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snackhobi · 3 years

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min yoongi is the best shot in the business. you’re the best gunsmith in the city and the only person he trusts to programme his tech; to make his gear.

he likes your work. it’s a shame, then, that he doesn’t like you.

pairing: yoongi x f!reader / word count: 14.3k / genre + rating: NSFW (18+), cyberpunk!au, smut, frenemies (?) to lovers

warnings/etc: hitman!yoongi. black market dealer/gunsmith!reader. cursing/explicit language. whole lotta tension, sexual and otherwise. mentions of injury/violence. minor character death (no one important, don’t worry, this isn’t an angst fic). brief hurt/comfort. reader has tattoos. sexually explicit content. oral; fingering; multiple orgasms; overstimulation (f). unprotected sex (please take the necessary precautions irl). rough sex?. choking. creampie. brief mention of aftercare. I think that’s everything but please lmk if I missed any!

a/n: thank you SO MUCH to both @hobi-gif and @morndas for beta reading this and being so supportive, ily both so much and I owe you my life 🤧💕 as always what was meant to be a short fic turned into a huge one. also this is technically for my 1.1k milestone but it’s a billion years late, oops!

Yoongi really doesn’t like you.

You’re loud. Cocky. Arrogant. You needle him all the time, dig your fingernails in and squeeze, revelling in the way he sets his jaw, the muted spark of irritation in his eyes. You bat your eyelashes and tilt your head, throw it back whenever you laugh and reveal the easing column of your throat, dragging each interaction out with a kind of sadistic pleasure that has him gritting his teeth. Because you love annoying him, getting under his skin, tapping your fingers against the soft swell of your bottom lip as you eye him up, taking your time before you speak.

Infuriating. You’re infuriating and you know it.

It’s unfortunate, really, because you’re unavoidable.

Jungkook had asked, once, why Yoongi doesn’t just go elsewhere. They’re more than familiar with the underbelly of this heaving city, underneath all the neon lights and shimmering holograms and towering skyscrapers and legal tech; the scuttling seams of back alley traders and illegal goods, tech or otherwise. There are plenty of black market dealers, after all, plenty of other vendors he could go to to get the equipment he wants. Plenty of other skilled crafters, artificers, artisans, people who would be more than happy to create the things that Yoongi asks for, that he needs. People who can get their hands on anything you want. For a price.

Yoongi’s answer had been short and succinct.

“She’s the best there is,” he’d said, and that had been that.

Because it’s true. You might be exasperating, maddening, laughing in Yoongi’s face where others might cower or genuflect, but no one is as good as you. All of Yoongi’s gear has been crafted by you; each and every single one of his weapons, his tech, the headpiece that fits so perfectly around the back of his skull that Yoongi often forgets that it’s there, hidden in his hair, unfolding across his eyes whenever he lines up a shot to make the kill—there’s evidence of your work across every inch of his body, hidden away under his clothes, day in, day out. Even when he’s not on a contract Yoongi never leaves anything to chance.

(A walking armoury, Namjoon had called him once.)

(You’d phrased it differently.

You’re always packing, hmm? you’d hummed, rapping your fingernails in a steady beat as you’d leaned back in your chair, smiling with teeth. There was laughter in your words and your gaze, no attempt made to hide your amusement, but after your goading you’d made him a collapsible sword anyway. It’s a beautiful thing, this folding blade, bristling with plasma and energy if Yoongi needs it, lethal and deadly. One of his most prized possessions, something that’s gotten him out of multiple corners, and he owes it—you—his life.)

There’s no one on par with you. You’re a Renaissance woman, a fiercely talented polymath who doesn’t need to rely on anyone else to create the things you create. Low-tech, high-tech, no tech—you make everything from scratch, programme things yourself, hunched over each project in your own workshop with nothing but your mind and your own two hands.

It’s the only reason he puts up with you and your antics, the sharp jibes, the shameless flirting; you’re the most infuriating person he knows, but there’s no one else he would trust with the work that you do.

Unfortunately.

Which is why Yoongi finds himself here, again and again, as familiar with this studio as you are—he watches you work, sometimes, watches you sketch up blueprints and drag your fingers across your array of displays, your world cast in shifting shades of cyan and electric blue from all the tech in here, humming and alive. He likes to see how his equipment is made, after all. It can mean the difference between life and death. He takes this seriously.

It’s the one time you might be quiet. Might be quiet, because you still talk even when you work; flick your gaze between Yoongi and whatever’s set in front of you, that ever present smile spread across your lips, smug and amused. You’re only silent during the hardest jobs. Like right now, you’re intense and focused, a furrow dug between your brows as you survey his sniper rifle—almost shorn in two. (It had been the only thing to hand when he’d had to block a blow from a guard he’d somehow overlooked, no time to draw any other weapons before they’d started to brawl.)

You’d been unimpressed. You’d raised your eyebrows with all the severity of a disappointed mother, bitten words out at him with molten snideness, dripping heat and snark.

“It’s a gun, Yoongi. A gun. You know, something you shoot with? Pew pew? Blammo? I’m not sure what sort of shields and body armour you’ve seen in the past but this isn’t either of those things. Do you want me to sketch some diagrams up for you? Or maybe I could write you a book. Baby’s First Arsenal, Chapter One: The Difference Between Things That Are Guns And Things That Aren’t. Would that be helpful?”

No one else talks to Yoongi like that. No one else would dare. It’s only a rare few that know his birth name and it’s not often that he hears it, more used to the sound of Agust D falling off people’s lips. But that had been part of your price, part of the agreement when he’d first met you and asked for your services: his real name.

Yoongi had let it wash over him, had endured your tongue-lashing before putting the gun down with a heavy finality and thrust it over at you, tired of all your talk.

“Just fix it,” he’d demanded.

You’d laughed in his face.

“As always, your bedside manner leaves something to be desired,” you’d said, taking the rifle from him.

The D-2 Shadow isn’t just a weapon. It’s a piece of art, clean edges and slick lines, and Yoongi is grateful to have it back in his hands. There’s no other sniper rifle like it, made of super lightweight alloy and easy to handle; thermal scope, enhanced stabilisers for accuracy; superior kinetic coils for better shot penetration. Yoongi had asked for the best and you’d delivered. Gone above and beyond, crafted a weapon the likes of which no one else possesses, modified in ways other people can’t even fathom.

And you’d fixed it when he'd almost let it get destroyed. Made it better than new, even, layered it in more alloy to make it stronger without making it heavier, a new material of your own design. If he hadn’t known you as well as he does he’d have worried that it was beyond repair, knows that other gunsmiths would have taken one look at its crumpled body and shaken their heads, but you hadn’t.

Of course you hadn’t. You never do.

You charge him a pretty penny for your work, make him pay through the nose for everything he asks of you, but Yoongi is more than willing to do so. More than capable of paying, coffers lined with more money than he might need, one of the best contract killers there is—the real price he pays is with his sanity, worn away each time you open your mouth. He can’t help but rise to your bait, as derisive as you are; it’s only the smallest things, a sharpness to his otherwise even tone, an angry spark in his eyes, but you pick up on it all.

He’s not your only customer. You don’t extend your services to many, only to the people you want to—Yoongi’s not sure what set of harebrained criteria you have that lets you choose who you’ll sell to and who you won’t but he can’t make heads nor tails of it. He knows he’s not part of your clientele because he’s got the credits to pay, nor is it because he’s one of the most highly regarded hitmen in his line of business.

You don’t just choose people who can afford to pay or people who have a level of power and influence in this dark underworld you inhabit. You really don’t care about those things. You just pick and choose on a whim.

(Once, back when he’d first met you, Yoongi had discovered that you’d concocted an entirely new security system—practically incapable of being hacked, crawling with tech, a level of complexity even the richest elites could barely afford—for some small artist who’d worried that their paintings might get stolen. He was an unknown at the time, this V, squirrelled away in one of the dark corners in the lowest levels of the city, and you’d all but given him some of the best work you’d ever done, undercharged him something chronic.

You’d shrugged when Yoongi had asked why.

“He makes me laugh,” you’d replied.)

Yoongi isn’t your only customer but he’s certainly the only one you seem to treat the way you do. There’s a level of irreverence in everything you do, self-confidence settled across every inch of you like the obnoxious stench of a teenage boy’s body spray, but you seem to take particular pleasure in Yoongi’s displeasure. He’d brought Namjoon along, once, inquiring after an imitation greenhouse, how someone might set up the tech to raise tropical plants that wouldn’t survive otherwise (mostly above board, even; Namjoon might grow illicit plants, poisonous and prohibited, but he likes pretty flowers, too). And there had been none of the mocking that Yoongi receives. None of the wind ups. You’d been pleasant, despite your incessant snark, agreeing to take the job with a smile on your face that Yoongi never gets given.

(It had been infuriating, to know that you’re capable of not being an ass, but you just choose not to be. For fun.)

Yoongi really, really doesn’t like you, but he respects your work. Respects you, even if he’d never admit it out loud.

You keep your word. You don’t supply his competitors, although you claim it’s not loyalty to him and it’s only because they can’t pay as well as he does—winnings go to the highest bidder, you’d said sagely, as obtuse and irritating as always.

But Yoongi knows other sellers will provide anyone who’s willing to pay, freelancers who peddle their wares regardless of affiliation or alliances. You’re beholden to no one and yet Yoongi knows you would never double cross him. Never supply anyone who challenges his work, even if they have the money, even if he’s on good terms with them (it’s not personal, it’s business; Yoongi has no issue with other hired killers as long as they stay out of his way). He knows he can rely on you, which is something to be treasured in these back-crossing back-stabbing backstreets.

So when he makes his way to your door, the details of a new contract still fresh in his mind, he instantly comes to a stop.

There’s something off. He can tell immediately, years of instinct causing the hairs on the back of his neck to rise, every part of him on edge. Everything looks normal, is normal, but there’s a burning in his gut that has Yoongi’s finger itching for the trigger even though there’s nothing to shoot.

You’ve granted him the privilege of access to your workshop, to the other rooms, entered the scans of his hand and eye and voice into the security systems, keep him updated on the varying passwords you cycle through, so he can enter whenever he needs to.

(He’s woken you up on more than one occasion, roused you from sleep for last minute supplies before he leaves for another contract, appearing in the dead of night like a spectre of death, clothing dark and eyes darker, overflowing with weaponry. A looming silhouette edged in strokes of cyan and magenta from the ever present, low-level neon light in your room, so much darker than the bright lights of your workshop. Intimidating.

And you always just roll your eyes and sigh and tell him to keep a better eye on his cache of equipment and climb out of bed for him. You’re so at odds to him in your sleep rumpled clothing and mussed hair, still unafraid even when he’s fully geared and ready to kill; shirt slipping off your shoulder, swathes of bare skin in the place of Yoongi's all-encompassing outfit, shimmering black light tattoos visible on your legs and arms and bare skin of your collarbones, geometric lines in the palest of blues and greens. You hand over whatever he needs and tell him the creds he owes you.

“I’ve already given you a key to my apartment and you haven’t even taken me for dinner once,” you sigh—dramatic and melodramatic—even as you hand over a bundle of crossbow bolts. The synthesised toxin inside the darts is your own concoction, of course, courtesy of the plant matter provided from Namjoon’s greenhouse.

“I’d literally rather be shot in the head than willingly spend time with you,” he replies.

“You wanna fuck me so bad it makes you look stupid,” you say, and just laugh in the face of his unimpressed deadpan. As insufferable as always.)

So he doesn’t need your permission to enter. He’s silent, light-footed as he makes his way inside, scanning each inch of this familiar interior; nothing’s wrong, not yet, but Yoongi can sense something in the air. Something heavy, settled bitter on his tongue, coating the back of his throat.

And then he walks into your workshop.

You’re meticulous. Even when you’re overrun with gear, with parts that have yet to be used, everything has its place. You prefer paper over datapads, too, tack sheets of designs and notes up on the wall, have clipboards and stacks of sheets set neatly in their place, a throwback to a time before tech ruled everything. Yoongi knows the layout of this room as well as he knows his own home, a mental map of straight lines and unwavering coordinates with you in the centre of it all.

Upheaval. Those neat lines of organised cartography have been pulled apart. Ham-handed work, to be sure, more of a statement than anything else; intent to instil fear rather than to destroy (although, Yoongi sees now that one of the monitors has been smashed, display sparking white and blue as it bleeds out electricity.). Even in the darkness of the room—overhead lights off and only emergency lighting on, painting things in shades of dark crimson and pink—Yoongi can tell that whichever interlopers have done this are already gone. The room is empty.

Then the sound of a clatter breaks the silence and Yoongi’s already got his pistol out, drawn without a thought as he approaches the sound that comes from the back room, fleet-footed and silent as he raises the gun and rounds the corner—

And sees you at the end of the barrel.

There’s a first aid kit on the floor. Packs of medi-gel and rolls of bandages and other supplies scattered around your feet. You haven’t even spotted Yoongi yet, in despair at the mess in front of you; he’s never seen you like this, never seen anything other than your veneer of enraging smugness and never-ending energy.

“Y/n?”

You flinch even as your head snaps around, eyes wide—but the second you see Yoongi you visibly relax, even though he’s still holding a gun in your direction.

There’s a bruise blossoming across your left cheek.

“Ah, Yoongi.” The smile that paints itself across your lips is almost convincing despite the dark flower that’s unfolding on your skin, blood rising to the surface and painting it in hues of pain; you wince, a little, when the smile makes your wound ache. Soldier onwards as you act as though nothing is wrong. “I know you’re always desperate for my attention but do you mind giving me a second? I’m kind of indisposed at the moment.”

Yoongi’s lips are set in a thin line. He only has one question on his mind.

“Who did this to you?”

Your gaze flickers before you break eye contact, staring at the first aid supplies on the floor. “What, this? Have you never dropped something before?”

Yoongi ignores your deflection. It only takes a few moments to reholster the pistol, to step over to you, to grasp your chin and tilt your face towards him.

“Who did this to you?”

Yoongi’s tone is quiet and low, firm and undeniable. For the first time since he’s met you it seems as though you’re lost for words, lips parted around a silent sound of surprise as you’re subjected to the full force of Yoongi’s gaze, cutting through you; past every layer of self-inflated narcissism you put on, past every deflection you might make.

There's a beat of silence.

And then you slowly but irrevocably fold underneath the weight of his stare.

You let him lead you, sit you down, bowing to his hands and his directions. You’re silent throughout, lips an unfamiliar shape as they’re pulled down into the slightest of frowns. He’s only ever seen you smile, seen you laugh, self-assured. Never like this.

You seem surprised, startled when he sits across from you and cracks open a pack of medi-gel. Yoongi’s surprised too, although he doesn’t show it, lets his instincts take over and settles into auto-pilot as he reaches for your face. He’s never seen your eyes so round, so wide, watching the hand that descends on your cheek with all the single-minded intent of a man about to fillet a fish—careful and practiced but menacing, maybe. (He doesn’t like you but you don’t deserve to have been hurt and Yoongi can’t just stand by and not help.)

And you don’t shy away. You stare at him as he stares at his fingers, layers the gel evenly across the pain of your bruise, cool and soothing.

It’s only when he’s reached for more medi-gel and touched your cheek for the second time that you finally speak.

“It was one of the Tang cousins.”

Yoongi goes still, fingers resting across your skin, slick with purple gel.

“One of the cousins?”

Yoongi doesn’t like you. But—and God knows what he did wrong in a previous life for this to be true—you’re one of his inner circle, one of the very, very few people he trusts. You’re not friends and he doesn’t like you, but he owes you, owes you a hundred times over, owes you for every successful kill, every silent infiltration, every averted detection. All thanks to your tech and the work you put into it for him. He’s indebted to you.

Yoongi always pays his debts.

“I didn’t even catch his name.” You sound dismissive. Normally you’d laugh, deride the person you’re speaking about, but instead you just sound tired. “One of the low down ones. New kid on the block; someone I didn’t recognise, with some lackeys or similar. Trying to make a name for himself, I think. He demanded that I build weapons for him. I said no.”

The Tang family is a big one, a criminal empire that has its tendrils dug in everywhere. You don’t deal with them, have no interest throwing your lot in with them intentionally or not; it’s a big, formidable family, but it’s not the only one around. You’d be dumb to get involved in that mess of generational, cross-family conflict. You’ll sell things to the highest bidder, shift illicit high-tech stock, build generic modifications that people can buy—but you don’t make bespoke weaponry for just anyone.

You don’t even sell to the heads of the Tang family directly, let alone to some back-alley sewer rat who probably barely has the faintest ties to the family, a single vein of Tang blood in his body, just enough to give him an in.

Whoever this cousin was he must be really fucking stupid to not know that. Stupid to think he could demand anything from you. Stupid to think he could hurt you when you laughed in his face and said no. Anyone with half a brain-cell should know not to fuck with you, know that it’s an honour to even be allowed inside your workshop, that to be told ‘no’ by you is a privilege.

Stupid to think that he wasn’t going to pay for that stupidity.

The pack of medi-gel is empty, the deflated pouch forgotten on Yoongi’s knee as he stares at you. The flecks of biomatter in the gel catch the light, sparkling like glitter in the lavender that’s seeping into your skin; all the surprise is gone from your eyes and instead you’re just watching him, stolid and steady. Analytical.

(You’re smart. Yoongi knows you are. For all that you talk shit and play foolish, he never forgets about that fierce intelligence. Never underestimates you or how perceptive you are. He only wonders what’s on your mind right now; what it is that you see in front of you.)

“Next time don’t let someone in unless you’re certain you’re going to sell to them.”

You scoff in his face. “Alright, Dad. Do you want to update my curfew while you’re at it? Make it ten p.m. instead of eleven?”

Yoongi blinks slowly. You’ve got both eyebrows raised, surveying him with a mixture of amusement and disbelief that he’s trying to tell you what to do (because no one tells you what to do; they wouldn't dare). But you don’t pull away, your knees still touching his, body bowed towards him from when he’d coaxed you closer so he could reach your face—so he knows you don’t mind. Not really.

(Knows you don’t care about anyone’s opinions or rules, only sticking to your own. The fact you’d been shaken from that place of confidence by some thug—even for a moment—doesn’t sit right in Yoongi’s belly. That bitter taste is back in his throat and it’s ice cold, icicles prickling through his blood.)

(He doesn’t like you but you’re one of his people and no one fucks with Yoongi’s people.)

The bruise is still there days later, after you’ve rearranged your workshop back to the way it was, sourced a new monitor to replace the one that was broken. You’re back to smirking, already ready for his request, more bullets for his weapons and super-charged plasma to recharge his sword, but the bruise is a stark reminder of what you’ve been through. So is, too, the new blueprint he spies half finished on your open displays: an automated security system that scans thermal signatures, guns unfolding from the ceiling whenever aggressive movement is detected from an unfamiliar person. Anyone who’s not listed as familiar in the security logs.

(Yoongi used to wonder about that. Why you didn’t have security mechs set in place, programming their AI to protect you, but you don’t like to use mechs. Don’t like to use them, even if you could afford to build them, because you compare it to forced servitude. You’ve never needed them before now, anyway. Safe in your reputation, knowing that you’re in a position of power, that people come here because they know you’re the best of the best.)

(But it seems like you don’t trust that any more. Don’t feel safe.)

Yoongi keeps as silent as always, bites his tongue when you cut him off mid-sentence with nothing more than a raised finger.

“Ah, ah, ah,” you tut, wagging the finger back and forth like the slow pendulum of a grandfather clock. “No more crafting requests. I’m still working on the concentration mod you asked for and I’ll let you know when it’s ready. I don't rush for anyone. Patience is a virtue, baby. Did no one ever tell you that?”

“Don’t call me baby.”

“Okay, handsome.” Your reply is instant, unruffled, and Yoongi grits his teeth.

But still. For all that you’re acting like normal, workshop set back into place, white lighting shining overhead, as neat and presentable as always—Yoongi can read uncertainty in the way you move. Discomfort. You don’t feel safe in your own space and it’s obvious, even if you don’t realise it.

“Come back any time,” you say coyly, and Yoongi, as always, ignores you. Transfers the creds he owes you in silence before he takes one last look at the bruise that’s still painted across your skin, dark eyes touching yours for the briefest moment before he turns and leaves.

For the first time since you met, Yoongi buys from someone who isn’t you.

It’s not bad. Well made, decent tech, Predator pistol sitting easy in his hands when he brings it to the light and watches it unfold from its holstered state, the way plasma bursts to life in the barrel; weaker than bullets but easier to reload in the field. It’s no surprise that the Yeom family gets their stuff sourced from here. The body armour, too, isn’t bad, engraved with the family crest and cast in their colours.

It’s not bad, but it’s not as good as it could be. Not as good as Yoongi needs his tech to be, demands it to be—but quality doesn’t matter. Not today. He has a job to do.

It’s easy to find his mark. Scum gathers in stagnant water, in the dirtiest and dankest places, and this is where Yoongi finds Tang Lee. Finds him spilling beer and money in the backroom of some grimy strip club where the holograms flicker from age and the strippers are tired, trying their best to scrape a living from the seething riverbed of filth that runs underneath the bright neon lights of the skyscrapers in the levels above.

Lee isn’t alone but it’s so easy to take them out it’s laughable, men drunk from cheap alcohol; Yoongi catches one in a chokehold, smashes another’s face into the glass table with enough force it shatters, faces Lee once they’re the only two standing. The music outside is too loud and the room is sound proofed for privacy and so Yoongi isn’t interrupted as he brings Lee to his knees, thrusting his face into a smear of blood that drips from his now-broken nose, courtesy of a quick jab of Yoongi’s right fist.

It’s not a quick kill. It could be. Yoongi could have ended this in moments, caught Lee off guard and ended his miserable life almost effortlessly—but he doesn’t. He takes his time, makes it count, teaches him a lesson, has Lee on his hands and knees as he sobs out apologies and snivels for mercy before he takes the pistol and blows his brains out. Yoongi doesn’t feel sorry for the man, eyes the body impassively, not even worth his disgust—he only feels sorry for whoever finds the chaos of the room and the bodies inside, the distinct plasma burns he purposefully leaves in the wall with the Predator pistol, the entire scene he’s created here: a scuffle gone wrong, fast.

You’re not the only person Tang Lee has crossed but you’ll be the last. Yoongi checks the pulses of the other two men, finds one dead and the other still alive, barely, just like he’d planned—and his work is done. It’s the Yeom family’s problem now, any fall out from Lee’s death pointed at them, a repayment of a slight Lee had made to a Yeom supplier only a few weeks ago. (Yoongi wagers that neither family will care, will draw a veil over this moment and let this settle without raising arms, no one important enough to go to war over.)

He discards the pistol and armour once he’s done, incinerates it all, no interest in keeping subpar equipment. It’s not even worth dismantling for parts. Hoseok finds him in their basement, eyeing the blue flames that lick their way around the discarded armaments; he just watches Yoongi, inscrutable and calm as he eyes the blood on the clothing before it bursts into flames.

“Not a contract,” Hoseok says. (It’s not a question.)

“A job.” Yoongi replies, watches the cloth turn to ash through the thrumming display of the incinerator. “Something that needed to be done.”

He doesn’t tell anyone what he’s done. There’s no point in it. Yoongi decides something needs to be done and he’ll do it, whether that’s building a new chair for Jungkook after he broke his old one or killing a man who hurt you.

The next time he sees you your bruise is practically gone, faded into your skin. You’re intent on something on a monitor but when you notice him you turn, swivelling in your chair in one smooth motion as you lean back and put your hands behind your head, cross one leg over the other, dripping self-satisfaction, your smile sharp and full of teeth.

“Ah, Yoongi.” You look so smug that Yoongi has to resist the urge to roll his eyes. “Welcome, once again, to my laboratory. Is this visit for business or pleasure? Either way, you know I'm happy to oblige.”

“I’m here for the mod you promised me,” he says bluntly, and you just keep smiling, even as you hold out a hand for the sniper rifle, handling the D-2 Shadow with as much reverence as Yoongi does as you affix the mod.

It’s perfect, of course. All that Yoongi asked for and more. The software links with his eyepiece, biometric sensors that help him find his target, software to adjust to his pulse and breathing.

“You can even change the colour of the HUD,” you say, as if it’s some sort of buy-one-get-one-free offer, some fun little feature, rather than another helpful piece of software that you’ve created. Dismissive. An afterthought.

(You act like you take nothing seriously. Yoongi is your stark opposite, weighing everything in his hands and treating it with the level of attention it deserves, intent and focused.)

He’s staring down the scope when you speak once more. Light and easy, for once, rather than loud with your usual exaggerated exuberance or silken with unnecessary suggestiveness.

“I hear that they found a Tang family member dead.”

Yoongi just hums in response. Keeps his eye on the scope, wills the colour from dark green to white using the affinity link he has synced with his headpiece, watches the lines of the heads up display of the scope repaint themselves without even a single flicker, transition smooth and effortless. (Perfection.)

“It seems like the Yeom family did it,” you say, tone still conversational.

“Is that so.” Yoongi sounds disinterested, face impassive as he draws the gun away from his face, eye piece automatically folding away from his eyes. “Can I ask about other mods now that this one is finished?”

One of your brows rises, a perfect curve of discontent. “Say thank you first, Yoongi.”

Yoongi’s eyes cut into yours but you don’t back down, watch his blank face as he eventually says: “Thank you. Now I need more mods.”

You throw your head back as you laugh. “You’re insatiable,” you say, but you don’t say no. “What do you want now?”

(It’s not that you never say no to Yoongi. Because you have, and you do, and you will. But never because you can’t make what he asks for—and only because you refuse to make things that might endanger his safety, illicit bio-mods that other hired hitmen use, things that degrade the body from the inside out.)

Yoongi’s just holstered the Shadow, ready to go, when you speak one final time.

“Yoongi?”

He’s never heard you say his name like that, soft and quiet.

“Thanks.” You’re staring at him, regarding him steadily, solemn in a way that he’s never seen. You’re smiling, as always, but the expression is lightyears away from what Yoongi is used to—just the barest hint of an upturn to your lips.

Yoongi stares back at you. “I don’t know what you’re thanking me for.”

Your smile grows, a warm thing, unfurling like a flower. Almost affectionate. “Sure,” you say. “Of course. Silly me. Slip of the tongue.” And then, as if your brain’s only just caught up with what you just said, the smile turns salacious. “On the note of slipping the tongue—”

“Bye.”

Your cascading laughter follows him on his way out, cutting and shining with amusement.

Yoongi’s been getting more contracts. He’s finally buckled under Jungkook’s insistent whining and has agreed to get gear for him, too, to train him how to shoot. Hoseok has more than enough contacts in the underworld to get jobs for them both—he’s the most powerful information broker around, after all, sitting in the centre of a web he’s woven after years of work, all that sharpness and darkness hidden behind his deceptively bright smile.

(Yoongi’s lucky to consider him a friend and not an enemy.)

So that’s why he’s here with increasing frequency. That’s why he finds himself at your door more often than not. To get those orders in place, to make sure they’re progressing as fast as they need to.

You never react when Yoongi steps into your workshop. Well, you do, you lean into your hand and smirk at him, pursing your lips around each snide remark, each suggestive comment—but you never question his appearance. You just go with the flow, unbothered by his presence, even when there are other people there—other customers who eye him with unveiled curiosity and confusion (some Yoongi recognises, some he doesn’t, well-known faces and unknowns alike; none of them know who he is, though, unrecognisable as Agust D without his battle gear on). Yoongi keeps a close eye on their stances, any unchecked aggression or hostility towards you. Keeps a watch on the tension of your shoulders and spine, because of… habit. Battle instinct. Nothing else.

“You know my policy, Yoongi.” You’re analysing something in your hand. It looks like an antique spyglass, something from the decades before technology overtook the world, but it’s jammed full of tech; it doesn’t just magnify to a terrifying degree, it also amplifies sound, connected to an earpiece that’s sleek and easy to overlook. ‘A small project’, you’d called it, as if it isn’t something that people would pay a fortune to own. “If I’m making something for someone I have to meet them first. If you want me to make anything for this ‘JK’ then it’s not happening until you bring him here. Just like with your friend RM.”

Yoongi is lolling by your monitors, half-asleep in your chair (which had moulded to the shape of his body the second he sat in it, designed to be too comfortable for its own good).

“I know you can’t pull yourself away from me,” you continue, glancing up from the scope. “But you have to spend time with your friends sometimes. I know they’re not as pleasing to look at as me—”

“Stop.”

You shift the spyglass to one hand and lean your chin on the other, regarding him with sharp eyes and an amused quirk to your lips. “I love that you think you can tell me what to do.”

Yoongi resists the urge to make a noise at the back of his throat, opting to keep mum instead.

He’s too tired to argue with you. He’d come straight after a contract, blood still on the edge of his sleeves (not his), watched the way your eyebrows had risen when you’d casually taken in the state of him before offering to wash his jacket. You know the reality of this world you both inhabit, operating in the shadows, survival paid for in blood; you might not be on the high ground, lining the shot up to take the kill, but you craft the trigger that Yoongi pulls.

(You might be aware of this reality but you’re far removed from it, shaken by violence on your own door. You never should have been faced with it. You’re an inventor; a creator. Not a killer. Not like Yoongi is. He’s not going to let that happen again. He doesn’t like you but you shouldn’t have been subject to pain—shouldn’t still have your motions edged with a held breath, as if you’re waiting for it to repeat itself.

No matter how well you hide it, Yoongi knows that there's a part of you that's still scared.)

“I know you think you’re too important to need to remember things, but we’ve worked together for long enough that you know that I’d ask to meet JK first, Yoongi,” you say. “Did you really have to come straight after murking someone just to be reminded about that? Not complaining—you know I love seeing that pretty scowl of yours—but I just figured you’d rather be resting right now. Don't tell me the infamous Agust D missed me and decided to come here instead.”

“You were on the way.”

(He’d circled around, taken a longer route, descended into the familiar maze of the lower city. To throw off the scent of any potential pursuers. You just happened to be nearby, pure coincidence and convenience.)

You retract the spyglass, collapsing it in your hands. “Either you leave right now and go to your own place to sleep, or you’re going to sleep in my bed. Your choice.”

(If Yoongi took the time to think about it, really think about it, he’d notice that the words aren’t shrouded in suggestion or insinuation. Your brows are raised and you’re looking at him expectantly, waiting for him to decide what he’s going to do—unimpressed at how tired he is, how he’s come here instead of sliding into his own bed for the rest he so clearly needs.)

Of course, Yoongi leaves. He returns home without his jacket, strips his shirt off as soon as he’s in this safe place, this base, sheds pieces of his body armour as easy as anything (you’d designed it to be lightweight and easy to don and doff, the perfect defence for someone who relied on stealth and speed); he’s just removing the last greave when Hoseok appears, rapping his knuckles against the open door.

“You’re finally back.”

Yoongi looks up. Hoseok is dressed for work, Hope Broker persona in place, tailored suit that sits perfectly with the lines of his body, handsome and stylish and entirely put together. He oozes poise and power. Elegance.

“Yeah.” Yoongi lets the greave drop, silent as it falls to the floor. “Job’s done.”

Hoseok smiles. It’s a genuine one because it’s for Yoongi. “I know,” he says, even though scarcely any time has passed since Yoongi put a bullet in the back of the target’s skull. Nothing happens in this world of theirs without Hoseok finding out about it, always sooner rather than later. “Just wanted to check in and make sure you were okay.”

“All good.”

“Good.” Hoseok is used to Yoongi’s blunt nature, his short responses when he’s tired. “Get some sleep.”

Hoseok’s elegant even as he adjusts his cufflinks. It’s just the briefest of moments, the crisp edge of his perfectly white sleeve contrasting with the shining silver, the design inlaid in them—but Yoongi recognises that design immediately.

Because it’s yours.

It’s the same emblem on each piece of his gear, small and understated, hidden away, easy to miss—but Yoongi knows it intimately. He doesn’t say anything. Lets Hoseok leave without a word. Each one of the men that Yoongi considers family, the tiny collection of people that stay in this same home as him, know that he only gets equipment sourced from you—but Hoseok had never mentioned that he’s been in contact with you, too.

It’s not important. Hoseok might be his friend and a staunch ally but there’s plenty that he gets up to that none of the others are privy to, trading information to the highest bidders, head of a huge network that Yoongi can use to his advantage but isn’t technically a part of. The people Hoseok deals with—buys his information and resources from, keeps perfectly balanced in comparison to his own power—is his own business and not Yoongi’s.

Yoongi moves to gather his armour, the hardsuit he wears like a second skin, and spots that insignia that he knows so well branded into it. To have Hoseok wearing it at his wrist—the Hope Broker, renowned trader of secrets—is a statement. You could have made the cufflinks plain and unadorned. But you hadn’t.

When Yoongi climbs into bed that night, he finds that his sleep is restless.

The smile on your face fades. “You know I don’t talk about business with other customers.”

Yoongi’s staring at you across your workbench, the light from its surface going dim as you take your hands off it, disassembled stun mine forgotten.

No one knows about his genuine friendship with Hoseok, but they do know that Agust D and the Hope Broker have an agreement; a professional working relationship. “I know the Hope Broker,” Yoongi says.

Your eyebrows rise so far they seem to threaten to ascend into your hairline, you’re so incredulous. “Everyone does. What’s your point? Do you expect me to give you information about everyone you ask about? I get paid to keep people’s privacy, Yoongi. Do you think I sell the information of your equipment, how to dissemble every defence you have? Do you think I give your name out to everyone who asks?”

There’s no touch of amusement to the line of your lips, no sparkling irreverence in your eyes. You’re genuinely displeased.

“He’s wearing your symbol.”

You scoff. “You wear my symbol too. Why, are you jealous? Your armour has exactly the same technology. Better, even, because I can fit more tech in there.”

The cufflinks generate a kinetic barrier, then, a layer of invisible shielding that lays just atop Hoseok’s skin. But no one sees Yoongi’s armour; no one sees the workmanship of your weapons, no one except him. Your insignia isn’t emblazoned on his wrist for all to see.

Yoongi isn’t jealous.

“Hope is a powerful man,” you continue. “Everyone knows that. Even people who haven’t met him know that. Even people who aren’t sure he exists know that. If I want to sell to him then that’s my business.”

Everyone who’s anyone recognises your logo, no matter how rare it is to spot it (you only craft for a select few, after all). And Hoseok’s influence is far reaching and powerful; no one would dare cross him, dare to cross anyone who’s associated with him.

“I’m looking for a new workshop.” You rise, moving away from your workbench to your monitors, touching a display with your fingers to bring it to life. Ignoring Yoongi’s presence, not even looking at him. “I haven’t got the space to modify the systems in this one as much as I want to. The walls are already full enough as it is. Do you know how hard it is to find somewhere with the specifications I need?”

Yoongi realises, then, why you’re doing this. The bruise is long gone and your skin is unmarred but you still don’t feel safe. You’ve always worked alone. Until now. Now you’re making moves to settle down, settle in, make a statement of allegiance to someone who can offer you a level of protection with their influence.

Someone who can offer you somewhere new, away from this inadequate place you’ve outgrown.

Hoseok laughs lightly when Yoongi asks about it, mentions it in passing as the two of them drink soju side by side, Hoseok in his suit and Yoongi girded in the armour under his unassuming clothes, both in the upper city for work; they stare down at the myriads of tall buildings and huge holo-boards and rainbow array of neon lights, far above the place they call home.

“Oh, yeah,” he says, utterly relaxed (and faintly amused). “I know you respect her work so I thought I’d reach out. I’m surprised she can make the things she does in that tiny workshop. You’re right; she’s very good.”

You are. The next time you meet, you give Yoongi his usual shipment and more besides, more than he’d ordered, reflected in the amount of creds he has to pay—because he won’t be able to just drop in for a while, your workshop dismantled and scraped empty in preparation for the move. Where to, he doesn’t know, but you say you’ll pass on the information once everything is up and running again.

“If you break any of your gear while I’m gone then you’re on your own,” you say. “I’m not shipping anything before my new workshop is finished.”

Two days later, Yoongi spies a new watch on Hoseok’s wrist. It looks low-tech, old style, metal strap and round clock face—but he sees the silhouette of your logo under those ticking hands and knows there’s more tech in there that meets the eye.

He looks away.

It takes a week for the message to appear, encrypted: your new location. Levels above your former workshop, one of the higher strata of the lower city—still hidden and out of the way but away from the dirt and darkness.

Yoongi goes. He finds the door panel, scans his palm, leans forward for the light to flit across his eye, murmurs a word, watches the door slide open. He’s already programmed in. New workshop, new security system, but he’s still allowed in, still one of the people you consider familiar, trustworthy.

(He doesn’t know of anyone else who fits that category. Has only ever seen you manually allow people inside, granting your permission each time, rather than giving them free run of the place. No one has as many complex orders as he does, he’s certain. It’s for ease and practicality’s sake.)

He’s unfamiliar with the layout of this new building, first corridor already longer than he’s used to; he pauses for a moment but then hears something, faint—your laughter. Follows that sound, makes his way forward, through polished corridors with lines of light underfoot, leading him down some stairs and towards the sound of you.

Your new workshop is beautiful. There’s enough room in here for everything, no need for a backroom: a central worktable, benches lining the walls, tech displays built in, everything edged with lighting, dark surfaces shining bright, large floor panels underfoot emitting a low glow. Your former home had been that underground workshop and a locked door to a ladder to your micro apartment up top, tiny kitchen and single bed in a small room with a shower cubicle in the corner. Yoongi already knows that this building is far, far bigger, and you have more space than you’ve ever had before; you’d never been discontent with your smaller home, comfort from familiarity, until that comfort had been stripped from you.

You’re smiling. The snark woven into your words that Yoongi is used to is muted, light comment falling from your lips as you sit on that central table, perched on its edge. And Hoseok, he laughs, grinning so widely his teeth are on show—he’s wearing a suit but his jacket is resting on his shoulders, tie undone and cast around his neck. A stance of relaxation, one Yoongi’s never seen from him, not when he’s working. Not when he’s The Hope Broker and not Hoseok.

He’s still smiling when he notices Yoongi, the two of you looking over when the hitman speaks.

“Didn’t expect to see you here, Hoseok.”

That ever-present smirk freezes on your face for a split second, eyes widening at the sound of Hope’s real name. Hoseok just takes it in stride, his smile not dimming even for a second.

“Hey, Yoongi.” His greeting is as warm as it always is. “Just checking in. Have to make sure everything is up to scratch. What’s the verdict?”

You’ve hidden your surprise, wiped it off your face, eyes on Hoseok as you answer him. “It’s perfect.” A pause. “I take it you two know each other?”

“Sure. Yoongi is an old friend of mine.” Hoseok is still smiling, looking at Yoongi with creased eyes. Unafraid of revealing this information to you, still at ease despite the tension that’s bubbling in the air, Yoongi’s impassive face. Hoseok is always an unshaken pillar of positivity. “I didn’t realise he was coming. Am I interrupting an appointment?”

You stare at Yoongi. “No, you’re not. I wasn’t expecting anyone.”

(You’d sent the message less than an hour ago. Yoongi had taken one look at the address, memorised it, pulled on his jacket and headed out; clearly you hadn’t anticipated how fast his arrival would be.)

“A happy coincidence, then.” Hoseok sounds like he genuinely means it, is pleased to see Yoongi here, his smile unwavering. There’s a languid set to his body, the easing line of his spine, hands in his pockets. A glittering in his eyes. (No one ever gets the drop on Hoseok, never surprises him, catches him off guard, no matter what they do.) “But I’ll let you conduct your business and we can catch up another time.”

He takes a hand out of his pocket as he walks past Yoongi, pats his shoulder amicably. His palm is relaxed against the tense set of Yoongi’s shoulders before he ascends the stairs and disappears out of sight, the sound of his polished shoes fading until he’s gone, one of the monitors on the wall flickering to indicate the front door is shut once more.

You’re still staring at Yoongi. The atmosphere had been heavy, even with Hoseok there—and now that he’s gone there’s nothing to alleviate that pressure, nothing to dissolve the strange twist to the air.

“Who,” you start, measured but sharp, “do you think you are?”

Yoongi returns your stare, looks back at you with his dark eyes. Doesn’t respond to your question; an unnecessary, unprompted thing, razor-edged for a reason he can’t discern.

“Can’t you hear me?” You slide off the table, stalk towards him. “I said—” you raise a hand— “who? Do? You? Think? You? Are?”

You emphasise each word with a sharp jab to Yoongi’s chest, driving your finger forward with so much force it must hurt. You keep it in place, keep it dug into the centre of his ribcage. There’s no laughter hidden in the corner of your lips. He’s annoyed you again, somehow, a familiar guest turned unwelcome interloper.

“You say that you know Hope and yet I just watched you treat him like dirt.” Your eyes are piercing, cutting through the soft frame of your curled lashes, boring straight into him. “You come into my workshop as if you’re meant to be here; like there’s something you’re owed. Do you want me to treat you like a child, send you to your room? Not let you back in here? Because I will.”

“You sent me your address,” Yoongi points out.

You let out a bark of laughter. “Please.” Your hand drops back to your side and you turn, stepping away. “I’ve sent this address to all my business associates. I can’t sell or buy unless people can find me. You’re the only one who’s taken this as an invitation to just turn up and waltz in. At least when Hope turns up he warns me beforehand. Oh, and he doesn’t say stuff like he’d rather blow his own brains out than be forced to see me. I know you just love being contrary but has it ever occurred to you to be more polite to people? You’d make a terrible waiter. You’d get fired on your first day.”

You’re in front of one of your cabinets. You reach inside for something, hefting it in your hands before returning, handling it in a way that’s completely unceremonious, dropping it to the bench at his side like you want to be rid of it. Like you don’t even want to hand it directly to him, to interact with him. “There. Nothing but a pleasure doing business with you, Yoongi, even if your customer service still needs improving.”

It looks like a flat, hexagonal panel, the same colour and material as his armour. Something to be locked into it, wired in, trailing veins of unattached tech spilling from it. He’s seen you working on this for a while, seen you draw up blueprints with a bruise fresh on your cheek, seen it turned in your hands as that mark had faded and left your skin.

It’s not something he ordered.

“What is this?”

You wave a dismissive hand. “Auto medi-gel distributor. It syncs with your armour and senses when you’ve been hurt and disperses gel in the affected area. Your armour’s always been too lightweight to have extra mods on but I’ve been working on this for a while.”

It’s an astonishing piece of tech. Usually one that’s reserved for heavier armour, restricting and hard to move in but easier to mod—but this thing is slim, compact, the same technology crammed into a smaller package without losing any of its punch. He doesn’t know what materials you’ve had to use to circumvent this, the level of tech you’ve layered into this, the amount of time and thought you’ve put into this.

“How much is it?”

The wrong thing to say. The smile that spreads itself across your lips is an echo of its usual curve, brittle and flaking around the edges, a baring of teeth.

“It’s a gift, Yoongi. Usually when someone does something for you, you return the favour.” Your lips are still upturned but your eyes are unsmiling even when your tone seems whimsical and light. You’ve got on your usual flippant façade, but there’s a pointed undercurrent to it. “You know, I don’t understand you at all. You remind me that you don’t like me but then you always hang around. You kill someone who threatened me and pretend that you didn’t do it. You say you don’t like me, but I thought you at least respected me, and yet here you are. Lying to me and treating me like I'm a fool.”

“I do respect you,” Yoongi says.

(Because he does, and as much as he would hate to inflate your ego, he doesn’t shy away from telling the truth.)

“Sure you do.” An unimpressed eye-roll, cutting under his words, knocking his feet out from underneath him. You don’t care to believe him. “This is my fault for not treating you the same as all my other business associates. Next time you come in you’ll have to have an appointment, just like everyone else. It’ll minimise the amount of time we have to spend together.”

Yoongi doesn’t like you. He finds, though, that he likes the sound of this even less; finds it pulling at his brows, his mouth, impassive expression turned to one of disapproval.

And his mouth opens. The word falls from his lips before he has a chance to think—years of battle intuition, years of following instinct, moving as he needs to in the moment.

“No.”

A raise of the brows. A purse of the lips. Incredulous. “No?” you parrot it back, mocking. “Oh, okay, sure. Never mind. You’re welcome to come in whenever you want and act like you have free rein of the place. There’s nothing I enjoy more than your scowling presence.”

Sharp tongued, sharp eyed, narrowed at him: a confrontation. For all that you needle him you never mean it, really (even if it’s still infuriating, aggravating). But right now? Right now each of your words is barbed, your sarcasm a defence, an offence. You’re running your mouth not just to rile him, but to ward him away.

“You’re really not as smart as you think you are, Min Yoongi.” You wield his name like a weapon. “You tell me right now why I should listen to you. What do you come here for? And don’t say it’s for my work because it stopped being just that a long time ago. And if it is just for my work then take it and go. Then I’ll take you off the security system and we’ll only see each other as much as is strictly necessary. In fact, you could pass your orders along via Hope—then we won’t have to even see each other at all. ”

“And then he’ll be the only one allowed free rein?”

It comes out before he’s even really thought about what he’s saying, which isn’t like him at all. Yoongi is two parts: pure, honed instinct, and careful, wary vigilance. He’s not like you, saying the first thing that comes to mind—not normally, anyway—but the words jump from his lips, from some near-silent part of him that balks at the idea. Of Hoseok stepping into your space the way that Yoongi does, appearing without warning, to be greeted with a curled smirk and glittering eyes.

“You’re a fucking idiot if you think that you’re not the only person with security clearance. My God. You’re infuriating. Seriously? I didn’t realise you were genuinely this dense. You’re the only one I’ve ever allowed in without prior agreement.” You emphasise this statement with another jab to his chest, your finger a sharp knife that cuts into him as you stab it forwards.

He catches your wrist. His grasp is firm but there’s no pressure to it; doesn’t squeeze, doesn’t tighten his fingers, just holds you in place. You’re staring at him with a challenge in your eyes, one that he finds himself rising to match, never one to back down.

“Is that so?”

Your hand unfurls, fingers splayed across his chest; he’s still holding your wrist, shifting with your movement. “Don’t be obtuse.” An irritated exhale. “Normally you complain whenever I talk and now you’re trying to get me to repeat myself. Again with the inconsistency, Yoongi. Make up your mind.”

He could do what you do whenever you’re feeling particularly aggravating. Play dumb, ask more questions, drag out the interaction until you’re bordering on snapping—but he doesn’t. He looks at the set of your jaw, the way you’re staring at him. Unflinching. You’ve never been scared of him, and you aren’t now, not with how he’s got a hold of you, how close he is to you.

He toes the line. Shifts closer. Notes the way your pupils dilate, how the tips of your fingers dig into the fabric of his shirt; how the air grows heavier, a frisson of electricity crackling through it. Yoongi doesn’t like you, but he likes that feeling—how the tension in the air shivers from indignation into something different.

Because you’re still staring at him, and there’s still that hard set to your jaw, but there’s not just anger in your eyes. There’s that warm thing he’s grown used to seeing, smouldering in near silence until he’d coaxed it to full flame, thrown gasoline onto the coals when he’d shot plasma into the back of Tang Lee’s skull. He’d protected you even though he hadn’t needed to, doesn’t need to, but does anyway—because he trusts you and there’s no one else he trusts to keep you safe.

And there’s no one else you trust, either.

“You talk too much,” Yoongi says, like he so often does—but there’s no irritation in it, touched instead with a simmering heat, the faintest edge of a bite.

You tilt your head. There’s a provocation etched into the twist of your mouth, the way your lips lift. Because no matter how much you needle him, dig your fingernails into every crack of his armour and twist—no matter how annoying you are, how angry you make him—you know that he’s not mad. Not really. Not in a way that makes you afraid, but in a way that thrills you, makes you want to see him snap, to wipe away that level facade he maintains.

“Maybe you should shut me up, then,” you reply, a murmur. A challenge.

A beat. Yoongi’s fingers tighten around your wrist. A warning.

And in response?

You just smile.

The way your eyes widen just seconds later is delicious, though, when Yoongi lets go of your wrist—because he’s moving faster than you expected. Your surprise melts into delight, a spark of glee that says you’ve gotten exactly what you want when Yoongi threads his fingers in your hair, tilting your head back to bare the column of your throat. He holds you firmly in place, crowds you back against the workbench so hard its edge must be digging almost painfully into your back but not once does that glee dim, written over every line of your smile, eyes bright and teeth sharp.

Yoongi likes to take things slow. There’s the part of him that never steps into a situation without knowing every angle, every escape route, each one of his kills planned meticulously. But, he thinks, the two of you have been waiting long enough, and he’s never been patient around you—has found his composure worn thin faster than anywhere else, by anyone else. It’s this part of him, frayed into non-existence by you, that rises to the surface now, makes him move as quick as he does.

And you respond just the way he knew you would. When he presses his mouth to yours you kiss him back like you have a point to make (you always do), fast and almost reckless, all lips and teeth and tongue. There’s no finesse to it. When he presses his tongue into your mouth you part your lips so prettily, let him take his fill, slide your tongue against his and tilt your head to get even deeper—and just like always, you're vocal, letting out small noises that are caught and muffled in the kiss, lust filled. But when you try to nip at his lip with the edge of your teeth Yoongi tightens his grip in your hair and swallows down your gasp before he pulls away, holding you in place so you can’t chase after his mouth. Your lips are kiss swollen and under the bright lights above they shine, slightly parted, pupils blown as you stare at him.

(You look good like this.)

Your eyes slide shut when Yoongi lowers his lips to your neck, across your throat. There’s nothing gentle about it. He moves with single-minded intent, lips and teeth harsh against your sensitive skin—and you take it all, little sounds falling from your lips as Yoongi drags his teeth towards the hollow of your neck. And when he takes his hand from your hair, takes both hands and digs his fingers into your waist and lifts you, you go so easily; a mimicry of your earlier position when he’d stepped in, perched on the edge of the table. Legs spread so Yoongi can stand between them. He’d be surprised at how pliant you are if it wasn’t so obvious that this is exactly what you want: lifting your hips so he can strip your lower half bare.

Your bare thighs press against the surface of the workbench, tech displays coming alive under your body heat. You’ve shrugged your cropped jacket off and you’re just reaching for your top when Yoongi stops you; splays a hand in the centre of your chest and presses you back, slow but undeniable. You’re not the one setting the pace. He is. He’s the one in control, with you spread out in front of him, only a thin layer of fabric keeping you from being completely bare—thin cotton underwear, dark and damp between your legs, betraying your arousal.

“Wet,” Yoongi murmurs.

Your retort stutters on your lips when he drags his fingers upwards over your slit, barely dulled by the material in the way. “No shit,” you say, and then suck in a breath when he presses the pad of his thumb across your clit.

It’s no good, the fact you’re still talking. But that’s okay. Yoongi’s planning on changing that.

It’s lewd, the way your legs are spread, parting further at the urging of his hands. Your hands slide across the bench, papers scattering, palms flat on the work surface and white light shimmering on dark blue in reaction to your touch; an unnecessary distraction that you both ignore. There’s nothing graceful about this, the peel of underwear away from your core, already slick even with the barest of attentions; he drags his fingers down the inside of your thighs, all that soft skin, and then under, urging your hips up and towards his mouth. No foreplay to this foreplay, no dragging out this moment—he bites at that soft skin of your inner thigh, sinks his teeth into it and listens to the way you gasp in surprise—and before you have a moment to ground yourself, he presses his mouth to your cunt.

You’re wet and warm under his tongue and the smell of you surrounds him, musky and heavy, and he feels how your entire body goes tense as you arch your back. He’d normally take his time with this, have you strung out and begging, but he has different plans today—knows exactly what he wants from this, sucking your clit between his lips and feeling your thighs tighten around his head, legs slung over his shoulders as he listens to the way you moan. Each sound shudders out from your mouth like you tried so desperately to keep it in but couldn’t help it. Yoongi loves eating pussy anyway but this is even better, the way all your witty ripostes die in your throat before you can shape them on your lips, turned into breathy gasps instead.

The taste of you fills his mouth and it’s so fucking good. You’ve been watching him, how his head moves between your legs, but he can tell you’re close; you’ve given up, eyes shut as you lean into the sensation building up in you, and Yoongi thinks he likes you better like this. Forced into speechlessness under his hands and tongue. Your pretty mouth softened from sharpness into urging noises of pleasure. He slides one arm across your stomach and holds you in place, a hard line that you can’t overpower and you’re left squirming in place, hips trying to kick up each time he draws his tongue over your slit, every part of you sloppy with your own arousal and Yoongi’s spit, flushed and lovely. One of your hands is in his hair and you’re pulling, pulling hard, unaware of how tight your grip is as you try to buck your hips and sob.

You’re so sensitive, and it only takes one, two fingers pressing into you and curling just right as Yoongi slides his tongue over your clit before you’re cumming, hot around his fingers as you come apart all wet and messy. He’s never seen you so undone, back arched as you ride out your orgasm, hair swept away from your forehead as you throw your head back. Keeps his mouth open on you, feels you under his tongue, until you’re flopped on your back and your chest is heaving, legs untensed and loose over his shoulders.

You shift an arm. Your fingers barely brush the medi-gel mod you’d made him, a loose sheet of paper sliding away and joining the others on the floor.

“Just moved in and it’s already a mess,” Yoongi says, and he doesn’t just mean the paper; fingers and chin and mouth covered in your slick, your core soaked. He’s still knuckle deep and when he curls his fingers again your entire body jolts, your mouth parting almost wantonly before you seem to struggle back to reality, surfacing from a haze of arousal and post orgasmic bliss.

“That’s your fault,” you say, voice weaker than usual. “I’ll send you the cleaning bill.”

“Mm. Not my fault you’re a messy girl.”

“Fuck you.” The blunt words are softened by your breathlessness, your bonelessness; the way your breath catches in your throat when he calls you a messy girl, even if you try to hide it. Trying not to let him in on exactly how much power he holds in this moment.

“I was planning on it,” Yoongi says, as calm as ever, even if arousal is simmering through his veins and gathering in his gut—has been this entire time, the taste of you on his tongue and the heat of you under his lips and the sound of you in his ears. “Want to make your workshop even messier?”

You dig your balls of your feet into his back, legs still over his shoulders. His fingers shift inside you and you shiver. “I don’t think so,” you say. “Bedroom.”

“So you’re giving me a tour, then?”

You don’t dignify him with a response, although the noise you make when he finally pulls his fingers out of you is more than enough to satisfy him. He’s still fully dressed and you’re only half so, and it would be comical if the sight of your bare legs and slick on your inner thighs wasn’t so hot, barefoot on the glowing and pristine (papers notwithstanding) floors as you reach for his hand and lift it to your lips, sucking his fingers into your mouth and licking your arousal off his fingers with your tongue, warm and wet, before you grab his wrist and pull.

He watches the movement of your hips as you lead him, your bare ass. Shameless as ever. Confident in yourself, even now. It’s not until you’ve stepped over the threshold and into your new bedroom that your tattoos become visible, as bright as the low lights in the room, those geometric lines and stylised circuitry on your legs shifting as you step forwards.

Even with the relative darkness Yoongi immediately notices something. Cast over the back of a chair near the bed, there’s his jacket, blood stains at the edge of the sleeves gone. Cleaned. Yoongi shifts his hand so you don’t have your fingers wrapped around his wrist any more. Instead he’s the one shackling you, holding you in place as you look over your shoulder.

“Were you ever going to return that to me?” He tilts his head at the chair.

You pause. Glance over. Look back at him, all amusement and provocation, recovered from your earlier breathlessness. “But Yoongi, I get so cold.”

There’s something about the idea of you in his clothes, clothes that you know he’s worn when he’s been getting his hands dirty—he ignores the curl to your lips and moves you towards the bed, ignoring the sound of your self satisfied laughter when he reaches for your shirt and pulls, with you lifting your arms to help him, grinning at him the whole time. Even when he’s thrown your bra aside and kicked his boots off and pushed you onto the mattress, trapped you underneath him, completely naked against his completely clothed body you’re still smiling, like the cat who got the cream.

You’re stunning. There’s no doubt about it. You always have been, annoyingly so, even when Yoongi’s wanted to wring your neck; not just because you’re pretty but because you’re intelligent and confident and in control, staring up at him without a lick of fear or concern, even now. Never with him, never. He can see your tattoos in all their glory, nothing hidden away from his gaze; he sees one he hasn’t been able to see before, a sunflower bursting across your ribcage, curved under the swell of your breast, glowing red and orange in the midst of all your other cyan and teal lines, glowing in the black light. He’s pressing you down, trapped under his body, and you’re just waiting. Waiting and still smiling, smirking, letting him take you in, preening under his attention.

He wants to eat you alive.

So he does just that. Shifts back down the mattress on his knees, keeping his hands on you, pulling his hands down the easing lines of your ribs and waist and hips, before a firm tug has you lifting up—your smug facade shakes when you’re left with only your shoulders and head against the bed, the rest of your body pulled towards Yoongi’s waiting mouth once more, held in place with fingers that dig into your hips, thighs soft against his ears, your hands scrabbling at the linen underneath you when Yoongi’s lips press into the crease of your thigh, off balance.

“Safeword?” He murmurs into your skin, and you pause.

“Hoseok,” you answer, and Yoongi responds by biting into your thigh again, soothing it with his tongue when you squeal.

“Shameless.”

You’re still wet from before, slick with cum, and Yoongi doesn’t hesitate before he dives back in. He can hear more than he can see the way your fingers curl into your sheets and rumple them in your hands, anchored helplessly into place by Yoongi’s mouth and the fingers cupped under your ass, digging into the soft skin, undignified and at his mercy.

“Yoongi!” You gasp, almost a whimper as a breath gets caught in your throat. “Y-Yoongi—”

You’re so helpless like this. It’s a little hard for Yoongi to breathe, your legs tightening around him, but it’s worth it for the way he can see you shaking apart. He presses his tongue as deep into you as he can, sucks your swollen pearl between his lips and circles it with his tongue, notices the way you jolt at those wet kisses, still sensitive from before, and he doesn’t let up. Keeps going and going and going until you’re gasping for air, sensations rippling through your body as you buck and writhe; you’re trying to keep yourself together, he can tell, but you’re unravelling, smirk wiped off your face and your mouth in a pretty little circle whenever you choke out oh, oh.

You cum faster than he expects, shoulders lifting away from the mattress as you arch your back so far it must hurt and tighten your legs and he feels the way your pussy throbs under his tongue, practically gushing when you reach your peak. Your eyes are unfocused when they flutter back open but you’re reaching for him, for the waistband of his trousers, trying to touch the hard length of his cock—he’s been ignoring it, how he’s leaked so much precum he can feel how wet it is in his boxer-briefs.

He keeps ignoring it now. He catches your hands, stops you in place, stares you down with an unimpressed tilt to his brows.

“What,” he says levelly, “do you think you’re doing?”

“Want you in my mouth,” you say. You seem almost desperate for it, fingers flexing in his hold, letting your tongue linger against your lips longer than necessary. “I want your cock in my mouth, Yoongi.”

He tightens his grip around your wrists. And then, for the first time all night, he smiles.

“No.”

You look stunned. Just for a moment. Then you’re squirming in his hold, but you’re trapped, nowhere to go. “What do you mean, no?”

Yoongi’s still smiling, mirroring the self satisfaction that had been written all over your face earlier. “I mean no. You don’t get what you want. You get what you’re given.”

There’s nothing he’d like more than to sink into that wet heat, to see your smart mouth put to good use, lips spread over his cock, but this is better. Seeing the genuine frustration and disbelief written across your features.

He doesn’t give you time to line up another angered retort on your tongue. Doesn’t give you time to breathe before he’s flipping you over, the wings of your shoulder blades and curve of your spine emphasised by the lines that are traced symmetrically and shining across your skin. They shift when you move, hips lifted from the mattress by Yoongi’s hands, on your hands and knees as he fumbles his waistband and zipper and pulls his cock free. He’s painfully hard, flushed head with precum that beads at the tip, and when he tugs you back he watches the way the head drags across the curve of your ass, leaving a shining line of wetness on your skin.

And when he sinks into you he barely gives you time to adjust, barely has time to adjust himself, to all this hot tight wetness after his cock’s gotten no attention at all—you let out a moan that almost sounds like you’re singing, long and high with pleasure, the slide eased from all your cum.

You take it so well, always so good to him no matter how irritating you are, so lost in the sensations that you don’t say anything about the hard edges of Yoongi’s clothes whenever he drives his hips forward and it presses into the soft skin of your thighs. It’s messy and choppy and fast and you slump onto your elbows, entire body shaking as you take everything Yoongi is giving you. Caged underneath him when he follows you forwards, presses his front to your back, feels the way the sweat on your skin is caught against the fabric of his clothes. Grinds his hips deep and feels the way you gasp, sucking in a shaking breath, your entire body lost in it. He bites his lip and keeps his own sounds caught behind his teeth, not letting you know how you’re pulling him towards his own edge.

He’s not done with you yet.

Your clit is slick under his touch when he lifts his fingers to touch you, to layer another sensation on top of the cock inside you, and you’re sobbing. You don’t ask him to stop, never know when to quit, face every challenge thrown at you—and Yoongi can tell that you love it even if your body is crying out, that you love this oversensitivity, pulled taut and strung out. You’re beyond speech, words slurred, barely recognisable as his name and pleas of more, please, more. He can feel when you’ve crested the wave of too much sensation and fallen back into that rippling sea of pleasure, and when you cum it’s with a soundless moan, mouth wide open but no noise escaping. No more sharp retorts, no smart words, fucked into incoherency, trembling and quivering as you go tight around him and Yoongi struggles not to lose himself then and there, in your scorching, wet cunt, fluttering around him.

The noise when he pulls out is slick and lewd, just like all the other noises that have been filling the room, the slap of skin on skin temporarily halted when Yoongi rolls you onto your back. There’s sweat beading on your skin, shimmering, tears gathering in the corner of your eyes and glistening like tiny jewels in the multi-coloured low light of this room. Your lips are parted and your gaze is bleary and you’re everything Yoongi has never seen from you before, fuzzy and quiet, entirely pliant. When he reaches for you again, runs his hands over the rise of your hipbones and down the side of your thighs, you whimper.

“One more,” Yoongi says. “One more, you can give me one more.”

You’ve never known when to quit, and now is no different, even if you’re on the verge of being entirely fucked dumb. Those tears pool in your eyes and stream down towards your hairline, but you let Yoongi move you, try to help by lifting your hips but almost too gone to move at all. Yoongi almost cums when he sinks into you, your willing body; he thinks you’ve never looked better than you do now, smelling like sweat and sex and so soft under his hands, taking his cock like you were made for it, and you’re so gorgeous when you’re falling apart.

The attitude you wear normally—the one that chafes at Yoongi’s nerve-endings—has been entirely wiped away, forced out of you by mindless pleasure. But still, you know what you want, even now, even when you’re barely coherent—Yoongi feels your hand slide across his and pull weakly, guiding it across your chest and up, circling his fingers around your neck.

He swears. Snaps his hips forward hard, watches the way your eyes roll back when he gives an experimental squeeze around your throat. Yoongi’s choked people before, knows exactly how much pressure to give, how much it takes to cut someone’s airways completely or how to just leave them reeling; he lets you linger on the edge of breathlessness, feels the way you go tight around him. When you orgasm it rips through you, your thighs tightening around Yoongi’s hips as you hit your peak and cum hard, and the feeling of it has Yoongi cursing and bending forwards to shove his face in your neck and kiss the salt-sweat taste he finds there as he falls off the edge. He cums wet inside you, keeps rolling his hips through it all, lets his cum mix with yours and watches the way you just keep taking it, even when your whole body is trembling from how much it is.

And when Yoongi calls you a good girl, you don’t snap back like you normally would, don’t deride his praise. You bask in it, as tired as you are, letting out a soft noise when he pulls his softening cock out of you, unbothered by the wet patches on your sheets and how the whole room stinks of sex. When he moves to lift you, to get you clean, you go easily and without argument, every one of your honed edges dulled, and you make no move to sharpen them again, to drag them over Yoongi in the way he’s so familiar with by now. Even when you’ve lifted out of your haze and you’re back in the moment, the way you watch Yoongi is no less calm than normal, but still different.

“Stay.”

He’s in the middle of reaching for his boots, discarded on the floor, a discordant note on the clear floor. You’re wearing clean underwear and a loose t-shirt and you’re looking at him with something verging on surprise, like you hadn’t expected to see him moving to pull his shoes back on to leave.

He hadn’t been planning to.

“Just moving them out of the way,” says Yoongi, putting them upright by the base of your chair, and then he makes his way back to you. You don’t attempt to hide your pleasure that he’s listened to you, pulling him onto the bed despite the fact he’s still dressed.

“I don’t cuddle,” he says, even as you tuck yourself into the crook of his arm, and he shifts to make it more comfortable for you.

You press your face into the hollow of his neck, touch your nose against his throat, breathing in the smell of sweat that still lingers—because you’re shower soft and fresh but he isn’t, and weirdly enough, you seem to enjoy it. Seem to enjoy that contrast, the one that’s always existed between you, Yoongi immersed in blood and sweat and tears while you’re away from it, one degree of separation from it all. “You know, I like it when you do things for me.”

Normally he’d protest, say that he doesn’t do things for you, but the truth is that he does, even if he’s only just admitting it to himself.

“Like that time you killed someone for me,” you say, and Yoongi’s fingers tighten, soft skin of your waist yielding under his touch.

“I kill a lot of people.”

You let out a laugh against his skin, quietly amused. “Just admit it. You like me, Min Yoongi.”

A pause.

Then: “Against my better judgement, I do.”

And he does. Even if you’re irritating and maddening, he does like you, and not just because of the work you do for him. He thinks that even if you weren’t so good at your job that he’d find himself here anyway, caught in this push and pull you have, magnetised.

“No need to sound so begrudging,” you say, but there’s no real annoyance behind your words.

Yoongi finds that he likes that note in your voice, like you’re indulging him and his stubbornness and you’re unmoved by it. He hums in response. Feels the way you shift back, lean on your elbows to look down at him, lips curled up at the corners.

“Kiss me.”

Not a question. A demand. Yoongi stares you down, just for a second, before he lifts a hand and weaves a hand back into your hair, tilting your mouth against his. He can feel your self satisfied smile against his lips and he doesn’t mind it at all, sees it spread across your face when you eventually pull back, all flushed lips and warm eyes.

You’re still sharp, a weapon in your own right, but you willingly hand yourself over to be held in his skilled hands, let yourself be worn smooth by his touch. He weaves his fingers between your own, your palm soft and warm against his, and he likes this. That you’re unafraid of what he is, that the fact he’s a killer isn’t something that scares you or thrills you.

Yoongi likes your work. He likes that he knows he can trust you. He likes that he knows of your loyalty, to the people you choose and to yourself, your unwavering principles, as unpredictable as they might seem. He likes that you’re unashamed to be yourself and to be confident, no matter how people react to that cockiness.

What he likes even better than all that is this, though: the way you’re pressed against his side, evidence of his touch written into your skin. The feeling of your hand in his. Despite all the odds, all the months of drawn out and simmering exasperation and tension coming to a head like this, Yoongi likes you.

“I’m not going to give you a discount, you know,” you say suddenly, and for the first time since you met, Yoongi allows himself to laugh at you.

“I’d be offended if you did.”

(You’re loud. Cocky. Arrogant. You love to irritate him just for the hell of it, because you think it’s funny and you love knowing that you can rile him up—but he can rile you up too, and you both know it.

Yeah. Yoongi likes you.)

tagging: @beyoncesdragon @vensulove @gyukult @swinginpicklesuitcaseapricot @kpopheart2 @loveyoongles @muzikabijou @katbonv @jaxx-7 @yeojaa

#btswritingcafe #houseofddaeng #magicshopnet #btswriterscollective #btsguild #yoongi x reader #suga x reader #yoongi x you #bts #bts x reader #yoongi #yoongi scenario #yoongi imagine #yoongi fanfic #bts fanfic #joy.masterlist #let's see if this appears in the tags this time! fingers crossed!#wow can you believe I wrote like 4k words of smut or something close to that

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mishasminions · 3 years

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The Last Time I’ll Write a Long Post About Supernatural (15x18-15x20)

15 YEARS OF WATCHING THIS SHOW. 11 YEARS OF RUNNING A BLOG ABOUT IT. IT’S BEEN QUITE A RIDE.

[15x20 Speculation + evidence at the bottom]

First off, I just wanna come clean and say, after all these years, I still think they should’ve ended at Season 5.

If you’re going to come at me with “Then why’d you stick around to watch it if you didn’t like it?”, your question is immature, and the answer is simple: I just want to know what happens next (I also love the main characters and their actors too). You can watch a show and still think it’s shit.

Call me a clown, but despite all the disappointment and trust issues that this show has given me, I would still look forward to the day where it might just turn itself around and bring back the quality it once had, or realize the potential of each story it was trying to tell, or at the very least, do justice by my favorite ship.

Never happened.

They’ve had a few good episodes here and there. I can’t imagine the SPN Universe without The Man Who Would Be King, The French Mistake, and Scoobynatural. Seasons 6-10 were enjoyable at times. I blocked out most of 7 & 11-15.

If you’ve been following this blog since its heydays in 2010-2014, you’d know I’d try my best to defend Destiel and this show’s decisions regarding it no matter what.

Because you know what, as a CONCEPT, this show is good. If you take a look at all the worlds its storylines have birthed in fanfiction/fanworks, you’d see how much Supernatural has wasted its own story arcs. The writing got shittier as each season progressed, and they’ve obviously given up in production as well because the quality in the execution has noticeably gone down too, but if you take a step back and take a look at the bigger picture, you’ll see that this show still tries to make sense of itself.

[If you’re still following this post, please bear with me, I know this is long, but I just want you to understand how jaded and pessimistic I am with regards to this show, so maybe you can buy into whatever hopeful thing I’m about to say later on.]

SO LET’S TALK ABOUT DESTIEL

Never in my wildest dreams did I think that they would give us Castiel’s “I love you” speech. To the point where, if I weren’t so desperate for it, I would argue that it was completely out of character for him to word vomit the way he did (but I’m not gonna diss on that right now because I’ll take what I can get).

I’ve valued every meaningful and obscure exchange that Dean and Cas have had in the earlier seasons, and I was willing to accept their relationship as just that--undefined, without any clear boundaries as to what they really are. And I think that was beautiful on its own.

But now, they’ve chosen to define it.

After they’ve driven every possible wedge between Dean and Castiel in seasons 11-15, to try to explain away their feelings as something they offer to a collective.

Dean can’t mourn and pray for JUST Cas, he has to mourn and pray for EVERYBODY--even Crowley, even some chick he just met, because god forbid he cries about just the guy who has given up everything for him--that would be “too homo”.

They’ve even set Cas on a path to abrupt fatherhood just so he can care about something other than Dean. Make it seem as if Dean wasn’t his purpose through and through.

And after all these years of this stupid show trying to deny it, they choose to acknowledge it at the worst possible circumstance, at a time where they’ve been so far apart, that it seems so foreign for them to suddenly come together.

But here we are. And they’ve chosen to tell us.

Chosen to tell us that everything that Castiel has done leading up to his death, he has done it because he was IN LOVE WITH DEAN WINCHESTER.

Chosen to tell us that the ONE THING THAT WOULD MAKE CAS HAPPY IS DEAN WINCHESTER.

Chosen to tell us that BEING WITH DEAN WINCHESTER is something that CAS WANTS BUT KNOWS HE CAN’T HAVE.

And they’ve also chosen to tell us nothing about how Dean feels.

Sure, finding out your angel made a deal, the stipulations of said deal, his newfound happiness philosophy, his long-winded monologue of why he loves you and why you’re worthy of his love, and to top it all off he tells you that being in love with you is enough to make him happy while he subtly hints that he’s always wanted to be WITH you romantically, was a lot to process in the 5 minutes after you’ve just had an existential crisis.

It’s whatever, right? Let’s culminate 11 years worth of tension and feelings in 5 minutes. Let’s waste the entire episode with cringey expository dialogue, and irrelevant sequences. The whole season was a waste anyway.

You know what Supernatural? FUCK YOU FOR THAT. They deserved better. WE deserve better.

And I would love nothing more than to hurl every possible insult your way,

But for the last time, I’m going to HOPE that you’re finally going to try to make it better for the fans that stuck by you all these years.

No more baiting new viewers, no more placating casual viewers, no more excuses. 15 years. Bring it home for the people who have actually been around.

SO HERE’S HOW I THINK 15x20 IS GONNA GO

There’s two ways this series is gonna end. Horribly or Spectacularly.

First let’s all take into consideration what Andrew Dabb says about it:

So, let’s start with

ENDING HORRIBLY

In this scenario, Misha is telling the truth about his last day of filming being 15x18. His “camping trip” during the last few days of filming 15x20, was actually a camping trip. He doesn’t go to Vancouver to shoot.

Jensen wasn’t “being careful” during the zoom interviews that it was just him and Jared quarantining for the shoot, it really was just him and Jared (althought most of these were done pre 15x19) Supernatural isn’t smart enough to do misleading PR, and they’re once again oblivious to the potential of their own story.

Misha hasn’t posted a “Goodbye Castiel” tweet because he’s probably saving it for last episode or he forgot because it was overshadowed by the Destiel trend that night.

So what we get is:

Sam and Dean are on the road again, up against the monster of the week. Only their world no longer has actual Supernatural beings anymore, so the monsters they’re fighting are humans.

Humans end up killing the Winchesters (despite having gone up against literally every powerful being imaginable INCLUDING God himself). Dean and Sam end up in heaven and relive their greatest hits.

Meanwhile, Castiel rots in The Empty because he died after realizing that he was happy and gay. Jack doesn’t bother rescuing him—his surrogate dad, the guy who made this specific deal to spare him—even though it was so easy for him get Cas in and out of The Empty when he had a fraction of the power that he has now.

Dean never speaks of Castiel’s confession because despite all the hints of a profound bond in the earlier seasons, and the fact that Dean has never cared for anyone (who isn’t his actual brother) as immensely as he does Cas, Supernatural just can’t have its main macho character be “suddenly bisexual” because that would hurt the male ego or some shit.

His heaven would probably be living happily ever after with his family. “Family” meaning Mary and John Winchester--two of the shittiest parents ever (but they’re not going to include them in this episode like they were supposed to because of Covid) and Sam.

Sam also gets a dog. As usual.

I wouldn’t put it past Supernatural to do this. After everything they’ve pulled, this would be right up their alley. I actually expect this ending.

Anyway, onto the next possible ending

ENDING SPECTACULARLY

In this scenario, Supernatural tries to stick the landing, and Jensen’s whole “It didn’t sit well with me at first, but then I took a step back after talking to Kripke, and realized that I had to view it from an audience perspective, I am now really excited about it” (DC Con 2019) anecdote about his thoughts on the final episodes, were actually about Dean potentially ending up with Cas. (Which would totally make sense because Jensen at first didn’t see Dean as anything but hetero, but as of late, he has been throwing in Destiel jokes of his own, so he seems to have warmed up to the idea)

Backed with Misha’s tidbit (DLConline 2020) that he and Jensen had conversations about Destiel, and that they wouldn’t have gone through with it if Jensen wasn’t onboard with it, but Jensen didn’t push back at all. (Why would they need to check with Jensen if it was just Cas going all in?)

Robert Berens (writer of 15x18) also wrote the script at the beginning of Season 15, but made Misha privy to the concept a year prior (Season 14), so they went into this season knowing about Destiel going canon.

This one’s a reach, but this scenario also supposes that Misha was lying about his whereabouts during the filming of the final episode, and him saying that 15x18 was his last episode is part of the diversion to avoid taking away from the weight of Castiel’s death.

And that Supernatural is actually self-aware of its own material (similar to how they have wrapped things up in the past—lots of expository dialogue, poor execution, but fulfills the story arc)

Since Season 15 is basically a Meta Season (Chuck/God as a writer, pretentiously calling out how he created the worlds, its characters, and basically invalidating the past 14 seasons), and 15x19 is supposedly the finale for Season 15, written by two of the worst Supernatural writers, Brad Buckner and Eugenie Ross-Leming (Bob Singer’s wife), then we can assume that 15x19 is where the shitty writers kill themselves--as Chuck, of course.

So we get a badly written episode that produces a bad ending, or as Becky put it, “All action, and no Cas”

So we get the bad writers season ending at 15x19.

And 15x20 is where Sam and Dean write their own stories, and where the cast had a hand in pitching ideas for it.

Dabb has mentioned that 15x20 (Act Two) is a SERIES finale, where they try to resolve the characters’ journeys.

Because as everyone has acknowledged, Supernatural isn’t about the story, it’s about the characters.

So here’s what we can get out of it:

With no more Supernatural beings left to fight, Sam and Dean are in a stalemate. They’ve resigned themselves to fighting to the bitter end, but the “end” has passed, and they’re still standing.

So they try to figure out who they are now, and what they want out of the life they still have.

Sam still wants a normal apple pie life. Before Dean dragged him out of college to go hunting with him, he had a whole life planned out for him. Become a lawyer, settle down with a nice girl, and get a dog. He gave all that up because they had work to do, but now the work is finished, he can finally go back to wanting that for himself again.

Dean finally realizes his self-worth after Cas saves him again. His prayer to Cas in purgatory may have helped him come to terms with his anger, but the whole “you’ve done everything you did for love” speech finally put him in his place, and he learns not to hate himself anymore.

But of course, he cannot fully reconcile with himself if he doesn’t get Cas back, and tell him how he feels.

Because Dean actually wants something for himself this time. Something he knows he can finally have if he can just salvage it.

So maybe this time around, with the help of Jack (off-screen), Dean saves Cas. Grips him tight and raises him from perdition.

They bypass The Empty deal by turning Cas human, and he lives the rest of his days with Dean.

Dean and Cas know they deserve to be saved, and they know that they deserve to be happy.

(Wishful thinking, maybe they kiss a little)

Anyway...

I’m just saying, there’s NO WAY that they’d have Cas go through that whole rushed speech, if they weren’t going to do anything about it later on.

But again, after 10 years of disappointment, I wouldn’t put it past Supernatural to pat themselves on the back and say, “Okay, we sort of gave them what they wanted. We’re good now”

If that’s the case, Supernatural, I’m sorry I wasted my time on you.

Here’s to hoping 🤡

#THE LAST TIME I'LL CLOWN FOR THIS SHOW #SUPERNATURAL #DESTIEL #15x20 #15x19 #15x18 #UNTAGGED #INSIGHTFUL INSIGHTS

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moiraineswife · 3 years

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Jasnah and Wit - Presentation Meta

Part 1 of the great saga of Witsnah “WELL ACTUALLY” metas I plan on doing bc y’all have just pushed me That Far.

Well hello there. I’m GRUMPY. And what I do when I’m grumpy is I channel it into a little thing called spite meta. That’s what this is. It’s me angrily yelling for several thousand words about why this thing is a GOOD thing, actually.

Today’s subject, the much controversial post Rhythm of War canon pairing that is: Wit/Jasnah.

So let’s (angrily) explore why this is actually a positive thing for both characters, on a nuanced, meta, character analysis level. Because that’s the only level that I have.

I admit, I was sceptical and uncertain. But when I actually sat and thought about this for a hot second...It started making a lot of sense to me. And then I thought about it for, like, a hot minute, and it made a LOT of sense to me. And now I’ve thought about it for a hot month, so come. Step into my thoughts, and I will explain my perspective on this all…

Firstly we’re going to talk about clothes. Yes, clothes. Clothes and what they symbolise for this pair, together and individually.

He was immaculate, as always, with his perfectly styled hair and sharp black suit. For all his talk of frivolity, he knew exactly how to present himself. It was something they’d bonded over. - RoW, 64

Wit and Jasnah have bonded over the idea of presentation and the effects it can create. Both of them have used this idea to great effect multiple times in the series. Wit displays himself as a more appropriate form of an Alethi highprince at war - a crisp, tailored, military suit in a colour that makes him instantly and easily identifiable in a crowd. It’s part of his subtle mockery of those around him - that the King’s Wit is a better presented highprince than the REAL highprinces. It also makes him recognisable, and it makes him seem professional and able to move easily in high society.

Equally, we’ve seen him take the guise of a poor beggar so as to sneak into Kholinar and go unnoticed and dismissed when he sneaks into the palace to recover Design in Oathbringer.

Jasnah, meanwhile, gives a memorable and impactful speech to Shallan at the beginning of Words of Radiance about the illusion of perception. About how by presenting herself as a princess, looking the way others expect, she is able to effectively use her authority. And would be able to similarly do so if she simply convinced people she was a princess, by manipulating their perception of her.

Both Jasnah and Wit understand this idea - of presenting yourself, not necessarily in the way you want to look, but in the way you want others to look at you. Creating for them the thing you want them to see, which enables you to better be that thing.

It also runs deeper than that. They’re not just people who like to dress well. They understand that this has a power to it. They understand the effect it will have over others. And it’s this deeper thing that I believe they’ve bonded over.

Because they don’t simply appear put together in their clothes; they appear put together in their everything. Wit and Jasnah are people who are consistently calm and composed regardless of the situation. They do it in very different ways. Jasnah with calculating stoicism and intellectual calm. Wit with indifferent frivolity and nonchalant acceptance of what’s happening around him.

The core effect is the same. When the walls are crumbling down, the armies are sweeping in, and everything’s on fucking fire, Wit and Jasnah are two people you expect to be able to look to for direction and a bit of sanity amidst the chaos.

They’ve both cultivated personalities and personas that revolve around appearing and seeming in control and unperturbed whatever is happening. It’s like their whole Thing.

So the presentation is not only about clothes and make up, it’s about who they are deep down as people. The fact that they’re always the strong ones. Always the ones in control. Always the ones who aren’t panicking despite the fact that everything’s on fucking fire.

They’re people that others EXPECT to behave a certain way. There’s a predictability to them. A dependability. In Wit’s case, it’s that you can rely on him to be esoteric, confusing, and unpredictable, but still.

There’s a pressure in that. There’s a pressure in always being THAT put together. In always being THAT on top of things. In always being THAT person who can never break down screaming when things go wrong because that’s not who they are and not what people expect. They have to be more than that. They have to be BETTER than that.

They’re also people that other characters tend to other/deify. Shallan remarks several times about Jasnah being inhuman/beyond ordinary people, and even goes so far as to compare her to the divine, despite her being a heretic.

Wit, meanwhile, gets asked if he’s a Herald, has that odd air of always knowing things that he shouldn’t, and being in places he shouldn’t at the right times.

They’re both ‘positively’ outcast. And I don’t mean that in an overly posh English way and being positively outcast, darling. What I mean is that, instead of being shunted outside of the circle of normality, they’re both placed on pedestals above it. Which is a different sort of outcast, but comes with its own package of problems.

And this brings us to: vulnerability. Because they’ve bonded over this presentation thing, but they’ve ALSO bonded over the fact that they’ve found someone they don’t have to do that around all the time. Someone they can let their guard down with and just be themselves. Someone they don’t have to present and perform for. Someone they can just be HUMAN with.

So we’re going to look more closely at the clothing aspect of this. Because there’s symbolism here, and it deeply interests me. With a focus on Jasnah, because Wit’s a mystery by design, and Jasnah’s got some more intentional stuff going on here I feel, re narrative symbolism.

So from the moment we’re introduced to her, Jasnah always looks immaculate. She always looks perfectly put together. Shallan remarks multiple times on her havah, on her make up, on the intricate and perfectly done braids of her hair. Which is a little bit gay on Shallan’s part (which is valid) but it’s also significant, symbolically.

I talked already about Jasnah’s idea of ‘power is an illusion of perception’, but I feel it’s worth coming back to. Both because of how much it shapes Shallan, but also how much it shapes Jasnah, and informs what we know about her.

Jasnah is ALWAYS put together. She is ALWAYS perfectly made up, the absolute ideal of the perfect Alethi princess. Even in scenes of distress or ‘downtime’ scenes - such as waiting for Shallan in the hospital, or visiting her after her betrayal, or the relatively more relaxed setting being on board the Wind’s Pleasure. The text makes a point to note that Jasnah is perfectly done up and presenting exactly as she wishes.

The times we see slips in that are DEEPLY interesting to me.

The first one I want to look at, briefly, is That Controversial Scene in the way of kings, where Jasnah uses Soulcasting to kill the men who attacked her and Shallan in the alley.

Just prior to this we see her bathing, where Shallan still remarks on how composed Jasnah is. This is also part of her presentation. She’s entirely naked, but that illusion is still up. She’s still more in control than other people are fully clothed.

What I find interesting is the specific note that Jasnah does not take the time to have her hair braided before she sets out with Shallan. It’s mentioned as being unbound a few times.

Symbolically, I like this, because I feel like it speaks to a slight loosening of her usual control. There’s something about that scenario that sets Jasnah on edge. There’s something about it that makes her feel.

Besides, men like those…” There was something in her voice, an edge Shallan had never heard before.

What was done to you? Shallan wondered with horror. And who did it?

Shallan is unnerved because Jasnah seems calm. But I get the sense, from this line, and from the intense repetition of how unnaturally composed Jasnah appears, that her composure is a front. And that if we had her perspective on this scene, it would look very different from how Shallan imagines it.

There’s something driving her here. Something beyond the logic she explains to Shallan, about making the city safer, about the guards not doing anything, about how innocent women will not be able to protect themselves from this, and how she wanted those men gone. All of which I believe is true, but that line from Shallan, and the way in which Jasnah goes about this...It feels personal. There’s something else going on behind the scenes that we don’t know or understand.

Regardless. This is the first time we see Jasnah step out of the cultured, reserved, stoic scholar. She’s something other than an ideal Alethi princess and studious mentor in this scene. And the detail of her hair being unbound, contained, wild, for the first time since we’ve met her feels..Significant. It’s an important detail to linger on, I think.

Which brings us to the next exception to Jasnah’s exceptional presentation rule: her murder!

Even in the scene before where we see Jasnah, arguably, the most vulnerable that we’ve seen her, in the cabin when Shallan confronts her about her fear of the upcoming apocalypse. It’s only a moment. Only a moment of genuine emotion that Shallan manages to glimpse before the mask comes back.

This was not the Jasnah that Shallan was accustomed to seeing. The confidence had been overwhelmed by exhaustion, the poise replaced by worry. Jasnah started to write something, but stopped after just a few words. She set down the pen, closing her eyes and massaging her temples. A few dizzy-looking spren, like jets of dust rising into the air, appeared around Jasnah’s head. Exhaustionspren.

Shallan pulled back, suddenly feeling as if she’d intruded upon an intimate moment. Jasnah with her defenses down. Shallan began to creep away, but a voice from the floor suddenly said, “Truth!”

Startled, Jasnah looked up, eyes finding Shallan—who, of course, blushed furiously.

Jasnah turned her eyes down toward Pattern on the floor, then reset her mask, sitting up with proper posture. “Yes, child?”

The text notes in this segment that Jasnah’s poise and presentation is a mask, but it also describes it as her ‘defenses’. This is her armour. It stops people looking too close. It stops them reading her emotion, her weaknesses. This is also one of very few times we see Jasnah attracting spren in the series.

However, even in this scene, clearly exhausted, overworked, and overwhelmed, Jasnah remains perfectly put together. All of her armour, her immaculate havah, her make-up, her braids, are all in place. Even in this moment.

Which makes a stark contrast to the next scene we find her in where she’s dressed only in a “thin nightgown”, and is lying on the floor with a sword in her chest. The vulnerability of unexpected assassination.

When next we see Jasnah, in the epilogue, is when she’s freshly spat out of Shadesmar after an apparently harrowing ordeal.

Her clothing was ragged, her hair formed into a single utilitarian braid, her face lashed with burns. She’d once worn a fine dress, but that was tattered. She’d hemmed it at the knees and had sewn herself a glove out of something improvised. Curiously, she wore a kind of leather bandolier and a backpack. He doubted she’d had either one when her journey had begun.

Even in another plane, apparently being hounded and in fear of her life, she’s managed to acquire some appropriate clothing, a glove, and a damn bandolier. Because of course she has. Perception. Iconic.

After that we don’t see her out of anything beyond her famous havah-braids-make up combo. Even when she’s with her family, and Navani remarks in her setting down the mask of the queen, she remains masked. There are still defences up. She never fully lets her family in on her plans, or her thoughts and fears.

No, the next time we see her symbolically, and emotionally, vulnerable: is with Wit. Perhaps for the first time, fully, without ANY of her usual masks and pretences, and under her own steam and of her own volition.

Locked away in a central room on the second level—sharing no walls with the outside, alone save for Wit’s company—she could finally let herself relax.

She DELIBERATELY picks a house with a second floor, and an interior room with no outside walls, with multiple fabrial traps to warn of assassins or intruders. But she manages to relax in Wit’s company. There’s a trust there. An understanding. A much needed vulnerability.

Clothing wise, in this scene Jasnah is dressed only in a nightgown and a dressing gown, and is carefully noted to have her safehand uncovered. Jasnah isn’t Vorin, strictly speaking, but she’s still been raised her entire life in a society that views safehands as something inherently sexual/to be hidden. So much so that she takes the time and care to sew herself a safehand glove while in Shadesmar. So all of this is a fairly Big Deal. It’s a Big Deal for anyone. For Jasnah? More miraculous than Kaladin giggling.

Jasnah Kholin is not vulnerable. Jasnah Kholin is never unguarded. Jasnah Kholin never willingly lets her guard down. Jasnah Kholin is absolutely as paranoid as Elhokar, if not more so.

She’s made herself a BUNKER at this point. She’s in an interior room, surrounded by traps, there’s spheres sewn into her dressing gown, and she has a wholeass BOAT waiting for her in Shadesmar JUST IN CASE someone manages to get through: guards, an entire BUILDING, multiple rigged traps, then her, with her plate, her blade, her Soulcasting ability, and all of her wit and skill, to somehow manage to wound her badly enough that she has to retreat to Shadesmar.

This woman does not do trust. She does not do vulnerability. To the point that it is absolutely 1000000% a fault. This IS Jasnah’s greatest flaw. Her isolation. Her mistrust. Her paranoia.

Anyone that comes into her life she’s suspicious of. She blithely warns Shallan about Kabsal stating he’s only using her to get close to Jasnah to steal from her/kill her.

We dismiss this, and look at it as brilliance/Jasnah knowing all, because she’s right. But it’s flawed brilliance. Because it’s the ‘broken clock’ fallacy, you know? If you suspect EVERYONE around you of being an assassin...Well, some of them will be.

Jasnah’s paranoia is another meta, however. But the point here is that: Jasnah doesn’t do anything by halves. She has an ideal for how she wants to live her life and she COMMITS to it. And part of that is her presentation, and the perception she projects, to an unhealthy degree, even around trusted family.

So the fact she has found someone she can relax all of her INCREDIBLY strict and overzealous masking and enforced personal presentation? Is both very significant in terms of her relationship with Wit, but also herSELF?

Because Jasnah NEEDS this. She needs it like Kaladin needs therapy yesterday.

Jasnah is a “strong independent woman” but if you double down on that idea, and follow it up with “Jasnah is a strong independent woman who doesn’t need a man/anyone” then you are absolutely 1000% missing the whole entire point of her character.

All the Stormlight characters are deconstructions of classical fantasy tropes, to varying extents.

Jasnah is the ‘strong independent woman’ trope except asking what if you ACTUALLY apply that to an actual human person? What would that do to them? How would that hurt them? And what it does is everything Jasnah is.

Which has been done so MASTERFULLY because we look at all of these flaws, and these objectively negative things that she does to cope with having this label slapped onto her, and we golf clap quietly in a corner and go ‘wow that’s so badass, that’s so cool, let’s totally romantacise all of these actually deeply worrying coping mechanisms and not look at them at all until Brandon smashes us in the face with them like a baseball bat with the nails of Jasnah’s trauma pounded into it’.

Okay maybe that was SLIGHTLY dramatic. But my point is: Jasnah’s apparent omniscience can also be looked at as extreme paranoia and mistrust.

Her independence and ability to ‘get shit done’ on her own, to the point she doesn’t tell another living soul about the LITERAL APOCALYPSE for more than HALF A DECADE is actually self-inflicted dangerous isolation.

Her constantly being poised, and on her game, and never displaying any emotion is actually extreme repression, to the point her own MOTHER describes her as ‘having the empathy of a corpse’.

Her consistent othering by all of the other characters, from her ward to her mother, deifying her, and othering her, and considering her immortal is actually putting her on a pedestal and cramming an INCREDIBLE amount of pressure to reach an impossible, unattainable, and inhuman level of perfection that becomes so normalised and commonplace that her return from the dead is just like ‘well yeah that’s just Jasnah’.

And all of these things are INCREDIBLY unhealthy!!! They’re not something any real person should have to do just to exist. Especially not in the middle of an apocalypse. When her father was killed in front of her. And then her brother was murdered. And the apocalypse she tried to warn everyone about is happening. And she’s the most experienced Radiant. And she’s also suddenly a queen of her kingdom. Which has been taken over by the enemy btw. And they’re in the middle of a war. And people are dying. And she’s responsible for those people dying. But also some of her highprinces are treacherous bastards. And oh look here’s a couple of slightly mad Heralds she’s taken charge of and- OH MY GOD PLEASE LET HER NAP!?

Again. Slight hyperbole on my end but I feel like I’m #Justified. The point is, her suddenly, after FOUR books, having a single person that she can confide in, and be vulnerable with, and admit she’s afraid, and uncertain, and doesn’t know what she’s doing, and isn’t sure she can actually do this, is not ~anti-feminist~ and it’s not “out of character” and it’s not damaging her ideal it’s actually deeply positive, and healthy, and a symptom of Character Growth.

Jasnah’s is choosing Wit. With her eyes wide open. And she has some reservations about things, because she’s JASNAH, of course she does. But she listens to him. She confides in him. She lets him see HER. She lets him help HER. She admits that she needs that help. She actually says to him, out loud, with full human words, to his face, right in front of him, that she’s frightened. SHE ADMITS THIS!!! Jasnah’s having all this stealth background character development that y’all are sleeping on but I am personally deeply hype about.

And it’s because Wit UNDERSTANDS her. And she understands him. And this is really the crux and core of this whole relationship for me, you know? This whole idea around them always being The Strong One. and finally FINALLY (for him, too) having someone that they don’t have to be strong for. Or regal. Or composed. Or poised. Or in control. Or even knowing what the fuck they’re doing.

She can just...Be. She can ask questions. And show uncertainty. And admit to fear. And to doubt, of herself, of the other Radiants, of humanity in general. And have someone to look to, when everyone is ALWAYS looking at her.

It’s the beginning of an actual support system. Because she needs this SO badly. Because she has her family but she also...Doesn’t have her family? She looks after them. She protects them. From assassins, and then from what was happening in the world/her role in it. Because there’s that line in Oathbringer that she has, about people loving her but still hurting her.

Navani mentions that after she hit adolescence (and after her parents locked her in a dark room and let her scream herself hoarse because they called her mad, lol) she withdrew. And she no longer asked questions. And she no longer wanted a mother, or a support figure, or someone to take care of her. She rejected all notions of that. Because there was something broken there. That trust was gone. And Jasnah will set aside the crown, and the mask of the queen around her family, but she is only fully vulnerable, and fully HERSELF with Wit.

And I cannot understate (i feel like I’m doing a Good Job of not understating this here people) how absolutely fucking ESSENTIAL that is.

Jasnah is NOT a machine. She is not a divine being beyond trauma and pain. She is a human being who has suffered, and who has responses to this.

Jasnah accepting Wit’s support and companionship is as big a step in processing and healing from her trauma as Kaladin accepting he can’t protect everyone and does not deserve to always carry that guilt.

I don’t care if you don’t like the ship. I don’t care if you think it was rushed (there was...a year long time skip. Things did not remain in stasis. Things changed. This is an interesting narrative device bringing us into them and letting us extrapolate backwards). I don’t care if you hate the bones of Hoid and never want to see him on screen: I DON’T CARE.

If you have any respect and regard for Jasnah as a character I need you to acknowledge that this relationship is a positive and healthy thing for her. I need you to see that it’s a step forwards. I need you to see that, from a purely narrative standpoint: this is a thing that should be celebrated for her.

In terms of Wit, too, this is a good thing. I am not about one-sided relationships where only one person is getting something out of it. Even when that one person is the light of my life Jasnah Kholin who deserves all the things ever.

For all his talk of frivolity, he knew exactly how to present himself. It was something they’d bonded over.

Coming back to this RoW quote let me make things as abundantly clear as possible re why I’ve bonded over this ship: They’re kindred spirits. They understand each other. In a way that no-one else has understood them for Jasnah possibly ever, for Wit in a very very very very very very very very very long time.

They’re both brilliant. They’re both intellectually at the pinnacle of humanity. They both know that. They’re also both damaged. They both cover up that damage with a carefully crafted presentation. Jasnah’s is regal composure and Wit’s flamboyant nonchalance, but it’s a mask in both cases.

They understand each other. And they understand the need to have what they’ve found in one another: someone they don’t have to be that way around. Someone they can just be with. Someone who understands why they have to be that way with everyone else; but can give them the freedom to be themselves.

Such parallel. Much power. Very choice.

I was gonna talk about Other Stuff in this meta but lol. 4k words of clothes screaming later and I feel like maybe this should be part 1 of an ongoing saga. Ahem.

The take away from this is: I totally understand why Brandon put these two characters together. For the amount of characters he has, he actually has relatively few romantic relationships. None of them are done on a whim, and they’re always healthy, mutual, and positive for both characters. They make sense, in short.

And these two as a pairing makes sense. On more than a “”””business transaction””””” level of them wanting and getting information out of one another. It makes sense even if there was no Desolation, and no threat to the world, and they were two randomers who met in a tavern and connected.

There’s a personal connection there. There’s an intimacy, and an understanding, and a sense of looking into another person’s eyes and saying ‘yes. You know. You feel it too’. They go through life in much the same way - standing out, never quite fitting, never finding anyone on their level that can relate to them or compete with them or challenge them.

They have someone who can fulfil them. Someone who can actually meet and exceed their abilities for once. But equally someone who can ground them, and meet them at their lowest point, and allow and even encourage that vulnerability.

TL;DR: this relationship is positive for both characters, and healthy, and important for both and this is a hill I WILL fucking die upon. Just watch me.

More metas to follow. Bc I have more to say. Not as long as this one, in all likelihood, bc I feel like this is the Lynchpin argument for this pair. But still. More to say.

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pedropascalunofficial · 3 years

Text

Pedro Pascal and Lena Headey

Head to head interview

Hunger Magazine, Issue 6. Released December 28, 2014. Photoshoot October 15, 2013.

Thirteen million. That's the number of people, on average, who tuned into each episode of the third season of Game of Thrones. Among them was Chilean actor Pedro Pascal, who was as enthralled by the sex and slaughter as the rest of us. But little did he know that within a few months he'd be pitching up on the shores of Belfast to join the cast as Oberyn Martell, affectionately known as the Red Viper. Sound ominous? It is. The Red Viper is GoTs newest anti-hero, “sexy and charming but driven by hate”. Sounds like he'll be right at home.

Pedro, on the other hand, though he looks good on paper, wasn't the obvious choice for the role. Expecting a big name to ride into King’s Landing, the show's fans took to forums to express their concerns as soon as the news broke. So is he worried? Like hell he is. “The fans had the part cast in their minds already. They knew who they wanted and it certainly was not me. But I'm not stupid, | presumed that people were going to say ‘who the fuck is this guy’. Since I anticipated the reaction it didn't throw me off.”

“There are so many different ways to go into battle with yourself when you're trying to get a job. I felt a certain amount of pressure because I wanted to make everyone happy. The fan base is so specific and, as a fan myself, I understand the relationship that they have with the show. The Red Viper is the best part I've ever played, and in season four shocks come at the most unexpected times. You might think you know, but you have no idea,” he explains.

Looks like the Red Viper could be in line to fill a Walter-White-sized-hole in television, but to test the theory we pit Pascal against Lena Headey, aka the Queen. Because if you can come away from Cersei unscathed, you can handle anything.

LH: So, Pedro, you come into Game of Thrones in season four, playing a pretty major character. Does that fill you with joy or dread?

PP: I'd say it fills me with joy because it’s a really fucking fun part. He’s a badass. He comes up against a lot of the main characters in the show. I'm very aware of the show. I watch it like a fan.

LH: Were you a fan before you arrived in Belfast?

PP: Yeah, I was a proper fan. I was caught up in the drama of it before I even auditioned for the part. I was already up to speed.

LH: I remember meeting you and thinking, “he fucking loves the show’.

PP: I kissed your ass.

LH: Well, it worked. We're friends now.

PP: I was like a tourist visiting the set, and yet I had to act with you and be in a scene with the characters that I had such a specific association with already.

LH: So you’re saying it’s boring?

PP: No, it wasn’t boring at all. It was extremely, relentlessly surreal.

LH: And who were your favourite characters up until that point?

PP: Not you.

LH: I realise that!

PP: There are too many characters to have a favourite, but I was fascinated by the Lannisters because they're so frightening. They scared me and then you would come in and pull sympathy from your audience somehow, and I found that rather fascinating. The Northerners were so easy to like or get behind, but it was quite something to see people sympathise with a Lannister, after you made people see things from their perspective.

LH: Speaking of being slightly ambiguous as a character, you come in as a major player and a very well-loved character in the eyes of people who read the books, and he’s somewhat of an anti-hero. Did you base him on anyone?

PP: What does an anti-hero mean exactly?

LH: It means he doesn't wear deodorant, doesn't it? [Laughs]. Someone you shouldn't champion, but you do, like Walter White in Breaking Bad.

PP: No, | didn’t really base him on anyone.

LH: Did you take anything from classic movies that you thought you could use and spin to your advantage playing the Red Viper?

PP: God, that’s a good question. I probably did subconsciously. Now I feel under the spotlight because I need to think of somebody, and I have so many in my mind! I think that’s something that is happening a lot in TV today: the anti-heroes are central to these television shows, and people are really getting behind them, even though they're not necessarily the most moral characters. So I'd say that ‘ve become more familiar with the character who's obviously very flawed but gets you on their side — you have complicated feelings about them. But I think I saw the story too much from this character's perspective to perceive any flaws.

LH: He has some.

PP: I know, from the outside. But I don't see any of them. What are his flaws?

LH: His flaws? He's a dirty bastard!

PP: Why is he a dirty bastard? He likes to fucking fight, for sure.

LH: Back to you as an actor. You've done it for a long time and, as we all know, the path is not always golden, and sometimes you think, “fuck it” and you want to leave it and do something else. Have there been moments where you wanted to give up?

PP: Yes, there have been moments where I came very close to giving up. But I never had anything to fall back on. I think you can understand that.

LH: Because were stupid?

PP: We're stupid.

LH: I can't even make pizza!

PP: We don’t have any other skills.

LH: None at all!

PP: And that’s the odd conundrum. You get to a point where you think, “This isn’t going to happen. This isn’t sustainable. I'm too exhausted, and it can't be good for me.” There were moments where I truly did try to formulate an idea of what I'd do. I thought I'd go back to school, start pre-med again and go to medical school or something like that.

LH: But that didn't happen, you just thought about it?

PP: Yes, I'd have thoughts, but it was still fantasy really. But at the time it felt like a practical life plan. Do you know what I mean?

LH: Yeah of course, you need to pay the fucking rent.

PP: Exactly. You just try to escape from the chaos of what you're feeling by trying to create order in your life. Order seems like a solution to save you from the pain of acting!

LH: It's a mental pain. Who was the first person you called when you got the role?

PP: My sister.

LH: Does she watch the show?

PP: Yes, she does.

LH: Pedro Pascal... or Pablo as I called you when I had too much wine, which was deeply insulting.

PP: Even family members have done that to me! Do I look more like a Pablo? Because it happens with about ninety-five percent of the people I meet.

LH: No, I think I’m just an ignorant drunk person.

PP: No, you were an ignorant drunk person that night is what you're saying.

LH: And now I’m educated.

PP: [Whispers] But | want you to call me Pablo.

LH: Ok, Pablo! When you first arrived on set in Northern Ireland, what was your feeling showing up to a bunch of British actors? Did it feel different to doing an American project?

PP: Yes, but I loved it. It wasn’t intimidating. I found it surreal because I’d watched and loved the show. I hadn't had the opportunity to work on something that I was really familiar with before, so it was overwhelming. But it was far more delightful than intimidating. Also you guys were really cool. Everyone was friendly.

LH: Oh, that’s just fake.

PP: Well, you guys were good at it!

LH: We know Game of Thrones is very popular obviously. Do you have any thoughts, or fears, about what this is going to bring you in terms of exposure?

PP: I have hope.

LH: Oh, God. I don’t mean to shatter that, but give it up.

PP: I don’t know really. It’s all been filmed, and now I'm back to my normal routine, so I haven't really thought about it. I remember when we finished filming and we were on our way to the airport, you asked me, “How does it feel you're all done?” and I couldn't really answer.

LH: You were quite emotional that day.

PP: I was very emotional because I’d had such an amazing time doing the part. Also just being there immersed in the experience... You described it to me best. You told me how I'd be feeling.

LH: We don't know your character's backstory when you enter the show, and you have some rather brutal scenes. Anyone who has read the books will know what I’m talking about.

PP: My character comes in, he stirs a bunch of shit up, and then he makes this fucking enormous exit. Now can | ask you a question?

LH: What is it? I’m not going to sleep with you. Give it up.

PP: Oh, come on! This has gone to shit and it’s your fault, so good luck to whoever has to edit it! But anyway, sometimes I'd hang out with the cast members and we'd go to dinner and they would get stopped constantly. There was no denying who they played because they were so recognisable, but you got away with it because you have this beautiful blonde wig on in the show, and in real life you are...

LH: Grey?

PP: {Laughs] No! You have beautiful chestnut hair! Is it liberating to not be recognised the way some of the other cast members are?

LH: Yes, it is liberating.

PP: Liberating being able to walk down an alley in Dubrovnik without being stopped?

LH: Yes, except sometimes | get recognised in the weirdest places. A woman was emptying my bag at Heathrow Airport's security gates and just went, “Are you the Queen?” while rummaging through my underwear. It was so fucking weird.

PP: It seems they're more respectful to you?

LH: Because they're frightened. Wait until they meet the Viper.

PP: Well, that covers it.

LH: I think we're going to get our own show out of this, you know

youtube

Interested in learning more about Pedro? Check out Pedro Pascal Unofficial on Pinterest!

#pedro pascal #lena headey #hunger magazine #shot October 2013 #published December 2014 #game of thrones #queen cersei #prince oberyn #oberyn #oberyn martell #hunger tv

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thesmokingguns · 3 years

Text

Picnic in the Park

Pairing: Axl Rose x Reader

Word Count: 2128

Fluff

Request Summary: “Axl rose meets a girl threw slash who is his childhood friend whos also an amazing painter and just is infatuated with how pretty she is and he just follows her around like a puppy.Tan skin brown hair that goes to lower back brown eyes, wears alot of cute sun dresses and is very kind”

A/N: I am catching up on requests. So if you have requested anything in the past week or so thag oiece should be coming out soon. Thanks everyone for reading

Tag list: @ayablackwood @agroupiewhore @thenobodies-inc @littlemisscare-all

Your mind was a mixture of light and dark, complimentary colors, and images burned into your mind that you wanted to paint later. If there wasn’t a brush in your hand you were taking notes with a pencil, sketching the world around it through eyes that only you saw it from. You captured everyday life like the older woman with the mesh bag she had filled with fruit or the man with his red beard, a few weeks unkept, napping in the alley to get a break from the heat. You took these people, characters of the world and had them live forever on the canvas you painted on.

Art was your passion. You loved walking around Hollywood with a set of watercolors or a notebook to sketch in and take in the lives of others. There was some sort of poetic feeling of taking a stranger from the street and importilizing them as a character in your art. You created a narrative for them that they may not be living. It was cathartic and you’d spend hours of your day people watching until you finally found the right subject.

Sketching out a bump on someone's nose that might have come from a childhood accident or from their Freshman year of college when they drunkenly fell down the front steps of the dorm, you created their unknown life story as you placed each line of their face into place. If you didn’t infuse their story into the piece it was just some colorful person without any meaning. But you wanted to give the viewer of your art a full piece. They should be able to look at your picture and understand the life that the subject lived; your art created that life.

It was crazy to think that a few years before you were in school thinking about becoming an English teacher.It was a chance meeting at a grocery store when you ran into your old friend Saul’s mother. When you had been kids the pair of you had been so close and secretly your mothers had both had fingers crossed for a wedding that never happened. The pair of you split apart the summer after senior year to set out of a life you each wanted. His mother had invited you over for dinner, which she also invited her son to, thrusting the pair of you back into each other's lives.

Oddly enough, it was like time hadn’t passed between you. The easiness of your friendship coming back without even trying and soon the pair of you were hanging out on almost a daily basis. With your schedule up helped manage his house, buying groceries, doing some cleaning, and running a few errands he never remembered. In return you had a few rooms to yourself. Slash had wanted to make sure you had time for your art as well as a space for it.

Dressing in a white floral pattern sundress you grabbed your bag that contained your art supplies. You wanted to get to the park early and set up a blanket you could spend the day sketching and painting on. You planned to soak up the sun in your skin and use the good lighting to get some new work to sell for the craft fair this weekend. As you turned to grab the picnic foods you had made the night before you saw Axl sitting at the counter. His green eyes looked up, smiling when he saw you.

“Hey, Y/N. Slash just left. I’m going to leave in a minute. I was just finishing up some lyrics.” he was always over and you thought that he was lonely in his role as lead singer. Even though Axl put on this tough guy imagine and had a reputation it was like he needed to work for that because he thought that was what rock stars were supposed to do. Whenever he was around you he seemed lost, always making extra conversation or taking the time to go walk to the coffee cafe with you and wait in line, even if he didn't want anything.

“I’m heading out for a day in the park.” you told him, moving the wax paper covered sandwiches into a small wicker basket, along with some fruit and cheese, some water, and a bottle of wine. You could feel his eyes on you, “I’m over packing and have more than enough if you want to come with me?” you let your eyes flutter up from packing the basket to look at him. “I’ll leave you alone to write because I’m just going to spend the time working on some new portraits.” It was important to you that you set up expectations. There was no need for him to feel like he was going there to entertain you or vice versa.

“I’d love to go. You don’t mind?” he asked as you finished packing up the wicker basket. You shook your head no, letting him pick up the food you had just packaged and leading you outside, “What park did you want to go to? I can drive us there.” you told him what you were thinking, getting comfortable in the convertible.

When you had moved in with Slash you had forged fast friendships with his bandmates. Even though you weren’t at every show and didn't always go backstage you had gotten close to them in different ways. On Wednesday nights you hosted a dinner party where you made them all come by so you had an excuse to cook for them. When someone had a ripped piece of clothing at a show you’d quietly take out your sewing kit, stitching patches in jeans and repairing favorite band shirts. You liked being around them all because of how animated everyone was; they were so easy to draw. You had a whole sketchbook of black and white images from the band. Your favorite subjects were Slash and Axl, mainly because they were the two you were around the most and had the most flexibility when it came to moods.

Axl had grown close to you, drawn into the caring nature you had. It was hard for him to understand that someone would do things for him without expecting anything in return. The first time that you had been out drinking with them and insisted Axl came home with you so you knew he was safe he had thought was a come on. When you helped him drink water and gave him aspirin before tucking him into bed he was shocked. Even more shocking was waking up to find his clothes washed and folded on the guest room chair and you carrying in a breakfast tray of freshly made foods. That’s just how you showed you cared about your friends. Being the mother of the group and taking care of them helped you feel like you were contributing as a friend.

Spreading out the blanket under the Weeping Willow tree. You motioned for Axl to sit as you toed off your sandals and moved to sit down. Digging through your bag you set out your sketch pad and pencils. You could see Axl out of the corner of your eye. He didn’t seem to know what to do. You pulled him down to the blanket, settling him so he could rest his back against the tree. You pulled off his shoes and socks and handed him his notebook as you went about unpacking your picnic so he could pick at food if he wanted to.

With him settled in the shade you laid down, belly first in the sun. Picking up your pencil you scanned the park until you found an older man feeding the pigeons. Your eyes followed his movements for a few minutes before you started your sketch. The feeling of the warm sun on the back of your thighs as you twirled the pencil in your hand, capturing all the features of the man.

As you drew you could feel Axl’s eyes on you. At first it was just light glances every few minutes and then it turned to heavy long looks where his eyes were watching you. Ignoring the way his stares made you blush, chalking up the pinkness in your cheeks as just sun exposure.

A hand slid over your calf, over the back of your thighs before going over your dress and laying on the flat of your back. You turned your face upward looking at Axl watching you. His eyes flickering from your art up to your face. There was a pause, curiosity and interest in what he was going to do next. Your heart is beating in your chest even though your body is frozen, wondering what he was up to.

“Do you want to take a break and eat? You’ve been working for a couple hours.” Looking past him you saw the sun had changed position in the sky and time had gotten away from you. Sitting up you handed out sandwiches, positioning yourself comfortably besides him in the shade of the tree.

Axl had been following you for most of the spring and now into summer. He's around all the time and often comes along for days like this. But you liked having him around. You thought that he needed the quiet comfortable silence between the pair of you; so much of his life was filled with noise.

“Y/N, do you like this?” He asked, peeling off the crust to his sandwich. The action seemed to be more of a need to keep his hands busy instead of a dislike for the bed.

“Do I like this? Picnics in the park?” You didn’t know exactly what he meant. Axl sometimes seemed to talk in riddles not wanting to fully play all of his cards.

“Being with me.” He didn’t look up to meet your eyes at this, almost embarrassed to be talking about it. You weren’t like Axl. There was no need to talk in riddles or have him guessing how you felt.

“Of course I like having you around, Axl. It’s nice to be able to spend time with someone I like.” He looked up, almost surprised that someone would like to be around him. “I’ve had a crush on you for a few months and it’s nice to get to know you more and find more reasons to like you.” You didn’t feel nervous telling him this. It actually felt like a relief to get it off your chest.

He put down his sandwich, wiping crumbs off on his shirt and looking at his hands to make sure that they were clean. Before you could figure out what he was going to do he had a hand in your hair, tugging you closer to him in a soft kiss. For months you had been thinking about what it would be like to kiss him on one of your lazy afternoons together and now it was happening.

Instead of letting him pull away and think about what he had just done you slid onto his lap, letting your hands wrap around him. His free hand was on your back holding you close as the pair of you made out like teenagers under the shade of the willow tree.

Finally, the pair of you pulled away, swollen plush lips and wild curious eyes watching each other. This new change between the pair of you sparkling like wonder between the pair of you. Axl was playing with a piece of your hair, wrapping the brown lock around his finger like he had been wanting to do for months.

“Does this mean we can finally start dating?” You asked, watching the way he smirked at this question. “Because I don’t know how many more times you can just casually show up without Slash catching on. And I don’t know how many more picnics I can plan without touching you.” You admitted, his lips were on your chin and up your jaw.

“Mhhh, I’ve been waiting for this for so long and now I can have you all to myself.” His voice whispered huskily to you kissing your earlobe. He pulled away to look at you again. “You have to tell Slash.” He said, making you laugh as you rolled your eyes. If that’s what it would take to have Axl you didn’t mind telling your best friend about the relationship.

“You take care of me and I’ll take care of everything else, babe.” You promised, meaning it. This was everything that you had wanted for months and now you were getting it. The man that you had started falling for was yours. It had only taken months worth of picnics to get him.

#Axl gnr #axl rose #axl rose fanfiction #axl rose x ofc #axl rose fan fic #axl rose head canon #axl rose x reader #axl rose gnr #axl rose one shot #axl rose fanfic #axl rose imagine #Axl rose Guns N’ Roses #Axl roses headcanon #Axl oneshot #fluff #fluff writing #request #Axl rose x you

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dancingintheraindreamingonday · 3 years

Text

Trouble in paradise - Part 4

Summary: This part takes place 5 months after the blip. Things get difficult when you and Bucky get a guest.

Warning: non; just fluff

Pairing: Bucky Barnes x angel!reader

Author's note: Took me ages to write that. I’m introducing you to two new characters. ;) Thanks again for everyone who is reading my story. English is still not my first languages

Part 1

Part 2

Part 3

Bucky felt weird, deprived. It has been 5 months since the blip and now everything was different. He wasn’t in Wakanda anymore, reading all those letters you wrote to him.

Steve wasn’t there anymore. He stayed in the past and Bucky knew the reason. Steve loved you so he couldn’t stand to see you happy with Bucky. He fled from the painful reality into a past where you weren’t present.

You and Bucky moved in together one month after the big war. It should have been awkward to move in with someone you barely knew but it wasn’t. Everything with you was easy and harmonic. And Bucky enjoyed the levity.

5 years ago, after the snap, you started to work as a teacher. It didn’t matter that you had no qualifications. The schools were so desperate because of the sudden disappearance of several teachers and you were fantastic. You still work there and to everyone else you and Bucky seemed like a normal couple.

Bucky just finished therapy when he noticed a person with a hoodie who was following him.

He slipped into an empty alley and ambushed for the person to come. Bucky didn’t need to wait long for it.

He attacked the hooded figure pressing it to the wall. A soft squeal left the mouth of the person.

„Who the hell are you and why are you following me?“

„I… I mean no harm.“ The voice of a woman spoke, timidly and softly.

The figure raised both hands to the sides of her hood and pushed it a little bit back, but it was enough for Bucky to be stunned. He could see the (y/h/c) hair shining under the afternoon sun. Her hair reminded Bucky of yours. Glossy, soft and so slick, that the fabric of the hood went slithering down. This girl in front of him looked like you. The same (y/e/c) eyes and the same small nose. Just the lips had another shape-they were slightly thinner. Without doubt, the girl looked like she could have been your sister.

„Who are you?“

„My name is Charlie and I’m here because I really need your help.“

„Why do you think I’ll help you?“

„It’s HYDRA, and angels. They are targeting my family.“

„I don’t believe a single word you say. HYDRA doesn’t exist anymore and why would I even care for your family.“

„Because… I can’t believe I’m telling you this. You are my family. You are my father.“ Bucky let go of the girl like he got burnt.

„I’m not a father. I don’t have a child. You’re completely mad.“

„Yeah, you’re right. You are not a father and you don't have a child yet but one day you will and that kid will be me.“

„So you’re saying you're from the future? You’re out of your mind.“ Bucky started to walk back to the main street, leaving her alone.

„I can prove it.“ Charlie hurried after Bucky.

„When you can’t sleep at night, mum makes you hot chocolate and reads a book to you. And every time I have a nightmare you do the same procedure.“

„That doesn’t prove anything.“

„Two weeks after the blip you bought an engagement ring for mum. You carry it in your pocket and you wait for the perfect day, the perfect moment to ask her. And you told me that one day you woke up and just knew that this particular day would be the one. Here.“ The girl was searching in her bag. She pulled out a picture.

It was an indescribable strange feeling to look at a picture of something that hasn’t happened yet. The picture showed you and Bucky on your wedding day. You both were kissing each other. It was a soft yet freeing kiss. All these years of waiting and longing were put into this kiss. Bucky wasn’t sure if others would interpret the same thing or if this was just his current feelings; still waiting impatiently for the to come. In the background he saw Sam and Pepper and another woman who he hasn’t met yet. The laughed and clapped happily their hands.

Bucky sat down on a bench, that was nearby.

„Am I… am I a good father?“

„Of course you are. You are the best.“ Charlie lay her hand reassuringly on Bucky’s.

„So what’s going on in the future?“

„A lot. It’s pure chaos. The war of the angels isn’t up there anymore. They now live on earth, they are fighting on earth. And they have multiple allies.. HYDRA or SWORD. They are after us. You and mum are desperate and helpless because you both don't know how to protect our family. So mum thought about sending me to Olympia… to Ikaris.“

Bucky snorted. He didn't like the Eternals and especially Ikaris, who was a handsome and powerful man. But it was his arrogance and his closeness to you that made Bucky despise him. Every time Ikaris came to visit you, which happened on a regular basis since the Blip, Bucky felt minor in his presence. Like a loser. Even Sam and Steve didn’t like Ikaris. They met him when he came to warn you about Thanos upcoming arrival. „He’s the Prime Eternal“, you always said to Bucky. „Of course he’s a bit arrogant but he’s also sincere, loyal and fair. I’ve known him for so many years, I’ve stood side by side in his war against Apocalypse. I trust him, and you can trust him too.“

„Wow, even in the past you can’t stand him. Anyway, we didn't make it to Olympia. They knew we were coming, Michael and Rafael were already waiting for us. So you and Mum had no choice but to fight. You gave Capt… I mean Sam the stone and just said 2023 and that I should look for a prophecy? And then Sam and I tried to flee but they were everywhere, so he gave me the stone and suddenly I’m here.“

„What stone?“

„This one.“, Charlie showed Bucky a small green stone.

„That’s an infinity stone! Where did you get this?“

„Don’t ask me! You gave the stone to Sam. I don’t know where you got this. But mum can’t know about this. She thinks, angels shouldn’t time travel, because we could misuse this power. “

„Put that away. If someone sees you with this you’ll be in danger.“

Bucky met Charlie every week this week which didn't get unnoticed by a certain person.

On the first day, it was a coincidence that you were there as well. You just picked Morgan up from Kindergarten. Morgan Stark was the daughter of Tony and Pepper and even thought you never were really close to them, one day changed this. You visited Tony and Pepper and suddenly Pepper went into labour. Complications came up and Pepper had to fight for her and for her baby’s life. But it had been your angel powers that saved both of them. Tony never forgot this and he made you the godmother of Morgan. You hated this name. According to you, no angel should be called a godmother or a godfather.

The first time you saw Bucky and her you didn't really think about it. But you were confused that Bucky didn't mention the woman he met this day and you couldn’t help but to be suspicious.

The next following 3 days you saw Bucky and this woman sitting too closely for your liking on a small bench and talking vividly with each other.

„Is that Bucky?“, Morgan looked at you as she pointed with her small pointing finger in the direction where Bucky was sitting.

„I think you’ll be the next Sherlock Holmes. C’mon, lets say hi to Bucky and his friend“

You were nervous and an uneasy feeling spread in your body.

„Hey, Buck.“, You grinned at him, recognizing how surprised he looked.

„What are you doing here?“

„Picked Morgan up.“ A strange silence grew between the two of you. That's why how you started to observe the woman, that was sitting on the bench. She was truthfully gorgeous. A fact that you didn't appreciated at all.

„Hi, I’m (y/f/n).“ You extended your right hand.

„Hi, I’m uh.. Charlie…“

Her hand was shaking and sweaty like she was nervous and when you touched her hand you felt her powers, her angel and you didn't like it at all. You pressed your lips together and faked a sweet smile. „Nice to meet you.“

You looked away from Charlie and into Bucky’s deep ocean blue eyes.

„So, how do you met each other?“

„Well… we… met… in therapy.“ Bucky stuttered.

You nodded slowly your head. „Are you sure or do you need another minute to come up with a better lie.“, you whispered.

Bucky ignored this and pulled you slightly away from the bench.

„I want to ask you something.“

„Okay?“, Morgan was still sleeping in your arms and you were afraid, that she would wake up from your fast heartbeat.

„I wanted to ask if you’d be okay with Charlie staying with us for some days. She doesn’t have a home and…“ Bucky was scratching his head as he looked unsure.

„Absolutely not.“

„Why not?“

"What did she tell you? What did she tell you to gain your trust, because whatever it was, it was a lie.“ A pause

„Did she tell you that she’s an angel? But she isn’t a normal one, she wasn’t created by Him. She was born, but she isn’t a Nephilim either.“

Bucky looked confused, not knowing what a nephilim is.

„A nephilim is the offspring of an angel and a human. They are half human, half angel and they are really annoying. But she is a real born angel which leads me to the conclusion that one of her parents must have been a really powerful angel… like an archangel. Bucky, I know every archangel and none of them has a child. She can’t be trusted and there is no angel who doesn’t want to see us dead… with all the chaos we provoked.“

You starred into Bucky’s face. No sign of surprise could be seen.

„She told you. You aren’t even surprised. Since when do you trust angels?“ Shocked about his sudden trust, you opened your mouth slightly.

„Well, I trust you, don’t I.“

Bucky regretted this sentence immediately as he saw your hurt in your big (y/e/c) eyes.

„I didn't mean it like that. I just… this girl has no one, no family, no friends. And I feel bad for her. You of all people know how difficult those times are.“

As a teacher you saw how desperate parents and kids could be. You knew that for several families the blip didn't make it any better, if anything it just made it worse.

„Don’t compare her life to those who really suffered, Bucky. She is not innocent. Angels are never innocent… I… Who is this girl? Who are her parents? Did she tell you anything about them?“

„She is scared and helpless. She’s still traumatized and doesn’t talk much“

You snorted.

„We can get her a hotel room for some time but I won’t let her into our home. That’s my final answer.“

You kissed Bucky on his cheek and walked with Morgan on your arms home.

„She will kill you.“ Charlie told Bucky as they both walked upstairs to Bucky’s and yours apartment door. „Probably.“

Charlie lay her hand on Bucky’s underarm which caused him to look into her face.

„Please, don’t get killed. Without you, there is no me.“ Even though she just said it jokingly, a warm and pleasant feeling went through Bucky’s body.

He opened the door and heard you preparing dinner.

„Hey Buck, I hope you aren’t upset…“, You stopped your sentence when you saw who Bucky brought with him.

„Oh for god’s sake. You’ve got to be kidding me.“

„I know you’re angry with me but I couldn’t just let her stay there in the park.“ Bucky tried to calm you down.

„Please, Bucky. Don’t let her into our home. She has more secrets than the Vatican“ You begged him.

„It’s just for a couple of days, yeah?“

You shrugged

„Well, you already made this decision on your own and I have no choice but to accept it.“ Bucky leaned down to kiss you but you turned your head away.

„You’re probably hungry. Sit down, please.“ You offered the girl a seat. Charlie was starving and it had been weeks since she ate a proper meal.

„What about you?“ Bucky asked worriedly.

„I lost my appetite but don’t worry, I won’t die out of starvation.“

You opened the door to a small room. The walls were painted in light blue and small and bigger yellow handprints of you and Morgan could be seen.

„Is it already morning?“ She asked sleepily, rubbing her eyes with her tiny hands.

„No, you just get an upgrade. Go back to sleep.“ You whispered softly as you carried her to your room and left some minutes later with a pillow and a blanket which you put onto the couch.

„Charlie, you can sleep in that room and you“ You turned your head towards Bucky.

„You can sleep there.“ With your head you're nodding to the red, comfortable couch.

„You’re kicking me out of our bed?“ Hurt and disappointment could be heard in Bucky’s voice.

"Did you really think that after everything you’ve done today I want to sleep next you?

Good night.“

Two weeks had passed and Bucky was on edge to the therapist’s sorrow. Charlie was still living with you.

„Trouble in paradise?“ Ikaris saw the blankets on the couch as he entered your apartment. Since the blip the Eternals were at war with the Deviants again. Ikaris used his getaways to meet you, asking for your support in his war.

„Don’t get me started. This woman just infuriates me.“

„Tell me about it.“ Ikaris sat down, watching how you prepare dinner.

„Well… 2 weeks ago Bucky brought this girl home because she’s helpless and innocent.“ The last part of your sentence is full with cutting irony.

„But you don’t believe it?“ Ikaris dug deeper.

„How can I. This girl is an angel.“ You put a glass of water in front of him.

Ikaris eyes widen due to your confession.

„And not just a normal angel… she has a soul... I felt it when I touched her hands.“

Ikaris swallowed the water and snorted.

„How is that even possible?“ He asked when he gained back his control of his breathing.

„I have no idea and I don’t think that this never existed before. That makes her kinda dangerous. And to be honest, I don’t like how close she and Bucky are.“

„So, you see her as a threat of your security or your relationship with James?“

„I don't know. Even though she is powerful she can’t kill me with her powers, but she has Bucky wrapped around her finger with her annoying angel charm. And that will eventually kill me.“

„Maybe she has the same friendship like you had with Steve. You told me, that in the beginning none of the avengers trusted you, except Steve.“

„That was different. I was always honest.“ You said defending yourself.

„But they didn't know that. You are extremely strong, immortal and gorgeous. You had Steve wrapped around finger.“

You crossed your arms, not liking Ikaris’ reasons.

„Here they come“, You mumbled as you heard the apartment door to open.

„Hey, James!“ Ikaris greeted cheekily Bucky

„Ikaris.“ Bucky nodded

„So, where is the wolf in sheep's clothing?“

„Ikaris, I swear I’ll k…“ You were masaging your temples.

Ikaris swallowed again

„Damn woman, you didn't mention that she looks exactly like you. Are you both related?“

„As if, I’m definitely not related to this.“ Your voice was cold, which earned you an annoyed glance from Bucky

„So tell me, where are you from?“ Ikaris looked interested and attentive.

„I don’t know, I can’t remember.“ Charlie's cheeks blushed as she shrugged.

You snorted

„See, I told you. The worst liar on earth.“

„I thought out of all angels you would understand me not remembering my past.“ It was the first time that Charlie really spoke with you and it surprised you as much as it angers you.

„Are you trying to compare your stupidity with me getting my memories burnt out in the most agonizing pain? You do remember, you're just not telling us. That’s a damn difference.“

Tears welled up in Charlie's eyes as she ran into her room.

Bucky looked at you reproachfully and went after Charlie.

„I’ll better go.“ Ikaris stood up.

„What? No, please don't leave me here. At the moment, you are the only sane person here.“

„If I want to eat with this much tension I’ll just eat with my ex-girlfriends.“ He chuckled.

„Talk with him. You both love each other, you will find a solution. And maybe trusting her… just a tiny bit would make her more talkative.“ Ikaris kissed you on the top of your head and left.

Bucky leaned against the kitchen counter, staring at you.

„Why are you so mean to her?“

„No. The question should be: Why are you so nice to her?“

Bucky walked slowly into your direction

„You want to know the truth? She reminds me of you. She’s smart and strong but also extremely vulnerable. And because of that I feel the need to help her, to protect her.“ His voice was deeper than usual.

Moments later Bucky stood before you and put both his big rough hands on the wall on each side of your head. He cornered you against the wall.

„I’ve been deprived of you. Of your kisses, of your touches“ Bucky murmured in your ear, his lips slightly touching earlobe. He could smell your sweet, fruity fragrance that made him dizzy.

„Promise me, that no matter how angry you’re with me, never stop kissing me. I need those. They're keeping sane.“

„I promise“

After hearing this, Bucky pressed his cold lips onto your soft and warm ones. His urgent tongue was invading your mouth, as he was pressing himself closer to you. Your hands were in his brown short hair trying to pull his head even closer to you.

Bucky groaned.

You both tried to catch your breath when you both heard a woman’s voice straight out of the tv.

„Did you know Steve Rogers?“

„… I followed his career very closely as an Avenger. I like to think that I modeled my work after his. I liked that what I was doing would make people feel safe. Steve Rogers was the kind of guy who could do that, he gave me hope. Even though I never met him, he feels like a brother.“

Bucky clenched his jaw, not believing what he sees. You covered your mouth with your hands, shocked to see a new Captain America.

@jessyballet @geek-and-proud @xlostinobsessionsx @cataves @intothesoul @beminetokeep @ebxny27 @ceo-of-daichi @bluemoon-icecream-blog @peterbparkersbae @bbl32 @stormi-ames @intothesoul @avoxzy @ferxaniti @daughterofthemoon92 @bebudaful @kaitieskidmore1 @harrystylesandthegoobs

#bucky barnes fanfiction #bucky barnes feels #bucky barnes fluff #bucky barnes imagine #bucky barnes x reader #bucky barns x reader #sebastian stan x reader #marvel

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clearlynotjanus · 3 years

Text

Loceit Appreciation Week: Day One, Hobbies

READ ON AO3

Chapter Summary: Through three accidental bonding moments over their usually solo hobbies, Logan & Janus realize they have a bit in common & enjoy what the other has to offer.

CW: Food mention, NSFW insinuated very briefly, Greek mythology Word Count: 6497 Genre: Gen Rating: Gen Ships: Slowburn Loceit, slowburn Intruloceit, pre-established Intrulogical, pre-established Dukeceit

taglist: @sanderssidesangsttrash @catalinaacosta @whatishappeningrightnow @anxiousbean4404 @vexelore @the-dead-and-the-decaying @serpentinesomebody @poptartsaysurloved @robertdownerjr @dangitsbrightinhere @iamuncomffy @sanderdarksides @evertriedsoywithyourpopcorn @dragonfander @virgilstarantula @a-rudethude @indubitably-emo @gay-artist-626 @cosplayhanna @edupunkn00b @wouldntyou-liketoknow @awesomerandomgirl1 @loceitweek2021

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Without any effort made to conceal himself, Janus observed Logan and Remus from the kitchen pass through. Cynically his eyes measured the almost formal distance between the lovers on the couch. There was no need to guesstimate their familiarity; Remus gushed every chance he got about their private life but Janus was still nosey as ever. He leaned forward there with an elbow bent across the counter, the other propped up with an apple brought to his mouth every so often with a satisfying crunch. His gaze switched between keen on their movements and hazy as trains of thought whisked him away.

Janus was aware his staring made Logan uncomfortable in these moments. He shifted, glanced in Janus’ direction, cleared his throat, pushed his glasses back unnecessarily, all as though being perceived so closely was an entirely new concept; but that was just another reason to continue. This was, after all, the Dark Side; his side, and far be it from Janus to let Logan forget that detail. Besides, it wasn’t like he was a peeping Tom, leering as their casual afternoon became intimate. No, whenever that occurred, Janus was out of the room faster than Remus could get it up.

Today was tedious in its domesticity. Remus scribbled like a madman with furious scritchscritchscritches in a notebook that seemed to change positions whenever Janus looked at him, specifically. Logan rested his head gently against a loosely balled fist. With a quiet schwiff every couple of minutes, he turned a page of the book in his lap. The room was silent otherwise.

Crunch. Schwiff. Scritchscritchscritch. Crunch. Schwiff. Scritchscritchscritch. Crunch -- The apple was finished and the sticky core was disposed of.

“Logan,” Janus called suddenly in a sweet tone as the trash’s lid closed.

The Side in question stayed silent; either to finish the line his eyes were currently on or to give Janus a taste of his own uncomfortable medicine. Either way, Janus rounded the kitchen corner and balanced a hip against the arm rest next to Remus. A gloved hand idly found its way into his partner’s curls; thoughtlessly, Remus leaned into the feeling, but remained otherwise unresponsive, clearly content with his scribbling. Logan finally blinked up. His expression seemed indecisive between exasperated and dubious, with a predictable amount of disinterest.

“What is it you’re reading?” Janus asked, brows and chin raised with an amount of intrigue that Logan didn’t immediately trust. Not to say Logan didn’t trust Janus individually, but even if he was the Side who understood Deceit the best, there was still quite a bit of water under this particular bridge -- or, uh, whatever idiom would fit here.

Instead of responding verbally, Logan held up the blue and black cover for Janus to read himself; which he then did. With a slightly cocked head, the words were enunciated slowly.

“Born Under Saturn. The Character and Conduct of Artists; A Documented History From Antiquity to The French Revolution,” Janus blinked back up at Logan’s face, digesting the rather wordy sentence. “An analysis of historical artists?” He attempted to boil the topic down to something more … succinct as Logan lowered the book again.

“Basically,” He allowed, eyes poised to resume his reading.

Janus hummed with peaked interest and continued to watch as Logan’s demeanor receded from vaguely conversational to studiously mute once more. In truth, it sounded like a rather compelling read. Being Thomas’ Sides, of course, they were all inclined to art in some way; for the more left-brained Sides such as Janus and Logan however, the critique and reasoning behind the art and associated artists compelled them more frequently than the act of creating art, itself.

“What’s the part about Saturn?” Janus asked with knitted brows, the hand in Remus’ hair going still as he interrupted again after a moment. This question seemed to get Logan going as he shifted in his seat.

“Well, I had assumed from the title that the study would be centered around evidence pertaining to when and where artists were born, alluding to the hypothesis that Saturnian positions and dispositions resulted in a certain type of artistic character,” Logan explained, annoyance bleeding into his tone as he placed the back of his hand on the page he was currently on in a humorless gesture.

“And I take it from your very contented mood that that’s exactly what the book is about,” Janus teased reflexively, taken aback by Logan’s sudden enthusiasm. Perhaps, Janus thought, he hadn’t been so bothered by being stared at and was simply wrestling with his expectations of the text.

“Ha ha,” He laughed dryly; the sound made Janus smirk. “Saturn is, unfortunately,” Logan waved his hand at the book, “Just a metaphor here.”

“A metaphor for what?” Janus pressed gently, giving a final tug of affection to Remus’ hair before retracting his hand; sensing the appendage being stolen, the distracted Creativity leaned to follow the stimulus until it was far out of reach. Janus turned away and sat delicately on the shallow coffee table in front of Logan, who then paused.

He didn’t wonder why Janus was interested in this topic; after all, he thought, philosophy and theoretical debate were right up Janus’ alley. Additionally, they were speaking about metaphors, he rationalized. Logan didn’t need to understand nor regularly use the literary device to know its practical application, particularly to Deceit who always spoke in those encumbering and roundabout ways. What Logan really paused for was a moment of recognition that after years of distant silence, they were embarking on a rather cordial discussion.

“The melancholic,” Logan explained.

“So not the Roman god?”

“Well, yes and no, but for the comparison to make sense, no is easier,” Janus nodded and crossed his legs, listening with intent held in his brows. “It is a tad convoluted but the theory relates to the history of the four humors,” Janus gave a soft, one-noted hum and Logan nodded. “After all, the Greek etymology for the word melancholy is melas, meaning black and kholé meaning bile; black bile, of course--”

“Being one of the four … fluids,” Janus scrunched his nose distastefully, “Associated with the four humors,” He finished his interruption, gesturing with a loose wrist.

“Exactly,” Logan breathed with a surprised half smile.

“So what does Saturn have to do with black bile?” Janus asked reasonably.

“Well that part goes back to the interpretive study of Astrology,” Janus tilted his head with surprised interest. “Which, despite its dubious plausibility today, played a frequently understated role in the founding of modern science, especially modern psychology.” Logan paused, watching Janus’ face shift subtly in thought.

“Forgive my relatively ignorant knowledge of Astrology,” Logan nodded permissibly as Janus began to piece the theory together with slow words, “But I guess what you’re saying, or rather, what you expected the book to say, is that artists all suffer from a melancholic disposition?” Logan hummed and shook his head, causing Janus to purse his lips.

“Again, yes and no. The book is saying that, to some extent.”

“You had just been expecting the evidence to be reliant on literal Saturn rather than...whatever they’re actually using,” Janus tried again and was rewarded with another half smile.

“Are you nerds done yet?” Remus piped up suddenly as Logan opened his mouth to continue. Janus’ head turned and the awareness in his partner’s eyes made his own narrow; how long had he been attentive to their conversation? “I wanna show Lolo what I made.”

“Quite, then,” Janus smiled curtly at Remus who beamed with knowing sarcasm in a way that only Janus would be able to detect. Rat bastard. “Another time,” He promised almost provocatively as a parting to Logan, who looked rather miffed and torn between continuing this unexpectedly stimulating conversation and tending to his boyfriend’s desires.

Janus stood before brushing invisible dirt off himself. “Have a wonderful afternoon, lovebirds,” Janus lilted, fingers wiggling in a goodbye wave as his back disappeared down the hall.

Logan blinked several times before inhaling and turning to Remus, who seemed a few moments more patient and perhaps a little more amused than usual.

- - - - -

Remus’ door having gone unanswered, when music began to softly crackle from the direction of the kitchen, Logan followed it with a vague intrigue. He paused in the entry, blinking at the four black-sleeved and yellow-gloved hands that flitted about the counter spaces. They rifled through the fridge and plucked from the cabinets with a sense of mindlessness from their owner, who stood at the sink. Using his natural two arms, Janus filled various bowls with water as he hummed along to the quiet, bouncy swing song that played from an antique looking gramophone Logan could’ve sworn wasn’t there yesterday. The scene was fascinating, from a scientific point of view; he had never considered how Janus’ many arms worked and seeing them here, stretching out and acting as though they had their own sentience piqued his interest immensely.

For long moments, Logan watched silently before the arms retracted, bringing various items back to the workspace closest to Janus. Packets of gelatin, food coloring -- Logan squinted from his position; corn syrup? The answer to a question he hadn’t asked made itself apparent as he recalled a few various tidbits Remus had given him about his partner. Logan cleared his throat to get Janus’ attention, satisfied with his distant examinations.

“Oh,” The baker turned around, excess arms disappearing inside him with a flourish as they completed their purpose of fetching. “Logan, good morning,” Janus greeted in a sunny tone, though confusion hinted in his eyes.

“Good morning,” He returned, taking conservative steps into the kitchen. He nodded at the gelatin packets. “So this is the gelatin art Remus talks about,” Logan observed without question.

“Remus talks about it?” Janus asked, reserved happiness in his distracted tone as he stepped from the sink to the counter and began measuring out tablespoons of corn syrup.

“Frequently,” Logan confirmed, crossing his arms casually. The conversation came to a peaceful lull as Janus began to stir the syrup and water. Concluding that, he turned and took steps that placed him closer than usual to the other.

“What does he say?” Janus asked like a teen greedy for rumors, giving a sly glance from under his lashes as he paused. The moment lingered as he reached around Logan for the gelatin packets he stood in front of, meeting his eyes all the while. Suddenly, Logan couldn’t remember a single thing Remus had ever said. The tips of his ears reddened with a blush that creeped up the back of his neck. He swallowed against the dryness of his throat.

“Just that you enjoy making gelatin,” Logan responded after Janus had made his way back to the counter, his posture feeling as stiff and unnatural as his answer. He could see the disappointment in the way Janus’ lips pursed as he began dumping the neutral colored gelatin into the solution.

“Is that so.”

“Yes,” Logan cleared his throat and again felt that his response was lame. It made the air between them go stale. How did Remus manage to speak with Janus so casually and with so much enthusiasm? Of course, he wouldn't be Remus without an absence of shame, but still; Logan found himself envying the fact.

He was appreciative of the cheerful music that eased the awkwardness. Also that Janus didn’t seem to mind how apparently awful he was at idle conversations despite his desire to engage in them. After a few moments, Janus went back to humming as he repeated the task of pouring gelatin into the bowls and discarding the packets. As the heat in his face receded, Logan recalled more of Remus’ words over the time they had been dating.

He always spoke very highly of his partner, which was to be expected. Janus was graceful, patient, and, quote, ridiculously smart. Despite taking everything Remus had to say with mounded tablespoons of realism flavored salt, examining Janus now and through the lens of their recent interactions, Logan would have to agree.

“He has an awful habit,” Janus revived the conversation as one song faded into the next. He turned and leaned back against the counter; as he spoke, he slowly began turning the knob of a manual can opener against a can of condensed milk. “Of eating various inedible things,” Janus scrunched his nose and Logan exhaled. “You won’t believe the things he’s consumed over the years.”

“That’s why you make the gelatin, correct?” Logan asked, hoping this time his phrasing opened up the possibility for more elaboration.

“Mhm,” Janus hummed with a shallow nod and twisted the lid off before throwing it in the trash as well. He turned and stirred the thickened milk into the largest bowl of water and corn syrup. Discomfort washed over Logan once more as he began to realize the conversation had died again. His head fell but soon snapped up as Janus thankfully continued after a moment.

“Of course it doesn’t negate the problem entirely,” His tone was less annoyed than Logan would’ve thought. Though there was plenty of quiet frustration, mostly he sounded concerned and tired. “But I like to imagine it helps some at least.”

“I think it helps more than you realize,” Logan offered slowly in a tone that was sure of itself despite the confusion in his brow. Did Janus not realize his instrumental intervention?

Remus never really shut up about how much he appreciated Janus. The various ways Janus managed him and his mental health over their lifetime together, how effortless Janus made it all look; Logan had to admit, hearing about it constantly was rather intimidating, especially at the beginning of their relationship. He had high expectations to meet if everything Remus said was true, and like he thought before, it was beginning to look that way as Logan got to know Janus for himself. Remus talked a fair amount about how much he appreciated Logan as well though, so he never did have much of a chance to get demoralized about it. Even so, gauging the dynamic between Janus and Remus without his interference was a bit startling as everything came into focus.

They flowed together easily; in the interactions Logan had witnessed, their affection always had a sense of routine and familiarity, but not in the stale way that felt boring after years of repetition. Perhaps, Logan began to think, it had clouded his view a bit and prevented him from questioning if Remus ever expressed his gratitude to Janus, directly. The likelihood that he didn’t seemed infinitesimal, and yet the doubt was still clear in Janus’ words. Was it that he didn’t believe Remus then?

Janus cautioned a look at Logan from over his shoulder, surprise and then confusion flashed across his features; exactly how much did Remus talk about him? He didn’t mind being complimented of course, he adored praise, but something about the idea of Remus jumping into a new relationship only to gush about him constantly didn’t sit right with him. Especially if that person was Logan. Who knew how Logan felt after all this time? Janus scrunched his nose and tossed the now empty can with a sense of distaste.

“I suppose he talks about me too much if you think that,” His tone was apologetic as he gave the mixture a final stir before turning to meet Logan’s eyes with a flashy smile. “Enough about all that though; would you like to help?”

Logan blinked, his mind catching up to the topic dismissal. “Help?” He repeated automatically before realizing what Janus meant. “Oh. No,” He unfolded his arms to wave a hand, shaking his head. “I’m not one for baking, I’ll just get in the way.”

“Nonsense,” Janus insisted, reaching forward to gently steal Logan by his sleeve. “If you need more motivation than just my requesting, think about how thrilled Remus will surely be knowing you had a hand in this batch.”

Logan let himself be pulled towards the workstation, not having it in him to refuse Janus’ smile and persistence more than once.

“I suppose you have a point,” He conceded with a sigh and Janus clapped his hands together quietly.

“Splendid,” he plucked the box of food coloring from the counter and pushed the dark blue dropper into Logan’s hands. “This is the easy part anyway. I trust you completely.”

Somehow, the implication of Janus trusting him made him pause, feeling his chest going warm. Logan stared down at the small bottle in his hands, feeling even more clueless now being involved than he had simply watching Janus; but Janus still trusted him. It didn’t take a rocket scientist to tell that Janus was trusting him on reputation alone, something the others consistently seem to find inconceivable. Not often was Logan trusted so explicitly, which was concerning to say the least, but function aside, the sentiment filled him with unexpected happiness.

“Just get this,” Janus tapped one of bowls filled with water, corn syrup, and gelatin, “As close to this shade,” He then pointed to the blue swirl part of the Tide Pod resting between the various ingredients, “As you can get,” Janus finished with another disarming smile. Forcing himself to look away, Logan thought that at the rate Janus used that sort of charm on him like that, he’d never remember anything ever again.

“Okay,” He asserted slowly with a nod and unscrewed the small bottle. As he set to dropping small amounts of the dye before stirring and comparing the colors, Janus seemed to be doing the same with a shade of bright orange. “I suppose that’s good,” Logan ascertained after a few silent moments, holding the clear bowl up to his face for closer inspection.

“Flawless, I would say,” Janus complimented, completing his own color a second later. “Next,” He said slowly and reached to gather several of one kind of item that Logan didn’t immediately recognize, “We set the molds,” Janus explained as he neatly lined about a dozen purple, palm sized squares between them. Logan uttered a small, ah, in understanding.

He scanned the counter for a tool that would be useful here; the idea of pouring the liquid straight into the molds seemed rather silly and messy. If this were Patton, Logan wouldn’t put it past him, but Janus was far more structured, far more sensible.

“Should we use those?” Logan asked, reaching for the rather thick gauge baking syringes set to the side as Janus opened the molds to reveal a swirl shape identical to the signature Tide Pod.

“A step ahead of me,” Janus lilted with a nod, raising his eyes just enough to spot the syringes he planned on retrieving next. “Go on then,” He pointed his chin at the gelatin, reaching over Logan for a needle of his own. “I trust it’s fairly self explanatory for you.”

And it was; the entire procedure wasn’t particularly challenging, as long as Janus wasn’t smiling at him or charming him out of his brain cells. Logan drew up about half the syringe’s barrel and then held one half of the mold in his palm. Comparing it to the Tide Pod, he began to gently squeeze the blue solution along half of the swirl pattern, dragging it across the material for an even consistency. Janus smiled to himself, watching from the corner of his eye and began to do the same with his own orange gelatin, working from the opposite end of the line.

“When it comes to the ones already filled,” Janus began as they approached meeting in the middle, though before he could finish, Logan interrupted knowingly.

“I suppose I should avoid picking the mold up so as to not disrupt the other side,” He guessed and positioned his syringe at a different angle, experimenting with how he should go about it now before settling on a method.

“Precisely,” Janus delighted quietly, moving behind Logan and out of his way to fill in the orange sides of the already completed blue ones. “Typically,” He continued as they settled back into a rhythm, “I just do both colors at once, holding it as you had started,” Janus glanced out of the corner of his eye; Logan looked so concentrated, it was impossible not to find the focus in his eyes adorable. For a brief moment, before Janus continued, Logan began to worry that he was getting in the way as he feared. If Janus had a certain way of doing this and he was doing it wrong, comparatively, then it was just as he thought; that he shouldn’t have gotten involved.

“But I don’t quite mind this either,” Janus finished softly and Logan exhaled the breath he didn’t realize was being held. As the silence began to press on, he started to wish he could figure out something to say to Janus’ kindness. Then he wondered if this was how Remus often felt.

As Janus took Logan’s empty syringe and quickly rinsed both of theirs in the sink, he explained their next and final step before they would be placed in the fridge until completion. Sealing the molds with their domed, other half, they would repeat the filling action with the condensed milk and gelatin mixture.

“Simple enough,” Logan said as he accepted the syringe that Janus handed him with a smile. This time, Logan offered his own small expression before the two set to work. After a few silent moments, he continued with a rather impulsive question. “Does Remus ever help you with this?” Surely he did; in the same way Logan found it impossible that Remus never expressed his gratitude to Janus, he couldn’t fathom that the two didn’t enjoy this together.

“Oh, no, never,” Janus answered immediately with an appalled tone. Logan blinked, his hand going still as he again reevaluated how he perceived their relationship. “The first and only time I tried to get him to help,” He continued, his own hands pausing to stare wide eyed and offended at Logan, “He ate three of my molds!”

Logan couldn’t help the small smile that curved his lips, though he tried to dismiss it quickly by pursing them and looking away. The distress Janus clearly felt for something so simple was … a bit bewildering, but also very him, Logan decided. He got the sense that Remus would love to help, if he could, but that he had the habit of ruining Janus’ things in the process. With a heavy sigh, Janus went back to filling the molds and when Logan could keep the smile out of his voice, he continued.

“The other day he brought a few rocks from the Imagination to my room and asked what they were. He does that,” Logan glanced at Janus, “Stops by and asks questions like that, but when I located my geology kit, the first thing he did,” Logan smiled again, fondness creeping into his tone despite himself, “Was tear the handbook pages in excitement,” Janus clicked his tongue and shook his head, empathizing with the tragedy, but Logan continued, gesturing in small ways now. “It was completely illegible,” Logan paused, recalling the fear in Remus’ expression as he apologized profusely, handing the torn book back by the tips of his fingers.

“Was?” Janus prompted quietly, watching Logan’s faintly passionate storytelling from the corner of his eye.

“At least for its intended use as a portable guide. If you pushed the papers together, you could piece the sentences but,” Logan paused again and shook his head, “He insisted on writing it, all of it. He took one of my notebooks right there and stared down at the little book and wrote everything he could make out,” Logan laughed dryly and resumed filling the mold he had stopped on. “I bet he has the entire handbook memorized now.”

“He adores you very much then,” Janus said without reservation, without even looking away from the molds. The conclusion caught Logan off guard and silence persisted as he waited for Janus to elaborate; but no such continuation came. Again Logan found himself holding his breath, but it wasn’t like he didn’t know that Remus loved him. He said it at least ten times a day. It just felt very different coming from someone who’s known Remus for so long, Logan guessed. It’s different when someone else can see love that easily.

“I know,” Logan whispered sentimentally after a while, and wondered in the enduring silence of their work if he should’ve said that Remus loved Janus very much, too.

- - - - -

Janus paused on the bottom step of the Dark Side stairs as he spotted Logan, bent slightly at the waist and jotting something down on a rather large stack of white paper. The astringent smell of Sharpies was unavoidable. While it certainly wasn’t new at this point for Logan to be found here on a casual basis, it was a bit strange that Remus wasn’t in the immediate area.

“Hello, Logan,” Janus greeted in a smiling tone as he continued into the room and approached the workspace that was their dining table.

“Hello,” He returned the friendly gesture without tearing his eyes away or stopping his hand from drawing a simplistic symbol in one of the dated squares.

“What brings you here without your typical consort?” Now peering over Logan’s shoulder, Janus realized it wasn’t just any stack of paper he was writing on, but a wall calendar.

“Remus just went to the bathroom. He’ll probably be back in a few moments.”

Janus made a soft sound of understanding and continued to watch. Capping the silvery marker he had been using, Logan switched it out for a dark blue one. Intrigue growing, Janus observed as he neatly drew an open circle, then some complex looking arrow shape beside it. Next Logan drew an odd arch shape on the other side of the square beside another open circle, this one with a dot in the center. Then two smaller circles diagonal from each other connected with a single line. Finally, next to that symbol, he drew a half crescent moon. Janus’ brows furrowed delicately.

“Logan, dear?”

“Hm?”

“What on Earth are you doing?”

Logan blinked and paused before slowly standing from his leaning position. He … didn’t really know where to begin. Talking about his hobby with Remus was one thing; while his boyfriend readily listened to his enthusing and had even offered his artistic expertise in ‘livening up’ the calendar today, the idea of explaining it to Janus felt like a different beast altogether. Why was that? Logan observed his feelings on the matter, staring down at the calendar. The writing there was neither impressive nor sloppy, but a typical middle ground of insignificantly informative, in his opinion. Mindlessly, he brought the marker up to his chest and capped it with a decisive click. His stomach became uneasy imagining himself divulging eagerly, about anything, to Janus. Why was that?

“I’m,” Indulging in a pseudoscience? Partaking in something that is unreliable and interpretive at best? Having an indemonstrable belief system? Being less than serious? Logan turned to face Janus, his arms falling to his sides. “Calculating planetary positions and hypothesizing on their potential,” Spiritual? Emotional? “Financial, political, and interpersonal ramifications,” Logan’s heart raced. He counted the beats. One, two, three, fourfivesixseveneight--

“I see,” Janus said reflexively but then paused to digest the sentence. It sounded interesting enough to him; foresight was high on his list of well regarded practices. Whatever helped in that pursuit, Janus found at least a little compelling. Though he cocked his head slightly and gave Logan a once over. Was he acting rather … defensive? There was no lie in his words, Janus would’ve immediately known after all, but he got the sense that he wasn’t being painted the full picture here.

A bead of sweat dripped down the back of Logan’s collar. Janus wasn’t looking at him in any specific way, there wasn’t anything interrogative about the silence, in fact Janus’ expression was rather polite. Logan had noticed at some point that Janus looked at him more like an equal than any of the other accepted Sides. In return, he had come to trust the intrigue frequently found in his expressions. And yet he was anxious. Why? Historically, talking to Janus had never made him nervous before, sharing in pastimes together hadn’t either, so … why did he feel like sinking through the soles of his shoes and never speaking about this, ever again?

“Well,” Janus broke the silence with his entertained tone. “You were always into space and such, I shouldn’t be surprised.”

Logan inhaled through his nose, more suddenly than he meant to, and realized only now there was a tension in his hands as they twitched to relax. Janus didn’t see anything wrong with his description of the hobby, but the fact was that he didn’t know the whole story. Logan’s explanation was, of course, accurate; accurate enough to not count as a lie, but Janus’ suspicion was warranted. A suspicion that was much closer to curiosity than Logan realized in his paranoid attempt to seem and sound more serious than necessary.

“Yes,” He mumbled and turned back around to the calendar. Janus watched with narrowed eyes as Logan placed the marker back with the rest, seeming to have a particular order that they belonged in. After a pause, he diverted his attention to the open, beige colored notebook on the other side of the table. Logan began to lightly drag a finger along the bottom of a written line of symbols there. Janus could only assume he was committing their exact meaning to memory in a way only someone like Logan could.

“So tell me,” Janus interrupted again as he elegantly sat himself down at the table opposite Logan, whose train of thought halted abruptly. “What do those symbols mean?” Janus asked, cradling his cheek in his palm as he reached the other hand to point at the five dark blue markings Logan had made. Logan swallowed and blinked slowly, bracing himself. There was no way he made it out of this conversation with Janus’ opinion of him remaining positive.

Keeping his tone as neutral as possible, Logan then dragged his finger along each symbol as it was defined, meeting Janus’ inquisitive eyes with his own hesitant gaze.

“Full moon,” Open circle, “Sagittarius,” arrow. Logan directed his finger to the other side of the square, dictating that those two symbols didn’t correlate in a direct sense to the next three. “Gemini,” He continued, pointing to the odd arch shape, “Sun,” dotted open circle, “Opposition,” the two smaller circles connected by the thin line, “Moon,” Logan finished at the half crescent moon shape.

A puzzled look flashed across Janus’ face before the words connected like a puzzle, forming a sentence he understood theoretically but in no literal way; full moon in Sagittarius, Gemini sun, opposition moon … which was in Sagittarius then? Janus could only guess. These were phrases he’s heard before, of course, but Logan said them in a way that felt far more significant than any well-rated horoscope app had.

Logan let Janus ruminate on his explanation, hoping no more questions came at the detriment of his reputation. Again he started to consult his notebook, but it was only a few moments before Janus spoke again.

“So … what’s the significance of … all that?” He asked and Logan’s mind raced in the same way Remus, Roman, and Virgil could speak at a mile a minute.

“The significance,” Logan began after what felt like much longer than a moment of struggling to quiet his mind, “Is as I said; potential financial, political, and interpersonal ramifications,” He completed in a mumble before clearing his throat, unable to meet Janus’ eyes anymore, causing the latter to frown.

The fact that Logan was growing increasingly uncomfortable wasn’t lost on Janus, of course. He watched the gears churning in Logan’s mind as mental gymnastics were performed. It wasn’t a secret to Denial why he felt discontented currently; being taken seriously was paramount to this Side and everyone had a long history of finding Logic to be a joke. After years of being dismissed without advocacy, Janus could only hope to display a patience and interest deep enough for Logan to find himself comfortable in his presence again.

“As you said,” Janus agreed, dismissing that superficial statement. “But what about that one, specifically? It’s in blue so I assume it has some significance.”

Logan’s lips tightened; where did he even begin? Explaining the correspondence between phenomena and full moons? Diving into Jupiter’s mythology and Sagittarius’ significance to Thomas, personally, as his moon ruler? The unease in his stomach shifted up his throat.

“Oh hey, Dee!” Remus suddenly interrupted as he returned from down the hall. If Logan were a man of lesser self control, he may have jumped right out of his skin.

They both turned to blink at the entrance, Logan a second too late as Remus dotted an affectionate kiss to his cheek. Rigidly, he gave a half-lipped smile to the gesture.

“Lolo telling you about his nerdy Astrology stuff?” Remus plopped himself into a chair between them at the table.

“Just a little,” Janus said as he sat back and crossed his legs.

“Booooo,” Remus cheered, giving Logan a thumbs down before grinning. He leaned over to peer at the dark blue symbols that were drawn while he was away. “Full moon in Sagittarius,” Remus read like he was fluent in this second language Janus had only just learned the existence of. “And uh,” He paused, cocked his head in order to read the markings easier, “Gemini sun, uh, what’s that one again, Lolo?” Remus pointed at the connected, diagonal circles.

Janus narrowed his eyes. He got the sense that Remus could easily say what that sign meant, but had asked Logan in order to hear him talk about it. How sweet.

“Opposition,” Logan repeated like a sigh as he reached to scratch the back of his neck. “Since the sun is in Gemini for most of this month, it will be opposing the moon’s position in Sagittarius that day.”

“Does that spell trouble for Tommyboy?” Remus asked mischievously, leaning back in his chair and propping his feet up on the unused seat behind Logan.

“On the contrary,” Logan responded, opening his mouth to continue but then quickly closing it as the corner of his vision registered Janus again.

The frown on Janus’ lips grew deeper as he silently observed the two. It seemed to come down to him and his effects on Logan’s nerves; the assumption that he would dismiss him like Patton, Roman, and Thomas, or say that he was wrong like Virgil.

“Please,” Janus urged in his most genuine tone as he held up his hands like a white flag. “Pretend I’m not here, do carry on.”

Logan inhaled slowly and seemed to take his time believing that sentiment. Another mental stalemate began; Logan wrestled with the expectations he held himself to, the assumed expectations Janus had of him, and the misconception that his hobby would be seen as silly or less than in any way. The silence dragged on until Remus broke the tension once more.

“Yeah, c’mon Lolo. Dee listens to me rant about stupid shit all the time. He’s got the patience of a Saint, I swear,” Remus smirked at Janus, who then reached out to pull affectionately on his partner’s ear.

“Like I have a choice with you,” Janus mumbled fondly, lacing his voice with thick sarcasm.

Quickly, Remus turned his head like a baited shark and bit after Janus’ hand as it was retracted, narrowly missing the appendages with his teeth. Janus rolled his eyes and Remus beamed before shifting in his seat and staring up at Logan expectantly.

Logan’s chest burned with some unfamiliar feeling as he watched the clearly loving display. Naming emotions certainly wasn’t his strong suit, but whatever it was tightened his throat and made swallowing difficult. As usual for him, the feeling was quickly pushed away.

Which caused it to land directly into Denial’s jurisdiction. Janus had long perfected the art of remaining stoic in the face of blindsiding emotions that weren’t his own; which of course included now, as the denial of jealousy swiftly punched him in the stomach. Janus’ breathing stopped as he waited for the familiar pang of envy to subside, knowing by instinct that the originator stood before him.

“I suppose,” Logan continued after a moment before clearing his throat. “It is on the contrary that Thomas will be experiencing anything negative on this day or the two previous days leading up to this full moon,” He reached to flip a page in his notebook, revealing a neatly drawn chart of dates and signs. His finger rested decisively next to three in particular. “The moon will be in Sagittarius, opposing the current sun sign; Gemini. This is particularly good for Thomas since he has a natal Sagittarius moon.”

“Laaaaaame,” Remus exaggerated belligerently. Having been through this before, Logan gave a renewed half smile, knowing Remus only found Thomas’ lack of misfortune ‘lame’ and not the inherency of his explanation.

Janus exhaled finally as the emotional turmoil in his stomach subsided with Logan’s contentment. His chin raised curiously, eyeing the revealed page. This all sounded fascinating. He got the feeling that there was so much more to this topic, and that he would be very willing and rather eager to listen to it all as long as it was coming from Logan.

“Tell me, Lolo,” Remus said in a dark voice, frantically leaning forward, splaying his palms on the table and disregarding the way his quick movement made Logan’s markers roll away. “Do your charts and shit say when he’ll die?”

“No,” Logan sighed and rolled his eyes. The air turned sweet and Janus’ brows raised despite himself. “Even if they did, I wouldn’t tell you. It’d be incredibly subjective anyway,” Logan gestured dismissively and turned away, catching sight of Janus’ intrigued smirk. The expression made him gulp. “It’s all incredibly subjective,” He continued, now in a mumble as he went to close his notebook.

Hastily, Logan began to gather the haphazard markers like he planned on packing his project away for the day. Lie and jealousy aside, Janus found himself invested.

“Well,” He began as Logan took a step back from the table to stare at the floor, seeming to have lost a marker in Remus’ chaos. “I thought it was all rather … enchanting,” Janus flirted unashamedly, producing the green hued utensil between his fingers with a curled smile. Logan blinked, the tips of his ears going red. “You’ll tell me more sometime?” Janus insisted, turning the thing in his grip and offering it more pointedly.

Logan swallowed and reached to quickly pluck the object from Janus’ fingers.

“Sure,” He sighed, suddenly feeling like he had agreed to something rather damning.

“Delightful.”

Chapter One || Chapter Two

#loceit appreciation week #loceit week #loceitweek2021 #loceit #janus x logan #sanders sides fanfiction

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raineeskiesabove · 3 years

Text

A Dove’s Song | Venti x Lumine Oneshot

“Paimon doesn’t understand why you care so much about that tone-dear bard! He’s quite bothersome if you ask Paimon,” she whined, closely following Lumine.

“He’s a good person, Paimon. You two may butt heads, but you’re both very important to me. As his friend, it’s my duty to be there for him,” Lumine responded.

She gently patted Paimon’s head to express her affection for the tiny familiar. “Well, his elemental trail leads... here,” she said, frowning to see that it was indeed Angel’s Share. She just hoped that he wasn’t wasted. Again.

Opening the door slowly, Lumine was immediately taken aback by the roar of the crowd inside, all gathered around a table. On top of it stood Venti, with a dazed look in his eyes and a bright smile on his face. Despite the rosy color of his cheeks indicating his intoxication, he was still singing and playing the lyre. Albeit, his slurs and odd movements on the instrument were beginning to create more of a comedy act than respectable entertainment.

“Another song I shall play, if a drink someone will pay!” he announced, taking a large swig from a glass offered by an audience member.

“Gods, he’s going to topple over...” Lumine pushed to the center of the crowd, her eyes now at level with Venti’s loafers.

“Ah! Lumi! You’re just in time for another solo!”

She sighed. “Venti, how many drinks have you had tonight?”

“It seems that I have lost count. But I am indeed trying to achieve a new personal record!” He beamed at her, clearly proud of himself about the idea.

Lumine pinched the bridge of her nose, growing annoyed with his silly antics. The last time he attempted to “break a record”, she found him the next day in some back alley in Monstadt. Upon waking him up, Lumine then found herself holding onto him as he emptied last night’s drinks onto the street. So much for being a regal archon.

“Venti, this isn’t safe! Let me take you home!”

“Yeah! Paimon thinks that the tone-deaf bard has had more than enough dandelion wine!”

But by then, Venti had turned his attention towards the next drink someone had paid for him, which he instantly gulped down. Streams of wine ran sloppily down his chin, staining his cape and shirt. The moment he finished the last of the glass, his body paused, seemingly frozen in motion. The crowd grew quiet, expecting the bard to perform another haphazardly done song. But instead, the pause followed with Venti collapsing onto the table, out cold from drinking too much.

“Venti!” Lumine cupped his cheek to get a better look at his face, indeed confirming that he was unconscious. Having no other choice, Lumine hoisted Venti onto her shoulder to half carry, half drag him away, to the utter shock and amusement of the crowd. She grew irritated upon realizing that no one had offered to help, let alone voice something akin to concern. But for them, she realized, this was the norm for this performer. Venti always performed for food and drinks, and overindulgence was more common than not. If anything, she was the odd one for caring enough to drag him away. She could hear Paimon nagging in her ear, saying something about how the tone-deaf bard should be left to sleep on the ground. But Lumine wouldn’t stand for such a thing.

Renting a small room from a local inn, Lumine laid Venti to rest on the room’s single bed. Upon putting him down, Lumine collapsed to the ground, panting from the strain of moving him across town. Beads of sweat ran down her face, which she wearily tried to brush away with her forearm. Meanwhile, Venti was beginning to stir, and Lumine could hear him groaning like a pond frog.

“Where...?”

“We’re at an inn that Lumine dragged you to, and paid for! You owe her!” Paimon shouted.

“Lumine...! How was my performance? They- they liked it, right?” His voice was hoarse and uneven, making it all the more clear that he wasn’t thinking clearly.

“Yes, yes, you did wonderfully, Venti. Now try to get some rest-“

“But Lumi!” He grabbed her hand suddenly, making her jump.

“Yes?”

“But did you like it?” His words made Lumine hesitate. The first lie was one thing, but was it fair to lie a second time? She reasoned that her lie was too far gone to backpedal for this second answer.

“Yes, Venti, it was lovely,” she whispered.

“Good, good... I sang... like a dove, to proclaim my love,” he mumbled, his eyes growing heavy. Venti squeezed her hand tightly before drifting into a drunken sleep.

“Ehhhh?! Tone-deaf bard likes Lumine?!” Paimon exclaimed. “Hey! Venti, wake up! Are you messing with us!” Paimon poked and prodded him to no avail, as Venti was out cold. She sighed, turning to Lumine. “That bard really is a fool. There’s no way- huh? Lumine?” Upon looking at her, Paimon saw that Lumine’s face had turned a bright red, her eyes wide and mouth slightly agape.

“Wait! Do you actually like that silly bard?”

“N-no! It’s not like that! And, I mean, it’s probably not true, right? People say strange things when they’re not thinking,” she mumbled, now turning away from the bed.

“Hmm, but Paimon thinks you’re lying! Paimon sees how you look at him compared to everyone else. Oooh, Lumine’s in love~” she teased.

Lumine shot Paimon a scowl. She looked at Venti wistfully, shaking her head, “I do love him, but it doesn’t matter. He’s an archon. A protector of freedom. Love would tie him down. I would tie him down,” her voice cracked, her hand meeting her lips to cover her emerging sorrow.

“Don’t say that! Paimon doesn’t like the bard personally, but you deserve to be happy!”

“Thank you, Paimon. But please, don’t tell him. I’ll be the one to decide” she said.

Paimon sighed, “Okay, but Paimon hopes you know what you’re doing.”

“It’ll be fine,” was all Lumine said before leaving to sit by the moonlit windowsill. Alone.

By the time Venti finally came to, the sunlight shone harshly through the now opened window. He was forced to open his eyes gradually, his head spinning from the intense hangover he was now experiencing.

“Boo!” Paimon suddenly appeared in his field of vision, making him jump. “Lumine went to go get some food and supplies for our next trip, so she left Paimon to make sure the bard doesn’t do anything rash!” She crossed her arms proudly to emphasize the importance of her role.

“I see. Will she be back soon?” he muttered.

“Maybe?” Paimon didn’t sound all that confident.

Hours passed. As the sun reached its peak and began to fall, Lumine still indicated no sign of returning. By this point, both Venti and Paimon grew worried, and agreed that it was time to search for her.

“Finally! Something we agree on,” Paimon said, watching Venti scribble a quick note in case Lumine came back.

“I am her friend, and the wind is telling me there is something to amend.”

“Oh, well uh, I wouldn’t know,” Paimon answered unconvincingly.

“No matter, we should still work on finding her. At least she has her Vision set to anemo. That makes her easier to find.”

Eventually, he and Paimon found her at the shores of a nearby river, close to the outskirts of Monstadt.

“Look! There she-“

“Shh!!” Venti held a finger to Paimon’s lips, silencing her. A scowl formed on her face as she quieted down.

Using his Anemo powers, Venti focused on letting her voice travel on the wind, making it easier for her to be heard.

“...Oh Lumine, you’re such a fool. A human and an archon? One of freedom? It wouldn’t be fair. I just-“ she growled in frustration, periodically throwing stones into the rushing water.

Upon hearing this, Venti grew to realize that that occurrence last night wasn’t a dream. It was real, and she had heard the most unromantic way a bard could’ve possibly confessed their love. But he agreed, in that his affection for her did feel out of character. Were archons even allowed to have such feelings for a mere mortal? The division in their respective roles made him hesitate. Not because he thought lowly of her, but rather about their future. The thought of losing her made his stomach churn, but he tried to convince himself that it was the remnants of alcohol talking.

He approached her warily, not wanting to startle her. “Lumi? Lumi, are you alright? You didn’t return so I was getting worried.”

She turned around slowly, her shoulders shaking from trying to hold back her sobs. Venti’s heart ached from the sight of her, his saddened gaze making her cover her face in shame.

“Don’t look at me. Just- just leave, pretend you saw nothing,” she choked.

But he didn’t leave, and instead sighed before beginning to speak. “Lumine, what did I say last night?”

“You don’t... remember?”

“No, I’m sorry. But regretfully I have been listening in. I was worried of where you have been,” he explained, averting his eyes regretfully, “I said something. Something about love, yes?”

She nodded slowly, hugging herself in preparation for his rejection.

“Well, it’s true. I... I am in love with you, Lumine. I just wish I could’ve told you in a better way. Perhaps singing like a dove to express my love would’ve been much better to hear, huh?”

From that statement, Lumine suddenly stopped crying, staring at him with a look of shock. He raised an eyebrow quizzically, only more confused than before.

In the silence, Paimon added her two cents, “Oh, wow! That’s what the bard said last night too! If the rhyme was the same even when he was drunk, he must really care about Lumi!”

“Is that really true? You have feelings for me?” she asked in disbelief, reddened eyes wide with a shocked expression.

Venti nodded slowly, before taking a few steps closer to her. In response, Lumine stepped back, afraid to completely allow herself to be vulnerable in his presence.

“But why? I would take away a part of your freedom,” she argued regretfully.

He smiled, “Yes, that is true. But I’ve always envisioned Monstadt to be a city of romance and new experiences. I just never thought that there would come a day that I too would fall for someone. You’re in pain, Lumine, because you’ve bound your feelings in chains,” by the end of his statement, he found himself frowning again.

“Is it okay?”

“What is?”

“Is it okay... for me to love you?”

“Yes, it is. And it is okay for me to love you in return. This will admittedly not be easy, but I truly believe that the wind brought us together for a reason.”

This time, when he tried to approach her, she didn’t move away, instead letting him slowly step towards her shaken form. As the sun began to set over the horizon, Venti thought about how brilliantly the color reflected in her glassy eyes. It was both a stunning and heartbreaking sight, making his heart skip a beat. Soon, he grew close enough to wrap his arms around her, pulling her close against his chest. In his embrace, Lumine found comfort in how warm he was. It felt like being enveloped in a warm summer’s day. And it was then, that she finally realized that he truly loved her with all his being. Taking deep breaths, she finally closed her eyes, allotting time for them to rest.

She felt him begin to walk, still holding her close. Lumine followed his lead, trusting him enough to keep her eyes shut. Venti chose a nearby tree to rest under, guiding her down to sit with him. Awkwardly, the way she had clung to him caused her to remain in a seated position on his lap, which he admittedly didn’t mind, but it was enough to make his cheeks heat up. Still, her eyes remained closed as she nuzzled her weary face into the crook of his neck. Save for the sound of their breathing, it was quiet. Paimon had presumably left to give them some much needed space. Maybe she wasn’t so bad after all.

“Lumi, are you asleep?” he whispered.

“No, I am simply resting, dear bard,” she hummed. Her sweet voice sent a shiver down his spine, the affection in her voice making his heart skip a beat.

He wondered if she was teasing him at this point, keeping her gorgeous eyes hidden from his sight. That could be fixed. Placing a hand against her cheek, he slowly lifted her face, brushing his thumb against her smooth skin. This time it was Lumine’s turn to shiver, the roughness of his calloused fingertips feeling foreign to her. He smiled to himself, before leaning in to plant a soft kiss against her perfect lips. In his shyness, he only lasted for but a brief moment before pulling away. But he got what he wanted, as the kiss had finally tempted her into revealing her eyes once more. She offered a gentle smile in return, combing a strand of hair behind her ear. Playfully, she leaned her body closer against his, blessing him with a kiss of her own. The feeling sent sparks flying in his head, his hands moving away from her face to run through her choppy hair. He felt her hands move to rest against his chest, lightly gripping his shirt to maintain balance. The two only pulled apart when Lumine finally had to pause for air, gasping for breath. Venti planted a final kiss on her forehead before tilted her face towards his gaze. The prominent circles under her eyes made him frown.

Summoning his lyre, Venti strummed it thoughtfully, playing a gentle score. With it, accompanied his voice, now expressed in the form of a soft lullaby. As he sang, he felt her head lean against his chest, her breathing growing slower with each note. By the end of his song, Lumine was already fast asleep, still holding onto him tightly. Her serene expression made him smile softly, “Off to the land of nod I see. Goodnight my friend... my love.”

#venti x lumine #venti #genshin impact #genshin impact traveler #genshin impact venti #genshin #genshin venti #genshin lumine #lumine #lumine x venti #genshin impact lumine #traveler x venti #venti x mc #venti x reader #genshin oneshot

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leverage-commentary · 3 years

Text

Leverage Season 2, Episode 14, The Three Strikes Job, Audio Commentary Transcript

Dean: Hi I'm Dean Devlin, Executive Producer and Director of this episode.

John: John Rogers, Executive Producer, Writer of this episode.

Chris: Chris Downey, Executive Producer, and this is the Three Strikes Job.

John: This is the first half of the big season finale which we like to do. And we are meeting our favorite recurring character Detective Bonanno, played by our friend Mr. Blanche, right?

Dean: Yes, Robert Blanche.

Chris: Robert Blanche.

John: Fantastic find; local actor. And it was interesting because really as we had come to- first time dealing with split season, first time Sophies not around, we had to- you know, we really hunted around for the character we would be emotionally anchored to for the season finale; you don't want it to be a random vic. And- cause last year was the whole Nate arc-

Chris: Right.

John: And having- Robert having established his character made him really beloved, made it easier.

Dean: And we've never really done a pre-opening like this that's quite this violent.

John: Yes.

Chris: Yeah.

Dean: So it was a little bit out of our tool box, but yet we tried to do it in a way that it didn't seem like a completely different show.

John: This is the edited version. In the original version, a toddler wanders through the field of fire and is brutally mowed down.

[Laughter]

John: I'm glad we cut that out, that was weird.

Dean: That wasn't good.

John: Just seemed odd.

Dean: Especially when the toddler pulled out a gun and-

John: And was doing the [unintelligible] the dubs were cool though. I liked those.

[Laughter]

John: So this is Sonny at the toll booth; there's no two ways around this.

Chris: Oh, yeah.

John: How tough was this to shoot?

Dean: You know, it was actually pretty easy. We had about six cameras shooting simultaneously; we did it 3 different times and moved the camera each time. And this van you may recognize from Beantown Bailout-

John: Yes

Dean: Which also got shot up. So whenever we need to shoot up a car, that’s the car.

Chris: And did we add-? Or did we-

Dean: Now here’s the interesting thing-

John: We putty it in.

Chris: We putty it in? Oh.

Dean: The actor was not available this day to shoot. So that’s a different actor made up to look like Robert Blanche.

Chris: Oh wow, that’s great.

John: That's great. So our local Portland actor has a double? A stand in?

Dean: Has a double. [Laughs]

John: Wow, that's great. Oh, she's fantastic. And now this is- again, one of these sorts of things where we’re trying to anchor all of Nate Ford’s emotional cues. And you actually tried to shoot this identically, if I remember correctly.

Dean: That's right. We wanted to try and match the look and feel of the hospital scene from the pilot, but just skewed enough so that we know we’re someplace else.

John: Paul Blackthorne's name. And this was a lot of fun. This was a big giant episode concept.

Dean: One of the things you have to understand is- you gotta know when we do these two-part season finales, they're really shot like a movie, cause you shoot them all at the same time. And this one is, as you will see - far more ambitious than what we did in season one. Yet because it’s at the end of a very tough season where the writers actually ended earlier than normal; we only have four days to prepare to shoot this two-part season finale.

John: Yeah. We actually started prepping off outlines.

Chris: Yeah.

John: And then I think I turned in the first half? First half first? Second half-

Dean: Yeah.

John: I think I kept in order at least. And then, you know, turn them each in. And by that point, nicely enough, the Portland crew was such a well oiled machine that they knew what they wanted. Also, we had learned by this point to really try to find anchor locations.

Chris: Yeah.

John: To build and tie our acts around. So knowing that we were gonna do the baseball scam, they knew they could start processing all that was needed.

Dean: This is also the first time in season two that we brought back this recurring nightmare of him reliving the death of his son. The idea was that he had to some degree resolved it at the end of season one, but yet it’s still there just below the surface, and then suddenly kicking in to the end of season two it comes back up again.

John: And it was really the last trigger. If you’ve been watching the arc all the way through, we’ve been playing with his control issues and the fact that he's drinking again, and that feeling of helplessness has triggered him back into his addictive behavior. I mean, he’s already kind of bathing in his addictive behavior at this point in the previous episodes, but this is what really pushes him over the edge.

Chris: Yeah.

Dean: Also normally we like to have fun kick in pretty early after the opening scene, but yet this- because we're trying to set up a larger emotional arc in this two-part season finale. We have an emotional opening with Bonanno getting shot, then we have another emotional beat where he’s reminded of his son, and here another emotional beat where he’s trying to connect with Sophie and his frustration of not being able to reunite with her is bubbling. So we really actually took a long time on this before we let the fun kick in, which is not usual.

John: Because we were really gonna screw with Nate Ford in these two episodes, and you really feel like you just can't, ‘Oh, remember that stuff you should have noticed in previous episodes? That’s why he's doing this.’ We really needed to reset it.

Chris: One of the reasons that I think this plays so well is that if you watch them back to back, which I'm so glad they were broadcast that way on TNT, is that this scene here really pays off in part two.

Dean: Yeah.

Chris: And it’s- you know, it's a little ways to go if you have to wait a week between them.

John: Yeah.

Chris: But now it really plays like a movie.

Dean: And big kudos to Jeri Ryan because she had- she only had a few episodes to create an arc, and really everything she did in the previous episodes come together in these last two.

John: Yeah.

Dean: She’s really part of the team by now.

John: Yeah. And that bit where she drinks his booze in order to get it away from him was actually the first physical bit we ever pitched talking about the character. We were trying to figure out a way to differentiate between Sophie and Tara, and the idea where Sophie is a little more sensitive, a little more coddling...

Chris: More empathetic.

John: More empathetic, yeah. Tara will just basically drink you out of your own problems.

Chris: Right.

John: This was a tough day. Mainly because Tim really dug in on this.

Dean: Yeah.

John: This rage- this was a tough day. You know, he’s angry. And you can hear him-

Chris: Yeah.

John: And you can- he really- this was a small set for them to be screaming at each other on. It was really nice.

Dean: Yeah. And it really helped the other actors as you’ll see just in the way they are reacting. I mean, you see Christian is really messed up by this.

John: Yeah.

Dean: And it was a great way to-

John: Yeah cause one of his best friends in the world is sitting eight feet from him screaming at his face.

Dean: Yeah.

John: I mean, you know. And yeah, they're all really digging in on the idea that Nate Ford has gone off the rails.

Dean: But once they jump in, then the fun begins again.

Chris: Yeah.

Dean: And now we start to get into that rhythm of, ‘Ok.’

Chris: You can see his little look on his face right here is the cue for the fun on Hardison.

John: Yeah. As soon as- yeah, as soon as the sarcastic ‘these guys are goons’ face comes up.

[Laughter]

Dean: Now by the way, those goons faces on the board are actually people who work here at post production at Electric.

[Laughter]

John: So don't be alarmed if you see them at your local bank or supermarket.

Chris: And I'll call out another couple of people whose faces are on this, too, you two guys a little later.

John: Oh yeah, we’re a little later. Exactly. This was also fun because this was something we kind of picked up on if you watch the second season episodes. A little bit more of detective Nate Ford.

Chris: Yeah.

John: You know, he was a guy who hunted bad guys.

Dean: Right.

John: And we put him back in the context a couple times this season of hunting bad guys. You know, and this one in particular he figures out exactly the situation in which case they should pursue.

Chris: Yeah.

John: Good crime scene photos. Big shout out to Derek.

Chris: Gruesome, yeah.

John: Gruesome, yeah. Nice.

Dean: But because we shot this scene before we had shot the scene with Bonanno getting shot-

John: We had no footage, that’s right.

Dean: We had no footage, so we had to make up fake crime scene photos and hoped that they would somehow-

Chris: Derek had those crime scene photos pretty easily, don’t you think?

John: That was a little disturbing.

[Laughter]

John: ‘I just went out and did it in a back alley in Chicago.’ This is also fun because this is one of the few times we’ve had Hardison of all people go, ‘I don't want to do this one. This one seems like a bad idea.’

Chris: Yeah. Now look at this shot.

Dean: Now this actor here- those of you who may have seen my film Flyboys, he was one of the pilots in Flyboys. And he did me a solid and came and did this little guest spot. And this is Richard Kind, who I had not worked with since Stargate-

John: Wow.

Dean: -and has been a family friend forever, and I think one of our most underrated actors in this country.

Chris: Yeah, I mean, it's the kind of part you typically don't see him in. I mean he plays kind of a nebbish-y guy.

John: Yeah.

Chris: And boy, did he just bring a gravitas and a menace and really built a whole backstory to his character.

John: Well let's talk about it- that’s where this story comes from. We really wanted to do our city of industry, corrupt east coast port town. I grew up near Boston, you grew up in New York-

Chris: Yeah.

John: -and, you know, this is very much based around that, sort of, north of Boston, Route 1 type of town.

Dean: Right.

John: And so getting an east coast actor, just a guy who could bring you that kind of New York power family vibe made a difference. And he showed up- he loved the script, showed up with three ideas. Three lines of dialogue, in three scenes that gave this character backstory, depth, and pathos. It’s like, ‘Wow, that’s a very good actor.’

Chris: And what the fact to do is Brad Culpepper the Third. I mean that he was from a long line-

John: Yes. And he dug in on that and he found something that just made you, you know-

Dean: He also came up with this concept that he wasn’t in it for the money, he was in it for the power and the legacy.

Chris: Yeah.

Dean: Which is an interesting distinction.

John: Yeah, exactly. There is- he really dug in on the evil speech of evil. The idea that he is not a bad guy in his own head in any way shape or form. This was- what hotel was this? Was this the Governor?

Dean: This was the Governor Hotel.

John: They really did us a solid this episode, they did a fantastic job.

Dean: We ended up shooting three different episodes at the Governor, and then they were our host for the Leverage convention.

John: Oh, also the wrap party.

Chris: Which was fantastic.

John: I don't remember that much.

Chris: The Leverage convention, which was awesome.

John: I can't believe you people missed it.

[Laughter]

John: We’re gonna assume nothing horrible happens. The horrible irony of when we try to recall these DVDs.

Chris: Oh, no, please.

[Laughter]

John: Lovely little- this was a great neighborhood; they put up with us. And this was a lot of fun, whenever you can play the annoyed brother vibe between the two of them.

Dean: Oh, I could watch it all day long.

John: Yeah. This was also the night we found out we got picked up for a third season.

Dean: That’s right.

Chris: Oh yeah, that’s right.

John: This is fun, that’s Beth in the rig on the ledge. If you go to my blog, you’ll see the pictures of her doing this. It’s insane. There's just no way we should be allowing her to be on the edge.

Chris: Oh that’s great.

John: That’s city hall, by the way, in Portland. That’s city hall.

Dean: That is, that is.

Chris: They let you just jump off the roof in city hall?

John: You know what- if you're in Portland, show up, ask, and they'll let you. I'm sure there will be no repercussions to me saying that. And this is kind of fun, Paul Blackthorne as the shadowy character that you kind of touch on. And this is all based on- his character’s actually based on a guy down in Florida-

Dean: Yes.

John: -who got an arms deal with the US government, who was like a bar guy.

Chris: Yeah, he was kinda like a party kid.

John: Yeah, who somehow got a 300 million dollar contract with the US government selling recycled arms from Eastern-

Chris: Recycled arms from Eastern Europe, yeah.

John: That’s Beth on the rappelling line. Remember that? We shot that.

Dean: And I’ll tell you, this is an example of how Beth, even alone, just completely captures your imagination. She has no one else to act with here except for our AD off camera reading dialogue, and yet she's completely engaged in the story, in the character.

John: Yeah, this was a lot- this was- actually you wrote this whole chunk.

Chris: Yeah.

Dean: Oh, here's another great local guest star.

John: Yeah. And that was another thing that Portland gave us. There's a lot of great local theater guys, a lot of local great actors who can really land a joke.

Dean: Yeah, it was so surprising.

Chris: I love that he has the ice tea, it's such a great-

[Laughter]

Chris: Such a great touch.

John: I like- and also the sort of- I don't know if it’s the weird veiled hostility between Hardison and Eliot gets turned outward whenever they run one of these cons-

Dean: Right.

John: -but that guy is going to be the subject of their rage at each other. This guy was really great.

[Laughter]

Chris: And this is a crime lab bit. I mean, let’s be honest, there are eight different CSIs on; we wanted to have a little fun.

John: Yes. We were kind of making fun of the CSI- the whole idea that CSI shows up at your house. I had my house broken into, they didn’t show up.

[Laughter]

Chris: The fact that the beat cop could be-

John: Bossed around by-

Chris: Bossed around by CSI guys was born out of those shows

John: And this, by the way, the bit with the balloons, was Richard.

Dean: Great.

John: Just awkward, just trying to shift it, trying to ground it. And again, this- what amazes me when we got into the research of it, was how cheap it was to buy these guys.

Chris: Yeah.

John: I mean really- like $10,000 gets you somebody's kid in city politics.

Dean: That's true.

Chris: The promise of a job when you're out of the office. You know, I mean, that's what brought down the Illinois governor.

John: Yeah, that's right. That’s right. And that's what is kinda fun is we do- oh, I love this bit.

Dean: Comedy frame.

John: Comedy frame! What is this? A locked off comedy frame.

Dean: Exactly.

John: Locked off frame, two people come in facing each other-

Dean: And I love this little smile right there on Christian’s face .

[Laughter]

Dean: He was just enjoying the bit until he realized, ‘Oh wait, I have to perform in the bit.’

John: Is that on the X? Is that- how did you get the RED so low?

Dean: Oh we just put it right on the floor on a sandbag.

John: Oh that's good.

[Laughter]

John: Thanks to these nice folks for letting us trash their home, by the way.

Dean: Yes. And for those of you who may have noticed in the wide angles, just the little numbers on the evidence things on the floors.

John: Yes, that they’ve scattered all over the ground. Yeah no set-dec did a great job.

Dean: You can see the numbers in the background.

Chris: Oh those are great!

John: And- and earning his pay-

[Laughter]

John: Nicely done.

Chris: That’s a nice little transition there.

John: It is a nice- almost like you put some thought into this.

Dean: And I swear I didn't. And this is our line producer’s wife .

John: Yeah.

Dean: Who also did a guest star in last year’s two-part season finale.

John: Last year’s finale!

Chris: Oh, that’s right!

John: I like the idea she was on vacation in LA last year.

Dean: Exactly.

John: And now she’s back and involved in another Leverage scam. In my head it's the same person.

Dean: And this is an interesting scene for their arc, because, you know, Beth - Parker - really didn't trust Tara coming in.

John: Well she's not part of the family.

Dean: And only in this scene does she actually start to earn her trust, and they start to bond.

John: And we also wanted to reset the fact that, again, Parker is good in the short con. If you throw a surprise at her she doesn't handle it well, because talking to people doesn't even go well. Interestingly enough, she relates to people better in character than as Parker.

Chris: Yes.

John: Yeah. And so until Tara gives her- so yes, the awkward- we really pulled up every political trope we could find.

Chris: Oh, sure.

John: I think we sat down - adultery, pregnancy, corruption. Then we just went through the Times one day, just pulled up every scandal from that summer.

[Laughter]

John: And the 4-18 months. And there's actually a mayor’s conference, too.

Dean: That’s right.

John: We found out where the mayor’s conference was.

Chris: It's in Vegas. Sure that's where you would have the mayors conference, and that’s where he would meet her.

Dean: I like the little turn Parker makes here, after she’s been coached part way through it, now she gets it. So now she’s feeling comfortable doing it.

John: Now she understands, yeah.

Dean: And you can see her-

Chris: ‘Yeah, I'll just wait out there.’

John: And that is an actual office- that's a conference room at the city hall?

Dean: That sure is.

John: That we rappelled down into.

Dean: We had to use it as the mayor's office, cause the actual mayor's office was too small.

[Laughter]

John: That's right.

Chris: Oh, yeah.

John: Infamously the mayor took the smaller office in the city of Portland cause he just felt like he only needed that much work space.

Dean: That's right. Mayor Sam Adams who’s been incredibly helpful to this show, and we’re very grateful.

John: Yes. Very cool guy. I don't regret that duffle bag full of cash at all.

Chris: That is a great shot there.

John: That is a great shot. That really establishes that space.

Chris: She’s- jeez.

John: She's beautiful, yes. I was referring to the setting, but-

Chris: Sorry, I was just-

John: Yes, Jeri Ryan was very beautiful, too.

Chris: I was just lost in Jeri Ryan.

John: It happens. And this is the great speech. And again, we listened to transcripts and looked at testimony. I mean if you look at Blagojevich-

Chris: Blagojevich, sure.

John: The remarkable bluntness with which they announce their terms and prices always amazes me.

Chris: Yeah. And it almost sounds like movie dialogue, but it’s not! It’s just the way they talk!

John: Yeah.

Dean: The evil speech of evil.

John: And we come up with evil speeches of evil, and then when you go find the real ones it's like, really? You said that? With a straight face? Alright.

Chris: Yeah.

John: No, research is your friend. We really- you know, this is a remarkable static act with an awful lot going on. I never noticed that before.

Dean: Well I think- again, this is- when we separate our team into different locations, but yet having them communicate, it really gives a sense of energy to it.

John: But we only have, like, three agendas.

Dean: Right.

John: You know, running it at any one time. This was a tight little shot. I remember this. This was- we were in that back bedroom, and trying to shoot. And then you had to- you had a totally different blocking, if I remember correctly.

Dean: Yeah, instead of being in the room with him, we decided we’d squeeze him through the doorway and make him feel like he’s in an even tighter space than he was by framing it that way. But it also gives a chance to use this hallway and bring in our guest performer.

John: Yeah. And the clue that travels over two different episodes. Hopefully, again, I'm glad that they aired these back to back because it would be tricky to-

Chris: Yes it’s- to track- there's a lot of stuff that this really did play like a movie.

Dean: And once again, we got to the-

John: Oh, the big smile.

Dean: -comedy frame.

John: Yes.

[Laughter]

John: That’s for all you young filmmakers out there, that is the comedy frame. And then the look- just the look of pity on his face. Yeah.

[Laughter]

John: And the badge on the- there's no reason the CSI guys should have a badge on a shield. Chris just loves the badge on the shield- the badge on a chain.

Dean: Exactly.

Chris: He likes that.

John: He really likes that look. If he can be doing like a 1970s- if he could be doing the British version of Life on Mars, he’d be the happiest man alive.

Dean: Oh yeah.

[Laughter]

Chris: Now I got a question for you. So was- now we had a Maltese Falcon joke, just one line in-

Dean: The previous episode.

Chris: -the previous episode. Did that give you the idea for the Maltese Falcon? Who came up with the Maltese Falcon bit?

John: No, you know it was- it was literally, I was trying to figure out, ‘What's the MacGuffin? What’s the maltese falcon? You know what, it'd be actually kind of fun to just call it that.’

Chris: Just the Maltese Falcon, OK.

John: Cause it’s so famous now, it's a little meta. And, you know, the fact that it would be called something rather than a shorthand for something-

Chris: Right.

John: Cause we use that in the writers room all the time.

Chris: Yeah, we do.

John: The maltese falcon, what's the thing? Macguffin, Hitchcock famously defined it as. And this is Nate deciding to bail on the pitch and making- and this is tough. He’s basically processing offscreen dialogue and acting like he’s coming to a decision.

Dean: I love Richard’s reaction to it, it's like ‘What?’

John: We just went for the whole-

Chris: ‘You just paid all this money, you don't want to engage in graft with me?’

John: Behind though-

Dean: Even out of focus he's stealing the scene.

John: I know. He's really upstaging the hell out of- out of focus. Look how far back he is. Aaand you're back.

[Laughter]

John: And we've announced our agenda.

Chris: We've announced our agenda, we know our- and here we go.

Dean: Now this place was great, this ballpark. We wanted to shoot here all year and hadn’t really found a way to do it.

John: And that's why I give full props to Chris, is cuz I had the crime story back half of this done, and I could not figure out what the con on the mayor was. And you had fallen in love with this location you had seen- you were like-

Chris: This was great, I had gone to a game here.

John: We can finally pay off this location. And that’s- again, that's an advantage of being a city where you get to know- cause the baseball con was always a half an episode.

Chris: Right.

John: And we could never quite get it to be a whole. And then it was like, ‘Oh, we need half an episode. Boom.’

Chris: Well also there's a lot of public corruption around building ballparks, and we did a little research that minor league ballparks bring 30 million dollars into the local economy.

John: That was great. The day we did research and found out it was just a flat 30 million for almost every ballpark, it’s like, that’s just a great number.

Chris: Yup.

Dean: And by the way, I think some of the best special effects we’ve ever done are in this two-part season finale, but I don't think you'd even notice it. For instance all these shots in the ballpark, we had to erase and change all the signage-

John: Oh, that’s right.

Dean: -because we didn't have permission. And then later, we had to put in the crowds that were reacting. So there are amazing special effects in this, but they are so real you didn’t even know.

John: That’s right. Utterly seamless. If you see them, we screwed up. Yeah, and this particularly since those aren’t lockoff, the camera is moving, you know, the character is wiping in front of it, yeah.

Dean: And again, I love what David is doing in this scene, he is just channeling Smithers.

John: Yes.

[Laughter]

John: And there’s Paul Blackthorne, he’s really doing the job for us as evil European dude. He has a large black car-

Chris: Yeah.

John: He's got a halfway rolled down window. We know what his job is in the story, we know what his job is in the narrative.

[Laughter]

John: But what I love here is the fact that Richard there's just so dismissive. I mean the body language here besides- Why is this a good shot? Because you don’t have to turn around to get both of them.

Dean: Exactly.

John: He’s very casually powerful.

Dean: Right.

John: This is a man who’s used to the world running the way he wants it to run.

Chris: Right, in this little burg of Bellbridge.

John: Yes.

Dean: And this is such a terrific location, and we were there early in the morning, got this great light. I was so excited to shoot this.

Chris: And they have a nice-

John: Story shcmory. Pictures.

Chris: They have a nice rapport here, too. They have this kind of easy going, you know, banter.

Dean: You know, so much of this episode- these episodes, was wish fulfillment. We wanted to be in that ballpark all year, we wanted to get near the water under the bridges...

Chris: Yes.

John: You also- in case you're skipping through the commentaries, you’ll notice this happens in Bellbridge, Massachusetts. Bellbridge is the corrupt town in Chris’s episode, Order 23.

Chris: Yes, yeah.

John: We decided to create just one imaginary Massachusetts city we could crap on for an entire season.

Chris: Yes.

John: Just to make sure we had clearances, and we always knew-

Dean: Exactly.

John: So please, if you're from a real Bellbridge, don’t be angry.

Chris: Yeah.

John: Yeah, their rhythm here is lovely. They are partners by this point, in a very different way. And the fact that Jeri has established that over six episodes is pretty cool. How tough is it to shoot in a ballpark, my friend?

Dean: Well some of this we actually stole footage at a real- during a real game, but the rest was very easy because they were so cooperative. I mean, this is the actual locker room and they let us have it for the day, and gave us equipment and were-

Chris: And those are the- are those the uniforms?

Dean: Just terrific. Those are the actual uniforms. The ‘P’ is actually for Portland.

[Laughter]

Dean: But in our show it’s-

Chris: Palmerstown.

John: And I love the fact it's actually the Portland Beavers, because if we come up with a comedy mascot we couldn't have beat beavers.

Dean: No.

John: And by the way the Portland Beaver? Good guy.

Dean: Very good guy.

John: Very good guy. Really cool. We hung out, everything.

Chris: Oh apologies to Crash Davis here, but boy does he do- he does-

John: Oh he's so digging in.

Chris: Does a great Bull Durham.

John: Really digging up. This is- we went back and forth- are we doing Major League or Bull Durham here?

Chris: It's pretty Bull Durham here.

John: It’s pretty Bull Durham.

Chris: The journeyman catcher who shows up unannounced, it’s-

John: Yeah, and also the idea that these- you know, talking to a lot of these guys who play this level ball, the precarious nature of their lives- I mean the guys who are kind of on rota from a major league team make a lot of money.

Chris: Yeah.

John: The guys who are journeymanning this out, a lot of them have day jobs, man.

Dean: What I love about this is that Eliot himself doesn’t like baseball. Because we’ve already established what a big, giant sports fan he is.

Chris: Yeah.

Dean: About how excited he was about all the sports channels in- both season one and season two.

John: But it's hockey- and it’s always hockey and football. And interestingly, we gave him your problem with baseball.

Dean: Exactly.

Chris: Yes we did, it really worked great.

John: I love baseball and I'm like, ‘I have no idea what he wouldn't like.’ And you said, I don’t like-’ Oh.

Chris: Oh, and John did a beautiful job directing this.

John: This is my directing debut right here

[Laughter]

Chris: Mark it down folks.

John: Japanese power drink commercial. Because it really was one of those things I had in mind and it's like, ‘Alright describe it. You know what? I can't describe it, I'll just shoot this.’

Chris: I think I originally wrote it as it’s like a car- like a local car ad.

John: Yeah.

Chris: Oh my god, how great is this Japanese sports drink commercial?

John: Also, again, you're lucky to have Chris Kane because a lot of actors wouldn't do the comedy beat in the commercial.

[Laughter]

Dean: Nails it.

John: He nails it. Look at the big smile!

Dean: And he enjoys it!

John: Look at that, having a good time.

[Laughter]

Dean: But he hates baseball, and then he comes in here and the minute he cracks that bat you just see- you know, heroin to the junkie.

Chris: He really did- he gave it a real arc, you know.

John: And also, I like the fact that this is the first time he uses a baseball bat for what it's actually meant for.

Dean: Right.

[Laughter]

John: He's been beating people up with baseball bats for like 20 years, and never really hit a ball with one before. Also, by the way, cool digital ball.

Chris: Oh watch this.

Dean: Exactly.

John: There you go.

Chris: Oh that is great.

Dean: I'm telling you some of our best digital effects-

Chris: That’s fantastic.

John: Oh look at that look.

Dean: And the second one- watch the indentation on the pad on the wall when the ball hits it. Small thing for effects artists, but really lovely, just oh that little indentation.

John: Oh that’s nice, the shadow. And there we are.

Chris: Oh there you go folks, there's Dean and John.

Dean: Oh dear, oh dear.

John: We’re also doing the voices here on the radio shows. On the DVD there should be about nine takes of this scene. Because the two of them, at one point it got very weird and sexual with her speaking Spanish, and Hardison getting all ramped up.

[Laughter]

John: It- this was definitely one of the ones where you just, like, park the camera and let the two of them go.

Dean: Yeah.

John: Yeah.

[Laughter]

John: Interesting, one of the challenges of shooting the greenscreens is color temperature.

Dean: Yes.

John: We actually had a little bit of trouble with this shot because- most people don’t understand, there’s a lot of different greens that go on green screens. It was not dead right, doing the special effects goes from easy to unspeakable.

Dean: Exactly, and so this one had- a lot of work had to go into being able to see what was on the screen.

John: Ironically, a lot of this was harder to see than the incredibly complex crowds and baseball stuff.

Dean: The stands, exactly.

John: This was a lot of fun. Outside real city hall, outside Portland city hall, at a coffee shop across the street at some ungodly hour of the morning.

Dean: Yeah, this was the first thing we shot that day.

John: And again, this is- it was interesting how originally there was an entire subplot where, how they’d been lured there, how the mayor- and you don’t need it.

Chris: Yeah. This is much better.

John: Yeah.

Dean: He just sees them, he walks across the street.

Chris: Yes.

John: We even took that bit out. We originally had him see them.

Dean: I love the really, really bad heist.

[Laughter]

John: The bad lift.

Dean: Smithers stumbles into the table.

John: And Kind just drops the look there a little bit.

Chris: A little disgust right there.

Dean: Just a little squint.

[Laughter]

John: And the turnaway when it’s like, ‘Oh horrible lift.’ They don’t even have to- they both know what happened, they both know it was unspeakable.

Dean: Well, you know, amateurs to pros, you know?

John: And this was fun, these are based on real blueprints.

Chris: Yeah, real blueprints for-

Dean: This was that other shot was the beginning of the day. This was the last shot of the day, and we’d run out of time. So I had to shoot this all in one shot.

John: Oh this is a one-er!

Chris: This is a one-er, take a look at that.

Dean: This is a very hard steadicam shot. While it’s not that impressive of a shot, it's a very difficult shot.

John: And also-

Dean: Cause you’re doing all the coverage with one camera.

John: And you're banging focus like crazy.

Chris: You’re getting a lot of information, right.

John: And also the actors can’t mess up.

Dean: That’s right.

John: At no point can they stop, can they drop a line, can they, you know.

Dean: The only thing we did is one little reverse at the very end on David’s character. But as you can see all of this-

John: To give you a cut, or?

Dean: Just to give us a cut in case we needed to combine.

Chris: It’s interesting how great these end of day one-ers come out.

Dean: Yeah.

Chris: And they're born of necessity.

Dean: That’s what so interesting about television is, you know, it really forces you to be creative.

John: Yeah. Oh there you go, I see what you did.

Chris: Oh here's the ballpark.

Dean: Now this is a mixture of stuff that we staged and stuff that we stole during an actual ballgame. But all the-

Chris: The actual ballgame you shot before, I think, the script was written.

John: I think I sent the outline saying we would be at the ballpark. And so Dean had to come up with a shot list based on basically our friendship-

Chris: This is great.

John: -figuring out what I would probably put in the script.

Dean: These are all real things there.

John: Yeah.

Dean: That we shot. Now all the crowds, though, we added digitally.

John: Yeah.

Chris: Oh that’s great.

Dean: So in all these wide shots when you see these full crowds, they had about- there was a scattered amount of people. In all the shots where it’s full, that’s us.

John: Yeah.

Chris: That’s great.

Dean: For all these shots here. And of course all the signage is changed digitally.

John: And Kane went down, caught a couple pitches, and actually on the shot we have him hit, he actually connected, put it on the warning track. It was a good day for Chris Kane.

Chris: That’s a beautiful shot, too, there; love that.

John: That's a beautiful one, yeah.

Dean: And this actor is actually a state senator.

[Laughter]

Dean: Who had helped pass the legislation for us to-

John: I actually think we’re the bad guys at this point. Seriously, we’re doing an episode about graft and corruption and-

Dean: Well the hilarious thing is, he wanted to play the corrupt mayor.

John: I know. And we were like ‘You know dude, that's probably not the best idea for you to play the corrupt mayor.’

Chris: I can see the campaign commercials.

Dean: All those crowds, digital.

Chris: Wow, that’s great.

Dean: I mean that's really something.

John: And look at that, through a moving shot.

Dean: And then all the signage behind them is changed as well.

John: And that’s our-

Dean: And if you notice, that’s Hardison’s orange drink on the sign.

Chris: Oh that’s great.

John: Oh my god, that's right.

Chris: And to do with- with a moving camera is very difficult.

Dean: Very difficult.

John: And this is a conference on the mound from both Major League and Bull Durham.

Dean: And the pitcher is actually our second AD.

John: Kyle, yeah.

Dean: Yeah.

John: That's right, you give him a nice hero shot here, too.

Chris: Oh, that's a great shot of Kyle.

John: I also love- This helps lock in the arc where he’s like, ‘I'm now fully committed to winning baseball as much as I am to winning fights.’

Dean: Exactly.

John: No this was a lot of- and this is a lot of fun. This was- it's amazing what you can do with implication.

Dean: Right.

John: You know, just put two people in the same geography and let the characters draw their own conclusions.

Chris: Yeah, let them do the math.

John: A lot of time you'll try to oversell the con, and what you have to remember is people create narrative about the world around them, you know?

Dean: Oh and I love this bit.

John: Yeah this is a lot of fun, the stuntie really took a hit. And down!

Chris: Oh, oh, oh!

[Laughter]

John: I love he does kind of the -

Dean: Notice that the ref is cross eyed; he's a real ref!

[Laughter]

Dean: That is not something that- I didn't ask him to act cross eyed.

John: I love this- that dude is dead. That dude is dead. He’s plainly just- he's not getting up. Right now they're asking people to leave the park quietly.

Chris: I think he did that in one or two takes, I mean, he just got it.

Dean: Yeah.

John: He just- it was a beautiful fall.

Dean: By the way, this is another one-er and this is a very difficult scene to light for television where you don't have that much time. And our DP was really creative in the way he made the sun blazing through the back to light up pretty much the entire set.

John: Yeah.

Chris: Now was it easier because you're working with the RED camera for something like this? Available light...

Dean: The RED helps, but at the end of the day it’s about your DP and your gaffer, and we really have, really, two of the best guys in the business.

John: And again, this is also- so much help to be able to do the research on this. Where it’s like, ‘Well, how could he possibly communicate in code how much money-?’ No, he would write it down and give it to him.

Dean: Right.

John: That's what they do, apparently, I had no idea.

[Laughter]

Dean: Right.

Chris: Yeah.

John: Or they'll just say it, unaware. And this yeah, this was a lot of fun, because also- Richard really found the idea that he was supposed to help Nate feel overconfident.

Dean: Right.

John: You know, he's supposed to play into it a little easy. And he's- now he's totally into it.

Dean: I love how cross eyed the ref is, that's so great. I mean, the umpire, that's just so great.

John: Boom! That was a good solid hit. That's- Chris Kane put it on the warning track ladies and gentlemen.

Dean: And if you listen carefully in the background, you can hear the crowd chanting ‘Roy, Roy.’

[Laughter]

John: Oh he's become a hometown hero in roughly two weeks. What's the next shot up? Oh there we go, back at McRorys.

Chris: Now- now we're back.

John: Now this is one of our lovely roundy- and oh, this is great. One of our roundy-rounds where we just basically- script kids, when you want to communicate pipe and reset, the way to do it is have somebody not give a crap about the pipe that you're talking about.

[Laughter]

John: He has his own agenda, it makes it instantly amusing.

Chris: Somebody comes in irritated.

Dean: And boy did he knock this out of the park.

Chris: Yeah, yeah.

Dean: Kane, who didn’t care- I mean Eliot, who didn't care about baseball at all, is so proud of himself and he's so mad they didn't share his moment of glory.

John: His joy. They named a sandwich after him. Also, that’s a nice beat that they all chose. It’s like, you know, alright, you gotta give it up. That's a nice moment; boom, boom, and the fistbump.

Chris: You got a sandwich named after him.

Dean: Eliot has a hoage? No a reuben.

[Laughter]

John: I also like- I had not noticed before because I was kind of- Nate’s taking a phone call and I was watching it for that beat, the, sort of, fun that Jeri Ryan’s playing there, it's like, ‘OK, I'm part of the family now, this is genuinely amusing.’

Dean: Now this is a fun reveal shot.

John: One of the cross cuts that I gave you again as your birthday gift. Moving in opposite directions?

Dean: Moving in opposite directions so that they are always looking at each other screen direction wise.

Chris: Right, right.

John: Cause we know awful things happen when you cross the lines.

Dean: If you cross the line, cities fall.

[Laughter]

Chris: No, but I mean, when you do phone calls that's an important thing to do.

Dean: For me I think so. I’m old school.

John: What I love is the fact that he starts the incredibly confident powerful guy that we know. And by the end of this swing around, Richard lets himself just kind of look- just

Dean: Now he's-

Chris: Nice reveal there.

John: Yeah, and nice reveal on that blown out window. And now he's just a pawn, he's just a broken little man, you know. And that's very- the last shot is plainly Nixon.

[Laughter]

John: It’s plainly like- what's that famous shot of Nixon at 2am in the oval office?

Dean: Right.

John: It’s that look at him. And he did all that in one take, conveying pipe to Nate.

Dean: And now we switch to our handheld, because our guys are in trouble. And I love how much Nate is overcompensating. Whenever Nate’s overcompensating, you know something has gone horribly, horribly wrong.

John: And his addiction is taking over. Be it booze or control.

Dean: And in this case, both.

John: Yes. He's not really got his head on in this particular case. Yeah, everyone's arguing with him, everyone- and this is another great thing, when Nate spins out you don’t ever have a problem with the plot, because the problem with the plot is the point of the plot.

Chris: Right.

John: Like with, ‘That doesn't make sense. That doesn't make sense.’ Exactly! Tell that to Nate!

Chris: Yeah.

John: It's important for him to know.

Dean: Our editor did- Brian Gonosey, did a very interesting choice here from cutting from Nate to Nate. Which we almost never do, and it gives it, kind of, strange, nervous energy.

Chris: Well you're kinda-

John: It's claustrophobic.

Chris: You get the sense of people's eyes on him.

Jon: Right.

Chris: A lot of people looking at him.

Dean: But it’s not- again, that kind of cut we don't normally do on the show, and it really makes this a nervous scene.

John: Yeah, you’re going-

Dean: Nate to Nate to Nate to Nate.

John: Yeah, cause you're hopping- Jeri to Parker, you're seeing him plead his case. Jeri to Beth, Jeri to Beth, you know, you're seeing him through their eyes. And then back to the reactions where they know, yeah.

Dean: Something’s wrong.

John: And each one of them is making a very specific decision at that point.

Dean: Again, this port- these guys were so great to let us shoot there.

John: Oh man.

Dean: Gave us such wonderful access.

John: That’s the real port, that's not stock, baby, that’s-

Dean: That’s right, that’s the real deal.

John: And- and a lot of fun doing the TSA stuff, doing the Homeland Security stuff. The research on this was as horrifying as you'd imagine. Most of this is security theater, your ports are not secure, sleep tight America.

Dean: And this actor was also discovered in that same improv group that we found the actor from the doctor episode.

Chris: Oh that’s interesting.

Dean: The Order 23.

Chris: John, you made a good point about how Order 23 pays off. A question about Order 23, about security at the courthouse.

John: Yes, in Order 23 there's a beat like ‘How do they get the gun in there?’ And it’s because the courthouse has not been refurbished, because the budget on the town-

Dean: Right.

John: The city is so poor. And that's also why he felt confident hiding the money there.

Chris: Right, right.

John: That pays off here in the- you find out the reason there's no money for the city is the mayor has grifted it all.

Dean: Right.

Chris: All the security money that he got, federal anti-terrorism money went into his own pocket.

Dean: And I love how Eliot is now playing a celebrity.

[Laughter]

Dean: And he's so proud that he's a celebrity.

John: And we also flipped roles for once, cause Hardison is usually not the one who’s annoyed, it’s-

Dean: Right.

Chris: Yeah, no it's true, he is.

John: It's really he’s- and it’s really both, ‘Get back on the job,’ and, ‘I'm not the center of attention.’

Chris: Yes.

Dean: These two are magical together.

John: Yeah, that's a great- this is a great noir set up.

Dean: Yeah, even with the black car in the distance, which is a bit of red herring.

Chris: Look at this shot, I mean this is a movie shot.

John: Beautiful. Now how do we- was this at night? Or were we during the day here on this?

Dean: This was at the end of the day, so we actually spilled into night and had to light it to keep it looking like this. And that's an actual oil tanker that they allowed us to shoot at.

John: Yeah.

Chris: Wow.

John: And then that- this walkway is actually exactly where we just located it. It's directly below the docks. And it really was- a lot of the fun was walking around the location going, ‘OK, this scene can happen here, this scene can happen here.’ And we didn't get too poisoned shooting in this warehouse. We all had funny coughs for about a week, but we were OK.

Dean: They warned us about spiders and raccoons under this-

John: Yeah.

Dean: So we were looking for eight-legged raccoons at some point.

John: At some point we were very worried there would be a horrible combination.

Chris: Oh really? Wow, I missed this part.

John: Well you weren't up here for shooting at the oil tanker, getting poisoned by fumes.

Chris: Yeah, yeah. I looked at the schedule and went, ‘What’s the day you hang out in the baseball park?’

John: I noticed that. You came for the baseball park-

Chris: ‘Oh, I’ll come for that.’

John: You really didn't hang out with us in the oil tanker hold. Yeah, black lung kicking in.

[Laughter]

John: This is a great cross cutting by Brian, this kind of- what he's doing is he's finding some- finding an odd rhythm here. It's not danger, it's unease.

Dean: Right.

John: You know, every shot is a little too short, it's a little too- yeah. And again, sort of end of day shooting, everything in the warehouse from the moment they walk in- like they get to the oil barrel, through the end of the episode pretty much, you did in a one-er.

Dean: Yup.

John: One direction one way, one direction the other.

Dean: Your easy bake oven reference is awesome. I don't know how many people under the age of 40 are gonna get it, but god I love that reference.

John: Who under 40 watches television anyway?

Chris: I appreciate it so much. Made me laugh so hard.

John: They've still got those. I got one for my niece.

Chris: With the one little bulb that actually makes the cake.

John: Who knew? I love, Parker is constantly finding crates full of guns.

[Laughter]

John: I'm fairly sure she could open a gift with purchase from Neiman Marcus and it would have guns in it.

Chris: And by the way, kudos to you to find- when we put this thing together, to find the transition between corrupt mayor and arms deal in the docks. I mean, the thing was built around certain setpieces.

John: Yeah. And also it sort of made sense these- when you research, the amount of legal arms dealing that goes on in the states is magnificent.

Chris: Right, right.

John: And when you find out these guys run these things out of Boston, New York, Miami, you know.

Chris: Right.

John: It's got to be somewhere.

Dean: And this is one of the rare times where our team is really losing at the end of an episode.

John: Oh yeah, they’ve got to lose. They really- they have- and this was interesting, because it really was one of those times where we sat back and said, ‘In what version of this show are our guys the bad guys that get caught?’

Dean: Right.

John: Just write this section of this show like that show. Like we're writing NCIS or we’re writing CSI or something. And really put our guys in the dead seat. And man he just radiates rage.

Chris: Yeah.

John: And it's not just because Richard Kind is a bad guy, it's because he's lost control.

Chris: Yeah.

John: You know, that is Nate Ford in a world he doesn't want to live in.

Dean: Now we got them in this impossible situation, and- but we can’t end the show without a little bit of fun.

John: Yeah.

Dean: And the win within the loss here is, I think, is truly inspired.

John: Oh yeah, managing to get them out of there.

Dean: Yeah.

John: That was a lot of fun. I can't remember where the idea from- the idea of the multiple exits came from. We were playing around in another episode with ambiguity, somebody- signal of, like, time and ambiguity, and that held over, because you use all the parts of the animal, and that hung out and that's of course-

Chris: That's Katie O’Grady.

John: Katie O’Grady.

Chris: She’s a terrific Portland actress. She runs an acting school up there.

John: Yup, yup. And she really came in as kind of one off, and it’s- after two episodes it’s like, ‘Yeah, I could see this character coming back. I could see this fed,’ you know. A lot of Portland actors did that. A lot of Portland actors turned one day into a recurring role.

Dean: Yeah.

John: The- and just barely buying him enough time. And that's the important thing here, is that each character is finding a little piece of the solution. That was the fun of this episode is, there's a famous fighter pilot saying which is, ‘Stay alive for the next 10 seconds.’ That's all you have to do. In the next 10 seconds, your wingman will get the guy, or the guy will get out of position, and that's all they are trying to do for this section of this script.

Chris: Yeah.

Dean: Thers a great turn here where he reveals that he was somehow part of this attempted assassination of one of the family- the extended family.

John: Yeah.

Dean: And the rage that comes out of Nate is everything that’s built up over the entire year.

John: And what's really interesting is, because you shot this all in one piece- this is not split up into takes, this built in real time.

Dean: That's right.

John: You know, this really builds from that confession- and I was out of position the first time he did the wrench, and I was like ‘What the hell just happened? Did Tim just crush Richard Kind’s head?’

Chris: It's his friend! They're friends!

[Laughter]

John: Yeah, they're friends, but the wrench wasn't in the script. Tim just picked up the wrench!

Dean: Right.

Chris: He just picked up a wrench. And we were like, ‘Is that a rubber prop wrench?’

Dean: I love her character is like, ‘Then just kill him.’ I mean, she has no moral position on this, she just wants to get out alive.

John: Yeah, this- like we were talking the other day, where Sophie still exchanges Christmas cards with people she's ripped off, Tara Cole has walked out of a lot of burning buildings with metal suitcases full of bloodstained cash.

Dean: And never looked back.

John: And never looked back. And in that moment she is absolutely serious. If you're gonna kill this guy, get it done. You know, but she’s not gonna coddle him.

Dean: Now this may be one of my favorite bits that you guys have ever come up with, and it starts with a great turn.

John: It’s like- you know why? Cause it’s a locked off comedy frame, my friend.

Chris: That is.

Dean: Locked off comedy frame. But it's one of the oldest gags in television.

John: It is.

Dean: Is that slow turn look.

Chris: The turn look.

John: And then the turn reveal, and this-

Chris: ‘Oh no. Oh no, you're not gonna do it. Oh no, no way, Jose.’

[Laughter]

Dean: And once again, Aldis Hodge showing why he is a truly, truly special talent. This part is not written.

John: No.

Dean: This part is just him going-

John: The printed page ends with, ‘They turn and look at the van.’

Dean: Right.

Chris: Yeah, yeah, yeah.

John: Yes and-

Dean: All of this is him being brilliant.

John: And that means also that Beth and Chris had to find the timing to when they were both gonna turn.

Dean: Right.

John: And that's the thing is, they work together a lot, now they've got a lot of, sort of, physical cues from each other. But yeah, this is all him, this is all him going off. And this is born of 207 when we shot him and Will Wheaton versus each other; they spent the whole day in the van alternating. And so Aldis was making a joke about the fact he has a very weird relationship with that van, cause he's in it and nobody else is.

Dean: And he even brought back in the fact that everyone teases him that the van smells.

John: Yes, exactly.

Chris: That the van smells, we made that a recurring thing.

John: So that's become a recurring thing and it was really- it was really the actors discussion of his character that led to the bit.

Dean: Now a lot of people may miss this-

John: Oh this is my favorite bit-

Dean: -but just watch Parker when the doors shut.

John: Yup.

Dean: Because Parker is so close to Aldis she gives a kiss goodbye and leaves the little lip print.

[Laughter]

John: I never noticed that before.

Chris: Oh she did, she leaves the lip print, that’s great.

John: Not in the script.

Dean: One of my favorite camera moves right here. ‘Aaaaand, let’s begin.’

[Laughter]

John: There is- definitely been working together long enough now that we know- and now that jazz music is in the background, we’re up and running.

Chris: There you go.

Dean: It all kicks in. And again, how Richard was able to now change from that dark to humorous. Literally turning on a dime.

John: And this is him-

Chris: Oh there's so many speeches he made saying goodbye.

John: This is him doing the- that is Kirk saying goodbye to Spock.

[Laughter]

John: By the way, from the Wrath of Kahn, that is the speech he's doing right there.

Dean: And we- my favorite digital effect.

John: No van, no van there.

Dean: All painted.

Chris: Oh that’s great.

John: ‘I’ll miss you.’ No and that was- but of course, again, you were blowing stuff up at a dock.

[Laughter]

John: Without any real permission or notifying the authorities. It’s really I think I'd be disappointed now if you called ahead.

Dean: That’s right.

John: And this is the reveal, and this was really tricky, trying to figure out the timeframe, how they could get around, how quickly they get around.

Dean: So we had to use the bomb as the time signature.

John: Yeah.

Chris: Right.

John: Because the- when we got there originally, this was structured slightly differently, but the exits in the physical locations didn't match. But that’s why TV is great, you have a writer on set-

Dean: Exactly.

John: So you can actually have the director walk around with you and go, ‘This isn't gonna work.’ ‘Sure it will.’ ‘No it won't, fix it.’

[Laughter]

Chris: Well I think originally the thing went inside the-

John: Yes, yeah. And we couldn't do that, and you couldn't see the blow, and then you had to blow all three doors simultaneously if you did it, and it would've been madness. And Katie's look of rage there is magnificent.

Chris: That’s great, as the car goes by.

John: It really- ‘I am an angry, angry fed.’ And this is also one of the times when we don’t let Nate off the hook.

Dean: Right.

John: You know and Aldis is genuinely- yeah.

Chris: Yeah, he managed to transition from the fun of saying goodbye to the van, to actual rage.

Dean: Genuinely pissed off. And now another bit of John Rogers directing on this episode is the car getting away.

Chris: Nice!

John: The car- yeah, this is-

Dean: Right here, here we go and then look at this nice power slide.

Chris: Oh, good job.

John: I caught the reflection in the side of the car that was suction cup bounce and they actually hold on. You didn't give me the wet down one.

Dean: And this is my favorite reveal of a character ever.

John: I have no idea how you did this! Did you lower him by rope? How does he get in the shot?

[Laughter]

Chris: Well he comes in-

John: And we’re coming around, this is all a one-er and… he… is… there.

[Laughter]

John: He just- it is one of those things where, much like-

Chris: How would he fit inside?

Dean: [Mimicking Mark Sheppard] There's no one else that can make an entrance-

John: Quite like Mark Sheppard.

Dean: -like Mark Sheppard.

[Laughter]

John: And by the way, we decided to make him- because we were cooking up a threat, and- we’ll actually continue talking about this in the next episode...

Chris: In the next episode.

Dean: Please stay tuned for the second part of this.

Chris: Stay tuned.

Dean: But this was a lot of fun, and thank you for listening to the first half. Stay tuned for part two.

#Leverage #Leverage TNT #Leverage Audio Commentary Transcripts #Audio Commentary #Transcripts #Parker #Alec Hardison #Elliot Spencer #Nate Ford #Sophie Deveraux #Season 2 #Episode 14 #Season 2 Episode 14 #The Three Strikes Job

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