium so my work is already halfway done, but still the pacing is so weird. Shudder.

Sniper

These are the big guns. Most changes, even more than Demo. He’s been actually hunting for New Zealand/the Australium cache on his own, and doesn’t want Pauling interfering, saying for a he knows she could have been the ones to kill his adoptive parents.

(She hasn’t, but the Admin did actually order them killed in an attempt to stop Sniper because she thought she could prevent the exact thing that is going on right now which is that Sniper is considering trying to get at it.)

Sniper doesn’t know this, but Pauling, Demo, and Spy eventually convince him to share his findings and help them get to New Zealand.

Spy

Similar to Demo but is less conflicted about it. He knows just because he likes someone doesn’t mean he won’t have to kill them later.

Spy knows about who killed Sniper’s parents, and tells Demo, sort of as a test to see where his loyalties lie. He also knows that Pyro is Pauling’s confidant for certain things.

Demo questions him about what he’s doing here, whose side he’s really on. But you know. Spy is Spy and he was never really on anyone’s side but his own. When it comes down to it, it might be exactly as Scout thinks: that he’s ditched them all and run off when he had the opportunity. But, big damn hero, comes back in the end.

He’s here mainly to “keep an eye on things.” Also maybe because his gf asked him to keep an eye on her son :)

#tf comics rewrite #tf2 meta

23 notes · View notes

ashen-crest · 3 years

Text

Romance Book Ref Thoughts

Ok, so I finally finished reading a few books I picked out as reference for Rival Potion Shops (basically, different flavors of recent rivals-to-lovers books). They were:

Kiss My Cupcake: rival bar owners compete for first place in a YouTube ‘best bars’ contest

Beach Read: rival authors suffering from writer’s block make a bet to swap genres for the summer

Red, White, & Royal Blue: the son of the President and the Prince of Wales fall in love during the President’s re-election cycle

After I read, I jotted down notes on how each book handled the following:

POV (single or dual?)

Relationship Pacing (when does the premise hit? when do they kiss?)

Side Characters (are they fleshed out, or just the best friend trope?)

Sub-Plots (what happens other than the romance?)

In case anyone is interested, I’ll list out my notes below the cut. These aren’t book reviews, just a really basic analysis to help myself out with my next Rival Potion Shops outline.

Note: some spoilers below.

Kiss My Cupcake

POV: dual, but primary POV is Blaire

Relationship Pacing: Blaire and Ronan start collaborating on joint bar events and promos about halfway through the book, and get together about 3/4 of the way in.

Side Characters: very few, and none with their own arcs or goals

Sub-Plots: basically none (unless you want to consider Blaire’s relationship with her family a sub-plot, but there are very few events that impact the plot, and it doesn’t change much)

Thoughts: cute, but simplistic. The dual POV didn’t feel entirely necessary, as the Blaire chapters outweighed the Ronan chapters. For RPS, I’d like to flesh out the side characters more and give them their own goals/arcs.

Beach Read

POV: single (January)

Relationship Pacing: They make the bet about 1/4 of the way in. They kiss halfway through, then pretend it didn’t happen. They get together 3/4 of the way in.

Side Characters: certainly some friends and family members, but none with their own arcs/goals; maybe the closest would be Shadi, the best friend, but she’s more a sounding board, and doesn’t really influence the plot

Sub-Plots: Most of the plot points center on the relationship, but January’s emotional journey with her family is a major throughline and emotional backdrop. In terms of emotional weight, the family strife and the romance are extremely tied together.

Thoughts: Definitely less simplistic than Kiss My Cupcake (and a bit of a heavier tone, despite the title), and it’s great that the developing relationship intertwines with each author’s emotional struggles/backgrounds. Made me think more about how Ambrose and Eli’s backgrounds and relationships would/should collide. They don’t necessarily have the same family strife or tragic background, but they both help each other address their past as they come together as friends.

Red, White, & Royal Blue

POV: single (Alex)

Relationship Pacing: They kiss 1/3 of the way in. Unlike the other two books, most of the book is about the secrecy of their relationship, then the international fallout/election ramifications when it comes to light. So not the sort of slow-burn you see in the other two books.

Side Characters: several, most of which have their goals and arcs tied to the presidential election.

Sub-Plots: 100% the presidential election, major major part of the book, hesitate to call it a sub-plot (but in this case, I’m looking at the sub-plots as anything other than the main ‘kiss kiss fall in love’ scenes)

Thoughts: This book handled side characters and non-romance plots the best of the three, in my opinion. That said, it was also structured differently than the others. It was less slow burn rivals to lovers, and focused more on- okay, they’re together, now what could go wrong? That’s not how I intend to structure RPS, but! I still learned a crap-ton from this book, and can only endeavor to flesh out the side characters and relationship dynamics as well as Casey did.

If you have any other rivals-to-lovers or enemies-to-lovers books I should read, let me know! I normally don’t specify my reading by trope, but this is specifically to help me write Rival Potion Shops.

#rival potion shops

4 notes · View notes

soldouthaz · 4 years

Photo

hi!! these past few months i’ve gotten several asks about all different parts of my writing process and i thought i’d go ahead and make a full post that i can refer people back to in the future! with the fests coming up as well hopefully it may help someone because i know i always love reading about author’s processes! feel free to let me know if i’ve forgotten anything :)

DISCLAIMER: this is MY writing process. these are my own opinions and maybe not methods that will work blanketly for everyone. writing is different for every person and you should always do what works best for you personally!

this post will be split into four parts - before, during, after, and other tips and things to remember :)

inspiration & idea

this is typically either the easiest or the absolute most difficult part of writing a fic. sometimes you begin with an exact idea and other times you want to write but have no idea where to start. personally i tend to draw inspiration from a few places in particular. writing prompt and dialogue blogs, although sometimes a bit cliche, are a huge help when trying to come up with ideas for scenes and outlines. these are some good ones – here, here, and here if you need some inspiration! pinterest and weheartit are also great places to search for inspiration both before or after you’ve settled on an idea. find an aesthetic you like and base the characters around it, do some world-building, create folders for your characters - this is a good place to reference back to while you’re writing! at this point i just try to pick something that i feel like ‘calls to me’ and leave the rest for later. the last avenue that i use to think of fic ideas is real life. i think of small things that have happened to me or to someone i know and make them much more dramatic and layered. add in some fluff or angst or whatever aspect fits and usually a storyline begins to carve itself!

outline

once you have an idea, making an outline can help you figure out if it’s going to work for you or not. nailing down the important details and plot points before you begin writing is crucial so that you have a purpose to your scenes, so that things don’t feel repetitive or pointless. when i outline i tend to organize by word count. for instance, by the 5k mark let’s say i’d like to already have established what character A does for a living and some of their interests, and i’d like character B to be vaguely introduced. by 10k i’d like the characters to have formed a friendship and for the conflict to have been introduced, so on and so forth. the plot spacing may differ based on the goal word count for a fic (do things happen quickly or is it a slow burn? etc.).

next I make a tentative timeline for the fic. I have to give myself sufficient time to plan and to write without rushing myself, but also make it reasonable enough that i can still look forward to it! writing takes different amounts of time for different people, but the more you write the more you’ll be able to estimate how long a certain word count is going to take you to complete. also, as far as advice goes, decide if you’re going to write everything and publish at once or if you’re going to upload weekly chapters, etc. i strongly recommend publishing a full work at once. typically people shy away from unfinished works and it can be very disheartening when there are almost no reads. publishing all at once will raise the chances of your fic being read and shared and will also help you as a writer not to make mistakes because you are able to go back and fix/edit certain plot points as you write.

organization

if you have more than one wip at a time, it can be really helpful to have some sort of organization in place. i write primarily in google docs, so i have one master doc with all of my wip information inside of it. i use a numbered chart (the docs themselves are titled with numbers only and correspond to the number in the chart) that has the tentative title, the goal word count, the current word count, which pov i plan to write from, and an estimated posting date. you can also limit the number of wips you have this way.once a work is published i move it from my wip list to my completed list, with the title, the final word count, and a link to the posted story. this part is optional, it just helps me to be able to see all of it in one place. i’ve found this method to be much more helpful than just making random notes on my phone that i forget about within the hour!

research

depending on the topic of your fic and the setting, you may need to do some research beforehand. if it’s historical, I brush up on the history of it and watch some films or read some books about the time period to get a feel for the vernacular and style, etc.. if the protagonist has a job i’m unfamiliar with I search up what they do, how much they make, where they work, and things like that. it’s unlikely that someone is going to fact check every little thing, but accuracy when it comes to these topics is very admirable and i feel like it really adds a lot of depth and authenticity to a fic.

another fun activity for this portion of planning is designing the characters. i try to do this for a lot of mine and experiment with personality traits, quirks, and appearances, and to create a character that feels layered as opposed to just surface level. it’s fun for me to figure out their morals and motives and opinions and to play around with those and see if they can be changed throughout the course of the story. an interesting activity here is to take personality tests from what you think they would answer about themselves! then, even if only subconsciously, your character now has interests and hobbies and feels more real, which will definitely show through when you write. there are some for you to take here, here, here, and here, and this is also a good resource.

atmosphere

(meaning in real life, not the setting of a fic). i tend to produce what i feel is my best work at night, after dinner when i have nothing else to do for the day and i can just relax. having a designated time and space to write really helps with motivation and focus, and can be the difference in accomplishing your time goals for the fic. feel free to try different things like adding music while you write (i write with headphones in and music blasting!) and adjust your surroundings to your liking. put on noise cancelling headphones, stop the clock that keeps ticking in the background or turn up the floor fan to drown other things out, or play some ambience videos from youtube to help you focus. whatever works! sometimes i also create playlists for my fics that i listen to while writing them which can add some more depth to the story too! being comfortable and not distracted are my two main requirements. also, unless it’s for music or research purposes, i would suggest distancing a bit from your phone as well!

word vomit

this is one of the most frustrating parts of writing but i can’t explain how many times it’s helped me, especially when i’m trying to reach a certain word count. i like to do an exercise when i don’t know what to write or i just have a vague idea where i sit down and just write. i don’t let myself backspace anything (unless it’s a small typo or something minor like that) and i just see where i end up. the reason why this is so helpful is because a lot of times subconsciously our brains already have some kind of idea of a direction to go in or what should be included. though this rough draft almost never makes it into my final piece and frankly doesn’t make much sense, i’m able to go back and read over it and think oh! that’s a good point, i can also write about [random plot point] here! as i think of it.

dialogue

the very first part of a scene that i write is the dialogue. personally i find it the easiest, and it helps me make a skeleton of a scene where i only have to fill in the descriptions in between. most of the time getting the dialogue written can help to visualize a scene and make conversation flow easily when you aren’t distracted with everything else going on in the scene. a lot of times if you’re focused on what a background character is doing the actual speaking may end up choppy or not make sense when you’re finished with it, which is usually my issue. this method is a good idea to use if you find yourself stuck on a scene or if you don’t know what you want the setting to be yet. if the dialogue you wrote doesn’t fit just right once you’ve added in the rest of the scene, you can always alter it to your liking.

taking breaks

this is the key to staying motivated for me. if i push myself too hard or write for too long i get frustrated and struggle to keep the flow going. it’s important to take a break when that happens because it becomes very obvious in your writing when you aren’t inspired. you’re more likely to take the easy way out of conflicts and dialogue and it could completely change the tone of the fic. by this i don’t mean procrastinate writing, but definitely make sure not to over-write. writing should be fun, not stressful.

similar fics

this step is 100% optional, but i find that it really helps me. when i read other author’s fics and i get inspired, the scene really sticks in my brain. to avoid accidentally copying someone’s ideas from their own fic, if i know that i’m writing something similar, i avoid reading any fic with a similar premise during the entire writing process. even if i think i won’t, often times i’ll subconsciously mirror a scene or a piece of dialogue from another fic without meaning to. this is definitely something to look for when you’re reading it back over!

balanced elements

this step really just depends on the type of fic i’m going for, but i’ve found that fics with some balance to them tend to do better than others. by this i mean fics that have a little of each important element like angst, fluff, smut, etc.. of course, this differs from fic to fic depending on the plot. if it’s a pwp, obviously the main element will be smut. if it’s got some heavy topics in it it may be primarily angst, or a holiday fic might be just fluff. all of these are okay on their own but it’s super easy to mix them together to create more realistic scenes and meaningful emotion in the dialogue. in a pwp i try to add some back story into it, something a little angsty or that gives the smut more meaning than just surface level (unless of course that’s what you’re going for!). on the flip side, you could take a really fluffy fic and at some smutty elements that enhance the love-y feelings from the fluff. even fluff/angst might be fun to explore! my point is that realistically we feel many emotions at once, all the time. when i write one alone my writing often feels like it falls flat and my message/theme doesn’t come across the way that i want it to.

resources

there is a list of resources and links at the bottom of this post that may help during the writing process! they are ones that I have saved to look back at when I get stuck!

read it over

this is my least favorite step. at this point, once i’ve finished the fic, i just want to post it as-is. i don’t feel like reading it over or doing edits - i just want to be finished with it. the benefits outweigh my dislike of it though, so i make myself do it anyway. it’s necessary (for me) to take a short break between when i finish it and when i read it over so that i can look at it with fresh eyes, just a day or two at least. the most important advice that i can give here would probably be not to delete anything you don’t like immediately. almost 100% of the time something can be re-written without being deleted, so if you don’t like the way a sentence is structured or the way a character speaks in a certain scene, don’t delete it! just see if you can rewrite it to model what you’re going for better. this step helps me to stay above my goal word count and not to let my insecurity get the best of me. everybody is their own worst critic, but usually there’s a reason you wrote something down, so give it every chance before you get rid of it altogether. i wrote about this here as well.

beta’s

i’m going to link to another post i answered about betas here!

choosing a title

when it’s time to choose a title for a fic i usually pick from one of four places. the first is a catchphrase from the fic. if there’s a recurring theme or nickname or description, it may be a good idea to title it the same thing so that readers will connect the title with that detail and remember it more easily in the future. the second place is from a song. there’s a lyric for nearly every different message and emotion, so there’s a high chance of being able to find one that goes hand-in-hand with a fic. the third place i look is in poems. i’m personally a big fan of lang leav, michael faudet, and bukowski, among others, and poetry usually also features a wide range of themes to choose from. the last idea i resort to when i can’t come up with anything else, which is to take a word that you feel represents the fic and translate it into another language like french or spanish, among others, or pick a word that has a meaning that corresponds with the fic. although there are no right or wrong titles, i would suggest to try not to pick a title that’s been used a lot already, or one that you think might be easily forgettable. even if you think it might be odd or not typical, people are going to remember it much more than if it’d just been a regular title.

choosing a summary

this step is also kind of hit or miss for me! either i know from the beginning what i want my summary to be or i struggle up until the last second trying to come up with one. there isn’t really a right or wrong summary – except for one. my advice here is please, please don’t just put ‘i suck at summaries! just read it!’. people tend to gravitate toward fics if the author seems confident in their own abilities as opposed to someone quite literally pleading with them to read. other than that, there are several types of summaries that i see a lot of. personally i like to use a snippet from my fics in italics, so that people can get a feel of what my writing style is like beforehand. when i write drabbles though, i usually come up with a quick, occasionally witty tidbit of a summary to grab people’s attention. for example:

a longer fic summary

Harry Styles takes his time coming out to greet them. Louis only knows what he’s seen on file and what he’s heard them talking about, but he fully lives up to the image he had inside of his head.

He saunters down the front steps of the farmhouse in his Levi’s, brown snakeskin boots curving out from underneath the denim Louis’ sure he had specially made. He’s got on a plaid button-down tucked into the jeans because of course he does, curls spilling out from either side of his cowboy hat around his sunglasses and country-tan skin.

“Harry Styles,” he drawls, extending a hand to Louis’ manager, “Pleased to meet ya’ll.”

(from my fic baby blue)

a shorter fic summary

there is little harry hates more than truth or dare.

and louis.

(from my fic like it’s a game)

and sometimes people use both as well, like this one from @falsegoodnight ‘s fic, before we knew –

“C’mon Lou,” says Zayn after a moment, He sounds even more exasperated than before. Louis sort of has a knack for exasperating people, especially people like Zayn who aren’t usually bothered by his brattiness. “Can’t you give this guy a chance? Harry Styles? Aren’t you curious about him at all?”

Despite his best efforts, Louis still flinches at the name. He really shouldn’t be so affected after all these years. He’s seen the name printed down the curve of his waist in obnoxiously and uncommonly large loopy letters every single day since his sixteenth birthday eight years ago. He’s very familiar with the name Harry Styles. It sounds pretentious and Louis hates it. He hates everything about his supposed soulmate. He hates his large handwriting that stands out like a claim on his skin whenever he’s walking around shirtless. He hates his pretentious name. And now he hates his supposed curls and green eyes and dimples.

Or Louis has been skeptical of soulmates for years so it seems like fate when he finally bumps into the owner of the obnoxiously large signature printed into his skin since age sixteen: Harry Styles, a human rights attorney who is firmly against soulmates.

and this link has some other ideas and tips for writing summaries that I found to be very helpful!

posting a fic

as far as tags and ratings go, THIS PART IS IMPORTANT! all of the steps are in one way or another, but this one is crucial that it’s done correctly. warnings and tags can absolutely make or break a fic. people tend to have very strong preferences when it comes to fics so i try to be as specific as possible without giving the entire story away in the tags. if you’re afraid of doing that, you can always put the full warnings in the note before the fic and tell people to check there before reading. i won’t list all of the possible triggers here but be sure to look those up if you are unfamiliar with some of the common ones. when it comes to tags, you’re always better safe than sorry! i like to tell people they’re free to message me and ask about something if they’re uncomfortable as well, so i can explain the trigger to them and why i tagged it that way and they can decide if they’d like to read based on a more informed basis. tagging correctly saves many people from being blindsided by something they didn’t want to see, and it also protects the author from some very angry messages about warnings.

archive of our own has an extensive support page with all of the info you could need about posting a work on their site including tags, ratings, warnings, co-authors, translations, HTML, and more. you can find it here.

as far as wattpad goes, i am definitely not as familiar with it. i have only a couple of my fics over there and a few translations that people have done for me, so my knowledge is very limited. this link seems to have some good resources for posting with them.

moodboards, graphics, covers

i feel like the writing does most of the work itself, but a graphic can really help when it comes to the next part of the process, posting on social media. some people like to do moodboards, some people commission artists to draw for them, and some like to create their own graphics completely from scratch. like most aspects of fic, there isn’t really a right or wrong way to do this. i usually make moodboards for mine! i try to stick to an aesthetic or theme, and pick a cohesive amount of pictures to use (typically three, six, or nine so they line up nicely). the pictures i use are almost always from tumblr, pinterest, or weheartit. i put them together using an app and then put a blanket filter over all of it so that it all looks unified. if you used pinterest or weheartit to create concept boards for your idea in the beginning, now is a good time to use those photos and media as well! if you’re curious, the apps i use to create graphics, moodboards, and covers are as follows:

canva (mobile app & website)

tons of templates to choose from as well as patterns and fonts! some things are locked unless you’re a member but most elements are free! easy to download and share and lots of options to customize and play around with. i strongly recommend the website on desktop or laptop as opposed to the mobile app so that the features are more easily accessible.

picsart (mobile app)

when i need to make one quickly and i’m not near my laptop (or just need something simple) i use picsart to make a quick collage and put a filter over them. there are some limited text options as well but they are not as advanced as some of the others mentioned here.

photoshop express (mobile & desktop app)

a step up from picsart, but slightly different elements. photoshop allows you to control a lot more once you know how to use it. there are some nice moodboard layouts here, as well as text and fonts, borders, and color controls. my favorite tool on here is the style transfer option under ‘effects’. a very quick and easy way to make your pictures look very cohesive!

vsco (mobile app)

perfect for adding filters and things like vignette, grain, and fade. it also has some color controls to customize those. this is typically the last step before i post. and you can save custom presets that you like to use again!

and there are many others as well – almost all photo editing apps and software have a function that will allow you to make a collage or add text to a graphic! i know wattpad also requires a cover for their stories and I believe they have an app for that too!

here are some lovely graphics that have been made for my fics by @lovelylou, @behisoneandonly, @tomlinvelvet-ao3 and @brickredtoe as some examples :)

and one that I've made as well:

social media

once i have a moodboard or graphic, i post the link to my fic on twitter and tumblr. in these posts i always make sure to include the title, the word count, and the summary. i try to make it as visually appealing as possibly by organizing the post accordingly and using fonts occasionally to catch people’s eye. this is the app i use for those on mobile!

i think about the sizing as well – twitter has set dimensions for its photos and is known for displaying the photos awkwardly. tumblr on the other hand will let you upload up to ten photos of any size, and will display them fully without any cropping. according to this link a single photo on twitter should be 16:9. this page also has some good tips. and as far as i can tell if you’re using two or four photos, i would stick to the square images as that is what’s worked for me personally. i believe canva also has a template for a twitter post too.

write for yourself

i think everyone knows this on some level but i tend to need to be reminded pretty frequently. if you’re heavily involved in social media and fic discourse, it can be very easy to get attached to what you know people want to see. writing should be a balance though, and you should always write for yourself before anyone else. we’re all free to write whatever we want and, even if it’s difficult, you shouldn’t ever let someone make you feel guilty for doing so. writing is an escape and a safe space but it can very quickly become something that causes stress and anxiety if you aren’t doing it for the right reasons.

don’t stress

easier said than done, I know, but like I mentioned earlier, writing should be fun. a lot of people here don’t do it as their job and no one gets paid to write fics. these are projects that authors take on on their own time even while they work and handle everything else in their lives and those things should come first and foremost, as well as your mental health. this circles back into my earlier point – don’t let people make you feel guilty about anything like not finishing a fic on time or not writing exactly how they wanted it. authors are real people with real lives too and if things get to be too heavy or too stressful, they’re entitled to a break or to leave if that’s what’s best for them.

don’t be afraid to ask for help / validation

there are tons of lovely writers in this community and others that would be more than happy to answer questions and give advice. if you’re struggling with something, there’s always somewhere to go to get help!

however, the concept of validation is a bit trickier than the others. there’s a fine line ;) between asking for validation for a little boost, or relying completely on it. posting snippets and sneak peeks is a great way to get people excited about your work and to get yourself motivated if you’re feeling down, but i would suggest not to post one with the sole purpose of fishing for compliments. if you do, it can be very disheartening if you don’t receive any or the ones that you were looking to hear. in my opinion you need to be at least somewhat confident in your own abilities before you can expect other people to be. posting a snippet is more beneficial for when you’ve got a mental block or are stuck in a scene as opposed to just searching for validation for the sake of getting it.

cliche vs. copying

there’s also two sides to this argument! you shouldn’t be afraid to write what you want, even if it seems like it’s a common trope or cliche topic. everybody writes in different styles and has different ideas and therefore may provide an entirely different view on what’s been poised as a ‘common’ theme. i think i could read a thousand of the ‘there was only one bed’ trope or the college au’s or the other popular plotlines. they’re popular for a reason and you shouldn’t be afraid to explore your own take on it! no one author ‘owns’ a specific trope.

BUT there is a clear difference in doing your own take on something versus just copying what someone else has written exactly. the lines can get blurry here but it’s obvious to readers when something has been repeated word for word from another fic or when one too many elements are the same. to be on the safe side, always check to make sure that the specifics of your idea haven’t been done exactly before.

resources

+ masterpost of some resources

+ how to keep readers engaged

+ helpful tips

+ 100 words for facial expressions

+ how to write good villains

+ good advice

+ synonyms for commonly used words

+ using metaphors and references

+ more helpful tips

+ descriptions

+ synonyms for ‘beautiful’

+ tips for dialogue

+ writing enemies to lovers

+ other helpful tips

+ writing friends to lovers

+ dystopian writing

+ writing a realistic argument

+ ways to cut word count

+ how to write smut 01 * tw for body descriptions etc.

+ how to write smut 02

+ SUPER helpful smut vocab

+ how to write flirting

+ how to write about grief

+ even more helpful tips

#about me #writing advice

52 notes · View notes

secretgamergirl · 3 years

Text

How not to Write a Campaign

I have been playing RPGs for a very long time. Back in the day, I avoided any and all pre-written adventures of any sort because my limited experience with them was... just frankly terrible. Weird inconsistencies in tone, unfair encounter setups, too many assumptions about PCs’ motives and actions, etc. Then much later I discovered a group of writers who actually got it, wrote things perfectly in line with how my friends like a game to go, and we’ve been all in on those for a decade and change. But I just finished running a ROUGH one, and I want something good to come of it.

I don’t want to make this a specific review, because... I’m in the industry, I know the people who wrote this campaign, I can guess at some of the problems involved, and I don’t want to hurt anyone’s feelings or reputation, so let me just refer to the offending prewritten campaign here as the Amnesia Campaign. It’s for a big fantasy RPG, it riffs of a particular author’s work, you can probably guess what it is from that, but, I’m trying.

The first problem I need to bring up with the Amnesia Campaign is that it just commits the cardinal sin of long term RPG campaign writing- The mustache-twirling villain who always manages to escape from the PCs at the last minute. I cannot convey just how important it is that you never, ever do this. The worst sort of example is when you plan around the PCs actually confronting your villain multiple times, and failing to kill them, which is a terrible idea because there really is no way to ever stack the deck and account for every contingency to make an unwinnable fight, or even one where escape is always possible, and especially if you’re publishing adventures, some number of groups will kill the villain too early, either shorting things out or forcing a handwave to keep an ineffectual villain in play and pretend they’re still a threat.

The Amnesia Campaign doesn’t quite go there. Having an actual chance to go toe to toe with the villain is reserved for the very end, but it does use another variant, where no matter what happens, the PCs arrive just after the villain they’re chasing has left. Now... there’s a way you can make that work. If you have a villain who cannot be reached in practical fashion, and can launch attacks anywhere within a huge region, you can build a whole campaign out of characters reacting to the aftermath of evil actions they could not be expected to even learn about until the villain has left the scene. Here, meanwhile, we have a villain with a big elaborate plot that requires traveling all over the world gathering things, based on research he does at the very start which the PCs can, and indeed are expected to do, quickly pick up on these research notes, and basically know everything the villain plans to do from nearly the start of a very long campaign. And... frankly, the villain has no real edge to keep him believably one step ahead. He is a mildly wealthy man hiring goons, mundane forms of transportation, and having to negotiate and fight his way through to various sub-objectives needed for his plan, and it is at least strongly implied that he doesn’t have a lot of lead time. When presented with a scenario about someone needing to be chased down and stopped, PCs can pretty reliably be counted on to constantly be rushing forward, coming up with clever ways to accomplish what they need to in less time, and cut down if not completely nullify their travel time. But, like with battles the villain somehow keeps escaping from, I am forced to continuously state to my players in running this that no, somehow even after avoiding this whole side quest by reading the mind of the person with important information, and directly teleporting to where the villain left for by riverboat, he somehow beat them there, and once again, just left. It’s frustrating, and implausible. We end up with a villain who seems overwhelmingly outmatched, but keeps succeeding because... well, he has plot armor so we’re railroading this.

Admittedly, having a good villain when writing a full campaign in advance can be tricky. The safe and tested formula is generally to start off with minions of your main villain, starting with some who don’t even know who they’re ultimately working for, gradually build up to who’s calling the shots and to what end, have a big side trip to prepare for the final confrontation not directly involving the villains, than cap it with a big showdown. If the PCs know who the main villain is from the very start and where to find them, it becomes hard to rationalize anything between. Sometimes you can pull it off if they’re leading an army or ruling a country, but even then, you want to work up a food chain to them.

A similar problem, which crops up a bit towards the end of the Amnesia Campaign, is making too many assumptions about how the PCs react, and who they befriend. In RPG writing, you need to make as few assumptions as possible about the specifics of what the PCs will do in any situation. You can count on the real broad strokes. The party will investigate the situation described in the adventure, they’ll explore the area, find the villains, fight them, win, learn something to keep the larger plot growing, but that’s it. You can’t assume they’re going to team up with this NPC, enter this room from that direction, or otherwise reenact what you’d imagine you’d do in their place, or what happened in your test play of your adventure. This is particularly important when you include a little sidequest unconnected to their primary goal, or you’re presenting an open-ended investigation.

Ideally, you just have a sensible location, have some villains in it with clear goals and personalities laid out, and you scatter around some things to enable various clever tricks if players think to try them, without mandating any of them. Mention where windows are, and chandeliers, and holes just too small for the average human to fit through, but don’t, as part of the Amnesia Campaign does, invest heavily in the assumption that the PCs will start investigating a sewer system when investigating how a cult gets around a city and go sparse on other possible clues. Also don’t waste adventure background note space on thousands of years of history at the expense of what the actual current problem in the area is and who or what is behind it.

The next problem is one that, were I the average consumer just buying this book would bother me a hell of a lot more than it does as someone who knows how the sausage gets made. Put mildly... you do not want to play a rogue in the Amnesia Campaign. Nor do you want to play a swashbuckler, a critical-hit focused character of any stripe, really any class out of the... roughly 25% of all classes who rely on knowledge of where to make a hit count the most to do the full amount of damage with their attacks, because practically everything is immune.

Now, again. I partly understand how this happens. We have several different authors writing different chapters of the campaign, simultaneously, in pretty unforgiving crunchy conditions, with just a rough outline to go off. Nobody really has a chance to confirm notes and say “hey, did your chapter totally invalidate one of the foundational character archetypes, because I was thinking of doing that and having two of those back to back would be a bit much.” And while the publisher of the Amnesia Campaign does throw out little booklets of tips for players on what sort of character concepts will/won’t work, they’re not written last, so this sort of tip is missing there too. On the other hand, it’s a huge problem within nearly any given chapter just on its own. If you’re making the call on what all monsters to include in a multi-level stretch of a campaign, you should generally avoid choosing nothing but monsters immune to one of the most common bread and butter class features. And honestly, given how the subject matter naturally lends to the deployment of a particular monster type, erring on the side of assuming everyone else is heavily deploying them wouldn’t be a bad assumption for any author to make.

This though, unlike the rest of my gripes, is ultimately a high level problem that needs a high level solution. When you’re publishing a whole campaign, and you’re doing it in a game where several foundational character concepts kinda live or die based on things like whether things are properly harmed by particular flavors of damage, or whether a decent percentage of enemies fall under a certain classification, that really shouldn’t be a double-blind. Coordinating to get all authors to use a decent spread, or include outline notes like “it’d make sense for about half the enemies in this chapter to be fire elemental themed in various ways, but keep a good variety otherwise,” and/or trying to get a rough handle on emergent themes to adjust for/warn about in player-facing pitch material. Even the best-written campaigns are prone to rude awakenings or hilarious reductions in challenge as turns out, say, going all in on cold damage does indeed pay off for the one with Fire in the title.

Meanwhile, on the other side of that coin, more or less, huge swaths of the Amnesia Campaign really just completely break down by failing to account for some basic standard issue capabilities of a typical party. Particularly the fact that past a certain point, you need to account for the fact that the PCs are almost certainly capable of flight. It’s a thing that happens. If you are really keen on writing adventures where local warlords are chilling out on the open-air rooftop patios of their otherwise heavily fortified fortresses, or melee-oriented monsters plan an ambush in a canyon in a vast wasteland, or a dangerous leapfrog between a series of elevated platforms over something dangerous, you want to make those low-level adventures, or else a typical party, possibly even accidentally, will just completely circumvent the whole thing. There is a whole lot of that in the back of the Amnesia Campaign. My group... literally skipped giant swaths. Heck, there was a whole side quest in the last book where the PCs are rewarded with the location of a giant obelisk which I had to cut because... it was in the middle of a big open outdoor space, and they flew over the city on the way in. They definitely had a view over those hedges.

This sort of dovetails into the next issue, consistently escalating threats. The whole fantasy RPG gimmick is that at level 1, you’re a helpless peasant barely capable of doing anything remarkable, and by level 20 you’re literally punching gods in the face and have more money in your pocket than everyone else in your home country combined (with the obvious exception of the other people in your party). Now, mechanically, balancing around that is a very easy math problem. Characters of level X are meant to deal with threats of level Y, either pull a Y level monster out of the book, or slap levels on something lower to bring it to that point, or spread that out over more enemies, then they drop Z amount of fancy loot. Easiest thing in the world. But you also need things to fit together thematically. You can absolutely throw fighter levels onto the local chicken-stealing goblins to make them mechanically as threatening as a demigod bursting through from another plane of reality, but when a group of characters is at a level where they can be expected to handle the former, it’s just plain weird for them to end up dealing with the latter. Like, yes, these particular goblins have 200 HP instead of the usual 4, so the local town guard can’t handle them, but that should never be true of chicken-stealing goblins. You don’t get that tough stealing chickens, and once you’ve gotten that tough, you should have your sights set a good deal higher than that. At least be stealing rocs or something.

The 4th chapter of the Amnesia Campaign is a particularly blatant example of not getting this, featuring a large number of “please be aware the party can fly at this level” moments mentioned above, and also just demanding the PCs deal with problems that really are beneath them at that point. Seeking out local guides, impressing petty local warlords, getting challenged by giants they must impress to rest safely when crossing a huge desert. These are... not appropriate speed bumps at a point in the narrative where the party is traveling to a location where they are going to literally fight a god, weakened or otherwise. The whole setup would be wonderful as the first chapter of a campaign, but that far in, it just doesn’t work. Particularly when the actual opening of the Amnesia Campaign sets the tension very high right off the bat, with extradimensional threats, shapeshifters, an evil cult, things that typically come later as things start to escalate.

This isn’t to say you can’t mix things up a little. Dealing with threats well below a party’s capabilities can be really nice as a chance to just sort of flex, and get some perspective on how much more capable they’ve grown over time, but you have to do it in a low-tension point of the narrative, and a little self-awareness about it doesn’t hurt.

Finally, while I really kinda hate modern wealth-by-level assumptions, they are baked into the design of the game, so if you’re running with it, you really need to make sure you’re really giving the players something they can use. The Amnesia Campaign really leans heavy on treasure being weird oddities that may be of value to a collector... while also being set, generally, in places so totally removed from civilization that shopping trips aren’t really practical. Much less those needing the party to really find the right sort of buyer.

Really, you want to give out entirely practical loot (really hard to do without knowing the party makeup, but variety can work), big piles of cash/sellables along with sufficiently large cities along the way for viable shopping, or raw materials suitable for crafting plus ample time to really do something with them.

Anyway, hopefully this has come across more as practical constructive advice for anyone writing a campaign, either as a printed product or just for your home game, not just me tearing into the Amnesia Campaign at length.

#rpg #game design #gm advice

13 notes · View notes

s-mething-mbti · 3 years

Note

Hiya! I just discovered your blog and was wondering if you could help try to type me (sorry this is pretty long)

1. I’m currently pretty torn between the intuitive introverts. I was able to narrow it down to INTJ, INFJ or INTP. I’m about 97.2% sure I use Ni. The only thing that’s giving me a bit of doubt is I find myself occasionally learning for the sake of learning which I’ve found is a traditionally Ne trait. Despite this I’m still pretty sure I use Ni as when I go down a rabbit hole and start learning for the sake of learning its always about a topic that interests me or is entertaining. I won’t waste my time learning about something I find mundane or drab. I resonate a lot with Ni’s “aha” moments where the correct answer simply pops into my head or a vision suddenly seems clear or a plot holes solution suddenly seems painstakingly obvious. I also resonate with starting out with a broader range of information/ possibilities and narrowing it down to one or two things. Another intuitive thing I highly relate to is living in the future. If almost never living in the present, and a constantly fixate on the future. I have a distinct, clear, and well thought out plan for the next 20 years (give or take).

Where I run into a bit of trouble is when I try to figure out which judging functions I predominantly use. It honestly feels like I use them all (though I know you’re only supposed to be able to use two well). For example I plan out everything, and set deadlines for myself. My desk often seems really messy to others especially when I’m doing art. This isn’t because I don’t value cleanliness, but because it simply makes more sense to keep all my art supplies out rather than having to spend at least fifteen minutes taking them out and then putting them away only to take them right back out the next day. I set goals based off of easily measurable, external things such as time, or grades. I make daily to do lists that outline everything I’ll need to do in the day, and some stuff to focus on if I have extra time. With my to do list I also plan out the approximate time each thing should take. When coming up with a scientific theory, I take others opinions/theories and test them against each other, and current scientific laws in order to formulate the most probable theory. External opinions (in a scientific/ logical manner) mean a lot to me (I don’t really care about how people that aren’t my friends think of me). To me these things seem very Te. But then I’m always smiling and am a fairly warm person. I want my friends to be happy, and I want to help others. I despise emotionally driven conflict(though I love debates), and while I’m not afraid to disrupt it if it threatens my morals/ is promoting something blatantly wrong (factually or morally) I do really harmony. These seem like pretty Fe things to me. As for Fi, I rarely share my negative emotions, preferring to deal with them predominantly alone. While I may not talk about them much I also have EXTREMELY strong morals. If something is crossing them I’m not going to simply ignore it for the sake of harmony. While I tend to be private I do try to be as authentic as possible. My morals are derived by information I’ve collected and decisions I’ve made myself, rather than being derived by ‘the groups’ collective morals if that makes sense. To me these things appear to be very Fi. As for Ti, sometimes I enjoy learning simply for the sake of learning. The knowledge may have no practical use to me but if I find it interesting or want to learn about it I can devote hours to it. I try and come to the most logical/accurate conclusion possible, and when I’m offering advice I may offer additional advice that takes different variables into account. The truth is really important to me as well.

2. Reading. I absolutely ADORE reading(specifically fantasy/sci-fi/dystopian books or research/scientific articles about topics that interest me). For reference there was a period of time when I had some free time and I was reading 2 or 3 books a day? Read maybe 50 books in the span of 20 days? But yeah I absolutely love reading. Just he way the book sucks you in and deposits you and a completely new world full of wonder and disaster and ugh it’s just magnificent. And don’t even get me started on impeccable character development and eeee. The way rereading a book feels like you’re reconnecting with an old best friend or going back to your childhood home and *sobs*. I also LOVE trying to predict plot twists and character deaths. Most of the time I can predict things correctly and idk it’s really fun to just try and figure out what’s going to happen before the big reveal. And the rush of satisfaction you get when you’ve guessed something right- it also helps me brace for character deaths (sorta. For example I knew *the* death in the final empire [by Brandon Sanderson] was coming since nearly the very beginning [I had my suspicions since the moment vin was introduced] but I still sobbed when the character died. [a tad off topic but what caused me to cry wasn’t the death itself but another characters reaction to it. This is often the case I find. A death of a character I love leaves me feeling empty but what typically gets me to cry is the others reactions- for thus reason funerals usually make me cry. I should also add that I only cry when I’m alone. I’ve cried around people (that aren’t my parents) a grand total of 1 time.]

Uh and daydreaming. I’m almost always daydreaming. Ie. if my brain was a search engine or whatever one tab would be reality and I would consecutively have at lest 20 other tabs open. Some of then playing videos (daydreams) others supplying music(if I’m not actively listening to real music my brain cycles through songs I have memorized. Occasionally does this with book scenes too if I’m bored [yes, I memorize some of my favourite scenes, word for word, so I can play them like a movie in my head when I, bored) others containing random info (just me thinking random stuff) etc.

3. I guess how to solve some problems? Wether it’s a math or science problem, or an argument between friends, figuring out how to solve things has always been something I’m decently good at. Math and science just. Make sense. And then with issues between people I’m good at looking at different perspectives (even ones that I don’t agree with) and playing out different scenarios/ possible outcomes of different approaches. This lets me come up with a solution that will successfully solve the problem with the least amount of negative ramifications involved

4. Hmm maybe being present? I honestly feel like life is passing me by and I’m just immobilized on the sidelines. Im so far into the future that I kinda forget to actually *live* every once in a while.

5. Honesty? Truth? Morals? These topics are all really interesting as they can be kinda subjective. The line between honesty and cruelty is so small. What is truth? Cause while yes, we have some set truths (such as the earth is orbiting the sun) so many ‘truths’ are simply subjective and completely depend on ones perspective. And morals my goodness. The stormlight archive is a really fun series that plays around with things like what is justice? And honour? I won’t get into it now but it brings up so many really interesting questions regarding morals.

6. Perspective . I think perspective is such a fascinating thing. Just. Different opinions. Seeing the world through completely different lenses. Interpreting the same thing in utterly different ways. When toying around with an idea I find it really fun to try and imagine opposing perspectives. While I can find different perspectives really interesting, they can also well... get on my nerves to say the least. Sometimes someone perspective is just? So blatantly wrong? And has absolutely no factual evidence backing it up? And part of me wants to just just scream and it would be so much easier if everyone just. Assessed the facts in front of them instead of making wild accusations or whatever without anything to support them. But yeah overall I think perspectives are really cool and they’re part of what helps to make the world diverse and life so much less interesting without different perspectives.

The future. I’ve found a bunch of my friends find thinking about the future stressful but if I’m being honest I find solace in thinking about the future. Having things planned out and knowing what I intend to do/ where I want to go takes off so much stress. I lowkey live in the future and I honestly cannot wait till it comes, and I achieve my goals. While I might be a bit scared the future excites me so much more than it’ll ever scare me.

7. Maybe add some more stuff about the judging functions and feelings and thinking etc . I absolutely adore science and math. I literally do math for fun. I’m currently aiming to get my PhD in astrophysics.

Not sure if this is relevant at all but my biggest (harmless) pet peeves are my grandmother’s door stopper (it always gets stuck in the door and then u can’t get it out and the door won’t close properly- I have an unhealthy amount of hatred for that thing AHAHJSEJKSMDJDJDJJ) and when people say some variant of “you did good”. Like nO NO YOU DID NOT DO gOoD. YOU DID W E L L (Anyways theres my little mini rant).

I’m my friend groups therapist (sorta). While I’m really not good with words and recycle the same three responses I always let everyone know that I’m here for them and they can talk to me without judgement etc. While I really don’t know what to say or do I try my best because I care about my friends and want to help them. I love them and so I want them to be able to be happy. Im always smiling (though this is more so because people don’t ask me how I’m doing when I look happy than because I’m genuinely happy. Most of the time I’m he farthest thing from that). I’m a pretty warm person who’s always happy to help, however I’m very introverted. I haven’t had a single conversation with the majority of people in my class (I’ve had a convo with maybe 5. Talk to 2 regularly. There are 26 people in my class). I never express negative emotions (with the exception of stress- I panic intensely in the 5 minutes immediately before taking a test as this helps me to completely turn off my nerves while I’m writing the exam. I may also make a joke or two about my negative emotions with close friends). I should also add that when making decisions I value logic more and think thinks through thoroughly, examining the pros and cons etc. While I take feelings and emotions into consideration when making decisions they’re more like an additional variable to consider rather than the main driving force that determines my decision. If I’m feeling really emotional and I need to make a decision I will postpone deciding until I feel more levelheaded. I’m really not impulsive in the slightest.

Thank you so much!!

INTJ

Living in the future rather than the present and your comfort in that sapce, your ability for and enjoyment of making predictions, your ability to really understand and try on different perspectives you don’t necessarily agree with, your focus on “ramifications” (aka future implications) while problem solving - this all points to high Ni.

You also show a Te preference - goals based on external metrics, to-do lists for daily tasks, logic based on the outer world (external opinion). When you said “While I take feelings and emotions into consideration when making decisions they’re more like an additional variable to consider rather than the main driving force that determines my decision” - that is a clear cut definition of Te over Fe preference.

Your tertiary Fi shows through here as well - willing to disrupt harmony if it upsets your morals, your morals being personally derived, needing to understand your emotions while alone. And lastly, your statement about “forgetting to live” from being in the future is pretty textbook inferior Se.

#ask #type me #intj #mbti #myers-briggs #Anonymous

3 notes · View notes

theastrophilearchitect · 3 years

Text

I started writing a book.

And I’m mad about it, because I just started this post, brought up a new tab and lost it because I didn’t save my draft.

Anyway. That’s a thing I did. Wow.

As of this moment, this post won’t be going up until April 19th, but I’m starting writing this at 10.30pm on Sunday, February 21st, 2021. I’ve done a lot in the last couple weeks, and I want to have some record of all I’ve accomplished without just letting most of it fade over the next two months.

I’ve always wanted to be an author. From when I was reading under my covers with a torch past bedtime, through the years I wanted to be an artist, through the years I wanted to be a lawyer. It’s always been there - no matter what primary career path I went down, I wanted to be an author. The last few years, I’ve been invested in becoming a biologist, and that dream really took a backseat.

In the start of this lockdown, my mental health went downhill, and some advice my therapist gave me was just to prioritise myself. It sounds simple enough, but, even in my free time, I’d been focusing on schoolwork - revising constantly for exams I’m still not sure are actually happening. (Boris Johnson is apparently making an announcement tomorrow about beginning to ease lockdown, but we’ll see) So, on Saturday, February 6th, I started an attempt to coalesce the ideas I had floating in my head into something tangible.

I’ve tried to write books countless times (not technically countless - I have all the documents on my laptop, so I could if I wanted to), but mostly, I’ve never gotten further than a couple bare plot points and some characters, maybe some ideas for subplots, before I’ve stagnated and given up.

Three times, I’ve finished a skeletal outline. Twice, I’ve started to go back over those outlines only to realise they made no sense or just seemed week, and simply not cared enough to fix it. Until now, I guess.

February 6th, 7th, and fast-forward to my week off beginning the 15th, up until the 19th, I kept developing this concept I’d managed to form, but I was struggling to establish a coherent plot. I had up until and including a midpoint (which was later condensed into just a first act), but everything after that was just a void. I began searching for some skeletal structure I could apply to it, both to work on pacing and fill in the blanks. I tried several, and got a little further, but was about to give up hope.

Then I remembered a video by Katytastic I’d watched years ago about the 3-act, 9-block, 27-chapter structure she used, and couldn’t see the harm in giving it a go. And something clicked.

You can find the video here - the structure’s detailed and easy to follow, plus she even gives an example of using it to generate a plot.

I started binge-watching her writing vlogs in the background, and even started using her same writing program, Scrivener, which just made every a thousand times easier by taking away the need to juggle a billion Word documents. It’s fairly pricey, but I’m currently using the 30-day free trial - it’s 30 days of use, not of ownership, too: if you use it every day, it lasts 30 days, but if you use it once a week, it lasts 30 weeks.

Where Kat used the 27 parts the structure broke down into as chapters, I chose to refer to them as beats, and separate chapters later.

On Saturday the 20th, I finished defining my scenes and started writing an actual draft. I wrote two scenes, putting me at a collective word count (not including notes, synopses, etc.) of 2,580 words.

This morning, Sunday the 21st, I started over. I hated my opening. I’m not going to go through the mess of today’s process, but I currently have around 80 one-line-outline scenes, split into 3 acts. I wrote a draft of my prologue and detailed-outlined (which I’m mentally referring to as zero-outlining because it’s similar to how Katytastic does what she calls a zero draft, but is very much outlining, not a draft) two and a half other chapters. Scriver also tells me how many words I wrote in total, across notes, character profiles, location lists, a document I’ve named ‘Train of Thought’ for my ramblings as I go etc.

Today, I wrote a grand total of 4,141 words, which, rather counterintuitively, puts me at a draft total of 2,598. That makes sense. Anyway.

There are a lot of unknowns in the world right now, and I have no idea how much time I’ll have in the next six months to invest in this project, but I’d like, at bare minimum, to have one complete draft by the start of the next school year in September, which gives me just over 6 months. Which is probably too much time to actually motivate myself, but that’s not the point.

A manuscript needs to have a minimum word count of 50K words to be considered a novel, so, even though my ultimate goal for this project is around 80K words, 50K is going to be my goal for this draft.

I’m being optimistic about sticking with this.

Tuesday 23/02/2021 - Word Count: 3,099 I wrote nothing yesterday; planning to focus writing solely on days off rather than work days, but last night, watching through the incredibly long queue of Alexa Donne writing videos, I came to the conclusion writing every day, even just a little, would be the best way to ensure I keep working on this, so I set myself a goal of just 500 words a day.

Wednesday 24/02/2021 - Word Count: 5,350 After doing a little bit of maths as to how long this outlining and draft would take me if I were to only write 500 words a day, I decided to boost that goal to 1,000. I got started around 1pm today, online school draining me so much I couldn’t face another two hours. I worked on and off until 6pm, and around 4.45pm, I finished outlining Act One!

Thursday 25/02/2021 - Word Count: 7,022 I continued my scene outlining into Act Two, but I hit a brick wall around the midpoint. I have to write chronologically - some people jump around, but I have to write linearly, or it feels like I’m trying to make something in a void. It just doesn’t work. I didn’t know how to get from one scene to the next - there were so many things I needed to establish to get there, but I didn’t want to backtrack. I decided to re-jig the whole thing, but, after dinner, I realised I didn’t have to, and instead, decided to just start a draft, conscious of the things I need to establish as I go.

Friday 26/02/2021 - Word Count: 8,208 Starting draft one, I rewrote the prologue I’d already written, technically putting me to my second draft of it, because I’d been thinking about it for days and just wanted to revisit it, and it was so much better. Then I moved on to chapter one, but decided I wanted to re-jig my chapters. While outlining, I’d split the whole book into only about twenty chapters, but decided to go for shorter ones for more effective divisions of the story. I got most of the way through the first scene of chapter one, but basically ran out of both time and motivation, since I hadn’t heavily outlined that scene. in total, I wrote over 2000 words today, but because I only increased the prologue word count by about 100 words, it didn’t do that much to the total count.

Saturday 27/02/2021 - Word Count: 11,050 I got some chores done Saturday morning and focused on finishing my book so I could include it in my February wrap-up, but I still had time to get some writing done around mid-day. My goal was just to hit 10K this weekend, but I though I could do it in one day. I wrote about 1,000 words before feeling a little word-drained, but took a break for lunch, got back to it and wrote 2,400 words. Though that only added a little over 2,000 to the word count, it took me to 10K! I’m 20% of the way to being able to call it a novel! We’re in quintuple digits!

And then eight hours later, I wrote another thousand words and got to 11K.

Sunday 28/02/2021 - Word Count: 13,722 I spent most of my Sunday morning writing, though it took me more than two hours to write about 1500 words, though it only added about 1100 to my count. I decided to set myself an overall and weekly deadlines to hold myself accountable. Due to the fact I don’t yet have a clue how many words this will work out as, I decided I wanted to have either a complete first draft or 100K words (which I doubt I’ll reach, but it seems like a good way to make myself finish the draft before my deadline) by the end of April. Which works out to a little under 1500 words a day, or just under 11K a week, which is perfectly doable. Bearing in mind my current word count is including outlines, but I still believe in myself.

I wrote another 1600 words later, which took me to 14K, until I deleted the 300 word outline I wrote for one scene, but I worked out my words per day for the next two months with the assumption of a 10K word count as of March 1st and a target of either a complete draft or 100K words by the end of April, so I’m nearly 4,000 words ahead of schedule. Which gives me 6,606 words to write this week, instead of 10,328. (If you couldn’t tell, I like numbers. They just make sense to me.

Monday 01/03/2021 - Word Count: 15,005 I didn’t quite hit my daily goal, but I was completely leached of motivation today, I’m ahead of schedule anyway and I was only under by less than 200 words. It’s alright. But, hey, we hit 15K! Two days after hitting 10K!

Tuesday 02/03/2021 - Word Count: 21,119 This was an insane writing day. My end-of-day target was only 16,480, and that was still ahead of schedule - if I was sticking to the 100K by April 30th, I’d only actually need to be at 12,950 today. This was the best writing day I’ve ever had. I wrote before school and during breaks, which kept both my writing and working momentum up.

I didn’t read a page of my current read, but I wrote a total of 7,681 words and increased my wordcount by 6,114 words, or literally an additional 40.75%. I hit 20K three days after hitting 10K, and am 42.238% of the way to being able to say I wrote a novel, be it a shitty first draft that won’t be complete at 50K words.

I also finished chapter three, which I’ve been working on for three days and came out ~5,000 words, and wrote chapters four and five in their entirety.

Note to self: this is day 10 of vaguely outline-drafting this project.

Wednesday 03/03/2021 - Word Count: 23,364 I've only written 490 words today, as of writing this update, but I just wanted to make note of the fact I've done some calculations, and can reasonably finish my draft this month. I'm still not completely sure how long it'll work out to be, so I can't quite work out my daily words to finish on the 31st, but if I stick to my current 1,475 words a day, I'll hit 63,894 words by the end of the month, which is a little less than I imagine this draft will be, but if I stick to that as a minimum, my first draft won't have to go into April.

I'd like to post this later this week, but I already have a post for this Friday, so God only knows how long this will be by the time it goes up. So far, I've written 1,900 words today, and I don't think I'm out of fuel yet, but I'm stopping because I need to read today, and I'd rather not burn out. I'm over my goal, anyway.

Oh, also, I'm nearly at 25K, which is halfway to a novel, but I haven't broken into Act Two yet, which means this book will be 75K minimum. I'm going to do some maths and work out how many words a day to hit 80K by March 31st. 2,030. That's doable. So I haven't read, but back to writing for like ten minutes.

I've now hit an additional 2,245 words for the day, though I wrote a total of 2,663

Thursday 04/03/2021 - Word Count: 25,415 I've decided to work out how many words I need to write each day to hit 80K by March 31st, and watch the fluctuations. (I like statistics). It should steadily go down throughout the month if I surpass it each day. Today's minimum word count is 2,023, already seven words less than yesterday's. How exciting.

The last scene of Act One was very heavy on world-building I haven't yet figured out, so I stuck what was meant to happen in brackets and just moved on, meaning I have now broken into Act Two!

I think, during the week, I'm going to focus on just meeting my minimum word count rather than exceeding it, just to save fuel for the weekends, when I can write so many more words.

And, we hit 25K! I'm halfway to a novel!

Friday 05/03/2021 - Word Count: 26,693 In complete honesty, I'm beginning to lose momentum. Maybe it's just today, but I don't really want to write and feel like I need a break, but I'm going to make myself write anyway. I'm going to make myself keep writing until this draft is done, however shitty it may end up. I really hate first drafts.

When you say 2,000 words is only 7-8 pages, it doesn't sound like that much to write per day but my god. Luckily, most of the stuff I've had to save to a Pinterest board called 'Writing Motivation' says if you write when you don't want to, it should pass instead of worsening. I wanted to hit 35K this weekend, but I'm not sure I'll have the momentum. I'll at least hit 31,270, though, which is my minimum goal for this week. I'm still over 700 words off my goal for today, but I'm taking a break because my head is foggy and there's still eight hours left in the day. Besides, 700 after dinner is easy. She says, realising she's probably jinxing it. Oh, well. 80K by March 31st would be difficult, even if I weren't going back to school soon, but that's a stretch goal. 100K by April 31st is my minimum, and I'm 9,000 ahead of where I need to be for that.

I think I’m stagnating because I’ve hit the ‘Fun and Games’ section, which I find really boring. I’m going to try to keep going with it, but I may just skip it and come back later.

Saturday 06/03/2021 - Word Count: 28,150 So, I did not get the extra 700 words in. Before dinner, some stuff I had to deal with came up, and by the time it was done, I just wanted to go to bed, so I did. Today, I'm going to try to make up for it, which I think is reasonable because it is now the weekend. I'm still kinda exhausted this morning, but I'm going to do my best, and my wrist hurts, but I'm not sure why. You'd think it would be from all the typing, but only one wrist hurts - you know what? Never mind. They do both hurt. I'm just not sure why, but it doesn't hurt typing this, so that doesn't make any sense. Anyway, to hit my word count for the day, I need to write 2,555 words, which doesn't sound like too much, but it kinda is because I'm primarily writing Act Two at the minute, and for every thousand words I write, I lose like 400 from my outline. You'd think I'd just not include my scene outlines in the word count, but it's too late for that now.

I'm thinking this over, and I really don't think trying to write 80K by the end of the month is going to be good for either my motivation, mental health, or ability to function back at school, so I'm going to stick to 100K or a finished draft by April 30th, and re-work out my goals from there, based on yesterday's word count, so I'm not making myself do catch-up today.

So, to hit 100K by April 30th, I only need to write 1,309 words each day (which will decrease over time because if that's my minimum now, I'll probably surpass it, decreasing the amount of words left etc.). That's so much less pressure.

God, I really don't want to write today. I just want to watch YouTube and Netflix and read.

Okay, so here's the thing. I've been working on this story straight for three weeks and I'm kinda exhausted of it. I'm not done with it, not at all, and I want to keep working on it because it exists, which makes it workable.

I watched a writing vlog by ShaelinWrites yesterday, and she said she writes different projects at once, alternating in week- or multi-week-long blocks. I think I might try that.

My plan with this post and the following updates was to keep updating it until the day it goes up, the day after which is when I begin drafting the next, but, since I may be switching projects for a while and this is really about the project I've decided to dub 'Bay Tree' (which is just, I guess, a pseudonym for here because while I have no idea what it would eventually be called, I know that's nothing like the title I'd want to give it) so I'd want to start a new post for a new project.

I'm now doing a little outlining instead of actually continuing writing, but I think this will help me, though I'm still not certain about whether or not I'm going to directly continue with this specific project for the minute. Instead of setting daily goals based on a target, I'm also just going to say 1,000 words a day, and see where that takes me.

I've just been outlining into Act Three, and I've met a major plot stumble, but I'm going to work that out and explain what I'm doing in my next writing update.

So, go drink some water, eat if you haven't eaten in the last few hours, stand in front of the mirror and tell yourself how wonderful you are and how much happiness you deserve, and, if you want to write a book, stop thinking about it, and go write.

#blog #blogging #blogger #blogpost #blog post #writing #books #book #reading #read #write #writer #author #draft #first draft #story #writing blog #writerblr #bookblr #novel #debut

3 notes · View notes

coffeeandcalligraphy · 4 years

Text

10 things finishing my 10th book taught me

Hey People of Earth!

(I cannot believe I typed the title of this post!)

Today, I’m going to be sharing 10 things finishing my 10th book taught me, which means--as of 2:30 this morning, I have finished writing my tenth novel, aka MOTH WORK. I’ve written posts like this for my 7th, 8th, and 9th novels as well!

Enjoy this note no one asked me to write but that I wrote because I was sad:

I introduced this project on this blog back in June, but actually started it in the notes app of my iPhone (iconic) sometime in January of 2019. At this time, my mental health was *lackin* as I was stressed and in my final months of high school. I needed something to cheer me up, and so Moth Work became a place where I could dump my “bad writing” and also have fun. For more context, you can read more about Moth Work in my various writing updates HERE.

I didn’t intend for this project to become a novel, but thought I’d write it as a longer “for fun” story (prospective word count was 5k words). I chipped away at it for a few months, but didn’t really start picking it up as a serious project until around May/June. It was only once summer vacation hit that I, under the advice of my therapist to have a “reach goal” for the summer, decided to say fuck it!! I shall write this as a novel (prospective word count now 50k words). This novel has seen me graduate high school + almost finish my first year of university, and I’m so excited to share all the wonderful things I learned while writing it!

1. It is totally okay to take your “guilty pleasures” seriously.

I was in a mega dilemma writing this book. I’d wrapped up writing my ninth novel just after starting this project, and felt a need to write something that was more “serious”. Though I’m an advocate for writing what you want, when you want, even I struggled not to feel like I was wasting my time writing a project that didn’t have very much literary/craft merit (in my eyes, this changed eventually).

I am here to tell you--do NOT let anyone, including yourself, shame you out of writing what you like. Allow yourself to let loose and write “bad” things, and remember you don’t have to feel guilty/ashamed for writing stuff that seems “juvenile” or “bad”.

2. Processes change--embrace this.

I took about 4000 different approaches writing this book, and though I really wanted to stick to one (outlining, pantsing), eventually, I let my process be what it wanted to be. For example, I am a pantser and began this novel pantsing. Very quickly, I realized I needed an outline because I could not keep track of events (this book begins very plot-oriented). But, pre-determining events that would happen eventually stopped working as I began feeling constrained, and so I settled for outlining as I went so I could keep track of plot points.

I outlined 10 of the 15 chapters like this before I sort of... stopped doing this (though I will go back and fill it in just for future reference)! I went back to full-blown pantsing in the last four or so chapters, as what I’d planned would NOT pan out--and I think it’s so important to let your process be what it wants to be. Sometimes this book needed some planning--sometimes it really didn’t. This flexibility has really allowed me to be in touch with my projects more, and really listen to them/understand what it is they need.

3. Sometimes plans change. Don’t be afraid to follow your gut.

I did not plan for Moth Work to be a novel. But as the project developed, so did its final form. My gut was telling me what I needed to do (continue writing), and another example of this is when I sporadically made this a dual point of view book! I’ve never written a full-length dual POV manuscript, and haven’t written dual POV since I was 12, but I didn’t let that stop me from doing what I knew in my gut, was what the book needed.

I want to emphasize here--sometimes the vision you imagine changes. Allow this change to happen if you feel it’s right, even if it’s scary. I feel I’ve grown a lot as a writer by just allowing this of myself! It’s easy to beat yourself up for not following your plan, and I did this a lot. Understanding that sometimes plans turn into other plans turn into other plans etc, is the most freeing thing you can do for your writing!

4. Write what makes you happy!

This project began as a means to increase my serotonin lmaooo and I think sometimes as writers, we forget that yes, art is hard, but writing what you like can make that difficulty just a little more tolerable. This book started toiling toward disaster mode for a few chapters in the middle, and I really was not happy writing it. You can feel the difference in the chapters when I felt comfortable writing, versus when I struggled because I felt I “had to”. And so I took a step back and re-evaluated. Since this was not working/not making me happy, what would? This question solved my problems (not easily, but lead me on the right path). The artist! does not! have to! suffer!

Sometimes problems occur, and critically thinking through them is vital. I’m not saying just to do whatever every time something doesn't work because this isn’t a shortcut. However, my point is not to be afraid to change things up and write what will make you happier and help you finish the book if you feel that’s what you need. I wanted to write a cheesy romance about two boys who both need to chill, and so though I could’ve written something else, I wrote this because it genuinely made me happier! And I love that about this book!

5. Things can take longer than you expect. You’re not a bad writer because of this.

Y’ALL. I wanted to write 50k words of this book over one summer. One month! One! Month! Lots of folks can do this, but I did not! In fact, I hit 50k this month, which is half a year after I projected.

I think a lot of us constitute speed to being a good writer, and while speed and being a good writer can coexist, speed is not necessarily a determining factor in whether you can write or not! This book took me just over a year from when I started it (nine months from when I took it on as a full-time project), and while sure, I could’ve written it faster, I let it develop as it needed, and wrote it when I felt I could. I am not a professional writer with deadlines (that’s different)! While you gotta put in the time to improve, I think you also gotta look out for yourself! Use your gut, and take your time if that’s what you need!

6. Craft and play can coexist.

This took me so long to grasp, and I still struggle with this today! Craft and play can coexist. Say it with me y’all: craft and play can coexist!!

My manifesto for Moth Work initially was to have it be my dumping ground for shitty writing. While this took the pressure off initially, I then felt like I was regressing in my craft (which was untrue, I just didn’t realize it at the time). So, I decided to begin taking the craft aspect of this book very seriously, trying to write polished, delicious prose (every! time!) and the fact of the matter is that often, this did not happen.

I beat myself up over this! I was like: Rachel, 16-year-old you was pumping out better prose than this, what’s up? And I put so much pressure on myself to perfect the writing, even though this was only ever meant to be a “for funsies” project. Eventually, I came to understand that, okay, I really do want this to be a for funsies project, but I also want to enjoy re-reading it and not criticizing every aspect of it. I then began incorporating a few passes of line edits after drafting a chapter, until eventually, I stopped circling back to chapters to line-edit them altogether. You don’t have to be perfect on the first draft!

You also don’t have to sacrifice craft to have fun, just as the opposite is true. This book taught me a lot about finding this balance, something I’ve lacked in my writing process for years!

7. Your writing styles can differ from book-to book!

I couldn’t understand why my prose in this book felt “thin” (aka awful in my eyes), why the only thing I felt capable of describing was literally everything shining in some sort of way (glinting, glimmering, glowing lool) or overzealous descriptions of the moon. It was only about a month ago that I realized, after making a breakthrough with my litfic novel Houses With Teeth, that Moth Work was not sucking the life out of my prose--it was just a different book with a different style of writing.

And this makes sense! I was writing with two different characters, in two different perspectives, in a completely different POV than I’m used to writing in the long-form (third-present). Of course things were going to be different! I felt a bit silly realizing this, lol, because it felt so obvious, but I struggled with this for a long time (you can even see bits of this struggle in my video Problems I’m having with writing + solutions).

I thought I had regressed to being a bad writer because of this book, when in reality, the fault was on my inability to stop comparing a very different book to my very different past works. Sometimes you don’t even realize you’re working against yourself! Acknowledging this, and then letting it go was the best thing I did for this book and it allowed me to draft it much faster toward the end!

8. Writing is NOT linear.

I spoke about this in my Problems video, and I honestly was nervous to see how this hot take would be received. However, I was surprised to see that some folks thought this hot take was actually not a bad one, so I’m re-iterating it here!

I think, because we writers are often always practicing writing, we assume everything we write will be better than the last. Honestly, I feel like at least for me, this was my goal--to always be working linearly in terms of progress. It wasn’t until this book that I really came to realize that this is just not how writing works. The easiest way for me to compare this, also as a visual artist, is to say that sure, practice does make perfect, but I have sketches from last week that are worse than sketches I drew two years ago. Why is it that we expect writing to always be linearly better from one project to the next? My answer is that this is just not how writing works. I wrote some of my favourite paragraphs years ago, and may be embarrassed of a paragraph I write tomorrow.

I got caught up in this idealism of “I must be writing better each time I write” because I thought this was the most logical progression of my writing craft, but realizing that actually!! progress jumps around, was so important for me. Some days I’m better at writing description, some days I write dialogue worse than I did when I was fourteen! It’s okay not to always be uphill.

Y’all, if I step down a wrung on a ladder and then step up four the very next day, that’s how it’s going to be! Practice intrinsically will make you grow as a writer, but it doesn't mean everything you write has to be better than what you wrote before (though this can be the case, which is awesome). I feel like I don’t see this spoken about enough, so I do want to know if this is relevant to any of you or if this point is bologna!!!

9. The story wants what it wants.

This is heavily in line with some previous points, but is something that was driven home for me while writing this novel. If I can give one piece of advice, it would be to let the story be what it wants to be. If my story wants to be a YA fantasy trilogy, but I’m trying to force it to be a standalone pretentious character-driven coming-of-age saga (calling myself out), my writing may suffer! Of course, some writers can take control over their story and execute their initial vision perfectly! I am not! one of those! people!

I’m a firm believer that sometimes the story wants what it wants, and it’s often your best bet to follow this path. Write intuitively--if you know something feels wrong, or contrarily, feels right, follow that path.

I did not know how to end this book. I’d had an ending planned for a few months, though it eventually fell apart in the last few weeks. I didn’t know what I would do instead, but last night when I was drafting the last two chapters of the book, I felt in my gut that I was heading to the end. I wanted to stop writing for the night--I almost did, but instead, I kept at it because I knew I was on a roll toward the finish line, and I felt compelled to follow my instinct. This is how I landed at the end I wrote in, and it was a completely organic process.

Planning out your story is a great thing to do, and I’m not here to start a debate about whether plotting/pantsing is better because they’re both amazing!! But for me, it’s important to let the story breathe, and let it eventually grow into the shoes it chooses for itself. Taking a step back so I could stop trying to mould this story into a place it didn't want to be is probably the best thing I could’ve done for it because I finished the book. Any process is a good process if it gets you to the end healthily, and for me, allowing the story to be what it wanted to be and allowing it to take the lead helped me get there.

10. It’s okay to love your story.

I’m going to end this post on another hot take because it is probably what I primarily felt early this morning as I typed up the last paragraph of this book. I’m not going to lie--I cried finishing this book lol. I ached finishing this book. It *hurt* to finish this book. I didn’t want to finish this book. What I wanted to do was shut my computer, and pretend the end was not coming, and come back four months from now to finish it, maybe. I wanted to hang onto my story because it’s my story and I love it!

Y’all, this book is cringey. It’s melodramatic, juvenile in some places, comically serious in others. But it’s mine, and I love it. Sometimes I’m ashamed of the writing in this book--sometimes I think I’m getting worse. But it’s my story, and I love! it!

I think so many of us want to please other people! Or maybe that’s just me lol!! oh boy!! There were so many times I wanted to give up on this project because I thought others would find it cringey in places I too, thought were cringey, but simultaneously loved.

I’ve written for other people a lot in the past, and sometimes those ‘other people’ are just me--many critical versions of me. Don’t forget about how much you love a story (for its quirks maybe, its clichés, its “bad writing”) before you finish it. A first draft only comes once and finishing a first draft is so wonderful, and even more so when you love that story. We got enough hate y’all, lets give our stories some love.

So that’s it for this post! I still have five chapters to write writing updates for, so the party ain’t over til it’s over!!!

For my obligatory Oscar’s speech! A special thanks to @sarahkelsiwrites for reading about these trash people for five years, and for enthusiastically contributing to their trash decisions (#do it for the tea)! And for reassuring me that the prose in this book is actually not as bad as I believe because I would never have finished this book without that pep talk lol. To @imdisappointed for helping me crack some of the toughest plot problems!! You talk me out of problems and it’s magic! And to my MOM @shaelinwrites (for being my mom) and also for all the kind/insightful things you say! Y’all get me through it!!!

And of course!! I thank all of YOU for following this journey of drafting Moth Work. My community on here never fails to amaze me, and I’m a big stan of you all!! Please tag me in your stuff--I’d love to read about what you’re writing!

Here’s to finishing a book, but more importantly, to hoping I don’t make Moth Work a series lmaoo!!! *pops confetti*

--Rachel

#writing #amwriting #writeblr #writerblr #writingupdates #fostered #mothwork

74 notes · View notes

dungeons-and-danis · 5 years

Text

How I Prepare For Major Arcs & Organize My DM Notes, As Well As Just General Narrative Advice!

So, I got a question quite a while back to try out this neat little trend of displaying and explaining away how I prepare for a session, as well as show how i organize and utilize my notes as a DM. I’m going to be using my upcoming, work-in-progress arc, “Nightingale”, as a visual reference throughout the post.

So, I know i’ve released my DM’s notes on worldanvil before, but I gotta admit that the platform I most like to use for notes and plot setup is always OneNote, which I have for free via my college. It’s versatile, organized, and easy to navigate on any platform (even my phone!). So if you can get your hands on it, I highly recommend it.

PART ONE -- THE MAIN PAGE OF CENTRAL INFORMATION

What I like to do first, is create a central tab of navigation, the first thing that will pop up when I open my fresh set of notes! Things I like to include in that main tab would be any of the following:

Format Key

This will come in handy later, but essentially I have a key to differentiating different types of text throughout my notes and it looks like this (note: your notes DON’T have to look like this, but I recommend having a specific format for all these types of text to help keep you organized):

Reference Links

This is to link to articles I have on world anvil with more detailed information

Settings

NPC’s

Organizations/Factions

Misc.

Plot Setup/Brainstorming

This is helpful to get you started on your overarching plot! Be as messy as you want and DON’T DELETE ANYTHING, even if you think it’s stupid. All brainstorming is good brainstorming.

Objective

Themes

Relevant History

Hooks

Encounters

Small Outline of Main Questline

Reputation Points

I like, especially for big cities with lots of factions and NPC’s, to keep track of reputation and karma with a point system. Every good deed or bad deed, I like to record and assign a certain number of points to add or subtract from the total score of each faction, based off of just how good or bad that act was. This will help decide things in both the conclusion of that arc, as well as the conclusion of my campaign. This way, your actions really do have consequences.

PART TWO -- BUILDING THE PLOT IN ACTS

So I believe it is pertinent to keep things simple when it comes to notes, especially when it comes to major arcs where your players have a lot of freedom and you need to do a lot of writing in order to allow that freedom. So i like to build in 4 acts, each of them being dedicated to its own special needs. You can add however many acts as you might need, but this is just a base line!

Act One: The Introduction

Act Two: Exploration/Information Gathering

Act Three: The Rising Action

Act Four: The Conclusion/The Climax

To add onto this, I usually put these acts as Major Groups in OneNote, and they look a little like this:

Act One; Introducing Your Players To The Setting

This, in my opinion, is the most important act of the four. I usually like to send my players into the setting with a BANG! Throw something at them that they don’t expect! An eerie exorcism, a public execution of an old friend, a plague that keeps the party away from public entrances, anything you can think of! The intro should be narrative heavy, not battle-heavy. That will just make your party snore. Give them a reason to fight, a reason to care about this story and its NPCs. Make sure that this first part is your best work, because it sets the story from here on out and will determine if your players are eager to return to the table. Do not forget to set the precedent of your arc’s main plot goal here. If you don’t do it now, it won’t make sense elsewhere. Make the PC’s care right away!

For example, some snippets of my introduction notes look a little bit like this (remember my format key from before? well here it is in use:)

Act Two; Exploration/Information Gathering

This is a big one, because this is where the majority of your work will go. This is the part where the players can roam around the setting, getting to know the NPC’s and the environment for themselves and make their own opinions on the current state of affairs wherever they are. I like to get super organized with this part, because it can get VERY hectic while going live. You want to write where you leave room for players to move, but also keep them focused on the task at hand. So whatever dialogue or side quests you introduce in exploration, keep it brief and drawing back to the central plot line at hand.

I will expand more on this in PART 3, because it deserves its own section.

Act Three; The Rising Action

Yes, just like your english teacher taught you in 6th grade, there has to be a Rising Action in your plot line! This is self explanatory, it might seem. But this is the hardest part about writing up a plot line for D&D, because you never know how your players are going to change the plot. So keep things loose and relative, allowing for wiggle room and improvisation. But still, have a decent chunk of the plot ready to go in this act, because this will be the majority of your plot and usually where the information gathering from act two will start to come in handy. Things need to start coming to a head towards the end of this act, or else you’ll be stuck with a very unsatisfactory conclusion. Another helpful tip during this act, is to write down EVERY, and I mean EVERY SINGLE LITTLE question your players might have. Figure out an answer to all of them, even if the answer is “you’ll find out later”.

Act Four; The Conclusion/The Climax

This is the end. The part of your story where everything starts to come together into a full circle! You need to be prepared to answer all those questions your players had during act three, in one form or another. There’s nothing worse than ending an arc finding that there were a million plot holes that didn’t get accounted for. So prepare, prepare, prepare for this final act. On top of that, prepare for several outcomes on top of that! Don’t be afraid to change the ending on the fly, just make sure you answer those questions somehow--be it out right, or implied in the narrative. My best advice is to not write out the ending until you’re at least half way through act three. Because your player’s choices should matter, and should have a major effect on the ending. If they don’t, then whats the point in running a narrative-heavy campaign? This is where my reputation points have come in handy in the past.

PART 3 -- EXPANDING ON EXPLORATION

I wanted to give you guys a taste at how I organize my exploration section. And to be honest with you, it’s fairly to-the-point and straight forward. I’m using a city setting for my example, but I feel like this can apply to any settlement setting to be honest. But I usually like to start with a table of contents as the first page for me to land on when going to my Exploration section. It looks like this, and each link, links exactly to that page on the document so i don’t have to guess at where everything is.

I also have a page dedicated to general information about the city in my worldanvil, linked on the Reference Links page I mentioned before! But it’s always good to have a central source of information about your settlement when prepping.

Now, let’s take a look at what one of the shops looks like, as that’s most likely going to be the bulk of what you’re writing. We’re gonna start with my shop “Dagna’s General Goods Store”, which is simple enough. Here, you can see all the pages I have for this location:

These are specific to a certain encounter, but to put it in a more general sense, this is how I would organize any relevant location in a settlement:

Introduction

I like to introduce my players to the outside and inside of every establishment in my settlements. So, narrative of the outside... and then a narrative of the inside. For example, this one looks like this:

Then, from there, I can dive into whatever introducing encounters I may have planned for that shop on the same page. This is just to give the players an impression. I continue for this page like this:

I like to put in brackets before voicing a new character, how their voice may sound. But that’s just me!

The NPC(s)

Always have a page for NPC’s relative to the establishment! I usually like to link to my worldanvil at the top, but sometimes characters are so small that I don’t make them a page. For those instances, I like to write just a little bit about them under the following format:

Appearance

Personality (including voice/accent)

What They Know

Willing to Share

Not Willing to Share (requires skill checks, or otherwise)

I like to keep this brief as possible, because too much text will just overwhelm me when i’m actually DMing live. Don’t make them too complicated, unless they’re major NPC’s, otherwise you will suffer.

Whats For Sale

Self explanatory, especially for shops. If the establishment sells things, I like to take screenshots from the books and place them in this page. Or I make tables myself! Cause OneNote can do that lmao.

General Information

I like to split this up into three categories:

Schedules

What time does the establishment open and close? When is the owner there? When does the owner go to bed? Is there anything the people living there do at certain times that are of relevance? This all becomes helpful when trying to nail down routines and time tracking.

Points of Interest

Things the players can find! Maybe a secret heirloom, a private letter, or a family tree! Usually these require skill checks to find, but can also just be apart of the apparent environment!

Encounters

Events that happen to the players. This can happen at certain times, or only when the players are currently present! It’s entirely up to you. But don’t equate encounters with battle, encounters are just events, battle or otherwise!

Mine looks kind of like this, though it needs some more fleshing out-- which will come with time as my plot progresses.

Missions (if applicable)

This can split off into various sub pages, if need be, and may not even be applicable to this specific establishment! But sometimes, you can acquire missions from people and places. I like to write the mission pages in the Establishment or NPC pages that will give them out.

And well, that’s about it! Sorry for the huge post, but it gave me some time to kill, so there you go! LOL Have fun with that, guys.

2K notes · View notes

hamliet · 5 years

Text

The World is Cruel, Beautiful, and Chiastic

Or, because I see people talking about this and I wrote this during Tokyo Ghoul:re’s final arc (which ended up being accurate), I wanted to be a nerd and outline just what Shingeki no Kyojin’s chiastic structure is.

A chiastic structure is a narrative structure used for millennia in storytelling. It refers to a paralleling structure, wherein events or motifs parallel other events and motifs. If you chart it out, it forms a chiasm or a ring (depending on if you feel like charting a triangle or a circle. (It’s also referred to as ring structure if you go with the latter; hence “come full circle.”)

Chiastic structure has been used for ancient epics (the Iliad and Odyssey, Paradise Lost), religious texts (many narrative books of the Bible, including Ruth, Jonah, Samuel, Genesis, and the Synoptic Gospels use it), and modern classics in both literature and cinema like Harry Potter and Star Wars employ it. In anime/manga, Tokyo Ghoul used it, and Bungou Stray Dogs strongly appears to be using it (but it’s harder to say definitively or to chart it out because we seem to be in upwards end of the middle arc right about now).

So, what’s SnK’s chiastic structure?

A) Fall of Shiganshina: The World is Cruel (and beautiful)

B) Training Corps (yes, it belongs here): Cruelty to Children

A) Trost: Cruel Loss, Beautiful Hope

C) Female Titan: Cruel End to Friendship

ABC) Clash of the Titans: The World is Cruel and Beautiful

C) Uprising Arc: Beautiful Beginning to Friendship

A) Return to Shiganshina: Cruel Loss, Beautiful Hope

B) Marlay: Cruelty to Children

A) Final Arc: The World is Beautiful (and cruel)

Of note, this is not me saying that none of the other arcs parallel each other--they clearly do. This is just a look at the chiastic structure in particular.

A note about the AB pattern. Arcs that have A all have common elements even if they most directly parallel the arc they line up with. The central chiasm contains elements of all three.

Fall of Shiganshina Arc: The World is Cruel (and also beautiful)

I’m not sure I need to say much here lol. The story’s opening chapters are renowned for their horror and display of cruelty. Yet we see beauty too in the Jaeger family having taken in Mikasa, in Eren defending Armin from bullies.

And we see it in how Hannes saves Eren and Mikasa.

And there’s more cruelty in the vow Eren makes, which, of course, he’s now bringing to fruition:

The Training Corps Arc: Cruelty to Children

Yes, this one belongs here. I know that it technically occurs post-Trost in the manga, but it’s the only flashback arc in the entire story, and I think we’d all agree that pacing-wise it’s... not well placed post-Trost. The anime did a good by moving it to immediately follow the intro arc.

Basically, the main theme here is that innocent kids lose innocence. From the humorous to the cruel, we see it. The kids shouldn’t be joining the military; it’s awful that they are.

It introduces Sasha:

And makes sure to show us them just being kids:

Additionally, it shows us the determination Eren has to work hard and be the one to destroy the titans:

Eren’s determination leads to his success in his training, but as we’ll later see, his obsession is destroying him.

Trost Arc: Cruel Loss, Beautiful Hope

Or, the arc that contains one of my favorite moments, but also almost led to me stopping watching SnK when I first got into it.

The arc begins with our first rematch: humanity vs. the titans, round two. (Thus, it parallels the Fall of Shiganshina).

So let’s discuss that favorite moment of mine: when the 104th teams up to defeat the titans. Even Annie, who is later revealed to be an enemy, saves Connie.

Trost, of course, contains the first big “WTF” plot twist of the story: when Eren is “reborn” out of the belly of a titan. When a character is in an enclosed space in literature, especially one with liquid, viscera, and blood, it’s probably a symbolic rebirthing scene. From, at that point, Eren’s lowest moment of defeat, Eren realizes he has the powers to change things.

But Eren is not the only one who comes to an important realization this arc. Like the Fall of Shiganshina, Return to Shiganshina, and the final arc, there is EMA focus. Mikasa makes a decision to live on despite loss:

And Armin receives affirmation of his self-worth and realizes that even if fighting isn’t his skill, strategizing is just as valuable:

This arc also contains Marco’s death, marking the first time the 104th have to cope with the loss of one of their own.

The arc’s final fight is concluded with Levi Heichou shows up to save the day.

And, of course, the concept of blocking the hole in the wall is first brought up (this time with a boulder), and the military needs to make a choice about whether to use Eren or exterminate him; Armin is able to convince them to trust Eren.

The Female Titan Arc: A Cruel End to a Friendship

The arc contains a notable moment of Eren deciding to trust his colleagues--Levi’s squad--only to lose them all.

Additionally, Eren’s relationship with Annie ends poorly (obviously. Should Annie be in the paths right now, as she likely is, I don’t think she’ll respond well to Eren either and is more likely to help take him down). Like Eren taught Mikasa to fight and to live, Annie taught Eren how to fight as her father taught her.

What’s notable about this is that Annie’s relationship with her father is cruel and beautiful--he clearly wanted nothing more than for Annie to survive and he’s still waiting for her. Annie embodies this dichotomy as well: Armin notes that she is exceptionally kind, yet the world doesn’t give her a choice. She is so kind that she spares Armin and goes along with his plan to capture her despite knowing it is a trap, because she does not want to hurt friends, because she wants to be a good person. Annie wears a cold mask, but she is truly kind.

The Female Titan Arc concludes when Eren accepts the monstrous part of himself, using everything he has to fight Annie. It’s not a coincidence that the arc ends with Annie ripping off part of the wall, revealing the titans within. This symbolizes that the structures that ostensibly were erected to protect society are built around the monstrous, and thus sets up the Uprising Arc.

Clash of the Titans Arc: The World is Cruel and Also Beautiful

My favorite arc.

It contains several important elements: it’s where Ymir hints at the true enemy of the story, and it’s where we start to see that the Survey Corps might be capable of cruelty as well.

Erwin sacrifices his arm, foreshadowing his later sacrifice of his life, Ymir and Historia assure each other of their love (almost like love, connection, and humanity are braided themes)...

It’s also where Eren is revealed as the Coordinate, and where the central relationship of the story as @linkspooky writes (and theorizes) about here develops in a moment that is truly beautiful and cruel. Mikasa declares her love for Eren, but Eren pulls away because he needs to fight titans to keep living.

It also foreshadows and acts as an inverse to Eren’s tragic current choice: he chose to fight instead of to accept love, but he had little choice then and was acting heroically. He had choices now.

Additionally of note, since this arc is the central chiasm of the story, it contains elements from both the A and B parallels. Such as, for example, Sasha receiving development and the focus on the suffering of children, from Sasha saving Kaya (beauty) to Nanaba and the others dying to protect the 104th:

Also, the Hannes storyline reaches its conclusion with Hannes’ death, proving for once and for all that Hannes is no coward:

The death of Hannes is symbolic of the EMA trio moving from a child stage to an adolescent stage in their metaphorical development. It parallels Carla’s death, and Levi’s (the final mentor figure for EMA) current near-death experience (I don’t think Levi needs to die nor do I think he will at this point, because he seems to have survived the parallel incident).

The Uprising Arc: A Beautiful Beginning to a Friendship

There are quite a few parallels here with the Female Titan Arc. We have two parallels with Annie’s complex relationship with her father: Historia and Levi (with Kenny for Levi). Like with Annie’s father, Kenny is not a great father figure, but he did want Levi to survive and gives him a life-saving tool right before he dies (the titan serum). Historia has the direct opposite relationship with her father as Annie: Annie’s father loves her but treats her harshly to teach her to protect herself; Historia’s father appears to treat her kindly, claiming he’s always wanted a relationship with her, but he actually does not care about her at all.

Historia and Eren’s relationship also foils Annie and Eren’s: if Annie and Eren’s relationship leads to Eren accepting the monstrous/titan part of himself, Historia and Eren’s relationship leads to Eren accepting the weak, unspecial part of himself.

Additionally, this arc focuses on the new Squad Levi, replacing Petra, Oruo, and the others--and this time, Squad Levi really does come in clutch, saving Eren and Historia. These scenes are deliberately paralleled--as in, there is a literal flashback in the Uprising Arc to Eren having to make a decision re: Squad Levi. When Eren acts on his own instincts this time, he saves them.

Return to Shiganshina: Cruel Loss, Beautiful Hope

Like the Trost Arc, it contains a rematch between humanity and their enemies; this time, however, it is not mindless titans who are the real enemies, but Bertolt and Reiner (and Zeke), demonstrating how personal this fight has been (going from a journey of strange monsters-->friends-->your own internal heart in the current arc). It also, on a more basic level, contains the goal of plugging up a hole in the wall, this time with Eren’s hardened shell.

It also contains the 104th teaming up to take down an enemy. Only, this time, instead of Annie and Mikasa dealing the killing blows to titans about to kill Sasha and Connie, they are teaming up to kill Reiner, a former friend.

Like in Trost, when Eren was “reborn” out of the belly of a titan, Eren experiences a moment of awakening here. He realizes he is not the hero of this story: Armin is.

And likewise, Mikasa makes a decision to accept loss and live on.

And Armin receives affirmation of his self-worth and his strategizing doesn’t just save Eren this time, but potentially humanity:

This arc also contains the flashback to Marco’s death and, of course, Bertolt’s death, which heavily, heavily parallels Marco’s. Like with Marco, Bertolt’s once-friends are watching and weeping, but they choose not to help him for the sake of their mission (again: you become the monster; this is however NOT a commentary on the morality of such decisions, but instead is an observation. Bertolt’s death, even if you choose not to blame the Survey Corps, is horrific and agonizing and cruel).

And of course, guess who saves the day and determines the future of the story? Levi Heichou. However, again, in keeping with the motif of conflicts getting more personal, Levi does not have to kill a monster titan (in fact, he fails to kill Zeke, though he does take him down). Instead, he has to choose to let his best friend die. Like in Trost, where the military needed to make a choice about whether to listen to Eren, Levi chooses to save Armin (though not because of Eren’s please necessarily, but because of his own care for Erwin).

The battle of Shiganshina, like how the Battle of Trost ends with Eren emerging as humanity’s hope, ends with a revelation to change the story forever. Humanity is not extinct.

The Marlay Arc:: Cruelty to Children 2.0

Innocent kids lose innocent in both the past and present in this arc. The arc sets up copious Reiner and Eren parallels, showing how they both worked hard in training to become heroes.

Additionally, we see that being perpetuated to the next generation in Gabi and Falco, Zophia and Udo. They are just children, but they are killed horrifically and fight in wars as part of their training (it’s even worse than the Paradis military):

Like all other B parallel arcs, it also contains focus for Sasha. She chooses not to kill a child, providing a beautiful counter from the cruelty of Eren’s actions. Yet, she pays the price for this beauty, as she is cruelly murdered. Sasha may not be a child herself anymore, but she is still a person, and the focus on food for her in the moment of her death reinforces this.

We also see that our grown-up children are losing innocence as well. Eren becomes the monster he swore to destroy, becoming a titan to murder innocents.

Final Arc: The World is Beautiful (and cruel)

I know the emphasis right now is on cruelty and I don’t mean to minimize it. From Historia to how Eren treats his friends, to what Eren’s currently now doing, it’s painful.

It contains a return to Shiganshina, like the Fall of and Return to Shiganshina arcs. And like the first arc, it irrevocably changes the world. On this day, humanity has received not a grim reminder, not a choice.

Instead of Mikasa and Armin receiving help from an adult to save Eren (Hannes), they are the adults this time. It is up to them to save Eren from himself, which likely is not going to be kind enough to spare Eren’s life this time. That said, I do think/expect a moment of Eren remembering his humanity in the end. And we already know it ends with life and freedom.

#snk meta #chiastic structure #aot meta #shingeki no kyojin meta #attack on titan meta #snk 123 #eren jaeger #mikasa ackerman #armin arlert #ema #levi ackerman #yumihisu #historia reiss #annie leonhart #sasha blouse #reiner braun #marco bodt #bertolt hoover

79 notes · View notes

tlbodine · 4 years

Text

How to Love Revision

A lot of you lovely folks are doing Nanowrimo right now.

Which means that, in a few weeks, you will have a steaming pile of pages. A rough draft. A word-baby, if you will. And you might, at some point, want to turn that messy jumble into a real book, perhaps something to send to a publisher or publish yourself or just share with people.

I see a lot of writing advice about finishing first drafts -- and a whole lot of it is in the vein of “Just write it! Fix it in post! Finished is better than perfect!” which is great advice for pushing through, but does tend to leave future-you -- the editor you-- with problems.

Lucky for you, I happen to love editing (really! it’s my favorite part!) so I am here to give you some advice on how to turn those pages into a proper story without ripping all of your hair out or screaming into the void (but if you need to scream, it’s OK, I won’t judge you.)

First Off: Credit Where It’s Due

My current revision process draws heavily from Holly Lisle’s One-Pass Revision technique: https://hollylisle.com/one-pass-manuscript-revision-from-first-draft-to-last-in-one-cycle/

Her writing guides are golden, and I heartily recommend reading them all, starting with that one up there.

I don’t do one-pass revisions, but her ethos really helped me. Before I found her advice, I would get caught in the endless revise/rewrite cycle. I was going through 9+ drafts of every story and it kept morphing into something new and sprouting new problems, hydra-style, every time I tried to redo it. So nothing was ever finished, nothing was ever satisfying, and I hated it.

So I found a better way! And it freed me! I’ve written six books since then, four of them published (one Wattpad-exclusive) and I learned to look forward to the second draft.

So how does this magic work? Let me show you!

Step One: Put the Damn Thing Away

Editing requires intellectual and emotional distance. So finish your story, and set it aside for a while. Stop thinking about it. Actively put it out of your mind. Work on something else for a while. Read a book. Catch up on all the TV you missed. Whatever. The point is -- you don’t want to come back to revise your story until you can look at it with fresh eyes.

How long this will take depends on you, of course. It’s a very personal thing. It could be weeks. It could be months. For me, a good guideline is to wait until I can no longer quote whole passages from memory.

Now then. Let’s do some triage.

Before you can start editing, you need to know your goals. If you’re a planner, this might be easy because you have an outline you can compare against. If you’re a discovery writer like me, well, this is the time to figure out what exactly it is that you discovered. Grab a notebook (or a notepad file, if you’re a digital native) and follow this process:

Write a one-sentence elevator pitch that roughly encapsulates the concept of the story. It doesn’t have to be pretty -- you’re not showing this to anyone but yourself -- but it does have to be honest. My one-sentence pitch for River of Souls was “Self-aware zombies struggle for equal rights, but the medication they rely on to retain their humanity doesn’t work as advertised.” My pitch for The Hound was “Lesbian thrift shop owners invite the devil into their home after buying a cursed taxidermied dog.”

Write down your theme(s). In the draft, themes might take the form of questions. In this draft, you’ll want some answers. What do you want the reader to feel when they’re done? What is the message you’re trying to tell? When I wrote Nezumi’s Children, I knew it was a story about religion -- “What should we put our faith into?” In the end, I decided the answer was, “We should put our faith in each other.” That dictated the ending. (I also wanted to be careful not to inadvertently support abandoning your pets -- so I couldn��t let the rats be happily feral at the end. A happy ending for them meant being owned and cared for).

Write a 250-word synopsis of the story. Again, it doesn’t have to be pretty. It just has to introduce the characters, the world, and the general shape of the story arc -- the inciting incident, the escalating stakes, and how the character changed at the end.

You may find that you struggle with this part, and that is totally find (and honestly to be expected). You may discover, for example, that your character doesn’t actually change, or that there isn’t a core conflict. That’s okay! That’s what you’re here to fix! I have absolutely, definitely written a book and then discovered 80,000 words later that it didn’t have a plot. It’s OK though, because you’ll fix that problem in the next step.

If you do indeed have a plot and escalating stakes and characters who go through developmental arcs, you’re ahead of the game. Now you’ve got the skeleton of an elevator pitch and the makings of a query letter (or a jacket blurb).

Next: Map Out Everything

When I was in elementary school, I had to start writing my first essays. I was supposed to make an outline, then write the paper to follow the outline. I wasn’t very good at doing it that way, so instead I would write the paper, then hastily draw up the outline to match what I said. Oops. Nothing has changed, honestly.

With your trusty notebook (or blank text document), compile the following:

Write out a list of scenes. Just a couple words describing the events of what happens. Now - are all of those scenes necessary? Are any redundant? Do you need to add foreshadowing or establish something earlier in the story to make sense of it? Are the scenes in the wrong order? Does every scene do some work to advance the plot, deepen the character, flesh out the world? Does the ending resonate with the theme? Re-write the scene list in the correct order, with scenes added or removed as necessary to tell the proper story. Now your scene list is a handy dandy roadmap/outline for your revision!

List out all of the characters in the story. Write down their role in the story. Does every major character have a goal? Do motivations make sense? Does each one change in some way during the story? Are all of your walk-on roles necessary? Are there characters who don’t really do much, and could you combine them?

Fixing plot holes on your scene list is a lot easier than fixing them in the manuscript itself. Keep tweaking your scenes until the story feels like it works. Make sure there’s a logical flow between events -- cause and effect, escalating stakes. Consult structure guides like the Hero’s Journey or the Three-Act Structure if you need some help with your plot.

Here’s a part that’s really important so it’s going in all caps: THE SCENE LIST IS FINAL. Make all the adjustments you need to the plot while you do the scene list, but do not -- DO NOT -- deviate from the story once you move on to the next step. You don’t stop modifying your scene list until you’re happy with the story, and once you’re happy, THAT is the story you’re writing. Get new ideas for things that can happen? Great, save ‘em for the next book.

Now Roll Your Sleeves Up And Get Dirty

Some people like to print their manuscript off and do edits in pen, but I don’t have reliable printer access most of the time and hate wasting paper. So instead, I pull up the rough draft and adjust it so it takes up one half of my monitor. Then I pull up a fresh, empty file and put that on the other half of the screen.

Now, using my scene list as a guide, I pull up the rough draft and rewrite it, scene by scene. Yes, that means re-typing every word. You’ll find that when you do this, you’ll fix a lot of language mistakes without even realizing it. I’m an under-writer, so my drafts usually double in length during this process because I spend more time lingering on sensory details, adding scenes, teasing out character dynamics, etc. etc. etc. Just let yourself go, get immersed into the scene. If you forget what you were doing, just refer back to your outline and original draft to get back on track.

I find this process works best if you can do it quickly. Try not to let the story get cold. Ideally, work on this every single day, or even set aside a long weekend to just hammer it all out.

Finally: Make a Second Pass

Now that you’ve got a second draft under your belt, it’s time to celebrate! Set the book aside. If you have beta readers or an editor, now is the time to send this to them. Hang out for a bit. Figure out who you’re querying, if you’re doing that. Find a kick-ass cover, if you’re self-publishing. Build yourself a Lego mansion. Whatever. Just sit on your draft for a little bit.

Now that a couple weeks have passed, it’s time to make a final pass. Gather all of the feedback you’ve gotten from beta readers and editors and decide what advice you should take and what you can ignore. Here’s a guideline: If someone says something and you think, “oh, yeah! that’s exactly it!” then you take the suggestion. If they say something and you think “uh, well, no, that’s not really the story I was trying to write....” or something similar, you can ignore the feedback. Good feedback will always feel true in the “duh, why didn’t I think of that” way.

Open up your new draft and, starting at page one, just read the damn thing. Make adjustments to the writing as necessary:

Correct any misspellings and typos you come across.

Eliminate weak words and phrases and replace them with stronger ones.

Add some variation to sentence structure if you notice that it’s become repetitive.

Eliminate redundancy. Fix your metaphors. Fix your symbolism. Keep your poetic language on-theme. In The Hound, I replaced a ton of random metaphors with dog imagery. It’s subtle, but it lends thematic cohesion.

Some people use things like Grammarly or Hemmingway App to help with this. I’ve never used them, so I can’t speak to their effectiveness. But if you find that they help, awesome! Use them!

Here’s a really important point: This step can ONLY come AFTER the rewriting stage. There is no point at all in tweaking sentences and fixing up the language in a story that has no plot. Fix your structural issues FIRST, and be sure they are AIR TIGHT, before you start dicking around with the words. Ok? Ok. (Someone go back in time 15 years and tell this to young me please)

And now...you are done!

Spend some time tweaking your elevator pitch and query letter at this point, if necessary. But no matter what, you do not go back into this document and change ANYTHING unless an editor tells you to. The book is DONE. Maybe give it a final proofread before you self-publish it (but honestly, you’re better off hiring someone to do it at that point, you’re going to be too zorched to notice the typos you missed) but otherwise don’t touch it. Don’t think about it. Write the next book.

And that’s it! That’s my mostly painless revision process!

Obviously every person is different, your mileage may vary, etc. But I hope this serves as a helpful jumping off point. I am more than happy to answer any questions or provide clarification on things -- just drop me a line :)

#writing advice #writing tips #editing #writeblr #long post

34 notes · View notes

opinuun · 5 years

Text

Do you guys remember when this was a studio Ghibli blog and I’d post gifs? 2017 was a good year lol. Anyway. As a child, I never knew I’d thirst for a 2-D otome man, but sadly I’ve stopped. Yes, after two years of obsession, it’s time I retire from the fandom. I’m keeping the blog though. Ran this shit for years, ain’t gonna give up now that my horny-meter has plummeted to an all time record low. Did you guys know blogs don’t have a character limit??

Oh god. I didn’t know this blog would suddenly receive so much attention. Please, I am begging you to not scroll down. It’s endless MysticMessenger posts from two years ago.

Hey, I'm once again: back, you can't possibly have more time than I do. I mean, after all, I made this blog. You're only browsing it. And most people don't even come here. Not even my friends...*sniffle* The just ignore this poor, pathetic little page. All they do is fill out the TAB form and leave. I think. Maybe they're here right now! HI! HOW ARE YOU DOING? I'M FINE! THANKS FOR COMING! YES, I'M YELLING! Who am I kidding. This page won't get a single hit, unless I bribe people...now that has possibilities. Okay, fill out the TAB form, so I have proof that you bothered to come here and...uh...I'll...uh...send you a sandwich? Please allow 6-8 weeks for delivery. I'm bored. I'm gonna go hug a moose. MOOSE! I love-d you moose! Hey, I'm back again! Yea...*waits for applause* okay! Now I want all you loyal fans...*cricket chirps* to go to the link to see what I'm like. I took a whole bunch of personality quizzes and posted them there. I'm an evil villain, kitty and a freakazoid so far. And I only took the quiz once, too. Spooky how accurate they are...anyway, I command you to go! I'm going. I'm back. I'm gonna start counting how many times I say back. Let's see: 1...2...3...4...5! Wow. I must really be desperate for something to do. I now officially have proof that someone has been here! It was one of my friends. Apparently this page really is getting long, because my friend said something to that effect. Maybe. Anyway, moving on! I'm just basically typing nothing. Just like all those reports people have to do. You know? With a specific number of words. They start out with half that number, and then just fill in words until they have the right amount. I salute those people. You're great tradition is being carried out here, on the second most pointless site ever! Well. Maybe eventually some weird, bored person will wander onto my site on accident and be mildly entertained be my site until they wander onto a live video feed of a coffee maker. Or maybe not. I only know that I'm entertaining me, which was my original goal. So. I've done what I've set out to accomplish. Yea, me! I'm so special. You see, most people, they don't like reading or writing. So if you're not most people, you've made it down this far without skipping, skimming or getting the spark notes version. (Which I think does not exist) My point is, if you've bothered to read this, then, (like me) you probley have also read the ketchup bottle so many times that you have it down verbatim. Look verbatim up. It's a word. But, you should know that, since you like reading. Or maybe you're just skimming. Anyway, there's nothing wrong with reading food labels. You might be asked a question about them on a quiz show. And now, for the million-dollar question: How many calories are there in a single serving of Mustard? I can just see it now...It could be called Know-Your-Food. Or You are What you Eat. It'd probley be as popular as those game shows that no one's ever heard of. Speaking of food, what's up with pie? There's strawberry pie, apple, pumpkin and so many others, but there is no grape pie! I know. I'm just as upset about this unfortunate lack of development in the pie division. Think about it. Grapes are used to make jelly, jam, juice and raisins. What makes them undesirable for pie? Would they dry into raisins? Couldn't you just stick some jelly in a piecrust and bake it? It just doesn't make any sense. Another thing that bothers me is organ grinders. You know, the foreign guys with the bellhop hats and the little music thingy and the cute little monkey with the bellhop hat who collects the money? Okay. They're basically begging on the street. How did they ever afford an organ-thingy? Wouldn't it make more sense to get a kazoo, if you're broke? And if they're so poor, what possessed them to buy a monkey? I mean, I don't think I could afford a monkey, and I'm not exactly on the streets. Obviously I at least have a computer...so, back to the organ grinders. I would have sold the monkey and the organ and been able to eat for at least a year. Or, if I was weirder than I am, I could at least kill the monkey with the organ and eat it. Why on earth did they keep the monkey? It must have cost a fortune to feed...not to mention the mess. That's just one of those many facts of life that are better left mysteries. Especially since no one but me would ask the question. I better go. I think I hear a monkey...Okay...now I'm back. That's the sixth time I've said back! I realize that this longest text ever must be very boring and not worth anyone's time. But I'd like to take this time to thank the 2 and 1/2 people in the entire universe who have bothered to read this entire thing. I'm not exactly sure who they are, but: thanks! Right now, my spacebar is malfunctioning...that's not good...I have to press it two or three times just to insert a freaking space. Maybe the evil little faeries with the sharp little teeth have put their evil faerie dust on my computer. Or maybe not. This is too frustrating. Goodbye for now...Now I'm back. And still frustrated. But for a different reason. Today I had the misfortune of playing a Treasure Planet game on neopets.com It was terrible. Apparently the point of the game was to get your character to shout "Whoo-Hoo!" as many times as possible before you splattered your brains on the rocks, all the while listening to a soundtrack that is similar to a dying ceiling fan. Of course, when I started out I accidentally hit the rocks approximately three million times. Halfway though I used my four remaining brain-cells to decide that the game was dumb. So my goal changed from surviving to laughing evilly while my character died. So the game naturally did everything it could to preserve my life. The stupid game is still going on and I refuse to quit because I want my points. My character is actually dodging the stupid rocks better now then when I controlled him. I hate irony. Seeya. Okay. Now I'm back again. Today I added an update page, which is basically a less chaotic, outlined version of this without all the ranting. It's more like techno talk about arrays and how much I suck and whether or not the Braves will win this year. Okay, the whole braves thing is made up. But everything else I've said so far is true. I think. Maybe I should start on a boring disclaimer...Eh-hem. All contents of this site were designed for entertainment purposes only. Any use thereof that is not stated in the above mentioned statement would make the author, hereby referred to as Patron Saint of Paper Clips, very angry. Should you violate the purpose of this site: i.e. become not entertained, the Patron Saint of Paper Clips will be forced to take drastic measures. This is specified in Code: 343 of the Flaming Chicken Handbook. Ooooo…that’s a great idea! I’m gonna start quoting from the Flaming Chicken Handbook! Code: 343 of the Flaming Chicken Handbook states that the Patron Saint of Paper Clips (that’s me) is allowed to cause vague, pain like sensations while the offending person (or alien life form, dog, etc.) isn’t paying attention. Now I have a purpose in life! To make up quotes from the non-existent Flaming Chicken Handbook, which I’m sure you have a copy of. No? Too bad. It’s in the mail, I promise! Now I must take my leave…and remember. Cheese is watching. Okay...I'm back...I think that eventually half of this thing will consist of the word back over and over again...that's just weird. Which fits the motif of the rest of the site. There's even a money back guarantee. Isn’t' that nice? See? Now no one can ever say that I don't take care of my viewers. Especially since I don't have viewers. I have readers. Wait...I really don't even know if anyone bothers to read this. Even if I put it in a less chaotic, more user-friendly format people would still ignore this because it involves: reading. Yes. Sad to admit, but the majority of people would rather read the summary at the back of a book rather than the whole book itself. What has the world come to? It's pathetic. Especially since I'm bothering to write all this. It's not fair! Why can't I have more readers?! All the other internet writers have nothing on me, except they're better at advertising, having a central theme/plot and basically more talented. Whereas I'm more into the whole ranting and raving stage right now. Plus, I am horrible at spelling. Which is bad. Thank the powers that be for spell-check. The single greatest invention of the computer gods. I'm getting bored, so I think I'm done for the day. May your day be shiney! I'm back again! And I feel weird! I found at that yet another one of my friends is reading this. Creepy. Just how much time do they have on their hands. Perhaps their just trying to be nice. I can just see it now...an organization devoted not to feeding the hungry, or peace, or love or whatever, but to giving recognition to all those poor, pathetic, unpopular websites. I wonder what it's name would be. Don't Ignore Sites? Would it be called DIS? Isn't that like a slang term for an insult? Would that be considered poetic justice, or just a nice coincidence? And why do I even care? I'll tell you why. Because I have nothing else to do right now. I could be playing neopets, but ever since my bad experience with Treasure Planet, I don't feel like it. Oh, by the way, I noticed that whenever I use spell-check, my stupid computer turns the word probley into to word problem. To prevent this, I did nothing. So, it is now up to you, the imaginary reader, to decide whether I mean probley or problem...it's almost like a game! But without the bad sound track. And I promise not to force you to live when you would rather die. Moving on, I have nothing else to say, but don't feel like quitting just yet. I'm like the little engine that could. Or maybe the Energizer Bunny. I just keep going, and going and going. Or I could be like that annoying guy on T.V. who keeps asking if you can hear him. If my site manages to last a decade, my readers *snicker* will probley wonder what I'm talking about. My answer is simple. It doesn't matter. I'm just rambling. Which means that it doesn't matter if you understand anything I say. Doesn't that make you feel better? I bet it does. Wow. Look how long this has gotten. I even impress myself. Who would have thought I have this much free time? And I congratulate any reader who has gotten this far. Ooooooo! You must check out the fortunes section of the random stuff page! I've just gotten an idea for some more, original, fortunes...I gotta go!(may the moose be with you) And now I am back. I swear. If iI fill out the fake tab form I'm gonna have to put back as my favorite word...I already have filled it out, though. Would it be cheating to fill it out again? Only if I had multiple personalities. Or would it be cheating if I didn't have multiple personalities? The world may never know. Just like how many licks it takes to get to the bottom of a tootsie pop. Would it vary? The number of licks, I mean. Someone could have super-disolving spit, or watery-spit. Or what if you took big ol' slobbery licks? Does the commercial take that into account? No. It doesn't. And let me tell you, it's an outrage. It deludes all of American's sweet, innocent, candy-loving children into thinking that a cartoon owl is smarter than they are! "Mr. Owl, can you tell us how many licks does it take to get to the bottom of a tootsie pop?" Or whatever. And "Mr. Owl" replies "One...Twoo...Three! Chomp" And he bites it. That teaches our youth that it's okay to agree to help someone, and then ruin their experiment. Well...it's not. I am going to start a protest group. Teens Against Cartoon Owls. We could call ourselves TACO! I love the little tacos, I love them good! That is a direct quote from GIR, co-star and comic-relief on INVADER ZIM. Hmmmm...intersting. I put hyphens in both of his titles...it must be a conspiracy! I gotta go. Those TACO buttons don't make themselves, you know. I'm back again. And not so cheesed off about the whole tootsie roll pop thing. Right now, I have another twenty minutes on the Internet before I'm gonna watch T.V. And I can't think of anything else to do. So, predictably, here I am. It's not like I have anything better to do. Obviously, you know this. After all, look how long this text is. I wonder if I've made the world record? If I did, would I stop this? Why bother asking? I'll will most likely still be adding to this on my death bed. Hmmmmm...has any old, senile person ever written anything? Was it coherent? Did it make more sense that this text? Is it possible to make less sense? Am I enjoying asking retorical questions? Yes. Yes, I am. But I seriously wonder what something written by a senile person would be like. I've heard of poems and stuff written by people who were high, insane or paranoid. But never senile. Can a senile person write? Aren't they regressed to a child-like state? Does it even matter? Is anyone even reading this? Did I resume asking retorical questions? Do you care? Is this eating up time? I feel like I'm playing questions only on whose line is it anway. I probley should have capitalized something, or underlined but I'm feeling lazy...hey, you try to keep your two and a half readers happy! It's really stressfull. Someday, I'm gonna snap and just delete this entire thing. Gee, I hope not! I worked sorta hard on this. It's great for making random topics weave together to form an overall infrastructure of chaos. That made little sense. That's why it's here, and not some critically acclaimed site. Ooooooooooooo! I'm gonna quote from the FLAMING CHICKENS HANDBOOK again! Yep! I bet you were just breathless in anticipation. Okay. Here goes. Code: 472 of the Flaming Chickens Handbook states that this site in no way aknowledges the existance of other, better sites (hereon reffered to as the Losers) The Losers are a myth. The Patron Saint of Paper Clips (me again!) claims no knowledge as to where that particullary nasty rumor started, but confirms that this is the best site ever. It would be a sin against humanity for a better site to exist. Should you refuse to aknowledge the Patron Saint of Paper Clips as the ruler of the Internet, you will be subjected to punishment as stated in Code 343 of the Flaming Chicken Handbook (i.e. Experience vague, pain-like sensations when you're not paying attention) This has been a public service announcement. This is a test, I repeat only a test. Had this been an actual emergency, we would have bought up all the can openers and charged 3 cows and a pig for each one. I repeat, lock all you doors and windows, this is it. I repeat, there is nothing to worry about. Everything is fine. The end is not here. I'm going, you're on you're own! Ahhhhhhhhhh!!!!!!!!!!!!!!!! I'm back!*smiles brightly* And apparantly delusional! Anyway, I just finished rereading my longest text ever. And I became inspired to talk about nothing. You see, I periodically read the longest text ever to check the constant downward spiral of my sanity. Hmmm...I seem to be entertaining myself though, even while reading what I wrote. Which is why I still go to the Really Really Big Button That Doesn't Do Anything website. Because I am easily amused and have lots and lots of time on my hands. Maybe, some day far in the future (like next Thursday) I'll print a copy of this insane text. And then go door to door distributing it. Eventually, this would become a monthly tradition. Whole families would gather around their front door, in breathless anticipation while they attempted to barracade me out. I can just see the whole community rising to thwart my attempts to spread love, joy and insane chaos. I probley wouldn't actually print this out (think how much paper it would take!) but if I do, only friends and enemies will receive copies. Hmmmm...maybe my condition is worsening. Or not. I'm still peeved about the cartoon owl from the Tootsie Roll Pop commercials. He is pure evil. TACO will eventually destroy him. Unless he has already been destroyed by an even more radical Anti-Cartoon-Owl group. I hope not. Or, would that be good? I suppose I could let someone else have the glory. After all, I'm not in this line of buisness for the fame, fortune and power. What line of buisness, do you ask? Why, the assasinating annoying cartoon characters buisness. (Actually I just question them untill they spontaneously combust, I ask lots of questions) So, in conclusion, ladies and gentleman of the jury(that's you) I could not have possibly tortured "Mr. Owl" to death. I love owls. Hmm...I seem to be jumping from one subject to another more frequently. Either I am growing more comfortable with my on-line writing, or I am progressivly getting more insane and chaotic. I also am psyco-analyzing myself a lot today...hmmmm...I'm even saying "hmmmmm..." a lot. Just like a real psychologist. Hmmmmmmm. Time for another boring disclaimer!!!!!!! Code: 742 of the Flaming Chickens Handbook states that in no part does the Patron Saint of Paper Clips (That's still me!) actually claim to be mentally ill. That's either a) a publicity stunt b) An attempt at humor c) a cry for help or d) none of the above You can e-mail your responses by conducting a scavenger hunt of this site. Some of the pages of this site contain a link encouging the two and a half people to e-mail the Patron Saint of Paper Clips. There may also be evil little links that are designed to confuse you. These links send stuff to someone named [email protected] Saint of Paper Clips does not know who this individual is, but sincerly wishes that you send all your hate mail to him. Not that the aformentioned individual claims to have received hate mail (or mail of any kind) via a website link. Thank-you for your time. Remember to send your answers to my sanity quiz to the e-mail account, [email protected] Oh, and once I refer to myself in the first person again, the handbook quote is over. I just thought that I might like to mention that. Oh. You're still here. I figured you rush right on over to e-mail me. Perhaps you don't have time to waste e-mailing me. HA! HA! HA! That's funny!!!! If you you don't have time to waste, what are you doing here?!!! Oh, who am I kidding. I figure that even the people I manage to lure onto my site from neopets don't even bother to come to this particular page. Maybe I should make the link come here directly...Hey! What a good idea! That way I can spread my love, joy and insane chaos to more people! I'm a genius. Gotta go, must lure innocent victems to the second most pointless site ever!!!! I'm back. And really angry, and confused. I've always known that I was weird, that's always been a given. But now I realize that I am considerably more normal than the rest of my family. Today we had a "family outing." Now, most families will go bowling, or putt-putt golfing. They may go to a resteraunt with an arcarde, or the movies or to a theme park. Not my family! No, we got the greatest family outing of all. We got to go to a bar and play pool!!!!!*waits for readers to become insanely jealous* Yep, that's right, a bar with a pool table! Not only did we get world class cuisine (under-cooked hotdogs and over-cooked hamburgers), my little sister (age 10) got taught pool by someone I strongly supect is an ex-convict! Naturally when it was announced that we'd be eating dinner in this place, I could hardly contain my excitment(I glared at my mother and asked why we couldn't go to Pizza Hut) When we arrived, we were promptly served (after thirty minutes) In the meantime, we played a family game of pool(my parents played while my brother and sister and I watched) After two rousing rounds, our food came. The food was superb, (our food came the exact opposite of how we ordered it, and half of the onion rings were missing) Then we joyfully returned to our game(my sister and the ex-con played my mom) We spent hours there (from 5p.m.-7:15p.m.) There were many people that were the same age as me and my siblings (no one in the room but us were under 30) Us kids had to be dragged kicking and screaming from the bar ( I almost fell asleep during the last game I watched) As we left, there was a feeling of goodwill and fellowship between all(my sister locked me out of the car and wouldn't let me in untill I started yelling profanity in her general direction) The high point of the entire night was when my mother gave me $21 for my report card. She promptly borrowed $1 to help with the waitresses tip(This part I'm not being sarcastic about) All in all it was a night I'll remember forever (as the lowest point in "family outing"history, except for that time my mom dragged me to a church thing on the concept of truth.) My brother(age 13) even decided upon a new job he wants when he's old enough to work, a busboy at the bar. We had to tell him that he would probley have to wait untill he was 21.(Absolutly nothing about that statement was sarcastic) As you can see, I love my families outings(Not unless you're blind...or stupid) &#!#%&&!!!(*%$ WHAT THE %$#@ WAS MY MOTHER $#$#%$# THINKING!!!!!!!???? BRINGING $#$$# KIDS IN A BAR!? I know it was her idea, 'cause my dad hates it, too. My mom and my stupid little 10-year old sister loves it, though. *sighs* Why does my life have to be so weird? I'm leaving...now I'm back! And not so pissed at my weird family. Now is the time to mourn the loss of one of my most loyal readers (I think she's read the entire thing one time, which is more than anyone else has done so far) She has been banned from accesing any portion of the Internet, do to reasons that must remain confidental due to security reasons. If I told you, I'd have to kill you and all that stuff. So...now I am down to one and a half readers. Untill such time that I have more. I wonder why anyone would read this? You would have to have several characteristics that I possess. First of all, you'd have to have an extrodinary amount of free time. Second of all, you would have to have the patience to read through all of this. And lastly, you'd have to know where the heck this site is. I admit it. I haven't exactly advertised this site. Nor can I find it on any search engines. Some of my pages have stuff written in to make search engines recognize me, but it doesn't seem to be working. What must I do to rise above obscurity? I tell people I know about this site, but they either ignore this page, or don't even bother coming to the site in the first place. I suppose that is the bane of all authors. To pour your heart and soul into a passage, and have everyone ignore it. *sniffle* Why must this be? Maybe I should just give up. After all, no one would really care if I quit updating this site. But I can't help but think of stuff like the evil over lord list and REALLY REALLY BIG BUTTON THAT DOESN'T DO ANYTHING. They are not great neccesarily because of the content, (although that helps some) they are great because of their sheer length. You can read a little each day. And almost never finish. Also, I guess I still am trying to get the world record. I have heard some feedback suggesting that I make someway for people to remember where they stopped reading. It can be very confusing, especially if you weren't paying attention in the first place. Well, I dont want to organize this page, in any manner. This is chaos. And insanity. Not neat little text in classifiable rows, in alphabetical order. If you want neat, go to some other site(though, as mentioned in Flaming Chickens Code:472 there is no such thing as a site better than this one). Otherwise, I guess you're stuck with me. Awwwww...I'm touched! You didn't run screaming to another site, thankfull for the chance to escape this insanity. You're still here, which must mean that you'd rather be here than anywhere else! Hey, where are you going?! I thought you were gonna stay here and keep me company?! *drags reader back* See, I knew you'd stay! *gagged reader glares* What's that? I know this is the best site ever, thanks for the compliment! *reader starts inching towards freedom* I better go...I think that I may have a problem brewing. I'm back. And very concerned about this new, younger generation (all 10 year olds who were born in 1992) They are supposed to be the future. Instead they appear to be a nuclear armagedon in the form of a fifth grader. I chanced to have an interview with an informant from this evil generation (my little sister) who will be called Mrs. X for security reasons (no, she's not married, the "Mrs" makes it good as a disguise) I was quizing Mrs. X on Civil War History for an upcoming test in her classroom (whose location can not be devulged) Mrs. X seemed fluent in the subject. Using prior knowledge, I deduced that Mrs. X was full of crap. Out of sheer curiosity, I asked Mrs. X who participated in the Civil War. She immediatly replied "Clara Barton". I clarified, which countries fought in the Civil War. She answered: England, Russia, and (out of sheer desperation) Iraq. I believe that she was just listing countries she knows America has fought against. Now, correct me if I'm wrong...but Iraq? I don't know if Iraq even existed in the Civil War Era! Why on earth would we go have way across the world to fight them when we didn't even really need oil?!! Moving on, I finaly managed to coax my sister (I'm tired of writing Mrs. X) to tentativly guess that America fought in the Civil War. I mean, who'd a thought? America? Fighting in the American Civil War? In a moment of inspiration, I asked her who America fought. Her first guess was enslaved africans. Well, at least she knows that slaves were involved in the war. Before she could start listing all of America's enemies, I gave her a hint. I said "The Union fought..." With a crack, snaple and pop, some random synapses in her brain connected in the right order and she said "CONFEDERACY!!!" I was very proud of her, just as you would be proud of a two-year-old who has just announced: "I WENT POO-POO ON THE POTTY!!!!!" What I mean is, you wouldn't be very proud if the average person said that they just took a dookey on the toilet, and you wouldn't be very proud if they knew who fought against the Union in the Civil War. I confirmed that the Union was Northern and Free, and that the Confederacy was Southern and Slave. We resumed quizzing and she got every question on the worksheet correct. This is because she memorizes the questions. That way, she can pass the test without actually learning anything. You see, if you memorize stuff, you only have to remember that the answer to number 6 is Clara Barton for a week, rather than having to remember that Clara Barton started the Red Cross for the rest of you life. I sincerely appologize if anyone is offended by my view of memorization. I also would like such persons to immediatly leave my site. You don't belong here. You see...knowledge is good. If my sister...uh...Mrs. X were ever asked a question on the Civil War on a quiz show, she'd come up with nothing. With knowledge you can win money and the opportunity to look like a dork on national television. My sister is a big believer in the memorization system. I previous time when I was studying with her (American Revolution, this time) I was trying to help her remember the difference between the Patriots(Patriotic to America) and the Loyalists (Loyal to Britain) She didn't know what the word patriotic meant. I tried to explain. I asked her how you dress on the forth of july (she said nice) I asked what the colors red, white and blue were (pretty). I gave up in exasperation. More recently, I was trying to instill a sense of empathy and niceness in her. I asked her what the golden rule of christianity was. She didn't know. When I pressed her, she confessed she didn't know what chrisianity was. Completly defeated, I told her that it was the religion she practiced every Sunday when she went with her friends to church. This confirmed my suspicion that she only went so that she could have the use of the church's playground equipment. My family also strongly suspects that she stole $20 from the donation thingy. Anyway, that's my rant on the new generation that contains my little sister. When someone of her generation runs for president, I'm gonna do a complete background check. If they're anything like my sister, I'm movin' to Canada. Gotta go...the Russian-Brittish-Iraqi-enslaved-Africans are coming to defeat the Mexicans. I'm back! *there's that darn cricket again* And I have a genuine question to ask all of my loyal readers *cough-cough* Okay, here it is: Is it normal for a non-gender specific sibling to carry around various dead reptiles (snakes, turtles, lizards etc.) Furthormore, is it considered accepted behavior to talk to these dead reptiles, in a cooey, baby talky kind of voice? Finnaly, is it expected for said sibling's non-gender specific parent to encourage such behavior, citing "I was just like that as a child" as an excuse? It's an honest question as I fear that my non-gender specific sibling is weird. Who am I kidding? My entire family is weird. It's just a matter of degree. Hey, by the way. I'm sorry that my last few entries have been only about my various family antics. Although I can't see why you care, because there is a large probability that you do not exist, because I don't think anyone is reading this anymore. How discouraging. People need to make the time to waste time. It's a time honored tradition. Who'd thought that I could use time that many times in only a few sentences? It's been pretty quiet here lately, which is why I haven't added anything to this text in awhile. I know, you were just crushed that nothing new was happening. It's a sad, cold, cruel world out there and you had nothing to relieve the monotony of it. *sniffle* I feel so sorry for you! Next thing you know, you're internet connection will die. Well, too bad! Do you know I never even had a computer untill just a few months ago (that's why I'm obsessivly writing here) So I won't pity you if you're computer dies for unexpected reasons. Time for another quote from the FLAMING CHICKEN HANDBOOK!!! Code: 843 of the Flaming Chicken Handbook states that in no way is the Patron Saint of Paper Clips (guess who?) responsible for any faulty wiring or lack thereof in your computer. The Patron Saint of Paper Clips in no way wishes harm on your computer. Any derogatory statement is simply an opinion of an individual, not of the flaming order of the flaming chickens. Said order will in no way be held responsible for any damages, injuries, loss of life, limb, head, or organs. Okay, quote is done. Maybe I should put quotation marks around them...nah, too much work. But I probably will eventually get around to having a seperate page just for the FLAMING CHICKEN HANDBOOK. That way all the members (what members) can print out a copy of it for themselves (if they didn't get that copy in the mail) I guess I'm done for the day...I know. You want me to stay. It's okay. Because eventually, I'll be back! Seeya! I'm back. And once again suprised. When I was at a TAB poetry thingy (TAB is good TAB is great We love TAB) I met some new people. One of these people (who shall remain nameless untill such time that I have explicit permission to use her name) turned out to be almost as weird as me. As in...she read the ENTIRE Longest Text Ever. The whole thing. So far two whole people (to my knowledge) have read the entire thing, and a few people have skimmed it. That means I really can justify claiming to have two and a half readers! I'm so happy! That means my pointless obsession has actually entertained someone besides me! Perhaps, one day, far in the future, this will actually be a world record and random people will acutally voluntarily read this text every day. Or maybe not. The point is that it is nice to have readers. Or maybe it's not...I mean...won't the quality *snicker* of my work deteriorate if I am no longer writing for the target audience of me? If that happens, then no one will read this. And then I'll be writing for me again. And then the quality will rise. And then people will start reading. And then the quality will go down and the vicious spiral of good and bad will continue untill I either give up this text, or go crazy...er. In any case...I should probably find a topic. Yeah...a topic would be good. Or...I could just continue to write about finding a topic. Ooooo! I know a topic! Ice cream trucks! This has been bothering me for a while. You see...when it's hot, you want something cold to eat. Conviently, ice cream trucks come around during the hottest part of the year (it must be a conspiracy). As you may or may not know, small children swarm the ice cream trucks. The vendors even play whimsical music which I strongly suspect contains subliminal messages to make you hungry for ice cream. The vendors get oodles of cash, and the kids get ice cream. Now, in today's society of buying groceries on-line and getting them delivered, why hasn't any other food industry marketed this ingenius idea to bring the product to the consumer. I can just see Hot Dog, and Pizza trucks roaming the neighbor hoods, selling treats to hungry children...and adults. Of course, said adults would have to peel their butt-cheeks off the couch...but they'd have to do that for the delivary man anyway. The food trucks could even play music that made you hungry for their food. Then the problem with obesity in America would be blamed on evil food truck drivers as opposed to the harmless, benificient television and computer. We could all breath a sigh of relief as parents kept their children inside, away from the evil truck drivers and near the T.V. Gone would be the days when parents told children to play outside, it's a nice day. Parents would buy their children computers, video games and other television neccesities. This, of course would expand the market for such products. This would lead to a better, more stable economy. Food industires would be buying cars, gas and music. Parents would increase the purchase of entertainment items. In return companies would make a profit, pay their workers better. The workers would then be able to afford more entertainment items and the upward spiral would continue, as opposed to the evil downward spiral of my writing. In conclusion, Ladies and Gentlemen...if you implement my idea, there will be peace and prosperity for all. As long as you don't mind a few more couch potatoes. Gotta go...I think I hear a catchy jingle. I'm back...it's been awhile since I've written here. A lot has happened. Like my EVIL school computer deleting my updates page. But it's all good. Especially since I just saw The Matrix: Reloaded. The following text may spoil the movie for you, so WARNING: do no read this unless you have already seen the movie. Okay. What I liked best was the philosophy on choices. (the mindless fight scenes were really cool, too). It's like this. In the beginning of the movie, Neo is having dreams about Trinity's death. Later, The Oracle tells him that he has already decided her fate. Towards the end of the movie, Neo chooses to tell Trinity to stay out of the Matrix, since he saw her die in it. She agrees, but only after seeing how important it is to him. After a horrific chain of events (is it coincidence, or fate) the people who will deactivate the secondary power source of the building Neo is infiltrating, die. So...the plan is going to fail. Unless someone does something, Neo, Morpheus and many others will die. Trinity, who is of course outside of the Matrix, knows this and chooses to enter the Matrix to save the day. The events of Neo's dream unfold. So...when the oracle said that the choice had already been made, she was completely correct. The moment Neo woke from dreams of Trinity's death, he made a choice. He would do everything in his power to keep his dream from becoming reality. So he kept her out of the Matrix, and she saw the problem, and entered the Matrix to fix it. If she had been in the Matrix, she would have likely been with Morpheus, never would have known about the plan's failure, would therefore not have been in the situation that resulted in her death. And the plan would have failed and Neo might have died, along with a large portion of the city (the building was set to blow if there was any intruders) So...Neo's choice to attempt to save Trinity triggered the sequence of events that led to her death. As Neo realizes all of this, through a nearly omniscient Architect of the Matrix, he makes another choice. This choice is simply an extension of his original choice: he will save Trinity at all costs. Neo is told that he has two choices. He can save mankind, and doom Trinity. Or he can try to save Trinity and doom mankind. No guarantee that he'll succeed in saving Trinity. He goes for Trinity, makes it just in time to catch her body, and starts her heart back up. In return for not taking the easy route, he gains a power in the more or less real world. He can deactivate the machines, (squidies) but at great personal cost. The movie ends with him in a coma. Now, you must realize that I have described only one aspect of this movie of all movies. There are not enough words in the English language to describe the sheer coolness of the fight choreography, special effects and the plot. I highly recommend you see the movie yourself. I'm sorry that today's rant isn't random, insane or completely chaotic, but I must right my experience with The Matrix before I forget. I am so buying this movie when it comes out on DVD. I love it! You have to admit its sheer coolness. I mean, come on! It's the sequel to the movie that revolutionized the standard by which we judge special effects. I better stop typing before I have a heart attack...just remember...The Matrix has you...I'm back. And throughly pissed off at my school system in general. You see...they feel that the only way to reward academic achievement...yada-yada-yada...is to force the smart kids to be ushers for Senior Honor Nite, and Graduation. Where is the logic in this? I for one, didn't know about such dire consequences for not deliberatly failing classes. It was bad enough that I was forced to "volunteer" my precious time (i could have worked on this site)...no...I was forced to wear formal attire. My school system is stuck in the past...and formal attire means...a dress...a white dress...(for those you who never bothered to find out...I am indeed female). So...for the first time in about 5 years...I wore a dress...and something that was complelty white. What cruel fate is this? To compound the EVIL situation...I was forced to wear feminine shoes. In other words...they hurt. And they pushed my toes together. Since I have a rather weird phobia of touching my own skin...this made my evening my own personall torture session. I think that such gender-specific torture should be deemed inhumane and abolished from our great society...of flaming chickens. Henceforth...Code: 666 of the Flaming Chickens Handbook states that under no circumstance will the Patron Saint of Paper Clips (guess who) be forced to wear anything other than a t-shirt and preferably black jeans. Should you violate this right, you will become destroyed or possibly dizzy. I'm leaving now...I have some destruction to do. i'm back. from graduation. we had to get there one hour and fifteen minutes early because there was traffic. After standing around a lot...the ceremony started. Lots of people spoke. by the time I had to do my part (tell people where to stand before getting their diploma) it was dark. there were bugs. they liked landing on me. then...i got to go stand while people said a lot of stuff. i couldn't hear it because someone had put the speakers facing the audience. we clapped. the whole time, even during the name-calling, seniors were playing with silly string and beachballs. afterwards...they turned off the lights. there were lots of fireworks. i wandered around for 20 minutes looking for a cell phone. i called home, and waited another hour for my ride...traffic to the school was one way. i felt sorry for my dad. i am tired...but cannot go to sleep. i'll copy and paste this to my site. maybe the longest text ever. you will all suffer as i have suffered when and if you graduate. i cannot feel my feet. i hate dress shoes. I'm back. Today, I'm here to salute the Pointless Signs Of America! The PSOA have been whole-heartedly working for you, and what have you done for them? NOTHING! These so-called "pointless" signs are doing just what they were meant to do: entertain you! You cannot judge them simply because they have no apparant function. They expand your mind, making you think about all the things they could do. They could do anything they wanted to, if they just put their minds to it. If you judged everything by what it doesn't acomplish, then the entire world is populated by pointless beings. Noone can do everything, so how can you expect a SIGN, with the I.Q. of toilet paper, to do everything. You people sicken me. You expect far to much of the inanimate world. The inanimate world, on the otherhand, expects nothing of you. Which is exactly what it gets. If you expect nothing, and get nothing, you feel nothing. If you expect nothing and get something, you're happy. But, if you expect something and get something you feel nothing. And if you expect something and get nothing, you feel cheated. If you're following along, and not completly confused, you'll realize that it is better to be a pessimist than an optomist. Yep that's right. This entry went from saluting the PSOA to making a statement about my ideals. This has been a weird day. You can thank my associate "Meg" she came up with the PSOA acronym. Everyone, clap for "Meg".I gotta go...seeya later! I'm finnaly back! Today, I took a long look at this site, which is the acomplishment of almost a year of work. And I asked myself "How could I have better spent my time?" And so, in the interest of wasting even more time, I made a list. Here we go! Number One: I could have cured cancer. Not that I know anything about medicine...or cancer for that matter. But I'm sure that if I just would have put my mind to it, I could have done it. Number Two: I could helped the earth to find eternal and lasting peace. Which would be boring. So I at least have an excuse for not doing that. Number Three: I could have studied and stuff. Uh...don't think so...Number Four: I could have learned to drive. This would have resulted in the deaths of numerous pedistrians...and I would still probably be wondering around in search of a McDonalds. Number Five: I could have read more books, played more video games and watched more mindless television. Gee...I wish I'd thought of that sooner. Number Six: I could have implemented one of several plans for world domination. Or, as an alternative, I could have ruined several plans for world domination that other people made. Number Seven: I could drive people crazy. Wait...aren't I already doing that? Scratch number seven. And on to: Number Eight: I could have...uhhhh...ummmmm...actually thought up these things before hand. Number Nine: Now it's just getting redundant, isn't it? Number Ten: This is the list that never ends. Yes, it goes on and on my friend. One person, started typing it not knowing what it was, and they'll continue typing it forever just because this is the list that never ends, yes it goes on and on my friends, some person started typing it not...etc, etc. Okay...I admit it. I have officialy run out of ways I could have better spent my time. I don't think there actually are any. Except for maybe five and six. Now, those have possibilities. However, I am currently content to just sit here and type. For the benefit of you, the reader...who may or may not exist. Either way, I'm continuing to sort of entertain myself. I feel like I should be outraged about some topic or another. I just can't work up the energy to be outraged. Perhaps a nice, soothing mistrust. Yeah. I can work with mistrust. I definitly mistrust lots of stuff. Like organ grinders, and the evil conspiracies. Did you know, that Kodak was part of the conspiracy to assasinate John F. Kennedy. Now, some of you are probably thinking "Gee, Really?", or "Wow, I never knew that!" while others are thinking "Who's John F. Kennedy?" or possibly "Who or What is Kodak". I fervently hope that you're not thinking the last two...especially about Kodak. Kodak, as you may know, is a film developing company. And John F. Kennedy (JFK) was an alien bent on global domination. Or possibly a really good president who wanted to fly to the moon. Either way, he got assasinated. And ever loony in America decided that it was a conspiracy. Some even go so far as to claim that Kodak "changed" the pictures of the assasination to make an assasination in the bushes become a tree's shadow. I didn't know that they had such good technology back then. I have to wonder...why would Kodak do such a thing. Perhaps Kodak is actually a front organization for a shadowy governmental system that controls the entire world and didn't want mankind to obtain the freedom of the stars and so tried to sabotauge the space program even though it didn't work as well as they planned. Or perhaps not. Either way, Kodak is undeniably evil. How can any company that takes so many "wholesome" pictures not be? You can just bet that they look at every one that get's turned in to them, judging blackmail value, and whether or not you could get arrested. It's just sickening, you can't even take a simple photo nowadays. Unless you have a digital camera, which are a symbol of freedom from the old ways and willing enslavement to the new ways. We can only hope that the digital camera manufacturers are kinder masters than the evil Kodak Lords. I better go...I think Kodak is tracing my site....I'm back now! And, once again, I have proof that someone actually took the time (two hours) to read this entire Longest Text Ever! It's amazing, it's incredible, it's unbelievable. But true. Even more incredible, this time it's someone I don't even know! Wooooooo! I feel inspired and happy and other really good emotions and stuff. And so, I'll take a trip down memory lane, to the dark depths of the past, to when I decided to make this page. It was inspired, in part, by my sheer and utter boredom. In school, back before I even owned a computer, I'd type random words for long periods of time, 'cause I had nothing better to do. Once I got this computer, I decided to do something similar on my beloved site. But, it ended up making more sense than I anticipated (scary thought, huh). Oh, well...I tired of nostalgia. Back to the present. Right now, I'm just typing so that no one can say that I've been slacking off. I don't think I have any conspiracy theories...except pop-ups/pop-unders. Have you ever had the evil pop-up that says that if you click here, it'll get rid off all the annoying pop-ups? Isn't that sort of ironic? Could the pop-up blocker people have chosen a better means to advertise their product? It's like grand-theft auto 3's talk show, you know, the one where there are Citizens Raging Against Phones? Or CRAP, for short. And the lady representing them, calls the radio station...on a phone. It's stupid and ironic and just shouldn't exist in a better world. Pop-Up ad's help you get rid of pop-up ads? Insane, chaotic...hmmmmm...I wonder who thought of it? Was it on purpose, or was it just some mistake? It is now my civic duty to discover this ancient mystery, and reveal it to the uncaring world. Or maybe I'll go make a frozen pizza. Yeah. That sounds good, too. Since I'm not particualarly inspired at the moment, I should leave and let you gather what is left of your sanity. I just can't seem to stop, though. Okay...I can do it. I'm leaving. I'm back...and it's several hours later. I've decided to imortalize the stupidity of my dog, Moose. She is a heavy-set Yorkshire Terrior (12 lbs.) In otherwords, she's a small yappy dog who is big for her breed. Today, I met her arch-enemy. An enemy so terrifying that Moose cannot stop shaking. An enemy so hideous that Moose must destroy it at all costs. An enemy so dangerous that Moose fears it above all others. Now you may be wondering what horrible beast is Moose's arch-enemy. And you probably suspect that it is something pathetic. You would be correct in your suspiciousness...for Mooses arch-enemy is...*dramatic drumroll*...a small, white, feather. Now, Moose has seen many feathers, birds even. But none have struck terror in her little moose heart like this particular feather. So...naturally I put her arch-enemy in my pocket and brought it home with me. This action has made her very suspicious of where my loyalties lie. She tracks the feather smell all over the house, and goes crazy whenever I take it out of my pocket. She even got her sister and mother in the spirt of things. Now her sister sounds an alarm whenever she sees the evil feather. Now, you may be wondering what is so terrifying about a small, white, feather. So am I. It doesn't smell funny, (I asked my brother, since I don't have a sense of smell), it seems perfectly ordinary. So, I've decided that Moose works for some secret government organization, and that the feather is the key to the destruction of the world, and I am just blithely letting it enter our home, so that it may furthur its evil plans to destroy the universe. That is the only possible explanation as to why it upsets her so much. Or...maybe it's the feather off of the cartoon owl from the tootsie-roll pop comercials (one...two...three..*crunch*). Whatever the case, I decided that the whole world, (or three of four random people) deserve to know that if the world and or universe are destroyed, it's the evil, little, white, feather's fault. Now I'd better go and torture my Moose with it...:) I am officially back. And you, the potentially non-existant reader gets a once in a lifetime chance to hear me rant and rave about my Horrible, Horrible Family Vacation. I know. You feel very, very honored. It's like this. My mother is a control freak, and she decided on the spur of the moment that we were going north to visit relatives. Later that day, she decided we were NOT going north, we were going south to a beach resort. Still later that day, she got offended at some trivial thing and decided that we weren't going anywhere at all. The very next day, she decided that we were going north, after all. So, we packed everthing up. Before we knew it, we were on the road. The first part of the trip was fairly easy. As in, I was half-asleep, hoping that we'd arrive while I slept. Then, in an inspired move, my brother talked my mother into letting him sit up front. That meant that my mother would be in the back, with me and my younger, eviler sister. Immediatly, my mother started complaining. It was uncomfortable in the back, it was too hot, it was too cold. Then, she accidently woke our three yappy dogs up, and they relized that they were in a car. That meant only one corse of action for them. They started shaking and barked their little heads off. This annoyed my mother further, untill she asked, no, demanded that my father turn the car around so that we could go home. Unfortuantly, we had already driven 337 miles toward our destination. After much argument, my father was going to turn around, untill he realized that my mother was going to drop the dogs and me off, and then turn around and continue north. This seemed slightly unpracticle, so we ended up not taking that 337 mile detour. We eventually reached our destination after 16 hours of virtually non-stop driving. We got there, we ate. We slept. My mother visited relatives. And so the week went by. I got to go to a huge library, and see Terminator 3 at the local theater. That was the high point of the entire trip. The last day, we were deciding where to eat. My mom said that she didn't care. So my dad picked a steak place. My mother tried to order a mushroom-swiss burger...only to discover that the place had no swiss-cheese. So she decided on a salad, only to discover that they didn't have her favorite salad dressing. After much deliberation, she decided that she wouldn't eat. After complaining how hungry she was, and about the poor quality of the resteraunt, she walked out of the resteraunt, instructing the rest of us to "enjoy our meals". And I wonder where my little sister gets her annoyingness. Not that my mother is annoying...just set in her ways. The whole meal thing was about the only interesting thing to happen during the week. On the way home, we had gotten approximatly 4 hours into the trip when my mother predicatably decided that we had to go back and eat at the 50th aniversary of her favorite ice cream place. Needless to say, we ignored her. Oh, and when my sister had to go to the bathroom very badly during a traffic jam, my mother had the good taste to making hissing/water noises to make my sister's problem worse. She claimed that my little sister always did it to her, and she was getting pay-back. Between her bickering with my sister, and obsessivly playing neopets games, I don't know what to do with her. Anyway...that was my family vacation rant. It sucked. No suprise. At least it's over. Sorry if I complained a lot. If you don't like it, start your own longest text ever. Anyway, I promise to go back to my usual routine the next time I rant here. I thought of a topic on the way home, but forgot it. Seeya. I'm back! I know, I took you completly by suprise. You thought you'd gotten rid of me. *cheesy super-hero voice* Well, fear not, random citizen, for I, PSOPC am here! *normal voice* Today I have a very important to discuss with you in this: PERFECTLY NORMAL PUBLIC SERVICE ANNOUNCMENT. Yes, that's right. It's time to warn you, the viewer...er...reader...about the evils of various stuff. Today's lesson is: subliminal messages . That's right, folks, mass hypnosis via commercials. Now, I'm sure you've at least heard of subliminal messages , right? No? Well...prepare to be enlightened. Subliminal messages are an advertising technique that puts hidden pictures and words into a main image. You don't see them, but your subconsious (dreaming) mind does. Your subconsious mind acts on whatever it is told. What does this mean to you? It means that WAL-MART TV IS EVIL! EVIIIIIIIIIIIIL!!!!!! Why else would they invest all that money to show commercials in their own store? Because they put subliminal messages in them, of course! Subliminal messanging also explains the successes of certain fast-food resteraunts, and brand name items. BEWARE YOUR TOASTER OVEN! Okay. That had nothing to do whatsoever with subliminal messages...it's just cool to say. Anyway, only watch wal-mart if you WANT to be subliminaly entertained into purchasing a new set of TUPERWARE, even though your old set is PERFECTLY fine. This has been a public service announcment. Pretty cool, huh? Uh...you don't have to take the subliminal stuff seriously. It's true, and all, but I have no proof about wal-mart, or certain fast food resteraunts. It makes sense, though. Wal-mart TV is evil. You cannot deny it. Seeya...hmmm..I wonder if there's subliminal stuff in my computer...I'm back. And I feel that it's time for a FAKE commercial break, for the highly informed, obviously brain-dead consumer. And now, a word from our non-existant sponsor. Ketchup: The only food that you'll want to eat after traveling to the 5th Dimension. It's been practically proven that Ketchup transforms into a highly intoxicating (non-addictive) delicious substance upon returning from the 5th Dimension. Stock up now with our Valu-Pak to recieve 3-metric tons of Ketchup, all for the low, low price of your brain, since you're obviously not using it anyway. Then, just wait for technology to "catch-up" (get it, catch-up, Ketchup?)so you can travel to the 5th Dimension like our scientists almost did. (Next Commercial) Get ready fo: Faux's new "reality" TV show, "How Low Can We Go?" It's about six contestants who compete to create the worst, least likely "reality" TV show. The winner not only gets the million-dollar prize, they get the chance to produce the show they created. Remember: if the show sucks, it's their fault, not ours!(Next exciting commercial!)And for all the idiots out there: Try new and improved Dum-B-Gon! Dum-B-Gon stimulates brain activity, making you up to 10 times smarter! Not only that, Dum-B-Gon: stimulates weight loss, cures "any" illness, does simple houshold chores, never leaves the toilet seat up and is the perfect gentle companion for your kids. How can you pass up this revolutionary new product? It's yours for only 3 bi-monthly payments of $3.95 ($3,95,000 on days ending in "y")Don't forget, Dum-B-Gon is practically guaranteed!* (*Not a guarantee) (Next commercial)Have you ever wondered why food sometimes goes bad in your fridge, even if you've only had it a few years? It's because of the "evil little faeries with sharp little teeth." These "faeries" sprinkle your food with highly toxic "age dust" and ruin a perfectly good four-year-old meatloaf. How do you stop them? With our patented "spray". Our "spray" kills over 99.9% of "faeries" (which are much to small to see) Our "spray" also kills most disease causing agents, like rats, or pigeons. WARNING: Leave food sit in an open, well-venilated spot for a week before eating. And now, back to our featured presentation. Wasn't that semi-entertaining? I bet you wanna go eat some Ketchup covered Dum-B Gon right now, while watching "reality" TV. Just make sure you "spray" your food first. Pathetic, wasn't it? Oh, well. I was bored, and a dilligent reader suggested I make fake commercials, so...therer they are. Happy? Good. I'm leavin', for now. I'm back. And I'm willing to enlighten you, the potentially you-know-what reader. Today, I was checking out some weird news. At one point, I read an article that stated that it had been proven, conclusivly, that Kansas was flatter than the standard pancake. The researches even used highly advanced technololgy to map the surface of a pancake and compare it to documented geology of Kansas. Some people disagree, the director of the Kansas Geological Survey said "I think this is part of a vast breakfast food conspiracy to denigrate Kansas. It's a cheap shot." So...doesn't that make you want to take Kansas' side (I sincerly appologize if you are from Kansas). It just seems extremly weird (and worthy of mentioning) that this semi-important guy from Kansas believes in a "vast breakfast food conspiracy". Makes you think that the long held belief that Kodak conspired with the JFK assasin(s) is normal. Another article claims that an anitseptic turned a polar bear purple, drawing large crowds of people. I sure hope other zoos won't copy them. Before you know it, we'll have orange alligators, pink tigers and blue lions. School children won't be able to correctly identify the color of a zebra. Random people will think they've gone crazy, after a seemingly innocent visit to the zoo. It's wrong, I tell you. A complete and total degregation of our societies values. What values, you say? The basic moral belief that Polar bears should be WHITE. Unless we spray-painted the snow purple, too. Then it would be okay. As long as the bear blends in, you know? Speaking of animals, there's a cat in California who is a kleptomaniac (likes to steal stuff). He sneaks into neighboring homes, and takes clothing, wrapped christmas presents, and anything he can find. He then leaves them under his owners car. Okay, better leave. I'm back. And I don't really have a topic today. I'm just bored. Sometimes I just do this, you know? Start typing without any idea about what it is I intend to say. Maybe I subconsiously DO know what I'm doing here, but refuse to admit it to myself. Or maybe I am monumentally bored and don't have anything else to do at the moment. Either way, I'm here. You must be pretty bored, too. Otherwise, why on earth (beta, krpto, zkdjf, Planet X, whatever) would you be here? It would make no sense. If you have something better to do, why wouldn't you be doing it right now? I would be. But, maybe that's just the difference between you and me. Yeah. That must be it. Unless you're bored. Then I completly understand. I need to find a topic. Here, topic, topic, topic! Come on, I won't hurt you, I promise! *hides large ax behind back* Come here, topic! Why are you afraid of little ol' me? *sigh* There are no topics anywhere near me. Kinda like me and "Meg" webcomic we are trying to do. It's called Hit-Or-Miss, any topics, plot, etc. are completly accidental and are not the fault/responsibility of the creators. That was sort of a topic, even though it was sort of random. Which is what I do best. Okay, I'm done with that litte commercial. What now...hmmmmm...should I share with you more of my paranoid/delusional conspiracy theories? Or have I been doing that too much lately? Oooooo! I know, I'll start of list of why it's fun/good to be insane/weird! #1You can say or do anything and normal people will agree with you in the hopes that you'll be satisfied, shut up, and go away. Far away. I will show you an example with this completly true stuff that I experienced several years ago. ME: My vicious, psychotic, flesh-eating bunny-rabbit wants to rule the world. RANDOM PERSON: Uh-huh, that's nice. ME: Yeah, but I told her that she'd be a terible ruler. I mean, she traded Asia for a carrot! And she doesn't even LIKE carrots! RANDOM PERSON: You don't say? ME: Yep. She also is the goddess of red jello. RANDOM PERSON: *head explouding from sheer insanity* As you can see, I was a very weird child (this happened in elementary school...uh...except for that head-explouding part). Okay...on to: #2 You can get out of practically anything by saying: a)It's against my religion b)I'm allergic to that. c)I have an extremly irrational fear of that. d)I already did that in a past life and it sucked. e)My psychotic bunny predicted I'd die doing it. Unfortunalty, several of those reasons LEGITAMITLY apply to a certain activity I do every Tuesday, which WILL NOT BE NAMED HERE LEST I GIVE IT POWER OVER ME! I'm allergic to parts of it, have irrational fears about others and I'm pretty sure it's against my Jenny religion...along with eating mashed potatoes, or potatoes of any kind. I'll add that to the FLAMING CHICKENS HANDBOOK. Thou shalt not eat spuds. Hmmmm...time for #3You can obsessive over ANYTHING, and people will think nothing of it. I, personally, am obsessed with, kitties, bunnies, bats, this website, drawing, making intriate little patterns with strings, doing mildly repetitive activities, being weird, apparantly making lists and cheese...and chickens...and flame. Fire is good. Fire is free. Fire is my friend...until it burns me. Then it must die...painfully. And on to:#4You make your friends look normal in comparison. And #5: You can give each of your pets several weird names such as: Ringling-Raison-Bailey-Suzana-Midnight-Schultz, Squirell, Moose, Moose-Moose, Moosey-Moose, Linzey-Moose, Muffin, Squirell-Muffin, Yabby-Doodle, Abby Normal, Wiggle-Baby, Wiggle-Muffin, Witle-Baby, Cheese-Monkey, Muffin-With-Squirell-Juice, Squirell-With-Muffin Juice, Moosey-Juice, Squirell-Monkey, etc. Now, wasn't that a fun list!? Doesn't that just make you proud to be weird? I should make bumber stickers saying that. Proud to be weird. It'd be cool. Anyway, gotta go! *yawn* I'm back. Last night I was super-charged with lots of sugar and not a lot of sleep. I ended up writing things during the time of night when EVERYTHING is hilarious, including the word sheep. To compound things, I wasn't alone, and things just escalated. The following is everything I wrote during that sugar-coated time period. Some are answers to e-mails, the rest are just stuff I wrote.

Definitly. THen we go to library. Guess what? Me and Josh ate lots and lots of sugar, and it's late at nite and everything is funny but we can't laugh 'cause everybody is sleepin' so it's even funnier but ever since we drank the water we sobered up even though we weren't drunk but we ate sugar...lots and lots of sugar. MOstly donut cake. Okay. JOsh says it was only one piece of cake. WE got it at Wal-mart. Or his mom did. OR something. Goodbye..

#long post

20 notes · View notes