#and raises the emotional stakes so much

[wayward-wren]

I'm hoping episode 3 let's Ruby see the dark side of the Doctor. I feel that adds a very important dynamic to a Doctor-companion relationship, when they see how dark he can be and still choose to travel with him early on.

Rose watching Nine drag Cassandra back to die. Eleven yelling at Amy "Nobody human has anything to say to me today!" Donna begging Ten to stop drowning the spider babies, and then again to go back and save someone in Pompeii.

Fifteen has been FUN and I know he can do emotional range, I've seen his fear and his tears already. But I want to see him dark, and I want to see Ruby respond to that. I think it would add a LOT of depth to their relationship and is something missing.

Plus showcasing the Doctor's flaws (selfishness) will make him a much more interesting character. I want to see some conflict between the Doctor and Ruby.

#wren rambles #doctor who #fifteenth doctor #ruby sunday #something about not letting heroes have flaws #and thus being one dimentional and less interesting #its a flaw i saw them slipping into a bit with thirteen #where she was always the Moral Voice #i LIKE it when the Doctor is instinctually cruel and has to be talked out of it and actively choose to be kind #it makes the character SO much more interesting #and raises the emotional stakes so much #so far fifteen has been FUN #but he hasnt been a rounded character #and until we see his flaws hes never gonna be in the runnings for a favourite #i think the doctor is an inherantly selfish character #and he has to make an active effort to NOT be #“Im his carer” “yes she cares so I dont have to” #im worried a six month time jump removed the opportunity for this kinda thing though #i Need to be able to look at the doctor and know. this is the man who killed a planet #and i havent been seeing that in the character recently #still early days yet though! #the doctor shouldnt be the moral center of the show--his companion should be #i think thats why i love 12 so much tbh #because his whole THING is to choose to be kind #without hope without witness without reward #being “good” (and whatever that means is a discussion for another day) doesnt come easily to him #love isnt an emotion its a promise #i want to see fifteen STRUGGLING to choose to do good #and i want to see ruby witness that

[tiktaalic]

s1 dean: it's not gay to suck a dick or three or ten you're just making sure you're not gay

s2 dean: getting notes from my team that sometimes it is gay to suck a dick . i would like to formally announce that i never did that. and i never would.and also i'm masc. i'm masc. i'm literally masc.

s3 dean: too busy with dying to think about being gay i'm pretty sure.

s4 dean: really enjoying that cas is unaware of social norms so that dean can oscillate between preening when he teaches him how to be a man (+1 masculinity for being more of a man than cas +1 masculinity for being so much of a man that you can teach others how to do it) and. taking advantage of the no social norms thing to rationalize his OWN behavior with cas because he knows cas isn't going to call him on it not being normal which MAKES it normal because there is no one to refute that.

s5 dean: much of the same but there are now emotional stakes in play because they Are friends he is now Emotionally attached in a real way to this man he was engaging in one way gay chicken with.

s6 dean: mfw my brother tells me to be normal so i marry a woman. ratchets him all the way back to i have never liked a man and i never will.

s7 dean: very similar emotionally to endverse dean / s14 dean in my mind. kind of in the same place as s6 dean but crucially s6 dean was sad and wet and s7 dean is walled off and apathetic. attraction to men does not factor into his worldview.

s8 dean: he literally was in a foxhole with benny and got a spraytan and had a gay thing. this man begrudgingly puts one (1) rainbow ornament on his christmas tree after sending out christmas cards of him embracing another man while their gay ass dog sits at their feet. the sticking point HERE is "cas doesn't feel stuff like that".

s9 dean: We Cannot Get Into All That but. they literallyyyyyyyyy had to make cas sleep with a woman and get banished forever to sidestep The Implications. which are. dean winchester would fuck the gay angel given the FIRST opportunity. i'd probably fuck cas but my brother is dying so idrc about that rn. etc. this is a man who is conscious of his attraction to 1) men and 2) cas and WOULD act on it given the chance.

s10 dean: this is where it gets love triangle-y with crowley and cas. this is because dean DID fuck crowley and WANTS to fuck cas. textually. this is where he stands. moc dean has sex with men and doesnt care because hes normal. POST moc dean is like. the same sex attraction was a metaphor to show that i was evil and corrupted by the mark.

s11 dean: i'll be honest. i remember fuck all about season 11.

s12 dean: his mom is around which means he will not be out. this is also. iirc? where dabb gets his grubby little showrunning hands on things. which of course. means dabbification. which of COURSE. means destiel eating plain toast and raising a baby domestically. which. of course. translates to dean using cas as a girlfriend stand in. which. imo. is reflected in dean's mindset. like s12 dean is aware that cas is the most important person in his life, and he is not interested in deviating from that formula with a woman at all.

s13 dean: gay man realizing the love of his life is dead and he never said or did anything -> gay man whose love of his life comes back so he doesnt have to grapple with the consequences of never saying anything and they can jump back into pseudo relationship.

s14 dean: this is a gay man coparenting with a gay man and telling his father that he has a family. has accepted his fate as a life long ambiguous bachelor who lives with a man and sometimes sleeps in his bed nonsexually. very much dead inside staring down the barrel of throwing himself on a grenade does not have Time to push the boundaries of his relationship.

s15 dean: too many twists and turns to get into in the stinger of a post.

#etxt #spnwatch

[perlelune]

no body, no crime | Coriolanus Snow | xii. {END}

Your childhood friend returns from his exile in district 12, but he's not the sweet, quiet boy you once knew anymore.

Warnings: NON-CON, Plinth!Reader, Gaslighting, Drugging, Murder, Forced Marriage, Forced Pregnancy, Loss of Virginity, Somnophilia

This is a dark story. Heed warnings before reading under the cut.

𝖘𝖊𝖗𝖎𝖊𝖘 𝖒𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙

Your nerves stir as William considers you in silence. It’s all he’s done for the last few agonizing minutes, stare at you without uttering a single word. Perhaps you’ve shared too much? Overestimated how much he could take? You’ve told him everything, not skipping over any detail as he asked. How Coriolanus lured you into his web. Weaved a myriad of honeyed lies you naively fell for. Coaxed you into staying with him. Planted a seed that will soon grow into a permanent reminder of all he did to you. 

The whole, plain horrible truth.

Much as it ached to tell the story, and relive it in a way, you were thorough and concise. Your voice may have wavered a little, your eyes evaded William’s at times, but now he has the full story. 

And he’s free to do as he pleases with that knowledge.

“William?” you inquire again. 

This time he swallows a deep breath. Fearful expectancy knots your gut. He clenches his fists and bolts to his feet. 

“I’m going to kill him.”

You wedge yourself between him and the door as he takes long, determined strides toward the exit.

“Wait!” you urge, panic trembling through your voice.

William scoff, a frown marring his brow.

“What? You want to protect him? After everything he’s done to you?”

Your lips tighten. A surge of tears fights its way past your lids but you suppress them. Too much is at stake for you to crumble right now. You straighten your spine and lift your chin.

“It’s not that. Of course I don’t care what happens to him but…” You place your hands on his forearms. He seems to relax at your touch and a sliver of relief leaks inside your chest. Perhaps there is still hope for you and William. “He’s dangerous, William. Cunning, slippery. Like a snake.”

His jaw clenches. “We’ll see about that when I have my fist in his throat.”

He tries to move forward but you keep firmly blocking his path. Once again, you try to reason with him. “No, he really is…deranged.” No other word arises in your mind. You shudder as you recall the glint of madness in his blue eyes. “He has my parents under his spell. I really don’t think he’ll stop at anything to get his way.” Your mouth quivers. “He’ll hurt you.”

“Let him try,” William grumbles, clenching his fists. 

Rage oozes off him, coating the air. You feel its intensity in your very bones. When he said he wanted to kill Coriolanus, it wasn’t a metaphor. It’s how furious your fiancé is after hearing your story.

“William, no…For me. Let it go.” You grab his hands, bringing them to your face. They slowly loosen, his gaze softening as it rests on you. “Let’s just leave. I know I’m asking for a lot. Asking you to raise another man’s child-”

He cradles your face. “It doesn’t matter. It’ll be our child. They won’t even have to know his name.” 

You drape your hands over his, emotion making your voice waver.

“You really mean that?”

His thumbs sweep over your cheek.

“Of course. I made a promise to you.” He smiles. “And I never stopped loving you.”

You suck in a sharp breath. “Even after everything?”

A glimpse of sadness crosses his features.

“It hurt. Of course, it hurt. But there’s no other girl than you for me, and there never will be.” Overwhelmed, you stare at him a long time, basking in his bottomless devotion. How did you end up so lucky? Even after all the misfortune you suffered, amidst your woe, you still found William. A love as rare and pure as a pearl lost in the ocean.

You get on your tiptoes to press your lips over his. At first, it’s tentative. You’re wondering if perhaps it’s too soon, if he’s truly forgiven you. But your doubts evaporate as he eagerly returns the kiss. Your heart swells. He cups your cheeks and you melt against him, soaking his scent and the familiar taste of his skin. You could cry. You missed him so much. For the first time in weeks, air finds a home in your lungs again.

When your lips part, he leans his forehead against yours. For a while, you just revel in each other’s presence, warm breaths mingling in the cool air.

“So what’s the plan?” he asks, his knuckles skimming down your neck. “You…do have a plan, right?”

Taking a deep breath, you stand up straight.

“I’m thinking we hitch a late night train to District 2. There’s a weapons shipment tonight.” You grimace. “My dad, h-he sends them to the Peacekeepers garrisons there.” Every time you remember the part your father plays in keeping people in the Districts cowered and afraid of the Capitol’s wrath, you feel sick. This is who the man who raised you has become. Someone who turns a blind eye to his own people’s suffering. It makes you wonder if maybe he and Coriolanus are cut from the same cloth after all. Both of them opportunists. Both of them eager to step over everything and everyone to further their goals. Your father gives the Capitol the ammunition it needs to terrorize. And Coriolanus fuels them with ideas to keep that terror alive.

“We could head South, start a new life there,” William suggests.

You blink in surprise. This is a drastic decision, one you never expected to hear leave his lips.

“You mean, leave Panem?”

“Why not? There is nothing for us here. I don’t think there ever was.”

“You’d be leaving your family and friends behind William. A-Are you sure?”

He sends you a warm smile, rubbing your arms.

“You’re my family. You’re all I need.”

Your heart flutters, a fresh breeze of hope passing through you. 

“William…”

“This is my choice. I’m choosing you,” he interrupts, his inflection firmer than before. “In sickness and in health, until death do us part, right?”

You search his eyes and are shocked to realize William means this. He wants to elope with you, follow you into uncertainty and escape the Capitol’s vicious rule.

“I’m sorry…about everything.”

His tender lips graze your forehead.

“There is nothing to forgive. None of this was your fault.”

His soothing words cast a balm over your wounded heart. You spent so long blaming yourself, tortured by your own thoughts and lamenting every choice you made. It’s refreshing to hear that maybe, not all the responsibility falls upon your shoulders.

You wipe the budding tears in your eyes.

“We have to be quick,” you say, your voice more confident than before. “Coriolanus, he…we need to be long gone before he notices I left.”

William squeezes your shoulder.

“You don’t have to be scared of him anymore. I won’t let him get anywhere near you. If he wants to breathe the same air as you, he’ll have to do it over my dead body.”

He wraps his arms around you and, for the first time in several weeks, you feel safe.

You help William pack his most essential belongings before the two of you sneak into the night. Despite what he said, you don’t miss the brief way his green eyes mist as he shoves a picture of his parents and little sister into a leather bag. Guilt floods your insides. You’re the one in trouble, not him. Several times, you grapple with the urge to tell him to stay, that you can do this on your own. But there is no going back now. It’s too late. Besides, a selfish part of you doesn’t want to. It’s scary enough, leaving everything behind. The Capitol. Your childhood home. Your parents. Having William at your side is the only way you won’t fall apart out here. You don’t see yourself surviving beyond the borders without him. As much as you complained about your life here, you’re aware of how sheltered you’ve been. You always had food on the table. You were never cold. You always had a warm bed to sleep in.

Now, those things will not be guaranteed. 

You and William try to act natural around every peacekeeper you brush past, pretending you’re just two lovers meeting for a late night tryst. Still, your heart leaps each time you get a glimpse of the blue uniforms. You haven’t forgotten the time Coriolanus spent in district 12, paranoia prowling the edge of your mind. It’s not like he has any affiliation with them now, does he?

Sensing your unease, William squeezes your hand in reassurance. You smile at him.

Still, you don’t relax until the two of you have hailed a cab and are on your way to the train station on the outskirts of the city. 

Even when the two of you successfully make it onto the back of a cargo train unnoticed, you’re still on alert. Even the whistle of the train as it rumbles to life and leaves the station doesn’t grant you peace. William wraps his arm around your shoulders. The two of you are sitting on the floor behind a gigantic crate of machine guns.

He drops a kiss atop your head.

“Hey, everything will be fine. I promise. Nothing will happen to you.”

You tuck yourself against him. You wish you could let go of your fear but dread’s had you in its clutches since you left the station. Would Coriolanus’ plans for you be thwarted so easily? You find it hard to believe, remembering his unflinching desire to make you fall in line.

Still, you give a weak smile.

“You’re right. I’m being silly.”

As soon as you utter the words however, the train hisses and makes an abrupt stop on the tracks.

William frowns.

“What’s happening? I’ll go ch-”

Before your fiancé can finish his sentence, the doors of the wagon open. A gust of frosty wind whisks inside the train. William’s eyes widen but there’s no time to process his shock as he’s kicked in the gut by a peacekeeper.

Another man appears and the two of them yank him out of the train. 

“William!” you shout, jumping out of the wagon. 

Your fiancé coughs out blood as he’s dragged away by the two blue-clad men. He tries to fight them but they kick him in the jaw. He crashes into the grass. 

Your chest seizes. You begin racing towards him. However as the two men shift, revealing someone else behind them, someone whose haunting blue stare is forever engraved into your memories, you freeze. 

He scrutinizes you before shaking his head.

“You disappoint me, princess,” Coriolanus sighs, folding his arms. “I thought you were finally coming to your senses.”

The two men force William on his knees, one of them pointing his gun at his head to keep him docile. Your eyes water. Helplessness tugs at your chest. He took no time to find you. Did you ever stand a chance?

“Coriolanus, just let us go. This is…all of this is going too far,” you plead. 

He arches his brow, disdain lacing his tone as he says, “You really think I’d let my child grow up in a district?”

“You bastard,” William spits, hate flaring in his green eyes. 

Malice sways in Coriolanus’ orbs as he takes in your fiancé. His taunting voice echoes through the field.

“Oh, does it sting, knowing I’ve had her before you in every possible way?”

He tries to lunge himself at the blond. Your breath catches as you watch the peacekeepers beat him into submission. He keels over in the grass, coughing up more blood.

Coriolanus turns to you.

“I’m going to give you a choice, princess. Come back home to the Capitol with me, willingly. I’ll forgive you, set the entire matter aside and we can focus on our guest list, cake tasting and finding you the perfect dress for our wedding.” He tilts his head, his smile vanishing. “Or don’t. And I really can’t say what I’ll do next.” He chuckles darkly. “I just know you won’t like it.”

You look at him, disbelief and sadness surging through you. You wonder where your friend disappeared to, the one who dried your tears and whispered soft words of reassurance whenever your mood dipped, the one who showered you with gifts and attentions. The one who was kind. 

Who is this stranger standing before you?

Coriolanus laughs. 

“You know Sejanus looked at me the exact same way…like he expected me to be someone I’m not, someone I never was.” His eyes lock with yours. “Right to the bitter end.”

Your stomach sinks, an awful realization digging its way through your mind. You don’t know how you know. Perhaps it’s that smug smile on his lips. Perhaps that glow in his eyes. Or that subtle inflection to his words. Either way, you just know.

You know what Coriolanus did and your entire world falls apart.

Sejanus too never stood a chance, you bet.

You nod. “I’ll come with you.”

A subtle smile blooms on Coriolanus’ lips.

“What?” William stares at the interaction in shock.

Coriolanus offers you his hand as you approach.

“It’s over, William,” you mumble, too ashamed to meet his gaze. You focus on taking Coriolanus’ hand instead. His touch is deceptively soft. “Just go back home, forget about this. Forget about me.”

Your spirits sink lower and lower with every word that leaves your mouth. You are willingly walking to your grave.

William shakes his head.

“No way…”

Everything that follows happens in a blur. So quickly you barely register what’s going on. First, William throws himself at the blond. You gasp as you watch them wrestle, Coriolanus having a clear advantage. Next, one of the peacekeepers hands him a gun. 

He points it at his temple.

Ribbons of blood fly from William’s skull, painting Coriolanus’ shirt crimson.

Time stops for you as your eyes grow wide with horror.

The blond dusts himself off, shoving William’s limp frame off him as he rises.

He sighs at his stained shirt.

“This was brand new,” he laments.

You rush to William and fall to your knees near his unmoving body. It takes all your strength to even shift him a little. 

“William? William, please?” you whimper. His lifeless green eyes rise to the moon in the sky, his soft mouth parted in a scream that never will be. 

Your heart shatters into a million pieces, the shards piercing through your being and trailing scars in their wake. It will never stitch itself back together.

In the background, Coriolanus orders one of the peacekeepers.

“Get rid of the bodies. Make sure nothing is left. And I’ll put in a good word for your sister at the Citadel,” he promises.

The other peacekeeper pipes up, “The bodies? But there’s only one-”

A gunshot erupts. A few feet away, you watch one of the peacekeepers, the one who spoke up, crash into the ground. The other one shot him. Smoke still rises from his gun as Coriolanus nods at the man in approval.

“Like we agreed, I’ll also write to Commander Hoff on your behalf. You’ll start officer training next month.”

More words are exchanged between the two men but they fade amidst the buzz rising inside your head. You lie atop William’s corpse, numb as you faintly hope to find a heartbeat.

After a while, you’re hauled off your feet by a pair of strong arms. You struggle but it’s for naught. You’re taken away, William’s unmoving form dwindling in your vision.

“No, I can’t leave him…”

Coriolanus carries you bridal style to a vehicle. He places you in the passenger seat and ties your seatbelt. 

“Shh, it’s okay, princess,” he coos. “You need to calm down. This isn’t good for you and the baby.”

The baby. You have to admit that for a second, you considered trying to pry the gun out of Coriolanus’ hands and shooting it into your own head. End it all once and for all. Your life has already ended. So what difference would it make? But then you remembered. Your life isn’t just yours anymore. 

You look at the blond through tearful eyes, your hoarse voice swelling in the car. 

“Did you get my brother killed?”

Coriolanus puts on his own seatbelt and turns the key in the ignition. “What an awful assumption to make, princess.”

He grips the steering wheel as the engine roars to life. 

“However, it might be a good time to remember…that your father’s written me into his will.” Your breath stumbles. “Which means, though I prefer him alive to walk my beautiful bride down the aisle…” His blue eyes glimmer, his lips curving upward. “I also don’t need him to be.”

He shakes his head and sighs, running his fingers atop your thigh.

“Who knows how long he still has, with those heart issues of his. Anything could happen.”

“One day you will pay. For all of them,” you grit out, the sheer hate you feel for him overflowing in your tone. 

He fondles your cheek, his smile growing. 

“Perhaps… But not today.” He pauses, as if he just remembered something. He reaches inside the pocket of his coat. 

“Here,” he says as he pulls out a small velvet box.

You witness in horror as Coriolanus removes William’s ring from your finger and slips another one in its place. It’s ostentatious, the red rubies shimmering like blood in the darkness.

Once it’s on your finger, he admires it. He brings your hand to his lips, brushing a soft kiss over your knuckles. 

“Fits perfectly, just like I know it would,” he chimes. 

#dark!coriolanus snow #coriolanus snow #coriolanus snow x reader #the ballad of songbirds and snakes #hunger games #tbosas fanfiction #dark!coriolanus snow x reader

[twistedwonderlandimaginesblog]

How do you think the dorm leaders would react to an rsa student leading/kidnapping the prefect to take them away from the 'villains', and when tracked down to a ledge and arguing with saud dorm leaders, the prefect defends them before getting accidentally pushed off? Just the look of horror on their face before they fall, reaching out for them? Ala gwen in spiderman

(I'm not going to do every dorm leader bc I normally have a cap of 5 characters per ask so if the leader you'd like to see isn't here, please feel free to send in another request

these are also all super long so they're under a cut)

Azul Ashengrotto:

Azul had been thinking since the moment you’d been taken. He figured it must be someone with a personal grudge against him, rolling his eyes at the platitude that you would be safer with them than him. The twins are even considering less annoying while he’s plotting out what to do, trying to find a way that wouldn’t leave him vulnerable to another strike while also procuring you from your kidnappers. The fact they even agreed to a meeting proved to Azul that they were a devious soul, hidden behind a mist of chivalry when their wants were just as selfish as anyone at NRC. He comes into the conversation thinking he has everything under control, not in the least bit surprised when it turns into a real fight; his magic is at the ready, hand raised and prepared to do what he must to end this when you move outside of his predictions. He would have to viciously scold you for this later but he’s too worried to think about the angry rant he’ll go on for not just trusting in him to be ready no matter what. When you’re tumbling to the ground, he squeezed the handle of the broom he had brought with him, hating the concept of being in the air but feeling even more sick about all his hard work being for nothing (meaning: he would be heartbroken and would not know what to do with himself should you end up perishing on him here). It’s a little washy, but the carefully thought out Plan B ended with you scooped in his arms, his flying wobbly at best but once there’s a safe place to land you feel much safer with him around. When you ask what might happen to the RSA student Azul simply smiled, telling you not to worry about it as Jade and Floyd wouldn’t leave behind a single trace of what occurred that night.

Idia Shroud:

Idia is fighting a storm of emotions, doing his best to not to lose his cool in such a fragile situation. He had to observe the options before him carefully, hoping his perception skill was high enough to afford him a break. It felt like having someone ripped away from him again, the past repeating before his very eyes, and while he knew the stakes were much less serious than the previous situation he’d gone through, it still set his anxiety through the roof. He considered begging you to just stay in your room like he did so he wouldn’t have to worry about you putting yourself in danger (his thoughts darting away from the concept of you just living in a room with him). Idia isn’t used to sticking his neck out for someone else but he knew you, and he knew defending him if the moment called for it would come to you as easy as breathing. He had Ortho prepared for any QTE’s that might be outside of Idia’s control, thankful that the second controller was plugged in before he arrived as you did exactly as he predicted. He can see the fear on your face and while he does want to call out to you to let you know you’ll be safe, it would be better to keep the enemy unaware of the surprise attack awaiting once Ortho got you to safety. With you out of the way Idia felt much more at ease, the sharp grin on his face appearing almost manic to his enemy, who found themselves wondering if they should follow you off the ledge.

Leona Kingscholar:

Leona was doing his best to keep a poker face on. When it came to others thinking they were better than him, he was no stranger, but to know they had taken away someone he loved—he was prepared to show them what a real villain looked like. He navigated the situation carefully, this was just a risky game of chess in his eyes but he didn’t realize quite how risky it was until your life was dangling right before his eyes. He’s not unaware of how something can change in the blink of an eye, the scale could tip in either direction but he had to be prepared. He’s always been quick on his feet and there’s nothing in this world that he’d put more effort into than assuring your safety, even pushing himself to the brink of his magical abilities when he cushions the dramatic fall that easily could’ve stolen your life. The person preaching to him from above has only cemented his view that those who soar so high above don’t consider their own actions as evil, always for the ‘greater good’ which meant you were better off dead than with a ‘villain’ like him. He can’t help but scoff, eyes darker than you’ve ever seen them as there’s an unspoken promise hanging in the air: he would kill them without hesitation if they were to ever touch a hair on your head again.

Malleus Draconia:

Malleus was shocked at first, secretly hurt, that people on the outside could look in at your relationship with him and consider him a danger to you. He was careful around you, always protective and caring and wanting what’s best for you, so how could that be misconstrued? It made his blood boil to think about your kidnapper trying to turn you against him, and he felt even more powerless when your life was in someone else’s hand so he had to act with caution. He approached with an air of calm that was betrayed by his eyes, the smile not quite reaching them as he greeted your captor politely. He didn’t think he could lead them into a false sense of security because everyone knew to be on guard against him, but he’s surprised the coward even showed their face again. He’s even more surprised to see you attempt to sacrifice yourself for him, reaching out for you and feeling helpless again as you slip right through his fingers; he refused to lose, his hands moving quicker than his brain was as he cast a last ditch effort spell to stop your fragile human body from becoming a stain on the ground. He’s relieved to see that his quick thinking had resulted in saving your life, the vines wrapped around your arms and legs like a comforting hug. He’s thankful he learned how to use the spell without including thorns, but his thoughts are now elsewhere, turning to look at his enemy with bright eyes and an even brighter smile. He tells them they should feel quite lucky that you’re in one piece, as if you had died, Malleus would have tormented their family for generations to come, if he allowed them to exist after this at all.

Riddle Rosehearts:

Riddle is trying to keep his cool, as Trey advised it was best he do so, but it was hard not to feel anger for the complete disrespect that was being shown. How could they think taking you away from your education would be the best route? From a place that you were thriving? If they thought he was doing a poor job as a dorm leader helping you, than they could’ve offered the criticism personally rather than causing you to break a hundred rules within the span of a day. He has to stop himself from raising his voice or going on a rant when he sees how frightened you are, feeling baffled again that this RSA student considered themself some sort of savior when they weren’t taking you into consideration at all. Even he had to learn a lesson or two in regards to it, and he considers it his turn to teach that lesson, challenging them to a duel that would decide where you would end up. Riddle, trusting in his opponents intent to have an honest duel, turned his back to get in place but is shocked to hear the other person winding their spell up already. Your interference is the only reason he’s in one piece but it was at the sacrifice of your own well-being; Riddle cried out your name, nearly panicking as he missed your hand by milliseconds. He can hear the chanting in his head, the word ‘failure’ stamped with bolded red letters, and he nearly lost himself in grief until he sees that Trey and Cater had tailed him. Now that he knew you were safe his face began to grow red, his complete rage turned on the RSA student who would learn the true definition of ‘off with your head’!

#Twisted Wonderland #Disney Twisted Wonderland #TWST #Disney TWST #TWST Imagines #TWST x Reader #Twisted Wonderland x Reader #Leona Kingscholar #Idia Shroud #Azul Ashengrotto #Malleus Draconia #Riddle Rosehearts #Leona Kingscholar x Reader #Idia Shroud x Reader #Malleus Draconia x Reader #Azul Ashengrotto x Reader #Riddle Rosehearts x Reader

[just-more-pr0mts]

You have probably seen all the aus like danny gets adopted by batfam, Danny as damiens twin/older brother, Danny dating a member of the batfam, Danny part of the justice league, Danny as a gotham superhero and more.

But have we seen Danny Fenton as Batman.

Danny Fenton who was taken in by the original Wayne family, with Marta and Thomas Wayne. Taken in when Martha was not yet pregnant. They treated him as their own and raised him as such. When they discover that Martha is pregnant and go out to celebrate. When they take a short cut and danny is just a few seconds too late to save them.

The boy who lost his parents when he failed to stop Dan and for all he knows his sister is dead gone. Who was lost in the infinite realms for so long. Who got stuck in a foul city where the weak are crushed so only the strong prevail.

Danny, Who stumbled into the warm arms of the Wayne family. Who slowly opened up to them. Who never used his powers so he could have a shred of normalcy with them. Who realized they loved and cared for him as thier own. Danny who accepted he loved them in turn. Danny,the boy who lost another set of parents on one fateful eve.

Danny who lost-

Danny who

Danny

Bruce.

Bruce who takes in these lost stray children because he wants to look after them. But he doesn't know how to because he never had a normal childhood.

Bruce who puts up a front to protect himself as well as his family. Who lies to face of powerful beings to protect his family. Bruce who trains long and hard to protect his family from said beings, so much so that he ends up locking away his emotions, so that his children don't have to loose another parent -not knowing that they already had so long ago

Bruce who's so proud of his children, but just doesn't know how to show it. Who is so scared, so terrified they might fight the same battles as him...or something even worse.

BRUCE WHO WANTS to kill the joker. Who wants to hurt him like he hurt his CHILD and leave him there to die, but he knows better than that... he knows what a cruel joke it would be, the irony. He knows that it will just more horrible things to his children knowing they'll never be able to stop him. That's why he brought him back.

Bruce who as much as he tries is always two steps behind.

And now when his new dimension is at stake because of the very beings he left behind, he must choose between the life that he built for himself here or the one that he left behind.

A carefully weighted scale. With the future on the horizon, and choices to be made.

Will the scale stay true or will the choices made unbalance it all.

________

Hii my beautiful creatures of the day and night.

I sorta forgot about tumblr but if you like this piece let me know! Also I love hearing how I can improve and make my writing better.

Ps. If you have any suggestions on what I should write about feel free to ask! I'm so excited to hear about it

Ps.ps. if you have any cosplay blogs dm me! I'm trying to get into cosplau

#danny phantom #dp x dc #just a promt #dc x dp #feel free to add \correct anything #please tag if this ever gets made into a fic #dpxdc #cartoon #dc x dp crossover #dp x dc crossover #sad danny phantom #danny phantom angst #danny is bruce #danny fenton as bruce wayne #hes just traumatized #he needs a hug #hes trying his best #but its not good enough #danny was Danielle #but now he is bruce

[halcyone-of-the-sea]

To Hunt a Silver Stag (I)

AU MASTERLIST || PART II

PAIRING: Knight!Kyle 'Gaz' Garrick x F!Fae Princess!Reader

WORDCOUNT: 6.9k

WARNINGS: Arranged marriage, talks of childbirth, traditional views of women & men in medieval times, talks of war, death, heavy religious imagery/symbolism, etc.

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

You wore a crown of deer antlers atop your head. Charms were woven into the gaps between the tines, attached to golden thread; jewels of starlight strung like teardrops from the moon. Your feet, staying still on the hard stone of the Great Hall, are bare though attract no dirt or dust—it is as if the very ethereal aura that coats your gown of pure white repels any such thought of uncleanliness or corruption of this mortal plane. 

You are so very far from home.

Standing in the center of your soon-to-be husband’s court, your eyes seem not to be on the man himself, who watches you greedily from the throne of black iron, but instead behind him. Blank of any emotion, your long lashes blink in the direction of the stained glass windows with a horrible longing. Whispers from the multitude of court attendants go in one ear and out the other—useless to you. Their time would be gone in a blink, and yet here you would remain, immemorial. Their words were nothing, and their utterances would turn to dust faster than their bodies would.

You can’t help but wonder if those colorful depictions in that glass window, of God and his valiant angels, are mocking you as you blink at them slowly. Not only for what you are and where you now find yourself in the kingdom of your enemies but for being so full of the very qualities that would normally resign a woman of this age to the stake. 

Independent, confident, and curious, among others. 

A voice raises above the rest, and your eyes blink elegantly, the silver hue to them unnatural in all senses. Yet, you do not look away from the mighty white stag, its soldered bits of thin glass a patchwork of an overwatching Lord. Saint Eustace is there, staring at it, just as was told from generation to generation.

A pagan man converted to Christianity, the symbol of a cross set between antlers very much like the ones adorning your head. Humming under your breath, your eyes dip down, chin moving. Below the window, there stands a tall knight, and your gaze locks with his softly. 

“Today,” the King’s voice echoes over the crowd as brown orbs stare at you, blinking. “We are here to celebrate the joining of two great bloodlines!” He stands with a grand cape over his shoulders, falling to the floor as his boots stand at the top of the stairs to the throne. Yet, this knight holds your attention more than your Promised does as the cheering starts, loud; making your ears twitch.

At your waist, a golden belt is engraved with expert attention, stories woven into metal that even seem to move with the magic embedded into it. It seems to hum with an energy that makes your eyes narrow in confusion upon this stranger.

He had brown eyes, the knight, and the hues reminded you of brown that you could see in the trees of your home—those old beasts that grew still with the magic of your line and your gentle touch. Surrounding him, there was silver armor and a strip of red fabric that went over one shoulder, hanging beside the items of his station; a sword and a dagger on a brown leather belt.

Brows furrowing, your head tilts slowly, unblinking, as the eye contact persists. 

A bold man, it seems.

The knight’s eyelids slightly widen, as if realizing he had been staring, and his face swiftly moves to the side, his short hair close to his oval skull. You hear the faint clearing of a throat come into the shell of your pointed ears.

Sighing, your focus returns to the matter at hand, the crown’s adornments clinking together as your head rotates. The speech. 

King Michael spreads his hands out, a man far into his older years but still had the gleam of malice in his eyes. Those beady things. They remind you of a rat—a small creature, while intelligent, that cannot win unless through tricks.

“We all know that magic has slowly been disappearing from the lands,” the King utters, voice echoing off the walls. Your hands are holding themselves near your abdomen, grace embedded into your bones. Watching how he speaks, you can’t deny he was influential. But influence didn’t matter when you had no wife—no children. He has a dying line, and that means weakness…which is why you’re here, after all. “And in that time, our war with the Fae has fallen into a stalemate.”

Your expression sharpens, fingers twitching. Stalemate? There were humans in your lands—spreading their fires and swinging their defiling iron swords. There was no war here except the one that this King was perpetuating. 

But you held your tongue, even if your silver eyes narrowed in an ancient, bitter, anger. Your head raises itself higher, hanging gemstones swinging. The knight near the stained glass is back to watching you—his feet shifting from under him, hands behind his armored back with loose shoulders.

“...Today, myself and the King of the Fae have come to an agreement in confidence, and in the fashion of old, I am to be wed to his daughter, a princess!” Gasps, cheers, clapping. They spring up from all corners of the Hall, bouncing. Your body longs for nature, to be away from rock and metal, these suffocating walls that close in with the gaggle of wretched corpses walking. “Peace shall be beholden to all of us! Magic shall come back into my bloodline through our many children, and all will share in its wealth!” 

You had compared yourself to a broodmare when your father had given the news of your journey here. A womb to be filled until you could give no more; restrained to a bed—away from any privilege and right.

And you’d been sent here anyway. A price needed to be paid, your father had told you. A daughter to stop the war. A child to bring back mortal magic and keep the peace through generations. Was your head to be put to the block for that? Who was to say that children would bring peace? That there weren’t more conflicts to come?

This was a momentary sacrifice, and here you were wearing white.

You hum under your breath and feel shackles tie themselves to your ankles; tying you to this place. But what other option did you have?

Your ears listen to the loud rapturous cheering, the exclamations of love that mean nothing to you—you do not love these people, do not love their need for violence and their pride. You want to go home, to find where you can rest among glades and grass. Converse with the birds and the beasts to learn of their news of far-off lands; run your hands through clear streams and watch plants grow where you walk.

As your stone body stays still, silver eyes unblinking, the knight near the window is the only man in the room not gazing at you like he wants something from you. While Lords have their eyes filled with lustful envy of your age-less skin—your finery and wealth; the promise of strong children, the knight is the only one with an open expression. 

He only watches, handsome face holding the whispers of stubble and eyes that would make many moral women wish to be his wife. 

Admittingly, your attention keeps going back to him, just as his own is stuck on you even as he tries to look professional. Back straight, armor glinting, sword pommel fiddled with by long fingers. 

The King is walking down the stairs, one withered leg at a time. You don’t offer any help.

“My bride,” Michael licks his lips when he’s in front of you; but he’s more fixated on your stomach than all else. What it will hold for him. “My beautiful Fae bride. My wedding will be known through history for ages to come.”

My. 

The world holds its breath. The knight’s jaw clenches, though no one sees it. 

You take a heavy breath into your lungs to hold back your snapping tongue. As the words meet the air, they come out as unemotional as a wave at sea. Wind holding mist.

“Certainly.”

—

As it turned out, the castle itself was even less homely than the material that was used to build it. You walk slowly through the halls, hands behind your back and your crown glimmering—the trail of a thin and flowing gown making you look like a specter. One crudely carved window after another passes by your right shoulder, and you look out of every slit; seeing the silver shades of moonlight. In contrast, everything on your left was washed with firelight from the blazing iron sconces, your ears twitching to the pop of wood and fabric saturated in animal fat. 

Everything here was horrible.

A prison, you think, slowing near one of the larger windows in the hall. A cage.  

Staring outside, trying for only a moment to understand the disgusting castle and adjoined town you look at, there’s a faint noise from far down the corridor. 

Wasting no time, your head moves slowly to the side, blinking. There isn’t anyone to be seen, but yet again, your slightly pointed ears twitch. 

A firm heartbeat. 

Bump-bump, bump-bump, bump-bump.

Staring at nothing, you listen for a moment, taking it in as your visage fights with blue and red light, shadows littering the small cracks and the marks of stone—your hands slightly tighten, but you hold no fear. 

You refused to be afraid here; you would go to your spiritual death with a high head, and nothing less. 

“It’s unbecoming to stalk as if a wolf,” you call, voice smooth and even. A beat of bird’s wings. “Four-legged beasts have perfected it, yet, the same cannot be said of you.” 

There’s a lapse of silence—a swirling of slight tension that comes not from you but another. The heartbeat in your ear lightly skips. Startled. A shadow cusps one of the connected hallways, a gleam of silver armor. You blink slowly.

“Apologies, Ma’am.” The Knight. The one from the Great Hall. “I…didn’t mean to make you nervous.”

His lithe form doesn’t try to hide from your accusation, instead, his body moves to the middle of the stone floor and straightens—one hand going to his heart and the other behind his back; bowing. The darkness of his complexion seems to glow in the light, smooth skin besides the marring of small scars along the left cheek. Tiny things, only two lines.

For no reason at all, your body lightly turns towards him, watching.

“I’m not nervous,” you respond. “Please, stand straight.” 

He does so without hesitation, though his eyes are avoiding yours. A guilty pull is to his lips that you can’t help but quirk a brow at. Yet, you remain emotionless, and outside the shadows of flying birds shift past.

“What is your name, Knight?” You see his expression slightly tense at the question, but you continue easily. A test, perhaps, if this man was worth your time. “I recall your face.” 

“I can’t give you that, My Lady.” Brown eyes go to meet yours, and the silver flecks in your orbs glimmer. “My orders were clear.”

“And were those orders also to follow me?” 

He clears his throat, feet shifting. “...Maybe.”

You hum, moving your body slowly and walking forward to him. The man blinks in surprise, straightening even more but a firm set to his eyes. His attention never wavers, unless it’s to glimpse your crown and belt, perfect pieces of artistry lost to this section of humanity. No mortal craftsman could imagine making something as such. He liked them, you notice at the light impression of awe in his gaze.

Anyone with sense would.

Stopping just a few feet away, you tilt your head. 

It was common knowledge that you never gave your name to one of the Fae, your betrothed would have told everyone close to him to avoid doing so. Just as you would never tell your real name to anyone—not even under dire circumstances. Names hold power, and no person in this castle would make you even more of a prisoner than you already were. 

You know the names of beasts and plants, flora and fauna—they bend to you, let you manipulate them to your will, though you often find no need to. The animals from any land prefer your company, anyway. The castle’s hunting hounds have already become well acquainted, just as the messenger birds had. 

But mortals? No. No, there were no names that you knew besides the King himself, and even then it was a fake one. Second names and such, are common. 

“Your title, then,” you say to the Knight. “If you’re to be a constant face to me.”

“Gaz is just fine, I’d say.” He nods his head, a slow smile moving his cheeks. Your brows furrow. Strange fellow. “A pleasure. I really do need to say that I wasn’t following you for long—I was only concerned you might have lost your way.”

You stare. 

“Lost?” Owlishly, your head shifts.

Gaz makes a noise in the back of his throat, one hand coming up to rub at the base of his neck. “Yeah—lost. It’s, uh, it’s a big castle, My Lady—”

“Stag.” Wide eyes blink, this meeting is only awkward on his part and not yours. In fact, for how humans go, he was acting far better than most. Usually, there was iron being brandished by now.

“What was that?”

“My title,” you explain, your crown’s gems bright in the light. The fire crackles, popping. “Stag. I do not need my status stated. I know what I am, Knight.”

“Then I’d say the same,” your fingers twitch, liking the word game he plays. Inside of your sockets, the unnatural makeup of your eyes shimmers. 

“Very well,” you pause, picking your words. “Gaz. A strange choice to be sure.”

He chuckles, nodding in a very stoic-like way despite the nearly boyish nature of him. “Well, Stag isn’t exactly common, either.”

You hum in your throat, unblinking; staring. Your intrigue grows the longer the man talks. Just like in the Great Hall, his form attracts all of your attention to it, against all laws that you seem to know in your soul. 

“Pray tell,” you shift, moving back to the window with your feet not making a single sound. Gaz watches on, eyes flickering between the hanging gems and how you tread over the stone as if you had wings. Your form slips back to the window, and your focus once more goes outward. “Has the King told you to spy on me, Gaz?”

The title, even if not the one of his birth—not the one written on his soul like a brand—still made the air quiver with might. You were older than most of this kingdom, the Knight knew. Older than the oak trees of the nearby forest; older than rock and wind and air.

Power dripped off your tongue like water to a leaf. 

But it wasn’t your influence that made the man answer you. It was his own nature. 

“Yes,” Gaz says, taking a few steps to where you stand, watching a flock of birds dance above the courtyard, silver moon-drips illuminating white feathers. “But I wouldn’t call it spying. Officially, I’ve been put in place to keep you safe, Princess.” His dark brows crease when you don’t pay him any mind. “I take my job very seriously, yeah?” 

“I can see that,” you utter, eyes still on the birds. “The only thing I need protecting from is the iron ring on your right hand.”

He startles, blinking for a moment. 

“...Parden?”

Silver eyes pierce him, watching; waiting. 

Gaz looks down, locking on the hand that has been resting on the pommel of his sword. Cape swishing, he makes a noise in the back of his throat. His sigil ring—the one that had been given over at his dubbing ceremony sat on the first digit, the engraving of his King’s coat of arms glimmering back. 

A wolf; a snake caught in its fangs. 

Brown eyes dart back, and he sheepishly smiles, huffing a chuckle of sorts. 

“Comes with the job, unfortunately,” yet still, his other hand easily grasps and slips the thing off, tucking it away into the leather pouch swinging from his belt. “I thought that was a myth—the Fae being harmed by iron. Conjured up to give people something to cling to.”

“I can name a million things that men and women like you consider myth,” you mutter, starting at that pouch, deep in thought. You hadn’t expected him to give in that easily. Your shoulders loosen their rigidness, but your chin never drops its high pride. “Every story comes from somewhere—be it reality or wives’ tales. Who’s to say that the words don’t give them life in one form or another?” 

“Bloody hell. Not a discussion to take up with me, I’m afraid,” Gaz huffs a chuckle, smirking. While still hesitant around you, the conversation wasn’t anything that made him want to not be around you. Everyone deserved to have their character shown, and what he was seeing so far wasn’t ringing any alarms. “Sound more of a scholar than a Princess, if you don’t mind me saying.”

Your lips quirk. “I prefer philosopher.”

“And what’s a Fae philosopher doing out in the middle of the night, then?” A breeze wafts through the window, blowing on your dress and making Gaz’s cape flutter in its bloodish tint. The torches whip and dance. You take a low breath, bird chips coming closer. 

“Speaking with an old friend.”

A white dove lands on the stone opening of the window, fluttering wings coming to fold along its sleek form until it shakes and settles all at once. 

“Lysander,” you say in greeting, nodding your head. Gaz watches, barely moving as his lips part in astonishment. 

Your hand extends itself, bearing no rings or bracelets. All you needed was your crown. Tiny eyes blink as an angular head turns to the side, tiny coos sparking from a rounded breast. Pale feet grasp your perfect flesh, such a tiny weight settles before you lift effortlessly; wings flapping to keep balance. 

“What news, then?” You ask in a whisper, bringing the beast to your crown. Lysander settles on one of the tines, head dipping down as feathers puff. Into your ear, words take shape. 

You hum in answer, blinking at every clicked sentence; tapping talons. 

Gaz stares blankly, eyebrows pulled up on his head and unable to articulate himself.

So many stories about your people—he hadn’t thought half of them to be true. While he’d been stationed in many places during the duration of this war, he’d never actually encountered one of the Fae before. Gaz had been told they were like a plague; they came in when you weren’t looking, spoke magic into your ears, and forced you to come back to their home and live as mindless beasts. Cupbearers and entertainment. 

Of the countless knights he’d been in line with, he knew the true names of none of them. A precaution. Forethought. 

Yet…you don’t look dangerous. 

But the man is far from stupid. 

“He says the fires from your forges burn his eyes,” your voice snaps him back to you, and he straightens, fingers twitching. Gaz finds your face already turned his way, owlish in its movements. “The smoke makes his throat ache.”

“I,” he pauses, mouth opening and closing. Brown eyes dart to the sharp-beaked dove; the thing very much like you in the way it watches him. “I’m…sorry?”

Your lips pull in a frown, sighing with a shake of your head. 

I can never survive here, you find yourself thinking. I believed this is what I had to do, but if this is how I’m going to live…

“Tell me about your King, Gaz,” your body swiftly turns, feet carrying you down the corridor once more with long, even, steps. “If I’m to marry him, I will know of his nature.”

The man clears his throat and follows after, where you hear the clinking of silver and the scabbard against his thigh. He glances over at you, walking if not a bit behind yourself in proper fashion. 

“What do you want to know, Ma’am?”

Your unnatural orbs shimmer, and the bird on your crown hunkers down; puffed contently and eager to rest his wings from a long flight. 

“Everything. I will not be unaware of my fate.” 

“Well,” Gaz sighs, rubbing at his chin with his opposite hand. He licks his lips, mind running to answer the best he can. “You’ll not want for anything—finery and wealth will—”

“I do not care about mortal revelry. I need neither fine things nor wealth.” Your voice curtly moves along the open air. The Knight’s boots connect with stone while your bare flesh emits nothing. “His character, Knight. Is he fair—just?”

Gaz’s face tightens, glancing from you to the hallway as he takes a moment to think.

“My King has…become troubled with the turning tides of the war. I’m sure when your marriage is official, he’ll go back to how he was before.” He doesn’t seem certain, but loyalty is a trait that a knight knows well. You had been set as his charge, of course, not under the best of circumstances, but he would do his job how he believed would benefit all parties. Even if his guts were stiff at the thought of a forced marriage. 

“My Lady Stag?” He asks, and your heart jerks unexpectedly at the muttering of your title. 

Blinking in confusion, your hand coming up to rub at your collarbone like a willow branch, you almost miss the question entirely. 

“Where you come from, if I can ask, of course, what’s it like?” Your mind strays from marriage ceremonies and consummation—momentary peace slipping in on waves of this man’s smooth accent. 

Mouth opening, only to close once and open again, you decide to indulge this man with your answer. If only because he speaks of your home. 

“Green,” is the soft utterance of your answer to him. “It’s green. More trees and rivers than you can count in your lifetime. Animals each more fantastical than the last; all of which your people now call nothing but hearsay.” 

You can sense his attention, sucking up knowledge as if he had the years to know and understand it all. 

Lysander coos, shaking his feathers out, and you glance upward without moving your head. You chuckle like a blade of moving grass. 

Blinking, Gaz slowly begins to smile, cocking his skull to the side boyishly. “What’s so funny, then?”

Your high nose twitches. 

“He says you’re as if a Wyvern hatching. A curious thing.” Brown eyes drift to your companion, whose peaked eye pierces like black fire-stone. Gaz’s mouth releases a puff of a chuckle, chest jerking. 

“Hell, never thought I’d get insulted by a bird.” 

“Humans have not the ability to speak with beasts,” you ease out, walking on. “On that, I have to say you are at a sure disadvantage.”

“What?” Gaz’s amused voice is in your ear. “Minus the whole immortality thing?”

You side-eye him, visage calm with decades of understanding. “Not everything is built to last forever.”

A momentary silence falls between the two of you. Eyes locked, you both stare, legs carrying bodies across the unfeeling stone until the area Lysander had told you about takes form. You shift a slow right and exit into the inner courtyard, large stone walls making a small square of patchy green grass and dying plants. A fountain sits still. 

“If this is to be a game of equal exchange, Knight, I desire to ask the next question.” Your eyes take it all in, hand moving out to capture the blackened leaves of a Medlar tree. Frowning at the dead fauna, you hear Lysander take to wing, flapping until his ghostly form lands on the far-off fountain’s edge. 

“Alright,” Gaz nods, looking around at the dying place with a frown as well. He’d never come here before, but the state of things was…sad, really. “Ask away.”

“When you leave the castle—the town,” you let power move to your fingertips, and you feel the tingles of it running the lengths of your arms like ice and fire; taking a low breath. “What do you see? I admit, I’m not used to having company with humans. I know not how their souls feel.”

Gaz walks into the small enclosed space, humming as he taps the pommel of his sword. His shoulders shrug as his head tilts up, blinking at the stars. 

“I wouldn’t see it as you would, I gather.”

You look over your shoulder, amusement in your face mixed with a slice of intrigue. “That wasn’t my question. But, no, you would not.” 

“Figured,” he chuckles, nodding at you. Gaz articulates himself dutifully. “I see a place far more peaceful than the one here. Outside the stone and smog—it’s beautiful, truly. Calm. You can actually think above the noise, you know? I usually find myself wanting to get out more often, but my duty ties me here.” 

Your eyes soften slightly, thumb running the face of the leaf as you take in his words. Lysander stoops to take a sip of water. 

“You’re…” You lack the words, only humming and stopping yourself. 

“Why are we here, Princess?” Gaz asks you, gazing around. “I had only expected you to walk to the kitchens—the library, even. Don’t get me wrong, you can go as you wish, but I’m not sure this is the most…” He grunts. “Sightly place to end up. Everything’s dead.”

“Nearly,” you whisper, a tiny smile taking over your flesh. “Not quite.” 

Gaz’s frown is lost to you, as is his comment that he mutters, “Looks it.”

Leaning forward, you press your lips to the leaf you hold as if a precious object. Into its blackened and shriveled form, you whisper its name—its true name, one you had learned through years of patience and trust that bordered on an entirely trance-like state. A Medlar is a tough and stubborn thing, like the fruit it bears, it will hang on until all else is gone to dust. Its roots are strong, and from them, you had listened to the earth sing its songs one buzzing note at a time.

All things speak, you just have to know how to listen. 

There’s a surge of wild order, a dichotomy of will and freedom; the sing of an axe and the memories of young saplings just gracing their leaves to the sun. A circle of death and rebirth as old as the stars that still shone in a sky of black. 

You know many names, but those of the trees were the first to come to you, and it was only proper. Before anything, there were trees. 

The Medlar shakes, its leaves dropping down one at a time until they come in groups, in clusters—bare branches shiver like dogs do until creaking ballads move over the air. 

Starling, Gaz had taken a large step back, hand snapping to the handle of his sword, the blade half drawn. Lysander flies past his face, blunt talons skating the close-cropping of his hair before the bird grapples to your crown. Flinching, the knight watched with a mixture of horror and pure wonder.

The tree was sprouting new greens. 

You step back, and from your feet, the dead grass quivers, before the smell of groaning earth makes his nose twitch; fresh blades show themselves anew. The dove atop your crown jumps from one sharp tine to the next, dodging lines of gold—eyes glinting and wings flapping excitedly. 

Life is in the very air. 

You smile to yourself, silver eyes moving as a nearly ancient-looking spark flares to life in them—a long breath entering your lungs. 

Gaz’s face begins to heat as he watches, his heart pounding with something he can’t understand. He stares at your bright face before his fast-blinking eyes move to the grass growing all around; the bushes dancing, flowers opening up and turning to you. Birds gather on the edges of this verdant and fertile land, darting one by one to the fountain and to the trees. Singing.  

The knight steps back, feet dancing over the ground with an airy laugh stuck in his throat. 

“Holy hell…” he breathes, nearly panting. 

Wide eyes move back to you, expression open, innocent. This was a moment when you truly believed you’d never seen a face more bare than this; more giving. 

“You…” He laughs. “You’re tellin’ me you could always do that?” You chuckle, and it is a sound that could make roots grow in his heart, flowers bursting from his lungs. “I…I’m speechless, really. This is,” he laughs once more, turning a full circle, with his hand going to the back of his neck in shock. It was entirely new—all of it. Ivy climbed the stone, and the animals spoke and flew in the air; excitement something that transcends species. “This is extraordinary.”

You were something incredible. 

Chuckling, you raise a slow brow, feeling a foreign heat move over your cheeks. It’s a moment before you speak, taken aback by the reverency.

“My thanks, Knight,” your head nods his way, a simple dip of your chin and nothing more. “But this is only a small courtyard. A fraction. If I so wished, forests could grow from ashen ground.”

“How?” He asks you, eyes glittering more than the moon. 

Smaller birds join Lysander on your head, finches, perhaps, and sparrows. They tweet and chip, speaking their thanks. You reach up and let one move onto your finger, bringing it back to eye level as you move to softly connect your forehead to its own. Moving back, you hum and watch the bird fly off.

“Ages of practice,” you elegantly tip your head his way, careful of your cargo. “Quite verbatim.” 

Gaz is speechless, unable to recall something in his life that had made him feel so special to be able to witness it. Magic to humans was a dying thing—you’d be surprised if he’d ever even seen it in this magnitude before. 

“...Amazing,” he utters under his breath, smiling like a fool.

For all of your Fae trickery, your games, you had to be honest. “I don’t believe I thought you’d be this moved by it.”

“Really?” He blinks at you, a boyish twist to his face. “How could I bloody not be, Love?”

Your air gets stuck in your throat, eyes minutely widening. 

Gaz quickly comes back to himself, straightening and clearing his throat as your face suddenly blazes in a way that startles you. Heart pattering like a horse’s hooves not only at the…different title but his awe at your magic as well. 

“Forgive me, My Lady,” you choose not to correct him. “I overstepped.”

His body bends forward in a deep bow, hand to his heart, resting over his armor as the cape drapes its crimson fabric to the now vibrant grass. 

It had briefly eluded you that you were to be married soon. A comment like that could get the Knight and his tree-bark brown eyes put to the sword. You hold back a long sigh, eyelids fluttering shut softly. 

“Is he kind?” Your question is small, but it moves like a knife.

Gaz stares hard at the ground, once dead and nothing but a reminder of nature. He clenches his jaw, a worry swirling in his gut. The man knows who you’re asking about, and he holds the same dread he did in the Great Hall as you were led like a sacrificial lamb to the altar. 

Maybe the Knight was broken, but even if he’d never met one of your kind before, he knew that no person deserved to be bartered for the illusion of peace—forced to give children like they were only objects. But maybe he was also just a man not meant for this lifetime.

It was the way of things.

Gaz swallows the tension in his shoulders. He will not lie. 

“...No.”

—

This tall knight had become a constant at your side. Officially, he’d been placed for your protection, but you knew it was because the King didn’t want you to cut and run. 

But unless there was a very good reason to, he should have known that you were not the running type. It was a battle of wits, and even into your marriage, you would always come out on top.

It started easy enough—Michael would invite you for tours of the castle ‘making it a home’ he’d said in front of his court. It was a power trip. 

He’d talk about his wealth like it would make you swoon; like you cared at all. You could only hide your sneer for so many hours, even with your infinite amount of patience. Time had mellowed you like the rocks of the ocean, but even they cracked when the storm was strong enough. 

Yet still, you considered yourself too intelligent for baseline insults.

“My palace was much the same, your Highness. Our towers rose high—nearly gracing the clouds themselves.”

“Oh, lovely, my King. Pray tell, do you also have pet dragons? Oh…unicorns, perhaps? My, I had the most lovely unicorn companion when I was just shy of my two-hundredth birth year. A little thing—all legs and neck. Beautiful creatures.” 

“Gorgeous little trinkets. Tell me, do you have a coffer for fallen stars? They create the most magnificent illumination for late-night reading.”

Gaz nearly lost his composure at times, even if no one else could tell except for you and your pointed ears; twitching at every breath that was fought to keep still. The over-the-lip huffs and chuckles. In fact, you found yourself perpetuating the back-handed insults just to hear those noises. Such small and meaningless things, in the grand scheme. 

You took…enjoyment from it.

Seeing the effect it had on the King was also a bonus—his raging eyes, snapping tongue held back for only his reputation and little more. He wanted to take you by the arm and shake you, you knew, yell in your face. 

Kind, King Michael was not. Gaz had been correct. 

In the nights, you would discuss with the Knight—sitting in the dense and growing courtyard with your body comfortable on the grass; Gaz’s on the fountain’s edge.

You have much of the same confidence in one another as you do tonight. 

“Do knights marry for love?” Your voice wafts out, petting Lysander with a single finger in your lap; itching at his neck as he coos. “Do they get to choose?” 

Gaz fiddles with his cape’s clasp, fingers dancing over the silver make. He has made a motion to always take off his ring when it’s just the two of you, easily slipping it away until he was forced to put it back on. He doesn’t know if you feel it, but he believes the two of you to be well-off acquaintances—perhaps even friends. 

The man enjoyed speaking to you. He reveled in the limitless knowledge that spilled from your tongue, your stories and tales. Gaz, unlike so many others, enjoyed your company not for the power that it offers in a physical sense, but for the words that you freely give. Often your sentences were like honey to him, seeping into his head.

A princess speaking with a knight? Unheard of. A Fae princess? Blasphemy. 

It was easy to forget that you were older than many generations of his family line. 

“No,” he says, glancing over. “All knights take a vow of chastity when they commit to service. None of those alive in this kingdom will wed unless they willingly break their oaths.” 

Your head tilts, crown resting comfortably a small distance away on a rock.

“That sounds lonely.”

Gaz smiles, “Worried about me?” 

You stare, eyes traveling the little deaths on his face—the lines, the scars. “If it’s what you wish to do with yourself, who am I to tell you any different?” 

The man’s face softens, lips pulling as his cheeks heat under the moonlight. “Figured you’d have some opinion of it.”

You hum, raising a brow. “It’s your life—it’s so fleeting. Tread it as if water between your fingers. Before you know it, it’ll be gone.” Lysander leans into your flesh, shivering. “Live it.”

“For someone who says they don’t know humans that well,” Gaz grumbles, though his chest is light. “You sure know a lot about them.”

“Intuition,” your mouth twitches in a smile. “And a bit of reality.”

Delicate looks are shared. 

You do admit, you liked these conversations with Gaz. The long nights and the feeling of grass under your flowing dresses; the horrid contraptions that your betrothed had tried to make you wear stuck far back into the wardrobe of your room. Heavy items—suffocating corsets, unlike the simple but elegantly sewn one you wear now. You could feel it trying to sneak in when the days drew on. 

Control. 

It was all becoming more and more apparent. You did not want to live like this. 

Your face goes troubled as the calm silence moves over the Medlar with its reaching branches. Fireflies hang like miniature stars as you take your crown and slip it back on; to feel the comforting weight of antlers. 

The knight pauses as he slips his cape off of his shoulder, blinking over at you in a slow confusion. You look troubled. He’d never seen that expression on your face before.

“Stag?” Your head swivels, as if in another world.

“Just thinking,” your voice moves into his ears, making them hum with energy. Gaz’s brows furrow, a frown taking over. After a second, he stands, moving closer on quiet feet. 

You watch him as he goes to kneel near you, one arm moving over the bent nature of his leg while the other holds fabric—letting it cascade over the earth. Brown eyes narrow, and a joking tease moves with the undertone of slight concern.

“I’m usually the talker, I know, but when you look a bit like that it makes me nervous.”

You frown. “Look like what?”

“Like someone’s got a sword to your neck, Princess.” The air is cool here, the deep throws of night taking you by the breath in your throat. A smooth smirk. “It’s my job to make sure that doesn’t happen, yeah?”

If you leave, if you find a way out of this…the war will never end. It will go on until stone cracks like glass and generations forget why it even started in the first place. 

But why were you put to the axe because of it? Why must you take the blade to the stomach—an object of greed? 

Gaz’s amused voice moves lower at your immobile lips, going serious. 

“Hey,” a hand outstretched to your arm, hovering. “Really, is everything alright?”

“Gaz,” you pause, voice still level despite your heated pulse. It’s like a snake curls itself in your guts, roots growing in your veins. The courtyard seems to shiver all by itself, leaves curling into themselves from bushes and trees. Lysander’s feet shimmy, head moving about. 

This knight had been kind to you as well as honest about his intentions. Chivalrous. Such qualities are hard to come by anymore.

“I don’t believe I want this.” It’s a breath more quiet than a lapping of waves. Gaz stills, fingers above your flesh twitching. “I can’t live in a cage. I refuse.”

Silver meets brown, holding it firmly. 

“I will not be a prize to be chained to a birthing bed.” 

The man’s face pulls at that, tightening. 

You don’t know what to expect. It isn’t fear in you—no, nothing like this could make you afraid. Apprehensive? Perhaps. Age made you cautious. At any moment he might flip his tune; run off to tattle to a King he, seemingly, likes just as much as you. Which is to say, very little. But there’s still the possibility, the knowledge stacked over ages and ages of strategy and mind games. 

A knight of a tension-ridden kingdom, swearing fealty to a King whom you’re betrothed to. You’d just expressed treason, in a way. It could put you to the sword; to the rope. To irons. Your mind runs through the millions of possibilities, not able to settle on a single one before—

A cape settles over your shoulders, startling you. 

Hand snapping to grab the front, your head snaps up, eyes wider than you can remember them ever going. 

Soft browns meet you, a thin smile. Fireflies buzz about, and a dove sits under your still finger, watching with beady orbs intently at the scene. A Medlar quivers. 

A stag and a knight breathe the same air. A godly creation and a saint ensnared in a song far larger than they intend, as the world shifts past all around them. Silver starlight leaves long reflections breaking from the hanging glory of your gems, but the patches of light on Gaz’s face capture yours in that instant far more than they should have. 

Impossibly so. Unnaturally so. 

Does this mortal have magic of his own, perhaps? You have to ask yourself. There was no other possibility. 

And when he speaks…it’s like whatever ice has been layered over your antediluvian heart breaks into fire. There wasn’t even a fight from him.

“Then tell me what you need.”

TAGS:

@sheviro-blog, @ivebeentrashsince2001, @mrshesh, @berryjuicyy, @romantic-homicide, @kmi-02, @neelehksttr, @littlemisstrouble, @copperchromewriting, @coelhho-brannco, @pumpkinwitchcrusade, @fictional-men-have-my-heart, @sleepyqueerenergy, @cumikering, @everything-was-dark, @marmie-noir, @anna-banana27, @iamcautiouslyoptimistic, @irenelunarsworld, @rvjaa, @sarcanti, @aeneanc, @not-so-closeted-lesbian, @mutuallimbenclosure, @emily-who-killed-a-man, @gildedpoenies, @glitterypirateduck, @writeforfandoms, @kohsk3nico, @peteymcskeet, @caramlizedtomatoes, @yoursweetobsession, @quesowakanda, @chthonian-spectre, @so-no-feint, @ray-rook, @extracrunchymilk, @doggydale, @frazie99, @develised, @1-800-no-users-left, @nuncubus, @aldis-nuts, @clear-your-mind-and-dream, @noonanaz, @cosmicpro, @stinkaton, @waves-against-a-cliff, @idocarealot

#cod #cod x reader #cod x you #call of duty #x female reader #cod mw22 #call of duty x you #mw2 #mw2 2022 #gaz mw2 #gaz cod #gaz call of duty #gaz x female reader #gaz x reader #gaz garrick #kyle garrick #kyle garrick x reader #kyle gaz garrick #kyle gaz garrick x you #kyle gaz garrick x reader #cod x female reader #female reader

[immaturityofthomasastruc]

Miraculous Ladybug Season 5 - An Overview

Well... that certainly was... the fifth season of Miraculous Ladybug.

While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.

Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.

The Things I Liked About Season 5

Let's get all the good things about this season out of the way first.

For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.

Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.

Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.

Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.

We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.

The Final Season... Of Filler

We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!

Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.

It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.

When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?

For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).

You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.

Retcons! Retcons Everywhere!

This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.

Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.

In case you didn't keep track, here's a little highlight reel of some of the retcons this season.

Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.

Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.

Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.

Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.

Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.

Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.

Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.

Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.

Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.

Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.

Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.

Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.

I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.

Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!

This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.

Season 5: The Show's Greatest Hits Album

Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.

So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.

In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?

And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?

But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.

But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”

What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?

It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?

Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!

Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?

The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.

It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.

If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?

If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?

If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?

If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?

If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?

If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?

If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?

If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?

If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?

If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?

If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?

If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?

With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”

For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.

Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?

The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.

It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.

Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?

And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?

With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.

We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.

The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?

I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.

I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.

The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.

The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.

Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.

And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.

In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.

First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.

Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?

All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.

Kagami Never Hesitates to Be a Complete Idiot

If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.

It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.

When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.

What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).

Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.

Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?

Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.

The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.

You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.

While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.

The Story of The Resistance (In Name Only)

I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.

Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.

I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.

And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).

Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.

The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.

Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.

And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).

Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.

And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.

Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start

I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.

For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.

I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.

Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.

The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!

Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.

It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.

And trust me, I'll get to the characters who actually got redeemed later.

For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.

At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.

I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.

I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.

I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.

Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?

But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?

Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently

This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.

Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.

Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...

There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.

With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.

With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.

But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.

The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.

Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.

Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.

Step 2: Confrontation – Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.

Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.

Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.

Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.

General Patton, eat your heart out. I think we all know who the real tactical genius is here.

Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?

What if Ms. Bustier didn't agree to hold a reelection for class representative?

What if Marinette won the reelection anyway?

What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?

What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?

What if Chloe wasn't able to record the full conversation between Gabriel and Andre?

What if Andre agreed to use the police robots without any manipulation?

What if Miss Sans-Culotte wasn't able to get Andre to resign?

What if Andre did resign, but managed to appoint a interim mayor until the next election?

What if Chloe didn't accept Gabriel's offer?

What if Chloe didn't accept Monarch's offer?

What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?

What if the French military was sent to stop Chloe's abuse of power?

What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?

What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?

What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?

What if Tomoe realized she lost her laptop and sent someone to track it down?

What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen

What if Ladybug didn't learn Monarch's identity?

What if Lila fell victim to Nightormentor's nightmare dust?

What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?

What if Gabriel caught Lila while she was attempting to sneak in?

What if Ladybug caught Lila while she was attempting to sneak in?

What if Nathalie caught Lila while she was attempting to sneak in?

What if the Gorilla caught Lila while she was attempting to sneak in?

What if some of the Miraculized caught Lila while she was attempting to sneak in?

What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?

What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?

What if Bug Noire wasn't able to defeat Monarch?

What if Ladybug managed to find the Butterfly Miraculous before she did?

What if Ladybug caught her while she was trying to find the Butterfly Miraculous?

Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?

Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.

At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?

Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.

Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?

The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.

Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.

Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.

Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.

The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.

Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.

Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).

Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.

Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.

The Redemption Misconception or: The Power of Love Always So Strong?

While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.

Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.

Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.

“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.

“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.

“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?

I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.

Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.

For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.

In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.

In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.

In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.

In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.

In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.

For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.

It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.

The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.

While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.

We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.

Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.

Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.

Adrienette Is Finally Canon! The Love Square? What’s That?

Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.

Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.

Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.

Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?

To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.

You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.

I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.

As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.

The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.

Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.

SO DID THE FUCKING SHOW.

For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.

There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?

Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.

Adrien Who?

While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.

Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).

The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.

I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.

“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.

Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.

In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.

Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.

It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.

But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.

For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.

One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.

I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.

If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?

The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb

You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.

You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.

The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.

So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.

First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?

Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.

Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.

I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!

We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.

We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.

When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.

In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...

Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.

Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.

And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.

But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”

If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.

Eight Years for This?

I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.

While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.

To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.

Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.

#immaturity of thomas astruc #iota #thomas astruc #thomas astruc salt #miraculous ladybug #miraculous ladybug salt #marinette dupain cheng #ladybug #adrien agreste #cat noir #chat noir #felix graham de vanily #argos #alya cesaire #nino lahiffe #kagami tsurugi #gabriel agreste #hawkmoth #hawk moth #monarch #chloe bourgeois #nathalie sancoeur #tomoe tsurugi #lila rossi #Youtube

[meanbossart]

Do Drow and Astarion ever argue? Not necessarily over silly things, but serious stuff, like things going on in their relationship or, for example, due to a misunderstanding. If so, how do they act during those times? Overall, I just would like to know what they're like if they happen to get mad at each other lol.

Oh absolutely LOL arguing might as well be a pillar of how they... Progress their communication? If that makes any sense.

They are both abrasive in their own ways: DU drow in his brashness and Astarion with his quick temper. The former easily misses signs and sublety and the latter frustrates easily when trying to explain them to him. It is almost entirely In Astarion's camp to keep open communication going and pry DU drow's feelings and thoughts out of him, because he otherwise does not express them properly.

Something I found noteworthy about Astarion's character in-game, is that he is very good at being vulnerable when your relationship progresses - he is good at communicating his needs, wants, and seemingly at processing his own feelings and being upfront about them with you. DU drow, on the other hand, very much isn't. His internal world is a complete mystery to him, as is everyone else's - and Astarion consistently puzzles him and catches him off-guard by becoming upset with things he did not expect him to be upset by.

By contrast, he just closes up when he is distressed by something. Astarion has essentially found that the only way to get through to him in times like those is by elevating the stakes of the conversation - having a minor outburst, or prying and prodding until he gets some frustrated, reluctant admitance of emotional vulnerability out of him - he then privately puzzles it together into something cohesive and then disengages so they can tackle it calmly. This is, of course, a very clinical summary of a very organic concept, but it's more or less the gist of it. There are a few examples of it In A Novel Experience.

Ironically, this often makes it seem like Astarion starts every argument they have, but it's not quite as it seems!

Obviously there are absolutely instances where Astarion is the one being unreasonable, but he's much better at catching himself and quietly arriving at resolutions on his own - self-soothing, essentially. DU drow, on the other hand, wants to sweep every conflicting emotion he has under the rug, and Astarion realizes this would doom them as a couple if he allowed it to happen.

He can express his love and adoration for his partner and his friend concisely and proudly, but he staggers when it comes to feelings of insecurity, weakness, guilt, fear, the works. He will use every euphemism before he ever admits to any of it - not to mention the times when he can't even pin-point what those emotions are.

It takes someone who can navigate around all those eggshells to have an earnest conversation with him about it. This would be very frustrating for any partner to deal with and Astarion would have probably given up by now if DU drow didn't try very hard to meet him in the middle - he sees that, and he apreciates it.

They don't argue like lunatics though, for the record. I don't think they would ever raise a hand at each other or sink to personal insults, they are both more passive aggressive in that regard and feel genuinely bad when they realize they may have crossed a line - there's some nipping, some barking, never biting.

#ask

[tlbodine]

Characters care about external stakes. READERS care about internal stakes.

OK. Here's a distinction I've recently started to think about and really notice after reading and watching some things that handle this poorly.

Fiction needs stakes, right? We all agree on that?

Characters have to be doing something, and they need some reason to do things, and there has to be some kind of reward for succeeding or consequence if they fail, yeah?

Cool. So here's the thing about stakes. They can be internal or external.

External stakes are things like: "if we don't do this, the sun will explode" or "if we do this, we'll win the game."

Often, to make things more interesting, external stakes have a ticking clock attached to them. You have to complete your quest before the next full moon or else the spell won't work for another hundred years. You have to score the winning point before the buzzer goes off in five seconds. That tension is important to shuffling the story forward.

But here's the thing.

The reader doesn't give a fuck about the external stakes and the ticking clock. We know perfectly well they're not going to miss the window for the spell or fuck up the finals game. We understand how stories work and how genre conventions work and you're not impressing anyone with your ticking clock.

What readers do actually care about is a character's internal stakes.

Internal stakes are things like "if I can save the world, I can finally absolve myself of guilt for letting my mom die." Or "if I win this game, my crush will finally notice me."

They are personal motivations. They are the reason why your character cares about what they're doing. They are why we care and how we get invested in their story.

Because like. We're humans. At the end of the day, we care about human things and we have human emotions and we relate to people -- even fake people made of scribbles on paper -- who care about stuff the way we care about stuff.

Raising the stakes doesn't mean "make the sun explode if they fail." Raising the stakes means "we care about this person and want to see them succeed."

So why bother with the external conflict and the ticking time clock? If what we actually care about in a story is the person, why can't we just read a couple hundred pages of the character going through therapy and working through their trauma?

Because what that ticking time clock does is it forces a character to act before they're ready. It prevents them from procrastinating. And it makes them do stuff they're not prepared for. And it's thrilling to see them interact with stuff that way, because it forces them out of their comfort zone and into an area where they can grow and challenge their status quo...which is the thing that pushes on those internal conflict bruises.

Imagine that our heroes have as much time as they need to fulfill the prophecy. They can take their time training, studying, making failsafes and backup plans and then go and the plan goes off without a hitch and they save the day without breaking a sweat. That's boring! That's just people going to work. That doesn't force them to confront their inner demons at all! That doesn't rip them from their existing environment and leave them struggling to adapt to new circumstances!

So those external stakes are necessary to keep the plot rolling forward and put pressure on the characters. But ALL OF THAT is only important if that pressure reveals interesting things about those characters, and forces them to engage with the stuff deep inside that they're probably hiding from. Because that's the part that's juicy and interesting for the reader.

Capiche?

#writing advice #writing tips #stakes #conflict #character motivation

[randomness-is-my-order]

from the start, i’ve mainly been praising the show and have spoken against the minor nitpicks but i think some constructive criticism won’t go amiss. i’m always going to advocate for praise + critique but since literally all my posts praise the show (character-work, writing, directing, cinematography, literally all aspects) i’ll focus on the main issues i have with it for this one.

i’m only saying this because i do think there is merit to the conversation: yes, i agree with many other people saying the show has a very real lack of tension. the stakes are established, potential horrific consequences are alluded to, but the instances in which the action needs to take place falls short. i wanted to see percy and annabeth and grover SHOWING their inexperience through stumbling on traps (which would automically raise the tension in both medusa’s lair and the lotus casino), i wanted them to make mistakes and quick-think their way out of it. sure, there’s something to be said about conveying annabeth’s intelligence but aunty em was a great way of highlighting percy & annabeth’s dyslexia by having them be unable to read the signs. the statues could have been removed from the yard–a move that would show medusa’s intelligence instead. similarly, the fun of the lotus casino was about the creepiness that slowly and steadily builds on the backdrop of this harmless kid carival like setting. percy, annabeth and grover’s intelligence and knowledge has already been built in other obstacles so seeing them actually fall for well-set traps seems to me like a much more nuanced portrayal of the kids, their capabilities but also their weaknesses. speaking of, i was waiting for one moment of annabeth making some mistake, showing some flaw. i think it would have been cool if she was the one to lose her drachma given that she was undoubtedly jostled hard while clinging to the cerberus. grover already felt like he messed up after the lotus casino and having percy reassure annabeth after her drachma screwup would really nail in that yeah she’s intelligent and wise but she is also just 12 and she can be a bit reckless too.

honestly, i’m a sucker for flaws. i love my emotional percabeth bits to death but would i have rejoiced just as much had both of them been a little more unempathetic towards each other and been at each other’s throats for a few more episodes? yes.

i love show grover and his earnestness and savagery in manipulating a god but do i love my little coward goat boy who slowly but surely proves himself to be capable and brave? who keeps asking for food at the most inopportune moments but really has percy’s back at the end of the day? who is severely unconfident but slowly learns to trust himself more? yes! i just feel like the grover we have now was my imagining of grover in book 2-3. we never got to see his major flaws so i’m just wondering what kind of upward arc will he have and will it be as impressive as the books.

i really really appreciated that percy’s impertinence was actually something he paid a price for. it will make his continued rebellion against the gods that much more intentional. that said, i would have liked percy’s relative ignorance of the mythic world to still remain. having sally make him so prepared that he sometimes manages to know obscure greek stories sort of blends their roles in the trio. yes, each one of them is layered and there is no one super rigid position they must adhere to but this is storytelling on television at the end of the day, the characters should have unique traits to distinguish themselves. for me, percy’s intelligence was about his presence of mind and deductive reasoning which the lotus casino scene in the book beautifully portrays. similarly, his knowledge was less about facts he knew and more about the street smarts he had acquired. in some way, annabeth and percy have a weird overlap in characteristics (show annabeth feels as sassy as show percy which is not the book dynamic imo).

i don’t see these as minor nitpicks btw – i think show portrayals have changed these characters through small changes and while that is okay, it also leaves room for improvement before it is too late. there are many considerations to be made–percy’s grief, annabeth’s tackling of complex feelings about the gods, grover’s guilt, ofc. but it’s, i think, a valid critique of the show that the main trio’s dialogue and actions could be made more faithful to the books.

also, i think the direction can be more dynamic, especially in exposition-heavy scenes. there are ways to make info-dumping fun and i’m sure the directors are more than capable of exploring these options moving forward.

there are many more smaller things i would point out but i don’t want to make this longer that it already is. many people handwave alot of the critique saying that the show is for children to which i say: children’s media doesn’t mean lesser quality media–the books were literally made for children yet on tv, many scenes are sanitised, very little left not on-the-nose. i have myself mentioned how certain scenes could be impossible to film with 12 yr olds (medusa beheading) without harming them mentally in some way so i appreciate the clever sanitization there. but the action sequences do need much more edge and that’s okay to acknowledge. the show we have now is great but it is absolutely not without flaws and normalising discussion about the flaws is only going to benefit the show moving forward.

and lastly, rick might be the author of the books but there is no rule that once you like an author’s work, you will have to like all of that author’s writing. just because rick made some final decisions does not take away the fandom’s rights to question those decisions and critique the screenwriting. there is seriously no use putting him on a pedestal–and i say this as someone who adores his writing in pjo.

let’s let the fandom breathe a little. let the mild, politely conveyed critique become commonplace as much as the ardent praise because i think that’s the balance we need to ensure that season two delivers on all the fronts that season one was unable to.

that’s all. thanks for reading lol. have a nice day. :))

#pjo #pjo fandom #percy jackon and the olympians #percy jackson #pjo series #pjo tv show #percy pjo #pjo tv adaptation #pjo tv series #walker scobell #annabeth chase #grover underwood #pjo tv spoilers #pjo tv crit

[lookwhatyoumademedohaha]

The One Where Kaz Brekker Considers His Life Choices

Summary: Kaz Brekker is a deadly Barrel Boss who has the most dangerous task at hand... To deal with the chaotic shenanigans that you pull with the Crows.

Pairing: Kaz Brekker X Reader, Six of Crows X Platonic! Reader.

Warnings: Lots of humour, fluff, chaotic energy of our Crows.

A/N: So I'm down with a terrible cold and fever and in my delirium, I came up with this story inspired by John Oliver and B99. I hope you like it. Let me know your thoughts in the comments. Happy reading!

"Dammit." muttered Kaz under his breath as he searched for your face through the Crow Club because he was a hundred percent certain that you were responsible for his present headache as he controlled himself "No, I love Y/N, she's my friend, she's my friend who is good at her job..."

Kaz was fairly certain he looked like a lunatic but finally he spotted you at the Crows private table laughing with your friends.

He marched up to you with his stony expression as he overheard Jesper announcing his plans "I think I might customize my revolvers."

Wylan immediately interjected "What? How are you going to do that?"

"I was thinking really bright colours like purple,pink and orange to match my outfits and maybe engrave my name." said Jesper thoughtfully while all of them rolled their eyes and laughed "I mean, it's going to be so much fun!"

"Oh yes! So fun! Absolutely fun!" you mocked Jesper in a high pitched tone as you smirked at him "Or when you commit murderer, a grave oversight on your part. Good news Chief, we found Fahey's revolvers at the murder scene."

Jesper stuck out his tongue at you childishly while you replied sarcastically "We do not know what motivated him to go on a killing spree but he had a lot of fun with it."

Kaz stood behind you "Y/L/N"

"Ah Kaz, you're looking very happy today." said Nina brightly as she greeted him infuriatingly "Let us guess what happened based on your facial expression. You got offered a job with a lot of Kruge and high stakes?"

Inej joined in the fun "Pekka Rollins finally died?"

Maththias' smirked "He found a life of charity and prayer."

Everyone nodded in agreement and Wylan grinned "He's about to reveal that he's actually Nikolai Lantsov!"

"Saints! Wylan, he's about to reveal that he's secretly married to me and has secretly raised my baby!" cried Jesper dramatically as Kaz thought of resignation from this life.

"All of these options is probable. But I know the Captain. He's having a meltdown." you announced dramatically exasperating Kaz who hadn't got one word in since this conversation started.

Matthias looked at you pointedly and then at Kaz "What are you talking about? The demjin looks the same as he always does."

"To you perhaps. But I have mastered the art of reading his emotions. His lips are tightly sealed, he's gripping onto his cane as if he's trying to control himself and he's blinking at his three second intervals as opposed to his nine." you observed Kaz closely with a knowing smile surprising Kaz who was tongue tied and speechless that you could easily read him "Therefore, he's having a meltdown!"

Wylan intervened as he shook his head at you fondly "That seems excessive."

You grinned "No, I'm impressive."

Nina knew that you were telling the truth based on Kaz' heartbeat she heard as she queried sweetly "So Waffles, is everything okay?"

Kaz glared at Nina and then at you "No. I'm having a meltdown."

Wylan and Matthias gasped at you as if you were a Saint "Wow."

Kaz decided to speak before anyone could interfere "Who the hell is responsible for the mess?"

"You have to be more specific about which mess given out daily life experience." retorted Nina sassily.

Kaz eyebrows furrowed deeply "Alright. The slogan outside the Crow Club and the Slat? Who did it?"

There was silence as everyone pointed toward you who looked unremorseful as you smirked at Kaz who was fuming in rage as he turned his dangerous gaze upon you "As I suspected. Now you better have a goddamn good reason as to why you would do such a silly, stupid, idiotic act?"

You looked completely calm for a person who was about to feel Kaz Brekker's wrath "Clear communication and marketing to our customers."

Kaz couldn't quite comprehend what you said as he stuttered "Excuse me?"

"Well Kaz, to tell you the truth, people in Ketterdam weren't really clear on where we were coming from... you know our main objective as to why we steal,maim and kill so much." you explained nonchalantly and calmly that made Kaz feel as if he was the idiot in this conversation. "So we put up a slogan to educate everyone in Ketterdam, our objective in pursuing destruction and crime."

"It's rather a genius slogan, Y/N." praised Inej with a kind smile "The ones we came up with were sloppy and funny but Y/N understood the assignment."

Kaz realized that you had come up with the goddamn slogan yourself as he literally let out all his exasperation out "Yes but did the slogan of the Dregs have to be BECAUSE DEATH IS THE UNDENIABLE FUEL OF LIFE!'"

"I think it's very classy, professional and straightforward conveying the necessary message." commented Matthias with honest admiration for your work and grinned at how red the demjin was "People won't like it but at least they'll understand and respect where you come from."

All of them exchanged mischievous glances as they saw Kaz close to spontaneously combusting and had to hand it to you. This was the best prank they played on Kaz and honestly at this point, you should be appointed as the Prank master General of the Dregs.

"I can't believe you would do something so stupid!" burst out Kaz in despair and anger.

You remained completely unfazed while Nina, Matthias, Wylan, Jesper and Inej snickered in unison "Can't you?"

"Shut it! I know you lot encouraged her to do this." snapped Kaz in frustration as he pointed at the rest of his friends who grinned

Kaz looked at you once again as he took a deep breath "And why did you place this slogan in bright and glittering colours as bright as Jesper's irritating fashion sense?"

"Because people are more attracted to bright colours and like glitter. Like if I saw that message in black, I'd be afraid but since it's in pretty bold sparkling colours, everyone kind of digs it." you said smartly while the rest of the Crowd clapped proudly for you "They are not like afraid. They are more like... Oh my god Kaz Brekker is about to murder me. Go right ahead Kazzle Dazzle, just whack me -"

"Alright thank you, that's enough." interrupted Kaz hastily and briskly because he did not want to hear the end of the sentence.

Amidst the Crows loud laughter, Jesper hooted "They're like... I'd die for Kaz Brekker and honestly he'll let me. Brutal!"

"The way I consider murder illegal but if Kaz Brekker is doing it, make me the victim." replied Wylan with a teasing smirk.

"CHOKE ME TO DEATH DADDY BREKKER, HALLELUJAH!" you yelled loudly as you raised your glass while Kaz was completely red in the face, embarrassed by his friends drunk shenanigans and chaotic energies.

"Daddy... It's a kink isn't it? It's like a paternal thing?" explained Nina with a wink to Maththias' who had inquired about it.

"Alright Freud." retorted Kaz rolling his eyes at Nina who laughed as he hoped to shut down this conversation quickly "I don't understand why you chose that particular slogan. It sounds like an excerpt from a letter of a serial killer!"

You looked at Kaz with a deadpanned expression "How many killings does it take for a person to be a serial killer?"

Kaz was slightly taken aback but answered nevertheless "Er... Five?"

"Great. We're all serial killers." sighed Jesper dramatically as he looked pointedly at Kaz who obviously had the highest body count.

"Not me." stated Wylan with an innocent smile.

"Bitch please!" chorused everyone together in disbelief as they glared at Wylan who was hiding a grin and you added "You have the second highest body count and you're relatively new."

Jesper grinned as he placed a kiss on Wylan "Well that's my man! He's spectacular at everything he does!"

Kaz gave up. There was no point talking to you.

"Fine. Those slogans are to be taken down tonight -" began Kaz when Rotty came toward them

"Sorry to interrupt boss but there are more than eighteen people and some other gang members queued outside waiting to be initiated as part of the Dregs."

You smirked into your drink as you heard Kaz retort "What is the meaning of this?"

"Uh... The new slogan is real popular boss. People want to be part of the Dregs because we showed them out vision and they like it." said Rotty vibrating in excitement "Also, the customers are pouring in more boss! I think it's the glitter they like -"

"Thank you Rotty. I'll attend to it. Dismissed." said Kaz as he felt your infuriating and insufferable smirk burn a hole through his skull.

"Oh Captain... I believe it's time to say those very special words." you crooned sweetly as you watched Kaz' lips twitch once.

"Y/L/N... you're a genius." stated Kaz in a deadpanned expression and watched in amusement as you nearly choked on your drink while the rest of the Crows were checking their drinks for toxin trips.

You squealed in delight "OH MY GOD! YOU ACTUALLY SAID IT! IT'S REAL!"

"I heard you practicing it to yourself in your room last night." said Kaz calmly and deadpanned as he smirked at how your enthusiasm slightly faded but you were still grinning.

You nodded "That makes more sense. So are you like now going to give me a raise, or a -"

"You're an idiot, Y/N." said Kaz with a subtle exasperated and amused smile and walked away.

"THANK YOU? YOU'RE SUPPOSED TO SAY THANK YOU CROWFATHER!" you yelled out loud in exasperation and amusement as everyone laughed.

Inej smiled "Honestly, I didn't expect the prank to turn into something profitable."

Jesper frowned slightly "Yeah it kind ruins it all, doesn't it?"

"Never fear my friends. Kaz is a prankster's delight." you replied with a delightful smile, mischief glinting in your eyes.

Before anyone could ask what you meant, Kaz Brekker's mad voice rumbled across the Crow Club "Y/N Y/L/N! WHAT ARE ALL THESE CONGRATULATORY LETTERS I'VE RECEIVED FROM DIGNITARIES ALL OVER THE WORLD ABOUT THE FACT THAT I AM TO BE MARRIED TO THAT STRUTTING PEACOCK ZOYA NAZALENZKY AT THE CHURCH OF BARTER IN KETTERDAM IN TWO DAYS?"

"What?" exclaimed Jesper in amazement

Nina, Wylan, Inej and you exchanged amused stares "Who's going to tell him Zoya is in on this and is actually coming here tonight?"

"You know what, never change, Y/N." said Matthias looking at you affectionately and then looked alarmed because he saw the demjin marching toward you "But you better run or you'll be in trouble with the demjin!"

"Trouble?" you laughed as you winked at your friends "You're only in trouble if you are caught!"

Kaz caught you before you could flee "Gotcha!"

"I'm in trouble." you mumbled and then grinned widely at Kaz Brekker who looked like a bull who had just been kicked as you bit him making him let go of you and you took off running "Congratulations on your nuptials, Captain! You're going to be a lovely bride!"

#six of crows x reader #shadow and bone x reader #grishaverse #kaz brekker x you #kaz brekker x reader #kaz brekker x oc #kaz brekker fic #kaz brekker #jesper fahey #inej gafha #wylan van eck #wylan van sunshine #matthias helvar #nina zenik #zoya nazyalensky #soc #inej ghafa x reader #jesper x reader #wylan x reader #nina x reader #matthias x nina #jesper x wylan #b99 quotes

[nights-at-crystarium]

Fragments - episodes 36-40 author notes

You can find similar breakdown posts on older episodes in my pinned!

I didn’t need to spend so much screentime on Titania fight, yet it was a fun personal challenge. I’d never written/drawn a cohesive fight scene before. The scripted ingame instances don’t leave much room for imagination, I wanted to stay away from the fourth wall, and make up a more immersive scene. How do you even make it look mildly interesting? You’d think, well, characters will just flail at each other until one of them dies, right?

So yeah the biggest challenge was creating the ebb and flow. What affects Vivi’s actions? Why wouldn’t he just murder Titania like any other opponent, and be done with it? I threw in a generous amount of inner pov (that I previously used very sparingly) and some silly tricks. The stakes are high, yes, it’s a Lightwarden vs WoD encounter, but Titania still retains their playful personality above all else. Vivi's here just to do his job, but he also knows that he's dealing with a fae.

The msq makes Titania stand out among other wardens, I capitalized on that and hc’d that they’re important to Feo Ul, and, by proxy, to Vivi. That instantly provided some emotional stakes, and an answer to why he doesn’t rush to kill them out of the door.

Vivi enters the castle in episode 35, and mostly runs in circles, analyzing his enemy, and even falls victim to illusions. This could’ve been it for him, but I daresay it worried none of us because we’re just at the beginning of a story about this guy, he’s THE guy in this universe not for no reason, he’ll manage.

No deep meaning behind "grasshopper", I just thought it's a bizarrely precise descriptor of both Vivi's long legs and dragoon jumps, and it fits the natural theme of the fight.

Vivi didn’t go in unprepared.

This line will be relevant again in like, 5-7 years from now :’>

More under the cut~

He always, always doubts everything, especially when it comes to his level of power. Self-nerfing. A light (heh) case of an impostor syndrome.

Everyone loved the bonk for meme reasons, Vivi simply bought himself some time to cast.

The Rainbow Sparkles of Believing in Yourself! And of something else, perhaps. I’m planting quite a bit of stuff for future, this one should take a mere year or so to pay off.

I hope this pose’s enough of a hint that you shouldn't be taking episode 37 too seriously.

Yes, he used his spear to ~cast~. And took a sailormoon pose. This's his, monoclass dragoon’s, interpretation of what the caster magic’s probably like.

Offscreen, Titania comes to their senses and shrills “so you wanna play rough?!”, Vivi ignores them, concerned with only one thing: did he succeed? How did the test of his custom spell go?

It only worked out because the both of them are idiots.

I like to emphasize that Fragments isn’t about retelling the msq, or big epic battles, but here, where I actually put my heart into it, I feel like I managed to pull off at least one epic beat you’d typically see in an action-focused comic. Super proud of this panel ;w;

This’s a standard panel divider I’ve used multiple times before, but it couldn’t be more visually appropriate here :3c

So, to recap. Vivi asks Titania if they miss the night sky. They do. Vivi brings the night sky to them, and lo, something actually happens. I illustrated this “something” as one of their eyes getting sort of cleansed here. This story suddenly takes a mahou shoujo (shounen, heh) turn, I appreciate that it may cause some eyebrows to raise, but I think it’s okay to take creative liberties like this in a story themed around identity, agency, and believing in yourself. If Titania’s so strong as to retain a tiny bit of their old self, to cohesively partake in a simple convo, then why can’t they return, even if for a brief moment, given the proper assistance.

An appropriate reaction to the wild bs that’s going on. Imagine inventing the tale of WoD in the First, only to witness THIS.

As about Vivi, he can save a soul when he genuinely cares for it. We haven’t seen him do this before. He does it for Feo Ul explicitly, implicitly as a self-reflection. He’s projecting so hard after realizing that Titania looks like him. He wishes for them what he'd wish for himself: to rest, to be treated with care and consideration. They don't only look like him, they're also unfree, tortured by something. Empathy or not, this’s the kindest fight Vivi’s ever fought.

I’m iffy about the canon talents that come with the Echo. You can understand any sentient creature, okay. What happens when you speak, does the other party feel the difference between that soulspeak and their native tongue? Does it feel off? Does it offend? I incorporated my own misgivings into Vivi’s thoughts about his Echo. He doesn't use soulspeak here out of respect and concern that Titania might not react well to it, throwing the entire plan out of the window. Thus he memorized quite a bit of fae words before the fight. This’s his way to mark himself as one of their people, or at least to show that he truly cares.

STAY TUNED FOR EPISODE 41

Vivien Doubter Rell. Also yay first nod!

Embracing his new duty, and possibly giving Titania the hug they deserve.

Look HE’S OKAY. For now. I just thought the hiccup would be a cute way to acknowledge the terrible power he’s just absorbed. The canon cutscene moves on unblinking, but here’s different.

Bracing himself for confrontation. Things might go awry. Or might not. Vivi doesn't know. Worst case scenario: this’s the end of his sweet lil friendship with Feo Ul. Do they like him, or a Titania-lookalike in him?

“Oh bugger...” big pets come with big responsibilities, my dear Feo Ul.

Just to reinforce his fae-ness.

Vivi had full control in this fight. Analyzed the enemy, successfully tested some crazy tricks, managed to have a heart-to-heart that resulted in getting a permission to kill Titania not with violence, but with mercy. So much could’ve gone wrong, but just didn’t. Vivi’s used to this, even if he constantly doubts everything, this’s how it always goes. He’s being flung at tasks with abysmal odds, somehow he emerges victorious.

I just like this panel so much okay.

This arc may feel slow, but it gives depth to Vivi and Feo Ul's relationship, and seeing them together in later episodes will spark even more joy.

Even after a warm moment they’d just shared, Vivi’s still wary. I broke out an analysis of what external influence, pressure to change means to him, please read this post if you missed it. YEAH TAGS AS WELL.

His expression here is an attempt to downplay the anxiety and swing the odds in his favor. What if Feo Ul insists and throws a tantrum? What if he has to become Titania right now, and there’s no way around this? Let’s make puppy eyes just incase, maybe that helps.

One more personal fav panel. There’s SO MUCH in this look. They’re on a threshold, about to become something else on Vivi’s behalf. Because they love him so much. They’ve instantly become friends because they don’t want anything from each other, just the company. Feo Ul’s such a breath of fresh air for Vivi, a new hope in a new world, where he’s (comparatively) a nobody, where people still have the potential to love him for who he is as a person. This’s why our crimson pixie gets so much screentime.

Vivi really said XD

The next few episodes wrap up the Il Mheg arc, and focus on good vibes and celebration. ShB follows a rollercoaster formula where it makes you smile at something nice and sweet only to whack you in the face right after, and I’m trying to do the same :3c

As always, thanks for reading~

#ffxiv #feo ul #vivien rell #ffxiv: fragments #fragment ii: new world old friend #fragments talk

[towriteloveontheirarms]

Mi estrella (Valentino x reader)

synopsis: Valentino and you have a fight. Nothing unusual about that. Only this time the resolution is a bit different and definitely more up his alley.

warnings: my 9 year unpracticed spanish lol, Valentino being a teasing son of a b should be a warning on his own, smut, p in v sex, orgasm denial, forced orgasms, dumbification (if you squint), afab reader

word count: 2.2k

taglist:@velvette-creations

(If you want to be tagged for a specific character/fandom or in general let me know in my asks, comments or DMs)

A/N: Thank you to my beautiful tumblr friends for encouraging me to write this! This is for y´all. And also thank you @zaldritzosrose for helping me by bouncing ideas. Love you guys!💜

Dividers by @saradika

Mi estrella = my star

Mi amor = my love

Tesoro = (my) treasure

“Oh, go fuck yourself, Val!” You scream, flipping him off as you storm out of the studio.

The large doors fall closed behind you and you are immediately met with a wall of rain. Cursing under your breath, you press yourself against the wall to stay under the little awning and light a cigarette. Your hands are shaking still from the boiling emotions that had been unloading between Valentino and you seconds ago. Of course, the moth demon couldn´t even give you the moment of rest it took to smoke that much needed cigarette.

A few deep drags in, you feel his breath billow over the side of your neck and a hand sneak under your chin to lay on the opposite cheek. Meanwhile, two others lay on your lower back, to pull you closer to him. You can´t help but to stumble closer, but instead of giving in to him like usually, you turn your head away from Valentino even more. He should be the one struggling with having to apologize for once.

“You can hug me as close as you want. I´m still mad at you, Val.” I say in a sharp tone.

There is a small break, the silence filled with a low, confident chuckle from Valentino and the sight of pink smoke wafting around you.

“That´s fine, mi estrella. I know you still love me.” He purrs in that teasing tone, leaning in even closer. “I know you can´t resist my touch.”

You suck on your teeth and bite your tongue in response. He wasn´t wrong. No one´s touch had ever made you feel as good as his did and even though he knew that, giving in now would be equal to letting him win just another fight.

“Come on… You can't possibly pretend to be mad for much longer.” Valentino´s voice is sweet and thick as honey, which makes it hard to not at least turn around any longer. “There we go. I know you can't resist me for long.”

“Oh yeah? Are you sure about that?” You tease back with an equally provoking smile and arched eyebrows.

“Oh yes. In fact, I bet you can't hold out for five minutes after I start kissing you.” Valentino smirks and gently taps your chin to make you look up just a bit more, thus bringing your lips only inches apart.

The challenge certainly catches your interest.

“Hm, let's make this more interesting. I bet I can make it without a single touch from you until we leave the studio.” You raise the stakes.

“Oh oh, you are so confident, lovebug. Alright. I'm up for the challenge.” Valentino lets go of your face, takes a deep breath and smirks. “But if you fail… my hands have free reign to roam wherever they please.”

“You say that as if they don´t already do that day and night.” You shoot back. “Alright, I accept the stakes.” You throw the filter between your fingers onto the streets and with a perhaps too confident sway of the hips the two of you head back inside.

It was easy enough to stay away from him in the beginning, as you were both focused on work, but the hours dragged by more than anything. Hours in which you watched Val´s lips wrapped around the cigarette holder in his hands, giving directions in that deep voice that could melt ice cubes in seconds. And after only that short time your confidence begins to waver, wondering if you could really hold out without his touch under these conditions.

Watching the actors perform, ignited a burn in your body. A longing for Val to treat you like the actors were treating each other in the scene. The way they go at each other in such a primal way, with such intensity, made you yearn to receive the same treatment and hearing Valentino´s voice direct them to act in such a way made it only harder to resist.

However, you are able to take a deep breath and pull through until Valentino begins to play unfair.

He began to accentuate every little thing that made you go wild. And after an especially intense scene, when he blows a heart shaped cloud your way…

You are overcome by your shallow breath and a wildly beating heart.

“Well well well, that didn't take very long now, did it love?” His cerise eyes shine with the knowledge of how easily he had won.

“Only because you were playing unfair…” You grumble under your breath as your nails rake over his chest.

He turns his head and leans close as if to kiss you at that but stops at the last moment. “How needy are you for my touch?”

“So much… Need you more than anything right now.” From behind him you nuzzle your face in his neck to show him your need in the most desperate kisses. “Can we go somewhere else now?”

Valentino laughs at your desperation, purring at the attention you lay on him. One of his hands takes yours to lead you onto his lap. You looked stunning as your lips quivered and chest heaved.

“Only if you ask nicely. Tell me what I want to hear, tesoro.”

You sigh, but can't resist the seductive, low rumble of Valentino’s voice. “You were right. I can't go without your touch. Please, Big V. Please take me upstairs and fucking help me put out the fire you ignited in my veins.”

“Such a good girl.” He leaned forward and put the tips of two fingers to your lips and immediately you know what to do.

With an accelerating heartbeat and burning cheeks, your tongue begins to swirl around the long digits. A muffled whimper escapes your lips, when you feel Val rub the fingers along the wet muscle, pressing down on it ever so slightly.

All too soon he pulls his fingers back out with a wet pop, gently taking your chin between them. “I think you earned yourself a reward.”

A tingling feeling of giddiness runs through your body from the top of your head to the soles of your feet.

Pushing you along behind Valentino, who leads the way to the lounge area above the studio, with fast steps. You don't even realize the way the actors and crew are looking at you. All your focus is on him.

The heavy door hasn't even fallen close when Valentino sweeps you up in his arms and sits the two of you down on one of the large sofas, with you comfortably straddling his lap.

The upper pair of his arms each hold either your chin in a controlling grip or a cigarette between his fingers, while the lower ones rest on your hips, to guide them into a steady rhythm when you start to grind against him. The motions your own body produces are far to desperate and have you whining like a puppy, yet you haven´t got enough restraint left to control it yourself. Seeing it brought a dark chuckle from Valentinos lungs. Your hands wander restlessly up and down his slender body, pawing at his belt.

“My my, you really must have missed me. How long has it been, huh? One hour? Two?” The demon playfully taunts, pulling your face closer by the chin and letting his long tongue caress the shell of your ear.

The question only earns him an impatient whimper from you. “Please, mi amor. No more teasing. I already admitted you were right.”

“And yet it sounds better and better every time you say it. Let me hear it again…” The demand rumbles in your ear in a velvety voice, at the same time he stops your hips from moving even the slightest bit.

“You were right. I need your touch. It feels like I´m literally burning up with need right now.” Your eyebrows furrow and the words get broken up by a sob. That look he gave you already told you that you wouldn´t come for another while, but my, was hope a nice thing.

“See? Doesn´t that sound good? And doesn´t it feel even better to be able to admit to your deepest need?” Val closes some of the distance between your faces. With the widest grin on his lips. “Why don´t you say it one more time, hm?”

“You were right, Val. You were right. You were right, I love your touch and I need it more than anything.” Tears begin to prick in your eyes, however before they can slip down your burning cheeks, they get swept away by a wet tongue.

Without a warning Valentino pulls your face down to bridge the last few inches, to connect your lips for the first time after what feels like forever. With a sigh of relief your hands move up, to run through the soft fur around his neck, which in turn made Val slip his tongue into your mouth.

The long muscle traces over your own tongue and teeth, before you entangle them in a dance that very much perfectly mirrors the passion and neediness between the two of you. And with your colliding lips keeping you just calm enough, you finally manage to open the heart shaped belt buckle, pulling your lovers white dress pants down just far enough to free his cock. Equally hasty your panties get pulled to the side and you sink down on his hardness. Val revels in the moan that leaves your lungs upon it, growling as the sweet, hot, tightness that is your cunt wraps around his length.

“P-please, mi amor. Please, let me come… Can´t take anymore.” There is a thick cloud of pink smoke not only filling the room, but also your brain. Since he had bottomed out in you, Valentino had brought you to the edge countless times and filled you with the thick ropes of his seed half as often. Your begging has become more of a mindless babble at this point and your needy hole aches for relief. Relief that you have spent the past, you don´t even know how long, begging for.

“Awww, baby.” The taunting coo reaches your ear, though you barely understand the words meaning anymore. “Where has your mind gone, huh? Have I fucked you stupid already? And you haven´t even come once yet…”

“Please… Need it. Need to come.” You sputter, weakly fucking yourself on your lover’s cock.

In truth your legs had wanted to give out about the same time that your brain did, but Val had refused to help you and so there was nothing left to do but to follow the one coherent thought left and continue to slide up and down the hard, twitching length.

“Not yet, baby. I know you can keep going longer. I know I can fuck your brain out just a bit more.” The smug smile on his face practically backs to be wiped off, but you have no mind for it. You have to concentrate on getting yourself close to another orgasm that would never come.

Despite the way your legs give out underneath you and your wet eyes are barely staying open on their own, you get yourself up to that cliff again. Even daring to look over the edge as Valentino warns you not to come, but when he pinches your clit, it is over.

Your legs give out and you plop down in Valentino´s lap, mouth open in a weak, high pitched squeak, as the painful release washes over you, shaking your entire body along with it. Once you feel a bit more stable again, you place little kisses to Valentino´s neck again. This time to apologize for having disobeyed his orders.

“´m sorry, Val. I´m so so sorry. Just couldn´t take it anymore. Was too much.” You mumble against his lavender skin.

But all the frantically murmured apologies in the world couldn´t save you from your punishment.

“That´s okay, mi estrella.” The moth demon reassures you eerily calmly, one of his hands tracing soothing circles into your back. “You really needed that orgasm really bad, huh? And you couldn´t think right anymore…”

You nod along with what he is saying, having been so far gone before that the release couldn´t entirely bring back your mind.

“Hm, sadly you still disobeyed me and you know what that means. I´ll have to punish you.” Before you can even think about protesting or begging for mercy, Valentinos four arms hold you close to his lean body as he shifts the two of you until your back is on the red cushions and he leans over you. “Since you wanted to come so badly that you even disregard my words, now you won´t stop coming until I say so.” He grins, wiping away some of the tears and the sweat that were sticking to your skin.

Your back arches and you cry out when Val first starts to slowly thrust into you all over again, but you are also smarter than to try to protest. So all that´s left to do now is to mentally ready yourself as much as possible for however extensively he thought you needed to be punished.

#valentino #hazbin hotel valentino #valentino x reader #valentino x you #hazbin hotel #hazbin hotel fanfiction #hazbin hotel fanfic #hazbin hotel fic

[puppyjune]

kill her. kill her. kill her.

she looks so beautiful. the bruises. the tears.

but the blood. the blood is holy. divine; the original temptation. once i see scarlet spread across her skin, i can barely stop. the lust, the drive, the carnal desire for brutality.

eyes starting to glaze over, i finally lessen my grip on her neck. so close, edging myself with her life. can i really hold myself back? what if i dont stop?

theres always next time.

why must i be so angry? its all ive known. walking into existence brings me these feelings. part of me wants to grow, but the comfort of that angry impassionate shell is so tempting. i try to step out, brave the new world of emotion. it backfires. over and over, all i know is negativity. oh, but how satisfying that rage is. grab that bat, lay her down whether she wants it or not.

…that may not be "kind", or "empathetic". but what else do i know? its just so easy to do. shes practically begging for it, im actually being nice by abusing her; right?

no no no, i get told that isnt the right way. but if so, why does it feel so good? is this the forbidden fruit? let me bite into her skin and learn what true sin is, carve it into her so she can be enlightened. oh, to be cut. the beauty of those lines, they make shiver with delight.

ah. empathy. that thing. do i really need it? i do? thats fucked. well, lets try a different approach.

brushing away some hair, i kiss her forehead and pull her close. the weight of her head on my body, the way she smiles, it just warms my heart. maybe i can understand what it means to be kind and empathetic. but why does she look at me that way? i must be imagining it. she couldnt possibly want… that. i blush, thinking of how close i came last time; shes probably thinking im blushing from her beauty right now. but all i can think of is the image of her choking herself for my pleasure. the knife on her skin.

i cant stop myself, i need that. violence, god does it make me feel fulfilled. its my one true passion, my vice, the thing that keeps my heart beating and my lust fueled. and why shouldnt i indulge? shes asking for it. obviously. cmon, that was totally what she was thinking, i dont need to ask. its more fun if i dont ask her.

ah, here again. layed out before me, a canvas to play with. i start sweet, checking in after every hit, watching where i hit and how hard, making sure to kiss her marked body.

hit, hit, hit. i look into her eyes, shes starting to squirm, maybe the pain is a bit much? i start to think about asking her if i should tone it down, or maybe just tone it down without asking, play it safe.

oh fuck, shes starting to squirm. this is what i need, the nectar ive been craving. i cant stop myself, i cant hold back. keeping her pinned down, swing after swing of that whip crashes down. my vision blurs, i feel such immense lust i cant think of anything else. how many hits until she fights back, until i have an excuse to really raise the stakes? oh please little pet, try and fight me. i need you to, then i cant be blamed for what happens next. but i get stopped. some part of me pulls me back, telling me to slow down. she gets to live a little longer.

i cant just stop now, i need to get these feelings out. "turn over. now."

good, now i have a fresh canvas to once again paint with pain. over and over, i whip her. its just, not good enough. i already did this, im over it, the rush is gone. i need to kill.

looking over, i see my bat. or specifically, a kendo sword. those bound strips of wood, that slight bend, just adds such a wonderful sprinkle on top of the pain from the swing. shes still down, dazed from the whip.

hit. hit. hit. kill. break her legs. she cant run. she cant resist. one swift hit to the head, bash her face with the bat, then there will be no resistance.

oh, ive done it again. i nearly couldnt stop myself. here i am, having mounted her, bat pressed against her neck, my entire weight and strength being offered for her demise. i need it, i need her to die. i need to kill. the marks on her legs shine against her pale skin. i made sure each leg had a good enough mark to make it difficult to walk, impossible to run. along with every. other. bruise. god, does she look beautiful. i feel true pleasure fill my heart as i look into her eyes. those divine eyes. tears silently rolling down her reddened face, the look of pain only brought by my abuse, the way you can see just how close she came to death. those dull eyes, barely able to comprehend what they see. if i could only have one wish, it would be to watch the life drain from peoples eyes as i use them for my pleasure.

#my writing #ive never written anything before. thought id try some stream of conciousness stuff for fun. enjoy??? hope u do #🖤

[pabtsblueliving]

I Was Wrong

Daryl Dixon x Fem!Reader

Took such a long break, Im sorry! I’ve been working, and just enjoying summer! Got inspired to write this. I am a huge Chris Stapleton fan, and this song holds so much emotion. I COULD NOT, emphasize, COULD NOTTTT not think of writing this for Daryl. Good ending dw.

I Was Wrong by Chris Stapleton

Enjoy, enjoy, enjoy. Hopefully I’ll get some more inspo.

WC 1.8k

The feedback on Dirty Laundry and You Done was absolutely insane, so thank you all <3 xoxo

Warnings: daryl got mad, established relationship, kissing oooo.

pabtsblueliving © 2023

I've been thinking 'bout my thoughtless words

And I know just how much they must have hurt

flashback

It was a rough day to begin with, for everyone. Food was low, sleep was at a minimum, stakes were high. Everyone seemed jumpy, emotionally dragged in the dirt at this time. Alexandria was at risk, everyone was vulnerable. 

You and Daryl had been arguing all morning, continuing on in the kitchen. 

The rain poured down heavily over you and Daryl, mirroring the intense storm brewing within the walls of Alexandria. Tension crackled in the air as your and Daryl stood face-to-face, their voices raised in a heated argument.

"I can't believe you're saying this, Daryl!" Your voice trembled with a mixture of anger and hurt. "After everything we've been through, how can you just throw it all away?"

Daryl's eyes narrowed, his jaw clenched tightly. "I ain't throwin' nothin' away. Just tellin' you how it is," he retorted, his voice sharp and clipped.

A mixture of disbelief and pain flashed across your face. 

"You don't mean that. You can't. We've shared so much, Daryl. I thought we had something real."

Daryl's hands balled into fists at his sides, his voice growing harsher. 

"Real? What's real about this world, huh? What's real about me? I ain't nothin' but a broken piece of shit, and I ain't lettin' you get hurt because of me." He huffed. 

Tears welled up in your eyes as you took a step back, wounded by his words.

 "So, this is it, then? You're just going to push me away because you think you're protecting me? I thought you were different, Daryl. I thought you cared."

Daryl's face twisted with frustration and pain. 

"Cared? You think I don't care? Damn it, I care too much! That's why I can't let this go on. You deserve better than me, and I ain't gonna be the one holdin' you back."

Silence hung heavy in the room, broken only by the sound of raindrops against the windowpane. Your voice trembled as she whispered, 

"If you truly believe that, Daryl... If you really don't love me…” 

Your voice went silent, you wiped your tears and turned around to your home, starting to walk away. 

Daryl's eyes widened, a mixture of regret and longing flickering in his gaze. He reached out as if to touch her, but hesitated, his hand hovering in the air. 

"No... that ain't what I meant..."

And I take it back

Won't you let me take it back?

end flashback, present day

Days had passed since your and Daryl's brawl. 

You kept busy. Helped Carol. Hung out with Judith and Carl. The distraction didn't help when you could feel everyone's pity, sympathetic eyes. You were embarrassed. Emotions flooded through your head often.

Why’d I even try with him in the first place? He doesnt love me. He seemed like he did. He never loved me. 

You know I told you that I don't love you

That I'd be better off with someone new

But I take it back

You'd finished up with chores, it was sunset. It had officially been four days since you’d last seen Daryl. Last you heard he saddled up on his bike and headed for the hills. 

You sat at the counter in the home you did share with Daryl, sewing up the holes made in your jacket from a previous hunt. Until you heard…

Knock, knock, knock…

You turned to the door, the raps of his fist on the door so quiet you thought you were imagining it.

Knock, knock, knock…

You turned again, maybe you werent making it up. You pulled yourself off your stool and put your needle and jacket on the counter. You unlocked and opened the door to reveal Daryl standing on your porch.

You stood there. Debating on shutting the door in his face, but then he looked up from his boots on your welcome mat. Those damn eyes…

Won't you let me take it back?

“...Hey.” He spoke, chewing his lip.

You took a deep shaky breath. “Hey.” you leaned against the door frame.

“Can I come inside?” He asked.

You purse your lips, crossed your arms and walked back into your home, leaving the door open for him to come inside. A quiet invitation.

You sat back on your stool, and just looked at him. He seemed shy, taken aback, finding his words.

“Look…Y/N. I did some thinkin’, I just had to get outta these walls…give you some time before I came back.” He started.

Girl, you know that I still love you

And you know that I'm so alone

I don't know why

“I was wrong. I was afraid…I was bein’ a pussy…Ive just been so amped up, worried about the future here, just thinkin’ about if were gonna even make it to live another day.” He continued.

“Daryl..” You started

“Naw, Y/N listen, Wha’ I said? I hurt the only person I told myself not to hurt. I jus…” He sighed. 

I told you that I didn't need you

Can't you see that, baby, I was wrong?

“I need you…everyday. You’re the only person in this damn…fucked up world who don’t drive me nuts.” He approached you.

A tear slipped down your cheek, you looked up to see him standing closer than he was before, almost between your legs. He propped up your chin and wiped the tears from your stained cheeks.

You wrapped your arms around him and sobbed. He held the back of your head to his chest and buried his nose in your hair.

What I wouldn't give to be your lover again

All I want to do is touch your skin, yeah

If I had you right here right now

Tell you, tell you, tell you, tell you

“Im sorry.” He said in a shaky voice. “Im sorry, baby. I love you more than anything, I vowed to protect you, and instead I hurt you. I didn’t mean it. I love you.”

You looked up at him, those eyes…

“I love you too…” You said, and he pulled you off the stool.

Girl, you know that I still love you

And you know that I'm so alone

I don't know why

I told you that I didn't need you

Can't you see that, baby, I was wrong?

“Youre my girl…I won’ let it happen again…I love you…” He spoke, holding your jaw.

He brought you in close and laid his lips upon yours. You’d be a liar if you said you didnt miss him.

His presence.

His smell.

His voice.

“I was wrong” He spoke one last time.

#daryl dixon x reader #daryl dixon #daryl dixon fancfiction #the walking dead

[glass-adeptus]

Rn I'm seeing a lot of people losing their minds saying wesper will lose iconic moments from the books and I raise you: they can still happen just in slightly different contexts

A lot of their banter can even be kept unchanged imo! And for certain scenes I really don't think they're entirely lost

In the books we get flashbacks to them first meeting-- what if we get the "not just girls" moment then in the tannery? Because surely they have to breach that subject in order to get to a ons?

We can still get the Kuwei mix up, it'll just be a lot fucking angstier with an established relationship. What if instead of a "get together first kiss" like the books they're in the midst of a quarrel and so Jesper attempts it as a make up kiss which just spirals and makes it worse? (Jesper feeling something is wrong during the kiss on screen holy fuck)

On top of that I have no doubts their relationship will hit rocky points and so imagine if they are having quarrels and they give us the "that's not all I want" moment on black veil? They can still have these emotionally charged moments in an established relationship!

I don't know why people get fixed on the pre-relationship stuff and then act like it's boring when characters are actually together. If anything it just makes the stakes higher!

I seriously think people have given up after seeing it's not a play by play adaptation which makes me so sad! I've had so much fun thinking of all the ways the scenes will be more emotional with them already together.

Just use your imagination for a minute dammit.

#now I'm ranting #but I'm annoyed at the overwhelming negativity #i will defend show wesper with my whole heart #blorbo posting #blorbo analysis #soc #sab #sab s2 #shadow and bone #shadow and bone season 2 #grishaverse #wesper #wylan van eck #jesper fahey #six of crows #six of crows wylan #six of crows jesper #sab spoilers