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#rereading will be fun !!!!
mugentakeda · 2 months
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in my opinion the best "zuko joins the gaang early" fics are the ones that take place in book 1. the comedic potential is unparalleled
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obsob · 4 months
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bedtime story with my love !!
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confessedlyfannish · 26 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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nonasbirthday · 2 months
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i still can't believe there are folks who say "well GTN is annoying but you just have to get through it and then the other books aren't like that so you'll be fine."
personally i have been chasing the high of GTN ever since i first closed the book
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starrystevie · 4 months
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eddie isn't sure when steve becomes a synonym for safe. isn't sure how someone he actively avoided in crowded hallways morphs into a pair of eyes he seeks out when things are too much. isn't sure what it is about steve harrington that has him gravitating towards a once was king. it just suddenly is.
steve's a steady hand on his shoulder, a gentle nudge with the toe of his shoe to get him up and moving. he's a barely there smile reassuring him that things are okay, will be okay, could be okay if they keep trying to get to whatever okay could be.
steve's there for all of them, he always has been. he's the one that every single one of their ragtag bunch runs to in their own ways because steve's strong in his own way and can take away bits of their pain and fear and hide it behind his armor so it can't hurt them anymore.
but he's different for eddie. he's more quiet, more sturdy. what would be smiles for el and a crass joke for dustin and a carefully crafted hug for robin is soft silence for eddie. maybe it's because he's the tiniest bit younger than eddie, maybe it's because he's newer, maybe it's because he put eddie back together with strong hands and an even stronger will and saw the quivering underbelly that he hides away from everyone with wide grins and overwhelming flair.
everyone except steve, apparently.
whatever it is, eddie searches for it with every chance he can. he slides closer to steve when crowds get too loud looking between their feet to make sure he isn't too close but can still feel the heat radiating off of his bare arms. he looks up to see steve's eyes on him when eddie's gone quiet, throwing him a small smile and hoping it catches. he holds onto steve's quiet acceptance of a shitty mixtape in the car when eddie needs loud, needs angry, because he feels loud, feels angry.
but then it changes.
whatever they used to be isn't a factor anymore. whatever they used to be starts to bleed into steve's fingertips against bare skin, feeling his heartbeat through paper thin veins like he's trying to remind himself that eddie made it. that he himself made sure that eddie made it.
eddie does know when that change happens, though. knows when they go from never touching to always touching. knows when it changes from the steve and eddie that are two separate thoughts to the steveandeddie that can only ever be said within the same breath.
it's just that he was so tired and steve was sitting on his ratty little twin bed in his ratty big city apartment and steve was safe. steve meant safe. steve was the hands that held him together in a nightmare world and the air in his lungs when he couldn't breathe on his own.
so it all seemed to make sense for him to crawl onto the bed, rucking up the well worn quilt that he stole from wayne under his bony knees, and settle his head onto the legs that carried him out of the upside down into a world where steve was a security blanket in and of himself.
and as eddie stared up at the ceiling with his curls draped over steve's lap, he felt when it all clicked. felt the thighs he was laying on tense and then fall, felt the hand holding crumpled magazine pages come to rest gently on his chest, palm covering his racing heart. but most of all he felt when steve looked at him, gaze landing on his face and covering him like a balm over a burn.
he looked back, because eddie always looks when steve needs him, and quickly realized he was steve's safe, too. eddie might not be sure when steve becomes a synonym for safe, but that doesn't matter. not anymore. not when eddie can be that for him, too. not when he can learn what steve needs and when he needs it. he's a joke when steve's mind starts spiraling. he's the loud of a shitty mixtape to make him smile as he sings off key when they drive. he's a hand in his hair, pulling him in to rest against his chest when there's bats and russian doctors and max's broken body clouding his vision.
eddie still crawls into his lap when he feels that bone tiredness pulling at his limbs. steve still shoves his face into eddie's chest when he has to clear away the ghosts hiding in his eyes. they still let their fingertips brush over pulse points when they need little reminders. and when they need to be wrapped up by each other, held together with hands that are gentle and unspoken promises, eddie knows they'll both go with open arms.
because they make each other feel loved, make each other feel real, make each other feel safe.
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funsizedshark · 6 months
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i see your "if sanji had witnessed zoro eating rice balls off the ground for the sake of a little girl he would have fallen in love immediately" and i raise you "if zoro had witnessed sanji fighting with blades against the ramen guy on the train in water seven he would have proposed on the spot"
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inkclover · 6 months
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they make me so ill aeueueueuue
drew a part of @rizzyluke’s fic Overthinking Again. Chapter 9 has infested my brains so badly it won’t leave me be HELP—
screenshot of an excerpt from the fic:
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they make me so insane /pos
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rugwurm · 28 days
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pick your fighter!!
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tenowls · 1 year
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So, I’m awkward with actual humans. It’s not paranoia about my hacked governor module, and it’s not them; it’s me. I know I’m a horrifying murderbot, and they know it, and it makes both of us nervous, which makes me even more nervous. Also, if I’m not in the armor then it’s because I’m wounded and one of my organic parts may fall off and plop on the floor at any moment and no one wants to see that.
one last fancomic to finish off the year, from asr this time!!
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intermundia · 5 months
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anakin my dude.. touching her tears like that?? he's so crazy here, and stover renders it so well, he's so lost in the sauce lol so hopped up on murder, he genuinely thinks he earned her by killing the younglings.. it's so disturbing and upsetting how far he's given in to his selfishness, his greed and his entitlement. his "love" is a monstrous thing, and padmé knows it, but she's so far isolated and dependent on him and desperately in love with him.. you want to save her but you know you can't, you want to kill him, but you know you can't. the tragedy is unfolding and there's no way to stop it. stover pay for my therapy challenge i cannot simply i cannot..
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meg-noel-art · 2 months
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Do i finish it Y/N?
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mooncakebun · 2 months
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Did some traditional doodling for fun and this happened.. they’re so tiny 🥲
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Edit: scanned version just for archive purposes *trying to keep this page organised*🥲🙏
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purenonsens · 8 months
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A matchbox label fit to spark joy, er I mean fit to light restaurant table candles on your own (not necessarily at Ritz). (inspired by vintage matchbox labels and actually fit to print and decorate your own tiny box after a bit of resizing~)
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ikeasharksss · 1 year
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hey im curious
feel free to rb & explain your answer in the tags!
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Tolkien: "...You are familiar with Thorin's style on important occasions, so I will not give you any more of it, thought he went on a good deal longer than this"
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ashxketchum · 11 months
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Percy Jackson slayed a Minotaur when he was just only 12, he fought against Ares the god of War, he battled countless strong monsters in the Labyrinth, he bathed in the River Styx, and he stood his ground against Kronos and protected Olympus from falling in the Great Titan War-
AND YET
In the first 100 or so pages of The Lost Hero, Jason, Piper and Leo only know him as ‘Annabeth’s boyfriend’ and I just find it hilarious that that’s their initial introduction to Percy as a person.
Though knowing Percy I think he’d be pretty proud to be known as Annabeth’s boyfriend over any of his other accomplishments 😂
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