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#And he does things for them
rraaarr · 7 months
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I think Aziraphale should at least get a little credit that the Only Line Crowley couldn't, and most ppl seem to agree(including me) Shouldn't have crossed to be with Aziraphale is the Same Line Aziraphale was Constantly risking by socializing/making heart eyes at/associating with Crowley for 6000 years
And I want to be clear, it seems pretty obvious that Crowley most likely suffered very real and terrible consequences from hell bc of his relationship with Aziraphale. We see a very concrete example with the Wee Morag and Elspeth situation (though we don't actually see what happens, but I feel that it's implied that it's very awful). And Crowley Should and often Does get credit for this. So, this isn't a "who risked more" post, because the Whole Point is that they both risked basically everything to just...hang out together. This is more about What Exactly Aziraphale Was risking in light of the S2 breakup scene, and that thing is Identity.
Because the S2 breakup scene, and really the audience's reaction to it, shows us that Aziraphale is out of pocket for offering Crowley to become an Angel because (whether or not Aziraphale realizes-I say not- but that's another post) it Fundamentally Changes Who Crowley IS. And this heavily suggests that Angel and Demon function as a kind of identity (as opposed to a job, which is, in my opinion, slightly more the book's take). And if we are looking at Demon and Angel as at least Some Kind of form of identity, then I think it is relevant to recognize that Aziraphale was Always risking his identity for the better part of 6000 years. {And It is very important to Also recognize that it is Crowley who spares him this in the Job episode (perhaps in a way Aziraphale Doesn't in the breakup scene. But here is where I would like to point out that Aziraphale was possibly Excited about being together as Angels with Crowley, but he never actually made that decision for her, as Aziraphale never actually made a decision at all. Crowley is possibly upset that Aziraphale didn't know them well enough to understand that Demon is a functionality of their identity and to say No Immediately.....and this is another post,lol)}
The worst that could happen to Aziraphale is Fall, to have his identity stripped from him. (which, arguably, Crowley did have their identity stripped from them when they fell, though Probably not because of Aziraphale-or who knows-,but I feel this really convolutes things, OR clarifies, because, I guess it makes a lot of sense if you view Angel as an identity that Crowley had stripped from him, then it would Make Sense that Aziraphale would Want to Restore that, but then it also means that Aziraphale is losing sight of the 6000 years of identity as Demon, so restoring would perhaps Erase those 6000 years, as opposed to what Aziraphale is possibly thinking, which is that he can give a piece of Crowley's identity Back to them, not really realizing that having that piece of identity Removed is Part of their identity now...and it gets complicated)
I just think that if in the Good Omens show universe, If Heaven and Hell are The Same (as the show frequently points out), and If Angel and Demon are viewed as forms of identity, then I don't think Aziraphale falling is any better than Crowley becoming an Angel. And I just think Aziraphale should get Some credit for risking his very identity this whole time.
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shadowtraveled · 2 months
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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beybuniki · 9 days
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boys learning about healthy communication
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qweenofurheart · 2 months
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the tim drake experience
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The Afton children are siblings forever in FNAF
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whetstonefires · 11 months
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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They live in my head rent free. Drop your headcanons in the reblogg tags
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egophiliac · 6 months
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LET THE BOY HAVE AN EDUCATION
officially at the point where we're starting to see where it's all headed and I am just going NYEEHEEHEE in delight at it all. ahhh...next week can't come soon enough...
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spaceistheplaceart · 1 year
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mob tells reigen to shut up accidentally... two!!!
abbreviated ID: An mp100 comic. Teru tells Mob "shut up" can be a reply to something funny. and mob later tells reigen to shut up after he tells a joke, shocking reigen. Full ID under cut
[ID: A black and white Mob Psycho 100 comic. Mob smiles and says something marked as “[funny comment]” and Teru laughs hard, clapping Mob on the shoulder and exclaiming, “Oh, shut up, Kageyama!” Mob sweats and says, “Oh, sorry.” Teru, frowning, asks, “Huh? Why?”
Mob says, “You told me to shut up?” and Teru holds up his hands, looking apologetic. He exclaims, “Oh! No, no, no! That means I thought it was funny!” He flusters, smiling weakly and trying to explain. “When someone tells you to shut up and they’re laughing it means it was funny! Like uh... uh... Okay I can’t explain it but you know what I mean.”
Mob looks away and says, “Not really...” He smiles at Teru. “But I'm glad you thought it was funny.” Teru rubs the back of his head and says, “Ahaa yeah! I did!”
The view cuts to Spirits and Such, where Mob is writing at his desk and Reigen is scowling behind his. Arms crossed, Reigen says a “[snide but funny remark]”. Mob gives a “hehe” and smiles, “Good one, master.” The background turns dark gray as the view zooms in on Mob and he, still smiling with big eyes, says, “Shut up!”
Reigen’s mouth parts as his expression goes to blank shock. The background behind him is stark black. End ID]
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I love that everyone in TMA is just. Unremarkable. Jon isnt a heroic character; he's self-loathing and depressed and he exhibits the same self-pity as I do when I'm self-loathing and depressed. He doesn't stand out for his strength of will or quick-thinking or virtue. He's a good person but he stops trying to stay human when it gets uncomfortable. He's everything that a regular person is when theyre trapped in a horrible situation and it's ugly and insufferable and Real.
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criticalsyourroles · 2 months
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now i've watched a fair amount of d&d i've started to pick up on the differences between dm style i think
like brennan IS all the bad guys. every game he dms is brennan vs the players. he makes npcs and battles that make his friends throw things at him and he smirks the whole time. he makes them tell him their worst fears and then he makes them do it. and it's awful and amazing and really funny
matt IS exandria. his characters and battles never feel written or constructed, they just feel like things that already existed in the world. it's all about verisimilitude with him, and he's amazing at it. he tends to fade into the background and let the players react to the story and it makes everything he does incredibly cinematic
aabria dms like she's just another player at the table reacting to the story, right up until someone gets lulled into a false sense of security and tries to fool around and THEN she throws a curveball by making them deal with the consequences of their choices. she's like oh you think that's funny?? then i'm about to be hilarious, bitch. and she keeps getting away with it bc she's just that good!
basically, brennan's an evil bastard, matt's the world, and aabria's the queen of consequences
or:
brennan - fuck
matt - around
aabria - find out
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kagoutiss · 21 days
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pelican town, ‘72
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puppetmaster13u · 4 months
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Prompt 162
“So,” Danny drawled from where he was sitting, legs kicking slightly. Really, what a fun reincarnation. A world with heroes and villains where he didn’t have to do shit in and could just vibe with Ellie. 
“So,” Tim responded from where he was typing on his computer, mostly in civilian clothes save for his gauntlets and boots. The Red Robin outfit was haphazardly dropped across the couch and his pole leaning against the end. 
“Technically there’s proper procedures for clones…” Danny motioned to both himself and Ellie from where they sat on the counter, snacking on a plateful of scones. From Alfred, he was certain. 
“Technically, yes… but do we want to actually do that?” 
All three of them smiled, something almost feral in the motion. Of course not. They all had the same memories after all, and Bruce had just returned from the past, from exactly where and when Tim had said he was. Despite no one believing him, hence why they were in his boathouse, and not in the apartment or manor. 
“Think we can pull it off?” Ellie took a sip of tea, mischief swirling in her eyes. 
“Of course we can.” Both Danny and Tim spoke at once, one pulling up a new doc and the other pulling the whiteboard out from under a curtain. 
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sonknuxadow · 6 months
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its kinda funny that the chaotix are like the only characters who mention having to pay rent or buy food or whatever and theyll take any job that pays because theyre desperate for money but none of the other characters are struggling in this department at all even though most of them dont seem to have jobs. its like the concept of needing money to live exists for no one in the sonic universe EXCEPT for vector espio and charmy
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crystallizsch · 3 months
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i really like how canonically yuu is genuinely supportive of grim wanting to be a great mage. if i recall correctly, even character voice lines point this out. and it seems like yuu dotes on grim a lot and defends him too??? yuu even encourages grim's ambitions whenever he declares wanting to be a great mage. and also when he does that boss-henchhuman dynamic. i mean yeah you can interpret it as yuu saying that being condescending and sarcastic as if they're talking to a child saying "when i grow up i want to be famous!" but like. i really think they're genuine when mc loves grim in their own way.
even if grim is usually a menace, he's become like family to yuu.
and i'm pretty sure grim feels the same way.
think about it this way. despite all the mess, all the unpredictability, the danger, and all the drama being in nrc. what's always the constant? yuu goes home at the end of the day to the ramshackle dorm (basically their home at this point considering they slowly but surely fix it up over time) and with who? “the great mage” grim. as the sole outcasts in that academy, they both sleep soundly knowing they will always have each other at the end of the day.
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inkskinned · 1 year
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she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let
and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment
and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.
and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment
and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?
to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.
and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.
you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.
#this btw is not including toxic friendships this is legit just something ive experienced MANY times now#writeblr#you ever have a friend in one of those relationships where ur like#u don't HATE their partner explicitly#but ur like. what the fuck y'all#like the weird part of being an adult is that you can't be like . CERTAIN their relationship is toxic#and also if u move too fast or push too hard u can hurt someone who is already in a scary situation so you just are like#frozen there. laughing awkwardly. saying ''haha..... yeah..... couldn't be me....''#and like u can't tell - is this banter or does he actually think like. he's better than her.#all you can do is be there for your friend and hope they wake up to it#or ... that it really IS good#and it's just odd to you#tbh btw id rather have my friends feel safe coming to me if they have a concern about my relationship#like yes it's not ur business but it also IS bc im making u hang out with them and also ur my friend#it's a weird thing to experience as an adult bc it is such a blurry line and when u spend time#around couples that aren't like ACTUALLY ur friends but instead ''extended friend circle'' ur like#.... i don't know y'all well enough and he just called you a cow. and ur okay with that . and i don't know how to respond.#so ur like :) okay. um. go to couple's counselling i think#but also you are NOT supposed to pass judgement so it's like.... this weird limbo of feeling like you SHOULD say something#but knowing you CANNOT#idk that there's a way to resolve it!!!!!!!! it's probably a different approach person to person#edited my tags bc tumblr's new system fucked em up#PS EDIT: btw i should have said:#the pronouns in this can work in any and every direction. every gender and every sexuality and every#type of relationship tbh. even non-romantic relationships where ur like ''what do u mean ur bff calls u stupid''
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