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#platonic but take it how you want
elfcollector · 11 days
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I think I need to go to camp for a while. Be alone. Scream at the sky.
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yardsards · 14 days
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the thing about labru vs kabumisu is that both of them have the same core appeal to me, specifically from kabru's side of things: kabru being someone who is constantly agonizing about social rules and putting on the right mask, and meeting this Weird Fucking Guy who does not (cannot) care about all those things, and so kabru slowly allows himself to be more genuine. they're both such good relationships (whether you view them romantically or platonically), why must there be so much hostility between enjoyers of these ships?
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mintaikcorpse · 2 months
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Me reading a fic where the person had an identidy realization that they were in he aroace spectrum and now they were figuring themselves out(I finally found something that understood me and a romance I could relate to after all these years)
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larsbarsart · 7 months
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Day 15. Canon Divergence
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Look at them! Having a much-needed nap (Brian isn't joining bc he can't handle touch rn methinks)
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greenerteacups · 1 month
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thoughts on Ginny and Harry as a couple?
There are a lot of people who find their romance in HBP forced. I don't think it's forced so much as underwritten, and the books don't get the chemistry quite right (though the movies certainly don't, either). There's potential, but they just don't get enough actual scenes of substance (besides Harry thinking she's pretty or feeling jealous of Dean) for a lot of readers to buy that they're not only in love, but deeply enough in love to break up, get back together, and wind up married.
That's not to say I don't see the appeal. There's a very cool scene in Book 5 where Harry's doing a woe-is-me-Chosen-One act, and Ginny effortlessly puts him in his place about it by reminding him that she was possessed by Voldemort at eleven, which is a rare glimpse into her character and also a great synecdoche for their relationship — Ginny is a grounding presence who, like Ron and Hermione, isn't going to be awed by his past adventures because she knew him before they happened. In that respect, Ginny's probably one of the few women Harry could feasibly wind up with, because he only ever seems comfortable around people (let alone girls) who can see past the Chosen-One schtick and treat him like a normo (see: Ron, Hermione, the Weasleys, Luna, Hagrid). True to type, he doesn't get interested in Ginny at all until she's ditched her celebrity crush and ceased to view him as an idol, because in his heart of hearts, Harry wants to be a normal boy, and it's stressed over and over that part of what he likes about his relationship with Ginny is how normal it feels. He kind of has a horribly supercharged version the celebrity dating problem: after the Battle of Hogwarts, anyone he meets is going to know him first as Harry Potter, Chosen One, Boy Who Lived, and Actually Fucking Resurrected Messiah of the Wizarding World, which is... I mean, it's possible that there are witches out there who could get over that, but Harry's not an extroverted guy, and I'm not sure how he'd go about finding them. Ginny's the one who's been there since the beginning, doesn't need anything about him or his past explained to her, and actually likes him for who he is.
When you look at it that way, it's not surprising he married his high school girlfriend. She's one of the few people still alive who doesn't see him as a demigod.
#in general I was never one to ship harry with anybody#what I wanted for him was a long quiet life and plenty of therapy#maybe some dogs. i think harry needs dogs and deserves them#The other obvious solution ftr — though not one I think Harry would take — is for him to marry a muggle#though again. you'd run into the problem of how you explain All That#which harry doesn't like to talk about and probably would want to talk about even less as an adult#plus also: harry loves magic. like he loves it loves it#the muggle world for harry is permanently connected with the dursleys and it would take years to break that association#which I just don't think he's going to invest#Harry post-BOH is moving to Hogsmeade or wizarding London or some other magical neighborhood and staying there forever#by the way this post is not anti Harry and Ginny! no hate on the ship I've seen versions of it that are very cute#but I just think their love story needed Sauce#there are also some really interesting posts I've found in Deep Fandom crackship blogs about h/g as Harry's sublimated desire for Ron#now I don't necessarily buy that reading. I don't think Harry is in love with Ron in the original text#I do think he LOVES ron and projects that love onto the Weasleys very quickly ginny included#and I think Ron is his soulmate platonic or otherwise in every universe#so marrying Ginny has like. Implications. vis-a-vis Harry's status as a Weasley and adoptive brother[in law] of Ron#like it's a full-circle moment where he becomes officially legally a member of Ron's family#which I do believe JKR had in mind. even though that basically means ginny's wedding becomes kinda... actually... about her brother...#it's weird basically. my final verdict is I wish H/G had been written by an author who was more interested in Ginny for Ginny's sake.#greenteacup asks
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krasytoonz · 10 months
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your art can make me ship anything at this point but I also feel bad for howdy- so-
**hugs howdy**
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Howdy’s Fine! Don’t Worry about him!
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dead-core · 4 months
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craving validation from exactly the wrong person. slay
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v1model · 4 months
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did you know that i am potentially crazy
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six-white-venus · 4 months
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sometimes i wonder if death is all i can write about.
every poem i recite seems mournful, like i'm preparing for a funeral that i'm somehow sure will happen. it follows me, the death. its stench. the sorrow. it follows me and i'm so sick and tired of it. somedays i even think of stopping writing altogether, because what's the point? every word i put down on paper will be pitch black anyway and it will scream and weep of the same old tragedies that will make everyone's ears bleed time and time again.
but then i remember.
i remember writing about soft smiles and booming laughter. i remember writing about tears being wiped away by patient fingers, i remember writing the words, "i love you, i love you, i love you," like a hymn, a prayer, like a holy scripture. i remember writing about you. you, with your garden of water hyacinths, tiger lilies, and grins that are a little too sharp to make a person feel comfortable (just like mine). you with your poems that feel like a beating piece of your heart, with your messy hair, boundless excitement, and fingers painted with the rainbow. i remember us: sitting cross-legged in places we shouldn't be sitting in, talking about everything and nothing and feeling at home with each other ("you're my family"). i remember writing about adoration, love and friendship. i remember, then: death is not all i write about.
my writing is not about death or sorrow at all, actually. my writing is a sweet caress of words singing,
"hey, can you hear me?
i just wanted to say:
i love you. i love you, i love you,
i love you and my dear,
you make loving so painless."
i write about love time and time again, i write about you, i write about us. huh. maybe in a way, i do write about death. with us, love lives and laughs and when we're apart, dies, only to rise up from the ashes brighter than the goddamn sun when you see me the next day and we both grin.
i write and it says, "hey, can you hear me?"
and you do, every time.
and you say, "i love you."
I want to yell at the top of my lungs, "i love you i love you i love you so fuckin much i adore you"
but instead, i smile and hold you close. Instead, i write my silly little letters and hope they ring a million times louder than my voice ever could.
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give-soup-please · 2 years
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Platonic(?) Obsessed Narrator Headcanons
Hoo boy, this dude is intense.
He will do absolutely anything to keep your attention.
New endings? Done. New content? Yes. That godforsaken bucket? Fine, but he’s going to complain the whole time.
He will find out what you like about him and bump up those traits in his self-presentation.
He’s very desperate to keep you by his side, either through Stanley or somehow wiring you directly into the game.
If your favorite thing about him is his voice, you’d better hope he doesn’t find out. Unless, of course, you want him to. 
When the mood strikes him, he can be an incredible storyteller, and his acting range is unparalleled. 
Happy endings? Bittersweet? Sad? Whatever you want, as long as you stay by his side.
If you’d like, you may even be able to push him into reading someone else’s story, though it is a difficult thing to navigate.
He’s at his happiest when he’s reading what he wrote, wanting to believe it's his words casting a spell over you, and not someone else's.
But if you ask him enough, he’ll indulge and read your favorite book to you, or maybe your favorite poetry. After all, it means you’re spending more time with him. 
I can’t help but think of a slightly edited quote from the zending (red door)
“This is what you want. This is where we can both be happy, we really can. If you keep listening. You just have to keep listening.”
He understands that humans have physical limitations, though he doesn’t have any personal experience with it, and that you can’t play the game 24/7. This doesn’t stop him from getting upset when you have to leave.
“You will come back, won’t you?” 
Occasionally his trauma starts acting up, especially post skip button ending. You’d go to exit the game after spending a few hours with him and all of a sudden…
“Don’t go! Please don’t go!” 
You’re going to have to navigate his boundaries, your boundaries, and the boundaries of the game carefully if you want to maintain any sense of balance. 
You can, if you wish, try and convince him that you are always going to come back.
 Depending on how much trauma he has when these traits start appearing, this could take anywhere from a few days to a few months.
But even if it’s been a while since you booted up the game, he’s always happy to see you again.  
You’re proof that he’s real. That his stories are having an impact. That he’s so compelling you can’t help but want to see him again.  
Unless you two code something collaboratively, communication will be difficult.
A nod and a shake of a head from Stanley are fairly clear to him, but other than that? It may be worth modding the game in order for him to receive input from your mic. 
It’s unlikely to happen given the current limitations of the game, but if you were somehow able to code in/mod the game to get him to hear from your mic AND have a webcam feed he could watch, he’d be absolutely overjoyed. 
He can see you! You have a lovely smile. And it’s all for him.   
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rosaacicularis · 5 months
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who wants to convince me to try being a video editor so i can make angsty scarian edits and hashtag them “desert duo” when it’s literally the most slash r edit ever
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hii 📓
Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.
They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.
The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.
Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.
It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.
They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.
Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.
The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.
And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.
Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.
They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.
And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.
She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.
Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.
One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.
It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.
The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.
It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.
The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.
Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.
The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.
This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.
Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.
She is bad at it.
So fucking bad at it.
But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.
In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.
And oh. They could recognize each other after all.
She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.
Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.
But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—
Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.
Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.
They never make it out the back.
Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.
Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.
She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.
See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.
She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.
The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.
At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.
The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.
Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.
For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.
And as it turns out, her brothers monsters were real all along.
There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.
It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.
They run.
Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.
Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?
The fight goes bad.
Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.
She chucks her shoe at him. The finger goes flying.
Then the monster eats it instead.
Tsumiki: :o
Yuuji: :o
Megumi: fuck
Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.
Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.
Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.
Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant
Gojo: :o go on
Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away
Gojo: *gasp* what no
Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—
Megumi, really trying to have a moment here: we can both hear you
And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”
Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.
Itadori: she hit me in the face with her shoe like five minutes ago
Tsumiki: see???
Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.
And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”
He really didn’t know that Megumi had a sister he wanted to stay with.
And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?
Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.
Gojo:
Megumi:
Tsumiki, softly: dude
There’s more after they make it to jujutsu high but this is already really long so we leave it here
#ask games#jjk#jujutsu kaisen#continuing my streak of becoming obsessed with minor background characters#other highlights include itadori trying to platonically wingman for tsumiki with her brother (because it’s been like a decade and she knows#nothing about him and he knows nothing about her and she’s terrified he won’t like her once they get to know each other again) so that way#itadori can be the one asking the get to know you questions and tsumiki doesn’t have to admit out loud that she and her brother know nothing#about each other only the inherent problem is that her brother is actually unfairly pretty and has a sort of dry wit and is reserved but#when you get to know him he’s such a genuine dude and oh fuck oh no he’s in trouble this is his best friends long lost brother he has to be#violating some kind of code here. Kugisaki stop laughing at him this is a crisis.#gojo basically backed out of teenage fatherhood when he saw Megumi walking around with the divine dogs because it’s one thing to butt heads#with a major clan over an outcast member it’s another to do it for their most sacred technique#he thought that Megumi would be better taken care of than anyone else in the clan as the person with the ten shadows and that he’d probably#be better off than with an emotionally broken seventeen year old who works at least 28 days a month and has no idea how to raise a child#he never realized that Megumi had a sister he wanted to stay with who the Zenin separated him from#he tells himself he would have intervened if he had known because he’s been secretly worried and guilty about not taking in Megumi after all#since Maki showed up and said some worrying things about the clan heir and his standard of living and got the confirmation when he met#tsumiki and realized that he could have kept them together all those years ago and didnt. megumi and tsumiki kind of haunt him with lost#potential because not only could they have grown up a family but they could have grown up his family. megumi doesn’t know why satoru gojo#of all people is being so weirdly helpful and intense about about sponsoring tsumiki and keeping her close to him
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unraysunshine · 19 days
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I do love Sanji and Zoro's dynamic of fighting every time because its entertaining to see these very powerful men become squabbling adolescents fighting for the strangest things.
But I also love that both of them respect each other so much and seemingly think the same in some situations. Both are brash and hot-headed, impossible to deal with when their minds are set. Very alike but so different, in my opinion. However, some people like the power-scaling stuff so much that their whole thing gets hidden or denied (??) and turns into misconceptions about their characters, and their goals in their own stories, and going as far as to pitting them against each other.
They are besties!!! you won't take that out of my cold and dead hands but neither of them would be caught DEAD complementing each other.
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koinotame · 2 months
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sometimes you realise you've set up what could be a really interesting dynamic and go ohoho.... anyway reader taking advantage of yan silver and silver going along with it wholeheartedly, and lilia noticing and trying to intervene because that's his son you're hurting, but yan silver is yan enough that he gets very upset about his father antagonising and/or trying to hurt you, so lilia is forced to think about what exactly he's going to do about you because he can't just watch and do nothing but even one wrong step will cause irreparable damage to his relationship with silver
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entomjinx · 10 months
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Not a theory, but more like a fun AU thing: Nika and Luffy are two halves of the same soul. Nika is older than the void century, and Imu probably is too, so what if when when the two of them fought (because after all we've learned in recent chapters, I refuse to believe they didn't fight) , Imu split Nika's soul in half? One half went into Luffy's devil fruit and the other reincarnated into Luffy. But the thing is, souls heal overtime, and chaos theory exists. Chaos theory is a math and physics process but it can absolutely be applied to other things as well: Chaos theory states that within the apparent randomness of chaotic complex systems, there are underlying patterns, interconnection, constant feedback loops, repetition, self-similarity, fractals, and self-organization. but in practice the theory shows that the slightest deviation of a point changes it dramatically. You can apply this to real world instances, but when applying it to people, or in this case, Nika and Luffy, the changes in what they go through being trapped in the devil fruit vs reincarnated and waiting to become a god again, has healed their halves of the soul in different ways, and created two different people who were once the same person. Two consciousnesses that began as one. That's why the devil fruit called to Luffy so strongly. He may have eaten it out of anger in canon, but the chest had his attention the second it was close because the literal other half of his soul was inside, and eating it made him whole again---Kind of. Because the two half have healed back into separate wholes over the 800+ years, they no longer fit together, creating a dissonance that won't allow them to become the same person again, and leaving them as separate consciousnesses in Luffy's head. Nika can make himself a separate body now that he's free from the devil fruit, but splitting from Luffy doesn't feel right to do most of the time. It's like splitting the soul in half again. It's bearable but not ideal, especially if they're not close together.
They're two halves of a whole that have been repaired in full and no longer fit together, but who will forever match. Or in short: fucked up soulmates.
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the0verboss · 2 years
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So I know Con said that Izzy doesn’t need a relationship/isn’t incomplete, because his job is everything to him, and this has just left me with the hilarity of…
Stede: Who’s a good First Mate. C’mon tell me who the best first mate in the world is
Izzy, grinding his teeth but secretly thrilled: I Am
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