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#Look i work in animation ok and not EVERYTHING is about Disney
atticcreationz · 1 year
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Dimension 20 Neverafter is to The Disney Live Action Remakes as Starkid Twisted is to The Closure of Disney's 2D Department SEND TWEET
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Hey there, love
I'm Sirius and this is my attempt at an intro post. anyway, you can call me siri ;)
pick any pronouns from: he/she/they || I'm genderfluid || INFJ
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Sooooooo, if you wanna know, here it goes
Gonna tell you there's a part of me that shows, if we're close
Gonna let you see everything
But remember that you asked for it
I'll try to do my best to impress,
But it's easier to let you take a guess at the rest
But you wanna hear what lives in my brain and my heart
Well, you asked for it
For your perusin', at times confusin'
Hopefully amusin', introducing me<3
I've never
really been into cars,
I like really cool guitars and superheroes
And checks with lots of zeros on 'em
I love the sound of violins
And makin' someone smile
(yes I just inserted a disney song to introduce myself. go listen to it if you want it's called Introducing Me by nick jonas)
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my life motto is "do no harm but take no shit". That's right, I have my wise moments.
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I'd say this mood board just about sums up my personality, except, as all humans are, I'm obviously more complex than that.
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@her-midas-touch is a poet and wrote this for me hehe:
Run out of metaphors great enough, my fingers paint a wraith
To faint to capture essence, mere shimmery traces of feelings
Every cheshire cat smile, every whirlwind idea, every leap of faith for every apathetic eye, missing the moment, is a soul
that sings
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✧ ೃ༄*ੈ✩💐
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click here for the playlist on Spotify by my lovely siv @good-oldfashioned-lover about what my soul is supposedly made of.
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this is my ao3 acc feel free to check it out
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feel free to interact<3 promise to advice/ listen if you wanna vent/ hyperfixations
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lovely mutuals:
@good-oldfashioned-lover @her-midas-touch@daydream-of-a-wallflower@hermioneswifeee@literallytoogaytofunction@lilbeanz@reisbackinblack@dementorfromazkaban@deprivedofbraincellsandsleep@starryrain@lizluvscupcakes@urbanflorals @accio-sriracha@siriusly-remu@werewolfenthusiast@none-of-it-was-accidental@feelin-sad-and-gay@jaylienpotter@illustratinglaura @nothingtoseeherebyeexx @silverscreenlipstick @moonysversion @mochami-mochi @sleepinginmygrave @icarus-last-fall @a-beautiful-fool @shuhuaspookie @xi-phos @here-for-a-good-time-hopefully @stars-over-ice-cream @kaaaaaaarf @re-is-back-in-black@rookofthekingom@toxik-angel@marylily-my-beloved@good-oldfashioned-lover-girl
(i hope i got everyone?)
mess with my friends and I will hurt you :)
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Things I love:
singing, marauders era, any and all kinds of art, poetry, books, fanfiction, the harry potter fandom (jkr can piss off tho), arctic monkeys, k-pop (bts, txt, svt, skz, treasure and a few more bands), renne rapp, taylor swift's music, conan gray, plushies, the moon, the stars, basically space, chai, biking, CHOCOLATE, nature, writing, badminton, musical instruments and a million little nothings
currently listening to: space girl by Frances Forever
fav authors/books: ruskin bond, the alchemist, ronald dahl, to kill a mockingbird, memoirs of sherlock holmes, and many more im too lazy to type out. ok look i love reading but the last thing i read was definitely on ao3
movies/shows: Heartstopper, Red white and royal blue, Loki, hazbin hotel, helluva boss, Night at the Museum, Marvel (not sucha fan of mcu), highschool musical (2 is my fav), Luca (2021) and most other pixar and disney movies, (i love animated movies so much)
bollywood has only managed to make a select few good movies out of which im absolutely crazy about like znmd, dangal and super 30
DNIs don't work so I guess I'll just say: fuck around and find out :)
this video made by the wonderful @urbanflorals is so me, i wanted to add it<3
alright ty for visiting my blog, you are welcome to stay
Toodles<3
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blackfilmmakers · 5 months
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“Learning more from our cultural consultant Dr. Aomar Boum about the cultural traditions of the Amazigh people in North Africa, including their history of braiding and ornamenting long hair, inspired me to explore a box braids hairstyle for Asha.” -Bill Schwab
So y’all choose to showcase all this “research” by:
1) Ended up not giving Asha any hair ornaments, and a chance to give her a unique and distinct design that helps best represent her culture
2) Choosing micro “box braids” of all afro-based hairstyles to give to Asha, despite the fact that box braids wouldn’t even look like whatever y’all gave Asha. For one thing that particular style takes a lot of time and a lot of hair and a lot of work, all of which Asha would not have, nor do I think that’s even her character. It’s also not a common hairstyle people from North Africa would wear at this time. If they did it’s usually in 2-10 braids
3) Design said box braids in the movie in a way where it’s hard to tell whether they are braids or twists, and honestly I think they do a bit of both. Doesn't help their animation makes everything look muddy, so you really have a hard time telling. And no it's not because of poor YouTube quality, we've seen Disney provide us official screenshots from the movie, it just looks that bad. One side of her hair aren't even box braids, they are clearly cornrows. Not that we don't mix box braids and cornrows into our hair sometimes, but it's obvious yall just didn't care to make the distinction. Here's a hint to recognize box braids: they are parted in "box" sections
4)Making it seem like black hair is stiff and lifeless despite all the movement Asha be doing. There are plenty of references of black girls dancing with their braids yknow, moving. They couldn’t look at any references?
“It’s a fantasy it’s not meant to be accurate” ok then don’t bother consulting with anthropologists on this subject then. Don’t boast how much “research” you guys do only to show that’s not the case and you don’t even listen to the experts. Not that listening to one person is enough. You’re representing a group of people that hardly gets media coverage other than “bad desert brown person”. But I guess that's fitting Disney shows how little they care looking st the genocides they supporting
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jq37 · 4 months
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Please let us know if you solve this mystery!
OK! It’s the end of the year so let me compile everything I was able to come up with (with the help of everyone I dragged into this–you know who you are and thank you and I’m sorry). 
To anyone who’s just seeing this and doesn’t have context, in November, right before the movie Wish came out, I made a longish post questioning who Allison Moore was (which, incidentally, is the first post that comes up when you Google “Allison Moore Disney”).
The reason I was curious about who this random writer is is because she’s credited as one of the co-writers of Wish, Disney’s 100th Anniversary Feature Film BUT she has no obvious experience writing for animation, children, or fantasy when everyone else on the main team has credits on stuff like Frozen and Encanto. I thought it was bizarre that there would be someone so green on a project so big so I went digging. 
Here’s what I learned:
(1) Moore wasn’t originally announced as being attached to the project. Chris Buck, Jennifer Lee, and Fawn Veersunthorn were all mentioned when the project was officially announced in Sept 2022 (for example). Moore was not. And you’d think they’d mention the *co-writer*, right? You don’t start to see her name until a year later in Sept 2023 when the trailer dropped (for example). So it seems like she was brought onto the project later. Of course, this could just be a normal quirk of the industry or something I’m misinterpreting, but I think it’s worth mentioning. 
(2) Moore seems to have a lot more credits in stage writing than she does in screenwriting. I wasn’t able to 100% confirm it until recently (I’ll get to that in a second) but she’s written a bunch of plays and it seems like this is where she has most of her bona fides. 
“Allison is the recipient of two Jerome Fellowships, two McKnight Advancement Grants and the Bush Artist Fellowship.”
That sounds fancy. But it still doesn’t say “Top Choice for Disney Anniversary Movie” to me. That’s not a statement on writing quality. I haven’t read/seen any of her plays. It’s about the subject matter. Look at some of these synopses:
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None of that really screams Disney. Which isn’t to say people can’t have range. George Miller wrote all the Mad Maxes but also Babe and both Happy Feet. But if I was hiring someone for a really big project, I wouldn’t want that project to be their first attempt at expanding into that genre. 
(3) This isn’t actually inherently important but she was on an episode of Nailed it. That’s where this picture comes from:
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She won the first round and the game ended in a three way tie for the first time in the show’s history. 
The only reason this is noteworthy in the larger scale of things is that, until very recently, this was one of only two places online you could see Allison Moore talking. The other is this very short interview on the red carpet during the premiere. 
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There’s nothing in that interview that explains anything. It’s mainly her talking about how it was fun working on the movie and how good the movie is. 
Honestly, good for her for not being Extremely Online, but it really felt like I could get a bit of a handle on everyone else who’d worked on this project in a high profile way but not her. Which is part of why I started down this rabbit hole to begin with. There was nothing to show where she might have had a connection or an interest or anything that would connect the dots. 
For reference, Fawn (who was one of the Directors and story writers) has the kind of resume that I was expecting Moore to have when I initially Googled her:
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Smaller jobs on other kids/animated movies (Hop, The Lorax, Despicable Me 2), some storyboard or art work on other Disney stuff (Frozen, Moana, Zootopia, Ralph), and then a big break (Raya and Wish). Based on my understanding of the industry (and I know a fair bit because it’s one I’m interested in professionally) that’s a very typical track to get to the writing side of animation.  
A couple of people speculated that Moore got onto the project in a mentorship capacity. Now, I’m a Black woman who writes fiction professionally when I’m not on this hellsite (affectionate) with the rest of y’all. That means I have firsthand experience with what mentorship looks like in writing–both official Diversity and Inclusion type mentorship and more organic “Let me take you under my wing” type mentorship. I have *never* seen anyone get a job this high profile at the jump just due to mentorship alone. Going from zero to Disney’s 100th anniversary is kinda insane. This wasn’t some B project or something. It was a Big Deal Project. And this is Disney so they could have hired basically anyone they wanted. So you have to assume this was an active decision someone made and not just a thing that happened for lack of options. But in all my searching, Moore wasn’t mentioned except to just say she wrote the screenplay with Jennifer Lee. It was just the baking show and the Youtube clip.
Until today.
(4) I’m going to preface this by saying this doesn’t actually answer the question in a big AHA! way, but it is the only interview I’ve seen about Wish from Moore besides the red carpet clip.
On December 15th, Moore gave this interview with the San Antonio Current.
I stumbled across it while searching for a different piece of information and eagerly clicked to see what she had to say after three weeks of silence after the movie dropped on November 22.
Here are some highlights:
-In high school she was a theater kid and thought she wanted to pursue acting. 
-I college she did playwriting and eventually she got her MFA from Iowa (which has a weirdly great MFA program btw, and also, this interview is how I confirmed she was the playwright Allison).
-When she started on the theater track at her college, she told them she was a playwright so she could study that too even though she’d never written a play before. So it sounds like Wish isn’t the first time she’s just jumped into a new thing without experience. You have to respect the hustle.
But this is the most important line in the interview because it’s like, an answer and a non-answer all in one. She’s asked, “How did you go from writing plays to writing for TV and film?”
And her answer is, “I had a whole career writing for theater, and then when my son was born, I realized I needed to make more money, so I started pitching for TV. I worked in television for about a decade. In the midst of working in TV, I continued playwriting. That's how I got on the radar at Disney.”
Which kind of sidesteps the most intriguing part of the question? Like, first of all, it’s not 100% clear if she means her playwriting or her TV writing caught Disney’s attention. I’m guessing playwriting, but I could be wrong. Secondly, who is “Disney” in this situation? A Disney recruiter? A Disney director? Did Jennifer Lee see a production of Slasher: A Horrifying comedy while passing through Texas and think, “Her. I want her to be my co-writer on this children’s film.” And what did she do to impress them so much that they right away put her on the the *Anniversary Project*? Like, I know I keep harping on this but I can’t stress enough how big of a deal this is. It’s hard enough to write for just your average sitcom or little movie. To just jump on something this big is baffling. I obviously don’t expect Disney to be justifying their every hiring decision publicly but, usually, when someone is doing something like this, it’s very obvious why they were chosen and, even with this sliver of explanation, it’s still frustratingly opaque. And with the strange post hoc timing of the interview (seriously, doesn’t promotion usually happen PRE movie release?) It almost reads like an interview that exists because someone realized the lack of any online presence was weird. 
(5) When she was a kid, Allison Moore had a crush on Fox Robin Hood. That’s not at all important to the mystery, that’s just information she volunteered during the interview and that I’m now sharing with you. So when you search her name now, the top results are me wondering who she is, her IMDB, and her talking about how she liked Fox Robin Hood's little hat. Which isn't a LOT of information, but it’s more than we had before and that’s something.  
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artoatsblog · 3 months
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Did you enjoy my dumb middle school au?
good because here's more on it.
Ok first things first, Rick and Nicky were made in a lab, they look kind of off normally and they can turn into flesh abominations for fun.
Nicky acts aloof but they just don't know how to talk to people, Narcis says shit like "Yeah, I hate humans too, I hate them so much we should be friends." 2012 website behavior/pos, it works too because Nicky thinks their unironically cool.
The challenger can pick up people twice his height with literally no problem.
Due to how Nicky was made they have the defect where their limbs, just, fall off, their "parents" (The dockers who made them) give them prosthetics and tell them to cover up (there limbs grow back, don't worry), at one point challenger saw their robotic arm and Nicky said they were a robot, challenger believed them.
Rick needs glasses but he never where's them because he thinks there for nerds (he bumps into everything.)
Hurricane usually has dreads but whenever he has his natural hair out, it, is, so, large.
Gabby jay is only 10 years younger than the original version, but he looks far younger, he has one (1) gray hair and stars crying about it and then Hoy drop kicks him into space.
Dragon Chan is still named Dragon because his ass is HYPERFIXATED on them, almost all of his shirts have dragons on them, Rick ones showed him a dragon anime about maids and he almost fainted, he loves Eragon, he loves lotr and wants dnd.
Dragon also has a lot of acne.
Aarn is Dragon's only friend, Aarn is also a metal head.
Everyone is convinced that Heike is an alien (he's not for the record).
Heike is friends with Narcis and Bob Charlie
Charlie sees the odd shit Heike does and just goes "Oh, Heike you're so silly :)".
There's a paranormal club with three members, mad clown who only joined because his mom said he needed to make friends, Masked muscle the founder of the club, and Aarn who talks about getting abducted one thin (lie).
Heike dresses like a 2000's Disney channel star he unironically wares a skirt over jeans.
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onesaltysir · 5 months
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I need to settle this with myself, I can't decide if it's a good movie or not. Debate material under cut.
Eva Gabor slays as Miss Bianca (my queen) both times so that's an automatic yes from me. The story itself was also not bad.
On the other hand the animation threw me off because I've always been so loyal to the original 1977 The Rescuers. Milt Kahl's animation is such a big deal to me, that was the best era of Disney and I will not be hearing other opinions because they are wrong.
The egg scene with Johanna and Mcleach in the kitchen? Made me smile during my surgery recovery. Animated movies rarely make me smile. That scene was peak cinematic gold.
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The absolute deciding factor is if Jake is sexy or not. Now for the record I am 100% team Bernard. Thicc mouse man with a dumpy and a big heart? Yes maam. (He also has a slight stutter. As a stutterer myself, child me instantly fell in love when my father had me watch the original for the first time.) But there's just something about Jake's charm. That Indiana Jones ass kangaroo rat could punt me into the sun and I can’t tell if I would thank him or dropkick that Crocodile Dundee motherfucker.
Miss Bianca, however, has been and always will be my favourite. Everyone has a crush on her everywhere she goes and she looks so put together but I promise you she is so fucking autistic and probably does Jello shots with whoever wishes to humour her. Just watch the original, and then this is emphasized in Down Under. Fucking icon. God is a white mouse from Hungary with a purple hat.
That being said, let's turn back to the animation. What are these CGI scenes doing in here? Now mind you, overall I *am* impressed with the CGI. This movie came out in 1990 and they combined 2D animation with so many near flawless CGI shots. But why though? The combination was awesome, it slayed, it served. But there was just something about it that seemed so corny to me and I can’t place my finger on it.
And what are these size proportions? Cody is six years old acording to the Disney Wiki. If you are familiar with six year olds, then you know those things aren't exactly tiny. Why is he able to ride on that eagle? Golden eagles are real birds however they are smaller than bald eagles. Bald eagles are large birds but they are not that large. In fact the largest eagle as of right now is the giant Philippine eagle, which is only a meter tall. A six year old can’t ride that. Not only did Marahute fly hundreds of metres in the air supporting an entire six year old and then some, but she was also large enough for this kid to pitch a medium sized tent on. What the hell. Fake ass bird.
Another problem I have is that it takes place in Australia. So why in the absolute FUCK does Cody sound like he's from Nebraska USA? Riddle me fucking that. Mcleach is understandable because he's a poacher, probably dropped in from the US. In fact he sounds like he's from Tennessee so you know his ass did. But come on. Cody? He's a six year old born and raised in Australia. The only characters with Australian accents were two kangaroos, a koala, and Cody's mother. His mother is a stretch though, Edinburgh sounding ass bitch.
Also what six year old owns a large pocket knife? Cody if you don't put that shit down and go work on your colouring book. I swear to god.
What redeems it for me is Bianca and Bernard. Jake really thought he could pull Bianca from the perfect man. Bernard respects Bianca with everything he has, he continually gave her everything he could. Bernard loved her, and Bianca loved him back. Jake tried to shit on her man and Bianca said 'I think the fuck not.'
And yes. I know Bernard is some Hobbit ass motherfucker. He didn’t wanna go on the trip to save Penny in the original, he hates flying, he hates adventure, but Bianca taught him to love that and it was beautiful. He tried it for her and found out that he did love it after all. Bianca brought out his courage, and Bernard brought out her heart. They're the best Disney duo. Fuck you.
I got distracted. The question I want to answer is, is The Rescuers Down Under a great movie or is it a horrible movie? It's not just good or bad. You either love it or you hate it, and I can't decide.
Miss Bianca supremacy for life.
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Help, I can't stop thinking about this Twisted Wonderland AU.....
Ok, hear me out.....every thing is the same.....Kinda.....but the Vice wardens ( plus Kalim ) Over bolt.....
Trey's family bakery gets a bad reputation from Riddle's mom....he's still Riddle's best friend, but deep down he held a grudge against Riddle's family from that day......
Events leading up to the duel between Ace, Deuce and Riddle.
Trey slowly gets overbolt
Slowly regretting his friendship between him and Riddle...
Watching Riddle waste one of his best pastries because of some stupid rule....
Having to see his parents business suffer......and having no power to help....
Hate having to hold his tongue when Riddle harshly punish a student.....
Him have to apologize on Riddle's behalf.....
Having to hold all that in......because his action will reflect on him as a person.....and his position as a dorm leader.
On the day of the Duel, Riddle was being a tyrant as usual......
But when the duel gets intense, him and Cater try to calm him down...... But Riddle never listens as always.....
Off with your head was gonna hit Ace, Deuce, MC, Grim..... That's when Trey cancel it out with his own magic...... Everyone in heartslaybul was stunned by Trey's action. Even Riddle was shocked..... But before Riddle could say anything
Trey loses it.
He tells Riddle off, he vents about all the things that happened to him caused by Riddle's action......that's when he overbolted....
I think Trey's overbolt form would resemble something similar to the Mad Hatter from Alice in wonderland.......from the Disney animated movie of course.....
After the overbolt, it takes time for him and Riddle to become friends again...... He understands that it wasn't Riddle's fault that his family bakery gets a bad reputation.
Riddle tries to be less strict with the rule for everyone's sake....
Similar thing with Ruggie. Gets fed up with Leona and overbolt, but it's different.
Leona makes Ruggie do his dirty work, he doesn't mind because..... Him and Leona are friends..... Right?
He doesn't understand...... Why is Leona not satisfied? He's a prince! Sure not a king but royalty non the less! While he has to play nice and hope for some scraps to be thrown....
Leona has EVERYTHING! he has NOTHING..... SO WHY?! WHY IS HE SO UNGRATEFUL?! PEOPLE LIKE HIM WOULD SEE THIS AS A MIRACLE TO BE PRINCE!
WHY DOES A PERSON LIKE LEONA HAVE THAT LIFE?! IT'S NOT FAIR!
LEONA DOESN'T HAVE TO SEE HIS FAMILY SUFFER! AND LOOKS FOR SCRAPS! HIS GRANDMA HAS TO FIGURE OUT WHAT THEY'RE GONNA EAT TOMORROW! NOT LEONA!
Ok I'm not gonna sugar coat it......Ruggie was gonna basically pull a Jamil move on Leona......
Try to ruin Leona's reputation by pinning the stair tripping incident on Leona.....well, I mean that kinda did happened.... But nevermind that!
gets confronted by everyone, lies through his teeth.....
That's when Leona calls Ruggie out.....and in a short story, said that Ruggie is a no good thief, that only befriend Leona for his status and wealth....
This was Ruggie 's breaking point........after all of this?........no matter what he does............ He'll always be seen as a no good thief in the eyes of other.....
Ruggie's mind went blank....... And he overbolts....the only noise that came from him was that Hyena like laughter....
Ruggie's overbolt would be inspired my the three Hyenas from the Lion king......his clothes are ragged and has bone like accessories on him.....
After the overbolt he tries to talk things out with Leona.....it will take some time for Leona to trust Ruggie again....... He understands why Ruggie did the things he did........he still cares for Ruggie..... But needs time....
( Sorry Jade lovers.....I don't know what could make this man overbolt....... Ummmmm.....ok........I got it........Azul gets tired of Jade's mushroom and throws them out.....Jade overbolts and Floyd beat the shit out of him......everyone is ok! The end)
Now.....the moment Kalim fans have been waiting for.....
How Kalim could have overbolt........
Now, as you see from the voice line that talked about him not being fazed about anything scary because of the amount of kidnapping..... Got me thinking.....
Jamil still used snake whispers on Kalim making him do some weird things........ And instead of manipulating just the dorm members, he manipulates Kalim too.....
Saying that someone here is using some kind of magic on him to make him act out of character.....An Assassin is in NRC......Kalim is fucking terrified, he thought that since he has Jamil with him and he's at a new school.....he would be safe..... No......no he wouldn't.......That's when the bolt starts....
And Kalim buys it......he slowly stressed out on who it could be.... He doesn't show it but becomes more suspicious of other students..... He sticks more to Jamil, he's the only person he can trust..........
Jamil slowly uses that paranoia and stress against Kalim, Making him lose trust in people...... When he met MC and Grim the lil sunshine was happy he can hang out with someone
And not worry about being assassinated.....That's until Jamil brought up the Idea that MC and Grim could be the assassins.....
Kalim didn't want to believe it........but he has witnessed lengths the kidnappers and Assassins would go just to get him.....so he commands dorm students to keep MC and Grim prisoners until the time being....The bolt continues....
When MC and Grim escaped from Scarabia and and came back with the Octotrio..... His opinion of the two changed........they're with students from NRC! They can't be Assassins! They're friends!....... Right.....
And for the passed several days.....nothing weird happened to Kalim! He was back to his old self!
That's what he thought when he suddenly found himself on the edge of the of the dorm lounge...... Almost falling to his death..... Jamil shout out his name to snap him out of it........The bolt is near its breaking point.
Kalim went running to Jamil..... Holding him tightly...... Crying.......he....he can't take it anymore! W..what if the next time he's like that.....he...he could.......
Kalim didn't want to think of that.....
And the Octotrio new what was up........and in the end caught Jamil in the act, with everyone witnessing his true colors.........even Kalim ...........
Kalim...... Was Furious, Betrayed, Relieved......so many emotions.......he can't believe it.......he trusted Jamil........ He could have killed him..........his own best friend........ Manipulated him......betrayed his trust......
The bolt is now over flowing......Kalim has overbolted
Kalim 's overbolt would most likely take inspiration from the Sultan from Aladdin......
After the overbolt, Kalim apologies to everyone....... But.....his friendship with Jamil is now rocky......... Like Leona....it will take him time to trust people again.........
( sorry for not writing for so long.......I'll do one with Rook and Ortho when I finish book 5 and 6..... And I'll even updated Jade's one if I could, happy 2023! )
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tyrantisterror · 1 year
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What do you think makes a good pop culture mermaid?
That's a good question. Looking at mythology and folklore, there's kind of a dearth of stories about mermaids themselves, despite how large they loom in illustrations and just general recognition among mythic creatures. More often than not they're just set dressing - a picture on a map full of other sea monsters, and something to warn young sailors of.
The big mermaid story really does seem to be Hans Christian Anderson's The Little Mermaid, as it's not only one where a mermaid gets a starring role, but makes mermaids more than just a hazard to be avoided. And Hans's story is just... incredibly tragic, with the mermaid in question being so desperate to be with the human she loves that she gives up everything about herself, only to be rejected and die, albeit with the small consolation of gaining a human soul in the process (as in Hans's take, most mermaids don't have true souls like humans, and become sea foam when they die rather than live on in heaven).
So ok, let's look at the thematic connections between Hans's take and the general folklore of "those pretty fish women will lure you to your doom." Romance, and specifically tragic/doomed romance, is heavily associated with mermaids, as is a certain degree of eroticism. Mermaids and humans are attracted to each other, but that attraction is always undercut by some fairly severe and often insurmountable obstacles. There's a degree of envy built into them, too - human sailors would definitely be jealous of how easily mermaids thrive in the sea while they're getting sunburn and scurvy on the decks of their ships, and mermaids in turn envy humanity's ability to go on the land.
But I also think it doesn't have to be doom and gloom. Just because there are obstacles between mermaids and humans doesn't mean that their desire to know each other has to be destined for failure. There are stories where the two get to meet in the middle, and ones where the transformation of one partner to the other's species ends happily rather than tragic, and I think those can be pretty powerful takes. And, like, there's a great LGBTQ vibe to a successful mermaid/human romance - I think there's a reason Howard Ashman, a closeted gay man, was so drawn to The Little Mermaid when he was working for Disney, and why he ended up not only giving the mermaid a happy ending, but rejuvenating Disney's animation department in the process by telling her story so passionately.
So what makes a good pop culture mermaid? Well, they need to be alluring - not necessarily super sexualized, but attractive nonetheless. And they need to be distinctly non-human - fish-y enough to clearly be Other, and preferably in a way that works with their alluring qualities rather than against, because the whole draw of mermaids as a mythic creature is the fact that they're a sort of forbidden fruit, not made for human consumption yet so attractive we'd crash into the rocks trying to get them anyway. They need to be part fish, but not necessarily solely part fish - you can go for a more general sea monster vibe and still hit the visual marks of a mermaid.
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And while it feels less like a pop culture thing and more just an internet culture thing, I'd kick myself if I didn't include how much I like the relatively recent idea of (at least some) mermaids being fucking gigantic. Mermaids are kin, or at least family friends, to other classic sea monsters like krakens, leviathans, sea serpents, island turtles, and the like, so why shouldn't some of them be gigantic? It even works with the theme of forbidden love that's so core to them -it adds one more physical barrier to consumating that romance. And also it's got great potential for cool and terrifying scenes involving mermaids - giant sea monsters are already scary, but one rising out of the water with a very human face twisted into a purposely malevolent expression as it looks at a ship like a toy in a bathtub? That's creepy, that's got story potential.
and it's hot
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Ok so we all know that The Black Coldron is the closest thing to a horror movie we have from Disney (aside from the movie Something Wicked This Way Comes, assuming I'm remembering correctly that it was done by Disney), but what if Disney made all their movies more creepy like? I'm not talking about like if they just dropped the fairy tales and made slashers, I'm talking about the films they've done getting a scary spin similar to the Black Coldron. Like Sleeping Beauty, Cinderella, Beauty and the Beast, etc. How do you think your favorite Disney films/villains would turn out if Disney let themselves go into the dark side?
And for the other side of the coin, imagine horror films getting a more... Well, family friendly feel/look. The plots are still the same, but they get Disneyfied. How do you think they'd turn out? I'm personally willing to bet all my money that Jason would be a classic Disney prince(ss); lives in the forest, one with nature, seen as one of the more kinder/sympathetic of the slashers, etc (and Chucky would definitely have some Dr. Facilier thing going on with all the voodoo)
Oh I love this concept!! First of all- Disney movies getting a darker twist.
Considering most fairytales and mythologies are dark in the first place- it wouldnt be very difficult. Unfortunately though I can't think of anything original 😅 Most everything has been done before with dark disney. Sorry I can't be more creative!! Haha 😅
As for Disney-Horror though!! I actually do have some things in the works for that- silly crossover things XD Like:
Hercules with Y/N as Meg, Jason as Hercules and Freddy as Hades. (Just fits so well?? 😅 )
The Princess and the Frog with Y/N as Tiana, Michael as Naveen and (Yes!!) Chucky as Facilier. (This is for sure the most crack, but I love Michael and Chucky together as a concept so 🤷‍♀️)
The Lion King, with Y/N as Nala, Thomas as Simba and Hoyt as Scar (a la the creepy Madness of King Scar scene where Scar Hoyt will try to convince Y/N, Simba's Thomas' betrothed, to help create a 'Host of little Scar's' with him)
Apart from silly x reader nonesence- I can truly see some of these Slashers as Disney movies though!! Haha XD Maybe I'm crazy- but- Jafar's and Jasmine's whole slave girl scene is farr creepier then anything Freddy did in the first ANOES. He was still invasive in that movie of course, thats the scary thing about Freddy, but with less then 10 mins of actual screentime he was not the full-on, backwards ✌️ sign in front of his mouth kind of sexual predator character that he builds up to. They could definetly keep the 'I'm your boyfriend now, Nancy' line considering the way Hades talks to Meg in Hercules and mayyybe the phone thing too (After all... Greasy did full on stick his hand down Jessica's cleavage in WFRR and that is a Disney movie folks XDD)- it's just the actual slashing that's posing a real issue!! XD😅XD😅 But Freddy's method of killing can be cushioned, I guess- make it more ambiguous and fantastical? With the dream powers and all. ANOES definetly has the magical element+larger then life, handsy villain+memorable setting+memorable heroine, which seems to be a tride and true Disney movie sum XD I dunno, take this or leave this- I'm just talking! XD 😅
Also Freddy has the greeeeen element, you know?? The limeeee green?~~
... plus if ANOES is animated you can have the original cast back *cough*
AND I LOVE YOUR DISNEY PRINCESS JASON IDEA!! He is absolutely majestic enough. Imagine that's how he knows where all his victims are, though?? Squirrels and little birdies tell him XDD
Imagine that movie though!!! A backwards Slasher with Disney animation and a KILLER ZOMBIE PRINCESS. He can talk to forest creatures so you can't hide, he's hard-working so you'll never get away, and his mother is dead. Because, obviously. They're all dead.
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^^^^ this fucks me up (negatively) WAY WORSE THEN FREDDY'S SLIMEY TONGUE
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dausy · 5 months
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I have officially lived in El Paso for a year but if anybody asks I've only been here for a few months ok. I gotta still use that "I'm new here" excuse. But here's my thoughts on this city from an outsiders point of view looking in. This is in no way to shame any persons or cultures, it is just me pointing out differences compared to other places I've lived.
So first things first, I have lived in many places in my life and every time I move, the locals ALL say the same things "Nothing ever happens here/its boring here/theres nothing to do here/we have the worst drivers". Everybody self depreciates and never has anything nice to say about where they live.
El Paso has what I consider some major positives to me. Because it does have things to do here. Theres an outdoors community. There are hikers and there are outdoor rock climbers. I suppose somebody out there goes hunting but I don't know anything about that. I'm sure theres somewhere to go kayaking too. But we are in the desert and theres a lot of brown, so its different than outdoors on the east coast.
There is shopping. I really care about "living in suburbia" I want, what I consider, my "luxury" stores. Before I move I google the stores a town/city has because if they can afford to have certain stores then they probably have a level of comfort that I enjoy in my every day life. El Paso does have a huge, living mall. Malls are dead and dying elsewhere, you're lucky to see a bath and body works in some places. El Paso, does have one thats alive. Which is an oddity these days. It doesn't have a food court but it does have the new Abercrombie adult line and an athleta and a lululemon and your boxlunch stores. It has some cool anime and gaming stores. It has a lot of those japanese gotchupon machine things. Like its very nice. On the other side of the mall they have a kpop store. They can afford things like those sushi restaurants with the conveyor belts. They have an outdoor outlet mall with a disney store!!!! (!?!??!), a whole foods (!!!1) and ofcourse other things like top golf and one of those touristy skydiving places. The few things this city is missing is theres no IKEA, no REI, no bass pro shop. But I was honestly just happy to have a homegoods and a super target. The one walmart and super target they have down here are REALLY nice. Thats probably setting the bar low but when you're used to driving an hour+ away to get to these things, its amazing to have them.
Also, I've been a spanish student for many years now and I really wanted to obtain some form of immersion. I could literally walk to Juarez. I can look out my window and see Juarez. There is spanish here. I have learned a TON since moving here.
now some of the odd things that I've noticed: again this is not to attack anybody. Just because I'm not a fan doesn't necessarily mean anything is in the wrong, its just different and culture shock. I think this is the weirdest place I've ever lived in and we lived in Japan and Albuquerque, ok.
Again, the spanish language. Not a jab, I wanted to learn and I'm learning but it takes a special type of person to learn a new language, especially as an adult. America is so huge that in many places you are lucky to hear something other than english every blue moon. People here in El Paso have told me "you don't need spanish to live here" but they do NOT understand that the amount of spanish spoken here is so foreign that it feels like you're in a different country. The last time my brain felt this overwhelmed with another language was when we were traveling through Italy. The return plane trip back, when I heard an American accent for the first time, I literally felt like my brain melted in a sigh of relief. Thats how I feel here. You step outside and everything is in spanish. At walmart the signs are in spanish and the overhead announcements are in spanish (in english too, but in Powell Tennessee you are not going to see or hear anything in spanish) it is so blatantly in a different language. I can go an entire day at work and every single one of my patients speak spanish only. Even though I really wanted to learn and I want to say I'm conversationally fluent, it is so far outside my comfort zone, my brain wants to run back to east coast, so it can relax in english.
The other thing is, I have heard that El Pasoans are extremely friendly and they will welcome you into their houses and treat you like family and feed you food. Which is probably true and I have had coworkers feed me but the general population, outdoors, in public settings do not show friendliness the same. Again, I don't mean this negative, I don't mean that the population is a mean population, its just different.
When I first moved to Tennessee, we were looking for a house and we would get creeped out so bad by people. We would be driving through neighborhoods and everybody outside, whether they were walking their dogs or playing with their kids, they will stop to wave at you and smile like robots. If you are standing in line at the grocery store, the person behind you will start up a conversation with you about anything. They'll ask you how your day was and what you plan on doing later. Its a very overly creepy nice and it took a long time to get used to. They do similar in Georgia and Alabama. I could be an axe murderer and everybody smiles and waves at you. Its creepy.
somehow, I kinda miss it. Here in El Paso, you could be walking through a store, nobody is going to look you in the face, nobody is going to apologize for being in the way/moving out of the way/if they need to squeeze by. They wont shoulder check you, but they're not going to make room for you and they are not moving out of the way. Its the same thing when crossing the street in a parking lot. They're not going to look both ways before crossing the street. They're not going to apologize for walking out in front of a car. If I'm the pedestrian, a car is not going to stop for me. I have never heard one "I'm sorry/excuse me" since being here. Again in the southern east coast you tended to get caught in "no you first" arguments. Whether you're at a 4way stop or trying to cross the street. I could be walking my dog and I may try and wave a car on because it would be faster for the car to go first buts its a guarantee "sign language" fight of "no you go first" before I have to awkwardly sprint across the street because they insisted I go first. They don't do that in El Paso. It is very much everybody is in a personal bubble, they don't want to talk to you or acknowledge you and theres no self depreciating "Im sorry for existing, pardon me as I squeeze through here" like there is where I came from.
and the drivers too. So I would actually argue people drive vaguely slow here. I don't see many people driving faster than 65 other than the odd sports car. Everybody drives pretty slow but they are a literal almost 1million person population so there are A LOT of cars on the road in certain areas. The people here do not want ANYBODY in their lane. They do not want you to go any direction but straight. I may put my blinker on a couple exits in advance to let people behind me know I plan on getting over and that is the ONE time they will decide to speed up to prevent me doing so. I don't understand why. People will speed up to keep you from getting over and they may not even need in that lane. They'll keep you from getting over only for them to then need to keep left. Like, why? I hate driving just because of this. I got rearended twice when living in Savannah and I almost prefer their method of just speeding while playing on the cellphone more. I guess because obviously these people are paying attention while driving and their thought it obviously "OMG NO, YOU CANT GET HERE, SPEED UP" its such a jerk thing to do. I don't understand it.
which reminds me of other bizarre car behavior. It hailed here some odd weeks ago. And on the east coast, people will just leroy jenkins it and keep driving. Some people (like motorcycles) will get off the road, but if its a tornado or hurricane you just drive through it blind. For fun. Here, this is the first time I've ever seen this. Everybody squeezed their car to try and fit under the overpasses on the interstate. It was a 3 lane road and it wasn't just like a couple cars off the side of the road under the overpass, it was a good 20 cars smooshing at awkard angles to fit under this overpass and blocking all interstate traffic until the rain stopped. I kinda like zigzagged and squeezed my car through to get past the stopped cars. NEVER seen that EVER. So WEIRD.
but otherwise, the other thing El Paso has going for it is I've actually managed to find a coffee shop I like more than Starbucks. I've been to many a home-town coffee shop that just tastes like dirtwater. I feel like surpassing starbucks taste shouldn't be that hard. But I found one here. Best iced coffee and el-paso-mex cafe food.
but I'm ready to leave here for sure. Do not want to be here for another 6 months.
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runthepockets · 6 months
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I've been thinking a lot about "the war on masculinity" today and I came to this conclusion: I don't believe there's any grand war being waged on it, or that men are being "pussified", or whatever, but I do have reservations and resentment toward anything that boils down to "if men would just embrace their feminine sides and paint their nails and wear pink and show their soft sides more, everything would be perfect!" and nothing beyond that.
Look. I like stuffed animals, and chick flicks. There was a point in my life where I was a "boy with long hair" (I had dreads and cornrows till I was like, 14) I tell my little brothers and my dad and my roommate and my friends and pretty much everyone I love in my life that I love them and miss them and am proud of them and when I'm sad or insecure like, every day. I'm chill with dudes who like makeup and skirts and pink stuff, and wholeheartedly believe there's merit and letting these guys know they're as sexy and desirable as any flannel wearing, beefed up dude. I'll admit that there was a point in my life where I was that of your standard homophobic middle school straight boy where I turned my nose up at / mocked guys like that, but now I'm older and wiser and learned better and I have no ill will or condescending remarks or anything to say toward them. I know all that soft stuff pretty intimately, and feel no shame in admitting anything of it.
That said: I still kinda hate the idea that in order to be seen as "nonthreatening" I gotta divulge all of these things about myself. I won't say it's a large scale issue, or whatever, but I do sense the hesitation when I see people recommending that men who worry about their positions as patriarchs under patriarchy and what that means for the women and kids and gay people in their lives, who have never explicitly expressed any prior interest in experimenting with their presentation or interests or genders, simply "accept the feminine side they're so obviously in denial of" as the solution to combatting the capitalist white supremacist patriarchy and the rigid gender roles they're beholden to rather than, like, advising those guys to pick what they like about their current interest / presentations and shirking off all the bits that come off as chauvanistic (IE: I'm a heterosexual, working class dude from the south. I like guns, I like fancy pocket knives, gritty rock music, I like old school muscle cars and 90s pickup trucks and doing shit with my hands. I'm also black and a huge nerd, and am fully aware that these subcultures are very gatekeep-y toward women and gay people, let alone myself as another straight dude solely because of the color of my skin, so I just treat everyone that shows any interest in them the same as I would any other dude.) and simply proceeding on as you were before.
Again, I think it's great that men are very openly wearing skirts and painting their nails and watching magical girl animes, and stuff. That shit is wicked, and I know the occassional "friendly reminder that it's ok for boys to be soft" or "I love boys who've undergone the trials and tribulations of unpacking toxic masculinity, I feel so safe around them" post is helping more than it hurts, and generally isn't the grander opinion society draws to and needs to be said as a result. But also.....idk man, you can't be telling me the only way to escape hegemonic masculinity as a man is by being more like Harry Styles. Or by telling girls you listen to Pop Music and cry over Disney movies. Like even in a world without patriarchy, that's not going to be most men. Even under patriarchy, that's not all women. That's not a sustainable mindset. This can't be all there is. Surely there's a way to enjoy action movies and archery as a man without alienating the marginalized people around you or having to compromise yourself.
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misguided-madness · 9 months
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As somebody who grew up in Southern California, one of my favorite places in the world is Disneyland, the original park that Walt built. When I was young, I wanted to be an animator and work for Disney. As the crazy kid that was in advanced placement art all through junior high and high school taking college level art classes and such, It was one of my dreams. I was also one of those kids that believed in the magic of Disney and in fairy tales. Something that every Child that falls in love with Disney gets to experience, but as an LGBT kid I didn’t get those reflections in those Disney movies or even in society until recent years. LGBT characters have not been so main stream. Yes, we’ve come a long way since then, and I am a believer that change does come sometimes slow, but that’s how you change hearts as an advocate and activist for the LGBT community for all of my life and running an LGBT organization for 20 years, I’ve learned it takes one heart at a time I can remember moments when I saw the fairytales reflected with me as a reflection they were little tiny things you know the way Jafar from Aladdin seems way too gay and too obsessed with Aladdin I’m just saying, Captain Hook, or how Clocksworth was such a prissy little queen and Lefou was clearly obsessed with Gaston! Heck to this day, I still think Maleficent might a lesbian and all those princes, well little girls were not the only ones crushing on them! Although Disney didn’t directly have the characters in films that reflected me completely. They did reflect the stories of people that were different and how different was good, I mean the first time I was a little boy about three or four years old I remember meeting Mickey for the first time, Mickey hugged me just like every other kid. I’m proud to be different and part of LGBT community, I even still believe in fairytales , even through my current frustrating and sad ending of my long marriage. I know my story is is not over, there’s a happy ending for me, it hasn’t turned me away from being proud or wanting the the prince that loves me and is out there waiting for me. My fairytale isn’t over, I just meet the wrong prince. Ok you get what I’m saying. So, this past June Disney had the first ever official pride night at Disneyland, there have been pride events in the past at Disneyland, but they were not sponsored directly from Disney. I’ve been to a couple of those. But this magical night was the official endorsement of sorts that everybody deserves that Disney fairytale. There was lots of coverage, boycotts, and such and don’t get me started on everything that’s going on in Florida and Disney World. I’m just talking about Disneyland. I watched lots of videos about this special night at Disneyland and secretly would’ve loved to have been there. It just seemed so magical. Well this year being it’s 100th anniversary I wanted to visit the park doesn’t look as though I’ll be able to do that part. I find myself watching some great videos on YouTube, which brings me to my point. The video that I have attached to this post. It’s truly the most beautiful coverage of this event. It’s about 15 minutes long. You should definitely watch it. It warmed my heart in a way that wasn’t because of its content but because of the message that they provided in their coverage, how can anyone hate love, we are so divided in this world right now. It’s heartbreaking, It was nice to see something that showed that as I’ve always said, we are no different we all bleed the same. We all love the same, we all want the same things, we all are living our own fairytales, and we all want our prince or princess, our heroes, our villains or our magical friends. You know that happy ending! So take few minutes, watch it, I guarantee you it’ll warm your heart as it did mine, after you watch it I’d love to hear your comments, and let’s not get political or mean, just live your fairytale, tell me that special, Disney magic or Disney moment that you cherish in your heart, I’d love to read it!
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popculturebuffet · 1 year
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Holiday Finale: the Ghost and Molly McGee: Festival of Lights and Saving Christmas Review (comissioned by Weird Kev 27
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Merry Christmas Eve all you happy people! We're to the end of our christmas celebrations for the year but before I close up shop for a day or two, we have one last present to unwrap courtsey of Kev: Last year's holiday double feature from the Ghost and MollyMcGee
TGAMM isn't a show i've talked about yet on this blog, but no time like the present, as it's an excellent show. Just watching these eps I often found myself pausing as the animation is just all sorts of fluid and expressive. That's the standard for Disney at it's best granted but this show just has it's own bouncy style all it's own.
The premise is simple: An overly chipper 12 year old named Molly McGee moves to the failing town of Brighton with her family, finally finding a "forever home" after moving around a bunch. She ends up best friends with Scratch, a cynical , lazy and often hungry ghost who the rest of the ghost community laughs at, who makes the mistake of cursing her with "never leaving her"… and soon despite himself ends up genuinely enjoying this friendship while trying to ballnce that with his job of making people miserable.. not a great thing when his best friend is determiend to make everyone's lives better. The show is a fun comedy, helped by the fact it's leads are two of my faviorite voice actors, Ashly Burch of OK KO and Final Space Fame and Dana Synder of Aqua Teen Hunger Force, Venture Bros, Jellystone and tons of other stuff fame. It was nice to see Ashly get a lead roll and Dana get a lead roll agai, so I was already on board but the show is enjoyable, inclusive, and fairly funny, so I liked it. I'm horribly behind on season 1b, but i'll get to it before the years out. The show made my top 20 episodes list last year and for good reason, so it's nice to have at least one more season of it.
So that brings us to today's review: last year they did a holiday special but nicely, we got a holiday treat as Ghost and Molly McGee is the first show i've seen in a while to do a full on Hannukah special!
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Yeah while i'm not Jewish myself, i've had a fondness for shows helping my dumb ass learn more about a holiday, having grown up with Rugrats Passover and Hannukah specials. It's just nice to help kids learn there are more holidays than christmas and what exactly goes on in those holidays, and spoilers this won't be the last special that isnt' Christmas. And I do love Christmas, I just feel other holidays deserve love too especailly with all this war on chistmas bullshit> The world is wide enough for all holidays and I shoudln't have ot say that but given it comes up every year.. yeah , I do. So put on your yammukah as we have both a happy happy hannukah and a merry christmas in the same episode with Festival of Lights and Saving Christmas.
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Festival of Lights: It's the final night of Hannukah, and the McGees are visting Book Marks the Spot, the Stein-Torres' bookstore. As for that name, i'm.. not a fan? I like the store itself, as someone who loves little independent book stores and used to work at one, in fact that's where I got my complete set of TinTin and first edition of the Colour of Magic among many other treasures due to having an insane amount of credit form working there. It's just the name is…
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Like I get it's a pun on both x marks the spot and Bookmarks, but it just dosen't work. Like… the store isn't pirate themed. I mean books are a treasure, but if you wanted a piratey name that didn't necesarily require a theme just call it hidden treasure books or something. Not everything has to be a pun. It's ran by Libby's mom Leah, who weirdly isn't named on the episode itself but is on the actual wiki page for her. I assume this is a Boonchuy Parents situation where they were named later via word of god because you can't just.. mention that in episode? Please? Make my job easier?
For those new here Libby is Molly's Best friend/probable love intrest, a somehwat shy girl Molly's age who loves beat poetry and clearly molly. Look i've never been subtle in my shipping, i'm not starting now.. though if your new then welcome to the thunderdome bitches! Seroiusly though the two just play off each other really well, are really sweet together, and the list making episode where Molly has to tell Libby.. comes off entirely romantic in Molly's not wanting to loose libby. Could be intentional, could be untetional, we've still got a season to go.
Molly tries to be supportive.. though mostly she just googled hannukah and readas she goes while Libby looks on apprceatively. Scratch is also there but he was dragged there, like the surly teenage sons the McGees never asked for but welcomed into their home anyway since he was there first and having a ghost meant they could get some money back.
Things quickly take a turn though as the lights go out. The good news is that Mrs. Stein Torres has a generator and that Chucky was busy chainsawing someone in half this holiday season, so their safe. The bad news is that it only has an hour of fuel, though people still flock to the store for warmth and Mrs. Stein Torres is happy to have them. MST is played by the incomparable Pamela Adlon aka…
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Though Bobby is, rightfully, her most famous roll and one of her best, Adlon has a rather long and storied career in voice acting: She's voiced Dewey Duck (Quack Pack), Spenelli (Where I first met her), Milo Oblong, Brigette Murphy, and Dr. Joanne on the now cancelled Tuca and Bertie. In addition to that she wrote and starred in the amazing FX Comedy Better Things which I highly recommend and is a talented and wonderful person.
If your familiar with the story of Hannukah you likely know where this is going: As with the oil in the temple under siege lasted 8 days instead of one, giving us 8 nights of Hannukah, the generator will last for 8 hours, with a story for each hour.
Hour 1: Scratch is ready to just run out until he finds out Hannukah involves foods in fried oil. Scratch then sings a whole musical number about fried food while Libby tries in vain to get him to use the actual names. still it's adorable, esecially to see him hang out with Libby for a change, as well as relatable since I too will stuff my face iwth anything fried.
Hour Two: The kids and Scratc h play Dreidel. I still don't quite know how it works, but it's fun to watch the kids all loose it as they all loose, cumilating in Libby winning the gelt and Scratch being pissed off to find it was choclate. Are we sure Scratch isn't just my ghost sent backwards in time and through space? Are we positve on that?
Hour Three: Libby has a spelling bee and asks the McGees to spell Hannukah, which has 16 diffrent spellings. Neat to know, one of the weaker segments
Hour Four: We then get one of the stronger ones, as Libby introuces the Miracle Box, a box where you put in a miracle that happened to you this year. It's a really sweet concept and one i'd love to try. We get the jokes you'd expect: Sharon's miracle is the van is still running, while Darryl's.. is that he didn't get caught. ("It's best you don't know"), while we get some sweet one: Molly's is natural meeting scratch, Libby's Mom's is Libby (She apparently does this every year), and Scratch's, which he spends the segement trying desperattley to not have read aloud as he wasn't aware of that part is the entirely sweet "I used to haunt a house, now I haunt a home
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Everyone present finds it sweet while Scratch is embarassed.. but i'ts also a nice sign of just how far his character has come in only half a season. While he only admitted it when he didn't think anyone else would eve rknow, it's still sweet to see him accept that this is his family now.. and his life is better fo rit.
Hour Five: A truly excellent bit of slam poetry by LIbby about the tale of Hannukah. Also a nice call back to her talent for it that was revealed earlier in the season> This show has a really strong continuity and I love it for it.
Hour Six: Scratch eats too many Latkes… methinks they didn't have enough time for another segment, but given how serious the segements before and after this one are, it's fair enough.
Hour Seven: We get a really nice, if suprisingly somber segment as Leah talks with Abby, a local baker played by Eden Rigel, sister of Sam "Pull on My Motherfuckin Beads" Rigel. Eden's best known for voicing Boscha on the Owl House. Abby is also Jewish but has admitely not practiced her faith in some time, but seeing the Stein-Torres Menorah reminds her of it and Leah warmly welcomes her to it… and to her family history. As it turns out their Menorah was the only thing her grandparents took with them when they fled Germany from the Nazi's. The show dosen't come right out and say that.. but anyone familiar with history, paticuarlly Krystalnacht, can spot the obvious. It's done painfully well with nice subtly: we only see her great grandparents fleeing with the menorah while a brick's thrown through the window and there's a mob of angry noice.. just enough to get past Disney's censors, but more than enough to get the point across. We also see them as they immigrate, have a son (Leah's father and LIbby's grandfather) and we see a Young Leah light the menorah for the first time> This Menorah is their family legacy an din just two mintues of screentime we see what that legacy means. It's an utterly beautiful piece of animation, just two minutes to show the pride in their history and what they escaped to get there. Hour Eight: The power finally goes out.. only for power everywhere to kick on. Libby proclaims it a Hannukah miracle, Scratch eats even more latke's and this slam dunk of an episode ends.
Seriously this episode is beauitful, a true masterpiece having both hilariaty and a lot of heart. Only the spelling bee bit didn't qutie work for me. it's a nice educational piece that helps tell the gentiles like myself about the holiday. I may still not get how Dredl works, but I feel warm having watched this.
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Saving Christmas:
This being a two shorts show we have a traditional Christmas Specail to follow things up. It's the annual Snowflake Celebration, with the Mayor, voiced by my boy Patton Oswalt and looking just like him, being happy they'll crush perfectborg.. only for the tree to fall apart then catch fire. The Celebration is in ruins and so it seems is Brighton's christmas so Molly decides to find a Donor. Now who in town his rich and has lots of money?
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…. okay maybe save him as plan B. For Plan A Molly seeks out Mr. Davenport, played by Thomas Lennon of Reno 911 and Jellystone fame, whose shockingly shot up as a voice actor in the past few years, taking on a lot of rolls. And given his distinctive southren voice, great comedic timing and general awesomeness i'm on board.
Mr. Davenport is the father of Andrea, Molly's rival and general mean girl sterotype. That said.. Andrea is actually on her side for once: Since the festival has a Snowflake Queen Andrea wants the part and as we'll learn it turns out it's not just for the attention or the viewcount as it normally would be for her and frankly this family in general: while the social media attention is nice, she wants to do it to honor her mom.
Mr. Davenport though.. is a.. what's the term for it this time of year… a holly jolly dickhead. Yeah tha'ts it. Think I nailed that. He says it's a time for making money, that giving someone something for free is against his nature and his daughter can jsut photoshop that bitch.
So in the face of such Scoogey opposition, Molly decides to pull a christmas carol.. my third reviewed this year. I did not plan for this when I set the schedule, as I didn't think about Last Christmas! Being a take on it and assume this one was only a take on it for the last act as I hadn't seen this episode till now (I only watched Festival of Lights last year). But no Molly's entire plan is to Christmas Carol the spirit of charity into this bastard.
Scratch agrees because it's bound to be hilarious and he's right: The next few minutes are just Mr. Davenport hilariously not at all getting the points Molly tries to make and Thomas Lennon's delivery is perfect: showing him his past and how his dad wasn't a good father (with Pete and Darryl playing the parts and both ilariously dressing up for the 1880s instead of 1980s.. then just throwing in rad slang to try and compesnte), that his dad was a great buisnessman, showing him the McGees house just has him grouse about how poor they are instea dof how loving they are, and attempting to show his store closed.. dosen't work because it's an ally and Scratch flying him around dosen't scare him so much as make him want more.
While all of this is funny and a nice subversion of the Scrooge story, as well as a well done one: Molly tried to simply use a full bullet points.. not getting how each stop on the Ghost's journey was pointed: Showing him Fezzywig was to both set up belle and to show Scrooge what he could be, his failed romance with Belle reminded him what his greed already cost him, Fred showed him his nephew still love dhim even as he mocked him, the cratchets shoewd him both true kindess and the cost of his greed, and the future hammered both parts home. Each part was aimed carefully at the target. Molly simply didn't know mr. davenport well enough to actually effect him in any way.
The results though.. are terribly sad. Molly has no christmas spirit left, being utterly defeated and not relaly planning to celebrate tommorow. She coudln't save christmas, so the joy that's usually at the center of her is gone.. and given up to this point we've only seen molly this low when she nearly lost Libby, it's painful to see. We've seen her desperate… but we've never seen her out and out give up.
Scratch is naturally pissed off as hell. Not only did someone break Molly.. but on Christmas. So he decides if Mr. davenport is going to be stubborn about this, he's going to get it the hard way. The hard way.. dosen't quite work as just tossing him around only makes him Giddy. Thankfully, Scratch DOES find something that FINALLY gets through this dickhead's thick skull: Andrea, sadly starring at a picutre of her mom, putting the princess dress away and crying her eyes out. Which made me tear up just THINKING about it and finally gets Mr. Davenport to see that ther'es more to christmas. He agrees to fund the festival as you'd expect.
The ending as a result is super sweet, as Molly awakes to find the day saved, the town sings a song, Andrea gets her moment she wanted.. and Mr. Davenport sees you can use money to make merry.. and sometimes.. that's the real magic. Using what you have to help someone else. He also gets a fuckton of social media views from it, and without that being WHY he did it. Karma does work apparently! Maybe it's just if your rich but either way it's a sweet sendoff.
While it had one hell of a tough act to follow, Saving Christmas is a nice sweet christmas special. It's also really damn funny, clever and the ending is genuinely sweet. It's a good time and worth sticking around for after Festival of Lights. While the former is clearly the main attraction here and the better of the two by a mile, Saving Christmas is still a fun take on a christmas Carol and Gives Thomas Lennon a chance to flex his comedic chops. And both are worth making merry over. Have a wonderful christmas time, a happy hannukah and thanks for reading. I'll see you in a few days for the last few reviews of the year.
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linabirb · 9 months
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OK OK SO. 3 16 24 (i was LITERALLY gonna ask abt 6 and 7 but taru beat me to it LMAOAOAOAO) ummm i wanna see for twst and milgram pls <3
HEHEHEHEHE thank you for sending these sol!!
3. "screenshot or description of the worst take you've seen on tumblr"
twst: OHHHHHH THERE'S A LOT. but i'll keep it short. again, that one bday vignette line and also people saying that riddle will grow up just like his mother despite the character development he got. that one hurts me so much because again, i had said it many times, i have anger issues myself and one of the many reasons why i like riddle is because of how much i relate to him and because he feels so human and not just. you know. "haha angy boi". so seeing things like "ohhh he should never have children because he will treat them like he was treated when he was little" is so. painful.
milgram: tbh there's so many that my brain just kinda refuses to process them anymore ALSO SINCE THE FANDOM IS KINDA SMALL. I FEEL LIKE ALL THOSE POSTS ARE EASY TO FIND but again i'll keep it short: mahiru is NOT a stalker/kidnapper/etc, stop saying she is, she literally said she's not one and i doubt it was a lie and also hhhhhhh i have my. own opinion about whatever is going on with kazui but i don't wanna go into detail but basically. before he himself said that his crime wasn't related to cheating, there were some people who were like.. very passionate about voting him guilty because he's a cheater and like. i'm sorry this is so funny to me like we have a guy who killed a child and MANY different animals, we have a guy who cyberbullied a teenage girl into committing suicide, MIKOTO, SHIDOU LITERALLY ASKED "WHICH ONE" AFTER HE GOT A QUESTION ABOUT HIS VICTIM(S) and cheating is where you draw the line?? 😭😭 ah and also whoever says that it was his wife's fault <3 i'm in your walls right now.
16. "you can't understand why so many people like this thing (characterization, trope, headcanon, etc)"
twst: HMMMMM LET ME THINK ABOUT IT. okay okay let's see. well, first of all, i'm not a fan of the time loop theory simply because i'm not a fan of time loop tropes in general. i'm pretty sure there was a time (i think it was like.. late 2000's-early 2010's? maybe even earlier) where like ALMOST EVERY SINGLE VISUAL NOVEL, GAME, ANIME, MANGA, ETC (but especially vns), used that trope AND I HATED IT SO MUCH. i love it when time loops are used to make a character go through the same painful event over and over again to completely change their character, but most of the time (haha get it) time loops feel like.. basically it's like writers use them to just explain everything that doesn't exactly make sense in-universe. why does this character say mc looks familiar to them and doesn't elaborate? well that's because they've seen them before in previous loops! why does mc know how this world works even though they've never been there? well that's because time loop! why do these two characters are in love with each other even though they've never even talked? well that's because they were in love in previous loops! i can talk about my hatred for that trope for hours, honestly.
okay, let's talk about characterization. tbh there's not much i can say because.. let's be honest, even though twst characters are definitely deep and interesting and fun, their personalities feel a bit "limited"(?) mostly because of their disney counterparts or because of how strong certain traits of their personalities are. and i'm not complaining.. mostly. i really wish some characters had more personality traits. but what i really hate is when some writers just.. throw away all the "ugly" or "unlikeable" traits of those characters to make them more "imagines-friendly". like i'm sorry, but sometimes i just read some fics and go "he would NOT say that". i know that people love the "OH BUT HE'S NICE TO Y/N" trope, i use it too sometimes, but like.. some people just really forget that this game is about characters who are literally based on disney villains. like it's okay, let them have flaws. and i don't mean those flaws that are like "omg he's so shyyyy >///<" or "hehe he can ramble a lot <3" NO. I MEAN ACTUAL FLAWS.
milgram: it's okay. it's okay guys. i promise it's okay that somebody can't see that character being gay or ships them with someone of an opposite sex. it's okay. and that's coming from someone who has almost no straight ocs.
like, listen, i'm a 0104 shipper. i see their relationship as romantic but i absolutely have nothing against platonic interpretations. but when people see something like ship art and go "muu is literally a lesbian btw" i'm like. i have so many hcs too but it's one thing to say that "hey i think this headcanon is very plausible and i think it's very neat" and to go "IT'S LITERALLY CANON" unironically and not as a joke. like idk, i'm just that kind of person who has lots of headcanons but until i see them actually being confirmed, i won't try to make people change their mind. (and just so you know i'm not trying to deny that she's attracted to girls. she has that vibe and she literally says "i love you" when she sees a girl and her pupils become bigger like?? but come on. it's okay for people to ship her with a male character until she literally says that she's not into boys in canon)
kazui is a whole different thing, i really was interested in the whole "yeah he's gay actually" theory and i love the memes, but now that people are saying it's "officially" canon and lowkey just. kinda being annoying, yeah, i don't even want to look at the tag anymore because i want to see actual theories and i don't want to see another "yeah he's gay so vote him inno". i'm not here to say that it's a dumb reason to forgive him, since we are literally allowed to have all kinds of reasons to forgive a character, but i think it's a weird thing to say when this guy really does seem like a very deep character, but i can't take him seriously anymore because of those theories that don't even sound like theories (and i mean it in a bad way and not bc they sound so canon)
24. "topic that brings up the most rancid discourse"
twst: honestly, this fandom mostly has like.. people-related drama, like this artist/writer/etc did something problematic, things like that. but i think if i had to choose a topic that annoys me the most.. these two topics kinda go together but i'll start with mc's gender. it actually doesn't get discussed that often, since we're supposed to see them as a self-insert, but i've really seen people say things like "mc is obviously supposed to be female" or "mc is obviously supposed to be male", etc.
i'm not going to pretend that i don't have my own opinion and i'm going to say that tbh i see twst mc as being male (one of the reasons why my mc is a guy), but that's mostly just because i usually prefer to play as a guy when it comes to games like that. (honestly if i have a choice, i choose fem mcs very rarely, stelle is like one of the few exceptions) however, i never try to prove why i'm right, i just kinda go "eh you do you". but i'm not gonna lie, those who believe that mc is female are the most annoying ones, like i get it, of course, a large part of twst fandom are women who are attracted to men, but also. there are. so many otome games. no literally a huge reason why i often don't feel comfortable playing otome games is because I HAVE NO IDEA WHY but i really just don't want to play as a girl and i don't want those characters to see my mc as a girl. (i rarely see my mc as a self-insert btw and almost always see them as their own character) LIKE I DON'T KNOW CAN'T PEOPLE WHO SEE THEIR MCS AS MALE/NB HAVE SOMETHING. like i literally love twst and obey me (i really should play it more often but again. my phone doesn't like it and idk if it will run on my tablet) exactly because of how "genderless" their mcs feel and that i can just see them as whatever gender i want them to be. and idk it just.. doesn't feel good when people are trying to remind me that "btw mc is obviously supposed to be a girl" especially when i already kinda know that considering the audience/demographic.
the second topic was probably more popular to discuss when i first got into the game and when it first came out: character x mc or character x character. i was a big character x character enjoyer and didn't really care about character x mc at first until i got interested in riddleyuu and malleyuu. but yeah, watching those sides fight was like. guys you both are losing. like some character x character fans were being mean and hating on self-inserts and some character x mc fans were saying things like "y'all just want more guys to ship". and like. there's nothing wrong with both of those things like calm down. i still can see people arguing because of that, but i just try to ignore them now tbh.
milgram: *clicks on the tag* .. yeah whatever is going on right now.
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weerd1 · 11 months
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HOW TO STAR WARS
With three convenient options!
(Please note, I wrote this last year just as Andor S1 ended and Bad Batch S2 started for a friend at work. If someone finds it useful, huzzah. May the Force Be With You.)
OK, I have obviously put WAY too much thought into this, but it’s what I do. Before you dive into 1800 words on Star Wars I whipped up while drinking coffee on a Saturday morning, let me tell you my recommendation is Option 2.  But, if you’re ready for a deep dive into other ideas…proceed!
There are two things you have to ALWAYS remember about Star Wars: it has never been chronological, and it has never been complete. Even if you were there in 1977 (and I was) and we got Episode 4 (not chronological) which ended with the Rebels on the run from a still standing Empire (not complete) you don’t have a moment where anything is revealed in order, and the broader story can always be expanded.  The result of this is that if you don’t like a particular show or movie or plot point, something is probably going to come along and fix it.  There are, believe it or not, movies and shows in The Canon that I don’t think are that great, but like ones I wasn’t super fond of previously, I would expect something is going to come along and expound on those things I didn’t like and make them more palatable.  
Option 1
That said, if you want to keep it simple, I would say go ahead and watch everything in release order.  The benefit of that is you getting the story the way the world did.  We came out of the Original Trilogy in 1983 knowing Vader was really Anakin Skywalker, and his son and daughter were Luke and Leia.  We didn’t find out HOW until the Prequel Trilogy (PT) started up in 1999. Some of the way various plot points in later films play out, they hit harder emotionally when you realize what they mean for things you’ve already seen. The weird lady named Mon Mothma who leads the Rebels for 5 minutes in “Return of the Jedi” is now a major character on “Andor” and suddenly this throwaway scene from 1983 grabs your guts because you begin to understand what she went through to get there.  If that sounds appealing, here’s that order:
Episode IV: A New Hope (1977)
Episode V: The Empire Strikes Back (1980)
Episode VI: Return of the Jedi (1983)
Episode I: The Phantom Menace (1999)
Episode II: Attack of the Clones (2002)
Episode III: Revenge of the Sith (2005)
Star Wars: The Clone Wars (Animated Movie, 2008)
Star Wars: The Clone Wars (2008-2020)
Star Wars Rebels (2014-2018)
Episode VII: The Force Awakens (2015)
Rogue One: A Star Wars Story (2016)
Episode VIII: The Last Jedi (2017)
Star Wars: Resistance (2018-2020)
Solo: A Star Wars Story (2018)
Episode IX: The Rise of Skywalker (2019)
The Mandalorian (2019-present)
The Book of Boba Fett (2021-2022)
Obi-Wan Kenobi (2022)
Andor (2022-present)
Ahsoka (upcoming, 2023)
Skeleton Crew (upcoming, 2023
The downside to this is NOTHING happens in order, and you should consult a good reference to get an idea WHEN a particular story takes place in relation to the rest of it all. This one is pretty good, but also includes video games which have great stories, but may or may not be your thing:
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(This is from Reddit; you can Google others that fit more what you’re looking for.)
Option 2
Now, based on the graphic above, there’s another way you could watch it all.  I would call it “Saga Based.” When George Lucas made the OT it was often referred to as “The Adventures of Luke Skywalker.”  Once he made the PT, he started saying the entire saga was about the rise, fall, and redemption of Anakin Skywalker. When Disney took over and made the Sequel Trilogy (ST), they began to refer to it as “The Skywalker Saga.”  This means the “Episode” movies, or the left side of the chart above, Episodes I-IX.  And it is very easy to consider that the foundation of all other Star Wars.  Even if those characters don’t appear directly, in some way the supporting characters are all caught up in Skywalker family drama (and I love that; NO literary character in history is as big a drama queen as Anakin Skywalker/Darth Vader).  
Once you have those nine films as a foundation, hit the right side of the chart and work your way through those shows and “Story films.”  Again, up to you if you really care about playing video games; they have great stories but nothing that I think you will miss if you just stick to shows and movies. 
The advantage to this option is how well-framed the rest of the stories are then, though you have to make sure you’re putting them in chronological context as you watch.
Now, before I go on with a third possible way to watch these, I want to talk about cartoons.  Some of the very best Star Wars is animated Star Wars.  That being said, they are often produced with children in mind (though the episode of “Star Wars: Rebels” where the Imperial Inquisitor uses a double bladed lightsaber to decapitate the “thin guy/fat guy” comic relief duo is just one example of how the shows push the boundaries; it’s not gory, and the violence is implied, but it’s dark!).  The animated shows are not an insignificant time investment.  There are seven seasons of “The Clone Wars,” four seasons of “Rebels,” currently we just started the second season of “The Bad Batch,” and “Resistance” has two seasons. I will include at the end some ways to abbreviate “The Clone Wars” if you want. Also, missing from many of these discussions is “Star Wars: Visions,” which are actually alternate interpretations of the Star Wars universe in anime style by Japanese directors. They’re pretty good, but not the Star Wars you know. 
Option 3
Now, you want to go hardcore?  Then watch full chronological order.  You get the story as it happened.  I used to be very much against that, but then in my last job I worked with a couple of guys who didn’t grow up in the US, and things that I had taken for granted when I watched the PT were honest surprises to them. (“ANAKIN is Darth Vader????”)  The problem with this approach is there are still new things coming out at various points of the timeline, so in your viewing, you may be in the shows like “The Mandalorian” taking place five or six years AFTER the OT, and then another season of “Andor” drops and it’s five years BEFORE the OT, and you have to backtrack. 
If you are going for this, here’s the order:
Episode I: The Phantom Menace (1999)
Episode II: Attack of the Clones (2002)
Star Wars: The Clone Wars (Animated Movie, 2008)
Star Wars: The Clone Wars (2008-2020)
Episode III: Revenge of the Sith (2005)
Star Wars: The Bad Batch (2021-present)
Solo: A Star Wars Story (2018)
Obi-Wan Kenobi (2022)
Star Wars Rebels (2014-2018)
Andor (2022-present)
Rogue One: A Star Wars Story (2016)
Episode IV: A New Hope (1977)
Episode V: The Empire Strikes Back (1980)
Episode VI: Return of the Jedi (1983)
The Mandalorian (2019-present)
The Book of Boba Fett (2021-2022)
Star Wars: Resistance (2018-2020)
Episode VII: The Force Awakens (2015)
Episode VIII: The Last Jedi (2017)
Episode IX: The Rise of Skywalker (2019)
The other issue with trying them this way is some overlap.  The last two episodes of “The Clone Wars” happen DURING “Revenge of the Sith.”  The events of “Andor” episode 6 has direct impact on “Rebels” episode one, and those stories intertwine a bit. “Book of Boba Fett” takes place between seasons 2 and 3 of “The Mandalorian.”  That problem will continue to compound as new shows come out.  We’re actually expecting a show in the next year called “The Acolyte” that takes place a hundred years BEFORE “The Phantom Menace”!
Another positive to this option is it allows you to break the various shows and movies up into “eras.”  This image, also stolen from Reddit is one way to do that:
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The era I find the most interesting (unlike most SW fans) isn’t really about the Jedi but what Obi-Wan called in the original movie “The Dark Times.” In this graphic they would include the “Reign of the Empire” and first half of the “Age of Rebellion” stuff.  So many of those stories deal not with Good Space Wizards fighting EVIL Space Wizards, but normal people trying to survive oppression and realizing there is no safety in tyranny.  Now, that’s just me.  It’s not that I don’t love Obi-Wan and Anakin coming undone and desperately fighting one another in a lava flow, but common people deciding to stand up with no mystical “Force” to protect them? Well that rings my bells.  
Star Wars is a huge, still evolving mythology, as complex as any classic we have from Sophocles or Shakespeare or Tolkien. As spiritual as any holy book. At times as deep as any tragedy, and as uplifting as any faith. Sometimes it’s just silly, and sometimes it’s heartrending.
Yes, it is just some solid popcorn-pew-pew-entertainment as well, but thematically there is SO much going on, and it compels me like few other things do.  
Anyway, without further ado, here’s an old write up I did about how to take on “The Clone Wars” cartoon. You COULD just watch these episodes:
Star Wars: The Clone Wars – "Clone Cadets" (S 3 Ep 1)
Star Wars: The Clone Wars – "Rookies"  (S 1 Ep 5)
Star Wars: The Clone Wars – "ARC Troopers" (S 3 Ep 2)
Star Wars: The Clone Wars – "The Citadel"  (S 3 Ep 18)
Star Wars: The Clone Wars – "Counterattack" (S 3 Ep 19)
Star Wars: The Clone Wars – "Citadel Rescue" (S 3 Ep 20)
Star Wars: The Clone Wars – "Darkness on Umbara" (S 4 Ep 7)
Star Wars: The Clone Wars – "The General" (S 4 Ep 8)
Star Wars: The Clone Wars – "Plan of Dissent"  (S 4 Ep 9)
Star Wars: The Clone Wars – "Carnage of Krell" (S 4 Ep 10)
Star Wars: The Clone Wars – "The Unknown"  (S 6 Ep 1)
Star Wars: The Clone Wars – "Conspiracy"  (S6 Ep 2)
Star Wars: The Clone Wars – "Fugitive" (S 6 Ep 3)
Star Wars: The Clone Wars – "Orders" (S 6 Ep 4)
Star Wars: The Clone Wars – "The Bad Batch" (S7)
Star Wars: The Clone Wars – "A Distant Echo"(S7)
Star Wars: The Clone Wars – "On the Wings of Keeradaks" (S7)
Star Wars: The Clone Wars – "Unfinished Business" (S7)
Star Wars: The Clone Wars – "Old Friends Not Forgotten" (S7)
Star Wars: The Clone Wars – "The Phantom Apprentice" (S7)
Star Wars: The Clone Wars – "Shattered" (S7)
Star Wars: The Clone Wars – "Victory and Death" (S7) 
These 22 episodes follow the character of Fives, one of the Clones, throughout the war between the movies “Attack of the Clones” and “Revenge of the Sith.” The Season 7 episodes do not feature Fives, but the consequences of his previous actions.
Either way, start with S3 Ep 1.  Not sure why the earliest one is in the third season, but it is worth it. (Indeed, here is the CHRONOLOGICAL order of episodes, still not sure why outside of “never been chronological or complete” https://www.starwars.com/news/star-wars-the-clone-wars-chronological-episodeorder.)  
If you want to strike a middle ground here, watch the Fives storyline, and add these three important Ahsoka storylines, that is also possible! Just interspace them with the above list:
Season 2, 5-8: Second Battle of Geonosis.
Season 3, 15-17: The Mortis Gods
Season 3, 21-22: Padawan Lost
Season 5, 17-20: The Wrong Jedi.
OR after S4 Ep10, just continue to watch season 4 through 7.  There’s almost no dud in there. 
The last four episodes of season 7 take place in and around “Revenge of the Sith,” and may themselves be one of the three or four best Star Wars movies.  
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ordinaryschmuck · 2 years
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Walt Disney Animated Pictures Studios from Worst to Best-Part Three: The OK Films
Salutations, random people on the internet who certainly won’t read this! I am an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.
And we’re continuing this worst to best ranking of the movies by Walt Disney Animated Pictures Studios. Today, we discuss the films by the studio that are simply labeled as…ok.
Not good, not bad, just…ok. These are ok movies that I’ll be likely to revisit once in a blue moon and have a good time when doing it. Like if someone were to suggest we’d sit down to watch any of these movies, I’d most likely shrug and go, “Eh, alright.” I wouldn’t object to it, but I wouldn’t really be too enthusiastic either.
Well, #40 might make me a little enthusiastic. Why? See for yourself:
#40. Melody Time-This movie's just pleasant!
It made me use the word 'pleasant!' That should tell you how good it is! Er, how ok it is, I guess Melody Time is basically a collection of shorts set to music. And before you say, "Oh, so it's like Fantasia," it isn't. This one definitely feels more geared toward younger audiences. No masterpieces or works of art in this film. It's all just cute stories with well-designed characters...and the occasionally offensive-looking Native American. But aside from that...GIGANTIC ISSUE of representation, Melody Time is still a fun watch. I don't know if I'd be willing to watch it again, but I still had a great initial viewing regardless.
#39. Make Mine Music-Huh, that's weird. This one's not even on Disney+. I wonder why.
*Watches it through...other means*
Ah, because it's forgettable. That's why.
Don't get me wrong, Make Mine Music is charming with its collection of shorts and especially with its choice of songs. It's just that out of all the other movies in Disney's catalog, it's not a movie I'd be able to remember. Loved it, but I might not have fond memories of it. Or any memories, for that matter.
(But at least there's no racist stuff in this one. So, you know, that's a plus)
#38. Dumbo-Oooooooooooooh, those racist crows. Those incredulously, uncomfortably racist crows. I mean, the workers song isn’t that great either, but there’s something much more egregious about those racist, f**king crows. Why, in the name of all that is holy, does this genuinely charming movie about learning to embrace what makes you different also have to be the same move that has racist. F**king. CROWS!?
And the thing is, everything before that is wonderful. Jumbo is up there as one of the best cartoon moms, Timothy O. Mouse is a fantastic character for how much he supports Dumbo and cheers him on, the Pink Elephants are both the best and worst kind of trip, and Dumbo is equal parts adorable and tragic. I especially love how he gets revenge on everyone that made his life hell. That'll show 'em.
I love this movie...I just don't love those f**king crows! They at least come at the end, but they're also the reason how Dumbo learns he can fly. Meaning that they're essential, and you can't really edit them out (but future versions can write them out, so that's a plus that the Dumbo reboot gets). Usually, when everything else in a film is done so well, I'm willing to look past the negatives...but that's a pretty big negative to ignore. So, I'll leave it to you. If you can stomach the racist crows, that's great. If not, then this movie will be ranked much differently for you. Thankfully, I loved everything that came before the racist crows enough to love Dumbo from the beginning only to cringe at it in the end. So...I guess that's an achievement.
#37. The Jungle Book-Admit it. You only remember this movie because of "The Bare Necessities." Which is valid. It's a charming song.
And The Jungle Book itself is also pretty charming. Each character is just so much fun and oozing with personality. Baloo and Bagheera are lovable protectors with an entertaining dynamic, and Kai and Sher-khan are devious villains with simple motivations with intense methods. Maybe the elephants, vultures, and King Louie can get on my nerves a bit, but our heroes and villains make up for it. Well, the heroes that aren't human, that is. Because despite being the protagonist, Mogli is quite the dumbass in distress at times, feeling more like a plot device for Baloo and Bagheera to look after instead of a dynamic character who can take care of himself. Plus, his reasoning for going back to the man-village, while a little understandable, is pretty weak. Like, come on. After how hard he fought to stay in the jungle, this one thing made him want to leave it all? I don't buy it.
Still, The Jungle Book's pretty good. There's some fun to be had with the characters, even if the story ends on a low note. It may not be perfect, but at least you'll bear it! HA! Bear puns...
#36. The Aristocats-It's like Disney said, "You know, we made two movies about dogs before this, why don't we make one about cats?" And they certainly made a movie about cats. And it's...cute.
It's a cute movie with plenty to enjoy. I enjoyed the kittens and how naive they acted. I enjoyed O'Malley's relationship with Dutchess and how it often feels genuine. I enjoyed that O'Malley actually likes the kittens instead of becoming that guy who would cut out the second children are involved. I enjoyed how hilariously incompetent Edgar is as a villain. And I enjoyed...basically everything else.
Except for the racist cats. I count three that are meant to represent racial stereotypes, and it's just...yikes.
Still, it's hard not to have a fun time with this movie, racist cats aside. If you're a cat person, you're going to have the time of your life.
#35. The Princess and the Frog-This movie makes me miss Disney’s hand-drawn animation for their theatrical projects. Sure, the CGI has come a long way and you’ll get an essence of hand-drawn animation every now and again, but nothing compares to the fully-animated, fluid, expressive, and wonderfully looking animation of The Princess and the Frog. And it’s a good thing that this movie looks so good, too. Because the rest of it…needs some polishing out.
Don’t get me wrong, the comedy’s solid (for the most part), Tiana and Naveen are charming characters, and Dr. Facilier is a really good villain. The good parts make up for the bad, but the major problem is the story. Or, rather, Tiana’s story. I get why Naveen is a frog, as he needs to learn a lesson of humility and how to do things for himself. But Tiana? Tiana’s whole thing was to learn to appreciate life and the people around her instead of working for every minute of every day. Why is turning her into a frog the best way to go about that? Wouldn’t she want to work harder to fix this? And how could she appreciate the people in her life when all she has is her frog boyfriend? Is this movie really suggesting that it’s better to be a frog than a human?
Ok, I know I might be reading too deep into the whole scenario. It’s just a whacky twist on the original fairytale. I shouldn’t be reading too deep into this. But half the time, it feels like Tiana is just a tool to develop Naveen rather than her own character. It’d be nice if he helped her loosen up more, but there’s not enough scenes of him teaching her to have fun than there are of Tiana teaching him. It’s a shame, really, because this movie is a blast. Like I said, there just needs to be a little more polish.
#34. Bolt-Conceptually, this movie makes no gosh dang sense. It doesn’t seem possible that Bolt is unaware that he’s in a TV show. I know, the movie’s a cartoon and it requires a suspension of disbelief, but the whole thing sounds so overly complicated that it’s just too hard to believe. For example, do you know why dogs bark at your wall? It’s not because of ghosts. It’s because they can hear and sniff something so far away that they can’t help but bark at it. With that in mind, how is it possible for Bolt not to hear or smell any camera operator or special effects specialists. Better question: If Bolt’s dumb enough to believe he’s in a TV show, how can anybody be certain they’ll know exactly what he’ll do? What if instead of bending bars apart, he goes for the super bark? Or heat vision? Even worse, what if he goes for the throat? You’d have to put Bolt down if that was the case.
So, yeah, conceptually, this movie’s a mess…but dang it, is it cute!
Seeing Bolt slowly learn how to be a dog is adorable to watch at times. And, while the concept’s iffy, there is some solid comedy that comes from Bolt learning he isn’t a superhero, added with Mittens being the straight man to his antics. Plus, if there’s anything that a movie wants to do to get on my good side, it’s to show me a dog and a cat slowly becoming best friends. It’s just that easy.
Bolt, as a concept, doesn’t do so well. But as a movie that has a handful of cute and funny moments, there could be worse things to watch.
#33. Fantasia 2000-I think this one gets a little too much hate. Is it as much of a gorgeous masterpiece as the original Fantasia? No. Does it still have some incredible animation that often takes my breath away? You better believe it does.
Sure, there are celebrities trying too hard to be funny and a whole segment dedicated to a flamingo with a yoyo, but it’s all harmless in my opinion. To criticize this movie just because it wasn’t as perfect as the original is just too harsh to me, primarily because it’s still so good despite a few things holding it back. It might never be the same as the first Fantasia, but it still has some value. To me, that’s more than enough.
#32. Treasure Planet-I really dig the sci-fi spin Treasure Planet has on the original story Treasure Island, as it lends to some unique character designs and worlds. I also enjoy a lot of the characters, with Doppler being fun, Captain Amelia being a blast, and John Silver being the best of them all. His characterization and relationship with Jim was surprisingly heartwarming, as well as it is heartbreaking with how both characters would occasionally betray each other. So, yeah, I like the world and characters…but I have some issues.
There are a lot of things in Treasure Planet that confuse me. How do the pirate ships work out in space? Why would Jim’s mother willingly let him go after such a flimsy excuse from Doppler? Why is Jim the only one who can use the map? These are all things that pay homage to the original story while keeping things moving forward, but it really leaves the head scratching.
And while some characters are good, others…aren’t. Jim screams as a try hard bad boy to leave the teen girls swooning just as much as both Morph and B.E.N. scream as over the top comedic Disney sidekicks. None of them are awful, but they weren’t doing much for me. Although, I will admit, I do love how B.E.N. is animated. Really nails making a CGI character fit into a 2D world.
Overall, Treasure Planet is a mixed bag. There are some strong points but the weak ones hold it back by a lot. The x just couldn’t mark the spot with this “treasure.”
#31. Frozen II-Frozen II…is interesting. I can admit that it’s not a great movie, but, as weird as it sounds, I still love it. Or, at the very least, I love parts of it.
Everything that is done with Elsa is outstanding, making her a much more interesting character than she was in the first movie.
The animation is, as usual, gorgeous as hell, having two awe-inspiring set pieces that left a huge smile on my face.
The songs are also wonderful…Well, Elsa’s songs, at least. “Do The Next Right Thing” is pretty good, “Some Things Never Change” is a decent opener, “Lost in the Woods” is hilarious for the wrong reasons, and “This Will All Make Sense When I’m Older” is just…no. Still, not too bad of a soundtrack to have.
I really do feel like there’s some value to be had with this movie, and I can see why it has its fans. Unfortunately, there are issues that make it less than stellar for me, personally.
It is evident that the writers had no idea what to do with Anna or Kristoph. Well, they had ideas. It’s just that there wasn’t enough time to develop Anna’s story and Kristoph’s was cut and left aside with the original concept of the film. As for tone, it does try to be a lot darker and more serious, but it just doesn’t work with Olaf in the mix. The writers try to make him work in dramatic scenes, but it feels like a swing and a miss. He really doesn’t belong in the type of movie they were trying to make.
And then there’s the worst part of the movie: It’s message. It tries to have a theme about anti-colonialism and sins of the past, but the writers just don’t follow through on the idea. The ending actually feels like a major cop-out that honestly made me frustrated after seeing it in theaters for the first time. I won’t give away how. Just trust me when I say that it really could have been done better.
Still, while this movie is a bit of a mess, my brain always goes back to those wonderful moments that made me love it. So, consider this one a guilty pleasure. It could and should have been better, but I don’t really complain much about the final product.
The same goes for the rest of this list. I guess they all could be a little better, but I’m not complaining too much in regards to the quality. I still enjoyed a lot of what I watched, even if I felt no real strong connections to them.
But strap in for tomorrow! Because we’re going from “just ok” to…good. They’re…good movies tomorrow. Not great. Just…good…It’s still a step up!
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