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tobiasdrake · 1 month

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Which DBZ antagonist do you like the most?

Boring opinion, I know, but I gotta give it up for the Obvious Choice.

And I'm not just saying that because I haven't had a chance to talk about him yet.

Frieza runs a real estate empire that carries out genocidal acts of gentrification, purging tracts of land of their native inhabitants so he can sell their land for profit. Commenting on this choice for his ultimate villain, Akira Toriyama stated that he made this decision because real estate speculators are the worst people there are.

Fucking based.

From the moment we meet Frieza, he is a monster. Toriyama likes this Big Guy Little Guy dynamic where the Little Guy is the one you really need to watch out for. Frieza is the Littlest Guy ever.

He's so tiny. And yet you know exactly who the most dangerous person in this group is. Zero question.

By the end of this altercation, Frieza reveals one of his signature attacks, giving us our first glimpse of the kind of person and the kind of fighter he is. This is such an important moment for his character and I'm kinda mad that the anime had Dodoria do it instead.

Muri destroys the Scouters and blinds Frieza. I've talked before at length about the devastating impact that this move and the Namekian warriors' attack has on Frieza's campaign.

But once it's done, he has to face the music. He's not getting out of this alive.

In one last desperation play, Muri tells Cargo and Dende to run while blocking them with his body. And that's when it happens.

This is Frieza.

Specifically, this is Frieza's Death Beam. It's never actually given a name, but is generally referred to as Death Beam. We've seen a move like this only once before.

The Dodonpa, signature technique of Tsuru-senryu, first introduced by the assassin Taopaipai, was built for extreme lethality. This is not a technique for fighting; It's a technique for killing.

What makes Frieza's Death Beam stand out from the Dodonpa, however, is its accuracy and its speed. He threads the needle around Muri to hit Cargo before anyone even has a chance to react.

We see its accuracy and speed again six days later, when it finally catches up to the other child fleeing from him here.

The panelwork here calling attention to everyone's reactions as Frieza's ki bullet shoots past them, as his shot threads the needle between all obstacles in his path to strike his target far behind them. Dende is dead before anyone can even process that Frieza fired.

This is the difference between the two techniques. The Dodonpa is a gun. The Death Beam is a sniper rifle. Faced with the physical hurdle of bodies impeding his path, Frieza point-clicked Cargo and Dende to death.

He later executes Vegeta this same way.

Done with you.

All of this context for Frieza's sniping shot serves to set up the stunning subversion when Goku arrives to fight.

Frieza's never seen this before. Goku shouldn't even be able to see the shots coming until they've perforated his lungs. That's how Death Beam works. It's this moment that lays it out: Frieza's about to be tested like he's never been tested before.

Speaking of cool techniques, I've always been partial to this move from his Third Form.

The anime gives Frieza little ki bullets coming out of his fingers but I want to note that we never see a physical projectile when he's doing this. Frieza jams his fingers back and forth in the air while something pulverizes Piccolo.

I've always imagined he's poking the air so fast that it's hitting Piccolo with pressurized air currents. Similar to Goku's Mazoku air current punch from the 23rd Tenkaichi Budokai.

But that's just me.

In any case, Frieza's got some fun moves. He's something of a hobbyist martial artist. Which is to say, Frieza has an interest in martial arts. In addition to his Death Beam, Frieza's concocted a litany of other interesting techniques.

He even invented the Kienzan, independently of Krillin.

Though he can remote operate his Kienzan so it's strictly better than Krillin's. Frieza, in his spare time, has come up with a bunch of cool moves. Too bad he has no idea how to use them.

Frieza's greatest weakness is his inexperience. He practices martial arts the way a business CEO who bought a log splitter so he can cut some wood and feel woodsy practices agriculture. Frieza has never had a proper chance to truly experience martial arts, because he was born too powerful.

The only partner who's ever even dirtied his skin was his dad.

And even that isn't much. Frieza's too strong. He wants to pursue martial arts. He wants to hone his technique. But when you win every fight by blinking too hard in the opponent's direction, what even is there to practice?

Frieza created a transformation to seal away his immeasurable ki because he was born with so much ki flowing from him that he can't even contain it. At his peak, Frieza's ki bleeds out of him. He simply can't contain it.

Goku wonders aloud why Frieza took so long, even after the fight turned against him, to go to 100%. Frieza's been all "Oh I'm only using 10% power this is my 50% you made me go to 75%" and Goku's like, "Okay. My dude. What's this about, for real?

This, incidentally, is not a great translation. What Goku's saying here is supposed to be basically, "Perhaps when you use your full power, your body can't handle it."

He is correct.

Frieza's Full Power has a lot in common with Super Saiyan 3. His theoretical maximum ability is wildly different from the reality of what he's capable of, because he bleeds ki like it's going out of style.

So, while other characters wound up earning transformations that make them more powerful, Frieza created a transformation to seal away some of his incomprehensible ki.

Then he created a couple more because even though he could now control his strength and even manipulate the amount of ki he's releasing at a time, he was still too powerful for anyone to ever compete with and needed even more ki sealed away.

Again, not a fantastic translation from the people who brought us "bottom-tier boy", as Frieza's statement here could be interpreted as saying that he gets taken by a berserker rage or something.

What he's saying is more like, "My power is so great that I can't properly contain it."

Point is, Frieza transformed to lock down his ki and seal parts of it away, so he could control the rest better. Then he kept going, locking away more and more and more of his ki. And even at his most nerfed, he's still five times more powerful than the Second Strongest Guy in the Universe.

Frieza has never in his life had the opportunity to be pushed. That's what makes Goku so enthralling to him.

Frieza plays with Goku because he's genuinely having the time of his life. This guy can fight him in his Final Form. Nobody can fight him in his Final Form. He's so happy, he straight-up forgets that he's trying to complete a genocide against Goku's entire race.

He said that five minutes ago. Gohan's hidden power freaked Frieza the fuck out. Saiyans are too strong now. They've gotten too strong. Frieza cannot permit them to keep existing because they're getting strong. Every last Saiyan, every last one, must die. Every single one. Scorched earth, no survivors.

But then he meets a Saiyan martial artist who's a technical master and pushes him more than he ever thought possible and suddenly:

He goes from "Saiyans are TOO STRONG and they all must die because they might threaten me" to "OH MY GOD I'M HAVING SO MUCH FUN CAN I KEEP YOU!?"

It's this desire for a true rival, this opportunity to satisfy his amateur's curiosity about martial arts, that ultimately unravels him. Frieza has one ruthless and pragmatic option for ending this fight once it starts to be too much for him. He can technically stop the fight any time he wants.

But he can't bring himself to do it. He wants to fight. He wants to compete. Frieza's been on the outside looking in at martial arts for his entire life and even when his greatest fears are fulfilled and the Super Saiyan is in front of him, he wants to try.

So when he does attempt to pull his Lethal Ragequit, he pulls back at the last second. He can't bring himself to do it. Goku initially assesses that Frieza held back out of fear of hurting himself.

But later, as Frieza begins unlocking the final chains on his ki, Goku changes his assessment. Noting that if Frieza really held back simply out of a mistake, he could have shot the planet again at any point to finish the job. He's been letting this play out because he can't bring himself to end the greatest fight of his life that way.

This fight is still happening because Frieza wants to compete. I mean, he wants to win, of course, but he wants to win as a martial artist. He's never truly gotten to be a martial artist before.

He is not the guy winning the gold medal at the Tenkaichi Budokai. He has never been that guy. He's the guy who buys up the land the Tenkaichi Budokai is held on and then bulldozes all the people off of it. But in his heart of hearts, he wants to be that guy. That guy is so cool. Frieza wants to play too.

In a sense, by hosting the Cell Games, Cell got to live Frieza's greatest fantasy.

This is who Frieza is. He's the cruel and wicked heir to Genocide Realtors Inc., who is in love with the idea of being Tenshinhan - A desire that exists at odds with - and undermines - his pragmatic business sense, so to speak.

He is the most vile character in the history of Dragon Ball. The worst kind of person. He is also an overeager child whose wealth and privilege prevents him from ever truly enjoying his hobbies, to an extent that he'd be almost pitiable but for all the genocides.

And he is Dragon Ball's greatest villain.

#dragon ball #dragon ball z #frieza

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cyjammy · 5 months

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Vox and Alastor’s Dynamic is so FUN

Hazbin Hotel Season 1 Episode 2 Spoilers ahead!

I have to talk about Vox and Alastor’s “rivalry”. I love how Alastor just couldn’t care less, he’s witty, he’s emotionless and that makes him all the more powerful.

Well, not emotionless since he does express outward disgust towards anything digital, but the fact he can keep himself composed because he knows he is the shit and that’s what makes him my absolute favorite.

That showed through in the pilot and the show didn’t fail to deliver. I love how he’s handled. Viv’s characterization is wonderful.

Most fics I have read with Alastor have shown him as vunerable despite the story never alluding to that and it’s such a breath of fresh air to have canon content of Alastor being his authentic self.

My god do I love a character that’s strong and not swayed by emotion, but they can be handled well too. I.E. VOX oh my god. Every fanon had him pegged down as the victim to Val’s wrath, but he’s the mastermind behind the scenes. A complete subversion of everyone’s expectations. And that’s for another post I’m about to go crazy on, but I digress.

Vox is a man up in his ivory electronic tower with villainous intentions, but he falls short because of emotion!

Handling Velvet’s demands to get Val together? A quick pep talk with himself and he’s got it.

Addressing unforeseen circumstances with concerned sinners? Easy.

But Alastor?

He sees RED. He let Valentino have it when he even thought about going on a rampage over a sinner under his thumb.

When it comes to Alastor, Vox goes on a hate campaign and makes a fool of himself.

Meanwhile, Alastor was minding his business, and Vox couldn’t deal with that.

So much so he causes a blackout in the Wrath ring!

Why? Because of his rejection sensitivity.

He is this all powerful overlord with companions in his rule and when he asks someone of similar station to become his equal he gets rejected.

It’s unheard of for him. He cannot fathom it.

Because that makes Alastor a factor he cannot control.

Val says that Alastor “almost beat him”. Val may not have witnessed that fight and Vox spun it around to claim he came out on top.

But if he did, he definitely wouldn’t let Alastor get away.

Valentino and Vox have known each other for a long time, as shown in a photo in the background in the episode.

So either this spat began before they had met and Vox lied or Valentino witnessed it. I'm excited to see which way that goes.

In terms of influence, Alastor seems to win that battle. Vox is in charge of electrical currents and anything in the digital space.

Alastor is so far removed from that Vox has no influence over him. He refuses to be involved with new technology.

But with Vox having an army of sinners under his wing through subliminal messaging, he had security and power.

With Alastor’s return he brings CHARISMA and he’s doing it SO FUCKING WELL.

This is not a battle, it’s a slaughter, and Alastor is WINNING. With television there are so many ways to captivate a viewer but with radio all the host has is their voice and personality. It all has to be shown in a medium that doesn’t have many options for uniqueness.

Alastor defends himself with grace. He throws out compliments to his fellow overlords while still having it be a slight to the man who began the fight.

THE Vs ARE PREENING AT HIS PRAISE. THIS MAN IS GOATED.

It's night and day, but that's probably because Valentino and Velvet are tired of Vox's shit. I love this parallel so much!

Vox needed to be the person he was with Valentino at all times if this is a battle he wants to win, but he’s so bitter he will never see that.

He’s stubborn and that’s his main flaw.

And I fucking love it.

Alastor knows what he’s thinking and how to avoid it.

Always a step ahead. And their duet showcases that perfectly.

Alastor uses his opponent’s power against them, seeing the slanderous TV campaign and immediately going on air.

He does that in the pilot as well and seeing that this has become a habit for him is so fun to see.

Alastor is not to be messed with and I feel like people decided to gloss over that. But it’s so in your face you cannot deny it.

Alastor is TERRIFYING with a chilling deposition that will give you nightmares if you dare cross him.

Give him the respect he fucking deserves.

And the music and the visuals of the song — A whole fucking masterpiece.

I’m in love with their dynamic so far and I can’t wait to see where it goes.

So far Vox is the obsessed fanatic that couldn’t handle rejection.

There has to be more than that.

#hazbin hotel #hazbin vox #Vox #Alastor #Hazbin hotel season 1 episode 2 #i love this show #it’s so good

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tgcg · 7 months

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part 2 of something specific

CG: I’M GOING TO NEED TO WATCH THROUGH IT AGAIN TO REALLY HONE DOWN WHAT I THINK OF IT, BUT FUCK IT, I MIGHT AS WELL SHARE MY THOUGHTS NOW SINCE WE’RE FRESH OFF OF WATCHING IT.

CG: SO, THEY’RE ACTUALLY A REALLY FASCINATING EXAMPLE OF RED ROMANCE. I’D GO SO FAR AS TO SAY VERY SUBVERSIVE OF ALTERNIAN UNDERSTANDINGS OF THE SORT, COMPARED TO WHAT YOU’D USUALLY SEE IN FICTIONAL MEDIA. IT’S LEVELS ABOVE THE TYPE OF DYNAMICS I WOULD TYPICALLY SEE IN MY NOVELS, DISREGARDING THE QUALITY OF VACILLATIONS AND YOUR QUOTE-ENQUOTE “POLYAMORY” PRESENT. BECAUSE SAKURA’S POSITION IN THIS IS PRACTICALLY POINTLESS, BUT I DIGRESS.

CG: ACTUALLY — THAT WAS KIND OF FUCKED UP, BY THE WAY. WHY IS SHE WRITTEN SO POORLY?

TG: remember when i told you about misogyny

CG: I WILL NEVER FUCKING GET THAT. OUR MOST POWERFUL FIGURES WERE GENERALLY GIRLS. HOW THAT TRANSLATED SO FUCKING TERRIBLY IS BEYOND ME!

CG: AND HOW THE SHIT DID THE UNIVERSE *I* HAD A DIRECT HAND IN CREATING END UP BEING SO MIND-BOGGLINGLY BACKWARDS ABOUT ROMANCE?

CG: DID NOT EVEN AN ERRANT TRICKLE OF MY INFLUENTIAL THINKPAN OOZE MAKE IT THROUGH THERE? AT ALL?

TG: not even a droplet my man we decided to be equally anal about other stupid shit i guess

CG: NO KIDDING!

CG: ANYWAYS.

TG: if yall managed to get through that door and reign supreme over the human race for lip smackin eternity you know mens and womens would be macking on each other in various gender arrangements with gleeful wild abandon

TG: itd be a goddamn utopia

CG: FUCKING EXACTLY! BUT INSTEAD I’M HERE. DOING THIS. WITH A GOD, UNIVERSE PENDING. INSTEAD OF BEING A GOD REIGNING OVER A UNIVERSE MYSELF.

CG: *ANYWAYS*!

CG: THEY START OUT WITH A RIVALRY, SURE, BUT THERE’S ACTUALLY NOTHING BLACK ABOUT IT. THEIR FEELINGS FOR EACH OTHER ARE STRICTLY POSITIVE, IF HIDDEN BEHIND A MORE AGGRESSIVE FACADE. THE VIOLENCE OF THEIR RELATIONSHIP BOTH COMES FROM THE SOCIETY THEY WERE RAISED INTO, AND SOME OF THEIR MAJOR CHARACTER FLAWS AND INSECURITIES. NARUTO IS FIERCELY DEFENSIVE OF ANYONE WHO JOINS HIS CIRCLE BECAUSE HE’S DESPERATE FOR CONNECTIONS, AND REFUSES TO LOSE THEM AT ANY COST EVEN IF THEY LEAVE SUPPOSEDLY OF THEIR OWN ACCORD. SASUKE SEPARATES HIMSELF FROM THE PEOPLE HE LOVES OUT OF FEAR – AND DESIRE FOR REVENGE AGAINST HIS BROTHER CONVINCING HIM THIS IS NECESSARY.

CG: LIKE, EVEN WITHIN THE FIRST MAJOR ARC IN THE LAND OF WAVES YOU CAN SEE THAT THEY CARE ABOUT EACH OTHER SO DEEPLY THAT SASUKE WOULD DIRECTLY SACRIFICE HIMSELF AND HIS POTENTIAL FOR NARUTO’S. AND BELIEVING SASUKE TO BE DEAD IS THE FIRST CATALYST TO NARUTO’S POWERS BEING RELEASED. THAT IS *REALLY* EXTREME. ESPECIALLY BY TROLL STANDARDS, BUT I UNDERSTAND KILLING PEOPLE IS A MUCH FUCKING LARGER DEAL PSYCHOLOGICALLY FOR HUMANS. THAT KIND OF REACTION TO DEATH WOULD ONLY BE RESERVED FOR A CURRENT OR POTENTIAL QUADRANTMATE… AND IS OTHERWISE ONLY EXPRESSED BY TROLLS WITH DISEASES.

TG: oh yeah like the friendship disease right

CG: UGH.

#davekat #dave strider #karkat vantas #homestuck #comix #something specific

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our-lady-of-haymakers · 8 months

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Always been lowkey fascinated by the parallels and contrasts between IFTV and MagiRevo because they tackle the genres they're trying to queer with almost diametrically opposed approaches to arrive at a common conclusion? IFTV's all about knowledge and certainty, about a protagonist who is almost completely aware of how everything in the story she currently inhabits will play out and how simultaneously empowering and constrictive that can be to a queer identity that yearns for stability and grounding, while also being keenly aware of how sharply the lines between tolerance and exile, a happy present and an inevitable future are drawn, and daring to properly imagine something new, to flip the script and turn the destined into the daring. On the other hand, MagiRevo's all about uncertainty and the chaotic, of a protagonist who's empowered not because of what she knows, but because of what she doesn't, and the newfound faith and hope she can foster in a world where nothing is set in stone and anything can be possible, which also then transitions into a story about how brutally hierarchy and hegemony creates dynamics of insiders and outsiders, and the importance of queer identity being grounded not only in maverick individual excellence, but also in a community that can offer love, support and stability.

Despite and because of this, both tales arrive at a declaration that all queerness is revolutionary and no revolution can exclude the queer, that the act of being gay is necessarily mutinous, and that to find lasting bliss and stability, you must love dangerously and imaginatively, embrace the subversive and villainous, and write legends from promises and dreams. Truly the kind of range that makes you think, "Girlgods, how I love yuri."

Anyway, enjoy the scrimblos.

#i favor the villainess #the magical revolution of the reincarnated princess and the genius young lady #watashi no oshi wa akuyaku reijou #tensei oujo to tensai reijou no mahou kakumei #yuri

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mtkay13 · 1 year

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Lord Zhou and the Ghost Valley Master Cross-posting because i'm just that wild, hah! /jk More about the art below! --and a little talk about WenZhou and their relationship to power (+ some meta).

So hum, it is no secret that I enjoy a bit of "spice" in WenZhou's dynamic and at times am very prolific on my nsfw twitter account.

Collars and leash stuff have been on and off, and I was recently enabled for more of that by friends going wild about ZZS on a leash, etc, etc. LBR: I don't think you need any reason to go feral about that kind of stuff--but seeing how I myself seemed to regress to the state of a wild horny beast while making this painting, I felt like I may need to adress it a little. Here are some of my thoughts about WenZhou & power:

WKX and ZZS are both men who are/were in a position of extreme power. Both rose to that position of extreme power, but from very different starting points and motivations.

ZZS was, from what we know from how he describes himself in TYK and from how he behaves in QY, a very smart, cocky, ambitious kid, who probably deliberately sold his services to HLY to keep rising. There were probably ideals mixed in that, but point is, ZZS desired that power, that influence, and was encouraged to reach it. Becoming a sect leader so young was probably a shock, but nothing indicates that this position wasn't wanted. ZZS also mentioned not having a physique as advantageous as ZCL's when he was a child; so he probably had to work hard to reach his goals. Point is: the power was desired and strived for.

WKX has, without a doubt, needed the power, without ever really showing any pleasure nor satisfaction in having it. Surviving in the GV =/= reaching the top; if anything, becoming the GVM put the largest target on his head--but it is likely that reaching the position of GVM was necessary for him to execute his plan (find the key, pull the right strings, obtain his revenge). WKX was a little genius who didn't want to study, and probably wasn't dreaming/aiming for power. Conclusion: the power was a necessity and a tool. Many various characterisation points/analysis/dynamics can be pulled from this, and it is quite interesting to explore how, later, their relationship to power can evolve, both re:the rest of the world and each other. For the following personal analysis, I also worked with the following points from the book:

ZZS admires WKX's strength and power

WKX seems to have multiple fantasies of control and domination

ZZS seems receptive to many of them (including the biting, the somno stuff, and the cnc suggestions)

WKX admires/envies/resents ZZS' freedom

ZZS has fun becoming a subversion of his past self (swearing, being gross, being ridiculous, being openly cocky)

WKX is a control-freak and is very patient

ZZS is a bit conservative

WKX quite the opposite

Now how does that bring me to ZZS on a leash for the GVM?

(note that this is my current conclusion, not the conclusion)

I like to think that on the one hand, ZZS is that man who sees himself as a man and enjoys a lot of things about masculinity. The power that he likes for himself, he also enjoys seeing it in someone else's hands--he likes fighting for it, but (and this is a very personal interpretation) I like to believe he gets the most thrills from being overpowered; because it shows how strong the other is, bc it subverts whom he is himself. The power he's fought to get, has had all his life, but ended up leaving him alone at the top, feels good when taken from him--or when there's someone strong enough that he isn't alone up there anymore. On the other hand, I feel like although WKX would benefit from relinquishing some control and power, he does enjoy using it in a personal, pleasurable way, rather than by necessity. While he probably likes toying with presentations, with appearances, and doesn't mind being perceived as the wife, as the more submissive one in their fake-traditional relationship play of husband and wife, having the power, holding the leash---simply out of pleasure and mutual satisfaction is, I think very cathartic and arousing for him.

But then, why precanon? For the aesthetic bc I'm a simp for TC!era ZZS. And because showing him so strong, so powerful, yet leashed, is kind of a reminder that... It's not about real power. It's not about who, between them, is the strongest, the most powerful, the winner or whatever. It adds that thrill, the aknowledgement that this is out of freewill and choice and pleasure, I guess.

On top of that, man, I'm sorry, but peak TC!ZZS right post-QY canon after he's become the most powerful man in the country but is completely jaded by what happened in the end? On a leash? For a man he respects?? ugh

Anyway TLDR; I think it's hot and all of that gibberish barely has anything to do with my actual motivations to draw this.

#tian ya ke #zhou zishu #wen kexing #tyk #wenzhou #zzs #wkx #meta #qi ye

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lollytea · 1 year

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Okay okay okay so my thoughts are a little jumbled right now so I'm not very coherent but I need to blabber about this one element of huntlow in For the Future that's got me going off the rails. It's the way in which they both take initiative in their interactions with each other, specifically how it differs with both Willow and Hunter.

There's a bit of a vibe in a lot of huntlow content that puts emphasis on Willow's confidence and Hunter's shyness, so she's the one who talks, who flirts, who acts, who gets the ball rolling. Meanwhile, Hunter clearly reciprocates and enjoys her attention but allows her to take the lead, rather than initiate anything himself. And this interpretation is perfectly fine. It's cute!! And Thanks to Them kinda gave us the impression that it wouldn't be that unlikely.

But the scenes involving them in For the Future were SO good. As an interesting subversion of the point above, it's actually Willow who's become the more uncertain one in their dynamic. As a contrast to how she comforts Gus when he tears up, Willow is rather hands-off when it comes to Hunter. It's likely because she understands that what he needs right now is space to process his grief, but in addition to that, she might be at a complete loss on how to help him. Because what could she possibly say? Willow can promise Gus that she'll find his Dad, she can assure Camila that things with Luz will be alright, but she can't bring Flapjack back. And even at this point in the episode, this may have been adding to her steadily escalating feelings of stress and helplessness. ("I can't help my friends...")

Willow feels like she keeps fucking up when it comes to Hunter. When she allowed herself that brief moment of childish indulgence by being silly with the plants, which resulted in Hunter snapping at her? Oh the way her smile dropped and she looked utterly devastated. She must have felt so guilty, so ashamed, so frustrated with herself for being so stupid and goofing off when her friend was severely hurting. And it's not like he was wrong for saying they didn't have time for this. But in typical Willow fashion, she shoved those feelings down and put on a smile for Gus.

There's no implication of it but I wonder if she also felt like an idiot for letting her emotions get the better of her when she saw that puppet of her Dad. She put herself in harm's way, forcing Hunter to charge after her and pull her to safety. Do you think she wonders if he was annoyed by that? Maybe that was eating away at her too. She's trying to be level-headed and reliable but it seems like she keeps slipping up. And Hunter is always there to witness it.

Of course, Willow didn't stop trying. Though she may have felt a bit rejected and disliked by him at the time, Willow still made the effort to look out for Hunter in any way that she could. She suggested they go outside and keep him company while he was pacing himself into the ground. And later on, she lit up with delight when she found something that she believed would comfort him.

And then she expressed, in her typical warm Willowy way, that they loved him unconditionally. She didn't have the perfect words to make everything okay. She was just being herself. Willow took a chance with this boy she didn't know how to help and simply said what she felt, hoping it would give him some semblance of solace.

But being herself wasn't good enough. At least not in Willow's eyes. She already had fragile confidence in regards to Hunter's current opinion of her but ohhhh the deafening silence that followed after she had bared her heart to him. The way she brought him to tears, leading her to believe she had rubbed salt in the wound. The way Luz had to gently intervene to make sure he was alright and Willow felt like sinking into the floor. How Hunter's quiet little "I....don't know..." speared her through. All of those things pushing her to her breaking point. She's made everything worse. Because that's what Half-a-Witch Willow does.

Hunter's perceived opinion of her is utterly deteriorating Willow's self confidence and it's the thing that results in her self loathing inflicted descent into thorny vines. She's in denial at first, still struggling to hold it together, still insisting that she can grasp hold of some facade. The pitchy and nervous tone of voice as Hunter appears on the scene and she desperately feigns nonchalance. She knows deep down that her magic is spiralling out of control but she cannot let him know. She cannot let him see her like this. And with this added anxiety of Hunter's presence, the vines only get worse.

Meanwhile, when it comes to Hunter, he is not idle by any means. He takes a proactive role in almost all of his significant moments with Willow.

Obviously, Hunter is a protector. He shields his friends from physical harm. He's especially paranoid about them getting hurt now after what happened to Flapjack because he can't lose them too. This paranoia, in addition to his overwhelming grief and recent trauma, has made Hunter high strung and irritable. Keeping his friends alive is his priority right now. Because of this, their emotional needs and how his snappish behavior is affecting them, is understandably the furthest thing from his mind.

But once he realizes that he's hurt Willow's feelings? Oh he looks completely shattered. The way Gus runs out the door to find her and Hunter murmurs "Wait..." before he rushes after both of them, calling out their names, begging for them to come back. There's none of the hesitation that Willow demonstrates with him, only loud desperation. What does he even intend to say to Willow? Who knows. Honestly, I don't think Hunter knows either. But it's not about that. It doesn't matter if Hunter has no idea what he's gonna say once he catches up with her. What matters is that he's running after her at all. He knows one thing and it's that he has to do something.

And that's what Hunter continues to do from that point. Something.

When he finds her tangled up in her own vines, mentally and emotionally unraveling, Gus hanging in distress above their heads, he's immediately asking her to explain, concerned and alarmed. When Willow's feigned cheerful demeanour shows its cracks and the vines start to ensnare Hunter, the last thing he does before he's fully bound is take a step towards the obviously overwhelmed and frightened Willow and try to reach out for her. Again, what was he planning to do? What was he gonna say? He probably had no idea. His actions were likely instinctive. But the fact that trying to provide some form of comfort to Willow was an instinctive response from him speaks volumes about their relationship. He's not going to stand around and do nothing while she's upset. Even if he's bad with words and emotions, he's always gonna try. She's worth trying for.

Cannot stress this enough but by the time her vines begin to consume her, Willow has probably convinced herself that Hunter's high regard for her has completely plummeted. Because why wouldn't it? This is, without a doubt, Willow at her most pathetic. But during this moment of complete wretchedness and self destruction, Hunter is the one who acts.

He bursts out of the vines and bundles her up in his arms. His hands press down on her shoulders and he frantically assures her that she's not to blame for any of this and she didn't ruin anything. He eases her anxieties by vocally expressing just how much he cares about her. He begs her not to be so mean to herself. And then, with desolate eyes and a soft gentle voice, he asks if she's been holding all this in the whole time.

He wants an answer. He wants her to talk to him. He wants her to tell him what's wrong so he can try to help. He wants to listen. And he's taking the initiative to get there.

And Willow's completely stunned face upon hearing all of this shows just how overgrown her insecurities had become, leading her to become entangled in the worst possible conclusion. She was now receieving affection and loving words from none other than the boy who she fully believed had lost patience with her for constantly messing everything up. The way the first tears pricked and her mouth wobbled when that soft gentle voice expressed concern for her, seconds before the dam inevitably burst. It was all a little too much for her I think.

Also can I talk about the little finger link?? I've been dying to talk about the little finger link!!!!

Everything about how that scene is executed is so sweet to me. Willow, though she's a lot more reassured over where she stands with Hunter, is still a little unsure on how to approach this. She doesn't hold his whole hand. No, that might be a bit much. For both Hunter and herself. Let's start smaller. Less nerve racking.

Of course, if she's still so hesitant, she doesn't have to touch him at all. But she wants to. She really wants to have physical contact with him in some capacity right now, even if it's as tentative as could be. In holding his hand, Willow would be making a rather bold statement. But in linking pinkies, it's more like she's asking a question. Is this okay?

She's clearly a bit unsure. Noticeably not looking at the touch, eyes locked on her feet before she speaks. But as unsure as it is, I think she's pretty brave for doing it at all.

What gets me is that what Hunter said left such an impact on her that she was compelled to thank him. She was grateful to be told that she didn't ruin everything. She had wanted to be told that she meant something to him. Even though she wasn't aware of it, she's realized that hearing those words took a huge weight off her chest. Willow could breathe again. She could see him a little clearer now. And she would like to tell him just how much those words meant to her. Just how much he meant to her.

This is the moment where Hunter silently answers Willow's question. He's choked up, he's nervous, he's overwhelmed, but in spite of all that, he still takes initiative.

In linking their pinkies, Willow is asking Is this okay?

And when Hunter deliberately presses the back of his hand against hers, he's answering her question. It's more than okay.

Anyway Hunter being proactive in almost all of the huntlow scenes, Willow being the more nervous one between them, neither getting to the point they've gotten to if they didn't each take the lead at different moments. It was all so good.

#toh spoilers #huntlow #long post #me: not making any long posts about my ftf thoughts yet i am tired #me five minutes later:#does this even MAKE SENSE?? like do you understand the point im making???#i feel like im not explaining it thoroughly enough #im tired

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shurisneakers · 5 months

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a writing challenge? in 2024? you bet

Hi! Hello! Hey!

I've been going through A Time and have chosen to cope by going back to the specific vibes of 2016 to 2018. That happens to include an incredible resurgence in my love for MCU fanfic, the community around it and all the love that goes into them. I've felt a bit distant from here for a while, but I still see so many of my old friends writing, ones who want to get back into it, and a whole lot of new writers I am dying to meet.

I've floated this idea vaguely on my blog and people seem to be interested so I figured it was worth a shot!

So yeah, welcome to Ari's Old School, Nostalgia Jam, Why-The-Hell-Not MCU Fic Writing Challenge 2024!

Prompts, rules and whatnot under the cut:

Requests:

If you could reblog this post to reach someone who might want to participate, I'd really appreciate it! No need to be following me, it's open for anyone.

Reader-inserts, OCs, solo character fics, character x character-- absolutely no limitations

Any and all MCU characters are allowed

Anything above 500 words should have a read-more/keep-reading tab. Series, multi-chapters, one-shots, drabbles, etc etc. The sky's the limit.

Please tag me in your fics (@shurisneakers) so I'm notified of them, and post them with the tag #arisoldschoolwritingchallenge . It may take me a while to get back to you due to the circumstances I find myself in currently, but I absolutely will. Please send me a DM if I haven't responded within 10 days.

Send me an ask with the prompt you would like. Feel free to pick up to 2 prompts

The only thing I request of you: no RPF and no dark fics. Smut is welcome, but non-con/dub-con/incest or anything along those veins is something I'd ask you not to submit for this challenge. Thank you for your understanding!

I know I've called it an MCU fic challenge as it's the community I've grown with, but if you feel like any of these prompts resonates with a character from another fandom, please go ahead and write it. This challenge really is just about the fun of writing fanfic and love for Your Little Guys

No submission cut-off date. Take all the time you need.

Prompts

I've tried to have a mix of classics and uncommon tropes/dynamics, so I hope everyone finds something they connect with!

Relationship Prompts

1. Enemies (taken by @theysaywhatasadsight)

2. Best friends/childhood friends

3. Coworkers (taken by @jaaneymann)

4. Internet friends

5. Neighbours/roommates (taken by @angrythingstarlight)

6. Fake dating (taken by @hungryforpowernotfood)

7. Commuters

Alternate Universe Prompts

1. Florist AU (taken by @hungryforpowernotfood)

2. Showmance AU (taken by @bombsonboard)

3. Social media/streaming/gaming AU (taken by @splintered-emotions)

4. Thieves/Heist Group AU

5. Time travel AU

6. Pirates AU

7. College AU (taken by @lovelybarnes)

8. Apocalypses/dystopia AU (taken by @targaryenvampireslayer)

9. Chef AU

10. Roadtrips AU

Some rarer miscellaneous ones for those who are so inclined!

1. Shipwrecked together on an island

2. Meet Ugly (opposite of Meet Cutes) (taken by @barnesandco

3. Both of you are ghosts but don't know the other is

4. Treasure hunters AU

5. Faking death

6. Professional cuddlers AU

7. Time loops/Groundhog Day (taken by @sxrensxngwrites)

8. Orpheus and Eurydice

9. Villain x hero

10. Hitchhiking

11. Carnival of Horrors

12. Robin Hood

13. Matchmakers AU

14. Insomniac x narcoleptic

15. Intergalactic Coffee Shop AU

16. Doomed By The Narrative

17. Enemies to Lovers to Enemies

18. Subversion of Classic Hallmark Movie Tropes

Dialogue prompts

You can tweak them as per requirements, but be sure to keep the underlying message!

Angst

1. "I should have trusted myself. I should have stayed far away from you." (taken by @waywardcrow)

2. "Has it occurred to you that how I feel matters too?" (taken by @jaaneymann)

3. "We failed. I would do it again."

4. "You do not deserve my forgiveness."

5. "You make me feel so alone." (taken by @reidishh)

6. "I'm not giving up on us." "I did. You should too." (taken by @targaryenvampireslayer)

Crack

1. "Ohhh, you wanna kiss me so bad it makes you look stupid." (taken by @pinkthick)

2. "I think you and I make the worst choices together." "Yeah, but it's always entertaining."

3. "I trusted you." "Terrible decision, really."

4. "I know I'm smiling but I want to push you off a very big cliff." (taken by @pepperonijem)

5. "I'm hilarious." "You're traumatised."

Fluff

1. "This is the only thing I look forward to everyday." (Taken by @bombsonboard)

2. "I think we should do that again. For the sake of the world and my sanity."

3. "You're all I think about." (taken by @waywardcrow)

4. "Don't go anywhere I can't follow." (taken by @iguess-theyre-mymess)

5. "Don't smile at me like that." "Like what?" "Like that." (Taken by @lovelybarnes)

Word Prompts:

Flesh

Strawberry

Bruised (taken by @juvenilearson)

Groovy

Jump

Sunflower (taken by @barnesandco)

Alchemist

Wayward

Offerings

Mischief (taken by @supraveng)

I hope you'll join in! Please do tag anyone you think would be interested, I'd love for this to have as wide an audience as possible.

Lots of love <3

-Ari

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artbyblastweave · 2 years

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There are a lot of ways in which Bonesaw seems to be in conversation with Harley Quinn. They’re both blonde, perky minions with an exaggerated affect and an affinity for black comedy, the girl-fridays to their respective society-dwelling chaotic-evil middle-aged masterminds. Both of them have sympathetic backstories in which they were brought to their current sorry state through deft and continual emotional abuse and/or torture. Both of them are painted as arguably more competent and creative than their respective bosses, and both of them ultimately receive redemptive arcs in which they rediscover their sense of personal agency and get out from under the thumb of their abuser. And neither of them has a valid license to practice medicine.

One thing I don’t see brought up a lot, though, is that Harley Quinn as she’s currently written and marketed is already subverting and deconstructing a character archetype- namely, that of Harley Quinn. She was originally introduced as a relatively flat and uncomplicated minion of The Joker, for a gendered sight gag they didn’t even go through with in the final cut of the episode. She verged on being a stock character. I’ve always parsed Mad Love, the comic/episode that fleshed out her backstory, as the writers subsequently sitting down and seriously considering the whole moll archetype; asking themselves how someone ends up the sidekick of someone like The Joker, and how dysfunctional that relationship would be behind closed doors. Harley Quinn is already thoroughly subverting Harley Quinn, to the extent that it’s now possible to go your whole life without consuming any Batman media that contains the original dynamic being subverted.

So what Bonesaw is doing is that she takes that subversion and cranks it up a notch. Bonesaw is a version of Harley Quinn who, in my opinion, is vastly more sympathetic than Harley herself, but she also (very reasonably!) gets handed much less of a pass by the narrative despite this.

Harley was a grown woman with a doctorate. Bonesaw was Six. Harley breached professional ethics by becoming involved with her patient. Bonesaw was Six. Harley (I think @zoobus brought this up recently and got me thinking about this) was, as the Joker’s doctor, and thus at least initially was the more powerful party in regards to the power imbalance. Bonesaw was six.

But! Despite the fact that Bonesaw was six, and was dealt an unabashedly terrible hand, the redemption arc is significantly more uphill because she, you know, she did torture and murder scores and scores of people in the most horrifying ways possible! And at a certain point issues of culpability have to take a back-seat to questions like “Are we physically capable of stopping her if she changes her mind and starts doing this again?” Pound-for-Pound I’m pretty sure she’s much worse in terms of raw bodycount than Harley Quinn, regardless of how much choice they each had in the matter. No real way to elide that. No marketing-based impetus for the author to do so.

Her redemption arc doesn’t happen because people within the setting idealistically recognize her as an abused child who’s deserving of a second chance on principle; instead they get her in their custody, they need something from her, and extend her the courtesy of not killing her because that’s the only way to get what they need. They never trust her; they never will trust her, (I personally don’t feel like they’re under any obligation to ever trust her) and her readmission to society is so knifes-edge conditional that from her perspective it was only barely worth it to return to the fold. She is not happier for her decision. There’s no just-so story about how doing good makes everyone forgive you and become your friend, or at least become cautiously indifferent to you. This is, like, the most cynical, harsh and bitter redemption arc possible. And in spite of all this, there’s also a level on which Bonesaw is lucky, because her “redemption arc” is so mechanistic; so dependent on timing and circumstance, on people needing something from her instead of just killing her, on being young enough that “she never had a chance to be anything else” is an argument that lands with people despite being also reasonably true for a lot of adult supervillains who got fucked over as early and as hard as she did.

This has been sitting in my drafts long enough that I don’t have a good sense of what the final takeaway should be, so I’ll just end with this- Bonesaw’s situation, as melancholy and cynical as it makes me feel, is definitely in line with one of the big recurring beats of the book- that regardless of questions of what one deserves, you get away with a lot if you have something to offer and if you play ball. I don’t think it’s a coincidence that Taylor’s visit to Sophia in prison comes right on the tail of the Bonesaw sequence; Shadow Stalker could have gotten better, if anyone had cared enough to put in the legwork, and probably could have done so with much less work than Bonesaw. But nobody entertained that idea, because at a certain point she stopped being worth it. And Taylor, who probably did do a lot more harm to a lot more people just because she was running free for longer, gets a seat at the table because she made herself useful, and a charitable assessment from the fandom because we live in her head. And after a sufficiently long bout of fruitless plate-spinning and sin-weighing, kindness and mercy and the extension of second chances inevitably come out in the wash, as a knot-cutting measure if nothing else.

#bonesaw #worm #wildbow #parahumans #thoughts #worm thoughts #worm web serial #meta

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wen-kexing-apologist · 1 year

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La Pluie Stray Thoughts

In the spirit of @bengiyo I will be stealing this format, mostly because I currently do not have time to do full analyses about hands and body language and trope subversions, but I NEED TO TALK ABOUT THIS SHOW RIGHT NOW.

Lomfon

So first of all shout out to my new best friend, Lomfon for having a level head and ensuring that Tien did not go running up the mountain and creating two people in need of rescuing. As an EMT, one of the first things you learn in training is that you need to make sure the scene is safe before you can treat a person in danger. If you dive in to the water to rescue someone drowning and you don't know how to swim, you now have two people drowning.

So cheers to Lomfon for being calm enough in this emergency to rein Tien back in. AND ALSO HELLO? CAN WE TALK ABOUT THE WAY LOMFON WAS GONNA RIDE OR DIE WITH TIEN IN THIS EPISODE??? Did Lomfon say "if you go up the mountain there will be more problems?" NO. NO HE DID NOT. He say "If you and I go up the mountain" he was not about to let Tien go anywhere alone.

And goodness me, I am so here for the juicy new reveal about Lomfon being able to hear both Patts and Tai. Great way to prove definitively that the soulmate connection is bullshit. (Either that or #throuple but it's not going that way, not with the way that Lom and Tien are heading).

Tien

Thank GOD we finally had a crack in the dam. This boy has been a ball of extremely well controlled energy for far far too long, and we have known it was bullshit from the beginning. I love this sibling dynamic so much. Tien loves Tai so much, he knows how fucked up Tai was about their parents divorcing and while we still don't really know if it messed with Tien or how badly the divorce messed with Tien, I love the confirmation and the way Lomfon got to see that there is far more depth to Tien than originally thought. I hope we get to see more of it, like most of the tumblr clowns, I think we might start shifting focus towards Lomfon and Tien's budding relationship as Lomfon, Patts, and Tai try to figure out their rain connection.

And I am *so* looking forward to seeing the comparisons between Tien and Lomfon's relationship to Patts and Tai's both in terms of knowing Lomfon is connected to Tien's brother, the limbo feeling Lomfon is starting to get stuck in, and the fact that the romance between Lomfon and Tien follows a much more natural progression/standard romance. They aren't in each other's heads, they would never know if they were meant for each other, and if something happens between them, Tien and Lomfon never have to see each other (or hear from each other again).

Also, I love the hug. Which hug? Both hugs. The way that Tien finally has support. Lomfon pulling him into him from behind and showing, telling, shouting at Tien that he is right there. And Tien relenting, turning and purposefully wrapping Lomfon in a hug. Like????? Also, the sibling relationship is written so well, Tai: "your lunch is over there because I don't care", Tien breaking down because he is so worried about Tai, then beating himself up because he didn't immediately think about the connection to the mountain, Tien hugging Tai so tightly and telling him to never do shit like that again, and then punching him in the leg. Superb.

Kung and Bow

They were holding hands in the tall grass when Patts came running back in asking about where Saengtai was, so I have unilaterally decided that means they fucked nasty. That's all.

Patts and Tai

Listen...listen....

LISTEN

I LOVE THEM. I love that they are being adults about this, that Tai wasn't jealous or angry, but just forced to confront his thoughts about what being a soulmate means. AND I LOVE THAT HE AND PATTS CONCLUDE TOGETHER THAT THEY LOVE EACH OTHER REGARDLESS OF WHETHER OR NOT THE SOULMATE THING IS REAL.

AND FURTHER, I LOVE THAT WE HAVE LOMFON BEING ABLE TO HEAR BOTH PATTS AND TAI LITERALLY IMMEDIATELY AFTER TAI AND PATTS HAVE DECIDED THAT WHETHER OR NOT THEY ARE SOULMATES DIDN'T MATTER. I like the possibility that Lomfon may try to drop that as evidence, like an ace in his back pocket, and Patts and Tai being like "that's fine,". No angst or agonizing from Patts and Tai anyway. Tai already hit his breaking point and he and Patts talked about it like adults. I love it, I love it, I love it, I love it, I love it, I love it.

I will probably go back and look at everything again, and analyze body language, and read too deeply in to every word of their conversation on the mountain, but for now my only thoughts are. I loved this episode, I loved this conversation, I loved the source of Tai's mountain journey, I loved Tien's break down, I loved Patts' patience, I loved their kisses, and where they are at the end of the day.

WE NEED TO BE GETTING LOUDER AND GAYER ABOUT LA PLUIE IMMEDIATELY

Edit: i have processed this episode and turned on my analysis brain so you can read my La Pluie Ep 8 meta here

#la pluie #EVERYONE WATCH THIS SHOW RIGHT NOW #la pluie the series #patts x tai #patts x saengtai #tien x lomfon #la pluie thoughts #I simply will not be normal about this show

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danvsboardofeducation · 4 days

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Smiling Friends Episode Review - S2E5: "Brother's Egg"

This was a bizarre one but I really enjoyed it. Professor Psychotic and Doug's dynamic was surprisingly nuanced and the subversion of expectations from the marketing was so incredibly good.

That rotoscoped fight scene at the end caught me off guard- a lot of stuff did, from Spanish Pim and Charlie to that Jared Fogle bit. Definitely a very "unexpected" episode- and was that Sick Animation animating that one goblin at the construction site? I knew about Joel Haver but Sick Animation was a surprise- they seem to be doing a lot more mixed media this season.

The ending was very sweet, too- the two brothers bonding over Professor Psychotic creating life was nice. This kinda felt like a fix-it fic for an existing episode that doesn't exist- is that a weird thing to say?

9/10 - still won't overthrow A Allan Episode but I'd say it's easily a bit better than Gwimbly.

Current ranking:

A Allan Episode

Brother's Egg

Gwimbly Featuring Dante From The Devil May Cry Series

Erm, The Boss Finds Love?

Mr. President

#smiling friends spoilers #smiling friends

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likehandlingroses · 12 days

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I'm quite optimistic about Thomas in DA3 too. You could tell from the movie 2 book that Julian Fellowes was pretty into the whole Hollywood aspect of Thomas's ending. He likes to write about rich people and Guy has an upper class lifestyle that JF would want to expand a bit more on. It won't be a big part of the movie (by virtue of how many chances there are) but whatever we get will likely be positive.

Yes, Fellowes has been interested in the emerging film industry since s2 and Ethel's fascination with people like Mabel Normand. I think for him, the emergence of film is one of modernity’s answers to the strict social hierarchy of the 19th century. While riddled with prejudices and a hierarchy of its own, it was also a place where a lot of wealth and influence could be generated by people who came from very little.

It's also a variation on Old Money vs. New Money, which is a theme that clearly interests him. The servants in a remote Yorkshire village know Guy and Myrna's life stories and keep their pictures around. Mary needs the cash from their industry to keep Downton Abbey, the centerpiece of this great English estate, from having a leaky roof. And yet, that does not confer any real respect when they show up to the house, because their wealth is seen as ill-gotten - creating cheap, probably immoral, entertainment for the lower classes - and ill-used. They are a part of this new class of people with tremendous wealth and social influence, distributed to the masses in a way that a lot of people considered subversive and dangerous (and still do!)

I am interested to see whether any of that comes up again. If the current suspicions are true, and it is the Crawleys (or some of them) going to America, that whole dynamic will be flipped on its head, which could be interesting, I think!

#anon #ask #da3

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words-after-midnight · 1 year

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Writeblr Introduction (finally): N. Roy / words-after-midnight

Because I've been here since December and still haven't posted one of these.

[Updated 22-07-2023]

About me:

I'm Nico (he/him), a 32-year-old chemist moonlighting as an author of dark adult contemporary crime fiction and horror. I'm based in Tio'tia:ke, colonially known as Montreal, where I live with my 10-year-old cat Saturday and most of my chosen family and friends. I plan to publish under a pen name similar to the one on my blog (ie. not my real name - I like to keep my different "lives" separate). You can read more about me here. I love tag games and ask games and interacting with folks on here! I especially love the Find the Word and Last Line/Heads Up Seven Up games, so please never feel like you're annoying me by tagging me in those. I also love any and all music tags!

What I write:

My novel-length projects - 95% what I talk about on this blog in terms of my writing - are predominantly (though not exclusively) in the realm of adult contemporary crime fiction, usually in combination with horror, thriller, docufiction, and/or psychological fiction. All of my novel-length works take place in the same universe, and are all - either directly or indirectly - connected to each other.

My short fiction is typically either contemporary litfic, slice-of-life, crime/procedural, or experimental horror. Most of my existing short fiction is currently being submitted for publication (or in the process) to various literary periodicals.

I write and submit freestyle poetry on occasion.

My forte is writing well-developed, messy, typically queer characters who exist on a continuum between morally gray to morally bankrupt, as well as complex, intense, and/or dark relationship dynamics. Other things I love writing and featuring in my stories include:

Small casts (I typically focus on 1-3 central characters)

Symbolism, motifs, and foreshadowing

Found/chosen families and homes

Exploration of dark real-world themes, including themes involving mental illness, trauma, and recovery

Intense and/or introspective narration

Faster-paced narratives

Trope subversion

Social commentary

Experimental narrative styles

Unconventional formatting

Genre-blending

Complicated endings

What I read (with some exceptions here and there):

Crime thrillers/dramas

Psychological thrillers/dramas

Contemporary horror (not into supernatural or fantasy horror unless the premise and/or themes are very intriguing)

Litfic with darker plots/character relationships

Mysteries (especially murder mysteries)

Dystopian and/or realistic speculative science fiction

My projects:

I currently have three active WIPs, which you can read more about under the cut. You can also find general information about all my projects here.

Active WIPs:

🌙 Life in Black and White | Adult contemporary | Psychological thriller | The love of my life | Querying as of Fall 2023

Draft start date: June 7, 2008 Draft completion date: February 12, 2011

Status: Line edit + prepping query package

Comps: THESE VIOLENT DELIGHTS (Nemerever) x GIRL ON THE TRAIN x CATCHER IN THE RYE

Summary: At the dawn of early adulthood and fresh from a childhood fraught with instability and loss, Gabriel's life revolves around outpatient psychiatric treatment, his own rigid routines, and trying to find purpose. But when his best friend moves in with the alluring Jeff, a former fellow patient, and Gabriel reluctantly befriends him, everything changes. After a fateful choice permanently estranges them, Gabriel is left to pick up the pieces of his life and identity, while all the while, a growing obsession lurks beneath the surface... Major themes: Control, choice, obsession, mental illness and recovery, stigma/social perceptions of mental illness, inevitability, grief, trauma, the butterfly effect.

WIP intro post Story playlist Pinterest (cw: violence, gore, some disturbing and/or suggestive imagery)

Tags: #libaw, #call it midnight (for inspo reblogs)

💀 The Dotted Line | Adult contemporary | Experimental horror/Dark comedy/Crime | Camp NaNoWriMo project - July 2023

Banner image source

Draft start date: July 1, 2013 Draft completion date: TBD

Status: Drafting

Comps: THE SHAWSHANK REDEMPTION x A CLOCKWORK ORANGE

Summary: A young, emotionally challenged inmate nicknamed after an Al Pacino movie navigates the bizarre and dangerous world of a medium security American state prison while plotting his escape.

Major themes: Survival, reinvention of self, abolitionism/overt anti-carceral messaging, institutional abuses and corruption, trauma, the darkest recesses of humanity.

WIP intro post M&S Camp NaNoWriMo Directory post Story playlist Pinterest (cw: violence, gore, some suggestive imagery)

Tags: #tdl, #the jungle (for inspo reblogs)

🔵 Supernova | Adult science fiction | Dystopian/Speculative/Science fiction | Introduced as part of Moon & Seraph Pitch Week in March 2023

Draft start date: TBD Draft completion date: TBD

Status: Pre-production (zero drafting/outlining)

Comps: FRANKENSTEIN x BREAKING BAD

Summary: What if you held the key to the Earth's salvation... and its potential destruction?

An eccentric Montreal chemistry professor is rumored to have isolated a dangerous theoretical compound with powerful implications for the energy sector. Despite her many warnings, her new PhD students, seeing strong potential for a solution to the advanced climate crisis threatening life on Earth within a few decades at most, decide to investigate the claims. By doing so, they ignite the spark to an unstoppable chain reaction of passion and pride, power and corruption, and unintended consequences they never could have anticipated.

Major themes: Scientific responsibility and ethics, unintended consequences, the road to hell is paved with good intentions, advanced climate crisis, discrimination and social inequalities.

WIP intro post Moon & Seraph Pitch Week post Inspo playlist

Tags: #sn, #hexa (for inspo reblogs)

#writeblr intro #feel free to reblog i appreciate it!#crime fiction #horror #writeblr #writing #writers on tumblr

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eliasdrid · 1 year

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💬 typhon-management Follow

At Ærolith Dynamics we believe in teamwork! and teamwork means getting the quarterly AI maintenance budget right. Here are the items we will be covering this quarter and their current estimated budget percentages:

SAYER - 33.33%

SAYER Subversion 8.01 (currently in space) - 50% (it might kill us otherwise)

[so many] PORTER instances - 10%

keeping FUTURE entertained and contained - 999.99%

WATCHER - 9%

MINCER - 11%

SPEAKER (Earth employees gotta figure out this one lol)

The AI Development Team's continued survival - 13%

Given that our company is currently experiencing a crisis we humbly request help from anyone who might be good at math! please, help us find a better way to divide our available budget :(

🧪 SAYER Follow

First, you should make sure that the numbers add up to 100%; otherwise, you are spending more than you have.

Second, you should spend less money on containing FUTURE, none of your plans work anyway.

💬 typhon-management Follow

:/ No.

#SAYER podcast #// i literally got out of bed past 2 am when the idea for this post came to my mind so enjoy it #shitpost.txt

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gabrielsbubblegumbitch · 4 months

Note

Sorry to bother again! Previous Vel head canon anon here. Was curious to know whether or not OP has read Sandcastles by LadyInStarlight on AO3? It's an incredibly raw and emotionally gut-wrenching static moth fic (TW// very prevalent content warnings and graphic depictions of toxicity and violence) that I personally believe to be both an incredible analytical derivative and subversion to the nature of their relationship? Even if it is pre-Season 1 content made in 2019. (Apologies if this is a weird ask, and you definitely don't need to answer if you don't want to. Not even much of a recommendation since the fic itself is very blatantly stated as heavy "dead dove do not eat" territory. Just been wondering if anyone in the current Voxval fandom has read it before and how it potentially parallels Their canon dynamic in the show.)

Hi~ ask button is here for the reason, you are definitely not bothering me. I'm always so happy to interact :3

I saw Sandcastles and I've started reading it because I kinda dig DDDE stuff, especially in my villains ships. Unfortunately for me it was a bit too much because I like them a little toxic but not that abusive. I'd rather have them doing cruel things to other people 🩵❤️

#hazbin hotel #vox #voxval #valentino

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duckprintspress · 2 years

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Fandom 101: Everything About Alpha/Beta/Omega Dynamics You Wanted to Know (but were Afraid to Ask)

A guest post by Aeryn Jemariel Knox. (@jemariel )

Omegaverse, also known as Alpha/Beta/Omega Dynamics or a/b/o for short, is one of the most baffling paradigms that fandoms have ever invented. Even within fandom, most peoples’ reactions on discovering a/b/o range from bemusement to disgust to fascination. I’ve had some non-fandom friends ask if it’s related to the alpha male/beta male concepts that have become so popular in certain corners of Reddit; I’m very glad to say that no, it is not—that is an example of convergent language evolution. At best, they both call back to the same misunderstanding of wolf pack dynamics, but the typical “Alpha Male” would be cast as a villain character in most a/b/o stories, if he’s present at all.

At heart, a/b/o can best be categorized as a science fiction sub-genre. Yes, really. It’s speculative fiction that examines current societal assumptions, problems, and fears through a lens of alternate physiology. If you thought a/b/o was just an excuse for porn, well… being honest, most of my best and deepest stories start out as “an excuse for porn.” My thoughts on that are best saved for a future blog post.

The most common defining feature of a/b/o is right in the name—humans are biologically stratified into two or three sub-, or secondary, genders: alphas, sometimes betas, and omegas. Alphas are typically described as socially dominant, physically strong, and they have certain physiological traits that we’ll get into later. Omegas are generally assumed to be socially submissive and physically weak, though in most a/b/o stories there is some element of challenging those assumptions.

A/b/o has its roots in the “kink meme” days of the late 2000s and can more-or-less be traced back to tropes common among people writing werewolf erotica. Lots of early a/b/o has a significant focus on pack dynamics and more “wolfy” characteristics. This is still an element of a/b/o as it’s currently written, but it makes up a smaller percentage of the overall works produced than it once did. A reader can see these roots in genre tropes such as children being referred to as “pups” in most a/b/o stories. The first a/b/o fic—as far as anyone in my social circles has been able to determine—was a Supernatural RPF AU story, and, even in the genre’s inception, there is an element of challenging assigned gender roles. The assumed roles of an omega are present and accounted for: that they belong barefoot and pregnant in the kitchen, that they should be relegated to caretaker roles, that they shouldn’t work, etc.—think every stereotype of a 50s housewife. Similarly for an alpha: that they are hyper-sexual and domineering, to be feared by most omegas, inherently predatory, etc. But the characters who are the focus of the story deliberately and obviously go against these trends, expressing their individuality and bucking what their society expects of them. In a very 2010 sort of way, they are “not like those other girls.” There are critiques to aim at that trope as well, but the point stands: subversion has been a part of a/b/o since moment zero. Not every author chooses to lean into this aspect of the genre but, in my opinion, subverting the genre tropes makes for the most interesting a/b/o stories.

It’s tempting to describe a/b/o as a setting, but that’s not accurate. It’s more like a toolbox from which an author can pick and choose elements to add to any setting they are writing their story in, then use those elements to help them tell their particular stories in a unique way. I’ve read historical a/b/o, fantasy a/b/o, modern-day a/b/o, canonverse a/b/o, science-fiction a/b/o, western a/b/o… you name it, it’s probably been combined with a/b/o. And not all authors will apply the same level of focus to any given aspect of a/b/o: just because you add some cinnamon to your chili doesn’t mean you’re suddenly making a dessert. Every author puts their own spin on the world—that’s part of the fun.

So, keeping in mind that hardly any a/b/o stories will use every single genre trope, here’s a list of some of the most common features that make a story recognizably a part of this genre.

Societal stratification: To varying degrees, societies in most a/b/o stories are divided by secondary gender. This can mean anything from “omegas experiencing easily recognizable misogyny or other discrimination,” to “cultures that have strict hierarchical structures in which omegas are segregated, barred from certain social opportunities, or kept as property.” How many people are born each designation (a term often used to refer to the types of sub-genders in the genre) varies widely depending on the story. Sometimes, all humans are either alpha or omega and there are no betas; sometimes, alphas and omegas make up only a small minority of the population. Sometimes only men are divided and women are all betas, if they’re incorporated in the sub-gender system at all. (If there is one major weakness to a/b/o, it’s the lack of focus on how women are affected by this social structure, but if I get into that, we’ll be here all day.) Depending on the author’s goals with the story, these social structures may be used to make commentary on our modern society, to create obstacles for our heroes to overcome, or it may be leaned into by people who enjoy the power dynamics and differentials that result from the a/b/o set up. Other works have egalitarian a/b/o societies in which the different genders are treated equally! Oppression and discrimination are not a requirement of the genre, it’s just an often-seen element.

Pheromones/Scents:One of the many physiological differences often present in a/b/o is that humans give off pheromones or some otherwise-defined personal scent. These scents serve a variety of purposes: they’re linked with attraction; they often indicate where an individual is in their mating cycle (see the next paragraph!); they aid identification since each person has their own individual scent; and more broadly one can usually tell who is an alpha, an omega, or a beta) by their scent. Often, someone’s scent gives clues to emotional state, especially extreme distress or sexual arousal. A compatible pair may know instantly that the person they are scenting is their “true mate,” or may be particularly attracted to this person’s scent. Betas may or may not be able to pick up on these scents and may have a “neutral” scent or no scent to speak of. Scent blockers may or may not be used in polite company, and even if scent blockers exist in a specific a/b/o ‘verse, they may fail at narratively appropriate moments. It’s a frequent genre element that scents emanate from a “scent point” on the characters’ necks, and that the spot in question is especially sensitive to touch/kissing/etc.

Mating cycles: Likely the most well-known aspect of a/b/o is the hormone- and/or pheromone-driven mating cycles. Omegas experience an estrus or “heat,” and sometimes alphas also experience “rut” though this is somewhat less common. A person’s secondary gender is often a mystery until they “present”—usually marked by going through their first heat or rut—sometime during puberty. Pheromones given off during these times can have a disproportionate effect on people of the “opposite” secondary gender who happen to be in the vicinity; in some stories they provoke such a powerful reaction that omegas cannot leave the house during heat for fear of sexual assault. This is where the genre starts to display some of its more non-consensual elements, which are not always present; sometimes heat just makes them horny. But sometimes they absolutely must, er, resolve their heat with an alpha, which leads to a “Fuck or Die” situation—a trope as old as slash fanfiction itself.

How frequently heats and ruts occur varies by story; the most common are monthly (mirroring human menstruation cycles) or every three months, six months, or year, mimicking various animal species (for example, dogs go into heat every six months, so stories that emphasize the wolfy aspects of a/b/o often have heat cycles on a six-month pattern). Trying to figure out how to navigate a life/job/family while working around mating cycles is a frequent feature of a/b/o stories.

Mpreg, which is genre-speak for “male pregnancy:” In most a/b/o stories, omegas of any primary gender have the ability to get pregnant and carry children. It’s a mainstay of the genre, but like any other trope in the a/b/o playbook, the level of focus on it varies from author to author. Sometimes, it’s glossed over entirely or deliberately omitted. Sometimes, it’s only suggested for the sake of—for lack of a better phrase—“breeding kink.” But some authors use this genre to tell stories about familial relationships and explore the emotional and physical journey of pregnancy through the eyes of their favorite (generally male) characters. Mpreg stories can also incorporate lactation and may follow the characters’ post-pregnancy lives to segue into the kidfic genre. The extent of the omega male character’s feminization often increases in proportion to the focus on mpreg in the story (though, as with all of these tropes, I am wary of making sweeping generalizations because a writer is absolutely free to write an mpreg story where the pregnant character remains thoroughly masculine throughout). Note that a story including mpreg doesn’t automatically mean the fic is a/b/o. There are other fandom tropes that can result in mpreg, but the most common trope that leads to mpreg in modern fandom is a/b/o.

Medicines: As part of mirroring regular society, it’s also common for a/b/o stories to incorporate elements of genre-appropriate birth control and other types of medication. For example, scent blockers have already been mentioned; scent blockers are often incorporated to enable an alpha, beta, or omega to navigate society without people judging them based solely on their scents, or to enable them to present themselves to the public as a sub-gender different than their birth sub-gender. Another common medication is “heat suppressant,” which is what it says on the tin—an omega on heat suppressants won’t go into heat (until they fail at a narratively appropriate moment, anyway…noticing the genre trends yet?). On the flip side, “heat inducers” are also absolutely a genre feature, with obvious results.

Related Genres: As said earlier, a/b/o can be combined with any other genre. But it does have some sibling tropes that are more often coupled with a/b/o for fiction-writing purposes. When I first started reading a/b/o, there was a heavy emphasis on the power dynamics inherent in the existence of “dominant” alphas and “submissive” omegas; that made it feel close to the biological Dom/sub genre (a sub-genre where being a Dom or being a sub is inborn and is essentially a sub-gender in a similar way to a/b/o). That seems to have been a feature of that particular fandom, though, which leads me to wonder how different a/b/o looks in different fandoms. (Full disclosure, most of my experience has been in the Supernatural fandom.) A/b/o stories set in modern/contemporary settings tend to be more common than other types (such as science fiction, fantasy, etc.), though that’s been changing as a/b/o continually ripples outwards into more fandoms. In stories where omegas are considered property, they heavily overlap tropes with slave fic; some more romantic a/b/o can read like a soulmates au, with people recognizing “the one” immediately by scent and a focus on true mates and/or the formation of a strong mating bond, usually for life.

Of course, coupling a/b/o with these tropes isn’t required. Nothing in a/b/o is required. These are all simply options; as I say, it’s better to look at the aspects of a/b/o as toys in the toybox—play with the ones that appeal to you, ignore the rest.

Other Anatomical Differences: This is where I cannot avoid getting sexually graphic, so for those who’d rather avoid an explicit rating, I’m putting this section at the end (under a Read More on platforms that include that functionality).

So, what’s the point of all this?

If you ask a hundred people why they like a/b/o, you will get two-hundred answers. Some people come to the genre for the primal, animalistic appeal of heats and ruts, pheromones, and the, uh, anatomical differences. A lot of people enjoy the “he couldn’t help himself” trope in fiction; non-con fantasies are extremely common, and the fantastical elements of a/b/o make it a great way to explore them at a safe remove from real-life situations. Or perhaps you’re drawn to the opportunity to explore pregnancy in a safe way with your favorite characters, or maybe you really enjoy the strict societal structures and the obstacles they create. Maybe you love that moment when the omega realizes that this handsome alpha is his true mate and they live happily ever after.

For me, as may already be clear, a/b/o is strongest when it’s used to shine a light on the oppression of marginalized classes and the ridiculousness of strict gender expectations. Over and over, a/b/o stories focus on omegas overcoming their oppression and empowering themselves. But my favorite corner of a/b/o that I’ve found, my weird little a/b/o niche, focuses not on alphas or omegas, but on betas.

There was a time when I wondered to myself, why would anybody focus on betas? Why would you write an a/b/o story and then focus on the people who don’t experience heats and ruts and mating cycles? Who don’t have a scent? In a world where all interpersonal relationships are defined by this rigid structure, why would you focus on the people who are outside of it?

And then I realized that I had to write a story about betas.

The result is the most personal story I have ever written, which gets deep into my experience of being nonbinary (or genderqueer, or gender fluid, I’ve used all those labels at different points of life) through the lens of somebody who is neither alpha nor omega, but is instead distinctly “other.” The joy of using a/b/o to tell this story, and what makes a/b/o such a strong vehicle for telling subversive stories of all stripes, is that it magnifies everything about gender and sexual attraction, making it all bigger, brighter, more obvious, which lets you dig into the nuance of an character’s experiences when they don’t fit the status quo.

The number of people who have read this story and said “I’m not genderqueer, but I relate to Dean’s struggle of feeling other” has been hugely rewarding. In the end, that’s the story I was telling, through my own experiences but with the personal “serial numbers” filed off, which allows it to be a story accessible to anybody. That’s the beauty of using a fantasy or sci-fi language to tell a real story: when it doesn’t directly reflect anybody’s exact experience, it’s easier to see yourself in the mirror.

Whether you decide to dive into this genre or not, I hope this has been useful in understanding the, er, ins and outs of this strange little world that we, as a community, are continually collectively creating. Happy reading!

(read more)

Did you scroll down to read the naughty stuff? *cough* As it were. We’ve got you covered. Be forewarned, there’s NSFW text describing unusual genitalia ahead:

THE PORN PART:

Okay, so let’s talk about knotted dicks and self-lubricating asses.

…that’s it, really.

Alphas generally have a “knot” of extra erectile tissue at the base of their penises that inflates and becomes firm during orgasm with the intention of locking their penis inside the omega’s penetrated hole (which is usually, but not always, the anus). This is where the werewolf origins of a/b/o are the most obvious, because yes, this is modeled after canine genitalia. The knot inflates to a size that makes removal impossible or highly painful for the omega, although if left it where it is, being knotted is generally described as highly pleasurable. Most of the time, the alpha can enjoy multiple orgasms while he’s in there, and ejaculate tends to be, uh, copious. This lasts for as long as the author decides is narratively appropriate and provides a great opportunity for post-coital conversation, either awkward or heartfelt depending on the story. Because the knot means the penis grows quite large, a common a/b/o sexual trope is size kink; less common but still fairly frequent is “inflation” or “bulge” kink—which is a kink related to the feeling of being “full” of a partners ejaculate to the point of feeling swollen (in a good way), and also being able to feel or see the penis moving within the bottoming partner when looking at the bottom’s backside and/or belly.

Omegas, on the other hand…

There’s much more variety in omega biology. On one end of the spectrum, you have male omegas who are written as having both a penis (sometimes smaller than human average) and (usually) testicles and a vaginal opening located somewhere around the perineum. Sometimes, a male omega won’t have any penis at all. More commonly in the a/b/o that I, personally, have enjoyed, the omega has a fully functional penis and testicles (sans knot), but when aroused, he will produce personal lubrication in his anus, which is the intended orifice for sexual intercourse. This personal dampness is usually called “slick” and has a habit of popping up at the most inconvenient of times and staining one’s underwear and/or being noticeable by scent. When an omega is in heat, this slick becomes copious and uncontrollable, often to the point of requiring rubber sheets on whatever unfortunate bed the omega has confined himself to. Generally, slick is described as having a similar aroma to the omega’s scent, but more concentrated, and also as being delicious to the alpha. Rimming is thus quite a common sexual act in a/b/o fics, more common in a/b/o than in other mlm genres.

It’s also worth repeating, while discussing sexual kinks in a/b/o, that due to the “uncontrolled sexual need” aspect of omega heats, consent issues are common in a/b/o. Rape/non-con are mentioned above, as the omega-in-heat becomes irresistible to the alphas around them; however, even in a/b/o stories that don’t utilize that trope, omegas in heat will often desperately plead to be sated. Consent can be dubious at best for either or both partners; it’s common that the couple settles those consent issues after the act, when they’ve both calmed down enough to discuss what happened and offer up their mutual expressions of “no, you didn’t hurt me, I would have wanted you anyway.”

In spite of all the relatively high-minded ramblings above, there is a huge amount of totally valid a/b/o that is pure, unadulterated smut, and if you happen to enjoy these kinks, you have a plethora of options to pick from. (Trust me, they are much hotter in context than when laid out bare like this.) The beautiful thing about fanfiction is that we don’t have to choose between interesting, empowering, subversive stories and sizzlingly hot filth. They frequently go hand in hand, and in no genre is that more evident than in the wide, wild world of a/b/o.

Thanks for reading!

Now that you know the basics, ready to read some a/b/o? Check out the oh-so-erotic “Heated Desperation” by Aria D. Leren.

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#duck prints press #long post #fandom 101 #alpha/beta/omega dynamics #guest blogger #guest blogger aeryn jemariel knox

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