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#they were foils they needed each other they hated each other they wanted to have gay sex and never talk about it again ever
kqluckity · 10 months
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listen. i like tn/tduo but at the same time I'm a little tired of seeing q's character mostly being reduced to "ahah he's pathetic and he's a simp for w and that's it" because lbr. that's how the dynamic is mostly portrayed rn by the fandom and. idk. i don't like it i guess
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jupipedia · 10 months
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— mine yours. - s. gojo. playboy!gojo x reader. warnings : nsfw [ minor do not interact!! ], cunnilingus, orgasm denial, possessive!gojo, praising, lowkey angst, tbh this is pretty tame, not beta read lol, idk if i missed anything !
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gojo was infuriating to say the least.
he was beyond spoiled, born with a silver spoon in his mouth. he was used to the best. he had the best clothes, the best schools, the best friends, and even the best women. he's known for having a new girl every now and then, always just as beautiful as the last, driving them around his luxury car until he got bored of them and dropped them.
he's used to getting his way every time, not settling until things were in his favor. he hates being told no when he wants something. he's persistent in all of the wrong ways and for all of the wrong reasons.
however, you couldn't bring yourself to complain as he was knuckles deep into your core, curling his fingers perfectly as he sucked on you clit. your hands were tangled in his white hair, back arched off of your comforter as you withered in pleasure.
the arrangement between the two of you was a bit different that gojo was used to. the girls he was with usually like being shown off. they liked being spoiled with the little gifts he would give them. they would brag about him to anyone who would listen, even going as far to post pictures of the two of them kissing, not that he minded.
you, on the other hand, acted like he barely existed despite spending almost every night in his bed and almost every morning eating at his house, wearing one of his shirts. you didn't go out of your way to see him, you didn't accept any of the things he bough you aside from a necklace on your birthday, hell you didn't even speak to him when you were in the same room if other people were there. he would be lying if he said his pride wasn't hurt.
"got the sweetest pussy, pretty girl," he muttered around your clit, the vibrations adding to the stimulation as you tightened your grip on his hair. he'd spent the last half hour between your legs, having pulled three powerful orgasms from you. he would deny you your release and have the ache build up a few times which led to an earth-shattering orgasm that made your ears ring and vision blur.
"everything about you is just so cute," he released your clit and took one last swipe through your folds before he began to kiss up your torso, stopping to deliver a harsh suck at each nipple before continuing his path to your lips. "so. fucking. cute."
"toru," you whined out as he removed his fingers from your cunt, bringing them to his lips to suck clean before kissing you deeply, your heady taste present on his tongue.
"patience, beautiful. you and i need to have a little chat," he said, opening the foil of the condom with his teeth and rolling it on. as he lined himself up with your entrance, he spread your legs, offering himself a full view of your cunt.
"we have to talk right now? it can't wait—ah!" gojo ignored your words, pushing slowly into your heat and pausing when he was mostly inside.
"please move," you tried to thrust your hips, but gojo was quick to pin them back to mattress.
"here's how this is gonna go. i'll move as much as you want me to, but you don't get to cum until you say that you're mine," he groaned in your ear, unable to resist the shiver crawling up his spine as he settled deeper into your core. you tossed your head back as the tip of his cock scraped your walls deliciously.
"didn't know—fuck!" your snarky remark died on your tongue as he suddenly began to thrust his hips, setting a pace that numbed your mind.
"you can keep the sarcastic remarks. not interested in those right now," he grunted, biting down on your shoulder, hoping to ground himself. your mind grew foggy as you grew closer to your release. you couldn't form coherent words, let alone fulfill gojo's request.
you weren't totally clueless as to where this behavior came from. if anyone asked you if you even knew gojo, you would deny it without hesitation. it didn't matter how many times he fucked you or how many late night dates the two of you went on, you would not admit to dating the man.
and it wasn't even to save face, you just didn't think what you and gojo had going on was that serious. you knew his track record and thought it'd be best to skip any unnecessary future drama that would come with being "satoru's girl".
"'t-toru~ i'm gonna—n-no, please~," you whined as gojo's thrusts paused as your release approached.
"aht aht aht, you haven't said it so you don't get to cum," he said, continuing his pace when he was sure your pending orgasm subsided.
"satoru please! i just wan' cum on your cock," you whined in his ear, arching your back as he grazed your g-spot.
"and i wanna hear you say that you're mine. mine to kiss. mine to hold. mine to fuck," he emphasized his sentences with harsh thrusts. "my girl."
"why—ah! why w-would i say that when y-you aren't mine? i k-know how you work, 'toru," you pushed out, forcing yourself to focus on speaking as he fucked you dumb.
gojo paused in his thrusts to look at you, disbelief painting his face. "you think i spend my friday nights watching scooby doo movies with you just so i can fuck you? you think i wake up before you to cook you breakfast just so i can get some pussy? you think that i help you go over your proposals a thousand time as test runs because i just want to have sex with you? i must've fucked you stupid or something because that's the stupidest shit i've ever heard you say."
"'toru, you know that's not what i meant. i was just saying—fuck!" your arms shot out to hold gojo's hips, hoping to stop his resumed thrusting.
"i know you meant, pretty," he hummed as he picked up his pace. "change of plans. you can come as many times as you want, but i'm not stopping until you understand that not only are you mine, but i'm yours. got it?"
fuck, you were in for a long night.
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© JUPIPEDIA. all rights reserved.
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peachesofteal · 10 months
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I love me some angst and this baby trapped au is sustaining me!! But I gotta ask… what happens if darling just haves the baby then up and leaves in the middle of night?? Leaving Simon and Johnny to raise this baby they forced on her?? Or even worse (and forgive me for this) she dies in childbirth and then they finally have their baby but no darling…. They’re probably having some regrets about lying to her lol
This au has invaded my life and I can’t stop thinking about it. I’m hooked ❤️🪝
SEEK HELP. But don't, because I love you. And this.
Baby trap au / Darling left after discovering her tampered birth control 18+ Mature themes. Character death. Childbirth. Hurt absolutely no comfort.
It starts with the twinge in the lower part of your belly, off to the left side. You had woken up with it, on top of your usual sore back and stiff muscles, the everyday occurrences that seemed plague you consistently since the start of your third trimester. You were always hot, always tired, always crampy, grumpy, and generally... miserable.
You didn't mean to be, but being pregnant was a hardship in so many ways, and being pregnant with no one to help you, was even harder. It took its toll. Emotionally. Mentally. Physically. And now, by the ninth month... you were just so ready to be done with it.
You hadn't seen or talked to the guys since the day you walked out, the day you found that fucked up piece of foil, the day you realized what they did, and you left. You hated them for it. Hated them, for taking away your choice. Hated them, for trying to control your body. Hated them, for removing your autonomy.
At night, when you laid down to sleep, it was impossible not to feel other things, the longing, the loneliness, the love, that still lived in your heart for them, against all odds, the ache of missing them growing in your soul as your baby grew each month.
You were in an impossible situation. One you didn't know what do with it.
But today, you were preoccupied with the twinge. The twinge, that had bloomed into a full spasm of muscles across your belly, the twinge that had your boss insisting you go to hospital as soon as possible.
"Let us call an ambulance. I've had four kids! I know labor when I see it." She had hemmed and hawed while you told her it wasn't necessary, that you weren't even in active labor yet, and that you still felt totally okay.
"I'm fine." you had reassured her. "Walking is good for labor right? I'm just going to walk the three blocks and be fine."
Six hours later, you're in a bed with your legs in a pair of stirrups with a nurse by your side, holding your hand as your contractions get closer and closer, your body seizing and cramping with pain through each one, the sting getting worse and worse as the minutes tick on.
You're doing this. You're having a baby. Alone.
The realization shocks you, startles you into a moment of weird, zen like reflection, like everything is moving in slow motion around you, like nothing is progressing as you think about the fact that the guys aren't actually here, that you never did call them, that you never did tell them that you wanted to forgive them one day. That you wanted to talk to them. See them again.
That you wanted them to be here with you, for this, to see the birth of their daughter.
Another contraction rips through you and steals your breath, and you faintly hear the nurse telling you breathe while your body locks up in unmeasurable pain. Something prods between you legs, and then there's a voice saying you're fully dilated, and ready to push.
Ready? Now?
No. No... you can't. It's too fast. They're not here. They need to be here. You have to call them.
"Oh sweetheart, don't cry." The nurse speaks softly to you, but you can't help it. You want them. They were supposed to be here. They were supposed to be ones holding your hand, helping you, cutting the cord.
"We're going to push on the next contraction, okay?" Your doctor tells you, but you shake your head vehemently.
"No. I want my partners." you sob, and your nurse makes a sympathetic noise, while stroking some hair out of your face.
"You have to push." The nurse encourages, and pain streaks across your belly, sharp and insistent, forcing you to gasp for more air. "Ready? Push!" She tries to coach you, but you can't do it, can't even move, your body just writhing through the pain as your head spins and you pant. Your doctor says your name, kindly but somewhat stern after the contraction passes, and you moan.
"This baby is coming. You have to push." She says, and you know she's right, but you just can't get there in your mind, unable to consider the idea of her being born without Johnny or Simon being here.
"I want them." you sob, another spasm ripping through your body, forcing you to curl forward with an anguished shout. The nurse blots a cool, damp cloth against your head, while someone else on your other side adjusts your bed. There are people everywhere, all moving around in flurry, except for the doctor who's settling between your legs, eyes locking onto yours above your mask.
"There's no time dear." She says, and when you look up into your nurse's face, she seems sincere, encouraging and sweet, but you don't care. You want Johnny. You want Simon.
"P-please." You moan. "My phone- the passcode is 6669." The numbers come as a grunt when another contraction pulses through you. It's awful, burning, biting pain that shreds your belly, the muscles in your thighs, your back, everywhere, and you scream through it, while the two nurses on either side of you fold your legs back and the doctor coaches you to push.
"I can't!" You really can't. You can't do this without them. You don't even care about what they did anymore. You don't want to do this without them. They have to be here. "I can't, I ca-can't. Please, call Johnny. Or, or Simon." You pant, and eye the nervous looking aide that stands behind one of the nurses. "Call them!" You shout, and your sweet nurse gives him a nod, urging him into action as he fumbles with your phone and steps outside.
"Okay sweetheart. We're calling them, okay? But you have to push. Your body is ready." You shake your head, but you know she's right. You can feel your body bearing down, your muscles working inside of you, everything aligning so that you can have this baby.
It fills you with fear. Dread overcomes you, and when you feel the next contraction coming on, you begin to hyperventilate.
You can't have their baby without them.
"No... nonono-" You protest, like you're telling yourself, your own body, not to do what it was meant to do. It's useless however, because as your contraction peaks, your doctor is counting, and you can't help but push the way your body wants to, screaming your pain as loud as you can.
"Good job." She encourages once it passes, her eyes checking a tablet that's held in front of her face quickly, before returning her gaze back to you. "Okay, next one you're going to push for the full ten seconds okay? You can do it."
"I don't want to." You protest with a cry, and your nurse pats your hand sympathetically.
"I know, I know." She helps shift you forward, and then the next one is coming, and you feel like you're being torn apart, like your body is burning and being ripped in two as you push.
"I can see the head, you're almost there." Someone says, but you're not sure who it is, or if you care, your focus moving to one sole thing now, getting this baby out of your body as fast as you can. You breathe for maybe five seconds before the next wave begins, and then you're dropping your chin to your chest while you push with everything you have, voices in the room rising and falling, everything feeling too loud and too overwhelming, and then all of the sudden, there's a shifting inside of you, and then suddenly an overwhelming emptiness before-
a screaming, crying, shrieking baby is plopped onto your chest.
"There she is!" Your nurse calls, and you stare, slack jawed, unable to speak, unable to move while they cover her with a blanket and someone continues to work between your legs. "Congratulations mum!" The baby cries, and you lift a hand to cradle her closer while someone wipes around the top of her head.
"Hi, Bee... I'm your mom." you cry, and lower your lips to her head, placing a soft kiss on her skin while someone rubs her down. She cries, lungs healthy and full of power, and you laugh a little.
"Did you get a hold of them?" You ask him breathlessly, and he nods with a gulp.
"They're on their way." They're on their way. The words slam against your heart, and the feeling of relief is immense. They're coming. They're going to be here.
"Thank you." You hardly look at him, keeping your eyes on Bee, and her little angel face, perfect in every way.
The next few minutes pass in a blur. The doctor works on you, pressing on your stomach a few times in an awful way that hurts but is necessary, and then your bed is moved to a better position for sitting up. Bee is removed from your chest for measurements and a quick clean up, before she's placed back in your arms, freshly swaddled and soothed. You're mesmerized by her nose, her eyelashes, her tiny fingers that wrap around one of yours. Your baby, your daughter. The one you carried for nine months, the one that you went through so much heartache for, the one that you struggled so much for, was finally here. You wish they were here already, to see her, to see how precious she is, how amazing, and you sniffle through some tears when you realize you'll get to see the looks on both their faces when they see her for the first time, when they hold her.
You lift your hand to stroke the softness of her cheek, and frown, when it doesn't really cooperate... the limb feeling heavy and stiff, like it's not even really on your body. That's... weird. You try again, and again, with no success, and then you realize the room is kind of shifting, kind of spinning slightly, like you're dizzy.
"Uh-" You call out to the nurse who's on a laptop at the desk, her back partially turned towards you, and she glances over with a smile that quickly changes to a firm line when she rushes over. "I feel funny." You tell her, and she nods, the mechanics of the bed whirring while you're lowered completely flat. Bee cries, disrupted by the movement, and you want to shush her, soothe her, but the words don't come, and everything is very loud all of the sudden, bells, whistles, beeps and alarms going off at a frantic pace overtop the voices that have quickly filled the room.
"-ake the baby."
"too much-"
"hemmorage-"
The words come in clips, and your vision becomes filled with white dots as Bee is lifted off your chest, the arm that held her close to your body falling limply to your side. What's happening? You want to ask, want to scream it at them. Where are you taking her? She's crying in the nurse's arms, her distressed little face the last thing you see before your vision goes completely black, and you fade away.
"Drive fucking faster." Johnny shouts, and Simon squeezes his knee to try to calm him as best he can in this moment, even though the two of them are the farthest thing from being calm.
You were in labor, and you had actually called them. Simon's heart had soared when he answered the phone, telling the guy on the phone to tell you that they were on their way, that they'd be there soon while he and Johnny sprinted to the car. You had called them. You wanted them there.
"Tell her we love her!" He had huffed while fumbling with the keys. "We love her so much. We'll be there soon."
"Settle, Johnny." He's trying to keep Johnny calm, trying to keep himself calm, while also trying to drive as fast as possible to get to you.
"Aye, 'm sorry. I'm just... I can't wait to see her. I can't believe she called." Simon can't either. He can't believe that after eight months of being apart, eight months of wondering if they'd even ever see you again, it was them you were calling for when you needed someone, them that you wanted by your side.
It felt like a gift. It felt like a second chance.
"I hope she's okay." Johnny hedges, nervous tinge to his voice and Simon rubs his thigh to try to soothe him.
"I'm sure she's fine, babies are born all the time, yeah?"
"Yeah."
They rush the desk when they get there, both spitting out your name and the woman jerks backwards before adjusting, typing onto her keyboard to locate your record. A full minute passes, while the receptionist's brow furrows, and they both nearly explode.
"She should be here, we got a phone call." Johnny blurts.
"Should be in labor and delivery." Simon tries to provide, helpfully and they both stand there anxiously, while she taps away.
"Ah! Sorry, there she is. I've paged the L&D department, and someone will be down shortly. You can wait in those seats over there." She points to some arm chairs, and they both ignore the suggestion, opting to stand right in front of a set of doors.
"Mr. Riley? Mr MacTavish?" A female voice calls a few minutes later, and they nod, overeager as she approaches. A million questions bubble up in Simon's head, where are you, have you delivered yet, are you doing okay, how's the baby... but they all come to a screeching halt when the doctor gets close enough for him to read her face.
No.
"Can you come with me?"
"And there was just too much blood. Once the hemorrhaging started, it couldn't be controlled." Johnny hears what the doctor is saying. He can hear her, loud and clear. He copies her.
But he doesn't understand. His brain can't make the words fit, can't make them make sense. What does that mean? He glances at Simon, who doesn't look at him, just stares at the doctor, face stricken, pale as ash. Like he's seen a ghost. Like someone has died. But that can't be right.
"Alright." He says slowly. "But she's going to be okay?"
"Johnny." Simon croaks, and the doctor shakes her head.
"I'm so sorry, Mr. MacTavish. She's gone." Who's gone? Not you, obviously. What's going on here?
"No. No, no she can't be gone." Johnny protests. This doctor is clearly confused. "She just had someone call us. She's having... she's having a baby. Our baby. She's-" The doctor gives him a sad look, sympathetic and understanding. "No. She can't be gone, we just... we just got here. We-"
"Johnny." Simon says again and Johnny pivots on him.
"Tell her Si. Tell her, she's alright." Simon swings an arm forward, grabbing him by the collarbone, and holding on tight, pulling him close to his body.
It's only then, when Johnny looks up into Simon's face, and sees the tears there, sees those eyes, flooded, sees his cheeks, wet, his face full of turmoil and distress, that it really makes sense.
"No." He whispers. "No, she can't be." He shakes his head, and Simon tries to hold it still, tries to cradle his face in his palms. "Simon." He moans, word splitting into a cry, and then he's burying his face into Simon's neck, spilling hot tears onto his skin. Darling. Their Darling. Their Darling girl. Gone.
Because of them.
They did this.
Simon's body is shaking, shoulders trembling with his sobs, while he holds Johnny close, and Johnny screams into his chest, he screams and he screams until there's nothing left inside of him, every second ticking by bringing him farther and farther away from a time in his life when you still existed, when you were still in this world with them. And he wants it to stop, he wants it to stop so fucking bad but it won't, and he can't make it, he can't do anything, except stand here and scream, scream and beg and plead an unknown entity who's never given him anything good except for you and Simon.
They never got to tell you they still love you.
They didn't even get to say goodbye.
Hours later, they sit in a room with an empty bed, side by side, while a nurse stands in front of them with a tiny, sleeping baby wrapped in a blanket.
"This is your daughter." She tells them. "Her name is Bee."
"Bee." Johnny whispers, and she nods.
"Would you like to hold her?"
"Yes." Johnny says, but the word sounds flat, and he feels numb. The nurse places little Bee in his arms, while Simon watches, unblinking from where he sits right next to him. "Bee." He says again, looking down at her, truly looking at her for the first time. She looks so much like you, more like you than either of them, and he can't stop the tears that fall freely, while Simon reaches over and hesitantly strokes her cheek with a knuckle.
"She's beautiful." Simon whispers hoarsely, voice coarse with tears, and Johnny agrees. Johnny tries to stifle a sob, desperate not to wake Bee while she sleeps, but Simon can't stop himself, and he covers his face with his hand to try to smother his cry. "She looks just like her." Simon chokes, and Johnny's arms shake around where Bee is cradled. He leans to the side, into Simon, who wraps his arm around him immediately, holding Johnny while he holds their daughter, your daughter. They cannot stop their tears, their hearts cracking wide open in both of their chests as they stay down her, their only piece left of you in this world, the only thing they have left to cling to.
"You look just like your mum, baby Bee."
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seeingivy · 11 months
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the party scene
roommate eren x f!reader 
you and eren won’t dance 
**find the series masterlist here
content warning: drinking, hitch and marlowe being annoying, someone gets pushed into a pool, marco getting clowned for his halloween costume, toilet humor 
an: ok yall. here’s the chapter. heheheheheh. and you should listen to the song, when you get to it. for vibes of course. to many anon who guessed correctly, hundreds of kisses. not my fav roommates chapters me thinks (but also it seems like everyone else has different fav chapters than I expected so)
previous part linked here
“What are you going to be for the party?” 
You can literally see Eren’s ears perk up, breaking his concentration from the dinner he was cooking on the stove. You tried to make ravioli for dinner. Key word, tried. He didn’t let you stand there for longer than two minutes because he didn’t want you to “burn the apartment down.” 
You put foil in the microwave one time and suddenly he thinks you’re some arsonist. 
“The party on Friday? You’re going, peaches?” 
“Yeah. Jean invited me. Kind of being a wingwoman for him and bringing my classmate Marco, who I’m like ninety percent sure he has a crush on.” 
Eren turns his face back to the pan, dishing the food around on the plate. You get up occasionally, grabbing things you know he’ll need before he asks for them. Setting the dishes, grabbing the salt (because this man doesn’t know how to season), the Yerba Mate Eren claims to hate but drinks anyways. 
“Hitch and I are going as Anakin and Padme. From Star Wars. Apparently, Marlowe loves that crap and she never gave him the time of day for it. She thinks it’ll make him real mad if we show up like that.” 
“You should put a braid in your hair. You know, like from the second movie.” 
“Ew. I’m going as the third movie look.” 
“Good. He’s hotter in that movie anyways.” 
He flashes you a smile as he dishes out the food, lifting the plates and setting them on the table. You join him with the drinks, the two of you sitting right next to each other. 
It was getting easier. Eren was your friend. Maybe even your best friend. You’d still get the occasional heart pounding, flustered cheesk whenever he walked past you or said something that made your heart flutter, but other than that, you were making progress. You can live with a heart flutter here and there. 
“What are you going to be?” 
“Jean wants to do some basic angel/devil thing for the party. I’ve got a white dress and he apparently has a halo already so it should be fine.” 
“Have you ever been to a party?” 
“Yeah. Not really my thing though, but I don’t mind helping Jean. It can be fun with friends. Dancing, letting loose and all that.” 
“Hm. Save a dance for me, peaches?” 
“I’m not riding up on you, Eren. That’s weird.” 
He drops his fork, an exasperated expression spreading across his face. The vein in his forehead is prominent and you always enjoy when it shows up because you know you’ve won. He’s just that easy to aggravate. 
“Who said anything about you riding up on me? I didn’t mean it like that. That’s like…perverted. You could expect that type of shit from Jean or something but-” 
You place your hand against his forearm, laughing in his face. He stops immediately at the sight of your laughter, glaring at you. 
“You’re so easy to piss off, Eren. I’ll save you a dance, okay? A normal one.” 
He holds his hand out, gesturing for you to shake.
“Deal?” 
“Deal, Ren.” 
 - 
“Hey.” 
“Hi Ren.” 
He steps into the bathroom, standing directly behind you as you finish doing your makeup for the party. Jean was supposed to be here in thirty minutes and the two of you were going to go pick up Marco. Meaning, you were going to have to deal with their awkward pining for the ten minute drive to the party. 
“Can you help me with something?” 
“Sure. What’s up?” 
“Can you help me draw the scar?” 
“Oh, yeah. Show me the picture.” 
He hands you his phone as you inspect the picture, the scar starting before the eyebrow and breaking just underneath the left eye. He sits on top of the toilet seat, his ankles crossed over each other. 
“Ah. Hitch gave me this to use. For the scar.” 
He hands you a tube of lipstick, which you slide open and swatch against the back of your hand. Too glittery for a scar.
“Do you mind if I use mine? Hers is kind of glittery and it’ll look kinda weird?” 
“Yeah, sure.” 
You bend over, digging through your bag to find the one tube of red lipstick you own, that Pieck forced you to buy for her wedding. You can’t show up to my wedding in lip gloss, that’s an atrocity. You find the tube at the end of the drawer, walking over to where Eren was sitting. 
As you amble over, you realize that the toilet seat is way too low and you can’t properly reach Eren’s face to reach. You were towering over him, his long legs sprawled across the floor of the bathroom. 
“Why are these toilet seats so low? I can’t even get the right angle.” 
“Levi. Kenny told me he hates having his feet dangle over certain toilets so he makes sure to get the shortest ones when picking his apartments. As if Levi’s going to come shit in our toilet at some point.” 
You nod, trying your best to lean over and indent the mark over Eren’s face. Out of all the angles you try, not one of them works - your head is blocking the light, your hands are in a weird position, you’re all up in his space. 
“Just sit on my knee. If it’s easier.” 
He splits his legs, tapping on the top of his thigh for you to sit. You nod, setting both of your legs on each side of his one as you lightly perch on top of his leg. 
“That’s hovering. Not sitting, Y/N. It’s fine.” 
You sigh, pressing your full weight against Eren as you lean back over for the phone and check the picture. As you slide over reaching for it, Eren puts his hands on your waist, holding you from falling off of his knee. 
“Thanks Ren. Just wanted to check again before I started.” 
You focus on the picture, the light shining against your face as you check where the scar was exactly on your eyes. Eren locks his fingers together behind your waist, pulling you closer so you can get a better look. 
“Okay. I think I’ve got it down.” 
You cradle the side of his face in your hands as you start drawing the scar on, trying to be as gentle as possible. Trying to avoid the fact that you’re basically straddling him right now. You can feel his cheeks warming under your touch and you try your hardest not to let the smile spread across your face. At least it’s not just you. 
“What’s so funny?” 
“Nothing Ren. You’re just blushing, that’s all.” 
“You’d blush if you were in my position too.” 
You shake your head, pressing your fingers against his lips so you can stop him from moving. You’re only halfway through the scar and if he talks again you’re going to smudge it. 
“Since when do you wear red lipstick?” 
“I don’t. Pieck made me buy it for her wedding. It’s for special occasions.” 
You lean back, cupping his face in your hands as you glean your eyes over the scar. You compare it to the picture and figure it's semi accurate, giving him a smile to signal you’re done. You slide off of his legs, beckoning him to join you in the mirror. You watch him lean forward, eyeing your work. 
“Thanks.” 
“No problem.” 
“Can I try?” 
“Try what?” 
“Doing makeup on you.” 
You pause, dropping your lipstick tube back into the box. 
“I don’t have a scar for my costume.” 
“I know. But you must have something left to do. You just looked so focused, like you were face painting, and I just wanted to try.” 
“Um, okay. You can take this glitter. You basically just dip your finger in it and swipe it against my eyelids. And then along the collarbone too, because it's body glitter.” 
He nods, taking the white glitter into his hands. He inspects the box first, turning it over and over again, holding it up against the light, smelling it. 
“Do you need to do a police inspection on the box? It’s just glitter.” 
“Shut up. I was just checking if it was okay to use.” 
“It’s obviously okay to use if I’m giving it to you. I’ve used it before.” 
He rolls his eyes, learning down. He sets his hands on both sides of your face, angling your face to inspect you this time. 
“You’re short.” 
“Thank you, Captain Obvious.” 
“Do you always have to give me attitude?” 
“Pretty much.” 
“Sit on the counter. It’ll be easier for me to do if we’re closer to the same level.” 
You brace your palms against the counter, trying to push yourself onto the counter. You clearly misestimated how tall the counter was because you barely hit the back of the top, stumbling in the air. 
“Okay, Humpty Dumpty. Let me help you.” 
He reaches down, securing his hands around your waist to lift you up to the counter. You can feel your cheeks burning at the sensation, unable to look him in the eyes. 
Right. Because it was getting easier, because he was becoming your friend. But there were still moments like this. Ones where you can feel your cheeks burning, your heart pounding, your fingers shaking. 
You hate that he still makes you feel this way. 
“Okay, widen your stance.” 
“What?” 
“Open your legs.” 
“Ew. You’re so vulgar, Eren.” 
“Well, I said to widen your stance and you gave me that stupid look on your face. It’s your fault.” 
You roll your eyes, parting your legs. He steps in between the space, leaning close to your face with the glitter still in his hands. 
“So, the eyelids and collarbones?” 
“Yeah. You can just use your fingers. You wash your hands after you pee, right?” 
“Of course not.” 
“What?” 
“It’s better for the environment. If I just wait until I have to poop, I can just save water by washing my hands once. You should try it.” he says, his voice dripping with sarcasm. 
“As if. Girls don’t poop.” 
“Yes, they do.” 
“No, they don’t.” 
“There’s no way girls don’t poop.” 
“Ask your mom. Or Mikasa. They’ll tell you the same thing.” 
“Okay, stop fucking around. We’re running late.”
“You started it with your stupid toilet humor.”
“Shut up. Your attitude is going to kill me one day.” 
“That’s a promise, Yeager.” 
He rolls his eyes, a small smile spread across his face as he dips his thumb into the glitter. He cups the side of your face and you flutter your eyes shut, his fingers gentle against your eyes. You can hear him laughing and you squint your eyes, glaring at him as you open them. 
“What’s so funny?” 
“Nothing Y/N. You’re just blushing, that’s all.” he responds, his tone mocking. 
“Did you do this just to prove a point? It looks like finger painting, my ass.” 
“Close your eyes. I’m not done yet.” 
You shut your eyes again, Eren sliding the last bit of glitter along your eyes. You open your eyes to find him staring at you, his eyes wide. 
“What did you do? Don’t tell me there’s glitter on my forehead.” 
“No, it just looks pretty, that’s all.” 
You look down, focusing on his hands as he dips into the glitter again. Stupid fucking hands and voice and smell and hair and soft cheeks. You can literally feel your heartbeat all the way in your stomach and he’s barely even touching you. 
He uses his hands to tilt your face up, lightly pressing the glitter against the exposed parts of your neck. You feel your body shiver, instantly remembering the last time you and Eren were like this. Pressed up in the bathroom, with him kissing your neck. He presses his hand to your shoulder, his eyes washing over in concern at you shivering. 
“You okay?” 
“Yeah, sorry. Got a weird sense of deja vu, that’s all.” 
He nods, finishing off the last of the glitter. When he’s done, he locks his hands across your waist again, lightly setting you back down on the counter as you both stand there. You’re both staring at each other, neither one of you talking first. 
Right. Because what are you supposed to say after that? Oh, sorry, I was just thinking of your lips on my neck, my bad.
The doorbell rings and Eren gives you a soft smile before squeezing your shoulder and leaving. You can hear Hitch in the doorway and you try to ignore the way your entire body is steaming. 
  -
“What are you even supposed to be, Marco?” 
“I’m a space cowboy, Y/N!”
“You’re holding a glittery gun and wearing a flannel. You look like a kid who got lost at Party City and picked the closest thing you could find. You don’t even have a cowboy hat.” 
“Ignore her, Marco. I think you look great.” 
You watch Marco’s cheeks turn a bright pink, awkwardly stuttering to respond to Jean. Great. They’re going to do this whole oblivious idiots thing all night. 
Marco slides into the front as you and Jean walk to the other side, unlocking the car. 
“Ignore her, Marco. I think you look great.” you say, mocking Jean’s high pitched voice. 
He rolls his eyes, lightly shoving you as you settle into the seat behind him. They’re both talking animatedly, forgetting you were even sitting in the back. You unlock your phone, playing Wordscapes as they go on in the background. 
Eren’s eyes were trained on your figure, as Jean and Marco were spinning you around on the dance floor with them for a better part of the last forty-five minutes. He’s been waiting, staring at you, anticipating when you’ll look at him. 
You’re driving him crazy. Today, especially. Soft glitters, a willowy white dress, that stupid flowery perfume you wore during the concert. He even likes the stupid halo you have on your head. 
He wants to touch you. Press his hands against yours, drag you out and leave with you so he was the only one who could see you like this, your stupid eyes glittering in the light. 
He hates that you can still make him feel this way. 
He sees you leave, waving off Jean and Marco who were still left on the dance floor. Marco’s wearing your halo and you have the glittery gun Marco was holding. 
He’s still watching you. Shamelessly. You weave around people talking, wait to walk forward so you don’t get in the way of pictures, compliment strangers on their costumes. 
“What are you staring at?”
“Nothing, Hitch.” 
She’s been annoyed for a better part of the last hour, not that he’s been paying much attention to it. Marlowe still hasn’t shown up. 
He doesn’t mind the guy. He doesn’t quite understand why Marlowe and Hitch have to play these games - circling around each other, making each other jealous, making up. He figures a part of it is the chase, but he’s always found that part the most agonizing. He’d catch you if he could. He’s been waiting long enough. He’d make you feel good right here and right now. 
He watches you leave the room, leaving the heat of the room to the patio outside. 
“Mind if I leave? Just call me when he’s here, okay?” 
Hitch nods and Eren basically bolts out the door, ready to follow you where you went. But before he can, Jean all but falls right off the dance floor, piled on the floor in front of him. He can see Marco’s hand under him, dragging them both up by their arms. He can tell Jean’s already too far gone and that he has to deal with this first. Then you. 
-
Your feet hurt. Like a bitch. You made the wrong choice of wearing your Doc Martens to the party. You had figured you wouldn’t be moving much, just sticking to the walls and talking to whoever you knew there. But no, of course Jean’s nervous ass had to drag you onto the dance floor with Marco, the three of you spinning in circles. 
You had made your safe escape, sitting outside on the patio. You had been watching the wind whistle through the trees in the dead of night, watching the lights in the pool change colors. They had been changing every minute - switching from purple, to red, to green. There were a few stars glittering out, barely sparkling in the sky. 
“Anyone sitting here?” 
You look up to find a guy with black hair and pale green eyes kneeling down, crossing his legs next to yours. 
“No. Well you are, now.” 
He smiles, the two of you sitting in silence. You watch people swerve around the pool, girls holding hands, people leaning against the chairs, everyone nursing drinks in their hands. 
“I’ve never seen you around here.” 
“Yeah. I don’t really come to these things, I just came here with my friend Jean.” 
He nods, leaning down to feel the temperature of the water. 
“Do you want to play twenty questions?” 
You hike your knees against your chest, tangling your fingers together across. 
“Sure.” 
“Your name is…?” 
“Y/N. Yours?” 
“Marlowe.” 
Right. Hitch’s Marlowe. The guy she was trying to make jealous, the reason Eren was seeing her and not you. Well, not exactly. He said you two were just a mistake but you could have convinced him if she wasn’t in the picture. Semantics. He taps your shoulder and you forget that it’s your turn. 
“You play a sport, Marlowe?” 
“Water Polo.” 
You nod, lightly turning your head to the side. This is wrong. Surely Hitch wouldn’t be the happiest that you were sitting with Marlowe and not her. You can hear the party getting louder behind you and you swear you can hear her screaming in there somewhere. 
“Seeing anyone, Y/N?” 
“Uh, no. You?” 
“Not exactly, Y/N.” 
“I have this friend, I think you’d like her. Her name is-” 
“Hitch?” 
You pause, swallowing as you turn your face to look at him. He’s sitting way too close, an all-knowing look plastered on his face. 
“Yeah.” 
“Thanks for the suggestion. I’m okay, for now. It’s your turn to ask.” 
“Um, okay. Why don’t you want to see Hitch?” 
“Because I’m talking to you.” 
He untangles his legs and stands up, holding out his hand for you to follow. You press your hand into his and he pulls you up, not letting go of your hand as the two of you stand. The party is getting even louder, the sound of voices drowning out the sound of the music. You’re positive you can hear her now. 
“My turn. Do you know a guy named Eren? Plays soccer, green eyes?” 
“Uh, no. Never heard of him.” 
He nods, squinting his eyes at you. He must know Eren’s your roommate. Maybe he’s found out their together and he’s trying to get you to admit it. You let go of his hand, the two of you standing awkwardly by the pool. 
You can’t really tell what he’s getting at, but every part of him irks you out. He’s perfect for Hitch. 
“My turn, Marlowe. Are we done now?” 
“That’s barely even twenty. But fine, one more question.” 
You teeter on the balls of your feet, ready to take off the second he asks his stupid question. He turns to the side, eyeing the window, before asking. 
“When was the last time someone kissed you?” 
Before you can respond, Marlowe crashes into the pool, with Eren suddenly standing at your side. Eren just pushed Marlowe into the fucking pool. You can hear the sound of footsteps behind you - Hitch, Jean, and Marco at your sides. 
Jean and Marco - well wasted beyond their minds - swing their arms around you, slurring as they ask you if you’re okay. Hitch on the other hand is pissed. At Eren. 
“What the hell is your problem, Eren?” 
“Him, Hitch. He was pissing me off.” 
“This wasn’t what I meant when I asked you for help with this Eren. And your stupid roommate wasn’t helping the case either.” 
You feel your eyes widen, as you make eye contact with Hitch, awkwardly crossing your arms across each other. You turn back to Jean, who still isn’t paying attention, instead playing rock paper scissors with Marco on the floor. 
“You want to be with Marlowe so bad, Hitch? Go ahead and join him.” 
He leans over, lightly pushing Hitch into the pool where Marlowe was still watching. He turns to you and ou can tell he’s pissed - that stupid vein on his forehead is showing again. But not in the good way. 
“We’re leaving, Y/N.” 
He grabs the edge of your wrist, dragging you towards the door as you shake on his hand. 
“I drove here with Marco and Jean, Eren. And they’re way too drunk to drive home now.” 
You both turn back, leaning over Marco and Jean. Jean’s way too out of it, but Marco looks up, smiling at the two of you. 
“You guys are so cute. I love your Anakin and Padme costume.” 
Right. Because he took your halo and you took the glittery gun because he kept hitting Jean with it. Eren turns to you, shaking your hand again. 
“Armin will come get them. You and I are leaving. Now.” 
“But how will he even find them? And what about Marco’s car?” 
Eren turns around fully, stopping in the center of the door. He’s pissed, at you now, and you can lightly hear Marlowe and Hitch arguing in the background. 
“You can hear them right? Knowing them, they’re going to walk up in a few seconds and start arguing with you and me. And if he says some shit again, I’m going to do worse than just push him into a fucking pool. You and I are leaving.” 
He tangles his fingers around your wrist again, his touch still gentle, as the two of you file out of the party, making it back to the apartment. 
 - 
Eren doesn’t say anything to you as you walk to the car, when you drive home, or even when you stare at him from the confines of your kitchen. He can tell by the look in your eyes that you’re waiting. For an explanation. 
But he can’t do that can he? Tell you that the reason he pushed Marlowe in the pull and argued with Hitch is because he can’t stand the thought of him being with you? He can see the entire scene in his head, like he has been for the past hour, his anger burning every time he does. 
“Jean, get the fuck up. You too, Marco.” 
They both stand up, half leaning on each other. Totally gone. 
“Eren. Marlowe’s here.” 
He turns to find Hitch at his side, her face scrunched up in anger. Eren waves off Marco and Jean, pushing them towards the kitchen where (he hopes) they’ll find water and sober up a little. There’s no way he’s letting them drive you home, that’s for sure. 
“Where?” 
“With your stupid roommate outside. What is she doing?” 
Eren turns his neck to find you, where he was just about to join you, sitting by the side of the pool. He can see Marlowe sitting next to you, leaning way too close for his liking. He turns back around, pressing his hands against Hitch’s shoulders. 
“Get him to leave. Now.” 
“How the hell am I supposed to do that?” 
He drags Hitch out by the arm, the two of them leaning their necks so they can hear what you and Marlowe are talking about. 
“Seeing anyone, Y/N?” 
That’s enough. Eren moves forward, not exactly sure what he’s going to do, but Hitch stops him, pulling him back by the wrist. 
“What are you doing, Hitch?” 
Hitch digs her fingers into Eren’s wrist, turning to glare at him. 
“What the fuck is she doing?” 
“He asked her the question, Hitch. Shut the fuck up.” 
He’s getting angrier. He can feel it - burning hot, red anger. Because why the fuck is Marlowe talking to you? Asking you if you’re alone? Why are you talking to him when you know he’s here? And why the fuck is Hitch pissed at you like Marlowe’s not the one all over you right now? Don’t you know he’s been waiting for that dance you promised him all night? 
“Not exactly, Y/N.” 
“I have this friend I think you’d like. Her name is-” 
“Hitch?” 
He turns back, his turn to glare at Hitch. 
“See, Hitch. It’s fucking Marlowe. Now go and stop him.” 
“How the fuck am I supposed to stop him? And I have no interest in chasing him.” 
“Get mad. Argue and then kiss and makeup. I don’t give a fuck. Just get him to stop fucking talking to her. Now.” 
“I already told you. I’m not chasing him.”
“This isn’t fucking about you. Do something now or I’ll call the deal off now. I’ve already done more than enough and you can’t do one thing for me?” 
“Why do you even care?” 
He turns his neck again, to find you and Marlowe standing, his hand in yours. He can’t stand it. Your hand in his. Because he doesn’t deserve you. No one does. Because he can’t treat you right and Eren can. He’d praise the ground you walk on if you let him. 
He hears the last question and he can’t take it anymore.
“When was the last time you were kissed?” 
So he does the only thing he can think of. Push Marlowe in the pool. Drag you out of the party, where Hitch and Marlowe and Jean or Marco or anyone can’t talk to you. See you. He hates it. Being possessive, getting jealous. He knows you’re not his. But he can’t fucking stand it. It makes his skin fucking burn thinking of an asshole like Marlowe even touching you, let alone kissing you. 
“Earth to Ren?” 
He looks back up to find you staring at him, awkwardly brushing your hands against your forearms. Right. Because you’re still waiting for a fucking answer and he can’t tell you. Tell you that the thought of another man touching you drives him crazy, that the only person who could touch you right, make you feel good was him. 
“You’re doing that thing again. I can see the steam coming off of your head.” 
He deflates, leaning against the counter as he watches you. You’re moving from the side, pressing the glass of water in your hand to the dispenser in the kitchen. It’s pissing him off even more. The thought of someone seeing you like this - bedhead in the morning, focused when you’re doing your makeup, half asleep on the couch. He can’t fucking stand it. 
“So. Do you want to talk about it?” 
“No.” 
“Okay, Darth Vader. No need to growl at me.” 
Fuck. Everything is pissing him off. Everything. 
“Let’s think about something else, yeah? We don’t have to talk about it just….stop being so pissy.” 
You’re at his side, circling the glass of water in your hand. 
“Fine. The answer to the question. What was it?” 
“What question, Ren?” 
“The one Marlowe asked you. Before I pushed him in the pool.” 
When was the last time you were kissed? In the bathroom, when Eren had his lips pressed to your neck. 
“A real kiss, Y/N.” 
Eren Yeager, mind reader.
“Oh. Um. A while ago, maybe a year? It was back when I was dating Floch.” 
Eren turns his neck, his eyes flashing at you as you look at him. He looks less angry, his eyes more concerned than murderous like they were a few seconds ago. 
“I don’t even think I can remember. I don’t know - he never really liked that stuff. Affection, compliments, all that.” 
“Did you ask him to? Do that stuff?”
“At first, yeah. But he never did.” 
Now he’s even more pissed. Because an asshole wanting to kiss you, him doing it all wrong is infuriating enough. But the fact that you had to ask someone to do it? He’d literally drop on his fucking knees if you gave him the chance and you had to ask someone for it? 
Eren does the only thing he can. The only thing he knows how to do. He wraps his arms around you, tucking your face against his neck as he holds you. 
It was either this or kissing you, full on like he wanted to. But he can’t really do that. So hugging it is. He hears you murmur against his shoulder, your arms pressing against his back. 
“S’okay Eren. What are you so mad about?” 
“You said we didn’t have to talk about it. And no. It’s not.” 
“We don’t. But I think this is less about whatever happened and more about whatever just-” 
He tightens his grip on you, the pressure of his arms silencing you. 
“I’m mad because you should be kissed. Often. And by someone who knows how. Like they can’t get enough of you, like you’re the air they breathe, like you’re inventing kissing just by putting your lips together.”
Shit. He said too much. 
You stand in silence, staring at him as he finishes talking. Oh he messed up big time. 
He watches the smile spread across your face, your eyes still in the dim light of the kitchen. Stupid fucking glitter. He’s going to go into the bathroom and throw it out. 
“Didn’t realize you cared so much, Ren.” 
He doesn’t respond. 
“Why do you?” 
“Why do I what?” 
“Care so much, Eren?” 
You watch him constrict his fists again, his jaw clenched.
“Selfish reasons.” 
You walk up to the counter where he’s leaning over, lacing your arm through his. You push your hands into his fists, forcing him to stop clenching his hands so hard. You can tell his anger is dissipating, his shoulders slowly tensing as you touch him. 
“Selfish reasons?” 
“I don’t want to see you unhappy or anything. You’re like...my best friend right now. Is it so weird that I want you to be happy?” 
You smile, leaning your head against his shoulder. Fucking idiot. 
“No, Ren. It’s not weird.” 
You both stand like that for a while, your head pressed against his shoulder. He’s still tense, his heart pounding against your ear. 
“So I say all this nice shit to you and you have nothing to say back?” 
“Nope.” 
“Nothing at all.” 
You shake your head, watching him begrudingly smile at you as you two smile In the kitchen. You stand there for a while, the anger, awkwardness, wearing off. It’s just you two, standing in the light of your kitchen. 
“You promised me a dance. You never even gave me one, Ren.” 
“I’m not riding up on you, Y/N.” 
“I’m heartbroken.” 
You both laugh and Eren leans over, grabbing your phone from the side. He puts a song on - I Won’t Dance by Fred Astaire - and holds his hands out. You lean forward, knotting your hands behind his back as he presses his hands to your waist.
“You know Fred Astaire, Ren?” 
“Old timey shit. My parents love it.” 
You tangle your hands behind his neck, the two of you dancing in the dim light of your kitchen. 
You hate this. That you want to lick all his wounds, hold him till his anger goes away. That you want to dance like this in the kitchen with him, all the time. 
He hates this. That it’s this easy for you to fix it all for him. For you to make it better. That he wants to hold you, make you feel good every night. 
Do you love each other? 
next part linked here
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loudgaybug · 3 months
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I wanted to analyse the different ways that their "deaths" affected both Pomme and Em (I say "deaths" because Pomme's was a nightmare, but still shaped her character). Both deaths were inescapable ; caused by undefeatable enemies, however while Em's was short and sudden, restrictive, being held by a leash, Pomme's was long and drawn out, breaking many totems, giving her time to think about how powerless she was as Phil tried to save her. They are narrative foils to each other in my eyes ; Pomme herself said she saw her younger self in Em. They were both young, new eggs - Em being not the absolute youngest, but still viewed and young and fragile the way Pomme was the youngest. They both started out as very caring eggs, with a love of flowers to show their affection. They are also very smart and calculative, Pomme choosing knowledge as her element and Em always paying attention to her surrounding. Em also initially had Pomme's protector mindset, which Pomme learned through experience. They almost had opposite character arcs in my opinion, largely due to the different circumstances and parenting styles they had.
After Pomme's nightmare, she hated how she couldn't fight back. Her parents reactions, particularly Etoiles, were to teach her how to fight and protect herself. They encouraged her to be strong and learn how to take a fight. Pomme's view of the world was also strongly formed by the fact her siblings had all lost lives before her, they were all in danger, they all needed to be protected. She was the only oen with two lives. Her life was less valuable, she must use it to protect others. Em, in contrast, after the egg hospital, is now the only egg with one life, rather than being the target like Pomme with two lives. Now Em is the most fragile, something I'm sure that's hard for her, as she got used to wanting to be a protector.
Em's natural reaction to conflict was to fight, however we first see that change of the day of the egg's bed trapping. She tries to keep up a strong front, but this time, she freezes, she walks around aimlessly, her hands won't work, she can't help, she can't decorate with Sunny and Tubbo. I think when Em gets somewhat stressed she fights, but when really traumatised she can't handle it and her response is to shut down.
In contrast to Pomme constantly being taught by her parents that the important thing is to be strong, and to protect others, reinforced especially by self-sacrificing characters like Bad, Em is consistently taught by her mother she should stay back, run away in conflict, and in fact they get in disagreement about this, because Em wants to help. This is compounded by Tubbo, who consistently teaches Sunny to run, and, when acting as a caretaker for Em, also encourages this mindset. Then when Em talks to her mother about it further, she reinforces Tubbo's teaching, that it's safer both for her and her siblings is Em runs away. But I think its Em's death that really solidifies this, in the same way that Pomme's nightmare solidifies that she wants to get stronger and protect her siblings and provides basis for later teaching. Children are malleable, and they listen to what they are taught and what experiences they have really shape them.
Em's death comes from being at the centre of the action, and, crucially, being restrained, not being able to run or warp away. This forms a strong correlation in Em's mind between being able to get away and being safe. This is then compounded the next day when Bad teaches her how to use the grappling hook to escape easier, and she often uses it now, I think it makes her feel safer. In the same way, Pomme would often unhide her armour, because she wanted to show her strength, and it reminded her that she was stronger now, that she has the power to protect her siblings that she's so scared of losing, and that she has to be the target, she's the safe one, the one with two lives. She also uses armour now to show care, making protective kits for Sunny Em and Pepito. In addition, Em's reminder of her death is flowers, flowers that symbolise change and transformations, symbolic of how her mindset has changed and now she realises she can't be a hero and just wants to be safe with her family. A reminder of Pomme's death and her mission is her scythe Vengeance, which she named so that she could seek revenge for her siblings. A scythe and flowers, two very similiar eggs, who learned very different lessons.
Em started out trying to be protector, wanting to be a hero, ending up realising she had to be a lover. Pomme started out as a lover and found she had to be a fighter aswell.
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marvelstars · 5 months
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You know while I understand completely why Anakin is disliked or hated in the fandom there´s one take about his story with Padme I will never get, the comment about how Anakin beat "poor innocent Clovis" as if he had been innocently just there hanging out with Padme and big bad Anakin came along and decided to beat him out of nowhere, he is even pictured as this kind of "Pro-feminist" character icon while I am like:
Clovis literally tried to force himself on Padmé
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Sure he was a Senator like Padmé was but main reason why Clovis didn´t report Anakin beating him out has to do with the fact it isn´t a pretty picture for him, he would have to talk about how he was trying to kiss Padmé agaisnt her will and Anakin lost it when he saw them.
Their first interaction in the clone wars ended with Padmé poisoned, Anakin literally had to carry her out of Clovis house to seek treatment for her because he was allied with the same Federation that send killers towards her when she was 14 and used the opportunity to get the job done.
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"Anakin almost kills poor Clovis out of jealousy"
Anakin beat him out because Clovis was trying to force himself on his wife, Anakin is a trained soldier and Jedi with a metal arm and the strongest force user ever while Clovis is a pampered Senator with light self defense training, if Anakin wanted Clovis dead he would have died, if Anakin didn´t hold himself back Clovis would have died with his first punch.
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"Anakin was mean and controlling with Padme during this arc"
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Anakin remembered the first time Padme tried to use her charm to spy on Clovis she ended up poisoned and tried to warm her about this, sure he was also afraid and jealous but he didn´t want her to be in danger again, yet respected her decision to keep spying on Clovis and after he lost it and beat him he accepted her decision of ending their marriage and guess what? He left her alone, I guess there is one character who understands no is no and it isn´t Clovis.
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Later they only patch their relationship back because Padme had to call Anakin for help because Clovis, under pressure from Dooku, almost kills her and she needed Anakin to get her and Clovis out of there. Padmé would not have been in that possition if she wasn´t so confident that she could take care of herself on her own, with only one of her handmaidens help, so called handmaiden was killed because of Padmé´s imprudence.
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I like Padmé as a character and I liker her initiative in the prequels, she is an heroice character, she is actually Sidious foil as a politician and sure many fans are like"yas Queen" tell that brute Anakin how it is but the truth is that she isn´t a perfect character and that´s great because well written characters are like that, she also makes mistakes that sometimes cost lifes, she is a complex character like many in Star Wars with virtues and flaws and Clovis most definitely wasn´t any kind of feminist icon as some in the fandom like to picture him.
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Actually if this was an AU I actually believe it would have done Anakin and Padme well to stay separated for while to learn to appreciate each other out of a context in which they are trying to ignore their problems at their careers and actually come together stronger as couple but well, then again, if that were the case, ROTS would not have happened and we all know who wanted to keep them together but at conflict with each other in order to drive anakin further into madness and the darkside.
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moderator-monnie · 5 months
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The Awakening (A COTH Story)
Eggman suddenly jolted 'awake' or what can be described as awake; his body was sleeping yet he found himself aware of his surroundings. It was like a lucid dream; he knew exactly what he was doing before he got here and how he got here.
The place was a completely black void, and for the most part, it seemed to be covered in a white mist, with a few specs of what looked like stars but not many—not enough to create much light but enough to be seen here and there.
"Truly a marvelous place, though I expected a dream god to have something a bit more... Imaginative, I won't lie, but I digress best not to judge the god before I get to meet it."
He just started to walk through the void, being careful about his steps. The further he walked, the darker it got—darker, darker yet darker—it became more void-like as he went along. At first, he found it interesting, but the further he went, no matter what direction, he wasn't finding anything.
Eggman found himself starting to get annoyed, and when he turned around, the white mist and stars were no longer there, which confused the doctor, but seeing he was making no progress, he huffed and puffed loudly.
"ALRIGHT, WHERE IS THIS DAMNED GOD? THIS PLACE HAS NO VISIBLE LANDMARKS, AND I CAN'T EVEN SEE WHERE I'M GOING. I'M A DOCTOR WHO'S QUITE BUSY! I KNOW I'M WHERE I NEED TO BE, SO WHERE IS ZEPPER-"
Just as he was about to continue shouting, suddenly some torches appeared and a large path was created out of nowhere in front of him. Each torch had coloured fire matching the chaos emerald's colours; there was even a cobblestone path. What made the path interesting was that it was carved to look like each stone was the letter 'Z', and as Eggman could see every few feet, there were eyes on the ground.
The eyes all turned to look at him, and Eggman gulped nervously, following the path, making sure not to step on any of the eyes. After a very long walk and torches continuing to appear and brighten the way, there lay a large throne made of solid gold and two statues of sheep with sleeping caps on their heads.
The sheep turned to look at Eggman and began to drool in a purple liquid that even Eggman could smell at a distance; it appeared to be toxic ... but familiar it seemed to be the liquid Eggman had mass produced in chemical plant zone, and soon enough, with the blink of the doctor's eye, the path he followed was completely gone.
Hundred's of eyes suddenly appeared all around him, all staring at him, and the laughter of everyone Eggman had ever met in his life could be heard around him. Then suddenly they all exploded into confetti, and sitting on the throne was the god of dreams itself.
ZEPPERAITH.
Eggman jumped when Zepperaith's head was suddenly just a few feet before his own, Its massive eye staring directly at him, looking almost like it was examining him.
"WOAH! Look at that! A talking egg! I didn't expect to get some breakfast in bed. Boy do you have any idea how rare it is for me to have a proper meal? I mean, not that I really need to eat like you little creatures do. But sometimes I want to be included!"
Eggman gulped and a bead of sweat dripped down his forehead. As much as he hated jokes because of one blue pest, he hoped that the god was joking. It wasn't going to ….
Then their head pulled away and spun like a ball being tossed, landing on the shoulders of the god who now was sitting on its throne. A leg crossed over the other and its cheek rested in its hand, the other petting the dripping statue of a sheep beside it.
"So what's a guy like you doing here? Been forever since I've seen anyone 'round these parts. Well, been asleep for a good long time, that's probably why."
An intense anxiety fell over the doctor, that anxious feeling he always had when he was having a bad dream, a bad dream about that blue rodent foiling his plans. He hoped a bit that he would suddenly wake up like this was just a bad dream, but he couldn't, as long as the god knew he was there he couldn't wake up. So much happened at once; he just didn't know how to feel.
He exhaled and bowed his head towards them as a sign of respect. He didn't get onto his hands and knees though, he had to much pride in himself to do that.
"Oh, Im quite sorry to disturb your slumber, Zepperaith the-"
"Oh shut up!" Zepperaith said loudly to cut the doctor off. "That stupid hogwash … " It lifted one of their hands, a crude sock puppet of one of the ancients was on it. Zepperaith moved up and down as they spoke in a voice that was vastly different than its own. Mocking the words that it had heard over and over again. "Oh, we love you, Zepperaith. Please give us good dreams! Let us kiss the ground you walk upon!" It groaned and threw the puppet away.
"I know, I'm great." It said softly. "You really don't need to tell me what I already know. What I want to know is … WHY ARE YOU HERE?" It slammed its fist into the armrest of its throne, the impact making a loud bang.
Eggman flinched a bit when the god slammed it's fist down. He kept staring at them with that continuous anxiety, but two new feelings came over him, confusion … and mild annoyance. This god seemed so intimidating at first, but oddly reminded him of …. Sonic.
Of course, that annoying pest always seems to nuzzle his way into every single one of his plans. Even if he wasn't here at the moment.
He cleared his throat and spoke. "Right, we'll, Zepperaith. My name is-"
"I already know your name." Zepperaith rudely cut him off again. "Just get on with it, egghead."
Eggman's eye twitched. He had to grit his teeth to prevent himself from insulting the god who could easily rip him apart. "Yes, we'll, you see, I performed this ritual to meet you and wake you because I want your help, almighty god of the mind."
Zepperaith looked down at Eggman, rubbing their chin with a finger in curiosity. "Help? You want my help? With what exactly?" It bent forward in its chair, it's single eye narrowing at the doctor.
Eggman stood up, pulled at his collar, fixed his clothes, and cleared his throat.
"Oh, we'll discuss the details later. What I need your help with is dealing with a little … problem of mine. You see, my goals are to make the world a better place for everyone alike! But there's this …. Little … idiotic …blue …. PEST! I-" He cut himself off and looked back up at Zepperaith who had a brow raised to him. He needed to contain his emotions before the actual truth slipped, and he would be done for.
He cleared his throat and composed himself. "My point being. I want peace for the world. But there's been a thorn in my side for all too long, a thorn by the name of Sonic the Hedgehog. With him gone. I can finally fulfill my lifelong dream of creating Eggman Land. And bring joy and peace to the world!" He looked back at the god. "That's what you want, right? Peace? Tranquility?"
"Yes."
"Well, there you go! I wake you up, you take care of Sonic. The perfect plan! You can do whatever you want when the deed is done!"
Zepperaith liked the points the doctor had thrown about, after all, its whole deal was to make people happy. Shame that's what caused it to go to sleep all those years ago. People just don't understand the vision.
But the god knew there was something off about what the man said. It could tell his ego was so thick that they could practically feel it in the room, it was near exhausting. And with that ego, it made Zepperaith suspicious. That maybe what he was saying wasn't actually what he really wanted.
An anxiety came over Eggman again and he grinned nervously as he awaited the god to respond. He stood there as he stared into the endless void of its face, its eye had disappeared while it was silently thinking. The silence around them was deafening. He cleared his throat to get his attention again.
"So? Yes or no?"
Zepperaith made a low hum as it tapped the tips of its fingers together in thought, then it's eye reappeared and opened. "Fine. I don't have anything better to do."
Eggman practically bounced as he clapped his hands. "OHOHOHO! Splendid! I promise you won't regret it!"
The God's lower lid of its eye curled up like an invisible smile. "Oh I bet I won't." It stood up from its throne and moved close to the doctor. "But now if we need to get me out of here, I'll need your help in doing so."
"Ah, yes! Of course!" The doctor paused, he couldn't remember if there was anything else to do to bring the god into the waking world. "Er … what is it?"
The god jutted its hand out to him. "Oh, there's many different ways. But just a handshake would do this time. Think of it as to seal the deal of our partnership."
He hesitated, but Eggman grasped the god's hand and shook it firmly. Then everything disappeared, including the god before him.
"Rise and shine, doctor." He heard its voice.
Eggman awoke and saw the blue sky above him. He sat up and yawned out the tired from himself. He felt so refreshed, he hadn't had a good nights sleep like that in ages. Man, it was true, that god really did wonders.
He got up from his sleeping bag and looked around, he didn't see the god yet, it did say it would be awake soon, just how soon he didn't know. He looked at his hands then pinched himself to make sure he wasn't still asleep, nope. He was awake. And he now has the power of a god on his side.
Eggman cackled loudly into the sky. "NYAHAHAHAHAHA! YES! OHOHO! I DID IT!" He grinned madly and rubbed his hands together. "NOW I WILL FINALLY GET RID OF THAT BLUE NUISANCE ONCE AND FOR ALL! AND WITH A GOD ON MY SIDE, NO ONE WOULD DARE TO OPPOSE ME! I WILL FINALLY BUILD EGGMAN LAND AND RULE THE WORLD OF MY DREAMS!"
The doctor cackled again, but this time he was cut off, as the sky began to fade to a dark crimson colour, turning the world into a deep reddish hue. He looked down and saw the ground in the middle of the halo he slept in turn to pitch black. This was it.
He ran from the halo and watched as he saw the god pull itself up from the ground, and oh, it was massive, maybe as big as perfect chaos was, maybe bigger. It took a deep breath in and exhaled out a sigh, looking out to the world before turning its attention to the doctor.
"OHOHO! This is fantastic!" Eggman laughed. "We can get started right away!"
"Right. To get rid of this Sonic the Hedgehog … " Zepperaith nodded then leaned down to the doctor. "And 'rule the world of my dreams' ... " it repeated the doctors words from before.
Eggman's face went as pale as a ghost. He didn't think the god would have heard him before he appeared. "Uh … I-listen … I … uh … " He stammered as he tried to come up with some excuse. But he was grasped by the gods hand and pulled up to be face to face with it.
"I have to say, good Doctor … You are pretty good at swaying others into your favor. And you are right; I do want the world to be happy! But you are forgetting something … " Its grip tightened around the doctor slightly. It didn't want to crush him, no matter how much it would enjoy that. "I can do that just as easily, by myself."
Eggman was practically trembling in the god's hand, though he tried to hide his obvious fear from it. "Oh, but don't worry, doctor! I am Zepperaith the Dreamer, after all! And I'll make sure you'll have such a pleasant dream. Why, even …. The world of your dreams." It's last worlds sounded ominous and threatening.
And before Eggman could say a word of protest, Zepperaith put a finger onto his forehead and he was out cold. Now in a dream of his own. A dream … A dream full of pure, unbridled agony. Whatever dream the god had given him, it was there to punish him.
Perhaps a little intense of a punishment for the doctor, but Zepperaith didn't care. It hated it when people thought they had the right to trick and use them. It wanted to make the world a better place, and it wouldn't be subjected to such selfish idiocy. Speaking of which …
The doctors body had transformed into some wicked puppet, laying still in the gods open palm, eyes pure white and mouth agape in pure agony. Zepperaith picked him up with his other hand by his jacket and pondered what to do with him now. Certainly it didn't want to use his body for whatever it had planned, it didn't want to look at this selfish man anymore.
So, Zepperaith hung the doctor onto some strings that reached down from the abyss of the sky, pulling down on him before letting go and he shot up and disappeared into the sky above. Now, to business'.
It bent down and picked up its halo from the ground, dusting it off before putting it around its own head. Taking a second to adjust it to sit right. It needed to look nice for these people after all.
"Well, looks like I have my work cut out for me if that imbecile was of any note." It snorted. "PAH! Please, if someone like him could cause harm, then these people need my help more than anything."
It laughed to itself in amusement, but then it trailed off when it saw one of the feathers from its wings fall off and disintegrate into mist. It let out a noise of disappointment. "Already? Hmm … guess that took more out of me than I thought … "
It tilted its head, a small city was just barely visible across the horizon. A perfect place to look around and see what has been going on since it was put to rest, as well as find something more suitable for its figure.
And so the god moved. It brought itself out of the crater and into the forest that surrounded it, eyes pinpointed to the city ahead. It's halo gently bouncing against its head with its movements and its wings draped behind it like a large cloak, feathers plucking off every few minutes and turning to mist.
Maybe that Sonic the Hedgehog would be a good help. Yes. It just had to find him first.
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Recently we’ve had lots of reasons to look at the relationship that Lily had with the Alicein family over the centuries he spent with them, because it becomes obvious now that it wasn’t all peace and happiness and maybe never even one built on love in the first place. And I’ve been thinking a lot about this interaction from somewhere in volume three:
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Specifically in relation to what we learned about Lily in chapter 136. 
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And I know that Lily’s pocket money is a silly, one-off joke made very early on in the series, and that maybe all it wants to say is that Lily is bad at managing money, and that it’s probably not meant to be put parallel to this scene. But that won’t stop me. 
Because the jokes Servamp tells are rarely entirely random; and Lily’s pocket money might just as well be one of the many tiny hints we get as to what’s behind the facade of the little vampire paradise Lily built in the safety of Alicein mansion. He’s not allowed access to the family money, and there’s secrets in the mansion that even he holds no key to. Misono teaches Mahiru that a Servamp’s purpose is to fight despite how much his own Servamp dislikes it, and Mikado presides over an organisation famously riddled with people hating Lily’s kind, and maybe, when Misono threw all those books, it was a little more than a slapstick gag. There is a rift between Lily and the core family, one that’s not entirely Lily’s doing, and might have been there for a very long time. 
I don’t necessarily think that the Alicein were bad to Lily, or that he was miserable in his place by their side. But I find it striking that if you think about Lily then and Lily now, you find that he never really left the place he was in at the very beginning; never really reached a point at which he could stand on his own. He is no employee earning a wage but a Servamp bound to an Eve; and he struck a deal that demands him wholly and completely and allows for possession; that demands not only his time and workforce but control over him and his power and body. But he’s not treated as an equal in return; he gets pocket money rather than access to the family’s wealth because the actual reward he traded himself away for was safety for his children. As far as we know, at least. 
There is so much we have not seen yet, about how the pact between Lily and the Alicein came to be, and how they felt about each other for all those centuries, and I hope canon will explore this at least a little in the chapters that are left before it ends. What we do know is the secluded little kingdom in which they ended up in, and how much it trapped and hurt Misono – and maybe, though he was one of its architects, it wasn’t the most healthy place for Lily to be in either. And maybe, what Misono needs to do to end the chess game and foil his plans is simply to take him away; because he learned to leave and stand on his own and perhaps, it’s time for Lily to do the same.
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matt0044 · 6 months
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Post like the the "you couldn't even handle [insert infamously hated female character here]" get me thinking about claims like what they quote.
To start with those claiming we need more [blank] female characters will often be the same that agree that there's a cultural stigma against girls who will "step out of line" socially and how that's been leveraged against female characters enmass.
Though it's also interesting to think about the other group this claim will come from. Namely those who carry their unconscious biases against "badly written" female characters but act as if they don't.
See, they can handle evil, comical or even morally grey female characters... in their minds. They love the hypothetical strong female character in their heads. Detached from any narrative context. No other characters, male especially, for them to foil off of. Nothing to "ruin" them as it were.
Korra, the character, had initially been received well at the idea of a female protagonist leading a new Avatar series. However, when applied to an actual story and cast of characters to bounce off of, you better believe that a lot of people busted out the "unlikable" card like it was Exodia's Head.
RWBY's practically the poster child. Each Trailer showed off a dimension of the four leading ladies with a lot of blanks to be filled in later. Whatever one thinks how the series lived up to the hype or not, a lot of the hatedom seems to express that they only wanted the girls to be the basic traits we saw initially.
Ruby, a smol bean of cuteness.
Weiss, a prissy ice queen with a snide aside at the ready.
Blake, a "naturally submissive" goth who totally still loved Adam.
Yang, a party girl of a bimbo and a dumb blonde.
None of these were all the characters were. Not even in the Trailers. Yet those comfy assumptions devoid of the narrative context of a Magic School for Warrior or a Final Fantasy globe-trotting epic appealed to the male geek in our brain.
That's no even getting into how individual taste factors into it. Not to make this reply any longer but if I have to see another godforesaken YouTube video about Mary Sues or "how to write female characters" or how Arcane is somehow this exception from "the rule" in modern animation... I'll do something not very nice.
So... yeah.
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Even though I will be making fun of Wilbur for saying “psycho competitive” for the rest of time, I do want to emphasise that what he actually said was that c!tntduo were in a “psycho competitive relationship that can be construed to be romantic but it's not explicit.”
That’s not actually shutting down a romantic interpretation of their relationship. In fact that is acknowledging the romantic undertones. What I would interpret that as - and I agree with cc!Wilbur if this is the case - is that you can certainly read c!tntduo as romantic but that that is hardly the most interesting or rich angle to analyse them from.
Personally, what makes c!tntduo so engaging to me is how they have this incredibly complicated history with each other, hate each other, love each other, and still choose over and over again, to connect. They are irrevocably entwined as self made foils for each other. They have chosen again and again to deliberately mirror each other, in action, in dialogue, in theme, despite everything they both do and don’t agree on.
For me, c!tntduo is about them being all levels of fucked up together. Persuing a serious romantic relationship would be super bad for both of them actually. They’re not healthy together. But they do need each other. They can’t escape each other now.
That’s where the appeal of the duo lies. Which, at least to me, is a far more interesting character study and exploration of what people can mean to each other than whether they kiss or not.
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A look at the struggles Atsushi faces throughout the series, and how he grows to resent the justice he was forced to learn. As well as his connections and contrasts with Akutagawa.
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Atsushi is very different from a typical protagonist, who try's to save everybody they can, and never wants to kill anyone. Because he didn't develop this mindset from an inspiring, kind mentor; or from some innate sense of justice, or even from just his own hardships.
It was literally beaten into him through his whole childhood.
graphic depiction of abuse ahead:
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Atsushi is compelled to help people. I defiantly think part of it is that he is just a kind person in general, but It is also a compulsion that he cannot refuse.
He is forced to disregard his own feelings and safety, he suffers so much pain, but he can never refuse, which is why he views it as a curse.
In BSD killing is not treated with the same 'good people can never, ever be willing to kill someone' that a lot of shows treat it as.
The entire ADA minus Kunikida was willing to try and kill Mori to save Fukuzawa. Fukuzawa has killed in the past, and told Kunikida to shoot Dazai if he sensed any evil in his heart(Dazai Osamu's Entrance Exam). Kunikida has been shown to be willing to kill if absolutely necessary
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I point this out to show that Atsushi's refusal to kill is not just 'because he's a good guy and would never do that'. We see in BEAST that, if twisted a bit, he can be made to kill without hesitation. His refusal to kill comes from a much darker place, and makes him a perfect foil to...
Akutagawa.
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Akutagawa and Atsushi have incredibly similar histories, It's literally spelled out in BEAST that the two of them have more in common then they have with anyone else. Both children raised in hell. But there was one key difference, The value they saw in the lives of others.
I've already talked about how Atsushi was raised to think that his own life had no worth, and only the lives of others mattered. But for Akutagawa it was the opposite. He grew up in the slums, where every stranger was a potential threat to him, his friends and sister. He had to learn to kill without hesitation, and to see no value in anyone else's life.
Dazai only made this worse, telling Akutagawa that if he couldn't defeat anyone in his path, that he had no right to live. And brutally punishing any sign of weakness.
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Both Akutagawa and Atsushi search desperately for validation, and the right to keep living. They walk on opposite sides of a mirror, each only seeing half the picture, neither willing to see themself in the other.
Which is why they can both show the other exactly what they need to see.
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The two of them hate each other so much because they are the same ,they each embody what the other most hates about himself and this is why they can each teach to other to overcome that hatred and to see the whole picture they were both denied as children.
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Their growth over this past few arcs; with The death of the orphanage director, Akutagawa that killing everything won't solve all his problems, Atsushi having to stand up and pull himself together to save the ADA.
Akutagawas greatest flaws were his short-sightedness, and inability to see beyond himself and learn from his mistakes.
While Atsushi's greatest flaws were his crippling anxiety and indecision, as well as inability to let go of his past.
Opposite ends of the same spectrum, so now they must guide each other to the middle and find a balance.
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Finally, the 'promise not to kill anyone for six months' with this, Atsushi is showing Akutagawa the value that can be seen in the lives of others. We see this in the security guard Akutagawa spared being the one to distract Fukuchi and let Atsushi escape. Akutagawa seems to have truly grown a lot since he and Atsushi last saw each other. But what about Atsushi?
Spoilers for chapter 107:
I think that Atsushi will kill Akutagawa. We know that Akutagawa died before he was converted into a vampire, and with his lung condition being established just before then, even if they find a way to revert him, he would still be nearly at the end of his life.
I think that Akutagawa will probably temporarily regain control of his body, but be unable to revert fully, so he will ask Atsushi for that duel he promised him. It would even parallel Atsushi "killing" Shibusawa in TDA, since both were technically already dead to begin with.
Atsushi taught Akutagawa how to value lives, and the patience to consider his actions and Akutagawa will teach Atsushi the conviction to take them and how overcome the guilt he feels within himself. each one going from black and white, to grey.
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electrificata · 2 months
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here are my house observations, im in season 3
some of the shit house says to foreman is genuinely unforgivable
foreman as a character i generally like. omar epps is giving a good performance of an even-keeled-but-not-without-effort kind of guy, i do like the plotline of a guy who came to learn from an expert whos the worst guy in the world and trying to figure out how to do the same thing without being the worst guy in the world. i also think they way they keep him out of hospital love triangles is racist, foreman is not currently hot but could be with 15% more attention from the writers room.
really sexist as a general rule. i have not encountered the idea of "jailbait" this much in literal years.
hipster racism. its the 2000s. funny to talk abt this because "hipsters" were younger at this point and the character of house is, im assuming, in his mid 40s at the start of the show, but thats the general logic that seems to be on display. "well you know that he's a good guy so its ironic and funny that he's threatening to use the n word as a joke."
a) stupid logic to begin with, doing something ironically is also just doing it, b) doesnt even work on its own terms here because house is widely acknowledged to be an awful person in the context. the entire show is built around the question "how much deliberately annoying, dangerous bullshit will we endure from this dickhead to maintain access to his unique skillset"
i still dont "get" house/wilson. like i do see it, like i can see that theyre a little obsessed with each other and they have a fun mutually manipulative dynamic, and they make sense as foils (guy who's self-consciously awful and often ends up doing noble things accidentally/guy who's self-consciously noble and often deliberately does awful things). but i cannot feel myself going insane about it. if anything i like him better with cuddy
cuddy really really hot. really really really hot. cuddy.
so like yeah i see house/wilson im just not going insane about it the way i thought i might. altho tbh it took a global pandemic and a extended, byzantine renaissance of tumblrina supernatural scholarship to make me have a destiel spiral. i need infrastructure for these things.
cameron's character is such an old school token girl character. i hate how they treat her "niceness" almost as much as i hate how they treat her crush on house.
a better show (written by me) would have some more cuddy and foreman "managing" house plotlines (foreman being a protege allows focus on the legacy of house's medicine, how to replicate it, how to contain damage), probably give him some of the cuddy and wilson time. the three of them together would be good i could do that.
cuddy/foreman. hm. in the remake.
like, i do get how this happened. house is troubled in a durable, interesting way. the writing is good enough to support his layers, the way his snap-judgement psychoanalysis of everyone he meets curls back around to shine a light on his own issues. good balance of competence and patheticness. laurie is giving a masterclass in the niche field of "british comedian comes to us tv drama, grows some stubble, becomes a sex symbol." i read an old review that referred to his "sourpuss charisma" i really like that turn of phrase.
(i was also into josh on the west wing when i watched that last year, i have a type i love antagonism. no im not dating anyone right now, who wants to take me for a candlelit dinner and tell me i smell good and my voice is sexy) (you cant just compliment me, ill be bored or uncomfortable, you have to bury it in a disagreement and make it clear youre kind of mad that youre into me)
that said i think the show kind of misunderstands house's sex appeal. it feels very written-by-men. women characters throw themselves at house in a porny kind of take-me-now way. in my observations guys who are arent traditionally hot but attractive in this antagonistic, talky was dont really get that kind of treatment, but they do get the main cast wilson/cuddy/cameron "i hate this guy but im obsessed with him and i will never make a move or i will and itll go badly" kind of stuff. my phantom house reboot does have cameron and house hook up and its a really mean and destructive fwb thing with like 4 false endings. does this make sense.
right now im in the middle of the plotline where leighton meester plays a 17 yr old girl stalking house because shes so in love. like thats not the vibe. at least from what ive seen. im not omniscient.
lol it turns out she has a spore makign her hypersexual lolllll i literally have this on in the background rn ok i take some of this back.
whenever i mention to someone im watching house theyll recount to me the plot of the one episode they can remember and it always sounds insane and its never made up.
"the one with the intersex teen model who fucks her dad to manipulate him and has testicular cancer" like yeah. yeah thats real. if you talked to me 3 weeks ago thatd be the one i recounted to you.
yes house does leer at her in that episode and its treated as logical and normal for a 45 year old man.
i hate chase, he's awful but boring.
im curious how long im gonna keep watching this, i know the later seasons get kind of soapy plotwise and i dont know if thats what i want out of this
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arandomdai · 1 month
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Leuce and Hades: A Tragic Love Story We Were Robbed Of
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⚠️ WARNING: I'm just saying my opinions just like everybody else. So in Demeter fashion, put your tin foil hats on. It's going to be a LONG read. Enjoy!!! ⚠️
• Hades and Leuce: The Titanomachy
I feel like The Titanomachy should've been the start of the book. A part 1 and 2 (and/or 3) of what happened before and after the war. During the fight, Hades was severely injured by Kronos which caused him to be on bed rest. First, the scene with Hera helping Hades should've been Leuce instead. He could've saw how beautiful she was and she would've thought the same about him. Leuce would've talked to him about how brave he was, feeling bad about him being hurt and being trapped in his father's stomach. After, she's done with taking care of him, she could've kissed him on the forehead showing that she cares about him. Next, after the war is over, he meets with Leuce at the beach saying thank you for taking care of me while I was hurt and feeling sorry that she had to see him that way. Leuce would've said it was fine and that she was okay helping him. Hades then asked about the forehead kiss. Leuce would say that she liked him, and wanted to let him know that he was loved (in her own way). After talking about their troubles and giving advice to each other, both experience their first kiss (which could've been the backstory on why he hates the beach). Finally, everyone was ready to move on with their lives. Hades asked Leuce if she wanted to go with him to the Underworld ( Zeus didn't trick him into ruling the Underworld in the myths and Hades didn't need to eat a pomegranate to rule 🙄), and so she said yes. Once they get down there, they get started on building the kingdom.
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•The Loss of Leuce
After building everything and trapping Kronos in Tartarus (with the help of Hecate's powers), Hades was planning to propose to her and wanted to do it at Zeus's party. But he discovers that she doesn't look well, and wanted to know what's going on. Leuce explains that she is dying and that she almost lived a full life (keep in mind that they are the same age in this tragic love story). Hades tries to find away to make her live long enough to stay and be with him forever, but it was no use. Using this picture because this could've shown while working in his office, the glowing butterfly could've been a sign that she was about to pass away (or she sends it to him to let him know to be with her). And so he goes to the room, but before he does that, the doctors warned him that he only has 2 minutes to talk to her until she passes. Hades wonders if it was anything they could do, and they shake their head no. Hades walks in with sadness in his eyes with a happy smile. Before Hades could say anything, Leuce tells him something like...
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"When I first saw you, I knew that you were the one for me. The love I have for you has grown stronger and stronger than ever. You understood me in a way that no one else could. I witnessed your crystals, your stars, and the real you. Hades I will always have you in my heart for centuries to come. The laughs we shared, the fun we had, and happiness we both have for each other will live on in your heart. Hades no matter what happens, I will always love you and I want you to be happy. Promise me you will be happy (He would tear up and says "I'll try"). My time has come. I love you Hades. I will always love you."
Hades would be crying while holding her hand telling her I love you too. Out of grief and sadness, he turns her into a poplar tree and started wearing a poplar leaf on his suit ever since. Losing her could've been the reason he's bitter, mean, somber, drinking, sulking and having bad dreams. We could've had a enemies to lovers story about him and Persephone (without the "I can fix him" mentality). I feel like him going to that party mad and upset because he is still grieving would've made more sense.
Sidenote: I wish that Hades hair stayed long and his hair would be Obsidian Black (like the glassy mineral since he is the God of Wealth) with swirls and everything. A missed opportunity once again 😒.
•My Rant
The author calling herself a Greek mythology expert is just...not true. When going into the myths, it is a stated that Hades first love was Leuce up until she died, turned her into a poplar tree, and puts the tree in Elysium. So why call this a feminist retelling, when there's nothing feminist about it? Why is Leuce made to be this delusional and gold digging nymph? Why is Persephone being a asshole to her and saying "clout chaser" (which is so cringe)? Having a self insert and a fantasy boyfriend isn't doing this book or the character(s) any favors. Leuce deserve so much better than this. And to see this story just mentions Greek gods and goddesses without giving them their own stories (mythically accurate at that) is sad to see. Just bad writing, bad morals, and a dream.
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nerd-hotnissa · 1 year
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Spoilers if you haven’t seen the Wednesday series on Netflix
I still ship Wednesday and Tyler. Tyler may be the villain but let’s not forget the complexities that come with it.
Throughout the series we see Wednesday learning about emotions, social interactions, and developing relationships.
Also Wednesday is our beloved goth girl who loves all things macabre and twisted.
She also never stated blatantly about how she feels about Tyler being the murderer, just proving that he was and she needed to stop him.
She put piranhas in the swimming pool.
Wednesday said she would have went further on Tyler’s prank to Xavier so she’s not above causing harm, also let’s not forget she did torture Tyler.
But murder, she made a few comments here and there but nothing was ever stated firmly whether she believes that’s above her and it’s wrong to do.
(If I’m wrong please let me know but if I remember correctly I don’t remember her ever stating murder was her boundary)
What the series did show though was attempted murder had an impact on her. Thing was stabbed and Eugene was attacked and both made an impact on her.
So now we have the Macabre Goth Girl who enjoys harm to others but has developed friendships and feels fear and concern when they are hurt.
She subtle develops feelings for Tyler who is the walking metaphor to her evolving of concern for others but the twisted enjoyment of pain and harm.
Tyler is both.
Because he is a Hyde.
A monster of Jekyll and Hyde
And we all know that story. Two halves of the same person fighting against each other.
Tyler is just like Wednesday.
Tyler doesn’t want to harm anyone but Hyde does. (Obviously we haven’t been shown that yet but for the sake of the posts just stay with me)
Tyler has feelings for Wednesday, Hyde will kill her.
Wednesday loves cause harm, but she is also evolving into making friends and caring for their wellbeing.
Tyler is her opposite and also he can keep up with her.
When they were on their date his banter and responses kept up with her.
Also on their date he did what he knew Wednesday would like.
A picnic in the crypt, to be tortured (the movie), and knew horror movies would bore her since he loved all things dark so he thought outside the box of something she would absolutely be disgusted by.
Tyler always thought of Wednesday not what he wanted of her.
No hate but *cough* Xavier *cough*
He never really got frustrated with her and when he did he kept it cool.
Could this all be a ruse because of him being the villain? Of course but you can’t just be the Hyde monster and no Jekyll.
Tyler had issues, Tyler had trauma. Tyler was used and abused to evoke the monster inside him, literally, but the other “monster” inside was a troubled kid.
Before Laurel he was just Tyler, Jekyll.
He’s complex and foils well with Wednesday.
I’m season 2 I hope to see a redemption arc and Wednesday see the complexity of Tyler and how they mirror each other that of course I hope develops their relationship.
But of course I also understand Wednesday is great all on her own and I am okay with that too.
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atlafan · 1 month
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Jordan, ik you probably don’t want to have a whole conversation about this but I recently watched Drew Gooden’s video on the live action atla series (it just affirmed that I definitely don’t want to watch it lol) but it did inspire me to do a rewatch of the original and ughhhhhh it’s so incredible😭😭 all the little characterization details are SO rewarding and so good. Zuko’s small acts of kindness, even early on in book 1, just show that he’s always been Ursa’s son and help set up his arc for the rest of the show. Going after the captured Iroh instead of tracking the Gaang in Winter Solstice. Saving his crew in The Storm. It just shows you that at his core he believes in doing the right thing, and that’s a huge part of why his overall arc pays off so well. It’s the same with all of them—seeing Sokka put on his war paint and his battle regalia (in ep 2 or 3 I think) to confront Zuko in the village…it shows you that he takes such pride in the responsibility of being a leader and a warrior, especially in his dad’s absence. Yet when he gets to Kyoshi, we see the humbled side of him, and that he’s devoted to learning and respectful of the masters in their craft (whether it’s the Kyoshi warriors or Piandao or even the mechanist) and wants to learn what they have to teach him. Even Jet, who is always a very complicated character for me, is so compelling and so real. He’s suffered horribly and unfortunately has let that radicalize him. Tbh it reminds me of when anti war groups in the 60s would bomb places and things like that…the mission is “peace” but you’ve let your mission turn you into a violent radical who doesn’t know the difference between right and wrong anymore. I KNOW I don’t have to tell you lol but all the little details of this show, from design to writing to performances, are just incredibleeee and I’m so happy it exists.
GISICKAKAAK what a fun message to wake up to!
Yes I am simply pretending the new series doesn’t exist because I know it’ll just piss me off if I watch it. And I know myself well enough to know I am just not mature enough to separate the original from the new, so yeah I won’t be watching and I doubt I ever will. The one thing I am mature about is that I don’t “hate watch” things anymore lmao
I think this is why zuko is like my favorite character. I feel like he was the first character I was ever like “no, that’s actually my son” when I got older. He is so fucking complicated and so not at all what you think he’s going to be. He’s not just the antagonist, he’s Aang’s foil. They parallel each other in so many different ways. There’s a scene in book 3 where Aang literally says, “I need my honor back”, and it cross fades from one side of his face to the other side of zuko’s!!
All of the characters have incredible arcs. They all learn something about themselves, and they actually use that to grow and get better. Remember, these are literally children who were thrusted into adulthood, forced to grow up way too early. Katara is a nagging mother, but she also remembers how to be a kid and have fun and laugh. Sokka is a sexier idiot, but what teenage boy isn’t? He unlearns so much behavior, and even though he still feels like he’s the leader of the group, and in so many ways he is, he learns that it’s okay to let someone else take the lead, that he doesn’t always have to be right or in charge. Toph learns that she’s loveable for who she is, blindness and shoeless and a badass.
Aang and Zuko obviously have the most difficult arcs. Aang has to come to terms with the fact that he ran away, and a mass genocide of his people ensued. But if he hadn’t left, he would have died along with the rest of them. Like it or not, it was fate that he froze himself. And most avatars get told who they are at 16 and are given all the time in the world to learn the other elements. Aang was 12…and then had to learn the other elements in less than a year. I would argue that he didn’t necessarily master all the elements in that year. I think he learned enough about each to get by, and I’d like to think he took some time afterwards to really master them. He still relied on his air bending a lot. Whereas if we look at Korra, she did a lot of fire bending even though water was her natural element.
And my baby zuko…I could go on for days about him. My tortured emo son. He overcame so much. He cried, he learned to laugh again, he learned how to be young again. He hated being in the slums of ba sing se, but he also went on dates and got closer with his uncle like he never had been. He was such a sweet little boy. The storm always makes me cry. Zuko alone always makes me cry.
I could go on! I always wanna talk about avatar so never be afraid to come to my inbox about it!
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fromtheseventhhell · 3 months
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I'm sorry for coming to complain but I have something to say: I already know that in this fandom there are many opinions about what Arya and Sansa's relationship is going to be in the future and that we always complain that the Sansa stans talk about Arya as if she were going to become a servant of her sister, "one is the strength and the other intelligence", which are going to complete each other and all that shit (among all the other stupid things they have said) I agree with complaining about that because they are erasing attributes of Arya's character THAT SHE ALREADY HAS, and that we have always talk about Arya being a character apart from Sansa, someone who has her own story, her own purpose and that her whole character is definitely not reduced to just becoming her sister's employee after she always treated her badly in the their childhood.
Okay, I agree with all that. Those types of comments bother me too. But I feel that as a result of this very silly arguments have been born about why Arya and Sansa could never be friends because "they are very different, in personality, experiences and worldview" I'm sorry but I don't agree with that because, it is true that they are different, but let's not pretend that they don't have many things in common, and this goes beyond their personal characteristics or the fact that they share an entire family.
How different are their experiences? Yes, one is the red fortress and the other has to travel thousands of kilometers but in the end they both went through similar things. Both saw their father die, both were abused, both were beaten, both have been sold into marriage, both have been sexually abused, both have met cruel people and have had to pretend another identity to survive. The fact that it is in different contexts does not take away from the fact that they do have similar experiences, so that argument is very silly. And I don't say it with the intention of saying that Arya and Sansa are going to be the "best sister foreveh" I just hate that argument cause it dosen't make any sense, also throughout the asoiaf universe we have seen how completely different characters have had a great relationship come on.
Tyrion and Jaime are also wildly different and loved each other, Sam and Jon are also wildly different and no one is saying they could never be friends.
Also, it bothers me that they ignore the fact that Arya DOES care about Sansa, maybe Sansa doesn't care about Arya that much but Arya has always been fond of her sister, even when she was cruel to her.
Again, I don't come here with the intention of saying that they are going to be the best sister forevah and all that, I just hated that argument and also pls don't erase that from Arya's character either! that she has always been a good sister to Sansa, even if it was not reciprocated she was always loyal to her people, to her "pack"
Plus Arya and Sansa's relationship is definitely deeper than just "respect." Way more.
I feel like this is a good example of my earlier point that Arya stans need to over-explain points/theories to not have them taken maliciously (especially if they included Sansa). I still want to answer this in good faith though, because I don't believe you intended it to come off like that.
But I feel that as a result of this very silly arguments have been born about why Arya and Sansa could never be friends because "they are very different, in personality, experiences and worldview"
I will start by saying that the theories about Arya and Sansa not getting along aren't retaliatory to the fandom's perception of the "Stark Sisters 4ever". The idea of them not getting along is based on their conflict in AGOT, them being written as foils, George saying that they have issues to work out, and the fact that their characters haven't fundamentally changed since they've been separated (i.e. what's in the books). They've both been through a lot but trauma isn't a substitute for growth, and the issues they have will still exist. A big part of their conflict is Sansa's classism, which leads her to look down on Arya, and she has yet to grow out of that trait. If she reflects on this in TWOW then that's a different story. For now, we have to speculate with what we have. Not only that, but I could see Arya having less patience for her sister's behavior considering everything she's been through. There could be mutual hostility.
Tyrion and Jaime are also wildly different and loved each other, Sam and Jon are also wildly different and no one is saying they could never be friends.
As for this, the difference is that we're shown these characters having a positive relationship on-page. No one says Jon and Sam can't be friends because we see their friendship develop. Tyrion and Jaime eventually have conflict, but there's also a caring relationship built between them before that. Arya and Sansa have tender moments and fond memories, but their relationship is mainly antagonistic in the first book. If we had seen them getting along well before and, say, the trident incident had been the source of their conflict, that's an entirely different dynamic.
I just hated that argument and also pls don't erase that from Arya's character either! that she has always been a good sister to Sansa, even if it was not reciprocated she was always loyal to her people, to her "pack"
I don't think anyone with this prediction is ignoring Arya caring about her sister, it's more about the lack of growth on Sansa's part. While Arya tries to apologize and bridge the gap, even thinking of ways to please Sansa (I'll kiss her and beg her pardons like a proper lady, she'll like that), we don't have any equivalent moments from Sansa. She has fond memories of them playing in the snow, thinks of naming a daughter Arya, and overall misses her family and I'm not downplaying that. It's just that it doesn't supersede the relationship we've seen play out between them (or the fact that she thinks of Arya as unsatisfactory even though she believes her to be dead). It shows that they love each other and could reconcile, but there's no guarantee. Arya can't maintain that relationship one-sided and, considering she's already tried to apologize, Sansa will have to put in some effort on her side.
Plus Arya and Sansa's relationship is definitely deeper than just "respect." Way more.
I don't think their relationship is built on just "respect", they do have sisterly/familial love but that isn't all-powerful. George has stated that he reworked the Starks to give them conflict because they were all getting along and "families aren't like that". I doubt that he'd go to that trouble just to conveniently get rid of that tension, especially considering the amount of sibling conflicts we see in this story. No house gets along perfectly and this is intentional! We aren't ever going to really know until we get TWOW, but I just dislike the framing of this theory as baseless or trivial.
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