#Please. Must I draw my own art? Must I write my own narratives? | Explore Tumblr Posts and Blogs

samrriegel · 3 years

Photo

As creators, it’s important that we strive to create a positive relationship between our content and community while still retaining our rights. With this in mind, we’d like to share our new content policy covering how you can use our IP.

(you can click the link embedded above or click the readmore. there is a lot of text!)

Everyone at Critical Role is extremely honored and humbled by the interest our incredible community has shown in the stories that we tell, the shows that we produce, and our company in general. We think it’s pretty amazing that our fans want to create artwork, websites, and other works (“Projects”) based on our intellectual property (“IP”). Our IP includes any unique material our team creates — things like the names of our campaigns (for example, Vox Machina and Mighty Nein), our characters (for example, Grog Strongjaw or Beauregard Lionett), story locations (like Whitestone or Nicodranas), company slogans (such as How Do You Want to Do This?), as well as written content and all related artwork, music, etc. We are generally cool with Projects that follow the rules outlined below, but we reserve the right to remove Projects that, in our view, misrepresent these rules or use our IP inappropriately. We want our fans to continue celebrating our world and sharing their talents with the community, but for Critical Role (“CR”) to exist as a company, our legal advisors have suggested we establish some ground rules for how our IP can be used!

1. What can I develop with Critical Role’s intellectual property (“IP”)?

Free stuff for the community to view, with some exceptions. Critical Role allows you to use, display and create derivative works based upon Critical Role’s IP, strictly for noncommercial (except as specifically provided below) community use. CR reserves the right to use our sole discretion to deny anyone the use of our IP at any time, for any reason or no reason. If we deny you the right to use our IP, you must stop developing, publishing, or distributing your Project immediately.

In all cases, the use of our IP with your Projects must be appropriate for our Critter Community. Projects cannot be defamatory, offensive (including but not limited to anything transphobic, sexist, homophobic, racist, ableist, ageist), or harmful to others (as determined solely by CR).

2. Can I create a project that is commercial in nature?

You may not create commercial Projects, including any Project that (without a written license agreement from us):

i) crowdsources any portion of its funding; ii) involves a business or legal entity; iii) gates the content with a paywall (e.g., Patreon, YouTube Premium, etc.), unless it is also legitimately available elsewhere for free; or iv) involves the sale of merchandise utilizing CR IP

We prohibit the use of our IP in interactive games, apps, and downloads. Please do not take any part of our IP (e.g., character appearance, character abilities, maps, icons, items, etc.) and use it in a game or app for other than your own private, noncommercial use. We do not allow any Projects utilizing our IP to appear in any app stores, including the Apple Store or Google Play, unless they have a written license agreement from us.

No monetized novels, theatricals or the like. You are not permitted to write, produce or create any novels, theatrical productions or other adaptations that include CR’s intellectual property without our express written permission.

Fan fiction is generally permitted (and enjoyed!) by CR, as long as the content is not monetized and otherwise follows the guidelines of this policy.

You are not permitted to manufacture, promote, or distribute (for free or otherwise) any merchandise (such as apparel, game pieces, accessories, etc.) that bear any CR IP without a separate, express written agreement between you and Critical Role.

Critical Role, on occasion, collaborates with and licenses third parties for the creation and distribution of Official CR Merchandise. These agreements are separate from this CR Fan Content Policy.

3. What about passive ad revenue?

This is one of those exceptions we mentioned earlier. We permit fans to promote their Projects on websites, streams, or videos and passively generate revenue through appropriate advertisements, including pre-roll ads, ad breaks, and sponsor ad overlays. No inappropriate direct ads or sponsorships—we alone decide what qualifies as inappropriate, but if you won’t see it on Critical Role, it is probably not appropriate.

We permit individual fans to solicit personal donations or offer subscription-based content while livestreaming, so long as non-subscribers can still watch the live stream concurrently. In other words, you may have your Project behind a paywall, so long as the Project is legitimately also available for free in some other way.

Your use of CR Content must be transformative in nature. You cannot simply re-upload our content. Examples of potential transformative works include:

Animatics

Compilation videos

Remix edits

Added commentary

Music/ music videos

Cosplay content

Art / draw alongs

GIFs / memes

React videos

For longform CR content: Originally 2 hours or more in length (e.g., Critical Role, Exandria Unlimited, and One-Shots)

CR allows your passive monetization of under 10 minutes of content usage per episode

CR may claim monetization or execute an automatic takedown for over 10 minutes of content usage per episode

For medium-length CR content: Originally between 1-2 hours in length (e.g., Between the Sheets, Narrative Telephone)

CR allows your passive monetization for under 5 minutes of content usage per episode

CR may claim monetization or execute an automatic takedown for over 5 minutes of content usage per episode

For short CR content: Under 60 minutes (e.g., Handbooker Helper, All Work No Play)

CR may claim monetization or execute an automatic takedown, which includes any “clips” or “memes”

4. Can my Project make reference to Critical Role?

We’d love that! Just make sure that your Project follows the other guidelines in this policy and clearly let people know it is a fan Project and not an official CR Project. That is, you are not permitted to state or imply that your Projects are affiliated with, sponsored, or approved by Critical Role. You may not create a Project in a manner that could cause other Critters to believe that it is an official CR work. If you share your Project with others, please conspicuously include the following disclaimer (e.g., on your Project’s website):

Portions of the materials used may contain trademarks and/or copyrighted works of Critical Role. This material is not official, is provided for free, noncommercial entertainment purposes only, and is not endorsed by Critical Role.

5. Can I create CR-related video content before the content is available on Critical Role’s YouTube channel?

No. Please be considerate. So it’s clear, any posting or other unauthorized disclosure of CR-created content prior to its official release on YouTube (or an authorized media-sharing platform) is strictly prohibited. In regards to spoilers, even after an episode’s release, spoilers can ruin a fan’s experience and we always aim to avoid them. Please be respectful of others and do not deliberately push plot reveals on people who are actively avoiding learning about them. If you are releasing fan content after its official release on the CR YouTube channels, we ask that you please offer spoiler disclaimers (or appropriate hashtags) as a courtesy.

6. What about CR fan art that’s shared publicly during or after a livestreamed RPG broadcast and before the VOD is available on YouTube?

Boy, we love ourselves some amazing Critter fan art. We also want to ensure that artists are taking every precaution not to spoil an episode before its official release on the CR YouTube channel. Please ensure that your artwork is not audiovisual in nature and follows the guidelines set forth in this policy. Again as a general courtesy, please include spoiler disclaimers (or appropriate hashtags) whenever possible.

7. Is all content in a Critical Role video available for use?

No. Certain CR videos contain music or other content that Critical Role doesn’t own. Critical Role, at times, enters into licenses with 3rd party content providers to enhance CR videos for viewing. Since CR cannot grant you a license to use someone else’s content, you’ll need to get permission from the copyright owner(s) before using their content. If you include non-Critical Role music or other content in your video, do so at your own risk. Your video could be subject to filtering or takedown notices by the owner of the copyright in the original work.

8. Can I use Critical Role’s Logos or Trademarks?

Generally, no, and only in limited instances. Use of Critical Role’s brands, logos, character names, actor names, actor and character likenesses and other IP are only to be used in connection with the discussion of Critical Role works, Official Products and non-commercial Projects in compliance with this Policy. Critical Role expressly prohibits uses of its Trademarks to promote your business or merchandise. You may not register domain names, social media accounts, or similar stuff that uses any of our trademarks, trade names, character names, etc. without expressed written consent.

You definitely may not use any CR trademarks as keywords, titles, or search tags for products that are infringing or counterfeit.

9. Can Critical Role use my Project?

Yes. We want fans to create and share cool things with each other, and we want to remove barriers to sharing. Because you are using Critical Role IP, if we celebrate or spotlight a fan Project, or make something that somehow resembles a fan Project, by posting it publicly you give Critical Role permission to spotlight or share your Project with the world. By using Critical Role IP in the creation of your Project you give CR authorization to share your Project in any way at our sole discretion. Critical Role will always attempt to contact artists in these instances and/or provide proper artist credit whenever possible.

10. What if my Project is not covered here?

If your creative efforts are not covered by this Policy, you’ll need our prior, written approval before you put it out in the world. If you have any questions or creative content you want to make that isn’t covered by this Policy, contact us by sending us an email to [email protected]. Written approval is required for Projects that are outside of the scope of this policy.

If you don’t hear from us, it does not mean we approve of your requested use of our IP.

11. Anything else?

Yes. Critical Role reserves the right to change this Policy at any time with no notice whatsoever, but we’ll do our best to communicate any changes widely as soon as we can in the interest of remaining transparent with you.

Please note that we are constantly developing new content and creating new IP that will fall under these guidelines.

Thank you so much for your attention to this policy. Our main goal is to ensure that the Critical Role community remains creative and vibrant as it’s always been. Our content policy will protect what we own today for the long haul so that we can continue to create magic for all of you for many years to come. If you have any questions at all, please reach out to us at [email protected] or via critrole.com/contact.

#critical role #important #long post #content policy

158 notes · View notes

junkworldusa · 4 years

Text

on comics

[tl;dr i was worried for most of my life about being a ‘good artist’ but now i just make comics and you should too]

i spent april, may, and half of june 2020 rendering geometric objects in soft charcoal. i threw myself into what’s colloquially known on /ic/ as grinding fundies-- perspective exercises, bargue plates, and figure drawing. my intent was to git gud and finally launch a narrative webcomic-- something visually pleasing, digital, and well-written. i had finished scripts, thumbnails, character designs, etc. i had to take advantage of all this sudden free time from losing my job! this was my chance!

then last month i realized abruptly that i was not that kind of artist, i had never been that kind of artist, and i would never be that kind of artist. i could not go SCRIPT->THUMBNAILS->PENCILS->INK because it would kill me. i had to accept i could not “finish” anything that way. if i thought too much about the work i lost interest; if it took too long i got bored. even now, every comic is a race against my own attention span.

i think there are a couple factors at play here. one is my own brain. but another is a deeper problem inherent to the medium: i believe “writing” a script or words ahead of time sucks the life out of the work. (will eisner talks about this in “Comics and Sequential Art.” ideally the writer and artist should be the same person and it should be done at the same time; if they cannot be the same person, then the artist must have liberty to change the script as they see fit to better suit the pacing/visual storytelling.) comics are the interplay of words and image. the words feed the image, the image feeds the words. the fragmented process of, say, a typical DC comic-- script/pencils/ink/color all done by separate people hundreds of miles apart-- is antithetical to the medium and also why these comics are mostly bad. to go even further, the words and images should be done with the same tool. if i put the brush down to switch to a pen the words are not the same, and the disparate style is jarring on some level. the simultaneous creation of words and images is essential. there’s immediately life. your hands come up with things you didnt expect. what i very recently learned is that i have to work like a rollercoaster: start to finish, without looking back, and without stopping. thinking is not necessary-- “skill” is not necessary. (i still struggle with this last point but the mild popularity of a few of my left-handed comics prove it to me: people will respond to a shaky scribble as long as the scribble is alive.)

i got this practice from lynda barry. who else? when i first read that she just sits down and draws a comic from start to finish, i was horrified and jealous. she writes the words for a panel, draws the image, then moves on to the next. that’s it. it seems straightforward but it haunted me. i thought i was incapable of this and that anything done like this would be TRASH! (unless lynda barry did it, of course.) but that is how i am trying to work now.

it’s not easy. self-consciousness, self-criticism, and the years of thinking art must look a certain way are all against us. it gets easier, though. i think it got easier once i realized how fun it can be. i use crayons, cheap paper, collage, non-dominant hand drawing, anything to help me realize it’s not that serious. the tactile and permanent aspect of traditional art is another aid. some of my favorite cartoonists and inkers work digitally but my brain doesnt grok it-- on some level it doesnt think it’s real.

working this way, i am not making the type of comics i wanted to make. i am not making comics that a lot of people will like to look at or read. but i am making comics, and before this i was not.

everyone can and most importantly SHOULD make comics. i tell everyone i know that they should draw more, that they should make comics. the usual protests: “i can’t do that, i can’t think of anything, i can’t draw.” how do you know? i think the same things and these thoughts are the death of art. everyone has something to say-- if you draw a comic and show it to me i will love it because it’s something new.

i have nothing further to say about art that hasn’t been said by lynda barry, GOAT, whose books on writing and drawing i recommend to everyone. (”What It Is,” “Picture This” and, appropriately, “Making Comics”. i feel like these should be mandatory reading for humanity.) tom hart, one of the greatest living cartoonists in my opinion, has a big free [!] e-book available about cartooning and creativity with lots of exercises-- http://www.tomhart.net/how-to-say-everything.html

finally:

ok thanks for reading my manifesto xxx

#not comics #but also #comics

1K notes · View notes

potteresque-ire · 3 years

Text

Here’s my response to @pussyibo, who tagged me on a post about Gg’s Li-Ning brand endorsement.

First of all, I’d like everyone to please read @accio-victuuri‘s wonderfully written, detailedly researched post on the Li-Ning brand, the Xinjiang cotton support rally on Weibo, and the narrative the state has spun on the issue. I would’ve provided similar information in my response as well—although no way I could’ve laid it out as clearly, as to-the-point as @accio-victuuri did—because this background is critical in explaining my thoughts on this issue.

I haven’t reblogged the Li-Ning ads, but I must confess that the decision had little to do with politics. I’ve always leaned towards re-blogging art than real people.

That said, however, Gg’s Li-Ning ads have, of course, crossed my dash. And I’d be honest and say this as well: I haven’t really found them—or by extension, the idea that Gg was endorsing the brand—offensive, precisely for the reasons @accio-victuuri laid out. Li-Ning is a legend in China; a highly decorated olympic gymnast, he was the national pride chosen to be the final torch-bearer and torch-lighter for the 2008 Beijing Olympics. His company, established in 1990, was among the first Chinese brands with name-recognition overseas and has won high-profile international sponsorships—rare achievements among Chinese-owned enterprises, even to this day.

Based on Li Ning’s identity and his company being a National Brand, I’d be more surprise if the Li-Ning brand doesn’t use homegrown, “patriotic” cotton, before even considering the practical reasons—Xinjiang cotton being a domestic product that eliminates the costs of shipping, tariffs etc; that it’s of such superior quality that international brands touted its use—a reversal of the usual downplaying of their products’ Chinese origin, due to the common associations of “Made in China”=“Bootleg”,“awful quality”; that makes up ~20% of worldwide cotton production—ie. most Chinese families are probably already using products with cotton from the region (blankets, for example).

From that perspective, therefore, I’ve viewed the endorsement as little more than a case of a high-profile Chinese celebrity endorsing a high-profile Chinese brand, named after a national hero and targeted towards the local market. I breathed a little sigh of relief for Gg, admittedly—imagine if his new endorsement over those same few days had been for a brand under the Better Cotton Initiative; he would’ve been flayed alive, if the antis’ words were knives.

(And who said they aren’t?)

As such, I also haven’t considered the Li-Ning brand as “morally inferior” to Gg or Dd, or, the other way around, that Gg or Dd are “morally superior” to the Li-Ning brand. I haven’t considered drawing a moral ruler along this axis. I either believe they’re all doing what their sociopolitical environment has taught them, guided them, demanded them to do, or I don’t. Li Ning (the person and the brand), Gg, and Dd all have a celebrity status attached to them. They’ve all flourished in that one sociopolitical environment—that one they also call home.

Ultimately, Gg and Dd belong to China. They’re the product of the country, its all powerful, all controlling regime. No one can be isolated from their backgrounds—my background colours every word I say here; likewise, there’s no place I can draw a line and separate Gg and Dd from the Communist Red behind them. I wouldn’t have posted about China’s sociopolitical environment, researched on it as a GgDd fan otherwise.

I either walk away from them all, or I don’t. I either stay a fan, or I don’t. The latter is my choice. Every minute.

Have there been instances in which news about Gg and Dd make me especially uncomfortable? Yes. Photos of Gg in PLA (People’s Liberation Army; Chinese army) uniform for AT, or Dd in police uniform for BAH, for TTXS still give me stomach churns every time I see them. A violent squeeze of the heart.

Visceral reactions that come from, I suppose, the amyglada. More organic, primitive than thought.

I’ve seen those uniforms in RL action—uniforms worn by those who’re truly responsible for the labor camps and mass surveillance, the torture, the unreported deaths, the disappearances; uniforms Gg and Dd have expressed support outside their drama, their host roles:

Translation: #I support Hong Kong Police too# (On red banner) “I support HK police. You can beat me up now.” What a shame for Hong Kong.

(Dd reblogged the same post originated from People’s Daily, the State-Controlled Newspaper).

I’m going to go on a quick detour and provide the backstory of this red little box, this piece of propaganda that is much more blatant than a clothing ad. I’ll explain why in a bit.

Here’s an article that explained the incident from which the quote was drawn, that occurred on 8/13/2019 during the Hong Kong Protest and the airing of The Untamed. Essentially, a Chinese state media reporter was suspected to be a spy among the protestors after taking photos, refusing to show his press pass (he was found to have one but not his own), and possessing a “I love HK Police” shirt; he was tied to the luggage cart and beaten up. The reporter said the quote in the red little box; he suffered mild injuries and was soon discharged by the hospital. What was the background of this story, however? Why did the protestors beat up someone who could be from the press—who, regardless of their affiliation, protestors know should be protected? The protests began in June, 2019. Hong Kong had had another large scale protest in between September to November, 2014 (aka the “Umbrella Revolution”). Spies had always been an issue. Why didn’t a spy beating happen earlier?

Here’s an English-subbed documentary (warning: violence) that offers insight of the background—the fear and fury of the protestors. The subject is what is now known as 721 Yuen Long incident, or the evening Hong Kongers—even those who had not been involved, who had been unsure about the protests—lost their trust of the Hong Kong Police, once known as “Asia’s finest”.

That evening went like this. On 7/21/2019, the local mafia violently attacked the passengers of a late night train in Yuen Long station—passengers who weren‘t protestors (who wore black)—while the police ignored the multiple emergency calls from locals who’d spotted something suspicious, and didn’t show up on the scene while the beatings occurred. Evidences, which the documentary detailed, pointed to the Hong Kong Police, and the government that backed it, endorsing the beatings, therefore working with the local mafia to deal with the protests.

By 8/13/2019, therefore, protestors were convinced that their opposition wasn’t beyond using very low blows to get their way. One could argue that they overreacted to the spy-reporter; the Western media, who had long trusted HKers to know what they were doing, expressed its disappointment, and the protestors soon apologised. The Chinese propaganda machine, of course, jumped at the chance of casting the protestors as bad people, and the online rally on Weibo ensued (It lasted for at least three days; Gg and Dd reblogged post about HK between 8/14/2019-8/16/2019).

That was, briefly, the story behind Gg and Dd’s Weibo reblog.

Why did I make a detour and write up this story? Because I’ve actually posted blatant propaganda on my blog—the Weibo post, with its red little box. However, does it still feel like propaganda with the story?

Therefore, I haven’t, and don’t plan on pressuring anyone to stop posting and re-blogging specific pieces of GgDd information—be it an ad as in this scenario, or propaganda material from films, series, government/state-controlled media announcements etc. That I believe everyone should set their own boundaries, be their own judge of what they’d like to share on their own blog aside, I think—and this is where my opinion may deviate from many—“canceling” falsehoods often isn’t the best way to deal with them.

This opinion is likely, again, coloured by my background.

My observations have been this: “cancelling” is effective only if the cancelling force is, overall, significantly stronger than the force being cancelled. In the scenario that prompted this post, making Gg’s Li-Ning ads disappear from the dash is only possible if there are more fans who ignore the ads than those who post and reblog them. “Canceling” is therefore a competition of headcount, with tactics for sidekick—the side with more people, and people who are good at disseminating information, decides the outcome: whether the intended-to-be-cancelled material go viral within the fandom, or whether they die out.

I’d like to highlight this word: headcount.

This isn’t the most favourable kind of competition to participate in, therefore, if the potential opposition belongs to the populous country in the world, its members, people who may have participated in fan circles, which are essentially fan armies who’ve been used to organising, battling on social media for their idols. I’ve previously set up a hypothetical scenario, in which Dd’s supertopic members were encouraged by their government to scale the Great Firewall to Twitter, spread their support of Xinjiang cotton—a scenario that is not totally unrealistic, given that the Chinese government has previously mobilised fans for propaganda purpose.

We’ll use this thought experiment again ~ please bear in mind, once more, that this is SJD; a figment of our imagination.

Since we’re talking about Li-Ning brand, let’s add Gg’s supertopic members to the mix. The total supertopics member count is 6.11 + 8.34 = 14.45 million, as of today (2021/04/04).

Let’s say, only a tiny, tiny percent—0.01% of them are mobilised; that’s 1,400 people.

Is it possible to cancel the voices, the retweets of 1,400 in Gg and Dd’s i-fandom? Cut down another 90%, reduce the opposition headcount to 140. Is it possible?

There are also overseas Chinese who do not intend to spread propaganda, but believe in the story and have no qualms disseminating the information. There are also fans who wish to remove politics from fandom and pass all information along.

Here lies the frustration of those who’ve tried to raise their voice of concerns re: the policies and practices of the Chinese government on social media; and this is why I mentioned that my background informed my opinion. On social media, where headcount and whoever shouts the loudest, retweet etc the most wins the exposure game, it’s nearly impossible to win against the Chinese Communist Party (CCP)’s propaganda machine, if the party chooses to have the machine running.

Their side has so many people.

One more RL example: here’s a scholarly article detailing how Diba (帝吧), an old, popular online forum in China with 20 million members, mobilised, collectively scaled the Firewall and engaged in a cyberattack of the Facebook page of Taiwanese President Tsai Ing-Wen on January 20, 2016 — the day of President Tsai Ing-wen’s first inauguration; they left a total of 26,000 comments against Taiwan independence, using Simplified Chinese (which China uses) for their font instead of Traditional Chinese (which Taiwan and Hong Kong uses)—ie, the commenters didn’t even pretend to be not from China. They were proud and open about their "Expedition”.

(China’s state-controlled tabloid Global Times—yes, the same one involved in the Hong Kong airport incident above—”concluded the campaign was a “fun normal incident” that showcased young people’s passion for politics”)

Is it possible to try to cancel something of that scale? Is it realistic?

Personally, therefore, I’ve always advocated for “immunisation”: rather than protecting a fact by wiping out its associated lies—the idea behind “cancelling” a message, not having it show up on the dash—I prefer to do so by allowing it to be visibly challenged, until observers are no longer easily swayed by falsehoods. I used Gg and Dd’s Weibo reblog re: Hong Kong police as an example—is the red little box propaganda, a challenge to the protests? Yes. Is it information that I deeply disagree with, something I wish I’ll never see again? Also yes. But by providing context to it, I’m hoping to turn it into a vaccine—something mimicking the virus, the potentially viral piece of information, but doesn’t function the same way anymore.

Hopefully, this vaccine will also encourage stop-and-think moments that boost future immunity; hopefully, with a few more boosters, questions will come automatically with such red little boxes reappear— questions about the context, the purpose, the message.

Questions like these, for this incident: why did the State media make this incident the “Gotcha” moment in the Hong Kong Protests, important enough for People’s Daily to make a rally-starting meme? Why was the reporter, Fu Guohao hailed as a hero, when he’d just got ... beaten up?

What did People’s Daily, and the government behind it, want people to find when the red little box popped up everywhere on Weibo, including the Weibo of the fastest rising stars from the hit summer TV series? What belief could be expected to be instilled into the audience with this photo, published by China’s state TV station (CGTN), of the reporter tied up to a luggage cart and surrounded by black-cladded protestors?

Who looked like the strong, evil side? The meek, good side? Why, finally, was the tag about the Hong Kong Police, when the conflict was between the protestors and an alleged Chinese state media reporter?

By then, Hong Kongers were already suspicious that the Hong Kong Police had been infiltrated by China’s law enforcement arm, from hints from the different dialects the police used, how they handled the protestors etc. It was the start the final break down of Hong Kong’s autonomy. Their suspicions were not wrong. Now, with the National Security Law having taken effect since July 2020, Hong Kong’s transformation into a police state is well under way.

What does the tag #I support Hong Kong Police too# mean now?

[Please excuse my using many examples from HK because 1) I’m familiar with the details; and 2) it’s the only instance in recent history in which the outside world can see, with relative clarity, a large-scale protest against the Chinese government and its outcome.]

Here’s my humble wish: next time, when a government-sponsored memes like this get translated and posted, be it originally reblogged by Gg, Dd, or other c-ent stars, be it on Twitter or Tumblr, the vaccinated, immunised will pause and wonder: What’s the story? What’s being told inside the Great Firewall, and outside?

If this happens, red little boxes on my blog, unpleasant as they are, are 100% worth it.

The Li-Ning ads are therefore worth it too, IMO, if they spark a conversation, a dissemination of facts and perspectives. To me, the latter is especially precious in this fandom, where significant language and cultural barriers exist. Fans who move Gg and Dd’s news and candies from Weibo are the pillars of this fandom. Sieving through that website is hard, translations harder; it’s unfair and unrealistic to ask them to also be the background knowledge deliverers.

I’ve tried to do a small part, but I’m ... slow. Very, very slow. However, even if the background isn’t available, I’ve found being careful, skeptical about the information is already a very good thing. At heart, this is no different from the lessons from media literacy here, except there are even more falsehoods and half-truths to wade through given the country of origin of Gg and Dd’s material, and trustworthy sources are not always available. Li-Ning brand is an example that things do not need to be blatant propaganda to carry a pro-CCP message.

What can i-fans do then about the Xinjiang cotton situation, if competing against the Chinese government propaganda machine on social media appears to be a losing game?

My thoughts are these, at the moment. First, please consider not dwelling on the competition, especially within fandom. Remember: getting several fewer fans to buy Li-Ning brand isn’t going to change the big picture.

Instead, if this is an area of activism you choose to participate in—please consider channeling your effort to watching the companies in your country. Put pressure on sustainability & good practice certification companies like Better Cotton Initiative, make sure they don’t, can’t have it both ways. Xinjiang cotton is either certified or it isn’t. There’re suspicions of forced labor on its production or there aren’t. The answer should be a simple yes or no, not whether the office is in Geneva or in Shanghai.

This is an answer that we, as consumers, have the right to know. Transparency in China isn’t for us to demand; we can, however, demand transparency in our own country. Remember too: it makes a far, far greater difference for one international company to re-consider its cotton source, than for one fandom to do the same.

Meanwhile, and again, this is my humble opinion—please do whatever you’re comfortable with, that is within your ability, to fortify your stance. Should you choose to speak out online, you’ll likely meet opposition. Responses on current events from the Chinese Foreign Ministry (you can also find the spokespeople on Twitter) can offer a glimpse of the counterarguments you may meet. How will you answer them? Here’s a clip of one of the spokespeople arguing that the US used to use black slavery to pick cotton in the past. If you’re American and this is presented to you—what would you say? (Does mistakes by one country in the past mean mistakes by another country in the present is automatically acceptable?) The opposition may also use vicious words, the most extreme of which is probably “racist”. If someone call you racist—if many Twitter users scream racist!!!!!!!! at you at the same time for your critique—can you stand firm?

[The pro-CCP camp has been taking advantage of the West’s effort to move forward from its racist past to stop any criticism of the Chinese government. It already knows the easiest way to silence the criticisms is to call whoever makes them racist.]

[If everyone fears the racist allegation, allows the conflation of Chinese government and Chinese people to take root, will there be more or less anti-Asian sentiments in the long run?]

[I’ve been called racist by writing these metas.]

The last thing I’d like to say is this: please be kind to your fellow fans who’ve kept mum, or been hesitant about making their stance known. Some may be closely connected to China, others may not be in a psychological / health space to deal with the politics. Also, and here’s my default way of looking at this: I disagree with the idea that anyone owes anyone else a declaration of their political beliefs. I can’t imagine this issue to be an easy thing to think about for many Gg and Dd fans, myself most definitely included ~ as a (former) Hong Konger, a uniformed Gg or Dd gives me an unpleasant visceral response, but at the same time, it also means I’m used to accepting, even genuinely liking people on the other side of this political ... Grand Canyon. I can imagine the conflict, the pain this issue may have caused some fans who’re not accustomed to the latter, as being a fan, IMO, is never purely logical ~ and I mean that in the best of ways.

Passion is the magic ingredient that separates a fan and a consumer. It’s also what makes choices difficult, when conclusions from logic, political stance included, conflict with it. Some make the hard choices quickly; some, slowly. Some make them in one go; some, piece by piece. Some never make them, let time be the decision maker.

As Dd said so famously and wisely, about the conflict between passion and logic: 愛就是這樣，沒有辦法 Love is like that. Nothing can be done.

The only common denominator is this: we’re all made to love.

❤️.💛.💚.

#pie metas #yizhan #bjyx

73 notes · View notes

brawltogethernow · 3 years

Note

Opinions on hair clip!Gwen vs MJ bangs!Gwen?

(Personally I think that the hair clips give off some kind of vibe and I don’t know what it is but it’s definitely there)

Very niche topic you were correct to guess I would have involved, impassioned thoughts about.

(Quick visual rundown of the history of Gwen’s hairstyle for the normal people out there:)

Aesthetically, of course the bangs are superior. At least some of why the headband and bangs look is iconic is because it’s a Look™. But that’s not...the point.

Copying MJ’s hairstyle - and then immediately needing to return to having something holding her hair back and experimenting with how to do that with short bangs for a while - is one of those little things that makes Gwen feel like a person despite her comparatively minor volume of appearances. It’s just such real social circle of 17-19yos behavior. Her smiling on the outside despairing on the inside face when Harry points it out??

Agonizing. I love it.

(Digressing but the panel immediately before this where Harry is like, “Peter, in my unprofessional opinion I diagnose you with Every Single Disease.” I love this era.)

Simultaneously, the vibes of Gwen stealing her hottest friend’s look? Her hottest friend who her other hot friend is clearly attracted to’s look?? Girl was really going through it. [Here I tried to casually insert a bi flag emoji, but there isn’t one.] Every leg of this love triangle-cum-OT3 is real.

So I love all of that, and you sacrifice all of it when you act like Gwen was born with a black headband fused to her skull divorce the bangs from their context. Having her already sporting the hyper-recognizable fringe look in high school is my sole critique of what we got of the Gwen Stacy solo title. (Marvel, please? The rest? I am but a starving Victorian orphan--) I was rooting so hard for acknowledging her awkward high school senior hair.... Like to a weird degree probably. I was texting people updates about the projected likelihood of the established hair continuity being adhered to as new promotional art dropped.

Because the clips are valuable shorthand to convey what era of Gwen you’re looking at! The sharp corners and exposed widow’s peak and old fashioned bit of curl tell you right away you’re looking at a less settled Gwen, someone with only one firm friend who, for all she’s remembered as a bookish sweetheart, did very much and by her own design hook up with Peter via an enemies-to-lovers route.

Gwen was MEAN when she was introduced! You can’t use the clips without remembering Gwen being mean, which honestly I think everyone writing her should take a couple of minutes a week to do, for health reasons. (Sometimes it’s for reasons of my health, as a reader.) I talk about how Peter/MJ is bitch4bitch and the poetry of two liars being honest only with each other, but Gwen and Peter? Very much united by a shared passionate drive to deck the world hard in the face and watch it bleed. And also science or whatever, I guess.

I don’t read Gwen as becoming a less intense, angry character through the different micro-eras you can mark by her hairstyle, but she gets more comfortable with the rest of the core cast while also picking up a thread of melancholy. (Okay sometimes...you have to read against the text a little to reconcile it with itself.) The sum effect of this mix gets flanderized into characterizing Gwen as a Good Girl, and when creators go with the headband look for periods where Gwen-the-character would be wearing hair clips, you know that even if they’re writing good content they view Gwen as a Good Girl who was Too Good For This World who would never ever start a petty feud or or insult someone who doesn’t deserve it or escalate a situation into minor violence. (Because, you know, women must not cause narrative drama by wanting things, only by being wanted.)

...More charitably, it’s just not going to hit the same, because it’s a sign the team is working with the concept of Gwen without either enough affection for or knowledge of her personal history to adhere to it. If you keep snipping bits out of her like this, you’re going to run out of girl pretty fast.

The silver clips anchor things in an era where there’s a greater discomfort with themselves in the whole cast and they’re all taking it out on each other. THERE IS DEFINITELY A WHOLE VIBE.

Also the style is actually very fun to draw, in my experience.

I’ve been sort of talking around the Doylist angle -- I think it’s excellent how much the progression of Gwen’s hair works from a characterization standpoint, given how every single minute change is very clearly a creative team shift thing. Horror art style to romance art style followed by whatever Stan Lee was doing to whatever Gerry Conway was doing had an effect on how the first stretch of Spider-Man reads you just. Could not bottle. Most of Gwen’s look shifts are very blatantly an ongoing series of nudges deeper into Romita Sr.’s favorite things to draw -- which incidentally looked excellent, so who was going to complain?

Of course, then if you continue with a meta lens beyond the JRSr era...the bangs look depreciates considerably! I was originally planning for that infographic at the top to do much harder double duty as a joke, with more images in between the last two. Death! Every single clone! Spider-Gwen! Flashbacks set before the bangs! But it’s like! How much effort do I really want to expend just to lampshade that her style has been frozen for 45 years!? Also it wasn’t going to be worth it without the skeleton as the punchline, so I had to go get that first because it was the only one I hadn’t actually seen personally, and finding it really sapped my energy for balancing good-natured ribbing with deep appreciation for a topic. I was kind of hoping people on Twitter had made that up!

Like. God damn. It still looks good, but the overlap with not really empathizing with this character or getting into her head is intense. Every day I thank Into the Spider-Verse for its bid at unfreezing Gwen’s hairstyle for the first time since 1973.

So like, yeah. I like looking at the bangs look slightly more, but adhering to them fanatically is refusing to use all the weapons in your arsenal. And to all the Marvel writers using the bangs while simping for either side of the Gwen vs. MJ thing: That’s MJ’s hairstyle, and that’s a little gay.

#gwen stacy #spiderman #spiderman meta #gwenmj #spidey #marvel #tortillas #asks answered #essays

108 notes · View notes

beautiful-bau-beau · 4 years

Note

helloooo!! I have a Spencer request :) Could you write one where Spencer is injured (maybe like when he broke his leg or something like that) and he stays round yours and you look after him, help him shower, comfort him and stuff :)

Anonymous said to beautiful-bau-beau: could u do a soulmate au w spence where you feel the share pain with your soulmate, i think it would be interesting since spencer seems to be shot or nearly killed in almost every episode

Sticks and Stones

fem!reader/Spencer Reid

masterlist

[Set in season 5 when Spencer gets shot in the leg but makes references to Maeve]

----

To the average eye flowers are soft, simple little things. They spark romance in the hearts of budding couples, they aid the grieving widows, their beauty inspires the masses in forms such as poetry and art. For some, flowers only caused distress.

Few were "fortunate" in the world to have soulmates. Once twelve years of age, a soul bound to another would feel the pain, to a lesser extent, as well as receive a flower at the sight of the intrusion. Small purple blooms grew at bruises, at a cut, the flowers would mimic the length and size. Any other type of pain was indicated by large, red blossoms. As each wound healed, the flowers would wilt and die.

You were among the many to few flowers as flimsy nuisances, only serving as reminders of the pain you had to go through.

Before turning twelve you often wondered if you had a soulmate. You had spent many days vividly imagining who your soulmate was, what he looked like, what he did for a living, choosing to ignore that if you indeed had one, a lifetime of pain was sure to follow.

Lifetime of pain indeed.

Your soulmate must have been a stuntman, a police officer, hell- even a lion tamer with the amount of pain he seemed to put you through. The occasional bruise and scrape seemed to hit you up until your early twenties, that's when the real pain began.

Every other day it seemed that you were doubled over, screaming in agony. You were an ugly vision of purple and red, but hell, it seemed to strike up a conversation with you and your patients.

You served as a private duty nurse, taking care of patients in the safety of their own home. You enjoyed the one-on-one with your patients, and it was decidedly better than working in a crowded hospital with a difficult schedule.

You had just finished a job working with an elderly woman, as her granddaughter had recently decided to move in with her to take care of her. It was a sad departure, but the job had finished and it was now time for you to find another patient in need.

You were employed through a small local medical office and received career requests through their office website.

One particular request caught your eye that morning from a Ms. Penelope Garcia. A friend of hers had recently been shot in the leg and needed to quickly recover before returning to his job.

You eyed your own leg, sighing heavily. It still seemed to throb harshly every once in a while.

A week ago, out of nowhere, an extreme pain radiated through your leg, causing you to drop what you were doing and scream. Thankfully you hadn't been on the job but the look of pity your neighbors gave you the next day felt just as awful. Every time you glanced at the offending appendage you could swear you saw another blossom grow.

"You and me both, buddy." You mumbled, picking up your phone. The job seemed simple enough, and hopefully you would be able to bond with this new patient by shared leg pain.

"You ordered a nurse for me?" Spencer hissed into his cell, turning to look over his shoulder. "I can take care of myself!" He eyed your figure, currently unpacking a medical bag. You had entered his apartment mere minutes ago, not understanding his confusion.

"Are you Spencer Reid?" You asked, greeting his wheel-chair bound figure. "I'm Y/n Y/l/n, the nurse your girlfriend Penelope ordered." You were met with a blank stare. "Is she uh.. here?"

"I'm going to have to make a phone call." Spencer blurted, wheeling himself inside. He left the door open so you took it upon yourself to enter.

"Spencer, I love you but are you listening to yourself right now?" Penelope replied, twirling a pen around her fingers. "You were shot a week ago, you're in a wheelchair. How are you going to shower? Replace your bandages? Sweets, this nurse will help you. And before you even have to ask I already checked and your insurance covers this!"

"Garcia-"

"I won't hear anything more about it as I know I'm right! Goodbye, dear!" A heavy sigh came from the man, and he placed his cellphone back in his pocket. He turned to look at you again, wheeling his way over to you.

"I apologize for earlier. I wasn't exactly informed that you would be coming here." He placed his hands on his lap, awkwardly.

"That's alright!" You chirped. " You’re low-risk so I won’t invade your space too much by staying overnight with you. I'm here to help with personal medical care, bathing, trimming nails, and making you comfortable.... as well as urinary and colostomy care." His eyes widened and you simply waved him off. "I get it. It's weird. But from what I read through of your medical reports, the bullet went clear through and you'll need a crutch in two weeks! At least you're not hooked up to a catheter?" You tried to joke. You were met with another simple stare.

"Let's uh, change your bandages, shall we?"

It had been a few days since you started working with Spencer. He was a nice man, a little awkward, and seemed to be more of an introvert, so you respected his space. He seemed to take to staying in bed, simply asking for books every once and awhile.

"There's no way you're able to read all these so quickly. You'd have to be superhuman..." You teased, bringing him a stack of his latest requests.

"I have an IQ of 187 and can read 20,000 words per minute." Spencer replied, catching your eye. He flushed under your surprised glance. "...Not to brag."

"Well... that'll do it." You set each book in your arm down, one by one, a particular title catching your eye. "The Narrative of John Smith?"

"Have you read it?" He asked, trying not to sound too eager. He hadn't originally pegged you for an Arthur Conan Doyle fan.

"Uh, no." You scratched behind your ear sheepishly. "But a few friends of mine have, they all highly recommend it. What do you think? Does it live up to all the hype?" Spencer opened his mouth but shut it almost immediately, causing your brows to furrow.

"I can't tell you what to read... it's just a very special book to me."

"Did someone special give you the book? Penelope?" Spencer let out a chuckle, hissing as he adjusted himself on his bed.

"Garcia is just a friend but you're correct, someone special gave me the book."

"A soulmate?" You asked, immediately regretting your choice of words. "I'm sorry, I shouldn't have assumed. I'm just the nosy nurse that asks too many questions." You knew it was a sensitive topic for some, with or without the soulmate.

"No, it wasn't from a soulmate... but I wish she was." Spencer's voice grew soft. You felt as if you had stepped too far, intruded upon a fond memory.

"I do have one though." He continued, noticing your unease. "Sometimes I worry I imagined her but every once and awhile, I'll notice some flowers by my legs, the likely result of a cut from shaving or bruises." You let out a laugh, leaning against his door frame.

"I would love a low-risk soulmate like that. He must jump through flaming hula-hoops or something. I could make a decent living as a florist." You murmured.

"That's got to be tough." Spencer observed, noticing no flowers on your arm.

"I guess he's a lot like you." You lifted up your pant leg, crimson petals on display. "His reason can't be nearly as heroic as yours, though." Spencer couldn't suppress the smile that grew from the compliment.

"Well I guess you'll have to find him and ask."

"Well you're in the FBI right? Let's formulate a profile and find him so I can give him a piece of my mind. You in?" You teased.

"Sounds like a worthy use of all my newfound time." He let out a small huff of amusement, eyeing your figure. He appreciated how lighthearted and casual you were. He noticed the space you gave him and your little efforts to make the apartment easier to maneuver around. Although he hadn't seemed motivated at first, something told him he should get to know you more.

"Y/n?" Spencer asked, drawing your attention away from one of the books you had borrowed from his shelf. "Is there any way we can wash my hair?" He had procrastinated in asking, too embarrassed for whatever your plan was for showering.

"Of course! I could cut it too if you'd like." You offered, standing to wheel him into the bathroom.

"Are you saying you don't like my hair?" He faked an offended tone which he knew would make you laugh.

"I think your hair is beautiful, right at that perfect length before it gets too weird for any man to wear." You snorted. You moved him to a stool, not too difficult a feat as he was able to support the majority of his weight on his good leg. "Alright, the shirt has got to come off."

"Isn't against a code to try and seduce your patients?" Spencer teased. Since your conversation the other day he had grown to feel more comfortable with you and a friendship ensued. You took care when treating him and told stories of past patients. It was clear you loved what you did and cared for the people even more.

"Oh please. If I was seducing you, which I'm not, you'd know." You rolled your eyes, waiting for him to lift his arms before peeling his shirt off of him. He leaned back, long tresses falling into a pool in the sink.

He was extremely handsome, you couldn't deny it. His sharp cheekbones and jawline, his full and enticing lips, the way his hand flexed as he read.... you didn't notice any of that. You especially didn't notice how wonderfully intelligent he was, or how kind. Not at all.

Besides, it would never work. You both had your respective soulmates and he seemed to still be carrying a torch for the past relationship he was in. Not to mention the most important factor of all, he was your patient.

You carefully stepped around him to grab a large and small towel, snickering as you found a familiar design on one.

"Star Trek fan?" You asked, hanging the fabric on the shower rail and turning the tap on to warm water.

"Typically I'm not one for fiction but surprisingly there aren't that many scientific errors in Star Trek, especially considering how long ago it was made. There are certain improbabilities, but not that many outright errors, which make it so enjoyable to watch."

"Eh, I've only seen the film from 2009, and I was mostly paying attention to the deliciously handsome cast." You knew that would agitate him. "And not just for Chris Pine but Zachary Quinto as Spock? Oh, he is gorgeous, even if he is gay. Not that there's anything wrong with being gay, and not that I had a chance with him anyway." You laughed.

"Y/n, I am not one to comment on the education of another but you are seriously missing out! Star Trek: The Next Generation is one of the most influential series of it's time. the new film doesn't even have Data! Data, y/n, Data!" He grumbled as you washed his hair.

"Yeah, yeah, yeah. Next you're going to tell me that the 1996 Doctor Who movie is better than the series?" He opened his mouth when you raised your soapy hand. "Disregard that statement, I can't afford another argument, I'm already too emotional from our last one." You faked a sniffle.

"You know, most females I talk to don't watch Star Trek or Doctor Who."

"I'm just that amazing, I know." You sighed, moving to grab the washcloth and dousing it with water, handing it to Spencer so he could wash himself. You grabbed the Star Trek towel and started to dry Spencer's hair.

"You're something alright." He retorted, drawing a gasp from you.

"I could have let you sit with greasy hair, you know!" Just for extra measure you rubbed his head a little harsher than before but miscalculated your aim, accidentally hitting your wrist against the marble sink.

Spencer felt pain radiate through his wrist and time seemed to slow. It suddenly seemed to dawn on him all at once. You experienced constant pain, pain he gave you because he was often injured on the job. Not to mention his gunshot wound on your leg and now the purple blossoms forming on his wrist.

He wanted to shout, yell, jump up, wrap you in a hug. He had finally found his soulmate! However, he remained silent.

When you spoke about your soulmate the other day you seemed angry and forlorn at the amount of pain you had to endure. There was no doubt in his mind that if you knew he was your soulmate, you would walk right out of his life, but not before giving him a swift kick to the ass.

So he stayed quiet.

You weren’t sure what changed between you and Spencer. After the shower he mentioned he didn’t feel too well so you guided him to bed. Since then he stayed in his room, barely calling you to his side.

It was weird. If it was any other patient you would have paid no mind and kept to yourself but you thought you had made a connection with Spencer. You enjoyed the banter between you both and finding out your shared interests. It must have all been in your head. You brought yourself out of your thoughts to prepare Spencer’s tea.

“Here you are!” You called, stepping into his room to hand him the mug. “I’m about to head out, do you need anything else?”

“No, thank you.” You stayed by the door, waiting to see if he would even spare you a glance. When he made no motion to move, you gave up, spinning on your heel to grab your purse and coat.

“Ah!” You heard Spencer hiss from the other room before feeling a sharp sting on your tongue. Your hand came up to cover your mouth, brows knitting together in confusion. Was he…? Did he…?

Spencer was your soulmate, he had to be. There was no possible way that him burning his mouth and your pain that followed were coincidences, right? Spencer was your soulmate! So why did you feel your heart drop into your stomach?

You shut the door, racing down the stairs and out of his apartment building, letting the cold air sweep over you.

There was nothing special about you. You were just a simple nurse and he was your patient. Besides, how were you deserving of Spencer? You weren’t.

He couldn’t find out, he just couldn’t.

You didn’t know if it was just because you knew that Spencer was your soulmate but the tension between the two of you was… palpable.

“Hey!” You popped your head into his room, his figure jumping in surprise. “I’m sorry I didn’t mean to startle you!” You exclaimed.

“Hi?” He greeted, trying to seem calm. You were leaving tomorrow and he was panicking. The past few hours were spent debating about whether he should tell you that he was your soulmate. Could he really just let this opportunity pass by?

“I just wanted to know if you needed anything? I figured you probably ran out of books by now. Everytime I think you’ve reread all the books in your library I keep finding new ones.” You tried to joke.

“I… Yes. Yes, please.” He mumbled, hiding his gaze. You sighed, wondering for the millionth time what you had done wrong to make him so distant and reclusive.

“Alright, I’ll take the stack.” You bit your lip to keep from sighing once more, groaning as you picked up the books littered around the room. “God these are heavy.” You whispered under your breath, trying to waddle into the other room as you quickly realized you were losing your grip. It seemed as if it was too late, the pounds of literature falling on your feet.

Both you and Spencer let out a groan, heads snapping towards each other in surprise.

“Did you- did you feel that?” You asked, even if you knew the answer.

“I did.” Spencer’s voice seemed small. “Y/n, I am so sorry.” You were taken aback, eyebrows furrowing in confusion.

“You’re sorry?” You questioned, pain forgotten as shame radiated through you. “Am I that bad of a soulmate?” You whispered, clenching your fist to keep tears from pricking your eyes.

“No! No, no, no!” He tried to sit up as straight as he could, internally cursing at how hurt you looked. “I only apologized because… I can’t help but feel like I disappointed you! I am an FBI agent, I’m always going to be in danger therefore putting you in danger. When you first mentioned your soulmate you seemed so… upset. I don’t know if I’ll ever truly be able to make you happy.” He admitted, the tips of his ears turning red as his gaze fell to his lap.

“Disappointed? Past-tense?” You cried. “Did you know about this?” He didn’t move.

“Well… I guess I can’t be angry with that.” You sighed. “I knew too. I just thought that… you wouldn’t want me. You still seemed so in love with whatever woman gave you that book. And out of my league. And my patient.” You let out a wry laugh, sitting on the edge of his bed.

“Are you kidding me? You are the most gorgeous woman I have ever met. You make me laugh and you are so kind and caring. I am proud to be your soulmate.” He swallowed thickly.

“Spencer you are selfless. You dedicate your life every day to helping others. You are handsome, sweet, and hilarious.” You reached for his hand. “And I am so happy you turned out to be my soulmate.”

Your eyes finally met and before you knew it, your lips smashed against his.

“I don’t know if you know this… but I happen to get injured on a lot of missions.” He uttered as you pulled apart. “So I have a feeling that I’ll need you around more often.”

“Well Doctor, I think you just might be right.” You giggled, drawing him in for another kiss.

-----

Feedback is always appreciated!

555 notes · View notes

averykedavra · 4 years

Note

20. Do you have a favorite fanfic or author? If so, tag them/post a link and share the love!

!!! An excuse to recommend my favorite fics and authors? Don’t mind if I do! Here’s a top fourteen list of some great fics and a top nine list of my favorite authors, in no particular order! Because I had way too many. (Plus I’m bound to forget a million good ones, so take these with a grain of salt!)

1. chivalry is dead by Uncrowned_King! There really wasn’t another option. After Roman disappears into the Imagination, the other Sides come to look for him, and find several Romans fighting for ownership of the land. My all-time favorite Roman angst, with some beautifully written worldbuilding and my favorite OCs ever and a plot twist that sent me reeling. With some cute DLAMP, too! What’s not to love?

2. Breathe Out by Odaigahara! This is darker than I usually read but so, so worth it! Set pre-canon, Virgil and Janus team up against the other dark sides and find their feelings go beyond platonic after a relationship of convenience becomes something more. It’s a WIP and I don’t know where it’s going yet, but I’m really intrigued and the writing is incredible!

3. The Black Hole Group Chat by Greenninjagal! Definitely my favorite comfort fic. After Logan accidentally joins a group chat and is forced into sticking around, he finds himself making his first friends--but past feelings and present conflicts threaten to tear apart the first place they’ve ever felt comfortable. So good, so funny, makes the most of the texting medium, and I always cry at the end.

4. Monsters of the Subconscious by Quarantinevibes! Ohh, everything by this author is fantastic which goes for all of them. After PoF, Janus visits the Imagination to apologize. Instead, him and Roman are sucked into the Subconscious, a wild land full of mysterious dangers. They must team up to escape, and come to terms with their feelings for each other. Some wonderfully soft Roceit, hilarious comedy and incredible action, and great emotional moments!

5. the feelings in my headspace rearranged by mutemelody! Some canon divergence for the soul. Anxiety doesn’t have a name, and after the AA arc, has to make his way through acceptance and love. Canon turns on its head, old friends make a reappearance, and through it all Anxiety has to find his own identity, nameless or not. Gosh, this fic is incredible--the writing is stunning, the plot is amazing, and it’s some of the best Virgil angst I’ve ever read.

6. There’s a Word For That by plumcat! I cannot recommend this fic enough. Roman, a Slytherin, has been pining over arguing with Patton, a Hufflepuff, since the beginning of time. But with the Quidditch match coming up, his two annoying best friends relentlessly teasing him, and Patton himself spending more and more time with Roman, Roman has to figure out what he really wants and who he wants to be. This fic is hilarious and makes me feel feelings and please, please read it.

7. (i’d never) want once from the cherry tree by ace_corvid! Prinxiety! And a Youtuber AU that really takes advantage of the medium! Virgil and Roman are two of the most popular creators on YouTube and their fans have been begging them to do a crossover episode. The collaboration goes surprisingly well, but it’s one thing to explore a relationship, and another to do it when the whole world is watching. So cute, so hilarious, has some amazing art as well, and I just highly recommend it.

8. double down on the paradigms by remrose! Here’s a lovely college AU! Logan is doing his best to pass his classes, and everything is going fine, despite his roommate Virgil’s concerns about his late study nights and compulsive behavior. Then he meets Patton, and every wall Logan’s constructed slowly begins to crumble. To show how much I love this fic, I have not stopped thinking about it, even though it’s the only one on this list I’ve only read once. It stuck with me that much and hey maybe I should reread it, hold on--

9. In a Tizzy by coconutcluster! Cute fluff, so wholesome, much love. After Logan finds out that Roman gets flustered at compliments, he enlists the other Sides to test this theory. But Roman gets upset when he thinks they’re playing a joke on him by being nice. The writing is great and it’s a fantastic pick-me-up on a bad day! Just so full of nice wonderful feelings!

10. Communication Issues by WaeRose! Analogince! The alternative title that I cut out says it all! After Logan and Virgil find Roman crying in his room, they make an effort to spend more time together as a group. But platonic feelings quickly become non-platonic, misunderstandings abound, insecurities rise, and they’ll have to learn how to communicate their feelings if those feelings could ever lead to a relationship. The writing is incredible, the second-person POV is done expertly, and the characterization is top-notch!

11. a heart he couldn’t control by codevassie! Prinxiety that tore me into a million pieces. Roman traded away his true love’s life to save his brother from a witch, but when he actually meets said true love, he begins to regret his choice. Now Virgil is trapped once again with the witch, Roman is on a rescue mission, Patton and Logan are hiding something, and Janus is definitely not who he seems. Once again, this AU hurts me, and the incredible writing makes it a gut-punch! It’s a WIP but I love where it’s going and need to catch up on it but shhh

12. Another Goddamn Hero Story by rosesisupposes! I’m a sucker for a superhero AU and this one is stellar! Logan and Virgil are a hero team, trying to subdue Patton and Roman, the most famous villain duo in the city. But nobody’s exactly who they say, everyone’s not quite sure which side is right, and past wrongs are coming back to draw new blood. It’s endgame LAMP and the romances are built perfectly! Supervillains Royality is amazing, the action is incredible, and the plot twist blew me away!

13. Hurt, and How We Grow Past It by Jinx72! Another comfort fic of mine, by one of my all-time favorite authors! After Deceit visits the Imagination and lights a fire larger than he intended, Roman is left injured while the other Sides try to put the pieces back together. Old grudges come to light, new bonds are forged, and they all fall in love slowly while all simultaneously being extremely insecure. The characterization is incredible, the writing is top-notch, and the DLAMP is heartfelt and wonderful!

14. Eucatastrophe by arealsword! I added this one last-minute because it’s incredible and deserves to be on this list! The writing is incredible, the world-building is top-notch, and the plot manages to be coherent and incredible while throwing me for a loop every other line! It creeped me the heck out, but I’d expect nothing less from the author of Pick a Side. I’m not even gonna summarize this one because that’d spoil the fun, but suffice it to say, Thomas gets kidnapped by faeries and things get interesting very fast.

And now for the authors! (I chose authors who I didn’t mention above, but all the ones I already talked about are hella good, check them out too!)

1. @/sleeplessinstarbucks. You want good losleep content? Here. You want good QPR content? Here. You want good content in general? Here! Lia has amazing hurt/comfort, beautiful writing, and stellar characterization. I binge their writing every time I get bored. If you want your heart to be warmed, this is where to go!

2. @/theeternalspace. Okay, so Acantha is the Royal of Long Fics. Every one of theirs is a winner! They’re an expert at plotting and characterization, and I’ve been sucked into every one of their many AUs. Plus their writing is godly! And did I mention there are so many chapter fics on their Ao3? If you want a bunch of bingeable emotional rollercoasters, head on over here!

3. @/whenisitenoughtrees. Cat...how. How do you do it. See, Cat writes the best one shots. Their writing is incredible and they’ve written some of my all-time favorite short fics! Their characterization is always on point, and their dialogue always lands, and did I mention their writing is just so deliciously readable--you feel like they chose every word carefully to make it pack as much of a punch as possible. If you want some incredible one shots, this is your writer!

4. @/tulipscomeinallsortsofcolors. I mean, I couldn’t not include Violet. LAOFT is still my favorite series of all time and deserves all the attention it’s got! They’re the expert at well-done short fics that serve a longer narrative, giving everything an almost episodic structure. Plus, their fluff is the fluffiest and the best, and their angst hurts me deep within my soul, so they’re double-powerful! If you want standalone fics or a complex, emotional series, check them out!

5. @/impatentpending. Elena, our writing god, our Deity, which all other writers must respect. Every fic of hers is top-tier, from short to long, and she’s unrivaled at plotting and worldbuilding! You’ll get sucked in to every world and story she creates, and she’s an expert on letting the stories linger. I’m still thinking about Powerless and Monster and it’s been almost a year. If you want expertly crafted stories that leave you in emotional pieces, she’s got them.

6. @/ironwoman359. A classic choice here! She’s got it all--incredible one shots, great characterization, and a big enough master list for basically any ship to be found! She also writes some of the best hurt/comfort in the genre, so if you’re a fan of bad things that lead to good endings, there’s always something to read. If you want a large catalog of fantastic stories, she’s your gal!

7. @/caffeinatedcryptid. You may have seen El’s fantastic art on tumblr, but have you read their incredible stories? If not, you’re missing out! They’ve got several spectacular one shots already written, and each one of them broke me in their own special way. Their writing style is incredible and their characterization is fantastic. If you want longer one shots with well-thought-through plots, head over there!

8. @/astronomical-bagel. Astro, our Lord of Roman Angst, always ready to punch me in the gut with feelings! Act One, Scene Three still hurts me to this day. They’re always ready to turn anything into Roman angst (or any angst, check HDABST) but they’ve got some comfort in there as well! A little bit. Somewhat. Yeah. If you want to be emotionally destroyed, you know who to call.

9. @/green-writes-sanderssides. Green’s fics were some of the first I ever read in this fandom, and they’ve stuck with me to this day! They're an expert at the fluff-angst balance and causing all sorts of Emotions. They’re currently working on an incomplete LAMP fic that just completes me. But I digress. Green is spectacular! They’ve got wonderful canon-verse fics that explore the characters and their relationships expertly. If you want amazing fics with fantastic characterization in-canon, stop by!

And that’s all of them! Again, there are tons more I didn’t get to mention, but these are just a few I love! Congrats if you read all the way to the bottom, I know it was a lot--I just get really excited when I can compliment my favorite writers! Anyway, check them out if you want, I highly encourage it!

#sanders sides #fic recs #sanders sides fic #sanders sides fic recs #tw long post #long post #asks and answers #ask game #anon

71 notes · View notes

rottenprincessshura100 · 3 years

Text

First chapter of Fanfic.

I’m reposting this in case people haven’t read it. This is the first chapter of the fanfic I’ve been working on for years. It started off as just a conversation in my head. What would Mephisto be like in a job interview? If a person met him for the first time, how strange would it be? He’s cunning, manipulative, and of course obviously a demon. Bits and pieces of me are evident in this chapter, i have a background in contemporary arts as does my OC character. (I started off writing what I know.) I thought back to that time when I finished grad school, was completely broke and couch surfing. What time a job would I have done for basic groceries? Pretty much anything.

Anyway...here it is. Feel free to pick apart the writing style. I’m trying to improve and get better at it. ;)

CHAPTER 1

---------------------------------------------

Well, I hope today's interview will go well.

My student loan papers sat on my kitchen table with ominous foreboding. It was time to pay up.

I won't allow this new job to define my life, and it would be good enough, just for now. Plus, I'd get a chance to spend more time in my studio making art. I just had to impress the academy director during today's interview, and I'd be able to afford some decent groceries in two weeks. That's right, Evie, think positive!

So, what should I wear to this silly thing?

It's a private religious school; that means I should dress as professionally as possible.

I have two suits to my name, so I guess I'll wear a black jacket and a red blouse. Or is the red shirt too much? Yeah, I look like a cocktail waitress.

Back to the closet I go.

Okay, how about the wine-coloured blouse and black jacket? Sensible pants and a pair of heels. Fine.

My hair is a bit harder to work with; it's pinkish-brown. I'm an artist, so I tend to be riskier in my appearance. Today though, I have to clean up—no wild eye-makeup. I need to look like an ordinary boring temp worker that can file paperwork. I pull my hair back into a severe bun, like a schoolmarm or a librarian. Yep, now I look like a vodka aunt in a cheap suit. Effective.

----------------------------------------------------------------------------

I drove along the busy narrow streets through True Cross Acadamy town. The school was a place for the well-to-do, and I'm almost embarrassed to park my junky car on the grounds.

Much to my mortification, the car backfired, drawing numerous stares from the crowds of uniform-clad students, practically bursting from every building.

Poor-ass artist alert! Here I am!

I slunk down into the seat, hoping the sun's reflection on the windshield washed out the crimson stain quickly spreading across my pale, freckled face.

After speaking with a guard at the main gate (located at the far end of an ancient drawbridge), he instructed me to drive up a long winding road to the highest point. This so-called town was, in reality, a walled city, consisting of tightly layered buildings in an array of architectural styles, all flawlessly intermixed. It was the oddest urban planning I'd ever seen, either designed by a crazy man or an absolute genius. From my own experience, I find the line between the two decidedly thin in most circumstances.

People from the mainland would often joke that True Cross City would never be completed but renovated in an endless loop. The rumours stated that the school's wealthy director never allowed the construction cranes to cease because it was merely bad luck to stay idle.

I continued my drive through the school campus to the mountain's apex—my job interview scheduled at the golden manor house of Sir Johann Faust on the 5th. The director himself would see me in his private office.

I swallowed back a slight wave of apprehension. I hope this guy isn't some sort of pervert. He most assuredly was eccentric. That I could handle.

I pulled up in front of Faust Palace, and just like the rest of the town, it's unusual. As I parked and exited my car, I'm in the shadow of tall golden spires shining like twin suns. The rest of the building reminds me of a cross between an ancient Greek temple, an art deco apartment and a mythical Arabian kingdom. I wiped my sweaty palms on the sides of my black dress pants, my demeanour full of apprehension.

Yeah, I don't belong here. I've got a bad feeling about this.

At that point, I decided to leave. Yet, I watched with foreboding as a pair of security guards materialized from the shadows and closed the elaborate golden gate, trapping me within the compound. Shit!

I made my way over the interlocking marble slabs to the ornately carved wooden front door with a heavy sigh. Before I'm able to raise my hand to knock, it quickly opens. A short older gentleman greeted me with a nod.

"Miss Evelynn Smith?" He inquired.

"Uh...yes. I'm here for the interview?"

"I am Belial, the keeper of the house. Please follow me; Director Faust will meet with you shortly."

The butler escorted me up a seemingly endless hallway. It was odd that an inconsequential temp worker, like myself, was being given the grand tour.

White marble pillars accented the grand structure, with furniture from various periods arranged throughout the abode in mini tableaus. It seemed more like a museum than someone's house. How very strange!

There were many rooms with identical doors; this place was more like a goddamn labyrinth than a manor house! I hope I can find my way out of here after this interview was over!

I tried to get a feel for my potential boss. Being an artist, I, of course, took in the paintings that hung salon-style from every square inch of walls. There seemed to be an abundance of demons and death themes. How morbid.

Stefan Lochner, The Last Judgment, Vincent Van Gogh, Head of a Skeleton with a Burning Cigarette. But wait? Aren't these all part of museum collections? I'm confused. Are they copies?

Just as the creepy dark artworks start to grate on my nerves, I round the corner into the next hallway and find myself engrossed within a pop art nightmare; wall-to-wall pink Takashi Murakami paintings hung in tandem with Jeff Koons, Made in Heaven.

Jesus! Who the hell was this guy? He's adorned his house in pink flowers and porn stars! Surely the students didn't walk into this hall?

As if on cue, the butler regarded me sheepishly. "Pupils are not permitted in Director Faust's residence. He only grants top members of the Vatican access to his private quarters."

I attempted to hold back my laughter. "So, this is a private religious school ran by the Vatican no-less, and we have trashy kink splashed all over the walls. I gotta say, I'm intrigued."

"The master has a dark sense of humour."

"Understatement of the century."

"This is the master's office," The butler ushered me quickly into a large room. "Please, take a seat. He is running a bit late from a previous meeting."

I turned back toward Belial, but he's long gone. I'm all alone in an empty room.

The office is quite different from the hall and decorated in deep mahogany wood, decidedly masculine. The desk is large and ominous; that is, it would have been if it weren't for the strange little collection of toys and knick-knacks carefully arranged next to the computer. I picked up a pink porcelain rabbit in the palm of my hand and raised an amused eyebrow.

"I'd ask that you do not touch the things on my desk."

Crap!

I hastily placed the toy back on the wooden tabletop and jumped to my feet. A tall, impossibly slender man strolled confidently into the room to greet me. He wore a crisp white suit and a long heavy cape. I shook his purple-gloved hand firmly. As I stared up into his face, I furrowed my brows in confusion.

What the actual fuck?

"Please, take a seat, Ms. Evelynn Smith." He bit his lip and snickered. "Or do you prefer...Eve..."

"Uh...Eve's fine." I replied with hesitation as I slowly eased into the yellow and blue jacquard chair.

I should look away, but I can't. Mr. Faust's hair is an impossible shade of violet purple with platinum highlights that shimmer just at the crown, he has pointed ears, and his teeth are small sharp fangs. He's dressed up like he just got back from Comicon.

Also, what's with that curly plume at the top of his head? Is it some sort of fascinator? Is it a feathered hair ornament? I don't get it.

"Okay, Eve, spill it. What's on your mind?" He rested his chin on his gloved hand and smiled knowingly. "Do I have horns growing out of my head or something?"

"It's just....uh...a great costume." I stammered. " Those ears look so real."

He seemed taken aback for a brief second. "Oh, yes! I'm an Otaku. I've had quite a few physical modifications, and it will all make sense in time."

I nodded slowly. What the hell does that even mean?

"Getting back to your resume...Eve." He finally pulled out my paperwork from a nearby folder. "So, you possess a minor in classics, a minor in philosophy and a master's degree in contemporary art. How intriguing."

"Pardon?"

"This job is for an assistant to the Vatican. Your degree is all about a personal quest for knowledge, not exactly chock-full of practical skills." He crossed his long legs and leaned back in his chair. "Your parents must have been completely disappointed, wasting all of that money. An arts degree instead of a doctor? If there was a wizard school, would you have signed up for that?"

"I paid for my education through scholarships."

He smiled smugly and read a few more pages. "So contemporary art, hmmm? Tell me how you make your artwork. What's the methodology behind it?"

"Well...I tend to work under the idea that the world is in a state of flux. Time isn't static, and we live in a non-linear narrative. I open my mind to thoughts of the impossible, the idea that they might indeed be probable under different subjective conditions. I try to allow play, chance, and chaos into the things that I build. Often by allowing more variables into a composition, we can get closer to the truth of our existence and find a deeper meaning."

He tapped his fingers thoughtfully on his desktop.

"I will be candid with you, Eve. I saw some of your work in a gallery in Northern Cross a few months ago. I greatly enjoyed it. You have a very open mind, which is the biggest necessity for this particular position."

"I just noticed your art collection." I countered. "It's not every day that one walks into a room of wall to wall vintage Cicconlina."

"You know your porn stars, I see?" He laughed with a merry twinkle.

"I know my art history."

"Oh...." He razzed. "Distinction made!"

"Director Faust, about this job....."

"Please. Call me, Mephisto." He gushed. "Faust is an old legal family name."

"Mephisto? Really?" I stare at him in confusion. "Your last name is Faust, and you call yourself Mephisto? Am I...?" I stammered. "... Am I walking into Dante's Inferno here?"

"You dare mock my name." He challenged. "Yet, your parents named you after Eve. The woman who was the downfall of man."

Who the hell does he think he is; Literally, devil's advocate?

"Eve decided that knowledge was more important than a paradise of ignorance. I firmly believe that a woman needs to know what she's getting herself into, Mephisto."

"I wholeheartedly agree." His large green eyes narrowed. Mephisto's attention now seemed quite dangerous, almost transfixed to my face. "Knowledge is so critical. It's the most important thing to you. Isn't it?"

"I would say so," I answer slowly. "Without knowledge, life is a waste."

"Eve, do you believe in the paranormal?" He changed the subject abruptly.

"I honestly haven't got the answer to that question."

"Oh, I think you do." He pressed. "You can see quite a few unexplainable things. Am I correct?"

How did he know?

It was like he could see right through me. I've seen weird shit my entire life, but you just don't talk about that sort of awkward nonsense. People would think I was crazy. My experiences had been terrifying, and I suffered alone in silence.

"Eve, what if I told you this job would answer all of your deepest questions? Questions that you cannot answer through traditional science and reason."

"I'd say you were full of shit."

"So says the artist!"

"Touche."

"Getting back to the idea of wizard school, I wasn't ribbing you entirely for fun. This academy is a training facility for exorcists. We use very non-traditional methods for ridding the world of darkness. If you choose to take this job, you will need to suspend your current notions of reality for a modified one."

"You mean I will believe in ghosts, goblins and demonic possession?"

"That's a fundamental understanding, yes. This job will explain the workings of the universe to you. Give you access to the vast knowledge that no other humans are privy to. There is one caveat; however, once you sign a very aggressive contract. You cannot tell anyone about the true nature of our work. Not family or friends, the Vatican takes security extremely seriously."

I started to get cold feet; this is a lot to consider. Am I cut out for the responsibility? This entire meeting was getting stranger by the minute. The job sounded downright ludicrous; the premise piqued my interest, but how could I believe in such nonsense? Plus, the more time I spent with Mephisto, the less human he appeared. Did his pupils just dilate like a cat!?

"You know what's funny?" He stated coyly, his fingers toying with an ornament on his desk. "You voyage into my office and instantly take note of my strange appearance. Most people don't possess the ability to see me for what I truly am. I tell you my legal name is Faust, and my current name is Mephisto. I have artwork depicting demons throughout my lavish abode. Eve, you're intelligent enough to connect all of these dots, and your mind has already solved the puzzle. Yet, your human conditioning tells you to disbelieve the apparent truth sitting directly in front of you."

"The truth?" I stammered.

"I'm a demon, my dear."

I take in his admission with a shocked and irritated face. This guy is a bonafide nutjob.

"I think I've heard just about enough of this Mephisto; this degree of wackiness is far beyond me. I think I'm the wrong person for this position." I stood and prepared to take my leave; only I can't. I'm unable to move a muscle. What the hell is happening? My eyes grow wide with panic.

Mephisto slowly removes his gloves and rests his chin on a black-clawed hand.

"I see. I'll have to prove it to you then. Fair enough, let's give you a little taste, shall we?"

He snapped his fingers, and I'm suddenly surrounded by a hoard of disgusting gremlins, clawing at my ankles with oozing toothy gullets. I saw the same terrifying creatures as a child, invading my daydreams, hiding in the dark shadows when I was alone. I'm so frightened; I can hear the sound of my heartbeat pounding in my ears. It was my worst nightmare brought back to life, these creatures as real and substantial as the floor under my feet. As the horror of the reality became almost too much to bear, suddenly, he was there. Mephisto expelled the creatures one by one into poofs of purple smoke with a simple flick of a finger. I fall back, no longer able to stand, and he catches me quickly. I'm still shaking from the shock as he carefully sits me back into my chair.

"Those creatures have followed you your entire life. As you have gotten older, you've noticed them less, but they were still slowly feeding off your energy. They are quite volatile." He sat demurely on the edge of his desk, swinging his legs playfully. "They won't bother you now though, I've exorcized them from your presence. You see, this is what we do here. We help humans battle the unsavoury monsters from Gehenna."

I sit dumbfounded, rendered speechless with bewilderment. Mephisto continues with our one-sided conversation, unconcerned like this was completely normal. "...The pay for this position is quite handsome for an artist. It's also part-time, which will allow you to continue to work in your studio. You will report here five days a week, from 9 am-2 pm. You will receive correspondence from the Vatican, and you will keep me informed of all inbound information. You will also book and coordinate exorcists for special ops and daily assignments. My butler Belial will train you appropriately."

"Mephisto...I'm..."

"Terrified and disconcerted?" He grinned. "Happens every time I make a new hire."

"I don't think I can't handle all of this."

"Do you think I pick my employees out of thin air? You wouldn't be here if I didn't find you entirely capable. I've researched you extensively. You long for knowledge, and I will provide all of the deepest desires in your quest. All you simply need to do now is agree." He presented me with a contract.

"I don't know," I whispered nervously. "Can I think it over?"

"I haven't the time." He responded with a hint of a smile. "I am a very busy person, you see. It's now or never, my dear."

My rational mind screams for me to jump out of that chair and run from the building. Yet, my desires kept me staring in a trance at the contract. Mephisto presented me with an old-fashioned quill pen. I grasped it with my shaking hand and stared at the bottom line.

"Oh...we need some ink to seal the deal. How silly of me to forget something so important." He took out a silver hatpin from a glass decanter and poked the end of his finger. A river of blood ran along his impossibly pale skin and dripped from the end of his glistening black claw. As it flowed freely into a bronze dish on his desk, I stared in dismay. I can't believe what I'm seeing! Mephisto then gently took my hand and poked the end of my finger. A tiny drop of my blood intermixes with his.

"What the fuck," I whispered hoarsely. "No...I'm not signing this. No way!"

"You will sign." His eyes bore into mine, and I'm once again drawn physically to the contract. I dipped the quill as if hypnotized and slowly write my name.

"Excellent!" He seemed pleased with himself. Meanwhile, I'm totally in a daze and fall back into my chair, suffering from strange exhaustion. Did I just sign a contract in blood?

I stood shakily, preparing to leave.

"Eve, I will see you back here tomorrow morning, bright and early." Mephisto rambled on with a sing-song voice. "Here is some research about me. It will teach you the basics of demons and how to work with them."

Belial is now instantly at the office door, he handed me a stack of books, and I find myself escorted from the building.

I jumped into my car and locked the doors. As I put the car into drive, the transmission lurches forward. The books flutter open on the car seat; the top hardcover was a book about Ancient Demon Classification, followed by a copy of Faust and Dr. Seus, Green Eggs and Ham.

What the hell have I gotten myself into?

--------------------------------------------------------

Here’s the link to the rest. ;)

https://www.wattpad.com/711456559-the-interview-a-blue-exorcist-fanfic-the-interview

#fanfic #mephisto pheles #blue exorcist #posting my own content because there is none and I'm sad.

12 notes · View notes

anarchy-in-the-pre-k · 3 years

Text

thoughts i finally wrote down about “real literature” and whether or not art is worth it at all, i just dont know anymore

ive been thinking along these general lines for like a year or two now, and i dont know why im only now writing them down, but i wrote this specifically at 3AM so please don’t judge my writing. also, the more I think about it, the more I’m unsure whether or not this mini-essay only applies to the emptiness of existentialist stories bc i honestly cant think of a way that this would apply to, say, any christian narratives. maybe its just an issue i have with modern novels specifically. oh god oh god oh god im rambling, time to just paste what I had before:

We have often been told that there is a separation of “class” in literature. There is “high” literature, and there is “low” literature. Even in its most innocent form, this distinction is incredibly vague, and I feel as though most arguments against the dichotomy/distinction are far more political/idpol-focused than they need to be in order to prove that it’s bullshit.

I think that it might be easier to define “low literature” first, and then to define high literature as its opposite rather than defining high literature on its own. “Low literature” is often directly equated with escapism, or at the very least, is defined with some combination of “escapist”, “poorly written” (subjective), “low brow” (often in reference to lurid/vulgar subject matter, which warrants this complaint being filed under “escapist”), or “shocking” (see: low brow). And escapism is much more clearly defined than the vague term “low literature”.

Escapism is, simply, letting a work of art help you forget about your real life. It is a story that is enticing/enrapturing to the point that the audience is able to enjoy it without thinking about how it relates to reality. You don’t go to escapism for moral instruction or the articulation of vague feelings that are dawning on you because of your political/social circumstances. In a way, you read escapist stories to forget nearly everything except for the story itself, and the story does not put on airs about having any application in reality.

What is the opposite of escapism/low literature then? High literature must be the rejection of “escape”, and the embracing of narratives which seek to “impact” the reader morally/philosophically/politically. High literature concerns itself only with how meaning might be carried from the story to the outside world.

This seems to be a good distinction, if a simplistic one. The distinction, however, falls apart when one tries to consider the genuine impact of most pieces of “high literature” that one has read.

How many times have you read a sort of Glass Menagerie-esque story about a man who, after witnessing the absurdity of his surroundings and the randomness of life, decides to shirk all of his responsibilities and run off into the sunset to pursue a more fulfilling existence of doing whatever he pleases? Nearly every novel I read in high school had this formula. How liberated did you, the reader, feel after witnessing this transformation? How inspired did you feel to change your own life after deciding that the main character had the right idea?

How much did you actually change your life afterwards? When was the last time you’ve read a “deep” book, that actually changed the way in which you live day-to-day? This euphoria that lingers after a character swears off all absurdity and begins to live authentically? Did it imprint itself on you? Or was it just another way to distract yourself from your miserable material existence?

Was it a way to escape?

Was it, if anything, a more convincing escape than Harry Potter or The Lord of the Rings because you thought that it had actually changed you? Or did it just affirm what you already believed about the world, and promised that one day you will be happy too because now you know all of the same things as this main character? Did you believe that promise?

From another angle- When this character rode off into the sunset to live a more authentic life, what exactly do you think this means for them? If they had suffered materially under a cruel political/social situation, then what is the fulfilment they ultimately seek by freeing themselves from “society, man!!!”? Better food? Sex? Travel? Anything that mundane?

A lot of these questions I’m leveling at myself because I’d considered Catch-22 to be my favorite novel ever since I first read it when I was 13. And maybe these are the sort of questions that only apply to atheistic, entry-level existentialist narratives anyway. But even though I considered Catch-22 to have had such an impact on my worldview and the way that I lived when I was younger, when I ask myself directly “How did I start living differently after having read Catch-22”, I end up drawing a blank. I already saw myself as a heroic slacker, I already had much contempt for the purposefully confusing powers-that-be all around us that force us to accept self-contradictions as a natural part of thought, and I already desperately wanted a logical reason to care about anybody other than myself because all signs were pointing towards me becoming a self-centered asshole (which I didn’t want to be, I just considered myself a rational person, so I wanted a rational reason for not becoming a libertarian basically). I think about all of that and realize that Catch-22 didn’t do much more for me than remind me that I’m not alone in these thoughts.

My only real question now is not whether or not to stop consuming fiction altogether (which I’ve considered, believe me), but whether or not I have so little dignity that I can start to read the most poorly-written comic books and science fiction and absolute garbage out there and say to myself “this is just as impactful as Moby Dick”. Or whatever.

8 notes · View notes

cozy-the-overlord · 4 years

Text

Crimson Curls

Summary: A barista at the Avengers Tower coffeeshop goes missing. Her boyfriend, prominent Avengers engineer Michael Hauer, headlines a desperate campaign to find her, aided by the support of Tony Stark and the rest of the super-powered team. But as Hauer’s narrative begins to unravel, it becomes clear that a certain Asgardian prince knows more than he’s telling.

Pairing: Loki x Original Female Character

Chapter 3: Solace

Previous Chapter |

Word Count: 4,281

A/N: Final chapter! Hope you like it :) Thank you so much for reading!

TW: domestic violence

Read it on Ao3

“Oh, did I mention that I finally convinced my mom to buy a smartphone?” Elaine was chuckling. “She just discovered the world of emojis. Every text I get from her is immediately followed by like twenty different happy faces!”

Laughter erupted up around the small table. Kristine found herself giggling too, despite herself. She almost hadn’t come tonight. She didn’t think the others had expected her to come, either: Curt had invited her with a nervous sort of hesitance that gave her plenty of room to back out. “It’s okay if you don’t want to come. We totally understand.”

The excuses had bubbled to her lips in an instinctual panic—I can’t, I have plans, I’m not feeling well—but she clamped down on her tongue before they spilled out. Her therapist was always telling her that the only way she could take back control of her life was to trust herself to control it. So, Kristine swallowed her insecurities and smiled at her coworker.

“I’d love to. What time?”

It hadn’t been a perfect night. Old habits die hard, and Kristine found herself looking over her shoulder more often than not. Every time, she’d turn back to the table, feeling stupid. What did she expect to see? Michael lurking behind the bar in his orange jumpsuit? Her fellow baristas had to notice—if there was one thing that this whole ordeal had taught her, it was that she was incapable of subtlety—but they were kind enough not to say anything.

It had been fun, though—more fun than she had expected. Kristine hadn’t realized how little she knew the people she worked alongside. She found herself learning all sorts of things. Curt played rugby on the weekends. Kristine hadn’t even known rugby was a thing in America, but apparently he was in an amateur league right in New York, and went straight to practices after work on Tuesdays and Thursdays. Tasha was a self-titled crazy cat lady, with five felines living with her in her small apartment. She passed around her phone with pictures of the newest kitten, a tiny orange fluffball named Tigger. Elaine was locked in a never-ending struggle with her 63-year-old mother to “introduce her to the 21st century.”

At first, Kristine had felt guilty that she didn’t have any captivating stories to contribute to the conversation. Her only hobby was her art, and there wasn’t much to say about that. I draw people when I’m bored. Certainly nothing compared to Curt’s gripping account of how his friend fractured his neck in a game two weeks ago. But there was no pressure for her to add anything, and slowly, Kristine relaxed, content just listening to the chat.

The couple at the table across from them caught her eye towards the end of their meal. They had been whispering to each other ever since they sat down, looking back and forth between Kristine and their phone screen. She stiffened as they gestured towards her. Getting recognized in public… that was a thing she still couldn’t wrap her head around. She didn’t understand why seeing her made people so excited… it wasn’t like she was a singer, or an actress, or some other type of celebrity. She was just… her. Normal. No different than anybody else she passed on the sidewalk.

Kristine tried to ignore the excited couple and turn back to the conversation, but it was hard with the tell-tale clicking of a cell phone camera to her right. She closed her eyes. Just ignore them. Just ignore them.

The camera shutter soon caught the attention of the others, however. Elaine stopped what she was saying and turned to glare at the other table.

“Hey!” she snapped at the couple. Kristine jumped at the sudden shout. “Knock it off! She doesn’t want pictures!”

The two were stricken. Mumbling an apology, they turned back to their dinner.

“Thanks,” Kristine murmured, eyes downcast. It seemed she couldn’t go anywhere these days without being interrupted by someone. She couldn’t imagine how annoying that must have been for those she was with. “Sorry about that.”

“Don’t be sorry,” Elaine said. “It’s not your fault that people act like dumbasses around famous people.”

Famous people.

Kristine wasn’t sure how to feel about that. Should she be upset that the whole world seemed to know every intimate detail of her broken life, or should she be honored that they cared? Because they did care—that was maybe the most shocking part of it all. Once she woke up in April, after the whirlwind of finding herself in the Loki’s penthouse room and getting examined by the Avengers’ private doctor team and being interviewed by police investigators for hours, she finally looked at the Twitter hashtags that had been trending while she slept. It was… surreal.

Just saw the news about the blood in the apartment and I’m crying. I want her to be alive so badly, but I don’t think she is anymore. Please, @NYPD, don’t let this monster get away with her murder. #ArrestMichaelHauer #WheresTheBodyMichael? #JusticeForKristine

He controlled her, abused her, and tried to blame her for her own disappearance. Do NOT let him get away with it. #ArrestMichaelHauer #WheresTheBodyMichael? #JusticeForKristine

She’s such a beautiful girl. I hope they find her and that the boyfriend gets what he deserves. #JusticeForKristine

There were thousands of them. Thousands, and not a single handle she recognized. Perfect strangers, rushing from across the country to fight for her.

When Loki had returned with tea, he had found her in tears.

“What’s wrong?” he had asked, rushing to her side by the computer.

Kristine shook her head. “There’s just so many,” she whispered. “I never thought there would be so many!”

After the announcement was made that she had been found, alive and well, she thought the support would stop, but the floodgates had only just been opened. She started getting messages addressed directly to her, from tweets that read like letters to actual letters in the mail. Kristine had never gotten a letter in her life, and yet here she was having to open a special PO box because of all the mail coming into Avengers Tower addressed to her.

She got letters from people who followed the case, people who were so relieved to find that she was okay that they had to let her know. There were people she had never met, writing to tell her that she was beautiful and talented and deserved so much better than the likes of Michael. There were people writing to tell her that they hoped she knew that they would always support her, even if they could never understand what she had been through.

And then there were the people who understood exactly what she had been through. Some days, she found herself reading stories from women she didn’t know that read like pages from her own diary. Kristine had always been aware that she wasn’t the only person with a significant other like Michael—she had seen the PSA’s on television, she knew the words “domestic violence”—but somehow, she had always felt like the only one. Who else in real life was foolish enough to get into such a situation, and who else was weak enough to stay? But there were others.

So many others.

Those letters were overwhelming in a completely different way.

Kristine hid them all away, in a cardboard box underneath her bed in her Avengers Tower apartment. She had been staying there ever since she woke up: Mr. Stark had insisted. She had never really liked Tony Stark. He was fun to draw, because his face was so recognizable, but to her, that was where his merits always ended. Maybe it was because he adored Michael so much: every party she went to, he made a point of telling her how lucky she was that she snagged such a talented man. He provoked a deep bitterness in her chest, masked only by her anxiety. Kristine never had any doubts that if it came down to her word against Michael’s, Mr. Stark wouldn’t even bother to hear her out.

She couldn’t believe it when Loki told her Stark had fired Michael. He had done it early on, too: before the blood and the knife had even been discovered.

“The phone calls?” she whispered hoarsely. “That’s all it took?”

Loki looked at her sideways. “Those calls were horrific,” he said. “He’d have to be soulless not to terminate him after hearing them.”

And then, when she realized that she would have to find a new place to live now that Michael was in jail, Mr. Stark insisted that she stay at the Tower, at least until she found a suitable apartment elsewhere. He told her to consider it his way of apologizing.

“But—you don’t have to—to apologize for anything, sir,” she stuttered, unable to look him in the eye.

Mr. Stark was adamant. “This whole shitshow comes back to me. I hired him, I hired you, he met you because of it. Matchmaker, remember?” He shook his head, pinching the bridge of his nose. “No, it all comes back to me.”

Kristine wasn’t so sure of that, but she was touched by his guilt. He had even offered to send his Iron Legion to retrieve her stuff for her, but she elected to do that herself, with Loki. There wasn’t much to retrieve: clothes, art supplies, little bits and baubles she had taken with her when she moved to New York.

She froze in the doorway when they first walked in. The floor was as clean as ever, and yet in her mind she could still see the sticky red trail, the sickly warmth seeping down her shirt. It had taken a minute to process that all that blood had been coming from her.

Loki squeezed her hand gently. “If you’d prefer,” he murmured into her hair, in a voice just barely loud enough for her to hear, “You don’t have to go in. Just tell me what you wish to fetch, and I’ll take care of it.”

She shook her head, squeezing her eyes shut. “No. No. I’m—I’m fine. Let’s go.”

Still, the events of that night played out in her head as she made her way through the apartment. How Michael had been ordering that she quit her job at the coffeeshop. He had been wanting her to quit for a while now, convinced that she was constantly flirting with other men while he was at work. If she loved him, he said, she’d prove it by doing this one thing for him.

Kristine refused. Honestly, her resolve surprised herself. At this point, she had learned that the only way to keep the peace was to cave to Michael’s wishes, but this demand stirred something in her. The barista job was the last thing she had left, the only thing he couldn’t touch. She told him he couldn’t make her quit even if he killed her for it.

She had regretted the words immediately. He lunged at her with wild eyes, that vein popping in his neck. When she tried to call Loki, he ripped the phone from her hands and flung her into the coat rack.

Kristine had scrambled into the kitchen area. She had grabbed the knife in a panic, some half baked idea of defending herself, but he was on top of her before she had time to think, shouting at her and wrestling for the handle.

And then it was in her.

She didn’t feel it go in. Even after it went in, it wasn’t that bad—just a dull stinging in her abdomen that seemed to pulse with her heartbeat. She looked down slowly, dazedly, reaching out to grip the handle buried in her stomach. Michael looked down too, mouth agape. Kristine remembered thinking that he looked like a fish.

She wasn’t sure how she got back into the hallway floor, but Michael was yelling at her again.

“What the fuck were you thinking, going for the knife? Are you fucking insane?”

She was breathing hard, and it hurt more with every breath, sending shockwaves of pain through her body. Blood was dripping down her front. Her blood, she recognized dimly.

That was the scene Loki had arrived at. She didn’t remember much after that.

That moment ensnared her as she stuffed shirts into her ratty old suitcase. Loki didn’t talk about what he saw much, but it was clear from what he did say that he was certain Michael meant to kill her. She supposed she couldn’t blame him—had she seen what he saw, she probably would have drawn the same conclusion. But as it stood, Kristine wasn’t so sure. Maybe he would’ve finished her off, had her Asgardian knight in shining armor not come to rescue her, but she couldn’t forget his shocked fish face recoil when the blade pierced her stomach.

“What were you thinking Kristine?”

Why was she so hung up on this? What did it matter what Michael might’ve done if given the chance? The only important thing was what he did do: he hurt her, he manipulated her, he stabbed her. Wasn’t that enough?

It was enough for him to be arrested. Or… remain arrested, she guessed. Of course, the murder charge was dropped once it was proven that no murder had taken place, but police were quick to smack him with attempted murder and numerous charges of assault and battery. News outlets were constantly reaching out for comment, but Mr. Stark shut them all down for her.

“Ms. Ververs has been through a very traumatic experience,” he said at a press conference. “She has no desire to comment on anything at the moment, and we at Avengers Tower would greatly appreciate it if you all stopped pestering her.”

“Well, Kris, it looks like you’ve made it,” Agent Romanov said to her as they watched coverage from the television in the penthouse. “You’ve got Tony Stark acting as your PR. You can either celebrate or be extremely concerned.”

Kristine forced a laugh. Out of all her new super-powered roommates, the Black Widow was easily the most intimidating. Still, she seemed to like Kristine for some reason. Actually, all of the Avengers seemed to like her. Dr. Banner seemed to enjoy striking up quiet conversation with her, completely unbothered by her inability to get a coherent sentence out when she was nervous. Captain Rodgers was impressed by her artwork, always ready with some new compliment that made her day. Thor never failed to greet her with a smile.

Kristine was pretty sure they were just being nice because they felt bad for her, but she decided not to let it bother her. It made her feel nice too.

They were all outraged on her behalf when Michael took a plea deal. He plead guilty to attempted murder in the second degree in exchange for all other charges being dropped and was sentenced to seven years in prison.

“Seven years,” fumed Loki when the news broke. “He could have killed you, and he only gets seven years. It’s ludicrous.”

Despite popular opinion, Kristine was relieved. If Michael had pled innocent, there would have been a trial. She would have had to sit on the witness stand and face him down as she attempted to tell her story in front of dozens of eyes. Seven years was more than enough for her.

The check was paid, and the group made ready to leave, still laughing and telling stories as they walked through the door. Avengers Tower was only a short walk up the street, so Kristine said her goodbyes and started on her way. She never really went out much after the sun set. It was strange to think that even cloaked in night, the city still was wide awake. The night air sent shivers up her bare arms, but Kristine didn’t mind. She was wearing short sleeves a lot more these days, now that she didn’t have to worry about covering up bruises. It was freeing, in a strange sort of way.

Kristine noticed one of her missing posters taped to the stoplight while she waited to cross the street. The ink had mostly been washed away by recent thunderstorms, but she could still make out the outline of her face, grinning awkwardly at the ground.

It was a really awful picture they decided to plaster across the country. Michael had taken it, the morning after the first night they spent together. Her hair was a complete mess (but then when was it ever not?), and she had that uncomfortable photo smile she wore in every picture ever taken of her. She wasn’t even looking at the camera!—why on Earth had they chosen that one?

She glanced around for a moment. When she saw that no one was looking, she ripped the poster from the pole and crumpled it into her purse. There wasn’t anything wrong with that. She hadn’t been missing for nearly half a year now, no reason to keep them up anymore. Still, Kristine crossed the street with the feeling in her stomach that she had committed a capital offense.

If her mother could have seen her now, she would have been laughing. Diana Ververs never understood her daughter’s desperate need to be seen by no one. It had been a problem her whole life. There was one time, all the way back in second grade, when Kristine had come home begging her mother to let her dye her hair brown so that she wouldn’t be the only redhead in the school.

At the request, her mom had tilted her head and frowned. “What’s wrong with that?”

“Everyone looks at me!” Kristine cried. “It’s ugly and I hate it!”

“Oh, Krissy, that’s not true!” she said. “They look at you because your hair is the prettiest color in the whole world. That’s why I married your dad, you know.”

The girl hadn’t been convinced. “I want brown hair!” she said. “Like Ashley and Erin.”

“But if you had brown hair like Ashley and Erin, I wouldn’t be able to recognize you,” her mother said, pulling her into her arms. “I’d say, ‘where’s my pretty little Krissy with her red hair?’ I’d be sad and lonely. You don’t want me to be sad and lonely, do you?”

Little Kristine had faltered at that. “Nnnooo…”

“Then you’ll keep your red hair for me?” she asked hopefully, kissing the crown of her head.

“Alright,” Kristine agreed reluctantly. “Just for you, Mama.”

Growing up, it had just been the two of them. Kristine’s father had died in a car accident before she was born, and they didn’t really have any extended family nearby. Kristine had been exceptionally close with her mother, closer than she had ever been with any friends or acquaintances she met at school. When the diagnosis came in, the ground just fell out from under her. What had been simple complaints of back pain was suddenly stage IV lung cancer, and Kristine was dropping out of her master’s program to help her mom through chemo.

Everything spiraled so fast. Within months, she was gone.

While she had been asleep, Kristine had dreamed about her mom. Her dad had been there too: Kristine recognized the diabolical red curls that he had so kindly passed down to her. They had swirled around her in a mist-filled limbo, smiling and singing to her in voices too quiet to hear properly. Kristine had wondered if she was dead. It made sense to her healing-stone-drugged brain: dying young was in her blood, after all. Death and her were old friends at this point, might as well embrace it.

Frustratingly though, her parents remained just out of reach. Kristine cried and screamed and begged, grasping at thin air for her mother’s hand, but she couldn’t quite bridge the distance. It wasn’t until she opened her eyes into the elegant chambers of Prince Loki and felt her groan vibrate in her throat that she realized she wasn’t dead after all.

Actually, it seemed her life might have just begun.

Kristine slid her ID card in the door of Avengers Tower, smiling awkwardly at the night watchman, then swiped it again in the elevator.

So much security. Sometimes, she almost forgot that she was living on what was essentially a government base. The elevator chimed as the doors opened at the top floor and she slipped into the common room.

“Did you have a good time?” Kristine jumped. Loki was stretched out on the couch, legs crossed elegantly, not even looking up from his book.

She raised an eyebrow. “Were-were you waiting up for me?”

“Of course not. Not everything’s about you, you know.” Loki turned the page, but there was a glint in his eye that made Kristine smile.

“Um…” she pushed her hair out of her face. “I think I’m going to make some tea. Want some?”

“That sounds lovely.”

Kristine fumbled around the kitchen as she heated the water, feeling his eyes on her all the while. She found herself stealing glances back at him as well—he just looked so regal, lounging there as if he owned the whole place. She wished she could get away with snapping a picture on her phone, just so she could have something to reference for a sketch later. Kristine had been drawing a lot of Loki recently—after all, she had promised—but she had yet to show any of these portraits to him. The floundering, bumbling part of her was convinced that they weren’t good enough, that he’d hate them. Stupid, she knew—he had nothing but praise to shower on the artwork she did decide to show him, but still she was nervous.

She wanted him to like her so badly. Like them. The drawings. But her too. Kind of. And that was stupid as well, because she knew he liked her. He had saved her life, after all. But even excluding that, Loki had always been so nice to her. Kristine had often wondered if he knew how badly she looked forward to his little visits every afternoon at the coffeeshop, the silly little chats they’d share for a few minutes. And he never stopped looking out for her: even now, months after everything had been resolved, he’d still check up on how she was feeling.

Still, sometimes she wondered. Did he actually like her, or were his actions just out of pity? It was a strange thing to consider, especially given his tumultuous past (imagine trying to explain to the average New Yorker that Loki of Asgard might have spent months being nice to some random girl just because he felt bad for her), but she considered it often, nonetheless. She didn’t know how to feel about it.

Kristine brought the teacups over to the couch. Loki sat up, moving his legs so that she could sit next to him, thanking her softly as she handed him the cup. For a while, they just sat there, sipping their tea in silence.

Finally, though, she found the courage to clear her throat. “Hey,” she asked. “Remember when you asked me to dance at the Christmas party?”

He grinned. “How could I forget?”

“Why did you?” she asked bluntly. Her cheeks immediately flushed red. “I mean—did you—could you tell? That he—Michael and I—that we—”

Luckily, Loki seemed to get what she was trying to spit out. “Not exactly,” he said, stirring his tea methodically. “I could tell that you were unhappy, and that he was completely unbothered by the fact that you were unhappy, and I found that to be concerning. But at that point, I never would have guessed the extent of the situation.”

No. It seemed no one could have guessed the extent of the situation. “Oh,” Kristine mumbled. “Is-is that why you asked me to dance? Because you were concerned?”

Loki raised his eyebrows, turning to fix Kristine with an amused gaze. “I asked you to dance because I wanted to dance with you.” When Kristine stared back at him in silence, he laughed. “Is that so difficult to believe?”

“N-no.” Now it was her turn to focus on stirring her tea and ignoring her companion. “I just… I’m not sure what happens now.”

“That would depend,” Loki said. “What do you wish to happen now?”

Kristine gulped. He had put the ball in her court. Even months later, she still found herself expecting someone to pop up and tell her exactly what to do. But Loki was waiting patiently. This decision was hers.

“I guess…” she started, speaking far too fast. “I mean, I wouldn’t mind if you took me out for coffee. Not in the Tower, I mean. There’s-there’s a place down the street. Unless you’d like the Tower better, that is. I don’t really care—”

Loki hushed her gently. “I’d be honored to take you out for coffee,” he said. “Would tomorrow morning suffice?”

It took her a full minute for her to fully process what he was saying, but once she did, Kristine couldn’t stop the smile from spreading across her lips. “Yeah. Yeah, that would… suffice.”

“Good.” Loki leaned back against the cushions, and silence lapsed around them once more. Kristine hesitated for a moment before following him, shyly resting her head on his shoulder. He stiffened at first, and Kristine made to pull away, but he wrapped his arm around her and held her closer.

She sighed contentedly. She was safe here.

Safe with Loki.

#loki x ofc #loki marvel #loki fanfic #avengers fanfic #crimson curls #cozy writes

26 notes · View notes

corancoranthemagicalman · 4 years

Text

Another Her Sweet Kiss Meta

So you know how there’s the whole “Her Sweet Kiss” is the Continent’s “Jolene” thing? Well, I have another song comparison, another proposition, if you’ll indulge me.

Her Sweet Kiss is Hallelujah.

Leonard Cohen made one of the most vulnerable songs about heartbreak and love, and Jaskier did too. (Actually, we know it was the beautiful talents of Sonya Belousova, Giona Ostinelli, and Joey Batey, but that’s irrelevant to my point.)

It goes like this / The story is this

The fourth, the fifth / She’ll destroy with ‘er sweet kiss

The minor fall, the major lift / Her sweet kiss

There’s an accusatory beginning. Leonard Cohen claims that the object of the song does not care for music, even though God himself loves music.

I heard there was a secret chord that David played and it pleased the Lord, but you don’t really care for music, do you?

In the reverse, Jaskier claims that while they call women the fairer sex, the object (or one of the objects) of the song is unfair.

The fairer sex they often call it, but her love’s as unfair as a crook.

As unfair as a woman who is not pleased by the same chords that pleased God? Possibly. But let’s move on to the next verse.

Leonard - since I’m pretty familiar with my homeboy let’s call him Leo - Leo talks about David. Yeah, that David. The same David playing the chords. Interestingly enough, Leo switches narratives. He’s singing about his heartbreak, or as if it is own heartbreak, in the first verse but now it is the story of another man. Sound familiar?

Your faith was strong but you needed proof. You saw her bathing on the roof and her beauty in the moonlight overthrew you.

This is where I’m going to through you and actually compare Leo’s second verse to Jaskier’s third verse. While it’s heavily interpreted that Jaskier’s second verse is also addressing another person, (a second object of the song), the third verse is explicit in its statement of a you.

Her current is pulling you closer and charging the hot, humid night. The red sky at dawn is giving a warning, you fool, better stay out of sight.

Both of these lines are speaking about the temptation that the second object of the song (who we will now refer to as David. For in Her Sweet Kiss, Geralt is David and Yennefer is Bathsheba. Hold on to that too for the moment and we’ll get back to it.) The David in both songs is being drawn to Bathsheba. In fact, in this same verse, both Jaskier and Leo speak about the dangerous things that Bathsheba will do to David. In Leo’s second verse, he goes on to say,

She tied you to a kitchen chair. She broke your throne and she cut your hair and from your lips she drew the Hallelujah.

This is actually very similar to the chorus of Her Sweet Kiss. The iconic lines of Bathsheba destroying with a sweet kiss. Drawing a Hallelujah with a sweet kiss. See where I’m going with this?

Alright now let’s go back to that “Geralt is David” bit. I could probably draw huge comparisons to David and Geralt, but I’m going to focus on David and his relationship with Bathsheba. TL;DR David was watching this chick - Bathsheba - bathe and he thought she was so beautiful and he wanted her so bad that he had her husband - one of David’s general - killed so that he could marry her. In comparison (or contrast), Geralt - the David of our story - quite literally wishes to be with Yennefer and in doing so causes her fate to be intertwined with his. In much the same way, Bathsheba couldn’t exactly say no to a king and Yennefer cannot fight against Wishes and Destiny. (Or, she can, but we’ve seen the repercussions of it. Whoops.) Another interesting point is Yennefer, Bathsheba, and bathes, but really I’ll be moving on.

In conclusion, Geralt is a warrior chosen by Destiny (God) to bring about a child (Ciri is Geralt’s Child surprise; Jesus was born of David’s lineage [I know I’m using Christianity and other close religions but hold out for me please]) and has tied himself by wish (deed) to Yennefer (Bathsheba). Ergo, Geralt is David. And Yennefer is Bathsheba. And Jaskier is Leonard Cohen.

Let’s wrap this up with acceptance.

We know that iconic line from Her Sweet Kiss. The one that I quote literally any time I tag something beautiful.

I’m weak, my love, and I am wanting. If this is the path I must trudge, I welcome my sentence. Give to you my penance, Garrotor, Jury, and Judge.

This is where the iconic Jolene comparisons have been made. Fics have been made off of it. Poetry and art and all the lovely things because Joey’s voice breaks and it hurts. You know what other lines hurt? Leo’s lines.

Maybe there’s a God above but all I’ve ever learned from love was how to shoot at somebody who outdrew you. It’s not a cry that you hear at night; it’s not somebody who’s seen the light; it’s a cold and it’s a broken Hallelujah.

Leo knows that love can leave you cold and broken. Jaskier’s love has left him weak and wanting. Love can be dangerous and cruel, and both of these authors know that. They’ve experienced it. Perhaps Leo was hurt by David, perhaps he was David, but we know that. Jaskier was not David. Jaskier was not lured in by Bathsheba and yet speaks of cold love from experience. I could write more but right now I’m brain dead, so have that.

Have that Her Sweet Kiss is Hallelujah. Have that Geralt is David and Yennefer is Bathsheba. Have that Jaskier is the Continent’s Leonard Cohen.

#the witcher #the witcher meta #gerlion #geraskier #gennefer #geralt of rivia #hallelujah #Leonard cohen #jaskier #jaskier the bard #dandelion #Yennefer of vengerberg #ciri #Ciri is Jesus whoops??#accidentally making that comparison #what is this a meta for even #is this a meta #her sweet kiss

151 notes · View notes

punkscowardschampions · 3 years

Text

Joe & Ronnie

Joe: Hey

Joe: my flatmate has some work I reckon your mate might be interested in

Joe: but it’ll sound a bit dodgy coming from me so you wanna pass it along?

Joe: moneys alright for no real work, depending on how you look at it

Ronnie: never done any work as a secretary myself

Ronnie: write your own fucking love notes

Joe: I see that

Joe: your accent down the 📞?

Joe: no cunt here’d understand you, never mind the demeanour

Joe: yeah, well, it’d really seem that way

Joe: but I actually need someone to take her off my hands

Ronnie: racism as foreplays playing to the wrong crowd hes more into homo bashing

Ronnie: errr dunno how you read his demeanor mckenna but he aint taken a her off anyones hands since before any of us had phones

Joe: i’ll keep that in mind

Joe: well homophobic of me to not tell him myself so he’s welcome for the freebie

Joe: not actual escorting

Joe: she does art, her life drawing class needs a model

Joe: I ain’t fucking doing that

Joe: tell me I ain’t 📖 him right on that one

Ronnie: fucks sake if youd said it was cash for cock wed be done talking already

Joe: I just did

Joe: sound, she’ll be made up, she’ll get off my case, and he’ll get £15 an hour, apparently 👌

Ronnie: sexist not to ask me

Ronnie: pass that on to your little gf

Joe: weren’t her idea to ask Charlie

Joe: you’ll have to take up that grievance with me as well

Joe: I’ll just point out it’d be even weirder if I’d have asked you

Ronnie: you wish

Ronnie: how much £ you offering me to bang you

Joe: if I did no point paying you to do it for her and her class and not me

Joe: that’s an interesting take on cucking though, loads that would go for it, I’m sure

Ronnie: ill write it down as youve made me go hunting for a pen in this shithole

Joe: cheers

Joe: take 20% commission or whatever

Joe: or take the IOU I owe him for doing this

Ronnie: you said it hed do this for fuck all ill take the lot and mary wont know it was a paid gig

Joe: if he can fend the flatmate off, undoubtedly a load of art gays he can have his pick of

Ronnie: that what youre telling yourself for why you dont want me to do it yeah

Joe: you wanna do it?

Ronnie: i want you to admit the reason you dont want me to is cause he scrubs up enough for horse girl and her course mates not to stage an intervention

Joe: not what it is so no

Joe: I know I don’t want to get my shit out in front of a load of middle class kids who know fuck all about fuck all, so I assumed as much for you

Ronnie: dont ever assume fuck all for or about me

Joe: why do you wanna do it so bad when like you said, you can pocket the cash and get him to?

Ronnie: i dont wanna fucking do it

Joe: well that’s grand ‘cos I reckon Sophie wants to see dick so

Joe: she’d be really let down

Ronnie: usually what gets you off

Ronnie: but im made up youre in love now like

Joe: please, she either don’t get it’s weird to ask me which means she’s some kind of special

Joe: or this is the start of her 50 shades fantasy and I have to be the let down to end all let downs and i’m already doing my best

Ronnie: rem is right to pay for it when she could just walk in on you taking a piss or having a shower

Joe: when you’re just a creep and not a predator 💔

Joe: not the girl my parents warned me about

Ronnie: if theyd be the type to go down the stables theyd have seen the other side of her

Joe: you’ve got your own daydreams, alright

Joe: put out the feelers, who isn’t a little gay these days, right

Ronnie: go ed and pass on ive got a bigger dick than him and she will have

Ronnie: i dont dream 💔

Joe: shame she isn’t equally inspiring for you

Joe: or anyone, really

Ronnie: cry about it with him when youre done pimping

Joe: what do you dream about then, when you’re awake

Ronnie: what you cant read me

Joe: clearly not

Joe: dashed your modelling dreams

Ronnie: blind and not able to read braille must be dead hard for you

Joe: is that sympathy?

Joe: or you offering me 🖐 to 👩🏼‍🦲 time

Ronnie: again you wish

Ronnie: 💭💉

Ronnie: cant make it any easier to understand soz

Joe: maybe I do

Joe: far as 💭s go

Ronnie: fuck maybe you do or you dont

Joe: well it ain’t why I don’t want to get my arms out for her

Joe: not tried it

Joe: but not a no

Ronnie: give a shit what you do or dont want to do for or to her

Joe: that is a no, tah

Ronnie: tell her not me baby

Joe: that’s not a big sister duty?

Joe: gutted

Ronnie: wouldnt know im the middle kid dorothy does that for us

Joe: i’ll ask him when i’m crying on him then

Joe: make a change for me

Ronnie: hot

Ronnie: rack up the ious like a fat line hes gonna be made up

Joe: oi he’s like family ain’t he

Ronnie: &

Ronnie: you wanna fuck your mam

Ronnie: not oi ing you

Joe: well you get to think about me and him, you gave me her and you, not fair

Ronnie: life aint soft lad

Ronnie: and stopping at thinking about shit is the difference between me and you

Joe: I get it, you’ve gone there

Joe: purely here for the homophobia

Ronnie: your kinks match 💘

Ronnie: purely there so the lads dont kick off before hes got his kicks

Joe: see, you’ve got it in you 💘

Joe: the sisterly thing

Joe: my hate don’t get expressed by putting me in him though so I won’t run my mouth

Ronnie: not what ive got in me but im not giving you the talk just cause your ma didnt

Joe: you want a virgin to defile reckon Soph and her mates are prime, vampira

Ronnie: set it up with her ill show if i get no better offers

Joe: lucky girl

Joe: no more nights in doing doodles of cute girls that look like you

Ronnie: we dont look alike youll have to accept theyre of you

Joe: i fit less than you, by far

Ronnie: fuck off

Joe: sorry

Joe: it’s weird, say the least

Ronnie: i fit nowhere she made sure i dont

Joe: ditto

Joe: so buzzing i can write shit songs about it though

Ronnie: no

Ronnie: weve got fuck all in common

Joe: just the same mother

Joe: who put her shitty genetics and choices on us both at different times

Ronnie: i ain’t got a mother you cant cross out the un from wanted and act like its the same word

Joe: incubator then

Joe: she was 19 and still fucked, don’t think they had a five-year plan down

Joe: worse if she did, the state of

Ronnie: she made 1 choice for me shes still controlling you

Ronnie: were not the fucking same

Joe: you reckon

Ronnie: if you wanna claim it aint her fault youre this big of a pussy try it

Joe: you don’t think it’s my fault?

Joe: woah, just say you love me

Ronnie: i dont think about you when you aint trying to compare us

Joe: hot

Joe: I’ve thought about you plenty

Joe: uni ain’t that interesting

Ronnie: you came looking for me werent the other way round

Ronnie: you ain’t interesting to me mckenna

Joe: you reckon you’re fascinating, yeah?

Joe: fair enough

Ronnie: if your flatmate knows anyone doing doc film making they can wank over me lying in the gutter when youre done

Joe: nah

Joe: you don’t want control of your narrative

Ronnie: i dont want a narrative

Joe: then i’ll be the only wanker

Ronnie: in your dreams

Joe: well you painted such a lovely visual

Ronnie: black screen would get you going can stay in your own fucked head with no interference then like

Joe: Static is my kink

Joe: you know me so well

Ronnie: your fucking kink is not shutting the hell up til i do

Joe: i’m a gentleman

Joe: and i’m taking that review

Ronnie: youll get a lengthy one from my big brother when you are

Joe: you don’t have to settle for hearing it and getting your kicks second-hand

Joe: I’ll have to be somewhere to be unavailable for this life drawing class

Joe: let’s do something

Ronnie: what you paying me to babysit

Joe: you can ask my mammy or you can see what you can get

Ronnie: if i was gonna talk to her it wouldnt be about you

Joe: thank god

Joe: so take the risk

Ronnie: of what

Ronnie: boring me is asking too much of you

Joe: that’s surely a given

Joe: risk anything but

Ronnie: if I need rescuing again ill call you thats the only given Joe: you’re worse than her

Joe: christian grey or superman, like

Joe: gonna be BFFs yous, I can tell

Ronnie: you dont like being compared to cunts youre nothing like either funny that

Joe: touche

Joe: come on, what would convince you

Ronnie: if youre gonna beg then beg and if youre gonna show me something do it

Joe: I know you’d like to hear me beg but I can’t tell what you’d wanna see

Ronnie: then the answers nothing

Joe: nah

Joe: the answers you want to wait or you wanna be disappointed

Ronnie: why the fuck would I want either of those things

Joe: that’s what I’ll give you then

Joe: the opposite of that

Ronnie: thats meant to convince me yeah

Joe: nah, I am

Ronnie: like fuck will you

Joe: see, you want to be disappointed

Ronnie: ill be disappointed want has fuck all to do with it

Joe: if you don’t come and see

Ronnie: come where

Joe: see me

Joe: i’m new in town, I don’t know where to go

Joe: fuck sightseeing

Ronnie: [somewhere she’d hang out]

Ronnie: go there

Joe: now?

Ronnie: whenever you dont know where to go

Joe: okay

Joe: and I’ll see you there when you don’t

Ronnie: when im not fucking either of our flatmates

Joe: when you’re done being disappointed

Ronnie: when you prove yourself as not

Joe: you’ll see

Joe: I can’t show you over the phone

Ronnie: you could

Ronnie: im going nowhere on a bullshit promise cause im not a meff teenager

Joe: and I ain’t young enough to think that’s a good idea either

Joe: pictures not doing no favours

Joe: if you’re there and i’m there

Ronnie: big if

Joe: I never know where to be

Ronnie: newborn i heard you

Joe: something like that

Joe: if you can’t leave soph alone I’ll do my best begging 🥺

Ronnie: she cant leave you alone id be doing you a favour

Joe: true

Joe: wouldn’t wanna be caught doing that though

Ronnie: let you do the clean up after ive killed and ate her id be caught well fast for that instead

Joe: you’d get caught for being three times your size

Joe: she’s a big girl

Joe: you should share, be sworn to secrecy

Ronnie: doing her a favour i shouldve said

Ronnie: fuck all going for her

Joe: way to get in shape

Joe: she’ll appreciate us using her blood for something artsy on the walls

Ronnie: ill ask the basic white bitch i live with to give me a clue

Joe: 🍆 will be appropriate for her

Ronnie: 🐎

Joe: they might reckon she did it with her dying breath

Joe: very artist of her, dying how she lived

Ronnie: hurry the fuck up with your confession song if you want credit

Joe: you wanna hear me confessing so bad

Joe: but I might be able to hand that in so

Joe: hold on

Ronnie: it aint me whos a choir boy

Joe: ugh, I wish

Ronnie: cant chat shit about us having the same fantasies ive been touched by a old bloke wearing a dress and i dont rate it

Ronnie: standard surrounded by homos night out

Joe: yeah, and the nuns are never the hot kind

Joe: if they didn’t self-flagellate they’d be entirely uninteresting

Ronnie: 💔

Joe: yeah, it’s tragic being this bored/boring, say it ‘fore you have to bother

Ronnie: didnt invite you to no pity party and if thats where youre trying to get me to turn up to dont bother is right

Joe: you mean you don’t wanna talk about your feelings?

Joe: like you said, like being left alone with my own fucked up ones too much to try and start a therapy session

Ronnie: what fucking feelings dead above & below the waist like

Joe: dangerously close to sharing there

Joe: you got your 💉 already then?

Ronnie: wouldnt be this chatty if i had

Ronnie: unlucky you

Joe: I’m the one that wants to see you

Joe: so I’ll cope

Ronnie: cant even spell martyrdom proper so youve fucked yourself looking for a pat on the back off me by matching the definition up

Joe: i’ll just ring mum up yeah

Ronnie: your da if not but it wont have the same satisfying end for you like

Joe: 💔

Joe: validations the last thing i need

Joe: had a whole lifetime

Ronnie: you crawling back to me with a boner for the accent your mummys losing is the last thing i need

Ronnie: get on the scouse samaritans

Joe: don’t reckon that’s a job you’ll get any time soon either

Joe: ‘less the purpose is to make sure people go through with it

Ronnie: couldve fooled me if it aint what else is talking a sad cunts ear off about their problems gonna do

Joe: attention seekers anonymous

Ronnie: no need to meet you there i earned all them badges as a kid 🧷🩸

Joe: wouldn’t be caught 💀 obvs

Joe: keeping it secret adds another level of masochism anyway

Ronnie: does it fuck

Ronnie: keeps you feeling like a smug bitch you can still pass

Ronnie: miss me with that pussy shit

Joe: nah, that’s that i’m in control shit

Joe: it’s not that

Joe: the only thing you might be smug about is how oblivious everyone chooses to be

Joe: if it weren’t also depressing as fuck

Ronnie: dont give em the choice

Joe: why?

Ronnie: why the fuck would you want to

Joe: don’t need to be my mother’s next cause celebre

Joe: she can force the therapy and concern on any of the others, I don’t wanna get better or have to fake like I’ll even try

Ronnie: then dont

Ronnie: cut off your umbilical cord and wipe up the blood trail

Ronnie: not like she tries very hard to herd back the black sheep

Joe: maybe they know and don’t give a fuck 🤞

Joe: I know I ain’t going back so whatever

Ronnie: & you reckon weve got anything in common

Joe: just 50% of our DNA

Joe: never said we were twinsies

Ronnie: if youd have said id have spat in your face 1st time we met get it collected and the tests run

Joe: I wish

Joe: has your face healed

Ronnie: wheres the fun in letting it do that

Joe: 😏

Joe: we can pretend that’s inherited if you need

Ronnie: not 5 i dont play pretend

Joe: if you keep digging, reckon the ink will be gone and it’ll be pure scar tissue

Ronnie: calm the fuck down i can hear how turned on you are about it from here

Joe: spoilsport

Joe: just thinking, scar that only vaguely looks like 🍒s might be well more rugged for my transformation from baby to independent real boy

Ronnie: laughing cos i like pain not cause youre funny

Ronnie: when you see or hear it from wherever youre lurking

Joe: you don’t leave room for me to get the wrong idea, you’re alright

Joe: all them fucked ones are mine alone and already there

Ronnie: get your girlfriend to draw you a pin up & dont tell her youve changed the lass horse head to look like your mas

Ronnie: masc for masc in your bio before you know it and 🦋 tramp stamp to follow

Joe: you know my dad already has a tattoo that looks like her, no bullshit

Joe: and another dead girl on the other arm but that’s a whole other boring story

Joe: playing dress up is off the cards too if I’m ever gonna be a big boy

Ronnie: where do you keep his severed arm when youre not using it to fist yourself and how old were you when you cut it off

Ronnie: if we re telling stories

Joe: 😂

Joe: where we keep the horse

Joe: that en-suite is massive

Ronnie: if he finds out it was a paid gig ill know where to crash

Joe: still gutted she don’t wanna see you naked

Ronnie: youre a liar if you dont wanna see her face seeing me

Joe: don’t know if anyone could be bothered to look at her when you’re about but yeah

Joe: the trauma would really fuel me and make her much more bearable to live with

Ronnie: youre welcome like

Joe: gotta stop being nice to me

Joe: you know stalkers, give ‘em an inch

Ronnie: telling me what to do is the fastest way 🖕

Ronnie: and i know you dont have an inch to give me making the best of this shitshow is what an optimist like me has gotta do

Joe: obviously you’re that type

Joe: not having it in common will have you back 👍

Joe: you’re inspiring, like

Ronnie: chop off my arms and legs and get a camera set up in the en-suite

Joe: you’d fit in my cello case then, could take you everywhere

Ronnie: course youve had a measuring tape out

Joe: hate to kill your optimism with 🍆

Joe: have a go at pushing it back in

Ronnie: how longs your tongue reckon that could kill any girls optimism

Joe: 💔 if it was only good for chatting your ear off

Ronnie: [send him a picture of your weird gross split tongue because obviously]

Joe: [how does that not make you lisp, or does it, I always think that]

Joe: that’s why you’ve not had an invite

Joe: 🚫🐍

Ronnie: gutted

Joe: you know you can show up and do whatever you wanna do whenever

Joe: I’ll take you back

Ronnie: this performance art is meant to what just scare her or teach you how to get her to back the fuck off as well as

Ronnie: im not a fucking tour guide mckenna & you can get yourself evicted without my help

Joe: you know I meant to Dublin

Joe: don’t think it’d take much to scare Sophie off, give it a month for us to both get comfortable and she’ll see what I ain’t

Ronnie: fuck you

Joe: I said if you want

Ronnie: dont need your permission to do anything i want

Joe: don’t think any of ‘em are that lax with their socials

Joe: you’d need directions

Ronnie: ive had years to find em & we dont both hang about with horse girls from kent

Joe: can’t say it’s your loss

Ronnie: shut up about it then

Joe: 🤐

Ronnie: 🖕

Joe: got a whole fist here, you can keep it

Ronnie: sizeist

Joe: told her yours is massive like you said, it’s fine

Ronnie: i said bigger than his not a horse shes in for a disappointment

Joe: gotta 🤞 she’s an optimist like you babe

Ronnie: unlike you shes gonna wait to see what i do with it before telling me to shove it

Joe: you just wanna blueball me for the pain

Joe: go on, for your lols

Ronnie: she wont want me at all unless youre gonna watch

Joe: and you need a witness so I get time too

Joe: I’ll do it, torturous as it’d be

Ronnie: the iou is gonna torture me too

Joe: if you’re lucky

Ronnie: not the dna half we share 💔

Joe: damnit

Joe: what’s good about being Scouse?

Ronnie: now the beatles are dead youve got fuck all to live for

Ronnie: noted

Joe: only the good ones

Joe: I dunno, anything good about it never happened, left when I was a kid and we still lived in a shithole with shitheads

Ronnie: get in line she left me in a shithole with shitheads 1st

Joe: where were you

Joe: wonder how close it was

Ronnie: what the fuck does it matter

Joe: it makes her more/less shitty depending

Ronnie: it aint gonna change my opinion and I dont give a shit about yours

Joe: fair enough

Ronnie: get cosy with charlie hed take you down memory lane

Joe: not before he’s got it out for the art class tah

Ronnie: you didnt say when

Joe: [probably an evening class like tomorrow or the next day, then the same time a week later]

Ronnie: too fucking late the pen is in pieces

Joe: sure it isn’t the first time you’ve left him a note in blood

Ronnie: hes only gonna cry about it & take the shine off his modelling debut

Joe: awh

Joe: message him 🧓🏼

Ronnie: fuck off calling me old

Joe: 😏

Ronnie: ill write him a note blaming what a twat you are for what hes gonna walk in on

Joe: what mess have you made

Ronnie: havent killed myself yet

Joe: and you’ve not stopped talking so no OD’ing

Joe: possibilities are endless still

Ronnie: yeah

Joe: come out

Joe: we can get new ink to dig out

Joe: whatever

Ronnie: you gonna suck his dick this time

Joe: I’ll just pay the old-fashioned way

Ronnie: flashy cunt

Joe: what being a student is all about

Ronnie: and youre too special to poison your blood how the rest of em do

Joe: I’m not opposed but I can do it alone, I don’t need to go to a sweaty student bar that plays shit songs and has a load of sad Soph clones giving it 🥺

Ronnie: you can get another tattoo without me holding your hand

Joe: I could

Ronnie: go do it 🦋 baby

Joe: have mentioned its not about the tat, yeah?

Ronnie: nah not that ive heard

Joe: come on

Joe: i want to see you, i’ve said loads

Ronnie: youve said loads of shit yeah

Joe: shit i mean

Ronnie: why

Joe: why wouldn’t I

Ronnie: thats your answer then fuck it

Joe: you don’t need to ask ‘cos you know

Ronnie: i did ask and you said why the fuck not

Ronnie: like its nothing

Ronnie: like you didnt turn up uninvited into my life not long ago

Joe: then tell me to leave

Joe: like it’s that easy

Ronnie: i didnt tell you to fucking appear

Ronnie: just cause youre a kid dont make me the dead fish you won at the fair

Joe: I never had the choice

Joe: she told me about you, talked about you all the fucking time

Joe: you’ve always been in my life

Ronnie: and youve never been in mine

Ronnie: im not gonna carve out a place for you now cos you want it

Joe: Alright

Joe: do it then

Ronnie: dont tell me what to fucking do

Joe: I’m not going unless you say it

Ronnie: no shit this is fun for you

Joe: like fuck it is

Ronnie: im the car wreck youre craning your neck to keep looking at

Ronnie: thats all the fuck this is

Joe: lie better

Ronnie: you dont care about me or what this feels like

Joe: I can’t take it back, you know now

Ronnie: you dont wanna take it back

Joe: I can’t, what’s the point pretending

Joe: I never said I was a good person

Joe: being sorry won’t change anything for you

Ronnie: its all your christmases & birthdays im west as this course youre gonna keep on spinning me out

Joe: Piss off

Ronnie: lie better cunt

Joe: So you’re allowed pity parties, yeah?

Joe: 👌

Ronnie: calling you out on your bullshit is allowed if youre crying thats your problem

Joe: if all you want from me is for me to go away, consider it done

Joe: you can’t hack it, my apologies

Ronnie: tell me why if im so fucking wrong

Joe: I like you

Joe: I want you, to get to know you

Joe: I can’t just stop it, not for myself

Joe: So make me

Ronnie: stop telling me what to fucking do

Ronnie: fucks sake

Joe: you ain’t saying anything

Joe: what do you want

Ronnie: I dont want you to like me

Ronnie: fuck is that

Joe: yeah, it’s obvious you go to great lengths to be unlikeable

Joe: not going to tell no one am I

Ronnie: so hate me soft lad

Joe: I’ll give it a go

Ronnie: ill make you

Joe: give it a go then

Ronnie: where are you then

Joe: [give a location of somewhere near your flat ‘cos don’t need to actually set you on the flatmate rn and that’s likely where you were]

Ronnie: [obviously we’re just gonna show up however long that takes us without another word like !?]

Joe: [just so much eye contact ‘cos what you gonna say what you gonna do]

Ronnie: [definitely gonna take him somewhere sketchy as hell to the level that like Charlie doesn’t know we still go there/we’d never take him ever like you wanna get to know me okay bitch buckle up]

Joe: [can’t let you hook up or shoot up yet ‘cos chronological but go along with this obvs]

Ronnie: [it would make sense if you made out/almost hooked up though because the vibe for the next convo was very much oh fuck what are you doing here we didn’t mean to run each other like this but also v flirty]

Joe: [agreed, and allowed, it’s the obvious vibe but any untold drama can happen to stop you in whatever dodgy place so makes sense]

Ronnie: [literally and just because you can’t shoot up together yet does not mean either of you have to be in any way sober so]

Joe: [hundo, we’re not saying he’s never done a drug lol, he clearly abuses his prescription as is so like, there’s plenty to be done without going there]

Ronnie: [and if we wanted to we could say that you watch her do it here and now before you do it together anyway because you’d both get a weird kick out of that]

Joe: [tea, bet you did not see this coming for your uni experience lmao]

Ronnie: [meanwhile she’s old enough to have left, do you wanna grow up babe? No? okay]

Joe: [the way you’re rolling with this, we know you’re fucked boy but pop off]

Ronnie: [I can’t overstate how much she’d be doing the absolute most to try and scare him away like I dare you to go back on what you said]

Joe: [we know you’re not gonna, soz babe, is very rude how he’s just waltzed in but truly did not say we were a good person lol]

Ronnie: [we know she’s not either and also is here for it more than she will ever express until we’re literally years into this]

Joe: [hi your mother’s daughter, but no, you actually have a reason this is messed up but we’re into it from the off and not pretending, risky af strategy boy]

Ronnie: [is there anything we wanna say happens that has lasting-ish consequences other than the make out/ almost hook up ie a tattoo or a fight with injury potential or an arrest lol]

Joe: [hmm, the possibilities, maybe a fight to show you can, could be about anything, it’s that sort of place]

Ronnie: [that is such a mood I love it and yeah could literally be you’re a new face or could be her fault because of the aforementioned doing the most]

Joe: [totally, and that’ll be an easy way to separate you and not meet until the next convo]

Ronnie: [exactly dr phil]

1 note · View note

writing-prompts-for-friends · 4 years

Text

Notes on Robert McKee’s “Story” 23: Tearing Down Act Design

☝ Maybe this post will make you throw out the storytelling map your English teacher gave you.

Every single person who has taken a literature class has seen a diagram along these lines at some point. This is the one-track path that all “Good Stories” must take:

But do all “Good Stories” really have to follow this trajectory? And where exactly do subplots fit in on this? In this post, I share Robert McKee’s answers to these questions.

How Many Acts?

First, what even is an act? Let’s make sure we have a clear understanding.

“As a symphony unfolds in three, four, or more movements, so story is told in movements called acts--the macro-structure of story.

Beats, changing patterns of human behavior, build scenes. Ideally, every scene becomes a Turning Point in which the values at state swing from the positive to the negative or the negative to the positive, creating significant but minor change in their lives.

A series of scenes build a sequence that culminates in a scene that has a moderate impact on the characters, turning or changing values for better or worse to a greater degree than any scene.

A series of sequences build an act that climaxes in a scene that creates a major reversal in the characters’ lives, greater than any sequence accomplished.”

Okay. So how many should acts should we have? Most famous works we’re familiar with have three acts, as illustrated in our picture above. But is that the golden rule?

According to McKee and Aristotle, no, three acts is not the golden rule. A good story can have just one act--we may see this in a one-shot fanfiction or a short story.

A story can have two acts as well, most commonly seen in sitcoms, novellas, or hour-length plays.

However, when a work reaches a certain length, such as a feature film, an hour-long TV episode, a full-length play, or a novel, three acts are the minimum.

Why is this? Who decided that three is the magic number?

“As audience we embrace the story artist and say: ‘I’d like a poetic experience in breadth and depth to the limits of life. But I’m a reasonable person. If I give you only a few minutes to read or witness your work, it would be unfair of me to demand you to take me to the limit. Instead I’d like a moment of pleasure, an insight or two, no more than that. But if I give you important hours of my life, I expect you to be an artist of power who can reach the boundaries of experience.’

In our effort to satisfy the audience’s need, to tell stories that touch the innermost and outermost sources of life, two major reversals are not enough. No matter the setting or scope of the telling, no matter how international and epic or intimate and interior, three major reversals are the necessary minimum for a full-length work of narrative art to reach the end of the line.

Consider these rhythms: Things were bad, then they were good--end of story. Or things were good, then they were bad--end of story. Or things were bad, then they were very bad--end of story. Or things were good, then they were very good--end of story. In all four cases we feel something’s lacking. We know that the second event, whether positively or negatively charged, is neither the end nor the limit. Even if the second event kills the cast: Things were good (or bad), then everyone died--end of story--it’s not enough. “Okay, they’re all dead. Now what?” we’re wondering. The third turn is missing and we know we haven’t touch the limit until at least one more major reversal occurs. Therefore, the three-act story rhythm was the foundation of story art for centuries before Aristotle noticed it.”

Act Length

(For the sake of explanation, let’s stick with the Three Act pattern.)

Take a look at that diagram that you were probably forced to memorize in lit class again.

Here, we see that all three acts are equal in length.However, McKee provides a different distribution. He stresses that his diagrams are foundations and not formulae, and while his are specifically for the film medium, he believes that they are applicable to the play and novel as well.

For now, let’s just look at the Central Plot timeline and disregard subplots. In his foundation, he has broken a 118 minute, three act film into the following pieces:

Act 1: 30 mins (25% of film)

Act 2: 70 mins (60% of film)

Act 3: 18 mins (15% of film)

Notice in particular how short the last act is compared to the others. McKee states, “In the ideal last act we want to give the audience a sense of acceleration, a swiftly rising action to Climax.” If we draw out the last act too much, we run the risk of slowing pace and taking away from the momentum we have built up.

Now let’s take a look at Act 2. It’s a whopping 60% of the film. That feels like a lot to me. McKee echoes something that Stephen King wrote in his book On Writing, that it is the second act where things can get claggy and boring. So how can we keep from getting stuck in the swamp that is Act 2?

Add subplots or more acts.

Subplots are such an important topic that they necessitate their own post, so for now let’s just discuss when we would add more acts.

How Many Acts?

“Not every film needs or wants a subplot: THE FUGITIVE. How then does the writer solve the problem of the long second act? By creating more acts. The three-act design is the minimum. If the writer builds progressions to a major reversal at the halfway point, he breaks the story into four movements with no act more than thirty or forty minutes long.

A film could have a Shakespearean rhythm of five acts: FOUR WEDDINGS AND A FUNERAL. Or more. RAIDERS OF THE LOST ARK is in seven acts; THE COOK, THE THIEF, HIS WIFE & HER LOVER in eight. These films turn a major reversal every fifteen or twenty minutes, decisively solving the long second act problem. But the five- to eight-act design is the exception, for the cure of problem is the cause of others.”

So maybe you have a thriller you want to write, and you’re sick of there being a stupid romance in every single story that comes out these days (Oops, are my own opinions bleeding into this? lol), so you want to write just a straight up thriller, with NOTHING else going on but the central plot. Cool!

In order to avoid the slowdown in Act 2, you may want to consider adding another act, thereby shrinking the length of Act 2, giving you another chance for another exciting twist.

However, beware because adding acts can cause some of the following problems in your story:

The multiplication of act climaxes invites cliches.

For each act there must be a climax. And each climax must be progressively greater than the last. It is difficult enough to think of the three climaxes we need for a regular three-act story. You’ll be dipping down deep into that well of creativity.

The multiplication of acts reduces the impact of climaxes and results in repetitiousness.

“Even if you have a limitless well of creativity, turning act climaxes on scenes of life and death, life an death, life and death, life and death, life and death, seven or eight times over, boredom sets in. Before too long the audience is yawning: “That’s not a major turn. That’s his day. Every fifteen minutes somebody tries to kill this guy.”

What is major is relative to what is moderate and minor. If every scene screams to be heard, we go deaf.

This is why a three-act Central Plot with subplots has become a kind of standard. It fits the creative powers of most writers, provides complexity, and avoids repetition.”

So feel free to have more acts, but in moderation. Next, let’s take a look at some non-standard act patterns you may want to use.

False Endings

What’s a false ending? You’ve seen it a thousand times over. It’s a scene so seemingly complete that we think for a moment the story is over. E.T. is dead--it’s the end of the movie. In ALIEN, Ripley blows up the spaceship and escapes, we think. The original TERMINATOR movie has a double False Ending.

McKee issues this caution regarding them:

“For most films, however, the False Ending is inappropriate. Instead, the Penultimate Act Climax should intensify the Major Dramatic Question: “Now what’s going to happen?”

Act Rhythm

Here, McKee points out the importance of alternating between value-charges. (For a refresher on value-charges, please see this post on the values in your theme, and this post on maintaining balance between the opposite values.)

“Repetitiousness is the enemy of rhythm. The dynamics of story depend on the alternation of its value-charges. For example, the two most powerful scenes in a story are the last two act climaxes. Onscreen they’re often only ten or fifteen minutes apart. Therefore, they cannot repeat the same charge. If the protagonist achieves his Object of Desire, making the last act’s Story Climax positive, then the Penultimate Act Climax must be negative. You cannot set up an up-ending with an up-ending. ‘Things were wonderful...then they got even better!’ Conversely, you cannot set up a down-ending with a down-ending. When emotional experience repeats, the power of the second event is cut in half. And if the power of the Story Climax is halved, the power of the film is halved.

On the other hand, a story may climax in irony, an ending that’s both positive and negative. What then must be the emotional charge of the Penultimate Climax? The answer’s found in close study of the Story Climax, for although irony is somewhat positive, somewhat negative, it should never be balanced. If it is, the positive and negative values cancel each other out and the story ends in a bland neutrality.

For example, Othello finally achieves his desire: a wife who loves him and has never betrayed him with another man--positive. However, when he discovers this, it’s too late because he’s just murdered her--an overall negative irony.”

☝This gave me a lot of thought. I tend to write for myself, and I like to have up-endings with all loose ends tidied up. Looking back at everything, I have set up up-endings with up-endings in many of my stories, and I can see now why even to me the finale feels lacklustre.

Source: McKee, Robert. Story: Substance, Structure, Style, and the Principles of Screenwriting. York: Methuen, 1998. Print

34 notes · View notes

ysalamiri-queen · 4 years

Text

2019 Fic in Review

Inspired by @myevilmouse I’m going to sum up all the writing I’ve been up to the past year. I’m really proud of what I’ve accomplished, and thanks to you all for the encouragement to put my ideas out into the world! This has been a year of trying new things, and really growing as an author I feel… And wow according to AO3 I’ve written about 400k words in the past 12 months, damn. So let’s get to the list, going from the beginning of the year to the end, and as always please heed the tags on these before reading.

Note: As I go back, I’m realizing a lot of the links were messed up or are just straight missing. I am on the Mobile App so things can get messy. Please visit my works page on AO3 HERE to see all of these on my page under JessKo and my other pseuds.

1 Late Night at the Slab

Idea: Filling a prompt for the Thryce server in which some, uh, unique Chiss anatomy was assigned.

Result: A 3-way with Thrawn, Arihnda, and Eli and my first foray into the more Xeno side of things in a Modern AU setting. Yeehaw!

2 The Trouble With Free-Roaming Ysalamiri

Idea: Based on some adorable ysalamiri cuddles art by @strength-through-order I wanted to write some Thranto fluff.

Result: Ysalamiri-filled Thranto fluff X’D

3 Inquisitor’s Debt

Idea: What if the Grand Inquisitor changed sides at the end of Rebels season 1?

Result: Some fun throwbacks with Obi-Wan and Caleb Dume leading up to Quizzy defecting with Ezra.

4 Ancient Stems

Idea: Eli Week drabbles based on the Vanto Week prompts.

Result: A silly buzz droid narrative with Thrawn and some cute slice of life Eli backstory/Ascendancy days bits.

5 Charnsuka

Idea: Kinky stuff with Lord Garmadon when he’s an Anacondrai.

Result: Kinky stuff with Lord Garmadon when he’s an Anacondrai. Sorry Zane!

6 Caged Like Prized Birds

Idea: Again inspired by the awesome Chiss anatomy and Thrux drawings by @strength-through-order , I wanted to craft a narrative around Armitage, as a young man, stumbling upon a clone of Thrawn.

Result: Man, this might just be one of my favorite things I’ve ever written, had so much fun plotting it out and the smut is mmm! Tentacles everywhere~ I’ve gone back to re-read this a lot, I’ll admit it. I hope you all enjoyed it too.

7 Quiet On Set

Idea: Must. Write. Talos.

Result: A cute little platonic x-reader with everyone’s favorite Skrull. This was my first MCU fic too.

8 Diagnostic

Idea: Wanted to apologize to Zane for the damages done in Charnsuka with some Glacier shipping fluff.

Result: A silly glacier thing leading to a bit of foolery. I’m happy with it!

9 Heron Soaring

Idea: A continuation of the plot line from Heron Rising with Kanan and Thrawn.

Result: Too many feels… but some great sex to soften the blow, Kanera too!

10 Patron

Idea: Responding to a tumblr prompt from @wukeskywalker regarding Thrawn commissioning LOADS of artworks of Eli.

Result: More Thranto fluff! I see a trend here…

11 Black Heron

Idea: Kanan x Pryce for @myevilmouse , I think this was our first ‘collaboration’ on something!

Result: Juahir hires a special someone to show Arihnda a good time!

12 Red Heron

Idea: @star-wars-rebels-4 is always an amazing wealth of ideas for Grand Inquisitor, and encouraged a work featuring him and Kanan.

Result: Delicious back alley smut when an undercover Jedi is caught!

13 Warm Homecoming

Idea: Give my and a friend's OCs some cute fluff.

Result: OC fluff and a vacation to Hoth!

14 sowing the seeds

Idea: Add something cute to the spank war project.

Result: Another contender for my ‘favorite thing I’ve ever written’ rank. Two chapters of pining, cooking lessons, and sweet slick smut.

15 Red Frost

Idea: After watching “The Evil of Frankenstein” with @sneakybunyip ‘s amazing movie night group, I wanted to do something fun with Victor and Hans.

Result: A fun little adventure fic with some huddling for warmth to boot. Victor and Hans are the hammer-horror-verse Thranto send tweet.

16 a setting sun to hide the ruins

Idea: What if I tortured Kanan to the point he turned evil and joined the Inquisitors (and went a little insane in the process)

Result: Instead of torture, let’s just use some serum that drives him mad. Perfect. Smut ahoy, pretty much a dead dove type fic.

17 Pinktown

Idea: When browsing abandoned towns in Florida, I came across Flamingo… what if Thrawn had been exiled here instead.

Result: An alternate history of Thrawn’s exile and eventual discovery by the Empire. Huge thanks for @badgerandk on this one for the perfect epilogue and beta.

18 the sun rises to only illuminate the stranger i have become

Idea: Setting sun… part 2! But it’s actually what happens before sun?

Result: How Kanan ended up where he is for ‘a setting sun’... lots of imp smut and again, it's sort of a dead dove style fic.

19 Frozen Over

Idea: Ar’alani x Eli Vanto

Result: Somehow me and my writing partner ended up at sensory deprivation focus on this one.

20 Shape of Honor

Idea: Well, this one started in 2018 but ‘finished’ in 2019. Still working on the epilogue. Lots of tweaks… If you are not familiar, this is my AU in which it explores how the Thrawn novel and Rebels show would be altered if Palpatine distrusted Thrawn from their first meeting and accused him of being a Chiss spy. Vaguely inspired by the film The Shape of Water.

Result: Well it's nearly a novel now, isn’t it. This was a great adventure in learning how to create compelling story arcs. I’m extremely satisfied with how it is shaping (lol) up.

21 Datura Stamonium

Idea: Thrawnbine ovi smut.

Result: Oops it has plot now, a whole backstory with Eli and such and so fourth. Will need further stories told…

22 Desert Entropy

Idea: Luke/Wedge modern AU shenanigans.

Result: Also pulled Nath/Wyl and the Rogue Squad/Alphabet Squad peeps into this. Set in Vegas, Luke and Wedge meet and have a cute little romance, but some legal troubles set them back (Palpatine, as always, is That Bitch™) Very happy ending!

23 The Great Eli and Thrawn Prank War

Idea: See Chapter 1: Mullet Thrawn

Result: This thing really grew up, and thanks to all the contributors for allowing me to join in! My contributions were: 7-Bombs Away! In which a bit of drama brews and Thrawn makes a paint bomb that forces him and Eli back into being roomates. 11-Tooka Troube 2: Electric Boogaloo in which Eli finds his quarters slowly filling up with Tooka plush toys, and then something huge goes off in supply. 17-The Bitch is Back In which who knew Thrawn could sing?!

24 Clipped Wings to Keep Us from Flying

Idea: Continuing the story line from Caged Like Prized Birds

Result: Dragging Eli and the OG Thrawn into this, seeing that their stories were left untold in the first work. Also Armitage and the clone are up to all sorts of cool things. Still a WIP, on the list to keep working on this year!

25 I’ll do what I can.

Idea: Some Ronan/Krennic feels post Treason

Result: A Ronan character study that I really needed to get out of my system and finally a stable alliance between Krennic and Thrawn!

26 Purple Heron

Idea: @punk--kenobi and I concocted some fun Kanan/Zeb/Hera smut featuring Lasat heat cycles.

Result: Ah this came out so cool, full of emotion and wonderful imagery. Massive kudos to @punk--kenobi for beta-ing my portion and contributing some of the best smut one can find!

27 Ninjago Angst Week 2019

Idea: Do some 1-shots for Ninjago Angst Week

Result: ow right in the feels. Each character got a highlight in their own ‘dark retelling of a canon or canon adjacent event’ chapter.

28 Vertigo

Idea: Thing’s don’t go right planetside for Eli, Pik, and Waffle in Treason.

Result: Big oof. I hope Eli can one day forgive me… I even put strain on the end game Thranto! Bittersweet ending and lots of angst.

29 More Than Just a Treat

Idea: What is Obi Wan up to in the desert…

Result: Aunt Beau and baby Luke baked him cookies obviously!

30 Datura Metel

Idea: Continuing the Datura cycle…

Result: Just how Eli ended up where he did in the first installation.

31 Here & Now

Idea: Some Thranto Fluff! For @jewelliffer

Result: A camping trip for shore leave! And a marriage proposal for extra sugar.

32 Monster Under the Bed

Idea: Benevolent Boogeyman Chiss

Result: Modern AU Thranto spooky sillies. Bit of an intense climax but they talk it out!

33 Haunted by Sentiment

Idea: Nath is in denial of being the Squad Dad for @glassprowlers

Result: Nath’s very bad no good oh so terrible day! It's very silly and I really like how it ended up, the title is way more serious than the story itself XD

34 Pulse

Idea: Werewolf AU Lavashipping

Result: Oops Kai is a werewolf! Good thing Cole is here to help him figure out how to press on.

35 Stories from Area 51

Idea: remember the raid Area 51 meme? I do! Gotta clap them alien cheeks!

Result: Oh no it got PLOTTY! Pretty much all of my favorite characters and ships cherry-picked and plopped down into a Men In Black style facility in the middle of the desert. I really have a thing for the desert huh…

36 Good Day

Idea: The “truth” behind the “Good day, Lieutenant Vanto” from Thrawn in Treason.

Result: Oh stars the FEELS! Thrawn is in deep water and he KNOWS IT! GAH!

37 Fur Ball

Idea: Chiss are mogwai/gremlins…

Result: Silly Thranto fluff. Thrass shows up too! Feeding them after midnight is actually a good idea here… Grow your own ideal man!

38 Came Back Haunted

Idea: A mission fic centered around the @peters-pumpkin-day prompts.

Result: Ice planet survival with Tarkin, Krennic, Galen, and Ronan.

39 Sewn Together

Idea: This drawing actually is what lead to the fic-

Result: A fairly unique reuniting of Thrawn and Eli after both return to the Ascendancy.

40 Spiked Heron

Idea: Oh no… Kanan gets himself in deep poodoo this time.

Result: Devaronians really like humans huh? The next chapter is half way written I swear it is coming soon!

41 A Colder Embrace

Idea: Thrawn/Purrgil/Ezra and Luke/Wampa for SW Rare Pairs.

Result: It's very cold on Hoth… and even colder in space.

42 Surround

Idea: Luke/Wedge for SW Rare Pairs

Result: Luke has to confront Wedge post ESB regarding what is, essentially, his deserting the Rebels.

43 What Happens Planetside…

Idea: Eli/Pik/Waffle for SW Rare Pairs

Result: heheh a scrumptious Eli sandwich! And surprise tentacles because, well, why not?

44 Hesperidium

Idea: Fluffy Kylux for the Kylux Secret Santa event

Result: Ah its so sweet you might get a cavity

45 Reanimator

Idea: Lovecraftian eldritch horror Thranto

Result: This is the sort of project that it takes 2 months to fine tune each chapter, so bear with me, but I can promise a wonderful, creepy ride is ahead!

46 Floral

Idea: Luke/Faro for SW Rare Pairs. Enjoy the Jedi lovin’, @myevilmouse

Result: Sex pollen and accidentally defecting from the Empire. Whoops!

47 The Harch

Idea: Bouncing off of THIS art by @mamidlo , we worked together to create this plot. Very much inspired by the Hammer Horror films, such as Dracula and Frankenstein.

Result: A fun and spooky romp of Kallus and Zeb getting trapped in a creepy castle featuring mind controlled drones and a species-obsessed Harch. This was my first time posting the entire story at once, too!

Wow, I can not believe how much has been written this year. Thank you all again for reading and kudos-ing and your amazing comments. I’d not be here without the support and love <3 Cheers to 2020 and much more fic ahead!

#ysalamiri-queen writes #year in review #too many tags XD so im not even goign to try

16 notes · View notes