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#stellar character writing
thefanciestborrower · 11 months
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have you seen the new ninjago series?? its so... odd to say the least. i'd just love to hear your thoughts on it? (also hello i asked about tang haha)
AA hello again!!! Okay so at first I honestly wasn’t sure if the series would be good and tbh I was. A bit critical lmao, but after watching it I actually ended up liking it quite a bit?? Like yeah it’s definitely different and I can tell we’re dealing with new writers who are still figuring out how to write the world so there’s clearly a few little issues here and there but overall??? I actually love it. They’ve done a great job with the characters in my opinion, both new and old, and I’m genuinely very happy with the way they’ve been writing Kai especially. I feel kinda like his character had been suffering a little in the late seasons of ninjago sadly but now it feels like they’ve unshelved him and are utilizing a lot of the potential he’s had for a while. And watching Lloyd be a stressed out single parent of two is hysterical and feels genuinely in character. 
I have a lot of questions about a few things of course, but those are about stuff that I feel like they’ve set up to answer in coming seasons so I don’t mind. Yeah okay I do think they did Cloud Kingdom a little dirty but you know what? It could have been so so much worse. Overall as like, the third soft reboot ninjago has had, I’m just impressed it’s enjoyable at all  
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poisonous-honey · 4 months
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Hello...
Lately is a shitty time for me on miHoyo's games. I lost both my 50/50s both to Genshin impact and Honkai star rail. On Genshin, i got QiQi by pulling Xianyun and Gepard by pulling Black Swan. Now i'm broke and my moral is at its lowest.
I'd love some headcanons (or a scenario) about SAGAU(and SAHSRAU if you can) hearing the reader yell and cry of frustration about this. Like: "I'M DONE I'M SO FUCKING DONE!! CAN I JUST HAVE THE ONLY THING I'VE WANTED FOR WORKING AND WAITING THAT HARD!!?? FUCK ALL OF YOU I HATE MY LIFE!!!!"
Sorry. I just wanted to let it out...
Who’s Here: Reader/Player, Diluc, Jean, Mona, Keqing, Tighnari, Astral Express crew, and Gepard
Contains: SAGAU and SAHSR (Not Cult AU)
Note: Hey, hey! I'm sorry this happened to you. I also lost her to Qiqi and had to spend everything else I had to try again, 50/50s suck. Their banners aren’t gone yet though so I hope you end up getting both of them soon! (ノ_<。)ヾ(´ ▽ ` )
💛💛💛💛
It was an accident, it always is with them.
The six of them that are considered standard 5 stars never mean to ruin your chances. They care for you and your happiness, they also want you to continue to play their game. Even though they'd love to be the ones going on adventures with you, both to spend time with you and for their own benefit (Tighnari would love to study other nations' fauna, Diluc could gain new ideas for drinks etc.), they know forcing themselves into your party would never work. You'd just grow to hate them, which is the opposite of what they want.
They're jealous of other 5 stars. Sure they can join you technically whenever they want, unlike the others that have to deal with limited timed windows, but that also guarantees you want them. All they can do is break that or hope they're the lucky one chosen on Wanderlust Invocation. Not only do they have to share a space with each other, but they're also going against weapons, which none of them are remotely happy with.
It's when these emotions are at an all-time high, they're jealousy and longing, the stars will glow gold and tug on their heart.
Diluc is always at his desk when he accidentally takes it. Stewing over boring paperwork his mind will wander from time to time, eventually landing on thoughts of you. He'll find himself missing you and desiring your attention, not realizing you've started a wishing session until it's too late, and he hears you cursing the world. He feels incredibly guilty, and it only grows worse when the wind clatters against his windows. Tries to make it up to you with materials and mora. You’ll find your mail flooded with talent books, adventurers EXP, a ton of mora, and the sincerest apology he could write.
Jean would be trying to sleep. She doesn't have time to think about you during her job, so it’s when she’s on the brink of passing out she’ll start to think of you. The thought of travelling with you sounded like the best break she could get. Eventually she’ll fall asleep and dream about you, only to be suddenly woken up by your screaming. She panics and seeks advice from any and all of her friends on how to make it up to you. Ends up acting similar to Diluc, working herself to the bone to get you talent and weapon materials. She’ll pair them with a few dandelions before sending them to you.
Mona is thinking about food. During a time she forgets to set aside enough mora for a decent meal, she’ll find herself thinking about the delicacies you’re able to provide. Even if it involved fighting, it was a free source of marvellous food. Her mouth waters as she thinks about all the dishes you’ve made, only to be abruptly pulled from her thoughts when a star bumps into her and flies off. She sighs when she hears you start cussing up a storm. Knowing your current state, depressed and full of ire, is because of her, she’ll attempt to make it up to you in a way few others could. She manipulates the fates of the stars so you’re bound to get your next gold star early. A simple method she feels guarantees to make you happy and hopefully take the heat off of herself. It wasn’t simple she wishes you could praise her for it
Keqing would be reminiscing her interactions with you during lantern rite. Whenever she sees the traveller in the distance, but is too busy to stop and talk, that’s where her mind will wander when she finally gets a moment of rest. It’s at this moment of respite she’ll long to see you and the traveller again and when she’ll notice the sky turn gold. She feels incredibly bad when she hears you cry, but she doesn’t have much time to meaningfully apologize to you. The best she can do is write a letter to both you and the character she stole the spotlight from saying she’s sorry. She’ll definitely send you some Golden Shrimp Balls when she next has some for herself.
Tighnari, in a similar boat to Jean and Keqing, would be too preoccupied to miss you on a normal day. It’s when he’s out with his friends and slightly inebriated he mentions missing you. Alhaitham starts to mention how that’s a dangerous line of thought for him to have when Tighnari’s chest starts to glow gold. Everyone winces when you soon start shouting and Tighnari slams his face into the table. He’d end up gathering bunches of every flower in Sumeru and send them to you with a picture of him, Collei and Karkata. 
For Qiqi it's a little different. She can't remember the last time you've gone adventuring with her. Half the time she's too preoccupied to even remember she's already on your team. When a star falls and asks if she wants to go, she doesn't have time to check her notebook before she says yes, the star becoming hers and landing on your screen. 
Your rage and disappointment is always made evident fast, which always has Qiqi turning to Baizhu.
“Did I… Do something wrong?”
Baizhu sighs and kneels next to her, “You made a mistake, but it's alright. Come, why don't we look for an apology gift?”
The next day you open up the mail to see one from Qiqi. Attached to it are all the herbs she collected with Baizhu, her specialty dish No Tomorrow, and an acquaint fate.
Sorry… Qiqi doesn't remember what Qiqi did, but Qiqi knows Qiqi is sorry.
🌟🌟🌟🌟
Upon finishing the most recent event, you had teleported to the train suddenly before they noticed your presence leaving them. They couldn’t tell if you were in a menu or had left your computer entirely. After a while with nothing happening on your end everyone aboard the Astral Express quickly settled in, expecting to be here for a while longer. March was in her room organizing her photos, Dan Heng was going through the archives, and Himeko was making coffee while Stella and Welt were entertaining the guests. Gepard and Serval had come to visit the train that day. Pom Pom had wandered off earlier somewhere in the train and everything was relatively peaceful… Until they heard you start screaming.
March, Dan Heng, and Himeko all rushed into the Parlour car while the four already there were looking at each other in a bit of shock. It’s when they start making out what you’re saying and see Pom Pom rush back into the Parlour car did they realize you had started warping. A session which obviously didn’t go as planned.
They don't like hearing you angry or sad, so they try to come up with a plan, something - anything that will cheer you up without seeming too suspicious. All of them are in the middle of discussing when they also hear you mumble out a very quick and aggressive “Fuck Gepard.”
Everyone turns to him and his face goes red.
Plans are immediately put on hold as Stella whips out her baseball bat and attempts to smash his skull in. Welt tries to step in to stop her, Himeko and Dan Heng stand-off to the side (one more disappointed than the other), March cheers Stella on and Serval ignores her brother's plea for help.
They do eventually get around to cobbling up a multitude of jades for you to at least try again, but not before Stella nearly gave Gepard a concussion. He separately sends you an extremely long apology letter paired with a choice item to allow you to pick a 5 starlight cone of your choosing. Some of the others berate him for being so obvious, but he doesn't care as long as you're happy again.
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lornaka · 16 days
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My five cents on Tech’s fate in TBB
It’s been over three weeks since the show ended and I’ve been writing this in my head ever since, mostly to have it summed up in one post for posterity lol. I considered letting it go at this point but I know it’ll drive me crazy if I don’t get it out of my system so might as well.
So here we go, some of my rambly post-finale thoughts on Tech’s death (and a few other issues) under the cut!
Disclaimer: while this post is in critical spirit (because that’s how my brain works), I want to make clear that I have nothing but respect and gratitude towards everyone who’s worked on the show. My criticisms are of the final story as a whole as I interpret it (art is art, everything is subjective, you know the drill), but one never knows what goes into the process of making it behind the scenes, so I’m not holding anything against the creative team. I love this show dearly and am in awe of how good it is at its best, despite certain things I wish they did differently.
To begin, if I had to sum up the biggest problem that TBB writing suffers from, it would be lack of closure, and too many red herrings. Not just for Tech, but many things. Major plot threads as well as little character moments are cultivated or thrown in just to never culminate in anything or to be immediately discarded after serving the plot, some of them incredibly misleading. Some of the top examples:
- Crosshair’s chip. We never get an exploration of how the trauma of his chip activating and being left behind not only affected his motivation and choice to stay with the Empire, but his relationship with his brothers. While it was made fairly obvious, if subtly, that Crosshair became free of the chip’s influence after getting hit by the ion engine on Bracca, the narrative treated this change as if it didn’t matter at that point, while it obviously mattered a lot within the context of Crosshair’s character. Add to that all these little details with him clutching his head in s1 finale, Omega expressing her disappointment in him, and Tech’s comment on how “it is just his nature” (as if it matters!!! See what I mean about the narrative treating Cross’s chip as if it didn’t play the key part in his trajectory? They throw in this line, like we are supposed to take away that it’s simply Crosshair being Crosshair and not like, the results of brainwashing and abandonment), Wrecker blaming Crosshair for not going back to them, all while we as the audience have been shown and told repeatedly how these chips work (and so were the Batch), we ended up with an incredibly confusing situation with lots of mixed signals from the writers. And once Crosshair makes his choice to stay with the Empire in s1 finale, his chip and the confusion it brought to his relationship with his brothers is never brought up again, because the plot simply moves on.
- Cid’s betrayal. After her being a major character for two seasons with a continuous relationship build-up with Omega in particular, she is discarded as soon as her betrayal serves the plot, with all that character development getting thrown out of the window. You can be mad at Cid all you want, but to me it’s incredibly weird and wasteful to end two seasons worth of build up on that note without it having any closure for the characters, especially Omega whose whole theme is trusting people and bringing out the best in them. It’s fine if they decided to make Cid exactly what she appeared on the surface (untrustworthy and self-serving) after playing around with her potentially growing through her fondness of Omega, but then at the very least the betrayal should’ve had an impact on the characters, Omega most of all. Even just one casual line from Omega in s3 about how Cid’s betrayal impacted her emotionally, however minimally, would have solved that problem. And no, CX-2 mentioning how he extracted info on Phee from her off screen absolutely doesn’t count as closure, because I’m talking about emotional closure for the main pov characters as well as the audience. Cid had a presence for two seasons, then as soon as she executed her role as a traitor to further the plot, she was discarded like she was a random extra.
- Emerie’s relationship with Hemlock. We are led to believe that he basically raised her, instilling in her the idea that she had no chance without him and owed her purpose and “safety” to him. You can’t tell me that this didn’t deeply affect her struggle and eventual decision to break away from all that and choose to help the kids, basically betraying Hemlock. I get that the show only had so much screen time and Emerie is a supporting character in season 3 at best, but common, she has more tension with Dr. Scalder than Hemlock while the potential for this rich deep conflict between them is right there.
I can probably list more smaller examples but this is getting long and I don’t want to go on any more tangents, so, finally, the biggest example of lack of closure and tendency of TBB writing to display foreshadowing that leads nowhere:
Tech’s death.
First of all, I’ll die on the hill that it wasn’t denial or delusion that led to such a big portion of the audience to believe that Tech didn’t really die in s2. If we look at the facts:
- there was no body
- it’s the finale of season 2 out of 3, pretty early for one of the main titular characters to get killed off
- the only/last character to allegedly see Tech after his fall is a villainous scientist who is known to experiment on clones specifically
- not a fact but: the whole scene with Hemlock presenting Tech’s goggles to Hunter was incredibly suspicious. In hindsight, I think the whole purpose of it was so that the Batch got Tech’s goggles back in their possession as a memento (and to show how evil Hemlock is to rub it into Hunter’s face like that) but it was executed in a way that read as something much more. It read as if Hemlock was going out of his way to convince us/Hunter of Tech’s death, but with us knowing who Hemlock is, his background in experimenting on clones, everything screams at us to not trust a word he says. Is it really so surprising that so many of the viewers immediately jumped at the conclusion that something more was going on there?
- Hunter’s (lack of) reaction/immediate narrative fall-out. More on that later as I address lack of emotional impact of Tech’s death in s3.
- it’s Star Wars. And there was no body.
So yeah, to me, it is completely justified that so many people read that whole thing as open to speculation at the very least, foreshadowing Tech’s survival at most.
Personally, I was 70% sure Tech was truly dead prior to s3, but not because the text told me so, but because at that point I was used to the show’s writing regularly sending out mixed signals, and a part of me was resigned to Tech’s death becoming another example of the writer’s intent clashing with their accidental empty foreshadowing.
As season 3 aired and the whole CX-2 plot was unfolding alongside continued lack of closure for Tech’s fate, my hope for Tech Lives reveal grew and grew, but in the end my initial doubt was proven right, unfortunately.
Oh, CX-2.. what a mess. You can’t tell me the creators went over all of these scenes, all of these lines, looked at the whole picture and *didn’t* see how it was incredibly easy to interpret CX-2 as potentially being Tech with all these little potential parallels. “Domicile” alone.
If they didn’t want us to entertain the idea that it could be Tech, they could’ve done it differently, but for some reason, they chose to leave that space for speculation. My question is, why?
If they truly wanted us to believe Plan 99 was it, Tech’s Noble End that we were supposed to take as this dramatic super emotional ultimate sacrifice and all that, then why would they not make it clear that CX-2 couldn’t be Tech? Why breed confusion? And breed confusion they did. It’s hard for me to believe they didn’t foresee the “ohh is it Tech?” speculation.
When so many members of the audience immediately and individually jump at a theory or have the same take away from the story they are being told, yet the authors say it wasn’t meant to be taken that way, something went seriously wrong with the writing.
I don’t like to speculate on such things because we will probably never know for certain, but I wouldn’t be surprised if they had at some point considered CX-2 being Tech or at least something more for the whole CX plot thread, but changed and reshuffled things at the last minute for whatever reasons.
Which is fine and understandable. But it brings me to the heart of my biggest issue with how Tech’s fate was handled:
lack of impact and closure.
Let’s disregard all the Tech Lives theories for a moment and focus on what we did get: Tech, one of the main characters, getting killed off at the end of s2 out of 3, for stakes and consequences and NOTHING else. When I say nothing, I mean nothing.
Imagine, for a moment, he survived and stayed with the Batch. Nothing would have changed, in the grand scheme of things. Nothing. We wouldn’t have had a few obligatory “Tech mention, everyone feel sad now” throwaway lines/goggle shots and whatnot, sure, but that’s it.
Tech dying didn’t change the trajectory of the plot in any way, nor did it affect any of the other characters in a way that changed their trajectory. And anything less is simply not enough to justify killing one of your main characters. Stakes and consequences ain’t it.
Consider Mayday, for example: a supporting character, but his death in s2 affected Crosshair in such a way it completely redirected his journey, AND in s3 we got an episode that cemented the impact Mayday had on Crosshair and provided emotional closure for them. That’s a narratively meaningful death.
Tech’s death was not meaningful to the narrative beyond removing him from it. That’s why so many Tech fans insist he deserved better treatment: not only was he not present in one third of the show physically, but he lacked any sort of presence even in death. His absence was never processed or grieved by any of the main characters and so by extension by the audience.
And before anyone starts with the whole ‘they are soldiers/they had no time to grieve/etc’ arguments, it is the responsibility of the writers to provide the space for all of that emotional impact. It they don’t, there is no impact.
A few reactions here and there, moments of missing Tech as a person and a brother, not an asset, anything would have made this whole thing easier to accept.
The lines that we did get, from Omega mentioning the stuff Tech taught her to Echo commenting on how decryption would be easier if Tech was with them to “Clone Force 99 died with Tech” from Crosshair - each and every single one of those lines linked to Tech’s functions as part of the squad, his usefulness, but we didn’t get a single line in remembrance of him as a person of his own, no one missed or remembered him for himself or his personal impact on them.
Just one line from Omega about how he taught her about change being a constant part of life or whatever, or Wrecker making a comment on how Tech used to info dump about stuff, anything would have instantly provided that much needed sense of “he was here, he was a person and is still a part of us”. Instead, Tech was killed off to show that messing with the Empire is dangerous and risks are real, I guess, and immediately lost any and all presence within the story.
We never even got to see Crosshair’s or Phee’s reactions to losing him.
Speaking of Crosshair, that’s a whole other example of complete lack of closure: they never closed the loop on the family being reunited again after initially leaving Crosshair behind, and with Tech dead, it’ll forever stay broken.
They could’ve given this a bittersweet yet meaningful spin if they developed the angle of Tech dying on a mission to bring Crosshair home, making a sacrifice so Crosshair had a chance.
Instead, the moment Tech dies, we get Hunter (and through him, the narrative) immediately abandon the idea/plot thread of going to rescue Cross all while saying “let’s not waste Tech’s sacrifice”. Sacrifice for what? Clearly Hunter doesn’t see it as a sacrifice for Crosshair’s sake, so, what, to make sure the rest of them makes it from the mission? The mission to save Crosshair. That mission. Right.
I see people talking about Tech’s noble sacrifice that ensured his family got to live and eventually have their happy ending, but all I can think about is how the creators chose to have him die on a mission that was immediately abandoned and the only take away from that whole sub plot was Tech’s own demise.
And after Crosshair is back with the Batch, his reaction to Tech’s death is never explored at all.
So yes, to me Tech deserved so much better. If you are going to kill off a major character, it must be necessary to be compelling. The way I see it, Tech’s death was not necessary at all because it didn’t change anything. And if it was meant to, the creators failed to communicate that by choosing not to explore the emotional impact of it and not structuring certain story beats in a more precise manner.
To wrap this up, if the way Tech’s death was handled was satisfying for you, that’s valid and I’m glad for you. For me, unfortunately, it’s completely the opposite and will forever remain the biggest and most unfortunate low point in the story.
And while I welcome anyone to share their own perspective if they wish, please don’t take this post as an invitation for debate, since there is no one right or wrong way to interpret or be affected by art.
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yuhi-san · 4 months
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you know what the blood gulch chronicles are so fucking funny. the first few episodes is just a bunch of idiots shit talking. absolute useless nonsense.
but its not random rubbish being thrown around. the conservations, as ridiculouse as they are, have a flow. You can actually follow how you got from a to q, even if just looking at a nd q seperately is like, how the fuck did that happen. every comment bounces off of a previous one.
red team trying to name M12 LRV. its just gold. the bickering. simmons being the one not believing that pumas are a real animal. how they keep roasting grif for 'making up animals'.
the way the lines are delivered. it's hilarious.
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dudeyuri · 6 months
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i know I’m not alone in this but my favorite thing mhok did this episode, out of all the sweet things he did, was urge day out of his comfort zone to set a plan with august. it spoke volumes about his character and about his relationship with day. it was just such a refreshing turn of events (that led to a cute practice date sequence)
this ep set up mhokday v. augustday in a way I can really only call “juicy” lmao. day makes excuses for and takes on the onus of talking august down from his flighty and flaky tendencies; mhok is day’s anchor, in a myriad of ways, and when he wasn’t there for day during that scene in the markets, it was of course in no way positioned as day’s responsibility. day had to strive to earn august’s acceptance; mhok’s acceptance has been unconditional even if it took some trial and error for him to understand day (I think their relationship is built on a deepening understanding of each other, fostering this two-way acceptance). day and august were assigned to each other; day chose mhok and mhok chose day. august surreptitiously walks away from day’s feelings; mhok shoulders them despite his own.
we’re shown right off the bat in ep5 that august and day’s relationship strikes something like jealousy in mhok. but this is a grown ass man with a caretaking job. even as he blurs the line between caretaker and suitor he remembers his place—his place as day’s friend and phi even more than as his caretaker imo. above all else he wants to help day push past self-isolating tendencies (look at all the friends who love day! he’s not meant to be holed up in his room!)(and I mean, this is personal for him! not just as someone with feelings for day, but as someone who lived through the suicide of his sister and as someone who had been in jail before).
and the way he reacts to day’s confession of feelings for august—we see that day is not the only heartbroken one here, but mhok doesn’t let day in on that. there are more than a few things he doesn’t let day in on, in this scene lol. he didn’t even divulge the full story of rung’s tragedy (just as day only hinted at what happened between him and night). mhok is just fully present for day as day deals with his own heartbreak. whereas in august and day’s relationship as badminton partners, august’s feelings formed the center of their relationship, and he often left day scrambling just to appease him.
there’s probably some comparison to be made between mhok stepping in and setting up dinner plans for august and day, and august insisting that he will never have another badminton partner if it’s not day. it’s like love v. possessiveness. mhok has this maturity that is really compelling, makes sense with his character, and again is just soooo refreshing
mhok has made a few self-deprecating comments about lacking tenderness, a hang-up informed by his past and by his sister’s suicide, but damn if this man isn’t the paragon of devotion idk what he is. and because of all this, because we’re seeing mhok place his feelings second to caring for day, i am of course looking forward to seeing mhok’s feelings prioritized alongside day’s and his insecurities addressed as the series progresses. in conclusion, what a mensch
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adelinamoteru · 4 months
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the problem with jason’s writing post resurrection is that like. you spend all this time while he was gone building up these batfam characters and their views and morals and way of interacting with each other and their world. and then you bring back this one character who’s been dead for however long, but an insanely long period of however long, and you’ve made it so his worldview has become drastically different than what he was being taught. then you dump the antagonist route completely and start trying to figure out how to bring him back into the fold.
but once again, you’ve spent around 15yrs expanding these characters separately from jason todd. so what do you do? you mold and reform what jason is meant to be post resurrection until he fits into those standards. its what makes sense to do. how can you justify the batfam characters doing an almost complete 180. maybe a 90. on their views purely because of one character? purely because of jason todd when nothing has set ever been able to set that change in motion beforehand? so now jason has to be the one to change. except the change completely contradicts all the beliefs he’s formed in his post resurrection plot-line.
and now jason todd as a character becomes bland. he becomes a victim to bad writing and character assassinations. he’s wishy washy. nobody knows what to do with him so his character and the characters he interacts with only continue to suffer as a result. everybody begins to stop taking him and his stances seriously. all because you’ll never remove him from the sources that led to the origin of jason todd.
a batfam character away from batfam? well now why would the writers ever think to do that!
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luxaofhesperides · 5 months
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Vampires of El Norte by Isabel Cañas
Nine years divided them, but time meant nothing to hands: her fingers interlaced with his as naturally as if they were eight years old, or ten, or thirteen. Palm to palm, thumb over thumb. A bridge between them.
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seefasters · 10 months
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people making all those body-switching drink spiking memory altering theories when its so much easier to admit you felt like the writing wasn't that good this season. knowing a thing is mid and still enjoying it is so freeing try it sometime
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ninja-knox-ur-sox-off · 7 months
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I am at 59k on this Ninjago fic i swear I'll finish it this month I will work on nothing else I am going to finish this--
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officialgleamstar · 2 months
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Got a three paragraph response from a writer on AO3, this is the best day of my life
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paradoxgavel · 2 months
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finally played slay the princess today and. i definitely have a new game to add to my top five favorites. holy shit dude
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randomnameless · 8 months
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The phrase “we have been aware of the high levels of competency from KT's writers, especially with their work for 3H” is worrying; i'm not going to shit-talk them just for thinking that 3H has a good story, especially when someone's standards for what makes a story good or not is subjective and could be different from ours, but KT's story-telling skills are never going to improve if people keep only telling them that Three Houses' deeply-flawed story was actually a narrative masterpiece, instead of a self-contradicting mess with plot points it introduces solely as gotchas and has no intention of ever following up on in any meaningful way, characters getting assassinated left and right to try and argue that female Ashnard might actually be right and not so different from them in terms of morality and goals (while they're in the middle of fighting for their lives and watching their friends die in battle because she decided to invade their home unprovoked and solely for a landgrab), and an over-powered villain group that should have ended the story long before it even started because the writers decided to give them a stockpile of magic nukes they can launch at anywhere in the world, which was also introduced solely for shock value and without them realizing how much of the story is ruined by making it so that the villains who want to kill everyone and take over the world can just nuke anyone they want (that isn't inside Garreg Mach when they launch it) with no consequences.
I just don't like what it means for the future of FE stories if the worst story in the series keeps getting praised as one of the best, even by separate developers, is all.
Wait and see anon!
For what it's worth, while Engage's sales are apparently not as stellar as Houses in the same timeframe (like House after month 1 and Engage after month 1?), Nopes totally crashed.
Amazon isn't the only market in the world, but in some places in the world (tfw not for amazon.fr) Nopes is now sold at around 15 bucks, which is ridiculous considering older games released on consoles still being in circulation are more expensive than this thing that is barely 1 year old(even the first FEW?).
Also, Engage was supposed to have been released earlier but Covid and Houses being released later than planned meant it was delayed, but Engage was supposed to be Fodlan's antithesis, at least writing wise - you'd think IS would have tried to retrofit more Fodlan themes (maybe more uwu maybe some villains aren't BaD and earl grey because they luf u) but they didn't.
Imo, fwiw, while KT apparently loved how Fodlan was received, IS is aghast and doesn't want to touch it within a 10 meters radius, only if it means selling units in FEH and even there, they sometimes retcon Fodlan units (hello F!Billy/Sothis) or challenge them in various FB (Brave!Supreme Leader, but also in the most recent one, Sylvain harping on his Crust being BaD...) clearly showing how they don't really want to follow KT's direction regarding those units - at times, it's almost as if the CoS receives more development in Heroes than in both Fodlan games!
So I'd like to see what IS has in store for the next FE games (or the next non remake FE game), even if in my opinion, given how Heroes has to retcon/finish the writing (Mercedes reveals more about her Adrestian family in FEH than in two of her games!) for characters just to sell them in the gacha game ffs, speaks volumes on what they think of Fodlan's writing.
On top of that, FE16 was the first game where people received surveys/mails from Nintendo/IS asking them if they understood the game... - so despite Fodlan selling well (better than expected?), imo it's clear the writing isn't to praise, at least for IS, and they don't want anything to do with it (Nopes' DLC was scrapped, when shiny!Rhea's sprite was datamined, so either they made an useless sprite, either this sprite might have been used in a future DLC?)
They can still butcher a future remake (plz no jugdral) by adding pointless supports between units and trying to uwu more than needed the red emperor - or add an OC waifu du jour who will sell merchs and try to uwu her if she is on the side of the red emperor - but I feel like we will see where they will go with a brand new game (since Heroes's writing is... as consistent as a fog and basically circles around "women sad'n'lonely*, men evyl", female playable OC simps after the avatar and is useless in the resolution of the plot because Alfonse will finally find a mc guffin way to defeat the villain of the year).
*i truly hope Vero isn't any indication to what the writing of the future games will be, like heavy retcons from her first apparition to "i was brainwashed and akshually everyone supports me from my home even if i send them to death against askr because the voice in my head told me to do it" because that'd suck, but vero is a young woman, thus she could be monetised for alts, figurines and even DLC content in a main game!
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elegyofthemoon · 6 months
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also did jing yuan not sell well where the heck did his rerun go why are we on blade and kafka's...
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good-beanswrites · 1 year
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We’re so far from the end of Milgram and yet. I am thinking about finale fix-it fics. because I already know Yamanaka isn’t going to shy away from killing characters and I'm pre-sad about it. I’ve expressed some other nice options here and here, but have another! Jailbreak >:3
(Just random silly thoughts I’ve been rotating in my head, don't take it too seriously) 
This is assuming Milgram is in a physical location with mostly realistic elements. (It’s a well-funded facility, but no magic or anything besides whatever’s going on with jackalope and the no violence ban.)
Trial three is coming to an end. Es knows it will end in death, but they know it'd be going against their duty to declare everyone innocent.
A mistake is made on the outside, and a chance opportunity arises: a temporary exit appears in the prison in Es’ room. 
They notice it at night, and make the split second decision to tell the others. They race to the cells, gathering everyone one and telling them to get out immediately. 
Most of them go willingly, though a few (Yuno, Fuuta, Kotoko) are suspicious of Es’ urgency. They manage to convince them that it’s not some twisted lie – Es knows how this will end and wants to give them a chance. 
As everyone’s filing out, it becomes clear Es isn’t going to step through. They say they can’t go – even though they’re taking steps to save the others, their duty remains to Milgram. They’ll stay and face whatever consequences arise as warden. 
Mikoto is like “fuck that shit, you’re just as much as a prisoner as us and you’re coming,” to the others’ agreement. “If they’re gonna punish you for helping us than we should make it look like it was all on us,” and he slings Es over his shoulder. They all take off into the unknown facility. 
The real fun part of the fic would be when they inevitable make it past guards/scientists, climb into a military-grade vehicle, and take off with authorities in hot pursuit. (I’m still deciding who’d be funniest as driver, though I’m leaning towards Kazui doing it because he feels responsible as oldest) Cue some classic comedy-drama bickering as they screech around the complex under fire. Fuuta trying to backseat drive. Mahiru in delirious giggles that she’s helping with a jailbreak, can you believe it? Her! Shidou shielding Amane as the vehicle bumps around/takes damage. Muu pointing out they’ve been going in circles. It’s revealed the driver doesn’t have their license. Es complaining that they shouldn’t be here but knowing it’s too late to get out. There’s much screaming and celebrating and panicking and tires squealing. 
One epic car chase later, they emerge in the surrounding woods, alone. They start making plans. I’m not sure who has the most geographical knowledge, but someone is able to piece together generally where they are. Mikoto knows a good deal about getting away with a crime, and starts walking them through how they’ll need to ditch this vehicle and where to hide for the time being. Kotoko has some connections, she can find out if Milgram is associated with the government or if they should go to the authorities about them. Muu’s parents are rich and from France, she’ll have them get everyone out of the country until things are figured out. 
They plan on reaching out to their families to let them know they’re alright. After some awkward silence from Es, Fuuta starts listing all the ways you can find someone online. He gets a bit embarrassed talking about the techniques (seeing as that’s how he ended up a killer,) but Es seems grateful for the help finding out who they are and if they have any family looking for them. 
As they drive, someone points out that these plans aren’t perfect. Milgram may be better equipped or more widespread than they know. There’s a high chance they’ll still be caught and potentially killed to keep quiet about the whole experiment. 
Shidou starts saying that a doctor’s job is to extend life so people can live as long and happy as possible, even when they know it won’t last. He points out that even if this isn’t a permanent escape, the extension of their lives and their happiness is still something meaningful. After all, if they’d just stayed in the prison to be executed, they would never have gotten this one last chance to see the sun.
Then they all watch the sun rise and it’s beautiful !!!!! The end
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ibrokeeverything · 3 months
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Just rewatched The Boy in the Iceberg, and man there's something really special in the original atla
In other news, water is wet, grass is green, and the sky is blue
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craftlands · 5 months
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fucking hell the rev19 event character designs are so damn orientalist. Shamane's Feather Earring Indicating He Is (generalized) Indigenous. somehow Kanjira is both an Indian and Rromani stereotype at the same time. could they at least have put Kaalaa Baunaa in an actual sari instead of fucking that
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