#this is very different than what I usually post

[joelsgreys]

flutter

Post Outbreak! Joel Miller x Pregnant! Female Reader

snapshots masterlist

summary: When you finally start to show, Joel has a tough time with it as the reality sinks in—he’s going to be a father again.

warnings/tags: 18+ ONLY, MINORS DNI. JACKSON ERA. (TW) PREGNANCY. established relationship. no mention of reader’s age, however in other works for this universe, it is implied she is younger than Joel, her specific age will never be stated so do with that what you will. brief descriptions of a pregnant woman’s changing body, brief mention of morning sickness, mention of breastfeeding (it only comes up in a conversation very briefly) these subjects can possibly be triggering, especially mentions of a changing body, so while i try to handle everything with the utmost care, i still ask that you proceed with caution. domesticity, reader enjoys taking care of her family, ellie is a little shit, grumpy joel, he’s sort of a dick at first? but only because he’s working through some feelings so let’s forgive him, okay?

word count: 3.5k

a/n: this is part of the snapshots universe, but it could absolutely be read as a standalone too. minimal editing, this has been sitting in my drafts and i did a quick edit during my lunch hour, so please excuse any mistakes.

“Shit.”

You almost can’t believe your own two eyes. Staring at your reflection in the large, oval shaped mirror hanging over the porcelain bathroom sink, your gaze widens in complete surprise. “Jesus Christ,” you mutter, turning to the side. It takes your brain about a good minute or two to process, really process, the way that your belly strains against the thin, white cotton of your camisole. It had seemingly swollen overnight—because it hadn’t been this prominent the day before, had it?

Over the last few months, there’d been changes.

Some subtle and some not so subtle.

“Ellie! Stop fucking staring at them,” you’d scolded the teenager late one evening during yours and hers weekly game night. For as hard as you tried focusing on what move you should make next, it was hard to concentrate on the chessboard in front of you when you could feel the way her eyes were fixed on your breasts. “I mean it! Quit staring at my boobs, you little shit.”

She held up her hands, her mouth full of popcorn.

“Hey, in my defense, they’re just fucking there, man. If anything, they’re fucking staring at me, okay?”

During your chess rematch the following week, you had accidentally knocked one of your pawn pieces off of the table. When you’d stood up and bent over to pick it up, she had made the observation that your butt seemed to have gotten a little bigger too.

“Bet Joel’s liking these changes,” Ellie had smirked. “It sure as hell explains why the headboard’s been banging against the wall more than usual lately.”

You threw the pawn at her, smiling in satisfaction when it bounced off her forehead and landed into her glass of lemonade.

One part of your body, however, hadn’t changed.

Not until now.

“Hon, trust me, you have nothing to be worried about,” Maria had assured you with confidence when you had brought up your concerns about your stomach. “Every woman, and every pregnancy, is different. I didn’t start showing until I was around six months, remember?”

“I guess you’re right.” You’d been around four months, then. “Doesn’t help that I haven’t felt the baby move.”

“You will,” Maria had promised. “Just be patient”

Biting your lip, you place a hand on your belly.

It’s always been one of the softer parts of you, but now, it’s firmed into a perfect, round bump.

“Maybe soon I’ll feel you move,” you murmur, giving it a gentle pat. You tug the lace hem of your camisole down as far as it can go and then pull at the elastic waistband of your blue, terry cloth shorts.

Shutting off the lights in the bathroom, you slip out into the bedroom where you find that Joel’s still tangled up in the sheets, fast asleep. He had been assigned to the afternoon patrol route today—normally an early riser, if he was still snoozing, it meant that he really needed the rest. Deciding it was best to let him keep sleeping for a little while longer, you quietly tiptoe out of your shared bedroom and head downstairs into the kitchen.

After making yourself a glass of fresh squeezed orange juice, and one for the kid as well, you prepare the coffee maker for Joel. You spoon dark roast grounds into the filter and set the timer for the coffee to start brewing in thirty minutes.

He should be up by then, you think, pulling a basket of eggs out of the refrigerator.

You’re starting to get used to this. Domesticity.

Despite your protests, Maria had made the decision to pull you off patrol that same afternoon you had shared the news of your pregnancy. “I’m putting you on leave,” she’d told you. “Effective immediately. I don’t want to see you outside of these walls. Got it?”

“That’s not fair, Maria. You were out on patrol until—”

One stern glare from her had shut you right up.

“Fine.”

Sure, you missed it and looked forward to the day when you’d be able to get back into the saddle with your rifle in hand, but this way of life had grown on you. Certainly a lot more than you thought it would.

You enjoyed taking care of the house. Packing Ellie her lunch for school and checking her homework. Having a nice a meal on the table for the three of you to enjoy in the comfort of your own home instead of having to go down to the crowded mess hall for supper because you and Joel were both always much, much too tired after a long day out on patrol to bother with cooking.

With the baby due to arrive in the winter, looking after your little family had become your purpose, and you did not mind it one bit.

As strips of bacon sizzle in one pan on the gas powered stove, you crack a couple of eggs into another, knowing the kid is already on her way downstairs. You can hear the sound of her old, tattered low top sneakers that you have been trying to throw away for almost a year now squeaking on the kitchen tiles just as you finish plating her breakfast.

“Morning!” Ellie pipes, the loud plop of her backpack into a chair prompting you to turn around. “What’s for brea—whoa! Holy shit!” Her brown eyes widen in shock when she sees you and her jaw drops. “Dude.”

“Ellie,” you say her name warningly as you walk over to the table. “Don’t.”

“You’re bigger!”

With a playful glare, you set her plate down, along with her glass of orange juice. “Thanks a lot, you little jerk.” You feign offense. “You’re making your own eggs from now on.”

“Fuck, I’m sorry.” Ellie’s cheeks flush a shade of red and she squirms, sputtering apologetically, “I swear, I don’t mean it like that at all. It’s just, your stomach, it didn’t—you didn’t look like this last night, you know?”

She’s fucking lucky that your raging hormones decided to take the morning off duty.

“You look different. I mean, you look great—”

“Ellie?”

“Yeah?”

“Just shut up and eat.”

“Deal.”

She shoots you a sheepish grin and sits down, scarfing down her food in her usual manner. 

“You get your fractions homework done?”

“Yeah.” Ellie huffs, rolling her eyes. “Took me forever. I was up until fucking midnight.”

Amused, you offer, “Want me to check your work?”

“Sure.”

As Ellie inhales the rest of her breakfast, you pull out a green, single subject notebook from her backpack and look over her homework for miscalculations.

“So, uh, how are you feeling?” she asks after a minute.

“I’m feeling alright. I think the morning sickness finally stopped, so can’t complain.” Shrugging, you close the notebook and stick it into her backpack. “You did good, kid. Only got two problems wrong.”

“Man, I really wish we knew whether it’s a boy or girl,” Ellie mumbles through a mouthful of scrambled eggs. “What do you want to have, anyway?”

“It doesn’t matter to me, Ellie,” you answer, honestly. Clocking the skepticism on her face, you laugh and say, “It’s true. As long as the baby’s healthy, that’s all I care about.” And you mean it. As an expectant mother in the post outbreak world where medicine is scarce, supplies are limited, and the closest thing you have to a hospital is the town’s old clinic, the only thing you can hope for is the smooth, safe delivery of a healthy child.

Before she can say anything, you both catch the sound of Joel’s heavy boots as he descends the staircase.

She quirks an eyebrow. “Uh, has Joel seen you yet?”

Grimacing, you shake your head. “No.”

“Well, I don’t wanna be here for all that awkward,” Ellie says, chugging the rest of her orange juice. She stands up and snatches up her backpack, along with her lunch bag, which you’d packed for her earlier that morning. Just as she’s about to whirl around on the heel of her sneaker and make a run for the front door, she pauses, watching as you make your way back over to the stove to light another flame. “Unless you want me to be?”

“I’ll be fine, Ellie,” you assure her. “Go on, get to school. Maybe you’ll be on time to class for once.”

“If you say so.” She wishes you luck and then bolts out of the kitchen, throwing a quick goodbye at Joel on the way out. “See ya later, old man!”

Nervously, you turn around and start cracking another two eggs into the pan. There’s no telling how he’s going to react.

Joel’s been fairly supportive since you’d found out you were pregnant, considering how unplanned it was. But you know him like the back of your own hand, and you know, despite the numerous times he’s denied it, that it has been weighing heavily on him. Each time you’d try to sit down to talk to him about it, he would brush you off and insist he was fine. But he wasn’t fine.

And you wish he would spit it out and tell you why.

In your periphery, you notice the stained glass butterfly he had hung in front of the window above the sink, the ornament catching and refracting the sunlight. Flecks of color dance across the walls in captivating patterns, brightening the space. You think of the sweet little girl he’d hung it for, the little girl he rarely talks about, that he keeps tucked away safely in his memory.

You bite back a small sigh.

By now, you’ve learned not to push him. Especially not about what he was feeling. He would tell you when he was ready.

“Who the hell lit a fire under her ass this mornin’?” Joel asks gruffly as he walks into the kitchen. “She ain’t ever this fuckin’ eager to go to school.”

“Not sure,” you reply in the most nonchalant tone you can muster as you use a spatula to scramble the eggs. Transferring them onto a plate, you add three strips of bacon, and then pour his coffee. “I have your breakfast ready, Joel. Have a seat.”

You hear a chair scrape against the tile.

“I keep tellin’ you I can make my own breakfast, darlin’.”

“And I keep telling you I don’t mind making it for you,” you quip, and you hear him grumble something under his breath.

Inhaling a deep, calming breath through your nose, you take the plate of eggs and bacon in one hand, and his cup of coffee in the other. Your fingers grasp the handle of his ceramic, owl mug in a near death grip. You exhale slowly, and then turn around to face him.

He sees your swollen middle and stiffens in his chair. 

The tension is instantaneous. Palpable.

Uncomfortable.

Awkwardly, you shift from one foot to the other.

“Your belly,” Joel murmurs, a visible tick in his jaw as his gaze drags over your midsection. “S’bigger.”

“Yeah. It is. Guess I’m going to have to start trading for maternity clothes soon,” you remark, shuffling over to the table. Setting down the plate and mug of coffee in front of him, you take a seat across the table. Your eyes try desperately to meet his, but they refuse. There’s no way for you to decipher what he’s thinking. You let out a small, nervous laugh. “Can you please say something?” 

He lightly clears his throat. “I’ll take you to Main Street on Saturday,” he tells you, picking up his mug. “I’ve got the day off from patrol. I’ll, uh, pick through some of my own things and see what I don’t need so we can make a trade for some clothes.” He pauses, then offers quietly, “In the meantime, you can wear my shirts. They might be more comfortable for you.”

You flash him a grateful smile. “Thank you, Joel.”

Sipping his coffee, he continues to avoid your gaze.

“Mhm,” is all he says.

Your smile falters.

It’s the middle of August.

The afternoon heat is sweltering. Unforgiving.

“Jesus, it’s a fuckin’ scorcher,” Tommy sighs, glancing over towards the lake where his mare, Maxine, is taking a drink beside his brother’s stallion, Phoenix. His raven curls are damp with sweat, plastered to his forehead. “Hotter than the devil’s fuckin’ balls out here, ain’t it?”

He’s met with silence.

Looking over his shoulder, he sees Joel leaning against a tree, his rifle in hand as he stares at the Grand Tetons in the distance almost like he’s in a trance. “Joel?”

Blinking furiously, Joel shakes his head. “Sorry, you say somethin’ to me just now?” He asks in a daze, pushing away from the lodgepole pine. “We headin’ out?”

“You’ve been actin’ real strange all afternoon,” Tommy observes, walking towards him with his own gun slung over his shoulder. “Either the heat is startin’ to get to you, or you’ve got somethin’ on your mind, big brother.”

Joel hesitates. His dark eyes flit to the other side of the lake where the other members of their afternoon patrol group are refilling their canteens with water.

“S’alright,” his younger brother says. “Don’t worry ‘bout them. Can’t hear us.”

Joel’s chest heaves with a heavy sigh. “She popped.”

“Huh?”

“Her belly finally popped. She’s showin’ now.”

Amused, Tommy lightly shakes his head. “Y’shouldn’t be so surprised, Joel. Was ‘bout time,” he remarks with a shrug. “What is she—like six months along now?”

“She’ll be six months in a couple weeks.” Joel wipes the perspiration off his brow with the back of his hand and sighs once more. “Look, I ain’t stupid, Tommy. I knew it was bound to happen sooner or later, but it still caught me by surprise. When I saw her, it became real for me. She’s got my kid in there. I’m gonna be a dad again.”

“You’re scared.” It’s not a question, it’s a statement.

“Shitless,” Joel confesses, feeling his chest tighten. 

“What are you afraid of?”

Joel almost laughs.

He doesn’t know where to start.

He’s afraid of everything.

“All of it, Tommy. I’m afraid for her, havin’ to give birth with no medicine,” he tells him, his voice breaking. “I’m afraid I won’t remember what to do with a newborn or that I won’t know how to help her durin’ those first few months—”

“This ain’t your first rodeo,” Tommy reminds him. “You did it once, and you did just fine, Joel.”

“That was over three fuckin’ decades ago. And it was a different world. If Sarah—” He stops, taking a second to catch his breath. The image of his daughter’s little face flashing in his mind feels like a violent punch to the gut. Even after all this time, it still knocks all of the wind out of his lungs. “When her mom had trouble breastfeedin’ her, I could head to the grocery store and buy her baby formula. If she got a real bad fever, I could load her up in the truck and drive her to the emergency room.” He glances down at his broken watch. “Besides, I was a lot younger, then. And I wasn’t half fuckin’ deaf like I am now. When Sarah would wake up cryin’ in the middle of the night because she needed a diaper change, I’d hear her. What if I can’t hear my own kid cryin’?”

“Joel—”

“I’m in my fifties. What if I can’t keep up because I’m too fuckin’ old?”

Tommy reaches out, clapping a hand onto his shoulder.

“Brother, I need you to take a fuckin’ breath,” he says, chuckling softly. “You’re puttin’ the weight of the world of your shoulders right now—you need to put some of it down. Look, we might not have everythin’ we used to before the world ended, but we make do with what we do have. Considerin’ just how many growin’ families we have and how many little ones we’ve got runnin’ around our town, I’d say it’s workin’ out pretty fuckin well.” He gives his shoulder an encouraging squeeze. “And as far as your ability to be a good dad, you’ve still got it, Joel. You know what to do, and so does she. I’ve seen her in action with my little boy, and it seems like she’s already got those maternal instincts, y’know?”

“Yeah, she does,” Joels agrees quietly, thinking of how you had stepped up to help him care for Ellie.

“Trust me, between the two of you, it’ll be alright.”

He peers at him. “You really believe I still got it in me?”

“I do.” Tommy smiles. “You never stopped knowin’ how to be a father, Joel. You’re gonna be just fine.”

Their patrol shift extends into the evening, turning into a double, and it’s late when he gets home. 

“What the hell are you still doin’ up?” Joel asks when he finds Ellie sitting at the kitchen table, cursing to herself as she flips through the stale, yellowing pages of an old life science text book.

“What does it fucking look like, man?”

“Shouldn’t have waited until the last minute, kiddo—”

Ellie holds up a hand and cuts him off.

“Save the lecture for another time, dude. I’m busy.”

Joel rolls his eyes. “Finish up and get to bed. S’late.”

Without waiting for some smartass response, he turns on the heel of his boot and then heads upstairs to your shared bedroom. He flips on the lights only to find that you’re already in bed, fast asleep, wearing nothing but one of his t-shirts and a pair of panties. He toes off his boots and leaves them by the door, being as quiet as he possibly can as he rummages through his top drawer for some clean boxers to sleep in.

He slips into the bathroom where he takes a quick, hot shower, scrubbing off that day’s sweat, dirt, and grime. After he’s dressed and his sopping wet, salt and pepper curls are haphazardly towel dried, Joel walks back out into the bedroom where he switches off the lights and climbs into bed next to you.

He lays on his side and he’s just about to close his eyes when he feels a light shift beside him. You roll over and curl into him, your belly pressing up against his curve of his spine.

He stiffens, freezing as if someone had just placed the barrel of their pistol against his back, their finger over the trigger.

Christ, get a damn grip, he thinks silently to himself.

Joel thinks about that morning in the kitchen.

He knows his reaction had hurt you. Or rather, his lack of a reaction. His shitty ways of coping aren’t your fault, and his struggle to come to terms with your pregnancy sure as hell isn’t your fault, either. He owed it to you to try harder to be the man you needed.

The man you both needed.

Joel’s train of thought comes to a screeching halt when he feels a soft flutter against his middle of his back, the spot right where your tummy is nestled—did the baby just move?

He lies still, waiting to see if he feels it again, and when he doesn’t, he rolls over to face you, causing you to stir.

“Joel?” you mumble his name, sleepily. “What time—?”

“Shh,” Joel soothes, pulling you into his bare chest. He kisses your temple. “S’okay, baby. Go back to sleep.”

He doesn’t have to tell you twice.

Within seconds, you’re asleep again, snuggled into him and snoring softly.

Lifting a hand, he hesitates, then rests it on your belly.

He waits.

And waits.

And waits.

And waits.

Until the minutes turn into hours.

Until dawn’s light filters in through the lace curtains. 

Until he finally feels that little flutter again.

He feels it against the palm of his hand. Faint, nothing more than a brief whisper against his skin, but there is no mistaking it.

He’d just felt the baby’s movement.

There’s a sudden shift.

Tense muscles that had been painfully wound up since the moment you’d mentioned to him your period was a week late back in the spring loosen slightly—the breath he had been holding since he’d picked up that positive pregnancy test from the bathroom counter finally falls from his lips, fanning over yours.

His fears, his worries, his uncertainties about what lies ahead, they’re all still there, of course, but he finds they are now accompanied by a glimmer of hope, a sliver of optimism that maybe, just maybe, Joel doesn’t have to be as afraid as he is.

Joel’s eyes glaze over your face, warmth radiating in his chest when you breathe a little a sigh of content in your sleep as he gently rubs your stomach through his shirt.

With his hand still splayed over your belly, he closes his eyes and begins to drift off, falling into the most decent sleep he’s had in the last few months.

Maybe his brother’s right.

Maybe he will be just fine.

divider credit to @saradika 🤍

#tw pregnancy #joel miller x you #joel miller x reader #joel miller x f!reader #joel miller x female reader #joel miller x pregnant reader #joel miller one shot #joel miller drabble #joel miller fanfiction #joel miller fic #fic: snapshots

[annwrites]

exactly what he needs, pt. 1 ♡ ⋆｡˚

— pairing: nate jacobs x fem!reader

— type: ficlet (going to be multi-chapter)

— summary: nate asks you for private tutoring, using the excuse that no one can find out, due to who his father is—the über perfectionist & king of east highland. you agree, since you've tutored others, and do so through a school program, at that. as such, he'll be no different than the rest who've needed your help. as time goes on, though, and the gifts, phone calls, and texts begin to pile up, as well as him driving you to and from school, and his near-constant insistence on "hanging out", you wonder if nate ever really needed academic help in the first place., or if it was all a ruse for something more troubling to take place.

— tags: homework, studying, tutoring, nate lusting after/fantasizing about you & wanting to make you wholly his

— tw: misogyny, lying, dollification, sexualization

— word count: 4,144

— a/n: this is going to be part of a series, as indicated above. this post will serve as part 1. i promise it will get juicier going forward, i just needed to lay some groundwork for the reader & nate.

After McKay's party and Maddy's fucking another guy in his pool for all to see—completely humiliating and emasculating him—Nate was done with her. No, beyond done. He'd wasted how much time, money, and effort on her? All for her to turn out to be the whore he'd always known her to be.

She was always too loud. Too attention-seeking. Too selfish and spoiled. The kind of girl who used the excuse of being "brutally honest" and a refusal to "take any shit" just to be a bitch to whoever she pleased. And she always got away with it, too.

Well, not this time. Not with him. She was going to learn what being on her own finally felt like.

Besides, she'd never been his type. Not really.

She was nice to look at, sure, and he'd thought her loyal. How fucking stupid he'd been to do so. But that was all she'd had going for her in the end.

And then there had been Cassie—one of the biggest mistakes he'd ever made had been hooking up with her. He'd thought her different than who she turned out to be. She pretended to be so pure and wide-eyed, when in reality she was fucking psychotic and obsessed with him. He couldn't stomach that level of desperation from a girl.

The night she had completely lost it in his bedroom, screaming about how "crazy" she was had been the last straw.

And the fact she'd so easily betrayed Maddy? Who knew how long before she did the same to him. That was the last thing he needed to worry about.

Nate leans back, barely paying attention to what Ms. Clark is teaching the class at-present. His attention is instead focused on you.

You, who's been there since Nate was five-years-old and in kindergarten. You, who's always been quiet and soft-spoken, reserved and smart, sweet and shy, and who has no reputation whatsoever to speak of—he'd even gone so far as to check for you on SlutPages, and you'd been, unsurprisingly, nowhere to be found. You were the very definition of innocent.

You, who didn't dress like a slut or go out of your way to get attention. Hell, you didn't even go to parties or football games. Not that he'd ever seen you at either, at least.

He may've looked for you in the stands last Friday night, for whatever reason, despite knowing you wouldn't be there. But he had hoped, even for a moment.

Personality-wise? You were perfect for him. Exactly what he needed; had needed all along. He could kick himself for not seeing it sooner. But better late than never that he did so now.

The way you dressed? He wasn't sure how he felt about it. It suited you well-enough, sure, but he liked to imagine you in cute babydoll dresses, with your hair down and softly curled, a pair of ballet flats on your feet, as opposed to your usual sweaters or blouses, with plaid or high-waisted skirts, your hair typically in a high-ponytail or bun.

He saw your potential, your beauty. Your potential beauty, even.

He knew he needed an excuse to talk to you again after all these years, as he couldn't remember the last time he'd done so—the beginning of middle-school perhaps? He knew you tutored, so he chose the subject you seemed most passionate about—history—and his plan was set.

He spends the remainder of class watching and admiring you. Your delicate handwriting, the soft look in your eyes, your dainty hands, slim shoulders, and your perfect posture. He becomes so engrossed that he jolts when the bell rings, signaling the end of class, ripped from his daydreams of walking down the halls, your hand in his, soft feminine dresses hanging from your frame, your hair falling in soft waves down your back as every guy sees that you're his now.

As every guy realizes that they can look, but never touch, as he presses kiss after kiss to your pink lips, your soft body pressed between his and the lockers, you quietly giggling as he whispers sweet nothings into your ear as he walks you to your next class.

Ever-polite, you wait until nearly everyone else has rushed out of the classroom before you follow suit.

Nate's already standing behind you and notes how cute it is—your complete obliviousness to his presence. It was refreshing, actually, for a girl not to be throwing herself at him for once.

"Y/N," he says, softly.

You jump, nearly dropping your books. Before you can speak, wondering why he's wanting your attention in the first place—as the two of you never speak—he reaches out, gently taking your books from your arms. He then nods his head toward the door. "I'll walk you to your locker. There's something I'd like to talk to you about."

Completely bewildered, you simply head in the direction of the door and go to your locker. You fumble with the dial for a moment, screwing up the combination the first time, but thankfully getting it on the second.

You take your books from him, placing them all back where they belong before turning to him. "Thank you"

He immediately likes how polite you are. "Welcome," he replies.

As you ready your materials for your next class, you speak again. "So, what did you want to talk about?"

He leans his side against the locker next to yours. How had he never noticed that you were just a few rows down from his own before?

"Before I tell you, I need you to promise me it stays between us. I don't want other people finding out."

It was both a truth and a lie. The lie being that it was, more than anything else, a test. A test to see if even this early on, you'd simply make yourself agreeable to him, if you'd keep a secret simply because he asked you to.

He wants to know how much you'll prod before just caving and giving him what he wants.

You look at him, then. "I..." You trail off for a moment. The first time he speaks to you in how many years and that's the first thing he says to you?

He smirks in understanding of your hesitation. "It's nothing bad, I promise. I'm not about to ask you to hold drugs for me or something."

A bit of reassurance—that much he could offer without issue.

"Okay, I promise."

He fills with satisfaction. Already he can tell you're easily submissive. He hopes for as much, at least.

"I'm uh...I'm not doing too well in history. I got a D on the last test, and I'm close to failing the class as a whole. I was wondering if you'd be willing to tutor me?"

You turn fully toward him, then, filling with understanding. He's ashamed.

You give him a kind, sympathetic look and he adores you all the more for it.

"You don't need to be embarrassed about asking for help, Nate. It's why the school has a tutoring program. You're doing the right thing for yourself." You remove a flyer for said program from your locker, placing your heart-shaped magnet back where it goes. "Here, there's a list of resources and tutors for—"

He immediately cuts you off, shaking his head, placing the flyer back under that same magnet. Because of course you have pastel-colored magnets of hearts and clouds and flowers on the inside of your locker.

He looks at you. "I asked you for a reason. It needs to be kept a secret for a reason. I mean, you know who my dad is: King-Asshole-of-East-Highland. If he found out that I'm almost failing one of my classes, and much more asking for outside help, instead of just taking care of the problem myself..."

He shakes his head again, hoping the my-dad-is-too-tough-on-me-and-expects-nothing-less-than-perfection routine has worked.

You shift from one foot to the other, unable to understand how anyone could see their child taking the steps to actually get help as a bad thing, as a failing, or short-coming. But Cal Jacobs did seem to be nothing if not perfect. Perfect image, perfect job, perfect business, family, home—you name it.

"Why me?" You ask, genuinely curious. There's a whole roster of tutors signed up with the school, not to mention a couple teachers who also offer academic help after-hours a few times a week.

"I've known you my entire life. I trust you to keep this just between the two of us."

Simple enough answer, you think.

You close your locker then. "What subject?"

"History."

Your favorite one, at least. You'd never been the best at math. Had he said it instead, he'd be finding someone else, whether he liked it or not. You'd just get him worse grades in the end, if nothing else.

"Ok, we could um...we could meet at the library. They have study rooms for—"

He interrupts you again. "No, it needs to be your place, if that's ok. I don't want to risk anyone seeing me getting help in public."

Once again, a truth and a lie. More than anything he just wanted—no, needed—to get you alone and all to himself.

"Oh." You hesitate for a moment, but don't really have an excuse as to why you can't do it at your house. So, you relent. "That's fine, I guess. When did you want to start?"

"Today, if that's cool with you."

That soon, you think.

You nod. "Today is fine." Your brows furrow. "Do you know where I live? If not, I could give you my address?"

He smirks. "Or I could just drive us there. I have my truck. You won't have to take the bus."

Won't that arouse suspicion among his friends? The two of you suddenly being seen together? "Your friends won't ask questions?"

He'd not thought of that. Stupid. He simply shrugs, pretending not to care. "If they do, I'll just tell them to mind their own business."

You raise a brow for a moment, doubting they will, but suppose it doesn't really matter to you either way. It's his secret that he's desperate to keep, not yours.

The bell rings, letting you know you have two minutes to get to your next class. "Ok, I'll see you after school then."

"See you then," he replies with a smile.

Once school has let out for the day, you nearly go to get on the bus, then remember just before walking up the first step, that you're being driven home by Nate today.

It's strange to think about: you, with Nate Jacobs, in his truck.

Even when you were little the two of you had never exactly been friends. But you suppose that can always change. Not that you're sure that you want it to.

It seems like wherever Nate goes, drama follows. First with Maddy and whatever had happened weeks ago at McKay's party. Something had happened the night of the fair—something bad—but no one would talk about it. And then he'd apparently gotten with Cassie, which was...a recipe for disaster, to put it plainly.

You don't like drama. Don't like the people who seem to thrive on it. And he certainly seems to be one of them. Someone who's always in the middle of it, at least.

Then you tell yourself you're just being silly. You're going to be tutoring him, that's all. You doubt it will ever even build up to friendship.

Once you've made it into the parking lot proper, you begin to scan it, looking down row after row of vehicles until you see Nate watching you, a smirk on his face as he leans back against the front of his Dodge pickup.

You wait as a car passes, then finally come to stand in front of him, suddenly feeling nervous.

"You ready?" He asks.

As he looks down at you, you only just now realize how much of a disparity there is between your heights. You look up at his towering form, suddenly incredibly self-conscious of how short you are. Somehow it makes you feel childlike...

Meanwhile, Nate absolutely eats it up. It'd be all too easy to toss you around on a bed like a ragdoll, he thinks.

Finally, you nod.

You both walk around to the passenger side, but before you can ask him—your brows now furrowed—what he's doing, he opens the door for you to get in. "Oh, thank you," you say, climbing into the oversized truck.

Who needs vehicles these big...

"Welcome," he says, shutting the door.

As you buckle yourself in, setting your backpack at your feet, you watch as he walks around the front of the truck to get in and internally cringe, wanting to try and climb down into the floorboards to hide, when you see Cassie staring directly at you. If looks could kill, you would've been dead instantly.

You want to get out and tell her it's not what she thinks it is, but you're broken from your staring straight back at her when Nate closes his door and the truck revs to life. After buckling himself in, he looks at you, noticing you've now gone pale.

No way you considered him opening your door as him having already gone too far.

"Everything okay?"

You look at him. "Cassie is staring at us. I think she might think that we're-"

He puts the truck into gear, pulling out of the lot. "Who gives a damn what she thinks."

Once the two of you are on the road, you clear your throat. "Do you know where I live?"

In truth, he doesn't. "No, sorry, you'll have to give me directions."

And you do, until, finally, he pulls into your front driveway.

You're not sure why your stomach is full of butterflies. Perhaps because no one comes over to your house. Ever. You're almost always here alone. Your dad is the only parent you have left—your mother having signed over full-custody of you to him when you were too young to even remember her, and he's always away for work—so hosting company isn't exactly a regular thing.

The house is clean, and you'd also recently been grocery shopping, so it isn't as if you have anything to worry about.

The two of you exit his truck and you make your way to the front door, quickly unlocking it.

Once you've both entered the house, you watch nervously as he takes in the living room.

Your house isn't anything special. It has all the necessities for living and comfort, but it isn't like something out of a magazine.

You tell yourself you're fine with that.

You silently slip off your shoes and Nate does the same, following your lead. You then step onto the plush carpet and turn back to him, still standing before the door. "I'm going to go change and then we can start. The dining room is this way," you say, nodding your head to the right.

You walk through the entryway, into the aforementioned room. You set your backpack down on a chair, then walk straight ahead, through the kitchen, and into your bedroom around the corner.

It's only a moment, but while you change, Nate snoops.

He notices how little your house seems to be lived-in. How neat and tidy and damn-near spotless it is.

And that the two of you are alone.

He silently unzips your backpack, quickly rifling through it. A couple textbooks, some fantasy novel, and your binder. He wants to go through every folder, but refrains, knowing he doesn't have the time and it's too big of a risk. He's fairly certain he won't find anything interesting in it anyway.

Finally, he sits, pulling his history book and tonight's homework out of his own.

When you finally enter the dining room again, Nate looks up. He isn't sure what kind of outfit he'd been expecting, but sweatpants and a light-purple t-shirt hadn't been it.

He wishes you'd worn something that shows off the beautiful body you have instead. Not...that.

He mentally shrugs. You're in your home, trying to be comfortable. He actually really likes that you hadn't put on something meant to impress him.

You aren't fake. Another thing he really likes about you. Not that he's making a mental checklist, or anything.

He sees you eye the other side of the table, but before you can take another step toward it, he pushes out the chair next to him with his foot.

You stop for a moment, then decide sitting next to him is fine, too. So you take the seat he's offered you and notice he's already pulled out his history book and the worksheet you'd both been given for homework as well.

You'd already done yours during your free period.

You slide the book over to yourself and flip it open to the chapter your class is currently working through.

"You're in luck, because the period of history we're going over right now is actually my favorite."

He rests an arm on the wooden dining table, turning toward you. "Oh yeah? What's that?"

You raise a brow. "You don't even know what time period we're working through?" You ask with a smile.

He grins in response. "To be completely honest, I don't really give a shit about history. I know, I know. The whole, if you forget, you're going to repeat it shit. I guess I just don't believe any of that."

"I don't think it's that serious. But if you hope to pass and get past junior year, having the credit for this core class is imperative. And it's the Dark Ages, by the way. Also known as the medieval period."

He snickers. "Imperative, huh?"

You withdraw into yourself. He's making fun of you.

He quickly notices the smile disappear from your face and realizes how he'd sounded. "I'm sorry, I'm not trying to mock you. It's just... Nobody talks the way you do. Not at East Highland, at least."

You pretend to take interest in the book sitting before you. "And what way is that?"

"I don't know. Intelligently, I guess." He says it with a shrug.

You give a small smile at that, and he knows he's off the hook.

He sets the worksheet Ms. Clark has given for homework between the two of you.

"Do you know all of this?"

You look at him and nod. "I already got mine done."

"Of course you did. So," he looks down at it. "What is the name of the English civil war fought between the years of 1455-1487?"

He looks at you then.

You glance down to the book. "I don't know, what was the name of it?"

He shakes his head, a playful look on his face as he begins to skim through the pages. He looks up to you, then. "I could just Google all of this."

You lean back in your seat. "You could. But the point of reading the material and studying it, is so you have a chance of actually remembering it when there's a test. Hopefully for even longer, like, once you've graduated as well."

He shrugs again. "It's not all bad, I guess. Also gives me an excuse to talk to you."

He was putting his motives right out in the open now. But instead of you seeing this study session, this request for tutoring as exactly that—a motive to get close to you and make you his—you blush.

You don't know what to say in response, so you just give him the answer. "It's the War of the Roses."

He stares at you for a moment longer, then writes down what you've said.

He leans back. "So, why is this your favorite period of history?"

You look at him. "I guess the romanticism of it, even if it wasn't an entirely romantic time period. Civil war, the plague, men beheading their wives... Did you know most high-fantasy takes its inspiration from medieval Europe?"

He shakes his head, content to continue listening to you talk about something you're passionate about. He likes the way you light up when you do so.

You grow quiet. "Sorry, that sounded stupid."

He shakes his head, resting his arm on the back of your seat. "I don't think so. I may not care for history, but I think it's sweet that you do. I mean, I'm into football. But I'm sure that, just because you're not into it, you'd never call me being on the team stupid."

You look at him. "No, I wouldn't."

He looks over the next question. "Have you ever been to any of our games?"

You shake your head. "Sports aren't really my thing."

"Not everybody comes for the actual game. Some just come to have a good time; get out of the house." He looks at you. "We have another game next Friday. Think you'd be interested?"

He can just imagine it now: you in the stands, your hair in pigtails, wearing one of his old jerseys, cheering him on. And then you running into his arms as he scores the winning touchdown, wrapping your legs around his middle as he lifts you, you bringing your lips down to his.

You telling him how proud you are of him.

You shrug, now feeling awkward at wanting to tell him no. So you don't. "Maybe."

Better than a no, he thinks. He has nearly two-weeks to convince you into a yes.

Once Nate has completed his worksheet and you've checked it for any wrong answers—he'd surprisingly only had a couple—he packs up his things to head home.

You walk him to the door. "You did really good today. Only two wrong answers."

He slips on his shoes. "Well, I have a good teacher."

You smile, letting out a small laugh. "We'll see just how good after our next test."

He clears his throat. "So uh, I was thinking, maybe I could pick you up tomorrow morning? I could start driving you to and from school as a whole. I'm sure my truck beats riding a bus twice every day."

You blanch. "N-no, it's fine, really. I don't mind. And not that you have to continue doing it, but driving me home is more than enough. I don't want to be any trouble."

He shakes his head. "No trouble. It's on my way, really. I'd like to."

He dislikes your hesitancy, even if he understands it. He knows he's coming on too strong right now, but he feels like he can't fucking help himself.

After sitting there with you for the past hour, listening to your voice, smelling your sweet scent, you blushing and laughing at the things he said—not to mention him having to excuse himself to the bathroom at one point to get the erection you'd given him to go back down—he knew he needed more of you. Afternoon study sessions weren't going to be nearly enough.

He leans against the doorway, refusing to leave until you've given him what he wants—how little do you know that's soon to be your future as a whole. Him not stopping until you've caved to him. "Listen, I'm the one who's the burden here. I know tutoring is a thing you do anyway, but not like this. I really appreciate it; you have no idea how much. This is just some small way of me trying to say thank you. Of trying to repay you."

You shift from one foot to the other. "Only if you're sure..."

"Positive."

He fishes his phone out of his pocket. "We should probably exchange numbers, just incase something comes up one morning and one of us is sick, or a I get a flat, or whatever. Or if one of us has to leave school early."

You nod. "Ok."

After you give him your number, he shoots you a text. A simple 'hi'.

You smile at him. "I got it."

He puts his phone back away, determining that today was full of small victories, bringing him a step closer to making you his. "I can pick you up a little after seven. That work for you?"

You nod, your stomach now full of butterflies again. Not because of some crush you'd suddenly developed in the last hour. No. You were worried about vile rumors being spread around the school.

You getting into his truck today, you were sure, had probably already bred one or two of the vicious things.

What the hell have you gotten yourself into?

You nod. "That's fine."

He gives you a smile. "See you then."

"See you," you reply as he leaves.

You watch from the front door as he drives away.

#fic: euphoria (nate jacobs x reader) #nate jacobs x reader #nate jacobs x you #nate jacobs x y/n #euphoria x reader #nate jacobs imagine

[cheeseceli]

When you're rejected by your crush

Pairing: BTS ot7 × Gn!Reader (individually)

Genre: fluff, headcanons, just a bit of angst because you were rejected

Request: Hello! Can you please write headcanons for BTS (they have a crush on the reader) reacting to the reader being sad after finding out that her crush (a coworker or a friend) is in a relationship with someone else?

Warnings: none?

A/n: this was inspired by the "secret crush" series by @7ndipity a bit. If you do not allow this, please let me know and I'll delete this post right away!

Jin

Your friend

That's all Jin wants to be for you right now

Of course, he'd be lying if he said he didn't feel at least an ounce of hope when you said that your friend, your crush, was now dating someone else

But at the same time, he'd hate to show interest in you when you're so vulnerable

So he settles in being only what you need right now: a shoulder to cry on

I believe he'd be the one to wait the longest to tell you how he feels, scared you're not on the same page just yet

Suga

His mind is a mess right now

Nothing breaks him more than seeing your eyes without its usual shine

But he had been praying for the day where you fall out of love with your co-worker

So he really doesn't know how to react right now

He chooses to listen to you talk about how you found out everything and about how you're feeling

Will try to forget his feelings and focus on being the best friend you could ask for now

But as soon as you feel better and your feelings for your past crush start to fade, he might try to make subtle moves on you, scared someone else could catch your attention again

J-hope

I see this going on a slightly different way

He found out about your crush's relationship before you

He just knew you'd be heartbroken

So he tries to let you down gently, saying that maybe the guy wasn't this big of a deal

But when the time comes and you're inevitably sad after finding out, he tries to comfort you as much as possible

Is very hesitant on being flirty right now though

Besides being sad, he'd hate for you to be confused because of him

Namjoon

Honestly, for a second he even forgot he liked you

His mind went blank the moment you texted him about how you were in need of comfort right now

Will fulfill his role as your friend and, before you even notice, you were already laughing through your tears at something he said

Just later that day that he realises what this can mean for your relationship

He finally had a chance now!

Waits for a while though, planning exactly what he wants to do

Jimin

He feels so bloody guilty and selfish right now

Because he's your friend! And you're sad right now!

He should be only focusing on how to make you happy again

But knowing that this means you'll have to eventually move on from your current crush just gives him so much hope

Obviously, he will try to hype you up

But as soon as he can, he will try to make you see him in a different light

Taehyung

Relief floods over him the moment you tell him the news

He was so scared of what could've happened if your crush were to reciprocate your feelings

He had to hold back his smile

Hangs out with you immediately to try to make you forget things for a while

Is already making a plan on how to confess

But for now he's focused on making you feel better

Even thanks your crush with literally no context at all

Jungkook

Deadass smiled when you told him about the situation 💀

Don't get him wrong, he's not happy because you're hurt!

He's happy because he might have a chance now

But he at least was able to hide (part of) his happiness in front of you lmao

And now he's 100% dedicated to make you smile again

He wasn't even that cool, you could find someone better than him anyways

Either way, he makes it his personal mission to distract you from that other guy and make you realise that maybe you're better off without him

And if he ends up being extra boyfriend material throughout it, it was purely a coincidence

Masterlist | you'll probably like: secret crush (by the author I mentioned in the a/n)

Thank you for reading <3

Taglist (open!): @yuyubeans

Credits for images 1 , 2 and 3

Dividers by @cafekitsune

#next post will be for the 1k event #celi headcanon #bts fluff #bts imagines #bts fanfic #bts scenario #bts headcanons #bts angst #bangtan #jin #jin fluff #jin angst #namjoon #namjoon angst #namjoon fluff #jhope fluff #jhope angst #hobi #suga #suga fluff #suga angst #jimin #jimin fluff #jimin angst #taehyung fluff #taehyung angst #jungkook angst #jungkook fluff #bts x reader

[getvalentined]

I've never done a full breakdown of everything that happened to my version of Vincent while he was under the knife (although there is a partial breakdown from like 12 years ago on Ask Vincent Valentine), but @spinejackel tagged my recent Vincent doodle gushing about autopsy scar (Vincent Has a Y-Incision headcanon supremacy!) so I figured it was probably a good time. This is also probably the best method, since I can apply the right tags and trigger warnings to hopefully keep it from hitting the people who would be disturbed.

For anyone who doesn't know, figuring out the fucked up physiology of victims of science is like my entire jam. I think this is what happens when you let a chronically ill child watch Akira and the original Bubblegum Crisis OVA and most of the works of Masamune Shirow. All that before FF7 even existed. This means that the explanation under the cut may seem excessive, and this post is very long. I've been building it over over a quarter century, I don't think there's any avoiding it at this point.

Warnings for body horror, nonconsensual body modification, medical horror and torture. Basically, if there's anything you can think of related to becoming a victim of science under the rule of an unethical sci-fantasy oligarchy, it's probably in here to some degree. It's explained plainly and simply, in clinical but not visceral detail.

My headcanons for what Hojo did to Vincent are pretty specific, albeit not precisely comprehensive; 27 years later I still don't really have a particularly solid concept for how he turned Vincent into a shapeshifter, although at least we know it's not something entirely specific to Vincent—Hojo repeated that facet of the experiment in Azul, but not in any other SOLDIER operative even in DeepGround, implying that it's only possible if very specific physiological conditions are met. The minimal concept I do have involves a twisted application of the concept of incarnate summoning as it appears in FFXIII-2, but it's very vague and also not the topic of this post. Maybe later.

Regarding the Y-incision/autopsy scar, my headcanon is that once Hojo tweaked Vincent into being able to regenerate from any injury—an enhancement that is confirmed to be entirely Hojo's work in Dirge—the professor of course felt it necessary to run various tests quantify the usefulness of his handiwork. He did this first by inflicting various surface injuries, then by causing more extreme bodily trauma, which eventually culminated in Hojo removing the majority of Vincent's internal organs in order to measure how long it took them to grow back and, assuming they did grow back, how the new ones compared to Vincent's original parts.

To be able to observe this as closely as possible, Hojo kept Vincent's torso open for the entire process—which he repeated twice more in order to check the weight, size and structure of the newly-grown organs in comparison to the originals. This study proved that most of them did grow back, but the majority of them stopped developing much earlier than was appropriate for Vincent's age and size. The difference was consistent, Hojo just never figured out why most of them grew back smaller and less-developed.

The reason this happened is based the fact that most of the organs in the human trunk are used in digestion and other related processes, and Vincent's regeneration means he doesn't need to eat or drink anymore. His body only expended as much energy as was completely necessary to develop those organs to the point of being functional rather than normal, because they're not really necessary. Vincent is glad he still has them, though, because he does still occasionally eat (usually in social situations) and also he'd be really sad if he couldn't even have coffee.

Vincent's brain activity remained normal during the entire process, although that may have something to do with Hojo driving a bunch of fluid lines into his head and flooding the inside of his skull with mako to keep him awake the whole time even while deprived of oxygen. (Rebirth spoilers, but seeing the bit in the Nibelheim Protorelic questline where Hojo does something super similar to this, after this has been my headcanon for decades, was a trip.)

Two organs didn't grow back at all: Vincent's appendix and one kidney. This was also the result of efficient energy expenditure, as the human appendix isn't necessary for survival, and only one kidney is really required. (Each time Hojo removed the new kidney, the one that grew back would be on the opposite side, which bothered Hojo to no end.)

His lungs grew back a little larger, possibly because his skeletal structure never quite recovered after his first transformation into Galian—his arms and legs are noticeably too long for his body, although not to the point of looking impossible, and likewise his ribcage settled to breadth that would allow for larger lungs. He doesn't really need these anymore either, related to his brain being exposed to so much mako during the process that it can now operate without oxygen if necessary, but switching himself over from aerobic to anaerobic respiration is really unpleasant and Vincent tries to avoid it when he can.

His heart was pretty normal by the time Hojo was done with him, although his heartrate had dropped to like 20bpm even when elevated. Again, if respiration isn't necessary, there's not much reason for the system to be active. (By the time Lucrecia was done this had dropped to around 5bpm on average, although it's completely arrhythmic and jumps all over the place when he's not either particularly active or on the verge of a transformation.)

This was the experiment that left Vincent susceptible to degradation, which Hojo didn't realize until after finally closing him back up. Upon realizing that Vincent's body wasn't responding properly to a different test (a repetition of an earlier experiment related to the regeneration of external tissues and features), Hojo just kinda threw him in a tube to be disposed of at a later date, kinda like that scene in Arrested Development where there's that dead dove in a bag in the fridge. The incision healed at some point during the period that Lucrecia was working on him, but early enough in her work that the tissue couldn't flawlessly regenerate (like it does in the present), leaving him with one more gnarly scar on top of all the rest.

Vincent is self-conscious about all the physiological changes brought on by what was done to him, often to the point of loathing. His left arm is the worst—it rotted off while he was in the throes of degradation and grew back as something that he hesitates to call his arm—but Vincent hates that Y-incision scar almost as much. Some days they tie.

(It has come up in appropriately horrified conversation with Shalua that, considering how his regeneration works, Vincent could probably get rid of all the scars on his chest if he somehow peeled the skin off his torso in a single swath. He will not be doing that. Besides, it might grow back the wrong color/texture/etc, like his left arm. Not worth the risk, much less the suffering.)

Also I gotta finish off this entry with the extremely stupid headcanon reveal that Vincent's (honestly fairly impressive) dick was cut off during the first round of bodily trauma regeneration tests—and Hojo has never felt the sort of rage he experienced upon discovering that it grew back bigger than before. This occurred early enough in the experiments that Vincent was not awake for it, and thus has no idea how the fuck this happened, and does not want to talk about it ever thank you very much. I've never mentioned it in public anywhere because it is extremely stupid, but I hope someone out there finds it as funny a concept as I do.

#vincent valentine #headcanon warning #body horror tw #torture tw #medical torture tw #it's all described in scientific detail #not visceral at all #but it's still very much horror #so please be aware #and do not engage if you're not into that #fandom ramble

[anim-ttrpgs]

Wait does Eureka have its own established lore for how different supernatural creatures work?

Yes, it does!

(I’m going to preface this post by saying that just about everything I’m talking about here, and more, is available FOR FREE for you to read in the free pre-release version of the Eureka: Investigative Urban Fantasy rulebook that you can download from our website. Go to Chapter 8 to start reading about the supernatural lore. The rulebook itself will do a lot better job of explaining all this than I will, because it has the exact details of how each one works, and I’m just hitting the highlights and going over what those details mean.)

Eureka: Investigative Urban Fantasy is a game about very human and believable investigators digging into dangerous (often supernatural) mysteries way over their heads, and sometimes those very human and believable investigators will be supernatural creatures themselves.

These supernatural creatures are every bit as human and “normal” as their mundane investigators counterparts, they have jobs, friends, families, hobbies, etc. They live among mundane society, not outside of it.

Most modern fantasy settings have some kind of separation between normal society and magical society, like you see in Harry Potter where there is normal society, and then a separate, secret magical society hidden away from it, or Vampire: The Masquerade, where vampires all have an agreement to keep themselves a secret from normal society despite acting within it.

In Eureka’s world, there is no “masquerade,” but that doesn’t mean that magic and monsters are well-known and well-documented phenomenons. Supernatural creatures such as vampires, wolfmen, etc. are exceptionally rare. Don’t take this as an exact number, but you can probably assume there’s about one of these per every 3.3 million normal people.

This rarity, as well as the fact that each individual has little to gain and everything to lose by revealing themselves (try “coming out” as a person who regularly assaults people and drains their blood), has led to them going largely undocumented in the modern day. Sure, this is the digital age, there are videos, but viral videos are not exactly scientific evidence. For every real vampire caught on camera, there are a thousand hoaxes and horror short films.

There is no secret vampire government controlling things from the shadows—most vampires don’t even know any other vampires, let alone enough to form a secret society with any effect on national politics.

As for how they work, well, that’s one of my favorite parts to talk about.

There are five playable monster types in Eureka (The Vampire, The Wolfman, The Fairy, The Witch, and The Thing From Beyond) plus two extras that are Kickstarter stretch goals (The Dullahan and The Gorgon), but in the interest of time, I’m only going to really go into detail with one of them.

Most playable monster types in Eureka are very, very old-school, with an emphasis on actual historical folklore over just making up all our own lore. That doesn’t mean Eureka doesn’t have a unique approach to the supernatural, though. Little of it is “new,” but it is certainly unique, because to my knowledge no other RPG has ever taken the old stuff this far before. A PC being a monster in Eureka isn’t just a few +1s here and there and maybe a little extra damage from silver weapons, it means playing by an entirely different set of rules from fellow investigators.

The vampires and vampire lore you see in movies are not folkloric vampires, they are mostly a 20th and 21st century pop-culture creation. Eureka’s vampire abilities, weaknesses, and other traits are based on pre-1900 vampire legends, with older traits usually taking precedent over newer ones. Thus, a lot of assumptions you might have about vampires going in could end up being very wrong. For instance, in movies, vampires instantly die when exposed to sunlight, but the first ever instance of a vampire in a story being killed by sunlight was in the 1922 film Nosferatu. In Eureka, sunlight is still awful for vampires, it strips them of their vampiric powers, but it doesn’t do any real damage to them. Sunlight is an issue vampires have to deal with, but it is far from instant death. That doesn’t mean being a vampire is inherently easy though, because in addition to having all the powers that folkloric vampires have (which is a TON), they also have all the weaknesses, and it is the emphasis on weaknesses that really makes the moment-to-moment playing of a monster PC in Eureka the most interesting. A few of my favorites for vampires are the refusal to enter homes without a direct invitation, and the compulsion to count large numbers of small objects. I think most vampire media these days considers these to be “silly” weaknesses and don’t want to acknowledge them in the lore of their “serious” scary horror vampires, but honestly I think that the “sillier” vampire stuff can still be used to great effect in horror. Imagine knowing that the only reason a vicious killer at your door hasn’t stormed in to rip your throat out is because they’re being polite.

A vampiric investigator will need to work around these weaknesses, and more, in their daily life, all while being sure not to reveal their true nature to their more mortal friends. It’s something that really changes how a character behaves and goes about problem-solving.

For instance, the rest of the party may be able to break into a house no-problem, but the vampire cannot. They need a invitation. That’s a problem. That’s a puzzle. It makes me excited just thinking about it.

This was originally going to be a much longer post where I went into more of the themes of monsters in Eureka, but I have decided that that would be most cohesive as its own post, an upcoming essay titled "How Eureka Handles Disability." So stay tuned for that.

Eureka: Investigative Urban Fantasy is kickstarting from right now until May 10th! Back it while you still can!

If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

#eureka: investigative urban fantasy #ttrpg #rpg #roleplaying #eureka #monsters #tabletop #coc #vampires #vampire the requiem #vampire #vampire core #vampiric #vampire art #vampire girl #vampirism #vampiress #ttrpg art #ttrpg community #ttrpg tumblr #indie ttrpg #ttrpg character #dungeons and dragons #roleplaying games #pathfinder #werewolf #werewolves #lycan #shapeshifter #lycanthropy

[mysteriousdragon2]

Howdy everyone, I think it’s time I talk about OVA Hol Horse with my very exhausted brain lmao.

But like…just look his face. He looks so comforting! I’d bet it’s so calming, that it’ll soothe anybody’s worries away. And in these trying times, he’d likely comfort the person that’s in need of it.

Gonna feature OVA Polnareff in this post too, because why not? Anyhow, man….just the transition of this scene…it was so, goofy yet menacing at the same time? It’s just like. Yes, you start with the whole “Oh what’s that? I can beat your bum? Oh, you’re into that stuff!” by OVA Polnareff, then OVA Hol laughs with him like silly adult men. Then the whole action of OVA Avdol risking and sacrificing himself to OVA Pol. And just…OVA Hol having such an ominous looking shot with the most hilarious laugh known to mankind lol. Like. And the OVA Pol shot…so many shadows, it’s just so impactful. Also look at OVA Pol’s face, he looks so upset I swear this man is so unbelievably expressive, it’s amazing.

OVA Hol has a golden Emperor, but I’ve already said that before. But I still believe it’s a neat little difference between that and what we see in the anime Part 3 for Hol. Plus…

…seeing Emperor being summoned the way it is, that’s so..wow. I mean, Part 3 Hol usually has Emperor either faintly spawn into his hand, or spin, which is cool, but OVA Hol Horse has it where it comes out of his hand like his flesh is getting ripped, or summons into his hand like wind. And this scene is interesting too because OVA Hol actually attempts to shoot DIO! It’s so cool…I love analyzing minor characters that aren’t often spoken about, and Hol Horse is special in my heart for that. OVA Hol even clenched his teeth so hard, that his cigarette broke off…it’s a small but neat detail.

Love this scene, I mean, he’s just laughing and then the transition goes to: “YOU! I’ll fuckin’ kill you!”, then spits his cigarette into the air as it rotates until he makes his shot at OVA Pol. His shots are so cool everytime OVA Hol is on screen…

Having a motorcycle instead of horses or elephants is also quite the change. Honestly, there’s many things the OVA changed and with Hol Horse, it’s been a lotta changes, but I am satisfied with them. From having a more southern accent, to making him more sassy and serious, and such more but my brain is so worn out right now LOL.

As OVA Hol Horse says: “The gun is mightier than the sword, my friend.”

Thank you for listening/reading.

#hol horse #jean pierre polnareff #ova hol horse #ova jean pierre polnareff #jjba #jjba part 3 #stardust crusaders #jojos bizarre adventure #dragonrambles

[goodluckclove]

An Open Letter to a Professional Author

I came across a writer here who I imagine will probably never see this, but their presence was enough to make me pretty mad for two days now. I've decided to pen a little statement to this Long-Term, Professional, Full-Time, Published Author who makes a habit out of being deeply unpleasant in a way that apparently has only attracted an audience of other deeply unpleasant people.

People here seem to like it when I get mad. So, uh, enjoy?

Dear Professional Author,

I came across a post of yours on some feed here the other day and enjoyed your commentary. It was one of those writing memes that sort of called attention to actually writing as opposed to just thinking about your project - the kind that people usually respond to with some sort of joke expressing their repulsion at the concept.

You responded with distaste and I generally agreed. The tone was a little aggressive for me, but that kind of humor also leaves me generally confused. I personally ended up concluding that the self-deprecating humor was a coping mechanism for a larger issue that keeps these people from writing - intimidation, lack of confidence, physical or mental pain, things like that. You seemed to think it was a matter of will, which I found to be an approach that at the very least was well-intentioned.

Turns out it wasn't.

First off, I should say that this isn't about your political beliefs. Your political beliefs that are really more like general human beliefs. I don't want to get into that. Instead, I just want to talk about your writing. You are a full-time, published author, as you say in nearly post where you talk about writing. A major point of pride to you seems to be the fact that you are traditionally published. Any other method doesn't seem to be as legitimate to you. That's interesting to me.

You also don't seem to have much of an audience outside of people who mainly come to agree with your politics. I didn't really see a single positive interaction between you and another writer on here for as much as I was willing to scroll through your blog. That's also interesting to me.

I didn't spent too much time on your blog once I realized that you were definitely not the kind of person I would ever want any interaction with. What I did want to do is use your presence indirectly to prove a point that I've been wanting to get into for some time now.

To put it simply, I'll say this: a career in professional writing is not actually as cool or important as you might think it is.

Now I'll be direct and say that I've never been traditionally published for anything longer than a short story or long-term, unpaid column. You don't give any details on any of your writing, as far as I've seen (Once again - interesting!), so there's a chance you've made more in contracts and royalties than I have. But I'm a working writer. I've had a career in ghostwriting and technical writing. I've written and produced plays that have been featured in festivals in multiple states. I'm not speaking from a place of no experience, is what I mean to say.

What I also mean to say is that - while I view writing in many ways as a spiritual and healing act that I couldn't live without - it's also a job. It's not always exciting, and even when it is exciting it's only exciting to me. I consider the best date night to be when my wife works on video game development while I write my draft. I leave the house on a regular basis, but it's mainly to go to different places to write.

In short - I love to write, but I don't think it makes me cool. Or interesting. Or valuable. Or intelligent. Or just generally fun to be around and talk to. These are things I strive to cultivate in other aspects of the way I live and grow as a human being on this planet.

Being a Professional Author in one particular genre doesn't give you authority over the craft as a whole. You can't just throw yourself into conversations and start with I'm a published writer and assume that means you have the final say on any discussion. Believe it or not, in many cases it does not matter.

Lots of people are published traditionally, and it does prove some level of validity in their line of work. But there are a huge variety of people in the world of trad pub. There are people who write books in genres that don't apply to writers here. There are people who write books that aren't very good. There are even people who write trad pub books that are very good, but their careers are sullied by the fact that the authors themselves are not good people.

Being a successful writer does not mean you're a good person. Being a writer at all does not mean you are a good person. I believe in Death of the Author to an extent, but when that author insists on making a presence on a public website and doling out advice and opinions to other writers the lines start to blur considerably.

Writing is a job. You work it over a period of time and learn skills and strategies that work for you. The same applies to virtually every other job, including ones that society views as less romantic as something in the arts. Can you imagine me breaking into your home while you're making lunch and telling you how to arrange your cheese slices based on what I know as a full-time, professional sandwich artist at Subway? You might be interested based on leaning something you didn't know about a place you might've eaten at before. But that does not entitle me to your respect on its own.

I am not entitled to your respect based on how well I learned how to make a sandwich based on my hypothetical career at Subway. Just as I don't deserve it solely because I know two card tricks, can get out a variety of stains, read most of the works of the major beatniks, can make a really good carbonara, or any other specific about my life that ultimately does not play a huge part in who I am as a person.

When I am on my death bed, I hope to god the core of my character was not the fact that I typed stories from my brain until I got carpal tunnel. If my obituary begins and ends at "writer", no matter how positive the qualifier is before that, it will be the greatest failure of my life.

Because I am a writer. But that does not matter. It does not matter if you're a writer. It can be fun and enjoyable if you are, even better if you make a living at it, but it doesn't mean you'll be happy. It doesn't mean people will like you or perceive you to be the leader and teacher you might think you are. It certainly doesn't give you a free pass to throw cruelty at strangers for truly no real reason.

Professional Author, you had a chance to raise up the next generation of an industry I assume you must value. You're choosing not to, and that's fine. You don't have the obligation to. You do have the choice to not get involved and pretend to give advice that ranges from vague to untrue. You seem to be taking that responsibility very seriously.

It's like some twist on crab mentality, where instead of dragging crabs trying to escape the bucket you're swiping at anyone who tries to crawl in with you. Then, as they struggle, you're looking down at them and making comments on how easy it is to get in the bucket, if you only just do it and maybe read some books.

To all of us, I say this: question authority, even in the arts. Especially in the arts. Nobody knows as much as they say. That includes me, but I do know this - any branch of publishing feels really good. It's scary but it's fun. If you're traditional published or indie published or self published, it says nothing about how good your book is or how good you are as a writer or how valuable you are as a human being.

Don't be this lonely bucket crab. They seem mean and I'm tired of talking about them.

Best Regards,

Clove

#writeblr #writing community #writers on tumblr #on writing #writing #authors of tumblr #writer community #writing inspiration #writing inspo #writing rants #personal #clove is angry

[iamadequate1]

"Discomfort in a Married State" What does this mean?

In Discord, I jokingly said I'd do the Webster's Dictionary trope to start a post.

But... was I joking?

Webster's Dictionary defines marriage as "an intimate or close union," or closely, marry as "to unite in close and usually permanent relation." Taking about marriage is not just about a literal spousal union, and it is not just about romance. You have aspects and ideas in your life that you are married to even though you don't put the word to it. "Marriage of flavors", "married to your job", "marry academic disciplines,"... I had a teacher who said "I'm not married to this idea" when writing something in scratch work as a possibility.

The title "Discomfort in a Married State" is pulled from a quote from the real Stede Bonnet at his trial, and it's repurposed in the show, used at the start of Fictional Stede's pirate journey rather than the end. To me, I do not feel like the adjective is used in the episode as actually being about a spousal union. Stede is not a good fit with Mary, no, and the episode opens with both Stede and Mary both being pushed into the marriage by their parents because of societal expectations and goes on to show that their marriage doesn't work. However, Mary's not alone in Stede's horror dream, and it doesn't just feature his failures in their marriage: the "married state" title drop slides directly to his father mocking Stede's aversion to violence (and weakness, in his, the father's, eyes) and Smoke Blackbeard and Alma serving as a callback to his naive pirate dreams becoming more starkly real when he was stabbed. Mary wasn't what Stede left; unfortunate as it is, as a man, he had other less extreme options to make an unhappy marriage more comfortable for him. The "marriage" Stede has is the life that his father and role at birth pushed him into, and initially, Stede planned to take Mary with him in leaving it. Stede pushed out into what he viewed as a more idealized lifestyle, even though he's finding out its not the final destination in his journey.

On Ed's side, his parallel is not his relationship with Izzy. In his first big conversation with Stede (the one in the library), he says plainly what his "discomfort" is:

Ed: You ever feel trapped, like you're just treading water, waiting to drown? Stede: Yes, I very much have felt that way. Ed: Blackbeard always wins, that's the thing. He can't fail. It's not even a challenge anymore. People just see the flag, and they freak out, Blackbeard!, and they basically just give up, they surrender. What's the point? I don't even need to be on the boat. I'm a ghost. There's no chaos, there's no drama, there's no fucking life! Stede: Look, I can't believe I'm saying this, but have you ever considered retirement?

Ed's "marriage" is with the Blackbeard persona and the pirate life. He's not happy, and he is also looking for a way out. He's idly mentioning death as an alternative (e.g., the "I haven't died yet, have I?" outburst with Izzy, and "I'm thinking about packing it all in". It can be a bit of a grind"" to Stede before Stede introduces Ed to retirement). He then pivots to the brief identity theft escape, then the China plan with Stede. There is a parallel of the marriage -> finding escape pipeline. Ed and Stede were both intrinsically bound to lives they do not want, and they had to take dramatic steps to leave them.

Izzy narratively differs from Mary in that Mary isn't an antagonist (bless you, DJenks). This is a storytelling medium without monologuing voice overs or Shakespearean soliloquies, and something needs to be in story to represent that conflict. Izzy is the representation of the external antagonistic force that adds fuel to Ed's internal conflict, analogous to the function that the Badmintons (instead of Mary) have for Stede. This is what we mean when we say Izzy is a plot device for Ed's (and to a lesser extent, Stede's) story: most of his scenes (all in S1?) revolve around keeping Ed in a life he doesn't want while also functionally servicing as a conventional reaction to Stede's brand of captaincy (characters like Lucius or Frenchie have their own independent quirks, so that's why they don't get this same comparison). Izzy is in story as the obstacle that keeps pulling Ed into that life, into that marriage with that persona. The story is not literally saying Ed is married to Izzy or that they were former lovers, but as the representation in story, Izzy is going to act like a jilted spouse. (And Ed's not into him and views him as a father figure, so... not a literal spousal marriage.)

In the end, the "married state" is not literally about Mary or Izzy. Stede would still be unhappy with a different wife or as a bachelor in the same stagnating lifestyle. Ed would still be unhappy with a different first mate but still living as Blackbeard. Ed reacting strongly in 2x7 when he thought there would be a conflict of a possible deal breaking choice of staying with Stede and leaving piracy show that it isn't just about the right person but making sure that the two perfect people who found each other are both in a position to live a life that makes them both happy outside of their relationship. This is also a romcom very pointedly leading toward a climatic wedding of Ed and Stede, and the message is not that Stede and Ed don't like being married at all: they need to work together to reach a "married state" that satisfies all facets of their lives. They're so close!

We're joined to one another. Intertwined. We wrote our names on each other in permanent ink.

They're working together on their relationship ("the inn" at the end of 2x8 isn't literally about the inn), and they're finding the path to go on that takes them both to a place to where they want to be.

Also, "Comfort in a Married State", calling it as an episode title after WBD collapses and OFMD gets a pick up 🥰

#our flag means death #ofmd #stede bonnet #ed teach #mary bonnet #izzy hands #discomfort in a married state #i can't wait for wbd to collapse #don't stream on max #Youtube

[p-p-panda]

Random art vent lol

I get tired of constantly pouring my heart out when asked about my stuff only for it to fall flat. Like why did they even ask me to begin with??? Just to tease me??? 😭 bruh

#this is very different than what I usually post #I don’t really like doing it but tbh this has been bothering me for the past couple of months in different places I’m active in #and it’s starting to become annoying #i listen to everyone’s lore and ocs or whatever the convo is only to end up with like one reply and they die on me. AND IT KEEPS HAPPENING #IN DIFFERENT Group chats #man I’m just so tired of even lore dumping all the time at this point 💀 #it seems like when I actually have the motivation to finally open up that’s when I get ignored the most :/ #I’m probably being a sensitive baby rn so I might delete this later. only wanted to get it off my chest #i can listen to other people talk for hours then the second I speak it feels like bore everyone 😔 #i only have like 1 or 2 people that actually listen to me when it’s my turn but most of the time I’m always listening. which isn’t bad but #man #it hurts and kinda makes me wanna cry lmao #and it makes me just half ass shit at this point when people ask about my ocs/lore since I don’t know if they want a tiny bit of info or #if they’re actually intrigued :/ I just give up now #ok I’m done this is way too long ahaha #vent #it’s not that I constantly want atteion because I don’t and I love listening to other people and sometimes when I ask they don’t talk to me #but will to someone els even when I’m super invested so idk at this point #😞 #i admit I have times when I’m shy but it mostly due to not wanting to wast peoples time anymore #ok I will shut to the up #gn #it’s like 1am for me #and I really don’t want people to ask only because of this post. trust me that’s not what I’m trying to do i swear. only getting out feels

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

#tumblr polls #hrmm... a little poll perhaps.. about a subject I find interesting.. since this image came across my facebook today #still really not feeling that well. no longer shaking violently and such but I still feel weird and weak much more than usual #They did say my markers for like infection or inflammation were elevated but that they werent sure of the cause so hopefully #it's nothing too serious. they did also say a lot of different things can cause that thing to be higher than normal but didn't go into spec #fics of what. maybe some of them are relatively benign or something. I still havent felt much back to normal since #I got really sick that one time though. I feel fine on and off but then little bouts of feeling weird and sick happen. hrmmm #ANYWAY.. looking for small ways to be productive. such as little doodles on evil ipad or editing game videos #or posting polls or cat pictures or some other like not very labor intensive things #I WISH I COULD FOCUS on writing HHRGGhh... I need to finish my game.. it would be so freeing.. a project that's been looming #over my head for like 5 years even though througouht that 5yrs I've probably spent a total of 3 months working on it lo.. ANYWAY #I still partially really cannot beleive that people CAN see stuff in their heads. There's always part of me that's thinking like. well mayb #e everyone DOES see the same exact thing but we just describe/conceptualize it so differently that we think we're talking about #different things when we're really not. But I have been assured by people I've talked to about it that they can GENUINELY really see #stuff in their heads like as vivid as an actual picture in real life or something. And the other senses are neat too. Like for exmaple I #can hear in my head much better than I can see imagery. I still CANNOT hear vividly like as if I were listening to actual music out loud.. #but I think it's developed more than my sight. AND interesting how this varies the creative process. a friend I was talking to on the phone #said they write by literally just watching stuff play before them like a movie. where my process is COMPLETELY different. AND that affects #the content/what details we focus on as well as our individual styles of writing have differences that can be traced back to that.. hrmm

[cathalbravecog]

scenecore misty back at it again!! + a speedpaint! :D

it wasn't meant to be a youtube link, but uploading the video file itself won't work, so apologies about that i know youtube links are annoying on tumblr please don't kill me </3

#it's very hard to label this design honestly - it is not exactly scene ESPECIALLY NOT the hair. however i consider scenecore different from #it and more like an aesthetic based on scene that may or may not include the culture like the music and raves and such more #leaning on internet nostalgia if anything #so id say that fits better so the adopted scenecore misty title does fit. i originally didnt wanna use that myself believe it or not #anyways hope you like this it took longer than intented as always. whoopsies #and enjoy the music in the speedpaint heehee #i didnt check it while it was rendering so if theres goofy stuff or missed recordings/skips then whoopsie @_@ #flashing #bright colors #rainmaker #misty moonsoon #scenecore #toontown corporate clash #ttcc #guz art #video_guz.mp4 #abt what i said earlier tbh genuinely how i made this design i just slapped stuff i like together #i loooove putting rainbows and stars on stuff... and lots of purples #also i gotta like make a pinned post on my main so i can credit back the textures i use #if i dont forget... its like 4 am though so! yeah no not rn . also sry more tags than usual i do want ppl to see this + my usual sortin tag #Youtube

[parttimesarah]

I made a linocut print as a present for my mom’s birthday. Here’s the process of making it!

1. I found this lovely picture of Bass Harbor Head Light in Bass Harbor, Maine (the state I live in):

2. I drew it on my iPad using Procreate:

3. I flipped the image horizontally and printed it off at the size I wanted the final piece to be (9”x12” printed on 11”x14” paper):

4: I put carbon paper between the printed image and the linoleum and traced over the image using a tracing tool that came with my carbon paper (next time I’ll just use a ballpoint pen):

5. I went over the lines with a fine liner to make sure they’d stay put throughout the carving process as the graphite from the carbon paper smudged pretty easily:

6. The carving begins!:

7. The carving continues!:

8. I trimmed out all of the sky to save time and created a quick registration tool by putting marks on a larger piece of paper showing where I wanted to align my printing paper after inking the carving:

9. After several attempts, I got a print I was happy with. I ended up making changes based on the earlier prints, though, so they weren’t a complete waste of ink and paper!:

10. My dad (making a cameo in the frame’s glass reflection) framed and matted the print and it’s all ready to give to my mom tomorrow evening!:

#this took quite a while #so i wanted to share #even though it’s VERY different than what I usually post #stay tuned for her reaction! #art #linocut #linocarving #arts and crafts #printing

[milkovski]

1. his hand on your freckled face 2. subsurface scattering — light bending bright and warm under your skin 3. the ink pressed — permanent — into/over your heart 4. the dirt under your fingernails, melting into the lines on your palms 5. his hands buried — tender, adoring — in your hair

My piece for the @gallacrafts Anniversary Zine with the theme: “You’re under my skin, man.” Thanks @smokey-mickey and @whatwouldmickeydo for all your hard work organizing!

#getting gallacrafty #gallavich #ian gallagher #mickey milkovich #shameless #gallacrafts #yums #ty for inviting me!!!! 🧡 #me posting a much longer caption than usual trying to explain how this fits the theme it makes sense in my head i promise #kind of :) #'didn't you post something kinda similar to 3 recently' yes and what about it #they're different!!!!! #never escaping the t/win/kifying allegations sdfasdfsa #this was ACTUALLY deliberately a very cutesy style im joking dont @ me about it #art

[leofrith]

hello leovor community. 🧍🏻‍♀️

#assassin's creed #ac valhalla #eivor varinsdottir #eivor varinsdóttir #eivor wolfkissed #eivor wolfsmal #leofrith #leovor #HAVING A NORMAL ONE!!! #i accidentally somehow got leofrith to roam away from the one little spot he usually paces around on the docks #don't ask me how i did it bc i have no idea and will never be able to replicate it 😭 #anyway!!!! battle couple #the height difference is making me sick he's a full head taller than her what the FUCK!!!! #i don't usually post my captures. huh. #mostly bc it's a pain in the ass to transfer from the ps4 and i can't be bothered #but the ps5 lets you do photo transfers on the app fucking FINALLY so #this is a very long-winded way of saying MAYBE i will start posting some more vp once i start my ps5 playthrough #they'll probably look way better on ps5 too cause these are looking a bit. crunchy 😵‍💫 #mine #virtual photography

[carnivalcarriondiscarded]

Ok I’m glad I found the actual ask box instead of the EMBARASSING thing I did earlier, aside from that

How long does it usually take you to make a drawing? :3 I know it’s different depending on the caliber of the drawing but for an example let’s say just Barnaby and Wally doing whatever in a scene

I’m very curious about your process!! ^w^

i just saw what you mean and for your sake i'll Pretend I Did Not See lol. its ok tho it happens, Tumblr's a tough cookie to wrangle

hm. it Does vary wildly, both depending on quality, how used to scribbling a thing i am, and how well the art-mojo is flowing! on a bad night, a simple sketch could take an hour while the same sketch on a good night could take 15 minutes

and it's also hard to say since i don't really keep track! for example, The First One in this collage is a more involved sketch and i suspect it took thirty minutes maybe? i remember having some Difficulties so maybe longer? trying to get size differences between multiple characters in the same sketch adds a Lot of time, as does making sure they interact properly. while the last one in the collage (the Nom) probably took closer to ten minutes

i know the Laughingstock in Aziracrow's outfits i belted out in, oh... an hour or three? it's really hard to say! i think it was several bc i was watching gomens at the time, and i think it got through a couple of episodes... clothes add a lot of time! but certain things that i thought i did Quickly took hours in reality, and i only notice when i look up and see the clock has Changed Drastically! i have a very loose perception of time!

it really just depends on my motivation & how used to drawing something i am. like scribbling Eddie takes a while, lots of guidelines and erasing and redrawing. but scribbling Barnaby? easy. takes me seconds in comparison. way less guidelines - i know where everything is and where it goes! drawing dragons takes even less time - This One was done in a Blink, and the only guides i used were head circle / snout circle / jawline.

#the Size of the sketch absolutely makes a big difference #like sketch comms are really tough since im drawing them at a Much bigger resolution #and it throws off the feel of the brush & i have to go about it in a drastically different way than what im comfortable with #because i want to provide the Best Resolution/Quality possible! #and then tiny sketches are easy and quick cause it's close quarters. cozy! #and im more accustomed to keeping my brushstrokes Tight and Short #but im slowly getting used to scribbling Bigger! #just today i realized i was automatically scribbling larger than i used to #good! higher quality! #it will translate into my comms hopefully! #i still have one left... ive been slowly chipping away at it #rambles from the bog #i think im underestimating the time... #bc i Do draw slowly i think #it usually takes a while! #unless im In The Zone and then im belting things out at lightspeed #like remember that glorious time period where i was posting every day often Twice a day and the queue was backed up for Days? #yeah.... me too.... #i am very rarely in the Zone #its tough to think and its tough to Create and the process is so much!!! #it takes Energy i rarely have! so that slows it down too... #but yeah my 'process' is very much Not a process lmao #in the wise words of hobie brown: i dont believe in consistency #its not in my nature! to my detriment more often than not!

[witchspeka]

Both Teru and Ritsu are very competitive, which you can see since their first interaction Ritsu, powertripping, looking to "test" his limits, tries to intimidate Teru, to assert his superiority Unfortunately, this is Teru he's up against, so he fails, and then Teru retaliates In the end, Teru comes out on top of their little ego battle Cause that's all it really is, Ritsu perceives himself as invincible as of right now, and Teru believes that two weeks was enough time for him to fully integrate Mob's philosophy into his belief system, thus giving him the right to preach to fellow middle schoolers Now, their competitiveness doesn't extend only to one another, they both view their relationship with Mob through this lens of competition. Which makes sense, theyre both keenly aware of how strong Mob is and have been deeply affected by the gap in their abilities Ritsu begins by fearing Mob due to The Incident, realizing later on that one of the reasons he wanted psychic powers so badly was so he could have a way to counterattack if the worst happened On the other hand, the incomprehensible size of Mob's power didnt awaken fear within Teru, but admiration Well. It was probably fear as well for those few minutes that he was floating in the sky But instead of fearing Mob, Teru begins to see him as an example to follow Mob is somebody who taught him a lesson, who is much more powerful than him yet is kind and forgiving That's what Mob becomes. A standard to achieve, a role model to follow

Ritsu, too, views Mob as a standard, as a goal, although much earlier than Teru does. In spite of not having powers, he views them as something normal, ordinary. It doesn't make sense to him while they're so far out of reach. Even once he gains powers, Mobs influence on him doesn't waver. Instead of psychic powers, Ritsu chases Mobs conviction and dedication to his goal, to living the life he wants to live

Ultimately, both Ritsu and Teru come to the same conclusion: that Mob isnt scary nor perfect, that he isn't what either one of them perceives him to be, he isnt a paragon of good nor evil Mob is as messy, complicated, and angry as the rest of them. And that's okay.

In the end, both of them make a statement to Mob, declaring themselves on equal footing with him

(Special mention to Teru being Mobs self-proclaimed rival as he fights "Shigeo") And they both fall back on this idea of competing with Mob; gone is the fear and admiration; both of them have gotten to a place where they can actually see Mob for who he is Where Mob isn't idolized or feared, where he's somewhere in reach of a helping hand.

#mp100 #mob psycho 100 #cine te a intrebat #ritsu kageyama #teruki hanazawa #back on my bullshiiiiiiiiiiiiit #just caught a horrible cold which makes me more delusional than usual so yanno what that meaaaaaaaaans #more ritsu and teru posting yipeeeee #theyre just so similar ur honor... it isnt my fault......... #teenagers with big egos and big inferiority complexes who may or may not have a penchant for violence who hold one kageyama shigeo in very #high regard #but theyre also. a lot more different than they are similar. maybe. idk i havent counted their similarities how should i know #i need to sleep the cold is getting to me BAD ill just post it fuck it