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#tbh I didn't think this would happen
thebisexualwizard · 2 months
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Got asked out by another wizard and he is nice!?? I DIDNT SEE THIS IN THE PONDERING ORB?? BUT HUZZAH!!
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ineed-to-sleep · 3 months
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So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again
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zukosdualdao · 28 days
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i'm literally insane about the last agni kai and the lightning scene(s). i swear i've rewatched it 10+ times since my last rewatch of the show (which was my first watch in years) and like. azula sees katara come into view from behind. zuko doesn't. he follows azula's gaze and sees katara and is immediately horrified. he doesn't even think or hesitate because he doesn't have time and for once he doesn't have to look back at azula to figure out what she's doing because he knows what she's doing and he won't let it happen. time dwindling into slow motion as a haunting score plays? and zuko literally yelling out "no!" because that lightning absolutely cannot hit katara. as soon as he sees it there's no chance of that ever happening. and then katara watching in horror as the lightning flashes against features in what is probably one of the most hauntingly beautiful animated moments of the show? zuko hitting the ground still convulsing with lightning and katara crying out "zuko!" and immediately trying to run to him before azula attacks again? and the next scene we cut back to with them, zuko is groaning weakly and trying to lift himself up, and we see katara literally gasp in surprise as she realizes he's still alive (i'm sobbing because i do quite literally think she thought he was dead) and immediately tries to run to him again, nevermind that she knows azula is still there, and the hand katara uses for healing is already doused in water as she reaches for him. but then azula starts attacking again. and zuko, despite literally being in so much pain that he can't stand and can barely even move at all without whimpering, still tries to reach for the spot where he can see azula attacking katara. katara is forced to hide from azula's attacks. and as azula is mocking "zuzu, you don't look so good" down to zuko, the perspective shot is such that you can SEE that katara is also looking at where he lies prone in the distance, surrounded by flame (probably wondering how much time they have before it really is too late) before looking back up at azula and realizing she needs to defeat her as quickly and handily as possible so katara can get to zuko. obviously katara would have done this anyway (the whole reason they were THERE was to halt the continued cycle of the imperialist regime of the fire nation), but the scene is specifically framed as katara trying to figure out how to stop azula so the obstacle to her getting to zuko is no longer in the way. katara's defeat of azula was epic and deserves its own post. but then after making sure azula is securely chained, she runs to zuko, looks at him with such immense sadness and horror and fear as she hears him in so much pain, tenderly turns him over so she can get a good look at the wound. and she cups his head? briefly but so gently? so that he won't hit it as she turns him over? and when she tries to heal him you can tell she is so genuinely unsure if it will even work, and so relieved that she starts crying tears of joy when she sees it has (at least enough to keep him alive and somewhat lessen his pain.) they thank each other (and you can tell it's still really hard for zuko to talk and his eyes are barely open but he thanks her anyways i'm.) and she thanks him back and!!! when he starts to try to sit up she makes a little surprised face and then immediately helps him to do so (and puts a tender hand to his chest while she does!!!) and obviously that last shot of them standing together is also one of emotional support, but katara's hand on his back is also partly because i still think (and certainly katara still thinks) trying to walk/stand on his own would be a bad idea, so it's definitely not happening.
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favourite twdg villain?
I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.
Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."
Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.
If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.
But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.
You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.
She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.
Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.
Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.
Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.
But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.
Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.
I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?
Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.
#asks#twdg lily#twdg andy st john#twdg danny st john#twdg brenda st john#twdg clementine#twdg minerva#twdg mark#twdg larry#twdg kenny#i know i used to complain about lily in tfs a lot years ago but past cj complained about everything tbh sksksks#now i'm just like babe lily's interesting as shit like not every villain needs a redemption arc just because you think they're hot#and don't wanna feel bad or because you want her to be like she was in s1 when she was sympathetic like... it's been years#that's like being mad that clementine isn't the same person as she was in s1... the difference is we got to see clementine grow#but what happened to lily is a mystery... but that doesn't mean she didn't change especially for the worst#i dunno sometimes i look at lady antagonists in media and then look at people's reactions and i'm like.......... hmmmm#c'mon now- if kenny came back in tfs the same exact way then y'all would be foaming at the mouth insisting he's complex#and morally grey and he's just really sad about his family dying and really he's a sad widdle meow meow but also the best villain#who should be spared because he always cared about clementine and aj and he's just traumatized and sad and amazing unlike OTHERS#like.................... okay sure mmhmmmm#side note but the worst thing about kenny is the fact that he IS a brilliantly written character but his stans tend to just be the worst#anyway i like lily she's a great tfs antagonist like i recognize there are some weak spots and i wish she has more of a presence in ep4#if she lived but y'know... gotta make room for minerva being the final bridge boss so... yeah
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having a really old dog is just repeating the mantra to yourself "i am grateful for the time i've been given and when it comes time to let him go i will do so gracefully. i am grateful for the time i've been given and when it comes time to let wait why are you not pooping normally WHAT IS GOING ON WHY WON'T YOU POOP ARE YOU DYING" and then calling the vet in a panic, being told actually he's fine but give the probiotic some time to do its thing and then let us know if anything changes, and then you take a deep breath and go "cool. yeah. obviously he's fine. anyway. i am grateful for the time i've been given and
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keepthetension · 3 months
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still stuck on mhok's trauma, unsurprisingly. i keep thinking about the opening scenes of this show, showing us day losing his sight, and mhok losing rung. i really thought that the show would spend equal time and care on both
my first post about this show was pointing out that the first shot of day is a close up of his eyes, and the first time we see mhok, he's holding something in his mouth. and i thought it was so interesting that we see mhok gagged, because society generally doesn't care what people who've been incarcerated have to say. or poor people. and by and large, it doesn't care about the voices of traumatized people, either
and i was so curious to see what the show was going to do with that. i can't believe the show itself was never really interested in what mhok has to say
and i'm stuck on mhok's time in hawaii. the show highlighted over and over again how poor he is, and we know that he didn't like studying. what are his english skills like? we saw singha there, and i think one other thai person. was that the extent of his social circle? he seemed pretty happy to leave hawaii behind, so did he make no new friends? did he spend his days off just sitting in his room by himself, the way day did when he went to songkla with mhok?
i assume he and porjai were still in touch, but he moved abroad at a time when his ptsd was getting worse, and in the wake of a terrible breakup, and he just walked all of that off? alone???
feeling overly protective and over-responsible is absolutely an understandable trauma response for mhok, but you know what else is? losing a relationship, and feeling like you HAVE to go back and fix it, and that if you can just get a do-over, you'll be able to do everything perfectly this time, and you'll get everything right, and everything will be okay! this makes more sense to me in the final episode than the idea of mhok and day having a happily ever after does
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moccasins · 4 months
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so.... turns out people do want to see my au of the dreamtale bros growing up together lol
so here are the designs i threw together ig XD
also happy birthday dream and nightmare!!!
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daz4i · 1 year
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assuming fyodor is 20-something (likely somewhere between 22 and 28) wouldn’t this episode imply he’s been on this “kill all ability users” ride since he was like. 12
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mellotronmkll · 2 months
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cannot put into words how much finding out that women with autism being misdiagnosed with bpd is like a super common thing shook my entire understanding of everything I had experienced my whole life that was the real final nail in the coffin but it's crazy I somehow didn't know that until recently
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queerofthedagger · 1 month
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get yourself a friend who will listen to you go on an hour-long mad rant about some possible linguistic inconsistency in the worldbuilding of your latest brainrot that has literally zero bearing on that one throwaway line you're writing and overthinking, and who will not only listen but have an absolute blast (affectionately) laughing at you being an absolute goddamn nerd even though only very roughly knowing what you're even talking about. but also if someone could tell me whether Eru is a Quenya/Sindarin/Adûnaic word, if it would have made it into common westron and the Hobbits casual vocabulary, and if it would have theoretically existed before the invention of (Elvish) languages or whether it would have been a different name / no name because technically there was no language. that would be great. like. i know 'Eru Ilúvatar' is somewhat common but Ilúvatar is clearly marked as Quenya whereas Eru seems to have contradicting sources and also yk predates. the creation of elvish languages in the narrative so. anyway
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deputy-morgan-malone · 7 months
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OC Aesthetics for the Entities (Magnus Archives)
I'm not sure how much new Spooky Month content I'll be doing this year, I'm pretty tapped out at the moment, but I have had this for a while (created by @sagamemes) and it's pretty spooky, so I figured I'd do it for the start of the spooky season \o/
Tagging @inafieldofdaisies, @turbo-virgins, @socially-awkward-skeleton, @direwombat, @adelaidedrubman, @florbelles, @cassietrn, @unholymilf, @strafethesesinners, @paganminiskirt, @henbased, @deputyash, @roofgeese, @fourlittleseedlings, @josephslittledeputy, @jillvalentinesday, @corvosattano and @voidika to do it too - ONLY if you want to <3
aesthetics for the entities.      bold what applies to your muse, italics what applies situationally or only in certain verses. rest of the fears here.  this is based on a horror podcast;  potentially triggering and / or upsetting content ahead!
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Deputy Morgan Malone (FC5 OC)
i.  THE BURIED.          weighted blankets.   drowning.   the comfort of a loved one’s weight. soil & sand piling on top of you. hugging so hard it hurts a little. cramped hiding spots.   letting out air underwater to sink to the bottom of the pool.   walls pressing in on you. not moving from a position even though you’re cramping a little.   dragging the last second before you have to inhale.   lonely subways.   feeling like one with the earth.   a layer of dirt on you.   looking for something below.  cardboard boxes & tiny pillow forts.   hands calloused from digging.  knowing that your purpose is just below the surface. entering your final resting place before it kills you.   a storm drowning you out.  dust & sand speaking to you.
ii.  THE CORRUPTION.          insects.  a close imitation of the natural course of life. an illness in a community. a rag that dirties more than it cleans.   an untreated wound.  containment.   breaching containment.   unbreathable air.   fungi.   one with that you love.   one with what loves you.   a corpse unfit for a glass case.  hearing a song in the sound of tiny wings & legs.  honeycomb patterns.   an ecosystem within a person.  a curse passed on.  the hubris of a scientist.  an ugly death where a glorious one is owed. blood on a handkerchief.  parasites.  something pushing up the sewer.  a mask to keep something out.   trypophobia.  knowing you belong.  death weeks after impact.  fever. food that’s gone off.   pandora’s box.   death behind a glass.
iii.  THE DARK. shadows. lights that turn off by themselves.   the feel of cold marble.   a beaked creature in the night. the difference between seeing darkness & seeing nothing. touch of something you can’t see.  hiding under a blanket.  white,  clouded eyes. months without going outside during sunlight. pouring dark. unscrewing lightbulbs. black matter. light sensitivity. a starless night.  time before light was created.   a shadow on the wall without a body to attach to.  withering plants.  a world without a sun.  footfalls in an empty house in the night.  a light that doesn’t reach as far as it should.  desperate reach for a flashlight.  clothes that hide your shape.   staying unperceivable.   winter months in the north.   an empty church.
iv.  THE DESOLATION. senseless pain.  warmth of faith. wax where skin should be.   a blazing fire.   heat without a source.   the third or fourth tragedy in the family. losing everything you’ve ever held dear. so much to live for,  gone so soon.  the smell of gasoline.   touch that scars. coffee cup that never goes cold. scorch marks on wood.  inescapably warm air.  a child born in fire.  death of a loved one.  a candle without a flame.  an altar in the middle of the woods.  animals with burnt fur.   plastic explosives. burning hot metal.  sweating in an interrogation room.  never touching a loved one. disfigurement. kiss that ruins you.  the scent of burning fat. a tattoo that terrifies its viewer.  the agony of hellfire displayed as art.  auburn hair.  little clothing in cold weather.  a ripple in the air.  trying to cool down in vain.
v.  THE FLESH. body horror.   factories.   a hunger for something more filling. never quite happy with how you look. the terror of an animal waiting for slaughter. a very good meal. the liquid of a perfect steak. fighting your worst survival instincts. a twisted bone.   long nights working out.   more than one heart.   appearance that shapes like clay.   a bag of bones.   bone broth in a pot.   knowing to fear pigs.   the butcher’s shop.   plastic surgery.  something alien inside your body. a hunger in the gaze laid upon you. unwitting cannibalism. forgetting what you used to look like. being admired for your appearance & appearance only.  teeth marks on skin. scars from wounds that should’ve killed you.   cooking in scarcity. fenced in with one way to go.
vi.  THE END.          the last page of a book.  nightmares that don’t feel like nightmares.   a skeletal hand.   the grip of the grim reaper around your throat.   existential pain.   ivory dice.  flatlining in a hospital.  gambling with death.  as old as the universe.  soul & spirit tied to an object.  a dream where you die. closing your eyes for the last time. the pleas of a dying one.  knowing the fate of someone you know & being unable to prevent it.   a thousand cords tugging you towards your end.  skin that’s freezing to the touch.   an act of desperation. someone’s life for yours. an eternity spent alive. the cost of your selfishness.  watching your own burial.   causing your own burial.  the smell of death.  numbness to fear.  words from someone gone. meaninglessness of the actions or lives of single people in the universe.  multiple near-death experiences you refuse to die from.
vii.  THE EYE.          googling something you shouldn’t have. eureka moments.  the unforgiving lens of a camera.   witness reports.   hidden libraries.   eyes of different colors.   feeling of being watched.  a death recorded in tape.   a tragedy you can’t look away from.   endangering yourself for knowledge.   truth.   analog records.   a symbol of an eye.   a watch tower.   compulsion to document.   turning on recording devices without thinking about it.   saving the evidence before the person. extracting information.   truth or dare,  without the dare.  a thirst for knowledge. books that speak to you.   coordinated shelves.   cataloguing systems.   voyeurism.   police report you can’t put down.  reasoning your way out.  smell of old papers.  books that read you back.
viii.  THE HUNT.          sharp canines.   sore calves after a run.   the scent of blood.   an adventure for the journey’s sake.   the adrenaline right before the kill.   a whistle’s echo.   the woods.   the doe eyes of a prey animal.  your own breath in the air.  sharpened claws.   being tracked.   fear of someone knowing your every movement.   hunting down monsters.   hide & seek.   running away only to end up where you started.   staying alive purely because the enemy enjoys seeing you run.   a set of footsteps behind you.   blood dripping from bare hands.   barks & growls.   focused eyes.   a victim going limp under your hands.   a mouth full of fresh blood.   catching the scent of something monstrous.   perfecting your craft.   peering into the dark & running after it.
ix.  THE LONELY.          an apartment too small for a double bed.   completely vacant streets.   waking up to see everyone gone.  fog.  point nemo.  a house too big to hear your family members in.  alone in a faceless crowd.  a mask with nothing behind it.  separated cubicles.  a deafening silence where joy should be.  a blinding spotlight.  the least missed in your friend group.  streets without lights in the windows.  isolation.  not truly knowing your friends.   your friends not truly knowing you.  need for silence.  fear of crowds.  staring into space knowing nothing is looking back at you.  a ship alone at sea.  depression.  knowing your friends are better off without you.  talking to someone only to realise they’re gone.  a family too large to notice you there.  safety in being alone.
x.  THE SLAUGHTER          a game of tag.   senseless violence.   a true crime hobby.   improvised weapons.   blinding rage.   intent to kill.   a horrific day in a quiet community.   a medal of bravery.  holding on to what validates your anger.   history books that spare no details.   an injury you want revenge for.   war.   counting kills.   songs of soldiers.   a knifeblock on the counter.   a pool of blood.   shellshock.   unspeakable horrors.   anger pushing you forward.   unimaginable pain.   not seeing who will hurt you but knowing the pain is coming.   a fully human monster.   an authority sending its lessers to their deaths.   kill or be killed.   unedited wartime memoirs.   a weapons collection.   not knowing the names of who you kill.   too many to remember.   loss of hope.   there’s no heroes in war.
xi.  THE SPIRAL          sleep deprivation.   corridors you can get lost in.   maze puzzles that loop back on themselves.   losing possessions.   losing people.   losing your sanity.   corkscew curls.   rows of funhouse mirrors.   optical illusions.   a separate reality.   walking through the wrong door.   delusions.   not knowing what your hands are doing.   blank spaces in documents.   hallucinations.   wrong proportions.   a nameless thing.   a place that has never existed.   doubting your own mind.   blind faith.   losing track of names,  labels,  categories.   distorted sound.   an imperfection in a glass that twists the view.   loss of time.   a garish colour.   doors that open to nowhere.   lies.   an unnatural laugh.   jokes & tricks.   illusions.   a doorway.   a sculptor with a wild imagination.   limbs in impossible angles.   doing what’s fun,  not what’s sensible.   fractals you can get lost in.
xii.  THE STRANGER          wax figures.   a close approximation of a human face.   a borrowed appearance.   a strange smell.   glass eyes.   furs & pelts.   a dance.   a song of a choir.   the uncanny valley.   stitching yourself together.   the colours of a circus.   a puppet with no strings.   mannequins.   glitter & sequin.   a stranger you’ve always known.   someone strange in the place of someone you knew.   stolen identities.   stolen skins.   a machine imitating humanity.   the anonymity of a service worker.   hiding in plain sight.   uncomfortable to look at.   a faked accent.   concealing.   forgetting who you are.   forgetting who others are.   a replacement no one notices.   images that look posed.   the only one seeing the false face of someone.
xiii.  THE VAST.          open spaces.   carnival rides going up & down.   fear of heights.   endless infinity around you.   your insignificance in an universe.   stomach turning at a drop.   fear of not the crash down but the moment you slip.   the sway of a cable car.   an adventure holiday.   losing track of where the surface is.   miles & miles of nothing around you.   staring at the sky & feeling like you may fall into it.   loss of control.   a fall that doesn’t end in death.   glass floor to the view below.   terminal velocity.   the sound of wind in your ears.   a reach over the railing.   a jump from the top of the building.   falling into nothing.   feeling your feet let go of the ground.   a leap of faith.   motion sickness.
xiv.  THE WEB.          undecipherable code.   a puppeteer holding the strings.   power over the weak—willed.    strings of fate.   manipulation.   an arranged accident.   a hundred minions doing your bidding.   cobwebs.   spiders.   a laid trap.   never voicing discomfort.   outwitting a cheater.   doing things without realising it.   red string across a corkboard.   finding something lost where you were sure you checked.   power over the unrealiability of chance.   watching others dance for you.   an entangled death.   a thousand tiny legs & fangs.   shady forum threads.   something important gone missing.   suspiciously disregarded case.   a missing witness.   connections.   the world wide web.   power of victimhood.   gullibility.   no control over your own decisions.   an invisible leash.   mass psychology.   a horror film in the making.   scapegoat.   never remembering to ask for a name.
+  THE EXTINCTION.          the end of an era.   apocalypse movies.   the alarms of warning systems.   a desolate landscape.   end of the world cults.   nihilism.   the last written history.   a changed world.   no survivours.   old prophecies.   a thousand predicted ends.   a new chapter.   an end with no escape.   catastrophes.   a calendar counting down.   breaking point.   overindulgence.
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A) Speedsters can possess the bodies of other speedsters by phasing into the host speedster's body and/or turning into pure energy and merging with the host body via the host's speedforce connection.
B) Speedsters can fuse with other speedsters. During this fusion they 'share' a brain and thought processes.
C) Fusion differs from possession in that fusion relies on both parties sharing control. Possession is easier as only one speedster is in control and it sidesteps the risk of a fusion falling apart due to differing mental states/thoughts. Fusion requires a deep connection and a strong bond to work.
D) Wally and Bart have such a strong bond that they can speak to each other through the speedforce and sense each other's emotions from anywhere in the world.
Conclusion:
DC has the ability to unleash a fusion of Bart and Wally upon the world and they have not yet done so. This is criminal. Imagine the shenanigans. The confusion. The hilarity. Especially if they accidentally do it. DC don't be a coward.
#possession is actually extremely common for speedsters. Eobard has possessed Barry. Wally's done it to literally everyone accidentally#Max got possessed by Jay's reverse flash that one time. there are several incidents where this has happened.#Eobard shoved Barry's consciousness into the speedforce and the same thing happened to Max.#but Wally didn't do that. when he possessed speedsters he just kinda... put them to sleep while he took over.#i mean Wally did it to Jay Barry Jesse Bart Ace Max Jai Eobard some random caveman. its harder to name a speedster Wally didn't possess tbh#anyway point being that speedsters merging bodies with other speedsters is extremely fucking common. they just don't like to share mentally#buuuuut! Wally fused with another version of himself on time. this was the first time this had happened ever.#so wally theorized that he could only do it because they had the same DNA. but DNA doesn't factor in at all for possession#and they're only different mentally/control wise. so i don't think that was correct. i think that because they had extremely similar minds#they were able to share consciousness. which is why true fusion hasn't happened since.#but come on. Wally and Walter were extremely different. Walter was literally homicidal a decade older and depressed.#and they could still fuse#so Bart and Wally??? both are skilled enough and both have a strong enough connection.#they could totally do it#and it would be. so funny#dc#dc comics#the flash#kid flash#wally west#impulse#bart allen#speedsters
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mishapen-dear · 10 months
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baddddddd. he's giving pomme first pick of their dungeon loot rn. he's so NICE. not just to the eggs but in general (i am always thinking of those elegant letters). but the eggs are the only ones who he will quickly and easily show vulnerability to. with everyone else it's like there's a layer there, a wall of silliness he keeps up on purpose, but it just. isn't there with the eggs.
there's something about the way that he cares that I can't put into words. like he cares so much. so fucking intensely. look at dapper. look how kitted out that egg is. look at how much time bbh has spent with the eggs, and look at how much time and effort he puts into figuring out how to keep them safe. he goes HAM when it comes to caring for the eggs, but it comes so naturally to him. it feels like caring for people with his whole entire soul is his default, but he doesn't want it to be. or, maybe want play a part in it- maybe it's too dangerous to care so much so quickly. maybe that puts other people he loves at risk. maybe it scares people. but that wall between him and other people is one that he built, and it's bbh, so he built it strong, so even when he's surrounded by people who have proven over and over that they care for him (that they care for the eggs, that they will not hurt them), he can't fully believe it.
im just. bad knows foolish so well. he knows that man wouldnt on purpose kill any eggs. but pomme killed foolish and bbh, dying of laughter, having the time of his life, told her to "put your armour on. just in case."
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angelshimaa · 3 months
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thinking about how a friend of mine kissed the top of my head when giving me a side hug
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kyouka-supremacy · 1 year
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It's so funny to me when fic writers mention a new made up first encounter of sskk when it's actually part of canon and we know how it went. Akutagawa ripped off Atsushi's leg. Good luck finding anything more romantic than that
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softceleste · 6 months
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The fact I honestly thought I'd pull off playing College Craze and being normal about it, and then less than a week later I've already played it multiple times, made a duel MC au, a Pinterest board, and recreated some of the PopMe pages, is genuinely not lost on me.
#college craze#katie talks ifs and vns#i made psds for new contacts and calls too but didn't really have a use for them in this#also i just bs'd vidtok if it pops up I'll redo those but >.> i think you can tell who my favorite RO is so far okay (it's Pierce)#and then jay shaun ruby and trish also have me by the throat like if Trish has 0 fans I'm dead okay#I've known those characters literally like 4 days and I'd go to bat for all five of them already ok - my beloveds#anyway madeline mostly follows canon (the divergence is Ches exists and Ches is canonly the one fake!dating Shaun for Mad's tuition)#otherwise what the vn throws at Madeline she gets ok and then Ches breaks canon... so much it'd be probably too long for the tags#but this is what i get for being like 'this oc I've been writing for a decade+ would be down so bad for Pierce and Shaun lemme do a#playthrough with her and see what happens' - this happens apparently 😂 listen the vn helped me get through the entire time my mom was#in the hospital (she's home now) so tbh it was a really appreciated distraction <3#extremely long post#long post#edits:mine#college craze: ches#college craze: madeline#college craze: madeline x jay#college craze: ches x pierce#i had fun with these though like Madeline messaging Ches to ensure she isn’t going to come in and find Jay in the dorm#and Ches being like ‘yeah my vidtok is 100% Pierce’s fault’ yikes I need to sleep I’m excitedly tired rambling#sorry if this post is annoying (and for the lines under the categories breaking future me will fix that in further edits if I post more#those may be relegated to the shit post blog though we’ll see posting oc stuff makes me so anxious ngl)#im just hitting post I’ve been staring at this stressing it like two hours now jfc
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