Tumgik
#sorry but it has a happy ending
michelangelinden · 1 year
Note
44?
Hello hello!
First of all, they're a banger band from France, somewhere between pop, rock, and electro, can highly recommend.
44. Paper Child - Colours in the Street
Okay, I honestly don't get half the lyrics of the song, but I'm also sick, so I think I'm allowed. So I'm just gonna focus on the second verse.
I'm seeing this as a willex fic, maybe canon, maybe an AU, doesn't really matter, but Willie is almost entirely in Caleb's grasp in some way, and it's the early stages of his and Alex's relationship, so Alex doesn't know about it yet.
He does notice hoewever that Willie is hiding something.
All the truth / About the role you have to play / This message must be clear / You're hiding something.
And he knows it has to be heavy, because otherwise they'd tell him about it. He doesn't pressure Willie to tell him, instead tries his best to create an environment where Willie feels safe, and trusts Alex, so they can open up to him.
I think you feel scared, I think you feel so strange / Just a hint / Let me see you for the first time / Trust me, you have nothing to fear.
Willie eventually does, scared to tell Alex, but feeling comfortable to do so. Alex welcomes him with his feelings, keeps him safe, and eventually they figure out a way to get Willie out and away from Caleb. Happy end (but with lots of trauma rip)
This is a fun one! Thank you!
Send me a number and I'll tell you what fic I'd write based on a song from my spotify wrapped playlist!
3 notes · View notes
mimimar · 1 month
Text
Tumblr media Tumblr media
page 7 of my ivy comic ✿
<previous page completed full comic> first page (prints)
856 notes · View notes
Tumblr media Tumblr media Tumblr media Tumblr media
sorry
6K notes · View notes
egophiliac · 7 months
Note
I got a really tough question.
What’s your favorite Twst event of ALL TIME?
I like Harveston
this truly is the hardest question. :( but after much consideration, I think Endless Halloween Night wins out for me, because it's nonstop Characters Being Silly the whole way through. the whole thing is just lots of these little dorks having the most ridiculous interactions, which is always my favorite! and of course the big twist is SO delightfully stupid and doubles down SO hard that it becomes AMAZING and I 100% unironically adore it. AND it's Halloween! everyone is in their cute little costumes and having a spooky adventure! it's great!
however, I am ALSO a big fan of the Harveston event! how can I not be! everyone is wearing comfy winter outfits and getting along really weirdly well with Epel's grandma and he's getting a little worried about that! my terrible loud son sews a plush squirrel and then gives it a silly little nickname and refuses to leave it behind when it breaks! the ending shot with the sled! I LOVE IT.
obviously we need the best of both worlds now
Tumblr media
2K notes · View notes
juniemunie · 2 months
Text
Tumblr media Tumblr media
This post wouldn't leave my mind.
Error and Ink meeting before they completely become themselves is so....
ლ(ಥ益ಥლ) HHHHHHH
683 notes · View notes
alciedoodles · 11 months
Text
Tumblr media Tumblr media
part 6 of 7 - future
[« previous] [next »]
2K notes · View notes
johnslittlespoon · 2 months
Text
– i think of you all of the time.
277 notes · View notes
inoreuct · 3 months
Note
more sanji drinking angst plis,,, 🙏🏼😁
y’know, it’s normal when zoro drinks. he has an iron liver and a sky-high tolerance. he get mildly tipsy with the amount of alcohol sufficient to kill a regular man.
when sanji drinks, though, it’s usually… not very good.
they’re in the galley, have been since dinner. zoro’s drowsy and full and slumped over the table with his chin in his hand as he watches sanji scrub at the dishes until they squeak, divested of his suit jacket and shirtsleeves rolled up to the elbow, and the cook looks haggard. they’ve all been expecting it, really, what with Whole Cake being a fucking doozy— but sanji’s been holding it together perfectly. big smiles and neatly-pressed suits and coiffed hair and all.
zoro knows him well enough to know that he’s due to break at some point. still, tonight is the first time he’s seen sanji like this; like he’d just decided to say fuck it all and throw pretence to the wind. maybe it had been thanks to the emptiness of the galley, save the both of them. maybe sanji had considered it safe because zoro was in no place to judge.
but when sanji had picked up that bottle of rum, he hadn’t put it down until there was nothing left.
zoro had let him drink. the cook hadn’t even been smoking any more than usual— hadn’t had a single hair out of place, no sign of the pressure except the strain at the edges of his smile. everybody had been walking on eggshells for the past few days and sanji had just kept going like nothing was wrong, which zoro knows means quite a lot is wrong, because sanji’s a self-sacrificial bastard who wouldn’t be able to ask for help if his life depended on it.
didn’t mean it hadn’t hurt, though. he’s felt like he couldn’t breathe, the whole of last week; it doesn’t feel right seeing the cook with a bottle between his lips instead of a cigarette, liquor wetting the corners of his mouth instead of smoke. it makes part of zoro tighten into a dead knot. on one hand, it’s an unspoken show of trust— deliberately left alone so as to not draw attention to it, but one all the same. sanji would never let himself go in front of anyone else like this. maybe a few months earlier he’d think the cook just didn’t care enough for his opinion and get all offended, but now?
sanji knows he’s here. he’s never unaware of his surroundings, and especially now after… everything. he’s believing that zoro won’t judge him, and he won’t. he doesn’t. but enough is enough, and sanji’s grip on the edge of the plate is tight enough to turn his knuckles white.
it’s almost a relief in a really twisted way. zoro’s been hovering by the sidelines, sleeping with one eye open and waiting for sanji to crack just so he can catch all the pieces before the cook falls apart completely, and it seems like this is it.
his chair scrapes against the floor as he stands. “alright, let’s get you to bed.”
“no.” sanji doesn’t stop scrubbing. he doesn’t even bother looking up. “why?”
zoro scoffs. “because you’re fucking drunk, cook. you’ve been washing that plate for five minutes.”
“well maybe it’s just not fucking clean, yeah?” sanji spits, quiet vitriol leadening his words even with his head bowed, and his breathing is jerky as zoro walks forward.
“oi.” it doesn’t come out harshly, exactly, but he needs sanji to know that he isn’t fucking around with this. “What the hell’s going on?”
“i don’t know.”
“what do you mean you don’t—”
“i don’t know!”
zoro lurches back at the outburst as the cook whips around, seething within the span of a second, plate dropped carelessly into the water in the sink. he hears it thunk when it hits the bottom.
“i don’t know, alright?” sanji laughs, eyes wild. “nothing’s wrong. everything’s wrong. everything is fucking perfect and i feel like i’m fucking dying inside.” his voice cracks right before he takes a visible breath and turns sharply, dipping his hand under the water to grab the plate and sponge again.
zoro watches his shoulders tremble. every movement of his now is precise and carefully calculated; he’s moving like a fucking robot and zoro hates it. hates the way his spine looks rigid enough to snap with a touch. hates the way his face is a placid mask, still water with a storm roiling beneath. zoro doesn’t know how to approach this other than with barbed words and concern thinly veiled as confrontation. he doesn’t know what to do other than be here because it’s better than not being here at all.
sanji’s hands have been scrubbed pink and raw. “get out, mosshead.”
“no.”
the cook’s cuticles are peeling, his fingertips pruned. he never lets either of them get this bad. “i said get out—”
“and I said no.” zoro crosses his arms. he counts three seconds of silence before sanji snaps.
“god, for once could you fucking listen?!” the cook snarls, rounding on zoro like a cornered animal and waving his arms. “i don’t want to talk to you right now! i do not want you here! so please, fuck off and— put me down, you piece of shit!” sanji borderline screams, struggling and wiggling over zoro’s shoulder as he’s hauled up and marched out of the galley.
zoro winces as the toe of a steel-capped oxford jams into his ribs, digging in deeper as sanji grunts with the effort. he doesn’t know where he’s going but they end up outside the infirmary, and he shoulders the door open before depositing sanji on the bed without preamble. “stay,” he grunts, ignoring the noises of outrage and turning to go get water.
“you can’t tell me what to do,” sanji spits from behind him, cheeks red from more than just anger as he pushes himself unsteadily to his feet. he either doesn’t realise that he’s listing to the side or he doesn’t care.
“sit down or I’ll make you.”
the cook barks a laugh that snaps in the air like a neck in rope. “try! i fucking dare you, marimo, you—”
zoro tackles him down and he screeches like a trapped cat, trying to escape even as the swordsman pins his legs and shoves his shoulders down into the bunk. “you are drunk. stop it.”
“why?” sanji shouts in his face. the cook is straining against him, all wild eyes and bared teeth, shoulders jerking with a sardonic laugh. “don’t wanna fight anymore?”
“no. i don’t.” the air is suddenly too quiet, too heavy, with something zoro doesn’t know if he should name. he watches as the cook’s face falls and twists into something sullen as he tries one last time to jerk his way out of zoro’s hold. “not like this.”
their ship rocks gently as zoro slowly eases off, shifting his weight back and sitting on the edge of the mattress with a soundless, weary sigh. there’s still a stubborn set to sanji’s chin even as he lays there on his back, unmoving from where zoro put him— leave it to him to be contrary for the sake of being contrary. the swordsman takes a deep breath to suppress an eye roll and opens his mouth to say something—
“it hurts.”
zoro stills, turning so he can see sanji better. “what hurts, cook?”
“everything.”
the blond is staring at the ceiling, unblinking and unreadable. the fabric of his slacks is riding up and zoro swallows down the urge to curl a hand around his pale ankle for comfort. he tells himself he doesn’t know where the urge to soothe came from, but he knows, he knows— this melancholy is something that sanji buries so deep, none of them catch even a glimpse of it on a normal day. his face is a blank slate, his usual fire banked, and he looks so drained. an cracked shell of himself running on empty. “i don’t want to feel it. i don’t want to feel anything,” he continues, softly enough that zoro has to strain to hear, leaning in instinctively. 
glossy blue eyes flick over. golden hair scrunches against the off-white sheets as sanji turns his face towards him and whispers, “doesn’t that make me exactly like them?”
no. zoro swallows, at the same time both too wet and too dry, feeling a little like he’s been gutted with a dull knife. he says a mental to hell with it and slowly shifts his hand to wrap his fingers around sanji’s ankle, just a gentle grip, his thumb resting beneath the notch of bone. he can hear the soft sounds of the waves outside as it melds with sanji’s breathing, as he opens his mouth and comes up dry for things to say. “…get some sleep, curls.”
“can’t.” sanji purses his lips, shrugging a shoulder as he looks away like it’s no big deal. “can’t sleep. not well, at least. not since…”
zoro feels his own heart thud against his ribs as his gaze slips over sanji’s face, the redness rimming his eyes and the dark circles beneath. “i’m sleeping with you tonight,” he decides. 
the cook makes an aborted noise of indignation before apparently deciding that it isn’t worth the effort. “we can’t fit two people in a bed.”
zoro shrugs, unaffected in the face of the venomous look sanji shoots him. “we can try.”
sanji mutters something to the ceiling under his breath. the swordsman pretends not to hear it.
they end up crammed onto the infirmary bed, sanji squashed against the wall and zoro almost falling off. the blond wiggles around in discomfort for five minutes before sitting bolt upright with a hissed curse and undoing his dress shirt in a frenzy; zoro stifles a laugh as he balls it up and hurls it at the desk across the room before flopping back down with a loud huff. 
the cook scrunches himself up, spine pressed against the wall and one knee pulled up between them to maintain the distance, pointed at zoro’s gut as a subtle threat. “i’m not gonna bite you, y’know,” zoro grumbles. here he is doing this out of goodwill and this is how he’s treated. 
“i wouldn’t put it past you,” sanji snips in reply. “also, you stink.”
“no i don’t. i just showered.”
“irrelevant.”
“priss.”
“moron.”
“spoiled.”
“i have standards, you sentient piece of kelp.”
“you—” zoro grits out, before he stalls. somehow, throughout this whole exchange, they’d inched closer and closer together and now sanji’s shoulder is digging into his breastbone, his breath warm across zoro’s cheek even as a brush of his skin above the loose, low front of zoro’s shirt feels completely opposite. “why’re you so fuckin’ cold?” he mutters, briskly rubbing at sanji’s upper arms before the cook bats him away with a startled hiss.
“don’t—” he cuts off and huffs a harsh breath, sneering in the dark as he digs for the right word, “—coddle me.”
“why not?” zoro shoots back. the words are out of his mouth faster than he can process, but it’s too late to take them back. “give me one good reason and i’ll stop. just one.” 
the quiet that falls into place after that is broken by the sound of sanji’s swallow and nothing else. it’s nearly pitch-black; they’d put out the lamp on the wall and the infirmary has no windows. if zoro strains his eye he can see sanji’s outline curled close to his own front, golden hair darkened to honey and arms wrapped around himself.
he recalls how it had felt to have fine bones beneath his hand. how the cook hadn’t kicked him off. 
the hand he rests on sanji side is tentative. barely-there pressure, a ghost of a touch with enough space for sanji to back away. he settles his palm down more firmly after a few seconds, tracking his thumb up and down the bumps of sanji’s ribs, and he barely stops his breath from catching when the cook wiggles away from the wall and presses his spine into zoro’s hand. 
sanji’s looking at him. he can see the occasional flutter of long lashes, feel the weight of the cook’s attention like sanji’s preparing to say something, but it never comes. a soft breath slips from his lips before zoro feels a hand curl around his waist, fingers curling into his shirt. 
“sanji.”
the cook heaves a long-suffering sigh. it doesn’t hide how he’s affected by zoro using his real name; zoro can read him too well for that. knows him too well for that. “what.”
zoro readjusts, fingertips pressing into the small of sanji’s back to pull him closer, and wonder of wonders, the cook lets him. “you’re nothing like them.” 
he pretends he doesn’t feel sanji’s arm tighten around him after a few seconds. he notices that his shirt’s damp right before he falls asleep, right where sanji has his face buried in his shoulder.
he doesn’t mention any of it.
*
the next morning is… interesting.
zoro had woken to an empty bed, with the sheets just barely warm and hazy recollections of a lithe body tucked to his side, a leg thrown over his and soft hair under his chin. he stretches and ambles down to the galley, scratching at his stomach beneath his shirt as he yawns, and right on cue— sanji’s disdainful little tongue click reaches his ears, and he smiles. everything’s back to normal, then. 
there’s more of the usual; luffy getting yelled at to leave the eggs alone, i don’t care if you’re hungry, they are raw, and nami and robin being handed their special little tiny cups of coffee and tea respectively. the rest of the crew filters in, and zoro people-watches from his spot on the ratty corner couch before he eventually gets up and slides into his seat at the table. 
but when sanji takes his spot beside him, it feels different. the cook’s made onigiri for breakfast, the plate set down just a little closer to zoro’s side than usual before he sits, and zoro pauses with his chopsticks in the air as an ankle bumps into his. 
not roughly, or painfully, nowhere near, no. just a reminder. a small nudge that could say any possible number of things, but from the way sanji’s gaze meets his before darting away, he’d guess it’s the thank you that their cook always has so much trouble saying. it’s never a lack of gratitude— more of a refusal to acknowledge that he needed help in the first place, that he accepted it, but zoro will take what he can get.
the circles under sanji’s eyes aren’t quite so dark anymore.
zoro knocks back. he feels the rasp of his boot laces against the heel of sanji’s patent leather oxford, and neither of them pull away. the swordsman presses his lips together and takes a big bite to hide his smile, failing momentarily when sanji immediately starts berating his abysmal table manners, marimo, honestly, if you choke i will leave you to die, and yeah, sure. back to normal.
he catches sanji’s eye again, sky-cornflower-ocean blue, and he wonders what sanji could be seeing in his to make his face soften like that.
normal, and maybe a little something new. 
(he isn’t quite sure what to do the following night. sanji’s already in his own bunk when he slips in for a quick few hours of shut-eye, but it isn’t long before he feels someone climbing in with him, and he just knows instinctively without even needing to open his eye. they’ve got limbs hanging out here and there but they fit reasonably well and zoro wakes with sanji’s sleep shirt tucked in his fist and his thin blanket pulled up around his shoulders.
it goes on like this night after night to the point where their crew knows, he thinks. even if zoro discounts the fact that most of them share a bunkroom, they’ve still got to know something’s up; sanji glows like sunlight reflecting off the ocean now, real smiles and laughs that have him tossing his head back and holding his stomach, eyes in sapphire half-moons. robin brings it up offhandedly one day and zoro hums that proper sleep’s doing their cook good— she gives him that look that she does, and he turns away with a smile that he hides in his arm.
the first time sanji finds him in the crow’s nest, he’s still asleep when zoro’s watch ends. the cook’s stretched out on the bench above as zoro sits on the floor, hand draped down against zoro’s collarbone, his face so peaceful that zoro can’t— fuck, he can’t wake him.
and it can’t be comfortable lying on his own arm like that; zoro sits down and carefully pushes him up until sanji’s leaning on his shoulder, that sharp nose tucked under his jaw, and drifts asleep.)
(he stirs awake before sanji’s gone. his eye flutters open to find the cook mid-yawn, working out a crick in his neck and bathed in early-morning light, warm and golden. the cook realises he’s watching and freezes, shoulders going tense and stiff—
he deflates a little when zoro blinks at him, sleep-warm and bleary. “gotta make breakfast, marimo,” he murmurs, reaching out after a moment’s hesitation.
the hand that cups zoro’s cheek is gently callused and somehow familiar. he turns into it like a flower to the sun and breathes in something that he never even realised he’d gotten used to, olive oil and shoe polish and orange blossom pomade. “i know,” he replies, pressing the words into sanji’s palm, and a thumb drags across his cheekbone.
“need anything before i go?” sanji asks, and they both know it’s half a joke. what could he possibly give zoro in here? a dumbbell sandwich?
that other half, though— it’s far too serious. a cold plunge of water through zoro’s muddled early-morning brain. he knows what he wants, but zoro also knows that patience is a virtue for a reason.
the cook already has a hard enough time letting people in. zoro doesn’t want to push. the hand against his cheek is enough for him, even if it is all sanji could ever want, and so he slips the blond a wry grin. “onigiri?”
“you— ugh, fine.” sanji huffs. “anything else?”
zoro frowns, growing increasingly convinced that this is some sort of trap. these are unprecedented levels of generosity. “…protein shake?”
it takes all of two seconds before sanji puts his face into his hands, taking a deep breath before zoro hears something about having to do everything myself, don’t i? the cook plants his hands on his hips, tapping his foot with one brow arched. “of all the people in the world,” he mutters through his teeth, advancing on zoro with enough of a menacing air that the swordsman leans back into the backrest, “of course it had to be you.”
“me what?” zoro says warily, eyeing sanji up and down, and opens his mouth to continue before a fist grips his collar and there’s a brush of contact at his temple— a kiss, he realises, before all the thoughts drain out of his fucking brain.)
(he’s still reeling when he stumbles his way to breakfast. still wide-eyed as he washes the plates, for once, without complaint. it’s when it’s just the two of them, when zoro twists around to ask a question that he hasn’t yet phrased, that arms lock around his waist and sanji’s forehead presses to his nape.
they’re quiet for a long, long while. “you remind me that i’m not like them, y’know,” sanji breathes, barely loud enough to be heard.
zoro turns in his hold, hands dripping all over the floor, fuck, the cook’ll make him clean that up later, he knows and he isn’t even mad about it. “what do you mean, curls?”
sanji leans into him, all sharp edges and bony joints softened by lean muscle and zoro’s fondness, fingers long and thin and laced together over zoro’s hip. “i’m pretty damn sure they’ve never felt like this.”)
(not much changes after that. franky does make them a bigger bunk to share, though, and they fight perhaps even more fiercely now; afternoons are spent toying with each other across the deck, pushing their limits, pushing each other higher until nami yells at them to stop making a racket. zoro doesn’t pretend that he can’t tell when sanji needs a little more contact, keeping him close when perfectly filed nails dig into his shirt. sanji takes care of them all like he always does, and he lets zoro take care of him— most of the time, at least. it’s still a toss-up on whether he’ll explode or break down whenever anyone tries to help him, but with zoro it’s either both in succession or neither.
sometimes he picks a fight and then cries afterwards. others, he concedes to being wrapped in a ratty old blanket and tucked into zoro’s chest where he can hide from the world.
he sleeps through every night now, though. he’s fiery and sharp-tongued and bright-eyed and when he’s had a bit too much to drink he just gets loud, fooling around with their captain and cackling with nami in a corner of the galley between conspiratorial whispers, but zoro can’t deny him anything even though he’s fairly sure they’re plotting his downfall.
he wouldn’t have it any other way.)
278 notes · View notes
420technoblazeit · 1 year
Text
in my mind dean was always supposed to get older and become the new bobby. like ok you're a hunter, maybe a little new to the scene and still figuring things out. and you're tracking down a werewolf, easy case. except some things don't line up quite right and now you're thinking it might not actually be a werewolf. so you ask around a hunter's bar and they all say the same thing. go to this one bunker in the middle of nowhere in kansas
and you're like sure what the hell. you're stumped anyway, might as well check it out. maybe it's a weapons storehouse or something. but then you get there and there's a doorbell and a bee-shaped welcome mat out front and you're starting to think you've got the wrong place. the door swings open and there's this middle aged guy with a robe and batman pyjama bottoms. and he laughs at the look on your face and tells you to come in, he doesn't bite. not since he got that vampire cure, anyway. you're not sure what to make of that last part but he winks at you when he says it so you figure he's joking. maybe.
he gives great advice about hunting everything under the sun and if you stick around long enough he'll go on and on about how he saved the world at least five times. ok sure. you don't want to be rude so you just sit there and sip your coffee politely while he talks about some guy called chuck and how much of a bitch he is. and another guy who's aged a little more gracefully comes padding down the hallway in a metallica t-shirt and rolls his eyes. has he told you about tvland yet? ('i was just getting to that part!')
if you go to the basement you'll find shotguns filled with salt, wooden stakes, holy water, and demon-killing bullets for sale. and if you're lucky the witch who sells hex bags might be around. low-grade curses only, of course. you better leave the powerful stuff to the professionals. and she'll get in trouble if she gives you anything stronger, not that she can't be persuaded. a girl's gotta make a living after all and she's always encouraged eager new witches. it's worked out pretty well for her so far. and then a guy you swear is twice your height will raise an eyebrow at her and insist she only sell the weaker hex bags, please. you don't need any more witches in your coven, rowena. you've got plenty
pagan god giving you trouble? there's a man who swings by every once in a while who knows how to deal with those. give him some candy or a fun magic relic and he might help you out. it depends. he's a little picky about dishing out advice and he likes to play favorites. and if you've got a demon problem they can give you the number of a guy who swears up and down that he used to be the king of hell. but you've seen him walking around with a purse-sized terrier tucked under his arm and a dozen more following him so you're not really sure if you believe him
idk i like to think that dean got to grow old and retire. that doesn't mean he stops helping people, it just means he hangs up his coat and becomes an old man who rambles on and on about 'back in my day' and makes a dent in his leather armchair. there's a foosball table where the dungeon used to be and sam complains about beer bottles being everywhere and it becomes a safe haven for anyone still fighting the good fight. it's just that for dean and the rest of team free will the fight is over. they're done hunting now
752 notes · View notes
hopelessromantic5 · 5 months
Text
Merthur Drabble
Essentially, Gwen and Arthur have told everyone they're in love when really they both have feelings for people they assume they could never have.
Merlin had never run so fast in his life.
He was dodging worried looks from other servants in the halls, ducking under strings of garland being hung in the corridors and accidentally knocking trays to the ground but not having the time to apologize.
He ran so fast his lungs were having trouble catching up.
He’s running because something is wrong.
He was in the Great Hall with George, finishing preparations for the ‘big feast’ in honor of the ‘big news’.
He’d just finalized the food when he felt it.
Something deep in his chest caved inward. Forming a dark hole.
And he heard it. His own name being shouted by that voice, almost exactly the same as he’d heard it a million other times, but this one was panicked, scared.
It came from nowhere near him, it may not even have been a real noise. But it echoed in the manservant’s mind.
It was his King.
Something was wrong.
He ran before he could even think twice, dropping the lists, trusting George to gather them.
Oh gods, what is it? Is he dead? Please don’t let him be dead.
He’d never felt anything so hollow before. He knew it was Arthur, but he didn’t know what could’ve caused this damage in his own castle with Merlin’s own wards (unknowingly) protecting every square inch of the keep.
Merlin arrived at the right corridor gasping for air, but not stopping.
The door to the king’s chambers remained open, the manservant halted before he approached as he heard voices.
Arthur and Gwen.
“Shouldn’t they be more…I don’t know…bright. Happy.” That was Arthur.
“Arthur, every wedding that’s been held here for the last century was bathed in red and white. It’s tradition.” She scoffed a little but even Merlin could hear the sweet smile she accompanied with it.
“Of course.” Arthur trailed off, distantly. The deep dark feeling tugged at Merlin’s chest again, so hard that he had to close the few feet between he and the King’s chambers. If only to ensure that Arthur was, in fact, alright.
Merlin stood in the doorway, finally seeing Gwen at the desk, sorting through papers (the ones Merlin had just organized the way Arthur wanted them last week) and Arthur standing by the cupboard, leaning against it, more like.
The King was already staring at the open door when Merlin walked in front of it.
Their eyes met, and all at once the feeling in Merlin's chest dulled to a small ache. Closing up, for now, but still throbbing like a bruise.
Arthur sent him a small smile before blanking his face and officially greeting him.
“Merlin.” Causing Gwen to look up too.
“Oh, hi Merlin! How is everything coming along?”
The manservant finally forced himself to move into the room but only a few feet.
“The preparations are nearly finished.” He gave her a small bow of his head and a forced quirk of his lips. Still feeling odd and uneasy.
Arthur seemed to sense it, or maybe Merlin has that look on his face because Arthur asks with the most sincerity Merlin thinks he’s ever heard from him,
“Is there something you need?”
No venom, no insults lurking just behind. He was genuinely asking if Merlin needed anything.
“No, sire.” He shook his head, eyebrows furrowed before continuing. “It’s just…you didn’t call for me, did you? Just a few moments ago?”
Arthur mirrored his expression of pinched brows.
“No, I didn’t.” He shook his own gorgeous blonde head, chewing his lip in thought, but still watching Merlin with worry. “Why?”
“Nothing, honestly. Just thought I heard…” Merlin shook his head again to clear his mind of the thoughts, nearly giving himself a headache, and went to leave. “It was nothing, sire. Must’ve been my imagination.”
“It does have a tendency to get carried away.” Arthurs idea of a joke.
“Very funny, your majesty.” He answers dryly reaching for the doorknob. “Honestly, can’t believe it took you this long to find someone to marry you with that sense of humor.”
Gwen thought this comical and laughed, however neither Arthur nor Merlin laughed at his joke.
Both were out of sorts; Merlin didn't know Arthur's reasons in the slightest. With his wedding in a fortnight, the King should be ecstatic. Merlin should be ecstatic for him. And yet, here they both were. Not laughing.
When Merlin turned back, once more, to find Arthur’s eyes on him, with that indiscernible look, he forced himself to go. So that his imagination would taunt him no longer.
209 notes · View notes
sc00ps-ahoy · 6 months
Text
steve harrington spends his christmases alone because everyone assumes he’s spending it with his family
261 notes · View notes
puppet-purgatory · 2 months
Text
Tumblr media Tumblr media
so let me get this straight, watcher:
An unknown party is planting VHS tapes on your own set weekly, containing ad reads by:
a self-proclaimed professor
who mentions unfortunate encounters with horses
who has an 'estranged wife'
whose jacket is tan and tie and red
who is a 'gamer'
whose image flickered in like a hologram in an earlier ad read,
Tumblr media
and you want us to just like, not think Something Smells Fishy. OK...
94 notes · View notes
pixiecactus · 2 months
Text
i don't ship jonrya (gendrya it's the one for me tbh) but i swear it bothers me so much that people in this fandom like to discard jonrya like something absurd, that really has no foundation in the books (i can only think of one jon's ships that is like this and it's not jonrya let me tell you) when we have time and time again in both of arya and jon's chapters actually shown how they are so devoted to eachother, making one of the strongest bonds in the entire series, even if you don't take the og outline (jonrya endgame) in consideration:
in agot:
"And Arya…he missed her even more than Robb, skinny little thing that she was, all scraped knees and tangled hair and torn clothes, so fierce and willful. Arya never seemed to fit, no more than he had…yet she could always make Jon smile. He would give anything to be with her now, to muss up her hair once more and watch her make a face, to hear her finish a sentence with him."
and:
"She would have given anything if Jon had been here to call her “little sister” and muss her hair."
in acok:
"When at last she slept, she dreamed of home. The kingsroad wound its way past Winterfell on its way to the Wall, and Yoren had promised he’d leave her there with no one any wiser about who she’d been. She yearned to see her mother again, and Robb and Bran and Rickon . . . but it was Jon Snow she thought of most. She wished somehow they could come to the Wall before Winterfell, so Jon might muss up her hair and call her “little sister.” She’d tell him, “I missed you,” and he’d say it too at the very same moment, the way they always used to say things together. She would have liked that. She would have liked that better than anything."
and:
"As he rode, Jon peeled off his glove to air his burned fingers. Ugly things. He remembered suddenly how he used to muss Arya’s hair. His little stick of a sister. He wondered how she was faring. It made him a little sad to think that he might never muss her hair again. He began to flex his hand, opening and closing the fingers. If he let his sword hand stiffen and grow clumsy, it well might be the end of him, he knew. A man needed his sword beyond the Wall."
their current companions remind them of eachother:
“NO!” Arya and Gendry both said, at the exact same instant. Hot Pie quailed a little. Arya gave Gendry a sideways look. He said it with me, like Jon used to do, back in Winterfell. She missed Jon Snow the most of all her brothers.
and romantic interests too:
Ygritte trotted beside Jon as he slowed his garron to a walk. She claimed to be three years older than him, though she stood half a foot shorter; however old she might be, the girl was a tough little thing. Stonesnake had called her a “spearwife” when they’d captured her in the Skirling Pass. She wasn’t wed and her weapon of choice was a short curved bow of horn and weirwood, but “spearwife” fit her all the same. She reminded him a little of his sister Arya, though Arya was younger and probably skinnier. It was hard to tell how plump or thin Ygritte might be, with all the furs and skins she wore.
and i want to end with one of my favourite arya's quotes:
“I know where we could go,” Arya said. She still had one brother left. Jon will want me, even if no one else does. He’ll call me “little sister” and muss my hair. It was a long way, though, and she didn’t think she could get there by herself. She hadn’t even been able to reach Riverrun. “We could go to the Wall.”
so... no, the idea of jon x arya is not strange at all actually
102 notes · View notes
lunarharp · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
being attached to that moment qifrey held a baby one time and my ideas for the future :)
#witch hat tag#orufrey#brief small post before i return to Real and Emotional things again...but tbh...this makes me feel real emotions too#i think the manga will end up with a epilogue chapter showcasing little things in the girls' future and orufrey holding hands or kissing...#to like Indicate things. if it doesn't happen beforehand.#But. Who. Knows. also then i suddenly started thinking about them raising a baby for ages today because of how narratively poignant it'd be#for things to end that way after having raised almost-daughters all those years. and how healing it could be for qifrey and etc.#thing i said on twt: girls visit so often that the kid's first words are Professor Olly#“deja vu.. i'm not your professor kid - i'm your father!”#sorry but they are literally a gay couple where one truly is like The Mom and one truly is The Dad. to me#i think a housewifey homemaker type lifestyle would make qifrey happy. be harder now that he's disabled - well that's why he has his man.#i dont normally care about stuff like fankids or whatever..characters becoming parents for real..but like..Come on#This is the couple to think about this with.....they already ARE parents..i want them to be happy for eternity#once all the horrors are over we have to make it there.....children are so precious families are so precious....#i have bad relationship with parents personally and haven't interacted with children in years. And yet i still know that.#the fact that orufrey fight for children to be safe and educated and happy...qif wants to help coustas too..#aaaanyway today was a pretty weird and difficult day so i deserved to think about happy futures for a bit. i hear it's possible#btw i'm most sure about tetia becoming the princess of zozah. i think that will happen. and riche should have the ribbon tassel.
109 notes · View notes
anyoldfandom · 4 months
Text
I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.
A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.
But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.
And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.
And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.
He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.
We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.
We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.
The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.
And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.
And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.
It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.
#This is also. Why I dislike the 'Rex was secretly made for the nanite experiments the accident was a lie' theory so much#Bc it assigns malice where the show says over and over again there was only love.#That this was only ever a tragedy of good people whose good intentions were manipulated and twisted.#And I think giving them something shitty to have done in the past especially goes against the message of the show's perspective on adoption#The family we choose is not always stronger than the family we are born to. Sometimes they are equal in different ways.#Rex's bio parents are gone but not replaced. They have also shaped who he is#Six and Holiday are just picking up where they left off. Because they have to.#Also I don't like the theory that Rex's parents are EVOs somewhere bc I think it diminishes the impact of the tragedy too.#I get. Wanting them to have a happy ending. But I think it's important to realize that this is the closest they can have to a happy ending.#Some things cannot be replaced. Or fixed. Sometimes life takes what we love and what loves us. And that is okay.#It is okay to be upset at that and it is okay to never fully move on.#'What about Caesar?' I have. Another post's worth of thoughts about him.#But I think he's also a character who is defined more by Rex by their relation and defined by the story by his guilt#I think he is the closest thing Rex has to a shitty bio family member and he is shitty in plenty of ways#But he's also a parallel to Rex in a lot of ways. He fails where Rex succeeds bc of it.#generator rex#genrex#Anyways. Sorry for the big post.
80 notes · View notes
malama-art · 1 year
Text
Tumblr media
liko and roy
1K notes · View notes