You know a bollywood song is a bop when it talks about moon 🌑🌒🌓🌔🌕🌖🌗🌘
Marhami sa chaand hai tu, Dil jala sa main andhera Ek duje ke liye hain, neend meri khaab tera (Dhadak 2018)
Chanda ko taakun raaton mein, hai zindagi tere haathon mein Palkon pe jhilmil taarey hain aana bhari barsaaton mein (Jab We Met 2007)
Chaand ne kuch kaha raat ne kuch suna, Tu bhi sun be khabar pyaar kar (Dil tou pagal hai 1997)
Chanda re chanda re kabhi tou zameen par aa baithenge baatein karenge (Sapnay 1997)
Khoya khoya chaand khula aasmaan, Aankhon mein saari raat jayegi Tumko bhi kaise neend aayegi (Kaala Bazar 1960)
Chaudhvin ka chaand ho ya aaftab ho, jo bhi ho tum khuda ki qasam laajavab ho (Chaudhvin ka chaand 1960)
Chaand madham hai aasmaan chup hai, neend ki goud mein jahan chup hai (Railway Platform 1955)
33 notes
·
View notes
For the ask game with a little sweet twist for you
Tum aakash ke uss ujle taarey ki tarah ho, jisey har musafir dekh, dekhta hi reh jaata hai.
Tum vo gulab ki kali ho, jo purey bagan mei ek alag saadgi laati hai.
Tum saavan ki vo fuvar ho, jisme bheeg sabhi apne gam bhul jate hai.
Tum ek kalpanasheel chaturnaar ho jisne mujhe achambhit kar diya hai.
I'm so very sorry if this is a bit too much🙈
Oh, sweetheart, I don't know Hindi 🥲 I'm Tamil 😅
I can only understand 'You are' 'sky' 'rose' 'one'😭
Can a Hindi speaking person translate this? Thank you 🥺💕
Tell me what type of person I am to you
1 note
·
View note
Tera Woh Pyar Chords Guitar Piano and Lyrics - Momina Mustehsan Asim Azhar
Tera Woh Pyar Chords Guitar Piano and Lyrics - Momina Mustehsan Asim Azhar
- Tuning: E, A, D, G, B, E
- Scale: B Major
(A) Baatein terii karte (F#m) huey
Thakk ke (Bm) so jaatii hoonn sirhaanee (E) aasamaann
Jaaney (A) kahaann murṛ jaatii (F#m) hainn
Dekhtee (Bm7/Bm) dekhtee tujhee yeh galiy(E)aann
Terii (A) tarhh khushbu (D) chalein
Taarey (Bm7/Bm) hamaarii tarhh raatonn se (E) miley
Instrumental
(Bm7/Bm) (E) (A) (F#m)
(Bm7/Bm) (E) (A)
(Bm) Sunii naheenn (E) zamaanee ne terii merii kah(A)aaniyaann (Am)
Kardee (Bm) koyii na(E)waazishenn karamm meher(A)baaniyaann
Ye (F#m) aarzuu thii ke (E) dekhee yeh (D) duniyaa
Hamm jaisaa (Bm) koii deewaanaa (E) hii naheenn
(Bm) Kardey koii (E) nawaazishenn karamm meher(A)baaniyaann (A7)
(Lalarala)
(Bm7/Bm) (E) (A) (F#m)
(Bm7/Bm) (E) (A) (F#m)
(F#m) Raatt andherii meinn chhupp (F) rahein thee
(Bm) Gumm ekk saweraa (E) ḍhoondḍ (C#) raheinn thee
(F#m) Sadiyonn see (C#) jaisee (E) jaagg rahee thee
(Bm7/Bm) Pyaarr koo apney (E) ḍhaanpp rahein (A) thee
Phirr girr (F#m) paṛein
Koii (Bm7/Bm) milaa naa sahaaraa kyaa (E) kareinn
(Bm) Sunii naheenn(E) zamaane ne teri merii kah(A)aaniyann (A7)
Instrumentals
(D) (E) (F#m) (A)
(D) (E) (F#m) (A)
(A) Teraa (D) woh (E) pyaarr yaadd aa(F#m)yegaa (A)
Bhoolee gaa (D) naaaa(E)aaa yeh dill (F#m) meraa (A)
(A) Kyaa hoo (Bm) gayaa (C#m) sochaa (D) naaaa thhaaa
(E) Teraa wohh (D) pyaar, Tera woh (A) pyaarr
Teraa woh (D) pyaarr, Teraa wohh (A) pyaarr
Teraa wohh (D) pyaar, Tera woh (A) pyaarr
Teraa wohh (D) pyaar, Tera woh (A) pyaarr
Terii woh (A) khaamoshiyaann
Kehh detii (D) thii woii sab(E)hii joh tuu (F#m) naa (D) kehh (A) sakii
(A) Kaisee bataati (F#m) tujhey
Sharmaatii (D) thi mainn jai(C#)see aanchall meinn (A) jaltaa diyaa
Khoyee (Bm) kahaaa(C#m)aaann mujhkoo (D) bataa
Teraa woh (D) pyaaa(E)ar yaadd aaye(F#m)gaa
Bhoolegaa (D) naaaa(E)aaa yeh dill (F#m) meraa
Teraa woh (D) pyaa(E)rr yaadd aaye(F#m)gaa
Bhoolegaa (D) naa (E) yeh dill (F#m) meraa (A)
Kyaa hoo (Bm) gayaa(C#m)aaaa sochaa (D) na thaa
Read the full article
0 notes
The story behind the song KHOYA KHOYA CHAAND KHULA AASMAAN.....
By
Dinesh Shankar Shailendra
For their ninth film under the Navketan banner, Dev Anand and Vijay Anand decided to try out the S D Burman - Shailendra combination.... The film was titled "Kaala Bazaar"
S D Burman, known for his bad temper, was under tremendous pressure. Shailendra, probably too busy with his other assignments, was not delivering a song, urgently needed for the film. Dev Anand and Vijay Anand were frantic... They were pestering Burmanda, who in turn was repeatedly asking Shailendra for the words..... Shailendra was making all kinds of excuses for not delivering....
Finally, one fine day, the angry old man decided that he had had enough !
Shailendra was at his place. Burman da called his young son, Pancham ( R D Burman ) and told him... " You will go with Shailendra and DO NOT come home unless he gives you the lyrics " !!!
Neither Pancham, nor Shailendra could argue with him.... Pancham quietly got into Shailendra's car.... Shailendra assured him that he would deliver the song.... Pancham smiled as the car drove to Shanker Jaikishen's music room... Jaikishen said... " Shailendra ji has a lot of pending work to do for us.... you are in the queue..."
It was evening.... Shailendra finished his work with Shanker Jaikishen and with Pancham, got into his car.... He instructed the driver to go to National Park..... There, Shailendra kept smoking cigarette after cigarette.... BUT NO WORDS !!!
Pancham was cursing his luck as they got back into the car.... it was almost night.... Shailendra told his driver.... " Juhu beach chalo ".....
At the beach, Shailendra was leisurely strolling along with the eager Pancham trying to keep step..... The beach was deserted.... Shailendra asked Pancham for a matchbox..... Another jolt for the youngster ! Shailendra knew that he smoked.... what if he told Burman da ???
Pancham sheepishly handed over his matchbox to Shailendra..... Shailendra was lost in thought.... he lit his cigarette, returned the matchbox and asked Pancham to give him the tune Burman da had composed... Pancham, tapping the matchbox in rhythm, hummed the tune.....
Shailendra kept looking at the sea and the sky, puffing away on his cigarette.... after a while, he told Pancham.... "You can go home.... tell Dada, I will be at your place in the morning with the full song.... "He hummed the ' mukhda '.....
" Khoya khoya chand, khulaa aasmaan,
aankhon mein saari raat jaayegi,
tum ko bhi kaise neend aayegi "
Pancham smiled.... he knew that this song was a winner ! He ran.... hailed a cab and went home....
The next morning, when his father asked him for the song, Pancham handed him a crumpled piece of cigarette pack foil with the words of the mukhdaa scribbled on it.... :)
The situation is an oft-repeated one...
Dev Anand is trying to woo Waheeda.... It is a song of pure romance....
See what Shailendra does....
"Masti bharee hawaa jo chali,
khil khil gayee yeh dil kee kali,
mann ki gali mein hai khalbali,
ke unko toh bulao....."
"Taarey chaley, nazaare chaley,
sang sang mere woh saarey chaley,
charon taraf ishaare chaley,
kisi ke toh ho jao....."
"Aisi hee raat, bheegi si raat,
haathon mein haath hotey woh sath,
keh letey unse dil ki yeh baat,
ab toh naa satao.... "
"Hum mitt chaley jinke liye,
bin kuchh kahe woh chup chup rahey,
koyi zaraa yeh unse kahey,
naa aise aazmao"
Shailendra chooses his words very carefully.... Beginning with the ambience, he gradually moves on to Dev Anand's personal feelings.... expressing his love for Waeeda Rehman.
A little note before we go onto Vijay Anand's work.... Many people will wonder how he is talking about the moon and the stars when it is broad daylight.... In Cinema, more so in the past, when we were not so well-equipped, when a Director had to shoot a night scene in the outdoors, he would use a technique called 'Day for night'....which means exactly the same....
The shooting would be done during the day and then, in the laboratory, the brightness would be reduced to give it a night effect.... The song, as we view it here, will look bright, but, in the cinema hall, it will look like night.
Vijay Anand choreographs the song very intelligently... Please watch the song again.... Waheeda Rehman seems like the silent moon.... sometimes steady, at times just drifting a little...
Dev Anand is moving in almost every shot....So is the camera, when he is in frame.... The effect is of the vast sky and the unruly clouds moving around the steady, beautiful moon....
What Vijay Anand achieves is a feat which is very rare.... Most directors shy away from shooting and showing us more than two verses of a song.... Here, his shooting, along with Burmanda's music and Shailendra's words, is so perfect that we go through FOUR verses of this song just glued to our seats !!!!
That is why Vijay Anand is adored by film-goers and film-makers all over India.
Dev Anand is just amazing.... utterly romantic....
Waheeda Rehman is beautiful.... little expressions, as she looks, a trifle amused at what Dev is telling her....the way he is wooing her....
Almost like a peacock, spreading his beautiful feathers to impress his mate...
KALA BAZAR was the first time that Dev Anand, Vijay Anand, Waheeda Rehman, S D Burman and Shailendra came together.... almost as if laying the foundation for the next time, when they would again come together and create history with ...GUIDE....
Thank God for S D Burman's anger and R D Burman's long day with Shailendra.....
2 notes
·
View notes
Prince Charming and Angel's Love Story
Prince Charming and Angel’s Love Story
Taani and Rey are childhood friends. When Taani was one year old, her parents passed away. Since then, Rey’s parents raised Taani as their own daughter. In school, Rey always stood up for Taani; also, he was very possessive of her. Rey and Taani had feelings for each other, but they never expressed it.
Rey’s parents never told Taani about her birth parents throughout her childhood. TaaRey’s life…
View On WordPress
0 notes