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#wrath james white
yandere--stuck · 2 years
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bitterkarella · 1 year
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Midnight Pals: Mr Electric
Ray Bradbury: Submitted for the approval of the midnight Society, I call this the tale of the eternal summer, the last vestiges of muggy august giving way to the bluster of autumn, the twinkling lights of town below in the humid night, young lovers stealing kisses in the dark, old men on the porch, jawin and chewin and chuckling at remembrances of romances long past Barker: you’re literally just describing a Thomas Kinkade painting Poe: clive
Stephen King: wow ray you really come up with some evocative imagery! King: whatever inspired you to become a writer anyway? Bradbury: well, it all started when I went to the county fair and met a wizard Koontz: whoa! A real wizard! King: no dean he’s talking about a magician Bradbury: [chuckling] am I? Bradbury: mr electrico was no mere magician! Bradbury: he had the REAL power!!! Bradbury: the power Bradbury: to fire a young boy’s IMAGINATION! Neil Gaiman: [clapping] right, right! Good show! Right on!
Ray Bradbury: and Mr Electrico pointed a flaming electrical sword at me and said Bradbury: “LIVE FOREVER!!” Bradbury: now I cannot be killed Gretchen Felker-Martin: oh yeah, big mood
Bradbury: Mr Electrico said “Live Forever!” Bradbury: Now I cannot be killed Bradbury: and it’s true Bradbury: c’mon try it out Stephen King: no no I couldn’t Bradbury: c’mon Bradbury: c’mon!!! Bradbury: come at me bro!!! Bradbury: I can take it!!
Bradbury: [slapping chest] c’mon, take a swing at me! Stephen King: I really don’t want to fight you Ray Bradbury: do it! Do it! Barker: I’ll do it Poe: clive Barker: I’m just giving him what he wants! Poe: clive Poe: clive he’s like 100 years old
Mary Shelley: sup fuckers Bradbury: mary!!! Come at me! Mary Shelley: okie dokie [immediately shivs Bradbury, blade snaps] Mary Shelley: what the fuck Bradbury: ha! this isn’t even a tenth of my power!!! Bradbury: what did I tell you?! Bradbury: not a single one of you could defeat you!! Mary Shelley: oh yeah? Mary Shelley: guess we’ll have to gang up on you!! Get ‘im boys! [Ann Radcliffe and Monk Lewis approach with chain and billy club respectively] [Bradbury effortlessly blocks roundhouse kick by Wrath James White] Bradbury: ha! Laughable! [Bradbury effortlessly sidesteps kung fu chop by Alan Baxter] Bradbury: ha! Pathetic!
Bradbury: come on! Come at me! Robert E Howard: you sure about this pardna? Howard: this ain’t no pea shooter hombre Bradbury: [slapping chest] what’s the matter, ya pussy? Bradbury: Fuckin do it!! Howard: hold on thar pardna Howard: I think ya might wanna calm down Bradbury: [grabbing gun and pulling Robert E Howard closer] Bradbury: DO Bradbury: IT Howard: [aiming gun] okay pilgrim you asked fer it Poe: bob Poe: bob this is getting ridiculous Poe: bob don’t Howard: [cocking gun] sorry pardna Howard: I gotta Howard: it’s the law of the west
Ray Bradbury: [flexing] Behold!!! The power of Mr. Electrico!!! The electric man!!! Barker: so ray Barker: I hear this magician’s fake Poe: clive Bradbury: he’s a real magician Barker: is he now Barker: then why hasn’t anyone ever heard of him Bradbury: he Bradbury: he lives in Canada
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harmlesscigarette · 8 months
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-"Inside," Wrath James White
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carica-ficus · 26 days
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Review: The Ecstasy of Agony
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Author: Wrath James White
Date: 23/03/2024
Rating: ⭐
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After successfully finishing another exam, I found myself in the bookstore with my boyfriend, browsing through books in an attempt to find myself a little treat. I found "The Ecstasy of Agony" nestled between other short story collections, and its cover and title definitely made it stand out from the rest. And the fact that it was labeled as extreme horror. As a person who likes to try out new stuff and is not repulsed by gore or violence, I was really curious what this collection had to offer. Unfortunately, it turned out not that much...
I'm the type of reader that reads the book from start to finish, including the introduction and the author's acknowledgments. Most of the time this provides me with some useful or at least interesting information, but this time it just left me with a sour taste in my mouth. The introduction bashes the work of other horror authors to invoke a feeling of superiority for this book. It promises a lot, too much for any book to fulfill, so the reader is left with expectations which are too high to achieve. Furthermore, the final acknowledgment of the author thanks the women in his life, specifically those he slept with. By itself, this wouldn't be such a problem, but the stories are written very antagonistically towards women, and not with the point to analyze or criticize the violence against them, but to dehumanize them into sex objects and victims of abuse. There's no character to them, except as a token partner to their male counterparts, so this comment in the author's notes feels demeaning instead of eccentric.
The stories are filled to the brim with violence, but rely on shock factor in order to create a reaction from the viewer. It gives of the feel that there's not much thought given into the production of scenes with gore, but that it's just brutal visuals stacked up onto each other to produce something the average reader finds disturbing and disgusting. There's no established sense of horror or fear, just images laid out one after another trying to achieve something that just isn't there.
Moreover, there is a lot of mindless sexual violence that just seemed scant. There's nothing behind it, no profound thought, just rape scenes that create discomfort. While it could be argued that the point of extreme horror is making the reader uneasy without grasping for a higher meaning behind the story, offering nothing other than raw brutality is a cheap way to produce disgust. Many stories read like pornography, which in itself wouldn't be bad (nothing wrong with horror erotica), but nothing insinuates that the anthology falls into that category. If I had known half of the stories would just be violent sexual fantasies that depended on giant appendages, distasteful scenes and lack of any emotions, I wouldn't have picked this book up. It's not something that's of interest to me.
As for the plots of the stories, there's little imagination to them. They're just general tropes with nothing new to them. The author did manage to touch on some interesting ideas in some of the stories, like the animosity between American democrats and republicans or the governments involvement in fueling black neighborhoods with drugs in order to stunt their development, but any true commentary gets buried under pages and pages of hackneyed writing.
The writing style is alright. It's readable, fluid and allows for a quick and easy grasp of what is happening, but there are illustrative descriptions that do it no favors. They turn the style overly simplistic, when the writing would be more than acceptable without them. Moreover, they sound like they have been pulled out of cheap pornography or middle grade horror. Comparing butts to beach balls just sound pitiful, and there's dozens of similarly worded examples.
I was thinking of giving this collection at least two stars, because it was not all bad. There are things I did enjoy, but unfortunately, they fall short for me to actually say I liked this collection. I will give extreme horror another shot and my friend already gave me some good recommendations, but this book just didn't offer me anything of worth and I'm really disappointed by it.
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authorjacobfloyd · 4 months
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SUCCULENT PREY by Wrath James White
When I began my adventure into the world of independent horror houses, Istumbled across an author by the name of Wrath James White. Immediately, I wasinterested to find out about his work. I had read that his work was violent,gory, sexual, and terrifying–but the word I had seen most used to describeWhite’s writing was “extreme.”I read some interviews with him and was intrigued by his outlook on…
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dlsreviews · 4 months
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NEW REVIEW: Sixty-Five Stirrup Iron Road (2013)
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Today’s in-depth dissection is of the co-authored extreme horror novel ‘Sixty-Five Stirrup Iron Road’ (2013) – an outrageously over-the-top story of deviancy, depravity and splattericious gore. This example of (ahem) literacy excellence was penned by none other than Brian Keene, Jack Ketchum, Edward Lee, J.F. Gonzalez, Bryan Smith, Wrath James White, Nate Southard, Ryan Harding, and Shane McKenzie.
Enjoy!
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evileldestdaughter · 6 months
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splatterpunk is a feel good genre to me at this point
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chdarling · 10 months
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I can count on one hand when snape has lost his cool in canon . in poa when harry saved sirius , in OOTP when sirius vs snape , when harry saw his memories . In hbp when harry called him a coward . And that's about it . While majority of time he is composed , confident and insults people with coolness and sass . The list is too long . Like he has coolly sassed Bellatrix , peter , sirius , harry , Ron , hermione , james , lockhart etc .
I love and deeply appreciate your talent but imo snape's behaviour is reversed in TLE , he is just too angry here to think coherently let alone insult or attempt at sarcasm .
I mean Remus has more sarcasm and wit than he has in canon and i have no complain there as i am a sucker for wity banter and humor , but it feels like injustice to Snape's personality to me .
I’m sorry you feel that way! I emphatically (and amicably) disagree.
I think for me it comes down to the fact that I am not trying to replicate the characters exactly as they were in the books. TLE is a prequel, and thus for all the characters — but especially Snape because he actually survives — this is a story of becoming. They’re not meant to be perfectly reflected versions of who they were in the '90s, but rather versions of themselves that could feasibly grow into the characters we see in canon.
The Snape in canon is a 35ish year old man who has survived a war and had years and years to master his emotions and become a top-notch spy who, as you say, sasses the likes of Bellatrix, not to mention lies to Voldemort's face. The Snape I’m writing in TLE is a 17-year-old boy who has done none of that yet but is raw and bitter and wrathful enough to be convinced joining a fascist hate group is a really swell idea.
To me, the moments you point out when Snape loses his cool in canon are the entire point of his characterization, not an occasional aberration, and these scenes were crucial to me when building his character. Rage is crucial to his character. It’s notable, I think, that almost all of these moments are related to the Marauders/Lily in some way. It’s the moment the mask slips and the wounded teenager comes out.
A few examples, just for fun (emphasis mine).
(This got a little long, but I was distracting myself during some severe weather that was stressing me, so I hope you’ll take this in the spirit of fun discussion, and not anything else. 🙂)
From POA, after Sirius escapes:
“THEY HELPED HIM ESCAPE, I KNOW IT!” Snape howled, pointing at Harry and Hermione. His face was twisted; spit was flying from his mouth. “Calm down, man!” Fudge barked. “You’re talking nonsense!” “YOU DON’T KNOW POTTER!” shrieked Snape. “HE DID IT, I KNOW HE DID IT—!”
“Fellow seems quite unbalanced,” said Fudge, staring after him. “I’d watch out for him if I were you, Dumbledore.” “Oh, he’s not unbalanced,” said Dumbledore quietly. “He’s just suffered a severe disappointment.”
From OOTP after Harry sees his worst memory:
“So,” said Snape, gripping Harry’s arm so tightly Harry’s hand was starting to feel numb. “So…been enjoying yourself, Potter?” “N-no…” said Harry, trying to free his arm. It was scary: Snape’s lips were shaking, his face was white, his teeth were bared. “Amusing man, your father, wasn’t he?” Said Snape, shaking Harry so hard that his glasses slipped down his nose. “I—didn’t—“ Snape threw Harry from him with all his might. Harry fell hard on to the dungeon floor.
From Half-Blood Prince, after Harry calls him a coward:
“DON’T—” screamed Snape, and his face was suddenly demented, inhuman, as though he was in as much pain as the yelping, howling dog stuck in the burning house behind them— “CALL ME COWARD!”
These are all such extreme reactions that, rare as they might be, they definitely suggest an undercurrent of deep rage and, I might add, a pattern of losing control when provoked with certain memories.
And then, of course, there are the flashbacks in which we actually DO get glimpses of young Snape:
“Tuney!” said Lily, surprise and welcome in her voice, but Snape had jumped to his feet. “Who’s spying now?” he shouted. What d’you want?”
(Interesting, I think, that his first instinct is to shout. Petunia hasn't said anything yet.)
There was a crack: A branch over Petunia’s head had fallen. Lily screamed: The branch caught Petunia on the shoulder, and she staggered backward and burst into tears. “Tuney!” But Petunia was running away. Lily rounded on Snape. “Did you make that happen?” “No.” He looked both defiant and scared. “You did!” She was backing away from him. “You did! You hurt her!” “No — no I didn’t!” But the lie did not convince Lily: After one last burning look, she ran from the little thicket, off after her sister, and Snape looked miserable and confused…
Snape’s whole face contorted and he spluttered, “Saved? Saved? You think he was playing the hero? He was saving his neck and his friends’ too! You’re not going to — I won’t let you —“ “Let me? Let me?” Lily’s bright green eyes were slits. Snape backtracked at once. “I didn’t mean — I just won’t want to see you made a fool of — He fancies you, James Potter fancies you!” The words seemed wrenched from him against his will. “And he’s not…everyone thinks…big Quidditch hero—“ Snape’s bitterness and dislike were rendering him incoherent, and Lily’s eyebrows were traveling farther and farther up her forehead.
He opened his mouth, but closed it without speaking. “I can’t pretend anymore. You’ve chosen your way, I’ve chosen mine.” “No—listen, I didn’t mean—“ “—to call me Mudblood? But you call everyone of my birth Mudblood, Severus. Why should I be any different?” He struggled on the verge of speech, but with a contemptuous look she turned and climbed back through the portrait hole…
This to me does not read as a composed, confident boy. This is (in my opinion) an extremely angry, troubled boy who is buffeted around by his emotions, who hasn’t yet learned to articulate them fully, let alone control them. Learning to conquer these emotions and be the cool, calm, and collected double-agent-man we see in canon is a big part of his journey, but it's certainly not something he's mastered yet at 17.
.......But, at the end of the day, this is just a fanfic and everyone has different interpretations of these characters. Which is fine and fun! TLE Snape has always been somewhat polarizing, but I'm pretty set in my interpretation of him. I'm looking forward to exploring more of his journey as he grows into book Snape. He's just not there yet. :)
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13eyond13 · 1 month
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How many of these "Top 100 Books to Read" have you read?
(633) 1984 - George Orwell
(616) The Great Gatsby - F. Scott Fitzgerald
(613) The Catcher In The Rye - J.D. Salinger
(573) Crime And Punishment - Fyodor Dostoyevsky
(550) Catch-22 - Joseph Heller
(549) The Adventures Of Tom And Huck - Series - Mark Twain
(538) Moby-Dick - Herman Melville
(534) One Hundred Years Of Solitude - Gabriel Garcia Marquez
(527) To Kill A Mockingbird - Harper Lee
(521) The Grapes Of Wrath - John Steinbeck
(521) Lolita - Vladimir Nabokov
(492) Pride And Prejudice - Jane Austen
(489) The Lord Of The Rings - Series - J.R.R. Tolkien
(488) Brave New World - Aldous Huxley
(480) Ulysses - James Joyce
(471) Jane Eyre - Charlotte Bronte
(459) Wuthering Heights - Emily Bronte
(398) The Brothers Karamazov - Fyodor Dostoyevsky
(396) Great Expectations - Charles Dickens
(395) To The Lighthouse - Virginia Woolf
(382) War And Peace - Leo Tolstoy
(382) The Sun Also Rises - Ernest Hemingway
(380) The Sound And The Fury - William Faulkner
(378) Alice's Adventures In Wonderland - Series - Lewis Carroll
(359) Frankenstein - Mary Wollstonecraft Shelley
(353) Heart Of Darkness - Joseph Conrad
(352) Middlemarch - George Eliot
(348) Animal Farm - George Orwell
(346) Don Quixote - Miguel de Cervantes Saavedra
(334) Slaughterhouse-Five - Kurt Vonnegut
(325) Les Misérables - Victor Hugo
(320) Harry Potter - Series - J.K. Rowling
(320) The Chronicles Of Narnia - Series - C.S. Lewis
(317) Anna Karenina - Leo Tolstoy
(308) Lord Of The Flies - William Golding
(306) Invisible Man - Ralph Ellison
(289) The Golden Bowl - Henry James
(276) Pale Fire - Vladimir Nabokov
(266) Gone With The Wind - Margaret Mitchell
(260) The Count Of Monte Cristo - Alexandre Dumas
(255) The Hitchhiker's Guide To The Galaxy - Series - Douglas Adams
(252) The Life And Opinions Of Tristram Shandy, Gentleman - Laurence Sterne
(244) Madame Bovary - Gustave Flaubert
(237) Vanity Fair - William Makepeace Thackery
(235) The Trial - Franz Kafka
(233) Absalom, Absalom! - William Faulkner
(232) The Call Of The Wild - Jack London
(232) Emma - Jane Austen
(229) Beloved - Toni Morrison
(228) Little Women - Louisa May Alcott
(224) A Passage To India - E.M. Forster
(215) Dune - Frank Herbert
(215) A Portrait Of The Artist As A Young Man - James Joyce
(212) The Stranger - Albert Camus
(209) One Flew Over The Cuckoo's Nest - Ken Kesey
(209) The Idiot - Fyodor Dostoyevsky
(206) Dracula - Bram Stoker
(205) The Picture Of Dorian Gray - Oscar Wilde
(197) A Confederacy Of Dunces - John Kennedy Toole
(193) Mrs. Dalloway - Virginia Woolf
(193) The Age Of Innocence - Edith Wharton
(193) The History Of Tom Jones, A Foundling - Henry Fielding
(192) Under The Volcano - Malcolm Lowry
(190) The Odyssey - Homer
(189) Gulliver's Travels - Jonathan Swift
(188) In Search Of Lost Time - Marcel Proust
(186) Midnight's Children - Salman Rushdie
(185) An American Tragedy - Theodore Dreiser
(182) The Book Thief - Markus Zusak
(180) Siddhartha - Hermann Hesse
(179) The Magic Mountain - Thomas Mann
(178) Things Fall Apart - Chinua Achebe
(178) Tropic Of Cancer - Henry Miller
(176) The Outsiders - S.E. Hinton
(176) On The Road - Jack Kerouac
(175) The Little Prince - Antoine de Saint-Exupery
(173) The Giver - Lois Lowry
(172) Brideshead Revisited - Evelyn Waugh
(172) A Clockwork Orange - Anthony Burgess
(171) Charlotte's Web - E.B. White
(171) The Ambassadors - Henry James
(170) Infinite Jest - David Foster Wallace
(167) The Complete Stories And Poems - Edgar Allen Poe
(166) Ender's Saga - Series - Orson Scott Card
(165) In Cold Blood - Truman Capote
(164) The Wings Of The Dove - Henry James
(163) The Adventures Of Augie March - Saul Bellow
(162) As I Lay Dying - William Faulkner
(161) The Hunger Games - Series - Suzanne Collins
(158) Anne Of Greene Gables - L.M. Montgomery
(157) Atlas Shrugged - Ayn Rand
(157) Neuromancer - William Gibson
(156) The Help - Kathryn Stockett
(156) A Song Of Ice And Fire - George R.R. Martin
(155) The Good Soldier - Ford Madox Ford
(154) The Da Vinci Code - Dan Brown
(153) I, Claudius - Robert Graves
(152) Wide Sargasso Sea - Jean Rhys
(151) The Portrait Of A Lady - Henry James
(150) The Death Of The Heart - Elizabeth Bowen
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magicaltear · 1 year
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How many have you read?
The BBC estimates that most people will only read 6 books out of the 100 listed below. Bold the titles you’ve read.
1 Pride and Prejudice - Jane Austen 2 Lord of the Rings - J. R. R. Tolkein 3 Jane Eyre – Charlotte Bronte 4 Harry Potter series 5 To Kill a Mockingbird - Harper Lee 6 The Bible 7 Wuthering Heights – Emily Bronte 8 Nineteen Eighty Four – George Orwell 9 His Dark Materials – Philip Pullman 10 Great Expectations – Charles Dickens 11 Little Women – Louisa M Alcott 12 Tess of the D’Urbervilles – Thomas Hardy 13 Catch 22 – Joseph Heller 14 Complete Works of Shakespeare 15 Rebecca – Daphne Du Maurier 16 The Hobbit – JRR Tolkien 17 Birdsong – Sebastian Faulks 18 Catcher in the Rye - J. D. Salinger 19 The Time Traveller’s Wife - Audrey Niffeneger 20 Middlemarch – George Eliot 21 Gone With The Wind – Margaret Mitchell 22 The Great Gatsby – F Scott Fitzgerald 23 Bleak House – Charles Dickens 24 War and Peace – Leo Tolstoy 25 The Hitch Hiker’s Guide to the Galaxy – Douglas Adams 26 Brideshead Revisited – Evelyn Waugh 27 Crime and Punishment – Fyodor Dostoyevsky 28 Grapes of Wrath – John Steinbeck 29 Alice in Wonderland – Lewis Carroll 30 The Wind in the Willows – Kenneth Grahame 31 Anna Karenina – Leo Tolstoy 32 David Copperfield – Charles Dickens 33 Chronicles of Narnia – CS Lewis 34 Emma – Jane Austen 35 Persuasion – Jane Austen 36 The Lion, The Witch and The Wardrobe – CS Lewis 37 The Kite Runner - Khaled Hosseini 38 Captain Corelli’s Mandolin - Louis De Bernieres 39 Memoirs of a Geisha – Arthur Golden 40 Winnie the Pooh – AA Milne 41 Animal Farm – George Orwell 42 The Da Vinci Code – Dan Brown 43 One Hundred Years of Solitude – Gabriel Garcia Marquez 44 A Prayer for Owen Meaney – John Irving 45 The Woman in White – Wilkie Collins 46 Anne of Green Gables – LM Montgomery 47 Far From The Madding Crowd – Thomas Hardy 48 The Handmaid’s Tale – Margaret Atwood 49 Lord of the Flies – William Golding 50 Atonement – Ian McEwan
51 Life of Pi – Yann Martel 52 Dune – Frank Herbert 53 Cold Comfort Farm – Stella Gibbons 54 Sense and Sensibility – Jane Austen 55 A Suitable Boy – Vikram Seth 56 The Shadow of the Wind – Carlos Ruiz Zafon 57 A Tale Of Two Cities – Charles Dickens 58 Brave New World – Aldous Huxley 59 The Curious Incident of the Dog in the Night-time – Mark Haddon 60 Love In The Time Of Cholera – Gabriel Garcia Marquez 61 Of Mice and Men – John Steinbeck 62 Lolita – Vladimir Nabokov 63 The Secret History – Donna Tartt 64 The Lovely Bones - Alice Sebold 65 Count of Monte Cristo – Alexandre Dumas 66 On The Road – Jack Kerouac 67 Jude the Obscure – Thomas Hardy 68 Bridget Jones’s Diary – Helen Fielding 69 Midnight’s Children – Salman Rushdie 70 Moby Dick – Herman Melville 71 Oliver Twist – Charles Dickens 72 Dracula – Bram Stoker 73 The Secret Garden – Frances Hodgson Burnett 74 Notes From A Small Island – Bill Bryson 75 Ulysses – James Joyce 76 The Bell Jar – Sylvia Plath 77 Swallows and Amazons - Arthur Ransome 78 Germinal – Emile Zola 79 Vanity Fair – William Makepeace Thackeray 80 Possession – AS Byatt 81 A Christmas Carol – Charles Dickens 82 Cloud Atlas – David Mitchel 83 The Color Purple – Alice Walker 84 The Remains of the Day – Kazuo Ishiguro 85 Madame Bovary – Gustave Flaubert 86 A Fine Balance – Rohinton Mistry 87 Charlotte’s Web – EB White 88 The Five People You Meet In Heaven – Mitch Albom 89 Adventures of Sherlock Holmes – Sir Arthur Conan Doyle 90 The Faraway Tree Collection – Enid Blyton 91 Heart of Darkness – Joseph Conrad 92 The Little Prince – Antoine De Saint-Exupery 93 The Wasp Factory – Iain Banks 94 Watership Down – Richard Adams 95 A Confederacy of Dunces – John Kennedy Toole 96 A Town Like Alice – Nevil Shute 97 The Three Musketeers – Alexandre Dumas 98 Hamlet – William Shakespeare 99 Charlie and the Chocolate Factory – Roald Dahl 100 Les Miserables – Victor Hugo
As found in the original post I saw by @macrolit
My total: 43/100
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bitterkarella · 1 year
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Midnight Pals: Rusticated!!!
Mary Shelley: sup fuckers Poe: oh mary Poe: sit down Poe: we have some bad news Poe: it’s about percy Mary Shelley: what about percy Poe: he’s been rusticated
Mary Shelley: the fuck Poe: yes he’s been rusticated Mary Shelley: rusticated for…? Poe: yes rusticated for contumacy Mary Shelley: aw shit, not contumacy! Mary Shelley: aw shit what the fuck
Mary Shelley: level with me Mary Shelley: which of you motherfuckers put him up to this Poe: mary, we had nothing to do- Mary Shelley: he wrote an essay on the necessity of atheism and sent it to the heads of oxford college Mary Shelley: I know one of you fuckers is behind this Mary Shelley: I’m looking at you, wrath james white
Mary Shelley: you’re telling me my boy got rusticated Poe: yes for contumacy Mary Shelley: fucking rusticated for contumacy! Mary Shelley: motherfucking contumacy! Barker: I’m sorry we’re just gonna keep pretending these are real words? Barker: ok sure
Mary Shelley: for real, who put him up to this Mary Shelley: I’m not mad, I just wanna talk Poe: well I don’t want to name names Mary Shelley: I will end you Poe: it was Thomas Jefferson hogg Poe: Thomas Jefferson hogg, he’s the one
Mary Shelley: percy Percy Shelley: yes dear Mary Shelley: did you write an essay on the necessity of atheism and send it to the heads of oxford college Percy Shelley: yes dear Mary Shelley: Mary Shelley: oh my god you fucking stud take me now
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harmlesscigarette · 8 months
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-"It's a Rainy Day," Wrath James White
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Regulus removes his memories of James, because even the best Occlumens could not conceal a love that formidable. He intends to return to them. He does not make it. He leaves a letter to guarantee their destruction. Harry finds it twenty years too late.
‘No,’ This couldn’t be right. ‘No.’
Hundreds of glass vials.
Mountains of memories.
Harry stood in front of the shimmering cabinet, the glow bathing the dark, dank basement of Grimmauld Place in a halo of light, refracting off of each shining surface, blinding. They looked wrong, unlike the others Harry had seen. Usually a cool white, iridescent, like tiny pools of trickling moonlight. These were warm, burning, blazing. Like being very close to a living star. Trying to catch it in your bare palms. He’d never seen memories so bright.
A letter sat on the handles on the cabinet. Coated in a fine layer of dust and addressed to nobody. Harry picked it up, slipped it open, eyes running over the elegant scrawl. An air or resignation to it. An edge of desperation.
Sirius,
I suppose I am dead. I cannot find it in myself to be surprised. Know that to me it was worth it.
I find assurance in the thought it will be you who discovers this, as you are not corrupted by sympathy for me. I trust you will do what is necessary. I have made my peace with the aftermath of my performance. This is to ensure my reasoning cannot be misinterpreted as an uncharacteristic outburst of courage or selflessness. Both peculiarities, as you well know, I do not possess.
Mother has a temper to match the Dark Lord’s wrath. Neither of them can learn of my plan, nor the reason for its conception. It is not safe to love him as loudly as he compels me to whilst they rifle through my mind in tandem. One cannot conceal an ocean of aching this vast, nor truly alter a mind forged so fiercely by longing. So here lies the graveyard of my love, each glass tombstone inscribed with another reason as to why I have made my choice. I endeavour to resurrect these memories, restore them to the waiting walls of my mind, or to join them in death. If you have discovered them, I have at least succeeded in the latter. Know it likely did not hurt. Removing them has left me hollow. I cannot feel even the sun upon my skin.
My intentions are entirely self-serving, and I harbour no shame about this. Though, for the first and final time, our interests line up faultlessly. So, I ask of you only this: do not let him know. Allow him to believe whatever falsity has been shared. If not for me, for him. He must live if there is to be hope in this world. Him and the child.
Destroy the memories. Set the house aflame. Do whatever you must. Look after him, Sirius. Despite our hatred, keep my heart safe.
Your brother,
Regulus.
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prongsiess · 1 year
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TRIGGER WARNING: somewhat detailed descriptions of various forms of self-harm and referenced abuse
The Black and Rosier cousins’ loved ones are no strangers to their weird family dynamic and its consequences.
Rita and Evelyn sometimes see Bella kneeling face to a wall, muttering how she isn’t enough and needs to be better after receiving a bad grade on an assignment.
Ted and Amelia have both faced Andy’s wrath when something isn’t going her way, seeing her lose control and lash out only to cry herself to sleep later that night in regret.
Alice has had to wrestle Cissa out of the shower after she had scrubbed herself raw following a letter from her mother had sent critiquing her body and saying she was wasting herself not dating a man.
James has scooped Sirius off the floor and detangled and regrew his hair after an episode where he had chopped of his hair with his potion knives because he looked in the mirror that morning and saw his mother staring back at him.
Remus has healed Sirius’ hands, full of shards of glass, and repaired their whole dorm after Sirius had sent rogue spells flying when they received a letter from their parents.
Dorcas has made sure to escort Reg to meals and monitor his eating because he had fainted on the quidditch pitch at practice again.
James has sat Regulus down in the prefect’s bath and washed his hair for him when he hadn’t slept in days leading up to exams.
Barty has wiped away Ev’s tears and made sure all the bed curtains were opened and that there was a candle burning near Ev’s bed when he was extra jumpy coming back from breaks.
Lily has floated Pandora down from the astronomy tower roof where she was looking at the stars after climbing there to escape the great hall where there had been a fight at meal time.
All of their friends and partners had witnessed and experienced the negative repercussions of growing up in that environment, but had all also seen how, despite all the trauma, they had such kind souls.
How Bella would braid the first years’ hair and tell them wonderful stories about queens and fairies and how strong those women had been just to see the little girls smile a little bit brighter.
How Andy’s hugs felt like they could heal anything, as if her arms around you meant you were safe, and when she let go and gave you a kiss on the forehead you knew, no matter what had happened or was going to happen, that you would be okay.
How Cissa would sneak into the kitchens and bake with the house elves and bring back her friends’ favourite snacks, often somehow managing to get ahold of an old family recipe that just tasted like childhood.
How Sirius laughed so loud and their eyes twinkled in the sun, how he walked the halls with an arm around one friend and a hand in another’s, pulling them in as close as he could.
How Reg would leave little notes to those he cared about, sometimes to remind them of something he thought they might forget, other times simply because he had thought of them and wanted to let them know.
How Ev’s smile felt like a crackling fire, how he made a conscious effort every year to learn everyone’s name and stop and chat with people randomly in between lessons and in the common room.
How Dora would take an interest in her friend’s hobbies and learnt to crochet, paint, cook, fly, write, play guitar and so much more in order to make those she loved feel valued and important.
Their friends and partners grew to love every aspect of them, but sometimes they would forget that things aren’t always black and white, and some things are just inexplicably bizarre.
Sitting around the Potter’s yard after Reg’s graduation celebration, all the Black-Rosier cousins and their loved ones gathered around a fire pit and reminisced about their childhood. Everything was going smoothly; Lily had shared how she loved going to the record store with her dad on Sundays to pick out a new vinyl, Mary had shared stories about camping trips with her parents and brothers near the coast, Rita had shared how she would spend hours journalling everyday and how she still has all of her old journals from her childhood, Ted recounted how he loved trips to Ireland to visit his grandparents and how his parents always used to put on Frank Sinatra on long car trips, Barty shared how him and his mother used to spend hours doing puzzles and listening to old muggle movies because that was the only time Barty would be quiet for more than 2 minutes at a time, Dorcas shared stories of visiting their mother’s family in Jamaica and how delicious the food was, Alice told stories about James, Marlene, and Peter’s escapades in this very garden and how after an unfortunate incident with water guns that were somehow filled with Monty’s experimental potions she had refused to babysit ever again, James shared how they actually managed to get a hold of those potions, Peter shared stories of young James jumping onto his back as Marlene chased him with a chicken in her hands as Marlene rolled in the grass adding odd tidbits and remarking just how much of troublesome children they were, Remus explained that he wasn’t surrounded by chaos like James, Marls, and Pete were, but he did run away from his parents in London once to go read in a big fancy library.
Everything was going smoothly, that is until the discussion got to Pandora who looked over at Evan and asked him if he remembered the time she pushed him off the swings and he had landed chin-first onto a stray garden rake, to which Evan laughed and added how, with a bleeding chin, he had decided to take his revenge on Dora and thrown rocks at her head. Cissa laughed and said it reminded her of the time she had stolen Bella’s makeup and had run away and climbed a tree to escape Bella’s wrath only for Bella to cut down the tree with Cissa still in it. To that, Andy added that when she used to babysit Reg and Sirius, they used to throw each other over the third floor railing and fall onto a couch on the first floor, climbing back up and doing that for hours. Laughing so hard he had to clutch his stomach, Sirius said that at least then they had been getting along and asked Reg if he remembered the time they snuck out of their summer home in France his last summer before Hogwarts and tried to hot-wire and steal a muggle car, only for Sirius to somewhat succeed, press the gas and roll straight over Reg’s feet then stall the vehicle on his toes. At that Reg grumbled an acknowledgment and was about to sulk when he was cut off by Bella’s roaring laughter saying that she had once gotten run over by Andy who was trying to drive their parents’ boat and nearly drowned because of it around the same time.
As the Black-Rosier cousins reminisced about their strangely endearing childhood stories, their loved ones exchanged befuddled, slack-jawed looks that fell somewhere between disbelief and fear. And it was at that very moment that they simply accepted the fact that their friends and partners had somehow even worse, more confusing childhoods than they had previously thought, but that it wasn’t any use commenting on it when they were rolling on the ground laughing at how they had nearly all mutually murdered each other before even attending Hogwarts.
(Context: I hc Pandora as Evan’s cousin, and since Druella is canonically a Rosier by blood, this makes the Black sisters big cousins to both Sirius and Regulus as well as Evan and Pandora. And with the intertwined nature of the sacred 28, I hc that they all grew up quite close to one another, whether blood-related or not)
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mylittledarkag3 · 2 months
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How many have you read out of the hundred?
Me: 64/100
Reblog & share your results
1. "Pride and Prejudice" by Jane Austen
2. "Crime and Punishment" by Fyodor Dostoevsky
3. "To Kill a Mockingbird" by Harper Lee
4. "1984" by George Orwell
5. "Great Expectations" by Charles Dickens
6. "One Hundred Years of Solitude" by Gabriel García Márquez
7. "Jane Eyre" by Charlotte Brontë
8. "The Catcher in the Rye" by J.D. Salinger
9. "War and Peace" by Leo Tolstoy
10. "The Great Gatsby" by F. Scott Fitzgerald
11. "Moby-Dick" by Herman Melville
12. "The Odyssey" by Homer
13. "Wuthering Heights" by Emily Brontë
14. "Anna Karenina" by Leo Tolstoy
15. "The Brothers Karamazov" by Fyodor Dostoevsky
16. "The Iliad" by Homer
17. "Frankenstein" by Mary Shelley
18. "Les Misérables" by Victor Hugo
19. "Don Quixote" by Miguel de Cervantes
20. "Middlemarch" by George Eliot
21. "The Picture of Dorian Gray" by Oscar Wilde
22. "The Scarlet Letter" by Nathaniel Hawthorne
23. "Dracula" by Bram Stoker
24. "Sense and Sensibility" by Jane Austen
25. "The Hunchback of Notre-Dame" by Victor Hugo
26. "The War of the Worlds" by H.G. Wells
27. "The Grapes of Wrath" by John Steinbeck
28. "The Canterbury Tales" by Geoffrey Chaucer
29. "The Portrait of a Lady" by Henry James
30. "The Jungle Book" by Rudyard Kipling
31. "Siddhartha" by Hermann Hesse
32. "The Divine Comedy" by Dante Alighieri
33. "A Tale of Two Cities" by Charles Dickens
34. "The Trial" by Franz Kafka
35. "Mansfield Park" by Jane Austen
36. "The Three Musketeers" by Alexandre Dumas
37. "Fahrenheit 451" by Ray Bradbury
38. "Gulliver's Travels" by Jonathan Swift
39. "The Sound and the Fury" by William Faulkner
40. "Emma" by Jane Austen
41. "Robinson Crusoe" by Daniel Defoe
42. "Tess of the d'Urbervilles" by Thomas Hardy
43. "The Republic" by Plato
44. "Heart of Darkness" by Joseph Conrad
45. "The Hound of the Baskervilles" by Arthur Conan Doyle
46. "The Strange Case of Dr Jekyll and Mr Hyde" by Robert Louis Stevenson
47. "The Prince" by Niccolò Machiavelli
48. "The Metamorphosis" by Franz Kafka
49. "The Old Man and the Sea" by Ernest Hemingway
50. "Bleak House" by Charles Dickens
51. "Gone with the Wind" by Margaret Mitchell
52. "The Plague" by Albert Camus
53. "The Joy Luck Club" by Amy Tan
54. "The Master and Margarita" by Mikhail Bulgakov
55. "The Red and the Black" by Stendhal
56. "The Sun Also Rises" by Ernest Hemingway
57. "The Fountainhead" by Ayn Rand
58. "The Bell Jar" by Sylvia Plath
59. "The Idiot" by Fyodor Dostoevsky
60. "The Book Thief" by Markus Zusak
61. "The Return of Sherlock Holmes" by Arthur Conan Doyle
62. "The Woman in White" by Wilkie Collins
63. "Things Fall Apart" by Chinua Achebe
64. "Treasure Island" by Robert Louis Stevenson
65. "Ulysses" by James Joyce
66. "Uncle Tom's Cabin" by Harriet Beecher Stowe
67. "Vanity Fair" by William Makepeace Thackeray
68. "Waiting for Godot" by Samuel Beckett
69. "Walden Two" by B.F. Skinner
70. "Watership Down" by Richard Adams
71. "White Fang" by Jack London
72. "Wide Sargasso Sea" by Jean Rhys
73. "Winnie-the-Pooh" by A.A. Milne
74. "Wise Blood" by Flannery O'Connor
75. "Woman in the Nineteenth Century" by Margaret Fuller
76. "Women in Love" by D.H. Lawrence
77. "Zen and the Art of Motorcycle Maintenance" by Robert M. Pirsig
78. "The Aeneid" by Virgil
79. "The Age of Innocence" by Edith Wharton
80. "The Alchemist" by Paulo Coelho
81. "The Art of War" by Sun Tzu
82. "The Autobiography of Benjamin Franklin" by Benjamin Franklin
83. "The Awakening" by Kate Chopin
84. "The Big Sleep" by Raymond Chandler
85. "The Bluest Eye" by Toni Morrison
86. "The Caine Mutiny" by Herman Wouk
87. "The Cherry Orchard" by Anton Chekhov
88. "The Chosen" by Chaim Potok
89. "The Christmas Carol" by Charles Dickens
90. "The City of Ember" by Jeanne DuPrau
91. "The Clue in the Crumbling Wall" by Carolyn Keene
92. "The Code of the Woosters" by P.G. Wodehouse
93. "The Color Purple" by Alice Walker
94. "The Count of Monte Cristo" by Alexandre Dumas
95. "The Crucible" by Arthur Miller
96. "The Crying of Lot 49" by Thomas Pynchon
97. "The Da Vinci Code" by Dan Brown
98. "The Death of Ivan Ilyich" by Leo Tolstoy
99. "The Decline and Fall of the Roman Empire" by Edward Gibbon
100. "The Divine Secrets of the Ya-Ya Sisterhood" by Rebecca Wells
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videbi · 3 years
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The Best Books
The list is made from an academic point of view. More books may be added or any book may be taken out of the list at anytime.
Books that enlightened, outraged, provoked and comforted us
Pride and Prejudice by Jane Austen, 1813
Emma by Jane Austen, 1815
The Count of Monte Cristo by Alexandre Dumas, 1844
Wuthering Heights by Emily Bronte, 1847
Vanity Fair by William Makepeace Thackeray, 1848
Great Expectations by Charles Dickens, 1860
Les Miserables by Victor Hugo, 1862
Crime and Punishment by Fyodor Dostoyevsky, 1866
Little Women by Louisa May Alcott, 1868
Middlemarch: A Study of Provincial Life by George Eliot, 1874
Anna Karenina by Leo Tolstoy, 1877
Adventures of Huckleberry Finn by Mark Twain, 1884
Germinal by Émile Zola, 1885
The Short Stories of Anton Chekhov by Anton Chekhov, 1888
The Ambassadors by Henry James, 1903
In Search of Lost Time by Marcel Proust, 1913
Dubliners by James Joyce, 1914
The Mysterious Stranger by Mark Twain, 1916
Ulysses by James Joyce, 1922
The Magic Mountain by Thomas Mann, 1924
An American Tragedy by Theodore Dreiser, 1925
The Great Gatsby by F. Scott Fitzgerald, 1925
To the Lighthouse by Virginia Woolf, 1927
Coming of Age in Samoa by Margaret Mead, 1928
All Quiet on the Western Front by Erich Remarque, 1929
The Sound and the Fury by William Faulkner, 1929
The Autobiography of Alice B. Toklas by Gertrude Stein, 1933
Tender is the Night by F. Scott Fitzgerald, 1934
Gone With the Wind by Margaret Mitchell, 1936
Death on the Nile by Agatha Christie, 1937
Out of Africa by Isak Dinesen, 1937
Their Eyes Were Watching God by Zora Neale Hurston, 1937
The Grapes of Wrath by John Steinbeck, 1939
Romola by George Eliot, 1940
Black Boy by Richard Wright, 1945
Hiroshima by John Hersey, 1946
Robinson Crusoe by Daniel Defoe, 1946
A Streetcar Named Desire by Tennessee Williams, 1947
Under the Volcano by Malcolm Lowry, 1947
The Sheltering Sky by Paul Bowles, 1949
The Catcher in the Rye by J. D. Salinger, 1951
Invisible Man by Ralph Ellison, 1952
Lord of the Flies by William Golding, 1954
The Sun Also Rises by Ernest Hemingway, 1954
Lolita by Vladimir Nabokov, 1955
Notes of a Native Son by James Baldwin, 1955
Our Man in Havana by Graham Greene, 1958
The Civil War by Shelby Foote, 1958
Raise High the Roof Beam, Carpenters and Seymour: An Introduction by JD Salinger, 1959
Rabbit, Run by John Updike, 1960
Where Angels Fear to Tread by E. M. Forster, 1960
The Death and Life of Great American Cities by Jane Jacobs, 1961
The Making of the President by Theodore H. White, 1961
Pale Fire by Vladimir Nabokov, 1962
The Spy Who Came in from the Cold by John le Carre, 1963
A Moveable Feast by Ernest Hemingway, 1964
The Autobiography of Malcolm X by Malcolm X, 1965
Manchild in the Promised Land by Claude Brown, 1965
Against Interpretation, and Other Essays by Susan Sontag, 1966
In Cold Blood by Truman Capote, 1966
One Hundred Years of Solitude by Gabriel Garcia Marquez, 1967
The American Cinema by Andrew Sarris, 1968
The Double Helix by James Watson, 1968
The Electric Kool_Aid Acid Test by Tom Wolfe, 1968
I Know Why the Caged Bird Sings by Maya Angelou, 1969
Slaughterhouse-Five by Kurt Vonnegut, 1969
The French Lieutenant’s Woman by John Fowles, 1969
Are You There God? It’s Me Margaret by Judy Blume, 1970
Ball Four by Jim Boutton, 1970
The Complete Stories of Flannery O’Connor, 1971
The Best and the Brightest by David Halberstam, 1972
The Politics of Nonviolent Action by Gene Sharp, 1973
All The President’s Men by Bob Woodwad and Carl Bernstein, 1974
The Power Broker by Robert A. Caro, 1974
Ragtime by E. L. Doctorow, 1975
Sociobiology by Edward O. Wilson, 1975
The Executioner’s Song by Norman Mailer, 1979
The Clan of the Cave Bear by Jean M. Auel, 1980
Follow The River by James Alexander Thom, 1981
Psychoanalysis: The Impossible Profession by Janet Malcolm, 1981
The Fractal Geometry of Nature by Benoit Mandelbrot, 1982
The Last Lion: Winston Spencer Churchill by William Manchester, 1983
The Unbearable Lightness of Being by Milan Kundera, 1984
The Center of the Cyclone by John Lilly, 1985
Great and Desperate Cures by Elliott Valenstein, 1986
Maus by Art Spiegelman, 1986
The Making of the Atomic Bomb by Richard Rhodes, 1986
And the Band Played On by Randy Shilts, 1987
Beloved by Toni Morrison, 1987
The Closing of the American Mind by Allan Bloom, 1987
A Brief History of Time by Stephen Hawking, 1988
Battle Cry of Freedom: The Civil War Era by James M. McPerson, 1988
The Society of Mind by Marvin Minsky, 1988
Summer’s Lease by John Mortimer, 1989
A Prayer For Owen Meany by John Irving, 1989
A Soldier of the Great War by Mark Helprin, 1991
Mortal Questions by Thomas Nagel, 1991
PIHKAL by Alexander and Ann Shulgin, 1991
Lonely Hearts of the Cosmos by Dennis Overbye, 1991
The Six Wives of Henry VIII by Alison Weir, 1991
Band of Brothers by Stephen E. Ambrose, 1992
The Talented Mr Ripley by Patricia Highsmith, 1992
The English Patient by Michael Ondaatje, 1993
Dreams from My Father by Barack Obama, 1995
Montana Sky by Nora Roberts, 1996
Tuesdays with Morrie: An Old Man, a Young Man, and Life’s Greatest Lesson by Mitch Albom, 1997
War Before Civilization by Lawrence Keeley, 1997
How the Mind Works by Steven Pinker, 1997
A Walk in the Woods by Bill Bryson, 1998
In the Name of Eugenics by Daniel Kevles, 1998
Who Moved My Cheese? by Spencer Johnson, 1998
Interpreter of Maladies by Jhumpa Lahiri, 1999
A Heartbreaking Work of Staggering Genius by Dave Eggers, 2000
Nonzero by Robert Wright, 2000
Chocolat by Joanne Harris, 2000
The Secret Life of Bees by Sue Monk Kidd, 2001
The Illusion of Conscious Will by Daniel Wegner, 2002
Atonement by Ian McEwan, 2003
The Kite Runner by Khaled Hosseini, 2003
The Known World by Edward P. Jones, 2003
Gilead by Marilynne Robinson, 2004
My Sister’s Keeper by Jodi Picoult, 2004
Portofino: A Novel (Calvin Becker Trilogy) by Frank Schaeffer, 2004
Never Let Me Go by Kazuo Ishiguro, 2005
The Book Thief by Marcus Zusak, 2005
The Girl With a Dragon Tattoo by Stieg Larsson, 2008
Lords of Finance: The Bankers Who Broke The World, 2009
Unbroken: A World War II Story of Survival, Resilience and Redemption by Laura Hillenbrand, 2010
Washington: A Life by Ron Chernow, 2010
Orientation: And Other Stories by Daniel Orozco, 2011
Books that inspired debate, activism, dissent, war and revolution
The Torah
Bhagavad Gita
I Ching (Classic of Changes) by Fu Xi
Tao Te Ching by Lao Tzu
The Summa Theologica of St. Thomas Aquinas, 1266
The Divine Comedy by Dante Alighieri, 1321
Don Quixote by Miguel de Cervantes, 1605
Ethics by Baruch de Spinoza, 1677
Pilgrim’s Progress by John Bunyan, 1678
Candide by Voltaire, 1759
Confessions by Jean-Jacques Rousseau, 1781
Critique of Pure Reason by Immanuel Kant, 1781
Democracy in America by Alexis de Tocqueville, 1835
A Christmas Carol by Charles Dickens, 1843
Moby-Dick by Herman Melville, 1851
Uncle Tom’s Cabin by Harriet Beecher Stowe, 1852
Walden (Life in the Woods) by Henry David Thoreau, 1854
Madame Bovary by Gustave Flaubert, 1857
Experiments on Plant Hybridization by Gregor Mendel, 1866
War and Peace by Leo Tolstoy, 1869
Thus Spoke Zarathustra by Friedrich Nietzsche, 1883
Arabian Nights by Andrew Lang, 1898
The Ragged Trousered Philanthropists by Robert Tressell, 1914
Relativity: The Special and General Theory by Albert Einstein, 1916
Psychological Types by Carl Jung, 1921
Mein Kampf (My Struggle or My Battle) by Adolf Hitler, 1925
Der Process (The Trial) by Franz Kafka, 1925
The Tibetan Book of the Dead by Karma-glin-pa (Karma Lingpa), 1927
Brave New World by Aldous Huxley, 1932
The General Theory of Employment Interest and Money by John Maynard Keynes, 1936
The Big Book by Alcoholics Anonymous, 1939
Being and Nothingness by Jean-Paul Sartre, 1943
The Little Prince by Antoine de Saint-Exupery, 1943
The Road To Serfdom by Friedrich von Hayek, 1944
Animal Farm by George Orwell, 1945
Survival in Auschwitz: The Nazi Assault on Humanity by Primo Levi, 1947
The Diary of a Young Girl by Anne Frank, 1947
Nineteen Eighty-Four by George Orwell, 1949
The Second Sex by Simone de Beauvoir, 1949
The Origins of Totalitarianism by Hannah Arendt, 1951
Things Fall Apart by Chinua Achebe, 1958
To Kill a Mockingbird by Harper Lee, 1960
Guerilla Warfare by Che Guevarra, 1961
Capitalism and Freedom by Milton Friedman, 1962
Silent Spring by Rachel Carson, 1962
The Structure of Scientific Revolutions by Thomas Kuhn, 1962
Quotations from Chairman Mao Tse-Tung (The Little Red Book) by Mao Zedong, 1964
Unsafe at Any Speed by Ralph Nader, 1965
Catch 22 by Joseph Heller, 1969
The Female Eunuch by Germaine Greer, 1970
Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig, 1974
The Normal Heart by Larry Kramer, 1987
The Alchemist by Paulo Coelho, 1988
The Vagina Monologues by Eve Ensler, 1995
Harry Potter and the Philosopher’s Stone by J. K. Rowling, 1997
Books that shook civilization, changed the world
The Holy Bible
The Qur’an
The Analects of Confucius
The Iliad and The Odyssey by Homer
The Histories by Herodotus, 440 BC
The Republic by Plato, 380 BC
The Kama Sutra (Aphorisms on Love) by Vatsyayana
On the Shortness of Life by Lucius Annaeus Seneca (The Younger), 62
Geographia by Ptolemy, 150
Meditations by Marcus Aurelius, 160
Confessions by St. Augustine, 397
The Canon of Medicine by Avicenna, 1025
Magna Carta, 1215
The Inner Life by Thomas a Kempis, 1400’s
The Canterbury Tales by Geoffrey Chaucer, 1478
The Prince by Niccolo Machiavelli, 1532
On Friendship by Michel de Montaigne, 1571
The King James Bible by William Tyndale et al, 1611
The First Folio by William Shakespeare, 1623
Principia Mathematica by Isaac Newton, 1687
A Tale of a Tub by Jonathan Swift, 1704
Encyclopaedia or a Systematic Dictionary of the Sciences, Arts and Crafts, 1751
A Dictionary of the English Language by Samuel Johnson, 1755
Patent Specification for Arkwright’s Spinning Machine by Richard Arkwright, 1769
Common Sense by Thomas Paine, 1776
The History of the Decline and Fall of the Roman Empire by Edward Gibbon, 1776
The Wealth of Nations by Adam Smith, 1776
The Social Contract by Jean-Jacques Rousseau, 1762
On the Abolition of the Slave Trade by William Wilberforce, 1789
Rights of Man by Thomas Paine, 1791
A Vindication of the Rights of Woman by Mary Wollstonecraft, 1792
On the Pleasure of Hating by William Hazlitt, 1826
Experimental Researches in Electricity by Michael Faraday, 1839, 1844, 1855
The Communist Manifesto by Karl Marx and Friedrich Engels, 1848
On the Suffering of the World by Arthur Schopenhauer, 1851
Leaves of Grass by Walt Whitman, 1855
On Liberty by John Stewart Mill, 1859
On the Origin of Species by Charles Darwin, 1859
The Rules of Association Football by Ebenezer Cobb Morley, 1863
Das Kapital (Capital: Critique of Political Economy) by Karl Marx, 1867
On Art and Life by John Ruskin, 1886
The War of the Worlds by H. G. Wells, 1898
The Interpretation of Dreams by Sigmund Freud, 1899
The Jungle by Upton Sinclair, 1906
Why Am I So Wise by Friedrich Nietzsche, 1908
Married Love by Marie Stopes, 1918
Lady Chatterly’s Lover by D. H. Lawrence, 1928
A Room of One’s Own by Virginia Woolf, 1929
Civilization and its Discontents by Sigmund Freud, 1930
Why I Write by George Orwell, 1946
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