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#because surprise surprise everyone is unique with their own ideas on the world so showing different opinions isn't a bad thing
vilevenom · 2 days
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This bad boy is dedicated to @em-doods, because her adorable sketches of Hickory and John Dory meandering through the woods 100% are the reason I wrote this. (She also helped push me through a rather rough patch I had while writing the first bit, so a super extra special thank you there!!)
If given the chance I will write Hickory and John Dory getting together in every conceivable fashion. In this fic, they go camping.
Enjoy!!
"I've never been campin'."
"What?!" John stared wide eyed at Hickory, who looked somewhat bashful at his admittance.
"Well, I mean…I've been campin', but not, y'know, camping," Hickory unhelpfully tried to clarify while John Dory continued to stare at him in disbelief. He sighed, scratching at his cheek as he tried to think of a way to better explain himself. "Dickory an' I would need to camp out once in a blue moon, y'know, when we were out on a hunt. But it was never the kinda campin' where you get to roast marshtatoes or go swimmin'. It was just basic survival."
"Well, I can't let that stand," John said, smacking the table they were sat at with gusto, making Hickory jump. "No way. Camping, proper camping, is one of the best experiences in the world! I don't think I can let you go another second without experiencing the wonders of camping."
And that was how Hickory found himself staring out Rhonda's front window as John drove her into wilderness unlike any he'd seen before. The troll kingdoms were beautiful and unique in their own ways, but this place was truly something else. Rhonda ducked under gnarled branches and crawled through twisting vines, with John confidently at her helm, a broad smile on his face as he described to Hickory where he was taking them. The Neverglade trail, apparently, had all of the best camping spots, and he knew just the one that Hickory would enjoy.
Hickory felt like he was going to be sick, though he plastered a pleasant smile onto his face and nodded along every time John glanced at him while he excitedly spoke about where they were headed. It wasn't that Hickory didn't want to go camping with John. Oh, no. It was the exact opposite, really. He'd been looking forward to this trip since John had declared they were going a few days prior. It was the fact that it was just the two of them. Alone. Together. It made Hickory's heart jump into his throat and his palms sweat.
Thinking back on it, Hickory came to realize that he and John Dory had only really known each other for a handful of months. They'd met when Hickory had gone to Pop Village with the intention of visiting Poppy and Branch, only to find the royal couple surrounded by a group of trolls quickly revealed to be their siblings. Swiftly, Hickory had been introduced to all of Branch's brothers, and Poppy's sister, all while beginning to feel a touch overwhelmed by the new mix of personalities. Not quite sure what to say or how to act, Hickory began to flounder, when one of Branch's brothers had tugged him aside with an easy smile.
"We're a lot, huh?"
"I mean, I dunno if I'd say that, exactly," Hickory had started to demure, only to grunt in surprise as John Dory slapped a hand to his back with a guffaw.
"You don't need to be shy, man. We all know we're a lot. Big personalities," John had reassured, sliding his hand up to rest on Hickory's shoulder. "I know you're here to visit with Branch, but how about we get out of here? I happen to know that everyone else will be buggering off here pretty soon, so you'll have a chance for some one on one time with him and Poppy, but probably not for a couple hours. You can show me around town? I assume you've been here before. I've been here for a whopping three days, so I have no idea where anything is."
Hickory hadn't even realized his shoulders had been tense until they began to relax as John spoke to him. He let a slight smile curl his lips and gave a little nod. "Yeah. I can do that," he easily agreed, tucking his thumbs into his belt loops as they began to walk away from the cluster of trolls.
They'd spent the next couple of hours getting to know each other, and, quite frankly, Hickory couldn't help but to be charmed. John Dory was brash and confident in a way that made him laugh, but was also, somehow surprisingly, incredibly kindhearted.
As they were walking through town, a couple of young trollings had dashed in front of them, only for one to trip and fall directly in front of John Dory. Hickory had fully expected John to, perhaps, help the trolling up and for them to continue on their way, but instead he'd crouched down to the child's level to make sure they were okay. When it was revealed that the trolling had a scrape on their knee, John dug into his hair, pulled out a band-aid, and applied it to the injury without batting an eye. Hickory then watched in amusement as John scooped the kid up into his arms and spun around while theatrically wondering where the trolling's friend could have gone. They, of course, had been right behind John, giggling manically as the teal troll continued to spin and pretend he couldn't see them. Finally, he placed the injured child down, and the two all but begged John to go play with them.
"Sorry, I can't. See this guy behind me," John thrust his thumb over his shoulder towards Hickory, who gave them a little wave "He's my tour guide. And I can't just let him go on touring by himself."
The children whined at him while Hickory chuckled at their antics, but John ultimately encouraged them to continue on with their game, which they reluctantly did when it became obvious that John was just this side of too stubborn for them to persuade.
"That was mighty kind of you," Hickory hummed as they began to walk through the village again.
"Hm? Was it? I dunno," John said with a self depreciating little laugh and a shrug of his shoulders, "Just seemed natural to me. But, that probably comes from being the oldest of five. Lots of bumps and scrapes to take care of when they come running to you for comfort."
Hickory decided to side-step the comment about John's brothers going to him, rather than their parents. He was sure there was a story there, but it sounded like one for another time. "So…Yer the oldest brother, huh?"
John snorted, shoving Hickory playfully with an sheepish grin. "Yes. What's it to ya?"
"Not much. Just didn't much figure Branch havin' a silver fox for a siblin'."
"Silver-?! I am NOT that old. Do you see any grey hair here?!" John huffed, puffing out his chest and pulled his goggles up to show off his very teal roots, earning a laugh from Hickory. "If you must know, Branch is about fourteen years younger than me. The rest are all in between."
"Ah, can't remember with yer ancient brain? Ya need help rememberin', old man? I can always go find one of yer brothers, if ya need assistance."
"That is just uncalled for," John sniffed, looking affronted. Hickory worried for a moment that he'd taken a step too far in his teasing, when John snorted and deflated a bit. "I am getting old, aren't I?"
Hickory clicked his tongue, quickly realizing he had hit a nerve, but not the one he'd thought. "John, if I may, an' if my math is right, yer only thirty-eight. That ain't that old," Hickory reassured, offering a warm smile to the teal troll, "Yer only a few years older than I am, an' I certainly ain't old."
"Oh, yeah? And how old is the whipper snapper?" John joked, obviously lightened a bit by Hickory's reassurance.
"Thirty-two."
"Ah, you're between Clay and Floyd," John hummed, though the comment was obviously directed more towards himself.
Their conversation ebbed and flowed easily as they continued to walk through the village, Hickory occasionally pointing out landmarks or buildings he knew, while John Dory made comments here and there about how different the village was from the tree he's grown up in. He also made a point to let Hickory know that he'd obviously need to get another tour through town, what with his poor old memory not being quite what it used to be. Hickory was fairly certain he'd never had such entertaining conversation with another troll.
Eventually, they wandered back to Branch's bunker, where John bid Hickory adieu with a rather ridiculous and dramatic bow before going on his way, while Hickory descended into the bunker to have his intended visit with Branch and Poppy.
Their catching up truthfully didn't get very far before the topic of the royal couple's recent adventure and estranged siblings came up, and Hickory mindlessly blurted out, "So…what's yer brother like?"
"…which one?" Branch said with a snort, arching an eyebrow at the ex-bounty hunter.
"John Dory."
Branch seemed to think for a moment, while Poppy gave Hickory an awkward smile. "He's an obnoxious, self-centered know-it-all."
Hickory blinked, quite taken aback by Branch's opinion of his brother. "Really? I never woulda guessed that by the way he was actin' today…"
"Well, to be honest, he may be my brother, but I don't really know him that well. We haven't seen each other in twenty years, but that's the impression I've gotten of him so far," Branch said with a quiet sigh. "He'll be staying in Pop Village for a while, since Floyd is recovering. Maybe if I give him some time, my opinion will change? But, that's what I've got for now."
Hickory hummed thoughtfully, and decided he would give it some time, as well. He bounced back and forth between Lonesome Flats and Pop Village over the next few months, and never once did John Dory give Hickory the impression of being self-centered, nor did he ever become obnoxious. In fact, he continued to prove the exact opposite. Nearly every time Hickory visited, John was with Branch, Floyd, or both, supporting his younger brothers in whatever they might need. And whenever Hickory made himself known, John offered to make himself scarce so Hickory could visit with Branch unimpeded. Eventually, however, Hickory had to reveal that he'd been intending to visit John the entire time, and that had been something of an awkward chat in and of itself. The sheer surprise that had shown on John's face when Hickory admitted that he wanted to spend more time with John had certainly made his heart twist in an unexpected way.
In the end, the longer Hickory spent with John Dory, the more he seemed to develop a rather inconvenient crush on the teal troll. Especially when he did things as sweet and thoughtful as remembering Hickory had casually mentioned once that he had a soft spot for a particular cupcake made by one particular stand in the market, but he was never early enough to get one. John had presented one to Hickory with a proud little grin on his face the next time the country troll visited. Or the way he obviously thought about Hickory even when they weren't together, as on one occasion when he'd trotted up to Hickory and presented him with a rather fancy looking silver belt buckle emblazoned with intricate little flower patterns. He'd said he'd picked it up in his travels and was going to toss it away, but perhaps Hickory would like it, instead?
Now, most trolls would probably consider such actions to be relatively basic indications of friendship. However, Hickory had had so few friends, or trolls who cared for him (and not a character he and his brother created) that he couldn't help but feel special when John gave him his undivided attention. And he had a sneaking suspicion that John Dory was much the same.
He mentioned the incidents to Poppy and Branch the next time he sat down with them to chat, the former of whom cooed happily at the revelation, while the later gagged quietly.
"I…I think he's got my heart all a flutter. What do I do?" Hickory asked, head in his hands where he sat at Branch's kitchen table. He felt like a little kid, telling his friends about a crush he had on some troll well out of his league. He felt especially foolish that said friend was his crushes younger brother, who was watching him with a wrinkled nose.
"Why are you asking me? At this point, I'm pretty convinced that you know JD better than I do," Branch said with a slight grimace.
"Oh, that's so cute," Poppy gushed, waving her hands at Hickory as he glanced up at her with a long suffering sigh. "Don't give me that look. It is! I've seen you two walking around town together."
"We certainly get along like a house on fire, but I don't know what to do. I haven't done this in a while. Least, not properly," Hickory sighed, slumping onto the table they were sat around.
"I don't know, man. Talk to him about camping? That seems to be one of his favorite things," Branch offered with a shrug. "Maybe that'll help lead the conversation into something?"
And Hickory had, which did indeed lead to this whole escapade in the first place. Perhaps it would allow him the opportunity to talk to the teal troll about his feelings. If he could work up the courage to do so, that is. Especially with the discouraging little voice in the back of his head that kept telling him that if the conversation went south, he was either going to be left in the wilderness on his own, or have a very awkward trip back to Pop Village.
"How much further are we gonna haveta go to get to this mysterious campin' spot a' yers?" Hickory asked, arching an eyebrow as John turned Rhonda down yet another trail.
"Oh, not too much further, I don't think," John hummed with a smile, shooting Hickory a wink that made the ex-bounty hunter need to immediately step away to try and hide the blush that bloomed across his cheeks.
They drove in relative silence for a few more minutes, before John finally pulled Rhonda over, and Hickory managed to calm himself down enough that his cheeks were no longer enflamed.
"Here we are!" John declared, as he spun the drivers seat around to grin widely at Hickory, who offered a slightly mollified one of his own. "Now, grab your gear, we've got a bit of a hike."
"Wait, this isn't where we're campin'?" Hickory asked, watching John pull an overstuffed backpack with a sleeping roll tied to it from atop his loft bed.
"What? No, of course not. You can't get a full and proper camping experience if we're staying in Rhonda. That's, like…'glamping', or whatever. No, if you want a proper camping trip, we gotta hike a bit further in and set up tents!" John exclaimed excitedly, pulling the straps of his bag over his shoulders.
"If ya say so," Hickory said with an awkward chuckle, grabbing his much smaller bag and sleeping roll from where he'd stashed them and following John out of Rhonda.
"Now, you be a good girl," John cooed at Rhonda as Hickory stepped up behind him, "There are lots of berry bushes here, so there's loads to eat. You make sure you're back here in a couple of days, okay?" Hickory watched in amusement as John half wrapped himself around the armadillo bus's face in the closest approximation of a hug as he could get as she churred at him happily.
"Y'sure it's okay t' just leave her here?" Hickory asked as they began to walk away, the ex-bounty hunter shooting Rhonda furtive glances the further away from her they got.
"Oh, yeah. She's a good girl. Even if she's not there when we get back, she usually comes when I call, or we'll just need to wait a day or two when we get back," John reassured, as Hickory watched the energetic bus dart off into some bushes.
"…right."
And so on they went, Hickory diligently following along behind John, until he inevitably got distracted by the massive trees and flora they were hiking past. To the rather unfortunate point where John disappeared beyond a bend before Hickory had even realized he'd been left behind.
"Hey, John, have ya ever-" he'd begun as he turned from staring at a large, drooping orange flower, only to find himself completely alone. "…John?" Hickory tentatively took a few steps forward, glancing this way and that to see if he could spot the teal troll, without luck. "Sugar," he grumbled to himself, unsure if he should proceed forward, or wait to see if John would notice his absence and turn back around to find him.
Just as he turned to sit himself beneath the flower he'd gotten distracted by, a rustling in the bush startled him into pulling a knife from his pocket and brandishing it with a snarl on his face. John had warned him, at one point on their drive here, that wild critters of all shapes and sizes roamed the Neverglades, and that he should be wary of being snuck up on, lest he be eaten. John had said it like it was a joke, but Hickory had noticed the scars John's fur hadn't quite fully grown over. He had no doubt there were plenty of critters who would like nothing more than to get a taste of troll out here, and he was not eager to give them said taste.
So, he stood his ground and waited, until finally John Dory came stumbling out of the brush, leg half tangled in a bramble.
"There you are!" John laughed, shaking the bramble off his leg as Hickory quickly tucked his knife back away, "I turned around to point out some funky looking moss and you were gone."
"Sorry 'bout that. Got caught up admirin' this here flower," Hickory admitted abashedly, gesturing vaguely over his shoulder.
"No worries, man! Just gotta make sure I keep a better eye on you," John chuckled, reaching out and unexpectedly taking Hickory's hand. The country troll felt his cheeks heat up, but luckily John had turned to start tugging him along down the trail, and so missed it entirely. "Don't want you getting lost on me!"
"No, no. Don't wanna get lost," Hickory muttered mostly to himself, his gaze stuck pretty strictly on their clasped hands now, rather than the gorgeous scenery they were walking past. Occasionally John would point something out to Hickory, which would pull the country trolls gaze up for a short period of time, before inevitably trailing back down to their hands.
John didn't let go until they reached a rocky path that lead up what most creatures would probably consider a small foot hill, but was nearly the equivalent of a mountain to the two trolls. The path wound up along the side of the hill, and was only just wide enough for them to walk up one at a time. Hickory did his best to hide his disappointment as John let him go and began to trek up the hillside.
"C'mon! If we're where I think we are, there's a great spot at the top of the hill where we can stop and have lunch," John said, glancing back at Hickory with a bright grin.
"Alright, I'mma comin'," Hickory chuckled, shifting the pack on his shoulders and following along after John.
The two managed to make it about halfway up the hill when they came across a slightly wider spot on the trail, overlooking a rather picturesque little area of the Neverglades.
"Too bad there's not more of a plateau here," John lamented as Hickory stopped next to him, "This would be a great spot to stop for lunch."
"Yeah. S'real pretty," Hickory hummed, turning to look out at the view.
"Wish I'd brought my camera," John added with a despondent sigh, "But I left it in Rhonda."
"Well, ain't that just lucky for you, then," Hickory said with a smile, reaching over his shoulder into his pack, "Because I just so happen to have brought one along." He pulled a little instant camera out of his bag and handed it to John, who snatched it eagerly.
"Awesome! Say cheese," John said with a grin, holding the camera out in front of the two and snapping a photo. Hickory blinked at the flash that went off, trying to get rid of the little flare in his vision.
"Some warnin' woulda been nice," he groused quietly, rubbing at his eyes.
"Yeah, but then I wouldn't have gotten such a great candid shot," John hummed, pulling the photo free of the camera and waving it slightly. He snorted once the image developed, holding it out to Hickory. "See? Perfect moment."
Hickory wrinkled his nose at the photo, which showed a happily grinning John and Hickory looking like he was, perhaps, about to sneeze. "Yeah. Real flatterin'," he muttered, reaching for the photo.
"Hey now, nuh-uh," John said quickly, pulling the photo back to hold against his chest, before quickly stuffing it into his hair, "This one's mine."
"Aw, come on, now," Hickory grumped, reaching for John's hair, "We can take a better one. You don't need t' keep that."
"No," John quickly took a step back, while shoving the camera into his hair as well, "I like it. It's mine, and you can't have it."
"Don't be childish, John," Hickory sighed, reaching for the teal trolls hair again as John quickly took another step back and snorted.
"Have you met me? I'm the least childish troll out there."
"Mhmm, you keep tellin' yerself that," Hickory chuckled, taking another step after John, only for both of them to freeze at a rather ominous cracking sound that emanated around them. "What was-" Hickory barely managed to get the words out, before he felt his foot beginning to sink as the path beneath him began to give way, and the sound of tumbling rocks hit his ears.
"Hickory!"
The ex-bounty hunter gasped as his footing slipped, quickly scrambling for John's reaching hands. The teal troll had his hair wrapped around some roots that were sticking out of the side of the hill, anchoring him as he grabbed for Hickory as he began to fall.
"I gotcha, I gotcha," John chanted as Hickory managed to grab hold of him, using his hair to pull them both away from the crumbling section of path. Once they were both on a more stable spot, Hickory opened his eyes, which he hadn't even realized he'd clenched shut, to find himself practically nose to nose with John Dory, both of them panting like they'd just run a mile.
"You okay?" John quietly asked after a beat, grip still tight on Hickory as he stared up at him.
"Bit shaken up, but I think I'll be right as rain here right quick," Hickory murmured back, glad that the adrenaline of his near death experience and lack of breath were more than enough excuse for how dark his cheeks must be from their proximity. If he just moved his head ever so slightly, he could kiss John Dory right then and there.
"Good," John's voice shattered Hickory's momentary daydream, a short pat on his shoulder telling Hickory to move away. Which he did, taking a quick step back to give John space. "I think we're close to the top now. I'd definitely say we earned our lunch."
Hickory let out a little laugh, hoping it didn't come off as nervous or anxious. "Well, you certainly did," he said, following after John, "All I did was nearly fall down the hill."
"Yeah, but you didn't," John said, glancing briefly back at Hickory, "Doesn't that also deserve celebration?"
Hickory smiled to himself as he followed after John, mentally telling his heart to shut up as it did a little summersault in his chest at John's words.
They reached the summit of the hill rather quickly after that, not stopping until they knew they were on completely stable ground, neither wanting to risk a repeat incident.
"Here we go," John sighed as they reached the top, swinging his bag off his back, "This looks like a great spot to stop for a bit."
Hickory let out a little whistle as he also set his bag on the ground, turning in a small circle to take in the views. "It's a mighty nice spot, that's for certain," he hummed, only turning back to John when he heard the tell-tale click of his camera. He snorted a quiet laugh, arching an eyebrow at John as he pulled the photo from the camera and began to wave it in the air. "Whatcha got there?"
"Memories," John stated, a little smile curling his lips as the photo developed.
Hickory felt his heart skip a beat at the look on John's face, before he cleared his throat and stepped over to take a look at the snap shot. It was a bit of an odd angle, obviously taken hastily while Hickory had his back turned, but it was a nice photo all the same. The rolling hills and vast trails stretching out into the distance could be easily seen just past Hickory's shoulder.
"S'not a bad shot," the ex-bounty hunter hummed, reaching for the photo, only to find it disappearing into John's hair to join the previous one.
"Sure is," John said with a cheeky grin, before turning to start pulling a blanket and some food from his bag.
"Cheeky," Hickory laughed, joining John on the blanket once he had it all rolled out.
They ate in relative silence for a bit, simply enjoying each others company and the view, until the camera came back out of John's hair.
"I regret givin' that thing to ya," Hickory snorted after John snapped a photo of him while he was about to take a bite of his sandwich.
"You can't blame me for wanting to document your first camping trip," John said, sticking his tongue out at Hickory, who simply rolled his eyes and continued to eat, "It's a big deal, y'know. You're trying to start fresh, try new things, be a different troll from who you once were. Taking these baby steps, even just going on a camping trip for fun, it's a lot. You said it's something you've never done before, right? You should have something to remember it by."
Hickory stared at John for a long moment, a slow smile working its way across his face. "Why, that's real sweet of you, Johnny." His smile widened into a cheshire grin as as he watched John's cheeks darken at his comment.
"Shut up," John grunted, a smile betraying his grumpy tone as he flicked a small rock at Hickory, who easily dodged it with a laugh.
They finished up their meal while chatting amicably about the trail thus far, with John animatedly regaling Hickory with stories about the first time he came up this way, long before he'd had Rhonda. He admitted it was part of the reason he'd wanted to bring Hickory to this particular spot, as it held a certain amount of nostalgia for him, since it'd been one of the first spots he'd stopped while exploring the trails.
"Ya certainly do got a lot of good memories out here, dontcha?" Hickory hummed as they packed up their bags, a soft little smile on his face as he listened to John hum to himself while retying his bag shut.
"Sure do," John chirped, before pulling the camera from his hair again and walking over to Hickory.
"Aw, what now?" Hickory snorted, somewhat wary of the camera, now that he knew John was going to take every opportunity he could to snap unflattering photos of him.
"Nothing. Come here," John said, turning Hickory so his back was to the view. He opened his mouth to protest as John stole his cowboy hat and set it aside, only to snap it closed as John wrapped an arm around his shoulder and tugged him down into his shoulder. "There. Plenty of warning this time," John chuckled, cheek practically pressed to Hickory's, "Say 'cheese'!" He held the camera up and the flash went off. Hickory blinked to get ride of the afterimage, rubbing at his eye in mild irritation as John pulled the photo from the camera. "Nice," the teal troll hummed, a warm smile curling his lips. After a moment he offered it to Hickory. "You can have this one, if you want."
Hickory took the photo with mild suspicion, knowing full well the caliber of photo John had been taking thus far, only to be pleasantly surprised by what he saw. John was grinning widely in the photo, his arm blocking the lower left corner of the frame, while Hickory looked a little dazed, with a slightly crooked smile on his own face, and his cheek squished against John's. In the background over John's shoulder the spectacular view from the top of the hill could be seen, with the sunlight speckled across the trees at just the right angle.
Hickory was pulled from his admiration of the photo by John chuckling practically in his ear, just over his shoulder, pack already strapped to his back and bouncing on his toes. "You struck speechless by my excellent photography skills?"
"Somethin' like that," Hickory said with a quiet laugh, carefully tucking the photo into the inside pocket of his vest before scooping his hat up from where John had set it and slinging his pack over his shoulder. "Let's get this show on the road, shall we?"
The trek down from the hilltop was far less perilous than the trip up had been. To Hickory's great disappointment, John did not take his hand again once they'd reached the bottom, and in what felt like no time at all, John lead them to what he declared would be their camp site. It was a rather sizeable clearing, with bushes and tall grass most of the way around it, with only two trails leading away from it, aside from the one they'd come down to reach it. John explained that one lead to a little lake they could go swimming in, while the other lead further into the Neverglades.
"Alright," John declared, dropping his pack onto the ground with a thump, "Did you bring a tent?"
Hickory flushed, setting his own bag down more gingerly. "'Fraid not. Not gonna lie, I thought we'd be stayin' with Rhonda," the country troll admitted, with a slight shrug of his shoulders. "But, it wouldn't be the first time I've slept under the stars, so I'll be just fine."
John scoffed, rolling his eyes as he began to unpack his bag, tossing tent pegs and ropes onto the ground in front of him. "Don't be ridiculous. My tent is plenty big enough for two. Besides, you never know what critter might come across camp in the middle of the night. A tent gives us at least a bit of cover."
"Ah," Hickory's brain froze for a moment, the idea of being tucked up close to John in a tent sending a little shiver down his spine. "Uh, yeah," he cleared his throat, ducking his head so the brim of his hat would hopefully hide the blush that was yet again creeping across his cheeks, "Yeah, that'd be right as rain."
"Good," John grunted, pulling folded up tent poles from his bag, "Well, since that's settled, how about you start setting up a spot for the fire while I put up the tent?"
"Sure thing," Hickory said with a quick nod, turning to wander around the camp site to pick up some stones to mark a space for a small fire pit. He paused and glanced up when he heard the soft, tell-tale sound of a pile of fabric hitting the ground, fully expecting John to have tossed the tent from his bag, ready to offer his help once again, only to bite his tongue at the realization that it was his jacket that John had tossed aside. The teal troll was busy setting up the tent poles, a little frown of concentration on his face while he worked, completely unaware of Hickory staring at him from across the clearing. "Sugar," Hickory breathed, jerking into motion quickly as John glanced at him from where he was working.
"Hey, how about, after this, we go for a swim."
"A swim?" Hickory echoed, tucking a rock into the small collection in his arm while turning to arch an eyebrow at John, only to nearly drop them all at being presented with John leaning against one of the erected tent poles, a little smirk on his face and sweat beading on his brow.
"Yeah! It's kinda humid today, and setting up this tent is making me sweaty. I think a pre-dinner swim would be nice, don't you?" John said with a little laugh, shoving himself off the pole to start gathering the fabric of the tent up from the ground. "Work up a bit of an appetite before we eat."
Hickory swallowed thickly as John tossed the fabric over the tent frame he'd set up, his brain taking a moment to catch up to what was being said to him. "Oh! Yeah! Yeah, that'd be a right fine idea," he agreed, shaking his head quickly to try and get his mind off of the sweaty, half naked troll across from him. "C'mon, Hickory. Get yer act together," he grumbled to himself, walking to a spot he thought would be good for the fire and dropping his collection of rocks.
"I think you might be too close to the tents."
"Sugar, honey an' iced tea!" Hickory exclaimed, whipping his head in John Dory's direction, who grinned sheepishly at him.
"Sorry. Didn't mean to catch you off guard. What's got your head in the clouds, anyway?" John asked, propping his hands on his hips and tilting his head at Hickory, reminding the country troll of a particularly adorable cuddle pup.
"Ah, y'know, just , uh, doin' a mental checklist. Tryin' to remember if I brought my swim gear," Hickory offered with an awkward little laugh. "Sorry. What were ya sayin'?"
"Even if you forgot yours, you can always borrow mine. I don't mind swimming in my regular shorts," John offered with an easy smile, "And I was just saying that I think where you're setting up the fire might be too close to the tents."
Hickory looked between where John had most of the tent set up, barring the tent pegs being hammered into the ground, and the pile of rocks he'd dropped on the ground to find that he was, indeed, just a bit too close. One good breeze in the wrong direction could carry embers onto the fabric. "Oh. Beggin' yer pardon," the country troll apologized quickly, bending to pick the rocks back up, "I really was too lost in my own head just then, wasn't I?"
"Hey, happens to the best of us," John laughed, shrugging a bit. "Just move it a bit over there," he gestured vaguely away from the tent, "And it should be fine. I think I saw a decently sized stick over there, too. We can move it into the clearing to sit on later, by the fire."
Hickory nodded, dropping his rocks where John had gestured. "This whole campin' for fun thing is turnin' out to be a lot like campin' for survival," he noted, arching an amused eyebrow at John who snorted and trotted back over to the tent.
"Set up is always a pain. Same with take down. But all of the in between is great," John shot Hickory a charming smile, completely unaware of how it made the ex-bunty hunters heart flutter, before crouching down to hammer in the tent pegs. "Just you wait!"
"Sounds like a plan," Hickory muttered, though he very much doubted he was heard over the sound of the hammer. Which was probably for the best, as he had to shake himself out of staring after the teal troll once again.
In relative short order, Hickory set up his little circle of rocks while John finished up with the tent pegs. He then shoved his way through the brush surrounding the clearing to see about gathering up some wood for the fire they would be building when they got back from swimming. He deposited his selection of twigs, sticks and bark next to his rock circle once he figured he had enough for the night, just as John finished tying off a large tarp above where he'd finished setting up the tent.
"Y'all set?" Hickory asked, trotting up to John as the teal troll wiped his brow with the back of his hand, dislodging his goggles so they sat askew on his head.
"I think so. We're looking pretty good!" John chirped, grinning up at Hickory.
"I'd say so," Hickory agreed easily with a quiet little laugh, reaching out to fix John's crooked goggles. John looked startled by the gesture, Hickory barely catching a glimpse of a dark flush creeping over John's cheeks before the teal troll turned away from him once his hands dropped away. He took a quick step back, watching as John swiftly moved across the campsite to dig into his bag. Intrigued by the reaction, Hickory made a mental note about it for later.
"Did you bring your trunks?" John's voice snapped Hickory back to reality.
"Pretty sure," Hickory hummed, shuffling over to his bag to dig into it and pull out his swim shorts.
"Great! Then get changed, and we'll head down to the water," John said, staring at Hickory expectantly.
Hickory stared right back, slowly arching an eyebrow at the teal troll. "You gonna stare at me the whole time I'm changin', or just for the first little bit?" He snorted quietly as John's face lit up as he turned on his heel to face away from Hickory. The ex-bounty hunter shook his head with a quiet laugh, setting his hat aside and quickly changing into his swim trunks. He then dug into his bag and pulled out the beach towel he'd packed, draping it over his shoulders as he cleared his throat. "All set. You gonna change, too?"
"Nah," John hummed, glancing at Hickory over his shoulder, though he did pull off his goggles and glove to toss them into the tent. "I'm just gonna go as is. These shorts are already sweaty and dirty, may as well sorta wash 'em by swimming with them on."
"All right," Hickory chuckled, stepping up next to John, "Lead the way, then."
And so John did, after grabbing his own towel from his belongings. The path down to the lake was relatively short and straight forward, but John seemed to take pride in leading Hickory around, so he diligently followed along with an indulgent smile on his face. The lake itself was relatively small, as John had already mentioned, but that didn't make it any less picturesque than the rest of the Neverglades had been thus far. The shores were soft slopes of jutting rock and densely packed dirt, surrounded by drooping trees with their branches and leaves barely grazing the water, causing little ripples every time the wind blew. Early evening sunlight was dappled across the surface of the lake, making it sparkle.
"My," Hickory breathed, almost feeling like he shouldn't be there. Like he was intruding on sacred ground.
"It's real pretty, isn't it?" John hummed quietly next to him, "Almost makes you not want to swim."
Hickory opened his mouth to agree with the sentiment, only to jump slightly as John let out a whoop of a shout while tossing his towel aside, before running towards the water. Hickory couldn't contain his laughter as John jumped from the shore as he reached the waters edge, canon balling into the lake with a large splash.
"Well, that's one way to do it, I s'pose," Hickory chuckled to himself, tossing his towel next to John's. He let out a shout of his own once John surfaced further out into the lake, running and tossing himself into the water with gusto. He surfaced to the sound of John's laughter, followed shortly by a splash of water to the face. "Hey now," he laughed, returning the splash blindly, figuring he'd hit his target based on the sound of John sputtering. He wiped water from his face and grinned at finding John coughing and blinking water from his eyes. "That's what ya get for tryin' a sneak attack," Hickory stated, self satisfied smirk on his face.
"I'll show you sneak attack," John grumbled to himself, before launching himself through the water at Hickory with a yell. Hickory let out a startled shout in response, flailing rather uselessly in the water before John tackled him around the chest and dragged him under the surface.
The two tussled in the water like that for some time, with John using any means necessary to try and catch Hickory off guard as they swam back and forth across the lake, waging war with sweeping splashes. Hickory finally called it quits when John tried to use a handful of slimy lake weeds to retaliate against Hickory for managing to dunk him underwater.
"All right, I'm think I'm done," the country troll sighed, pulling an especially long piece of weed from his hair and tossing it aside.
"Aww, but we haven't even been out here that long," John practically pouted, earning a fond smile form Hickory.
"Never said we had to go back. Just that I think the war is over," Hickory hummed, kicking his feet off the bottom of the lake to float on his back. He watched John continue to pout for a minute out of the corner of his eye, before the teal troll began to swim towards the shore. "Where are ya goin'?" he called, turning to tread water with a small frown on his face.
"If you're done," John called back, walking up onto the shore, running fingers through his water logged locks, "I'm gonna work on my canon balls."
Hickory was quite certain that John had no idea the kind of sight he made as he trotted along the lakeside, looking for a good spot to use as a pseudo-diving board. He kept absently running his fingers though his hair, which supplied a steady supply of water droplets that cascaded down over his torso, which Hickory had to fight with every fiber of his being not to watch as they made their way down to the ground. The country troll had never been so happy to be submerged in water as he was just then, letting himself sink so his nose was barely above the surface as he watched John Dory pause at a particularly large rock and nod to himself. The teal troll climbed up onto it and shot Hickory a winning grin once he was at the top, waving enthusiastically, before letting out a bellow and tossing himself into the water. He was completely, stupidly endearing and Hickory knew that if he didn't say something by the end of this trip, he might just go insane.
John continued his cycle of climbing out of the water and jumping enthusiastically back in for some time, Hickory not even noticing that the sun had began to set with how enraptured he was with watching. That was, until the teal troll finally scooped his towel up from the ground instead of running off to his chosen diving rock.
"Hey, it's getting late," John called out to him, gesturing that he should swim to shore, "We should probably go get started on the fire and make some dinner."
"Oh! Right. Dinner," Hickory muttered to himself, before he began to swim back to shore, shivering as he climbed out of the water and a cool breeze swept across the lake.
"C'mon. We'll get a nice big fire going, and get you toasty warm," John said with an easy smile, handing Hickory his towel.
Hickory bit his tongue to keep himself from saying something stupid like 'Or you could warm me up', and instead murmured a quiet thanks as he took his towel and rubbed at his sopping hair.
"I brought some classic camping food," John hummed as he began to lead the way back up to their campsite, Hickory hot on his heels, "Hotdogs to roast over the fire, and marshtatoes for later!"
"Sounds swell," Hickory said with a little nod, draping his towel over his shoulders as they reached the campsite. "By the by, where did ya say that stick was? The one we could use as a bench near the fire?"
"Right! We should move that first," John said as he snapped his fingers, and pointed towards a patch of grass near the tent.
Moving the stick was only a small struggle when they discovered it was actually much larger than they had anticipated, as part of it was buried in the dirt. Luckily, what Hickory lacked in tenting supplies, he made up for in random assorted other items that John, apparently, neglected to bring along. Such as a hatchet. He made rather quick work of hacking into the stick and cutting off the portion John had indicated would make good seating, and if he happened to flex a bit more than he normally would because he caught John watching out of the corner of his eye, well, who could blame him?
The two of them managed to drag the end of the stick over to the little circle of rocks without much trouble after that, and Hickory promptly dropped himself onto it once it was settled where John thought would be the best spot.
"Gonna need to go for another swim, after that," the ex-bounty hunter joked, kicking his feet out in front of himself as John crouched next to the rocks and began to set up the bits of bark Hickory had gathered.
"If there are enough glow flies in the area we can go for a night swim, if you want," John muttered, half distracted as he struck a match and lit the kindling he'd set up. Gently, he blew into the small pile of bark and twigs until the flames began to grow, a proud little smile on his face as he slowly fed twigs into it until it was large enough that he could put a couple of the larger sticks on. Once it seemed like he thought the fire wouldn't need to be babied further he stood with a pop of his knees and a crack of his back, a low groan leaving him as Hickory winced in sympathy.
"That sounded like it hurt," Hickory commented idly as John dropped onto the stick next to him with a grunt.
"Don't get old," John joked, laughing as Hickory shoved him lightly.
"I'll remind ya, since yer memory's apparently goin', that I'm only a few years younger than ya. Yer knees ain't the only ones that make noise when ya stand up," Hickory said as he rolled his eyes. "Anyhow, d'ya really reckon we could go swimmin' at night? Y'don't think that'd be dangerous, with all the critters roamin' around?"
John shrugged, watching the flames as their fire slowly grew. "I mean, I don't see why not. Like I said, there just needs to be enough glow flies so we can see. The stars out here are pretty bright, but it's better if there are glow flies. They're a really good, obvious, first alert system if something is close by."
"Cause they'll fly away," Hickory hummed with a nod, "Smart."
"Yeah. It's something my dad taught me, a long time ago," John sighed wistfully, leaning forward to prop his elbows on his knees, his gaze distant. Hickory took that as his queue to go and fetch the hotdogs from John's bag, as well as grabbing a couple of sticks from their little stash to spear the hotdogs with.
"Here," Hickory gently nudged John in the shoulder with his own, offering the teal troll one of the sharpened sticks as John visibly blinked himself back into reality.
"Oh! Thanks," John chuckled, gingerly taking the stick from Hickory, "Sorry. Sort of zoned out there. Didn't mean to get so lost in thought."
"It's alright," Hickory said with a small shrug, cutting open the package of hotdogs to spear one on the end of his stick, "Happens to the best of us. Mind if I ask what ya were thinkin' 'about?"
"Just family junk," John offered with a little shrug of his shoulders, taking a hotdog of his own and stabbing it a bit more violently than strictly necessary.
"I assume 'bout yer dad?"
John clicked his tongue, a wry little smile turning the corner of his lips. "Yeah. A bit. More about my brothers, though, I guess. I never did this with any of them," he gestured vaguely at their campsite. "I got to go camping once with my dad, and he taught me loads. But none of my brothers got to. And then things just sort of got crazy out of hand, and I never got to take any of them." He paused, sitting up and shooting Hickory an apologetic smile. "Sorry. This is supposed to be a fun trip, you don't need me babbling about family drama."
"I don't mind," Hickory reassured, gently resting his free hand on John's elbow, "Don't got much family, myself, aside from my older brother, an' that's a whole can a' worms on it's own…But, I don't mind hearin' 'bout other folks family. If ya need someone with a willin' ear, I'm always here."
John turned his head to look at Hickory, his gaze almost searching as his brow furrowed slightly. "That means a lot," he murmured, shifting so he could take the hand on his elbow into his own, entwining their fingers together. "I really…I really like talking to you, Hickory. I know we haven't known each other that long, but you mean a lot to me."
"You mean a lot to me, too, Johnny."
John seemed to think for a moment, watching Hickory intently, before he leaned down to prop his stick between two of the rocks around their fire. He then took Hickory's and did the same with it, before turning sideways on their make-shift bench and taking Hickory's hands in his own. He visibly swallowed, thumbs brushing the backs of Hickory's hands, which sent little shivers up the country's trolls spine.
"You okay, John?" Hickory asked, leaning forward slightly with a concerned frown.
"Can I kiss you?"
It was said so quietly Hickory thought, perhaps, he was hearing things. "Pardon?"
John flushed, his ears drooping slightly as he gave Hickory's hands a little squeeze. "Can I kiss you?" he repeated a little louder, gaze fixed on their hands. "I might've been reading you wrong, but I think…I think you want to kiss me, too? It's okay, if you don't. I won't be offended, and we can pretend this never happened, I just…" He lifted his gaze, letting out a little breath, "I really want to kiss you."
"John Dory," Hickory stated, tugging John's hands closer so the teal troll was forced to lean further towards him, "If ya don't kiss me right this instant, I will be madder than a wet hen."
"Can't have that," John chuckled, before tilting his head and pressing his lips to Hickory's.
It was like pop rocks were poured down Hickory's spine, little tingles igniting what felt like every nerve ending as John shifted closer on their little bench so he could kiss the country troll more deeply. Their hands parted from each other, only to slide into hair and cling to shoulders, earning little shivers and soft sighs each time their lips parted for a moment for air.
"C'mon," John breathed after a time that Hickory's mind could hardly fathom, though the world was distinctly darker than it was before he got lost in John's lips. John stood, a hand outstretched towards Hickory in offering.
Hickory took it without hesitation, letting John lead him to their tent, anticipation twisting in his gut, their dinner and plans of swimming long forgotten.
~
When Hickory woke the next morning, it was to a tent distinctly devoid of John Dory. Groggily, he rubbed at his face as he sat up and looked around, finding what he assumed was John's silhouette on the outside of the tent, puttering around their campsite. He grunted as he shoved away the blankets he'd gotten tangled up in during the night and somehow managed to locate his pants and belt, tugging them on quickly before he stumbled into the morning light.
"Good morning!" John's voice was chipper and loud, making Hickory cringe slightly as he finger combed his hair.
"Mornin'," the country troll drawled, squinting against the sun until he found his hat and tugged it on, letting out a contented little sigh. He turned to find John Dory hovering over the fire, poking at what appeared to be eggs cooking on top of a flat stone. "Yer up mighty early."
"Habit," John said with a shrug, "Once the sun is up, I'm up."
"Disgusting," Hickory snorted, earning a light laugh from John.
"Yeah, well, can't be helped," John hummed, grabbed a large leaf and scooping one of the eggs from the stone onto it with a knife. "Forgot to bring plates, so you're going to have to deal with eating off a leaf with your fingers."
Hickory took the leaf happily, trotting over to their stick bench and sitting down. "I think I can live with that."
"Good, 'cause there wasn't much in terms of other options," John snorted, taking up his own leaf and egg before knocking the flat rock off the fire and walking over to the stick to sit as well.
They ate their breakfast quietly, John staring off into the fire, while Hickory let his eyes drift shut, smiling slightly to himself as he let the early morning sounds of the forest wash over him. He felt peaceful and calm, a warm little ember in his chest growing steadily at the knowledge that the troll his heart chose to beat wildly for was sat next to him and felt the same. Or, so he assumed.
"Hickory," John's quiet but serious tone shattered the tranquility of the forest, and drew Hickory from his revere. He blinked and turned his gaze towards John, who was still staring intently into the fire.
"What is it?"
"About last night…"
Hickory frowned, his posture stiffening at the words John spoke. He had to force his fingers to not tremble around the leaf he held. "What about it?"
"It doesn't-…Look, I know I dragged you all the way out here, and I'm your only way home, so just in case," John rambled, speaking without taking a breath, "It doesn't have to mean anything. We don't…If you felt obligated, I'm sorry. We can pretend nothing happened and go home right now, if you want."
Hickory stared John down, absentmindedly crushing the leaf in his hands. "Ya think I'd feel obligated to sleep with ya, just because we're out in the woods?"
"I mean," John flushed, looking up at Hickory, anxiety clear as day on his face, "…maybe?"
"I would sooner stab any troll that tried somethin' that I didn't want, then go willingly off to their tent," Hickory practically growled, before taking a deep breath to try and calm himself down. He closed his eyes and counted to ten, listening as John shifted and squirmed on the stick next to him. "I ain't mad," he said after a beat, letting out another breath.
"You sound like it."
"Only 'cause you implied I was easy."
"Sorry."
Hickory opened his eyes, taking one last deep breath in, before turning his gaze to John once again, arching an eyebrow at finding the teal troll practically curled in on himself in his seat. "This been buggin' ya for a while?"
"I couldn't sleep," John admitted, and upon closer inspection Hickory could see the bags under John's eyes.
Hickory sighed quietly, letting his irritation slowly seep out of him. He reached out, his heart twisting as John flinched slightly at the movement. "I ain't gonna hurt you," he reassured, gently taking one of John's hands in his own, "I'd never hurt ya. John…I was so happy, last night, when ya said ya wanted to kiss me. I've been wantin' to do that for quite a while. Just didn't quite know how to go about sayin' anythin'. I like you, John Dory. A whole lot."
John's posture loosened as Hickory spoke, his hunched position straightening as he unconsciously leaned in towards the country troll. "Really?" he breathed, and Hickory could almost describe his expression as being starstruck.
"I don't have a tendency to say things I don't mean."
Hickory let a crooked little smile settle on his face as John slowly shifted closer to him, turning slightly so he could wrap both of his hands around Hickory's. "I'm so sorry. For thinking I'd taken advantage of you. For implying you would do anything you didn't feel comfortable with. I just thought that, if you didn't want it, or felt bad for me or something-"
Hickory cut him off with a snort of a laugh, shaking his head slightly. "Why on this green earth do you think I would feel bad for ya?"
John blinked, tilting his head slightly. "Uh…'cause I'm a washed up ex-boyband member with a laundry list of family trauma issues and no friends?"
"Who's also mighty handsome, talented, a skilled survivalist, and who seems to be completely blind to the admirers that watch 'im every time he goes to the market?"
"…You think I'm handsome?"
"Not the take away ya should be focusing on here, Johnny," Hickory snorted, rolling his eyes.
"Sorry. Go on."
Hickory chuckled, cupping John's cheek in his free hand. "You think pretty little of yerself, an' that's a real shame. I wish ya could see yerself the way I do."
"And how's that?"
"Like a shootin' star in the night sky. So beautiful an' bright, but burnin' out so fast most folks can't appreciate ya for yer true magnificence," Hickory hummed, enjoying the way John's cheeks darkened, just before he gently tugged the teal troll into a kiss.
They parted with a quiet gasp between the two of them, John looking a bit dazed.
"So…you're my boyfriend now, right?" John asked bluntly after a beat, earning a surprised burst of laughter from Hickory.
"You bet yer bottom dollar, playboy."
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gwydionae · 1 month
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Rewatching through the old X-Men cartoon has reminded me that if Nightcrawler is onscreen for more than 30 seconds and hasn't yet jumped into a sermon, it must be an imposter.
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the-s1lly-corner · 6 months
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Sorry to bother ya again, but my brain is literally on overdrive with this show and this clown who hws beckme my first kin and lives in my head rent free as she quietly sits there with a cup of hot chocolate and a warm blanket like she deserves, buuut
What if the gang found out the reader could abstract at will, including restricting it to certain parts of their body, ooor what if they found out you were a shapeshifter when you accidentally sneeze and turn into Wario or something
TADC cast x reader who can shapeshift!
i have returned from eating my silly dinner (sweet n sour chicken with rice!) it was very scrumptious i went ahead and did the shapeshifter idea since i feel that would be more fun to write (we can pretend they can still shift to mimic an abstracted body shhh) these ones are a little short i hope thats okay!
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CAINE:
its not totally unheard of people getting unique abilities when they enter the digital world, its just not very common (this is a hc!), so when caine found out you could manipulate your appearance he wasn't all that surprised! i think he was more intrigued more than anything, because its not everyday you see something like that! he would be absolutely thrilled if you shifted into him; both from being amused of it and this man probably loves himself as much as someone can
will try to pop you if you mimic bubble, kind of feels bad for a second but your disguise was just so so convincing! say, were you by any chance an actor in your past life in the real world? you totally had him fooled!
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POMNI:
pomni would be a little freaked out, especially if you just. suddenly sneezed and OH! now it looks like you're abstracting in front of everyone! first response is to run away before the transformation is complete, but when she notices no one else is freaking out (ragatha even blesses you!) shes more than a little confused
you offer to demonstrate your abilities to her, but she probably politely turns you down; she understands... for the most part... really its mostly just her trying to become used to the digital world as a whole
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RAGATHA:
ragatha makes sure that you know that she thinks its cool; and as long as you're not morphing into a giant bug shes encouraging you to hone in on that cool power of yours! compliments whatever form you choose for the day
oh? you changed your hair color! she likes it, the new look is amazing on you! oh? you made yourself a little taller and gave yourself some new characteristics! points out nearly every detail shes noticed, no matter how small. ragatha pays attention, ragatha cares
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JAX:
tries to drag you off to the dark side (ie being a menace to the others), whether or not you agree to be his partner in crime and 'use your power for evil' is fully up to you!
makes random requests to see just how far you can take your shapeshifting, usually listing off things at lightning speed to see if you can catch up.. if your shapeshifting takes a toll on you (like lets say it takes energy out of you) he might let up when he realizes how tired and pale you look all of a sudden.. at least for now
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KINGER:
speedrunning to kinger for a moment before i forget this idea but imagine shapeshifting into him and hes just totally confused. leads to him making weird movements and you copying him (he thinks caine added a new mirror in the middle of the room for a solid minute before you break the illusion)
unless you have a set 'base form' hes going to keep thinking youre a new person if you drastically alter your appearance.. which, fair, since i think if you made yourself look unrecognizable, people would think youre a new person entirely. has probably introduced himself to you multiple times before realizing it was you
kinger gets a technical third bullet point but its not fluff. i just remembered the scene from steven universe where amethyst shapeshifts into rose in front of greg. but instead its kinger and instead of rose is queener/queenie. i hurt my own feelings. im gonna stew over this now
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ZOOBLE:
honestly if you look just a mixmatched as them they would be into it and say you look cool. i had an idea that zooble has spare pieces and sometimes switches out their pieces for a new look, so imagine the two of you make matching looks or something, i think that would be cool
otherwise i dont think zooble would treat you any differently than if you were friends and couldnt shapeshift... though... i will admit, they think its funny when jax annoys you and change yourself in order to get him to back off. serves him right!
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GANGLE
imagine she asks you to be a model for her art.. asking you to do different poses as well as different figures so she can better her craft. i absolutely love the idea of gangle being really into art, and this idea is just so cute to me
you have probably shapeshifted into her and pretended to be her when she needed someone to stand up for her... imagine how jarring it would be to see 'gangle' snap back at jax after he does something particularly mean
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aphroditelovesu · 3 months
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Yandere!Stefan Salvatore Romantic Headcanons, please, I love everything you wrote ❤️🔥
❝ 🧛 — lady l: of course! I hope you like these headcanons, I made them in a hurry, but with love! And thank you, I'm very happy to hear that! ❤️❤️
❝tw: obsessive and overprotective behavior, mention of murder and toxic relationships.
❝🧛pairing: yandere!stefan salvatore x gender neutral!reader.
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Stefan is very passionate and shows it in the best way possible. He's the traditional romantic, opening doors for you, holding your hand, and giving you gifts he thinks you might want. He puts you above everything and everyone, always prioritizing his desires above his own. You are very important to him and he will always show you how much he loves and cherishes you.
Stefan always makes a point of sending flowers unexpectedly, just to see your smile light up the room. He also loves writing old-fashioned letters, expressing his deepest feelings and making it clear how much you mean to him.
Besides, he loves surprising you with small gestures of affection, like preparing a romantic candlelit dinner or arranging special outings for the two of you. His dedication and attention to detail show how passionate he is about you. He may not necessarily eat food, but if you are human, he will be happy to prepare it for you.
But if you are a vampire, Stefan will make sure to give you his blood whenever you want. Although vampire blood isn't the most nutritious, he doesn't like the idea of ​​you feeding on other people, of touching them in such an intimate way. He prefers that you feed on animal blood, but he is aware that not all vampires are used to it, so he prefers to give his blood to you.
In addition to the fact that vampires sharing blood is something intimate, much more than any other thing, so it is another way for him to have you.
He strives to create memorable moments and share unique experiences with you, like watching the sunset together in special places or dancing under the stars on quiet nights. He loves taking you out, whether it's to Mystic Grill or somewhere fancier, it's always perfect by your side.
Stefan is an extremely attentive partner and concerned about your well-being, adapting his demonstrations of love according to your needs and preferences. His willingness to make you feel special and prioritized shows how committed he is to the relationship. And you better believe that he's very committed to you.
But he is suffocating. Stefan tries not to be possessive and not hover over you, but... He can't help it, it's his protective instincts screaming at him to never leave you alone. Not with so many threats lurking. What if you were hurt? Kidnapped or murdered? Stefan goes into a frenzy just thinking about it. No, you shouldn't be alone.
He knows it can be suffocating and stressful for you to have him hovering, but that's his nature. Even more so if you're human. Stefan will always be close to you, either by your side or on the lookout, but he will be there and at the sign of any danger you will be taken to a safe place quickly.
Stefan is jealous but he tries not to be too possessive because he knows it's not a healthy thing and if he loses control he could end up hurting you and that's something he would never forgive himself if he did. He usually scares away his potential threats to you but if they are too insistent, Stefan will gut them alive. There is no other option.
He's not a bad romantic partner, he's far from it. But if Stefan succumbs to his protectiveness, his obsession and his vampiric instincts... Nothing good will come of it. You are everything to him and he can't lose you. Stefan can't lose the one person who loves him deeply, the one person he loves more than anything. He can't lose you.
Even if you try to leave him, he will still lurk, like a ghost watching you. Stefan just wants to make sure you're okay and there's nothing wrong with that, right? Just keep your mind straight and give him all the love in the world and Stefan will make up you for it.
He would hate to force you to love him, but that's not off limits.
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wafflesex · 8 months
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Spoilers for Floyd's Stitch Event SSR
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I wrote this all down in a hurry so certain nuances aren't 100% accurate, but this is the gist of Floyd's Stitch vignettes! It starts with Floyd surfing. Azul and Jack tell him it's time to head back to the cottage but Floyd complains about wanting to do an activity that can only be done at nighttime. This is when he gets the idea to make fireworks! He goes to Stitch's spaceship and asks him to turn any excess scrap metal into a fine powder. Floyd: A'ight, time for Dr. Floyd to experiment! This will be yellow and this will be red... Aha~ I did it! I'm a genius~ Stitch: ? Floyd: Are you interested in what I'm making? This is called a "flying jellyfish." Oh wait... what's it called on land again? Ah! That's right. Fireworks, fireworks! D'you know about 'em? (seems to be a reference to Part of Your World: "... What's that word again? ... Streeet~") Stitch helps Floyd make a ton of fireworks. As they build, he tells Stitch about Jade.
Floyd: You know, a long time ago, Jade and I went to the beach to watch the fireworks. Jade's my brother. Stitch: Ohana! Floyd: Hm? Jade's not a flower. He's the same moray mer as me. ("hana" means "flower" in Japanese, so whenever Stitch says "ohana," everyone thinks he's saying "flower") Floyd: Didn't I tell you? I'm a merman. I used to live in the sea before I went on land. Back in elementary school, I secretly went up to the beach to see the fireworks. Dad and mama always used to say "It's dangerous for kids to go alone, so don't go anywhere near the coast." Stitch: GRRR! Floyd: Nah, it's been a long time since merfolk and humans have been afraid of each other. After the sea princess and the land prince got married, merfolk come and go as they like. But little merfolk shouldn't wander close to shore alone because they could be swept away or beached. Floyd: Adults can survive that alone, but not a kid. Anyway, there's lots of shops for merfolk along the coast now. They're like the cottage we built where they stick out into the sea. They sell things like hoodies and accessories. ... My parents have several shops like that. Floyd: Those are for the grownups to go near though, not children. ... But Jade and I used to go to the beach a lot anyway and not tell our parents. I mean, when someone tells you not to do it, you want to do it anyway, don't you~? Stitch: WEHEHEH Floyd: There's tons of rare stuff by the coast. Flying jellyfish are our favorite though. Watching 'em from the sea is the best! They light up like stars on the black water, the reflections are so sparkly... It's like swimming through the nighttime sky! Floyd: Stitch, you came from space, right? You should try swimming in the starry sky then! Even going from sea to land was exciting for me. I'd always be like "What's this?" or "Is that guy really like that?" It would be cooler if I could go to space. I'd get to see even more! Floyd: Are there other aliens in space like Stitch and Gantu? Ahhh, if I say I met an alien on a deserted island, there's no way Jade would believe me. "It seems as if Floyd had a very unique dream," he'd say.
Floyd: So since I'm going back to school soon, make sure you come and play, Stitch, ok? And bring a really weird alien with you! Liiike... an evil genius scientist who created you or a guy with one eye or spies who like to disguise themselves! Something like that. (very obviously a nod to Jumba, Pleakly, and Cobra Bubbles in Lilo and Stitch)
Azul shows up and asks how the firework arrangement is going. He's surprised to see A LOT of fireworks. Floyd: This is the sparkler type Azul taught me how to make and this one is a disc that rotates. But THIS square one is a design of my own!
Azul: Floyd's original fireworks arrangement...? I hope it doesn't spontaneously explode. Floyd: Don't worry, don't worry~ It's made properly with magic.
Azul: Honestly... when he has a "I want to do this" attitude, Floyd's focus is incredible. I hope it can always be like this, especially at work. Floyd: Enthusiasm got me hungry. Can you guys help me carry the fireworks? We'll hide them on the beach and surprise the others~
Back at the cottage, everyone sees all the lights are off. Floyd and Stitch have also given them buckets (I'm assuming to extinguish the sparklers afterward.) They're then led to the beach. Jack: You're not planning on surfing at night, are you?
Floyd: Buuu buuu~ (buzzer sound) The correct answer iiis... this! A large orange firework shoots up into the sky and explodes. Lilia: What a marvelous fireworks display! Floyd, how did you prepare all this? Floyd: Stitch turned the junk parts into a powder~ Everyone: YOU MADE THEM? Floyd: Stitch, bring me the rest of them, ok? Jack: Uwa-! You mean the big pack Stitch was carrying was full of fireworks?! Floyd: Yup~ I wanted to do this at night so I made 'em in my downtime earlier. Grim: Whoa! With this many, we could play all night long! Lilia: These long and narrow ones are handheld fireworks... But what's this square one? Floyd: That's my original one~ You do this and then you put this away-- Goldfishie, gimme some fire! Riddle: Don't go using people like matches. Honestly... There~! Floyd's firework explodes and it's a gentle rain of blue and white sparks and stars.
Everyone: Woooow~!! Floyd: Right? Aren't the reflections of it on the nighttime water pretty? Ace: Floyd-senpai is really freaking incredible~! You're a genius! Can I light one up too? Floyd: Go for it~ Do as many of them as you want. Lilia: Ohh! This sparkler lets off a green color like Diasomnia! Jack: And this one is yellow... Amazing. How did you change the colors? Riddle: This is my first time doing fireworks. So, I just light the tip of this stick on fire? Azul: Inside Mostro Lounge, it's common for us to set up fireworks on cakes and for celebrations. ... So it's refreshing to do it outside like this instead. He then walks over to Floyd who is quietly watching everyone else play.
Azul: Even though you were so enthusiastic about making them earlier, you're not doing a firework yourself. Floyd: Mm, now I feel like watching instead of doing. Azul: I didn't think you were the type to get all sentimental while watching fireworks. Could it be... that if Jade was here, you would do them then? (he has a mischievous smile here, so he's probably trying to embarrass Floyd) Floyd: Why're you talking about Jade? He's probably running the Lounge alone right now so I'm gonna hear a lot of complaints when I get back. I'll hear that instead of "I wish I could have been there~" Anyway, isn't it more fun if he and I do our fun things separately and then come back with souvenirs and stories? If you like those stories, then you'll wanna visit those places. If you don't like 'em, then you won't go. Floyd: Jade is the same as me. With mountain climbing, one day he got hooked on it and started doing it alone. It's always more interesting if we do different things separately from each other. Besides... if we were together 24/7, I think things would be pretty bad between us.
Floyd: In the past, it was common for us to get into big fights and beat each other up. Azul: The way you brothers quarrel truly is ferocious. I was terrified the first time I witnessed it. Floyd: It's been a long time since it's been like that. When we get serious with each other, I know my life's in danger~ Well~ If I have to fight, then I'll do it~ Riddle: HEY, STITCH! GRIM! Don't go fighting with fireworks!
Floyd: Oh, looks like Stitch is having a good time! I'll join in too! Azul: Fu~ Doing something like this at night on this island certainly is refreshing. A fun game that sparks and pops at the tip of your fingers... huh... Are you satisfied, Floyd? Floyd: Ehh~? You think I'd be satisfied with only this much? Azul: Yes, that was a stupid question, wasn't it... By tomorrow you'll be looking for another stimulus.
Floyd: Hmm what should I do tomorrow~? Doing this on a deserted island is really rare, you know. So I wanna do something that'll make Jade say "Please take me with you next time~" Play, rampage, do whatever I want! Gotta enjoy myself so much that I don't have time to be bored!
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And that's it! Very happy to have more crumbs of tweel lore......
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bestworstcase · 1 month
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Out of curiosity (and some confusion), how do you think Faunus came about? Unless I'm misremembering (in which case this would be pretty awkward) Faunus didn't exist in the First Wave of Humanity, and given that the two creation myths we're presented with (not even by an actual Faunus) disagree on almost every point I'd be surprised if there was an actual answer-
you’re remembering correctly that the faunus are unique to remnant. also tonight has been one of my periodic episodes of being unhinged about this so here is some Background Reading.
of the two faunus creation myths one is explicitly a very old faunus oral tradition and the other reads to me very strongly as a syncretism with the (human) brother-cult, in that the earlier conceit of freely chosen, joyful transformation and liberation by a wild but benevolent trickster god is retained but presented within an explicit framework of divine judgment and moral imperative to be peaceful and harmonious or else bring about self-annihilation through conflict. which is exactly the sort of cultural evolution that you’d expect to get from refracting ‘the shallow sea’ through the eschatological prism of ‘the two brothers’ and the doctrine of the brother-cult generally.
(for a real historical exemplar of this sort of shift occurring, see the cultural remapping of ambiguous deities in many pre-christian polytheistic traditions onto the christian idea of The Devil; this is fairly ubiquitous but the most generally accessible case is the popular conception of hades as an evil god and hades as hell, whereas in actual practice hades was the god who ruled over hades, which was where everyone went when they died and encompassed a variety of different areas raging from very nice to okay to unpleasant.)
see also: ozpin’s commentaries on ‘judgment,’ which gestures at exactly this phenomenon. “faunus always cast their god as a wise and noble figure, while human stories portray the same god as a trickster, not to be trusted.” he identifies both tales as faunus in origin (& certainly the characterization of the god of animals in ‘judgment’ is more ‘wise and noble’ than ‘trickster,’ although i think ozpin is also showing his own biases here because the god depicted in ‘the shallow sea’ is a trickster who is also very wise, honest, and fair. so ‘wise and noble’ vs ‘untrustworthy trickster’ is something of a false dichotomy, but also one that maps perfectly onto the gods of light and darkness as depicted in brother-cult doctrine.
<- the way rwby Handles religion is really excellent
anyway. i have a theory.
it’s lightly implied that grimm and faunus came first, humans second. (per WOR: there has never been a time in human history without grimm, and faunus have been around as long as humans “if not a little longer,” and there was a historical period when faunus were more numerous than humans.)
which is incongruous with the faunus’ own creation myths, both of which hinge on humans choosing to be transformed into something new by divine power.
salem squares that circle. salem was the last human of the old world, all that remained of humanity, and by extension she was also the first person of remnant. if faunus came to be before humans were revived, and salem embraced the faunus as her own people as discussed in the background reading post, it’s perfectly cogent for the faunus to be older than this humanity whilst understanding themselves as a people who came from humans, because for the very oldest one of them that was true.
which explains the myth, more than the factual history, but i do think it probably gets at the factual history too, because…
mechanically speaking.
what did salem do when she jumped into the pool of grimm? she combined the waters of life (pure creation) with the waters of grimm (pure destruction) into a new kind of being (herself, a grimm-person) in the same pattern as before (herself, a human-person with free will and a dualistic nature).
that’s, uh, how the brothers created humankind. and the jabberwalker. and the cat by combining their magic (dark’s fire, light’s smoke) into new kinds of beings modeled after themselves.
what did salem hope to achieve by rebelling against the brothers? she wanted humanity to “claim the powers of their creators and perfect their own design.”
and she failed but also succeeded in the end because she Did That—in the very literal sense. salem Remade Herself in the pool of grimm; jinn’s framing of the story through ozpin’s point of view elides salem’s agency at every step and implies an uncomplicatedly suicidal motive for jumping into the pool of grimm, but—i mean–
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—the blacksmith has been right under our noses this whole time because she’s the form that salem gives to the idea of remnant’s souls. the lore put forward in v9 recontextualizes and clarifies a lot of what happens in the lost fable, not just in terms of the interpersonal history with the brothers but also the reason certain things unfold as they do and (most importantly) where the missing pieces might be.
the god of light’s understanding of balance is wrong. death as permanent unconscious stasis is not the natural order of things, it’s an arbitrary rule the brothers made up, and they themselves are beings from a place where death is a moment of rest and healing before rebirth as yourself again. they made humans in their image. balance is something that happens when things are given the time to figure themselves out.
what happens to the nature of life and death on remnant when the brothers remove themselves from the artificial system they created? it’s not balanced. it’s like a ball perched juuust at the upper rim of a ramp after you pull your hand away: it might not start rolling right away, but if you leave it long enough then something will eventually give it a nudge, whether the wind or the vibrations of a truck passing by or tiny imperceptible movements of the earth, and then that potential energy will be released.
the “death is when you stop and don’t change, forever” system was a ball sitting on a ramp in a room with someone who both really wanted to get the ball rolling and had absolutely nothing better to do than figure out how to give it that nudge. for millions of years.
yeah? here’s salem telling ozma “our souls transcend death.” that’s a surprise tool that will help us later.
the natural order of things, in remnant as in the ever after, is change. changing, it rests. ascension is just how it is in the ever after, meaning it’s in balance, meaning it’s the rhythm the ever after kind of settled into over time. the ball is on flat ground down there, jabber and all.
but the ever after didn’t begin the way the brothers’ world did—it wasn’t created ex nihilo with a specific prescription for how life/death were going to work, it was cultivated into a garden from wilderness. (ascension is the cycle of the harvest: when you have finished, when you are ready, the tree calls you back—you’re reaped—and then the seeds of you are sown and you begin again. this is a life/death system that developed through gardening!)
so it’s silly to imagine remnant’s balance will necessarily look exactly like the ever after’s balance. different beginnings, different variables, different environment. neither the ball nor the ramp are identical, so why in the world would the outcome be the same?
here’s pyrrha chanting that it is in passing we achieve immortality, through this we become a paragon of virtue and glory to rise above all, infinite in distance and unbound by death, i release your soul. that is also a surprise tool that will help us later.
but we can look at the ever after to get an idea of what the “lowest energy state” for the rolling-ball of a life/death system is, practically speaking, because—like i said—ascension is a cosmic repetition of how the ever after was made. the garden is populated by living fruits and blossoms of the tree who are reaped and sown in a continual cycle. the proverbial level ground is a pattern that wears in some grooves for the changing to follow. rivers, to change up the analogy a bit, don’t go flooding around everywhere all the time; the water flows through its channels, generally.
so, what patterns has remnant got, potentially?
death either takes a really, really long time (because it was dammed up for so long, the reservoirs is deep) or happens really fast, in a flood (what happens when a dam breaks?)
dying once makes you infinite (salem drowned in the fountain of creation, and became immortal)
dying twice unbinds you (salem drowned again in the pool of grimm, and remade herself into something new)
the “really fast” way of dying can maybe bind you to someone else, changing both of you in ways you may not like (ozma’s soul is continually recombined with another and he is changed against his will)
penny ambrosius bootleg ascension (i hope ambrosius enjoys his probable eventual new role as the chthonic god of remnant’s very complicated afterlife. he cannot possibly do worse than the guy who built the dam.)
however ozma’s curse gets resolved is likely to complete or alter the existing pattern(s)
gestures at the maidens. that’s a “really fast” way of dying that follows both the ozma pattern (the maidens cleave to new hosts) and the unbinding salem pattern (maidens choose themselves and also do not compromise the free will of the host or corrupt or take over the host’s conscious mind or identity)—maidens are twice-dead because they were cut out from ozma’s soul (<- spiritual death) and their cycle began with the deaths of the first four women who were given this magic.
gestures at whatever the hell is going on with silver-eyed psychopomps and the white liminal space between life and death. ruby’s eyes make her a conduit of some kind for that passage through the void; she hears pyrrha’s and penny’s cries for help (and pyrrha’s last words) after they die, and in the ever after she is haunted by penny’s sword. and the light motivated by her desperation to save people she cares about appears to be the white light that fills the void where life and death both part and come together again.
if death is a reservoir behind a dam and it happens either quite fast or very slow, what—or who—are the floodgates? [checks notes] the biological children of the “really fast” pattern-maker absent the interference pattern of salem. obviously.
notably, ozma’s influence as a pattern-maker is constrained to specific things with a direct spiritual or biological connection to himself, which tracks because his reincarnation sitch is relatively new. (likewise, i expect the penny ambrosius bootleg ascension deal will not have far-reaching effects any time soon; there are much older, deeper patterns at work here.)
salem, on the other hand, is two fucking hundred million years old. probably. on account of plate tectonics. which means that she has a much greater gravitational pull, so to speak, and is most likely to be that pattern that life/death on remnant ‘wants’ to fall into. the ball rolls down; water will flow into the deepest available channel.
so she died and became infinite and then died again in a manner she hoped would “take [infinite life]” away from her (TAKE AWAY FROM AN INFINITE QUANTITY AND AN INFINITE QUANTITY REMAINS. WAS SHE SUICIDAL OR DOING MATH.) and so remade herself.
salem wandered the face of the planet alone, awaiting a death that would never come. then she jumped into the pool of grimm. then ???. then the god of light pulled ozma out of stasis and told him “mankind is no more, but in time they’ll come back” and also he’ll kill everyone again if ozma doesn’t make them obey teach them to live in harmony with each other and stop demanding things from the gods :). THEN ozma comes back and there are human civilizations everywhere and all the faunus he encounters are in cages.
remember how the faunus are older than humankind? tha-at would be our “???” gap between salem crawling out of the grimm pool and light digging up ozma. probably.
you’ve got grimm. there have, as it’s said in ‘the shallow sea,’ always been grimm. they survived the moonfall.
you’ve got faunus. they were created when salem remade herself—the infinite life taken away from her brought them to life, in her image, just as original humans were brought to life by the brothers’ power in the brothers’ image (and of course the power salem has now was the brothers’ power and is now hers). this is maybe not what she was expecting to happen but she’s not alone anymore and, unlike humans of old, the faunus can coexist peacefully with the grimm with salem to mediate.
you’ve got the god of light taking a peek to see if perhaps salem is ready to grovel in repentance yet and going HEY WHAT THE FUCK THAT’S NOT ALLOWED…
…and hastily attempting to get the situation back under control by arranging for the “right” creations (he and his brother’s) to crowd out the ones salem defied him by making (WHEN WILL SHE LEARN HER LESSON!) and for good measure sending her beloved to punish her (SURELY THIS WILL MAKE HER SEE THE ERROR OF HER WAYS. BECAUSE SHE’S DEFINITELY THE ONE WHO’S WRONG.) because he is the god of the sunk cost fallacy first and foremost.
of course, the mere fact of allowing mankind to rise again achieves nothing but completing the “very slow” pattern—humans were dead for a long time and now they’re alive again. whoops! this is what happens when you meddle with forces you don’t understand.
anyway i think probably everyone on remnant reincarnates very slowly, not the way ozma does and also not the way ascension happens. i think when you die in remnant a part of you stays behind—infinite—to wander the face of the planet until it finds a way to guide the rest of you back home, in whatever form that takes. (BUT AS A BABY PROBABLY.) ’cause that’s the salem pattern.
points at the autumn leaf dancing around pyrrha’s memorial statue that guides jaune to see her so he can meet her mother and say goodbye. That’s Actually Pyrrha For Real. maybe. probably. a sliver of her soul left behind to find her way. i think faunus have the same cycle but it’s a bit smoother for them because they were never stuck in the old artificial death-as-stasis system and also this is why faunus genetics are so FUCKING weird, it’s because if you’ve got cat ears the first time you have cat traits forever even if in one of your lives your parents are, like, a crab faunus and a tortoise faunus. possibly children of interracial couples are more likely to be new, hence the more genetically logical outcome of usually inheriting the faunus parent’s animal.
but yeah i think the faunus like popped into existence as a consequence of salem grimming herself. that was my working theory prior to volume nine on the basis of mechanically how humans were created but in light of the v9 lore it’s quite literally the most thematically coherent explanation.
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doverstar · 5 months
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abed/annie is my community otp, so I would love to hear your essay if you’re willing to share ♥️
girl it would be my pleasure
this is going to be an absolutely enormous word-vomit, please prepare-
I want to start off by saying I actually think Abed is genuinely a little bit crazy. Yes, he might be on the spectrum or have some disorder but the show is so loose with that it never really confirms it, so I’m not going to confirm it either, I just think there’s something-something-spectrum there but I’m not educated enough to understand exactly what they’re communicating he has or is dealing with. I think the safest thing to assume is indeed that he’s insane (he said it himself; he saw literal lava when Troy was leaving) but in a small, functional, unique way that doesn’t make him dangerous except when he wants to cut people’s arms off because “Evil Abed has taken over” hello someone do something about that –
Anyway. It’s super difficult for me to understand what goes on in his head episode-to-episode, but with Annie it’s actually easier? Abed has such a specific set of needs when it comes to relationships that it’s a miracle he found the study group at all. He’s so smart and creative and he’s actually very empathetic and sweet but he doesn’t always seem to know how to express things.
Annie is clearly Abed’s second-best friend in the show (it helps that the actor/actress are best friends too). When he can’t turn to Troy, he can always turn to Annie. She understands him and there’s never been a point where we see that start or end—it just naturally happened and they’re both used to it. Abed is always touching her, always sitting by her, always making eye contact with her, and if you pay close attention to even background scenes, he’s measuring her reactions to things more often than anyone else’s. If I had to guess, I think she’s the group member he understood faster than any of the others. Abed (this is, from what I’m told, part of being on the spectrum? but like I said I am uneducated and don’t want to definitively say something the show decided not to be clear about) needs certain things to be a certain way, or he can’t operate normally. He panics, or gets angry, or tries to mutilate Jeff Wingers. He genuinely thinks he is crazy, and he genuinely thinks no one he meets will be able to deal with him for an extended amount of time. (Let’s begin at the beginning from his POV.) Abed meets Annie (and the group), and she seems like the typical Molly Ringwald girl-next-door; pretty, smart, wants popularity, ambitious. That’s why he chose her when he created the study group. Annie is all of these cliched things, but hey, quickly it’s pretty clear Annie needs things to be a certain way. Annie needs structure and lists and good grades. So she gets it when Abed needs that, what a pleasant surprise! And part of that is that Annie empathizes with everyone around her, without even trying, so much so that she’s depicted often as the heart of the whole study group. She gets Abed, both because they’re the same in lots of ways and they’re the opposite. She can crush easily, explode easily, cry easily, laugh easily. Everything Abed has no idea how to emote. Annie is a volcano of emotions, and they’re triggered most when she’s feeling because of or on behalf of other people.
So here’s this girl near his own age who is orderly and structured, and knows how other people feel and can enter in with them emotionally, including Abed. She’s so nice, and tries so hard. She’s even good at playing pretend (Mixology Certification, party of one?). What a perfect leading lady for the life-movie Abed sees everywhere he goes (because that’s how he makes sense of the world). Annie is the ideal female star he’d want in any story: the girl full of passion and drive.
But then there’s Jeff—the study group’s Judd Nelson—presumably the perfect leading man. When Abed first handpicks the group in the pilot and first season, Jeff wants Britta. Hey, that makes sense, Britta seems to be the leading lady type, actually! She’s nice, she’s strong, she’s beautiful. Works perfectly. And look, Annie wants Troy—the brainy bubbly girl wants the dumb jock, that makes sense too. Everything works. Then things start changing within the dynamic. Troy is actually not that dumb, and not that sports-obsessed—he’s fun, and he’s the ideal bro for Abed, but he doesn’t work with Annie. Britta is not that nice, and not that strong—she’s bad at everything, and she doesn’t understand people, she just wants to and is constantly trying to portray (and then hopefully become) the kind of person that does. And Jeff is a stunted jerk who needs reformation.
Oh, Annie is Abed’s friend now too. She said it herself, and that’s rare in Abed’s life. She called them really good friends, and that’s so important to him that he’ll sit in a room for 26 straight hours with nothing to do because Annie asked him to do it. Troy is not the only character Abed would give up control for. There’s one other from the start, because the moment she told him with all her earnest doe-eyedness they were friends, she had him hook line and sinker.
Season 1 progresses. Jeff and Britta might still work, and Abed seems mildly interested in that if only for the cliches—maybe Britta can make him better. No, wait, Britta is bad at that too. Actually, they’re not good for each other. Actually, they’re bad for each other—they’re bad for everyone. But they have similar terrible flaws and habits, so maybe they do make a good pair. Still fine leads. Still works. And besides, Annie has filled in the place of Troy with hippie Vaughn, which is also fine. Doesn’t really work long-term, but Jeff and Britta drive the plot forward more anyway, so the focus should be on them, right? The group is working. The group is thriving. The TV of life moves along.
(Except Jeff kissed Annie to win the Man Is Good/Evil debate. And Abed predicted it. Which means he was thinking about that as a possibility, because he operates on variables and tries to understand outcomes so that he’s not surprised by anything and can keep his friends for longer by relating to and reacting to them better. Jeff has leading man vibes, Annie has leading lady vibes, that’s one potential outcome. And though he insists he’s just making hypotheses based on what he’s learned about his friends so far, when it does happen right in front of them in real life, they kiss, Abed is just as shocked as the others—he literally can’t take his eyes off them until the debate is won. Then afterward, he tells Shirley he can’t predict the future and uses his plans for Pierce being discovered as a genius next in his home-movies as an example, which he believes would never happen—then Britta calls Pierce a genius right in front of him and Abed looks visibly concerned. Maybe what he predicts about his friends will keep happening, even the things he thinks are the least likely of the potential outcomes. Maybe even Jeff and Annie as the two leads. But that doesn’t make sense, does it? Jeff and Britta are endgame, aren’t they? Annie is too young for a leading man like Jeff. Annie is too nice; Jeff is too selfish. Annie is gorgeous and driven, Jeff is handsome and needs fixing, that would work, no, it would change things too much, it’s too unlikely, back to Jeff and Britta, back to playing with Troy and studying film, don’t give it a second thought—)
Transfer dance happens. Annie is going away for the summer with Vaughn. Classic Annie, has his back, always doing the better thing for the plot, bringing a good end-of-Season twist, but it’s okay, as far as he knows she’ll be back in the fall and besides, Abed’s got to-roomie-or-not-roomie with Troy issues to deal with.
And then the new semester starts after the transfer dance. And Anthropology 101 happens (again, one of my favorite episodes for the group fight at the end when it comes to my lil ships). I’M GONNA TALK ABOUT ANTHROPOLOGY 101 NOW. For A CHUNK of time. Jeff and Britta are doing relationship-drama stuff Abed doesn’t quite care about, until Shirley suggests he’s being selfish and that a real friend would enter into Jeff and Britta’s [incredibly fake and nasty] “happiness” and Abed thinks that could work. Actually, progressing Jeff and Britta’s relationship is a goal he can definitely work with. In fact, if you pay attention to the show, whenever there is an opportunity to advance or out Jeff/Britta, Abed takes that opportunity. And whenever there is an opportunity to put JeffAnnie in an uncomfortable or inevitable, c’est la vie light (which two independence-heavy freaks like Jeff and Annie would consider negatively) he takes that too.
Abed urges Jeff/Britta to get married right there in the library before the fight, gives them the ring, because he thinks that’s the next logical step in their grossness. Special episode, all about Jeff/Britta, endgame endgame endgame! He can work with that. In fact, he’s happy to control that. He leaves the room to inexplicably get an Irish singer, dead-ringer Clooney, and a transportable wedding set.
When he comes back and tries to prep the group for the special wedding episode, everyone is tense and Jeff is bleeding from the nose, and Abed does not notice; he’s intent on advancing the plot and the endgame. Then Troy says, “Abed. Jeff made out with Annie.” And Abed’s immediate reaction is “What? Where? When?” And he looks unhappy, like the rest of them. Jeff made out with Annie, and that means everything Abed thought he understood is incorrect. (And I think it bothers the crap out of him and he doesn’t have the ability to unpack why that is the way most people do because he’s different. Surely he’s just angry for the same reasons the rest of the group is? That must be it. That must be why he’s angry specifically with Jeff, not Britta in any tangible way, or even Annie in a tangible way—until later, which I’ll talk about eventually.) Annie tells him they kissed after the transfer dance in a guilty voice, which is a sheepishness she does not respond with to any of the other members of the group. It’s almost like she’s picking up on Abed’s emotion specifically this time. And while everyone else in the group explodes, and Jeff reduces his kiss with Annie to something he should be ashamed of (accurate) because men are monsters who crave young flesh and Annie looks absolutely crushed like a deer in the headlights, Abed starts packing up to leave. And we only see how angry he is right then—he doesn’t enter into anyone else’s problems. We see him react to “Jeff made out with Annie”, and then this is the next time we see him react. Jeff asks where he’s going and Abed throws out a quippy “I now pronounce you cancelled” with a bounce of his eyebrows in an angry way, at Jeff, and when he tries to leave Jeff hurls insults at his back and Abed stops in the doorway, in a normal-person—again, angry—way and turns around and drops one of the sickest burns of the whole show, that TV makes sense and has “likeable leading men”, and says “In life, we have this. We have you.” And walks out. His anger is not directed at anybody else. He doesn’t help Troy with the Pierce situation. He doesn’t try to fix any of it. It’s like he heard “Jeff made out with Annie”, learned the specifics, and was standing there reeling until eventually he decided he couldn’t deal and went to leave, and wouldn’t have shown just how angry he was with Jeff unless Jeff had provoked him, which he did.
IT'S ALMOST LIKE HE’S MAD JEFF KISSED ANNIE, JUSSAYIN’-
let me pretend I’m a 14-year-old shippy fangirl in my reasoning, okay-
Abed likes logic, and as Season 2 continues, Jeff/Annie gets more and more logical. In fact, even though he has noticed that Jeff and Britta are secretly hooking up in the background of the Season, he is not surprised in Paradigms of Human Memory when Annie calls Jeff out for the will-they-won’t-they he’s been enacting with her, and even says there is something between the two of them, matter-of-factly, which Jeff refuses to own up to. But Abed and Annie are getting closer and closer, too. It’s subtle, but it’s clear they’re 100% comfortable around each other. That becomes super clear by Abed’s Uncontrollable Christmas, when, besides Troy, Annie is the only other character to enter into Abed’s way of thinking and play with him, because it’s genuinely important to him and she recognizes that this is what he needs, when everyone else kind of drops off. She helps Abed and Troy stop Duncan from dealing with Abed in a practical, normal way, because she sees that Abed is dealing with something and can only deal with it his way to get through it. That’s incredibly rare for Abed, we see. He’s very attached to her—like I said, often touching her, often sitting by her, often reacting to her.
(I mean hi, in English As A Second Language, Abed thinks he won’t be affected by Annie’s Disney Face; when everyone else obeys Jeff in closing their eyes to it, Abed doesn’t. “Oh don’t worry about me, I can only connect to people through...movies...” literally stops in his tracks when he sees her Disney Face with the cutest wistful twitch of a smile. Jeff has to Indiana-Jones-reference him to make him look away. He doesn’t only connect to people through movies—at least, Annie can get through to him without the need of movies; he’s not a quirky lil robot, he can have normal feelings, but boy does it seem like Annie is the one bringing them out of him more often than most. she gets under his skin ajhzsdkejdb-)
Abed definitely has a crush on Annie. But he doesn’t know how to deal with that or portray it. To his mind, Annie should be with a leading man. Any time he flirts with her, he is pretending to be a leading man from a movie or show. (For a Few Paintballs More, anyone?) Because that’s who she should be paired off with. And that’s what she wants, right? She loooves Jeff Winger now. Britta’s not the leading lady, she never was, that role was always Annie’s, and it makes sense she wants Jeff, and it makes even more sense that Abed is observing the love story, not part of it. Abed is not the leading man, he’s the computer. He watches, analyzes, does not get involved or get the girl.
But he still wants her around, and he can have that much—in fact, when he moves in with Troy and Annie tells him she loves their place, Abed instantly suggests she move in. Not Abed and Troy. Just Abed, and he does not discuss it with his roommate. And Troy seems confused and surprised and gives Abed such an interesting look right after. Annie moves in, Abed agrees to sacrifice some of his routine for her (blanket fort for he and Troy, full bedroom for Annie), things are happy. Things are fine. She puts away his buttered noodles when he’s not finished with them, but she adapts to his needs when he expresses he doesn’t want her to do that; she breaks his Batman DVD but he adapts by forgiving her in a role he can express that in—Batman himself, plus, bonus, he gets to flirt with her as that leading man—and things are better. But then Annie starts trying to control things. Annie starts trying to make life go according to the movie in her head. She tries to get Britta and Troy together, which not only robs Abed of his best friend for a day and disrupts his routine, it makes him angry with Annie. And not just because she tampered with the group’s dynamic, which he doesn’t want anyone else but him to do. okay we’re caught up NOW I get to talk about Virtual Systems Analysis, which is my FAVORITE COMMUNITY EPISODE-
Throughout that episode, Annie is trying to speak in Abed’s language in the Dreamatorium in order to teach him empathy. In the past, she’s had success in communicating with him on his level, but this seems extra hard for some reason. She sees somehow through his expressionless face right away and sees he is angry with her, and though he tries to deflect by saying she’s going to ruin the group by meddling, she eventually does recognize what the problem is. At first she’s convinced Abed just wants Abed’s way and that he needs to be taught how to think of others first (she’s right), but he hears her say that to Troy and it spirals him right into the worry he always has—that he’s crazy, that he’s a problem, that he’ll never fit in because of that, and that when Annie (and anyone else) tries to deal with or fix him, they will get sick of it, give up, and toss him aside. He was already angry with her for a different reason, not just wanting his way again—but now he’s sure she’s done with Abed, too. So he becomes someone else, everyone else, to make his point: that she’s just messing with Britta and Troy so that nothing will stand in the way of her and Jeff.
DO YOU KNOW WHAT HE SAYS WHEN HE IS PRETENDING TO BE JEFF TO HER? He says, “With Abed gone, and Troy and Britta together, there’s nothing standing in the way of us.” With Abed gone. Why did he say that? Because with Abed gone, Annie gets to be in control of everyone? Obviously not. Or is it because out of everyone, every variable, the only other match that makes sense for Britta is Troy and the only other match that makes sense for Annie is-
Oops, Freudian slip. Oh, she’s not falling for it. And Abed is mad at her because he thinks she set up Britta and Troy so she could be with Jeff. Abed is mad that that’s what she wants. And when she tries to argue it’s not, he literally pretends he is her, logicking it out at her, trying to convince her that that is what she wants, because that’s what he thinks she wants, and her controlling things to cause JeffAnnie makes him mad. But c’est la vie, it’s inevitable anyway, right? Why isn’t she seeing that? Why is she trying to talk about him, he doesn’t want to talk about him, especially not after what she said about him— Then she fights back and tells him that she does not love Jeff, she loves the idea of being loved and if she can teach a guy like Jeff to love her, she’ll never be alone. And then she finds out that’s what Abed is afraid of, too. No—that’s what Abed is used to. “I’ve run the simulations, Annie. I don’t get married. [Why is that the first thing he said?] I don’t etc. etc.”
He’s afraid he’ll be alone, and people will always be getting tired of him and throwing him away. Didn’t Annie get tired of him? But she doesn’t, she’s not—in fact, she understands him. She shows him other members of the group understand that feeling, too. She uses his language to explain to him that he’s wrong, and that neither of them should be trying to make life go according to a script in their heads. Abed sees that she does understand, and if she can get into his head and understand him, she really can do it with anyone, and if she can do it, maybe he can too. Annie helps him and makes him a better person, because she reminds him to empathize, which is something Abed didn’t think he could do. Okay I just spent a long time talking about Abed’s perspective. A tiny bit of Annie now, because this is going on too long. As for Annie, she is afraid of being alone and unloved. She’s “psycho”, she’s crazy too, because someone who empathizes that much and can exude that much emotion does seem crazy to other people. She’s a different crazy than Abed, but her brand of psycho lends itself well to getting and communicating with him, because his crazy is escapism and her crazy is confrontation. His crazy is emotionless, her crazy is emotional. His crazy is control, her crazy is compassion. Her parents cut her off, her high school shunned her, Troy never noticed her, of course she’s scared of being ditched. Of being unimportant. Annie’s need to be perfect comes from the need to feel valued. And doesn’t Abed understand the need to not feel left alone? Doesn’t he understand everything needing to be just so, doesn’t he understand wanting to feel important but never expecting it? Just the computer. Just the observer. Wait. Didn’t he invite her to live with him, voluntarily? Doesn’t he always seem to be choosing her to sit by, don’t they always seem to be reassuring one another with a look or a touch? He gets how she feels about Jeff and Britta and their monopolization (hi Basic Sandwich), he gets when she’s feeling insecure, he gets when she needs to escape, just for a second, to pretend to be someone else in any given scenario so that she can take a risk or get out of her comfort zone, and he excels at that so they often do it together. They don’t have to be alone, they have each other. Annie doesn’t have to be perfect, Abed doesn’t have to be normal, and neither of them have to be in control. But nobody listens to me and instead we have Jeff kissing Annie and Brie Larson in a sweater. And don’t get me started on VCR Maintenance and Educational Publishing and why Abed and Annie are individually trying so hard to fight each other’s third-roommate preferences-
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amphiptere-art · 2 months
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I might do a silly today??
Basically I want a celestial family/team/group. That isn't Tsams.
So why don't I just make one?
This might be a little based off tsams. I might use the Tsams names because they don't own them. But I kind of just want to create my own little team.
Plenty of people have done it before. This isn't the first time somebody's copied the idea of the Sun and Moon show and made a group of celestial beings having fun doing random shenanigans. The only difference is that those random shenanigans are different.
So why don't I make my own? I have plenty of Tsams characters that could be stripped of that context. Like I could have black star. I just take away his villain is back hood with Tsams, and replace it with something similar but different. As long as I get his core personality traits back by the end of it it doesn't matter.
Why do I want to do this? Well essentially why wouldn't I? I haven't watched a show in weeks. Not unless it's a smaller clip or I purposely searched out myself. And it's usually for older videos. The most context I have for the show right now is what people tell me.
Plus hell I was already doing that. Sure the cast was smaller cuz I didn't have an idea of a large cast like the Sun and Moon show or the celestial idiots. But now I do and I can do it all over again. It wouldn't be the first time to make a group of idiots doing random shit.
What the hell do you think the original arcade version of Blue Moon was? Arcade Blue Moon and everyone who was in arcade storyline was essentially a group of celestial people, living in a semi-normalized robot human world, bumbling around trying to figure out how life is. Arcade red blue black was essentially one of these groups. I just changed it to be Tsams because of my stupid mental rule that if you borrow just a little bit you have to borrow it all or go way south.
I don't have that mentality anymore. I've made so many AUs I understand I don't have to subject myself to making something so holy unique It doesn't feel like any sort of rip off. I know now that there's millions of shows around the Sun and Moon doing random shit. It isn't some unique card that the Sun and Moon show has. I can use it without feeling like I'm stealing.
So yes. I might make a group of my own. I'm not a fan of the Sun and Moon show. I'm a fan of what has come out of it. The fan of the AU's. I'm a fan of The creative characters I made. I'm a fan of everything else but it. Would it really be a surprise If I just made my own group of characters that felt like my own group of characters.
Like I said I might take some characters and transform them to be less Tsams and more my own. Blackstar is already on that list. Blue Moon was literally the personification of me removing him off of that list. I like DH Earth. She's probably going on there. Some version of my sun and moon is probably going to be put on there. I'm going full in on this idea.
I have characters that are my own and I basically just took a backstory. I can make my own backstory and still have those characters. There is nothing wrong with doing that. As long as they are distinct enough from the Sun and Moon still it's fine.
We'll call this... Arcade! As Arcade was essentially this before I stripped it of its unique place.
This is the Arcade project.
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meteor752 · 5 months
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Spent a whole week binging rwby because why not
Here are mah thoughts
Very interesting decision of the show to open on literally the best character, like I’ve heard of peaking early but come on
No but fr Roman is actually so special to me
I just finished volume nine and I broke down crying at his and Neo’s final moments
Thing is, I’m a person with daddy issues and my favorite family member is my uncle so like of course Qrow is second favorite guy
We love us a bisexual subby whore
Ozpin is number three so like guess what my favorite ship is
(Side note, My Own Worst Enemy by Elektric Angel is one of the best fics I have ever read and I cannot recommend it enough)
Why the fuck did this show start out with having one of the four main characters be racist?! What a bold choice
I hate Jaune so fucking much. If you like him, cool, but he’s one my most hated fictional characters ever, not just him but like what he represents
Tho it is worse with Neptune, who’s also like why tf are you here bruv
It’s very funny to have a borderline kinda racist character and a literal meme from 2014 be drafted into war
It took me five days to break and create ocs. They’re called Lemon Lime, Azure, Iris, and Koral. Team LAIK. Maybe I’ll talk about them more at some other point
Listen okay I know that animated shows like to have your hero be depressed in a whole arc, but like god Ruby was kinda grating in season 9.
Blake is kinda rolling with like, one personality trait, but ya know good on her for getting a cool gf
Yang is also the best out of the main four girls
So is Tai, Summer, and Raven’s relationship supposed to be a polycule? That must have been awkward for poor Qrow back in school
Why the fuck is everyone so mad at Ozpin all the time. Like boohoo, daddy didn’t tell you Santa isn’t real, get fucking over yourself Qrow you’re forty three
But fr what is the animosity about. I think Jelloapocalypse summarized it the best in his rwby video
Also did you know the top comment on there is from Technoblade? Check it out, it’s true. No idea he was a rwby fan, but like good for him
Season 6 episode “Alone in the woods” is the best episode by far. I really like when they do more unique stuff with the Grimm, other than just ‘monster’
That being said I’m always a sucker for a space whale
But the line from that episode, “No one was angry or sad or scared. No one was anything. And then, no one was left” is so powerful
Season nine is like fully a fever dream, but it helps with connecting to the main four again, so I like it
Also they need to stop introducing characters we don’t need any more it’s so cluttered
Why the fuck did the tree have Summer’s weapon? What the fuck was she doing there, frolicking in wonderland? Gurl…
I miss Oobleck. He hasn’t been around since like season 4, like what the hell man
What the fuck is Cinder and Emerald’s relationship supposed to be? Are they sisters? Friends? Is Emerald in love with her? Because she seems to be.
Emerald and Mercury are fully siblings tho. Also I love Mercury
Arthur’s monologue to Cinder was one of the best scenes in the show. I loved it, I’m sad he died
The character I relate the most to is little scorpion freak, because honestly dude saaaaaaame
God I want Salem to fuck me
The motivation of the villain being that they’re an immortal being, who wants the world to end because then they can die, is so fucking interesting and I’m surprised I don’t see more of it.
Do you guys think the only reason that Jaune was made leader of team JNPR was because they couldn’t think of a colour with those letters that started with P?
Do you think that’s how they choose all leaders?
How the fuck is Ren supposed to be a version of Mulan? Apart from him being Asian, there’s no correlation. Jesus Christ…
Him and Nora are very t4t tho. Very glad that they established boundaries about their relationship tho, like open communication is all I need
Why is Ambrosius kinda 💅
This isn’t related to rwby but there’s like a bird or smt screaming outside my window and it kinda sounds like a ghost girl and now I’m scared…
I feel like Salem and Ozpin’s relationship is very uncomfortable with Oscar stuck in the middle. Like why did they have to make him fourteen
Pupsicle!!!!
If I had a child in this universe I would absolutely name them something that starts with a vowel. Some of these team names are a fucking stretch, I mean SSSN?!
Another bold move by the creators is having the first few seasons villains be minorities fighting for Justice and equality. Like idk anything about these dudes, but it’s a little yikes
The fact that everyone in this world is an X-men and the show took four seasons to actually explain that is hilarious
Actually the show taking its time to explain anything is hilarious
Like, six seasons in and we find out the villain’s motivations. Hell four seasons in and we find out the villain
The first opening song was easily the best. Like I said, peaked early
The ship names of this fandom are fucking baller dude. Very creative
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amyzaaiman-blog · 3 months
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On Grief & The Hard Time That People Are Giving Jackie Howard:
I just have to say that I lost my mom 3 years ago & have no relationship with my father, so I'm essentially an orphan. I feel like I shouldn't have to say this, but everyone grieves differently. You don't know how you're going to respond until you're in that situation, so don't judge so hastily. My mom was the closest person in the world to me (besides my husband, who has been an amazing support) & losing her turned me into a complete mess. I didn't leave the house for about a year (that's not an exaggeration), I picked up about 17kgs and then proceeded to vomit everyday for the next year and lost all of the weight again. My hair fell out in clumps. I couldn't sleep. My period stopped for about 1.5 years. I did things I would NEVER have done beforehand, such as seeking escapism like smoking weed everyday. I couldn't function properly or work. I had permanent brain fog. Other people have different ways of responding to this type of situation. I was in such a confused, repressed haze for so long that I only feel as if I'm properly processing her passing now. For the first time in 3 years, I'm finally experiencing anger (which is one of the key phases of bereavement). You just never know.
If you read the book, it's clear that Jackie initially does have a very intense, emotional response after her family dies - she falls apart. She doesn't get out of bed for like a month. Then, one day, as a way of distracting herself & making her family proud, she gets out of bed & focuses solely on getting into Princeton. While they don't show all of this backstory in the show, it's very obvious to me that she's bottling up all of her emotions. Her worst nightmare is to be pitied. And honestly, as she says in the show, no one knows what to say to you in such circumstances. Everything sounds awkward/disingenuous/well-meaning but misplaced/alienating.
I'm really not surprised that she shies away from the deep connection that she has with Cole (who, let's be honest, is a fuckboy at the beginning of the show but who she clearly has a unique & immediate attachment to). She's so vulnerable that she latches onto the "safe" brother who makes her feel relatively normal again. He offers comfort & stability, which is exactly what you need when you feel lost, alone & untethered. She can't afford to be hurt again & that's what Cole represents/threatens - especially because of the way he treats other girls. When Cole asks her why she's with Alex, she doesn't say it's because she likes Alex more, but rather cites Cole's behaviour towards other women.
These boys are also forms of distraction from her grief. And to add to the mix, she's only 15 years old. What hormonal teenager hasn't been confused or made stupid, rash decisions that they regret? I'm 33 years old and I'm still making mistakes and cringing from things I said & did a month ago, a day ago, an hour ago. It's really obvious that her attraction to Cole continues percolating throughout the show until he does something so meaningful/thoughtful that she can't ignore her feelings any longer. And what he does for her is especially touching because it's so inherently related to her loss & the absence of her family. Throughout the show, Cole is the only one she really opens up to about her family; how much she misses them & her home. He understands her in a way that others don't because she won't let them in in the same way. He truly sees her. They challenge each other. And while these are beautiful parts about falling in love, they can also be extremely frightening because there's nowhere to hide.
I don't even blame the parents for not noticing what is truly going on (although I think Katherine has an idea). Teenagers are renowned for being secretive (not to mention that the adults are also dealing with much of their own stress). I actually really like the scenes that she has with Katherine. I think that they have an understanding. Katherine is still getting to know Jackie & there's no way that she'll ever come close to replacing her mother. It just doesn't work like that. People aren't interchangeable.
It's also important to note that Jackie's whole shtick & manner of coping is to have a veneer of being "fine". I think that she's worried that if she shatters the illusion, she'll just fall apart again. She's barely holding it together. Particularly at the start of the show, she's just going through the motions & existing. The messy but loving (albeit not in the very, very beginning) environment of the Walter household is what's keeping her afloat. By the end (she even says this), she finally feels like she belongs. She has meaningful relationships with the whole Walter family & extended clan, & the reason that she leaves is because she knows how royally she's fucked up. She's overwhelmed & scared - fearful of her own roiling emotions & how she's exacerbated the rift between Alex & Cole.
Yes, you could call her hypocritical because Cole "stealing" Paige (She's not an object, so let's check that language. She is a person & has agency) is one of the main things that Jackie repeatedly holds against him (& uses as an excuse for keeping him at a distance). But she definitely realises this, which is why she runs away. She knows that she's acted against her own morals.
This is a very long post, but my ultimate point is that people should have a little more compassion. Grief is not a linear process & life is not simply black & white - there are vast shades of grey in between. People can make "bad" choices & redeem themselves. Are we meant to define people by one ill-thought-out/passion-based/heat-of-the-moment decision that they made as a teenager when they were severely traumatised? I think that forgiveness is a better option & that people should be allowed to grow, change & learn from their mistakes. Season 2 is still on its way, remember?
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mercuryandmoonpods · 1 year
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✨12 Podcasts for 12 Days of Podmas ✨
a belated podmas post from me, asha!
thanks to @vestaclinicpod for coming up with the idea, it's genius! <3
in no particular order, the podcasts I reviewed (and a link to their spotify/podchaser when I rb this later):
SPIRIT BOX RADIO @spiritboxradio: Absolutely charming! I'm now very attached to the main cast of characters, and the overall tone of the show is (pardon the pun) bewitching! Plus gorgeous music that loops in my head constantly when I'm not listening!
MONSTROUS AGONIES @monstrousagonies: An agony column for 'creatures of the night'? What a brilliant concept! Monstrous Agonies manages to be oftentimes soothing, funny and heart-wrenching all in the space of an episode! It has swiftly become a favourite of mine and stands to stay that way.
THE PASITHEA POWDER @pasitheapowder: Complex, unique storytelling methods and a plot that unravels deliciously. I'm constantly on the edge of my seat! The intense relationships between the main characters (Sophie and Jane, but also them and Evelyn and Jane with George to name just a few) all feel very realistic and I can't wait to see what happens next!
THE STRANGE CASE OF STARSHIP IRIS @iriscasefiles: Never fails to cheer me up! Complex and compelling characters, delightful sci-fi setting and concept of an alien culture. At this point I think I've recommended TSCOSI to everyone I know at least twice. Sad? Starship Iris. Happy? Starship Iris. Not sure yet? Starship Irisss!
UNSEEN @unseendotshow: Seemingly standalone stories build up a rich lore for the world of the podcast. Always a delight! Each episode adds a new layer/type of story to consider, and the voice work is always jaw-dropping.
ROGUEMAKER @roguemaker: Super fast paced, does NOT pull its punches. I need the songs to be on spotify by themselves so I can listen on repeat because they're so so beautiful! Dynamic, intriguing and most importantly, very very enjoyable! <3
NIGHT SHIFT @nightshiftpodcast: Phenomenal audio work! A treat for your ears :) the world of the podcast is one almost like our own, but just a step or two to the left, making for highly entertaining listening as we (and Seb) learn the secrets of Echor City. I'm very excited to see where season two takes us!
BODIES IN SPACE @bodiesinspacepod: Very funny and very heartfelt! Delightful protagonists, each with their own thing going on that we get to find out about over the course of the show. Really lovely sound work!
SOMEONE DIES IN THIS ELEVATOR @sditepod: Every single episode blows me away! I dread the day I get properly up to date and have no more to just casually rip my heart out on an otherwise average afternoon :') Consistently stellar writing, and you'd be surprised by just how many ways someone can die in an elevator…
MABEL @mabelpodcast: How to even begin to describe this rollercoaster of a story?! I devoured this podcast. The style is hard to pinpoint but unique, refreshing and absolutely enthralling. If you like fae horror and fantastic sound design, Mabel is right up your alley!
ME AND AU @meandaupod: I find myself returning to Me and AU frequently, because the characters are just so sweet! A truly delightful show, I'd recommend it to anyone who has spent any time in a fandom - especially a tiny one! The experience is well represented here :))
CHAPTER AND MULTIVERSE: The characters of Masks are going to live in my heart for a long time! The players and GM bounce off one another very well, making for deliciously complex relationships between their characters, who are all, in their own ways, really very sweet. Tonally each episode balances the serious with the sweet in a way that I find lovely to listen to :)
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katrielle-writes · 1 year
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Could we please get some relationship headcanons for Ann, Makoto, Futaba, Haru, and Sumire?
Relationship HC with Persona 5 Women
Featuring: Ann, Makoto, Futaba, Haru, Sumire, Sae and Hifumi x reader separate
Genre: Fluff
Notes: I've also included Sae and Hifumi. These were kind of all over the place since it mentions first dates and stuff, but hope you all enjoy~ Also image does not belong to me, but original artist!
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Ann
She would be equally willingly to initiate and asking you out or showing PDA such as hugging and kissing
The first place you have your date is the restaurant where she told you her deepest secret about being a phantom thief!
Loves it when you surprise visit her with a strawberry shortcake or anything sweet as she loves desserts
Also would love it if you brought her somewhere you both could get your heart pumping like taking a nature walk at the park 
When either of you are upset, you spend girls nights’ venting frustrations to each other 
She loves you so much and keeps reminding you when she sends you texts that you wake up to
She loves receiving gifts but more than that, she loves shopping dates and if you bought gifts for each other (matching keychains and plushies!)
Makoto
Just because you ask her out first, doesn’t mean you were the first to love her.
She might have been the first to fall in love with you because her duties as student council president has her paying attention to everyone so she noticed you and how unique you were right away
Seeing your courage and because she loves you, she accepts your confession whole-heartedly
Even though you make the first move, don’t expect that she won’t be proactive because you’ll both be discussing all the things that you want to do together in the future and she will have plenty of ideas about that!
This woman is about communication and won’t let anything stand in the way of the both of you getting to know each other
She’s loves to give you kisses on the cheek while holding your hand
Don’t be surprised if she visits your home with a bag from the convenience store and calls it snacks to eat after studying - just wanted a reason to visit you ;)
Futaba
This girl!  Might not take you seriously the first time you ask her out but after you make your feelings known and she TRUSTS you and understand her own feelings, will she willingly accept
After spending so many years shut in she’s so curious and want to know so much more about the world that she would love to explore it with you
Whether it’s at an arcade, the game store, or the beach, she can go anywhere as long as it’s with you
At first she might not be the first to initiate PDA, but will happily hold onto your arm or hand. 
I bet she would love tickling you since she gets to see you smile and laugh so hard.  Also loves to cuddle just hugging through the night and into the morning 
When you’re feeling down, she’ll be at your place anytime, day or night
She’s loyal to the end and especially as someone who lost a dear person, she understands so well how easy it is to drown in your own thoughts
She’ll be going to your place showing you the new games and interesting (or weird) snacks she bought and wants to try with you 
Haru
Obviously the both of you will bond over your love of gardening and nature!
Bonus points if when you confess to her you gift her flowers based on the sentiment you want to convey to her
Ever since the arranged marriage to a man she didn’t love by her father, she’s in no rush to get married and wants to learn about you as much as possible
Really enjoys a calm and serene environment like the park or anywhere you two can be alone for dates such as a café or temple as she really appreciates quality time and having deep conversations
She loves when you send each other little messages with a single flower or tiny trinkets as she also appreciates all the tiny gestures that you do for each other
When you’re upset, she tries to cheer you up with jokes, but she’s really bad at them, which makes both of you laugh until you cry and your sides hurt <3
As for PDA, I feel like she loves to give you back massages and love hugging from behind and spooning!
Sumire
I feel like if there’s any of the girls, Sumire would be the one to confess and ask you out
She just admires you so much because you help your peers, are good to your friends, and try so hard in school
She wants to know how much better the both of you were to be if you were together
Similar to Ann, she will love to spend places where your heart can get pumping like at the park or school gymnasium where she can show your her gymnastic skills 
She loves the feeling of doing her best and succeeding and even more love to try new things such as fishing or dance dance revolution at the arcade
You share your first kiss while rowing boats together at the lake
Your form of PDA are whispering sweet-nothings to each other and eye and forehead kisses!
When you’re discouraged or upset, she will make you her homemade bento of your favorite foods.  It might take her a couple of tries, but once she gets the hang of it, you can expect the best bentos from her!
Sae
She’s not interested in relationships but if it’s you, she’s more than willingly to make an exception
Will basically give you the rundown of all the things she wants and doesn’t want in a relationship almost like a contract
But don’t worry the only reason she’s spelling it out is because she wants it to work out for the both of you
Especially since work takes a majority of her time and attention, she wants to make sure she’s devoting the appropriate amount of time to you
As she’s used to working with coworkers younger than her (ahem Akechi), she will mostly prefer to take the lead, setting the pace of the relationship, and will always giving you options where you can have dates together
She’s patient almost methodical when it’s something important, she will allow you to take the initiative because for her a relationship is two equals sharing their lives together 
As for PDA, I feel like having your arms around each other walking for her is the best
I feel she likes place with a lot of people like a museum or shopping district to people-watch together
Hifumi
It’s not as though relationships aren’t on her mind, but she’s preoccupied with thoughts of the game of Go that she’s pleasantly surprised by your confession
You confess to her after you’ve made your first win against her.  She’s shocked but delighted listening to you talk about how you want to spend more time with her
She suggests you play another game together, but she purposefully lets you win, letting you know of her answer
A date could involve you doing things together but even being in the same vicinity, reading books at the bookstore or watching the sunset over the park is Hifumi’s idea of a wonderful time
You can try to set the pace of the relationship, but Hifumi as she is when she plays go, can turn the tables at any time to her favor!!
Expect a slow but steady relationship once filled with slow burn
For PDA, I feel like she likes when you give each other headpats and run your hands through each other’s hair
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mr-deblob · 4 months
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Hear me out on this: I honestly think Kairi could be the main playable character in Kingdom Hearts 4
Or at least a significant playable one.
I know that it sounds ridiculous to entertain the idea, especially with how badly she's been sidelined for the past 20 years. But taking into account the structure of mainline games and the current locations of our characters, it starts to look likely for both narrative and game design purposes.
Sora and Riku are stuck in Quadratum
First things first- there's no way in hell Nomura's letting Riku rescue Sora in the beginning hours of KH4. They definitely won't just hop back to the Realm of Light when they find each other. He might make questionable plot decisions, but he's not gonna pass up a chance to torture the two of them even more, especially since *something's* going on with Yozora and the Master of Masters.
In a GameInformer interview he gave, he was asked about how much time we'd spend in Quadratum.
I think it will be a pretty good amount of time since it is set as the initial base within the game. You spend time there and then go to different worlds and then go back there. Because the graphics are more realistic this time around, I feel like there’s more of a realistic daily life aspect to Sora’s life. You can see him go in and out of his room and spend time there. I feel like players will get to see more of the day-to-day routines he goes through.
It sounds like Quadratum will act more like an interlude between worlds, where the developments that happen in the Realm of Light (or wherever else) will cause more troubles to pop in the city. We've already seen Sora fighting a giant Heartless(?) that just showed up out of nowhere. There might be more events like that, or even encounters with the mysterious figures staring down from the rooftops. And when nothing's threatening the world, Sora might simply be living daily life with Strelitzia.
I'm uncertain on how much we'll actually get on the nature of Quadratum since it is just Tokyo, but part of me is feeling like the story beats will be more important than the setting on this side.
Kairi can have a blank-slate start
I'm sure everyone who picked Kairi in that final fight was a bit surprised by how aggressive it was. A strike raid teleport and a barrage of light flooding the battlefield were amazing to see in her first time in the spotlight. We know she can fight, so wouldn't those skills carry over to her next game?
But she's been asleep for a whole year to have her memories explored. They could easily explain the loss of former skills. Besides, the reasons for Sora always resetting to Level 1 are basically on the same scale. If you wanted more reasoning, then maybe Aqua's training is having her develop her own fighting style from scratch. It's very obvious she's trying to emulate Sora in her stance.
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We also know that Kairi has her own unique combat pose. They've shown it to us at least twice in DDD and the KH3 opening, but we've never seen her actively using it in-game AFAIK. It sure would be an opportune moment to have her adopt it to signify her becoming her own person independent of Sora and Riku.
If the training time with Aqua seems like it would be too short to warrant Kairi going off on her own, keep in mind that we don't know how much time disparity there is between Quadratum and the RoL It could be synched up or be off by weeks, even months, more than enough to get her through the fundamentals.
Also, a mini-timeskip would give Nomura the chance to give the Destiny Trio new designs again. How Riku gets a new outfit and hairstyle while looking for Sora, I don't know, but he already pushed him through the Shadow Barber Shop. He can probably come up with something.
We still gotta have different Keyblades
Straight-up the title of this section. It's incredibly unlikely that Nomura would cut these, but as before, it's equally unlikely that Sora will get out of Quadratum into the RoL. Disney worlds are confirmed, and unless all of them are entirely new, I don't think there's a satisfying way to justify why he couldn't get help from the inhabitants, try to get off-world, or at least get in touch with someone if he still has his Gummiphone.
So if anyone else could go around to these worlds and collect these keychains, Kairi seems like a good candidate for that.
"But what about Destiny's Embrace?" Fair point. It's still got sentimental value to her and has familiarity. They wouldn't just dump it entirely.
However, I believe (and earnestly hope) that Kairi finally gets meaningful character development now. There's so much we could delve into (and we will later), but her current goal of growing stronger seemingly stems from a desire to determine her fate. For so long she's been carried by the tides of chance, waiting for what will happen rather than actively reaching towards her goals. In the end, it brought her down the path that led to Sora's disappearance, so she can't keep placing her faith in destiny.
Kairi might temporarily retire Destiny's Embrace, or perhaps her new mindset will trigger something in her Keyblade. We've seen that with Riku and the Way to the Dawn. It might be a more basic Keyblade like Braveheart, or she could end up wielding an iteration of the Kingdom Key to represent herself starting anew. Hell, maybe Sora fighting in her place in MoM passed it on to her, or she manifests it from her memories.
It'd be a convenient way to keep giving out new keychains while still making it feel like Sora experienced actual consequences for his misuse of the Power of Waking. They could even have Sora gain access to them through Kairi. His temporary possession of her at the end of MoM could be used as an in-universe way to hand-off the main PoV in a natural-feeling way, and she might be able to send him manifestations of the keychains as memories or something else that could cross over to Quadratum.
Masters and Maleficent will go wild
The KH3 ending brought back the Lost Masters through some unexplained mechanic. It also implies that they'll be the main antagonists of the new arc, but they're currently in the Realm of Light. I don't know how much Sora could do from the other side of reality. Not to mention Maleficent making even more schemes.
So the Keyblade wielders and their allies will have to defend against them and whatever other enemies crop up in their wake. But why would Kairi be the one pursuing their main goal? Why not Master Aqua, or at least one of the battle-hardened wielders?
Depending on the numbers, it'd be easy to say the other wielders are busy defending the worlds from the new threats, that they're spread too thin to take up whatever role Kairi would theoretically take. Maybe her status as a Princess of Heart could come up as another reason why it'd have to be her.
In any case, whatever Luxu has in that mysterious box spells bad news. The fact that there are going to be five ancient Keyblade Masters carrying out the Master of Masters' plan spells catastrophic news. Perhaps the missing Master Ava could work from the shadows to stymie them or to help Kairi on her quest.
Also, the Heartless are still gonna be wreaking havoc even if the Masters aren't. That will practically always be true, especially now that Xehanort's not controlling them all. Maleficent is going to do what Maleficent does best and use this to her advantage. With all these potential villains in the RoL, someone's gotta take care of them.
New worlds can develop Kairi further
Now that KH3 is finished and out of development hell, they're now free to consider new Disney properties, even those beyond 2014. And there's quite a few that could easily be connected to Kairi's desire to grow beyond her past and choose her own path:
Moana - Island girls who want to seize their destinies to see what lies beyond everyday life, both struggling with self-doubt. Also have grandmas who know more than they let on.
Coco - How memories connect us, that we can be together in heart when apart, the pains of love and separation. Fighting for your dream even when you're alone.
Encanto - Especially heavy exploration of breaking from the roles others place on us and that we take on, acknowledging and expressing emotions we hide from others.
Brave - "If you had the chance to change your fate, would ya?" Besides that, accepting that people can grow apart, that we each take our own paths, that it doesn't need to break our bonds.
WALL-E - Be open to change, don't let familiarity keep you stuck. Trust in the future, trust in yourself, break through the limits of your past. Go on even when all seems lost.
Frozen 2 - Self-determination and independence, grieving what has been lost, righting the wrongs of the past. Pain is a fact of life, do not let your fear of it keep you from doing what is necessary.
There's likely other films that could fit or other themes of these movies that parallel with Kairi, but these are rife with potential. Plus, the trend of female protagonists with little to no romantic storylines could let Kairi be perceived as more than Sora's love interest or someone to be saved.
Kairi is finally free to change
I don't think it's controversial to say that Nomura really mishandled Kairi's role in the series up til now. She's been stuck in character limbo, and even if we know more stuff *about* her since KH1, we haven't really gotten much *from* her. She's never had enough focus to really showcase her inner world, but I don't think it's due to disinterest on Nomura's part. Instead, I think that it was a result of very poor planning of her arc and his weakness at indirect characterization.
From the start, he probably had an idea of where he wanted to take Kairi's character. He must've, at minimum, pinned down the major strokes of her backstory involving Radiant Garden given the brief mention of her not remembering her home and the flashback with her grandma in KH1. KH2 and BBS both manage to flesh her out a bit more, and even her portrayal in the first game seemed to hint at something going on beneath her surface. Even so, she still outwardly appears as the same cheerful, kind, caring girl from the beginning of the series. I don't think Nomura decided to completely rip those seeds of growth from her character, but he has at least stifled them up til now.
In comparison to all the other main and supporting characters in KH, Kairi is noticeably lacking in any major character insights. From what I've seen, even people who dislike how the female cast is written can tell that the story is practically avoiding any chances for Kairi to verbalize her emotions. The conversations we do get with her almost always shift focus to the other person's feelings. If it does focus on her, the thoughts she does express tend to explore her relationships with other people instead of letting us know more about Kairi herself. As to why he'd make this writing choice with her, there's two possible answers beyond him just not wanting to deal with her.
The first is that he's trying to characterize her through her lack of characterization, that she's a people-pleaser who tends to put others' needs and wants before her own. We've already seen shades of this in KH1 on the dock and when Sora tells her to stay behind in Traverse Town.
In the former, it comes across as her trying to convince herself to go along with the plan about the raft, telling herself that she's ready to go wherever and holding onto the idea that she can always come back to Destiny Islands. Even so, you can hear a hesitation and uncertainty in those words. The only parts where she lets her fears bleed through are when she tells Sora not to change and arguably when she jokes about just the two of them taking the raft. Kairi tests the waters to see if Sora would be willing to go along with her alone before backing down. I don't think she'd actually go through with it, she's not that type of person. I can't say for certain that she hasn't entertained the thought, even if only half-seriously, but it's clear that she said it to avoid her thoughts on how Riku's changed. Kairi doesn't want to show Sora her doubts, especially when they're so close to setting sail. The only assurance she allows herself is asking Sora not to change, to stay her familiar friend, before shifting to expressing apparent excitement at setting sail.
When Sora and Kairi make their promise with the Wayfinder, she's afraid of how their friendship with Riku will have changed if he comes back. Still, she's willing to go help save Riku after seeing Sora's resolve to do so. When he tells her no, she pushes back, telling him that they have to stick together. She only starts to relent when Sora tells her that they won't be alone even if they're apart, then gives up entirely when he says she'd be in his way. Her laugh almost seems like an automatic response to cope with the hurt that statement would naturally provoke. Before he goes, she makes a compromise between their wants, getting Sora to promise that he'll return her Wayfinder to her- that he'll come back after everything's done. Then she tells him that she's always with him wherever he goes, taking Sora's statement and using it to reassure herself more than him. She doesn't want to inconvenience the ones she cares for, so she changes herself, adapting to their desires and opinions to ease any friction between them.
The other answer would be that Nomura's plan for her required her to retain her starting character traits until certain conditions were fulfilled. From where we are in the story, I'd wager that he she needed to be separated from Sora and Riku and for her to gain a meaningful motivation get stronger, at least according to Nomura's standards. The first half of that has been true for almost the entire series, as sad as it is, but we've only just now fulfilled the second. It's possible that he underestimated how long he would need to keep Kairi relatively unchanged for whatever he had planned in the future, causing her to be a static character for all this time.
Now, she's had to confront her fears head-on, needed to acknowledge the feelings of weakness and inferiority getting shattered by Xehanort gave her. It's Xehanort's fault that Sora disappeared, but she might partly blame herself for needing to be rescued rather than saving herself. Her tendencies of staying out of everyone's way and going along with their plans wasn't enough to keep Sora out of harm's way, to protect him. That failure can drive her to grow strong, to realize that valuing herself doesn't mean having to devalue others, that caring for yourself is an act of kindness for those who care about you.
I will acknowledge that even if these answers are accurate, reasonable intentions still don't excuse a sloppy execution. Nomura has skill in weaving a character's motivation into their actions and personality to add depth. However, he often relies on the characters voicing these out loud instead of letting the audience draw their own conclusions from what's presented. While this works well-enough for the series, it means that any indirect characterization he tries to do often ends up falling flat. Aqua at the Keyblade Graveyard is the biggest example of this. It's clear now that her time in the Realm of Darkness left her with some serious PTSD and that the massive storm of Heartless caused her to freeze up at the sight, but the way it was shown pre-Re:Mind ended up frustrating more people with her inaction instead of having them understand why she didn't act.
I'd argue the same thing's been happening with Kairi throughout the series up until now. A character like Kairi isn't inclined to express their unfiltered thoughts, leaving her to rely on indirect characterization to be fleshed out. Combine that with a weakness at subtle storytelling and a severe lack of focus and screentime, and you'll leave your audience almost nothing to discern about her character without close examination. Not to mention, any frustrations or disappointments or boredom regarding her character would only serve to make people even less willing to engage with her, especially stretched out over two decades.
Hopefully, Nomura feels free to put his plans regarding Kairi into motion now that she's gained the space for agency beyond Sora and Riku. I even think Nomura himself is aware of his struggles with nuanced character writing, something he hopes to fix. If you haven't heard, he brought on Akiko Ishibashi, the writer for Neo: The World Ends with You, to help write KH4. Anyone whose played that game can tell you about the amount of depth and complexity the cast of that game had, and her ability to transform one-dimensional archetypes into fully-realized people. I have little doubt that she'll breathe new life into the world of Kingdom Hearts, and I think that we'll see the start of this change through Kairi first and foremost.
In the future
This all sounds like wishful thinking, and it is, but I hope that it's not entirely unfounded. I'm mainly making this before any major trailers drop because, if this does happen, I can't imagine them hiding it for too long.
Maybe Nomura will finally give Kairi the screentime she deserves, and if he doesn't... well, guess we'll go through even more years of rightful disappointment in Nomura's handling of her.
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luxlightly · 1 year
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Another Bob's Burgers episode idea. Bob gets an unexpected call from Mr. Fischoeder's lawyer who has to reassure him that Mr.Fischoeder has not decided to finally take legal action against all their late and unpaid rent payments, but in fact, is DEAD! And left Bob something in the will.
They get to the reading of the will, where Felix is excitedly awaiting inheriting Calvin's money and clearly trying to pretend he's not at all emotionally affected by his brother's death. Bob ends up being left something small and silly like an old spatula while and requested to cater the funeral in one week's time, to everyone's enormous surprise, the wharf, his estate, and all his real estate properties, are all left to LOUISE.
Louise takes her new role as landlord of half the town very seriously. At first she's just excited about all the money, but as she is introduced to more of the business side of things, she discovers just how inefficient Fischoeder's business practices have been. So many of his rental properties go to businesses that quickly fail or never really earn him back much money. And the Wharf itself often barely breaks even.
She becomes obsessed with fixing these losses and maximizing efficiency, becoming paranoid about any lost profit. Meanwhile tensions rise between her and Bob as she makes a big show of never letting him pay for anything and nit picking him about the restaurant's efficiency. She also makes plans to essentially gentrify the neighborhood with chain stores and restaurants, all while becoming more overwhelmed by the idea of perfecting her earnings.
Things come to a head at the funeral when she breaks the news to Bob that she won't be renewing his lease and they get in a shouting match.
Bob accuses Louise of blaming him for the fact that the family is poor. That she thinks it's his fault for being a bad businessman.
"No! Don't you get it? It's not your fault! It's mine!"
"…What? Louise, what are you talking about?"
"I'm not stupid, dad! I know kids cost a lot and I know you didn't plan to have me. Mom always tells that story about how you just kept screaming when you found out she was pregnant with me. If it wasn't for me, you'd have the money to pay the rent on time and you'd be able to do stuff like go on vacations and have nicer things."
"That's what this is about? Is that why you're always doing all those crazy money making schemes? Because you think you owe me and your mother for being expensive?"
"Well…yeah. I guess."
"Louise, if I cared about stuff like having a steady income or a lot of money, I would work as a line cook somewhere, or at a desk job. But I don't. I have the restaurant because it makes me happy. And nothing makes me happier than you kids. I wouldn't trade you for all the money in the world, Louise. Yes, it's true I was worried about money when I found out we were having another kid but that doesn't mean I didn't want you or that you're responsible for our money problems and I'm sorry I ever made you feel that way."
"But, doesn't it bother you to have to worry all the time about money?"
"Sure, but if I just worried about what would make the most money, the restaurant would be like any other boring chain restaurant. I'd rather it be unique and my own than be the most profitable it could be. I think that's how Mr.Fishoeder felt, too. He didn't care about having tenants with the most efficient businesses. He cared about having unique and interesting places run by unique and interesting people. And…I think maybe that's why he left them all to you."
"Huh?"
"Well, you're a unique and interesting person for sure. And you love the Wharf more than anyone. I think maybe Fischoeder felt like you were the most likely to keep the Wharf and the town as weird and one of a kind as he liked it."
"And then I almost ruined it. I almost threw away everything that makes the town great. Thank you, dad. I guess maybe I can renew your lease after all."
"Thanks, Louise."
"But it'll have to be month to month."
"Hm."
"And I'll have to raise your rent."
"Louise."
"Ahh! Just kidding!"
Then, just before the service begins, Felix finally breaks down and tearfully admits he's devastated by his brother's death and tells his coffin that it was him who farted two weeks ago and blamed it on their butler. At which point Calvin pops up out of the closed coffin yelling "I knew it!" and reveals the whole thing was a hoax to get his brother to admit his guilt.
Louise talks to Fishoeder afterwards.
"I guess we should have known it was a hoax, since you left everything to a kid."
"Oh no, that was my real will. You think I'm going to write a whole 'nother will just to prank my brother? That would be ridiculous!"
"Wait so I really will get the Wharf and stuff when you die?"
"If they haven't figured out how to put my brain into a robot body at that point, yes."
"But why?"
"You remind me of myself, Louise Belcher. Always up to some scheme. Always looking for an angle. And you're the only person I've ever met who has been able to beat me at my own game on multiple occasions. You won my Wheelie Mammoth. You ran a brief but profitable underground casino. You keep my on my toes. And that's the exact kind of person I want running this show when I'm gone."
"But I almost ruined it! I almost made the whole town into a bland, boring, profit machine!"
"So did I! Back when my father first left this all to me. And several times after that. But then people like your family remind me why I take chances on wild dreamers like your father. All the money in the world can't buy people like your family. Believe me, I've tried. So, unless there's some major advancements in robotics technology in the next few decades, I'll die reassured that the place is in good hands."
"It's a bet, then!"
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pbeltarts · 8 months
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How would you rewrite the ultimate Enemy episode ?
This is a fairly large question because if I'm honest, I don't know that I would even keep it in my rewrite.
If I were to be a showrunner and reboot it as a show, ofc I would, but in the context of the re-telling I want to do online, it makes more sense to me to have it be a bit more contained narratively. In my retelling, the biggest threat is Vlad and he will always be the final enemy of the storyline because of how important his existence is in response to Danny's.
Danny is treated like an anomaly by nearly everyone he meets. A lot of the ghosts are impressed or surprised by him, he's "one of a kind" but he's really not. Vlad has long been a halfa before Danny, Danny isn't as unique as everyone else acts like he is.
We can assume people act this way because Vlad hides his status as being a halfa from ghosts and humans alike, but that doesn't make sense to me either because Most of the ghosts Danny encounters seem to know this upon meeting him. Like there's something Danny gives off that tells him he has life in him still.
That's all to say that Dan is often treated like the big final opponent in fandom spaces, because he is Danny himself gone evil. I get why he is seen this way, but narratively I think it's a little boring. I don't like Danny having to LITERALLY face himself. The idea that Danny instead has to recognize the similarities between him and Vlad and face that is just more interesting to me.
That isn't to say I think that Clockwork isn't important or interesting for a larger narrative. While I don't think Danny should be over-recognized as some amazing thing by ghosts because there's already a halfa in existence, I DO enjoy the idea that Clockwork takes notice of Danny because of the diverging paths he can take. He can be the hero everyone will need in the future, or become the villain.
Given I like the idea of exploring Danny's emotional states and how he copes with his life and trauma throughout the story, the idea that Clockwork is almost monitoring him to see how that coping affects his future is interesting to me. Danny can so easily become bitter and hateful because the world has spit on him so many times. But Danny is a good person, at his core, and he knows right from wrong in the end. THAT is something I find interesting.
So would I keep Dan in my retelling? Probably not, he's not really a focus to me. If I ever did like. Idk a special sequel to my own retelling after the storyline I have then maybe that would be the plotline. Dan just feels like a one off moment, not important in my telling.
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lepurcinus · 2 months
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What do you think of the three watership down adaptations?
This is probably very unpopular or strange. But here I go (W VEEERY long text/rant)
The 78 movie: Ehmmmmmm how to say it, I like it but not that much????
The animation style and this one itself I love, very beautiful captures the natural environment very well and the designs of the rabbits are impeccable even though they can be somewhat similar at times. I even appreciate that each warren follows its own details and even each rabbit has a unique part.
On the other hand in terms of story...it is the most faithful adaptation and follows everything almost to the letter, failing due to lack of time and thus having to cut things out. And it shows. I don't feel any kind of depth or charisma for the characters like their written version, they are just there existing (Except Bigwig and maybe Fiver) and the important scenes that should identify them are no longer the same (Ahem Dandelion saying he will tell the story of his journey to the youngsters when we never see him narrate a single story). Also new characters that only exist to die and also don't give me any kind of impact and even ruin the other characters in passing (Violet/Blackavar). And yes I definitely hated with all my being the focus on scary, violent and so on. Look, the book also has its moments and the presence of death is constant, but here I just see rabbits bleeding gallons of blood and dying at every corner and bad rabbits just because, Watership Down isn't about that. The scenes concentrate on horror and not terror as it should be (they are different things). Although read I will give points on the setting for the scenes of Fiver and the black rabbit. Actually that more ethereal part was very good, the way the visions of him in the art were presented was amazing too, very intriguing.
I'm still reeling from the pain of having the lettuce story scene removed.
The 99 series: Passable, a middle ground.
Some additions are a bit weird but it follows the line well, changes like Blackberry's gender don't bother me and I'd say it's even exaggerated the hate they gave it at the time (Because surprise it's not violent like the woooh movie).
In other terms, let's say that certain things didn't fit me. The personalities of the characters while I appreciate that they aren't talking rocks like the movie it bothers me a bit that they feel so generic/stereotypical/one trick. More than anything I have this problem with Bigwig, I don't know if it's my problem but seriously his version here I don't like him I feel very annoying and bloody to an unbearable level. He's naggy but not in a fun and understandable way like in the book. Something like that happens to me with the others.
New characters like Hannah and Kehaar's treatment eh, I don't hate every minute of his presence but yeah, they are not my favorite. The idea of having Kehaar abandon his people in favor of the rabbits is kind of missing the point of his character? Then they kind of backtrack and decide to give him a mate to leave and then replace him with a baby voiced hawk.
Although I found characters like the Yona's, the mole or Bark to be likable and cute.
The third season is a hit or miss. The change of style is not too bad although some designs look ugly (On the other hand Woundwort and Campion look very badass like that). The implementation of magic as something straightforward and affecting the world it seemed ridiculous and unnecessary. They detract from the fact that the Watership Down rabbits won by their cunning and teamwork and that Woundwort fell by his own stubbornness. Here they brought out a mouse with powers taken from a wizard turtle to summon fucking death itself to take everyone down???? Seems like inle needs to be summoned to do his job lol. (And yeah, I didn't like his characterization here, especially that edgy voice with filters ugh).
Other more additions like the new warrens and the El-ahrairah stories I love them but i wish they would have delved into them more. I really wanted that chapter on Inle's story had been done. The concept of Darkhaven and its rabbits, although it seems to be taken from a Fanfic with ocs the truth I found it interesting and I liked several characters a lot (I love you Granite). Also this version includes my favorite characterization of Woundwort and Vervain (and Campion I understand why many like this version) they are not 100% villains and they have their background and seeing their rise and fall is worth it. Although I feel that outside of them and characters like Moss Efrafa contributed almost nothing, there were not all those characters that helped us to understand how life was there and there were only brute and aggressive rabbits without more, it all felt very wasted. And again Blackavar is used as a rag because apart from being half secondary then completely forget about him. Wanting to take advantage of a person
Wanting to take advantage of characters like Silverweed was good, the truth I liked him outside of his oc superpowers.
The overall art style is not bad but looking at the concept art I would have wished it would have stayed that way. I can't help but see them as colorful Wallabies instead of rabbits and other animals that don't even look like the species they are.
I could add more but these are the most important thing to say.
Netflix miniseries: Well, here we go. I'm sure some will already want to flame and crucify me for this, but fearlessly I'm going to say it's my favorite adaptation of the three.
And look I FULLY UNDERSTAND your annoyances (Except for the stupidity of complaining because it's less violent than the movie). I agree that the animation leaves a lot to be desired and that the bunny models could have been better (besides the pawpads and constant digitigrade posing). And yes, I can see why several changes in moments and characters don't generate the same impact as in the novel. I read the thousand and one reviews everywhere that talk about that and I've noticed it myself.
However, even with all that I dare to say that it is my favorite and I'll tell you why.
I really like to enjoy it as a different version of the story, it's a different vision and unlike their other adaptations here I can't force myself to understand it as a super watered down and flat version of the novel nor as an episodic series with new additions. It's a new form of Watership Down. Get my point?
Here I really see characters changing and with personality. While it's true that some are still driven by being somewhat repetitive like Hawkbit and Dandelion, but here I didn't feel them overly heavy-handed like in the TV series. They are fun to watch, they are charismatic.
I've seen several complaints about how Bigwig here is too aggressive and pedantic but personally I didn't feel him in that way?? I mean yes, he definitely lacks that softer, more sympathetic side but I think his character comes across well. And yes, I can see why one would be upset with him being treated more like a stupid strongman here instead of the strong but knowledgeable and analytical bunny.
Other characters. I see the annoyance with the more insecure Hazel and a bit Simp, on the other hand I like that he has a couple of flaws that evolve as he progresses. I certainly don't think it was done in the best way and I feel him still very emotional and driven to danger by his own lack of judgement, however the fact that Fiver is the one who complements him with being the one who backs him up and makes him understand is something I appreciate.
Fiver is actually my favorite characterization and I don't know if I would say the boldness of it made me love him much more here than even his literary version. He's neither a hypernervous anorexic bunny driven by trauma nor a calm possessed child. He is a balance, he is sympathetic, level-headed, intelligent, though he can be intimidated he is also not afraid to speak his mind and is true to his ideals and takes his views seriously but at the same time fearful because of how unfamiliar and perplexing they are, sometimes even leading to blame himself for not wanting to understand them if it allows him to help others. To me that's a good way to look at Fiver.
Added as doe Strawberry and Clover, let's see. Again the gender change I could care less about, Strawberry active cheerful and helpful I thought was great, she is very cute and cuddly. And her complement with Bigwig doesn't seem bad to me (some say it didn't make sense because they didn't interact but actually they did, she even defended him when they were arguing and come on even in the book the rabbits who are a couple at least even spoke to each other??).
Clover on the other hand, again the idea of her being a more active character I thought was great. Although the fact that they try to focus on her being a caged rabbit and her unfamiliarity with the wild is handled, I see the flaws in this as well. She gets used relatively quickly and even though it was precisely because of her naivety that she got into trouble it doesn't feel as much. About his romance with Hazel, look, I see it cute but I understand why some things get messed up. The fact that it has to be her instead of Fiver who ventures out to find Hazel after being hurt, because true love, was definitely an egregious change. They could have had Fiver go and Clover impatiently try to follow him only to get lost on the way and get captured instead.
Kehaar though definitely very grumpy and rude compared to his version who though defiant and brave is also helpful was a bit ehh. I still find him charismatic in his own way and his "rivalry" relationship with Bigwig I feel worked well considering.
What their personalities are like here.
Efrafa and does. Uffff how to say it, the change from being a super populated den due to its oppressive environment as a derivative of the desire to hide it as much as possible from man is lost. Here it is an oppressive and evil place because yes, Woundwort has his background but he is entirely corrupted and what he does he does out of sheer power and desire. It's not such a bad take but it still loses its depth, I would have liked to see that concept where Woundwort's brother was still alive and together they created it while he looks with sorrow at his brother's corruption, it would have been great.
Looking at it this way then, well it definitely captures that terrifying and oppressive aura very well, these rabbits do look powerful, terrifying and dominating. Vervain and especially Orchis looked great to me, most of all the latter. I have a thing for these charismatic and intelligent villains who know how to use words well instead of force to get what they want. Sainfoin and Campion were also good, in a way that they tried to go with a similar path to the TV series with the latter I saw it great, more in this context. Also we see something more about Efrafa's life and although the idea of Bigwig being presented as a narrator instead of a member of Owsla was somewhat rare, the more I appreciated his interactions with the other characters watching him with intrigue, training him and interacting with him as comrades in storytelling.
About Hyzen and the does. Again in this context they work. They are in a really horrible place with thousands of horrible eyes on them. Even with that Hyzen and the others are still girls trying to overcome whatever happens to them, she still wants the best for her teammates even if it leads her to be much more distrustful and bring her to the brink of breakdown. I wish her ability to be like Fiver had also been added but I still like her.
Also I appreciate finally having Thethuthinnang and Nettle's involvement as a Nelthilta equivalent, maybe I would have wanted Vilthuril to also be part of the group to equally give her a role and then her bonding with Fiver. How Thet wants to be that force of encouragement for everyone with his songs is a beautiful thing to me. And Nettle's betrayal as an attempt to want to do his best without knowing the damage it meant was very painful.
And yes, Holly's involvement and her relationship with Hyzen seemed appropriate to me. Despite this Holly lacking a lot of the veteran side and knew his original counterpart, I saw him as nice collaborative and challenging and how in a way his mistake in not listening to Fiver made him pay and reflect on being better to then tell Campion great!!!. Others say it's kind of weird but consider that all along Hyzen and Holly interacted and knew each other in Efrafa as well as being a link for her to trust Bigwig. Although their interaction was little it's actually a possible scenario to see. Then he sacrifices himself and mourns his death, gosh, I prefer that over Blackavar's unnecessary and weightless death in the movie. This one at least does have weight and reason.
Plus they finally make Blackavar justified, I love him so much here as a wise old veteran but hurting, capable of being tough. He really participates in the story! And I loved his role along with his line "your plan doesn't make sense but if you pull it off and we remember it I want to be able to say I was part of it" (It wasn't like that as is but you know what it is.).
And lastly, I really missed the lack of stories. Despite being told secondarily, I would have liked to hear this version of Inle's story. And speaking of which, love this version of her, so serene, good and kind but at the same time mysterious and creepy. My favorite without a doubt.
Anyway, here's all my chatter, there would be more but I've already overdone it. Answer me what you want about this and argue, even if there are new points that I'm happy to hear my general opinion will remain the same :P
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