Natal Mercury Conjunct Venus: can you feel my heart in these words?
Natives with natal Mercury conjunct Venus have a naturally harmonious communication style; while the native is friendly, romantic, courteous, imaginative, and lovable, they tend to be submissive and passive in an effort to keep peace in their lives. A natural peace maker, they are often called upon to be mediators due to their diplomacy, they are also good financial negotiators as Venus rules money. Communication is one of their strong suits. They are often able to jump into social situations and make friends with ease due to their gracious nature. Natal Mercury conjunct Venus can also give the native a beautiful or nice voice and is a common aspect among many singers, actors and comedians. The native might be interested in creative pursuits such as singing/music, writing or poetry, acting, beauty or other similar endeavors. While this aspect is very positive in nature, the native must work on not intellectualizing their feelings too much and beware for partners who will take advantage of your kindness.
The way the finale went down isn’t the ending a lot of people wanted—I get that, and I sympathize. But I really do believe that’s in part because it isn’t an ending.
And, frankly, I love the way this season finale went purely for selfish reasons.
The thing is, I honestly think that from a fandom POV, that’s so much better than having everything go the way we wanted or expected. I’m already so inspired to create things—to patch holes of things I didn’t get to see or hypothesize on how things will turn out. There’s debate on what the wish really means that I KNOW is going to manifest in some creative af world building in future fics I’ll get to read.
I know some people are contemplating leaving the fandom after this, but that was going to happen regardless of how the season went down. And I hope that some of those people still find a way to enjoy what the show has given them. I hope people realize it’s never too late to play with whatever ideas they may have.
I think this “ending” is unsettling on purpose. And I think so many cool things are going to be created because of that set-up.
okay so the main criticism i've been seeing against episode 8 is that beelzebub (among other things) is "too nice" to be the sin of gluttony, because she's an attentive hostess, because she expresses worry over blitz's excess drinking, etc., and i wanna talk about it.
the thing is, i feel like this complaint is rooted in the most basic, somewhat cliche idea of the sin of gluttony, and a somewhat boring approach to bee's character in general. the idea is that, as the sin of gluttony, bee should be encouraging over-indulgence, excess, and the self-destructive aspects of party culture and drinking.
but she's the queen bee. she clearly explains that she can feel the "energy" of everyone at her party, and i think that's very important to analyzing exactly what gluttony means to her. instead of indulging in food and alcohol and drugs and being selfish (as gluttony is generally expected to be about), bee feeds on the ENERGY of the demons around her. and in order to get the best energy she can, she needs to be making sure everyone is actually having FUN and having a good time. gluttony, in this sense, is about EXTRAVAGANCE, having the best quality of everything, rather than just everything in general.
i also think this is why she was so put-off by blitz's actions. when he chugs the entire barrel of alcohol and then is absolutely wasted beyond all reason for the rest of the party, he's NOT actually engaging in her sin. he's not being gluttonous; he's not drinking to have a good time or to indulge or to have fun - he's drowning himself in alcohol because he's trying to forget and ignore all his problems, which is a sin much more akin to pride. his energy feels bad to bee because he's not having fun, he's deeply hurt and trying to distract himself by being self-destructive, which is NOT what her sin is about.
(also, remember, this is supposed to be part TWO of the finale. meaning, this episode (and the introduction of bee's character) directly goes hand-in-hand with the introduction of asmodeus, who's entire club IS about indulgence and depravity and everything you'd expect from the sin of lust. bee and the gluttony party are meant to be a direct foil to the energy of ozzie's.)
I despise the idea that you can only do a certain art project once. You can only release an idea once in this world before you can't. You can't re-try, can't ever re-do, can't ever revise the idea or project because, like marble, it is sculpted and could never change.
You're allowed to paint the same subjects. You're allowed to write the same types of stories. You can crochet the exact same bags. Who cares about if your ideas are "unique" and "revolutionary to the art world"? You can do the same shit forever and ever. Art and love on planet earth <3
as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.
and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.
and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.
and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).
but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.
and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.
it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.
and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.
So are the Big Bads of Junior Year going to be the Rat Grinders? AKA kids who leveled up 'the normal way' by doing a bunch of quests, grinding, taking on any enemy to get more powerful, but because of the 'luck' and 'opportunities' given to other kids (ie the Bad Kids) aren't being lauded or appreciated like they expected so they're taking it out on the Bad Kids, have taken advantage of it the summer they were gone, and are doing what they can to punish them for 'being rewarded despite failing at what's expected of them, despite actually saving the world'.
I wonder if all the members of Rat Grinders have classes that reflect those of the Bad Kids? We already know they have a rogue and a bard...
(btw i started posting my star wars doodles over at @redbean-nom! definitely not leaving here but i did want to separate my star wars/dnd stuff for ease of organization)
ok so question about the mirror au is the backstory with Wukong and macaque still the same, so is the only difference is that there personalitys are swapped
The ideas on them within this AU kinda fell on personality quirks I noticed while watching: What if Mac was much more " ride or die": A person who takes brotherhood and comradery much more seriously? What if Wukong holds back a whole lot more information; doesn't really feel guilty for what he's done, and maintains that he's only interested in causing a little bit of chaos?
Quick reminder to everyone to spread positivity on social media around this movie, even if there are obviously aspects of it that can and should be criticized.
Cause the better the reactions, the higher the possibility of many, many more queer, sweet romcoms for teenagers and kids growing up queer. And God, is this needed.
I definitely think big platforms such as Amazon are aware of their general audience, and if everyone goes crazy about how bad it all was, that's not gonna be helpful.
Queer people need silly, funny, idealistic RomComs too!! It's a book adaptation, not an exact copy of it.
the irony of cesare slutshaming juan for sleeping in brothels had me with tears in my eyes considering his very first scene in the show is him rawdogging a prostitute like his life depended on it...like babygirl we see you!!!
i don't know how to describe it but there's potential between maxwell and wigfrid's friendship that's like. almost tender. i guess. you'll just have to take my word for it.
ultimately, they're both so painfully similar. when you boil them down into their base elements, they're practically the same person. an artist, longing so desperately for approval, that they're willing to sacrifice anything to get it. an actor who hates themself so thoroughly that they're willing to become someone worthy of being loved- and judging that metric of worth on how much they're adored by the strangers that comprise their audience.
maxwell knows that 'wigfrid' is a facade. but, to an extent, i also think that wigfrid knows 'maxwell' is a facade. and i think there's something so delicate, so genuine in the way two people like that can engage with each other.
two people, terrified of being unmasked- and subsequently, unloved- knowing full well that the other isn't what they seem... and not prying. not peering behind the curtain.
"i understand you. i know you're a ghost of the old self you ruthlessly buried. i am, too. i can't unknow the real you. but i can lie, as you do. i won't take off your mask. but if it ever slipped- if it ever fell off- i would not run from the monster hiding beneath, so long as you promise not to run from mine."