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#also me: *writes a freaking novel going into basically everything i remember about these characters*
mandalhoerian · 10 months
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last words on moth to a flame.
oh god i kept sleeping the whole day away on and off this fic really drained me and now i'm literally done with it i feel so empty. (if you dont know what im talking about, final part to ghost to its haunt is out)
like moth to a flame (as a series) is the first project i've completed EVER and i'm feeling so great (even though half of it was shameless porn) but also it's done now and idk what to do with myself hhhhh
no joke i've written a whole novel. the minimum words for a novel is 50K and:
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It feels SO WILD.
Thank you so much for seeing this through with me, all the support and being patient with me as I scrambled to finish everything!
More blabbering thoughts below the cut for the final huzzah (i am giving this fic a send off after all. ur getting a huge author's note)
moth to a flame was the first leonxreader fic i'd written and no joke, my first smut too. looking back i was really writing it for ME lmao, practicing and playing around with leon's character and everything.
i am lucky to have it blow up this much (thanks to that one tiktok account who recommended fics you have my heart) because it t came out relatively early like right after re4r release. i received incredible comments on it. like PARAGRAPHS and whole essays picking it apart and appreciating the details and i never got around to answering any of that because i didn't feel deserving of that kind of praise. I've never gotten attention like that before and i felt unworthy of it? I didnt feel it was anything special, leon isnt a new character there are better works out there,
but i get that fics for re4r leon were being put out SLOWLY and mine just happened to be on the better side of the spectrum since i started working on it way before march when the remake came out and had months to revise and edit, so that's why it's much more superior to lamb to the slaughter and ghost to its haunt which are dopamine-fueled, weeks-old projects barely beta-read basically running on concentrated inspiration (and i've been dealing with cholecystitis for months waiting for surgery through it all. so it's really been a roller-coaster ride) 
to this day i have no idea why both ended up to be 25K words each dude 😭 i just wanted there to be a story i guess? like, when people said they wanted more in mtaf's comments i just wanted to deliver a decent plot and have a strong background on how the reader had ended up in a situation like that with leon, and things just branched out from there.
i took so much time on them because I FREAKED OUT over it being slightly popular. you guys know. lmao . its all i talked about on ltts notes BSDSJDS
by the time they came out though, attention and interest had fizzled out majorly, like, anons who were begging for a sequel did not come back after ltts dropped I CLEARLY remember (after getting what they wanted from me) AHAHAH but i did deliberately shoot myself in the leg with that one, i am AWFUL with expectations, so it was between "what the hell, let's go low-ER" and "let's go out with a bang"
i think i did get back on track A BIT with ghost to its haunt, but still, it's its own thing, you know? i did say it'd be a good ending, so it has a good ending... in moth to a flame standards.
this series ended up to be a choose your adventure type of story. it's up to you how it ends. if you like angst, just accept it ends with moth to a flame and reader and leon are done and go their separate ways. if you don't want to settle with that and want the story to continue, you have a dark romance with a doomed ending with lamb to the slaughter; and if you like a kinda hurt/comfort fluffy bittersweet conclusion instead, ghost to its haunt is for you.
So yeah. It's really over.
Thank you so much everyone. It's been a pleasure and a great couple of months. If you want to come talk to me in the asks or whatever about the series, you're more than welcome.
See you next time in potential new projects!
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fanonplussed · 8 months
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thanks @lu-sn for tagging me!
Rules: Go to your published works on AO3 and list the first fic you ever published there, the last fic you published, any fic that you wrote for a fandom/ship only once, your favorite fic you wrote in the fandom/ship that has the most works, the fic you wish more people read, the fic you agonized over the most, the fic that sprang fully formed from your mind without any effort, and a work you are proud of—for whatever reason.
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first fic ever published: Settling Down, Settling In
this was Beka Cooper post-canon fic from 2011 and also the only het fic i ever wrote lollll though i then proceeded to publish nothing else for 8 years, i do still have a lot of fondness for this fic, and for the many, many het YA fantasy novels that have shaped the way i read and write
last fic published: a patient kind of guy
actually i lied, there's het in this fic too...specifically comphet, and the explorations thereof (it's a Be My Favorite fic, specifically a Pisaeng character study, nuff said). actually really proud of this one cause i like to think this fic showcases how far i've come in terms of being able to write angst, smut, humour, longing, and complex themes all in one 6k word fic
any fic i wrote for a ship only once: Five Times Wen Qing Writes to Jiang Yanli
huh, turns out i write quite a lot of ships only once, but i'm particularly proud of this femslash fic, firstly because in general there's not enough femslash in the world, and secondly because the MDZS ladies in specific deserved better!! also there's an incredible podfic recorded by some incredible people for it and listening to that was the COOLEST FREAKING THING
favorite fic for ship with most works: Thirty Years of (Someone Else's) Virginity Can Make You a Wizard?!
you know what, i loved this ship SO FUCKING MUCH and this was hands down the most joyful cracktastic fic i've ever written and it's all about THE MAGIC OF FRIENDSHIP and yeah, if i could pick one work to remember of everything i wrote for these boys, it would be this one. sigh.
fic i wish more people read: Dad Joke
speaking of joyful cracktastic fics about the magic of friendship lolllll Macau and Chay have so much potential to be INCREDIBLE together as romantic/platonic co-conspirators and i didn't even realise until i finished writing this fic--this legitimately started out with me wanting to have Macau yell "it's a dad joke" about calling Pete 'dad' and then i woke up from my 24 hour writing fugue state with new, inconvenient macauchay feels lol guess the joke is on me (also i sometimes read this fic again and still laugh at my own jokes and i'm v proud of that)
fic i agonized over the most: Starving, Faithful
okay i'm sure i agonised over The Long Road Across The Wilderness - 荒尘渡 too (42k words of yi city boys on a big bang deadline ><) but FUCKING HELL the sheer amount of SCREAMING i did about the vegaspete post-credits scene for Starving Faithful man, and how it didn't ALIGN THEMATICALLY with how i'd conceptualised vegaspete in chapters 1 through 4 with the HUNGER and the OWNERSHIP and i rewrote that ending scene SO many times (with very patient, intelligent handholding from my incredible beta) and in the end just kinda went fuck it and gave up lol tbh i still have no idea if it's as resonant or consistent as i wanted it to be but overall i think i did pretty okay with that fic anyway
fic that sprang fully formed from my mind: Seven Years
444 words of Xue Yang character study that just flowed out in like 10 minutes inspired by this piece of fanart, one of the coolest collab and writing experiences i've had because i'm a plotter so that's basically never happened to me before and has never happened to me again lol (maybe i should actively look for fanart i like to see if inspiration will strike again hmm...)
work i am proud of: all of them. genuinely. i worked hard on every single one of those fics and at least one person has enjoyed reading each one of those fics, and i dunno i just think that's really, really cool. fandom is really pretty special <3<3<3
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tagging @ghost--houses and @giraffeter
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xhda1449x · 2 years
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Ace attorney for the blorbo ask thing?
thanks for the ask! AA, well... honestly I wasn't in the fandom for a while now, but I still like the games a lot and I think I remember most of the important characters so here we go!!!
blorbo (favorite character, character I think about the most): well, again I wasn't really thinking about AA lately but I think Maya, she was always my favorite and I think I maybe based some of my personality on her at one point. Maybe. Possibly also Athena. And Apollo. I like them a little less than Maya but they're my duo of dumbasses and I wouldn't let anyone hurt them I feel like I have to atleast mention the judge here he's amazing
scrunkly (my “baby”, character that gives me cuteness aggression, character that is So Shaped): Pearl, definitely Pearl. Especially 8 year old Pearl. God dammit I would die for the child. She's Adorable (Trucy too, but I always liked Pearls a bit more, narumayo trash solidarity I guess) also this might be cheating but child versions of Feenie, Larry, Edgie and Franziska from the anime were Very Cute and I would also die for them
scrimblo bimblo (underrated/underappreciated fave): hm, I wanted to say Franziska but now I'm thinking Kay. Yeah Franziska is. well. maybe my favorite actually (but in a different way from Maya, I like Maya but Franziska is kinda painfully relatable so I can only think about her sometimes to not spiral into depression over my own life), but I'd say Kay is more underrated. The Investigations games are underrated and more people should play them basically
glup shitto (obscure fave, character that can appear in the background for 0.2 seconds and I won’t shut up about it for a week): AAI2 especially. Sebastian. I'm putting him here because from what I know there's still a bunch of people who like AA but never played AAI2, but if he doesn't count then... I guess Penny Nichols? I wanted to cosplay her when I still had longer brown hair. I still want to cosplay her honestly. She's also in AAI2. What a coincidence
poor little meow meow (“problematic”/unpopular/controversial/otherwise pathetic fave): okay, maybe I should put Sebastian here, I kind of enjoy him mostly because he's a bit pathetic, but he's not problematic enough I think. So! Dahlia. I wouldn't call her my "fave", I mostly love to hate her, but that's the thing, she's good at what she's meant to do and that is make me angry (and also is a good villain or whatever). Idk I like her design a lot, I love how innocent she looks until she doesn't, I think that's fun. And her story is honestly tragic, I used to call her, Matt and Kristoph the big trio I absolutely hated but now she intrigues me. So I'm putting her here
horse plinko (character I would torment for fun, for whatever reason): I don't think I have one tbh. I rarely really have characters I want to suffer just for the sake of it... But if I had to pick one (and I guess I kinda do), then Larry? I don't like him too much, he's cool but can be annoying, which is why he's not my pathetic fave (that, and also I don't like him for being pathetic, I feel very neutral about him because he's just. some guy. Which is nice in the AA universe where Just Some Guys usually don't exist but idk I just think he's kinda boring), I definitely don't want him to suffer, but I could bully him a little you know
eeby deeby (character I would send to superhell): okay now HERE'S Matt. Matt Engarde just so we're clear. I like him a lot as a character, and by that I mean he's the absolute worst and I would stomp on him probably. Choosing "not guilty" and then watching him have a breakdown is honestly one of my favorite parts of AA. Ok yeah maybe he's the character I want to see suffer the most. Alright so in that case, Kristoph? He just infuriates me, but doesn't make me go all into rage mode like Matt does. Also Oldbag. She can burn
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maxwell-grant · 3 years
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i have been watching old (and sometimes new) gmod animations and i grew up watching enough ytps to know the general idea behind them, and i recently gained a sort of fascination for them. there's something special about them that i couldn't quite put into words, but i think you got it down perfectly in your post about grand guignol. basically, thanks a bunch for that.
Well thank you! And, yeah, I pretty much grew up watching GMOD and YTP constantly and even today I still come back to those a lot when I'm restless and taking a break from work, and I think there's genuinely a lot that can be learned or discussed from them as uniquely 21st Century art forms.
I've been rewatching a lot of Raxxo's content lately and I think it was his content in particular that kind of convinced me that the "GMOD/SFM - Grand Guignol" analogy wasn't nearly as much of deranged word salad as I assumed it was, because in all honestly, if you had to try and condense his videos into a genre or definition or something of the sort, what the hell else can you possibly call this that in any way comes close to describing what you experience?
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Like, all of his videos are described as "GMOD animated in SFM", because SFM is usually associated with more straightforward dramatic content while GMOD has been cartoon madness from the start (and it's fascinating to watch just how tame even the early Rubberfruit videos are compared to the kind of stuff Eltorro64 or Dr Lalve are putting out), and Raxxo is the latter in the style of the former.
And his videos are not just a non-stop barrage of brain-breaking, because they have weirdly dramatic pauses, and moments of straightforward action, or simple sentence mixing, and there's continuity between his videos, and incredibly smooth and natural gestures following by the characters stretching and deforming like jello monsters on the next second as their screams warble to drown the soundtrack and then everything's back to normal, and then they start doing things that kinda even make some sense as a narrative, but you cannot even begin explaining properly why, and I've watched these so many times that I even kinda start to see what makes sense and what doesn't, even though literally no one other than Raxxo is ever going to guess why he made the choices he did, and god these jokes must have taken hours if not days to render, why does the scretching Soldier head saying "Sputnik!" shows up in everything he does, and oh did I mention he also makes up the soundtracks he uses himself and they don't match in the slightest most people's perception of his content?
And for the finale of the Soldier Dispenser saga he created maybe the most batshit collaborative animation effort on Youtube, which is about an hour's worth of 200 animators all creating their own little batshit mini-stories in reference to his own and, seriously, who the hell could have possibly predicted something like this existing back when computer game Team Fortress 2 was announced in 2007? Or when Youtube was created?
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Who could have possibly predicted something like this existing at any point in human history? Where else could anyone possibly experience this much audiovisual chaos anywhere? I can't even bring myself to watch the video in full again, but that this exists at all, and that it's far from the only one of it's kind, and that Team Fortress 2 fan content has spiraled so hard past anything the creators could have possibly predicted that it has self-sustaining meme ecosystems (Remember when smexuals were a thing? Or the Freaks?), that it's still fucking going 15 years past the game's debut, is, it's kind of a lot, is what I'm saying.
Like, I'm speaking as someone who studies a lot of pop culture and combs through it's most obscure and weirdest recesses to find stuff to write about, I'm still just as baffled by how far these things have gotten as I was when experiencing it for the first time. And you can find a lot of stories like these digging through Youtube Poop and the specific styles of certain creators or certain developing memes for franchises that grow and grow and permutate.
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Think about what has to have happened to make a video like iteachvader's What'll It Be? happen.
Long John Baldry, blues musician extraordinaire, voiced cartoon villain Dr Robotnik in a Sonic cartoon. Said Sonic cartoon and performance was lucky enough to survive through Youtube clips. People noticed one of said clips of his performance has him saying a word that sounds like penis in a funny way, so they start making jokes about it, and parodies, and then literally hundreds of parodies popularizing the concept as a source of comedy, some of which take the form of music. Said music is done by cutting, remixing and splicing audio from said performance over music beats, which can be a PAINSTAKINGLY LONG PROCESS as someone who's tried doing that several times now, all this to make something with "Poop" in it's name (which I guess isn't that different from pulp writers spending weeks and months breaking their fingers to put out a novel's worth of content every month, for newspapers and magazines that were literally going to be used as toilet paper later)
These parodies catch on a bit and die out for a bit, until iteachvader comes along, and he proceeds to build a career not just by making funny parodies of said cartoon, but also knocking out genuinely really, really good musical parodies, editing voice clips of said performance to make it sound like the villain's singing (and additionally, he also creates his own tunes, and he's shown that literally every sound he uses is taken from the show, which is just, absolutely mind-boggling effort). He's also created over the years a running joke of Tails being Dr Robotnik's son that people liked enough to ask for more, and then we come to the video above, which is a song about Dr Robotnik spoiling his son Tails asking him what he'll want, which is not at all in line with how the two characters are canonically. And said remixes would eventually get remixed even further, even with crossovers with other characters or musicians, and so forth.
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And that is the story of how dozens of creators working separately, and with little intent other than goofing around, single-handedly revived a dead man's music career, as the voice of the fan reinterpretation of a animated adaptation of a videogame villain, popular to the billions if not dozens of billions of views over a decade in the making, on a broadcasting platform said man didn't even live to see being created.
I think sometimes we like to think of ourselves as advanced and jaded enough that nothing surprises us anymore, and if we went back in time and showed an iphone to our great-grandparents they'd start screaming in sheer confusion. And, maybe they would, yeah, but imagine if you were Long John Baldry at any point in his life, even after he finished recording his lines as Robotnik, and someone showed up to you and explained that all of this was going to happen to you, to your voice, to your performance. Imagine if you were one of Valve's lead developers working on Team Fortress 2 during the nine years it spent in development, and someone showed you Raxxo's work and Soldier's Dispenser Quest and just, everything that had happened to characters you hadn't even fully created yet.
I imagine Long John Baldry would have taken it well enough eventually, by all accounts he was a fun person who loved to try new things, and he was an openly gay British vocalist in the 1960s when it was literally illegal to be gay in Britain, so I imagine nothing could possibly rattle his cage that deep in the long run.
But can you honestly tell me you wouldn't freak out at least a little trying to understand just what exactly the future was showing you? Can you honestly tell me your cynicism and world-weariness would be worth anything in the face of all this knowledge about what the world was going to do with your creations and work?
Can you honestly tell me, just now, that you have any idea what the hell is your legacy or reputation as an artist, or even what your art is known for, going to look like in a decade or two from now? And that things aren't going to get weirder than they are now?
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I find that fact both frightening and strangely assuring at points, and exciting above all.
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wrathandgreed · 3 years
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🖤💢🧲💞💔 Satan?
🖤 - Random Romantic Headcanon
Maybe it comes from the number of novels he’s read, but he really truly loves outdoor/nature dates, especially picnics. The peace and quiet of the outdoors is a direct (and pleasing) contrast to the chaos in the house. He loves finding little wildflowers and putting them in your hair. Reading to you while you weave flower crowns or nibble on some baked goods or just stare up at the clouds is amazingly calming and romantic to him.
He likes to leave little notes for you to find. Sometimes he places them inside books he’s lending you, or he writes them in your notes so you’ll get a pick-me-up before another RAD test. Some of them are truly romantic, full of “I love yous” and lines of poetry, some of them are “let’s discuss this later” notes for the book you’re reading, and some are more like “redeem for free kiss” coupons that he leaves under your phone.
What are some habits of theirs that would take getting used to? (Sorry, can’t get the emoji on my ipad!)
The books.....are.....everywhere. Books on shelves, sure. Books in piles on the floor, okay. Books in the bed, questionable. Books under the sink in the bathroom? Really? Books FLOATING IN MIDAIR?? You smacked into one while trying to get up and pee in the middle of the night! Ouch! Every single space in his room is full of sharp hardcover book corners and, sometimes, it’s really freaking annoying. At some point, you have to either succumb or take a stand and refuse to sleep in his room until the bed is clear and there’s solid walkways.
He insists on watching every movie twice. The first time is to absorb the story. The second time is to dissect it with you for symbols, character growth, narrative flow, and basic storytelling principles. This is fine if you’re watching Jane Austen movies or some kind of super-intense Oscar winner. But do we need to do this for every barely-budgeted D-list horror movie? Can we just enjoy something without dissecting it? Once? (Satan has been removed from the Movie Night group chat.)
He insists on paying. For everything. It’s something he got from Lucifer without realizing it. You will NEVER be the one to approach the barista with an order. You will never be able to grab the check off the restaurant table first. At the bookstore? Forget it. He has an account; he doesn’t even pay there. The bills go right to Lucifer. This might be pleasing or annoying, depending on your tastes, but it definitely takes getting used to.
🧲 - What’s an easy way to turn them on/get them riled up?
I mean, do we even have to say it? Cat ears. Seriously, any kind of cat ears. If you have a pair of headphones with cat ears, get rid of them or you’ll never be allowed to listen to music in peace. If you want to really go for it, though, get a pair like the boys have to be wearing in the Paws and Claws events - ones that look really real, that twitch and move. Get them in your favorite color, or his favorite green-and-black. Be waiting in his room wearing the ears and a collar with a bell (and nothing else) and you won’t walk right tomorrow. Any time you want to torture him, take a selfie of yourself wearing the ears - even if you’re fully dressed - and send it to him at the most inopportune times. Wait until he’s being lectured by Lucifer or in a student council meeting or at an art gallery opening.
On a less deliberate note, he’s an absolute sucker for watching you stretch to reach things placed juuuuust a little too high for you. Watching your whole body lengthen out, watching your skirt ride up or your pants stretch over your ass, mesmerizes him. And if this happens with you in the library or his room, reaching tall for a book, you might not escape 😉
Also, you having anything around your neck, like a choker or collar. It doesn’t have to be sexual, but any time you wear one he can’t take his eyes off you. At every one of Diavolo’s fancy events, you make sure to wear a jeweled collar as a necklace.
💞 - Are they a big cuddles? What is cuddling them like?
Initially, he’s definitely not big into cuddles. He’s not used to physical touch and always, in the back of his mind, is the knowledge that he could get angry and hurt you at almost any moment. So he tends to be really stiff every time you lean into him or rest your body on him.
But he gives in really quick.
He realizes that when he relaxes into it, the anger that rages in him is less. Not gone, but it’s like the volume on it is turned down. So he becomes INTENSELY into cuddles. Anywhere the two of you are together, he’s touching you if he can. And if it’s a place you can relax, he’s cuddling.
His absolute favorite is snuggling on the couch - him on his back, you resting next to/on top of his chest. He can balance the bottom of his book on your shoulder and read, either silently or out loud to you, and it’s the calmest and most relaxed he’s ever been in his life.
If you need to be upright and doing something, resting your legs in his lap seems to be enough.....at least for awhile.
💔 - What could their partner do that would absolutely break their heart?
There’s the obvious things like cheating on him or dumping him to date one of his brothers, but that would wind up producing more wrath than heartbreak. I mean, definitely “destroy the Devildom brick by brick” levels of wrath, but every time he thought about it, he’d have the anger to sustain him, rather than heartbreak.
What would truly break his heart is indifference.
If you just.....fell out of love. If you went back to the human realm and just kind of faded out of his life.
He already deals with the feeling that people don’t see him, just an extension of Lucifer. To be forgotten, like he wasn’t worth remembering or keeping.....
Or worse, if you stayed in the Devildom and the relationship just kind of evaporated, drop by drop.
The only person in millennia to understand him, to really listen to him, to understand his pain and his trauma. The only one to get how he’s built himself together through knowledge. The only person who can calm him down with a few words or a soft brush of fingers through his hair.
The idea that the person who gave him so many new emotions - love, peace, true enjoyment - could look in his eyes and feel nothing.....
I think his heart - the new heart that you gave him - would simply wither and die.
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starymintss · 4 years
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Please enjoy an essay on why mitsukou has so much fucking potential and why they’re great together
by Elena~
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I don’t think I’ve ever seen such a connection like the one that mitsukou shares. This ship literally has true canon potential. I have hope and believe that we may be victorious in mitsukou becoming canon- I mean god dammit guys they are “SEMI CANON”-
kounene obviously won’t be endgame. In Houkago Shounen Hanako Kun (the spin-off series) they played a game in which the person who pulled a king card was able to get to command a person that was playing the game to do something no matter what. When Kou pulled his card- he literally decided he wanted his brother Teru who was there and Nene to have a romantic connection (hence- him saying and I fucking quote, “This will make senpai happy!”) He could’ve done it to his own benefit- to maybe earn a kiss or do something of his own benefit. But he didn’t, instead choosing to make his senpai happy.
Besides Hananene is basically canon already like what the fuck
As for Mitsuba he’s a gay coded character and hasn’t denied the guys aren’t his type. Some people who deem Mitsuba straight might use the scene where he tells Kou “Is this a love confession? Sorry but lame earrings aren’t really my style.” That still does not confirm that Mitsuba doesn’t swing that way. A really great piece of evidence is the bonus comics at the start and end of a manga- one titled, “Tell Me, Mitsuba Kun,” in which Kou asks if he ever had a crush on other girls- Mitsuba responding that there are simply no other girls cuter than him. In another bonus comic he says the same thing again when he tells Yokoo and Satou he wants to fall in love. When asked to name some girls he thinks are cute, he asks if it's possible that he was the cutest one of all. On the other hand, Kou has stated that he likes someone with a pretty smile (do I have to explain that) which is a pretty open explanation of his type (not denying or confirming he doesn’t like guys). Obviously as a Mitsukou shipper I can point out different actions that I’ll admit looks pretty gay.
It’s not the fact that it’s very common in manga like this that there’s the straight couple and then the other two people in the group are automatically paired together- they are so much more than that. They have a deep connection, and both Kou and Mitsuba are somewhat aware of that themselves. Mitsuba is willing to protect Kou from harm- he’s willing to stop him from getting himself hurt for others because Mitsuba cares, and he knows that he’s too reckless and caring and fearless for others in a way that isn’t healthy?
Kou likes to be everything for everyone and the reader can see in chapter 64 that Mitsuba really did try to talk to him about the behavior. Yes it’s weird to see Mitsuba actually show true concern to people--because it’s his character to be a jerk and an asshole, but that doesn’t mean Mitsuba is incapable of not having true genuine feelings for people he seems as his friends.
Obviously, Mitsuba trying to talk to Kou didn’t happen due to other events that occurred. But I think a lot of people agree that the moment would’ve been so beautifully written and truly played an extremely important part in Kou’s character development.
As for Mitsuba, Kou is generally a sweet guy. It’s stated he will give up his life for anyone, it was what he was taught growing up as an exorcist and a fighter. Those words do not fail his actions, and anyone can see Kou will die for literally anything which is really messed up. He’s 14 for fucks sake.
Someone against Mitsukou could use that as an argument but we see here in the manga that there’s simply something different about this said connection. Kou is first introduced to Mitsuba in chapter 30 something, and he remembers who he is after Yokoo tells him--what happened to Mitsuba that was ultimately the end of his life. Mitsuba does again by his rumor being changed, and being stabbed by Hanako- but it’s the fact he cries and loses sleep and just cannot let him go for anything that moves me. May I point out that he actually decided to process the photos even after Mitsubas death? He didn’t have to do that. Not at all. But he did anyways. It’s seen that Kou wants to find a way to help Mitsuba get away from Tsukasa and help him fit in more- he wants to be a friend. (Note: after he’s reintroduced to Mitsuba; this Mitsuba being a pure apparition with no memories.)
Mitsuba is deeply insecure about himself, and feels he doesn’t fit in. He’s lonely, and doesn’t have friends even as a ghost. But Kou is there. He’s there to be by Mitsubas side.
The deep connection the two of them have is strong and that’s especially shown in the picture perfect arc. At the beginning Kou first sees Mitsuba as a human and obviously it’s freaking him out because-he’s a ghost you know. But once him and Nene meet Shijima Mei, and are told they must kill Hanako (Amane) and Mitsuba, it’s disturbing to them. At this point in the series literally everyone know Hanako and Yashiro share a connection as lovers. I mean- its the couple that the series revolves around. But Kou is deeply disturbed because he doesn’t want to kill Mitsuba. Yet- Mei also reassured them that things will be alright since after all this is a fake world and there’s no need for hesitation. But it’s still affecting Kou and he’s carrying this information on his back as he learns beside Mitsuba in school and has fun with him while cleaning the pool. At night, when the two of them are walking on the school building and watching the stars from the window, Kou confronts Mitsuba about this (note: by now Kou knows that Mitsuba knows). Mitsuba goes on to reveal his true form, and uses his powers to show Kou the past. He tells him about how he learns about his past self. And he states to just feel so… “envious”
Mitsuba grows angry with Kou- because he can see how he’s looking at the true Mitsuba with such a gaze the fake Mitsuba knows he won’t ever get.
Things lead to one another and he smashes the window in fury. (“It’s that Mitsuba you want, right?!” And I dare you to tell me that doesn’t sound like a fucking quote from a bittersweet romance novel.)
Kou insists on getting Mitsuba out of there. And can I please just point out that Mitsuba says: “What are you doing?!” He asks Kou if this isn’t what he wanted- if this isnt the life they want to live from here on out where they can be happy together along with their friends. This reminds me of a direct parallel to Hananene, in which Hanako is confused as to why Nene wouldn’t want to stay here, and Nene tells him that this isn’t what she wants. Kou says the same thing to Mitsuba.
Kou drags out embedded feelings Mitsuba has as they fight, and he says quotes that are really important to their development. Things such as:
“But… who else is there?! Who else could grant my wish?! Even you, Minamoto- Kun!”
“You see… even you don’t care about me. It’s that “Mitsuba,” isn’t it?! I don't even MATTER!!”
“I’m Mitsuba’s fake, but let’s just call it real! This is a world where the “Mitsuba” you were unable to save can live happily! That’s good, isn’t it?”
“Even if it’s only in this world, be my friend, and stay by my side… I’m just thinking scary things. Over there, I’ll be jealous.”
I think the Picture Perfect arc really shows how desperate Mitsuba is to have friends- to fit in with everyone else and to just feel like he belongs and matters. Kou tries to tell him that isn’t true... he’s willing to do everything to let him know that he is so much more than what he deems himself as. He’s so much more than a “fake” of what used to be his original friend, there's so much more to do than wish wishes and hope things will just go the way you want things to go. There’s a better way than to look to evil to bend and defy the laws of existing.
There’s the famous quote Kou says- the “How about I die too. So that we can be together forever.” And how he decided right there this this fake Mitsuba- this apparition who very much will never become human- is worthy. He’s worthy of his life; this is more than the whole “I will die for every life” because Mitsuba is dead- he’s immortal as a ghost. But a human like him... in Mitsubas words someone who will never understand something as ugly and as horrifying as a apparition born from a real persons soul and lesser about to disappear spirits- Kou will give his life up just to know the hell he goes through. Even if it’s just a glimpse- even if it’s just for a second Kou will do anything to just fulfill Mitsubas wish for him to stay by his side. He will do anything for Mitsuba.
I think writing this out also makes me realize they both have their walls up. Kou has his walls up to try and hide his true feelings- his deepest fears and insecurities- feeling as if he isn’t good enough. Mitsuba has his walls up to do the same. He portrays himself as a guy that he deems will get him friends. He hides the ugliness in himself- hides the fact he’s a total fake; doesn’t belong anywhere and his deepest insecurities.
But the two of them together help each other in such a way that it’s unable to truly analyze every single moment they share together.
They help each other but teach the other to bring their walls down. That it’s okay to talk about your feelings and that you don’t have to be everything for everyone. That you don’t have to give up everything you have living- your health and your literal life- for someone. That it’s okay to feel like you don’t fit in. It’s okay to feel like there’s just no other choice of getting what you want and therefore doing the wrong things. That people will love you just for you; what happened in the past put aside.
Mitsuba and Kou are in love.
The end. 💖
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aros001 · 3 years
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Read through light novel vol. 7. Random thoughts.
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I swear Goblin Slayer looks like he's blushing through his armor on that cover. I don't blame him, given it's Cow Girl, but that's what it looks like.
I always get a laugh out of Goblin Slayer's completely unwillingness or inability to remember any type of monster outside of goblins. I think he only knows what vampires and dragon are because they're the most popular monster adventurers want to beat and thus the ones he'd hear about the most. He repeatedly can't remember what an ogre is despite dropping an ocean on one, nor the dark elf or troll, and I think last volume he needed a long minute to remember what giant rats are. No surprise he can't remember what the Loch Ness Monster's name was in this book, or what an elephant is. Mokele Mubenbe. It's hard for me to even pronounce that.
Lizard Priest was in the process of bringing each of the nuns upstairs into the chapel from the basement storehouse. “Stay strong, now. When dawn breaks, we can take you somewhere less upsetting.” “Thank you... Truly...” “Think nothing of it. We may revere different deities, but monkeys came from lizards, in the end. That makes us cousins.” “Heh-heh... You lizardmen...say the strangest...things...”
I don't say this often enough but Lizard Priest is just kind of the best, you know? He's like a big, scaly, green teddy bear. He's a very comforting presence and such an easy person for everyone, including those of different faiths like Priestess and the elves, to be friends with.
At first I was disappointed Priestess didn't get a cure poison miracle, given how often goblins come at the party using poisoned weapons, but her Purify miracle has certainly proved its usefulness, both for cleaning water and air as well as helping psychologically by cleaning up the victims of the goblins. Doesn't restore their stolen virginity but at least leaves less marks and filth for them to be constantly reminded what the goblins did to them. Plus, Goblin Slayer is no stranger to using smoke or poison gas, so Purify is probably good to have on hand to keep such methods from harming the party themselves.
In the middle of this flood of stories, Goblin Slayer said, “So this is your home.” “That’s right.” “That’s good.” “Well—” High Elf Archer’s eyes narrowed like a smiling cat’s. “It’s where my heart is.” Goblin Slayer nodded. Cow Girl blinked at him for a moment. Then he said, “And there are goblins near it.” The note of anger in his voice was unmistakable.
I love all the members of the party, so naturally I'm enjoying all the bonding moments between Goblin Slayer and High Elf Archer in this book, as well as the parallels he keeps drawing between them, especially in regards to their sisters. Their interactions are fun because their personalities contrast so much but in a different way than his and Priestess' or her and Dwarf Shaman's.
Then she went on, “Actually, even a lot of elvish adventurers act like that, especially if they’ve just left the forest.” It’s not that they have no sense of danger, just a poor grasp of scale.
That last bit is a good way of describing a lot of this series. There are people ignorant of how truly dangerous the goblins can be but outside of porcelain ranks it's usually not deliberately so. They just live in a world of other insanely large threats that don't like being ignored, with the elves in particular having members of their species whom lived through the old battles of the gods. Goblins are basically pests and goblin slaying pest control. They're a problem but barely a blip on the radar when you're comparing them to freaking Sauron, whom it feels like you just recently finally got rid of.
There is something absolutely hilarious to me that this man in dirty leather and steel armor, coated in faded red stains, who refuses to ever take his helmet off, barely talks, frequently walks in a manner that's described as violent, and who's sole obsession it is to wipe out every last goblin in existence, is known as The Kindest Man on the Frontier. But I still love it because it makes sense. Most villages on the frontier can't get help with their goblin problems because there's not a lot of fame or money in killing goblins and bigger threats are given more the priority, so they're just left on their own. But then Goblin Slayer comes in, doing the job without any thought to reward or praise. He's saved god knows how many kidnapped women prevented the destruction of countless villages. From the outside, yeah, it looks like just simple kindness. Get to know him a little better and you see that it's obsession. And when you get as close as Priestess and Cow Girl, you agree that it's kindness.
It's so cool that the elf adventurer the party saved on their first quest together made a reappearance, even if it's a small one. Like with Wizard's little brother wanting to avenge her, it's good to show that the people brutalized by the goblins aren't just props to show how serious the situation is. They're real (albeit fictional) people, who had their own lives and people who loved them, so having them still matter later in the story and them trying to get at least some closure is good writing.
I was talking with someone before in my vol. 6 post that something I really like about Goblin Slayer's character is his immaturity. Not that he's whiny and bratty like a kid but rather his trauma stunted him in a few ways. He likely had nothing to do with his village being attacked by goblins but to this day he blames himself for what happened to his sister, from him hiding and doing nothing to save her to in this volume believing she would have long moved on from their village if she didn't have to take care of him. Taking on all that blame and guilt, it's such a childish way of thinking and his trauma (and Burgler's training) meant he never was able to grow out of it. I can just see that little boy under the floorboards, thinking everything that's happening around him is some divine punishment from the gods for something bad he did, like not listening to his sister or getting mad at Cow Girl or literally anything else a kid would normally do.
This world has freaking elevators?! What?! When they first mentioned it I thought it was going to be something involving water or magic or gears, but no! Control panels, keypad, entering a code. It even goes bong when it arrives at its destination. I mean, they say it's not clear whether it operates magically or mechanically but this still feels like a big jump in this world's technology level, considering the most high tech thing I remember prior was ice cream making, and that was a chemical process. I just love the image of Goblin Slayer's party patiently waiting in the elevator as it's going up and soft muzak is playing.
By the time he noticed the change, it was too late. The goblin shaman’s blood had been turned to pure water.
WHOA! Priestess! What the f**k?! Was this her version of strangling the goblin champion with a bundle of hair?! That was awesome!
Also not good for her, given her beliefs. It's a good little conflict for her character and sets up some worry about what'll happen if she does something like this again. The Earth Mother spoke directly to her to warn this was a one-time deal. Would Priestess lose the ability to use Miracles or would the goddess outright smite her for such gross abuse of the powers she gave her? There's also the added conflict that Goblin Slayer praised her for what she did. He's not as important as the Earth Mother but he's still someone Priestess respects and is attached to more than anyone else, so she's going to be conflicted if his life is on the line again.
I've never played DOOM. Still love the reference with Hero.
...Is that why there was an elevator? Is this world some odd combination of DnD, Lord of the Rings, and DOOM?
Even though they showed his image, with everyone else all dressed up for the wedding I'm enjoying imagining Goblin Slayer in his normal armor, just with the addition of a bow tie.
Damn that bouquet tease. Who caught it?! Priestess?! Cow Girl?! Sword Maiden leaping in through the window?!
Original Reddit post: https://www.reddit.com/r/GoblinSlayer/comments/fzwykz/read_through_light_novel_vol_7_random_thoughts/
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sunsetcurve · 3 years
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so...the last year has been rough. for everyone. but i’ve been lucky in a lot of ways, especially with the people in my life, and i wanted to take a second to thank some people on here. because genuinely, you guys mean so freaking much to me. i’ve had a lot of online friends in my life but none that feel so much like family. these are the people who have carried me through the last year, who’ve made me feel seen and heard and supported me in all my endeavors and just been wonderful to me all around. i love you guys, and happy new year <3
i’m about to get into it now. and i’ll try not to cry too much along the way.
@neshatriumphs​ nesha, when i say that you’re our fandom mom i mean that you’re my family, i mean that you’re my biggest supporter, my inspiration, my rock, the person who makes me want to be my best self, all the time. i can’t explain to you what your support has meant to me over the years. whether it’s leaving me incredibly kind notes on my fics that make me want to write more just for you, or sending me asks when you know i’m feeling down, or just making me laugh with your hilarious takes, you have always, always been there for me. you’re the toughest person i know and you make me want to keep pushing every day. you’re so incredibly talented; your ideas are just always stunning and inspired and despite being humble about it you’re amazing at everything you do. your art, your writing, your aesthetics, all of it. loeg and share-a-lair were just spectacular and such a show of how complex and original and smart your writing is. barring just your talent you’re also an inspiration in how passionate and kind and dedicated you are. you care for others everywhere you go. you come on here and constantly make me want to be a better person. it’s not just me, either—you’ve taken on the role of helping all of us in any way you can, and you just make us feel loved and supported and give us someone to always look up to. i love you. plain and simple, you’re my family, and i’m so, so grateful to have you in my life.
@juliesdahlias​ you know when you meet someone younger than you and you’re like how do they have this much talent in their body? and you can’t even be mad about it because you just want to root for them and you want good things for them and you think of them like a little sibling? that’s me around you all. the freaking. time. pearl, i’m constantly blown away by how smart and driven and passionate you are. you have so much talent to offer the world and i love seeing you thrive more than anything. you inspire me every freaking day; i mean, your tiara thief drabbles literally made me pull my fic out of my drafts for the first time in months. every time you post it’s something iconic and beautiful, whether its your fics or your edits or your headcanons. and not just that, but you’re so incredibly supportive of everything i put out there. like with ths, the way you latched on to it and are one of our biggest fans and made content for it literally as soon as we started!! that was amazing!! you’re just such an incredible person in every sense of the word; you’re talented and hilarious and kind and passionate and i love you so so much. i cannot wait to watch you do amazing things because i know you’re gonna be one of the greats. ily. 
@ciara-knightly i can’t even put this into words. i’m sitting here trying to say it right and every time i start i just turn into “!!!!!!!!” cause i love you so much. i know i’ve said this before, but shona, you’re honestly like my older sister. this whole year of just, really getting to talk to you beyond tumblr has shown me how honestly kind, passionate, smart, and supportive you are. talking to you is one of my favorite things in the world, whether it’s rambling about tiara thief, or discussing feminism in media, or just getting life advice. you always know what to say to lead me in the right direction and reassure me that things are gonna be okay. i look up to you more than i can tell you; i’m constantly inspired by your talent and your drive. you’re endlessly supportive and you make me laugh all the time, and i hold literally every convo we have close to my chest because it means so much to me to just be able to have them with you. i’ll never be over the fact that you basically discovered jatp, or us talking and making predictions for weeks before it aired, or us plotting out the whole dystopia novel together—which, even though it didn’t really pan out, was such an amazing experience because i got to do it with you. and i absolutely scroll back through our convos on a regular basis to scream over our tiara thief headcanons. everything i’ve done with you has been incredibly fun and meaningful, so what i’m trying to say in this very long winded way is that i’m so, so glad i know you, and i can never thank you enough for everything you’ve done for me. 
@bitchmilsky lizzie, i literally think of you like you’re my little sibling. my weird, crazy, hilarious, incredibly kind and supportive and creative and amazing little sibling. ever since i met you you’ve been nothing but fun and friendly and wonderful to me. your posts never fail to make me laugh and i love seeing whatever you’re up to, even if it’s video games that i understand nothing about. you have so many fun ideas and you’re so freely yourself, it’s honestly inspiring. the things you make are always adorable and every time we go live together and chat i always have so much fun, and talking and i just want to meet you in person so badly because i know we’d be an amazing, unstoppable duo and that you’d make me laugh until my sides hurt. i’m still waiting on that cross-country road trip. we could roll the windows down and belt our way through the entire hd musical soundtrack, and it would be epic. for real, though, you’re one of my favorite people ever, and i hope this year brings you nothing but fun and good things because that’s what you deserve. i’m sending you a million virtual hugs and also booty shorts that say poggers on the ass. i love you <3
@zackmartn i know i’m gonna start crying right now because i love you so much and i’m trying not to because i just did my makeup but dammit, nikki, i just love you so much. i remember when i first came on here and was afraid to talk to you because i was like “ohmygod she’s so cool she’s the king of this fandom she’s amazing” but i thank god that you reached out to me every day. i honestly can’t imagine my life without you; you’ve been such a presence in it for so long that you’re inseparable from it. even the times i’ve gone on hiatus i’ve been stalking your blog from a distance like “i just wanna know what she’s up to...”. you’re honestly like an older sister to me and you’re one of the people i admire the most; you’ve been through and continue to go through so much and yet every day you come on here and decide to be a freaking light to all of us, to make me smile, to support me literally endlessly. like, the amount of times you’ve driven me to near tears from your reviews of my writing is ridiculous. the freaking umana fan club?? the way ths is one of your top tags??? it’s just...insane and such a show of how boundless your support is. and that’s not even getting into how freaking talented you are!!! i stare at your gifsets all the time!! and your fics like....holy shit you literally created this whole universe that i’m so freaking invested in and is better than literally anything that canon could ever do, and i know i’m honestly terrible at responding to messages but i hope you know you never have to start holding back with me. most of the time when i get stuff you send i have to sit there and get my thoughts together and that takes forever, but i love love love reading it anyway. the way you get excited about the things you love is everything, it’s something that i really really love about you, and i hope you continue to keep that passion and love for everything. and i hope that this year brings you nothing but good things, because you deserve that more than anyone. i love you. 
@willexs eliza, babe, i know we joke all the time that we were put on opposite sides of the ocean because we’d be too powerful if we were together but i really think it’s true. imagine us meeting. the universe just wouldn’t be able to handle it; it would implode. listen, you’re literally like my twin, my other half. we have so much in common that it’s honestly ridiculous. we operate on the same brainwave, and every time we talk i’m blown away by how easy it is and i honestly love it so much because i could not have picked a more talented and creative and fun person to work with. writing ths with you has literally been like...one of my favorite writing experiences ever. i can’t believe that it started on such a whim because it’s such an important part of my life now and getting to have you next to me while we figure this whole thing out is honestly the best part. it’s not just all the characters and dynamics we’ve created, it’s the fact that i can send you incoherent ramblings at ungodly hours and you’ll pick them apart, it’s the 3-hour phone calls to make playlists, it’s you always making me feel heard and inspiring me. it’s this like...excitement of building towards something amazing with someone i love. you understand me on this crazy and fundamental level, and sometimes it blows my mind how similar we are and how well you know me without us having even met. i feel like we’re the embodiment of “nobody gets me like you”. and i know i’ve said this before, but i really do think you make me a better writer. i love how you make me laugh, i love that you always have the best takes and i love how talented you are with your incredible adorable art and your fics and your gorgeous edits and i love that we egg each other on and hype each other up. i love that, despite being on opposite sides of the ocean, we’re still best friends. and i love you <3
​@cactus-con lou!!!!!! i literally just...ahh i love you so much!! i know i’ve said this before but you were the first person i talked to in this fandom, and you made me feel so freaking welcome. and that has never changed. talking to you is so easy and natural, and you make me feel loved and heard all the time. i love getting to share stuff with you because you always always always hype me up. not just that but like...your talent?? literally unmatched!!! you’re amazing at everything you do it’s ridiculous. i love love love all your artwork, i could stare at it literally all day. you have so much talent and i literally cannot wait to watch you do such great things with it. i just...you’re such a wonderful person to everyone around you. you spread all this love and support and kindness and i think you’re one of the most genuine people i know and i’m so so glad i know you. i hope this year treats you so well because you deserve nothing but good things. i love you. <3
@owenjoyners where do i even start?? brooke, you’re like my other twin. i know i’ve said this before but it’s literally insane to me that we’ve known each other for less than a year because it feels like i’ve known you my whole life. you are such an incredible freaking person. you’re funny and you’re kind and you’re talented and you make me smile every damn day. i love getting post notifs from you because i swear to god i light up every time. your gifsets are always gorgeous, and i’ve watched you learn and improve and you’ve gotten so good, it makes me so happy every time. your art??? you say you’re just starting out but i can’t even tell you how much i love it. your fics!!! you’re good at everything and it’s honestly ridiculous. and it’s not even about your consistently amazing posts, i also just...i love talking to you more than anything, even if we’re just simping over owen together. you make me laugh all the time and you always hype me up; you’ve let me ramble about my fics and helped me get my ideas together, you’ve talked stupid life stuff like school and college with me, and you’ve given me someone to go to whenever i need it. i think of you as one of my best friends and i can’t get over how fast we clicked or how easy it is to talk to you. i need you to come visit me so i can give you so many hugs and we can have a sleepover and talk for literally hours on end. in the meantime, we need to call again sometime because that was honestly so much fun. i love you with all my heart. 
and some people i want to say thank you to, because even though we don’t talk as often as i’d like you’re still amazing, and you make me smile all the time, and i love seeing you on my dash or in my notes: @taylorswiftrulestheworld @onplanetmars @dr-rigatoni @swellviews-finest @symphonic-concert @molinasmercer
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youareunbearable · 3 years
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Catch me not having a clue who any of these gods(?) and people are, but still sitting here like, "I ship that pretty one with the gruff one, and that brown haired one with the other(?) gruff one?" without knowing names or what this is except the fanart I see you reblog, because this fandom apparently has lots of nice art
Fam i have no idea what ur talking about or when u sent this im so sorry asfkjhfkjhf but i thiiiinnnkkkk??????? it’s “Heavens Official Blessing” or  Tiān Guān Cì Fú (TGCF for tagging stuff) its originally a chinese gay novel that is soooooooo long by the author  Mo Xiang Tong Xiu (MXTX) who wrote 2 (two?????) other novels that I know of that are also gay historical fantasy but i personally havent actually read TGCF???? im just watching the anime and looking at the wiki and reading fanfics so i have a vague idea whats going on but not really???? so i cant really give a good review BUT i LOVE THE CHARACTERS MXTX WRITES SO MUCH AFHAFKFHKFAKF IM SO SORRY IM SHIT WITH TAGGING SO U HAVE NO IDEA WHAT IM HYPER FIXATING ON BUT
LISTEN
LISTEN 
LISTEN
Pretty one and the gruff one im THINKING is He Xuan (or Ming Yi/ Ming-Xiong/Ming Bro) for the grumpy one and Shi Qingxuan for the pretty one and both are kinda gender fluid?? (more Shi Qingxuan but they both change their forms to be both women and men which is Iconic and the anime put her in the TRANS FLAG COLOUR instead of her canon white and green which is ICONIC) AND THHEYRE SO TRAGIC AND HOT AND I CRY JUST THINKING ABOUT THEIR STORY LIKE AFHDFKJAFDSGS like i want to kinda read the book just for them, the two super minor characters, but i also read somewhere that their story doesn’t really have a clean ending so im also holding back from just getting Emotionally Hurt because im a cancer and i know it’ll wreck me
I think The Two Gruff Idiots are Feng Xin (dark haired gruff boy) and Mu Qing (brown haired gruff boy) and theyre both martial gods and both knew each other for over 800 years and both tried to take care of Actual Human And Heavenly Disaster Xie Lian, failed, and tried to do it again 800 years later but with stupid glasses with moustaches in hopes that Xie Lian cant figure out that they care about him but OOPS Xie Lian does in fact have the braincell of the three of them fajfafjajf 
Heres the link to watch the anime, there are 11 eps rn but it updates every weekend (I dont actually know when but i watch it on sundays) Make sure u have ur ad block on tho lol there is a manga too and the art style is TO DIE FOR like its GORGEOUS but its roughly at the same pace as the anime so eh
Heres where to read the whole thing online, just a warning its BIG AS FUCK like 244? plus extras I think?? 
I’d also recommend MXTX’s other books!
Mo Dao Zu Shi (or Grandmaster of Demonic Cultivation/ The Untamed/MDZS) is both a Book as well as an Anime (the whole thing is on youtube) , a Live Action which you can watch on Netflix (look up Untamed, also a warning, the plot is a little different from the book and anime cause of uhhh censorship?? also i guess to make it more live drama friendly, my friends an i binged it and really liked it, but some of the fandom doesn’t), a manga which is not finished I think???? idk im not caught up, and a fucking chinese AUDIO DRAMA LIKE BITCH ITS SO WELL DONE but i have to stop listening sometimes cause like there is a difference between watching/reading characters kiss, and then like just hearing them, i get so embarrassed i have to skip the kissing scenes and god forbid i accidentally click on the smutty extras alfjajlfjalfjaljf u can find it on youtube, i linked the one i listen to but i havent finished it and i don’t think it’s all of it, but you can find other episodes/chapters easily
Its about 1 Dumb Yet So Smart gay/bi man (Wei Wuxian) who honestly tries his fucking best, fucks up everything, dies for over a decade, and then is forcefully brought back to life to solve a murder mystery with the guy who has been in Super Gay Love with him since they were teens (Lan Zhan), a bunch of teens Who Are Just Honestly Here For A Good Time And Yet (Lan Juniors, Jin Ling, and Best Boy Ouyang Zizhen ) while badly hiding his real identity from all the people he knows, including his foster brother (Jiang Cheng) who is out for blood and hunting his ass down with a whip and also Lan Zhan who is travelling with him. Also the Killer. There is a killer on the loose and is willing to murder whoever to keep their secrets. Also Nie Huaisang. I adore him and his brother Nie Mingjue, if there is one bitch u gotta remember from this summary it’s this little twink (he and his brother also have a fucking spin off movie from the live action drama THAT I HAVENT BEEN ABLE TO FIND A ENGLISH SUB VERSION AND ITS BEEN KILLING ME SINCE I STARTED WATCHING THIS SHOW LAST YEAR. GOOGLE GIVE ME MY FAVOURITE TWINK AND HIS BEAR OF A BROTHER HAVING A FUN FAMILY ROAD TRIP!!!!!!!)
My Personal Current Favourite is Scum Villain’s Self Saving System (SVSSS) which is SOOOOOOO FUNNY Like it’s not as popular cause the comic was discontinued, and the anime looks like its from 2005 with the weird 3D animation but its my current comfort media!!! 
Its basically about a spite reading millennial (Shen Yuan) who died after reading a REALLY awful popular cheesy smut harem novel (think like 50 shade series but worse cause the protag had 600 wives) and was forced into the body of a minor but important villain (the protagonist’s teacher, Shen Qingqiu) from the novel who was fated to die with all his limbs cut off and his eyes and tongue plucked out and is told he has to fix the story so its not trash, he reasonably freaks the fuck out and hugs the protagonists (Luo Binghe) thigh so hard he turns him gay without realizing. Sadly, he does have to make sure certain plot points happen, which fucks him over a lot,  and he thinks Luo Binghe still wants to kill him instead of love him cause he has the Emotional Intelligence of a Rock, but its so funny reading about him handling all the awful tropey stuff, like imagine u have to be a character in My Immortal But With Porn?????? without breaking out of character too much?? I wouldn’t be able to handle it ajhakfkfhjfj He also finds out that he’s not the only transmigrator in the novel either, but it doesn’t matter cause theyre both So Fucking Stupid Collectively but everyone would honestly die for the both of them
warning for this story though, the main relationship is a teacher/student relationship, but nothing happens until the student is in his 20s and also kinda not his student anymore cause he’s running hell??? but if that squicks u out i totally understand and offer you to PLEASE still enjoy some of this media, and instead of the BingQiu ship, I offer you the LiuQiu one, where both me and the main character cry over how a beautiful man/fellow immortal lord loves the main character so much that he literally fought every day for 5 years to be by his side and I Think Thats Beautiful and I kinda like this ship more than the main one tbh PLEASE just look at the art for Liu Qingge because i love him so much, he’s like if you took Lan Zhan and Jiang Cheng from MDZS and mashed them into one beautiful man the author is trying to tell me is straight but u take one look at him And Tell Me Otherwise
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lizacstuff · 3 years
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SCK / Edser asks - ep 31/32
Asks about episode 31, some discussion of 32 under the cut
Anonymous said: with the past two episodes, i realized, for me at least, it's not so much about it feeling disjointed (31 didn't really feel disjointed to me tbf) but about the lack of edser screentime. when we do have their scenes, they're good! but the last 2 eps haven't had a lot of it which is what's frustrating (more annoying to me than even selin believe it or not). the fragman for next week looks good though.. with serkan losing his shit more and more.. which can only mean good things for us! lol.
Yes, I agree with this. This episode was a lot less disjointed than 30. 30 felt weird. For 31, there wasn’t enough Edser, but I found it leaps and bounds easier to watch than the last two episodes. As for not enough Edser, I was wondering if that was partly about the short shooting week. For episode 31 they only shot 4 days, a couple of paps said that they did that to give Kerem 3 days off last week because his family was visiting from US/Canada. I don’t know if that’s true, but they follow him around so they pry know if the fam is in town or not. Perhaps in doing that, they had to rely more on the second unit and focus on other characters?? Because there was a lot of focus on other characters this episode.
Speaking of other storylines, I do have to say that I’m very relieved that there is an actual reason why Ceren has lost the thread a bit. If she’s off her meds it explains a lot, and I’m thankful that while she tantrumed a lot about Eda and forced herself on someone who wasn’t inviting it with Deniz, she didn’t do anything unforgivable like actively try and hurt Eda. 
Also the Erdem and Leyla scenes were amusing, and my queen Melo can do anything she wants. The only character who actually gives a damn about Eda and Serkan.  
While there wasn’t enough Edser, there was more than a lot of people are giving the episode credit for.  They had several really good scenes in the office with the balloons and the staring and later him questioning her about Deniz. We got jealous Serkan sniffing around Eda and Deniz’s cafe, and a really nice outside Eda’s house scene that got them being kind to each other and really, honestly talking. Then the funny scene inside with everyone thinking they were back together and Aydan freaking out. (we even got Serkan getting a few cathartic slaps!)  The boat scenes were good, but they could have been better. I think they could have given us more and Eda could have been a bit more open with him trying so hard. 
The final scene was a slap in the face and I think sort of tainted the rest of the episode, but without that, I thought there was actual progress made. 
As for the fragman (and the extra scenes released in the VDay video yesterday) I actually have hope for 32 being a turning point. We’ve seen him be curious about her and opening up with her, now I think we’ll see the ye olde sexual attraction hitting him hard. That should be good!  Plus banning love in the office! Vintage jealous Serkan!
Anonymous said: Last week's episode was not my favorite but after this week's, I'm just confused at the writing situation. You could jump from episode 30, to the last minute of episode 31 and you would've seen all you needed to see. It feels like they're wasting potential. Maybe the showrunner knows something we don't about how much time they have but I'm at the "not mad, but very disappointed" phase with how this story is going. And the "Ceren is crazy off her meds" storyline is particularly striking an nerve.
I’m sorry that the Ceren off her meds story is upsetting to you, I can see that. Unfortunately, I really don’t have faith they’ll do it justice. This show has treated some very big issues like agoraphobia, claustrophobia, narcolepsy, panic attacks and lets not forget amnesia and PTSD, at a very superficial level. However, I am glad that they at least gave a plausible reason for Ceren to undergo a behavioral change.  
However, I don’t agree with you that the rest of the episode was pointless. I thought the Edser we did get was very good and Serkan made big strides. He was drawn to Eda, intrigued by her, asking questions, very jealous of Deniz, lying to Selin, getting annoyed at Selin, and meanwhile Eda and Serkan had some nice quite conversations. Remember the man doesn’t know her, but he feels that primal pull towards her and it still terrifies him. Especially now that we’re past her heightened emotions of ep 29, and he’s realizing what a competent professional she is and also caring and sweet, not quite the picture that Selin painted him. 
The problem is the 1 step forward, 2 steps back that they’re having him do.  However, what I’m hoping will happen is that all these experiences, these big steps forward he makes with Eda, before he freaks, gets back under the influence of Selin and jumps backwards, will have a cumulative effect and he’ll take a giant leap forward soon. 
There are so many moments that show his tendency to be carrying and attentive towards Eda (offering to drive Eda home after the yacht, vs telling Selin he’s busy and she can go on ahead so he can sit and think about Eda), the switch has got to flip sooner rather than later for him. 
Anonymous said: So I noticed that "March 20th" is 5 Saturdays from now. I sincerely hope they don't drag this fake engagement out until then
Good GAWD, don’t even say that! LMAO. Honestly, truly, I don’t think we’re going to drag her fake engagement out that long. Really truly. Have I convinced you yet? Have I convinced myself yet? 
That would be way too much. By March 20th I’m expecting them to be sexing each other up! 
Anonymous said: Think I am going to shake off the not so greatness of the last two episodes by thinking about how hot it is going to be watching Serkan try to win Eda back. Because we ended yet another episode with Serkan apparently still having zero interest in putting his engagement on hold and no progress made towards unmasking Selin’s game. Edser scenes were fire always but still too short & too far in between. At this point I think most of us could write a novel about how all over the place the writing is and how little things makes sense but that is just too depressing.
Yes, I think this is very true. IMO they really miscalculated by going with these engagements. They are really wearing on the audience. But I do think you’re right, that them constantly changing writers is a big part of the issue. Also I think it has to do with constantly living on the edge and not knowing how many episodes this show is going to have. I don’t know how any show could have a clear and consistent narrative with that constantly hanging over the creatives heads. It’s an interesting way to do things. 
It is a bit head spinning when you think about how much time on this show they spend with Edser together and how much apart. HOWEVER, I’m a big proponent that from 16-26, they were basically in a romantic relationship the entire time. Even though they weren’t together, they were together, they belonged to each other, they couldn’t leave each other alone, every decision they made was with the other in mind. But I’m one that doesn’t find those episodes as tortuous as some, there are a LOT of good moments and scenes in there. 
Anonymous said: So was Deniz agreeing to work with Selin supposed to be the start of her downfall? Or not? It honestly seems like the show is not even going the route of Selin doing something to mess with his memories anymore and just going to have Serkan flat out choose Eda over Selin but who knows. Only shining light on that front was the fact that Selin & Serkan had very few couple scenes in the last episode.
You are me, I’ve been wondering about this. The last episode sort of made me give up hope that Selin is going to face any repercussions for the disgusting way she has manipulated and brainwashed an amnesia victim.  I mean, she will be heartbroken and will have to slink out of town again, but it’s possible she may not face any blowback from the other characters and that will suck. 
On the bright side (you know I always have to look on the bright side) that means instead of her being unmasked, it will be, as you say, just Serkan, once again, straight up choosing Eda over her. Which is delicious and romantic in it’s own right. Their love once again triumphing over the biggest of odds, with everything stacked against them and people actively working against them and him suffering from a brain injury. That’s big. And I think after the way Serkan has treated Eda, it’s important that he choose and not just have th choice taken from him by Selin being “unmasked.” Though I’m happy if she’s unmasked after he’s already fallen for Eda (which lets be honest is actively happening). 
So there’s a lot of upside to that, to Serkan just choosing, however if that happens and she leaves prior to him regaining his memories, we’ll probably have to suffer through Serkan thanking Selin and apologizing to her and that might make me break whatever screen I’m watching the show on that night. I keep telling myself the writers have to know we need some comeuppance and consequences for Selin, but I’m not sure I trust them to do that. It’s possible she’ll skate again. 
The spoilers (which so far are batting about 50/50, so this is still all grain of salt) said that the last scene of 31 would be “bad” (it was IMO, ouch!) but that it would start the unmasking of Selin. If Deniz is playing Selin (which I think is very possible) then that spoiler cold still be true.  
Maybe Deniz is a straight up a manipulative villain, but it feels like we have enough of that already. Doesn’t he seem smart enough to realize that he’s never going to get Eda through trickery, and would be much better served by championing her best interests instead of employing underhanded tactics to separate Eda/Serkan? So maybe he’ll help humiliate Selin by reveling what she’s doing. Who knows, we shall see. 
Anonymous said: The thing that bothers me the most is serkan's attitude towards eda. When he is alone with her he is vulnerable, attentive to her, listens and tries to find out more about her and their love and the moments they spent together, he tries to remember. And when he is surrounded by other people especially selin he is completely different with her. He is cold, says cruel things to her (the moment he said that he will never marry her seriously serkan?) and he humiliates her constantly. PART1
Really I wonder why this sudden change every time there is surely something we don't know yet. PART2
Yes, there could be something we don’t know that’s contributing to his behavior. 
Though @echoapothecary had a good theory about those spoilers that came out about how Selin was doing something with pills and potential drugging of Serkan... what if the spoiler types got it wrong from call sheets and mistook Ceren with the pills for something Selin was doing? 
Serkan’s behavior could just be his pre-Eda robotic personality terrified of the person he becomes after Eda, combined with Selin’s abusive manipulation and brainwashing, combined with traumatic brain injury, combined with PTSD from the plane crash. That’s a lot to overcome. 
Anonymous said: Poor Eda how much pain can she bear , she is suffering so much and she tries to stay strong and do everything she can to get her serkan back. I feel so much sympathy for her character, she has endured so much but she remains strong in spite of everything. If she decides to give up I wouldn't blame her, she has the right to think about herself for once. It's up to serkan now to open up to her, to show that he cares about her and wants to remember her.
My heart breaks for Eda. However, come on, it’s been like a week. Eda is stronger than than that, she wouldn’t be Eda if she gave up. She knows Serkan is suffering from a brain injury and being manipulated by that barnacle.
Also, remember how we spent episode 20-26 with Eda keeping her distance and controlling everything while Serkan worked his tail off to get her back, his love never wavering. They work because they don’t give up on one another.
Anonymous said: The only way for serkan to react is to feel that he is going to lose eda (she had already tried everything, recreating their moments, kissing him but nothing worked). Eda knows this and that's why she decided to start this game with Deniz, it's her only motivation. To make serkan react, be jealous, feel that he is about to lose her just like in episode 11 to finally confess his feelings. P1/
At first I was totally against this fake engagement but now that I see it from another point of view it seems to me that it is a good idea. Just how could eda have guessed that deniz was not sincere in his intention to help her and just wanted to take advantage of the situation. P2/
Yes, you’re right. Eda knows that Serkan needs to be pushed into a corner to act. That’s what happened the first time. If only we see a reaction like he had the first time around!
What I didn’t like is when Deniz expounded on their “love story” and made up the whole thing about them promising to get married which prompted Serkan to ask Eda if he knew about that. Eda had to say no and I feel like that gives Serkan a mistaken view of their relationship. That they were not in a place where they would have confided such things. It feels like it works against Eda’s objective. So that move puts a mark in the “Deniz is actually a manipulative shit-stain” category. 
I just so badly want one of the other characters (Engin, Leyla) to accuse Serkan of being jealous and for him to respond that he doesn’t get jealous and for them to be all like, “Yeah, maybe you didn’t used to get jealous, but with Eda you were jealous of anything that competed for her attention, including babies and dogs!”
Anonymous said: i love that scene on the boat where serkan stays behind after dismissing selin (when he all too eager to take eda home before btw!!) and he's thinking about their moments together.. it's not flashbacks to his memories of her, but he's thinking about the moments that they've shared the DOES remember right now... boy is he already falling for her all over again
Yes, me too! That was very good moment. He sends his “fiancé” on her way without really even questioning where she’s been and then sits and thinks about another woman. 
He’s got to be close to catching a clue! If only he didn’t emotionally destroy Eda every time he freaks out. 
Anonymous said: i think it's hard for most people to watch serkan be "robot-y" after sooo many episodes of him evolving and growing and being in love with eda.. but i remember back to the first episodes and there are times and moments where he IS harsh with her there too.. they would have a close moment and then the next day he would be ice cold.. the same things happens now.. he has always, even back then, fought himself falling in love until he couldn't any longer and felt like he was actually losing her.
Yes! This is Serkan circa episode 3 when he freaked out and was a total and complete asshole to Eda. It just hurts so much more this time around. Then Eda, and the audience, could let it roll off our backs because they didn’t have history. Now we have 30 episode of history and love and evolution and it is hella painful to go back to that place again. 
However, it is pretty realistic to his character and the guy we met in the beginning. What’s not entirely realistic is him taking refuge in Selin. But I suppose you take the fact that the last thing he remembers they were together, and forget the reason they broke up is that he was never going to marry her, throw in her trauma, manipulation and brainwashing and here we are at engaged!
Anonymous said: you know i never considered how the show must feel if you binge watched all of it.. i started watching from the 1st ep so it's always been this cycle of waiting a loooong week in between, but it must feel different if you've binged it.. i feel like storylines def won't feel as dragged out and therefore you wouldn't feel as frustrated by how long the plot would take.. like we waited 10+ weeks for edser to get back together but now someone can just breeze thru those episodes lol.
Yes, binging would take away a lot of the pain those of us week to week have felt. I binged through episode 9 and it’s been week to week for me every since. Like I said in that other ask, I like week to week, because I like fandom. I like talking to you all in my ask box and I like content, and having time to digest things and I like following the cast and getting spoilers, but the downside is the PAIN. LMAO. 
Anonymous said: wow, they even stole your caption. so sorry this happened to you , i hope they take it down soon! i know you work hard to create these gifs and posts ❤
This is about the gal who reposted my gifset yesterday. Thank you so much, she did delete it. As I say, I’m more than fine with people using the gifs for reactions and meta and stuff like that, but it’s against every bit of tumblr etiquette (and rules) to repost entire sets as your own. Please don’t do that.
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haleigh-sloth · 3 years
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What do you think of the notion that Hori might be ending the series earlier than expected because he knows Bones and Shueisha/Jump are franchising the hell out of MHA, what with 6 more movies still in the pipeline and an ever-increasing amount of spin-off mangas, all of which he'll feel compelled (or be heavily pressured) into creating tie-in side content for alongside writing the main manga? Or am I overestimating the impact this side stuff actually has on Hori's workflow?
Well first, I don’t think this is sooner than expected really. He said he had intended for the final act to be five volumes, but obviously miscalculated lol. But regardless that tells us he’s serious about ending it now. He’s been trying to end it. In fact, I think it’s possible he’s been trying to end it for a while:
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The title here seems kind of finale-ish. It’s only volume 11 (Kamino arc chapters). This kind of matches up with his original intent on not doing villain profiles at first, but then the story “evolving beyond that”. He’s changed his mind a bunch, but I think he’s wanted to get close to the ending for a while now. But the war arc didn’t leave off on the note he wanted, because it couldn’t. So here we are, watching him try to wrap all of that up.
So, I think BNHA needs to end. Like soon. But I’ll get to that. What I’m more interested in knowing is exactly how much input does the author have into the spin off content, light novels, movies, etc. I know they ✨say✨ that Hori has to give the final stamp of approval before things are published. But does he? Like does he read through it all before saying he approves? I’m certain he does some of it, or maybe little parts of everything, but all of it? I ask because it seems that the man can’t even get a firm grip on his own main story line. The editor is ruining all kinds of stuff with his own input, so why should I believe the side content is actually thoroughly run through Hori and that he has the final say? Also, with that impossible schedule I just don’t know how that would be possible. I mean yes you can make time for anything, but there is a LOT of side content coming out constantly. So idk, I’m skeptical of that. I’m also skeptical because it’s interesting how there is NO side content for the villains. And I’m not saying “the villains are better so we deserve content for them 😤😤”, I’m saying that they are legitimate characters with prominent parts in the story so it just makes me wonder if Hori himself doesn’t want to risk certain characters of his getting misrepresented in side content that isn’t written by him.
So branching off of that, I do feel that it’s a bit soon to see just how fast we’re barreling to the ending. But it’s possible that maybe he is ending it sooner than what the story led us to believe in order I preserve the main story he created. Meaning, the sooner he ends it, the less chance of another fucking movie interjecting.
But aside from that, I feel that he’s ending it simply because it needs to end. Like, I’ve never understood why people want stories to just keep on going forever. I get not wanting to leave the world of the story, and that’s where the side content comes in (if you’re into those, I’m typically not). But I’ll never understand people wanting a story to be ruined by being drug out just for the sake of getting new content. Also, if it wasn’t obvious—Hori is reaching his limit. It’s obvious with the sudden breaks he’s taking. Scheduled breaks? Normal. But suddenly not making the deadline because of his health? That’s pretty unacceptable tbh. Not on HIS part, but on the people demanding him to work non stop til he drops dead. Idk how he makes a chapter a week. I really really don’t. But it’s also obvious in the story. The writing is getting incredibly lazy. The last chapter felt like straight up advertisement, and idk where we’re going with this American hero lady. But everything else from that is just being so sloppily handled. He’s tired.
I would much rather him end it sooner than later so that his drive to actually give us a good ending doesn’t die out. Like at a certain point, I’d be worried he’d stop caring about the ending altogether. Luckily, I think he cares a great amount. I also think he really likes his villain characters a lot more than he lets on in interviews and stuff. It’s obvious in the story. So I do think he is going to try to nail the ending for every character, but I’m lowering my expectations for the nitty gritty details on the path to that ending.
Idk that you’re overestimating the impact it has on his workflow, because if he really REALLY does give the final stamp of approval before all that side stuff is published, then wow. What a fucking work schedule. And I thought I had it rough working in CPS. Lol. But I personally am skeptical of just how much input he gives into Team Up Missions and Vigilantes. Vigilantes is it’s own thing entirely and I can’t imagine him basically overlooking two separate mangas. Team Up Missions is just about the kids (if I remember correctly? I don’t read it so idk for super sure) so it’s not hard to make content for them. They’re easy. Lol. The light novels, I feel is a little more realistic for him to have a say in those since those are released way more sparsely than the other content. Those, I believe he looks over. Everything else I’m kinda “hmmmm idk”.
But anyway, I think it’s ending because it freaking needs to. That being said I do hope he’ll give like, little surprise epilogue chapters later down the line. Like how is Shigaraki doing? Toga? How are Touya and Shouto with their family, how are Midoriya and Bakugo doing as heroes, stuff like that. But like….a bit of time after it ends. Kinda how Takaya did with the extra fruits basket stuff. Just surprise us here and there lol. Unrelated, but I hope Hori writes something else later. Only this time with everything he wants and because he’s already become wildly successful, he won’t need to adhere to editors if he doesn’t want to. I feel like if he had free reign of his story, he’d make something really really good. And I hope he makes something later with all the elements he wants. But before that—REST. Lol.
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inessencedevided · 3 years
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Ah, but what scenes in particular did you enjoy? The wangxian ones in general? Or were there any particular ones that stuck with you?
-the axe cultivator
Oh, ac, I missed some of your question last time didn't I? So sorry. My head is kinda in the clouds these days
There are so many scenes that stuck with me, so I'll make a bullet list and probably still miss some ^^
It's such a small thing but in ep 1 the transition from the tale of how wei wuxian was killed transitions to the tea house via a shit from within sizhui's trea cup as he's pouring tea "onto the camera". It's nothing special but remember loving that shot so much the first time I watched that it was one of the things that kept me watching
Wangxian-wise in the first two episodes, I'd be remiss not to mention that handgrip when wei wuxian plays wangxian to calm wen ning down. Because it goes on ... and on ... and on. When I watched it for the first time I was like "ooohhhh so it's gonna be this kind of gay". You know the endless-longing-stares kind. And now when I rewatch it's just devastating. The last time they saw each other before this scene, they also held onto each others wrists but wei wuxian let go and fell to his death. And here lan zhan is, holding on for minutes and only let's go once jiang cheng threatens wei wuxian. Just ... 💔
i started shipping xiyao from their very furst sxebe together. Those two actors (i try to remeber their names but i always forget them again. My memory is shit when it comes to names :/) really just did want some of that sweet sweet homoerotic tension. Also, their first interaction stand out to me as the moment i really started to like lan xichen. In a setting that was shown early on to be highly hierarchical, he exhibited in the very forst scenes that he is willing to disregard someone's standing and look at their character and abilities instead. I just really love xichen ❤
Okay, i can't name one scene per episode, so let’s sum them up a little
I adore this progression during the cloud recesses and the yin iron arc from a flirtratious rivalry to genuine deep freindship and love. There are so many little moments that stand out because of the subtle acting joices made my wang yibo and xiao zhan, as well as the script, The lantern scene, when Wei Wuxian doesn’t betray the yin iron secret to huaisang and lan wangji goes “hu, so your bullshitting has reasons”, when they are in the market and lan zhan actually communicates that he doesn’t like crowds and wei wuxian pulls him closer but not into the crowd and so many others. When you watch closely, you see them realising little details about each other and I’m honestly so impressed with how amazingly the process of their falling in love was portrayed
fast forward a bit: obviously, the freaking montage quasi-fan vid in the middle of the cave scene set to their freaking love song. I remeber when I first watched this scene I actually, literally screamed. I could not believe it because their was no fucking way that this could be read as anything but romantic and I was not used to that much blatant queer romance!
A little less happy (okay a lot). The entire destruction of the jiang clan with a special mention to the scene when Jiang Cheng and Wei Wuxian just saw the bodies and run into fields where they fight and Jiang Cheng chokes Wei Wuxian and then they just fall back in exhaustion and sleep right there under the open sky. Everything about that scene was brilliantly done and also soul-crushing. The loss of innosence in that moment devastated me. It was so obvious that in the moment of deepest despair, all of these children’s traumas and deep-seated fears reared their ugly heads. So Jiang Cheng directs all his grief at the easiest target for his anger and Wei Wuxian just takes it because that is what he thinks is his job. And the real tragedy? This dynamic will not be broken until Wei Wuxian’s literal death. These children need therapy so goddamn badly and all they get is more trauma on top of their excisting trauma.
“The single log bridge” scene. I. Am. A. Sucker for the found family trope, especially for characters who cronically think they have to do everything on their own. So there Wei Wuxian is saying he will walk his dark path alone, but instead he finds lit lanterns and a humble feast prepared for him by people who love him. That juxtaposition kils. me. every. time. YOU ARE LOVED WEI WUXIAN! FOR YOURSELF!
(Shout out to the second time his word are refuted, this time by lan wangji and *gasp* verbally. Because there is NO better love declaration than that scene in front of basically every leader of cultivation world who politely wait for their turn to attack them)
Luo Qingyang removing herself from the narrative. I literally cry every time.
Talking about women: jiang yanli defending wei wuxian and calling him her brother. That moment is the "three things all wise men fear" quite incarnat, only it's the anger of a gentle woman
“Let me go” So ... I have SUCH a thing for couple who grapple with questions of when it is time to let go and when it is time to hold on. So Wangxian hits all my buttons. I will go further into this in my last bullet point (about the very last scene)
Oh god, this list is gonna get so long and i’m still going to forget things
In the present timeline:
Again, to sum it up, all the gentle wangxian moment where they look at each other and their entire face grows soft. Every almost-smile lan wangji sends wei wuxian, every "oh. He really loves me huh?"-look from wei wuxian. Especially in the Jingshi just after lan Xichen's loredrop. These two intensly guarded people (yes, wei wuxian is guarded,he just hides behind smiles) are so open with each other. I only have to see a guf of lan wangji with his heir down and I go feral!
Talking about that episode, the lan family backstory as a scene does things to me. And I remember watching that the first time and so much of lan wangji's behaviour suddenly making sense. Especially little lan zhan kneeling in front of his mother’s house and that being how he showed his grief really drove home just how this man exhibits emotion. I'm pretty sure that that was the moment he really became my favourite character.
Same episode and a start juxtaposition to the domestic scene between wangxian before: the talk between lan xichen and Jin Guangyao just afterwards. You could probably write an essay of meta about the parallels and differences between those two scenes and I think that's deliberate because they're back to back. The lan brother's share tea with the person closest to their hearts. One is finally able to open himself fully, the other closes up more than he ever has before with this person. The framing in that scene alone drives that message home, never mind its content. It's heart-wrenching and so well done!
Talking about xiyao: jin guangyao's death for similar reasons. Just ... arrrgh
I'm sure I've missed a ton but thus is already so long so I'll close with my favourite overall: the last scene. The parting and subsequent reunion on the mountaintop. I've stated before why this means so much to me. It is such a reassuring message to me: to have two intensely different people learn to understand and love each other exactly as they are. Being who they are, the occasionally walk different paths. But they don't limit each other. They learn to improve each other by just being there when they are and therefore know and trust that their love will return.
This was mostly cql because you asked for "scenes", but have some honorary novel mentions:
Lan Wangji: "The face says nothing. Listen to the heart-beat." 😭😭😭
The moment when wei wuxian collapses after the second siege and lan sizhui expresses surprise over this, lan wangji says something like "We are all human." I love that moment for many reasons. 1) it's one of the rare direct insights into lan wangji's thoughts. No matter how brief he is here, you don't say something like that just because. 2) and it's significant that he is the one saying it because he, too, is placed on a pedestal. In fact, I think a lot about mdzs boils down to the conflict between the inner self and outer perception and how that dichotomy can be both a deliberate shield (lan zhan being the perfect example) and a curse
I hope you and your axe are having a wonderful day 🥰
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porschekittisawasds · 4 years
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simply cannot believe i made a supernatural fic rec list in the year 2020 but here we are
When Worlds Collide
When Zachariah dies, the illusions he’s created die with him.  But before they collapse completely, sometimes they collide. That’s how Castiel goes from cradling Dean Winchester’s broken body one moment, to finding himself face to face with Dean Smith in the next.
note: basically endverse!cas’s world collapses right after endverse!dean is killed by lucifer and he gets thrown into the it’s a terrible life verse. drama and love and a whole lot of fuckery ensue. it’s tagged as major character death but it’s not really
Broadway Musical
This is the day that marked the Holy and Blessed Union of Dean Winchester and Jo Harvelle.
The merging of prominent bloodlines is always a grand occurrence, but breeding pedigree hunter families like Winchester and Harvelle is something to be rejoiced. It is also something to be meticulously planned, which thankfully the Host is very good at.
note: an AU where dean and jo are destined to fall in love and have two sons who will bring on the apocalypse and be the vessels for michael and lucifer. only problem is cupid’s arrows don’t make them fall in love with each other and heaven promptly starts freaking the fuck out so cas slips into a vessel and tries to do some matchmaking to get the whole end of the world thing back on track. it’s tagged as unrepentant crack and that pretty much sums it up, but it’s also a very funny and enjoyable read
a turn of the earth
Dean’s your typical half-orphaned, monster-killing 22-year-old until a trenchcoated stranger crashes into his back windshield one September night, claiming he’s an angel that knows him from the future and that he’s on the run.
Frigging fantastic.
note: listen i LOVE a good time travel fic
How (thanks to Gabriel) Dean and Castiel (accidentally) raised each other (and Sam)
In which, Gabriel meddles with the time line and Castiel becomes Dean's angel rather sooner than intended.
note: after lucifer stabs gabriel in hammer of the gods, gabriel uses his very last bit of grace to travel back to the beginning of time and decree castiel the angel of thursdays and dean winchester. fast forward a few eons and castiel hears mary’s dying cry. he shows up too late to save her, but he decides that a human life is very short in the grand scheme of things so he can play guardian angel to dean (and by extension sam) while also fulfilling his duties to heaven. not only is this pretty much my favorite supernatural fic, it’s also one of my favorite fics in general
The Shattered One
When it struck Castiel, he was in mid-flight. It dropped him out of the sky like a sparrow buffeted by gale-force winds. Castiel set down the first place he could find. He ended up standing in a field in Switzerland, swaying on his feet and staring down at his body, dazed by what it had just done.
note: okay so listen. this is tagged as mpreg but that’s kind of a stretch imo. it’s not like... mpreg mpreg in the sense that it deals with angel reproduction and has nothing to do with sex or pregnancy. angel reproduction goes like this: a section of an angel’s grace will suddenly and randomly break off and begin to grow on it’s own. after a certain period of time, another angel has to offer a piece of their grace and the two pieces will combine to form a new angel. that new angel is a fully developed, fully functional angel and is considered a new brother/sister instead of an offspring.
cas’s grace shatters which means he’s fucked because this takes place in season 5 after he’s defied heaven. no other angel will offer up a piece of their grace so his own is basically going to rip itself apart, killing him in the process. when dean and sam find out cas is going to die, dean offers up part of his soul in place of another angel’s grace. what results is a new angel that has just enough human in it that it takes the shape of a human baby and sends pretty much all of their lives into a tailspin.
ALSO just a heads up this is definitely more pre-destiel despite the relationship tag. there’s a sequel where im pretty sure they do get together but i haven’t read it so i cant’s say for sure.
Kiss You When It’s Dangerous
When his partner Uriel, betrays him, Federal Agent Castiel Novak is saved from becoming a ritual sacrifice by brothers Dean and Sam Winchester.
note: FBI!cas gets thrown headfirst into the supernatural. tagged as major character death, but again it’s not really
My Roots Take Flight
After forty years in Hell, Dean’s more than willing to accept the offer: become a guardian angel and earn his freedom. But his new ward seems destined to hunt alongside Sam, and there are secrets in Heaven that the angels don’t want found out. Dean’s going to have to choose between his duty and the people he loves- and to work out just where Castiel fits in.
note: season 4 au where dean is an angel and cas is a human except it’s way more complicated than that
Peace and Good Luck To All Men
Christmas in the Milton household was difficult enough without the added complication of guests- and if Luke and Gabriel placing bets on who can get with Sam first wasn’t bad enough, then Cas developing a ridiculous crush on his sister’s boyfriend definitely is. 
note: the one where michael, lucifer luke, gabriel, anna and cas are all human siblings but michael and lucifer luke are still trying to kill each other, gabriel is still Like That and cas is still super into dean which is pretty inconvenient considering he’s with anna.
Asunder
Wherefore they are no more twain, but one flesh. What therefore God hath joined together, let not man put asunder. (Matthew 19:6) 
note: it’s been a very long time since i read this, but from what i remember it’s an AU where they’re all human and dean brings his friend/co-worker cas as his “date” to sam and ruby’s wedding for moral support. when sam was in college, he met ruby and they started using drugs together. after several failed attempts at helping him get clean, dean eventually cut sam off and it’s been years since they’ve spoken. even though sam and ruby are now both sober, dean blames ruby for everything that happened and the only reason he’s even going to the wedding is because bobby and ellen basically force him to. again, it’s been years and years since i read this so i can’t remember a lot of the details, but i do know that despite this being a dean/cas fic a lot of the focus is dean rebuilding his relationship with sam and that’s what i remember really liking about it.
Hanged, Drawn, and Quartered
Death brings Sam back — sort of.
note: a general fic involving only sam and dean. sam’s soul is so damaged from its time in the cage that when death brings it back, it shatters into pieces and so does sam. like literally. there’s four different sams now, each representing a distinctive part of his personality. sounds cracky but it’s actually surprisingly angsty and focuses on how the sams and dean are adjusting to their new reality and each other
Point Pleasant
(okay so this fic was deleted but i’m putting in on here anyway because the author has since turned it into a novel and had it published. im sure old pdfs of the fic are floating around but i highly recommend reading the novel version. if you know it was based on a destiel fic then it’s really easy to see those influences in the writing and the characters but it can stand up on it’s own. also!!!! it has pretty much the coolest take on the mothman’s origin story that i’ve ever heard.)
Ben Wisehart (Dean Winchester) grew up in the idyllic town of Point Pleasant, West Virginia. An early encounter with the supernatural shaped his worldview and served as the catalyst for his career as a bestselling horror writer. Thirteen years after abandoning his home, Ben returns to the town to investigate the apparent reemergence of the terrifying creature responsible for his childhood nightmares. In Point Pleasant, Ben is confronted not only by the town’s resident monster, the Mothman, but also by his former best friend, Sheriff Nicholas Nolan (Cas Novak). Together, Ben and Nicholas (Dean and Cas) uncover the mystery of the monster in the woods and discover that the ghosts that haunt us are sometimes made of flesh and blood. And sometimes, they lead us home.
Sympathy for the Devil (and Dean Winchester)
this is not so much a rec as it is a request.
basically an au version of season 5 (and kind of the whole series really). when god cast lucifer out of heaven, he tore out his grace. lucifer’s grace was put into the cage, but lucifer himself fell to earth and spent thousands and thousands of years reincarnating as a human. his latest reincarnation? dean winchester. so when sam opens the cage, lucifer’s grace is released and dean realizes that he’s lucifer. part of him still kind of wants to start the apocalypse but the other part of him has a whole new appreciation for humanity considering he now remembers every human life he’s ever lived. it’s made more complicated by the fact that dean (/lucifer) doesn’t really want to tell anyone that he’s apparently the devil so he has to keep his now angel status on the dl and also because despite heaven wanting the apocalypse to start, michael went missing from heaven shortly after lucifer was cast out and no one has any idea where he’s at.
this fic was deleted, but if anyone happens to have a pdf copy let me know. i would be highly appreciative!
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cartoonfangirl1218 · 4 years
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Riverdale should have been a Disney show
Riverdale should have been a Disney show. There I said it. I'll admit the first season was fine Great even. Self-contained with an intriguing mystery and you waited at the edge of your seat for what will happen next. But then... Part of the problem for me is because I've read the original comics since I was a girl. I still do get some from my mom, and the way they have changed the characters just bug me.Betty used to be the girl next door, always hopeful, smart, trying to figure out the mystery. And it was perfect that she was a reporter because Betty was always someone who valued honesty so her being the roving reporter was perfect. And her taking pills for anxiety or some sort of disorder was also a nice take because she does take on so much, and tries so hard to help and be good and nice and perfect. All the stress. Archie was also great in the first season. A bit horny, but he means well, and he truly is an average American boy so his big trouble of choosing between music and football. He's a klutz and sometimes his plans go sideways but he means well, he's all for family and Riverdale and school spirit. None of this whole Red Hood/semi mafia/wrestling nonsense. I actually really liked their take on Veronica, she still a bit materialistic and thinks she can depend on her wealth to get her out of trouble but I do like their take on trying to be enterneauripal and working to act less high class society girl as she was used to. 
Jughead, I'm conflicted with. Because he's good I guess as a brooding, investigative journalist he's good. It fits the setting of the show. But I do have a soft spot for him as the sane man to Archie. Going about his business, surprisingly philosophical. And you can't forget the most important attribute to him. His love of food! I miss that. Like the one scene in season 1, I forget what exactly but basically he ordered burgers and when Cole Sprouse just protectively held the burger to him...such a nice touch. That sort of guy I can see as a DCOM. The genius ditz I guess it's called. But he's not dumb. He just prefers napping to being awake. 
Now the others...omg.I have a bone to pick when it comes to the other characters in Riverdale. Josie and the Pussycats-- they are such lively musicians who solve crimes, sometimes in space. ABsolutely wasted here. Melody barely had any lines. And they didn't have Alex or Alexandra Cabot which was such a shame. I know, I know they're in the new Katy Keene show but having them be step-siblings who used to date is wrong and weird and bad and no! Stop having the twins in these shows with vaguly incesteous feelings. It's weird!
Kevin Keller, all his storylines revolve around his bfs or lack of bfs or how much he wants a bf. The Kevin of Archie comics was so much more well-rounded. He was head of ROTC, he was class president, he ran marathons, he was Veronica's bff, he was a reporter. He had an appetite to match Jughead's. He even had a brief crush on Jughead! He was so much better than this sham. He was confident in who he was and did his best to help others feel good about themselves too because he knows not everyone is lucky to come out as LGTBQ in a supportive environment. 
Reggie. I think not giving him enough of an arc in season 1 really backfired because if he appears, it's only as Veronica's arm candy. Which is a shame because he is a good contrast to Archie. A bit richer yet a cheapskate. Thinks he's a casanova, loves being the class prankster. A modern day politician with his sweet words when all he cares about himself. Basically like 
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Yet he has his hidden depths with his neglectful workaholic parents and jealousy of Archie's popularity. Cheryl. Omg Cheryl. They have ruined you here. I'm sorry, I do NOT find any of her lines iconic. It's like she swallowed urban dictionary and a gothic novel and came out all jumbled in a google translate. She may be abused but the way she still treats others like shit and gaslights her gf and makes everything about her is just...ugh!!! OMg, comics Cheryl is actually fun and iconic. She's as rich and pretty as Veronica and unafraid to use it. She wants to be a star like a modern day influencer. She's a red-haired Sharpay Evans basically. 
Also Jason, her twin whom they sadly killed off. He was also fun like a meaner, snobbier version of Reggie. But with a huge crush on Betty which I think could have been used to milk such drama. 
Polly also got hit badly. She was a good older sister. She was a reporter, and inspired Betty's enviormental-feminist activities. A sane person. Not a cult worshipping cuckoo. Toni Topaz, ah she was so good in season 2 and then they made her Cheryl's arm candy. Alas. I liked her as a friend to Jughead. In the comics, she was his equal in food contests. That's no small feat. She was cool, and joined Betty's band and... she was her own person. Remember when Toni used to be a photographer for the South Side paper. Yeah. Basically Toni as a 3d character with personality. Please return. 
Dilton. Oh Dilton. Once the smartest person in the Archie universe and they turned you into a survival freak to get killed by the gargoyle king. Or whomever. I just remember he got killed somehow. Honestly, they should have stuck to smart Dilton. They need a smart scientist there, cuz no one is using their brains in Riverdale. 
Chuck. They have done you SUCH A DISSERVICE! So so bad. Chuck was a good person! He was a cartoonist, and a basketball player and Archie's friend. (Yeah, that's right Archie has friends in the comics. Even though Riverdale makes some effort to show Archie and Jug's bond, they're mainly consorting with their gfs. In the comics, they had guy nights. Reggie, Chuck, Kevin, Dilton, Moose. Come on show. Friendships are just as important.) And what did they do, make him a lying scumbag, turn him good and then have him arrested because of what Cheryl did! No, no no. Bad writers. Just no. Ethel Muggs. You have also been wronged in season 3. Making her a crazy freak. Ethel in season 1 was nice. Ethel in the comics is nice. Plain but with a good heart even though she had a slightly obsessive crush on Jughead. Here, making her cult worshipper.... smdh.  Okay at this point I know I sound like a bitter, bitter person complaining how it'S nOt liKE tHe cOmICs. But hey, I admit season 1 was good even if they changed the characters a bit. It’s just that I watched Riverdale because of the property it derived from. Because of the comics. At the least I expected some faithfulness to the characters. Not make them all so inconsistent and crazy. 
It's just the writing is so inconsistent! The plots hop around and so do their moods. Bughead and Choni broke up for one episode and then they got right back together. Even though they had VALID reasons to break up. Nope. That made fans mad. So they had to get back together. Ugh. And Archie got attacked by a bear and was so traumatized that he broke up with Veronica because "he's changed" for like two episodes before forgetting about it and going back to Veronica. Oh which brings me to the ridiculous "love triangle" of Archie/Reggie/Veronica where she couldn't choose. Please, Archie and Veronica were reuniting and planning to go run away for a weekend together. Reggie was completely forgotten until he walked in on them. And Veronica couldn't decide because she loves them both? No, she didn't. She may have felt bad to tell Reggie but it's not because she loved him. Forgetting a guy so quickly...yeah great proof of love. Horniness maybe. But her indecisiveness makes her look bad. Don’t tease a will they, won’t they when the answer is so obvious.  If you're going to do something like that, you should have there be something called CONSEQUENCES! They can get back together but at least wait. Wait 8 episodes at least so they can have character development. But who am I kidding. Character development is not the goal of this show. The character's just move because the writer's want them too not because it fits their personalities. Such as Archie's grieved reaction for baby Teeth in season 3. 
Not only do I have no idea when (the ridiculously named) Baby Teeth appeared, much less why Archie or I should care about his death. But sometimes the show juggles too much. Too many characters. Too many plots. It's all so ugh!!! So my final thought on this is... Riverdale should have been a disney channel sitcom. Archie comics are about family friendly entertainment and sometimes imparted lessons... well so does Disney. I get the appeal of having Riverdale reach a new teen generation, but from what I can see the only big thing Riverdale on CW is that it allows alcohol and gartituous sex scenes. 
Which is another small gripe of mine. I can handle sex scenes (hello Magic Mike XXL) but so many at such inappropriate moments too It's like that scene in an action movie where they suddenly kiss when they should be running for their lives. No teen is that horny all the time. Plus there's always less is more. If one kisses so much it loses the meaning. If you think your shirtless Archie is going to distract me from lack of plot haha. No. Plot and consistency still sucks and shirtless Archie does not make it better.
But Riverdale as a Disney show can work. After all the comic stories are a bit formulaic. It's all high school hijinks. And all the characters fit an archetype. Archie, the protagonist. Veronica, the fashionista. Betty, the reporter. Jughead, the slacker. Reggie, the class clown/bad friend. Cheryl, the Sharpay, Kevin, the sane one. And if people want a season long story arc with dramatics, Disney can actually handle it too. After all they had the mysterious "threat' lurking in the background of My babysitter's a vampire season 2. Or the Juliet and Mason saga of Wizards of Waverly Place. And if people want adult situations, look on to Jessie. Rewatching an episode now, there were so many adult jokes and references that flew over my head so they could sneak those in. Heck, Disney channel is infamous for all the innuendos they manage. And they handle consistency. Cody and Bailey broke up in Suite life on deck, they actually stayed broken up for a good half season. Gabe matured from a prankster tween to teen in love in Good Luck Charlie. Actions have consequences, characters grow. Storytelling 101
And the best part is they don't even have to think too hard for the plots of the week. They literally can build on stories from the comics. All 80 years of it. And I have put some examples right here from my own Archie comics. Like Veronica literally being the fashion police. 
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Veronica and Cheryl teaming up + rolling around in their money. 
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Cheryl changing the Cherry Blossom Festival to the Cheryl Blossom Festival 
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Archie doing his classic Valentine's Day mix up
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Veronica and Betty buy Cheryl’s maid service when her father forces her to get a job. 
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Jughead and Trula (Jughead's nemesis & psychoanalyst in training) get amnesia and become friends. 
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A boy dares to change Veronica
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Jughead falls in love with the lunch-lady 
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Betty and Veronica pretending to be distressed damsels to get Archie's attention (it backfires) 
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Toni and Jughead foil each other in a food eating contest. 
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Betty's cast causes more pain to other students
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Reggie dates Cheryl (for real) 
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Reggie helps Kevin dress for the dance and his mystery date 
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Riverdale Shore. 
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Cabot vs Lodge
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I think all this pretty much illustrates my point. Archie comics equals Disney sitcom all by itself. 
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molnlycke · 3 years
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100 DAYS OF SUNLIGHT BY ABBIE EMMONS REVIEW
As a disclaimer I want to say that I found the Youtube channel of Abbie Emmons by one of her ‘write with me’ videos. Following that I watched some of her WritersLifeWednesdays vlogs and thought, this woman has tremendous passion and work put into her craft. She actually gives valuable advice, and the themes of her videos are pretty good. So when I saw that she has a novel of her own published, I wanted to see how she incorporates the stuff she talks about into practical work. This is how I started reading her debut novel: 100 Days of Sunlight.
I was curious, okay?
But oh man, what is this?
This book… I’m sorry it’s just so bad. The mess of glaring problems, plotholes, the …characterisation. Abbie Emmons says every good story is character driven (which I wholeheartedly stand by if it is executed well!!!) but what should I get from this, honestly?
There are too many things screaming PROBLEMATIC here.
But let’s start at the beginning.
The exposition––the first chapter’s building don’t make no sense. It has a twist in it alright, but why start with something that turns out to be a dream (or a scrap of a memory in this case) of the actual past, only to get dumped with everything else that also happened following that scene? All of this is told from the protagonist’s reminiscing of said happening.
- To be clear the book starts with the scene of an accident–the accident in which the protagonist, Tessa loses her sight. A drunk driver with a pickup truck runs the red light crashing into the car Tessa and her grandmother are in. Soon it turns out that’s only a recurring nightmare and she’s been home for one or two weeks (maybe? I don’t remember precisely). By this time she has already lost her sight. Tessa runs the audience over all that happened after the accident (basically in those weeks she got discharged from the hospital etc. etc.) Now my question is why not start the book from the accident itself? It all gets narrated either way.
The next problem is the way first Tessa’s grandparents, and then the WHOLE BOOK just downplays consent. Why? Why would you do that?
- Tessa’s grandparents “know better what’s good for her than she does”–that’s an actual quote from the novel btw. Nothing glaringly alerting in that, I mean adults often have this way of thinking about children. Until… they try to arrange a stranger to help Tessa with transcribing her work. Tessa is a poet with a blog where she posts her work on schedule. Ever since the accident, she doesn’t feel like writing (or blogging for that matter). She’s shut herself off from the virtual world, doesn’t touch her laptop, nor speaks with her internet friends. (Because ofc she’s homeschooled, doesn’t like to go out at all and only has internet friends in the first place.) She’s in her room for most of the day, cries a lot and tries to cope. Whether her coping is good or bad I’m not qualified to say, but she thinks of herself as selfish, lazy, cynical, and depressed most of the time––everything she never wanted to be, things hates with every fibre of her being. She blames herself and basically detests life for beating her down to the ground. She feels she can’t get up even though she’s told, her blindness is a condition that can go away in ninety-something days’ time. I think feeling these emotions are pretty reasonable for a teenager. It’s been like three weeks since the accident, and her newfound blind perspective of life. That can’t be easy. BUT her grandparents know this isn’t healthy, Tessa needs to write. “I haven’t written one verse, one line, one word of poetry. I have no desire to. I have no inspiration, no joy. It’s all gone.” - Tessa from ch.1 So what do Granny and Gramps do following their infinite wisdom? Play the girl. And I’m like, sure dude, harass the child into doing what you want. Sure, don’t try to get her professional help or a psychotherapeutist or something if you think she’s faring so terribly. Sure, run an ad for hiring some part timer to transcribe for the poet who doesn’t want to write anymore. Sure, do it all behind her back. I mean she has PTSD and is blind for now, but yeah, this will most definitely help. Good job! For goodness’ sake they treat the girl like she’s been locked inside her room for months?!
When they share this brilliant plan with Tessa, she freaks out so much the elderly retract the ad. But not before the son of the newspaper’s owner gets a scrap of this new, possible past time activity and decides to be a creep and essentially stalk Tessa. But that’s for later.
Tessa explicitly tells her grandparents she doesn’t want to meet new people, doesn’t want to write, what she needs is time. So the next thing Granny does is pushes an unknown, teenage boy into her blind granddaughter’s room for a chat. Against Tessa’s repeated objections! There’s so much nonsense going on in the sequence of the story. Like one day there comes a boy–a stranger, knocking on the door, saying he’s this and this’ son and wants to help. And because, at a glance, he has prosthetic legs, you invite him first into the house then into your blind teenage granddaughter’s room? Without actually knowing if he is who he says he is? Without knowing the first thing about him? But even if that part is true, and he is who he says–the son of the newspaper’s owner, let’s not forget the mildly stalkerish way the guy’s been acting.
Granny shares a shit load about Tessa’s problems, then flat out tells her to meet Weston. “I told you I don’t want help. And I certainly don’t want anyone touching my laptop. I don’t want to write. I don’t want some stranger coming into my house and feeling sorry for me!” That’s Tessa speaking with Granny prior to the meeting. I mean it’s no biggie if she’s against the whole idea because he could help, right? Is this the American way of handling things? Someone give me a spoon that I can boink myself in the head with to get around this type of mentality.
At the first meeting Tessa has meltdown, screams at Weston and cries. Tells him she doesn’t need help. Tells him not to bother. Tells him she wants him OUT OF HER ROOM. Weston leaves before telling her he’ll be back the next day. And Granny and everyone else is fine with that. So in the following days the nuisance has the audacity to come over, small-talk the grandparents into loving him because he’s so charming everyone is in love with him a little. (That’s another thing from the book, I shit you not, the dude straight up thinks things like this. Yes, I know it’s self-deceit.) Weston forcibly takes over Tessa’s room which is basically the last place she feels comfortable at? Never mind, now someone’s popping in randomly when they think it’s cool, telling her what to do––“I know you don’t need me. But you need to write.” Bitch I think you need to fuck off from people’s lives who don’t want you in it. Just an advice.
One time Tessa wakes up to Weston barging into her room (“...he walks into my room without knocking, at 9.00 a.m., when I’m still in my pajamas”). Granny’s off to do her things leaving the boy to stay and make himself at home. Huh, quite reasonable.
Weston forces Tessa to accept there’s no fleeing this situation––one, the three of them (him and the oldies) constructed for her. Because it’s helping.
That’s basically the question of: where’s the line between wanting to help someone and pushing them even deeper when they’re already at a bad place. But since this is a YA romance everything is nice and good and sorted at the end so Tessa can thank her loving family for forcing their volition on her.
- Here’s another lovely example of consent portrayed in the novel: “I told you I don’t want to go outside.” Weston laughs. “You also told me to get out of your house and never come back.” “And you directly disobeyed my wishes.” “And you’ve been enjoying it...” Please tell me I’m not the only one seeing what’s wrong with this whole dialogue. It’s so disappointing and frankly, discouraging, to see an attitude like this written by a woman, targeted at a young, female audience.
- Oh, there’s their first kiss as well. It’s really really romantic. Weston asks for permission then doesn’t wait for the answer! “I’m gonna kiss you. Is that okay?” It’s not fair, because I don’t give her any time to reply. Instead, I press my lips against hers. Without permission.” ...So why did he even bother to ask? To seem nice? Well, as the saying goes it’s the thought that counts… So is this how consent works? NO! But consent never stood a chance in this book at the first place.
Next up; Characters.
*not @me side-eyeing Abbie’s video about how to craft a strong female protagonist* - I’m not gonna say a lot about Tessa. For me she falls flat like a cut-out. She’s paper thin, and dumb, although she’s the novel’s protagonist. Funny though, I feel she has less to give to the story than Weston, and it’s not just the length of their respective chapters. There’s like 600-700 words from Tessa’s POV (mainly about Weston 80% of the times), then we get a 4k word count chapter from Weston (mainly about his own journey and overcoming his struggles). Tessa’s chapters are either shallow or about her time spent with Weston. Opposed to this Weston has a full arc of him getting over the loss of his legs and standing up from it (quite literally). See what I’m talking about? All I get from Tessa before the accident is that she’s a writer, homeschooled, likes her colour coordinated books, and waffles (like Abbie ha!) (*whispers* and she wears her hair in a messy bun, ofc she does). Oh and she can’t live without WiFi. All I get after the accident is that she’s hurting, angry and blind. And now she has Weston. So her backstory is…..?
- Weston. Oh man where to start. Now he has a backstory. From it we can conclude how idiotic he is. That’s not recklessness or being a teenage boy. I’m sorry but his behaviour is simply idiotic. Sometimes he’s really grown up (taking care of his baby brothers and all) other times he has like 1 (one) braincell operating in his head. Bearing weeks of pain, and not saying anything about it to anyone because that’s not superhero like? WHAT??? He experienced, at the least, three weeks of torturous pain and several days of fever and dizziness, popping Advil like it’s candy. Still, the only one who realised this is his best friend at school and his 10 year old brother who was at the scene of Weston injuring his legs in the first place. What about the parents one might ask. Well Idk. Obviously a 13 year old is so good at deception and sneaking around that adults can’t catch on! On this note I want to gift Parents of the Year Award to Mamma and Pappa Ludovico. With parental supervision like that I’m baffled the child lived up to the age 13.
Weston is the nightmare male lead people usually salivate after in k-dramas stuffed into the body of a 16 year old American boy. Now I’ve never understood those people and their preferences of the bratty, entitled, but oh-so-handsome males and I still don’t understand to this day. Where’s the appeal? Don’t ask me.
I’ll just put down some quotes: “It’s the first time in three years anyone has ever met me without that look of pity on their face. The first time anyone has ever looked at me and not seen me. The first time anyone has stood before me—with perfectly normal legs—and complained about their own problem. The feeling is exhilarating.” So basically this is the so called ‘No one has ever treated me like this. Except this girl, my God, she’s intriguing’. Weston enjoys Tessa’s rude behaviour. “So she’s stubborn. She’s rude. She’s a spitfire wallflower who lost her sight and now hates anyone who tries to help her. Game on.” ...Are you five? “Tessa is the only Dickinson who doesn’t like me.” I have no idea why that could be. But, listen, listen: “I turn around in the desk chair, throwing her a hard look over my shoulder. She’s still sitting rigid and stoic on her bed, staring at nothing. She’s actually really pretty. Her eyes are bluer than mine—the enhanced kind of blue you see in contact lens commercials. She has freckles, too. Just a few, thrown across her nose and cheeks. Her hair is braided today, less messy. She looks so serious. I liked it better when she was screaming and crying.” Idk somehow this sounds like every badly composed romance I’ve ever seen. Let’s just say the progression of the relationship between Weston and Tessa infuriated me 90% of the story. You can help others without being an ass. You can also help others without being a horrible love interest, but that’s for another day. YA contemporaries don’t work like that.
Oh Weston, what a knight in shining armour. Three years prior, he had this thing with Clara Hernandez–a girl from school. It wasn’t real dating but they spent some time together (he walked her to class ooooh~~~) so she became “at the time, my unofficial girlfriend”. Things change after Weston’s accident, of course. He tells her he doesn’t want to continue their ambiguous relationship. And that’s alright, it’s his choice, BUT he then kind of passes the girl to his best friend, so she won’t annoy him anymore? The way he narrates the whole thing is...ugh. “But she wasn’t even dumping me, and we weren’t even dating. We were thirteen years old, for crying out loud.” See, this is Weston thinking about what happened. And this is him telling Rudy about it: “What were you talking to Clara about?” he (Rudy) asked. “I dumped her.” Following in another chapter they talk about how now that the coast is clear––Weston and Clara are through, Rudy should hit on Clara: “He wanted to resist the whole thing and deny his obvious crush on Clara Hernandez. But he couldn’t do anything except laugh and shake his head. He knew I was the best friend he could ever ask for.” Such a kind and caring person for handing out the girl he doesn’t really want to his best friend. Give him a medal for that one. Idk this whole business irked me to no end, like Clara was his possession or something. (Yeah, and the poor girl eventually ended up with Rudy, not like she had any other choice…)
- Downplaying female friendship. Yeah, that one happens as well. When Tessa talks with her friends (her blogging circle) the only thing we as readers can glimpse about their conversation is “Tell us more about the boy,” like... really? Because once again that’s the only thing a group of friends can talk about when one of them suffers an accident resulting in trauma. And Tessa’s answer? “At first, I didn’t like him. I thought he didn’t understand anything about me—even though he acted like he did. And I’m not sure that he understands much, even now. But he’s kind. And patient. And he kept coming back to type poetry for me, so I’ve kind of been forced to make friends with him.” The reply of her friends… “Aw ... He sounds really cute.” Yeah, really cute, forcing you to be friends with him. “How can you not be in love with a boy who makes you waffles?” Well, friend no.5, it’s not that hard… But there’s more. After Tessa gets her sight back the only thing we get from this supporting bubble of warm friends is as follows: “LIV: TESSA HOW ARE YOU FEELING ME: a lot better actually ME: my headache FINALLY went away MARIA: yayy!! ALLISON: PRAISE THE LORD ME: yeah fr KATE: So glad to hear you’re doing better, Tessa! It must be quite a transition omg… GRACIE: I can’t even imagine ME: it’s been pretty crazy ME: but good ME: I guess ME: ugh idk mixed emotions LIV: ???? LIV: TELL US EVERYTHING LIV: if u want to lol ME: ahhh well ME: Weston is kind of not talking to me anymore,” That is it my friends. Two to three sentences about her condition and it’s time to talk about the boy. Is this really how shallow anyone would want to describe the protagonist and her close-knit group of friends talking for the first time after one of them lost their sight? Then again, talking for the first time after she got her sight back? I’m disappointed to say the least.
- I didn’t care for any other character enough to jot down my observations. They were bland, they were there to help the main couple, nothing more, nothing less. Weston’s kid brothers were cute and Rudy seemed like a normal, sane character (I applaud him for that). All I can say is the families in this novel are something else.
The romance.
Okay, let me state before anything else: I like romance if there’s balance. I like romance when the people involved are equals. I believe a relationship, and a good one at that, should have cornerstones. One of them has to be that equality. It also doesn’t hurt if none of the involved parties are assholes. The romance can be of any trope as long as the happy ending is tied to said relationship being healthy. And I don’t mean sorely the end product; the way that relationship is constructed step by step should resemble these things. If not, at least call them out for it. I’m not the advocate of perfect characters or relationships (any kind, not just romance) because that would be really unrealistic. It can be bad, yeah, it can be toxic, or a little messed up in the middle. But for crying out loud reflect that in the storytelling! Do it especially if the story is planned for a younger audience! Now let me make another statement: What I don’t like is that in mostly American YA het-romances there are rarely any of these things.
- This one here is probably supposed to be the writer’s well liked trope of hate-to-love romance, but I feel the concept of kindergarteners is more fitting. The boy forces, the girl yields. But it’s okay because he likes her and wants to help.
There are some cases of harassment sprinkled in, as in one party objecting the other’s closeness or presence and the latter not giving a damn about this. Real respectful; but, hey, that’s part of consent too so I guess it simply flew over our heads in this particular story. A fresh and original concept on romance, wholesome and healthy. And the thing is, Weston actually knows these things. He literally says so in the book, “...until I intruded on Tessa’s life, however it happened.”
And of course Tessa is more pure than fresh snow on white lillies; she’s basically a lotus. Weston is the first boy stepping into her room. Give me a second to freak out about that. It’s so exciting! (Mostly by knowing the circumstances in which he did that.)
The other thing that annoyed me was Weston’s entitlement and holier-than-thou attitude. He knows everything better than Tessa. He knows Tessa better than she herself does WHEN HE DOESN’T EVEN KNOW THE FIRST THING ABOUT HER. That’s the moral of the story. No, but I’m not kidding, some of his thoughts set me on fire. “She wrote about sunlight and oceans and falling in love, when I’m pretty sure she has no idea what it feels like to fall in love.” I’m sorry, but do you know Tessa? (besides stalking her via the grandparents)???? The audacity, I’m cackling.
- Can someone tell me why Tessa speaks with Weston if she doesn’t want to? I mean besides that this way the story can go on. She actually starts their conversation on the second day. Me, personally, don’t talk to people whose presence I can barely tolerate. How silly, I know.
- Weston annoys the shit put of Tessa for like five minutes but he talks to her, (for his own selfish reasons may I add––Weston, honey, if you want people not to pity you try helping blind little kids who actually want your help) and brings her flowers, and chocolate so I guess it’s reasonable that approximately four days later Tessa’s attitude shifts to comparing him to sunlight. “Weston is everything And all at once. Weston is gentle And harsh. Weston can be blindingly bright But then he can also be Delicately soft. Weston is a paradox.” – Oof girl.
- Let me tell you kids just because someone annoys or teases you and you tolerate it––that’s not the get-go to life changing love. Even though he’s the first real life boy whom you’ve ever spent casual time with. But he’s the first boy who ever showed you real attention, you say. Well then, that’s a grace girls have to accept. Or so this book and so many others try to make us believe. The sad thing is, there actually could’ve been a conflict––if one wants to write about opposites attracting each other so much––without making the story so cliched and weak.
Plot-holes.
- Maybe it’s nitpicking for some, BUT… why was Weston in his dad’s office in the first place? I never got around to the reason of that. He loiters around there once a week, that’s what the book states. Well, okay, he is there inspecting the motivational quotes collection on the wall while his father just works away. And am I supposed to believe the man is all cool with this? What is Weston doing there? For what reason? The answer is easy: he simply had to hear the phone call of Tessa’s grandfather retracting the ad.
- Now why does his father–the owner of the newspaper–accept calls regarding ads in the first place? Is this really how things work? Other employees do nothing? I’ve worked at a small printing company in the past. The management only accepted calls regarding ads if there wasn’t a single soul anywhere near the perimeter of the office. There’s a department for jobs like this. Bosses don’t qualify.
- About the already mentioned beautiful first meeting, where sparks fly, and the lovely couple can roll off a great start... If Tessa didn’t want to meet anyone why didn’t she lock her door? That’s a pretty easy task. At first I thought maybe there’s no lock on the door. But wait; after the disastrous meeting she locks herself away. “The door is locked, and Grandma has stopped trying to open it.” Sooo there was a lock after all…...okay…….
- Why is almost everyone in this book freckled with blonde hair and blue eyes? Okay, this really is just nitpicking, but like, is there some symbolism in that? *bounces eyebrows* Ehem, if you know what I mean.
- I’m not sure if this is an actual plot-hole but I was really surprised by the lack of anxiety Weston’s approach triggered in Tessa. Essentially, Weston is a stranger at the start of the book, with whom she gets locked into a room, without anyone else in there, when she’s still adjusting to the fact she can’t see. I especially looked out for it; Weston closes her door every time he’s over at their house to speak with her. I mean the first time she’s angry; but what about later? She doesn’t even seem nervous or affected by this at a time when her blindness is still fresh. Yet, when they go to Barnes & Noble, a public space with people around, Tessa is anxious the minute Weston leaves for a bathroom break. Like okay, some strange dude tries to pick her up and she’s rightfully terrified, but all she has to do is call out. Now both of these scenes are pressuring and scary, but where’s the difference? Tessa is nervous when the stranger approaches her in the book store, a big and open space with people around even before said stranger tries to initiate skinship. She tells him to leave her alone. But she did just that when Weston first went to see her. And Weston didn’t give a shit about it, much like the high schooler at the book store. And I’m supposed to believe with Weston she wasn’t apprehensive at all? Of course she wasn’t… he’s the love interest.
The whole book store scene makes me so uncomfortable and NOT because of what you’d think. It’s simply distasteful to create a scenario like that only to draw it back to… yes, you guessed it, Weston. He’s the saviour sweeping Tessa off her feet with “Get your hands off my girl” and chasing away that jerk. Why is it that still, in the year of *looks at smudged handwriting on hand* sometime past the 1890s there’s the need to use The Jerk™ hitting on the girl and The Nice Guy™ saving her by making her seem like his property? Oh did I forgot to mention the jerk smelled like cigarettes, and his pants were falling off his ass. I’m surprised he wasn’t wearing a leather jacket or had piercings just to fit the look to a T. That usage of my girl ...ugrghgh I can already feel white hairs sprouting from this. Look, I’m not against the idea of belonging to your beloved. If you want to say it, cool, do it. But when it’s not consensual, and you’re not a couple who already expressed to one another the wish to be viewed that way maybe DON’T FUCKING USE IT. Not to one up another guy trying scare the baddie away. Man, don’t do that. *channelling my inner LE to rap the last line really loud* What’s even better than this? Tessa’s reaction: “Despite the gravity of the situation, I can’t help but smile and get butterflies all over again.” REALLY???? Please donate braincells to this girl. She really needs it.
The dynamic of relationships.
- This is mind bogging for me. Almost all relations (excluding the most fundamental ones) serve a sole reason: cheer on and make the main couple happen. This book is promoted as a love story, one, not limited to romance. It’s a love story of family bonds, love between brothers, and grandparents, and friends. And that’s true for Weston… but for Tessa??? I don’t think so. But maybe that stems from how underdeveloped Tessa’s character is.
- The main couple’s dynamic is so stilted. Weston basically caused the state he is in, Tessa suffered an accident caused by outer circumstances. She’s the victim of a drunk driver, while quite frankly, Weston’s the victim of his own stupidity. And yet, since Weston decided to fight for himself he expects Tessa to do the same. Now that’s a nice thought, even if it’s about someone you barely know and met maybe two times in your life. Is that a reason to harass the other and tell them what to do, not taking no for an answer? I highly doubt it. Weston wanted to get better so he pressed himself, but he made that choice himself. It’s beautifully written down not once, not twice, but multiple times; how hard it was for him to choose between 1, the easy way––the flat grounded desert and 2, the hard scaling and rocky mountain range. He chose the mountain range and that’s admirable. What’s not admirable is, that from what I get from this book, Tessa never had the luxury of a choice. Because other’s never gave her time or let her decide for herself. Tessa says Weston is stubborn and obnoxiously optimistic. I think he’s just obnoxious, period.
- At the end of the book Tessa narrates how ashamed she feels and how her heart is breaking “Because of what Life has done to Weston.” For one, is Life responsible for what happened to Weston? I’d liked to read about how Weston tells the story of losing his legs to Tessa with a straight face, because all thorough the book he never once did that. To anyone. If that happened, he ought to admit how incredibly stupid he had been. As well as the consequences of his own decisions, every time he went on without saying a word or asking for help. That stubbornness is his character trait. Yes, it is, but we never get to see how that affected his family, there wasn’t one paragraph about his parents talking about it with him.
- On this note why is Tessa always so ashamed, feeling like she’s the brute, saying sorry to everyone at every chance? It’s not like others apologised to her once. This character trait only perpetuates the notion how everything others impose on her is fair trade because they only want to help. And either way, she only feels apologetic about standing up for herself.
Mentions of notable things that annoyed me.
- The judgement if a girl need makeup or not, because *banging pots and pans* she’s beautiful no matter what in the boy’s eyes. And he tells her just that. “Are you wearing makeup?” I ask, without thinking. Tessa smiles just a little. “Yeah,” she says. “Grandma helped me with it. This feels like… a special occasion.” “You don’t need it, you know. You look beautiful without it. But you look beautiful with it, too. You always look beautiful. Even when you’re crying.” Tessa really needed to know your opinion about her wearing makeup Weston. Kudos for you for telling her she doesn’t need it because she looks beautiful without it, but it’s okay to wear it as she looks beautiful with it too. Great input man!
- At this point I’m not even surprised, but there really was the girl staring at something, asking if it’s pretty. (Okay, Tessa couldn’t stare but she was probably imagining––here it’s the sundown, bc of the whole sunlight theme). Then the boy answering, “Yeah, it’s pretty.” Not as pretty as you, he thinks while staring straight at her. Hello, is this a Disney production?
Conclusion.
All in all is this the worst book ever? No. Are there unforgivable problems with it? Not explicitly.
My biggest problem is what message it sends about relationship patterns, patterns I hate with a fiery passion. It’s the same old shit I grew up with, and it’s the same old shit that doesn’t seem to change after twenty years. Not even now when,––with the help of the era of internet––everyone is suddenly so woke. But are they, really? All I saw about this novel is the raving reviews praising it to heavens. And there are themes in it that deserve praise––the acceptance of one’s self, the loss, the forgiveness, the overcoming of hardships of life––but what about all that’s left? What about the execution?
Bottom line is, because this is a book, everything gets resolved and all is happy and fine at the end. However in real life, coercing others to do things against their will isn’t a glorious idea. Disregarding consent isn’t acceptable. Helping with the stubbornness of a mule isn’t really helping. And last but not least, perpetuating a mindset and a budding relationship like the one presented in this book––for a young audience shouldn’t be okay.
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roguish-gallery · 4 years
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Did you ever make that joker tier list, I always like seeing what people think of all the different ones. Though if they put Romero last I can no longer respect them.
LMAO I DID! I think I’ve made it kind of obvious in this blog but I... don’t... particularly... care... for... the joker.... unless he’s, y’know, fun to watch. Cause he’s a clown, and clowns are supposed to be entertaining. But since you politely brought it up, and and because I have a deep respect for mutual Romero-lovers, I guess this would be a good time to explain my rankings and just discuss my general thoughts on each clown:
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General Thoughts:
For the most part, I don’t really care for the Joker. This is hardly an uncommon opinion here on tumblr, but I definitely fall on the side of the fandom that feels that he gets too much attention from DC. I get WHY they use him so often for films and comics, and I don’t have anything against *most* folks who consider them their favorite Batman villain, but at this point he’s used more for shock value and as a crutch instead of anything interesting. Like, instead of giving attention to the other Rogues, writers (at least for the comics) will try and make up some bullshit story that they can shoehorn the Joker into, ‘cause it sells. It’s tiring, and I feel like the character has lost his meaning; I can only read so many stories about the Joker, I don’t fucking know, wearing a suit made from dead babies and Jason Todd’s flayed corpse before I get sick of it.
I’m at the point where I’ll like any Joker who’s just fun to watch. I genuinely respect those who prefer darker interpretations of the character, but that isn’t me; I vastly prefer the lighthearted takes on him, because... at this point... writers who use the “cleaner” version of him tend to be more creative, since they actually have to write a Joker story that doesn’t rely on gore/torture porn.
TIER ONE:
Joker Baby: Self explanatory. Joker Baby is thematic, thoughtful, and intense. Everytime I watch this video, I shiver with fear and pleasure; something primal in me awakens whenever Joker Baby runs his fingers through his spray-on dyed hair, and ends up smearing green paint on his forehead- it represents the inner turmoil, the chaos, that resides within the disturbed body that is Joker Baby. Nothing can ever hope to top the artistic and cultural impact Joker Baby has had on society.
TIER TWO:
Batman Ninja: I genuinely believe that Batman Ninja is one of the most fun, organic, and creative things to come out from the Batman side of DC comics in like... hmmm... a decade, maybe (I could talk for hours about how much I love this movie but that’s something for a future post). This Joker is easily, and unironically my favorite interpretation of the character, period. I love his energy, his design, everything. This is the most fun I’ve ever had watching a Joker on-screen, and for that I’ve gotta give the film credit where it is due.
Batman ‘66: I looooove Caesar Romero. Batman ‘66 in general is one of my favorite pieces of Batman media, and I absolutely adore this Joker. The show is pure, genuine fun, and it’s nice to turn my brain off and watch a show where the entire cast was allowed to goof around. This Joker is just a cute, goofy little clown-man who likes to commit crimes, go surfing, turn Gotham’s water reserve into gelatin, and have wild orgies with Penguin, Catwoman, and the Riddler. I massively appreciate the hustle. I love his little mustache and his facial expressions. I’d give him a chaste little kiss on the cheek if I could.
The Batman: EXTREMELY CONTROVERSIAL TAKE BUT. I think TB!Joker is better than what people will give him credit for. I can only imagine how stressful it must have been to be the first Batman cartoon to follow BTAS and the writers for this show knew they were gonna be fucked no matter what they did with the Joker, so they just decided to try something completely different with him. Personally, I appreciate the new direction- he has a fun, unhinged energy. I’ve placed him higher than BTAS/BTNA!Joker simply because The Batman was the show that got me into the Rogues in the first place, and I’m just a bit closer to this Joker because of it. Also his vampire form was cool as FUCK in Batman Vs. Dracula and the scene where he gets drenched in blood at a blood bank is fucking awesome.
Batman the Animated Series/The New Adventures: Everyone loves BTAS’s Joker, and I’m no exception. Mark Hamill is fucking great, and the writers clearly knew the character well enough to create a version of him that can be fun and threatening. As an aside, I unironically like his redesign in BTNA- I remember Hamill mentioning somewhere that he thought it was neat that this Joker looked more like a shark (I’ll see if I can find a source on that... I think he said it in an interview with Kevin Smith?) and I kinda agree with him. the redesigns in the final season are hit or miss, but I didn’t get why so many people bitched about the Joker’s new look.
Batman Unlimited: Hear me out... Hear me out... Clown... funny... and cute... He wears a little crown and gives Solomon Grundy a little smooch on the cheek and it is as delightful as it sounds. Yes the Batman Unlimited films literally only exist to sell toys but that doesn’t mean I can’t enjoy them on some ironic level.
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TIER THREE:
Lego Batman: He’s a gay icon. He has the range. Enough said.
White Knight: This is just a genuinely good, original take on the character, and the art in White Knight is absolutely gorgeous. 
Arkham: My friends and I joke that this Joker is basically a more unhinged version of BTAS! Joker and... yeah. I’m glad Hamill and Paul Dini got to fuck around with the character more, but I never really dwelled on the Joker parts of the games like I might have for other characters. I definitely liked him the most in Arkham Asylum, as he was more fun to watch. Arkham City was fiiiiine, but I think I replayed the game so much that I kinda got fatigued with everything about it. Genuinely hated his part in Origins, and I was pissed that he stole the attention from Black Mask and Bane (who’s the best fucking part of Origins IMO). I’ll admit that I... Haven’t... played... Knight yet (I have it on PC but my laptop is too wimpy to run it) but like... He’s dead at that point, so I’d assume he isn’t the main point of that game anyway. I love Mark Hamill and the fact I can personally beat the shit out of this Joker, so he’s ranked up pretty high for those reasons.
TIER FOUR:
Batman ‘89: TBH this Joker should be a rank higher, but I’m too lazy to hop onto PicsArt to change it. NIcholson was an excellent choice, and I apprecaite how this Joker makes use of the playful and unhinged aspects of the character. Also, his outfits are cute, and I love the museum scene.
Brave and the Bold: Technically this Joker SHOULD be ranked higher since he’s literally based on the more lighthearted comics in the 60′s but... ehhh... I haven’t really watched BATB so I don’t have any strong opinions on the show and how it handles the character. he’s ranked this high through beause I appreciate what they were going for.
Golden Age: The quality of comics are always subjective, based on the creative team behind them. Some I’ll like more, others less so, It’s kind of hard to rank the pre-52 comic version of the Joker because of this.
TIER FIVE:
Killing Joke: Read it, didn’t care for it. I acknowledge how massive the impact this comic had on... everything, but just because I recognize how important this graphic novel is, doesn’t mean I have to like it.
The Dark Knight: Ledger did an excellent job with the role, but uhh... I’m kind of sick of the alt-right chuds who are out there sucking this Joker’s dick. The fanbase definitely ruined the character for me.
TIER SIX:
99′: Eh
Endgame: No
Suicide Squad: NO
Death of the Family: Hate him. Despise him. Lame stupid dumb little edgy bitch.
Gotham (Jeremiah): I don’t particulary care for Gotham in general, but the only reason I ranked this Joker over Jerome is beause I thought it was kinda funny to see that they made him a little rat-man, and I liked watching all the fujoshi on here cry and complain that they can’t ship this version of the joker with the pre-pubescent Bruce Wayne in the show bc he’s too ugly.
Gotham (Jerome): stop shippping this freak (who is fucking eighteen years old) with a literal twelve year old child. what the FUCK is wrong with yall.
UNRANKED:
The Joker (2019): I don’t plan on watching this film, nor will I ever. I know this is ironic, coming from someone who runs a Rogue blog, but stuff that focuses primarily on a character’s deteriorating mental health makes me reaaaaallllllyyyyy anxious (it’s kind of a phobia) and considering that I don’t particularly the Joker, I have no reason to watch something I know will only give my dumb ADHD-ass intrusive throughts.
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